{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1916\u0026page=9\u0026view=compact","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1916\u0026page=8\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1916\u0026page=10\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1916\u0026page=2106\u0026view=compact"},"meta":{"pages":{"current_page":9,"next_page":10,"prev_page":8,"total_pages":2106,"limit_value":10,"offset_value":80,"total_count":21055,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_repositories_3_resources_1030_c03_c02","type":"Subseries","attributes":{"title":"1910s","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1030_c03_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1030_c03_c02","ref_ssm":["viu_repositories_3_resources_1030_c03_c02"],"id":"viu_repositories_3_resources_1030_c03_c02","ead_ssi":"viu_repositories_3_resources_1030","_root_":"viu_repositories_3_resources_1030","_nest_parent_":"viu_repositories_3_resources_1030_c03","parent_ssi":"viu_repositories_3_resources_1030_c03","parent_ssim":["viu_repositories_3_resources_1030","viu_repositories_3_resources_1030_c03"],"parent_ids_ssim":["viu_repositories_3_resources_1030","viu_repositories_3_resources_1030_c03"],"parent_unittitles_ssm":["Charles M. Robinson and Principals Architectural Records","Architectural drawings"],"parent_unittitles_tesim":["Charles M. Robinson and Principals Architectural Records","Architectural drawings"],"text":["Charles M. Robinson and Principals Architectural Records","Architectural drawings","1910s"],"title_filing_ssi":"1910s","title_ssm":["1910s"],"title_tesim":["1910s"],"unitdate_inclusive_ssm":["1910-1919"],"normalized_date_ssm":["1910/1919"],"normalized_title_ssm":["1910s"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Charles M. Robinson and Principals Architectural Records"],"has_online_content_ssim":["false"],"child_component_count_isi":185,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":60,"parent_access_restrict_tesm":["This collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice."],"parent_access_terms_tesm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. 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Robinson and Principals Architectural Records","Architecture, Modern -- 20th century -- Designs and plans","Architecture, Domestic -- Designs and plans.","Architects and community -- Virginia.","Architects -- Virginia.","Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings","This collection is open for research.","Some of the architectural works are brittle or torn and need to be handled delicately.","Photographic materials need to be handled with proper gloves.","Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Folder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.","This collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Due the physical condition of this item, it is housed in a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.","The collection is arranged into four main series: ","Series 1 - Charles M. Robinson records, 1978, 2020, undated","Series 2 -  Office records, 1935-1992, undated","Series 3 - Architectural drawings, 1907-2012","Series 4 - Project photograph files, 1855-1999, undated","Series 2 and 4 are further arranged into large files, and Series 3 is arranged first into subseries, then into files.","The files in Series 2, Office records, are arranged accoring to the significance of the documents to the firm's operations.","In Series 3, Architectural drawings, the subseries are named after each decade, beginning with 1900s and ending with the 2010s. The files below these subseries are project titles arranged in general chronological order grouped together by year.","The files in Series 4, Project photograph files, are arranged alphabetically. ","Charles Morrison Robinson  was born on  March 3, 1867 , in  Hamilton, Loudoun County, Virginia . He was the eldest son of  architect  and builder  James T. Robinson  and  Elizabeth Crockett Robinson . His family relocated to  Welland, Ontario , where he completed his early schooling before beginning architectural training under  D.S. Hopkins  in  Grand Rapids, Michigan , and  John K. Peebles  in  Pittsburgh, Pennsylvania . In  1889 , he formed his first partnership—Smith \u0026 Robinson—in  Altoona, Pennsylvania . He married  Annie Custer  in  1891 , and their son,  Charles Custer Robinson , was born two years later.  ","Following years of practice in Pennsylvania, including partnerships with  George T. Smith ,  R.B. Crockett , and  George Winkler ,  Robinson  returned to  Virginia  in  1906 , establishing Charles M. Robinson, Architect in  Richmond . Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.  ","Between  1906  and  1932 , Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in  Richmond ,  Norfolk ,  Newport News ,  Portsmouth , and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026 Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces. ","In  1908  he won the commission to design the campus of the State Normal School at  Harrisonburg , now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026 Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium. ","His practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at  Catawba ,  Burkeville , and  Charlottesville  for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.  ","By the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson,  Benjamin A. Ruffin , and  John Binford Walford , who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in  1926 , he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on  August 20, 1932 , at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.  ","The practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026 Wright (1946–1962); Wright, Jones \u0026 Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026 Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.","Reference List:","Arlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf","Ledger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/","Loth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026q=charles+robinson#v=onepage\u0026q=charles%20robinson\u0026f=false","Morgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/","Moyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/","Preservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m","Robinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html","United States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf","Winthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/","CONTENT WARNING:\nThis material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23","The commission number for this set of drawings is the same as the number for the \"John W. Daniel School, Newport News Schools, VA, 1913\" drawings. However, there is no indication of the projects being related.","The commission number for this set of drawings is the same as the number for the \"Eastville High School, Northampton County, VA, 1913\" drawings. However, there is no indication of the projects being related.","The Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series. ","Series 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater. ","Series 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death. ","Series 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.   ","Included are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. ","Primary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater. ","Of particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University. ","The works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia. ","Series 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos. ","Dates: 1907 – 2012, bulk date 1907-1995  ","This series consists of architectural rolls that contain drawings, designs, and plans of educational institutions, hospitals, churches, offices, retail stores, and private residences across the state of Virginia. The series also includes rolls that hold topographic maps, plot and general layouts, and site studies. The drawings comprise original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. For a detailed inventory of the drawings, please see the Charles M. Robinson architectural records drawing inventory in the External Documents field.","This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Robinson","Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. Ruffin","John Binford Walford","English"],"unitid_tesim":["MSS 16518","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1030"],"normalized_title_ssm":["Charles M. 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The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["Purchased from David Robinson, 2021-03-31"],"access_subjects_ssim":["Architecture, Modern -- 20th century -- Designs and plans","Architecture, Domestic -- Designs and plans.","Architects and community -- Virginia.","Architects -- Virginia.","Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings"],"access_subjects_ssm":["Architecture, Modern -- 20th century -- Designs and plans","Architecture, Domestic -- Designs and plans.","Architects and community -- Virginia.","Architects -- Virginia.","Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings"],"has_online_content_ssim":["false"],"extent_ssm":["278.62 Cubic Feet 1768 rolls of architectural drawings housed in 1458 tube boxes, 4 tube rolls, 93 oversized flat file folders, and 2 oversized flat boxes. 11 legal document boxes, 1 oversized flat box, and 9 oversized flat folders of records"],"extent_tesim":["278.62 Cubic Feet 1768 rolls of architectural drawings housed in 1458 tube boxes, 4 tube rolls, 93 oversized flat file folders, and 2 oversized flat boxes. 11 legal document boxes, 1 oversized flat box, and 9 oversized flat folders of records"],"genreform_ssim":["Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e\n","\u003cp\u003eSome of the architectural works are brittle or torn and need to be handled delicately.\u003c/p\u003e\n","\u003cp\u003ePhotographic materials need to be handled with proper gloves.\u003c/p\u003e","\u003cp\u003ePlease note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.\u003c/p\u003e\n","\u003cp\u003eFolder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.\u003c/p\u003e\n","\u003cp\u003eTo view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.\u003c/p\u003e\n","\u003cp\u003eAfter viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.\u003c/p\u003e","\u003cp\u003eThis collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.\u003c/p\u003e","\u003cp\u003eDue the physical condition of this item, it is housed in a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.\u003c/p\u003e\n","\u003cp\u003eTo view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.\u003c/p\u003e\n","\u003cp\u003eAfter viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Physical Access","Conditions Governing Access","Physical Access"],"accessrestrict_tesim":["This collection is open for research.","Some of the architectural works are brittle or torn and need to be handled delicately.","Photographic materials need to be handled with proper gloves.","Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Folder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.","This collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Due the physical condition of this item, it is housed in a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four main series: \u003c/p\u003e\n","\u003cp\u003eSeries 1 - Charles M. Robinson records, 1978, 2020, undated\u003c/p\u003e\n","\u003cp\u003eSeries 2 -  Office records, 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003eSeries 3 - Architectural drawings, 1907-2012\u003c/p\u003e\n","\u003cp\u003eSeries 4 - Project photograph files, 1855-1999, undated\u003c/p\u003e\n","\u003cp\u003eSeries 2 and 4 are further arranged into large files, and Series 3 is arranged first into subseries, then into files.\u003c/p\u003e\n","\u003cp\u003eThe files in Series 2, Office records, are arranged accoring to the significance of the documents to the firm's operations.\u003c/p\u003e\n","\u003cp\u003eIn Series 3, Architectural drawings, the subseries are named after each decade, beginning with 1900s and ending with the 2010s. The files below these subseries are project titles arranged in general chronological order grouped together by year.\u003c/p\u003e\n","\u003cp\u003eThe files in Series 4, Project photograph files, are arranged alphabetically. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four main series: ","Series 1 - Charles M. Robinson records, 1978, 2020, undated","Series 2 -  Office records, 1935-1992, undated","Series 3 - Architectural drawings, 1907-2012","Series 4 - Project photograph files, 1855-1999, undated","Series 2 and 4 are further arranged into large files, and Series 3 is arranged first into subseries, then into files.","The files in Series 2, Office records, are arranged accoring to the significance of the documents to the firm's operations.","In Series 3, Architectural drawings, the subseries are named after each decade, beginning with 1900s and ending with the 2010s. The files below these subseries are project titles arranged in general chronological order grouped together by year.","The files in Series 4, Project photograph files, are arranged alphabetically. "],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eCharles Morrison Robinson\u003c/persname\u003e was born on \u003cdate\u003eMarch 3, 1867\u003c/date\u003e, in \u003cgeogname\u003eHamilton, Loudoun County, Virginia\u003c/geogname\u003e. He was the eldest son of \u003coccupation\u003earchitect\u003c/occupation\u003e and builder \u003cpersname\u003eJames T. Robinson\u003c/persname\u003e and \u003cpersname\u003eElizabeth Crockett Robinson\u003c/persname\u003e. His family relocated to \u003cgeogname\u003eWelland, Ontario\u003c/geogname\u003e, where he completed his early schooling before beginning architectural training under \u003cpersname\u003eD.S. Hopkins\u003c/persname\u003e in \u003cgeogname\u003eGrand Rapids, Michigan\u003c/geogname\u003e, and \u003cpersname\u003eJohn K. Peebles\u003c/persname\u003e in \u003cgeogname\u003ePittsburgh, Pennsylvania\u003c/geogname\u003e. In \u003cdate\u003e1889\u003c/date\u003e, he formed his first partnership—Smith \u0026amp; Robinson—in \u003cgeogname\u003eAltoona, Pennsylvania\u003c/geogname\u003e. He married \u003cpersname\u003eAnnie Custer\u003c/persname\u003e in \u003cdate\u003e1891\u003c/date\u003e, and their son, \u003cpersname\u003eCharles Custer Robinson\u003c/persname\u003e, was born two years later.  \u003c/p\u003e\n","\u003cp\u003eFollowing years of practice in Pennsylvania, including partnerships with \u003cpersname\u003eGeorge T. Smith\u003c/persname\u003e, \u003cpersname\u003eR.B. Crockett\u003c/persname\u003e, and \u003cpersname\u003eGeorge Winkler\u003c/persname\u003e, \u003cfamname\u003eRobinson\u003c/famname\u003e returned to \u003cgeogname\u003eVirginia\u003c/geogname\u003e in \u003cdate\u003e1906\u003c/date\u003e, establishing Charles M. Robinson, Architect in \u003cgeogname\u003eRichmond\u003c/geogname\u003e. Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.  \u003c/p\u003e\n","\u003cp\u003eBetween \u003cdate\u003e1906\u003c/date\u003e and \u003cdate\u003e1932\u003c/date\u003e, Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in \u003cgeogname\u003eRichmond\u003c/geogname\u003e, \u003cgeogname\u003eNorfolk\u003c/geogname\u003e, \u003cgeogname\u003eNewport News\u003c/geogname\u003e, \u003cgeogname\u003ePortsmouth\u003c/geogname\u003e, and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026amp; Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces. \u003c/p\u003e\n","\u003cp\u003eIn \u003cdate\u003e1908\u003c/date\u003e he won the commission to design the campus of the State Normal School at \u003cgeogname\u003eHarrisonburg\u003c/geogname\u003e, now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026amp; Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium. \u003c/p\u003e\n","\u003cp\u003eHis practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at \u003cgeogname\u003eCatawba\u003c/geogname\u003e, \u003cgeogname\u003eBurkeville\u003c/geogname\u003e, and \u003cgeogname\u003eCharlottesville\u003c/geogname\u003e for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.  \u003c/p\u003e\n","\u003cp\u003eBy the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson, \u003cpersname\u003eBenjamin A. Ruffin\u003c/persname\u003e, and \u003cpersname\u003eJohn Binford Walford\u003c/persname\u003e, who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in \u003cdate\u003e1926\u003c/date\u003e, he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on \u003cdate\u003eAugust 20, 1932\u003c/date\u003e, at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.  \u003c/p\u003e\n","\u003cp\u003eThe practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026amp; Wright (1946–1962); Wright, Jones \u0026amp; Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026amp; Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.\u003c/p\u003e\n","\u003cp\u003eReference List:\u003c/p\u003e\n","\u003cp\u003eArlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf\u003c/p\u003e\n","\u003cp\u003eLedger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/\u003c/p\u003e\n","\u003cp\u003eLoth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026amp;q=charles+robinson#v=onepage\u0026amp;q=charles%20robinson\u0026amp;f=false\u003c/p\u003e\n","\u003cp\u003eMorgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/\u003c/p\u003e\n","\u003cp\u003eMoyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/\u003c/p\u003e\n","\u003cp\u003ePreservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m\u003c/p\u003e\n","\u003cp\u003eRobinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html\u003c/p\u003e\n","\u003cp\u003eUnited States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf\u003c/p\u003e\n","\u003cp\u003eWinthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Charles Morrison Robinson  was born on  March 3, 1867 , in  Hamilton, Loudoun County, Virginia . He was the eldest son of  architect  and builder  James T. Robinson  and  Elizabeth Crockett Robinson . His family relocated to  Welland, Ontario , where he completed his early schooling before beginning architectural training under  D.S. Hopkins  in  Grand Rapids, Michigan , and  John K. Peebles  in  Pittsburgh, Pennsylvania . In  1889 , he formed his first partnership—Smith \u0026 Robinson—in  Altoona, Pennsylvania . He married  Annie Custer  in  1891 , and their son,  Charles Custer Robinson , was born two years later.  ","Following years of practice in Pennsylvania, including partnerships with  George T. Smith ,  R.B. Crockett , and  George Winkler ,  Robinson  returned to  Virginia  in  1906 , establishing Charles M. Robinson, Architect in  Richmond . Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.  ","Between  1906  and  1932 , Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in  Richmond ,  Norfolk ,  Newport News ,  Portsmouth , and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026 Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces. ","In  1908  he won the commission to design the campus of the State Normal School at  Harrisonburg , now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026 Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium. ","His practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at  Catawba ,  Burkeville , and  Charlottesville  for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.  ","By the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson,  Benjamin A. Ruffin , and  John Binford Walford , who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in  1926 , he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on  August 20, 1932 , at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.  ","The practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026 Wright (1946–1962); Wright, Jones \u0026 Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026 Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.","Reference List:","Arlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf","Ledger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/","Loth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026q=charles+robinson#v=onepage\u0026q=charles%20robinson\u0026f=false","Morgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/","Moyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/","Preservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m","Robinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html","United States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf","Winthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/"],"odd_html_tesm":["\u003cp\u003eCONTENT WARNING:\nThis material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eSome items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23\u003c/p\u003e","\u003cp\u003eThe commission number for this set of drawings is the same as the number for the \"John W. Daniel School, Newport News Schools, VA, 1913\" drawings. However, there is no indication of the projects being related.\u003c/p\u003e","\u003cp\u003eThe commission number for this set of drawings is the same as the number for the \"Eastville High School, Northampton County, VA, 1913\" drawings. However, there is no indication of the projects being related.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Conservation and Preservation","General","General"],"odd_tesim":["CONTENT WARNING:\nThis material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23","The commission number for this set of drawings is the same as the number for the \"John W. Daniel School, Newport News Schools, VA, 1913\" drawings. However, there is no indication of the projects being related.","The commission number for this set of drawings is the same as the number for the \"Eastville High School, Northampton County, VA, 1913\" drawings. However, there is no indication of the projects being related."],"prefercite_html_tesm":["\u003cp\u003eMSS 16518, Charles M. Robinson and Principals Architectural Records, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16518, Charles M. Robinson and Principals Architectural Records, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series. \u003c/p\u003e\n","\u003cp\u003eSeries 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater. \u003c/p\u003e\n","\u003cp\u003eSeries 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death. \u003c/p\u003e\n","\u003cp\u003eSeries 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.   \u003c/p\u003e\n","\u003cp\u003eIncluded are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. \u003c/p\u003e\n","\u003cp\u003ePrimary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater. \u003c/p\u003e\n","\u003cp\u003eOf particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University. \u003c/p\u003e\n","\u003cp\u003eThe works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia. \u003c/p\u003e\n","\u003cp\u003eSeries 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos. \u003c/p\u003e","\u003cp\u003eDates: 1907 – 2012, bulk date 1907-1995  \u003c/p\u003e\n","\u003cp\u003eThis series consists of architectural rolls that contain drawings, designs, and plans of educational institutions, hospitals, churches, offices, retail stores, and private residences across the state of Virginia. The series also includes rolls that hold topographic maps, plot and general layouts, and site studies. The drawings comprise original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. For a detailed inventory of the drawings, please see the Charles M. Robinson architectural records drawing inventory in the External Documents field.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series. ","Series 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater. ","Series 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death. ","Series 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.   ","Included are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. ","Primary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater. ","Of particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University. ","The works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia. ","Series 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos. ","Dates: 1907 – 2012, bulk date 1907-1995  ","This series consists of architectural rolls that contain drawings, designs, and plans of educational institutions, hospitals, churches, offices, retail stores, and private residences across the state of Virginia. The series also includes rolls that hold topographic maps, plot and general layouts, and site studies. The drawings comprise original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. For a detailed inventory of the drawings, please see the Charles M. Robinson architectural records drawing inventory in the External Documents field."],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"names_ssim":["Albert and Shirley Small Special Collections Library","Robinson","Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. Ruffin","John Binford Walford"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"famname_ssim":["Robinson"],"names_coll_ssim":["Robinson, Charles  M. (Morrison), 1867-1932"],"persname_ssim":["Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. 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During his tenure at the Frankfurt Clinic, he began a lifelong collaboration with neurologist and psychiatrist Kurt Goldstein.  After the end of the first World War, soldiers often returned home with illnesses caused by the war. Many German psychiatrists diagnosed these veterans with conditions that could be noted as unrelated to the traumas of war, thus relieving the German National Insurance system of fiscal responsibility for their care. Riese, however, continued to work in his patients' best interests, diagnosing them with war-related ailments and recommending treatments that treated their needs comprehensively.","Walther Riese married fellow physician Hertha Pataky in 1915. Hertha Pataky Riese was born in 1892 to a Jewish-Hungarian family. She studied in Frankfurt am Main and Berlin, obtaining her degree in 1916. After the war, she was Director of the Frankfurt Social and Sexual Counseling Center of the Federal Government for Maternal Protection, advocating for birth control and providing abortion services. Like many who were sexual health proponents in the 1920s, she promoted sterilization as a form of birth control, a view which she later abandoned. The Center provided services to both married and unwed mothers, which was unusual during this time period as most sexual health centers catered only to married women.","In January 1933, with the rise to power of the National Socialist (Nazi) Party, the Rieses found themselves imprisoned for their religious, political, and medical beliefs. Upon their release, the Rieses and their two daughters fled to Switzerland, only a few days before the German government instituted their Jewish passport system. The family then moved to France with the help of a Rockefeller Foundation research scholarship, where Walther reestablished a research program on comparative neuroanatomy at the University of Lyon. When Nazis invaded France, the family fled to Canada via Morocco, before eventually entering the United States. With a letter of reference from Goldstein and a signed affidavit from birth control advocate Margaret Sanger, Walther, who had obtained another Rockefeller Foundation scholarship, and his family secured residency status in the United States. ","Once in the United States, Walther obtained a position at the Medical College of Virginia (MCV), where he built a neuropathology lab and served as a professor of neurology and the history of medicine. Much of his research focused on the history of disease and neurology. He became a pioneer in the field of neuroethics, neurohistory, and traumatology. During his tenure at MCV, he published  The Conception of Disease  and  A History of Neurology  in the 1950s, where he described \"neuroethics,\" a new concept in medicine. In 1969, in recognition of his life's work, Riese received the honorary title of professor emeritus at Frankfurt University where he had done much of his work between the world wars. Walther Riese died in 1976 in Richmond, Virginia.","Walther's widow Hertha lived until 1981. Her career in the United States took a different path. Despite her medical qualifications, she was unable to find a suitable professional position as a physician. In 1943 she co-founded the Educational Therapy and Day Care Center in a back room of the \"colored library\" in Richmond. The center focused on \"extremely deprived\" and neglected youth, particularly African American children. The center later changed it's name to the Educational Therapy Center and, in 1948, officially became affiliated with the State Department of Mental Hygiene. Her work as director of the center culminated in the book  Heal the Hurt Child published  in 1962. She retired a year later. ","The papers were originally processed in 1989. In 2019, the collection was rehoused into new acid-free boxes and a some reprocessing occured. A DACS-compliant finding aid was written as well.","The materials mostly focus on Walther Riese's professional work and life after imigrating to the United States. There are also materials related to his personal life, predominantly in Series 2 and 5. Some materials of and by Hertha Pataky Riese are included, primarily in Series 4.\nThe majority of the collection materials are in English, with some in German and French. The papers are arranged into seven series. ","Series 1: Research and Writings (1939-1978, undated). Series 1 contains of the writings of Walther Riese related to his many research interests. Of particular note are his writings and research files on aphasia and neurological disorders, as well as histories of numerous medical procedures and conditions. Researchers should also consult Series 5 for more information on his research interests.","Series 2: Correspondence (1915-1975, undated. Bulk 1940-1975). Series 2 contains the correspondence of Water Riese. It covers the majority of his adult life, and includes both professional and personal correspondence. While there is some early correspondence, the majority is related to his life after moving to the United States.","Series 3: Eastern State Hospital Files (1940-1960, undated). Series 3 is comprised of case studies from Eastern State Hospital case study files. It also contains correspondence, lecture and research notes, as well as an annual report.","Series 4: Educational Therapy Center Files (1949-1968). 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Series 6,Research Grants, are arranged chronologically. Series 7, Publications, are catalogued in the VCU Libraries online catalog. Please see the Separated Materials note for more information on Series 7 materials."],"bioghist_html_tesm":["\u003cp\u003eWalther Riese was born June 30, 1890 in Berlin, Germany to an affluent Jewish family. He studied medicine in Berlin, Strasbourg, and received his degree in 1915 from the University of Koenigsberg as part of an expedited program during World War I. After the war, he served as head of the Neuroanatomical Institute at the Frankfurt Clinic, where he shaped his ideas on holistic neurological function and treatment. During his tenure at the Frankfurt Clinic, he began a lifelong collaboration with neurologist and psychiatrist Kurt Goldstein.  After the end of the first World War, soldiers often returned home with illnesses caused by the war. Many German psychiatrists diagnosed these veterans with conditions that could be noted as unrelated to the traumas of war, thus relieving the German National Insurance system of fiscal responsibility for their care. Riese, however, continued to work in his patients' best interests, diagnosing them with war-related ailments and recommending treatments that treated their needs comprehensively.\u003c/p\u003e\n","\u003cp\u003eWalther Riese married fellow physician Hertha Pataky in 1915. Hertha Pataky Riese was born in 1892 to a Jewish-Hungarian family. She studied in Frankfurt am Main and Berlin, obtaining her degree in 1916. After the war, she was Director of the Frankfurt Social and Sexual Counseling Center of the Federal Government for Maternal Protection, advocating for birth control and providing abortion services. Like many who were sexual health proponents in the 1920s, she promoted sterilization as a form of birth control, a view which she later abandoned. The Center provided services to both married and unwed mothers, which was unusual during this time period as most sexual health centers catered only to married women.\u003c/p\u003e\n","\u003cp\u003eIn January 1933, with the rise to power of the National Socialist (Nazi) Party, the Rieses found themselves imprisoned for their religious, political, and medical beliefs. Upon their release, the Rieses and their two daughters fled to Switzerland, only a few days before the German government instituted their Jewish passport system. The family then moved to France with the help of a Rockefeller Foundation research scholarship, where Walther reestablished a research program on comparative neuroanatomy at the University of Lyon. When Nazis invaded France, the family fled to Canada via Morocco, before eventually entering the United States. With a letter of reference from Goldstein and a signed affidavit from birth control advocate Margaret Sanger, Walther, who had obtained another Rockefeller Foundation scholarship, and his family secured residency status in the United States. \u003c/p\u003e\n","\u003cp\u003eOnce in the United States, Walther obtained a position at the Medical College of Virginia (MCV), where he built a neuropathology lab and served as a professor of neurology and the history of medicine. Much of his research focused on the history of disease and neurology. He became a pioneer in the field of neuroethics, neurohistory, and traumatology. During his tenure at MCV, he published \u003ctitle\u003eThe Conception of Disease\u003c/title\u003e and \u003ctitle\u003eA History of Neurology\u003c/title\u003e in the 1950s, where he described \"neuroethics,\" a new concept in medicine. In 1969, in recognition of his life's work, Riese received the honorary title of professor emeritus at Frankfurt University where he had done much of his work between the world wars. Walther Riese died in 1976 in Richmond, Virginia.\u003c/p\u003e\n","\u003cp\u003eWalther's widow Hertha lived until 1981. Her career in the United States took a different path. Despite her medical qualifications, she was unable to find a suitable professional position as a physician. In 1943 she co-founded the Educational Therapy and Day Care Center in a back room of the \"colored library\" in Richmond. The center focused on \"extremely deprived\" and neglected youth, particularly African American children. The center later changed it's name to the Educational Therapy Center and, in 1948, officially became affiliated with the State Department of Mental Hygiene. Her work as director of the center culminated in the book \u003ctitle\u003eHeal the Hurt Child published\u003c/title\u003e in 1962. She retired a year later. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Walther Riese was born June 30, 1890 in Berlin, Germany to an affluent Jewish family. He studied medicine in Berlin, Strasbourg, and received his degree in 1915 from the University of Koenigsberg as part of an expedited program during World War I. After the war, he served as head of the Neuroanatomical Institute at the Frankfurt Clinic, where he shaped his ideas on holistic neurological function and treatment. During his tenure at the Frankfurt Clinic, he began a lifelong collaboration with neurologist and psychiatrist Kurt Goldstein.  After the end of the first World War, soldiers often returned home with illnesses caused by the war. Many German psychiatrists diagnosed these veterans with conditions that could be noted as unrelated to the traumas of war, thus relieving the German National Insurance system of fiscal responsibility for their care. Riese, however, continued to work in his patients' best interests, diagnosing them with war-related ailments and recommending treatments that treated their needs comprehensively.","Walther Riese married fellow physician Hertha Pataky in 1915. Hertha Pataky Riese was born in 1892 to a Jewish-Hungarian family. She studied in Frankfurt am Main and Berlin, obtaining her degree in 1916. After the war, she was Director of the Frankfurt Social and Sexual Counseling Center of the Federal Government for Maternal Protection, advocating for birth control and providing abortion services. Like many who were sexual health proponents in the 1920s, she promoted sterilization as a form of birth control, a view which she later abandoned. The Center provided services to both married and unwed mothers, which was unusual during this time period as most sexual health centers catered only to married women.","In January 1933, with the rise to power of the National Socialist (Nazi) Party, the Rieses found themselves imprisoned for their religious, political, and medical beliefs. Upon their release, the Rieses and their two daughters fled to Switzerland, only a few days before the German government instituted their Jewish passport system. The family then moved to France with the help of a Rockefeller Foundation research scholarship, where Walther reestablished a research program on comparative neuroanatomy at the University of Lyon. When Nazis invaded France, the family fled to Canada via Morocco, before eventually entering the United States. With a letter of reference from Goldstein and a signed affidavit from birth control advocate Margaret Sanger, Walther, who had obtained another Rockefeller Foundation scholarship, and his family secured residency status in the United States. ","Once in the United States, Walther obtained a position at the Medical College of Virginia (MCV), where he built a neuropathology lab and served as a professor of neurology and the history of medicine. Much of his research focused on the history of disease and neurology. He became a pioneer in the field of neuroethics, neurohistory, and traumatology. During his tenure at MCV, he published  The Conception of Disease  and  A History of Neurology  in the 1950s, where he described \"neuroethics,\" a new concept in medicine. In 1969, in recognition of his life's work, Riese received the honorary title of professor emeritus at Frankfurt University where he had done much of his work between the world wars. Walther Riese died in 1976 in Richmond, Virginia.","Walther's widow Hertha lived until 1981. Her career in the United States took a different path. Despite her medical qualifications, she was unable to find a suitable professional position as a physician. In 1943 she co-founded the Educational Therapy and Day Care Center in a back room of the \"colored library\" in Richmond. The center focused on \"extremely deprived\" and neglected youth, particularly African American children. The center later changed it's name to the Educational Therapy Center and, in 1948, officially became affiliated with the State Department of Mental Hygiene. Her work as director of the center culminated in the book  Heal the Hurt Child published  in 1962. She retired a year later. "],"prefercite_html_tesm":["\u003cp\u003eWalther and Hertha Riese papers, 1898-1975, Collection number 1982.03.25, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Walther and Hertha Riese papers, 1898-1975, Collection number 1982.03.25, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA."],"processinfo_html_tesm":["\u003cp\u003eThe papers were originally processed in 1989. In 2019, the collection was rehoused into new acid-free boxes and a some reprocessing occured. A DACS-compliant finding aid was written as well.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The papers were originally processed in 1989. In 2019, the collection was rehoused into new acid-free boxes and a some reprocessing occured. A DACS-compliant finding aid was written as well."],"scopecontent_html_tesm":["\u003cp\u003eThe materials mostly focus on Walther Riese's professional work and life after imigrating to the United States. There are also materials related to his personal life, predominantly in Series 2 and 5. Some materials of and by Hertha Pataky Riese are included, primarily in Series 4.\nThe majority of the collection materials are in English, with some in German and French. The papers are arranged into seven series. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Research and Writings (1939-1978, undated). Series 1 contains of the writings of Walther Riese related to his many research interests. Of particular note are his writings and research files on aphasia and neurological disorders, as well as histories of numerous medical procedures and conditions. Researchers should also consult Series 5 for more information on his research interests.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Correspondence (1915-1975, undated. Bulk 1940-1975). Series 2 contains the correspondence of Water Riese. It covers the majority of his adult life, and includes both professional and personal correspondence. While there is some early correspondence, the majority is related to his life after moving to the United States.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Eastern State Hospital Files (1940-1960, undated). Series 3 is comprised of case studies from Eastern State Hospital case study files. It also contains correspondence, lecture and research notes, as well as an annual report.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Educational Therapy Center Files (1949-1968). Series 4 contains case studies from the Educational Therapy Center while it was part of the Department of Mental Hygiene, and is the bulk of the materials from Hertha Pataky Riese.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Subject files (1912-1975). Series 5 is comprised of both research and personal files. Many of the materials relating to Walther Riese's work as a professor at MCV, historian of medicine, and with professional organizations are located in this series. Similar materials may also be found in Series 1.\u003c/p\u003e\n","\u003cp\u003eSeries 6: Research Grants (1954-1967). Series 6 contains grant applications and other documents related to grants received by Riese.information on grants received and applied for.\u003c/p\u003e\n","\u003cp\u003eSeries 7: Publications. Series 7 is comprised of materials published by the Rieses. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials mostly focus on Walther Riese's professional work and life after imigrating to the United States. There are also materials related to his personal life, predominantly in Series 2 and 5. Some materials of and by Hertha Pataky Riese are included, primarily in Series 4.\nThe majority of the collection materials are in English, with some in German and French. The papers are arranged into seven series. ","Series 1: Research and Writings (1939-1978, undated). Series 1 contains of the writings of Walther Riese related to his many research interests. Of particular note are his writings and research files on aphasia and neurological disorders, as well as histories of numerous medical procedures and conditions. Researchers should also consult Series 5 for more information on his research interests.","Series 2: Correspondence (1915-1975, undated. Bulk 1940-1975). Series 2 contains the correspondence of Water Riese. It covers the majority of his adult life, and includes both professional and personal correspondence. While there is some early correspondence, the majority is related to his life after moving to the United States.","Series 3: Eastern State Hospital Files (1940-1960, undated). Series 3 is comprised of case studies from Eastern State Hospital case study files. It also contains correspondence, lecture and research notes, as well as an annual report.","Series 4: Educational Therapy Center Files (1949-1968). Series 4 contains case studies from the Educational Therapy Center while it was part of the Department of Mental Hygiene, and is the bulk of the materials from Hertha Pataky Riese.","Series 5: Subject files (1912-1975). Series 5 is comprised of both research and personal files. Many of the materials relating to Walther Riese's work as a professor at MCV, historian of medicine, and with professional organizations are located in this series. Similar materials may also be found in Series 1.","Series 6: Research Grants (1954-1967). Series 6 contains grant applications and other documents related to grants received by Riese.information on grants received and applied for.","Series 7: Publications. Series 7 is comprised of materials published by the Rieses. "],"separatedmaterial_html_tesm":["\u003cp\u003eMaterials under Series 7 has been added to the General Collection, and can be searched using the library catalog.\u003c/p\u003e","\u003cp\u003ePublications in Series 7 can be searched in the VCU Libraries catalog using the \"Walther Riese Collection\" search term.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Materials under Series 7 has been added to the General Collection, and can be searched using the library catalog.","Publications in Series 7 can be searched in the VCU Libraries catalog using the \"Walther Riese Collection\" search term."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Medical College of Virginia -- Faculty","Virginia. Department of Mental Hygiene and Hospitals","Riese, Walther, 1890-1976","Riese, Hertha Pataky, 1892-1981"],"names_ssim":["VCU Health Sciences Library","Medical College of Virginia -- Faculty","Virginia. Department of Mental Hygiene and Hospitals","Riese, Walther, 1890-1976","Riese, Hertha Pataky, 1892-1981"],"corpname_ssim":["VCU Health Sciences Library","Medical College of Virginia -- Faculty","Virginia. Department of Mental Hygiene and Hospitals"],"persname_ssim":["Riese, Walther, 1890-1976","Riese, Hertha Pataky, 1892-1981"],"language_ssim":["English German French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":352,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:33:13.264Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_3_resources_585_c02_c01"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c11_c06","type":"File","attributes":{"title":"\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c11_c06","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c11_c06"],"id":"viw_repositories_2_resources_9853_c01_c01_c11_c06","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c11","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c11","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c11"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c11"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas","\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\"","Box 11","folder 31"],"title_filing_ssi":"\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\"","title_ssm":["\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\""],"title_tesim":["\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\""],"unitdate_inclusive_ssm":["1914-2008"],"normalized_date_ssm":["1914/2008"],"normalized_title_ssm":["\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":44,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["Box 11","folder 31"],"_nest_path_":"/components#0/components#0/components#10/components#5","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c06"}},{"id":"vaallhs_repositories_2_resources_172_c11_c30","type":"Item","attributes":{"title":"1916 marriage certificate of Albert Napper and Virginia Thomas","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_172_c11_c30#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_172_c11_c30#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vaallhs_repositories_2_resources_172_c11_c30","ref_ssm":["vaallhs_repositories_2_resources_172_c11_c30"],"id":"vaallhs_repositories_2_resources_172_c11_c30","ead_ssi":"vaallhs_repositories_2_resources_172","_root_":"vaallhs_repositories_2_resources_172","_nest_parent_":"vaallhs_repositories_2_resources_172_c11","parent_ssi":"vaallhs_repositories_2_resources_172_c11","parent_ssim":["vaallhs_repositories_2_resources_172","vaallhs_repositories_2_resources_172_c11"],"parent_ids_ssim":["vaallhs_repositories_2_resources_172","vaallhs_repositories_2_resources_172_c11"],"parent_unittitles_ssm":["Alexandria Black Family Reunion Digital Collection","Dorothy Taylor family photographs and documents"],"parent_unittitles_tesim":["Alexandria Black Family Reunion Digital Collection","Dorothy Taylor family photographs and documents"],"text":["Alexandria Black Family Reunion Digital Collection","Dorothy Taylor family photographs and documents","1916 marriage certificate of Albert Napper and Virginia Thomas","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description"],"title_filing_ssi":"1916 marriage certificate of Albert Napper and Virginia Thomas","title_ssm":["1916 marriage certificate of Albert Napper and Virginia Thomas"],"title_tesim":["1916 marriage certificate of Albert Napper and Virginia Thomas"],"unitdate_other_ssim":["1916-08-31"],"normalized_date_ssm":["1916"],"normalized_title_ssm":["1916 marriage certificate of Albert Napper and Virginia Thomas"],"component_level_isim":[2],"repository_ssim":["Alexandria Library"],"collection_ssim":["Alexandria Black Family Reunion Digital Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":932,"parent_access_restrict_tesm":["This collection is open for research."],"parent_access_terms_tesm":["The materials in this collection are protected by copyright and/or other intellectual property rights. Permission must be obtained from the rights-holder(s) for uses beyond those permitted under the \"Fair Use\" doctrine of the U.S. Copyright Act (17 U.S.C § 107). Contact Local History / Special Collections staff for more information. "," http://rightsstatements.org/vocab/InC/1.0/"],"date_range_isim":[1916],"otherfindaid_html_tesm":["\u003cp\u003e\n  \u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_67ee6d3d-10bf-4ead-bc78-35a5836f56ca/\"\u003eClick to view digital image\u003c/a\u003e\n\u003c/p\u003e"],"otherfindaid_heading_ssm":["Digital Materials"],"otherfindaid_tesim":["Click to view digital image"],"scopecontent_html_tesm":["\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Description"],"scopecontent_tesim":["Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description"],"_nest_path_":"/components#10/components#29","timestamp":"2026-05-21T04:00:29.975Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_172","ead_ssi":"vaallhs_repositories_2_resources_172","_root_":"vaallhs_repositories_2_resources_172","_nest_parent_":"vaallhs_repositories_2_resources_172","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_172.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/172","title_ssm":["Alexandria Black Family Reunion Digital Collection"],"title_tesim":["Alexandria Black Family Reunion Digital Collection"],"unitdate_ssm":["Digital surrogates created in 2023","1937-2005, and undated"],"unitdate_inclusive_ssm":["1937-2005, and undated"],"unitdate_other_ssim":["Digital surrogates created in 2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["ABFR","/repositories/2/resources/172"],"text":["ABFR","/repositories/2/resources/172","Alexandria Black Family Reunion Digital Collection","African American neighborhoods -- Virginia -- Alexandria.","Alexandria (Va.) -- Social life and customs","African Americans -- Virginia -- Alexandria.","Parker-Gray Schools (Alexandria, Va.)","This collection is open for research.","On April 29, 2023 Alexandria Library hosted the first Black Family Reunion at the Kate Waller Barrett Branch Library in Old Town Alexandria. The event aimed to bring neighborhoods together and help fill gaps in the documented history of Alexandria's African American community. As part of the event, families were invited to bring documents and images to be scanned by Library staff and added to the collections at the Local History / Special Collections Branch to be preserved as part of the city's historical record and made available to the public online.","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Elrich W. Murphy Photograph Collection","Elrich W. Murphy Photograph Collection (MS415)","This collection contains digital donations collected from members of the Alexandria African American community during the 2023 Alexandria Black Family Reunion event. This is a completely digital collection consisting of digital surrogates of the materials; the original items have been retained by their owners. Included are photographs, documents, and ephemera.","Please note  that processed donations will be added to this collection on an ongoing basis. Check this collection guide for regular updates. ","Digital surrogates of photographs from the family of William D. \"Bill\" Euille, former Mayor of the City of Alexandria (2003-2016). Euille served as Honorary Co-Chair of the first Alexandria Black Family Reunion in 2023.","Color photograph, portrait of Robert Drinkard and Tammi Drinkard. Both are dressed in formal wear and are standing in front of a colorful backdrop. Photograph appears to have been captured at a formal event or gala. Photograph is undated.","Color photograph of seven people posed in the midst of a ribbon cutting ceremony. From left to right: (unidentified), Ludwig Gaines, Bill Euille, Dal Repper, Rob Krupika, Jim Moran, Paul Smedburg. Photograph is undated.","Color photograph taken during the annual Alexandria Scottish Christmas Walk Parade depicting several people on a snowy street in Alexandria, Virginia. Featured in the foreground of the photo, from left to right: Bill Euille and Rob Krupika. Over the image is text that reads, \"The Three Musketeers.\" Photograph is undated.","Color photograph, portrait of Bill Euille, dressed in a suit and standing in front of a curtained window with his hands folded in front of him. Photograph is undated.","Color photograph, portrait of Bill Euille. This appears to be a candid photo taken of Euille, dressed in a casual outfit, standing in front of a blank, white wall. Photograph is undated.","Digital surrogates of photographs of the African American community in Alexandria, Virginia that were collected by Char McCargo Bah. Bah is a celebrated genealogist, author, and native Alexandrian who has been researching and writing about the Alexandria African American community since 1981. Bah served as Honorary Co-Chair of the first Alexandria Black Family Reunion in 2023","Black and white photograph, early class portrait from the Parker-Gray School in Alexandria, Virginia. Children are posed standing in three rows with a fourth row seated in front with a man posed standing to the right side, their teacher Rozier D. Lyles. The group is posed in front of what appears to be the entrance to the school; a brick wall and wooden door are visible in the background of the image. Photograph is undated, c.1920s","Black and white photograph, portrait of Principal Henry T. White and the first faculty at the Parker-Gray School in Alexandria, Virginia when it opened in 1920. White was the first principal of the Parker-Gray School and served from 1920 through 1928. Eleven men and women are posed in two rows; the back row is standing behind the seated front row. Front row, from left to right: Reverend A.W. Adkins; Henry T. White, teacher and first principal; Laura M. Dorsey; Rozier D. Lyles; and James E. Howard. Back row, from left to right: Mamie E. Anderson; Margaret T. Young; Florence Murray; Harriet E. Thornton; Susie P. Madden; and Sarah D. Gray. Photograph is undated, c.1920","Black and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Eight men and women are posed in two rows, standing on the steps in front of the main entrance to the school. Elam is the first man on the left in the back row. Photograph is undated, c.1930s","Black and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Sixteen men and women are posed in three or four uneven rows, standing on the steps in front of the main entrance to the school. Elam is last man on the right. The man in the center of the front row is Rozier D. Lyles, a teacher at the school. Photograph is undated, c.1930s","Black and white photograph of the Parker-Gray School's first building at 901 Wythe Street in Alexandria, Virginia. Photograph is undated, c.1920","Black and white photograph, class portrait of the Parker-Gray School fifth grade class taught by Mamie E. Anderson in 1920. Three rows of children are posed on the steps in front of the entrance to the Parker-Gray School. Anderson is on the end of the front row, on the right side of the image. Photograph is undated, c.1920","Black and white photograph, two images together in one photo print with one image on top of the other. The top image is the same as that of the Parker-Gray School fifth grade class portrait photograph photo print (ABFR-23-002-006). The bottom image is the same as that of the Photograph of Parker-Gray School first building photo print (ABFR-23-002-005). Both images are undated, c.1920","Black and white photograph, portrait of Principal Henry T. White with students of the Parker-Gray School. White was the first principal of the Parker-Gray School and served from 1920 through 1928. Twenty-eight children are posed standing in two rows on the steps in front of the entrance to the school. White is posed standing in front of the students. Photograph is undated, c.1920s","Black and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Sixteen men and women are posed in three rows, standing on the steps in front of the main entrance to the school. Elam is the first man on the left in the back row. Photograph is undated, c.1930s","Black and white photograph, class portrait of Parker-Gray School students with their teacher Ms. Day. Forty-two students are posed in four rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is undated, c.1930s","Black and white photograph, class portrait of Parker-Gray School students. Thirty-five students are posed in four rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is undated, c.1930s","Black and white photograph of the Parker-Gray School's first building at 901 Wythe Street in Alexandria, Virginia. Photograph is undated, c.1930s","Black and white photograph, class portrait of Parker-Gray School students in 1931. Thirty students of varying ages are posed standing in three rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is dated 1931","Black and white photograph, group portrait of the 1936 graduates of Parker-Gray School. They are posed standing in two rows with some of the school faculty. Photograph is dated 1936","Black and white photograph, class portrait of Parker-Gray School students in 1939. Fifteen students are posed standing in two or three rows on the front steps of the school. Photograph is dated 1939","Black and white photograph, class portrait of Parker-Gray School students in 1939. Eighteen students are posed standing in three rows on the front steps of the school. Photograph is dated 1939","Black and white photograph, class portrait of Parker-Gray School students in 1939. Approximately thirty-five students of varying ages are posed standing in four rows on the front steps of the school. Photograph is dated 1939","Black and white photograph of Parker-Gray School students in 1939. Eleven teenaged students are posed standing casually, with arms around each other's shoulders, etc., on the front steps of the school. Photograph is dated 1939","Black and white photograph of four Parker-Gray School cheerleaders in 1941. Four young women in cheerleading uniforms are posed together in a field, all in a row with their bodies turned towards the right of the image and faces toward the camera. They are kneeling in the grass with one arm in the air and bent at the elbow. In front of them on the grass are two megaphones and pom-poms. Photograph is dated 1941","Black and white photograph, class portrait of Parker-Gray School students in 1941. Approximately forty children are posed standing in four rows on the front steps of the school. Photograph is dated 1941","Black and white photograph, portrait of the 1942 graduating class of Parker-Gray School. Approximately thirty teenaged students dressed in graduation caps and gowns are posed standing in three rows on the pulpit of the Alfred Street Baptist Church in Alexandria, Virginia. A handwritten signature in the bottom, right corner of the image reads \"Murphy.\" Photograph is dated 1942","Black and white photograph, portrait of the 1943 graduating class of Parker-Gray School. Twenty-four teenaged students dressed in graduation caps and gowns are posed in two rows on the stage of what appears to be a school auditorium. A handwritten note across the photo print reads, \"Parker Gray High School Class of 1943.\" Photograph is dated 1943","Black and white photograph of group of students and others posed in a row on the Parker-Gray football field at the 1945 homecoming game. Two students are dressed in football uniforms and standing next to young women holding bouquets, presumably the homecoming court. Photograph dated 1945","Black and white photograph of the 1945 Parker-Gray homecoming queen being crowned by Oliver Ellis, captain of the football team. A young man wearing a football uniform, identified as \"Captain of Douglas,\" and a young woman, identified as \"Miss Douglas,\" look on as Captain of the Parker-Gray football team Oliver Ellis crowns the new Miss Parker-Gray. The two young women and two young men in the photograph are identified this way by handwritten notes on the bottom edge of the photo print. Photograph is dated 1945","Black and white photograph, portrait of the 1945 graduating class of Parker-Gray School. Thirty-five teenaged students dressed in graduation caps and gowns are posed in three rows on the stage of what appears to be a school auditorium. Photograph is dated 1945","Black and white photograph, group portrait of the P Club student organization at Parker-Gray High School. Twenty students are posed in two rows in what appears to be a classroom or the school library. Several of the students are wearing letterman sweaters with a big \"P\" patch on the front. Photograph is dated 1947","Black and white photograph, group portrait of faculty and staff of Parker-Gray. The fifteen men and women are posed in two rows in what appears to be a school cafeteria or auditorium. Several of them are holding a rolled up document. Photograph is dated 1946","Black and white photograph, portrait of the 1946 graduating class of Parker-Gray School. Thirty-seven teenaged students dressed in graduation caps and gowns are posed in three rows on the stage of what appears to be a school auditorium. Photograph is dated 1946","Black and white photograph of seven young women seated at desks in a Parker-Gray classroom while their teacher, Mrs. Chase, looks on. The students each have their own large, black typewriter on their desk and appear to be working on an assignment. A large, wall-mounted chalkboard is visible in the background of the image. Photograph is dated 1946","Black and white photograph of four young women from the Parker-Gray girls basketball team. They are posed together in the school gym with two students standing in the back row, while the other two kneel in front of them and pose with a basketball. All four are dressed in basketball team uniforms and one also wears a sweater over the uniform which reads, \"PARKER GRAY.\" Photograph is dated 1946","Black and white photograph, group portrait of the Parker-Gray High School girls basketball team. Fourteen young women wearing the basketball team uniforms are posed in  two rows in front of a curtain backdrop, with a basketball placed on the ground in front of them. Also in the photograph is a woman wearing a skirt suit, presumably the team coach; as well as another young woman not dressed in the basketball uniform. Photograph is dated 1946","Black and white photograph of the homemaking class at Parker-Gray High School. Four young women are standing at a workstation table, engaged in a cooking or baking project. Two students appear to be stirring something in saucepans, one student appears to be kneading or rolling dough, and another is sprinkling something onto a dish. Another student is seated at a desk working on a written assignment. And the teacher, Ruby Fields Smith, looks on from the front of the classroom.","Black and white photograph, portrait of the 1950 graduating class of Parker-Gray School. Forty-one teenaged students dressed in graduation caps and gowns are posed in three rows in front of the stage of what appears to be a school auditorium. Photograph is dated 1950","Black and white photograph of the Parker-Gray School's second building. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is undated, c.1950s","Black and white photograph of eight men posed standing in a row in front of a curtain. This photograph was taken at the dedication event for the new Parker-Gray High School and the group includes Principal William H. Pitts, Sr. and Reverend Adkins. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950","Black and white photograph of five men posed standing in a row in front of a curtain; one man appears to be handing a small item to Parker-Gray Principal William H. Pitts, Sr. This photograph was taken at the dedication event for the new Parker-Gray High School. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950","Black and white photograph of five men posed standing in a row in front of a curtain, including Parker-Gray Principal William H. Pitts, Sr on the far left. This photograph was taken at the dedication event for the new Parker-Gray High School. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950","Black and white photograph of the crowning of a Parker-Gray High School student. A young woman, identified as [Annt] Lightfoot, wearing a white, lace dress and white gloves is standing next to a young man in a suit while he places a crown on her head. They are both standing in front of a dark-colored curtain, presumably on a stage. She is presumably being crowned as a pageant winner, homecoming queen, or prom queen. Photo is undated, c.1950s","Black and white photograph of three Parker-Gray High School students on a platform or stage, seated in front of a decorative backdrop and arch with a dark-colored curtain visible in the background. From left to right: a young women wearing a polka dot dress and cat-eye glasses with a white, floral corsage pinned to her dress; a young woman, identified as [Annt] Lightfoot, wearing a white dress, white gloves, and crown and holding a bouquet; a young woman wearing a white dress with a white, floral corsage pinned to her dress. Lightfoot is seated on a platform that is raised slightly higher than the other two young women. They are presumably the winner and runners-up of a pageant, homecoming queen, or prom queen contest. Photo is undated, c.1950s","Black and white photograph, studio portrait of a Parker-Gray High School homecoming queen. A young woman is posed, seated in front of a light-colored backdrop. She is wearing a white dress, silver necklace, silver earrings, and silver tiara while holding a large bouquet. Photograph is undated, c.1950s","Black and white photograph of a group of Parker-Gray High School students standing in a football field with the Parker-Gray marching band. Three young women are standing in a row together; the young woman in the middle is holding a bouquet and the other two are both wearing white, floral corsages pinned to their lapels. Behind the young women are several members of the Parker-Gray High School marching band who appear to be in the midst or in a moment right before a performance. Photograph is undated, c.1950s","Black and white photograph, portrait of the 1951 graduating class of Parker-Gray School. Sixty-three teenaged students dressed in graduation caps and gowns are posed seated in five rows on the bleachers in the school gym. Also in the photo are Principal William H. Pitts Sr., seated in the back row, and an unidentified woman seated on the right side of the image. Photograph is dated 1951","Black and white photograph of a group of Parker-Gray High School students and faculty posed standing in a row. The students are all dressed in graduation caps and gowns. From left to right: Principal William H. Pitts, Sr.; Herman T. Newman, salutatorian; Shirly A. Stokes; Naomie E. Lewis; Lloyd Harris; Kirk R. Carter; William H. Pitts, Jr., valedictorian; the Reverend F. D. Williams, and Theodore R. Sinclair, assistant superintendent of Alexandria schools. Photograph is dated 1951","Reverse of Parker-Gray graduation group photograph photo print (ABFR-23-002-038). A handwritten note identifies the people in the photo as well as noting that this picture was used in the newspaper. Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" \"Parker-Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314,\" and \"Columbus George, Jr., Photographer, 518 North Columbus Street, Overlook 3963, Alexandria, Virginia\"","Black and white photograph of the valedictorian and son of the principal, William H. Pitts, Jr., giving a speech during Parker-Gray High School graduation. A young man dressed in a graduation cap and gown and glasses stands at a lectern on a stage. Several students and faculty in graduation gowns and stoles are seated in rows behind him on the stage. Photograph is dated 1951","Black and white photograph of the valedictorian and son of the principal, William H. Pitts, Jr., giving a speech during Parker-Gray High School graduation. A young man dressed in a graduation cap and gown and glasses stands at a lectern on a stage. Seated behind him on the stage are several students and faculty in graduation gowns, including Principal William H. Pitts, Reverend F. D. Williams, and Assistant Superintendent Theodore R. Sinclair. The school band is seated in front of the stage. Photograph is dated 1951","Black and white photograph of a moment during the Parker-Gray High School graduation ceremonies. Standing on the stage, Principal William H. Pitts, Sr. shakes the hand of his son and the valedictorian, William H. Pitts, Jr. Pitts, Jr. is wearing a graduation cap and gown and holding what appears to be his diploma. Pitts, senior is dressed in a white blazer and black bowtie. Photograph is dated 1951","Black and white photograph of Principal William H. Pitts, Sr. making remarks during the Parker-Gray High School graduation. A man wearing a white blazer, black suit pants, black double pocket square, and black bowtie stands at a lectern and appears to be in the middle of speaking. Seated behind him on the stage are several students and faculty wearing graduation gowns and stoles. Photograph is dated 1951","Black and white photograph, group portrait of Parker-Gray High School students who are likely all members of a school sports team or club. Approximately forty young men are  posed standing in two rows with a third row seated in front. Photograph is dated 1951","Black and white photograph, portrait of the 1952 graduating class of Parker-Gray School. Thirty-six teenaged students dressed in graduation caps and gowns are posed standing in six rows on the bleachers in the school gym. Photograph is dated 1952","Black and white photograph, portrait of the 1953 graduating class of Parker-Gray School. Twenty-six teenaged students dressed in graduation caps and gowns are posed in three rows in front of the stage of what appears to be a school auditorium. Photograph is dated 1953","Black and white photograph, group portrait of the members of the National Honor Society from the Parker-Gray High School graduating class of 1953. Three students, dressed in graduation caps and gowns, are posed standing together in front of the stage of what appears to be a school auditorium. From left to right: Hazel Jones, Fred Mathers, Jr., and Delores Hooks. Photograph is dated 1953","Reverse of Parker-Gray High School National Honor Society members group photograph (ABFR-23-002-052). Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" \"Parker Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314.\" A handwritten note reads, \"Members of the First National Honor Society at Parker-Gray H.S. 1953 Chapter 4950 Fred Mathers Jr. [rank] 1; Delores Hooks [rank] 2; Hazel Jones [rank] 3\"","Black and white photograph, portrait of the 1954 graduating class of Parker-Gray School. Approximately fifty teenaged students dressed in graduation caps and gowns are posed in several rows standing on the steps in front of the entrance to the school. Photograph is dated 1954","Black and white photograph, group portrait of young women of the Parker-Gray School graduating class of 1954. Approximately thirty young women are posed in three rows standing around a sign that reads, \"Congratulations Parker Gray Graduates!\" In the middle of the group, directly behind the sign, is an older man in a suit. Photograph is dated 1954","Black and white photograph, group portrait of what appears to be the winner and runners-up of Parker-Gray homecoming queen. Four young women are posed standing in a row; two of them are wearing floral corsages pinned to their lapels and the other two young women are holding bouquets. Photograph is dated 1955","Black and white photograph, group portrait of what appears to be the Parker-Gray homecoming court. Three young men and four young women are posed in a row, standing on a football field. One of the young men is identified as Roland Norton. Two of the young men are dressed in football uniforms (number 80 and number 35). Two of the young women are wearing floral corsages pinned to their lapels and the other two young women are holding bouquets. Photograph is dated 1955","Black and white photograph of the spectators at the 1955 Parker-Gray High School homecoming football game. The bleachers of a football field are filled with Parker-Gray students, faculty, and other community members watching the homecoming football game. Several people stand on the sidelines in front of the bleachers. Photograph is dated 1955","Black and white photograph, group portrait of the Parker-Gray High School class of 1957 taken in their junior year. Approximately sixty students are posed in five rows, standing on the steps in front of the entrance to the school. Photograph is dated 1955","Black and white photograph, portrait of the 1956 graduating class of Parker-Gray School. Fifty-eight teenaged students dressed in graduation caps and gowns are posed in five rows on the bleachers in the school gym. Also in the photo is Principal William H. Pitts Sr. Photograph is dated 1956","Black and white photograph, portrait of May Queen Joyce A. Drayton. A young woman, Joyce A. Drayton, wearing a light-colored satin dress is posed standing in the grass in front of the exterior of the school building. The front entrance of the school is visible in the background of the image. Photograph is dated 1956","Black and white photograph, portrait of the 1957 graduating class of Parker-Gray School. Forty-eight teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Photograph is dated 1957","Black and white photograph of the 1957 Parker-Gray High School homecoming court, including Homecoming Queen Phyllis Tate. Three young women and three young men are posed standing in a row in front of what appears to be a \"throne\" for the homecoming queen. From left to right: a young woman dressed in a plaid skirt set, white gloves, white hat, small round handbag, and corsage pinned to her lapel; a young man in dark-colored pants and a light-colored jacket posed in the act of placing a crown atop the head of the young woman in the center of the group; a young woman (being crowned), Phyllis Tate, wearing a light-colored skirt set and holding a large bouquet; a young man wearing dark-colored pants and a wool jacket; a young woman wearing a dark-colored skirt set, white gloves, white hat, small handbag, and corsage pinned to her lapel. Photograph is dated 1957","Black and white photograph of the 1957 Parker-Gray High School homecoming queen and runners-up. Three young women are posed standing in a row, with the young woman in the center on a raised platform. From left to right: a young woman dressed in a plaid skirt set, white gloves, white hat, small round handbag, and corsage pinned to her lapel; a young woman, Phyllis Tate, wearing a light-colored skirt set, white gloves, glittery crown, and holding a large bouquet; a young woman wearing a dark-colored skirt set, white gloves, white hat, small handbag, and corsage pinned to her lapel. Photograph is dated 1957","Black and white photograph, portrait of Phyllis Tate, the 1957 Parker-Gray High School homecoming queen. A young woman, Phyllis Tate, is posed seated in a chair atop a platform with a backdrop of crepe paper streamers. The backdrop and platform appear to have been decorated by students to serve as a \"throne\" for the homecoming queen. Tate is dressed in a light-colored skirt set, white gloves, sparkling crown, and is holding a large bouquet. Photograph is dated 1957","Black and white photograph that appears to depict the crowning of the 1957 Miss Parker-Gray. A young woman, LaJeune Hundley, is posed standing in what appears to be the school gymnasium while a man appears to place a tiara atop her head. Hundley is wearing a dress, short fur coat, white gloves, and small handbag. Posed standing next to her in the photograph is another young woman, dressed in a light-colored coat over a dress, white gloves, and white fascinator hat. The man crowning Hundley, is turned away from the camera, but might be Principal William H. Pitts, Sr. He is dressed in a long black coat, dark-colored pants,  a fedora hat  and is holding a piece of paper and a microphone. Visible in the background of the image are several people standing on the gym bleachers. Photograph is dated 1957","Reverse of Photograph of Miss Parker-Gray photo print (ABFR-23-002-066). Handwritten note reads, \"Miss Parker-Gray 1957-58 La Jeune Hundley, Attendants - Teyanna Williams, Jesurena Smith.\" Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" and \"Parker-Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314\"","Black and white photograph of Miss Parker-Gray La Jeune Hundley and her two attendants, Teyanna Williams and Jesurena Smith. Three elegantly dressed young women are posed standing in a row in front of what appears to be the bleachers in the school gymnasium. From left to right: a young woman wearing a light-colored coat over a dress, white gloves, white fascinator hat, and small handbag; a young woman, La Jeune Hundley, wearing a dress, short dark-colored fur coat, white gloves, tiara, and small handbag; a young woman wearing a long, light-colored fur coat over a dress and white gloves. Visible in the background of the image are several people standing on the gym bleachers. Photograph is dated 1957","Black and white photograph of Miss Parker-Gray La Jeune Hundley and her two attendants, Teyanna Williams and Jesurena Smith. Three elegantly dressed young women are posed standing in a row in front of what appears to be the bleachers in the school gymnasium. Hundley is stood in the center of the trio and is turned around to shake the hand of a young woman standing behind her wearing a long, dark-colored coat with a corsage pinned to the lapel.","Black and white photograph, portrait of the 1958 graduating class of Parker-Gray School. Twenty-three teenaged students dressed in graduation caps and gowns are posed in three rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. Photograph is dated 1958","Black and white photograph, group portrait of seven young women posed in front of a small platform and backdrop that have been decorated with crepe paper and streamers. It appears to be the \"throne\" for the homecoming queen depicted in other photographs from this series. Photograph is dated 1958","Black and white photograph, group portrait of the 1959 Parker-Gray High School homecoming court. Four young women are posed standing in a row, the two in the center are one step up on a small podium. All four young women are holding bouquets. Photograph is dated 1959","Black and white photograph, group portrait of the 1959 Parker-Gray High School homecoming court. Three young women and three young men are posed in a row standing on a football field. Two of the young men are wearing football uniforms (number 54 and number 72); all three young women are holding bouquets. Photograph is dated 1959","Black and white photograph, portrait of the 1960 graduating class of Parker-Gray School. Thirty-five teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. in the middle of the back row. Photograph is dated 1960","Black and white photographs, composite class portrait of the Parker-Gray High School class of 1961. Headshot studio portraits of students dressed in graduation caps and gowns are arranged in rows with each student's name listed underneath their photo. Also included are studio portrait photographs of Principal William H. Pitts, Sr. and school advisors Mary T. Adams and Jacqueline Green. Item is dated 1961","Black and white photograph, portrait of the 1961 Ms. Parker-Gray, Doris Surratte, being crowned. A young woman, Doris Surratte, dressed in a white dress with sheer white shoulder wrap is posed standing next to a young man wearing a suit who is posed in the moment of placing a crown atop her head. Photograph is dated 1961","Black and white photographs, composite class portrait of the Parker-Gray High School class of 1962. Headshot studio portraits of students dressed in graduation caps and gowns are arranged in rows with each student's name listed underneath their photo. Also included are studio portrait photographs of Principal William H. Pitts, Sr.; Elizabeth Qualls, Sponsor; Robert H. Adkins, Sponsor; Richard Clayton, Sponsor. Item is dated 1962","Black and white photograph, candid photo from the Parker-Gray School Drivers Ed class. A car is parked in a small parking pad next to what appears to be the side or back of the school building. Affixed to the passenger side door of the car is a sign that reads, \"Driver Education Car, Courtesy Aero Chevrolet\" with the AAA logo above it. Four people are seated in the car, who appear to be three students and their instructor in the front passenger seat. Photograph is dated 1963","Black and white photograph, candid photo from the Parker-Gray School Drivers Ed class. Five people are seated in a parked car. Affixed to the passenger side door of the car is a sign that reads, \"Driver Education Car, Courtesy Aero Chevrolet\" with the AAA logo above it. Photograph is dated 1963","Page from the program of the Parker-Gray High School Class of 1965 50th Reunion, held June 12th and 13th, 2015. An illustrated image of a scroll frames a list of the names of the members of the class of 1965, listed in two columns. Item is dated 2015","Black and white photograph, portrait of the 1965 graduating class of Parker-Gray School. Forty-seven teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. Photograph is dated 1965","Black and white photograph, group portrait of the Parker-Gray High School band dressed in their uniforms. They are posed seated in curved rows and appear to be in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, group portrait of the Parker-Gray High School band dressed in their uniforms. They are posed seated in curved rows and appear to be in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, group portrait of the Parker-Gray High School majorettes. Dressed in their uniforms and holding batons, seven young women are posed standing on the bleachers in the school gymnasium. They are standing in a row, each on a different step, ascending up the risers. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Assistant Principal Edward L. Patterson. He is dressed in a dark-colored plaid suit, white shirt, dark-colored tie, and wire-rimmed glasses. Patterson is posed seated at his desk as if in the midst of working. Papers and books are strewn across his desk, while he flips through an open book with one hand and a pencil poised to write something in the other hand. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Assistant Principal Edward L. Patterson. He is dressed in a dark-colored suit, white shirt, checkered tie, and wire-rimmed glasses. He is posed standing behind his desk while he does something with a large metal box atop the desk. Photograph is undated, c.1960s","Black and white photograph, portrait of the cafeteria staff at Parker-Gray High School. Seven women, all dressed in white uniform dresses, are posed standing in a row in what appears to be the school cafeteria. Photograph is undated, c.1960s","Black and white photograph of Ferris Holland, math and science teacher at Parker-Gray High School, and two unidentified students. Holland is standing behind the workstation at the front of his classroom, in the midst of demonstrating a chemistry experiment. To the left of Holland is a young man dressed in a checkered blazer; and to the left of Holland is a young woman wearing a white blouse. Visible behind them in the image is a blank chalkboard. Photograph is undated, c.1960s","Black and white photograph of several members of what appear to be faculty and staff of Parker-Gray High School. Ferris Holland, math and science teacher at Parker-Gray, is posed seated at a desk while pointing to something in a book. Seven other men and women are posed standing around him and looking at the book on his desk. Photograph is undated, c.1960s","Black and white photograph, studio portrait of Hollis Williams, a member of the Parker-Gray High School faculty. Photograph is undated, c.1960s","Black and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and two unidentified students. Smith is posed standing behind a table where two young women are seated; all three have papers in their hands and appear to be in the midst of a conversation. Photograph is undated, c.1960s","Black and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and an unidentified student. Smith is posed seated behind her desk with a young woman seated in a chair at the side of the desk. They are posed as if in the midst of a counseling session. Photograph is undated, c.1960s","Black and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and an unidentified student. Smith is posed seated at a desk with a young man seated in a chair at the side of the desk. They are posed as if in the midst of a counseling session; both looking down at a set of papers on the desk. Photograph is undated, c.1960s","Black and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed standing in front of a filing cabinet in the school administration offices with her hands resting on an open drawer. Photograph is undated, c.1960s","Black and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed standing in front of a filing cabinet in the school administration offices with her hands resting on an open drawer. Photograph is very similar to ABFR-23-002-094 but Adams facial expression is slightly different. Photograph is undated, c.1960s","Black and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed seated at her desk as if in the middle of a phone conversation. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School nurse. A woman dressed in a white nurse's uniform dress and cap is posed seated at a desk with a pen poised as if writing on a set of papers on the desk. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School nurse. A woman dressed in a white nurse's uniform dress and cap is posed seated at a desk with a pen poised as if writing on a set of papers on the desk. Photograph is very similar to ABFR-23-002-097 but her facial expression is slightly different and the photo was taken at a slightly different angle. Photograph is undated, c.1960s","Black and white photograph, portrait of the physical and driving education faculty at Parker-Gray High School. Three men and a woman are posed standing in a row in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk with a pen poised above a set of papers on the desk. Photograph is undated, c.1960s","Black and white photograph, studio portrait of Parker-Gray High School Principal William H. Pitts, Sr. He is dressed in a dark-colored suit, white shirt, tie, and white pocket square and is posed seated in front of a blank backdrop. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. He is posed standing on the steps in front of the entrance to the school. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk with a pen poised above a set of papers on the desk, as if in the midst of doing paperwork. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk while reaching to the intercom on his desk, as if in the midst of making an announcement. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two are seated at their desks and one is standing at the counter writing on a sheet of paper. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two are seated at their desks and one is standing at the counter writing on a sheet of paper. Photograph is similar to ABFR-23-002-105. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Four women are posed in the front office of the school. They are all posed as if in the midst of working at different tasks: writing on a paper at the counter, looking through a filing cabinet, talking on the phone, typing on a typewriter. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two women are standing on either side of the counter and posed as if in the middle of a conversation. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two women are seated at their desks and one woman is standing behind the counter; all are posed as if in the midst of working. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Two women are posed together behind a desk in the school administration offices. From left to right, a woman, Louise Evans, is posed standing and pointing to a piece of paper held in her other hand; a woman is seated at the desk and looking at the paper that Evans' is holding. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School vocational and fine arts faculty. A woman is seated at a piano with six other men and women posed standing around the piano. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School faculty. Twenty-eight men and women are posed in three rows in front of a light-colored curtain serving as a backdrop. They appear to be on the stage in a school auditorium. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Six men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Seven men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Seven men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photo is very similar to ABFR-23-002-114, but the people are posed in slightly different positions. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Ten men and women are posed around a desk at the front of a school classroom with a blank chalkboard behind them. Photograph is undated, c.1960s","Black and white photograph of the homemaking class at Parker-Gray High School. Eight young women are posed around a classroom kitchen at work on different cooking and baking tasks while their teacher looks on. Photograph is undated, c.1960s","Black and white photograph, group portrait of the Parker-Gray High School baseball team. Ten young men wearing baseball uniforms are posed together on a baseball field behind the school. Photograph is undated, c.1960s","Black and white photograph, portrait of Lawrence Veney. He is wearing his Parker-Gray High School baseball team uniform and is posed as if in the midst of throwing a pitch. Photograph is dated 1963","Black and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School pep squad or cheerleading team. Seven young women in pep squad uniforms are in the midst of performing a cheer in the school gymnasium, presumably during a game or pep rally. Photograph is undated, c.1960s","Black and white photograph, portrait of the Parker-Gray High School pep squad or cheerleading team. Eight young women dressed in pep squad uniforms are posed in two rows in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, portrait of the Parker-Gray High School pep squad or cheerleading team. Eight young women dressed in pep squad uniforms are posed standing in a row in front of the bleachers in the school gymnasium, posed as if in the midst of performing a cheer. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School pep squad or cheerleading team. Thirty young women are posed in two rows in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph of four members of the Parker-Gray High School football team. Four young men dressed in football uniforms are posed standing on a football field. Three of the young men are crouched in a defensive position and the fourth young man is standing behind them as if poised to throw the football. Photograph is dated 1961","Black and white photograph, portrait of Raymond Williams, captain of the Parker-Gray High School football team. A young man, Raymond Williams, wearing a football uniform number 80, is posed crouched in a defensive position on a football field. Photograph is dated 1961","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a shot of players and two referees on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of several young women playing a game of volleyball in the Parker-Gray High School gymnasium. Based on their matching outfits, this is likely a candid photograph from a Physical Education class. Photograph is undated, c.1960s","Black and white photograph, group portrait of what is likely the Parker-Gray High School Girls' Athletic Association. Nineteen young women are posed standing in two rows on the bleachers in the school gymnasium. They are all dressed in matching outfits: white blouses paired with dark-colored skirts. Photograph is undated, c.1960s","Black and white photograph, group portrait of members of the Parker-Gray High School pep club. Fourteen young women are posed standing in two rows on the bleachers in the school gymnasium. They are standing angled sideways with their outer arm reaching out toward the middle of the gym. All of the young women are wearing vests with sashes that read, \"Go Team Go.\" Photograph is undated, c.1960s","Black and white photograph, candid photo of two young men in the midst of a wrestling match. A referee dressed in all white is also visible on the side of the mat. Visible in the background of the image are the officials or scorekeepers seated at a table, an announcer seated on a stool with a microphone, and several other members of the Parker-Gray High School wrestling team wearing their uniform sweat suits. Photograph is undated, c.1960s","Black and white photograph, candid photo of two young men in the midst of a wrestling match. A referee dressed in all white is also visible on the side of the mat. Visible in the background of the image are the officials or scorekeepers seated at a table, an announcer seated on a stool with a microphone, and several other members of the Parker-Gray High School wrestling team wearing their uniform sweat suits. Photograph is undated, c.1960s","Black and white photograph, team portrait of the Parker-Gray High School wrestling team. Twelve young men and their two coaches are posed in two rows atop a wrestling mat in the school gymnasium. They are all dressed in matching light-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, team portrait of the Parker-Gray High School wrestling team. Twelve young men and their two coaches are posed in two rows atop a wrestling mat in the school gymnasium. They are all dressed in matching light-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably basketball based on their outfits. Twelve young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching shiny jackets with PG on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably basketball based on their outfits. Twelve young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching shiny jackets with PG on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably track and field based on their outfits. Nine young men are posed standing on the bleachers in the school gymnasium. They are dressed in matching dark-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably track and field based on their outfits. Nine young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching dark-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a junior class at Parker-Gray High School. Approximately sixty students are posed in three rows on the grass in front of the school building. Photograph is undated, c.1960s","Black and white photograph of five Parker-Gray High School students in a car. A young man is posed in the driver's seat, in the passenger seat is a young woman wearing a headscarf, and in the backseat are three other young women. Photograph is undated, c.1960s","Black and white photograph of three Parker-Gray High School students. Three young women are posed standing in a row on a field. Two of the young women are wearing floral corsages pinned to their lapels and the young woman in the center of the group is holding a bouquet. Presumably they are a homecoming court, but the context of the image is not identified anywhere. Photograph is undated, c.1960s","Color photograph taken during the 2010 Parker-Gray School reunion. A man dressed in a brown polo shirt and khaki pants is seated next to a woman dressed in white pants and a blouse with a blue paisley pattern. They are both seated in front of tables and blue and white painted cement brick walls - the type of cement brick that is frequently found in American public school buildings. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman wearing a red collared dress, Norma J. Turner, is seated in front of a blue cement brick wall - the type of cement brick that is frequently found in American public school buildings. Photograph is dated 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women, including Norma J. Turner in the foreground of the image, are seated at a dinner table in what appears to be a restaurant or banquet hall. Visible in the background of the image are three other people who appear to be about to take their seats at another table, as well as, a bartender behind a bar. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at a dinner table in what appears to be a restaurant or banquet hall. Visible in the background of the image are other people seated at another table, as well as, a man ordering a drink from the bar. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at dinner tables in what appears to be a restaurant or banquet hall. In the foreground of the image is a man dressed in black pants, a white shirt, patterned tie, black suspenders, and glasses with a rose-colored tint. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at dinner tables in what appears to be a restaurant or banquet hall. In the foreground of the image is a man dressed in a grey suit, white shirt, and checkered tie; and a woman dressed in a pink, orange, and yellow dress with a sheer yellow jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a black dress with a floral print and a black blazer jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a purple dress and matching purple jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a pink dress and matching pink jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman wearing a white, lace blouse is seated in what appears to be a red booth. Photograph is dated 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is standing up from a dinner table with a red booth seat and looks as if about to give a speech. She is dressed in a sky blue jacket and matching sky blue pants, white blouse, and sky blue hat. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A man dressed in a grey suit, blue shirt, and blue tie is posed seated at a table. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman and man are standing up from a dinner table with a red booth seat and are posed in the midst of presenting a certificate. The woman is dressed in a sky blue jacket and matching sky blue pants, white blouse, and sky blue hat. The man is dressed in a tan suit, light-gray shirt, and patterned tie. Photograph is dated 22 August 2010","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a pink sweater is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a pink sweater is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a grey jacket and floral patterned blouse is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a green blouse with a patterned scarf tied around her neck is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man and a woman are seated in front of a window that looks out onto the street. The woman is wearing a white and grey striped jacket and blouse; the man is wearing a checkered suit jacket, white shirt, and striped tie. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a checkered suit jacket, white shirt, and striped tie is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a white shirt and white baseball cap is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a pink and white blouse, black suit jacket, and backwards black baseball cap is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a tan shirt is standing in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A laughing man wearing a patterned shirt is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white patterned blouse and white pants is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a black shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a yellow shirt, black patterned cardigan, and black headwrap is seated in front of blank whiteboard mounted on a white cement brick wall. A cane is leaning against the wall behind her. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white blouse over a black t-shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a blue and white patterned blouse and white baseball cap with a logo on it that reads, \"Parker-Gray 1920-1965\" is posed standing in what appears to be a classroom. Several other people are visible behind her in the background of the image. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black blouse is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a grey t-shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a red blouse is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white patterned blouse is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a white t-shirt, blue sweater, and holding a notebook is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple, black, and white patterned blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a pale green blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a striped brown suit jacket and pink shirt is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple blouse and white lace shrug is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Unfortunately the image file appears to be corrupted and the bottom half of the image is missing. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple, black, and white patterned blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2015 Parker-Gray School reunion event of Linwood Moses Smith and Sharon Jones Frazier. From left to right: a woman dressed in a purple turtleneck and purple cardigan; a man, Linwood Moses Smith, dressed in khaki pants, a grey zipped jacket under a denim jacket, a grey hat; a woman, Sharon Jones Frazier, dressed in a blue collared top under a tan trench coat. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event of McArthur and Nellie Quander. A man, identified as McArthur, dressed in denim pants, a checkered shirt, black windbreaker with the Free Masons logo on the front, and a brown hat walks with a woman using a mobility aid, Nellie Quander, dressed in a black top, black pants, and bright, red coat. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A candid photograph of three women and a man standing in the street, presumably outside the former Parker-Gray High School building, in the midst of conversation. Included in the group are Sharon Jones Frazier and Audrey P. Davis, Director of the Alexandria Black History Museum. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A portrait photograph of Audrey P. Davis, Director of the Alexandria Black History Museum, posed standing in the street in front of the former Parker-Gray High School building. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A candid photograph of five men standing in the street, presumably outside the former Parker-Gray High School building, in the midst of conversation. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. Seven men and women are posed next to the historic landmark sign noting the adjacent building as the former building of Parker-Gray High School. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A man and woman are seated in the middle of the audience during the celebration event. The man is wearing a blue and white striped shirt and tan suit jacket; the woman is wearing a brown quilted coat. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A man dressed in a grey suit, off-white shirt, patterned tie, and white baseball cap is walking down the street while utilizing a mobility aid. Photograph is dated 2015","Black and white photograph, class portrait of a group of Charles Houston Elementary School students. Approximately fifty children, along with two teachers, are posed standing in four rows on the steps in front of the entrance to the school. Photograph is undated, c.1950s","Black and white photograph, class portrait of the Room 6, Second Grade class at Charles Houston Elementary School in 1964. Twenty-eight children are posed in three rows with their teacher in what appears to be the school library. Two children in the center of the front row are holding a sign that reads, \"Charles Houston Alexandria, VA Grade 2 Room 6 1964.\" Photograph is dated 1964","Black and white photograph, class portrait of the Room 16, Fourth Grade class at Charles Houston Elementary School in 1964. Twenty-seven children are posed in three rows with their teacher in what appears to be the school library. Two children in the center of the front row are holding a sign that reads, \"Charles Houston Alexandria, VA Grade 4 Room 16 1964.\" Photograph is dated 1964","Digital surrogates of photographs from the family of Linwood Moses Smith. Related to the Jesurena Smith family photographs (ABFR-23-006)","Black and white photograph, portrait of a young girl standing posed outside in the grass. She is wearing a white top, white pants, and black sandals with white socks. It appears that the girl is in the yard next to a house; behind her are a brick wall and a large bush or shrubbery. Photograph is undated, c.1950s","Black and white photograph of a group of four young children. The children (a young girl, a young boy, and two toddlers) are outside in the grass, in what appears to be the yard next to a house. One of the toddlers is sitting in the grass while the two older children are each holding a hand of the second toddler while they attempt to stand on their own. It appears that the children are attempting to pose for the photograph, but have been captured in motion. Behind the children is a brick wall with two visible windows and the shadow of a large bush or shrubbery. Photograph is undated, c.1950s","Black and white photograph of a young woman and two very young children. The woman, dressed in black capri pants and a striped tank top, is posed standing outside in the grass in what appears to be the yard next to a house. She is holding a baby in her right arm while with her left holds the hand of a toddler standing next to her. The baby and toddler are both dressed in all white outfits. Behind the group is a brick wall with three visible windows and a large bush or shrubbery. Photograph is undated, c.1950s","Black and white photograph of three young children standing outside in the grass, in front of a short shrub. From left to right, a young boy dressed in a white short sleeved shirt, dark-colored shorts, and black sandals with white socks; a young girl wearing a tank top and shorts with matching printed pattern and tennis shoes; a young girl wearing a white top, white pants, and black sandals with white socks. The three children appear to be attempting to pose for the photograph but were captured either distracted or in motion. Photograph is undated, c.1950s","Color photograph of a woman seated on a couch which appears to be in the living room of a home. The woman is wearing a dark-colored coat and dark-colored dress. She is seated on a blue couch in front of a window with blue, patterned curtains. Unfortunately, the photograph is blurry and some details are hard to see. Photograph is undated, c.1960s","Black and white photograph of a group of five people posed standing in front of a striped tent. Unfortunately, the photograph was damaged and a large portion is missing from the right side of the image. From left to right, a woman wearing a light colored dress with a small, dotted pattern; a man wearing black pants, a white short-sleeved button-down shirt, and a light-colored hat; a woman wearing a striped dress; a young girl wearing a white dress and holding a doll; a man wearing a white shirt, but otherwise obscured by the missing piece. On the bottom edge of the photograph is a handwritten note that reads, \"Feeling might f--\" with the remainder of the note missing. Photograph is undated, c.1950s","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph of Maria, Jootsie, Wootchie, Jesurena [Smith], and Linwood [Moses Smith] (ABFR-23-004-025). Handwritten note which identifies the people in the photograph reads, \"Maria, Jootsie 13, Wootchie 10, Jesurena 8, Linwood 4\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Arnold J. Thammond as a baby (ABFR-23-004-029). Handwritten note which identifies the baby in the photograph reads, \"Arnold J. Thammond, age 4 months\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a man (John?) (ABFR-23-004-040). Handwritten note reads, \"Dear Jesus, please have mercy on John.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo of a family outdoors (ABFR-23-004-050). Handwritten note reads, \"Gen et al 5-29-83\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Same image as ABFR-23-006-022. Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a framed portrait drawing (ABFR-23-004-054). Typescript date stamp reads, \"JUL 92\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two young children in costume (ABFR-23-004-058). Typescript date stamp reads, \"MAY 93 9\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Linwood Smith and unidentified woman (ABFR-23-004-064). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs from the Coleman and Butler families.","Black and white photograph, portrait of a young woman, Lucy, standing posed in a doorway. She is dressed in a light-colored dress worn over a white shirt, a white collar, and a wide brimmed hat. The photo print is mounted in grey board and gold letters spelling \"LUCY\" are affixed to the board underneath the photograph. There is also printed typescript which reads, \"G.G. Donaldson, Washington, DC.\" Photograph is undated","Black and white photograph, candid photo of an oncoming parade headed down a residential street. Men are lined up on either side of the street, and five men are parading down the street toward the photographer. The man out front is wearing white gloves and carrying what appears to be a book. Photograph is undated","Black and white photograph of a group of people posed seated around a table with a microphone mounted on the ceiling and suspended over the middle of the table. They appear to be in a recording booth for radio or audio announcements. The man seated at the table in the middle of the group is dressed in United States military uniform and on the table in front of him are a stack of papers. Photograph is undated, c.1940s","Black and white photograph, portrait of a man and woman dressed for their wedding day. The bride is wearing a white wedding gown, veil, and pendant necklace and holding a bouquet. The groom is dressed in a dark-colored suit, white shirt, and dark-colored bowtie. A handwritten note in the bottom, right corner of the photo print reads, \"Murphy.\" Photograph is undated","Black and white photograph, portrait of a young woman who appears to be seated in front of a window. It is not clear whether she is actually seated in front of a window, or if this is a studio backdrop. She is dressed in a light-colored top with large buttons and a collar with a pleated trim. Photo print appears to have suffered some damage and wear. Photograph is undated","Black and white photograph, studio portrait of a young man. He is dressed in a dark-colored suit, striped tie, striped socks, dark-colored leather shoes, and a dark-colored fedora hat. He is posed seated on a bench with one knee tucked up onto the bench beside him. The background behind him is a painting of a bridge over a pond with ducks and swans swimming in it. Photograph is undated","A card with a printed calligraphy text which reads, \"Oliver Coleman, State Champion, Side Horse, 1967-68.\" It is unclear if this is related to the Studio portrait of a young man (ABFR-23-005-006)","Color photograph, candid portrait of a man and a woman. The woman is wearing a light-colored dress with an embroidered collar and cat-eye glasses. The man is dressed in a dark-colored suit, white shirt, striped tie, and glasses. They appear to be in someone's home and visible in the background of the image are the bottom of a staircase and an ornately carved wooden table with a book, cups, and an ashtray on top. Photograph is undated","Color photograph, studio portrait of a family posed in front of a navy blue backdrop. From left to right: a woman wearing a black dress; an older woman dressed in a red dress, pearl necklace, and glasses; an older man dressed in a black suit, white shirt, black tie, and glasses; a young woman wearing a white dress with a off-the-shoulder neckline and a pearl necklace; and a boy dressed in a black suit, white shirt, and purple satin bowtie. Photograph is undated","Color photograph of three men posed standing with their arms around each other. From left to right: a man dressed in khaki pants and a plaid shirt; a man dressed in khaki pants, bright blue shirt, and a black tie; a man dressed in khaki pants and a dark-colored shirt. Photograph is undated, c.2000s","Color photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right: a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; an older woman wearing a white dress and white floral corsage; an older man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a young woman wearing a white dress and white floral corsage; a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere. Photograph is undated","Black and white photograph, portrait of bride and groom surrounded by several friends and/or family. Centered at the front of the photo: the bride is wearing a white dress, white gloves, a white fascinator, and holding a bouquet in one hand and the hand of the groom with the other; the groom is dressed in a dark-colored suit, white shirt, dark-colored tie, and white boutonniere. Next to and behind the couple, from left to right: a man dressed in a dark suit, white shirt, and patterned tie; a young man whose outfit is obscured; a young woman whose outfit is obscured; a young man wearing a dark-colored suit, white shirt, and dark-colored tie; a woman whose outfit is obscured; a young woman wearing a dark-colored dress with buttons and a bow in her hair; an older woman in a light colored dress and corsage pinned to her lapel. Photograph is undated","Black and white photograph of a man and two women sitting at a desk in an office. A man is seated to the left of the desk and is dressed in a dark-colored suit, white shirt, and patterned tie. One of the women is seated behind the desk with her hands folded on top of the desk; she is dressed in a dark-colored top and jacket. The other woman is seated to the right of the desk and is dressed in a dark-colored skirt suit and white blouse. On the desk are a black telephone, two baskets with papers in them, a bound report or portfolio, and a pen holder. There is a filing cabinet visible in the background of the image. Photograph is undated","Black and white photograph, studio portrait of a woman posed in front of a blank, light-colored backdrop. She is dressed in a dark-colored dress or jacket over a white blouse. The image only depicts from her shoulders up. Photograph is undated","Reverse of Portrait photograph of a woman (ABFR-23-005-014). Handwritten notes read, \"6489\" and \"[illegible].\" A stamped typescript note reads, \"For your convenience the negative of this photograph will be kept on file. When reordering be sure you mentio the letters and numbers that follow 2-[blank], Murphy PO Trait Studio, Alexandria, Virginia.\"","Color photograph, portrait of a bride posed standing in a church sanctuary with three family members. From left to right: an older man dressed in a dark-colored suit, white shirt, burgondy tie, glasses, and white boutonniere; an older woman wearing a pastel blue dress, matching shoes, pearl necklace and bracelet, and white corsage pinned to her lapel; the bride dressed in a white wedding gown, pearl necklace and headband, and holding a bouquet of blue and white flowers; a man dressed in a dark-colored suit, white shirt, navy blue tie, and white boutonniere. Photograph is undated","Color photograph, portrait of a woman standing posed in front of a sage green curtain with a floral pattern. She is dressed in a tan dress, white glvoes, pearl necklace and earrings, white fascinator hat, and white floral corsage pinned to her collar and is holding a white handbag. Photograph is undated, c.1950s","Black and white photograph, portrait of a man seated in front of what appears to be a canvas tent. He is dressed in a light-colored shirt that is likely part of a military uniform, though no identifying insignia is visible in the image. Photograph is undated","Color photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right: a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman dresed in a sparkly, dark-colored dress and white floral wrist-corsage; an older woman wearing a white dress with a white floral wrist-corsage; an older man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman in a black skirt set with a white blouse and a white floral wrist-corsage; and a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere. Photograph is undated","Color photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right; a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman wearing a white dress with a white floral wrist-corsage; a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman dressed in a blue dress with a black and gold stoll draped over her shoulders, and a man in a dark-colored suit, white shirt, and grey tie. Photograph is undated","Black and white photograph, portrait of what appears to be a bride and groom standing posed in front of a decorative white backdrop and two potted plants. The woman is dressed in a white wedding gown, white gloves, and is holding a small bouquet. The man is dressed in a black tuxedo with a white shirt and white bowtie. Photograph is undated, c.1960s","Reverse of Wedding portrait photograph (ABFR-23-005-021). Handwritten note reads, \"1-4\"","Black and white photograph of a group of children of varying ages stood posed in what appears to be a church or banquet hall. From left to right; a young girl wearing a light-colored, striped dress; a young girl wearing a white dress; a young girl wearing a light-colored dress with a white celebretory sash across her shoulder; a young girl wearing a white dress; a young boy dressed in a dark-colored suit, white shirt, and striped bowtie; a young girl wearing a white dress; a young girl wearing a white dress with dark-colored polka dots; a young girl wearing a white dress. Photograph is undated, c.1950s","Reverse of Photograph of group of children (ABFR-23-005-023). Stamped typescript reads, \"Photo by Jackson, 528 N. Payne Street, Alexandria, Va. KI 9-8019\"","Black and white photograph of three women seated in chairs with three men standing behind them. Back row, from left to right: man wearing a light-colored suit, white shirt, and patterned tie; man wearing a dark-colored suit, white shirt, dark-colored tie, and white pocket square; man in a light-colored suit, white shirt, and patterned tie. Front row, from left to right: woman wearing a white dress; woman wearing a white dress, white arm wraps, and a floral corsage pinned to her collar; woman wearing a light-colored dress. They appear to be in a church recreation or banquet hall. Visible in the background of the image are a man eating seated at a long table with a white table cloth, a raised platform stage with chairs on it, a curtain behind the stage with what seems to be a large cross mounted as a backdrop. photograph is undated, c.1950s","Black and white photograph of a dozen men posed standing staggered in a line in front of what appears to be a concessions stand. All of the men are wearing suits and several also have white floral boutonnieres pinned to their lapels. Visible in the background of the image are a couple of women. Photograph is undated, c.1940s","Clipping from a newspaper featuring a black and white photograph of a group of people posed in an office with a caption underneath. Pictured in the photo are a young woman, a young man, and a man seated at a desk and posed looking at brochures. The man seated on the right is also holding the telephone as if in the middle of a call. Standing behind the seated trio and looking over their shoulders are two men and two women. All are dressed in business casual outfits c.1960s. According to the caption, the image depicts two college students, Marilyn Klug and Jim Rogers, who are starting positions with the Alexandria Office of the Virginia Employment Commission under a summer employment project of the Northern Virginia Board of Realtors' \"Make America Better\" Program. Also pictured in the image are G. Lewis Layne, Joanna M. Tanner, Ralph A. Wells, Oliver Coleman, and Eileen K. Levington. Clipping is undated, c.1960s","Black and white photograph of twenty-one men, women, and children posed standing in a church sanctuary in front of the pulpit. Visible in the background of the image are the choir loft, a staircase, and a banner hung behind the pulpit that reads, \"Home-coming, United We Stand, Divided We Fall.\" Photograph is undated, c.1950s","Black and white photograph of twenty-four men and women, posed in three rows. The men are all wearing dark-colored suits, white shirts, and dark-colored ties, with badges or medals pinned to their lapels. The women are all wearing matching white collared dresses, white gloves, and the same badges or medals pinned to their lapels. They appear to be in a church recreation hall and there is a wooden cross visible in the background of the image. Photograph is undated, c.1950s","Digital surrogates of photographs from the family of Jesurena Smith. The Newman family lived at 510 and 512 Pendleton Street in Alexandria, Virginia from 1928 until the 1970s. John Henry Newman moved from Burke, Virginia to Alexandria in the 1920s. Newman had two wives: Nannie Pounds Newman and Elizabeth Pounds Newman. Related to the Linwood Moses Smith family photographs (ABFR-23-004)","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Candid photograph of a wedding (ABFR-23-006-012). Stamped typescript reads, \"Henry's Camera Exchange, 722 King St., Alexandria, Virginia\" and \"Kodachrome Print, Made By Kodak, July 67R\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph from Angie's 50th birthday (ABFR-23-006-014). Handwritten note reads, \"Angie's Big 50, 3-28-09\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman in front of mobile home (ABFR-23-006-020). Handwritten note reads, \"To Shirl \u0026 Roger from fat-Black Ace - Age 43\"","Same image as ABFR-23-004-053. Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a framed portrait drawing propped up on a couch (ABFR-23-006-026). Typescript date stamp reads, \"JUL 92\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman holding a framed portrait drawing of a woman (ABFR-23-006-029). Typescript date stamp reads, \"JUN/02\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and ephemera from the family of Sharon Jones Frazier and her paternal grandmother, Carrie Jones Stevens. Carrie Jones Stevens originally lived in Palmyra, Virginia with her first husband, Albert Jones. Together they had three children - Shedrick (father of Sharon Jones Frazier), Ellen, and Annie. After Albert's death, she re-married Moses Stevens and the family moved to Alexandria, Virginia and lived at 1325 Cameron Street; this home remains in the family as of 2023. Ellen married Lawrence Butler and moved to Philadelphia, Pennsylvania. Annie and Shedrick both attended Parker-Gray School. Annie worked at the Carver Theater and Shedrick had a career as a plasterer","Clipping of an article and two black and white photographs from The Other Alexandria, \"Betty Garrett Scott: 'Memories of My Grandfather' by Char McCargo Bah","Black and white photograph, candid photo of a man walking on a cement patio in front of a brick wall and white door. He is dressed in a light-colored suit, white shirt, and glasses. Photograph is undated","Color photograph, portrait of a young woman, Sharon Jones Frazier, standing posed in a backyard. She is dressed in a light-colored blouse and skirt set. A brick building and a white stone fence are visible in the background of the image. Photograph is undated, c.1960s","Color photograph, portrait of a woman standing posed in a backyard. She is wearing a white collared dress with a pink and green floral pattern. A brick building, white stone fence, and green lawn furniture are visible in the background of the image. Photograph is undated, c.1960s","Black and white photograph, studio portrait of a man seated in front of a light-colored backdrop. He is dressed in a suit and tie. Photograph is undated","Black and white photograph of a young girl sitting on the grass in what appears to be a backyard or park. She is dressed in a light-colored Native American costume dress and band around her forehead with a single dark-colored feather sticking up in the back. Her hair is worn in pigtails. Lawn furniture is visible in the side of the image. The photo print has suffered some wear and damage and there is a vertical crease down the middle of the print which obscures some of the image. Photograph is dated \"February -8\" with a typescript stamp on the top edge of the print, the decade is obscured by the damage to the print but is mostly likely 1958","Black and white photograph of a young girl, Sharon Jones Frazier, posed standing in front of a brick wall. She is wearing a light-colored dress with a Peter Pan collar and a light-colored bow in her hair. A handwritten note on the photo print over the image identifies the little girl as \"Sharon.\" Photograph is undated","Black and white photograph, studio portrait of a young woman, Sharon Jones Frazier, seated in front of a blank backdrop. She is dressed in a white and light-colored collared shirt. A handwritten note on the photo print reads, \"To Mom, Love Sharon, 1972\"","Black and white photograph, studio portrait of a young woman, Sharon Jones Frazier, seated in front of a blank backdrop. She is dressed in a white nurse's uniform: white collared top and small white hat. Photograph is undated, c.1970s","Color photograh, studio portrait of two women and a small dog. Sharon Jones Frazier is dressed in a red collared dress and is standing posed with her hand on the shoulder of an older woman. The other woman is dressed in a black and white houndstooth dress, pearl necklace, and wire-rimmed glasses. She is holding an buff-colored Cocker Spaniel with a red collar. Photograph is undated, c.1990s","Color photograph of a young woman, Sharon Jones Frazier, and a man posed standing together in front of a dark, red wall and a potted plant. She is dressed in a white dress, white jacket, and red brooch pinned to her dress; she is carrying a black handbag. The man is dressed in a dark-colored suit, white shirt, patterned tie, glasses, silver cross necklace, and red brooch pinned to his lapel. Photograph is undated","Black and white photograph, portrait of a young girl posed standing in front of a dark-colored couch with white curtains behind it. She is dressed in a light-colored coat with a double-layered rounded flat collar, white gloves, white beret hat, and white cross-body handbag. Photograph is undated","Color photograph, studio portrait of a woman posed seated in front of a cream-colored backdrop. She is dressed in a cream-colored top and gold jewelry. Photograph is undated, c.1970s","Black and white photograph, studio portrait of a man posed seated in front of a light-colored backdrop with his hands folded in front of him. He is dressed in a houndstooth suit, white shirt, black tie, and badge-shaped lapel pin. Photograph is undated, c.1950s","Black and white photogrpah, studio portrait of a young woman posed sitting in front of a blank backdrop. She is dressed in a light-colored blouse. Photograph is undated, c.1940s","Reverse of Portrait photograph of a woman (ABFR-23-007-015). Stamped typescript reads, \"Stephen's Photographers, 1202 You St., N.W., Washington, D.C.\" Handwritten note reads, \"10336 R GT\"","Black and white photogrpah, portrait of a baby seated propped up against pillows on what appears to be a couch or armchair upholstered in a floral print. The baby is dressed in a white dress and white socks. Photograph is undated","Reverse of Portrait photograph of a baby (ABFR-23-007-017). Stamped typescript reads, \"Pease Photograph Washington, DC Ludlow 2517 Credit Please Photographers\"","Color photograph, studio portrait of a woman, Sharon Jones Frazier, posed seated in front of a dark-colored backdrop. She is dressed in a white blouse with a light blue satin notched collar and light blue satin trim on the breast pockets. Photograph is undated, c.1970s","Color photograph, studio portrait of a woman posed seated in front of a blue backdrop. She is dressed in a red blouse with floral applique, a gold necklace, and glasses. Photograph is undated, c.1980s","Color photograph, studio portrait of a woman, Sharon Jones Frazier, posed seated in front of a blue backdrop with a hand tucked loosely under her chin. She is dressed in a bright, red collared blouse, gold jewelry, and wire-rimmed glasses. Photograph is undated, c.2000s","Black and white photograph, studio portrait of a young woman posed seated in front of a light-colored backdrop. She is dressed in a patterned blouse with a bowtie collar and a pearl necklace. Photograph is undated, c.1940s","Black and white photograph, studio portrait of a young woman, Sharon Jones Frazier, posed seated in front of a light -colored backdrop. She is dressed in denim pants, a plaid shirt, and sweater vest. Photo print has suffered some wear and damage and there are sepia toned streaks across the image. Photograph is undated, c.1970s","Color photograph of four women seated in a corner booth at a restaurant. From left to right: a woman dressed in a blue striped skirt, blue blouse, and blue cardigan; a woman wearing a purple blouse; a woman, Sharon Jones Frazier, dressed in a blue and green patterned blouse; a woman dressed in a black top. Photograph is undated, c.2000s","Color photograph of two young girls posed standing together in a home. From left to right: a young girl wearing a yellow dress with a patterned skirt and yellow satin bow in her hair; a young girl wearing a blue and white patterned dress and holding a doll. Windows with red and white curtains and an interior doorframe to another room are visible in the background of the image. Photograph is undated, c.1950s","Color photograph of two young women, posed as if dancing and with their arms around each other's shoulders. The image is somewhat blurred. From left to right: young woman dressed in a white blouse tucked into a red pencil skirt; young woman dressed in a red and blue checkered dress and white cardigan. Photograph is undated, c.1960s","Color photograph, group portrait of six teenagers posed standing in a row in front of a school trophy case. There are three young women and three young men, presumably their escorts to a school dance or prom. The young men are all dressed in suits and the young women are all wearing light-colored dresses and gloves with floral corsages pinned to their dresses. One young woman is also holding a bouquet. Photograph is undated, c.1960s","Color photograph, group portrait of six teenagers posed standing in a row in front of a school trophy case. There are three young women and three young men, presumably their escorts to a school dance or prom. The young men are all dressed in suits and the young women are all wearing light-colored dresses and gloves with floral corsages pinned to their dresses. One young woman is also holding a bouquet. Photograph is undated, c.1960s","Black and white photograph of two girls standing in a backyard. One girl is posed with her arms crossed in front of her, frowning at the camera, while the other leans with her arm on the first girls' shoulder. Both are wearing light-colored dresses. Trees, an empty clothesline and part of a house are visible in the background of the image. Photograph is undated","Black and white photograph of two children posed standing in a backyard in the midst of Sharon Jones Frazier's birthday party. From left to right: a young girl, Sharon Jones Frazier, dressed in a light-colored dress with a floral pattern, Berta-style collar, and bow in the front; a young boy dressed in a dark-colored suit, white shirt, and black bowtie. Another young girl wearing a dress and a young boy seated in a chair are visible in the background of the image. Photograph is undated","Cover of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010) at Nix and Nix Funeral Home in Philadelphia, Pennsylvania.","Interior page of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page lists the program of events","Interior page of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page features the eulogy and family photographs","Back of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page features a quote from an unknown author dedicated to \"Our MomMom\"","Black and white photograph, group portrait of the Class of 1965 at Parker-Gray High School in Alexandria, Virginia. The students are posed on risers in 7 rows and are all dressed in their graduation caps and gowns. Photograph is dated 1965","Reverse of Group photograph of Parker-Gray H.S. Class of 1965 (ABFR-23-007-035). Handwritten note reads, \"Parker-Gray H.S. Class of 1965\"","Black and white photograph, studio portrait that was hand-colored using pastels. A portrait of an unidentified woman dressed in a white blouse or dress with a high collar that is fastened with a gold broach. Artwork is undated, c.19th century","Digital surrogates of photographs from the family of Charles Sias. Also included are photographs of Parker-Gray High School activities, students, social groups, and athletic teams","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of men standing on football field (ABFR-23-008-001). Typescript date stamp reads, \"July, 1980\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of men on a football field (ABFR-23-008-003). Typescript date stamp reads, \"July, 1980\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of men at a picnic (ABFR-23-008-006). Typescript date stamp reads, \"Jul 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of women at a formal dinner (ABFR-23-008-008). Typescript date stamp reads, \"Jul 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman and a man at a gathering (ABFR-23-008-010). Typescript date stamp reads, \"Jul 90 1\"","[Help us describe this image using our Community Description form at: https://bit.ly/ABFR-community-description]","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo at a beach (ABFR-23-008-014). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man standing on a football field (ABFR-23-008-016). Typescript date stamp reads, \"July, 1980\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man at a family gathering (ABFR-23-008-018). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo of an outdoor gathering (ABFR-23-008-020). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman and man sitting on lounge chairs (ABFR-23-008-022). Typescript date stamp reads, \"09/30/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of women sitting on a dock (ABFR-23-008-024). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of people sitting on a dock  (ABFR-23-008-026). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman in a kitchen (ABFR-23-008-028).  Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph outdoors (ABFR-23-008-030). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph outdoors (ABFR-23-008-032). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph outdoors (ABFR-23-008-034). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman standing by a swimming pool (ABFR-23-008-036). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of three men (ABFR-23-008-038). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman in yard (ABFR-23-008-040). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Mabel Price and unidentified man at formal event (ABFR-23-008-042). Typescript date stamp reads, \"07/06/05.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of woman and man at Parker-Gray High School class of 1965 reunion (ABFR-23-008-044). Typescript date stamp reads, \"JUL 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman (ABFR-23-008-046). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo at formal event (ABFR-23-008-048). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo at formal event (ABFR-23-008-050). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of people at a restaurant (ABFR-23-008-052). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Cherylene Rollerson and Beverly Wilhoit (ABFR-23-008-054). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Corliss and unidentified woman (ABFR-23-008-056). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of cake at Parker-Gray High School class of 1965 reunion (ABFR-23-008-058). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two women in kitchen (ABFR-23-008-060). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and women at gathering (ABFR-23-008-062). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photo of man in kitchen (ABFR-23-008-064). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photo of man in a park (ABFR-23-008-066). Typescript date stamp reads, \"JUL 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Walter at an event at the Alexandria Black History Museum (ABFR-23-008-068). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of three men at outdoor gathering (ABFR-23-008-070). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of woman at Parker-Gray High School class of 1965 reunion (ABFR-23-008-072). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of historic photographs and artwork from the family of D. Jason Wood. Included are 19th century charcoal portrait drawings and hand-colored photographs, 19th century photographic prints, and photographic prints from the early 20th century","Charcoal portrait drawing of an unidentified woman. She is dressed in a high-collared black dress or blouse with a bow at the neck; the image depicts the woman only from the shoulders up. The drawing has suffered some deterioration over time and portions of the image are damaged and missing pigment. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He has a mustache and is dressed in a black suit, white collared shirt, and black tie; the image depicts the man only from the shoulders up. The drawing has suffered some deterioration over time and portions of the image are damaged and missing pigment. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He has a \"salt-and-pepper\" mustache and is dressed in a dark colored suit, white collared shirt, and dark tie; the image only depicts the man from the shoulders up. The drawing has a tear in the upper, left corner that does not obstruct the portrait image. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He has a mustache and is dressed in a black suit, black buttoned vest, white shirt, and black tie; the image only depicts the man from the chest up. The drawing has suffered some environmental damage over time and the bottom, left portion of the drawing is missing, as well as some pieces from the top corners. There is also evidence of water damage and some portions of the image are missing pigment. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He is posed standing, holding what appears to be a rifle with a bayonet. He has a beard and is dressed in pants with suspenders, a long-sleeve shirt with a collar and buttons, a round hat or helmet, and what appears to be a handkerchief or piece of cloth tucked into his waistband. The drawing has suffered some environmental damage over time and is missing pieces from three corners, but the image is not obstructed. Portrait is undated, c. 19th century","Charcoal and ink portrait drawing of an unidentified woman. She is dressed in a high-collared black dress or blouse with a ring closure at the neck and a row of small buttons; the image depicts the woman only from the shoulders up. Portrait is undated, c. 19th century","Pastel portrait drawing of an unidentified woman. She is posed standing in front of an abstract, colored background. She is wearing a late 19th century style dress - a black dress with a high collar, corset, and long-sleeve fitted jacket and skirt with multiple draped layers and possibly a bustle. The dress is embellished with ruffles or lace at the edge of the sleeves and top layer of the skirt. Her hair is pulled back into a low bun. Signature in the bottom, right corner reads, \"N.B. Katze.\" Portrait is undated, c. 19th century","Pastel portrait drawing of an unidentified woman. She is posed standing next to a stone column wrapped in flowering vines and a flowering plant in a stone planter atop a stone pedestal with a decorative relief work of cherubs. She is wearing a bright blue, long-sleeve dress with high collar and black belt at the waist. The style and silhouette of the dress appears to be c. 1900. Signature in the bottom, right corner reads, \"Harris - Ewing.\" Portrait is undated, c. early 20th century","Hand-colored photographic print, portrait of an unidentified woman. She is posed seated, though the chair or stool is not visible. The woman is wearing a black and white pinstripe dress with long-sleeves, high collar, and large white jabot at the neck. Portrait is undated, c. 19th century","Pastel portrait drawing of an unidentified man. He has a mustache and long sideburns and is dressed in a black suit, black buttoned vest, white shirt, white tie, and boutonnière on his lapel. The image only depicts the man from the chest up. Portrait is undated, c. 19th century","Black and white pastel portrait drawing of an unidentified man. He has a white mustache and is dressed in a black suit, black buttoned vest, white shirt, and black tie. The image only depicts the man from the waist up. Portrait is undated, c. 19th century","Hand-colored photographic print, portrait of an unidentified man. The coloring appears to be watercolors and ink. He is posed standing outside in front of a fence and shrubbery. The man has a mustache and is wearing a light gray suit, white shirt, white tie. He is also holding a white and gray boater hat. Portrait is undated, c. late 19th century or early 20th century","Photographic print, portrait of an unidentified man. The man is posed seated. He is wearing a suit, dark colored vest, and white shirt. The man's hair and eyes have been outlined in ink; there are also ink dots throughout the image to accentuate areas of shadow. Portrait is undated, c. 19th century","Black and white photographic print, portrait of an unidentified man. The photograph depicts the man from the waist up; he appears to be posed sitting in front of a studio backdrop. The man is wearing a dark colored suit, white shirt, and dark colored tie. On the matting around the image is a stamp of a lion holding a sword and text that reads, \"Sol. Young, New York.\" Photograph is undated, c. 19th century","Black and white photographic print, portrait of Douglas wearing what appears to be a U.S. Army Air Corps summer uniform from the World War 2 era. The photograph depicts the man from the chest up; he is wearing a uniform shirt with epaulets, a tie tucked into the shirt, and a pilot helmet and goggles. The prop and wings insignia is pinned to his left lapel and there appears to be another insignia pinned to the right lapel, but it is not visible in the photo. On the matting around the photo is text that reads, \"Polk's Studio, Tuskegee Inst., Ala.\" Handwritten text on the bottom right corner of the photograph reads, \"To the Family, From: Douglas.\" Photograph is undated, c. 1930s - 1940s","Black and white photographic print, portrait of Doug wearing what appears to be a U.S. Army Air Corps uniform from the World War 2 era. The photograph depicts the man from the chest up; he is wearing a white shirt, black tie, formal uniform jacket, and peaked service cap with prop and wings insignia. Insignia are pinned to his jacket lapels; a U.S. pin on both top lapels and a prop and wings pin on both bottom lapels. On the matting around the photo is text that reads, \"Polk's Studio, Tuskegee Inst., Ala.\" Handwritten text on the bottom right corner of the photograph reads, \"To my devoted sister - Doug.\" Photograph is undated, c.1940s","Black and white photographic print, group portrait of a group of musicians. Eleven men are posed in two rows, the back row is standing and the front row are seated in folding chairs. Several instruments are arranged on the floor in front of the men; there are a variety of string instruments in the arrangement including a cello, violin, banjo, and several mandolins. The men are all dressed in dark colored suits, white shirts, and neckties (some are bow ties, some are long ties). Photograph is undated, c. 1900s","Digital surrogates of seven photograph albums from the family of Maurice Terrell. Albums include photographs, documents, and ephemera.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"63rd birthday June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two women (ABFR-23-010-135). Handwritten note reads, \"June 24th (97) (Wed.)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two women (ABFR-23-010-137). Handwritten note reads, \"June 24th (97) (Wed)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a man and woman (ABFR-23-010-144). Handwritten note reads, \"June 24th (97) (Wed)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Carl on a sidewalk in downtown Boston (ABFR-23-010-299). Handwritten note reads, \"Downtown Boston, Sunday, 9 May 76. To my sweet baby, Love always, Carl\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs from the Carter and Robinson families. Both families have been in Alexandria since the late 1860s.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and documents from the family of Dorothy Taylor. Included are photographs, a scrapbook, marriage and death certificates, and other documentation of family history.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Realtor listing of 1004 Cameron Street (ABFR-23-013-034).","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Certificate in lieu of lost or destroyed discharge certificate of Walter Thomas (ABFR-23-013-036). Hand written note reads, \"Walter Thomas grave 549 Arlington Cemetery\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Dorothy E. Knapper Taylor (ABFR-23-013-045). Handwritten note reads, \"Dorothy E. Knapper (Taylor)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of unidentified child and Dorothy Knapper in front of a building (ABFR-23-013-047). Handwritten note reads, \"Dorothy Knapper (Taylor) in white\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Beulah Priester and Dorothy Taylor in front of house (ABFR-23-013-049). Handwritten note reads, \"Beulah Priester and Dorothy Taylor Elks convention in Chicago\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Mat. And Dot. sitting outside (ABFR-23-013-052). Handwritten note reads, \"Mat. and Dot\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Dorothy Knapper Taylor (ABFR-23-013-054). Handwritten note reads, \"Dorothy Knapper (Taylor) age unknown\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Dorothy Knapper Taylor (ABFR-23-013-056). Handwritten note reads, \"Dorothy E. Knapper (Taylor)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Virginia Knapper, Ella Lomax, and Desiree Porter (ABFR-23-013-059). Handwritten note reads, \"Virginia Knapper, Ella Lomax, Desiree Porter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Nannie in Elks uniform (ABFR-23-013-061). Handwritten note reads, \"Nannie- Elks uniform\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Virginia Knapper and Desiree Irvin (ABFR-23-013-063). Handwritten note reads, \"Virginia Knapper Desiree Irvin\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Desiree Irvin and Virginia Knapper (ABFR-23-013-065). Handwritten note reads, \"Desiree Irvin and Virginia Knapper\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Virginia Knapper \"Nannie\" and unidentified man (ABFR-23-013-067). Handwritten note reads, \"Virginia Knapper (Nannie) and friends\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of woman (ABFR-23-013-069). Handwritten note reads, \"Dec. 26, 1952 Nannie?\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Ruby Lomax and James Young (ABFR-23-013-071). Handwritten note reads, \"Ruby Lomax and James Young\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Lena Jackson and Virginia \"Nannie\" Knapper (ABFR-23-013-073). Handwritten note reads, \"Lena Jackson and Virginia Knapper (Nannie)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Dorothy \"Momma Dot\" Taylor and Desiree Irvin (ABFR-23-013-077). Handwritten note reading, \"Dorothy Taylor\" is crossed out. Additional handwritten note reads, \"Momma Dot, Desiree Irvin\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Mattie Tyree, Edna Jones, Virginia Knapper, Eudell Bartee, and unidentified people (ABFR-23-013-078). Handwritten note reads, \"Mattie Tyree Edna Jones Virginia Knapper Eudell Barte.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of James Knapper (ABFR-23-013-081). Handwritten note reads, \"Uncle Jim (James Knapper)\" \"Momma Dat's uncle (Pennsylvania Station\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a house (ABFR-23-013-084). Handwritten note reads, \"Mother Dear's house\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of three women (ABFR-23-013-087). Handwritten note reads \"I don't know, I don't know, Mother Dear\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Helen Brown and Emma Thomas (ABFR-23-013-089). Handwritten note reads, \"Helen Brown and Mother Dear (Emma Thomas)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Emma Thomas, four unidentified people, unidentified baby (ABFR-23-013-091). Handwritten note reads, \"Mother Dear\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Ella Lomax (ABFR-23-013-093). Handwritten note reads, \"Ella Lomax\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Adeline Hughes and husband (ABFR-23-013-095). Handwritten note reads, \"Adeline Hughes and husband\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of two women and a man (ABFR-23-013-100). Typescript date stamp reads, \"04/30/22\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Family group portrait (ABFR-23-013-102). Typescript date stamp reads, \"04/30/22\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph of Earl Lloyd and unidentified men standing in a gym (ABFR-23-013-142). Handwritten note reads, \"Earl Lloyd, Missing (Rozier Ware)- Hoodley Windy's dad\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph of the Alexandria Rams football team (ABFR-23-013-145). Handwritten note reads, \"Rams football team, Donald Taylor top row third from left #\"","Digital surrogates of materials documenting the history of the Hamilton and Carrie Gray Family. The Gray Family has been apart of the Black community in Alexandria and Gum Springs since the 19th century. Included are family reunion books, photographs, ephemera, a pastel portrait drawing, and other documentation of family history.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and ephemera from the family of Bernice Lee.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and ephemera from the Cross family","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Wendy Lucas (ABFR-23-020-002). Handwritten note identifies the girl in the image as \"Wendy Lucas\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a backyard family gathering (ABFR-23-020-018). Date stamp reads, \"SEP 1984\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a backyard family gathering (ABFR-23-020-020). Date stamp reads, \"SEP 1984\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group portrait taken at a formal event (ABFR-23-020-028). Handwritten note reads, \"Top of Poem \"Our Family's Love\", Bea Taylor\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a house (ABFR-23-020-030). Handwritten note reads, \"Front of Home.\" Date stamp reads, \"JULY 2002\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Lydia Cross Jones and Eleanor Cross Winbush (ABFR-23-020-033). Handwritten notes read, \"To Bea \u0026 John, this was taken Dec 3rd 1988\" and \"Lydia Cross Jones, Eleanor Cross Winbush.\" Typescript stamp reads, \"Photography by Herbert D. Spears, 7012 Lamp Post Lane, Alexandria, VA 22306, 703-768-6395\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Goff, Haywood, and Bernice (ABFR-23-020-059). Handwritten note reads, \"Goff, Haywood, Bernice.\" Typescript stamp reads, \"When this photograph is used please credit Michael L. Smith\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Lydia (ABFR-23-020-064). Handwritten note identifies the girl in the photo as \"Lydia.\" Typescript stamp reads, \"Pease Photograph, 3728 Hayes St NE, Washington, DC, Lincoln 7 5319\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Daisy P. Cross (ABFR-23-020-071). Handwritten note identifies the woman in the photo as \"Daisy P. Cross\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of materials documenting the history of the Carter Family. Included are photographs, drawings, and paintings","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note in the bottom corner of the photograph reads, \"To Paul, Love Ann\"","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Douglas","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Bernard\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Bernard\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Frederick\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Paul, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Lawrence, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Lawrence, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Lawrence, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Chrystal\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Chrystal\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Chrystal\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of David\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Alfred\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Alfred\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Alfred\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of materials documenting the Alexandria-Mount Vernon Chapter of Jack and Jill of America, Inc and their annual Founders Day celebrations","Excerpt of three pages from a newsletter, program, or informational pamphlet about Founders Day 2023 of the Alexandria-Mount Vernon Chapter of Jack and Jill of America. Excerpted pages include a photograph and roster of the founding members of the chapter; letter to members from Elena Neely, Chapter President in 2023, a history of the chapter, and a 2023 group portrait of the members. Document is dated 2023","Informational and promotional video made for the 55th Anniversary and Founders Day of the Alexandria-Mount Vernon Chapter of Jack and Jill of America. Video gives a brief history of the chapter and information about the organization and its mission, activities, and member statistics. This information is conveyed primarily through audio narration. The narration is accompanied by a slideshow of photographs. There is also background music playing throughout the video. Video is dated 2021","Digital surrogates of photographs, documents, and newsclippings from the family of Shirley Ann Sanders-Steele.","Black and white photograph of Joe Ann Sanders-Smith standing in front of a wrought iron gate in front of the Governor's mansion in Richmond, VA. She is wearing summer clothing. She holds sunglasses in one hand, her other hand on her hip. Joe Ann is smiling for the camera. Photograph is dated November 1957","Reverse of photograph of Joe Ann (ABFR-23-024-001). Handwritten note reads \"My sister in law Joe Ann, Gov's mansion Richm.\" An additional handwritten note beneath this text is obscured by a black marking and is illegible. Photograph is dated November 1957","Color photograph of three women in formalwear seated at a dinner table laid with matching dishware, drinkware, and utensils. At each place setting on the table stands a fruit-based dessert in a cocktail style serving glass. Photograph is dated 1985","Reverse of photograph of three women seated at formal dinner (AFBR-23-024-003). Typescript stamp dates photo to October 1895","Color photograph of Aunt Lil and her niece, Shirley Ann Sanders, in proper attire. They are posed in front of a painted backdrop depicting a lake scene, smiling at the camera. Aunt Lil is standing and has her arm draped over the shoulders of Shirley Ann, who is seated. Photograph is undated, c. 1980s","Reverse of photograph of Aunt Lil and her Shirley Ann Sanders (ABFR-23-024-005). Handwritten note reads \"Aunt Lil + me.\" Photograph is undated","Blurry color photograph of Shirley Ann Sanders, smiling in a long coat standing in the snow-covered yard of a brick building. In front of her sits a dog on a leash, which the woman holds. Photograph is undated","Reverse of photograph of Shirley Ann Sanders on snowy lawn with dog (ABFR-23-024-008). Handwritten note reads \"1713 Price St, Alex Va, 1965-2001, My dog.\" Photograph is undated","Color photograph of a group of children holding balloons of various colors in a living room. In the left of frame, an adult woman seated near a coffee table looks on. Photograph is dated January 1959","Reverse of photograph of Tyrone and Angela's birthday party (ABFR-23-024-009). Handwritten note identifies the birthday celebrants as Tyrone and Angela. Photograph is dated January 1959.","Color photograph of a rectangular cake on a table with two chairs in the background. The left half of the cake, decorated with blue frosting, a cactus, and cowboy figurines, reads \"Happy Birthday Tyrone.\" The right half, pink with a ballerina in white silhouette, reads \"Happy Birthday Angela.\" The photograph is dated January 1959","Reverse of photograph of Tyrone and Angela's birthday cake (ABFR-23-024-011). Handwritten note reads \"Birthday Party, Tyrone (3) Yr + Angela (2) Ys, Jan 1959, At my mothers, 812 N Alfred St.\" Photograph is dated January 1959","Black and white photograph of young Kirk in a white graduation cap and gown, facing the camera. The pews are filled with similarly dressed children, facing the nave. Photograph is undated","Color photograph of young Kirk in white graduation cap and gown on a city sidewalk. Parked cars are visible on the street behind, and power lines stretch across the cloudless sky.","Reverse of photograph of Kirk on the sidewalk on the day of his kindergarten graduation (ABFR-23-024-014). Handwritten text reads \"Kirk Graduation from kindergarten, June-1964 Ebenezer Baptist Church.\" Photograph is dated June 1964","Black and white photograph of Helena with six children of various age in front of her, seated in two rows of three. Nearest to her, from left to right, are Angela, baby Diane, and Tyrone, and in the front row, from left to right, are Ricky, April, and Buttons. Behind the gathered family stand furniture pieces which hold books, small sculptures, and a lamp. Photograph is undated, c. 1960s","Reverse of photograph of Helena in her home with her grandchildren (ABFR-23-024-016). Handwritten text identifies each subject by name and identifies Helena's home address.","Black and white photograph of Helena Lindsey, seated to the right of the frame. To her left are her grandson Buttons as well as Michale Lee and Aaron, a pair of cousins. The subjects are dressed in casual clothes and regarding the camera. Photograph is undated, c. 1970s","Reverse of photograph of Helena at Aunt Lil's house with three boys (ABFR-23-024-018). Handwritten text lists the subjects' names and identifies Aunt Lil's home address. Photograph is undated, c. 1970s","Color photograph featuring Odessa Steele (left), wearing dark silky outfit and dangling earrings, with a city councilwoman (right) who wears a red blazer. The two women are depicted from the shoulders up in front of a dark indoor background. Photograph is dated Depember 1990","Reverse of photograph of Odessa Steele with city council member at the Departmental Club (AFBR-23-024-020). Handwritten text reads \"Lady on city council + my sister at the Departmental Club, Bro + Sis Odessa Steele's 50th Wedding Annversary.\" Typescript stamp dates photo to December 1990","Color photograph of three women seated side-by-side at an indoor banquet table. The table is set with a white tablecloth and spread with various foods on decorative white plates. The woman on the left, Bessie Sanders-Gambrell, wears a floral hat and a corsage. The woman in the middle, Shirley Ann Sanders, is the youngest and wears a red dress with long sleeves. The woman on the right, Virginia Zellars Martin, wears a headwrap and has her arm draped over Shirley Ann's shoulders. Another figure's arm is visible in the left of the frame. Photograph is dated May 1984","Reverse of photograph  of Bessie Sanders-Gambrell, Shirley Ann Sanders, and Virginia Zellars Martin at a Mother's Day banquet (ABFR-23-024-022). Handwritten text identifies the three women in the photo and the nature of the gathering they attend. Typescript stamp dates photograph to July 1984, but event depicted in photograph occured in May 1984","Color photograph of Bessie Sanders-Gambrell in a brimmed hat with flowers, a corsage pinned to her black blazer. Her daughter-in-law, Shirley Ann Sanders, stands behind her between a microphone stand and a large, curtained window. On either side of them sits a woman facing out of frame, her features obscured. Photograph is dated May 1984","Reverse of photograph of Bessie Sanders-Gambrell and Shirley Ann Sanders at Mother's Day banquet with two other women (ABFR-23-024-024). Handwritten text reads \"Mothers Day Banquet May 84, My mother-in-law Bessie was given special honors for the letter I wrote in about her, She gave me the dress I wore.\" Typescript stamp dates development of photograph to July 1984","Color photograph of Shirley Ann Sanders wearing a black, calf-length skirt, lacy white shirt, red corsage, and white hat. She stands with hands folded behind her back, smiling at the camera. Behind her are white houses in a suburban neighborhood. The grass is yellowing, and a bush adjacent to Shirley Ann is bare of leaves. Photograph is dated March 1984","Reverse of photograph of Shirley Ann Sanders standing outside of a house (ABFR-23-024-026). Typescript stamp dates development of photograph to March 1984","Color photograph of 16 men posing in three rows, the frontmost of which is seated. They wear black suits, white gloves, and sober expressions. Each holds blue and white Masonic paraphernalia, and some wear livery collars. The man in the center of the front row holds a gavel. Photograph is dated September 1987","Reverse of photograph of men in Masonic regalia (ABFR-23-024-028). Typescript stamp dates photograph to September 1987","Color photograph of Shirley Ann Sanders (left) and Lalon Sanders, Jr. (right) in formalwear, seen from the torso up. In the dimly lit background, other figures sit at tables. Photograph is dated November 1983","Reverse of photograph of Shirley Ann Sanders seated beside Lalon Sanders, Jr. (ABFR-23-024-030). Handwritten note identifies subject by name. Typescript stamp dates photograph to November 1983","Color photograph of five people seated at a table on a boat, smiling at the camera. The table is set with white coffee mugs, small lamps, and cut-glass goblets. Behind them, a window overlooks a sunlit view of a river lined with trees. At least one other diner seated at a table can be seen. Photograph is dated to 5 November 2003.","Reverse of photograph of seated diners in a riverboat (ABFR-23-024-032). Typescript stamp dates photograph to5  November 2003","Color photograph of a Lee Roy Steele wearing a white suit, white brimmed cap, and identification badge. He has a gray moustache and glasses, and he stands to the left of a red sign on a wooden post that reads \"RESERVED PARKING, HPIP STEELE.\" Photograph is undated","Color photograph of four women standing side by side in a living room, arms behind one another's backs. The woman on the left wears loose green garments. The woman second to the left wears a t-shirt bearing the album cover for Yanni: Live at the Acropolis. The woman second to the right wears a striped yellow dress. The rightmost woman wears a light gray matching set. Behind them, a wedding photo is mounted on the wall, and the entrance to an adjoining room is in view. Photograph is undated","Color photograph of a sheet cake covered in white frosting and piped floral frosting motifs. Text on the cake reads \"Happy 80th Birthday Bessie, we Love You.\" Photograph is dated 2 June 1995","Reverse of photograph of Bessie's birthday cake (ABFR-23-024-036). Handwritten note establishes the date of Bessie's party. Photograph is dated 2 June 1995","Color photograph depicting three men in formalwear standing in a church for a wedding. The men are, from left to right, Ernest Thomas (best man), Willian Thomas \"Buttons\" Holt, Jr. (son of the bride), and Vernon Carl Cooper (groom). Behind them are floral arrangements and a stained glass window. Photograph is dated 11 January, 1997","Reverse of photograph of best man, son of bride, and groom in church for wedding ceremony (ABFR-23-024-038). Handwritten note identifies photo subjects and date of capture. Photograph is dated 11 January, 1997","Color photograph of Joe Ann Sanders-Smith with her arm around the waist of Crystal, her daughter. Both wear light colors and beaded necklaces, and they smile at the camera. In the background a crowd of casually dressed people stand with their backs to the camera. Against the far wall, balloons float. Photograph is dated 4 June 2005","Reverse of photograph of Joe Ann Sanders-Smith and Crystal at a gathering (ABFR-23-024-040). Handwritten note identifies the two women. Photograph is dated 4 June 2005","Color photograph depicting two men, a young child, an elderly woman, and an adult woman in a sitting room. The men, child, and elderly woman are seated, while the other woman stands and leans inward to pose with them. Behind them is a door with decorative panelling and a framed image of Jesus. Photograph is dated December 1984","Reverse of photograph of intergenerational group in house (ABFR-23-024-042). Non-character pen marking appears on center of page. Typescript stamp dates photograph to December 1984","Color photograph of Steele seated in an armchair in a house, enjoying candy. In his breast pocket he has white paper and a ballpoint pen, and a TV remote sits on the chair's arm beside him. Behind him hangs a globe and a white curtain. An door in the background opens on a kitchen. Photograph is dated 2 August 2006","Reverse of photograph of Steele in armchair with a cane (ABFR-23-024-044). Handwritten note supplies the date and reads \"Bro Steele sitting in his rocking chair enjoying candy.\" Photograph is dated 2 August 2006","Color photograph of Angela Sanders, seen from behind with arms outstretched in the motion of conductor. Before her, near a lectern, stands an arc of seven singers. On the right of the frame, a child peers out from one of many white pews. Photograph is undated","Reverse of photograph of Angela Sanders leading the choir at Emmanuel Temple (ABFR-23-024-046). Handwritten note reads \"Angela Sanders at Emmanuel Temple SDA, Leading the choir.\" Photograph is undated","Color photograph set in Emmanuel Temple Seventh-day Adventist Church depicting a row of young singers in white shirts and black lowerwear. In the foreground, Angela Sanders is seated in the pews, pointing at the choir. A sign overhead reads \"TOGETHER for A FINISHED WORK.\" Photograph is undated","Reverse of photograph of Angela Sanders and choir on Emmanuel Temple's Youth Day (ABFR-23-024-048). Handwritten note reads Youth Day at Emmanuel Temple, Angela leading choir, Left to right Candance Stephens, Ericka Jones, Alexcia Thomas, Zanita Watson, ? Wilhoit, Quaina Williams, Susie Bostick-Usher.\" Photograph is undated","Color photograph of a woman dressed in a blue plastic poncho with a white graphic of a boat and the text \"MAID OF THE [illegible, presumably MIST] SINCE 1846.\" She smiles and waves at the camera while a group of other spectators in similar attire stand in the background. Photograph is dated July 2000","Reverse of photograph of woman in blue plastic poncho at Niagara Falls (ABFR-23-024-050). Handwritten note reads \"Nigara Falls July 2000, Gen Conf\" [This is likely a reference to the 57th Adventist General Conference held in Toronto, Canada]. Typescript stamp dates photo to July 2000","Color photograph of Lee Roy Steele dressed in a suit and tie at an Alexandria City Police Department event, a sheet of paper and a plastic cup in his hands. He stands in front of a dark blue backdrop, at the top of which is a partially obscured banner that reads \"[text obscured]A POLICE DEPARTMENT.\" On the floor, to Steele's left, is a sign decorated by an insignia bearing the seal of the City of Alexandria and the text \"Citizens' Police Academy Association.\" Photograph is dated November 1999","Reverse of photograph of Lee Roy Steele at the Citizens' Police Academy (ABFR-23-024-052). Handwritten text reads \"The love of my life, Mr Lee Roy Steele, Alex Police Citizens Academy.\" Typescript stamp dates photograph to November 1999","Color photograph of a large group of birthday celebrants ranging in age from children to seniors. They are arranged in five rows, smiling for the camera. Behind them is one façade of a brick house and a tree wrapped with streamers. A lawn, parked cars, and another brick house are visible in the background. Photograph is dated 2 June 2005","Reverse of photograph of birthday gathering in Teri's yard (ABFR-23-024-054). Handwritten note reads \"Grandma Bessie's 80th Birthday June 2, 1995 at Teris house (yard)\"","Color photograph of two men in a living room in the process of tending to a medical device. The older of the two men, seated in a red chair, looks down at the tube hanging from his bony, exposed chest. In the left of frame, the younger of the men, looking over his shoulder at the camera, holds an indeterminate object as if to apply it to the chest. Photograph is undated","Color photograph of Joe Ann Sanders-Smith and her daughter, Crystal, locked in an embrace in a grassy suburban yard during Grandma Bessie's 80th birthday party. Behind them is another party attendee tending to a barbecue and two others. Photograph is dated 2 June 2005","Reverse of photograph of Joe Ann Sanders-Smith embracing Crystal at Bessie's 80th birthday party (ABFR-23-024-057). Handwritten note identifies the event depicted, date, and names of photo subjects. Photograph is dated 2 June 2005","Color photograph of Lee Roy Steele seated at a small table in a paved yard adjoining a brick house. The table is lain with a tablecloth, a pitcher of orange juice, a bottle of pancake syrup, and various plates with leftover food scraps. Photograph is dated July 2000","Reverse of photograph of Lee Roy Steele seated after an outdoor meal (ABFR-23-024-059). Typescript stamp dates photograph to July 2000","Color photograph of Lee Roy Steele and Shirley Ann Sanders-Steele seated at Kirk's house during Linda's 55th birthday party. His arm is over her shoulder, and behind them is a pair of fully extended white window blinds. Photograph is dated June 2008","Reverse of photograph of Lee Roy Steele and Shirley Ann Sanders-Steele at Linda's 55th birthday party (ABFR-23-024-061). Handwritten note reads \"Linda's 55th, At Kirk's house her birthday party June 2008, Lee Roy Steele, Shirley Ann Sanders-Steele.\" Photograph is dated June 2008","Color photograph of  Lee Roy Steele and Shirley Ann Sanders-Steele lying on a beige reclining couch with their legs extended. Behind them is a half-wall topped with various jars and knick-knacks, and other partygoers surround a kitchen table. Photograph is dated June 2008","Reverse of photograph of Lee Roy Steele and Shirley Ann Sanders-Steele on reclining couch at Linda's 55th birthday party (ABFR-23-024-063). Handwritten note identifies the date, event depicted, and identities of photo subjects. Photograph is dated June 2008","Color photograph of two young cousins, William Thomas Holt and Tyrone Sanders, wearing matching white graduation regalia and black bowties. They stand on a sidewalk in front of bushes and the wall of a building. Photograph is undated","Reverse of photograph of William Thomas Holt, Jr. and Tyrone Sanders at kindergarten graduation (ABFR-23-024-065). Handwritten note reads (My nephew — William Thomas Holt, Jr, my son Tyrone Sanders Graduating from Mrs Ethel Nelsn Kindergarten\" [Note: Ethel Nelson worked as a teacher in Alexandria, Virginia]. Photograph is undated","Black and white clipping with text detailing a written exchange between Lillian Lamb, a cashier at Giant grocery, and Esther Peterson, a prominent consumer advocate, about Giant Lemon Spray Wax. The clipping contains a section of a photo of a grocery store aisle and a complete photo of Lillian Lamb, seen from the waist up. Clipping is undated","Color clipping of an obituary for Lee Roy Steele. Printed text identifies his dates of birth and death and reads \"Gone but not forgotten. He sleeps in Jesus. Your loving wife, Shirley Ann Sanders Steele, Your son, Robert Lee Steele.\" Clipping is dated 23 September 2021","Black and white photograph depicting a group of people standing by a table on which five polaroid photos are strewn. Photograph is undated","Black and white photograph depicting two women in dresses standing on either side of a small artifical Christmas tree. Photograph is undated","Black and white photograph of Sarah Strother in a white graduation cap and gown. She clutches a book to her chest. Behind her is a brick wall. Photograph is dated June 1977","Color photograph of a group of children holding balloons of various colors in a living room. In the left of frame, an adult woman seated near a coffee table looks on. [Note: This photo is a duplicate of ABFR-23-024-009.] Photograph is dated January 1959","Color photograph of a woman in a fur-lined coat seated on a lawn chair in a yard thickly covered by snow. She holds a long, pole-shaped implement, likely a showshovel, in one hand. Photograph is undated","Color photograph of three women wearing pink, long-sleeved semiformal dresses In an unadorned room. In front of them and to the right is a wooden tabletop, and behind them to the left is a gray door. Photograph is undated","Color photograph of Pat Steele and Robert Steele wearing leis and shirts with floral, tropical prints. Wooden railing stands at waist height on either side of the couple. Behind them is the ocean and a dark blue sky. Photograph is undated","Reverse of photograph of Pat and Robert Steele on a boardwalk (ABFR-23-024-075). Handwritten note identifies names of photo subjects. Photograph is undated","Black and white photograph of Sarah Strother in a white graduation cap and gown. She is seated in the front row of a configuration of stadium seats. To the right sit Strother's husband and two other unidentified people. The seats are otherwise unoccupied. Photograph is dated June 1977","Reverse of photograph of Sarah Strother, her husband, and other students at T. C. Williams Adult Education graduation (ABFR-23-024-077). Handwritten note identifies Strother and her husband, event depicted, and date. The note indicates that at least one of the unidentified figures is also a student. [Note: T. C. Williams High School has been renamed to Alexandria City High School.] Photograph is dated June 1977","Black and white photograph of James Wheeler from the torso up. He wears a white collared shirt, necktie, and captain-style hat. Photograph is undated","Reverse of photograph of James Wheeler (ABFR-23-024-079). Handwritten note reads \"Uncle James Wheeler, My Mothers brother, He.\" Photograph is undated","Collage of color photographs showing two individuals at three different formal events. The topmost image shows the pair, a woman and a man, seated at a dinner table set with a tablecloth, glass goblets full of water and other beverages, multiple plates, and a basket of bread rolls. Other seated diners are visible in the background. The two lower photographs depict the couple side-by-side at two different church altars. In the leftmost of these two church photos, the woman wears a calf-length white dress, while in the rightmost photo, she wears a floor-length white gown with lace designs and a white tulle veil. Handwritten captions read \"[Illegible, possibly Ruth] + Mr Bodz, I love you two\" and \"There are the photos I had put in the alumni book [arrows indicate the two church photographs].\" Photographs are undated","Marriage certificate featuring handwritten text in a fill-in-the-blank template to indicate the marriage of Joseph Wheeler and Miss Annie Virginia Lee, both of Alexandria, Virginia. Printed images of red roses and other foliage decorate the page. Certificate is dated 26 February 1920","Reverse of marriage certificate for Joseph Wheeler and Annie Virginia Lee (ABFR-23-024-082). The certificate features handwritten text in a fill-in-the-blank template to indicate the location and date of the couple's marriage. Printed images of red roses and other foliage decorate the page. Certificate is dated 26 February 1920","Black and white print of a military discharge document indicating the honorable discharge of Private James E. Wheeler from the Army of the United States. Document is dated 9 April 1946","Reverse of  military discharge document for James E. Wheeler (ABFR-23-024-084). Typrescript text describes personal data, military history, pay data for James E. Wheeler. Document is dated 9 April 1946","Black and white photograph of young Shirley Ann Gilliam in a puffy gown and large tiara, seated with feet crossed and hands on her lap. Handwritten note reads \"May Oueen [Queen] Charles Houston 1952, Shirley Ann Gilliam\" [Likely in reference to Charles Houston Elementary School]. Photograph is dated 1952","Collage of three black and white photographs and scans of the front and back of a retirement identification card. The photo in the upper left corner shows a woman in a white dress seated on an armchair in a living room. Typescript caption dates this photograph to May 1960. The photo in the lower left corner shows Aunt Lil and a younger sister, May, standing in the yard of a house. Typescript caption identifies the subjects of the photograph by name. Photograph is undated. The photo in the upper right corner shows James E. Wheeler in military attire against a solid background from the torso up. Typescript caption identifies him as \"James E. Wheeler, big brother.\" Photograph is undated but was likely taken before 1946. The front and back of a retirement identification card issued by the United States Treasury Department to George E. Lee occupies the lower right corner. The card displays Lee's photo portrait, signature, retirement date, and length of government service. Card was issued 31 October 1962. Collage is undated","Collage of three black and white photographs, the same three photographs seen in ABFR-23-024-087 and in similar placements on the collage backdrop. The photo in the upper left corner shows a woman sitting on a chair in a living room. Typescript caption dates this photograph to May 1960, and a handwritten note identifies the woman as \"my mom.\" The photo in the lower left corner shows two young women standing in a yard. Typescript caption identifies the subjects of the photograph as Aunt Lil and May, a little sister. Handwritten note reads \"May died.\" Photograph is undated. The photo in the upper right corner shows James E. Wheeler in military dress. Typescript caption identifies him as \"James E. Wheeler, big brother.\" Handwritten note identifies Wheeler as \"my mom's brother.\" Photograph is undated but was likely taken before 1946. Collage is undated","Reverse of collage of family photos with handwritten clarifications (ABFR-23-024-088). Handwritten note reads \"Annie Lee Wheeler Descants.\" Collage is undated","Collage of two black and white photographs with handwritten captions. The photograph on the left shows the head and shoulders of a woman wearing a white collar and hoop earrings. Her lips are slightly parted in a subtle smile, and her hand is raised as if to wave. Handwritten caption identifies her as Shirley Ann Gilliam. The photograph on the right shows the head and shoulders of a man in a gray suit jacket with close-cropped hair. Handwritten caption identifies him as Lalon Sanders, Jr. Photographs and collage are undated","Albert Gallaton Award granted to George E. Lee by the United States Treasury Department. The page is a yellowed manilla color, and in the center of the page, the Treasury Department's seal appears in a darker yellow. The words \"United States Treasury Department\" appear at the head of the page in a blackletter typeface. Beneath this heading is an engraving of Albert Gallatin's head and shoulders and, in a cursive typeface, an explanation that the award recognizes Lee's years-long term of service for the Treasury. The bottom of the page bears the signature of Douglas Dillon, then Secretary of the Treasury Department. Award is dated 6 September 1962","Clipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 7,\" and the title reads \"PREPARING FOR COMPANY'S COMING.\" The upper section of the page is occupied by three black and white images of Giant staffers from Fairfax, Virginia cleaning the store. The lower part of the page contains rhyming verse written by Giant staffers for their corporate executives by Giant employees. Clipping is undated","Page from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 8,\" and the title reads \"Company's coming.\" The page contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Reverse of ABFR-23-024-092. Periodical extract is undated","Clipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 17.\" The page contains a continuation of the \"Company's coming\" article introduced on page 7 of the magazine (ABFR-23-024-091). It contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Clipping is undated","Clipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 18.\" The page contains a continuation of the \"Company's coming\" article introduced on page 7 of the magazine (ABFR-23-024-091). It contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Reverse of ABFR-23-024-094. Clipping is undated","Digital surrogates of photographs from the Colbert, Johnson, and Terrell Families.","Color photograph of four people standing side-by-side in semiformal dress. On the far left of the group is a man wearing a plain white shirt with a tattoo on his forearm. Second to the left is a woman wearing a polka dot dress and a yellow floral parure. Her arm is around the shoulders of Frances Terrel, second to the right, who wears a pink and black ensemble with a bolero jacket and a corsage. The rightmost figure is a man in a brown tuxedo jacket. They stand before a red sequined drapery over a white wall. Photograph is undated","Color photograph of five individuals of varying age in semiformal clothing. They are posed in two rows in front of a mottled brownand gray backdrop such as those used by portrait photographers. In the front row, Terrell sits on the left, dressed in pastel colors and a pearl necklace. The man seated to her right has a whitening beard. Behind them stand two women, who, like Terrell, wear light colored dresses and necklaces, as well as a man in a navy blue tuxedo. All five smile at the camera. Photograph is undated","Color photograph of Calvin D. Terrell and Frances Terrell (left and second to the left, respectively) with four other adults, one of whom holds a toddler in a lacy blue dress. They are standing in a row in a living room. Behind them, on the left edge of the frame, stands an evergreen tree wrapped in tinsel and hung with ornaments. Photograph is undated","Color photograph of 19 people in semiformal dress at an indoor event [likely the same event depicted in photograph of Frances Terrell at an event with three other attendees, ABFR-23-005-001]. Their ages range from child to senior. The room has white walls and floors, and in the lower left corner, a table draped with a white tablecloth can be seen. Behind the people is a sequined red decorative drape. Frances and Calvin D. Terrell stand in the center of the posed assembly. Some among the group have blue paint on their hands or faces, including Calvin D. Terrell. Frances Terrell has blue paint on her sleeve. Photograph is undated","Color photograph of Delaney C. Colbert and Mary Agnes Johnson, parents of Frances Terrell, sitting in chairs on a balustrade-enclosed porch in a suburban neighborhood. Johnson's hand rests on top of Colbert's. Colbert has a brimmed hat on his lap. Behind them, plants are dense with foliage, and a flower bush is in full bloom. Photograph is undated","Color photograph of Frances Terrell as a young woman, posing confidently for the camera. She wears a white turtleneck, round glasses, and abrown pendant in the shape of an upraised, clenched fist. Her hair is styled in an afro, and her hands are planted on her hips. She is inside of a room painted all in white. Behind her is a refrigerator, a cabinet, and an umbrella hanging on a doorknob. Photograph is dated 1970","Reverse of photograph of young Frances Terrell with refrigerator, arms akimbo (ABFR-23-005-006). A printed label featuring a small image of the Nativity in silhouette displays Frances Terrell's name and address. Handwritten note dates photograph to 1970","Color photograph of Louis Eric Clements, son of Frances Terrell, pictured from the shoulders up. He wears a dark blue button-up shirt and smiles for the camera. He stands against a blank white wall, and the camera flash casts a shadow behind him and illuminates the pupils of his eyes. Photograph is undated but was likely taken during the 2000s and no later than 2012 [Clements passed away in 2012]","Color photograph of seven people posed in a line outside a white building, facing the camera, in casual dress. In the center of the line is the eldest photo subject, seated on a bench. To the left are three men, standing, and to the right are three women, also standing. The ground is paved with cement, and decorative elements on the wall behind them feature stylized shellfish. Said decorative elements resemble light fixtures used to decorate the exterior of Red Lobster restaurants. Photograph is undated","Color photograph of Frances Terrell and her husband, Calvin D. Terrell, posing in front of a plain blue backdrop. Calvin D. Terrell, left, wears glasses and a brown gingham suit. Frances Terrell, right, wears a red button-up shirt and simple gold jewelry. They are both smiling, their gazes facing the left of the frame. Photograph is undated","Color photograph of Calvin D. Terrell (left) and Frances Terrell (right) with Louis Eric Clements, seated between them. Clements was the son of Frances Terrell and the stepson of Calvin D. Terrell. They are dressed casually and posing in front of a blank white background. Clements wears a gold cross pendant. Photograph is dated May 2011","Reverse of photo portrait of Calvin D. Terrell, Louis Eric Clements, and Frances Terrell (ABFR-23-025-011). A small label with a floral motif displays Frances Terrell's name and address. Handwritten note dates photograph to May 2011","Color photograph of Delaney C. Colbert (left, seated) and Mary Agnes Johnson (right, standing) in semiformal dress, posed in front of a plain white background. Handwritten note reads \"LOVE DAD + MOTHER\" [Colbert and Johnson are the parents of Frances Terrell]. Photograph is undated","Digital surrogates of photographs from the Zellars family","Digital photo collage depicting members of the Zellars family. Collage includes three portraits, each of a different member of the Zellars Family depicted in military uniform. The largest image, which occupies the left side of the collage, is a black and white portrait photograph of Clearence Zellars, c.1940s. He is wearing an M1 helmet covered in netting. Located in the upper right portion of the collage is a color portrait photograph of Dr. Tincie Zellars Lynch wearing a U.S. Army uniform and posed sitting in front of an American flag and burgundy flag with a wheel insignia and \"396\" in gold lettering, c.1990s. Located in the bottom right portion of the collage is a color portrait photograph of a young man in U.S. Marines uniform who is identified as the brother of Tincie Zellars Lynch, c.1960s-1970s. Typescript text at the bottom of the collage reads, \"My Daddy WWII, me Desert Storm Era my brother Vietnam Boots on the Ground Veteran Family of Veteran Zellars\" and  another typescript caption at the top of the image reads \"7 YEARS AGO.\" Collage is undated","Digital surrogates of family history materials documenting the Gregory and West families. Included are photographs, documents, newsclippings, and artifacts","Black and white photograph, portrait of James Francis Gregory, a Presbyterian minister and educator. He is pictured from the shoulders up. He wears a suit jacket with wide lapels, a white collar, and a thick moustache. The backdrop is a solid color, unadorned. The photograph is framed by an oval-shaped window in a sheet of brown matboard. Photograph is undated","Reverse of Portrait of James Francis Gregory (ABFR-23-034-001). Handwritten note reads, \"James Francis Gregory (1876-1944).\" Photograph is undated","Black and white photograph of a group of eight young men in graduation regalia, holding their mortarboard caps. One of the young men has been identified as James Francis Gregory (second from the right). They sit in front of a richly decorated backdrop featuring engravings and drapery. Photograph is undated but likely dates to the 1890s or early 1900s, when Gregory was a student at Amherst College and then Yale Divinity School","Reverse of photograph of Photograph of James Francis Gregory and students in graduation attire (ABFR-23-034-003). Handwritten note reads, \"James Francis Gregory.\" Photograph is undated","Black and white photograph of twelve people standing outside on a sunny day. Four of the twelve are small children, some of them in a state of semi-undress. The adults stand shoulder-to-shoulder with one another, many of them holding the hands of the children. Behind them, bushes and trees can be seen. Photograph is undated","Black and white photograph of a woman wearing a mortarboard graduation cap, black graduation robe, and white lace collar. She holds a book open in her left hand, and with eyes downcast, she appears to be contemplating its contents. Her hair is dark and styled in tight, chin-length waves. Photograph is undated","Black and white photograph depicting a woman with short, tightly waved hair, huggie earrings, and a light-colored, collared gingham shirt. The backdrop is a light, solid color. Photograph is undated","Black and white photograph of two figures standing outdoors on grassy earth in front of a weeping willow. The woman (left) wears a light colored, midcalf dress and a brimmed hat. The man (right), wears a light, unbuttoned suit and saddle shoes. Both smile for the camera. Photograph is undated","Black and white photograph of a group of people standing outdoors in front of leafy bushes and the exterior wall of a building. In the center of the group, a woman in commencement regalia holds a mortarboard graduation cap in her right hand, and in her left she holds a scroll of paper and a bouquet of flowers. Posed standing around her is a group of men and women, most of whom are wearing long coats and hats. Photograph is undated","Black and white photograph of a woman wearing a white dress, her hands folded behind her back, leaning against a fence in an outdoor recreation area. Behind her and the fence is a grassy expanse and a squat, white building with wooden panel features and an open door. Photograph is undated","Black and white photograph of a smiling girl in a white dress and black stockings. Her hair is in a braid draped over her shoulder, tied with a large black bow. She stands on grass, and behind her are visible tall trees and white houses. Photograph is undated","Black and white photograph of a young woman wearing a white dress with an open graduation gown draped over her shoulders. She holds a scroll of paper and a bouquet of flowers. To her left is an older woman in a long, light colored coat and a hat, who is seen in profile as she looks to the left side of the frame. The pair stands outdoors before a wall densely covered in ivy. Photograph is undated","Black and white group photograph of the Amherst College baseball team in 1898. Thirteen men are posed seated, arranged in three rows. Most of them are wearing Amherst College uniforms. Some of the men hold baseball equipment, such as mitts and a bat. In the center of the group sits James Francis Gregory, legs crossed and slightly reclining, with a baseball cap balanced on his knee. Behind them is Johnson Chapel. Photograph is dated 1898","Reverse of Photograph of James Francis Gregory with Amherst College baseball team (ABFR-23-034-013). Handwritten note reads, \"James Francis Gregory, Captain of Amherst baseball team, 1898.\"","Color photograph of two women (left, right) and one man (center) standing on a lawn near a house of brick and white siding with a large, stepped brick porch. The women wear long overcoats, and the man wears a suit and tie with a brimmed hat. He has a long coat draped over his right arm, a rolled up newspaper in his pocket, and a pipe in his mouth. A numbered sign on the outside of the brick house indicates that its address is 4116 on an unidentified street. Photograph is undated","Black and white photograph of a smiling baby (left) and a young boy in overalls (right) holding one another's hand on a couch in front of a curtained window. Handwritten note in blue ink reads \"Murphy's Photo,\" which most likely refers to local photographer Elrich Murphy. Photograph is undated","Black and white photograph, group portrait of the Gregory family. Pictured seated in the front row (L to R): James Francis Gregory, Fannie Hagan Gregory, and James Monroe Gregory. Pictured standing in the back row (L to R): Margaret Briggs, Eugene Monroe, and Thomas Montgomery. All are dressed in formal attire and are posed not smiling. Behind them is a painted studio backdrop which includes an image of a fluted column. Photograph is undated","Black and white photograph, group portrait of six men arranged in two rows of three. James Francis Gregory is in the back row, far right. He and three other men in the group wear matching suit jackets with pockets and a YMCA insignia on the jacket sleeve. The group is posed in front of a studio backdrop. Photograph is undated","Reverse of Group portrait of James Francis Gregory and unidentified men (ABFR-23-034-018). Handwritten note reads \"James Francis Gregory, Freddie's Grandfather, His children's Great Grandfather, His grandchildren's Great Great Grandfather, World War I Lecturer throughout U.S., YMCA.\" Photograph is undated","Black and white photograph of 15 men and boys, the football team at the Manual Training and Industrial School for Youth, in sweaters and sports paraphernalia decorated with a capital letter \"I.\" They are arranged in three rows, each seated on steps leading to the entrance of a brick building surrounded by a white balustrade. Gregory, the coach, sits in the upper left. The young man in the center of the group is holding a football with a white design printed on its surface, possible letters or numerals. Photograph is undated","Reverse of photograph of James Francis Gregory with Bordentown School football team in spiritwear (ABFR-23-034-020). Handwritten note reads \"Football Team at Ironsides on front steps of Administration Bldg. Top left, Coach James Francis Gregory (Bordentown, N.J.).\" Photograph is undated","Black and white photograph, group portrait of Washington Historic Touring Club on visit to Franciscan Monastery. A large group of people, most of whom appear to be teenagers, are posed standing outside of the Franciscan Monastery of the Holy Land in America. The men and boys who have hats hold the hats in their hands. The Monastery, a light colored building inset with arch windows, occupies much of the background, and a statue of Saint Christopher carrying a young boy [presumably the Christ child] towers over the crowd. Handwritten note in the lower left corner reads \"WASH HISTORIC TOURING CLUB, CARDOZA SCHOOL WASH. D.C., OUTING TO FRANCISCAN MONASTERY MAY 2, 1937, GEO. H. WALLACE Pres. J. FRANCIS GREGORY Inst.\" Handwritten note in the lower right reads \"J. HENRY WRIGHT, WASH. D.C.\" Photograph is dated 2 May 1937","Manuscript document written in graphite pencil on lined paper tracing lines of parentage and descent in the Gregory family, beginning in the 19th century with Henry L. Gregory and Maria A. Gladman. The document lists James Francis Gregory, his siblings, and their marriages and offspring. Manuscript is undated","Reverse of manuscript detailing Gregory Family genealogical records (ABFR-23-034-025). Handwritten text continues the genealogical description from recto of page, starting in the late 19th century and continuing to the present at time of the document's creation. Manuscript is undated","Black and white photograph extracted from The Ironsides Echo, a New Jersey periodical. The photograph depicts a building consisting of several joined units from a sidelong angle. To the left, a wooden fence extends from the building's edge, and a sidewalk leads to a door with a small, stepped porch. The building has shuttered windows, wooden siding, and chimneys. Typescript caption reads \"Property rented and occupied when Principal Gregory took charge in 1897.\" Photograph is undated","Reverse of photograph of Manual Training and Industrial School for Youth premises (ABFR-23-034-027). Handwritten note identifies the photograph's source and subject. Photograph is undated","Black and white photograph of a brickwork school building with a fenced-in porch and semicircular portico balcony. The surrounding trees are bare of leaves. Typescript caption reads \"ADMINISTRATION BUILDING. Manual Training and Industrial School for Colored Youth, Bordentown, N. J.\" Photograph is undated","Reverse of photograph of Manual Training and Industrial School administration building (ABFR-23-034-029). Handwritten note reads \"Source: postcard.\" Photograph is undated","Black and white photograph of four members of James Francis Gregory's family of varying ages. On the left, seated, is Margaret Mohamit Hagan, J. F. Gregory's grandmother, with baby Amherst Gregory, child of J. F. Gregory, on her lap. On the right, seated, is Fannie Hagan Gregory, mother of J. F. Gregory. She wears a long cross pendant, which she holds with both hands in her lap. James Francis Gregory stands behind them in a suit with a bow tie. Photograph is dated approximately 1904","Reverse of photo portrait of four generations of James Francis Gregory's family (ABFR-23-034-029). Handwritten note reads, \"Seated on left, Margaret Mohamit Hagan holding Baby Amherst Gregory (1903-1904), Seated - right, Fannie Hagan Gregory (1886-1928), Standing, James Francis Gregory (1876-1944), about 1904.\"","Black and white photograph, portrait of James Francis Gregory in an Amherst College baseball uniform. He is posed standing with his hands on his hips, in front of a painted, floral studio backdrop. Gregory stands in the center of the frame, his entire body visible, dressed in a sweater with a capital letter \"A\" emblazoned on the chest and padded pants tucked into knee-high socks. He also holds a baseball mitt in one hand. The photo print is mounted on black board. Photograph is undated","Newsclipping of an article from The Philadelphia Press about James Francis Gregory. The headline and subhead of the clipped article reads, \"Negro Carries Off Prize For Oratory: James F. Gregory, of Bordentown, N.J., Secures First Honors for Elocution at the Yale Divinity School.\" The clipping includes a black and white portrait photograph of James Francis Gregory, pictured from the shoulders up. The article reports on Gregory winning Yale Divinity School's Downes prize for the reading of scriptures and hymns, and goes on to enumerate his achievements at Amherst College and Yale Divinity School as an athlete and an orator. Clipping is undated, but was likely printed in June 1901","Reverse of Newsclipping, The Philadelphia Press article about James Francis Gregory (ABFR-23-034-032). Typescript text near the top of the clipping identifies the month of publication as June. Articles touch on controversial railway bills, congressional sessions, and coal prices. Clipping is undated","Typescript document of the beginning of an obituary for James Francis Gregory, beginning with his birth in 1876 and summarizing his academic and professional accomplishments. Document is undated","Black and white photograph, group portrait of a wedding party with the bride. Four people are posed standing in a row in front of an indoor arrangement of plants including tall ferns and flowers. From left to right: a man in a black tuxedo with a white shirt and black bowtie; a woman in a white wedding gown and veil, holding a bouquet of flowers; a woman in a dark velvet dress, holding a bouqut of flowers; and a man in a black tuxedo with a white shirt and black bowtie. Photograph is undated","Color photograph, group portrait of (L to R) NASA mission specialists Ronald \"Ron\" E. McNair, Guion \"Guy\" S. Bluford, and pilot Frederick D. Gregory. Frederick D. Gregory is the grandson of James Francis Gregory. The three men, wearing orange NASA astronaut flight suits, are posed standing in a row. Behind them is a gray studio backdrop, an American flag, and the flag of the United States National Aeronautics and Space Administration (NASA). In front of them is a model of a space shuttle on a black table. The photograph was taken at Johnson Space Center in Houston, Texas. Typescript caption at the bottom of the photograph reads, \"Three of the Eighth Group of NASA Astronauts.\" Photograph is undated, c.1978","Reverse of Group portrait of NASA astronauts with model space shuttle (ABFR-23-034-036). Typescript text reads, \"Three of the 35 New Astronauts. Three of NASA's newest group of astronauts selected in January 1978 pose with mockup of the Space Shuttle at the Johnson Space Center. The group includes, from left to right, mission specialists Ronald \"Ron\" E. McNair and Guion \"Guy\" S. Bluford, and pilot Frederick \"Fred\" D. Gregory.","Black and white photograph of Charles Fremont West wearing a jacket and calf-length boots in a field of tall grass. Beside him sit two dogs on leashes, which West holds in one hand. In the other hand, he holds a dead bird with splayed plumage. The dogs face the left of the frame, where two additional dead birds hang by their legs from a short, sparse tree. Photograph is undated","Reverse of photograph of Charles Fremont West in field with his bird quarry and two dogs (ABFR-23-034-038). Typescript stamp reads, \"PHOTOGRAPHY BY TURNER STUDIO, ALEXANDRIA, VA.\" Photograph is undated","Black and white photograph of football players during the 1922 Rose Bowl at Tournament Park stadium in Pasadena, California. The game was played between the Washington \u0026 Jefferson Presidents (W\u0026J) and the California Golden Bears college football teams. Charles Fremont West played as quarterback for Washington \u0026 Jefferson and was the first African American quarterback to play in the Rose Bowl. On the right side of the image, Hal Erickson (W\u0026J) is pictured running with the ball. Next to him are several players in the midst of a tackle, the impact of which has churned up a spray of earth. Rows of spectators in stadium seating are visible in the background. A handwritten note in the upper right corner reads, \"ERICKSON.\" Another handwritten note along the bottom of the image reads, \"1922 ROSE BOWL GAME, CHARLIE 'PRUNER' WEST, QUARTERBACK.\" Photograph is dated 2 January 1922","Reverse of Photograph of the 1922 Rose Bowll (ABFR-23-034-040). Handwritten note reads, \"1922 Rose Bowl, Washington \u0026 Jefferson College vs U. of Cal., Charles \"Pruner\" West - Quarterback.\" Photograph is dated 2 January 1922","Black and white photograph of a group of people at what seems to be a dinner or other social event. A man wearing a suit and tie and a woman wearing a dark-colored skirted suit are standing together behind a microphone stand. In front of them are four people sitting at a table with a white table cloth, upon which sit several glasses and other dishware. Seated at the table, from left to right: a woman wearing a dark-colored dress and pearl necklace, holding a cigarette; a man wearing a suit and tie, holding a cigarette; a woman wearing a dress, holding a cigarette; and a man in a suit and tie. The two women appear to be in conversation together. The man that is second from the left is looking up over his shoulder at the two people standing behind him. And the man on the far right is leaning to the side and talking to someone whose head is only partially visible in the frame. On the left side of the image the side of a woman's head is partially visible in the frame. Photograph is undated","Reverse of Group photograph at social event (ABFR-23-034-042). Typescript stamp reads, \"McConnell Photography, Randolph 8345, Taylor 8222, 3221 Warden St. NW Wash.10 D.C.\" Photograph is undated","Black and white photograph of Charles Fremont West (far right) and four unidentified men in a field, posed standing in a row. They are all dressed in similar outfits consisting of slacks, sport coats, and hats. Some of their jackets have patches on the sleeve. All five men are holding rifles; three of them have the rifle tucked into their elbow and two men are holding the rifles vertically with buttstocks resting on the ground. Behind them stretches a field of trimmed grass and distant trees. In front of the men is a small, grassless patch littered with bullet casings. A handwritten note in the upper right corner of the image reads, \"Charles Fremont West.\" Photograph is undated","Manuscript document featuring handwritten genealogical record of Henry L. Gregory and his descendants. The document nearly duplicates the content of ABFR-23-034-025, \"Manuscript detailing Gregory Family genealogical records,\" but the formatting of the text is occasionally different and bears annotations and strikethroughs, although the handwriting appears consistent between the two documents. Along the left-hand margin, a note reads \"MIRIAM [illegible].\" Document is undated","Black and white photograph of Charles Fremont West (right) and an unidentified young man (left) standing in a field. They are both posed holding a rifle vertically with the stocks to the ground as well as a trophy. The figure on top of the trophies is a rifleman poised to shoot. Photograph is undated","Reverse of photograph of Charles Fremont West and young rifleman in field with trophies (ABFR-23-034-046). Typescript stamp reads, \"McConnell Photography, Randolph 8345, Taylor 8222, 3221 Warden St. NW Wash.10 D.C.\" Photograph is undated","Black and white photograph of five people at a picnic table outside. A man and two women are seated on the attached bench. One man stands to the side, leaning casually against the table's edge. Another man is posed standing with his foot on the table, elbow resting on his bent knee. Behind them, sunlight peeks through the gaps in a dense wall of foliage. Photograph is undated","Reverse of Photograph of group at a picnic table (ABFR-23-034-048). It is a mostly blank page, with a typescript header and footer with the information typically included when a webpage is printed: page title, page number, date [accessed], and URL. It seems that the photograph was printed on the back of scrap paper, unrelated to the image.","Typescript document, a family tree diagram illustrating the genealogy of Charles Fremont West. At the top of the page is the title, \"Hourglass Chart for Charles Fremont West.\" Charles Fremont West is at the center of the chart and it includes generations back to his great-grandparents, as well as through to his great-grandchildren. Document is undated","Program for the Fiftieth (50th) anniversary reunion for the Dunbar High School Class of 1926, held June 26-27, 1976 at St. Paul's Episcopal (Rock Creek) Church \u0026 Walter Reed Officers Club in Washington, DC. The program booklet is eleven pages and includes an event schedule, statistics about the class of 1926, a list of reunion attendees, a history of the school covering 1870-1926, and an article about African American schools in Washington, D.C. The cover is red with the title and a fleur-de-lis symbol printed in metallic gold. Document is dated 1976","Exhibition poster detailing the life and achievements of Dr. Charles Fremont \"Pruner\" West, created by Dana D. Brooks, Ronald Althouse, and Damien Clement, West Virginia University. The poster includes text and photographs with biographical information about West with details about his career as a student athlete, his academic career, professional career as a doctor, as well as honors and awards he received. The poster also discusses the racism and harrassment that West faced as a Black athlete in the Jim Crow era. On the left side of the poster, in the space between two columns of text, is a large black and white cutout image of West in an athletic uniform. Smaller images from West's academic and professional life are scattered throughout the informational content. Exhibition poster is undated","An effigy of Charles Fremont \"Pruner\" West made out of a model ambulance and black figurine. The ambulance is cast from metal and coated with chipped white paint, and painted on its side are a red cross and the text \"AMBULANCE\". The figurine is a small Nippon baby doll with no arms. It is painted black with red lips and a few red stripes across its body. It was inserted into the model ambulance, laying in the ambulance with its head poking out of the back. The figurine is visually reminiscent of lawn jockeys and other similar racist depictions of black men that reference blackface and minstrelsy. This effigy was originally displayed in the window of a merchant (a dry cleaner) in Morgantown, West Virginia in November 1921. It was placed there with the intention of intimidating West upon his arrival in town with the Washington \u0026 Jefferson College football team to play a game against West Virginia University. This display was one of many forms of racist intimidation that West encountered in Morgantown","Digital surrogates of photographs from the Thompson Family; including Clayton Randolph Thompson, Valerie Jackson Thompson, and their descendants.","Color photograph of a woman seated outdoors on a sunny day. Draped over her is a piece of white, patterned fabric, and in her right hand, she holds a bottle containing a dark brown liquid, Behind her is an expanse of green grass, dangling leaves, and a chain-link fence. Photograph is undated","Black and white portrait photograph of Clayton Randolph Thompson, wearing a suit and tie. He is visible from the shoulders up, and behind him is a featureless background. Photograph is undated","Color photograph of an unidentified woman. She is posed sitting in a church pew, with head bowed and eyes closed as though in prayer. Behind her, church pews and an unadorned wall are visible. Photograph is undated","Black and white halftone photograph from a newsclipping of Alice Thompson Lewis. She is pictured from the shoulders up, wearing glasses and jewelry with large, pearl-like beads. She smiles widely, and behind her is a solid background. Partially visible typescript caption reads \"…[L]EWIS, ALICE T., ...[i]t is so hard [to]...\" Photograph is undated","Black and white photograph of a woman, possibly Valerie Thompson, seated with her hands folded in her lap. She wears a pale colored dress and looks placidly at the camera. Around her is a garden dense with plant life, and behind her is a wooden structure and a fence of wooden palings. Photograph is undated","Color photograph of a man of the Thompson Family visible from the shoulders up, dressed in a black collared shirt. He has a beard and short-cropped black hair, and regards the camera with a solemn expression. Behind him is a smooth, white wall, surrounded by bushes and trees. Photograph is undated","Color photograph of Clifford Martin Thompson standing beside an unidentified woman in front of a wall covered in wallpaper and set with a wooden doorframe. Thompson wears a black tuxedo and a bowtie. He is posed leaning in towards the woman standing next to him. She wears a muted blue garment and dangling earrings, her gaze fixed on something out of frame. Text and icons on the white margin above the photograph indicate that the image is derived from a screenshot of a Facebook post taken on a cell phone. Photograph is undated","Color photograph, portrait of Valerie Myers Jackson Thompson pictured from the shoulders up. She is dressed in white and wears pearl earrings. Her hair is just long enough to brush the tops of her shoulders. The photograph has a reddish tint. Photograph is undated","Color photograph of Clayton \"Bunny\" Thompson, Sr. posed seated at what appears to be a kitchen table. He wears a plaid shirt, and he leans on his elbows, his arms folded over his chest. In front of him, partially visible in the frame, are a red and white beverage can, several pieces of fruit, and a blue gift wrapping bow. Photograph is undated","Digital surrogates of photographs from the Henry Family","Group photograph of four women and one child in a house, posed on a carpeted staircase. Four sit on the steps and in the left of the frame, one woman stands with her hand on the staircase railing. L to R: unidentified woman, Marie Elizabeth Spinner, Toniette Henry Duncan, Rita Murphy Harris, and an unidentified young girl seated on Duncan's lap. Behind them, the stairway leads to an upper level where an open door shows another room. Photograph is undated","Black and white photograph of Albert Henry (left) and his wife, Alice (right) standing behind a table lain with two white, single-tier cakes and a bowl. Albert is dressed in a suit and necktie and smiles as he cuts into one cake with a knife. Alice, wearing a floral dress, rests her hand on Albert's as he slices. The arm of a third person in a striped shirt is partially visible on the left edge of the photograph. Photograph is undated","Black and white photograph of Albert Henry standing beside an unlit fireplace in front of a damask curtain. His elbow rests on the mantle above the fireplace, and his profile casts a shadow on the wall. Henry is dressed in a casual suit and tie and smiles at the camera. Photograph is undated","Portrait painting of Annie Henry from the torso up, done in muted sepia tones. She wears a dark garment with a white frilled collar. The painting is in a brown, oval frame with floral details. Annie Henry was the wife of William Henry and the mother of six children: Wilmer, Albert, John, Mary, Elouise, and Elizabeth. Painting is undated","Black and white photograph of Joyce Rebecca Whitmore Henry leaning against a pillar prop in front of an abstract backdrop. She wears small hoop earrings and a dress with long sleeves and a white collar. Typescript text at the bottom edge of the image reads \"DETAILS.\" Photograph is undated","Color photograph of Marie Elizabeth Spinner, former wife of Elrich Murphy, mother of Rita Murphy Harris, and aunt to Toniette Henry Duncan. She is posed sitting on a striped, cream-colored sofa, holding a set of gold balloons shaped to read, \"97.\" Beside her on the couch is a red gift bag with decorative text that reads \"[Ha]ppy [Birth]day!\" Photograph is undated, but Marie Elizabeth Spinner's 97th birthday took place 7 January 2021","Color photograph Marie Elizabeth Spinner and  her sister Corrine Idella Henry, pictured from the shoulders up. They are positioned back to back with heads turned toward the camera, and both wear their dark hair up. The photograph has an unfocused, desaturated quality. Photograph is undated","Black and white photograph of Marie Elizabeth Spinner, posed with her daughter, Rita, seated on her lap. Behind them hang sheer white and damask curtains. Photograph is undated","Black and white photograph of Marie Elizabeth Spinner from the shoulders up. She wears a light colored garment and a long pearl necklace. Behind her is a striped background. Photograph is undated","Black and white photograph of Marie Elizabeth Spinner, pictured from the shoulders up. She wears a light colored blouse and sits on a couch in front of a white wall. Photograph is undated","Color photograph of Burnett Ralph Henry, son of Wilmer Benjamin Henry and Willie Mae Carter, seated on a patterned couch with a newspaper in his hands. On the coffee table in front of him are a vase of red silk flowers and a miniature artificial Christmas tree decorated with tinsel and ornaments. Next to Henry is a side table holding another vase of red flowers and several portrait photographs. Photograph is undated","Color photograph of a man, identified as Clarence, pictured from the shoulders up. He has gray hair and wears a white collared shirt with gray and blue patterning. Behind him is a piece of brown furniture. The image is blurry. Photograph is undated","Color photograph of Willie Mae Carter Henry, wife of Wilmer Benjamin Henry and mother to Marie Elizabeth Spinner, seated on a chair upholstered with a textured red fabric. She wears a white, striped button-up chemise top. Behind her is a wooden shelf with a bird sculpture and a framed photograph. Photograph is undated","Color photograph of Willie Mae Carter Henry, wife of Wilmer Benjamin Henry and mother to Marie Elizabeth Spinner, posed seated with her hands folded in her lap. She is wearing light blue suit and shite shirt. Two metal tins and a TV remote are visible on a table behind her. Photograph is undated","Black and white photograph of William \"Sonny\" Duke (left) with two other people leaning against the side of a white car. Duke wears a newsboy cap, and one of his arms is in a sling, while the other is draped over the shoulders of a young woman standing beside him. The woman is wearing dark pants, a white top, and a scarf. On the other side of the woman is a man wearing a plaid shirt and dark pants, posed with his hands in his pockets. Photograph is dated March 1957","Black and white photograph of Sylvia Dolores Henry, daughter of Corrine Idella Henry, as a young girl. Her hair is braided and she is wearing a white collared dress. She is posed sitting on the corner of a wooden table. Behind her is a window with blinds drawn. Photograph is undated, c. late 1950s","Black and white photograph of Corrine Idella Henry and her older brother, John Wilmer Henry standing outside. Corrine wears a plaid skirt and a white blouse.  She is posed with her hands on her hips, leaning into her brother. He is wearing dark-colored trousers with wide cuffs and a button-up shirt. His hands are tucked in his pockets. Photograph is undated","Color photograph of Rosell Marshall Henry, wife of Burnett Ralph Henry. She wears glasses and a button-up shirt with a patchwork style pattern. She sits on a wooden chair, and a white cup is visible in front of her. Behind her is a white wall and a white louvered door adorned with postcards and a calendar. Photograph is undated","Studio portrait of Marie Elizabeth Spinner, mother to Rita Murphy Harris and aunt to Toniette Henry Duncan. She is pictured from the shoulders up in front of a blue studio backdrop. She wears glasses, hoop earrings, and a white turtleneck beneath a brown outer jacket. Photograph is undated","Black and White photograph of Marie Elizabeth Spinner in a dress and patterned ascot, perched on a wooden table. Her legs are crossed, and she rests her chin in her hand as she looks directly into the camera. Photograph is undated","Color photograph of Marie Elizabeth Spinner in a light colored, floor-length dress with short, puffy sleeves. A thin string of pearls hangs around her neck, and she holds a small purse in one hand. Her hair is pulled back in an updo. She is posed standing in front of a light blue curtain. Photograph is undated","Color photograph of three women seated on a bed. From left to right: Marie Elizabeth Spinner, Willie Mae Carter Henry (mother of Marie Elizabeth), and Rita Murphy Harris (daughter of Marie Elizabeth and Elrich Murphy). Willie Mae is seated upright in a bed, her legs beneath a pink blanket, while her daughter and granddaughter sit on either side of her, their legs uncovered. All three are smiling. Behind them, a table lamp and a doll dressed in blue sit atop a headboard. Photograph is undated","Hand-colored photograph of Corrine Idella Henry sitting cross-legged on a wooden chair in front of a fabric backdrop. She wears a long coat with lapels, a red collared shirt, black pantyhose, and a pearl necklace. Handwritten text in the lower righthand corner reads \"MUR[PHY],\" most likely indicating that this photograph was taken by Elrich Murphy, Henry's brother-in-law. Photograph is undated","Color photograph of Sylvia Dolores Henry, daughter of Corrine Idella Lewis, smiling in front of a backdrop styled after the American flag and decorated with an image of a parchment scroll on which the Preamble to the United States Constitution is written. Sylvia wears a red sweater over a white collared shirt, and her hands are folded in front of her. Typescript caption on the bottom of the photograph reads, \"Our American Constitution, 1787-1987.\" Photograph is undated but was likely taken in 1987","Color photograph of Blair Spinner, son of Marie Elizabeth Spinner and Albert Spinner. His smile is topped by a dark moustache, and his hair is styled in a short afro. He wears a teal shirt. Photograph is undated","Black and white photograph of a baby identified as \"Bunky,\" posed sitting on a small cushion on a wooden porch. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. The baby wears booties and a white bonnet, and he smiles, his gaze directed upwards and his arm raised and made indistinct by motion blur. The house behind him is made of white bricks or cement blocks. Photograph is undated","Black and white photograph of a child identified as \"Bunky\" wearing a cowboy costume with cheetah patterning and a brimmed hat, with a toy pistol in his raised hand. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. He stands on a patterned rug in front of an Christmas tree decorated with tinsel and ornaments. Opened packages are strewn across the floor around his feet. Photograph is undated but was likely taken at Christmas (25 December)","Black and white photograph of a child identified as \"Bunky\" standing on a porch with a small bundle of flowers in his hand. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. He smiles with mouth open, and  is dressed in a cap and a dark coat with white buttons. Behind him are a white, exterior wall and a window. Photograph is undated","Color photograph of five people in a dining room with floral wallpaper. Left to right: unidentified woman, unidentified man (mostly obscured), Albert Henry, Wilmer Benjamin Henry, unidentified man. Wilmer Benjamin Henry (at the center of the photograph) is wearing suspenders and a striped necktie. Behind him is a windowpane that overlooks a yard over which a clothesline has been strung up. On the table in front of the group is a red and yellow flower arrangement. Photograph is undated","Black and white photograph of Corrine Idella Henry, pictured from the shoulders up. She is wearing a collared shirt or jacket. The image is blurry. Photograph is undated","Black and white photograph of Corrine Idella Henry on a porch, leaning back against a wooden support pillar. She wears high waisted pants and sandals, and her arms extend upwards, bending behind the pillar where she rests her head. The corner of a house with white siding is visible in the left of the frame, and the background is full of greenery and clear sky. Photograph is undated","Black and white photograph of Corrine Idella Henry standing in a lawn. Behind her are a wooden fence, trees, and a paved pathway. She is dressed in a matching set with a cropped top and a long skirt. She poses with one hand on her hip and the other on behind her head. This photograph was taken in the yard of the Henry family home on Johnson Lane in the Seminary Hill neighborhood of Alexandria, Virginia. Photograph is undated","Black and white photograph of Elizabeth Henry, younger sister of Wilmer Benjamin and Albert Henry, wearing a dark button-up jacket and a calf-length skirt. Her hand is placed on her hip, and she stands in front of a wall with light colored siding. Photograph is undated","Color photograph of Elizabeth Henry Douglas, pictured from the shoulders up. Her hands are clasped under her chin, and a broad smile lights up her face. Her white hair is bushed back from her face, and she wears a purple sweater. Photograph is undated","Color photograph of Elizabeth Henry Douglas receiving the Ben Brenman Award for Archaeology. Douglas, dressed in a white blazer and pink shirt, is pictured while being presented with the award from Mayor William D. Euille, wearing a pinstripe suit and striped, purple tie. Douglas and Mayor Euille are posed holding the award, standing in front of (L to R) Janice Magnesun of the Alexandria Archaeological Commission, Charlie LeeDecker representing the Louis Berger Group, Inc., and Joe Reeder. The photograph was taken Alexandria City Council chambers during the meeting held on 27 October 2009.","Black and white photograph of six people ranging in age from children to teenagers, posed standing together on the sidewalk. The four eldest of the six stand in a row, linking arms or with arms around one another's shoulders. Two younger children stand in front of them. The subjects of the photo have been identified in no particular order as Gail, Butch, Rusty, Sylvia Dolores Henry, Keith, and Toniette Henry Duncan. Photograph is undated","Black and white photograph of Rita Murphy Harris as a young girl sitting on the lap of a man identified as \"Granddaddy,\" likely Wilmer Benjamin Henry, her maternal grandfather. Behind them hang curtains of white lace and dark damask fabric. Photograph is undated","Black and white photograph of a woman and a man seated on a sofa with a floral pattern. The woman, identified as Grandma wears a patterned blouse and has one arm linked in the crook of the man's elbow. The man, identified as Granddaddy, wears a suit and tie. The wall behind them is white and unadorned. The pair are likely Willie Mae Carter Henry and Wilmer Benjamin Henry. Photograph is undated","Black and white photograph of a man and woman standing arm in arm in a grassy yard at 116 Johnson Lane in the Seminary Hill neighborhood of Alexandria, Virginia. Behind them is a wooden fence, beyond which is dense foliage. The pair are likely Willie Mae Carter Henry and Wilmer Benjamin Henry, who lived at that address. Photograph is undated","Black and white photograph of five members of the Henry Family gathered in a sitting room in semiformal clothing to celebrate the birthday of Wilmer Benjamin Henry. Three of the five are standing, one man sits cross-legged in an armchair, and a woman perches on one arm of the same chair with her face buried in her palm. In the foreground stands a tabletop with a cake on it. Photograph is undated","Black and white photograph of Joseph Brackette and Marie Elizabeth Spinner, siblings born to Willie Mae Carter Henry and Wilmer Benjamin Henry. Brackette wears a suit and a fedora, and his arm is wrapped around his sister's waist. Spinner wears a plaid blazer. Behind them is a stand of trees with leafless branches. Photograph is undated","Black and white photograph of John Henry, brother of Wilmer Benjamin Henry, standing outdoors. He wears a striped overcoat, glasses, a flat cap, and gloves. Photograph is undated","Black and white photograph of John Henry, brother of Wilmer Benjamin Henry, with Joyce, his second wife. Joyce wears a long jacket and a brimmed hat, and she holds a handbag. John wears a suit and tie, and his hat is in his hand. They stand outdoors surrounded by trimmed bushes, and an evergreen tree stands in the background. Photograph is dated 21 May 1940","Black and white photograph of Joyce Henry, sister in law of Wilmer Benjamin Henry, seated at a dining table set for a meal. Joyce, dressed in white is seated next to an unidentified man dressed in a suit and tie. A third person is partially visible in the foreground of the photograph. Behind the seated diners is a glass-front cabinet filled with glassware. Photograph is undated","Black and white photograph of Joyce Henry and John Henry standing side by side against the exterior wall of a house paneled with horizontal siding and inset with a shuttered window. John Henry has one arm wrapped around Joyce's waist, his hand resting on her hip. Photograph is undated","Black and white photograph of Joyce Henry and an unidentified man standing on a stretch of grass in front of a stand of trees and an upright wooden beam. The man wears suspenders over a white, collared shirt. Joyce wears a dark dress with a ruffle over the breast and holds a leather purse. Photograph is dated 21 May 1940","Black and white photograph of Joyce Henry and an unidentified man standing outdoors in front of a leafless thicket of trees. In the right of the frame, the front bumper of a black car is visible, including headlights, a tire, and a license plate. The ground seems to be covered by a light snow. The man has one arm wrapped around Joyce's waist, and both of his hands grasp her arms at the elbow. The pair smiles serenely at the camera. Photograph is dated 1941","Color photograph of Lawrence Duncan (left) and Toniette Henry Duncan (right) seated next to each other in a restaurant booth. The edge of a white tabletop is visible at the bottom of the photograph and behind them is a shelf filled with bottles of wine. Photograph is dated 9 February 2021, Toniette Henry Duncan's 67th birthday","Hand-colored photograph of sisters, Marie Elizabeth Spinner and Corrine Idella Henry, pictured from the shoulders up. They are positioned back to back with heads turned toward the camera, and both wear their dark hair pulled back and done up behind their heads. This image is a duplicate of Photograph of Marie Elizabeth Spinner and Corrine Idella Henry (ABFR-23-037-007). Photograph is undated","Black and white photograph of Marie Elizabeth Spinner in a formal gown with ruching on the sleeves, a sweetheart neckline, and a floral accent on the hem of the peplum. Her hair is styled in an updo with an accessory studded with pearls. Her shadow falls behind her on a blank backdrop. Photograph is undated","Color photograph of Marie Elizabeth Spinner's 96th birthday celebration. She is pictured seated in a living room with six women and a young girl, including her daughter Rita Murphy Harris and niece Toniette Henry Duncan. The room is decorated with various striped and floral motifs in golden yellow. Behind the gathering is a dining room table on which sit purses, a floral arrangement, and two weighted party balloons shaped like the numerals 9 and 6. Spinner is seated in an armchair near the lower edge if the image. Toniette Henry Duncan, center, leans against the chair's arm. Rita Murphy Harris, seated on a couch, is the rightmost figure in the group. Photograph is undated, but Marie Elizabeth Spinner's 96th birthday was 7 January 2020","Black and white photograph of Marie Elizabeth Spinner leaning against a wooden support beam on a porch. Her arms are folded behind her back, and she sports a wide smile. She wears a pale brimmed hat and a black dress with a design of swirling white trim on the bust and pocket. Photograph is undated","A blank page, most likely the back of a photograph, with stamped text at the bottom that reads \"Murphy's Pho'\" This appears to be part of the photographer's stamp of Elrich Murphy, a prominent Black photographer in Alexandria and father of Rita Murphy Harris and first husband of Marie Elizabeth Spinner. Item is undated","Color photograph of a woman sitting cross-legged with a baby in her hands. The baby, identified as Rashaun, is dressed in overalls and a white long-sleeve shirt. The woman wears denim jeans and a sweater vest, and her hair is styled in an afro. Behind them is a brick house and an unclouded sky. Photograph is undated","Color photograph of five men, trustees of Oakland Baptist Church in Alexandria, Virginia, dressed in brown suit jackets and ties, standing in a row. The man in the center of the row is Reverend Luther H. Mills. Behind them are several utility poles and a round placard bearing a Texaco logo. Photograph is undated","Color photograph of cousins Rita Murphy Harris (left) and Toniette Henry Duncan (right) depicted from the shoulders up. Henry leans into Harris and rests the side of her forehead on her cousin's cheek. Harris has her arm draped over Henry's shoulder. Behind them, colorful abstract paintings and a mounted television hang on gray walls. Photograph is undated","Black and white photograph of thirteen children of varying ages grouped in a yard hemmed by a wooden fence. The event depicted is a birthday party. Rita Murphy Harris stands in the center of the huddle, wearing a white dress with lace flutter sleeves. The leftmost child, a girl in a plaid dress, is identified as Nancy Henry. Between Nancy and Rita is a boy identified as Henry Poindexter, partially obscured by the party guest in front of him. Burnett Ralph Henry stands in the back of the group, dressed in a striped shirt. Beyond the fence, the roofs of neighborhood buildings peer over the tops of bushes. Photograph is undated","Black and white photograph of Rita Murphy Harris as a child, standing outdoors wearing a dress-length coat of leopard print fabric, a black hood, and a cross-body purse. She squints as she digs her fingers into the opening of the jacket in front of her. The trees behind her are bare of leaves. Photograph is undated","Black and white photograph of Burnett Ralph Henry (right), son of Wilmer Benjamin Henry with Rita Murphy Harris (left), granddaughter of Wilmer Benjamin Henry. Rita, an infant, wears a baby bonnet, and Burnett wears overalls, a striped shirt, and a jacket. His arm is around Rita's shoulder, and his legs dangle over the edge of a wooden porch. Photograph is undated","Black and white photograph of fourteen children standing in a line on a strip of sparsely grassed dirt between a wooden fence and a brick sidewalk. All appear to be of elementary age or in their early teenage years save for a much younger, smaller girl in the center of the line. Members of the group are variously dressed in dresses, skirts, button-up shirts, and trousers. Some of the children are identified as Rita Murphy Harris, Sylvia Dolores Henry, Toniette Henry Duncan, Slim Henry, Gail, and Peaches. Photograph is undated","Color photograph of two men identified as Slim Henry and Blair. Blair (right) wears tinted glasses and has his arm slung over the shoulders of Slim Henry (left), who wears a brown leather jacket. Blair Spinner is the son of Marie Elizabeth Spinner and her second husband, Albert Spinner, Jr. They smile broadly, standing side by side. Behind them a sculpture made of many intersecting thin, metal rods hangs on the pale purple walls. Photograph is undated","Color photograph of a man identified as Slim Henry in a red shirt and black jacket, a black brimmed hat on his head. He is indoors in front of a wall panel consisting of brown bricks. The wall appears to be draped with a streamer, and the number \"5\" is visible in the bottom left corner of the photo. Photograph is undated","Color photograph of two men wearing brown suits standing in front of a car parked near a Texaco service station on the corner of King Street and West Braddock Road in Alexandria, Virginia, near Blessed Sacrament Roman Catholic Church and Oakland Baptist Church. The two men have been identified as trustees of Oakland Baptist Church in Alexandria. The man on the left is posed with his jacket unbuttoned and his hands in his pockets. Photograph is undated","Color photograph, portrait of Toniette Henry Duncan's pictured from the shoulders up. She wears a garment with beadwork at the collar and a woven necklace. Behind her, some seating is visible, and farther beyond, light reflects off the surface of a body of water. Photograph is undated","Color photograph, portrait of Toniette Henry Duncan. The framing of the photograph suggests that the image was captured as a selfie. Duncan wears red, and her dark hair is worn in braids or twists that are interwoven with silver-white highlights. She is seated indoors, and in the background, a celebratory card, black and white photograph, and bowl of candy are visible. Photograph is dated to Mother's Day 2021 which was 9 May 2021","Black and white photograph of Toniette Henry Duncan as a young girl. She is posed seated outdoors, wearing a pale dress and holding a basket decorated with flowers. Her short legs dangle from her chair. Photograph is undated, but Toniette Henry Duncan turned two years old in February 1956","Black and white photograph of Toniette Henry Duncan as a young girl. She is posed outside, squatting low to the ground. She wears a coat over a pale skirt, a stiff bonnet, and Mary Jane shoes. Visible behind her are the skirt and legs of another figure, standing behind her. Photograph is undated, but Toniette Henry Duncan turned three years old in February 1957","Black and white photograph of Toniette Henry Duncan as a young girl. She is posed seated on the edge of a porch with her legs dangling over the side. In one hand, she holds a football, and the other hand is raised to the back of her head. Photograph is undated, but Toniette Henry Duncan turned three years old in February 1957","Color photograph of Toniette Henry Duncan (left) and Kevin Brown (right) at the Virginia Theological Seminary Descendents Gala. Both wear nametags around their necks and are sitting next to a large wooden table. On the table between them are two cans of ginger ale and a black handbag. Behind them, at other side of the table, a person in a dark blue suit writes something on a piece of paper with a pen. Their face is not visible in the image. Photograph is dated 30 July 2021","Color photograph, portrait of Toniette Henry Duncan. She is pictured from the shoulders up and posed in front of a solid gray background. The neckline of her top is studded with pearls and her hair is worn in braids or twists. Photograph is undated","Black and white photograph of siblings Joseph Brackette (center) and Marie Elizabeth Spinner (right), posed standing with a third unidentified woman (left), standing near a roofed porch. Marie Elizabeth Spinner wears a plaid blazer while Joseph Brackette wears a fedora and a pinned necktie. The unidentified woman wears a dark fur overcoat. The three are huddled close, and Jospeh Brackette has his arms over his companions' shoulders. A well is visible in the background behind them. Photograph is undated","Black and white photograph of Joseph Brackette with his gloved hand tight around the shoulder of an unidentified woman in a dark fur coat. Behind them is a roofed porch with structural support beams. The sky is cloudy and a wooden fence is visible behind them.","Black and white photograph of John Henry, son of Wilmer Benjamin Henry, standing in a yard with his hands clasped behind his back. He wears a suit jacket and necktie. Behind him is a small structure of stone and wood (possibly the well from other photographs in this folder), a wooden fence, and several trees without foliage. Photograph is undated","Black and white photograph of three women standing with arms linked on a brick sidewalk near a row of townhomes and a wooden fence. In the background, people can be seen on their stoops, seemingly in conversation together. The shadow of the photographer stretches across the brickwork in front of the three women. Photograph is undated","Color photograph of cousins Toniette Henry Duncan (left) and Rita Murphy Harris (right) standing side by side at a room in the Virginia Theological Seminary during one of the Seminary's annual Descendents Galas. Duncan wears a black blouse with beadwork on the sleeves and black trousers. Rita wears a structured black and white jacket with a paisley pattern and black trousers. They are posted standing together in front of a framed artwork hanging on a cream and white striped wall. Photograph is undated","Portrait painting of William Henry pictured from the torso up, done in muted sepia tones. He wears a black suit and necktie and  sports a thick moustache. The painting's background is an abstract blending of colors. William Henry was the husband of Annie Henry and the father of six children: Wilmer, Albert, John, Mary, Elouise, and Elizabeth. Painting is undated","Black and white photograph of William Benjamin Henry standing outdoors in front of a wall made of paneled siding. He is dressed in a suit and necktie with a pocket square. Photograph is undated","Black and white photograph of William Benjamin Henry holding a knife, poised to slice a white, frosted cake. He wears a suit and a striped tie. Three similarly dressed men are partially visible standing next to him. The contour of what appears to be a person wearing a white dress abuts the left edge of the frame. Behind the people is an indoor domestic space with a glass-paneled door. Photograph is undated","Black and white group photograph of several people in semiformal attire, posed standing indoors in front of a window with blinds drawn. William Henry, dressed in a suit, figures prominently in the right of the frame. Also present in the image are his daughters, Eloise and Elizabeth, as well as his son, Wilmer. Photograph is undated","Black and white photograph, portrait of Willie Mae Henry, wife of Wilmer Henry. She is posed seated in a chair in front of a blank backdrop and pictured from the waist up. She wears a white embroidered blouse and a beaded necklace, and her hair is pulled back behind her head. She holds her chin high and regards the camera with neither a smile nor a frown. Photograph is undated","Black and white photograph, portrait of Willie Mae Henry, wife of Wilmer Henry. She is posed seated in front of a patterned curtain, with her hands folded in her lap. She is dressed in a patterned blouse. Photograph is undated","Black and white group photograph of ten people of varying ages, posed standing together in a grassy yard in front of a tall bush and a brick house. The men and boys wear button-up shirts, and the women and girls wear dresses. The group includes Wilmer Benjamin Henry, Willie Mae Henry, and members of their family. In front of the group, a Tyrolean hat with an oversized feather plume lies on the ground. Photograph is undated","Black and white photograph of Wilmer Benjamin Henry standing in a doorway at the Virginia Theological Seminary, with a hand resting on the door handle and holding it open. He smiles exuberantly from under a brimmed hat. Through glass panes set in the door, a brick wall is visible, and a handrail intersects the bottom portion of the photograph. Handwritten note on the top edge of the photograph reads, \"296 # 58-1 3 5/8 [arrow]\" Photograph is undated","Black and white photograph of Wilmer Benjamin Henry playing an acoustic guitar. His fingers are occupied with the frets and strings, and he wears a thumb pick. He is dressed in a jacket and brimmed hat. Behind him is a wall adorned with a patterned fabric drape and a calendar. Photograph is undated","Black and white photograph, portrait of Wilmer Benjamin Henry. He is posed seated in front of a blank fabric backdrop and pictured from the waist up. His hands are resting in his lap, and he wears a suit and tie. Behind him, in the bottom of the photo, what appears to be wrinkles or a fabric texture are visible in the backdrop. Photograph is undated","Memorial page for Wilmer Benjamin Henry, appears to be from a funeral program or similar document. Featured on the page is a black and white portrait photograph of Wilmer Benjamin Henry: the same photograph as \"Portrait photograph of Wilmer Benjamin Henry\" (ABFR-23-037-085). Typescript text under the photograph reads, \"Wilmer B. Henry, Sunrise: February 22, 1898, Sunset: December 26, 1981, My Grand Father's Legacy, Believe in GOD, Work Hard, Take Care of Your Family, Live a Righteous Life.\"","Digital surrogates of materials documenting the Willis family","Photocopy of a newsclipping from a local newspaper featuring a photograph of Sheila Willis. Photograph depicts two women standing on either side of a library circulation desk. The library staff member appears to be assisting the patron to check out books. Which woman is Sheila Willis has not been identified. Most of the article accompanying the photograph is cut off in the clipping, but seems to be an article about Alexandria Library. Clipping is dated 25 April 1968","Digital surrogates of family history materials documenting the Lyles and Dorsey families","Scrapbook documenting the history of the Lyles and Dorsey families. Scrapbook includes photographs, postcards, artwork, and ephemera dating from 1800 through 2015.","The materials in this collection are protected by copyright and/or other intellectual property rights. Permission must be obtained from the rights-holder(s) for uses beyond those permitted under the \"Fair Use\" doctrine of the U.S. Copyright Act (17 U.S.C § 107). Contact Local History / Special Collections staff for more information. "," http://rightsstatements.org/vocab/InC/1.0/","Local History and Special Collections Branch, Alexandria Library","Dunbar High School (Washington, D.C.)","Bah, Char McCargo","English"],"unitid_tesim":["ABFR","/repositories/2/resources/172"],"normalized_title_ssm":["Alexandria Black Family Reunion Digital Collection"],"collection_title_tesim":["Alexandria Black Family Reunion Digital Collection"],"collection_ssim":["Alexandria Black Family Reunion Digital Collection"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"geogname_ssm":["African American neighborhoods -- Virginia -- Alexandria.","Alexandria (Va.) -- Social life and customs"],"geogname_ssim":["African American neighborhoods -- Virginia -- Alexandria.","Alexandria (Va.) -- Social life and customs"],"places_ssim":["African American neighborhoods -- Virginia -- Alexandria.","Alexandria (Va.) -- Social life and customs"],"access_terms_ssm":["The materials in this collection are protected by copyright and/or other intellectual property rights. Permission must be obtained from the rights-holder(s) for uses beyond those permitted under the \"Fair Use\" doctrine of the U.S. Copyright Act (17 U.S.C § 107). Contact Local History / Special Collections staff for more information. "," http://rightsstatements.org/vocab/InC/1.0/"],"access_subjects_ssim":["African Americans -- Virginia -- Alexandria.","Parker-Gray Schools (Alexandria, Va.)"],"access_subjects_ssm":["African Americans -- Virginia -- Alexandria.","Parker-Gray Schools (Alexandria, Va.)"],"has_online_content_ssim":["false"],"extent_ssm":["55 Gigabytes"],"extent_tesim":["55 Gigabytes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2023],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eOn April 29, 2023 Alexandria Library hosted the first Black Family Reunion at the Kate Waller Barrett Branch Library in Old Town Alexandria. The event aimed to bring neighborhoods together and help fill gaps in the documented history of Alexandria's African American community. As part of the event, families were invited to bring documents and images to be scanned by Library staff and added to the collections at the Local History / Special Collections Branch to be preserved as part of the city's historical record and made available to the public online.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["On April 29, 2023 Alexandria Library hosted the first Black Family Reunion at the Kate Waller Barrett Branch Library in Old Town Alexandria. The event aimed to bring neighborhoods together and help fill gaps in the documented history of Alexandria's African American community. As part of the event, families were invited to bring documents and images to be scanned by Library staff and added to the collections at the Local History / Special Collections Branch to be preserved as part of the city's historical record and made available to the public online."],"custodhist_html_tesm":["\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e"],"custodhist_heading_ssm":["Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization"],"custodhist_tesim":["Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023"],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a7d3c2f1-1826-48ba-b64b-d36ef49d81f5/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|840f3854-dfde-4130-8945-f62d708defc5/\"\u003eClick to view digital materials in this folder\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c5cf1dd6-e0f5-466f-ba62-0d569e94b730/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1d90ea6d-82d0-44c3-b932-ea2167e1e30b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_48d89bfb-bc38-4a22-be63-29349c833b29/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_68752d81-705e-43fb-b17b-ea6e9cb6f11e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_37557d73-24e9-4d1f-9009-d012b0111d31/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b4931257-5040-43f4-82dc-67ae25bee2b5/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_223ef4af-12ad-47f9-986a-8f2222324d7a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e14a44bf-57c0-44d9-8852-6ec8d06e523c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1344117e-f197-4344-9fd0-55e6d25c8f33/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_029687d6-5cf0-4342-b7d0-babd2fdc542f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b3a2f983-0357-497a-8b24-fcca51dcf694/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ceee5399-3ab5-4e89-8f1e-453ccad049ce/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1cc1893d-94fc-41a8-b8b5-2da55ab60c93/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ebfaece9-d226-4e00-928a-9b65d70c2a18/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f1b3fa6a-be65-4376-b75a-03829b8d6ab1/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a0323c47-2db9-4de8-bd0f-3e3b9542fcaf/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_748303b2-6616-404b-8f2a-55f2f7295c74/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7178b8ee-903d-4844-b538-d806b0a5dbae/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_aaf16e1d-15b0-4f86-8e95-63cc7be552c8/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_80ca4937-9128-42d7-8ae1-ebbc88a97fcb/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b75926f0-f937-4b43-b1a8-6606171d783e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_27bb8df5-dcc3-4f88-a5c1-7e1332540e82/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_018dae10-fa40-4923-b849-255aaba4948d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_47fa9119-28e0-4386-8133-5c94cb41ac3f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7a2250a5-35c3-4d3f-a2f2-3d1dce86903b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0013d06a-ae78-4c82-ab3e-3601dbb5282d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_642eae77-ab43-4ddd-a5bc-fc98616df3ca/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5b0938e5-e403-435f-bffb-f3263c06963c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5fdcbe71-f4dc-4e60-97c1-8f3796950c8d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b312a371-6dc8-4baa-8e7a-edcdcc876d81/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_69c55019-8aec-40b9-8076-5d7a365fc567/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_75e4358d-e01d-4aeb-a6e3-8f6646807454/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3d1d2f18-3257-49ae-af5f-d46b6d6bda2c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_022d377e-9da2-49ab-b719-5ccdc77da5ca/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_172ae3ac-e209-4de4-a502-ddd3138bca61/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9b780571-b68c-496e-be00-842deeed2e16/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f94be72a-0c87-40e0-945b-87e31ecaf2ae/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7b01078a-2a3f-4597-bc80-2cb9d209dfbd/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bbdeb4f2-9fde-40a4-8085-e89d24e34f21/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9a9fdef7-88d8-4464-8982-62a9af979112/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8772d401-63f1-44f3-b491-62c3e1a9c09b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e535bfc3-f920-46eb-9429-3dff4106b6b5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_51f2e05a-b39f-40ad-83e5-3c9fc0509e4c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_28a47808-1075-4981-b699-0367768a5359/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ecc14579-057d-4caa-8b6f-07b9c94a17f5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_02ecc697-6acf-4ef3-8f03-26255371aa86/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d108cf8e-2650-42b0-afc7-92631a6c4af1/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0bdd7371-e933-4666-8346-a9b80e2dfefc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7d5e53f2-f2e8-40ef-a758-906ce6496c9b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9a2f9a91-982f-4ed5-8933-c69ee0d888ed/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bd79116f-04e3-4a80-8576-ad14bfaeb833/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_92b93a54-3ce2-47f7-8580-4cb31d5d3770/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_30bce1ba-2729-4462-beca-342f443e8a6b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_54482529-6741-4e91-aa06-acf840d4cb95/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f994a29a-f80b-4ff0-ad65-acebd62e8bb4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e39c7d42-83da-4410-a75e-5866ce74c736/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1d481a28-3692-4b36-a1aa-fd0c874e7e0a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_957a9a7e-7bba-49cb-95fd-0e27b68df045/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cf0006e6-e9b4-4f85-969c-3b6f0378056a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0c8e5bb0-b787-47ad-9398-df8a88e627a7/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4f41c775-6838-4e82-a3af-fbae1fc97c2b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_05b9458f-e0a3-438f-b611-e38f6ed8641f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d88b215b-9618-48be-93f3-d3ba6f3b70d3/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e4e9c7a9-a84c-4662-bed2-9867195e85c9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_13d4aeeb-716b-48a6-96cc-f25268735d5d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_13fae6e5-15c9-45ce-867a-48321f9061b5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_017385d2-8edd-448a-90a1-d170b2414a64/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bf72d6a0-ac3b-4dc0-9b24-a43ab3c73319/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_66679b5c-8c60-4fb0-8a6e-6df8af5568f8/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c12eeb90-3d37-471a-85db-e1f4a93a9f44/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0b9e41db-786a-441f-a006-f03e06a3471a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_de0ba925-fa1d-46a6-aad7-c7f8abf440e4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6bedf236-ed58-40bd-8f52-f7b1bc54527f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e9a8def6-dc02-4e86-abf7-381ff634675c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df9da3db-8934-43f1-9493-8a05e8c9bfff/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_55884eb4-4a3b-40a6-a5fd-07afe08a311e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4c202ba5-6dee-4b17-a6a3-f8761da72340/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_41964639-9b68-44b4-bb2d-8d61b530601a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2efa6737-71dc-434d-9323-c4489ea6ff02/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a0450d61-4b56-4aab-b096-f0322cc0289d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_de41bc35-80b8-48ae-adc4-12d02338c609/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_36506903-6351-435d-b534-ee7773665268/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7ab1b0c0-0b8d-47a0-bb77-b992d0856eb3/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f5ba3f19-a42c-431b-bf66-01143f171197/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bf83b6d6-088f-4b37-abf7-913c6c44cb95/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_924b2ada-e423-40c7-bf18-42471cc08d7e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8452a77d-2ab1-448f-81b1-5489a390eb29/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d6439519-bd4c-4029-8c6f-51056034f5a3/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fa7aea0c-4535-4d96-8a28-3ce0853b3f8e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_734fcf14-70cc-4247-aa3a-099b2229018d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_63c75e33-e035-43ee-b2c8-4030196cf78e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_520a6aab-60d7-4d08-87f6-dfdac2e71a21/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5c92c161-954e-4dc5-b079-f54db8194146/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6b953935-9c9c-4edf-a973-04ba767a9734/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1c9f9f32-bfc9-4b1e-82f0-26436b82da5c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cfb524c1-d418-43ef-905b-66dcd762324a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_35a3ace4-b58d-445e-bf88-1bfcbbd187cf/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f848769a-9b0f-4af9-9bad-699be4b2a07f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cc383dfa-d974-4fb0-8f2d-d85dc5cbecf6/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_837b485e-4554-496c-a9f5-25827d723676/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_73364230-d5fe-4ad6-af7b-a9a715441123/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ae1053e4-9d35-4588-8511-02f0bd7eca0e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_74694117-bcdb-4fca-8704-a1e30c202243/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0654f788-8aa8-48af-9ff2-cae1ff344f77/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f73f6c6b-a64c-4d3a-9370-da62952f2eac/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7b85155c-e188-42bb-8486-f4d892d9d24b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f56c7a78-d3b0-4e55-a96d-48bfa5c87863/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ae80df47-ca63-4ac5-abe0-b3f962296c64/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c3d4e950-2870-42a2-9f85-511fa9c81736/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8ba4be9-4d0f-4a08-b137-ec7446e4da8c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5dd34f65-ee41-41d7-aa97-20a6e4c8b333/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a9a9928a-bfd8-491a-a443-58333666aba2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_adfc9247-4f3c-41d2-b3e0-ae6456209e18/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2cfb0cc7-d333-4884-be9c-98f34c0eec22/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c0853c72-e379-4094-b795-08ae6935ffa2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_61cec70c-4b59-4794-a2d4-ee762f437480/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_313fba56-1e1d-43a8-bed0-35d6dd5f21a0/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0b809f1c-7c0b-4655-b597-5ba807271eac/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5801e6bf-13a0-4407-b1d1-03925f0e6e29/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_86e1e05c-2370-4160-9670-a4456259476b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4c82e191-0f4f-4727-9a5d-542be86f6320/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_628614fc-cc87-47e3-ba10-6a8e7f968849/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_117a9867-b6e4-4d37-a879-11156b3ae310/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b15544dc-616b-4607-9844-1a62df317bce/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e1c92f8b-c91d-4237-ab52-c216d7b530d1/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bf5bd132-7cf6-468c-b6b4-dd8428ea91f2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b7eb7bbb-402f-4ce3-9357-90b95a7750f3/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_16c917eb-563d-4582-9d15-ee3be1b8b728/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2e29a392-80a4-4eb0-bc48-92001cbf52ae/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_abafddea-27a0-4422-8faa-69007d38a994/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c8150dc8-20b0-4ccc-a8a2-db5b893138c0/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d39a215e-fe1c-4682-be66-a23e887be54a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_72026f1d-ae6e-461c-bf9f-c792e515b6cc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_016058d1-cf94-4218-abc3-379f6e4c1888/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_679db708-efef-45f2-8538-f2120ea65a94/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2010fadd-1a87-4afc-8b89-86c79551dd44/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b21ddfef-766e-4d91-983e-c2973dbb9bcb/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7c813ade-7efd-41fa-8d16-bfafc4c79697/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_968e4351-1fb3-42a2-9404-e1ef5d4627c9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7e2cc140-bdbc-4bf3-8839-67e1b9ad254d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2bde38a5-7ac0-4463-a945-b77b7edb339d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3e11eb55-bfb4-485f-93d5-737fedf05f94/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0bccb7db-5c4c-4c27-bef1-11f585e6936a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f7fba85a-0dc4-40ae-a33b-f142ac7a0f53/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6a98e113-4b64-4606-90b4-f8044541142a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_158dfbe6-5cd7-4197-b4bc-35a8cb90dd37/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cfe4acbd-f0eb-4514-bc13-6812a7a8eb5d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da20f3e5-0348-4c77-b93a-6537d06d457f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b6c368d0-2eed-483f-8f62-302303dd40ba/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da7c4807-8212-4067-91e4-cc21c1bf3ea9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da87fc07-34a1-4575-8a9e-0876c221a2d4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1481cd39-f98e-4993-8104-fc6fa38bfd98/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_71a0c4c8-6705-47d4-9eca-3e63d8428481/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_34c2641f-c3cd-4ac5-b43c-8f82f72e7534/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eb2139c7-a110-4355-8e24-23384573decf/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7f820a08-ef39-45ca-9c28-082cb3fe0149/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_37125564-c0bb-4672-89ac-bbf81d41c8b0/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_41be7351-cae5-46a0-8d2d-a3b6e98af1d4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8046b8da-f8c3-4dfd-a3f7-3883a74bf4ab/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c7727a2d-cde1-4423-b0be-001374e8ac97/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d6eeb08b-725f-4300-abb6-fbf9090d5933/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ed044225-7c71-4c39-929e-4aed16160282/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6d57e7a0-72fe-402b-8dd4-61d836568b3c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_705c3241-4965-47ce-8a6c-915127951d8a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_69a73404-7110-4815-9edf-45ff8730863c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7a179ac1-afc7-49fb-b6a5-482cfd4cc1ea/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a4aa39d6-378d-43c5-9fe0-2182d35fef9b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c6b7bdeb-9fd9-495a-9950-45b47e197e37/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_657ae609-7893-4135-aa40-e275a6523822/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b1702e2e-188a-488e-bd8f-794f0a971777/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a2d735af-7c01-42a6-8d60-8acd8d2c41b2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_676cb1b8-113b-4c21-9cb0-6bc7e93bfe17/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9568fb80-393f-46b8-9ce0-68c735e43db7/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0fcb9e25-a7a7-4d29-a01a-c78f03d1cec5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cc379164-8011-47f8-bc07-c33eaf420e48/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_adc08177-2bed-4987-9aec-aa930935d42c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fc1531e9-f68c-40d3-ad32-70512b4743b1/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_21f416f4-e2f0-4eb0-818d-7f8010220d47/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6ac47513-0d6c-42a8-b6fc-190c00865ba3/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_07e45980-644e-4f1b-a378-9dccca829db5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dc4c61b6-24e1-41c2-baa9-ed7ce580fbb8/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5bba5ce2-c01b-47ba-b027-1a917594b356/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1a168b2c-e944-495f-b45f-e2697ead0368/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b5881545-7f3b-49b2-9490-e063bb9b105d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_784d006f-53be-443e-bfd3-64d9d6586e6b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bf128980-7dd8-4d19-bfa9-491c592e253d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b9e56851-0a59-4e5b-95a8-325008140a2a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e2bf7b3f-b922-4bad-b588-c4732e9cfb00/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_adab8626-9287-40f1-a857-1a384e92bd3b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1686ec69-f59e-4807-8306-ebc174749a8d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8a3375b6-5ec0-48ce-b6fe-f79c92fda8e9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4d5223ec-1e65-4091-a4cf-267937a5a66c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1a6b08cb-a2c5-4bb3-a43a-1723b12e6a66/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f54d886d-2378-47bc-b4fa-bcf3dfd84ff2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_98803d93-5238-4d5c-aa40-b7ada69aa2f9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_75312e98-4d80-4e90-a2d1-3a7f57f31dc7/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c70a15ce-f0ce-4320-b05f-1e2e6d36a7b9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_21bf4561-5819-45dd-829d-014ed306d1cb/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_006b2806-81bf-4119-bf77-812f9f4de799/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1ecf1755-34b8-4727-93cb-61aac75cab13/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_80e4d423-786f-4c78-9fde-f9e5120b7f7b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_92bf2ebb-f75d-42e9-a30f-1ff5bfa789fc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|67d82db7-02e1-4683-839e-5bea3cb8cb31/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3cbc4448-70af-414d-be15-ab4f6a43a40e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f5d8e9b5-42d8-49bf-9b70-46a80aedf310/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_44303a4e-b06f-47a0-b540-5c35d4a20edc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1dcf4ba7-27fb-4771-a5c2-710a88d9d3bc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9c2abb15-129f-482a-8085-82bd80e9bbc2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1988d522-70ef-41e4-b8c2-422bcd59087d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ff071f57-532c-4852-b484-a540d7ac955f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fa81e30e-85af-4578-8454-bde611270668/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a83fb010-63ab-410a-af7d-d93823b1fa21/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b759ca70-c5f9-4da4-85a9-229d9c96d50c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4aa7e310-0987-411b-b257-69157bd54b2a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5069cc4b-c27c-47c0-9b6f-51cfa6e3e1af/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7187d523-1bd2-49c3-b6ff-2eacb0d41b61/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ba723cb2-34e7-4835-9c2e-c8b7a67e22a9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c20328b9-c7b7-4fed-b18b-04ac9a73a0d1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_46a839ab-e695-4bb5-b9c5-530de93b9055/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b2c8a34c-2d02-4ce6-a784-e13a33924490/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df9a8f8b-61df-4b10-a239-465257820ed6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_053bcabe-9b32-4de7-ba76-998d4db20449/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_84479360-25c9-4b37-951a-c72abb39b688/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_23b3e8b2-77fa-4902-a979-082bc09e7a0b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_88c1a04b-c1e0-410c-916b-94a69d358a28/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ba96b27a-e8c9-4b64-a8de-63b2a726eed7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ff4b6dc8-821d-43fe-9ec0-7d5018e80e6f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_30d346be-f3c2-4e3b-9a2c-5beed892325d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ab184dfa-30ee-44d7-97e1-0379406e17ea/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_77bb24b1-fd04-4782-bd5b-d4165fcd1cdd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_75adff01-5031-4416-99f2-ae7d9d5ee939/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_80f00f65-8305-4694-8f45-4a8cb5cbd976/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b32b61c3-fcc5-4d29-9b38-de1604438d94/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b2ee420c-c65f-43ce-89bb-50034511c762/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a05690ae-3431-435a-9bba-0021c0ef1f0c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b465ad24-2623-475b-bc0a-e1b5faaa1380/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d557999c-e55f-4331-b55d-81f11b7051a1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b08e36fc-ffcc-43b5-96cd-087b35f9da4e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_36b3c542-7fe8-42ae-8d3f-c5a7f61179bc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c00f23a1-afe6-4368-87d6-9d3272c0410a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d634ecaa-c809-4dd8-87b2-7720b88e65d0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a413cc6a-1e8c-4f53-a8c5-cda714b2a32f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e055c81f-5967-4f44-8e66-82e446fc6229/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_88784db0-ba08-4da3-9ee3-710b90b13b13/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4c41aafc-712f-45ef-8c94-57897dcd379e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_40eb0afe-e6e2-4bb3-ba5f-73e77fb7b27d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_59b12147-aeb5-4102-9279-d0ca17c28405/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fe8ca88f-c92b-473e-ad00-d698efd6fa98/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ba17f16d-0890-4274-abdd-415c54bd29ca/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e6010ee1-2bc1-4278-b0dd-df20c65a7e69/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_99fc7629-ccda-4a93-8786-f3d456c1777d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9080709a-f3e8-4bda-9ce2-3ab09d647ac9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_88343032-ed8c-482e-8360-ab54c51b11f4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e4321a1a-1c9c-4b6b-bb3d-e37b965d718c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_70109b86-b561-4292-9048-ce51bc48f966/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_31d5ec90-e448-4d4f-acdb-f4dc15fd96db/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e29e47cb-a03a-4eac-9267-c08a59e0bf30/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0363b418-daf3-4c35-91f5-fd3a9911bf83/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fdabac2b-486a-41ee-9ac3-fa99f52c00d2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f7f53759-f1ba-4d92-af07-12d71b62b0ae/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_82a8ffab-c440-4652-ac0d-d39e2f91d034/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b8cffbd7-dc01-402a-bd88-b46d61b46701/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_030b08a0-1ad8-40b7-8930-94d274f178dd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b66e309a-0949-45a0-881b-d0c50a99b4df/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cfd68017-c76e-423e-b525-3ea8b2ad1c31/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f871bf8a-2a42-4607-8cac-d194e02e8435/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4826248b-d397-4640-8919-22203fb46423/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a552a53e-47ae-4ac6-9cea-df9a9abffcb7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_38842879-b237-434e-98af-60188555d30c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0b8172c9-5967-4be4-952b-ac4d373d6c72/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b2339217-a580-4877-8eb1-ca9f669c40b3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ce50cf09-78bc-431a-a1a1-4cd72274bbc3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|f5ec2229-7303-4e12-a763-0faef1561353/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_646348bd-3b26-4d10-b14a-087b069f8945/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3686d517-4594-4b92-9815-43837bd6fcdc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dd0ed4b1-bd8d-4a98-b447-2615a0446855/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_422c0550-581d-42b5-9788-63126401b238/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_67f2b7bf-cf73-4194-a0fd-213c7c98f9e7/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_42c9a0ce-e41e-4994-993f-11cc1356078c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c8d53ead-77fa-4bfc-ad57-e1758b5d8b18/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_732a09e7-e0ce-4860-995e-b436b1ee97a9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e0bff3d7-7afb-43be-8474-3bac98e98309/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1318ba31-0296-44e4-a97b-919647a7ce72/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8141b0da-b80c-4e7f-b597-2122da7e0d77/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0c837f4b-4769-415c-96f7-9222d84895ce/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8edef862-7e0f-47e9-b26b-ce6b7cd39226/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d85b9585-248d-40b3-afe4-9868d04b66a0/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_01124f1a-6098-407b-8b08-b09d010ad16d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ab25c634-594b-40e6-a425-679077c95f26/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f231935-e1c0-48fd-80f0-4ff715c687bc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ce25efdc-2794-40ca-ab5f-d61e45959bb6/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df07ed7f-6c4b-4596-9ee1-a727712dad10/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3fd9aff8-8cd1-48fd-bcd4-b9db3907a325/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ee41bc6c-87a5-4efe-b1ad-715fb4d3c82a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_42f484f3-dc65-43cb-bfea-54fd7602bf10/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fcf9d200-8ace-4d8e-b73e-2c1590d7c78d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7401927b-8c9b-4eb1-9288-104d226abbc4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2395c522-f2d8-4ab7-bc0a-26aaed71fe38/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5ee70ef3-0962-4d99-a9c0-b9e5c7baba29/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0e0d10c8-c830-4cdb-ba9b-cff310b78dce/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_45da4993-fc8d-4fdb-8a68-b7c91b67d9c1/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_abab20f8-c0f5-49d2-86b2-53f59fcddadc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|7dbbe576-7e95-43df-8007-3c48dd8cf958/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a20e5aa2-57c6-48a8-9939-9d3769d44cce/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d7a5f69d-78bb-46dc-aae5-cdc7f0f87b13/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c09dce14-6394-4d48-b633-7cec5d058579/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_40ec5f94-8741-4e16-bd04-ab716f8b25a9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_292692b8-9df2-428a-aa16-51b25efc4147/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2b03153c-df5b-43de-8b6a-a86f6d494d4b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_56bbb2f7-3c34-4605-ae12-efd02d9a5bb4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7573ccfa-9421-4c5d-b9a8-ab5ed7d749de/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5accb991-5808-497b-8a48-a0b76235dba7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c256a19f-e8d0-4a50-af04-1f41a6720fe9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0fd351d2-d5df-464b-a307-91279f1d1f28/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a9846af1-b82d-4aae-a5d7-bad07a1d17b9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_52730779-4afe-42c0-b65c-bf748894518a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a32890ef-3ee5-494c-85e3-ad6e767fe6be/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_830b2147-6271-4c4e-a3a4-19a3cd277856/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2aaef33d-7479-4b9b-b70a-a17e10d193a5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a675e80f-0606-407e-bf59-c3a06c3cda2e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d69310ad-35b7-4dbc-8f5f-71590daaa017/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eb86d955-4ade-4b9b-ba91-b8c81329d9cc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_145221a4-0bcc-401c-83a3-3e8ed9c43712/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4279f74b-d72c-4571-97bd-d4c693c5a8b9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0a881b02-34b6-4ec6-b86a-af1dbb8d50f1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6202d8b5-ce88-4151-8f9c-5d88cf3c539a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c413811c-7304-4cbf-bce1-6379328652d4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0b971de3-b2b2-46da-bc21-2e630aa2e138/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1717bfde-cac8-4efd-a68e-d5336a677822/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6b21e803-ebf4-4156-9df9-37f814acee94/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_294cb9b2-389b-4055-98f2-113b8b9d8687/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d0c9b6bd-c4a9-43b7-b7a2-ab61ed1d0330/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8b734537-0d04-4985-8aec-660c5f38153d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1a975f81-7da8-412a-9123-0c77a41e0514/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|d7e87b9c-bcf1-4c64-976a-20c66a963f72/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9414b129-747d-4979-aa05-2d42eefdee4d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8b993edf-dc57-4133-b78d-f8bff7a69d9e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c0f4221d-d1f1-4a5b-ac76-e34d51b42fb2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_27c7c85c-0e11-413f-a813-93ab631824b2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c9cae216-ab83-4e31-bc26-e06287ab14b0/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6f1b1261-8cf7-4eee-ae20-7b0ffff162f1/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e193c873-0436-48e5-9992-863f7bd90eb6/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dcf6ce16-1a60-4840-acf8-60ed9ac9648e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ab995430-b4a5-4065-82f0-89a4ff3a4aed/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_90a108f6-71e3-4eea-a1dc-8c93ce19e19d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c4e183e8-7c37-4c7d-9d4a-041b16424581/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1ab09594-b990-42ae-be04-c31931b9530a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_acb68b81-0f33-4741-8c0f-dbbe4078f1b9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_43bcc337-9207-4941-ba16-a1bd9c7d9aca/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3aad05ec-fc11-4db9-a760-110761056512/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6fa3c4a3-3c52-4fec-b0d6-dc5034b366b9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c16a51fc-0be2-4011-b7d1-a13218bce3a6/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_928abf40-7aea-4912-8060-8def48ad0016/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f35552a6-279d-4d37-916b-d0274adbe40f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_072dd151-35c6-4f13-91e6-0c41019c6ccc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d2f94ece-73df-43ad-ab19-c957423e54fc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_625c6fa6-26c0-4cb1-84b0-a7ee4a2cbc23/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fe5c8a0b-e795-4823-9a24-521782372c10/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1c379bb0-6df0-4062-a15f-b25c29263741/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9686a022-304c-496c-a18d-c384faa8679e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_015461ac-7f8e-47a8-9e1d-719e61f00b80/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a5d10d40-5bae-4bc8-b015-4195bc22e501/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_284e5d69-0d8e-4ab6-886c-61bafd23f8d1/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ac8e0caa-2cfc-4b37-8319-06690da9c7bc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fbcc564e-11fb-4098-be1e-40b77025fd4a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_477b82b3-2faf-47ad-ac6a-694ae9b3689e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_32b7f6c8-a7cf-47b4-a131-4a4647513dbd/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a64d6373-2b2b-4b7f-a402-010d6429db1e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dbe217c3-7f07-4456-ad38-6812c655cfda/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b0bc243e-9556-4ba0-9361-dc792fc2dd65/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_80e89a1d-6ccf-4551-a6c5-62dc995911d9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_37b70470-aa70-4025-b5d3-1d61f690fa9b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|00a7ad2b-c7e2-46e7-af82-3cfd96bd51e9/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3e2e5ec8-e58b-4816-8b12-e689a4afce6f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4b79d6e3-8d34-4d49-900e-08fe3b5f163b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1f4ef13d-5cba-43ae-a368-e0ab887c8b62/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a5727e2d-f4df-4138-bfb7-e20a71f37a50/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d07ce7eb-c78d-44be-bd62-340e4f3dd8ac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3a2e5461-66d8-4a2a-b6ac-870fc4383063/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9f6dc7b2-e38e-4ae1-b193-4e22e2f01dae/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6d6d2c57-2769-4c37-b75e-a7fb165238b1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e7b54fe3-d9b3-4693-86b2-d98ad1653f8e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_099060b2-4772-4e71-84da-75e453ef98cb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4cc22396-157a-4d54-bf28-bf19f466175e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b126a10a-b8fe-4818-bf9f-1e463bedfe86/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ce5e65dd-b155-43a5-9d60-90a7f7ae43f4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_040928c2-1401-4731-a389-cde22495c515/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_56080cc0-bbf7-428c-bb71-2dfb8da3a380/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f61fa4ed-f28c-4c57-9ac2-339b5507c503/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_41f5d11d-bc41-4889-8499-52296cabd306/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_009bad6d-6d40-44d9-91dc-0e14b394030d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3e892ed7-99e5-4937-8424-ee95d4ecf5d0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5d82371d-e5e7-4cb4-ab9c-1f1a8af078ab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7d1caa2f-0f83-43f3-94ee-cf1c7e03e944/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4c150442-70b1-4d6d-a787-2ebc2b02a99c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eac7e3c0-7cea-40b9-b812-fb9cf74e61cd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_62eefb47-d782-4e62-b803-09a3554a2e4d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ee173676-0523-4975-827d-aea69d77b9aa/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_13866ffc-6c61-469a-aa79-903d5c3a0b26/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_457b2c15-2902-495d-815f-4c6c1b3f8dbb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bc23e61f-6d1b-4203-a191-2180e027d2ab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d30ba834-f1d3-4b92-8a47-2e9abd774d14/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3c498278-c4c5-489e-ac1e-e9395a129898/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_02a1809a-ded1-4e9d-aac6-aad343f5631a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d835bba0-ef40-4e78-aba0-7a65ed2e871e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e2bc7579-13ec-42d3-9823-a579fab5a2fc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_259df91e-8ea4-477f-bfe4-4735e38401da/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0efa2281-6cdd-4057-a9a3-fc08104aa3a4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2bf8f00f-d2e6-4dd9-ad6f-7d99c347f846/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8228293-50e0-430c-a880-897372fcfce8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4d3cc147-9dd5-4ba8-9104-95496e64d23a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8c30878f-4051-4380-8a71-710fb3c5d372/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df0cf7bd-ddfa-4c7d-9316-80379dbe835d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2f5bc17c-5424-4124-bc5c-280c422f4abd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0e335fdf-0b03-49da-9a56-c7e60d9d1ce7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_968105d7-710d-474b-b91d-f570c0ceb701/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_33b5d21d-9c49-4295-af73-8ca13260c67e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_31e4c9ff-8f70-421f-9599-8c1607cdc77b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3ad87ef1-d864-481a-a291-efd17efa381f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0741f343-4f6a-4e62-9d64-6cccb8fda91e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_07a07b59-9b63-4fe4-ae2f-5eba7eae36df/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_191c8ae5-3abb-4234-9f0a-cdcfefa7a5b0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ba4f147c-4145-4515-b6ee-d492cd2b5fcf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ca1e1d04-1948-48a7-8792-4da5042e4676/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_16e5cdba-658a-4a0c-9659-827e6e77943f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c294b6b6-8d7f-476e-bb8e-5d30cbac8b84/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_58b00098-5b73-4edb-8000-a03e98df8572/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4fb941b3-b923-4baf-b55f-3028250da4d5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1103de8c-a394-463c-baf2-5fecebba9a40/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ef778b98-a7be-4b2c-a0ed-7a69a607c9a2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_23a527e6-df3f-490d-929c-c5cfc09cdfe8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_36049a8f-2158-498b-b13b-6b58a21febca/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3707b344-ed7b-488d-9c68-59aabcae6664/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_773c9027-a602-4e7d-af04-5effaca91af9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b3bb6d09-0ae3-458b-a571-1e7d2664b6ec/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5798ec93-9363-4dce-9e41-6f161a0339d1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5a9c3127-ca57-460d-841f-fa9b0a8df882/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b2a28b43-e451-4519-a726-a66e5342e0a7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_243b92b4-a71c-4f51-afcf-0bfc84647035/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4ae63e93-b77e-4386-848e-a39da9e6083e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c97e35d1-2707-4b83-a07e-cb225458e2e9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_74944b75-003c-48ec-becc-5ad5e8115e33/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cfc140cb-fd1b-4735-a9a1-2a67729c5de9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e2b779bb-201e-4244-9123-68fa154f3869/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_abadc236-d410-4f5f-b107-59aa9278581d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_86cb2f63-99ee-4043-acaa-d338cdea9094/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ec5e354d-3a3e-4313-aec6-7de28746652c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0d10a40c-afa7-4d45-a775-6c92bdd566d0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f058c246-0853-4b3f-bbd1-425279ffb783/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c7d75aa7-e14a-4945-b581-27c034fcc01b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c6d170c9-6f85-4612-a5f9-fe569ea0c82b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4d0704e0-cf8e-43c2-b7c5-b1d1e112afcd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e101ce6b-b22e-4da7-860b-53d5d080d8ea/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fee69ea5-9bd9-4088-932e-09f76b7bc64a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_627d8959-735c-453a-b5d2-026038a871b0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da6b40c7-7628-44b8-b55f-6fe24a7042cb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9f57a01c-6e88-4a15-b9fd-e1e5573f81b7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ff44f360-2ef6-4a22-aee6-b457bced2b93/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9f159467-6b01-4724-898e-51d1082f7f27/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1bd613f1-5a48-402c-a8da-9e649c10feb3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7979ed00-d894-48a1-a930-40a649a35463/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_08891c73-fb6d-4342-ae77-a39641bba92c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8734808c-234d-40ba-a21a-828b906048f2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dbc86540-56a4-4c2f-8a9f-e6c13ec33b50/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5965be0b-21bd-446d-8e85-8d89ae6cbe19/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f6d3c48a-ec6f-480d-88eb-d45c7a24b157/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_27ff28db-3fa8-42e1-b3b4-93f80869dca1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c0f11076-4a82-4164-97e6-72abfb4dceb5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f13c7954-4f29-4d3f-98db-1a25da5f27be/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9947e0da-c57d-4dfc-ae49-ec4096079f29/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b9f0a0d0-0ecd-46cb-aa48-c8dde56596a9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d90d63e1-2cb7-431d-9592-0fe94334591a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4a7a1b4b-5259-4bc1-81f0-caeb4f3401a1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3bbdc703-274b-4ea0-b671-75729aa66146/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|bf4145bf-707c-4605-9efa-1a31e9318e33/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9384fb0c-c4be-4e79-9ba1-4f7420a789da/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2df55971-5bfe-4874-bd79-73c185d08759/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_10fae886-8834-42a9-9144-172e8ffd9f02/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9e8d344b-d9f9-42bb-ae92-647c4f53271e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d8bcdcf7-ddac-4b98-ac7e-5017f555beef/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_92df835e-ae7f-4fe0-ba4d-dd83a3fdc6f8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3c6abe91-421a-4a7a-949e-bdf2e36900bf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fe2e845e-1ddd-4f4d-8ef8-446157b2864b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0d336fbd-50e0-493a-b40a-d8c8f206cf38/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_37acdc12-4a4c-437d-9d81-0a9358a453c0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dc59f01b-4b2b-42ae-8fd6-69b9c60ca849/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_de8090c0-05fc-4597-9ae3-5e5201e9c1ac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3eb2cf9e-6fef-4b9c-8235-421631be316c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9ec02e7f-2e7d-43d9-925f-85f634fc7de9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cb99409a-0672-45f9-aa68-34986843cadf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5769941e-6b09-4192-bb4d-9e75113d6f1a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bf872b03-edb1-4df6-966b-607bb86afb09/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|56877592-f84c-4e47-b25b-f642591badba/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_677229a7-bd4b-40da-9894-ee84102dd3f3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_aea30305-89bd-4372-a53b-855930350748/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da11f60c-b4ea-4862-b00e-f25fd6f922b2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a32b834d-9bc8-4dba-824a-b77ad71dbfe8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_07e28774-baa0-4df1-af72-01182552f929/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a81c76cc-5832-4265-8b50-5ae50dd9b750/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6fc358f5-4968-4bb7-96fc-f9cfc99f9f14/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e5ab8c8d-399b-4f43-a7c5-91696476bd00/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2a1a72a0-0766-4a48-92ec-f0fc176e1ebc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_99ccadb9-dc1b-4623-831a-6239e0f8d6d8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_184c8807-8336-452d-b170-c5ee9af511a2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_70083a63-1e53-4a6f-9924-1daee370540d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_812a87ac-e5c0-40bd-94a8-26703f6cb6e5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fd136f38-af17-4f3d-99e6-0a74f4ed9ec0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f21d023-8902-453e-96dc-8d5650b61293/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a54d2790-c7ae-4c22-9f82-958f144821dd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f59bc8cb-6c0c-488d-85ac-27d744113fd4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f51371b4-1996-4e31-bdcd-cffae63c78ac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_aca57c51-a409-4d1c-a942-5f71140787ac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_210b4b5a-dfe9-4576-9a06-dafd58ee172f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_75879129-abf5-4334-b1d7-48a1b9ad152b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_20321576-095d-43f4-83c8-bded2ea79c30/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c328372e-4c77-4248-ad28-b1b6cba970f8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_78996d05-755a-4b3b-a1e9-b44eb5ea88f2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1ccabb71-84aa-42fc-8f17-9c9003b99766/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4f5e7de6-2ce8-47b9-85a8-33ba0703d928/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3872745f-82ac-42f2-abc6-8e252210f2d3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_db91e735-a4ab-44fa-b10c-fbd249525420/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e3b1dbfc-fb2f-4ff6-8423-01e698413aad/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_32a64070-c0fa-4180-8470-7d95d4607e64/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_55ab5984-b994-4e13-86c5-731530029dd0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f42c1260-a6f6-4de1-81f4-3199bfded21b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_285e8487-6e26-4a70-a474-a4b99b9c2626/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b4f8af36-e296-4f81-9b75-fe3b64589b53/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3a830c85-e490-457b-b48a-339b8bc31c66/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_75eb3e38-718d-494f-8fe2-ef780493e728/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ad2fa55b-c24e-40fe-acd4-86bf2d396099/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_715f53c1-ca7e-485a-96a7-4571b76faca3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1b75814a-b3ea-4888-b1b9-83cb0e001da1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_23d8beba-a284-40f4-ba50-af5d515fe841/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_41bc07b1-dd85-4de7-95b3-87cd882839b8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f3f1e47b-c660-4f33-a6a0-6057905c0642/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6a65ee00-38cc-4696-8624-3e05dee03bce/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f05eede2-ce76-43cd-99a5-bdc3dd30620b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_329d1c81-f0b8-44c7-ae63-7cbbc7a04010/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a55c9423-cb30-4b2a-a8ca-10b634c7e094/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_302452e8-ae7f-4843-bbdd-39f825ab321c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8597f22d-1317-43a5-931b-e5dcb1c3c509/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a709394c-a022-4cf7-8cc7-27fb663b871f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f744a99-50dd-4915-821f-ba11f0b4772c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4afbe7a9-0935-40db-b021-d881a6ea1a00/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_70620f7f-8029-4bd0-ae23-f4a60bcb319e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_42c065de-0b73-49b8-8623-990b8c604518/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f51663f7-952b-4d0c-aada-188a5489755a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_19812d00-1475-4133-9080-075b3fea2190/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_735bda97-e1c1-40e0-9a73-de295f0f9a1b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2bf780f2-c2ea-41a0-9984-18f9cc077144/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_29063d19-d2e7-4551-94ee-2af9c574c688/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eeb2c552-3485-4d4c-b51d-2cec0f9e2fa8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f1720c00-e8e1-406a-a751-ab8f75293f35/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ad6efa65-4b84-42ac-8320-dd48d50002c4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f0136386-9f8d-4153-a243-13770aba5a2e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b9962a73-37d3-40dd-8b5c-60a6feefd354/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_20a680a8-d817-463a-a331-4ed6b844d19d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c54565f8-9dac-4766-8d93-ff6314ad64c4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7cd6e8f5-0418-43f1-b6cd-5dc12964a143/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_307a79a0-45ed-45ec-bafb-f44c5d715fd3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0d1317f5-1a8c-414d-b138-fa7cd0adc37e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_55034444-0b2b-4135-a7b0-fdf401fef290/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f79532f-a0ec-4493-94cb-d204708fee5b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_43a234ed-c3dc-4acd-9e2b-8297d2f78d41/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_28c22b69-ac89-45e3-a996-24ed938b2292/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_39be2d57-705c-4351-b46d-85a1d40083a7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_232441f7-d094-4768-aa7f-3f37c68e2c63/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_af37b5cf-8c0f-42fd-9cff-6558242e868d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bcba2bbf-4803-4341-8e1d-227ae4746f73/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_64f391dd-841f-46fb-b583-304cae4cd38d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2e25bef9-3f41-4341-8377-0d073162ef75/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c928a355-4b79-4647-9bb8-398b0bba3143/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_17ddc8c4-ccb7-423b-9c7d-cd0673b55b42/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c5767ae2-7541-41a9-94b6-ef3c907d375b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_29288814-fcfd-4235-81fb-d09efbbc8333/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_922890db-b903-41d7-b137-bfbc8ca78ea5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1b37cc24-7444-4880-a05d-b4548c4cda98/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5d989f88-8ae1-466c-83e9-6b6ce3e6863a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_abe4b18c-37de-4f2f-abdd-cc09d03a064c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8e029d60-32a1-4a73-8e10-fd87eb4fd43f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_40404eb1-a947-4a1e-a970-64be70e2fe8a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8afb0eb0-d8c3-4518-afb9-3fa33decffbc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_211b16ed-9c16-4956-8600-71d4f80d01e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_245cc15c-34b2-4504-867d-6acae403de9c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_596c93b9-2862-4d5d-bddf-3fb41c8a7a78/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7360c786-9675-4fc6-8eb9-0c9262bd4c83/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_28a6792a-00a7-46f9-b8cd-275653a856a0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c3053b52-10d0-45d9-8ae3-ab0c73e9ab56/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_99889266-1da6-41fa-9edb-fb79e70d39e3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1b0e6b75-4617-41c7-a6bf-b69852dc2f9c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_33e2cdac-16ed-4bfc-a99c-0e61de277963/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_05d47637-e69c-469e-838e-1460bf66756c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3a756e6a-94ad-4f23-bbd8-b7d46036ec19/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3d010a9a-1c5a-4fb8-96ba-61926efd10a3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b8cb58f3-a25c-4e0f-80a0-f4bacf951137/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_81719572-a18c-4d84-a321-f171e19c152d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0e3f8d15-989f-4606-88f0-1321cbc4061b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0d7a2a82-5ab0-4743-a210-4feb21b634c8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_34ae275e-b0c3-46d6-948c-b126a9266889/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ba01cb04-7d05-4f54-9eec-9c850064d7d8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_818265ab-61d4-4a19-88e8-d77b24e37d2f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eca127da-75f4-4615-9264-a6985f8bd5b0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2065051c-8345-4fcd-b22a-2d2714149832/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8ae719ca-4717-47d2-aee3-511226a60c74/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c0bd8a73-6f40-4d01-abea-a57718e53961/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b4c373d3-67a3-42b3-b6d5-185d472e3197/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_db76b258-ac9b-48af-89c5-72a73cb08e86/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cade6e7e-2d76-4d95-a7b0-570c4a1fa7ab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ab208ff7-aec6-4d7e-8981-f0675eca0a6b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_55706745-be66-40f4-98af-de4ad903c4ee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1a2f1100-b3eb-40a5-a979-fe85b7897865/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_99202f56-02cf-4301-901c-2208e6d8037c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fe91169a-c984-49ac-a10e-320586a16f74/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3f8c2d04-d401-4169-95c0-6ebbf7007e95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_27edf33d-3e3c-4112-83df-be1d34590049/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d6045f26-33f9-4f61-be1f-bbe59ef5eec4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eafa0aae-0e25-46b7-aa73-0d56f4498218/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_786c66b4-6f7c-44e2-b2dd-e078be90357d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e7f9a0a0-e9d9-40a1-81ec-977cb6cd6ab7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8cfd716a-2711-4b91-92dc-d07bc29d7f09/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_48c0a6f1-d3c9-4b92-bfb8-6a948b8599ee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_12989edf-5b28-41dc-99e9-49f349f23173/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2106d09e-d223-4bce-a9a3-085522201622/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5ab5dadd-25d8-4e2d-be6a-255dc3cadcf1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_59f1029d-b156-4066-85c4-46032e243ee2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a33e9cb3-cd00-4e0d-b930-bea188ef0ad6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2850bebf-66fa-4c94-8cdf-24c4c1fa66ad/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_db3ba9ed-4875-4eda-a73e-e18271161cf4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7c7ca074-2f8d-4670-94bb-b3893bc9edcb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_440a7bd7-fd0a-42fa-a98e-a86a57338699/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_18f4d8af-ef6a-4dcd-a0b1-29ce8442b901/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7fe49239-5d15-470c-b462-1a747f20f640/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eb06f795-ee8a-4910-889f-4148d8a50c92/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4599fe4d-fad5-42f4-b8df-935315813b07/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_58a073c6-e63c-4ac1-a897-7ad0c3185eed/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d6a74ace-d71d-41fa-9102-ab21cf161bf7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2cd2b56b-dc4b-45dd-8209-217ce3307935/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0e8b1d94-8f7d-4ec7-973b-5a2ccaa8c086/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b7eb10b9-a80a-4ef1-89c0-c7fe12ead6c9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f66b0e7d-d968-4b77-8b82-0e2907d97780/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_673451d9-67f2-4141-9dbb-153e98110855/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_52a793ab-35cc-4ebb-9164-e657e0e49f23/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_321caeeb-4acc-4b6b-a3f5-2415f1d28e98/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ffb6ff78-4220-4df1-b697-26743f89ff4d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_42aa6e02-6c3d-48ba-bef1-bb113070ffba/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9c537f15-3f5b-4db7-bd80-e8d6a9e03a14/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_41dd8557-8d0a-480a-9b6d-0706b30c372f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_24d440c4-3bd7-41a3-8814-0471d23e1782/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b2366cd4-308a-49e4-93ca-f8ddeecc550c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c47ec32d-5806-4e9e-a000-10df31da323b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f9d0d832-2775-4122-8e66-de3d9d35ac2f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4d0e5d47-3b2a-4074-b292-5bd7a147c84f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5da24ec8-bc95-454f-bd35-5a5a7d9a3fc8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_addcaa82-ddf2-4f50-9921-442935a62c36/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4a38873c-72ab-4d8d-b794-bb3e54db111b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_48e1f43b-acc6-47c6-9052-04f687312803/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_82099ff5-e309-4bf2-8013-28048f3c38c1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7423a355-613f-4fb7-912d-adbc8f776fbc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_86881bab-5199-40a8-b77c-f2ff8b51c403/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2336e11c-a175-4854-ae58-68bd2fe79cf9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2d2490fe-24d5-4ba4-a8c1-ba82f5960b23/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6222e195-16b8-4144-b6f4-385b526f17c7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4a85f394-5fd8-4480-bca1-b414df5f87a2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_46362f44-e972-4c4a-95db-ba88f8c9cd3a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_19647d49-3ab9-4d3d-a4ec-c92fa4898efa/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e9cdfaa1-8455-47e8-8d88-1f0e3b4f68f6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_93ae60fb-c5de-42c6-8332-49820ee5a6ff/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3dc62b1d-c158-4257-a562-49b416d9c811/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_accfbf4e-c8f1-488a-aa97-bda63c4d5e4d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c8d36151-0650-413c-b9f8-0a11fa01fe9d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_359e170a-906f-4523-9317-ecfca0c83a77/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8a90e765-089c-4b9d-8d65-58a91fca960d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c7e76ff7-8999-40e9-8aad-3a1373061238/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d1a0806e-83d9-4c2a-94cb-e3f3f8fc264b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5f49ad18-602f-45da-875a-739976df421b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d1ff864d-7c91-4c8d-93dc-b964aebb8e51/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_009ed36d-606f-402c-bdde-fb88b343dece/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1ca77f0b-f716-4633-bdea-5f7bbed9a3e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f6d97614-7bb5-4450-ae30-c0c75b4d1d41/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_993b8f7e-ad30-4e54-b1b4-d8136e104e38/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e3ea67bf-d116-45a3-8a54-1cd40b593557/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_586a7947-acd8-45c6-b034-124f0dc98177/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c88fb81b-0fcd-4a74-8b4b-97d933175993/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_aada6363-5ec1-45da-b2fc-c4c28384ab6f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_65e4ac2b-db4b-4214-bde6-8465fa8224f1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_493302a8-9af4-4113-8c5d-a9ce99258873/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_57f52f59-5d62-45b2-8e9d-79e76c7ec116/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e514bb75-6fc5-444c-bc38-f0818e51b386/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3ec4cc43-4345-4c1f-b335-05f67ce720c6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_84062981-ffaf-4bfa-bde4-acd3c27722a5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a55ec37d-121e-451f-8a62-f5334194c88b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b3945086-6884-4fc2-aa75-494718091d5f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0eb7ba83-478e-4583-87f9-09ad6e4e53cb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_247bf74d-e3d7-4933-8d2f-aac95d0a52d9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_64f8314d-0dcd-40b4-bafa-7b72aee123fd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ed32b4a2-b61c-4113-ae9f-69a0e98b8967/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_732d7ffc-2dab-4cff-a09a-71a0725fe66f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8d739b7-3b4b-44d7-a36b-549016fad636/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_33acd59a-e4f6-4cdc-af9d-58578bac39ec/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1ae687c8-a462-488b-b8ac-ae19d7fea781/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8a048cdf-286b-4378-bf17-320abb29a6e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a76db1a4-6061-4a12-b62f-88c49b3724b4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_76794d1c-9e58-473c-a636-27a98b315e9d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9fc41d57-a86c-4ba1-9f88-687b80c5fcb7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6aa93b04-b714-4d8e-87ea-541e0726ffa5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3757b443-6540-447c-a293-19a8115b6a3e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_418fce7e-438f-4801-aade-bb45a1168074/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f86cc671-d8f0-4f57-8a61-fc3128ca47b0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2a5f419b-e592-4628-9d45-7202669cbd85/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2a277a23-39ca-42e6-9ac1-2f9c8932679b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e64409c5-894a-4b18-bab9-5e71319fed6c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4df5f3cc-3abe-4dde-b633-c3c90b86ca7b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4f97e4d5-a6a1-43a2-96fe-94e43a646450/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_373c377e-1715-4ec7-89c9-523a6c336a9a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_99cc4243-da2f-48c2-9531-07a9af9862ee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cb46e902-ad81-4c31-88ae-5e7c7607ff46/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_819b8e60-d4db-49d2-9988-ca98178032b0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1325da84-5f82-48cc-9a74-beae8cd86cc9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2b39d2cc-bd8b-4160-b524-f697378e84f6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ded5cfd0-7d0c-45bd-b6fd-46b700d97a11/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_238447e9-3d9d-49c7-bef1-eaf205520f64/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d730d774-c3af-4d31-9ce1-57d4d1b77524/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_74920d0f-c472-48fb-bed8-71fbb54db5d0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_de16d306-8eeb-4fc9-9715-162e5cbf0ace/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6161f48b-ded5-47c3-8d57-c794861d1e7e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_54d32abc-abd1-4377-86e1-4500c065c1ab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4c6a5536-3bc6-449d-98be-0ba5564751db/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_32305076-9c4a-4468-bfe4-cf9d7c02f089/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5e49b01e-3a33-4b4f-b3a2-230d68728c51/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_666d04d6-fcbf-4035-b6ca-32e2dd88c629/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_925b1f98-b051-4397-9678-2c5e3ee1382d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d5f19628-e8f6-4d51-85d0-2a843cc9dc92/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9d1ed757-f151-4140-8832-ef95a41a71bd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d438cb21-d828-4800-aa6d-db4b252e8007/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_774c1885-887b-457b-912e-0e5ded18c9c2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d7265eac-1538-40c6-bd40-b3beb775c86b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c564ccb0-cbf5-426d-baa8-fed87e60b1af/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e9cd9cdc-f365-429a-a24a-f786047cc263/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f294b71f-61bf-4191-8521-28406dd47f11/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3cbb0a3d-b7b8-4cc0-b0d0-64acbb1eedd8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_772871cc-6b4a-4c47-a273-897286af6985/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_25a8498c-8a74-43a2-b6f0-120a9f8b5ada/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_db503770-5327-41a8-a796-f0f31acf8812/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4f0ac851-6329-4201-9a47-9504394539f2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_35dd2f54-be25-430a-b5a3-3ade124edc57/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a63ac3c1-1a2c-42e6-a3e0-6e90dbeef0d4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5f37d547-907f-469c-8d89-a534b4b73bfc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f4099510-e107-4218-a905-d0769fa28268/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0942e31c-41f5-4062-9667-f42d385f2ccc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b9f71df1-decf-4f1b-84ed-a37c23c36b2f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7a92672c-4464-4ffc-bbec-fbb8a846e4a5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9039d552-d2da-4c25-9819-0b8c2fc175e2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7b77cf3c-6e71-4998-9eb6-a03a97909990/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f7e3632-7db1-40c3-9af5-4cfa53a4d49a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a5b7c0d3-a104-43f0-95bb-99ec1ebcebde/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_502395d7-6eea-4dd5-b238-0067de91a120/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_62e56ad6-983a-4f87-9a59-1ed5ffa120c2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bb289dad-3e5d-4af7-a546-2d22ee39a11f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a72653dc-6bba-4cfe-892f-f0b0df39c5a6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dd59e2b6-bdd1-41bd-9cf1-cebefadcfcc7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a837a4b8-9832-4185-a0a4-e3d54367467f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5be301ea-2d50-409d-bcc9-33937d1afbc4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0b74b9be-7844-4132-a673-0e407593b8df/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_851a7864-7b18-44e7-9ee2-7481781aa059/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fde7e143-c18c-4240-b3f0-ec764055dae0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_37f95b4f-3896-43e8-8e47-c0dab2720999/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da986076-2c1e-4be8-b265-788ef0280055/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_deb5f4e0-9a9a-4cce-9366-f49529603672/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_de376b85-aced-44d6-9ba1-643c42aa24ea/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_faa7a407-266c-4342-9586-fbd6ec0abf98/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a1b728b4-e5d9-4c1b-a55e-8ae50f150676/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_259b73d3-aa8c-4229-bbbd-de6393259527/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a093a7ec-a10f-4bce-b49e-c55d78f8ebf0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8ec6b87a-230e-4718-a825-069ccf3ff536/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7822d757-16f0-48dc-b976-e075a2300721/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6fd27b03-4845-484d-b37c-aabe8b8e1c2b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_477bc10c-8b20-4c52-b451-e5eb482ee234/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_43f4de54-369c-434d-bda5-3a22b7e65053/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0df4c11e-50c1-4549-bdae-2122a7858742/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6bcc22b4-08f3-4df9-9958-5dedec3dac61/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c234ac7d-6028-45c7-836f-434edb54347e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9549cbe6-f7cd-4fe0-bdef-32cab41c433e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7a6f25a2-bc2a-47c3-b757-f543c432b171/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f77c1e61-db2a-4039-bc81-e2d45b052483/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ef340354-60c3-4ddf-acda-1a608b0a642d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_88a63e67-b6d2-406f-9844-a0f30fd8aaa1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_64993380-3c0c-4492-93d7-cbb979960803/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e6e180f8-3132-4086-b11d-181c41f7711a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8a3bd71-9619-4bb6-b11c-71bfce285d95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dacd49cb-b5cc-4a84-8f21-2ae36ca70b37/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_32e3bb51-0840-425b-becb-c51c29a68494/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3486544e-8452-46f9-a7d0-392afa4159d4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_60c30a50-1cc8-40ae-8a2f-32f9312d0584/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e4193ca9-0079-4a48-8894-432a172198af/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e43e0d11-bdcb-47dd-a3a6-ecbc6c7967ee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f90424ce-b50a-468c-b535-d58d8f1b35f2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_af4e4e41-77bf-40ae-8a4c-55e76a6e5bd4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4710b30d-69e8-4b87-93e6-378fca22bc95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_efab4829-873d-46a1-8866-284b8a70d449/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df89af4a-4aa4-4005-a8b1-5b08420e9902/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_123606cb-4a00-432a-9842-717c6f192026/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f4322ad-8db5-4da3-bf7f-19a34fe39774/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_50695527-2923-45d5-98f4-10822e10e26a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3aa4f451-9c95-47f0-b8b0-39d2283a37e6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f3b494c5-3475-4734-a874-a87d856f7909/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0e982552-28b9-4f45-bc13-7a6ba49387dd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a2af11a4-f3a8-4223-af79-8591ff9975ec/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f9cea09c-2cac-42c4-8ede-7ae4320961f6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0df886de-9760-47c2-9e74-0132d09747a0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1ec5d840-da82-4b95-9d77-2eb872186378/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_be0ead44-b141-4d97-ae82-d479e71c6b79/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_19f57b37-6093-4935-85f2-cb21728176b8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3ba7a285-aad9-41b1-a2b6-a6a9c7062dda/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b0b7e9e2-5b13-4b96-a40f-70fb4cb71ded/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1b94892a-aae0-4878-a7fd-0567aa9e72eb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8d9b66da-d26a-4889-b3ab-87fb40904b2a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_86b4645c-b0d2-465b-b87a-2c19ee0c3aa0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2f06cca2-ef63-420e-ac91-dde71d6f1f64/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_00897515-47f8-45ab-bf52-e27dfbf1ab51/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f4a853e7-e939-400a-924a-6a6a8ccb4911/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_692183cf-ba36-43f9-a832-95af9a87a224/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fcdc4570-bcdc-4516-b009-0db4d7ae8d56/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_948b344d-94c4-4f72-921d-559d86f95f2d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5ff54490-61bf-44c2-88f4-b1f2e429a12e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ba49adda-d3e7-4cc0-a18b-6780abee8f85/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_51aee933-a551-4cf2-adce-e3cbce3e9d87/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c063883a-457d-478c-8c1f-c66943420da4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e07c8c72-f029-4250-acc3-51c0e14156b0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c557d4e6-7c06-439b-944f-cd1ad7959e63/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8d06155d-e8fb-419a-9b50-b258ab096de2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_69a83f8e-3f63-410c-9441-bb49ef918deb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_efe8ac10-14ad-4f96-b3e2-babea4d44508/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a5510fdf-c3d8-4d8f-bcee-702be19b1faf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_77dbb40b-fec0-4256-8507-1db30bc55fd8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_541b0606-7624-4a64-82fc-ed85a486c415/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9a13e0be-94d3-4e53-92eb-a16c9eda3e4f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_83fd27e4-880e-486a-a1c7-1ad0de6987a0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ceacc648-a814-40f7-b5ac-ead6c09690b3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_96728513-18bb-4fe7-9300-544b725641e7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5fe86bb5-1f42-41ce-9c7d-068f8e370779/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b6e2ad09-8b7c-4fc3-b4da-7cc6da34bf86/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4c2700e8-27f5-4d26-8f24-5e9faf6e09f0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0d437a4c-f999-4f6d-acfe-c70dc2551871/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_12234849-086b-47dc-9218-76f167e26187/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a410e05c-fed5-44ba-8d42-c79e9b8dcb37/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1bdfff31-286e-4aae-963f-4f12484553a6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b76c233d-63c3-4a2f-88b6-eef798eff64e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_42f2f186-4860-417e-a0a0-fb25bf5d98ab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_14a406e6-bcdf-434f-8621-18bac9df24f4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ef99dc9a-041e-40c5-b9bb-2a0705856bc1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e0ab6844-8604-49f3-ad65-2412edfa3435/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_87af2fa7-b949-43dc-9ef9-909c8524bfab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2d3413d1-523e-4801-957d-7f8596e791d0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_22d8b3e8-9d04-4ed1-8254-0b2e6d0329a5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b4737573-a8a0-4e4f-9c92-97799d68c30b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_71b23bbb-faf1-4095-a8b3-e8c80188e8be/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6a1c1045-1c81-4f1a-926a-81a9c536c637/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8a51889d-9db7-479b-a533-7598d23e3051/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a5aa25d5-d0b4-4626-8c3b-797281c56026/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_40b2ec5e-fa91-442b-b1d6-abc049d34d14/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_92cc1ec6-a2c2-481a-925b-e5eefbeec571/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bcd027aa-7ba3-43e1-bba4-38ee1015a912/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f34c9f4-1856-44bd-a50d-9182f0cffdbd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_28bab220-13d5-421b-9c75-7349e910d0ba/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fd4f502a-ba4d-4003-b08a-90326ece2e43/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9c11c859-bd84-4d80-82a4-2e8f0d145c3d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8cc28dbe-3d06-4276-b5f1-37e4a7875744/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_acf117a7-7df2-4e6c-87b8-d07aca9bc758/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_61e38178-a598-4c0f-a06c-e10ec91defc7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bb44e6d0-a496-46da-8d44-de097444eedb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a0a8fd0f-7c3b-41d5-97f4-ab276b277da9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d19d23ed-6b48-4c5f-9a3a-9cd1e4b04f9f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_97b24caa-595d-41a6-b49c-b8c3090a60fb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2ca705b2-6d1a-44cc-8b45-08efa076e12b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_aea6ac03-65e4-451a-a8c0-c20c8bf2feb7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3517d490-804c-4827-a0c4-27b31890a046/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a53e51d1-0091-4ee2-bb20-340af9a4b512/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ef759aac-6cf0-40e3-81f6-7cf121e41a60/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dde7133d-9834-4f93-8862-b71bc779cd55/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ea035b31-b23b-4fad-9282-b26442a991a1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_495411f1-9d3c-424e-83c1-f4039f993733/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d1b1e3b8-88e6-48d9-9c01-e4814d5bea49/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_00d8d561-8530-483c-b6b3-0ac002b692ea/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4a5db494-fcb6-4c4b-8d52-c10c502642df/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_42300515-376b-44ad-8b87-385c390eeafe/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|3abe814b-e2a5-4c56-abc8-7a0c6a7bcee7/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e2868bdc-2aa6-48a6-95c8-b58ee2c1584f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_04bedbcd-5baa-4183-b18b-91982ccfa922/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e3c3abb6-4be4-4d4f-964e-ed259eb246ba/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d5054253-5d22-414d-92cd-9569d1821c61/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_028c6ff7-e013-4b18-a0b9-55f551ea0b4b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_40b014d2-4f12-4bcb-8e80-8c03b52d1681/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_63a42555-2eab-449f-af57-889a5ece1415/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_51ced747-59e9-4689-9333-3906b4f859f4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fe49d290-e46f-4be4-ac3d-ccf00fb9157b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3b5d1d29-c717-48ac-9f5f-5c099304929f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fd611bad-91c8-48ed-b587-1f8ef49daf2e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1a291930-e68a-4404-82cf-7c188e330c5f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f03b5e7e-433f-41f9-b336-86b11b25d1af/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_736eba2a-3e06-4798-ab18-cfd9d844a4a5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|7880910c-5f7e-4acf-b36c-e95ec6ee36f8/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a0eae9a8-1582-4b39-8803-0b8d99fa86b7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c9ce1e93-5daa-42ba-90e9-8595a68423e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_99daf427-6384-4ec0-af21-1e83969e402f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_30785340-097d-418b-b149-3fe500561af3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5f857ee4-735d-417e-874d-4dbbe373b989/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8997ce2e-5830-45d6-8dc7-a8c7ebe0d68c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3520cc92-3b28-4311-87f2-7fe8b8435643/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4aa7fa14-97fa-4717-a68e-f894f4a0bc64/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a958d6a2-c5b2-41ce-9d57-920eec63c173/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_34a84801-2955-4615-b083-15bfd0a52d59/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3bc4a2f6-61fb-4088-a758-76c0cae457e6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3988fad8-2ecf-4f66-8f09-9c3026a694f1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_109f4cd1-ceb4-4d9b-9262-6f3ee67ab111/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ff89b4ed-d713-4007-bfbf-631d916342e1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_016ada7b-c00a-4ef2-aa58-747fa32f5b9b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bbfe0173-8489-436f-be38-9515b8834f6f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bdd265cc-0941-4c16-b555-002756260425/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_42b41ba9-f7df-49b4-9aff-a7692b66bef4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a46c5871-5dfe-474c-bbdd-98241b1616bd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f7b31ad3-e792-4427-945c-6ed9f10a7006/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_312ab340-1bd6-49c6-93c7-620243b958c4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6b0823b6-ea66-4ddd-8644-8c3b8f53df95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_370f7abb-eee3-4ac7-8c92-f52ad12de9e8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5b5eaf4b-dfff-4928-8597-916cb5cef7e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b48a04b0-ae52-4dbc-a65a-9b6fa4326e95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0b59b0be-46e7-4ae4-afbc-8a402cf5ecec/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_748faadc-e4c3-4cea-bb40-edc39dcd38e7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_07e3e9ef-12ce-486b-b157-33c4d148adae/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fb1f4d19-fbb8-4661-87f0-e51af9b4c281/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_67ee6d3d-10bf-4ead-bc78-35a5836f56ca/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bbff8013-786d-4253-a3a1-20c7887b9187/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_25c6aac0-3426-4e65-8cb6-ab1476e358a1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9f0118fb-08da-4bf1-81de-b1c7de586696/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fa8be071-52ac-4530-a7b0-faae203f5263/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_70eb6b7c-0a5f-4e85-80b2-39c0d054a688/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_12d3abed-51bc-4b52-80ea-7826d03bf32d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ceb94ad7-61c1-4e4c-83df-ffa8feb22be6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_32ae3ec7-478a-4cc4-a07e-0e15f7f41bd3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_74a01730-1091-4fd0-a971-a418747f48e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8d892fb2-69d8-4da1-b29c-195bf668ca10/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_66d2a084-039e-4531-a07e-8464a3056095/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e64d3330-e949-461d-b9f7-606340716e6c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6aa94957-c490-42d2-870e-c75c980e5f51/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b1a26adb-f717-43de-8c6a-6b9e98fce2f0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7c0f2dc4-cb73-4dcd-a787-93a2d42ba5e3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_10a439a5-9e26-49ee-b6c7-71e6ab34edfc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8b0cadb-cec2-4673-aa27-5f5ad06530ed/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f06db97-7adb-4763-a6b2-6a7489ce62e9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cfc37d18-2500-4b3e-b6bd-e9b108c788a2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_30ff8574-ffbd-40b0-ab7d-88ae49f40c0b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a8520084-58ab-4476-a602-c86701799c90/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3e3f808d-87e7-4734-8975-8fa990231109/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4e1ae992-1dba-46b6-a72d-440531666770/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1147fd1b-52d2-44a8-a2de-fbf960c9ffa8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5fceb8d5-98e7-4183-861b-3dc603fd544f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b079fb9f-910d-4dce-b09c-358c7367a7a5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0b0f815f-a95b-4712-9edd-382bf24a005c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1eea6682-1d9a-4554-9530-2029fb2ed491/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_368a5692-19dc-428a-83b3-416b74c20022/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3e7e3920-d1d6-4b44-b98e-96daabb59557/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_40e8ad50-3502-429b-a879-3809cc39a18b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a27bb7c3-931b-4976-b030-473e48a48f9a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_98d28551-44e4-455b-81d4-8d0d5f30f506/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d410bd35-7eaf-4c6c-8265-cb1cc6200605/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1a015b27-723f-4920-a980-6bc2e8f59813/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e21f10b8-fc7e-44b7-9d49-6ab4f7f4100e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_21f44d14-7428-4677-9061-0cfe293444ff/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_db1e6f91-3659-4e47-a768-1f6daf72ce7c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a54c3e2d-6a73-4a0d-9ce8-525a0d26a0f4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d8b570c1-3949-4981-8195-4922febb0f1f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_70781258-f623-4dd1-a9da-173c3b54f8af/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_244ac74b-98a6-4b44-8dcb-7efac10da18b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1234df21-7ad3-4abe-80de-26d1276af689/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2cf99656-e92a-4d83-9971-dec0550571fd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b281db69-c537-4daf-921f-ed25929cf327/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5ba55f4e-b595-4d58-ac5f-39081af999c2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8bb27d5e-72a9-4fab-93a3-019703071151/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d20f1b81-8290-4a3b-9a83-4f562a02bc5a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e914c303-f47e-477b-a262-300955fc7ff1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da951b29-4e38-437b-a919-dab684a97448/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cb8f0474-25f5-44f6-95ce-c3b05d7c147b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_75139483-ba88-4d62-b0ec-af3329c3dc88/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f987499c-cc47-41e8-b192-ee6b07a76394/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dde1ee01-6c55-40dd-9717-967a1293440c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f095184-2401-41e8-a32a-4df7a2a6aad9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_46faa966-a075-4f92-88ae-7633358410af/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8e72c227-ff6e-427f-b3de-b350ae3eada6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a0a16f32-2bd3-406a-9eae-8685b19fca07/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_46ae126e-7bd2-4ab9-8f77-c128852ff7c9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_449a50b1-a9fe-4752-ae36-5f933103ae95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0e0e19f0-65e9-4f8b-946e-996dc7690eea/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9f802012-befa-4441-ab75-d8138015c09c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_de28d183-057b-41a6-9044-4ee6aa1323df/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_70e07505-87f7-4a5e-ac09-5d83e0685faf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4bf78bc1-8a4d-4a42-8cf2-50a7d50be618/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5b2bf974-e524-4b43-a99e-1766df0f9b8d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_11e4711a-4aa0-4048-b1d0-02af3f6b5d7f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_38597d98-a824-4c92-a65d-a4abb7ccd4cb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_84047c63-11df-4636-90ca-9127b333877f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_437e9e1b-16d9-41f7-b1c4-daf1a81edd8a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_972c45a4-489e-4381-bd41-d29ce953895d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a7fb366e-52ba-40d7-8e1a-6283c5336b6b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6171a66c-d3af-4ef3-a8d8-a52a2e23be8f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c00ff769-4324-4529-9545-0ff068eaf9b9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1f46a68c-17cf-4fde-a551-48fafed8c59d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_92d32b47-dd03-4c97-bab5-4ec4de33bc41/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1e793348-328c-4b92-bed1-0c31bc3ff9d8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_50320bc1-6adc-4749-878c-fc2ef8915cc2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_66eddd26-c9ea-44e5-8edb-778b2cec327b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f86e695c-e8f9-4a30-bd80-a1ad7cbdffd2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_60fa6943-5f32-4bc6-a7f5-7eb2505af865/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1733a3cd-90ea-4ae0-86ae-75efca7be51e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9b0e997b-fa5f-439f-b163-909fa6285a57/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9c670720-a09f-4ae4-bcde-ab7cbfe8aa9f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_742f9e48-3147-4b29-aa68-323c509d01fe/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fb10735c-5b4f-4b4f-8428-c298958b6bc6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_384659e1-ee0d-4699-a446-6b51d50c6f8e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_afe762d1-33c4-4984-9d3c-ed0f5994702d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f04ce2cc-d02f-4bc0-ac1c-ddfedb957bfb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2512e787-63bf-4b5d-ab3e-394754cc95ca/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_481f6d86-764d-4b1d-b020-2b6c2f1932b8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_287ea439-6530-4238-85d4-abc88aa4a922/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_132bec75-c55f-4427-9c1c-c9e0149739de/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f9202835-82b8-44fd-8cf0-a9a960f7e017/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_91d1b842-f57e-4dcd-bd94-077b538e47e8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8a75a571-843c-4cd8-9dc7-ed9c54a73df6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_502c4409-0124-49bd-8b51-537ae9727121/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3e718a0b-5ed4-4813-bfa5-e9c7622c56f3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1f0f8137-4a6a-47d8-8527-d50de5aba92f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c102d4d4-aa88-475b-87c3-48887bdac119/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4121cc58-0473-4ab6-99b1-5b451ebbc7d6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c52d8e8a-e55b-42d6-b5e7-edaa386a6520/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1c9cf542-42f5-4143-a1a2-39e4c7f9ba94/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4993997e-40da-4b0d-adc2-a0fd3152f081/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_039d51c0-115a-4dbf-b8ef-c6186810c980/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c566b7db-2e06-40f0-913f-505f08b99f19/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_658a8625-50e3-4b98-b1d6-e187a708bcfa/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_91c78638-8799-4b11-9b16-52e4db1658ef/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f312abc-114e-4853-938c-d202220c6b3c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0c4c50c7-a425-495f-b3a0-862efaaccbe5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c3d1a770-5ac8-466b-a48f-e4a9936b2fbf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f208e436-b6b0-40f9-adcb-61b02bb3257a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6bb4ea6f-0125-4443-abd6-f66e74080d91/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_776b173d-a603-47c3-bdcb-457449b1bf17/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5eb0c4ee-0c21-4d48-a000-de72fb36138d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0832fffb-03a8-414c-bdec-4b00036051b1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|541472a6-05ae-403e-becd-a47af7aaae7f/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3de2c515-a068-4d77-a5c8-0121ac8f6e01/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c22d609d-6e3d-4626-913b-207dc6909891/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2afd7232-d5fd-4eb8-b8bc-6aa47b087b6d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eddad4aa-13e8-45d3-b9c5-61d9b852cf95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_722a1738-f80a-4864-a2c5-5357dd800838/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0baa240f-2711-4d74-b334-ce4579fac869/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8c7e6ace-0a67-4278-9367-c53fd5a3d4b8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_958a6415-f54f-4c6f-bed0-41aae681c372/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5f7d68c9-24b9-4ffe-842f-652880c7faf9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_37d13176-479e-428f-9cc1-d9e41719c3d1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2b1a7210-3a8a-4a6e-81b0-b6e98b671d07/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d56cb692-dd8b-4186-8eac-1fc6d2b2d48b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1655d617-cf44-4acf-99aa-1a80110e6794/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|96e88688-6df2-4ca2-b002-d6e4bf5a4aae/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_221fda24-65c0-4760-9887-f7715c3201dd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ebc2361e-d498-4c16-863f-7c9aa5b59999/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_be4e3702-72be-41d7-adea-d42ca2726b04/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d38c7344-4f19-4b76-9bdf-e77eeee4e12b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_86d846a4-de90-4f0d-9e72-a17201f7ed6f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6885c3e3-93b2-45ff-b0de-aed54ab9010a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5215a7dc-646f-4527-bf56-c8fbe57407e1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8ee2dcb6-e62d-4344-8bd8-8835ae5c4316/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_363b32e6-280b-4c8a-89ad-f12f9e899b62/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_50e20975-b72d-4ca9-bc1c-ba9dceb00b12/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_06b018ca-d6b0-490a-ae08-f8dcfe16aa03/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|d0ae978d-b0e5-4e25-b14f-eea2ba24ebcf/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2459c013-35c0-471b-871c-459032c35016/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dcb0cc25-38c3-48b2-bf9d-0f337364e8c8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d4591a5b-fd53-46bc-8f67-dfb6c8649bcc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9527d447-a63a-49ba-8551-95515a3468cd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9fb58f35-eb49-4df8-a081-ffa6cf2be47f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1e3bde7c-edc9-4ac6-ac7f-be4b633591c8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3d1846cf-2bad-462e-acdd-56fed2950e5e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0c804b04-f56d-40ab-a9f1-5a09211b2aac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d8880749-4399-488d-a78c-3f46ff1ed2e3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0ce53e5f-2b9a-4d32-8d4c-599ad5e55057/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_85708b36-cca4-4b1e-a469-f203b8166d4f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_82d46701-2c9d-49e5-af29-92524e42c1bc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_475b644a-a7a0-4147-8f31-8c6d8afda7c9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_90cf6af1-1ca9-4d4a-beb0-9589089bc1ee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b0337650-7816-4025-9008-025b2d65768c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4ff77096-3a39-4a36-a6cf-237ae81c8b3c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_99c22f23-8ba5-4e85-b88e-aa556a418f11/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_daddb8a4-414a-4ab6-b808-adfd43f9a4e8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_39310c68-72c0-4694-9dab-17a4282f948b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d6adf28a-89ef-41d1-bec4-cf4128a2d0c5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a2d5e49a-bbd4-46f7-8929-3cf0c04850a3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b5d38be5-31ea-44b8-aa56-4636d4264f47/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_aabaf6d8-cfaa-4b5e-a0a9-7d8059c18524/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6093c5e6-9fb5-48a0-bd05-104fbe96dd7b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8695964f-9578-4b32-a519-f06399756db2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f4b1b98b-d62d-4184-8c09-6e12f49ce71d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e75e8f67-23b4-4b49-9c27-14c182e26699/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ce7c2c18-063a-4c8f-b53a-802253b8a1b1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dd5ed13c-4832-4682-86c0-765ea5ff1a29/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ece109be-5816-4d52-a7d2-bd324a4b88eb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b06622fc-5482-4305-93b7-c0a6d212b6fb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_36ecc6f5-9c48-41ff-bc1f-cf2119860f29/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ca33d5b2-8bc1-4d9e-b74c-766bb4c2d903/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ccffc7f7-d28a-4cf4-930f-5588311f7f8e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4e6b35bf-8346-4981-9788-45a05d13876c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dee878dd-30d8-4749-923c-c4befc041210/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a75fd120-c692-495f-bb20-8a34647414ca/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_136dde89-2898-461f-8eab-ef2ebd2f2ab7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dfd2b8ae-6b29-42e8-8e0e-3dcae5bfb721/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3c1a9e1b-45de-4165-9c3d-b10e01b191fa/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_26ff2896-ee4e-49cb-ab65-c4b6d84c2b61/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_649ab194-5933-48d1-b114-3511b0686544/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_69ecce69-66e9-41f2-aef0-4d4b73270072/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_012d0331-c9c5-441c-9ac6-054c0107ee9b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8b69384-c1e2-402a-b427-bdc2a908d219/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4f01aac4-15de-4d03-b28b-9a48d12e2084/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e577b03c-5deb-4fd1-b8b1-d1018ebe6d7f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_93bed84c-9864-4b95-8927-011d46428443/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_56999fb9-accd-40cd-825e-9cc0f6247200/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6b42974e-fae8-450b-96b8-25d720846de3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f021d44c-1e98-4460-81e1-7b32c033f2e6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a17225c0-a398-4caa-8053-e015a518f71c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8a568c2-10be-40fe-99e7-873f6bf4401a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_32358b4d-dd30-4846-a58b-4aa8d31094d8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a4ac01e0-d8ff-4fc2-8735-ba0dd1ec58c8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c6bd1197-e14f-401d-b6ea-ab47a1274f8e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a323228c-4b9f-4f50-863c-0fa5ff60b55b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b35cabae-50ce-4265-8f8b-781e1079e82d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_16fd456a-6575-42f0-bd19-abf3ebfe8b12/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_022659c6-3de4-49a2-baed-2db5310bc559/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0ed34c11-7381-4bc4-86ad-ad52e36ac1bd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1c885131-4f8b-4aae-b41e-80611d32feea/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ecc20cd6-6218-4f1c-b324-228fc771dd32/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_01568907-fccc-4689-a9ee-b09853c053fb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4b98ec75-625c-4ea5-9cf2-955a9ad037f2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ed44cd8d-644b-4ea2-b051-7595008eedf8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b9d4c15b-dd3d-42c3-9bc2-55b5a314d35e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a3429504-9ad7-4895-952f-a9c8512be16f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_92e54045-6b59-435e-8e0b-4a01690f9588/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_80f1858c-366d-4655-953f-5f4e8a4e81bf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d4a792e2-5b9d-4b83-9ec7-f47e442a76a5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b5fa26df-5b0f-4bd0-a932-b5c023904ca8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2e4c0c85-2e72-4454-8615-1d0c889e2876/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f45bc018-801f-4e2c-a0ab-ca313dd8566c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a1c8f214-8d39-4871-873a-d201080ebf56/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cd2a0695-8686-4d82-b72a-f2e2d37f6b06/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9a86dab6-512b-4ffa-8fdf-9466997d9b9e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5db14f98-af81-441e-b87f-013c34fb0db4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e6283b9a-811e-48ce-88f4-411e65bdf0cc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ebaddf1f-8846-4d68-9dd3-56cf043be3f6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_561d5f18-11e9-46e9-b54e-7f106fa1d1c6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1c56e951-0198-4d8c-af06-567df2f890d3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4ed52aa8-05fa-476b-94a9-760bbfef83e9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_675d861c-6113-4b6d-ad55-fe86bca1de1d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1bc9e210-23fc-478f-bae7-d8a574dbf1f4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_286a9ad3-6e32-45c5-8d48-28a1f7d4495a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4135b8d3-045c-4ce5-92e2-69c2d4b612a7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2dd0d685-74f7-47b2-82ef-d073ab2175bf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b9d220a8-d4c2-4eab-9573-200e9caa0e1c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e34ddfa7-c8d5-4b85-a393-9a42ef56195f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5c97886f-6ee3-4958-a05f-260eaea41b94/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3a12bace-c02e-4ac6-b8f5-ff318a41b0d2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_046b43c3-48d1-466f-b407-464a8d07179b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_69f4a8c0-a280-4ac2-b426-f3d8bf634cc1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_90b805f0-1419-479c-b2f4-1be182197bcf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_43182144-d5d7-43da-8f82-72848b08c18e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9c128cf7-8ac0-4758-ba6c-65266cca6d2d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8b3405f8-4f0b-4666-97cf-d9584d4bbff2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6af5acb3-f20d-4989-b02d-b39ade26ef78/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0df34a22-573f-4561-a648-cedc9800214b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3457a9ef-30e7-4ab9-9ba5-3406231f814b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_34bef5b9-4e16-4fc6-8789-4f5fa646f25d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e3922e45-6870-4dbb-9211-9070f0966796/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d5554b93-bea2-4568-a2a5-ad3f130ac288/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8fdb9c52-7d5c-4a1e-9aa8-2eba38997927/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c6cd7726-5d01-45ff-859b-83c1874ed0ac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_18d72a04-eb6f-45fc-aa7b-e4a3c0bf722f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4e30988e-95f8-41de-92a8-3fd046edccfb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_39b65029-7780-42e4-881b-37bdee0aa69a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_41e220a9-feb1-4b33-b611-213bfc27b52d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d52e5c2d-bfaa-44bb-b0b5-49cf743cd57e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_905a7f46-7277-4f65-a787-b766f24fcea2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ed8104fc-b710-4da2-aa0b-14f6723d9fa2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cd5204a4-b143-48da-a810-b6ced518b211/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7b674ff3-8aa1-4d9b-bb4c-f153dbb8c4e2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1cff9a31-5f59-4df3-a3e1-79f54fc9cd9c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_32898901-bb59-439e-8abb-59730824091d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c11957de-ba17-45a1-9775-eeec1f318041/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_88be8909-6bc3-4461-b9ed-3656f489e453/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_acb5b8d0-04c6-47b8-8fef-7fdb04e6af4c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b5cf679c-9dda-415d-a882-a5a45fe485e4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_129a9144-a58c-4248-86dd-c2d2bee6c24a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_331896c5-8d39-447b-896c-4865ba99c5ac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ef0fb8ce-ac19-4c82-b26d-de2c8ef1fa3c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_20c9b92d-6fee-44d4-919f-226104bf712a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_909a40fb-83e8-4682-8aa3-dbc192c55a2e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_527c5535-2602-4dbf-a81f-60453f421738/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fd2080c9-e580-4a39-8d2e-cb2631288c12/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3db9474e-2745-4bed-bfc9-930ed6c1bf2d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1fc3c01e-dd57-4e4c-bd74-a7c8cd4c433d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5d34095f-6db0-4605-9b07-386eee8d43d6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_12012eab-8de4-4197-ad5d-b8471b4431b3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c42a8f07-1ef1-4735-8683-2da64bad0d06/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_70e9ec42-3001-43f6-9f34-5553f706b8b3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ddb4e4df-7b89-40d2-8eda-e1b5d8b62a2b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3746cb08-fce4-4d81-8c31-60299d9db246/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_566b96de-6921-4f2c-8f9a-97a44cf00766/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e9b8cf2f-96aa-42ae-8669-a955fc56e43f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_97fab0b9-ff06-4a66-a561-de83a1d38ae7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b461629f-b91e-4db5-830d-4e4cfde45f93/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c332f4a4-81f4-45b6-a83f-fddc696e9a4a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ec364c6f-074d-430e-afd1-8bce08bdaba1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ca3bf8d4-40d5-475f-b0fe-975ad769353a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9d4e13c7-0765-491f-8cf5-501afe7a4ac8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_81defbd6-28a7-4a9c-ad52-f4b536287ab7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ea6d8a1a-c31c-4fa6-aea6-af947a97ae02/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_26fa6481-a07b-4d2f-9c4d-3041333d997c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a67d608e-1c8a-44a4-b4cb-c8d401e7566d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2e35d07a-ad1c-42b7-aae5-8abcbabe1733/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_baab8d71-0c47-475c-98a9-f92e01155349/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_06f03092-729d-4300-a3d4-3fe4048da84c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_54daf598-acda-411e-8410-1f54115c757e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e30b13d9-9e00-437e-826b-98e626288158/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0109757f-e279-4a46-9094-aba84f2df60c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b6d0eadb-5856-42c5-8125-26516b943d05/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5430da49-ce78-4a74-9536-3cf97367e796/\"\u003eClick to view digital document\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1015808b-d572-4518-8321-2b239ac47a1c/\"\u003eClick to view digital video\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|72c2e038-21be-43e6-aaa9-3b263826f6fe/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2d6d8cc1-b2b5-430b-9512-83f80d1f1d2e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b3e1dd5e-0007-4c29-8a27-6b4f57b0beef/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a599c2a5-f379-4347-8e2d-a3cc1a662bf9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eb9439d3-6cef-41e7-95f4-e0a57a1d6323/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cde8aecd-5413-4571-a11b-cc3a46d48edc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f29414a-932b-497c-bcb9-f89d029f04c8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_490006d0-7543-4a2b-afaa-682d448472cc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8c002688-1fe2-4591-bb13-83e7aae8c01c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_574f7c62-2ec2-4160-92cb-7f271ac3366d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df41ba1c-345c-415c-98b7-d3cdefd7f262/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bcf36502-6a6c-4f4d-ac08-90368ab7547b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f31eeb78-b574-44c9-8798-5a6b32b84546/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1a7eceab-0be4-4da5-aca9-1d5291ab0bc0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cab8cc1c-957f-4931-ad56-b9003b3f0a1e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fb18add8-4f14-4426-a4a1-5ddf18f6119c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7599834e-9b99-45b8-85dc-4f6bb0ec5154/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9f6833eb-1e89-46bd-bff7-efb3d0b59f1a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a39d4040-c84e-4184-b43b-5ab1420f0c82/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_09b833ce-a313-4273-9359-579c2fb83fee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1e01beb8-1a9d-4952-a9fb-36d192f0d397/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5ab3aad2-c5ba-46af-9a0b-d4d947b444ca/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6476ed41-789e-4c8f-9f69-43685eeba2e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_52387b76-9892-415e-b11f-4da45b711dbb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d73894ca-1ad0-4ed0-b4a2-eba516337ebe/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_69f08249-1ae3-4b06-878c-5ba47d9ad1cb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a590e406-76f8-4944-8911-0235c0cff752/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_39f5fc60-22df-42ed-9087-a48f51ad421c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_03f7e4b3-f3b5-4690-a72f-7c71a921d765/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d276f155-5284-4100-9794-96f6fd90e580/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9372f78b-10b6-43da-bd54-f1656a72a1c0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_62f6349f-1af2-4b64-bf2e-dbe1b4a05334/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_63639cee-d33c-4acc-a524-aa7ec144e02a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ce9ad566-88f2-4419-a7a5-2eb1f4975a5d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fd1cd448-4fea-4377-8a39-339a3081fb2b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9611abcc-e7d2-4308-b8d2-ccbd65767875/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a520e608-9b55-4d13-9189-b3eccc746c23/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bef60139-7c80-4ab4-a85a-cdb6e98e97c1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5ac8fe41-7b18-4711-b27f-693bc4506232/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_aea7e1ba-6980-4332-bf3b-246226b853fa/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0d0d6f56-c2f1-4145-ab53-dd1f7e82cf63/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_04eb9acc-2206-4a64-a92e-0bd99f95d561/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_db13063b-a3a5-4bb3-8cfb-5d8b1f42727e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bfd4ae96-9000-47d6-af17-7fda2c3d684b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_afad2950-bbcc-4ec5-a844-f4b1c69c7747/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_599a9730-f3e7-476d-b2e8-e51b8f3b722b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_43afb453-9e72-4281-81dc-da10ae47657f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9d5bf67e-e503-49c9-bcde-80b8c9e1940f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cf4dee49-4891-4bc2-8e7f-bab352116aa1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f6a7bcc-4a56-4557-9b4f-701cf6512870/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_558cf2d5-3374-4615-833f-986c8c90ab89/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bfd0c6c1-ed55-47ab-b894-2e18986e316e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b0803c2d-276b-428e-b31f-c35e45c0bcd4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9bb34443-423b-449d-a1b2-bcce8c390817/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2842c0e3-7c8e-4aa3-bfde-4016bc86b3d6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a565a40b-21e8-41c9-bcf5-d0ad6b9c9f4e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e79e882c-51f8-4ad6-9e34-dc6e81c51980/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9ef8471c-7fc1-4ca3-bd80-85f9faed063f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2a590329-2970-48d6-b89e-b7b06ccb5323/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_49cd6646-0f1b-426e-81a2-28e880e18b5c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bc2e2330-fc18-46f5-9efa-d64ed2a9e515/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5a1ef76b-aa5c-4895-9d64-5f55c8de0598/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c1c5d66a-3ee5-413d-9a63-1eae14c26280/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_586da159-1f4c-4879-8b52-440e0600dfdc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2dc86b5b-1a9b-453e-b7a9-2116fbb8c062/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f7715e4d-20ac-494a-b3f7-d93494d7bdc2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_58be875c-b507-4124-b37c-f36fe790a4bc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da454903-c00d-4b6c-846d-86a5a3899e93/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_243c42bf-a1a0-4bdd-977e-50715f27d5b6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_43da3070-ed14-42ca-813b-b397a6e07f1d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ed5b7f8f-ce69-41ab-8360-2f60faccdfa4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b92f6697-8607-4ffc-b6c6-7fc83fb644b3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ad16d07c-f310-4052-9530-c485ff7b6491/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f1aa2351-db3c-4288-acc0-8fb6d7897881/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_554ef9fc-a61b-4725-95c9-f733e6be8007/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5891eb3b-ad46-4f03-b4ce-fe377596dd41/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f0c289d-9210-4c2e-8940-9b2fa048a4d0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9662f1cb-e8cd-4384-9c55-8adab74e0474/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ef013be7-3fc9-4d61-86d9-1de7f4a43743/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_02d532e0-923e-49c7-9a63-dd66d912624d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_35bfa51c-d473-40e4-a025-8f2b076d473c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ad81a00b-fabd-41e5-9d9b-f556706115da/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0773d6ae-16d2-4436-9b2c-38485deca57f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7a5a349b-a04f-4fc8-a54a-8487a3e9af4b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e625998e-6d26-4e8e-a1f6-5a0fc0a0a1cb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9cee5146-e25b-4e08-a831-95f286d87a19/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dbce6cfc-8706-43ef-8fa6-96dccea947d5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c36223e3-5389-44c2-93e0-d351992337f4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_205fbe63-dbee-4f2e-9ab8-07b77ba7b19f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8faa8fab-a958-43a2-83db-793036dd55da/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d9e17fb7-278c-4cc7-ba78-c29281ab09a3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fc6b2939-3ca0-4ad8-96b9-daf58ff92f82/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e33f9080-99c7-43e1-a8cd-83222958d21b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8e9b2cae-2e06-4de0-8ec8-206efcaecb46/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_45a50c07-defd-4f69-afcb-c6786f228fa3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dff81a36-dba5-4423-8604-9c77457007c1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|833e033d-6818-4f14-8313-ae5661042f9c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b4cffd52-56d8-4b92-a812-f42aa3e8deb3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_09d56932-6c6d-45b4-88de-319afa02fe07/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_54b3ac91-319b-4fd0-b18c-08f9d05142e2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_20dbbf2b-d25b-4663-8009-bf5b56225e48/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8bcd6533-d669-4ce9-9267-926d61e582d5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bd4538ea-9af6-448e-94da-13aabdec580f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_986d1f52-5b79-451b-b7f1-a155fa64d93b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_97698ded-1513-4549-856d-7209ef361f70/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b90d86ac-6ed8-4ca2-8d8f-815d11cc705e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_12e7d62b-58a4-4b35-bcbd-d108f1a22b6b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_93bae71c-d32b-4e63-9984-e29042126105/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4bc409a8-e9c8-4253-b225-842392f67a23/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_904f05f0-3ee5-4812-93ca-21f914a5f9c1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|ce3fec1c-5921-444a-aff0-f3e6c43454f4/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8e11dc98-3cda-422e-a10e-4aaa6cd27557/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|29ccc1d4-afb6-4be5-a7b9-00f612dd8d52/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2257275b-76b2-41a7-80cb-9baf782591d8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4efcf267-d767-4383-8e55-fcbe23752d4f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c732e855-8ea1-4b11-a403-1c202765c3be/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3471ee7f-d813-425e-9b75-21950c2a4739/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_823661c1-5af5-4548-9a7d-386b92999de3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a6b07f70-aab7-47a4-8186-1c260af07a5e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a0262079-6557-4ea9-acec-7cb18b3e2d38/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2c701df5-8ac9-4ca9-ba2b-92ad2428921e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4017c963-a17c-4d63-9eb0-d9604b4cf01a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f5f3caab-2d94-49f2-ad7e-7e77680d141a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fd5e027f-928b-4604-be97-061e72d42ded/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_373c514e-8951-4037-b8db-15727f27e161/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_58ed5a79-090e-4f04-a878-21c3d96c73fc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4d0a8acb-22e8-4136-918e-6d4fbcf3a9ac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_12e4bef2-f1cc-4892-aaab-bd6664ebe8d9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dfbf1392-32ba-40a5-ae1d-0f3e7c0da1fd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_86034e3d-94bc-4d0c-bc9b-13c6feb26a02/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bed546b6-7c5e-4b44-ab5d-0f65c51f4c19/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6782417c-2470-4e38-9408-73487bce1e9a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_398a8a34-0f5e-4f79-95d0-0302a17d6308/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_84b8ba0e-b2cc-4b24-a3db-c768433a0c4e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d4a39974-66b8-4fd0-9d5b-08c2c8b3e93e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6b7cc9ed-f284-4ceb-bf6d-3a0a8b79bf72/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b4667831-b84e-417a-a226-c5dcd3470cca/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4c3dd031-5030-4fd7-a84c-1f54aa2886af/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1cfd515f-58c3-4950-9b89-15578011ab92/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3ccadc53-c3b9-460d-9f33-c9248fd6f087/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c5343308-7c6f-41f9-8009-a1410f1998cd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_30be7a09-38f4-4154-a078-3a44e2575582/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a396c5c7-924f-4215-a28f-f0923eb8da33/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f86e20d-305b-4f98-b0ab-31af251a7f29/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e2115380-fa43-49c4-a75f-dbf39fefc9d0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_618e616d-aaee-4aef-a7ae-d2fa0c32d26e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0863e59b-7306-487f-a9c2-4be5527866f7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_97443f59-12f6-4a10-a40d-b32d051a04d7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_af72830f-84ff-4e74-884c-1358e68d72f6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d2db8ba7-d5df-47dd-a7c1-ffd7f18d6a38/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8b772566-1e34-485c-b191-abdde953fbb3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b624c184-bbee-4aa9-8ddf-0edac0919aab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1687af85-badb-4748-ba6b-731475bced3a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e5259c52-cdbc-47df-bcb7-4190ebd4afa0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4fafc88b-8314-4fdd-bbd8-66fcf8ba5df6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e79fd787-a57e-4cb6-9403-239437bbf138/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_62390ad0-19f1-4dd4-a7f6-0cd6345be8cc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3401002d-a2a8-4ac1-b44e-7107968991d3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f7360f89-1e41-4620-a107-83b0f89f36e8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d94d16fd-8d76-440c-8d82-c203cbccda39/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ed928ba0-e2c0-4729-b665-470f57478e95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_17ed09fd-8bcf-4736-9e70-1dd44fe8aefa/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_02a4da0c-1f5a-4f69-8733-118c28be7635/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ce07aa5d-7640-4e04-8f0d-ea27ede3ca47/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c97a26be-fb21-4b10-b822-a53ad40df612/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6eb366d2-5ce5-48aa-9b4f-b76f877174f3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|446987de-7556-434d-b010-cad1837a20fb/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ae076f93-6dee-4273-ad6c-8015727c054d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f0008f75-b777-4baf-8e41-662877b8a78e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_31456a18-59ce-4ae6-8dd0-5d515bb0039f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f4b00dd4-0388-4102-9a20-44ef8b0d7e4c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_535b603b-b677-4df2-aa19-ecb27e17e0e8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_24a065ce-1e7f-4110-988d-f8e4b6170ad7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_34be584e-53f1-43dd-aabd-58ce0ccf41d4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bf309901-53f4-47b0-9f43-dbc6d3109145/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f30a3a48-a412-4bf5-819d-ff91723ee1a4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|2a9ac469-1167-4acd-8665-afb9183e17e6/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bda5e082-5d2a-4031-8a3b-538d4613b7bf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_79584638-bedb-47ec-8813-7a312847dfdf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a4eadaa0-e169-49d7-9bdf-ae2bec13394e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4ad3a2d0-5bd9-4719-928f-0a14109e6451/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d8a9446d-dcfb-4019-815f-c7c20c34adec/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_adc87190-58da-4aca-89dd-51c73bbaba43/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dc5c6b54-f8da-4bd1-b328-72acbafa81a8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5f7b85d8-1f56-43ad-bd40-5691c9c05ba6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eada55d6-cb3d-4a38-9d2a-ab5096b91e60/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_757e4d32-ab66-4154-b928-408d89990711/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e6bfa384-e669-429e-af9e-e06d8008809f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d280b11f-b4df-4f1c-a596-47f9b8255756/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6480e230-ba30-4b01-8fe1-eec366f17fee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e0ac1da4-f42b-4ec5-8f0b-bbea2f3d26a6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cac910ff-f539-4b44-aa79-909b190981ba/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f1c6a768-87ec-4225-ad58-f69325e6c374/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_78c5911b-4d21-4a5f-aaf0-0ff6229d5d37/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_236ddd55-b37e-42fc-a0a6-fd49f751f1f2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b438d3ad-1a8d-49c3-9aed-fcf5f99f2543/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_73f9378c-37d5-4ccf-a563-445e4dc80331/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5c7524b0-b0bd-4ad2-8c23-c3d57190f654/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_76c2405a-6699-4bc2-8e50-5b07f612daa1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1d896bd5-bec4-470e-9b27-6a193278d35e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7db029a2-7dad-4cb5-8ccf-3d68f4a9f64d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f22f023a-898b-49e0-a087-f91897f4ebc2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9ffeb9fa-8b4f-445c-b1d7-c8d6423b8cb9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_22c251ec-46a3-4b03-88db-6399b1b9a564/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f0e8ff92-129a-4fc8-a42b-889c746c1434/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c37f9c9f-9671-4f63-b4ad-c87544cfebee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2dbe5d7a-622f-4405-9340-5457779f8f78/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6b60d662-83c3-437d-8d28-cab2cb23dd63/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fb0fcbcb-12dd-4bb1-aa29-7dfc29ef4031/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_167aac3a-4752-4103-a4d7-d468dd2c9048/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f5a16562-903c-45c8-927f-e90d2543a495/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d1eb9edf-f8b9-4095-99aa-d97e5adad8f3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7bbcc874-9980-4a35-85dc-88290db26e9c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8e5433b2-eb8a-4edf-900b-a6a3c225f586/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b7b0d1c8-bc22-4f0f-bdfd-d9bb5862cf44/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f9bf38d3-8943-4db0-96b8-b4be69590abc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0c96c4a5-cf2e-4475-9ae4-dc4a323362d2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dee07f1b-5bed-4c92-9be0-4dd9a9edce28/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c16f894e-87fc-47ce-acee-bd5c49d9fb63/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e5849ecd-3fe2-4ce0-a85d-aa0f50a9b147/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_298f6040-3ebf-4893-92b9-0b8d117e3731/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_00f70c5c-c6f0-441a-b991-68b48359cf1e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8d6ca7cd-bcea-4873-85ba-53bdcb0247a4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0edaa6c3-2bd2-4ad9-acdc-09d4a2bcb25e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d17fcfc8-1a66-44dc-8e42-3ae770e02674/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ff79b270-8e4d-4475-a135-27fae3f3c020/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2b46bed9-a49e-44a5-bfeb-1b499e3fcbc8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_37277f8e-03e4-4a2d-9247-cc6ae7f473f0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_82502183-30e3-4af6-a0c1-ab83d414ec78/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dac69c5c-c72f-4b66-9aaf-37df422b4b96/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_387809da-dab8-414d-9d0c-9e47793e375e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a727b556-8b58-48ac-8538-1d43db3fa7a1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_64fa213b-42d8-480c-8eb4-310ba8ce19de/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_511f48f8-0588-4e80-96b8-273b362cfecd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e234d685-a834-4f4a-871c-9bd599f74588/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_442cf69d-95b4-427b-8060-95f55b80bdfc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e11a7331-3704-4c3b-a3a0-e91aac9dd006/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c4f1725d-9366-4be4-97ad-3dbf4ed179e8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f9f08320-2311-4729-bc33-d563869d2f98/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3133c32c-6d81-4fc3-b5e8-508ab0c3b0bf/\"\u003eClick to view digital 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image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital materials in this collection","Click to view digital image","Click to view digital materials in this collection","Click to view digital image"],"prefercite_html_tesm":["\u003cp\u003e[Item description], Alexandria Black Family Reunion Digital Collection, Alexandria Library, Local History / Special Collections, Alexandria, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Item description], Alexandria Black Family Reunion Digital Collection, Alexandria Library, Local History / Special Collections, Alexandria, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibraryva.libraryhost.com/repositories/2/resources/175\"\u003eElrich W. Murphy Photograph Collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibraryva.libraryhost.com/repositories/2/resources/175\"\u003eElrich W. Murphy Photograph Collection (MS415)\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials"],"relatedmaterial_tesim":["Elrich W. Murphy Photograph Collection","Elrich W. Murphy Photograph Collection (MS415)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains digital donations collected from members of the Alexandria African American community during the 2023 Alexandria Black Family Reunion event. This is a completely digital collection consisting of digital surrogates of the materials; the original items have been retained by their owners. Included are photographs, documents, and ephemera.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003ePlease note\u003c/b\u003e that processed donations will be added to this collection on an ongoing basis. Check this collection guide for regular updates. \u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the family of William D. \"Bill\" Euille, former Mayor of the City of Alexandria (2003-2016). Euille served as Honorary Co-Chair of the first Alexandria Black Family Reunion in 2023.\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of Robert Drinkard and Tammi Drinkard. Both are dressed in formal wear and are standing in front of a colorful backdrop. Photograph appears to have been captured at a formal event or gala. Photograph is undated.\u003c/p\u003e","\u003cp\u003eColor photograph of seven people posed in the midst of a ribbon cutting ceremony. From left to right: (unidentified), Ludwig Gaines, Bill Euille, Dal Repper, Rob Krupika, Jim Moran, Paul Smedburg. Photograph is undated.\u003c/p\u003e","\u003cp\u003eColor photograph taken during the annual Alexandria Scottish Christmas Walk Parade depicting several people on a snowy street in Alexandria, Virginia. Featured in the foreground of the photo, from left to right: Bill Euille and Rob Krupika. Over the image is text that reads, \"The Three Musketeers.\" Photograph is undated.\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of Bill Euille, dressed in a suit and standing in front of a curtained window with his hands folded in front of him. Photograph is undated.\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of Bill Euille. This appears to be a candid photo taken of Euille, dressed in a casual outfit, standing in front of a blank, white wall. Photograph is undated.\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs of the African American community in Alexandria, Virginia that were collected by Char McCargo Bah. Bah is a celebrated genealogist, author, and native Alexandrian who has been researching and writing about the Alexandria African American community since 1981. Bah served as Honorary Co-Chair of the first Alexandria Black Family Reunion in 2023\u003c/p\u003e","\u003cp\u003eBlack and white photograph, early class portrait from the Parker-Gray School in Alexandria, Virginia. Children are posed standing in three rows with a fourth row seated in front with a man posed standing to the right side, their teacher Rozier D. Lyles. The group is posed in front of what appears to be the entrance to the school; a brick wall and wooden door are visible in the background of the image. Photograph is undated, c.1920s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Principal Henry T. White and the first faculty at the Parker-Gray School in Alexandria, Virginia when it opened in 1920. White was the first principal of the Parker-Gray School and served from 1920 through 1928. Eleven men and women are posed in two rows; the back row is standing behind the seated front row. Front row, from left to right: Reverend A.W. Adkins; Henry T. White, teacher and first principal; Laura M. Dorsey; Rozier D. Lyles; and James E. Howard. Back row, from left to right: Mamie E. Anderson; Margaret T. Young; Florence Murray; Harriet E. Thornton; Susie P. Madden; and Sarah D. Gray. Photograph is undated, c.1920\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Eight men and women are posed in two rows, standing on the steps in front of the main entrance to the school. Elam is the first man on the left in the back row. Photograph is undated, c.1930s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Sixteen men and women are posed in three or four uneven rows, standing on the steps in front of the main entrance to the school. Elam is last man on the right. The man in the center of the front row is Rozier D. Lyles, a teacher at the school. Photograph is undated, c.1930s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the Parker-Gray School's first building at 901 Wythe Street in Alexandria, Virginia. Photograph is undated, c.1920\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of the Parker-Gray School fifth grade class taught by Mamie E. Anderson in 1920. Three rows of children are posed on the steps in front of the entrance to the Parker-Gray School. Anderson is on the end of the front row, on the right side of the image. Photograph is undated, c.1920\u003c/p\u003e","\u003cp\u003eBlack and white photograph, two images together in one photo print with one image on top of the other. The top image is the same as that of the Parker-Gray School fifth grade class portrait photograph photo print (ABFR-23-002-006). The bottom image is the same as that of the Photograph of Parker-Gray School first building photo print (ABFR-23-002-005). Both images are undated, c.1920\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Principal Henry T. White with students of the Parker-Gray School. White was the first principal of the Parker-Gray School and served from 1920 through 1928. Twenty-eight children are posed standing in two rows on the steps in front of the entrance to the school. White is posed standing in front of the students. Photograph is undated, c.1920s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Sixteen men and women are posed in three rows, standing on the steps in front of the main entrance to the school. Elam is the first man on the left in the back row. Photograph is undated, c.1930s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of Parker-Gray School students with their teacher Ms. Day. Forty-two students are posed in four rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is undated, c.1930s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of Parker-Gray School students. Thirty-five students are posed in four rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is undated, c.1930s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the Parker-Gray School's first building at 901 Wythe Street in Alexandria, Virginia. Photograph is undated, c.1930s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of Parker-Gray School students in 1931. Thirty students of varying ages are posed standing in three rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is dated 1931\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the 1936 graduates of Parker-Gray School. They are posed standing in two rows with some of the school faculty. Photograph is dated 1936\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of Parker-Gray School students in 1939. Fifteen students are posed standing in two or three rows on the front steps of the school. Photograph is dated 1939\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of Parker-Gray School students in 1939. Eighteen students are posed standing in three rows on the front steps of the school. Photograph is dated 1939\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of Parker-Gray School students in 1939. Approximately thirty-five students of varying ages are posed standing in four rows on the front steps of the school. Photograph is dated 1939\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Parker-Gray School students in 1939. Eleven teenaged students are posed standing casually, with arms around each other's shoulders, etc., on the front steps of the school. Photograph is dated 1939\u003c/p\u003e","\u003cp\u003eBlack and white photograph of four Parker-Gray School cheerleaders in 1941. Four young women in cheerleading uniforms are posed together in a field, all in a row with their bodies turned towards the right of the image and faces toward the camera. They are kneeling in the grass with one arm in the air and bent at the elbow. In front of them on the grass are two megaphones and pom-poms. Photograph is dated 1941\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of Parker-Gray School students in 1941. Approximately forty children are posed standing in four rows on the front steps of the school. Photograph is dated 1941\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1942 graduating class of Parker-Gray School. Approximately thirty teenaged students dressed in graduation caps and gowns are posed standing in three rows on the pulpit of the Alfred Street Baptist Church in Alexandria, Virginia. A handwritten signature in the bottom, right corner of the image reads \"Murphy.\" Photograph is dated 1942\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1943 graduating class of Parker-Gray School. Twenty-four teenaged students dressed in graduation caps and gowns are posed in two rows on the stage of what appears to be a school auditorium. A handwritten note across the photo print reads, \"Parker Gray High School Class of 1943.\" Photograph is dated 1943\u003c/p\u003e","\u003cp\u003eBlack and white photograph of group of students and others posed in a row on the Parker-Gray football field at the 1945 homecoming game. Two students are dressed in football uniforms and standing next to young women holding bouquets, presumably the homecoming court. Photograph dated 1945\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the 1945 Parker-Gray homecoming queen being crowned by Oliver Ellis, captain of the football team. A young man wearing a football uniform, identified as \"Captain of Douglas,\" and a young woman, identified as \"Miss Douglas,\" look on as Captain of the Parker-Gray football team Oliver Ellis crowns the new Miss Parker-Gray. The two young women and two young men in the photograph are identified this way by handwritten notes on the bottom edge of the photo print. Photograph is dated 1945\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1945 graduating class of Parker-Gray School. Thirty-five teenaged students dressed in graduation caps and gowns are posed in three rows on the stage of what appears to be a school auditorium. Photograph is dated 1945\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the P Club student organization at Parker-Gray High School. Twenty students are posed in two rows in what appears to be a classroom or the school library. Several of the students are wearing letterman sweaters with a big \"P\" patch on the front. Photograph is dated 1947\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of faculty and staff of Parker-Gray. The fifteen men and women are posed in two rows in what appears to be a school cafeteria or auditorium. Several of them are holding a rolled up document. Photograph is dated 1946\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1946 graduating class of Parker-Gray School. Thirty-seven teenaged students dressed in graduation caps and gowns are posed in three rows on the stage of what appears to be a school auditorium. Photograph is dated 1946\u003c/p\u003e","\u003cp\u003eBlack and white photograph of seven young women seated at desks in a Parker-Gray classroom while their teacher, Mrs. Chase, looks on. The students each have their own large, black typewriter on their desk and appear to be working on an assignment. A large, wall-mounted chalkboard is visible in the background of the image. Photograph is dated 1946\u003c/p\u003e","\u003cp\u003eBlack and white photograph of four young women from the Parker-Gray girls basketball team. They are posed together in the school gym with two students standing in the back row, while the other two kneel in front of them and pose with a basketball. All four are dressed in basketball team uniforms and one also wears a sweater over the uniform which reads, \"PARKER GRAY.\" Photograph is dated 1946\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Parker-Gray High School girls basketball team. Fourteen young women wearing the basketball team uniforms are posed in  two rows in front of a curtain backdrop, with a basketball placed on the ground in front of them. Also in the photograph is a woman wearing a skirt suit, presumably the team coach; as well as another young woman not dressed in the basketball uniform. Photograph is dated 1946\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the homemaking class at Parker-Gray High School. Four young women are standing at a workstation table, engaged in a cooking or baking project. Two students appear to be stirring something in saucepans, one student appears to be kneading or rolling dough, and another is sprinkling something onto a dish. Another student is seated at a desk working on a written assignment. And the teacher, Ruby Fields Smith, looks on from the front of the classroom.\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1950 graduating class of Parker-Gray School. Forty-one teenaged students dressed in graduation caps and gowns are posed in three rows in front of the stage of what appears to be a school auditorium. Photograph is dated 1950\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the Parker-Gray School's second building. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of eight men posed standing in a row in front of a curtain. This photograph was taken at the dedication event for the new Parker-Gray High School and the group includes Principal William H. Pitts, Sr. and Reverend Adkins. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950\u003c/p\u003e","\u003cp\u003eBlack and white photograph of five men posed standing in a row in front of a curtain; one man appears to be handing a small item to Parker-Gray Principal William H. Pitts, Sr. This photograph was taken at the dedication event for the new Parker-Gray High School. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950\u003c/p\u003e","\u003cp\u003eBlack and white photograph of five men posed standing in a row in front of a curtain, including Parker-Gray Principal William H. Pitts, Sr on the far left. This photograph was taken at the dedication event for the new Parker-Gray High School. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the crowning of a Parker-Gray High School student. A young woman, identified as [Annt] Lightfoot, wearing a white, lace dress and white gloves is standing next to a young man in a suit while he places a crown on her head. They are both standing in front of a dark-colored curtain, presumably on a stage. She is presumably being crowned as a pageant winner, homecoming queen, or prom queen. Photo is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of three Parker-Gray High School students on a platform or stage, seated in front of a decorative backdrop and arch with a dark-colored curtain visible in the background. From left to right: a young women wearing a polka dot dress and cat-eye glasses with a white, floral corsage pinned to her dress; a young woman, identified as [Annt] Lightfoot, wearing a white dress, white gloves, and crown and holding a bouquet; a young woman wearing a white dress with a white, floral corsage pinned to her dress. Lightfoot is seated on a platform that is raised slightly higher than the other two young women. They are presumably the winner and runners-up of a pageant, homecoming queen, or prom queen contest. Photo is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a Parker-Gray High School homecoming queen. A young woman is posed, seated in front of a light-colored backdrop. She is wearing a white dress, silver necklace, silver earrings, and silver tiara while holding a large bouquet. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of Parker-Gray High School students standing in a football field with the Parker-Gray marching band. Three young women are standing in a row together; the young woman in the middle is holding a bouquet and the other two are both wearing white, floral corsages pinned to their lapels. Behind the young women are several members of the Parker-Gray High School marching band who appear to be in the midst or in a moment right before a performance. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1951 graduating class of Parker-Gray School. Sixty-three teenaged students dressed in graduation caps and gowns are posed seated in five rows on the bleachers in the school gym. Also in the photo are Principal William H. Pitts Sr., seated in the back row, and an unidentified woman seated on the right side of the image. Photograph is dated 1951\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of Parker-Gray High School students and faculty posed standing in a row. The students are all dressed in graduation caps and gowns. From left to right: Principal William H. Pitts, Sr.; Herman T. Newman, salutatorian; Shirly A. Stokes; Naomie E. Lewis; Lloyd Harris; Kirk R. Carter; William H. Pitts, Jr., valedictorian; the Reverend F. D. Williams, and Theodore R. Sinclair, assistant superintendent of Alexandria schools. Photograph is dated 1951\u003c/p\u003e","\u003cp\u003eReverse of Parker-Gray graduation group photograph photo print (ABFR-23-002-038). A handwritten note identifies the people in the photo as well as noting that this picture was used in the newspaper. Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" \"Parker-Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314,\" and \"Columbus George, Jr., Photographer, 518 North Columbus Street, Overlook 3963, Alexandria, Virginia\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the valedictorian and son of the principal, William H. Pitts, Jr., giving a speech during Parker-Gray High School graduation. A young man dressed in a graduation cap and gown and glasses stands at a lectern on a stage. Several students and faculty in graduation gowns and stoles are seated in rows behind him on the stage. Photograph is dated 1951\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the valedictorian and son of the principal, William H. Pitts, Jr., giving a speech during Parker-Gray High School graduation. A young man dressed in a graduation cap and gown and glasses stands at a lectern on a stage. Seated behind him on the stage are several students and faculty in graduation gowns, including Principal William H. Pitts, Reverend F. D. Williams, and Assistant Superintendent Theodore R. Sinclair. The school band is seated in front of the stage. Photograph is dated 1951\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a moment during the Parker-Gray High School graduation ceremonies. Standing on the stage, Principal William H. Pitts, Sr. shakes the hand of his son and the valedictorian, William H. Pitts, Jr. Pitts, Jr. is wearing a graduation cap and gown and holding what appears to be his diploma. Pitts, senior is dressed in a white blazer and black bowtie. Photograph is dated 1951\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Principal William H. Pitts, Sr. making remarks during the Parker-Gray High School graduation. A man wearing a white blazer, black suit pants, black double pocket square, and black bowtie stands at a lectern and appears to be in the middle of speaking. Seated behind him on the stage are several students and faculty wearing graduation gowns and stoles. Photograph is dated 1951\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of Parker-Gray High School students who are likely all members of a school sports team or club. Approximately forty young men are  posed standing in two rows with a third row seated in front. Photograph is dated 1951\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1952 graduating class of Parker-Gray School. Thirty-six teenaged students dressed in graduation caps and gowns are posed standing in six rows on the bleachers in the school gym. Photograph is dated 1952\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1953 graduating class of Parker-Gray School. Twenty-six teenaged students dressed in graduation caps and gowns are posed in three rows in front of the stage of what appears to be a school auditorium. Photograph is dated 1953\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the members of the National Honor Society from the Parker-Gray High School graduating class of 1953. Three students, dressed in graduation caps and gowns, are posed standing together in front of the stage of what appears to be a school auditorium. From left to right: Hazel Jones, Fred Mathers, Jr., and Delores Hooks. Photograph is dated 1953\u003c/p\u003e","\u003cp\u003eReverse of Parker-Gray High School National Honor Society members group photograph (ABFR-23-002-052). Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" \"Parker Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314.\" A handwritten note reads, \"Members of the First National Honor Society at Parker-Gray H.S. 1953 Chapter 4950 Fred Mathers Jr. [rank] 1; Delores Hooks [rank] 2; Hazel Jones [rank] 3\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1954 graduating class of Parker-Gray School. Approximately fifty teenaged students dressed in graduation caps and gowns are posed in several rows standing on the steps in front of the entrance to the school. Photograph is dated 1954\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of young women of the Parker-Gray School graduating class of 1954. Approximately thirty young women are posed in three rows standing around a sign that reads, \"Congratulations Parker Gray Graduates!\" In the middle of the group, directly behind the sign, is an older man in a suit. Photograph is dated 1954\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of what appears to be the winner and runners-up of Parker-Gray homecoming queen. Four young women are posed standing in a row; two of them are wearing floral corsages pinned to their lapels and the other two young women are holding bouquets. Photograph is dated 1955\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of what appears to be the Parker-Gray homecoming court. Three young men and four young women are posed in a row, standing on a football field. One of the young men is identified as Roland Norton. Two of the young men are dressed in football uniforms (number 80 and number 35). Two of the young women are wearing floral corsages pinned to their lapels and the other two young women are holding bouquets. Photograph is dated 1955\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the spectators at the 1955 Parker-Gray High School homecoming football game. The bleachers of a football field are filled with Parker-Gray students, faculty, and other community members watching the homecoming football game. Several people stand on the sidelines in front of the bleachers. Photograph is dated 1955\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Parker-Gray High School class of 1957 taken in their junior year. Approximately sixty students are posed in five rows, standing on the steps in front of the entrance to the school. Photograph is dated 1955\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1956 graduating class of Parker-Gray School. Fifty-eight teenaged students dressed in graduation caps and gowns are posed in five rows on the bleachers in the school gym. Also in the photo is Principal William H. Pitts Sr. Photograph is dated 1956\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of May Queen Joyce A. Drayton. A young woman, Joyce A. Drayton, wearing a light-colored satin dress is posed standing in the grass in front of the exterior of the school building. The front entrance of the school is visible in the background of the image. Photograph is dated 1956\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1957 graduating class of Parker-Gray School. Forty-eight teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Photograph is dated 1957\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the 1957 Parker-Gray High School homecoming court, including Homecoming Queen Phyllis Tate. Three young women and three young men are posed standing in a row in front of what appears to be a \"throne\" for the homecoming queen. From left to right: a young woman dressed in a plaid skirt set, white gloves, white hat, small round handbag, and corsage pinned to her lapel; a young man in dark-colored pants and a light-colored jacket posed in the act of placing a crown atop the head of the young woman in the center of the group; a young woman (being crowned), Phyllis Tate, wearing a light-colored skirt set and holding a large bouquet; a young man wearing dark-colored pants and a wool jacket; a young woman wearing a dark-colored skirt set, white gloves, white hat, small handbag, and corsage pinned to her lapel. Photograph is dated 1957\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the 1957 Parker-Gray High School homecoming queen and runners-up. Three young women are posed standing in a row, with the young woman in the center on a raised platform. From left to right: a young woman dressed in a plaid skirt set, white gloves, white hat, small round handbag, and corsage pinned to her lapel; a young woman, Phyllis Tate, wearing a light-colored skirt set, white gloves, glittery crown, and holding a large bouquet; a young woman wearing a dark-colored skirt set, white gloves, white hat, small handbag, and corsage pinned to her lapel. Photograph is dated 1957\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Phyllis Tate, the 1957 Parker-Gray High School homecoming queen. A young woman, Phyllis Tate, is posed seated in a chair atop a platform with a backdrop of crepe paper streamers. The backdrop and platform appear to have been decorated by students to serve as a \"throne\" for the homecoming queen. Tate is dressed in a light-colored skirt set, white gloves, sparkling crown, and is holding a large bouquet. Photograph is dated 1957\u003c/p\u003e","\u003cp\u003eBlack and white photograph that appears to depict the crowning of the 1957 Miss Parker-Gray. A young woman, LaJeune Hundley, is posed standing in what appears to be the school gymnasium while a man appears to place a tiara atop her head. Hundley is wearing a dress, short fur coat, white gloves, and small handbag. Posed standing next to her in the photograph is another young woman, dressed in a light-colored coat over a dress, white gloves, and white fascinator hat. The man crowning Hundley, is turned away from the camera, but might be Principal William H. Pitts, Sr. He is dressed in a long black coat, dark-colored pants,  a fedora hat  and is holding a piece of paper and a microphone. Visible in the background of the image are several people standing on the gym bleachers. Photograph is dated 1957\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Miss Parker-Gray photo print (ABFR-23-002-066). Handwritten note reads, \"Miss Parker-Gray 1957-58 La Jeune Hundley, Attendants - Teyanna Williams, Jesurena Smith.\" Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" and \"Parker-Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Miss Parker-Gray La Jeune Hundley and her two attendants, Teyanna Williams and Jesurena Smith. Three elegantly dressed young women are posed standing in a row in front of what appears to be the bleachers in the school gymnasium. From left to right: a young woman wearing a light-colored coat over a dress, white gloves, white fascinator hat, and small handbag; a young woman, La Jeune Hundley, wearing a dress, short dark-colored fur coat, white gloves, tiara, and small handbag; a young woman wearing a long, light-colored fur coat over a dress and white gloves. Visible in the background of the image are several people standing on the gym bleachers. Photograph is dated 1957\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Miss Parker-Gray La Jeune Hundley and her two attendants, Teyanna Williams and Jesurena Smith. Three elegantly dressed young women are posed standing in a row in front of what appears to be the bleachers in the school gymnasium. Hundley is stood in the center of the trio and is turned around to shake the hand of a young woman standing behind her wearing a long, dark-colored coat with a corsage pinned to the lapel.\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1958 graduating class of Parker-Gray School. Twenty-three teenaged students dressed in graduation caps and gowns are posed in three rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. Photograph is dated 1958\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of seven young women posed in front of a small platform and backdrop that have been decorated with crepe paper and streamers. It appears to be the \"throne\" for the homecoming queen depicted in other photographs from this series. Photograph is dated 1958\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the 1959 Parker-Gray High School homecoming court. Four young women are posed standing in a row, the two in the center are one step up on a small podium. All four young women are holding bouquets. Photograph is dated 1959\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the 1959 Parker-Gray High School homecoming court. Three young women and three young men are posed in a row standing on a football field. Two of the young men are wearing football uniforms (number 54 and number 72); all three young women are holding bouquets. Photograph is dated 1959\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1960 graduating class of Parker-Gray School. Thirty-five teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. in the middle of the back row. Photograph is dated 1960\u003c/p\u003e","\u003cp\u003eBlack and white photographs, composite class portrait of the Parker-Gray High School class of 1961. Headshot studio portraits of students dressed in graduation caps and gowns are arranged in rows with each student's name listed underneath their photo. Also included are studio portrait photographs of Principal William H. Pitts, Sr. and school advisors Mary T. Adams and Jacqueline Green. Item is dated 1961\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1961 Ms. Parker-Gray, Doris Surratte, being crowned. A young woman, Doris Surratte, dressed in a white dress with sheer white shoulder wrap is posed standing next to a young man wearing a suit who is posed in the moment of placing a crown atop her head. Photograph is dated 1961\u003c/p\u003e","\u003cp\u003eBlack and white photographs, composite class portrait of the Parker-Gray High School class of 1962. Headshot studio portraits of students dressed in graduation caps and gowns are arranged in rows with each student's name listed underneath their photo. Also included are studio portrait photographs of Principal William H. Pitts, Sr.; Elizabeth Qualls, Sponsor; Robert H. Adkins, Sponsor; Richard Clayton, Sponsor. Item is dated 1962\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo from the Parker-Gray School Drivers Ed class. A car is parked in a small parking pad next to what appears to be the side or back of the school building. Affixed to the passenger side door of the car is a sign that reads, \"Driver Education Car, Courtesy Aero Chevrolet\" with the AAA logo above it. Four people are seated in the car, who appear to be three students and their instructor in the front passenger seat. Photograph is dated 1963\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo from the Parker-Gray School Drivers Ed class. Five people are seated in a parked car. Affixed to the passenger side door of the car is a sign that reads, \"Driver Education Car, Courtesy Aero Chevrolet\" with the AAA logo above it. Photograph is dated 1963\u003c/p\u003e","\u003cp\u003ePage from the program of the Parker-Gray High School Class of 1965 50th Reunion, held June 12th and 13th, 2015. An illustrated image of a scroll frames a list of the names of the members of the class of 1965, listed in two columns. Item is dated 2015\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1965 graduating class of Parker-Gray School. Forty-seven teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. Photograph is dated 1965\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Parker-Gray High School band dressed in their uniforms. They are posed seated in curved rows and appear to be in the school gymnasium. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Parker-Gray High School band dressed in their uniforms. They are posed seated in curved rows and appear to be in the school gymnasium. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Parker-Gray High School majorettes. Dressed in their uniforms and holding batons, seven young women are posed standing on the bleachers in the school gymnasium. They are standing in a row, each on a different step, ascending up the risers. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School Assistant Principal Edward L. Patterson. He is dressed in a dark-colored plaid suit, white shirt, dark-colored tie, and wire-rimmed glasses. Patterson is posed seated at his desk as if in the midst of working. Papers and books are strewn across his desk, while he flips through an open book with one hand and a pencil poised to write something in the other hand. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School Assistant Principal Edward L. Patterson. He is dressed in a dark-colored suit, white shirt, checkered tie, and wire-rimmed glasses. He is posed standing behind his desk while he does something with a large metal box atop the desk. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the cafeteria staff at Parker-Gray High School. Seven women, all dressed in white uniform dresses, are posed standing in a row in what appears to be the school cafeteria. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Ferris Holland, math and science teacher at Parker-Gray High School, and two unidentified students. Holland is standing behind the workstation at the front of his classroom, in the midst of demonstrating a chemistry experiment. To the left of Holland is a young man dressed in a checkered blazer; and to the left of Holland is a young woman wearing a white blouse. Visible behind them in the image is a blank chalkboard. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of several members of what appear to be faculty and staff of Parker-Gray High School. Ferris Holland, math and science teacher at Parker-Gray, is posed seated at a desk while pointing to something in a book. Seven other men and women are posed standing around him and looking at the book on his desk. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of Hollis Williams, a member of the Parker-Gray High School faculty. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and two unidentified students. Smith is posed standing behind a table where two young women are seated; all three have papers in their hands and appear to be in the midst of a conversation. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and an unidentified student. Smith is posed seated behind her desk with a young woman seated in a chair at the side of the desk. They are posed as if in the midst of a counseling session. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and an unidentified student. Smith is posed seated at a desk with a young man seated in a chair at the side of the desk. They are posed as if in the midst of a counseling session; both looking down at a set of papers on the desk. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed standing in front of a filing cabinet in the school administration offices with her hands resting on an open drawer. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed standing in front of a filing cabinet in the school administration offices with her hands resting on an open drawer. Photograph is very similar to ABFR-23-002-094 but Adams facial expression is slightly different. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed seated at her desk as if in the middle of a phone conversation. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School nurse. A woman dressed in a white nurse's uniform dress and cap is posed seated at a desk with a pen poised as if writing on a set of papers on the desk. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School nurse. A woman dressed in a white nurse's uniform dress and cap is posed seated at a desk with a pen poised as if writing on a set of papers on the desk. Photograph is very similar to ABFR-23-002-097 but her facial expression is slightly different and the photo was taken at a slightly different angle. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the physical and driving education faculty at Parker-Gray High School. Three men and a woman are posed standing in a row in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk with a pen poised above a set of papers on the desk. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of Parker-Gray High School Principal William H. Pitts, Sr. He is dressed in a dark-colored suit, white shirt, tie, and white pocket square and is posed seated in front of a blank backdrop. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. He is posed standing on the steps in front of the entrance to the school. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk with a pen poised above a set of papers on the desk, as if in the midst of doing paperwork. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk while reaching to the intercom on his desk, as if in the midst of making an announcement. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two are seated at their desks and one is standing at the counter writing on a sheet of paper. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two are seated at their desks and one is standing at the counter writing on a sheet of paper. Photograph is similar to ABFR-23-002-105. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School secretaries. Four women are posed in the front office of the school. They are all posed as if in the midst of working at different tasks: writing on a paper at the counter, looking through a filing cabinet, talking on the phone, typing on a typewriter. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two women are standing on either side of the counter and posed as if in the middle of a conversation. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two women are seated at their desks and one woman is standing behind the counter; all are posed as if in the midst of working. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School secretaries. Two women are posed together behind a desk in the school administration offices. From left to right, a woman, Louise Evans, is posed standing and pointing to a piece of paper held in her other hand; a woman is seated at the desk and looking at the paper that Evans' is holding. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School vocational and fine arts faculty. A woman is seated at a piano with six other men and women posed standing around the piano. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School faculty. Twenty-eight men and women are posed in three rows in front of a light-colored curtain serving as a backdrop. They appear to be on the stage in a school auditorium. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of some members of the Parker-Gray High School faculty. Six men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of some members of the Parker-Gray High School faculty. Seven men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of some members of the Parker-Gray High School faculty. Seven men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photo is very similar to ABFR-23-002-114, but the people are posed in slightly different positions. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of some members of the Parker-Gray High School faculty. Ten men and women are posed around a desk at the front of a school classroom with a blank chalkboard behind them. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the homemaking class at Parker-Gray High School. Eight young women are posed around a classroom kitchen at work on different cooking and baking tasks while their teacher looks on. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Parker-Gray High School baseball team. Ten young men wearing baseball uniforms are posed together on a baseball field behind the school. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Lawrence Veney. He is wearing his Parker-Gray High School baseball team uniform and is posed as if in the midst of throwing a pitch. Photograph is dated 1963\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School pep squad or cheerleading team. Seven young women in pep squad uniforms are in the midst of performing a cheer in the school gymnasium, presumably during a game or pep rally. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the Parker-Gray High School pep squad or cheerleading team. Eight young women dressed in pep squad uniforms are posed in two rows in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the Parker-Gray High School pep squad or cheerleading team. Eight young women dressed in pep squad uniforms are posed standing in a row in front of the bleachers in the school gymnasium, posed as if in the midst of performing a cheer. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School pep squad or cheerleading team. Thirty young women are posed in two rows in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of four members of the Parker-Gray High School football team. Four young men dressed in football uniforms are posed standing on a football field. Three of the young men are crouched in a defensive position and the fourth young man is standing behind them as if poised to throw the football. Photograph is dated 1961\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Raymond Williams, captain of the Parker-Gray High School football team. A young man, Raymond Williams, wearing a football uniform number 80, is posed crouched in a defensive position on a football field. Photograph is dated 1961\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a shot of players and two referees on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of several young women playing a game of volleyball in the Parker-Gray High School gymnasium. Based on their matching outfits, this is likely a candid photograph from a Physical Education class. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of what is likely the Parker-Gray High School Girls' Athletic Association. Nineteen young women are posed standing in two rows on the bleachers in the school gymnasium. They are all dressed in matching outfits: white blouses paired with dark-colored skirts. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of members of the Parker-Gray High School pep club. Fourteen young women are posed standing in two rows on the bleachers in the school gymnasium. They are standing angled sideways with their outer arm reaching out toward the middle of the gym. All of the young women are wearing vests with sashes that read, \"Go Team Go.\" Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of two young men in the midst of a wrestling match. A referee dressed in all white is also visible on the side of the mat. Visible in the background of the image are the officials or scorekeepers seated at a table, an announcer seated on a stool with a microphone, and several other members of the Parker-Gray High School wrestling team wearing their uniform sweat suits. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of two young men in the midst of a wrestling match. A referee dressed in all white is also visible on the side of the mat. Visible in the background of the image are the officials or scorekeepers seated at a table, an announcer seated on a stool with a microphone, and several other members of the Parker-Gray High School wrestling team wearing their uniform sweat suits. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, team portrait of the Parker-Gray High School wrestling team. Twelve young men and their two coaches are posed in two rows atop a wrestling mat in the school gymnasium. They are all dressed in matching light-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, team portrait of the Parker-Gray High School wrestling team. Twelve young men and their two coaches are posed in two rows atop a wrestling mat in the school gymnasium. They are all dressed in matching light-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably basketball based on their outfits. Twelve young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching shiny jackets with PG on the front. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably basketball based on their outfits. Twelve young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching shiny jackets with PG on the front. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably track and field based on their outfits. Nine young men are posed standing on the bleachers in the school gymnasium. They are dressed in matching dark-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably track and field based on their outfits. Nine young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching dark-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of a junior class at Parker-Gray High School. Approximately sixty students are posed in three rows on the grass in front of the school building. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of five Parker-Gray High School students in a car. A young man is posed in the driver's seat, in the passenger seat is a young woman wearing a headscarf, and in the backseat are three other young women. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of three Parker-Gray High School students. Three young women are posed standing in a row on a field. Two of the young women are wearing floral corsages pinned to their lapels and the young woman in the center of the group is holding a bouquet. Presumably they are a homecoming court, but the context of the image is not identified anywhere. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A man dressed in a brown polo shirt and khaki pants is seated next to a woman dressed in white pants and a blouse with a blue paisley pattern. They are both seated in front of tables and blue and white painted cement brick walls - the type of cement brick that is frequently found in American public school buildings. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A woman wearing a red collared dress, Norma J. Turner, is seated in front of a blue cement brick wall - the type of cement brick that is frequently found in American public school buildings. Photograph is dated 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. Several men and women, including Norma J. Turner in the foreground of the image, are seated at a dinner table in what appears to be a restaurant or banquet hall. Visible in the background of the image are three other people who appear to be about to take their seats at another table, as well as, a bartender behind a bar. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at a dinner table in what appears to be a restaurant or banquet hall. Visible in the background of the image are other people seated at another table, as well as, a man ordering a drink from the bar. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at dinner tables in what appears to be a restaurant or banquet hall. In the foreground of the image is a man dressed in black pants, a white shirt, patterned tie, black suspenders, and glasses with a rose-colored tint. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at dinner tables in what appears to be a restaurant or banquet hall. In the foreground of the image is a man dressed in a grey suit, white shirt, and checkered tie; and a woman dressed in a pink, orange, and yellow dress with a sheer yellow jacket. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a black dress with a floral print and a black blazer jacket. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a purple dress and matching purple jacket. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a pink dress and matching pink jacket. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A woman wearing a white, lace blouse is seated in what appears to be a red booth. Photograph is dated 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A woman is standing up from a dinner table with a red booth seat and looks as if about to give a speech. She is dressed in a sky blue jacket and matching sky blue pants, white blouse, and sky blue hat. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A man dressed in a grey suit, blue shirt, and blue tie is posed seated at a table. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A woman and man are standing up from a dinner table with a red booth seat and are posed in the midst of presenting a certificate. The woman is dressed in a sky blue jacket and matching sky blue pants, white blouse, and sky blue hat. The man is dressed in a tan suit, light-gray shirt, and patterned tie. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a pink sweater is seated in front of a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a pink sweater is seated in front of a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a grey jacket and floral patterned blouse is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a green blouse with a patterned scarf tied around her neck is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A man and a woman are seated in front of a window that looks out onto the street. The woman is wearing a white and grey striped jacket and blouse; the man is wearing a checkered suit jacket, white shirt, and striped tie. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A man wearing a checkered suit jacket, white shirt, and striped tie is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A man wearing a white shirt and white baseball cap is seated in front of a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a pink and white blouse, black suit jacket, and backwards black baseball cap is seated in front of a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A man wearing a tan shirt is standing in front of a window that looks out onto the street. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A laughing man wearing a patterned shirt is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white patterned blouse and white pants is seated in front of a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A man wearing a black shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a yellow shirt, black patterned cardigan, and black headwrap is seated in front of blank whiteboard mounted on a white cement brick wall. A cane is leaning against the wall behind her. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white blouse over a black t-shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a blue and white patterned blouse and white baseball cap with a logo on it that reads, \"Parker-Gray 1920-1965\" is posed standing in what appears to be a classroom. Several other people are visible behind her in the background of the image. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black blouse is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a grey t-shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a red blouse is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white patterned blouse is seated in front of a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a white t-shirt, blue sweater, and holding a notebook is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple, black, and white patterned blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a pale green blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A man wearing a striped brown suit jacket and pink shirt is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple blouse and white lace shrug is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Unfortunately the image file appears to be corrupted and the bottom half of the image is missing. Photograph is dated 19 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple, black, and white patterned blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event of Linwood Moses Smith and Sharon Jones Frazier. From left to right: a woman dressed in a purple turtleneck and purple cardigan; a man, Linwood Moses Smith, dressed in khaki pants, a grey zipped jacket under a denim jacket, a grey hat; a woman, Sharon Jones Frazier, dressed in a blue collared top under a tan trench coat. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event of McArthur and Nellie Quander. A man, identified as McArthur, dressed in denim pants, a checkered shirt, black windbreaker with the Free Masons logo on the front, and a brown hat walks with a woman using a mobility aid, Nellie Quander, dressed in a black top, black pants, and bright, red coat. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event. A candid photograph of three women and a man standing in the street, presumably outside the former Parker-Gray High School building, in the midst of conversation. Included in the group are Sharon Jones Frazier and Audrey P. Davis, Director of the Alexandria Black History Museum. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event. A portrait photograph of Audrey P. Davis, Director of the Alexandria Black History Museum, posed standing in the street in front of the former Parker-Gray High School building. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event. A candid photograph of five men standing in the street, presumably outside the former Parker-Gray High School building, in the midst of conversation. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event. Seven men and women are posed next to the historic landmark sign noting the adjacent building as the former building of Parker-Gray High School. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event. A man and woman are seated in the middle of the audience during the celebration event. The man is wearing a blue and white striped shirt and tan suit jacket; the woman is wearing a brown quilted coat. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event. A man dressed in a grey suit, off-white shirt, patterned tie, and white baseball cap is walking down the street while utilizing a mobility aid. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of a group of Charles Houston Elementary School students. Approximately fifty children, along with two teachers, are posed standing in four rows on the steps in front of the entrance to the school. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of the Room 6, Second Grade class at Charles Houston Elementary School in 1964. Twenty-eight children are posed in three rows with their teacher in what appears to be the school library. Two children in the center of the front row are holding a sign that reads, \"Charles Houston Alexandria, VA Grade 2 Room 6 1964.\" Photograph is dated 1964\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of the Room 16, Fourth Grade class at Charles Houston Elementary School in 1964. Twenty-seven children are posed in three rows with their teacher in what appears to be the school library. Two children in the center of the front row are holding a sign that reads, \"Charles Houston Alexandria, VA Grade 4 Room 16 1964.\" Photograph is dated 1964\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the family of Linwood Moses Smith. Related to the Jesurena Smith family photographs (ABFR-23-006)\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of a young girl standing posed outside in the grass. She is wearing a white top, white pants, and black sandals with white socks. It appears that the girl is in the yard next to a house; behind her are a brick wall and a large bush or shrubbery. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of four young children. The children (a young girl, a young boy, and two toddlers) are outside in the grass, in what appears to be the yard next to a house. One of the toddlers is sitting in the grass while the two older children are each holding a hand of the second toddler while they attempt to stand on their own. It appears that the children are attempting to pose for the photograph, but have been captured in motion. Behind the children is a brick wall with two visible windows and the shadow of a large bush or shrubbery. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a young woman and two very young children. The woman, dressed in black capri pants and a striped tank top, is posed standing outside in the grass in what appears to be the yard next to a house. She is holding a baby in her right arm while with her left holds the hand of a toddler standing next to her. The baby and toddler are both dressed in all white outfits. Behind the group is a brick wall with three visible windows and a large bush or shrubbery. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of three young children standing outside in the grass, in front of a short shrub. From left to right, a young boy dressed in a white short sleeved shirt, dark-colored shorts, and black sandals with white socks; a young girl wearing a tank top and shorts with matching printed pattern and tennis shoes; a young girl wearing a white top, white pants, and black sandals with white socks. The three children appear to be attempting to pose for the photograph but were captured either distracted or in motion. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eColor photograph of a woman seated on a couch which appears to be in the living room of a home. The woman is wearing a dark-colored coat and dark-colored dress. She is seated on a blue couch in front of a window with blue, patterned curtains. Unfortunately, the photograph is blurry and some details are hard to see. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of five people posed standing in front of a striped tent. Unfortunately, the photograph was damaged and a large portion is missing from the right side of the image. From left to right, a woman wearing a light colored dress with a small, dotted pattern; a man wearing black pants, a white short-sleeved button-down shirt, and a light-colored hat; a woman wearing a striped dress; a young girl wearing a white dress and holding a doll; a man wearing a white shirt, but otherwise obscured by the missing piece. On the bottom edge of the photograph is a handwritten note that reads, \"Feeling might f--\" with the remainder of the note missing. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photograph of Maria, Jootsie, Wootchie, Jesurena [Smith], and Linwood [Moses Smith] (ABFR-23-004-025). Handwritten note which identifies the people in the photograph reads, \"Maria, Jootsie 13, Wootchie 10, Jesurena 8, Linwood 4\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Arnold J. Thammond as a baby (ABFR-23-004-029). Handwritten note which identifies the baby in the photograph reads, \"Arnold J. Thammond, age 4 months\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a man (John?) (ABFR-23-004-040). Handwritten note reads, \"Dear Jesus, please have mercy on John.\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photo of a family outdoors (ABFR-23-004-050). Handwritten note reads, \"Gen et al 5-29-83\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eSame image as ABFR-23-006-022. Want to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a framed portrait drawing (ABFR-23-004-054). Typescript date stamp reads, \"JUL 92\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of two young children in costume (ABFR-23-004-058). Typescript date stamp reads, \"MAY 93 9\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Linwood Smith and unidentified woman (ABFR-23-004-064). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the Coleman and Butler families.\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of a young woman, Lucy, standing posed in a doorway. She is dressed in a light-colored dress worn over a white shirt, a white collar, and a wide brimmed hat. The photo print is mounted in grey board and gold letters spelling \"LUCY\" are affixed to the board underneath the photograph. There is also printed typescript which reads, \"G.G. Donaldson, Washington, DC.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of an oncoming parade headed down a residential street. Men are lined up on either side of the street, and five men are parading down the street toward the photographer. The man out front is wearing white gloves and carrying what appears to be a book. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of people posed seated around a table with a microphone mounted on the ceiling and suspended over the middle of the table. They appear to be in a recording booth for radio or audio announcements. The man seated at the table in the middle of the group is dressed in United States military uniform and on the table in front of him are a stack of papers. Photograph is undated, c.1940s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of a man and woman dressed for their wedding day. The bride is wearing a white wedding gown, veil, and pendant necklace and holding a bouquet. The groom is dressed in a dark-colored suit, white shirt, and dark-colored bowtie. A handwritten note in the bottom, right corner of the photo print reads, \"Murphy.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of a young woman who appears to be seated in front of a window. It is not clear whether she is actually seated in front of a window, or if this is a studio backdrop. She is dressed in a light-colored top with large buttons and a collar with a pleated trim. Photo print appears to have suffered some damage and wear. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a young man. He is dressed in a dark-colored suit, striped tie, striped socks, dark-colored leather shoes, and a dark-colored fedora hat. He is posed seated on a bench with one knee tucked up onto the bench beside him. The background behind him is a painting of a bridge over a pond with ducks and swans swimming in it. Photograph is undated\u003c/p\u003e","\u003cp\u003eA card with a printed calligraphy text which reads, \"Oliver Coleman, State Champion, Side Horse, 1967-68.\" It is unclear if this is related to the Studio portrait of a young man (ABFR-23-005-006)\u003c/p\u003e","\u003cp\u003eColor photograph, candid portrait of a man and a woman. The woman is wearing a light-colored dress with an embroidered collar and cat-eye glasses. The man is dressed in a dark-colored suit, white shirt, striped tie, and glasses. They appear to be in someone's home and visible in the background of the image are the bottom of a staircase and an ornately carved wooden table with a book, cups, and an ashtray on top. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, studio portrait of a family posed in front of a navy blue backdrop. From left to right: a woman wearing a black dress; an older woman dressed in a red dress, pearl necklace, and glasses; an older man dressed in a black suit, white shirt, black tie, and glasses; a young woman wearing a white dress with a off-the-shoulder neckline and a pearl necklace; and a boy dressed in a black suit, white shirt, and purple satin bowtie. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of three men posed standing with their arms around each other. From left to right: a man dressed in khaki pants and a plaid shirt; a man dressed in khaki pants, bright blue shirt, and a black tie; a man dressed in khaki pants and a dark-colored shirt. Photograph is undated, c.2000s\u003c/p\u003e","\u003cp\u003eColor photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right: a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; an older woman wearing a white dress and white floral corsage; an older man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a young woman wearing a white dress and white floral corsage; a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of bride and groom surrounded by several friends and/or family. Centered at the front of the photo: the bride is wearing a white dress, white gloves, a white fascinator, and holding a bouquet in one hand and the hand of the groom with the other; the groom is dressed in a dark-colored suit, white shirt, dark-colored tie, and white boutonniere. Next to and behind the couple, from left to right: a man dressed in a dark suit, white shirt, and patterned tie; a young man whose outfit is obscured; a young woman whose outfit is obscured; a young man wearing a dark-colored suit, white shirt, and dark-colored tie; a woman whose outfit is obscured; a young woman wearing a dark-colored dress with buttons and a bow in her hair; an older woman in a light colored dress and corsage pinned to her lapel. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a man and two women sitting at a desk in an office. A man is seated to the left of the desk and is dressed in a dark-colored suit, white shirt, and patterned tie. One of the women is seated behind the desk with her hands folded on top of the desk; she is dressed in a dark-colored top and jacket. The other woman is seated to the right of the desk and is dressed in a dark-colored skirt suit and white blouse. On the desk are a black telephone, two baskets with papers in them, a bound report or portfolio, and a pen holder. There is a filing cabinet visible in the background of the image. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a woman posed in front of a blank, light-colored backdrop. She is dressed in a dark-colored dress or jacket over a white blouse. The image only depicts from her shoulders up. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of Portrait photograph of a woman (ABFR-23-005-014). Handwritten notes read, \"6489\" and \"[illegible].\" A stamped typescript note reads, \"For your convenience the negative of this photograph will be kept on file. When reordering be sure you mentio the letters and numbers that follow 2-[blank], Murphy PO Trait Studio, Alexandria, Virginia.\"\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of a bride posed standing in a church sanctuary with three family members. From left to right: an older man dressed in a dark-colored suit, white shirt, burgondy tie, glasses, and white boutonniere; an older woman wearing a pastel blue dress, matching shoes, pearl necklace and bracelet, and white corsage pinned to her lapel; the bride dressed in a white wedding gown, pearl necklace and headband, and holding a bouquet of blue and white flowers; a man dressed in a dark-colored suit, white shirt, navy blue tie, and white boutonniere. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of a woman standing posed in front of a sage green curtain with a floral pattern. She is dressed in a tan dress, white glvoes, pearl necklace and earrings, white fascinator hat, and white floral corsage pinned to her collar and is holding a white handbag. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of a man seated in front of what appears to be a canvas tent. He is dressed in a light-colored shirt that is likely part of a military uniform, though no identifying insignia is visible in the image. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right: a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman dresed in a sparkly, dark-colored dress and white floral wrist-corsage; an older woman wearing a white dress with a white floral wrist-corsage; an older man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman in a black skirt set with a white blouse and a white floral wrist-corsage; and a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right; a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman wearing a white dress with a white floral wrist-corsage; a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman dressed in a blue dress with a black and gold stoll draped over her shoulders, and a man in a dark-colored suit, white shirt, and grey tie. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of what appears to be a bride and groom standing posed in front of a decorative white backdrop and two potted plants. The woman is dressed in a white wedding gown, white gloves, and is holding a small bouquet. The man is dressed in a black tuxedo with a white shirt and white bowtie. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eReverse of Wedding portrait photograph (ABFR-23-005-021). Handwritten note reads, \"1-4\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of children of varying ages stood posed in what appears to be a church or banquet hall. From left to right; a young girl wearing a light-colored, striped dress; a young girl wearing a white dress; a young girl wearing a light-colored dress with a white celebretory sash across her shoulder; a young girl wearing a white dress; a young boy dressed in a dark-colored suit, white shirt, and striped bowtie; a young girl wearing a white dress; a young girl wearing a white dress with dark-colored polka dots; a young girl wearing a white dress. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eReverse of Photograph of group of children (ABFR-23-005-023). Stamped typescript reads, \"Photo by Jackson, 528 N. Payne Street, Alexandria, Va. KI 9-8019\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph of three women seated in chairs with three men standing behind them. Back row, from left to right: man wearing a light-colored suit, white shirt, and patterned tie; man wearing a dark-colored suit, white shirt, dark-colored tie, and white pocket square; man in a light-colored suit, white shirt, and patterned tie. Front row, from left to right: woman wearing a white dress; woman wearing a white dress, white arm wraps, and a floral corsage pinned to her collar; woman wearing a light-colored dress. They appear to be in a church recreation or banquet hall. Visible in the background of the image are a man eating seated at a long table with a white table cloth, a raised platform stage with chairs on it, a curtain behind the stage with what seems to be a large cross mounted as a backdrop. photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a dozen men posed standing staggered in a line in front of what appears to be a concessions stand. All of the men are wearing suits and several also have white floral boutonnieres pinned to their lapels. Visible in the background of the image are a couple of women. Photograph is undated, c.1940s\u003c/p\u003e","\u003cp\u003eClipping from a newspaper featuring a black and white photograph of a group of people posed in an office with a caption underneath. Pictured in the photo are a young woman, a young man, and a man seated at a desk and posed looking at brochures. The man seated on the right is also holding the telephone as if in the middle of a call. Standing behind the seated trio and looking over their shoulders are two men and two women. All are dressed in business casual outfits c.1960s. According to the caption, the image depicts two college students, Marilyn Klug and Jim Rogers, who are starting positions with the Alexandria Office of the Virginia Employment Commission under a summer employment project of the Northern Virginia Board of Realtors' \"Make America Better\" Program. Also pictured in the image are G. Lewis Layne, Joanna M. Tanner, Ralph A. Wells, Oliver Coleman, and Eileen K. Levington. Clipping is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of twenty-one men, women, and children posed standing in a church sanctuary in front of the pulpit. Visible in the background of the image are the choir loft, a staircase, and a banner hung behind the pulpit that reads, \"Home-coming, United We Stand, Divided We Fall.\" Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of twenty-four men and women, posed in three rows. The men are all wearing dark-colored suits, white shirts, and dark-colored ties, with badges or medals pinned to their lapels. The women are all wearing matching white collared dresses, white gloves, and the same badges or medals pinned to their lapels. They appear to be in a church recreation hall and there is a wooden cross visible in the background of the image. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the family of Jesurena Smith. The Newman family lived at 510 and 512 Pendleton Street in Alexandria, Virginia from 1928 until the 1970s. John Henry Newman moved from Burke, Virginia to Alexandria in the 1920s. Newman had two wives: Nannie Pounds Newman and Elizabeth Pounds Newman. Related to the Linwood Moses Smith family photographs (ABFR-23-004)\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Candid photograph of a wedding (ABFR-23-006-012). Stamped typescript reads, \"Henry's Camera Exchange, 722 King St., Alexandria, Virginia\" and \"Kodachrome Print, Made By Kodak, July 67R\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photograph from Angie's 50th birthday (ABFR-23-006-014). Handwritten note reads, \"Angie's Big 50, 3-28-09\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a woman in front of mobile home (ABFR-23-006-020). Handwritten note reads, \"To Shirl \u0026amp; Roger from fat-Black Ace - Age 43\"\u003c/p\u003e","\u003cp\u003eSame image as ABFR-23-004-053. Want to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a framed portrait drawing propped up on a couch (ABFR-23-006-026). Typescript date stamp reads, \"JUL 92\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a woman holding a framed portrait drawing of a woman (ABFR-23-006-029). Typescript date stamp reads, \"JUN/02\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs and ephemera from the family of Sharon Jones Frazier and her paternal grandmother, Carrie Jones Stevens. Carrie Jones Stevens originally lived in Palmyra, Virginia with her first husband, Albert Jones. Together they had three children - Shedrick (father of Sharon Jones Frazier), Ellen, and Annie. After Albert's death, she re-married Moses Stevens and the family moved to Alexandria, Virginia and lived at 1325 Cameron Street; this home remains in the family as of 2023. Ellen married Lawrence Butler and moved to Philadelphia, Pennsylvania. Annie and Shedrick both attended Parker-Gray School. Annie worked at the Carver Theater and Shedrick had a career as a plasterer\u003c/p\u003e","\u003cp\u003eClipping of an article and two black and white photographs from The Other Alexandria, \"Betty Garrett Scott: 'Memories of My Grandfather' by Char McCargo Bah\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of a man walking on a cement patio in front of a brick wall and white door. He is dressed in a light-colored suit, white shirt, and glasses. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of a young woman, Sharon Jones Frazier, standing posed in a backyard. She is dressed in a light-colored blouse and skirt set. A brick building and a white stone fence are visible in the background of the image. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of a woman standing posed in a backyard. She is wearing a white collared dress with a pink and green floral pattern. A brick building, white stone fence, and green lawn furniture are visible in the background of the image. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a man seated in front of a light-colored backdrop. He is dressed in a suit and tie. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a young girl sitting on the grass in what appears to be a backyard or park. She is dressed in a light-colored Native American costume dress and band around her forehead with a single dark-colored feather sticking up in the back. Her hair is worn in pigtails. Lawn furniture is visible in the side of the image. The photo print has suffered some wear and damage and there is a vertical crease down the middle of the print which obscures some of the image. Photograph is dated \"February -8\" with a typescript stamp on the top edge of the print, the decade is obscured by the damage to the print but is mostly likely 1958\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a young girl, Sharon Jones Frazier, posed standing in front of a brick wall. She is wearing a light-colored dress with a Peter Pan collar and a light-colored bow in her hair. A handwritten note on the photo print over the image identifies the little girl as \"Sharon.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a young woman, Sharon Jones Frazier, seated in front of a blank backdrop. She is dressed in a white and light-colored collared shirt. A handwritten note on the photo print reads, \"To Mom, Love Sharon, 1972\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a young woman, Sharon Jones Frazier, seated in front of a blank backdrop. She is dressed in a white nurse's uniform: white collared top and small white hat. Photograph is undated, c.1970s\u003c/p\u003e","\u003cp\u003eColor photograh, studio portrait of two women and a small dog. Sharon Jones Frazier is dressed in a red collared dress and is standing posed with her hand on the shoulder of an older woman. The other woman is dressed in a black and white houndstooth dress, pearl necklace, and wire-rimmed glasses. She is holding an buff-colored Cocker Spaniel with a red collar. Photograph is undated, c.1990s\u003c/p\u003e","\u003cp\u003eColor photograph of a young woman, Sharon Jones Frazier, and a man posed standing together in front of a dark, red wall and a potted plant. She is dressed in a white dress, white jacket, and red brooch pinned to her dress; she is carrying a black handbag. The man is dressed in a dark-colored suit, white shirt, patterned tie, glasses, silver cross necklace, and red brooch pinned to his lapel. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of a young girl posed standing in front of a dark-colored couch with white curtains behind it. She is dressed in a light-colored coat with a double-layered rounded flat collar, white gloves, white beret hat, and white cross-body handbag. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, studio portrait of a woman posed seated in front of a cream-colored backdrop. She is dressed in a cream-colored top and gold jewelry. Photograph is undated, c.1970s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a man posed seated in front of a light-colored backdrop with his hands folded in front of him. He is dressed in a houndstooth suit, white shirt, black tie, and badge-shaped lapel pin. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photogrpah, studio portrait of a young woman posed sitting in front of a blank backdrop. She is dressed in a light-colored blouse. Photograph is undated, c.1940s\u003c/p\u003e","\u003cp\u003eReverse of Portrait photograph of a woman (ABFR-23-007-015). Stamped typescript reads, \"Stephen's Photographers, 1202 You St., N.W., Washington, D.C.\" Handwritten note reads, \"10336 R GT\"\u003c/p\u003e","\u003cp\u003eBlack and white photogrpah, portrait of a baby seated propped up against pillows on what appears to be a couch or armchair upholstered in a floral print. The baby is dressed in a white dress and white socks. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of Portrait photograph of a baby (ABFR-23-007-017). Stamped typescript reads, \"Pease Photograph Washington, DC Ludlow 2517 Credit Please Photographers\"\u003c/p\u003e","\u003cp\u003eColor photograph, studio portrait of a woman, Sharon Jones Frazier, posed seated in front of a dark-colored backdrop. She is dressed in a white blouse with a light blue satin notched collar and light blue satin trim on the breast pockets. Photograph is undated, c.1970s\u003c/p\u003e","\u003cp\u003eColor photograph, studio portrait of a woman posed seated in front of a blue backdrop. She is dressed in a red blouse with floral applique, a gold necklace, and glasses. Photograph is undated, c.1980s\u003c/p\u003e","\u003cp\u003eColor photograph, studio portrait of a woman, Sharon Jones Frazier, posed seated in front of a blue backdrop with a hand tucked loosely under her chin. She is dressed in a bright, red collared blouse, gold jewelry, and wire-rimmed glasses. Photograph is undated, c.2000s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a young woman posed seated in front of a light-colored backdrop. She is dressed in a patterned blouse with a bowtie collar and a pearl necklace. Photograph is undated, c.1940s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a young woman, Sharon Jones Frazier, posed seated in front of a light -colored backdrop. She is dressed in denim pants, a plaid shirt, and sweater vest. Photo print has suffered some wear and damage and there are sepia toned streaks across the image. Photograph is undated, c.1970s\u003c/p\u003e","\u003cp\u003eColor photograph of four women seated in a corner booth at a restaurant. From left to right: a woman dressed in a blue striped skirt, blue blouse, and blue cardigan; a woman wearing a purple blouse; a woman, Sharon Jones Frazier, dressed in a blue and green patterned blouse; a woman dressed in a black top. Photograph is undated, c.2000s\u003c/p\u003e","\u003cp\u003eColor photograph of two young girls posed standing together in a home. From left to right: a young girl wearing a yellow dress with a patterned skirt and yellow satin bow in her hair; a young girl wearing a blue and white patterned dress and holding a doll. Windows with red and white curtains and an interior doorframe to another room are visible in the background of the image. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eColor photograph of two young women, posed as if dancing and with their arms around each other's shoulders. The image is somewhat blurred. From left to right: young woman dressed in a white blouse tucked into a red pencil skirt; young woman dressed in a red and blue checkered dress and white cardigan. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eColor photograph, group portrait of six teenagers posed standing in a row in front of a school trophy case. There are three young women and three young men, presumably their escorts to a school dance or prom. The young men are all dressed in suits and the young women are all wearing light-colored dresses and gloves with floral corsages pinned to their dresses. One young woman is also holding a bouquet. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eColor photograph, group portrait of six teenagers posed standing in a row in front of a school trophy case. There are three young women and three young men, presumably their escorts to a school dance or prom. The young men are all dressed in suits and the young women are all wearing light-colored dresses and gloves with floral corsages pinned to their dresses. One young woman is also holding a bouquet. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of two girls standing in a backyard. One girl is posed with her arms crossed in front of her, frowning at the camera, while the other leans with her arm on the first girls' shoulder. Both are wearing light-colored dresses. Trees, an empty clothesline and part of a house are visible in the background of the image. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of two children posed standing in a backyard in the midst of Sharon Jones Frazier's birthday party. From left to right: a young girl, Sharon Jones Frazier, dressed in a light-colored dress with a floral pattern, Berta-style collar, and bow in the front; a young boy dressed in a dark-colored suit, white shirt, and black bowtie. Another young girl wearing a dress and a young boy seated in a chair are visible in the background of the image. Photograph is undated\u003c/p\u003e","\u003cp\u003eCover of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010) at Nix and Nix Funeral Home in Philadelphia, Pennsylvania.\u003c/p\u003e","\u003cp\u003eInterior page of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page lists the program of events\u003c/p\u003e","\u003cp\u003eInterior page of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page features the eulogy and family photographs\u003c/p\u003e","\u003cp\u003eBack of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page features a quote from an unknown author dedicated to \"Our MomMom\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Class of 1965 at Parker-Gray High School in Alexandria, Virginia. The students are posed on risers in 7 rows and are all dressed in their graduation caps and gowns. Photograph is dated 1965\u003c/p\u003e","\u003cp\u003eReverse of Group photograph of Parker-Gray H.S. Class of 1965 (ABFR-23-007-035). Handwritten note reads, \"Parker-Gray H.S. Class of 1965\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait that was hand-colored using pastels. A portrait of an unidentified woman dressed in a white blouse or dress with a high collar that is fastened with a gold broach. Artwork is undated, c.19th century\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the family of Charles Sias. Also included are photographs of Parker-Gray High School activities, students, social groups, and athletic teams\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of men standing on football field (ABFR-23-008-001). Typescript date stamp reads, \"July, 1980\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of men on a football field (ABFR-23-008-003). Typescript date stamp reads, \"July, 1980\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of men at a picnic (ABFR-23-008-006). Typescript date stamp reads, \"Jul 90 1\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of women at a formal dinner (ABFR-23-008-008). Typescript date stamp reads, \"Jul 90 1\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a woman and a man at a gathering (ABFR-23-008-010). Typescript date stamp reads, \"Jul 90 1\"\u003c/p\u003e","\u003cp\u003e[Help us describe this image using our Community Description form at: https://bit.ly/ABFR-community-description]\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photo at a beach (ABFR-23-008-014). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of man standing on a football field (ABFR-23-008-016). Typescript date stamp reads, \"July, 1980\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of man at a family gathering (ABFR-23-008-018). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photo of an outdoor gathering (ABFR-23-008-020). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a woman and man sitting on lounge chairs (ABFR-23-008-022). Typescript date stamp reads, \"09/30/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of women sitting on a dock (ABFR-23-008-024). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of people sitting on a dock  (ABFR-23-008-026). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of man and woman in a kitchen (ABFR-23-008-028).  Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photograph outdoors (ABFR-23-008-030). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photograph outdoors (ABFR-23-008-032). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photograph outdoors (ABFR-23-008-034). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of man and woman standing by a swimming pool (ABFR-23-008-036). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of three men (ABFR-23-008-038). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of man and woman in yard (ABFR-23-008-040). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Mabel Price and unidentified man at formal event (ABFR-23-008-042). Typescript date stamp reads, \"07/06/05.\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of woman and man at Parker-Gray High School class of 1965 reunion (ABFR-23-008-044). Typescript date stamp reads, \"JUL 90 1\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of man and woman (ABFR-23-008-046). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photo at formal event (ABFR-23-008-048). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photo at formal event (ABFR-23-008-050). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of people at a restaurant (ABFR-23-008-052). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Cherylene Rollerson and Beverly Wilhoit (ABFR-23-008-054). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Corliss and unidentified woman (ABFR-23-008-056). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of cake at Parker-Gray High School class of 1965 reunion (ABFR-23-008-058). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of two women in kitchen (ABFR-23-008-060). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of man and women at gathering (ABFR-23-008-062). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photo of man in kitchen (ABFR-23-008-064). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photo of man in a park (ABFR-23-008-066). Typescript date stamp reads, \"JUL 90 1\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Walter at an event at the Alexandria Black History Museum (ABFR-23-008-068). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of three men at outdoor gathering (ABFR-23-008-070). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of woman at Parker-Gray High School class of 1965 reunion (ABFR-23-008-072). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of historic photographs and artwork from the family of D. Jason Wood. Included are 19th century charcoal portrait drawings and hand-colored photographs, 19th century photographic prints, and photographic prints from the early 20th century\u003c/p\u003e","\u003cp\u003eCharcoal portrait drawing of an unidentified woman. She is dressed in a high-collared black dress or blouse with a bow at the neck; the image depicts the woman only from the shoulders up. The drawing has suffered some deterioration over time and portions of the image are damaged and missing pigment. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eCharcoal portrait drawing of an unidentified man. He has a mustache and is dressed in a black suit, white collared shirt, and black tie; the image depicts the man only from the shoulders up. The drawing has suffered some deterioration over time and portions of the image are damaged and missing pigment. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eCharcoal portrait drawing of an unidentified man. He has a \"salt-and-pepper\" mustache and is dressed in a dark colored suit, white collared shirt, and dark tie; the image only depicts the man from the shoulders up. The drawing has a tear in the upper, left corner that does not obstruct the portrait image. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eCharcoal portrait drawing of an unidentified man. He has a mustache and is dressed in a black suit, black buttoned vest, white shirt, and black tie; the image only depicts the man from the chest up. The drawing has suffered some environmental damage over time and the bottom, left portion of the drawing is missing, as well as some pieces from the top corners. There is also evidence of water damage and some portions of the image are missing pigment. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eCharcoal portrait drawing of an unidentified man. He is posed standing, holding what appears to be a rifle with a bayonet. He has a beard and is dressed in pants with suspenders, a long-sleeve shirt with a collar and buttons, a round hat or helmet, and what appears to be a handkerchief or piece of cloth tucked into his waistband. The drawing has suffered some environmental damage over time and is missing pieces from three corners, but the image is not obstructed. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eCharcoal and ink portrait drawing of an unidentified woman. She is dressed in a high-collared black dress or blouse with a ring closure at the neck and a row of small buttons; the image depicts the woman only from the shoulders up. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003ePastel portrait drawing of an unidentified woman. She is posed standing in front of an abstract, colored background. She is wearing a late 19th century style dress - a black dress with a high collar, corset, and long-sleeve fitted jacket and skirt with multiple draped layers and possibly a bustle. The dress is embellished with ruffles or lace at the edge of the sleeves and top layer of the skirt. Her hair is pulled back into a low bun. Signature in the bottom, right corner reads, \"N.B. Katze.\" Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003ePastel portrait drawing of an unidentified woman. She is posed standing next to a stone column wrapped in flowering vines and a flowering plant in a stone planter atop a stone pedestal with a decorative relief work of cherubs. She is wearing a bright blue, long-sleeve dress with high collar and black belt at the waist. The style and silhouette of the dress appears to be c. 1900. Signature in the bottom, right corner reads, \"Harris - Ewing.\" Portrait is undated, c. early 20th century\u003c/p\u003e","\u003cp\u003eHand-colored photographic print, portrait of an unidentified woman. She is posed seated, though the chair or stool is not visible. The woman is wearing a black and white pinstripe dress with long-sleeves, high collar, and large white jabot at the neck. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003ePastel portrait drawing of an unidentified man. He has a mustache and long sideburns and is dressed in a black suit, black buttoned vest, white shirt, white tie, and boutonnière on his lapel. The image only depicts the man from the chest up. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eBlack and white pastel portrait drawing of an unidentified man. He has a white mustache and is dressed in a black suit, black buttoned vest, white shirt, and black tie. The image only depicts the man from the waist up. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eHand-colored photographic print, portrait of an unidentified man. The coloring appears to be watercolors and ink. He is posed standing outside in front of a fence and shrubbery. The man has a mustache and is wearing a light gray suit, white shirt, white tie. He is also holding a white and gray boater hat. Portrait is undated, c. late 19th century or early 20th century\u003c/p\u003e","\u003cp\u003ePhotographic print, portrait of an unidentified man. The man is posed seated. He is wearing a suit, dark colored vest, and white shirt. The man's hair and eyes have been outlined in ink; there are also ink dots throughout the image to accentuate areas of shadow. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eBlack and white photographic print, portrait of an unidentified man. The photograph depicts the man from the waist up; he appears to be posed sitting in front of a studio backdrop. The man is wearing a dark colored suit, white shirt, and dark colored tie. On the matting around the image is a stamp of a lion holding a sword and text that reads, \"Sol. Young, New York.\" Photograph is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eBlack and white photographic print, portrait of Douglas wearing what appears to be a U.S. Army Air Corps summer uniform from the World War 2 era. The photograph depicts the man from the chest up; he is wearing a uniform shirt with epaulets, a tie tucked into the shirt, and a pilot helmet and goggles. The prop and wings insignia is pinned to his left lapel and there appears to be another insignia pinned to the right lapel, but it is not visible in the photo. On the matting around the photo is text that reads, \"Polk's Studio, Tuskegee Inst., Ala.\" Handwritten text on the bottom right corner of the photograph reads, \"To the Family, From: Douglas.\" Photograph is undated, c. 1930s - 1940s\u003c/p\u003e","\u003cp\u003eBlack and white photographic print, portrait of Doug wearing what appears to be a U.S. Army Air Corps uniform from the World War 2 era. The photograph depicts the man from the chest up; he is wearing a white shirt, black tie, formal uniform jacket, and peaked service cap with prop and wings insignia. Insignia are pinned to his jacket lapels; a U.S. pin on both top lapels and a prop and wings pin on both bottom lapels. On the matting around the photo is text that reads, \"Polk's Studio, Tuskegee Inst., Ala.\" Handwritten text on the bottom right corner of the photograph reads, \"To my devoted sister - Doug.\" Photograph is undated, c.1940s\u003c/p\u003e","\u003cp\u003eBlack and white photographic print, group portrait of a group of musicians. Eleven men are posed in two rows, the back row is standing and the front row are seated in folding chairs. Several instruments are arranged on the floor in front of the men; there are a variety of string instruments in the arrangement including a cello, violin, banjo, and several mandolins. The men are all dressed in dark colored suits, white shirts, and neckties (some are bow ties, some are long ties). Photograph is undated, c. 1900s\u003c/p\u003e","\u003cp\u003eDigital surrogates of seven photograph albums from the family of Maurice Terrell. Albums include photographs, documents, and ephemera.\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eHandwritten note reads, \"63rd birthday June 5, 1997.\" \u003cbr\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eHandwritten note reads, \"June 5, 1997.\" \u003cbr\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eHandwritten note reads, \"June 5, 1997.\" \u003cbr\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eHandwritten note reads, \"June 5, 1997.\" \u003cbr\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eHandwritten note reads, \"June 5, 1997.\" \u003cbr\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of two women (ABFR-23-010-135). Handwritten note reads, \"June 24th (97) (Wed.)\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of two women (ABFR-23-010-137). Handwritten note reads, \"June 24th (97) (Wed)\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a man and woman (ABFR-23-010-144). Handwritten note reads, \"June 24th (97) (Wed)\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Carl on a sidewalk in downtown Boston (ABFR-23-010-299). Handwritten note reads, \"Downtown Boston, Sunday, 9 May 76. To my sweet baby, Love always, Carl\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the Carter and Robinson families. Both families have been in Alexandria since the late 1860s.\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs and documents from the family of Dorothy Taylor. Included are photographs, a scrapbook, marriage and death certificates, and other documentation of family history.\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Realtor listing of 1004 Cameron Street (ABFR-23-013-034).\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Certificate in lieu of lost or destroyed discharge certificate of Walter Thomas (ABFR-23-013-036). Hand written note reads, \"Walter Thomas grave 549 Arlington Cemetery\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Portrait of Dorothy E. Knapper Taylor (ABFR-23-013-045). Handwritten note reads, \"Dorothy E. Knapper (Taylor)\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of unidentified child and Dorothy Knapper in front of a building (ABFR-23-013-047). Handwritten note reads, \"Dorothy Knapper (Taylor) in white\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Beulah Priester and Dorothy Taylor in front of house (ABFR-23-013-049). Handwritten note reads, \"Beulah Priester and Dorothy Taylor Elks convention in Chicago\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Mat. And Dot. sitting outside (ABFR-23-013-052). Handwritten note reads, \"Mat. and Dot\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Portrait of Dorothy Knapper Taylor (ABFR-23-013-054). Handwritten note reads, \"Dorothy Knapper (Taylor) age unknown\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Portrait of Dorothy Knapper Taylor (ABFR-23-013-056). Handwritten note reads, \"Dorothy E. Knapper (Taylor)\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Virginia Knapper, Ella Lomax, and Desiree Porter (ABFR-23-013-059). Handwritten note reads, \"Virginia Knapper, Ella Lomax, Desiree Porter\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Nannie in Elks uniform (ABFR-23-013-061). Handwritten note reads, \"Nannie- Elks uniform\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Virginia Knapper and Desiree Irvin (ABFR-23-013-063). Handwritten note reads, \"Virginia Knapper Desiree Irvin\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Desiree Irvin and Virginia Knapper (ABFR-23-013-065). Handwritten note reads, \"Desiree Irvin and Virginia Knapper\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Virginia Knapper \"Nannie\" and unidentified man (ABFR-23-013-067). Handwritten note reads, \"Virginia Knapper (Nannie) and friends\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of woman (ABFR-23-013-069). Handwritten note reads, \"Dec. 26, 1952 Nannie?\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Ruby Lomax and James Young (ABFR-23-013-071). Handwritten note reads, \"Ruby Lomax and James Young\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Lena Jackson and Virginia \"Nannie\" Knapper (ABFR-23-013-073). Handwritten note reads, \"Lena Jackson and Virginia Knapper (Nannie)\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Dorothy \"Momma Dot\" Taylor and Desiree Irvin (ABFR-23-013-077). Handwritten note reading, \"Dorothy Taylor\" is crossed out. Additional handwritten note reads, \"Momma Dot, Desiree Irvin\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Mattie Tyree, Edna Jones, Virginia Knapper, Eudell Bartee, and unidentified people (ABFR-23-013-078). Handwritten note reads, \"Mattie Tyree Edna Jones Virginia Knapper Eudell Barte.\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Portrait of James Knapper (ABFR-23-013-081). Handwritten note reads, \"Uncle Jim (James Knapper)\" \"Momma Dat's uncle (Pennsylvania Station\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a house (ABFR-23-013-084). Handwritten note reads, \"Mother Dear's house\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of three women (ABFR-23-013-087). Handwritten note reads \"I don't know, I don't know, Mother Dear\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Helen Brown and Emma Thomas (ABFR-23-013-089). Handwritten note reads, \"Helen Brown and Mother Dear (Emma Thomas)\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Emma Thomas, four unidentified people, unidentified baby (ABFR-23-013-091). Handwritten note reads, \"Mother Dear\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Ella Lomax (ABFR-23-013-093). Handwritten note reads, \"Ella Lomax\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Portrait of Adeline Hughes and husband (ABFR-23-013-095). Handwritten note reads, \"Adeline Hughes and husband\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Portrait of two women and a man (ABFR-23-013-100). Typescript date stamp reads, \"04/30/22\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Family group portrait (ABFR-23-013-102). Typescript date stamp reads, \"04/30/22\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photograph of Earl Lloyd and unidentified men standing in a gym (ABFR-23-013-142). Handwritten note reads, \"Earl Lloyd, Missing (Rozier Ware)- Hoodley Windy's dad\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photograph of the Alexandria Rams football team (ABFR-23-013-145). Handwritten note reads, \"Rams football team, Donald Taylor top row third from left #\"\u003c/p\u003e","\u003cp\u003eDigital surrogates of materials documenting the history of the Hamilton and Carrie Gray Family. The Gray Family has been apart of the Black community in Alexandria and Gum Springs since the 19th century. Included are family reunion books, photographs, ephemera, a pastel portrait drawing, and other documentation of family history.\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs and ephemera from the family of Bernice Lee.\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs and ephemera from the Cross family\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Wendy Lucas (ABFR-23-020-002). Handwritten note identifies the girl in the image as \"Wendy Lucas\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a backyard family gathering (ABFR-23-020-018). Date stamp reads, \"SEP 1984\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a backyard family gathering (ABFR-23-020-020). Date stamp reads, \"SEP 1984\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group portrait taken at a formal event (ABFR-23-020-028). Handwritten note reads, \"Top of Poem \"Our Family's Love\", Bea Taylor\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a house (ABFR-23-020-030). Handwritten note reads, \"Front of Home.\" Date stamp reads, \"JULY 2002\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Lydia Cross Jones and Eleanor Cross Winbush (ABFR-23-020-033). Handwritten notes read, \"To Bea \u0026amp; John, this was taken Dec 3rd 1988\" and \"Lydia Cross Jones, Eleanor Cross Winbush.\" Typescript stamp reads, \"Photography by Herbert D. Spears, 7012 Lamp Post Lane, Alexandria, VA 22306, 703-768-6395\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Goff, Haywood, and Bernice (ABFR-23-020-059). Handwritten note reads, \"Goff, Haywood, Bernice.\" Typescript stamp reads, \"When this photograph is used please credit Michael L. Smith\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Lydia (ABFR-23-020-064). Handwritten note identifies the girl in the photo as \"Lydia.\" Typescript stamp reads, \"Pease Photograph, 3728 Hayes St NE, Washington, DC, Lincoln 7 5319\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Portrait of Daisy P. Cross (ABFR-23-020-071). Handwritten note identifies the woman in the photo as \"Daisy P. Cross\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of materials documenting the history of the Carter Family. Included are photographs, drawings, and paintings\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eHandwritten note in the bottom corner of the photograph reads, \"To Paul, Love Ann\"\u003c/p\u003e\n","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Ellan\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Ellan\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Ellan\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Ellan\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Ellan\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Douglas\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Bernard\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Bernard\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Frederick\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Paul, Jr.\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Lawrence, Jr.\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Lawrence, Jr.\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Lawrence, Jr.\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Yolanda\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Yolanda\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Yolanda\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Yolanda\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Chrystal\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Chrystal\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Chrystal\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of David\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Alfred\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Alfred\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Alfred\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter \u0026gt; Family of Lucy\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter \u0026gt; Family of Lucy\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter \u0026gt; Family of Lucy\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter \u0026gt; Family of Lucy\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter \u0026gt; Family of Lucy\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter \u0026gt; Family of Lucy\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of William H. and Hester Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of William H. and Hester Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of William H. and Hester Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of William H. and Hester Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of William H. and Hester Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of William H. and Hester Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of William H. and Hester Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of materials documenting the Alexandria-Mount Vernon Chapter of Jack and Jill of America, Inc and their annual Founders Day celebrations\u003c/p\u003e","\u003cp\u003eExcerpt of three pages from a newsletter, program, or informational pamphlet about Founders Day 2023 of the Alexandria-Mount Vernon Chapter of Jack and Jill of America. Excerpted pages include a photograph and roster of the founding members of the chapter; letter to members from Elena Neely, Chapter President in 2023, a history of the chapter, and a 2023 group portrait of the members. Document is dated 2023\u003c/p\u003e","\u003cp\u003eInformational and promotional video made for the 55th Anniversary and Founders Day of the Alexandria-Mount Vernon Chapter of Jack and Jill of America. Video gives a brief history of the chapter and information about the organization and its mission, activities, and member statistics. This information is conveyed primarily through audio narration. The narration is accompanied by a slideshow of photographs. There is also background music playing throughout the video. Video is dated 2021\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs, documents, and newsclippings from the family of Shirley Ann Sanders-Steele.\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joe Ann Sanders-Smith standing in front of a wrought iron gate in front of the Governor's mansion in Richmond, VA. She is wearing summer clothing. She holds sunglasses in one hand, her other hand on her hip. Joe Ann is smiling for the camera. Photograph is dated November 1957\u003c/p\u003e","\u003cp\u003eReverse of photograph of Joe Ann (ABFR-23-024-001). Handwritten note reads \"My sister in law Joe Ann, Gov's mansion Richm.\" An additional handwritten note beneath this text is obscured by a black marking and is illegible. Photograph is dated November 1957\u003c/p\u003e","\u003cp\u003eColor photograph of three women in formalwear seated at a dinner table laid with matching dishware, drinkware, and utensils. At each place setting on the table stands a fruit-based dessert in a cocktail style serving glass. Photograph is dated 1985\u003c/p\u003e","\u003cp\u003eReverse of photograph of three women seated at formal dinner (AFBR-23-024-003). Typescript stamp dates photo to October 1895\u003c/p\u003e","\u003cp\u003eColor photograph of Aunt Lil and her niece, Shirley Ann Sanders, in proper attire. They are posed in front of a painted backdrop depicting a lake scene, smiling at the camera. Aunt Lil is standing and has her arm draped over the shoulders of Shirley Ann, who is seated. Photograph is undated, c. 1980s\u003c/p\u003e","\u003cp\u003eReverse of photograph of Aunt Lil and her Shirley Ann Sanders (ABFR-23-024-005). Handwritten note reads \"Aunt Lil + me.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlurry color photograph of Shirley Ann Sanders, smiling in a long coat standing in the snow-covered yard of a brick building. In front of her sits a dog on a leash, which the woman holds. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Shirley Ann Sanders on snowy lawn with dog (ABFR-23-024-008). Handwritten note reads \"1713 Price St, Alex Va, 1965-2001, My dog.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of a group of children holding balloons of various colors in a living room. In the left of frame, an adult woman seated near a coffee table looks on. Photograph is dated January 1959\u003c/p\u003e","\u003cp\u003eReverse of photograph of Tyrone and Angela's birthday party (ABFR-23-024-009). Handwritten note identifies the birthday celebrants as Tyrone and Angela. Photograph is dated January 1959.\u003c/p\u003e","\u003cp\u003eColor photograph of a rectangular cake on a table with two chairs in the background. The left half of the cake, decorated with blue frosting, a cactus, and cowboy figurines, reads \"Happy Birthday Tyrone.\" The right half, pink with a ballerina in white silhouette, reads \"Happy Birthday Angela.\" The photograph is dated January 1959\u003c/p\u003e","\u003cp\u003eReverse of photograph of Tyrone and Angela's birthday cake (ABFR-23-024-011). Handwritten note reads \"Birthday Party, Tyrone (3) Yr + Angela (2) Ys, Jan 1959, At my mothers, 812 N Alfred St.\" Photograph is dated January 1959\u003c/p\u003e","\u003cp\u003eBlack and white photograph of young Kirk in a white graduation cap and gown, facing the camera. The pews are filled with similarly dressed children, facing the nave. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of young Kirk in white graduation cap and gown on a city sidewalk. Parked cars are visible on the street behind, and power lines stretch across the cloudless sky.\u003c/p\u003e","\u003cp\u003eReverse of photograph of Kirk on the sidewalk on the day of his kindergarten graduation (ABFR-23-024-014). Handwritten text reads \"Kirk Graduation from kindergarten, June-1964 Ebenezer Baptist Church.\" Photograph is dated June 1964\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Helena with six children of various age in front of her, seated in two rows of three. Nearest to her, from left to right, are Angela, baby Diane, and Tyrone, and in the front row, from left to right, are Ricky, April, and Buttons. Behind the gathered family stand furniture pieces which hold books, small sculptures, and a lamp. Photograph is undated, c. 1960s\u003c/p\u003e","\u003cp\u003eReverse of photograph of Helena in her home with her grandchildren (ABFR-23-024-016). Handwritten text identifies each subject by name and identifies Helena's home address.\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Helena Lindsey, seated to the right of the frame. To her left are her grandson Buttons as well as Michale Lee and Aaron, a pair of cousins. The subjects are dressed in casual clothes and regarding the camera. Photograph is undated, c. 1970s\u003c/p\u003e","\u003cp\u003eReverse of photograph of Helena at Aunt Lil's house with three boys (ABFR-23-024-018). Handwritten text lists the subjects' names and identifies Aunt Lil's home address. Photograph is undated, c. 1970s\u003c/p\u003e","\u003cp\u003eColor photograph featuring Odessa Steele (left), wearing dark silky outfit and dangling earrings, with a city councilwoman (right) who wears a red blazer. The two women are depicted from the shoulders up in front of a dark indoor background. Photograph is dated Depember 1990\u003c/p\u003e","\u003cp\u003eReverse of photograph of Odessa Steele with city council member at the Departmental Club (AFBR-23-024-020). Handwritten text reads \"Lady on city council + my sister at the Departmental Club, Bro + Sis Odessa Steele's 50th Wedding Annversary.\" Typescript stamp dates photo to December 1990\u003c/p\u003e","\u003cp\u003eColor photograph of three women seated side-by-side at an indoor banquet table. The table is set with a white tablecloth and spread with various foods on decorative white plates. The woman on the left, Bessie Sanders-Gambrell, wears a floral hat and a corsage. The woman in the middle, Shirley Ann Sanders, is the youngest and wears a red dress with long sleeves. The woman on the right, Virginia Zellars Martin, wears a headwrap and has her arm draped over Shirley Ann's shoulders. Another figure's arm is visible in the left of the frame. Photograph is dated May 1984\u003c/p\u003e","\u003cp\u003eReverse of photograph  of Bessie Sanders-Gambrell, Shirley Ann Sanders, and Virginia Zellars Martin at a Mother's Day banquet (ABFR-23-024-022). Handwritten text identifies the three women in the photo and the nature of the gathering they attend. Typescript stamp dates photograph to July 1984, but event depicted in photograph occured in May 1984\u003c/p\u003e","\u003cp\u003eColor photograph of Bessie Sanders-Gambrell in a brimmed hat with flowers, a corsage pinned to her black blazer. Her daughter-in-law, Shirley Ann Sanders, stands behind her between a microphone stand and a large, curtained window. On either side of them sits a woman facing out of frame, her features obscured. Photograph is dated May 1984\u003c/p\u003e","\u003cp\u003eReverse of photograph of Bessie Sanders-Gambrell and Shirley Ann Sanders at Mother's Day banquet with two other women (ABFR-23-024-024). Handwritten text reads \"Mothers Day Banquet May 84, My mother-in-law Bessie was given special honors for the letter I wrote in about her, She gave me the dress I wore.\" Typescript stamp dates development of photograph to July 1984\u003c/p\u003e","\u003cp\u003eColor photograph of Shirley Ann Sanders wearing a black, calf-length skirt, lacy white shirt, red corsage, and white hat. She stands with hands folded behind her back, smiling at the camera. Behind her are white houses in a suburban neighborhood. The grass is yellowing, and a bush adjacent to Shirley Ann is bare of leaves. Photograph is dated March 1984\u003c/p\u003e","\u003cp\u003eReverse of photograph of Shirley Ann Sanders standing outside of a house (ABFR-23-024-026). Typescript stamp dates development of photograph to March 1984\u003c/p\u003e","\u003cp\u003eColor photograph of 16 men posing in three rows, the frontmost of which is seated. They wear black suits, white gloves, and sober expressions. Each holds blue and white Masonic paraphernalia, and some wear livery collars. The man in the center of the front row holds a gavel. Photograph is dated September 1987\u003c/p\u003e","\u003cp\u003eReverse of photograph of men in Masonic regalia (ABFR-23-024-028). Typescript stamp dates photograph to September 1987\u003c/p\u003e","\u003cp\u003eColor photograph of Shirley Ann Sanders (left) and Lalon Sanders, Jr. (right) in formalwear, seen from the torso up. In the dimly lit background, other figures sit at tables. Photograph is dated November 1983\u003c/p\u003e","\u003cp\u003eReverse of photograph of Shirley Ann Sanders seated beside Lalon Sanders, Jr. (ABFR-23-024-030). Handwritten note identifies subject by name. Typescript stamp dates photograph to November 1983\u003c/p\u003e","\u003cp\u003eColor photograph of five people seated at a table on a boat, smiling at the camera. The table is set with white coffee mugs, small lamps, and cut-glass goblets. Behind them, a window overlooks a sunlit view of a river lined with trees. At least one other diner seated at a table can be seen. Photograph is dated to 5 November 2003.\u003c/p\u003e","\u003cp\u003eReverse of photograph of seated diners in a riverboat (ABFR-23-024-032). Typescript stamp dates photograph to5  November 2003\u003c/p\u003e","\u003cp\u003eColor photograph of a Lee Roy Steele wearing a white suit, white brimmed cap, and identification badge. He has a gray moustache and glasses, and he stands to the left of a red sign on a wooden post that reads \"RESERVED PARKING, HPIP STEELE.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of four women standing side by side in a living room, arms behind one another's backs. The woman on the left wears loose green garments. The woman second to the left wears a t-shirt bearing the album cover for Yanni: Live at the Acropolis. The woman second to the right wears a striped yellow dress. The rightmost woman wears a light gray matching set. Behind them, a wedding photo is mounted on the wall, and the entrance to an adjoining room is in view. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of a sheet cake covered in white frosting and piped floral frosting motifs. Text on the cake reads \"Happy 80th Birthday Bessie, we Love You.\" Photograph is dated 2 June 1995\u003c/p\u003e","\u003cp\u003eReverse of photograph of Bessie's birthday cake (ABFR-23-024-036). Handwritten note establishes the date of Bessie's party. Photograph is dated 2 June 1995\u003c/p\u003e","\u003cp\u003eColor photograph depicting three men in formalwear standing in a church for a wedding. The men are, from left to right, Ernest Thomas (best man), Willian Thomas \"Buttons\" Holt, Jr. (son of the bride), and Vernon Carl Cooper (groom). Behind them are floral arrangements and a stained glass window. Photograph is dated 11 January, 1997\u003c/p\u003e","\u003cp\u003eReverse of photograph of best man, son of bride, and groom in church for wedding ceremony (ABFR-23-024-038). Handwritten note identifies photo subjects and date of capture. Photograph is dated 11 January, 1997\u003c/p\u003e","\u003cp\u003eColor photograph of Joe Ann Sanders-Smith with her arm around the waist of Crystal, her daughter. Both wear light colors and beaded necklaces, and they smile at the camera. In the background a crowd of casually dressed people stand with their backs to the camera. Against the far wall, balloons float. Photograph is dated 4 June 2005\u003c/p\u003e","\u003cp\u003eReverse of photograph of Joe Ann Sanders-Smith and Crystal at a gathering (ABFR-23-024-040). Handwritten note identifies the two women. Photograph is dated 4 June 2005\u003c/p\u003e","\u003cp\u003eColor photograph depicting two men, a young child, an elderly woman, and an adult woman in a sitting room. The men, child, and elderly woman are seated, while the other woman stands and leans inward to pose with them. Behind them is a door with decorative panelling and a framed image of Jesus. Photograph is dated December 1984\u003c/p\u003e","\u003cp\u003eReverse of photograph of intergenerational group in house (ABFR-23-024-042). Non-character pen marking appears on center of page. Typescript stamp dates photograph to December 1984\u003c/p\u003e","\u003cp\u003eColor photograph of Steele seated in an armchair in a house, enjoying candy. In his breast pocket he has white paper and a ballpoint pen, and a TV remote sits on the chair's arm beside him. Behind him hangs a globe and a white curtain. An door in the background opens on a kitchen. Photograph is dated 2 August 2006\u003c/p\u003e","\u003cp\u003eReverse of photograph of Steele in armchair with a cane (ABFR-23-024-044). Handwritten note supplies the date and reads \"Bro Steele sitting in his rocking chair enjoying candy.\" Photograph is dated 2 August 2006\u003c/p\u003e","\u003cp\u003eColor photograph of Angela Sanders, seen from behind with arms outstretched in the motion of conductor. Before her, near a lectern, stands an arc of seven singers. On the right of the frame, a child peers out from one of many white pews. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Angela Sanders leading the choir at Emmanuel Temple (ABFR-23-024-046). Handwritten note reads \"Angela Sanders at Emmanuel Temple SDA, Leading the choir.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph set in Emmanuel Temple Seventh-day Adventist Church depicting a row of young singers in white shirts and black lowerwear. In the foreground, Angela Sanders is seated in the pews, pointing at the choir. A sign overhead reads \"TOGETHER for A FINISHED WORK.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Angela Sanders and choir on Emmanuel Temple's Youth Day (ABFR-23-024-048). Handwritten note reads Youth Day at Emmanuel Temple, Angela leading choir, Left to right Candance Stephens, Ericka Jones, Alexcia Thomas, Zanita Watson, ? Wilhoit, Quaina Williams, Susie Bostick-Usher.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of a woman dressed in a blue plastic poncho with a white graphic of a boat and the text \"MAID OF THE [illegible, presumably MIST] SINCE 1846.\" She smiles and waves at the camera while a group of other spectators in similar attire stand in the background. Photograph is dated July 2000\u003c/p\u003e","\u003cp\u003eReverse of photograph of woman in blue plastic poncho at Niagara Falls (ABFR-23-024-050). Handwritten note reads \"Nigara Falls July 2000, Gen Conf\" [This is likely a reference to the 57th Adventist General Conference held in Toronto, Canada]. Typescript stamp dates photo to July 2000\u003c/p\u003e","\u003cp\u003eColor photograph of Lee Roy Steele dressed in a suit and tie at an Alexandria City Police Department event, a sheet of paper and a plastic cup in his hands. He stands in front of a dark blue backdrop, at the top of which is a partially obscured banner that reads \"[text obscured]A POLICE DEPARTMENT.\" On the floor, to Steele's left, is a sign decorated by an insignia bearing the seal of the City of Alexandria and the text \"Citizens' Police Academy Association.\" Photograph is dated November 1999\u003c/p\u003e","\u003cp\u003eReverse of photograph of Lee Roy Steele at the Citizens' Police Academy (ABFR-23-024-052). Handwritten text reads \"The love of my life, Mr Lee Roy Steele, Alex Police Citizens Academy.\" Typescript stamp dates photograph to November 1999\u003c/p\u003e","\u003cp\u003eColor photograph of a large group of birthday celebrants ranging in age from children to seniors. They are arranged in five rows, smiling for the camera. Behind them is one façade of a brick house and a tree wrapped with streamers. A lawn, parked cars, and another brick house are visible in the background. Photograph is dated 2 June 2005\u003c/p\u003e","\u003cp\u003eReverse of photograph of birthday gathering in Teri's yard (ABFR-23-024-054). Handwritten note reads \"Grandma Bessie's 80th Birthday June 2, 1995 at Teris house (yard)\"\u003c/p\u003e","\u003cp\u003eColor photograph of two men in a living room in the process of tending to a medical device. The older of the two men, seated in a red chair, looks down at the tube hanging from his bony, exposed chest. In the left of frame, the younger of the men, looking over his shoulder at the camera, holds an indeterminate object as if to apply it to the chest. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Joe Ann Sanders-Smith and her daughter, Crystal, locked in an embrace in a grassy suburban yard during Grandma Bessie's 80th birthday party. Behind them is another party attendee tending to a barbecue and two others. Photograph is dated 2 June 2005\u003c/p\u003e","\u003cp\u003eReverse of photograph of Joe Ann Sanders-Smith embracing Crystal at Bessie's 80th birthday party (ABFR-23-024-057). Handwritten note identifies the event depicted, date, and names of photo subjects. Photograph is dated 2 June 2005\u003c/p\u003e","\u003cp\u003eColor photograph of Lee Roy Steele seated at a small table in a paved yard adjoining a brick house. The table is lain with a tablecloth, a pitcher of orange juice, a bottle of pancake syrup, and various plates with leftover food scraps. Photograph is dated July 2000\u003c/p\u003e","\u003cp\u003eReverse of photograph of Lee Roy Steele seated after an outdoor meal (ABFR-23-024-059). Typescript stamp dates photograph to July 2000\u003c/p\u003e","\u003cp\u003eColor photograph of Lee Roy Steele and Shirley Ann Sanders-Steele seated at Kirk's house during Linda's 55th birthday party. His arm is over her shoulder, and behind them is a pair of fully extended white window blinds. Photograph is dated June 2008\u003c/p\u003e","\u003cp\u003eReverse of photograph of Lee Roy Steele and Shirley Ann Sanders-Steele at Linda's 55th birthday party (ABFR-23-024-061). Handwritten note reads \"Linda's 55th, At Kirk's house her birthday party June 2008, Lee Roy Steele, Shirley Ann Sanders-Steele.\" Photograph is dated June 2008\u003c/p\u003e","\u003cp\u003eColor photograph of  Lee Roy Steele and Shirley Ann Sanders-Steele lying on a beige reclining couch with their legs extended. Behind them is a half-wall topped with various jars and knick-knacks, and other partygoers surround a kitchen table. Photograph is dated June 2008\u003c/p\u003e","\u003cp\u003eReverse of photograph of Lee Roy Steele and Shirley Ann Sanders-Steele on reclining couch at Linda's 55th birthday party (ABFR-23-024-063). Handwritten note identifies the date, event depicted, and identities of photo subjects. Photograph is dated June 2008\u003c/p\u003e","\u003cp\u003eColor photograph of two young cousins, William Thomas Holt and Tyrone Sanders, wearing matching white graduation regalia and black bowties. They stand on a sidewalk in front of bushes and the wall of a building. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of William Thomas Holt, Jr. and Tyrone Sanders at kindergarten graduation (ABFR-23-024-065). Handwritten note reads (My nephew — William Thomas Holt, Jr, my son Tyrone Sanders Graduating from Mrs Ethel Nelsn Kindergarten\" [Note: Ethel Nelson worked as a teacher in Alexandria, Virginia]. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white clipping with text detailing a written exchange between Lillian Lamb, a cashier at Giant grocery, and Esther Peterson, a prominent consumer advocate, about Giant Lemon Spray Wax. The clipping contains a section of a photo of a grocery store aisle and a complete photo of Lillian Lamb, seen from the waist up. Clipping is undated\u003c/p\u003e","\u003cp\u003eColor clipping of an obituary for Lee Roy Steele. Printed text identifies his dates of birth and death and reads \"Gone but not forgotten. He sleeps in Jesus. Your loving wife, Shirley Ann Sanders Steele, Your son, Robert Lee Steele.\" Clipping is dated 23 September 2021\u003c/p\u003e","\u003cp\u003eBlack and white photograph depicting a group of people standing by a table on which five polaroid photos are strewn. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph depicting two women in dresses standing on either side of a small artifical Christmas tree. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Sarah Strother in a white graduation cap and gown. She clutches a book to her chest. Behind her is a brick wall. Photograph is dated June 1977\u003c/p\u003e","\u003cp\u003eColor photograph of a group of children holding balloons of various colors in a living room. In the left of frame, an adult woman seated near a coffee table looks on. [Note: This photo is a duplicate of ABFR-23-024-009.] Photograph is dated January 1959\u003c/p\u003e","\u003cp\u003eColor photograph of a woman in a fur-lined coat seated on a lawn chair in a yard thickly covered by snow. She holds a long, pole-shaped implement, likely a showshovel, in one hand. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of three women wearing pink, long-sleeved semiformal dresses In an unadorned room. In front of them and to the right is a wooden tabletop, and behind them to the left is a gray door. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Pat Steele and Robert Steele wearing leis and shirts with floral, tropical prints. Wooden railing stands at waist height on either side of the couple. Behind them is the ocean and a dark blue sky. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Pat and Robert Steele on a boardwalk (ABFR-23-024-075). Handwritten note identifies names of photo subjects. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Sarah Strother in a white graduation cap and gown. She is seated in the front row of a configuration of stadium seats. To the right sit Strother's husband and two other unidentified people. The seats are otherwise unoccupied. Photograph is dated June 1977\u003c/p\u003e","\u003cp\u003eReverse of photograph of Sarah Strother, her husband, and other students at T. C. Williams Adult Education graduation (ABFR-23-024-077). Handwritten note identifies Strother and her husband, event depicted, and date. The note indicates that at least one of the unidentified figures is also a student. [Note: T. C. Williams High School has been renamed to Alexandria City High School.] Photograph is dated June 1977\u003c/p\u003e","\u003cp\u003eBlack and white photograph of James Wheeler from the torso up. He wears a white collared shirt, necktie, and captain-style hat. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of James Wheeler (ABFR-23-024-079). Handwritten note reads \"Uncle James Wheeler, My Mothers brother, He.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eCollage of color photographs showing two individuals at three different formal events. The topmost image shows the pair, a woman and a man, seated at a dinner table set with a tablecloth, glass goblets full of water and other beverages, multiple plates, and a basket of bread rolls. Other seated diners are visible in the background. The two lower photographs depict the couple side-by-side at two different church altars. In the leftmost of these two church photos, the woman wears a calf-length white dress, while in the rightmost photo, she wears a floor-length white gown with lace designs and a white tulle veil. Handwritten captions read \"[Illegible, possibly Ruth] + Mr Bodz, I love you two\" and \"There are the photos I had put in the alumni book [arrows indicate the two church photographs].\" Photographs are undated\u003c/p\u003e","\u003cp\u003eMarriage certificate featuring handwritten text in a fill-in-the-blank template to indicate the marriage of Joseph Wheeler and Miss Annie Virginia Lee, both of Alexandria, Virginia. Printed images of red roses and other foliage decorate the page. Certificate is dated 26 February 1920\u003c/p\u003e","\u003cp\u003eReverse of marriage certificate for Joseph Wheeler and Annie Virginia Lee (ABFR-23-024-082). The certificate features handwritten text in a fill-in-the-blank template to indicate the location and date of the couple's marriage. Printed images of red roses and other foliage decorate the page. Certificate is dated 26 February 1920\u003c/p\u003e","\u003cp\u003eBlack and white print of a military discharge document indicating the honorable discharge of Private James E. Wheeler from the Army of the United States. Document is dated 9 April 1946\u003c/p\u003e","\u003cp\u003eReverse of  military discharge document for James E. Wheeler (ABFR-23-024-084). Typrescript text describes personal data, military history, pay data for James E. Wheeler. Document is dated 9 April 1946\u003c/p\u003e","\u003cp\u003eBlack and white photograph of young Shirley Ann Gilliam in a puffy gown and large tiara, seated with feet crossed and hands on her lap. Handwritten note reads \"May Oueen [Queen] Charles Houston 1952, Shirley Ann Gilliam\" [Likely in reference to Charles Houston Elementary School]. Photograph is dated 1952\u003c/p\u003e","\u003cp\u003eCollage of three black and white photographs and scans of the front and back of a retirement identification card. The photo in the upper left corner shows a woman in a white dress seated on an armchair in a living room. Typescript caption dates this photograph to May 1960. The photo in the lower left corner shows Aunt Lil and a younger sister, May, standing in the yard of a house. Typescript caption identifies the subjects of the photograph by name. Photograph is undated. The photo in the upper right corner shows James E. Wheeler in military attire against a solid background from the torso up. Typescript caption identifies him as \"James E. Wheeler, big brother.\" Photograph is undated but was likely taken before 1946. The front and back of a retirement identification card issued by the United States Treasury Department to George E. Lee occupies the lower right corner. The card displays Lee's photo portrait, signature, retirement date, and length of government service. Card was issued 31 October 1962. Collage is undated\u003c/p\u003e","\u003cp\u003eCollage of three black and white photographs, the same three photographs seen in ABFR-23-024-087 and in similar placements on the collage backdrop. The photo in the upper left corner shows a woman sitting on a chair in a living room. Typescript caption dates this photograph to May 1960, and a handwritten note identifies the woman as \"my mom.\" The photo in the lower left corner shows two young women standing in a yard. Typescript caption identifies the subjects of the photograph as Aunt Lil and May, a little sister. Handwritten note reads \"May died.\" Photograph is undated. The photo in the upper right corner shows James E. Wheeler in military dress. Typescript caption identifies him as \"James E. Wheeler, big brother.\" Handwritten note identifies Wheeler as \"my mom's brother.\" Photograph is undated but was likely taken before 1946. Collage is undated\u003c/p\u003e","\u003cp\u003eReverse of collage of family photos with handwritten clarifications (ABFR-23-024-088). Handwritten note reads \"Annie Lee Wheeler Descants.\" Collage is undated\u003c/p\u003e","\u003cp\u003eCollage of two black and white photographs with handwritten captions. The photograph on the left shows the head and shoulders of a woman wearing a white collar and hoop earrings. Her lips are slightly parted in a subtle smile, and her hand is raised as if to wave. Handwritten caption identifies her as Shirley Ann Gilliam. The photograph on the right shows the head and shoulders of a man in a gray suit jacket with close-cropped hair. Handwritten caption identifies him as Lalon Sanders, Jr. Photographs and collage are undated\u003c/p\u003e","\u003cp\u003eAlbert Gallaton Award granted to George E. Lee by the United States Treasury Department. The page is a yellowed manilla color, and in the center of the page, the Treasury Department's seal appears in a darker yellow. The words \"United States Treasury Department\" appear at the head of the page in a blackletter typeface. Beneath this heading is an engraving of Albert Gallatin's head and shoulders and, in a cursive typeface, an explanation that the award recognizes Lee's years-long term of service for the Treasury. The bottom of the page bears the signature of Douglas Dillon, then Secretary of the Treasury Department. Award is dated 6 September 1962\u003c/p\u003e","\u003cp\u003eClipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 7,\" and the title reads \"PREPARING FOR COMPANY'S COMING.\" The upper section of the page is occupied by three black and white images of Giant staffers from Fairfax, Virginia cleaning the store. The lower part of the page contains rhyming verse written by Giant staffers for their corporate executives by Giant employees. Clipping is undated\u003c/p\u003e","\u003cp\u003ePage from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 8,\" and the title reads \"Company's coming.\" The page contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Reverse of ABFR-23-024-092. Periodical extract is undated\u003c/p\u003e","\u003cp\u003eClipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 17.\" The page contains a continuation of the \"Company's coming\" article introduced on page 7 of the magazine (ABFR-23-024-091). It contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Clipping is undated\u003c/p\u003e","\u003cp\u003eClipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 18.\" The page contains a continuation of the \"Company's coming\" article introduced on page 7 of the magazine (ABFR-23-024-091). It contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Reverse of ABFR-23-024-094. Clipping is undated\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the Colbert, Johnson, and Terrell Families.\u003c/p\u003e","\u003cp\u003eColor photograph of four people standing side-by-side in semiformal dress. On the far left of the group is a man wearing a plain white shirt with a tattoo on his forearm. Second to the left is a woman wearing a polka dot dress and a yellow floral parure. Her arm is around the shoulders of Frances Terrel, second to the right, who wears a pink and black ensemble with a bolero jacket and a corsage. The rightmost figure is a man in a brown tuxedo jacket. They stand before a red sequined drapery over a white wall. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of five individuals of varying age in semiformal clothing. They are posed in two rows in front of a mottled brownand gray backdrop such as those used by portrait photographers. In the front row, Terrell sits on the left, dressed in pastel colors and a pearl necklace. The man seated to her right has a whitening beard. Behind them stand two women, who, like Terrell, wear light colored dresses and necklaces, as well as a man in a navy blue tuxedo. All five smile at the camera. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Calvin D. Terrell and Frances Terrell (left and second to the left, respectively) with four other adults, one of whom holds a toddler in a lacy blue dress. They are standing in a row in a living room. Behind them, on the left edge of the frame, stands an evergreen tree wrapped in tinsel and hung with ornaments. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of 19 people in semiformal dress at an indoor event [likely the same event depicted in photograph of Frances Terrell at an event with three other attendees, ABFR-23-005-001]. Their ages range from child to senior. The room has white walls and floors, and in the lower left corner, a table draped with a white tablecloth can be seen. Behind the people is a sequined red decorative drape. Frances and Calvin D. Terrell stand in the center of the posed assembly. Some among the group have blue paint on their hands or faces, including Calvin D. Terrell. Frances Terrell has blue paint on her sleeve. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Delaney C. Colbert and Mary Agnes Johnson, parents of Frances Terrell, sitting in chairs on a balustrade-enclosed porch in a suburban neighborhood. Johnson's hand rests on top of Colbert's. Colbert has a brimmed hat on his lap. Behind them, plants are dense with foliage, and a flower bush is in full bloom. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Frances Terrell as a young woman, posing confidently for the camera. She wears a white turtleneck, round glasses, and abrown pendant in the shape of an upraised, clenched fist. Her hair is styled in an afro, and her hands are planted on her hips. She is inside of a room painted all in white. Behind her is a refrigerator, a cabinet, and an umbrella hanging on a doorknob. Photograph is dated 1970\u003c/p\u003e","\u003cp\u003eReverse of photograph of young Frances Terrell with refrigerator, arms akimbo (ABFR-23-005-006). A printed label featuring a small image of the Nativity in silhouette displays Frances Terrell's name and address. Handwritten note dates photograph to 1970\u003c/p\u003e","\u003cp\u003eColor photograph of Louis Eric Clements, son of Frances Terrell, pictured from the shoulders up. He wears a dark blue button-up shirt and smiles for the camera. He stands against a blank white wall, and the camera flash casts a shadow behind him and illuminates the pupils of his eyes. Photograph is undated but was likely taken during the 2000s and no later than 2012 [Clements passed away in 2012]\u003c/p\u003e","\u003cp\u003eColor photograph of seven people posed in a line outside a white building, facing the camera, in casual dress. In the center of the line is the eldest photo subject, seated on a bench. To the left are three men, standing, and to the right are three women, also standing. The ground is paved with cement, and decorative elements on the wall behind them feature stylized shellfish. Said decorative elements resemble light fixtures used to decorate the exterior of Red Lobster restaurants. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Frances Terrell and her husband, Calvin D. Terrell, posing in front of a plain blue backdrop. Calvin D. Terrell, left, wears glasses and a brown gingham suit. Frances Terrell, right, wears a red button-up shirt and simple gold jewelry. They are both smiling, their gazes facing the left of the frame. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Calvin D. Terrell (left) and Frances Terrell (right) with Louis Eric Clements, seated between them. Clements was the son of Frances Terrell and the stepson of Calvin D. Terrell. They are dressed casually and posing in front of a blank white background. Clements wears a gold cross pendant. Photograph is dated May 2011\u003c/p\u003e","\u003cp\u003eReverse of photo portrait of Calvin D. Terrell, Louis Eric Clements, and Frances Terrell (ABFR-23-025-011). A small label with a floral motif displays Frances Terrell's name and address. Handwritten note dates photograph to May 2011\u003c/p\u003e","\u003cp\u003eColor photograph of Delaney C. Colbert (left, seated) and Mary Agnes Johnson (right, standing) in semiformal dress, posed in front of a plain white background. Handwritten note reads \"LOVE DAD + MOTHER\" [Colbert and Johnson are the parents of Frances Terrell]. Photograph is undated\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the Zellars family\u003c/p\u003e","\u003cp\u003eDigital photo collage depicting members of the Zellars family. Collage includes three portraits, each of a different member of the Zellars Family depicted in military uniform. The largest image, which occupies the left side of the collage, is a black and white portrait photograph of Clearence Zellars, c.1940s. He is wearing an M1 helmet covered in netting. Located in the upper right portion of the collage is a color portrait photograph of Dr. Tincie Zellars Lynch wearing a U.S. Army uniform and posed sitting in front of an American flag and burgundy flag with a wheel insignia and \"396\" in gold lettering, c.1990s. Located in the bottom right portion of the collage is a color portrait photograph of a young man in U.S. Marines uniform who is identified as the brother of Tincie Zellars Lynch, c.1960s-1970s. Typescript text at the bottom of the collage reads, \"My Daddy WWII, me Desert Storm Era my brother Vietnam Boots on the Ground Veteran Family of Veteran Zellars\" and  another typescript caption at the top of the image reads \"7 YEARS AGO.\" Collage is undated\u003c/p\u003e","\u003cp\u003eDigital surrogates of family history materials documenting the Gregory and West families. Included are photographs, documents, newsclippings, and artifacts\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of James Francis Gregory, a Presbyterian minister and educator. He is pictured from the shoulders up. He wears a suit jacket with wide lapels, a white collar, and a thick moustache. The backdrop is a solid color, unadorned. The photograph is framed by an oval-shaped window in a sheet of brown matboard. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of Portrait of James Francis Gregory (ABFR-23-034-001). Handwritten note reads, \"James Francis Gregory (1876-1944).\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of eight young men in graduation regalia, holding their mortarboard caps. One of the young men has been identified as James Francis Gregory (second from the right). They sit in front of a richly decorated backdrop featuring engravings and drapery. Photograph is undated but likely dates to the 1890s or early 1900s, when Gregory was a student at Amherst College and then Yale Divinity School\u003c/p\u003e","\u003cp\u003eReverse of photograph of Photograph of James Francis Gregory and students in graduation attire (ABFR-23-034-003). Handwritten note reads, \"James Francis Gregory.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of twelve people standing outside on a sunny day. Four of the twelve are small children, some of them in a state of semi-undress. The adults stand shoulder-to-shoulder with one another, many of them holding the hands of the children. Behind them, bushes and trees can be seen. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a woman wearing a mortarboard graduation cap, black graduation robe, and white lace collar. She holds a book open in her left hand, and with eyes downcast, she appears to be contemplating its contents. Her hair is dark and styled in tight, chin-length waves. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph depicting a woman with short, tightly waved hair, huggie earrings, and a light-colored, collared gingham shirt. The backdrop is a light, solid color. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of two figures standing outdoors on grassy earth in front of a weeping willow. The woman (left) wears a light colored, midcalf dress and a brimmed hat. The man (right), wears a light, unbuttoned suit and saddle shoes. Both smile for the camera. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of people standing outdoors in front of leafy bushes and the exterior wall of a building. In the center of the group, a woman in commencement regalia holds a mortarboard graduation cap in her right hand, and in her left she holds a scroll of paper and a bouquet of flowers. Posed standing around her is a group of men and women, most of whom are wearing long coats and hats. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a woman wearing a white dress, her hands folded behind her back, leaning against a fence in an outdoor recreation area. Behind her and the fence is a grassy expanse and a squat, white building with wooden panel features and an open door. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a smiling girl in a white dress and black stockings. Her hair is in a braid draped over her shoulder, tied with a large black bow. She stands on grass, and behind her are visible tall trees and white houses. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a young woman wearing a white dress with an open graduation gown draped over her shoulders. She holds a scroll of paper and a bouquet of flowers. To her left is an older woman in a long, light colored coat and a hat, who is seen in profile as she looks to the left side of the frame. The pair stands outdoors before a wall densely covered in ivy. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white group photograph of the Amherst College baseball team in 1898. Thirteen men are posed seated, arranged in three rows. Most of them are wearing Amherst College uniforms. Some of the men hold baseball equipment, such as mitts and a bat. In the center of the group sits James Francis Gregory, legs crossed and slightly reclining, with a baseball cap balanced on his knee. Behind them is Johnson Chapel. Photograph is dated 1898\u003c/p\u003e","\u003cp\u003eReverse of Photograph of James Francis Gregory with Amherst College baseball team (ABFR-23-034-013). Handwritten note reads, \"James Francis Gregory, Captain of Amherst baseball team, 1898.\"\u003c/p\u003e","\u003cp\u003eColor photograph of two women (left, right) and one man (center) standing on a lawn near a house of brick and white siding with a large, stepped brick porch. The women wear long overcoats, and the man wears a suit and tie with a brimmed hat. He has a long coat draped over his right arm, a rolled up newspaper in his pocket, and a pipe in his mouth. A numbered sign on the outside of the brick house indicates that its address is 4116 on an unidentified street. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a smiling baby (left) and a young boy in overalls (right) holding one another's hand on a couch in front of a curtained window. Handwritten note in blue ink reads \"Murphy's Photo,\" which most likely refers to local photographer Elrich Murphy. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Gregory family. Pictured seated in the front row (L to R): James Francis Gregory, Fannie Hagan Gregory, and James Monroe Gregory. Pictured standing in the back row (L to R): Margaret Briggs, Eugene Monroe, and Thomas Montgomery. All are dressed in formal attire and are posed not smiling. Behind them is a painted studio backdrop which includes an image of a fluted column. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of six men arranged in two rows of three. James Francis Gregory is in the back row, far right. He and three other men in the group wear matching suit jackets with pockets and a YMCA insignia on the jacket sleeve. The group is posed in front of a studio backdrop. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of Group portrait of James Francis Gregory and unidentified men (ABFR-23-034-018). Handwritten note reads \"James Francis Gregory, Freddie's Grandfather, His children's Great Grandfather, His grandchildren's Great Great Grandfather, World War I Lecturer throughout U.S., YMCA.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of 15 men and boys, the football team at the Manual Training and Industrial School for Youth, in sweaters and sports paraphernalia decorated with a capital letter \"I.\" They are arranged in three rows, each seated on steps leading to the entrance of a brick building surrounded by a white balustrade. Gregory, the coach, sits in the upper left. The young man in the center of the group is holding a football with a white design printed on its surface, possible letters or numerals. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of James Francis Gregory with Bordentown School football team in spiritwear (ABFR-23-034-020). Handwritten note reads \"Football Team at Ironsides on front steps of Administration Bldg. Top left, Coach James Francis Gregory (Bordentown, N.J.).\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of Washington Historic Touring Club on visit to Franciscan Monastery. A large group of people, most of whom appear to be teenagers, are posed standing outside of the Franciscan Monastery of the Holy Land in America. The men and boys who have hats hold the hats in their hands. The Monastery, a light colored building inset with arch windows, occupies much of the background, and a statue of Saint Christopher carrying a young boy [presumably the Christ child] towers over the crowd. Handwritten note in the lower left corner reads \"WASH HISTORIC TOURING CLUB, CARDOZA SCHOOL WASH. D.C., OUTING TO FRANCISCAN MONASTERY MAY 2, 1937, GEO. H. WALLACE Pres. J. FRANCIS GREGORY Inst.\" Handwritten note in the lower right reads \"J. HENRY WRIGHT, WASH. D.C.\" Photograph is dated 2 May 1937\u003c/p\u003e","\u003cp\u003eManuscript document written in graphite pencil on lined paper tracing lines of parentage and descent in the Gregory family, beginning in the 19th century with Henry L. Gregory and Maria A. Gladman. The document lists James Francis Gregory, his siblings, and their marriages and offspring. Manuscript is undated\u003c/p\u003e","\u003cp\u003eReverse of manuscript detailing Gregory Family genealogical records (ABFR-23-034-025). Handwritten text continues the genealogical description from recto of page, starting in the late 19th century and continuing to the present at time of the document's creation. Manuscript is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph extracted from The Ironsides Echo, a New Jersey periodical. The photograph depicts a building consisting of several joined units from a sidelong angle. To the left, a wooden fence extends from the building's edge, and a sidewalk leads to a door with a small, stepped porch. The building has shuttered windows, wooden siding, and chimneys. Typescript caption reads \"Property rented and occupied when Principal Gregory took charge in 1897.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Manual Training and Industrial School for Youth premises (ABFR-23-034-027). Handwritten note identifies the photograph's source and subject. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a brickwork school building with a fenced-in porch and semicircular portico balcony. The surrounding trees are bare of leaves. Typescript caption reads \"ADMINISTRATION BUILDING. Manual Training and Industrial School for Colored Youth, Bordentown, N. J.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Manual Training and Industrial School administration building (ABFR-23-034-029). Handwritten note reads \"Source: postcard.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of four members of James Francis Gregory's family of varying ages. On the left, seated, is Margaret Mohamit Hagan, J. F. Gregory's grandmother, with baby Amherst Gregory, child of J. F. Gregory, on her lap. On the right, seated, is Fannie Hagan Gregory, mother of J. F. Gregory. She wears a long cross pendant, which she holds with both hands in her lap. James Francis Gregory stands behind them in a suit with a bow tie. Photograph is dated approximately 1904\u003c/p\u003e","\u003cp\u003eReverse of photo portrait of four generations of James Francis Gregory's family (ABFR-23-034-029). Handwritten note reads, \"Seated on left, Margaret Mohamit Hagan holding Baby Amherst Gregory (1903-1904), Seated - right, Fannie Hagan Gregory (1886-1928), Standing, James Francis Gregory (1876-1944), about 1904.\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of James Francis Gregory in an Amherst College baseball uniform. He is posed standing with his hands on his hips, in front of a painted, floral studio backdrop. Gregory stands in the center of the frame, his entire body visible, dressed in a sweater with a capital letter \"A\" emblazoned on the chest and padded pants tucked into knee-high socks. He also holds a baseball mitt in one hand. The photo print is mounted on black board. Photograph is undated\u003c/p\u003e","\u003cp\u003eNewsclipping of an article from The Philadelphia Press about James Francis Gregory. The headline and subhead of the clipped article reads, \"Negro Carries Off Prize For Oratory: James F. Gregory, of Bordentown, N.J., Secures First Honors for Elocution at the Yale Divinity School.\" The clipping includes a black and white portrait photograph of James Francis Gregory, pictured from the shoulders up. The article reports on Gregory winning Yale Divinity School's Downes prize for the reading of scriptures and hymns, and goes on to enumerate his achievements at Amherst College and Yale Divinity School as an athlete and an orator. Clipping is undated, but was likely printed in June 1901\u003c/p\u003e","\u003cp\u003eReverse of Newsclipping, The Philadelphia Press article about James Francis Gregory (ABFR-23-034-032). Typescript text near the top of the clipping identifies the month of publication as June. Articles touch on controversial railway bills, congressional sessions, and coal prices. Clipping is undated\u003c/p\u003e","\u003cp\u003eTypescript document of the beginning of an obituary for James Francis Gregory, beginning with his birth in 1876 and summarizing his academic and professional accomplishments. Document is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of a wedding party with the bride. Four people are posed standing in a row in front of an indoor arrangement of plants including tall ferns and flowers. From left to right: a man in a black tuxedo with a white shirt and black bowtie; a woman in a white wedding gown and veil, holding a bouquet of flowers; a woman in a dark velvet dress, holding a bouqut of flowers; and a man in a black tuxedo with a white shirt and black bowtie. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, group portrait of (L to R) NASA mission specialists Ronald \"Ron\" E. McNair, Guion \"Guy\" S. Bluford, and pilot Frederick D. Gregory. Frederick D. Gregory is the grandson of James Francis Gregory. The three men, wearing orange NASA astronaut flight suits, are posed standing in a row. Behind them is a gray studio backdrop, an American flag, and the flag of the United States National Aeronautics and Space Administration (NASA). In front of them is a model of a space shuttle on a black table. The photograph was taken at Johnson Space Center in Houston, Texas. Typescript caption at the bottom of the photograph reads, \"Three of the Eighth Group of NASA Astronauts.\" Photograph is undated, c.1978\u003c/p\u003e","\u003cp\u003eReverse of Group portrait of NASA astronauts with model space shuttle (ABFR-23-034-036). Typescript text reads, \"Three of the 35 New Astronauts. Three of NASA's newest group of astronauts selected in January 1978 pose with mockup of the Space Shuttle at the Johnson Space Center. The group includes, from left to right, mission specialists Ronald \"Ron\" E. McNair and Guion \"Guy\" S. Bluford, and pilot Frederick \"Fred\" D. Gregory.\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Charles Fremont West wearing a jacket and calf-length boots in a field of tall grass. Beside him sit two dogs on leashes, which West holds in one hand. In the other hand, he holds a dead bird with splayed plumage. The dogs face the left of the frame, where two additional dead birds hang by their legs from a short, sparse tree. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Charles Fremont West in field with his bird quarry and two dogs (ABFR-23-034-038). Typescript stamp reads, \"PHOTOGRAPHY BY TURNER STUDIO, ALEXANDRIA, VA.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of football players during the 1922 Rose Bowl at Tournament Park stadium in Pasadena, California. The game was played between the Washington \u0026amp; Jefferson Presidents (W\u0026amp;J) and the California Golden Bears college football teams. Charles Fremont West played as quarterback for Washington \u0026amp; Jefferson and was the first African American quarterback to play in the Rose Bowl. On the right side of the image, Hal Erickson (W\u0026amp;J) is pictured running with the ball. Next to him are several players in the midst of a tackle, the impact of which has churned up a spray of earth. Rows of spectators in stadium seating are visible in the background. A handwritten note in the upper right corner reads, \"ERICKSON.\" Another handwritten note along the bottom of the image reads, \"1922 ROSE BOWL GAME, CHARLIE 'PRUNER' WEST, QUARTERBACK.\" Photograph is dated 2 January 1922\u003c/p\u003e","\u003cp\u003eReverse of Photograph of the 1922 Rose Bowll (ABFR-23-034-040). Handwritten note reads, \"1922 Rose Bowl, Washington \u0026amp; Jefferson College vs U. of Cal., Charles \"Pruner\" West - Quarterback.\" Photograph is dated 2 January 1922\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of people at what seems to be a dinner or other social event. A man wearing a suit and tie and a woman wearing a dark-colored skirted suit are standing together behind a microphone stand. In front of them are four people sitting at a table with a white table cloth, upon which sit several glasses and other dishware. Seated at the table, from left to right: a woman wearing a dark-colored dress and pearl necklace, holding a cigarette; a man wearing a suit and tie, holding a cigarette; a woman wearing a dress, holding a cigarette; and a man in a suit and tie. The two women appear to be in conversation together. The man that is second from the left is looking up over his shoulder at the two people standing behind him. And the man on the far right is leaning to the side and talking to someone whose head is only partially visible in the frame. On the left side of the image the side of a woman's head is partially visible in the frame. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of Group photograph at social event (ABFR-23-034-042). Typescript stamp reads, \"McConnell Photography, Randolph 8345, Taylor 8222, 3221 Warden St. NW Wash.10 D.C.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Charles Fremont West (far right) and four unidentified men in a field, posed standing in a row. They are all dressed in similar outfits consisting of slacks, sport coats, and hats. Some of their jackets have patches on the sleeve. All five men are holding rifles; three of them have the rifle tucked into their elbow and two men are holding the rifles vertically with buttstocks resting on the ground. Behind them stretches a field of trimmed grass and distant trees. In front of the men is a small, grassless patch littered with bullet casings. A handwritten note in the upper right corner of the image reads, \"Charles Fremont West.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eManuscript document featuring handwritten genealogical record of Henry L. Gregory and his descendants. The document nearly duplicates the content of ABFR-23-034-025, \"Manuscript detailing Gregory Family genealogical records,\" but the formatting of the text is occasionally different and bears annotations and strikethroughs, although the handwriting appears consistent between the two documents. Along the left-hand margin, a note reads \"MIRIAM [illegible].\" Document is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Charles Fremont West (right) and an unidentified young man (left) standing in a field. They are both posed holding a rifle vertically with the stocks to the ground as well as a trophy. The figure on top of the trophies is a rifleman poised to shoot. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Charles Fremont West and young rifleman in field with trophies (ABFR-23-034-046). Typescript stamp reads, \"McConnell Photography, Randolph 8345, Taylor 8222, 3221 Warden St. NW Wash.10 D.C.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of five people at a picnic table outside. A man and two women are seated on the attached bench. One man stands to the side, leaning casually against the table's edge. Another man is posed standing with his foot on the table, elbow resting on his bent knee. Behind them, sunlight peeks through the gaps in a dense wall of foliage. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of Photograph of group at a picnic table (ABFR-23-034-048). It is a mostly blank page, with a typescript header and footer with the information typically included when a webpage is printed: page title, page number, date [accessed], and URL. It seems that the photograph was printed on the back of scrap paper, unrelated to the image.\u003c/p\u003e","\u003cp\u003eTypescript document, a family tree diagram illustrating the genealogy of Charles Fremont West. At the top of the page is the title, \"Hourglass Chart for Charles Fremont West.\" Charles Fremont West is at the center of the chart and it includes generations back to his great-grandparents, as well as through to his great-grandchildren. Document is undated\u003c/p\u003e","\u003cp\u003eProgram for the Fiftieth (50th) anniversary reunion for the Dunbar High School Class of 1926, held June 26-27, 1976 at St. Paul's Episcopal (Rock Creek) Church \u0026amp; Walter Reed Officers Club in Washington, DC. The program booklet is eleven pages and includes an event schedule, statistics about the class of 1926, a list of reunion attendees, a history of the school covering 1870-1926, and an article about African American schools in Washington, D.C. The cover is red with the title and a fleur-de-lis symbol printed in metallic gold. Document is dated 1976\u003c/p\u003e","\u003cp\u003eExhibition poster detailing the life and achievements of Dr. Charles Fremont \"Pruner\" West, created by Dana D. Brooks, Ronald Althouse, and Damien Clement, West Virginia University. The poster includes text and photographs with biographical information about West with details about his career as a student athlete, his academic career, professional career as a doctor, as well as honors and awards he received. The poster also discusses the racism and harrassment that West faced as a Black athlete in the Jim Crow era. On the left side of the poster, in the space between two columns of text, is a large black and white cutout image of West in an athletic uniform. Smaller images from West's academic and professional life are scattered throughout the informational content. Exhibition poster is undated\u003c/p\u003e","\u003cp\u003eAn effigy of Charles Fremont \"Pruner\" West made out of a model ambulance and black figurine. The ambulance is cast from metal and coated with chipped white paint, and painted on its side are a red cross and the text \"AMBULANCE\". The figurine is a small Nippon baby doll with no arms. It is painted black with red lips and a few red stripes across its body. It was inserted into the model ambulance, laying in the ambulance with its head poking out of the back. The figurine is visually reminiscent of lawn jockeys and other similar racist depictions of black men that reference blackface and minstrelsy. This effigy was originally displayed in the window of a merchant (a dry cleaner) in Morgantown, West Virginia in November 1921. It was placed there with the intention of intimidating West upon his arrival in town with the Washington \u0026amp; Jefferson College football team to play a game against West Virginia University. This display was one of many forms of racist intimidation that West encountered in Morgantown\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the Thompson Family; including Clayton Randolph Thompson, Valerie Jackson Thompson, and their descendants.\u003c/p\u003e","\u003cp\u003eColor photograph of a woman seated outdoors on a sunny day. Draped over her is a piece of white, patterned fabric, and in her right hand, she holds a bottle containing a dark brown liquid, Behind her is an expanse of green grass, dangling leaves, and a chain-link fence. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white portrait photograph of Clayton Randolph Thompson, wearing a suit and tie. He is visible from the shoulders up, and behind him is a featureless background. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of an unidentified woman. She is posed sitting in a church pew, with head bowed and eyes closed as though in prayer. Behind her, church pews and an unadorned wall are visible. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white halftone photograph from a newsclipping of Alice Thompson Lewis. She is pictured from the shoulders up, wearing glasses and jewelry with large, pearl-like beads. She smiles widely, and behind her is a solid background. Partially visible typescript caption reads \"…[L]EWIS, ALICE T., ...[i]t is so hard [to]...\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a woman, possibly Valerie Thompson, seated with her hands folded in her lap. She wears a pale colored dress and looks placidly at the camera. Around her is a garden dense with plant life, and behind her is a wooden structure and a fence of wooden palings. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of a man of the Thompson Family visible from the shoulders up, dressed in a black collared shirt. He has a beard and short-cropped black hair, and regards the camera with a solemn expression. Behind him is a smooth, white wall, surrounded by bushes and trees. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Clifford Martin Thompson standing beside an unidentified woman in front of a wall covered in wallpaper and set with a wooden doorframe. Thompson wears a black tuxedo and a bowtie. He is posed leaning in towards the woman standing next to him. She wears a muted blue garment and dangling earrings, her gaze fixed on something out of frame. Text and icons on the white margin above the photograph indicate that the image is derived from a screenshot of a Facebook post taken on a cell phone. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of Valerie Myers Jackson Thompson pictured from the shoulders up. She is dressed in white and wears pearl earrings. Her hair is just long enough to brush the tops of her shoulders. The photograph has a reddish tint. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Clayton \"Bunny\" Thompson, Sr. posed seated at what appears to be a kitchen table. He wears a plaid shirt, and he leans on his elbows, his arms folded over his chest. In front of him, partially visible in the frame, are a red and white beverage can, several pieces of fruit, and a blue gift wrapping bow. Photograph is undated\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the Henry Family\u003c/p\u003e","\u003cp\u003eGroup photograph of four women and one child in a house, posed on a carpeted staircase. Four sit on the steps and in the left of the frame, one woman stands with her hand on the staircase railing. L to R: unidentified woman, Marie Elizabeth Spinner, Toniette Henry Duncan, Rita Murphy Harris, and an unidentified young girl seated on Duncan's lap. Behind them, the stairway leads to an upper level where an open door shows another room. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Albert Henry (left) and his wife, Alice (right) standing behind a table lain with two white, single-tier cakes and a bowl. Albert is dressed in a suit and necktie and smiles as he cuts into one cake with a knife. Alice, wearing a floral dress, rests her hand on Albert's as he slices. The arm of a third person in a striped shirt is partially visible on the left edge of the photograph. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Albert Henry standing beside an unlit fireplace in front of a damask curtain. His elbow rests on the mantle above the fireplace, and his profile casts a shadow on the wall. Henry is dressed in a casual suit and tie and smiles at the camera. Photograph is undated\u003c/p\u003e","\u003cp\u003ePortrait painting of Annie Henry from the torso up, done in muted sepia tones. She wears a dark garment with a white frilled collar. The painting is in a brown, oval frame with floral details. Annie Henry was the wife of William Henry and the mother of six children: Wilmer, Albert, John, Mary, Elouise, and Elizabeth. Painting is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joyce Rebecca Whitmore Henry leaning against a pillar prop in front of an abstract backdrop. She wears small hoop earrings and a dress with long sleeves and a white collar. Typescript text at the bottom edge of the image reads \"DETAILS.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Marie Elizabeth Spinner, former wife of Elrich Murphy, mother of Rita Murphy Harris, and aunt to Toniette Henry Duncan. She is posed sitting on a striped, cream-colored sofa, holding a set of gold balloons shaped to read, \"97.\" Beside her on the couch is a red gift bag with decorative text that reads \"[Ha]ppy [Birth]day!\" Photograph is undated, but Marie Elizabeth Spinner's 97th birthday took place 7 January 2021\u003c/p\u003e","\u003cp\u003eColor photograph Marie Elizabeth Spinner and  her sister Corrine Idella Henry, pictured from the shoulders up. They are positioned back to back with heads turned toward the camera, and both wear their dark hair up. The photograph has an unfocused, desaturated quality. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Marie Elizabeth Spinner, posed with her daughter, Rita, seated on her lap. Behind them hang sheer white and damask curtains. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Marie Elizabeth Spinner from the shoulders up. She wears a light colored garment and a long pearl necklace. Behind her is a striped background. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Marie Elizabeth Spinner, pictured from the shoulders up. She wears a light colored blouse and sits on a couch in front of a white wall. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Burnett Ralph Henry, son of Wilmer Benjamin Henry and Willie Mae Carter, seated on a patterned couch with a newspaper in his hands. On the coffee table in front of him are a vase of red silk flowers and a miniature artificial Christmas tree decorated with tinsel and ornaments. Next to Henry is a side table holding another vase of red flowers and several portrait photographs. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of a man, identified as Clarence, pictured from the shoulders up. He has gray hair and wears a white collared shirt with gray and blue patterning. Behind him is a piece of brown furniture. The image is blurry. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Willie Mae Carter Henry, wife of Wilmer Benjamin Henry and mother to Marie Elizabeth Spinner, seated on a chair upholstered with a textured red fabric. She wears a white, striped button-up chemise top. Behind her is a wooden shelf with a bird sculpture and a framed photograph. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Willie Mae Carter Henry, wife of Wilmer Benjamin Henry and mother to Marie Elizabeth Spinner, posed seated with her hands folded in her lap. She is wearing light blue suit and shite shirt. Two metal tins and a TV remote are visible on a table behind her. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of William \"Sonny\" Duke (left) with two other people leaning against the side of a white car. Duke wears a newsboy cap, and one of his arms is in a sling, while the other is draped over the shoulders of a young woman standing beside him. The woman is wearing dark pants, a white top, and a scarf. On the other side of the woman is a man wearing a plaid shirt and dark pants, posed with his hands in his pockets. Photograph is dated March 1957\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Sylvia Dolores Henry, daughter of Corrine Idella Henry, as a young girl. Her hair is braided and she is wearing a white collared dress. She is posed sitting on the corner of a wooden table. Behind her is a window with blinds drawn. Photograph is undated, c. late 1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Corrine Idella Henry and her older brother, John Wilmer Henry standing outside. Corrine wears a plaid skirt and a white blouse.  She is posed with her hands on her hips, leaning into her brother. He is wearing dark-colored trousers with wide cuffs and a button-up shirt. His hands are tucked in his pockets. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Rosell Marshall Henry, wife of Burnett Ralph Henry. She wears glasses and a button-up shirt with a patchwork style pattern. She sits on a wooden chair, and a white cup is visible in front of her. Behind her is a white wall and a white louvered door adorned with postcards and a calendar. Photograph is undated\u003c/p\u003e","\u003cp\u003eStudio portrait of Marie Elizabeth Spinner, mother to Rita Murphy Harris and aunt to Toniette Henry Duncan. She is pictured from the shoulders up in front of a blue studio backdrop. She wears glasses, hoop earrings, and a white turtleneck beneath a brown outer jacket. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and White photograph of Marie Elizabeth Spinner in a dress and patterned ascot, perched on a wooden table. Her legs are crossed, and she rests her chin in her hand as she looks directly into the camera. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Marie Elizabeth Spinner in a light colored, floor-length dress with short, puffy sleeves. A thin string of pearls hangs around her neck, and she holds a small purse in one hand. Her hair is pulled back in an updo. She is posed standing in front of a light blue curtain. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of three women seated on a bed. From left to right: Marie Elizabeth Spinner, Willie Mae Carter Henry (mother of Marie Elizabeth), and Rita Murphy Harris (daughter of Marie Elizabeth and Elrich Murphy). Willie Mae is seated upright in a bed, her legs beneath a pink blanket, while her daughter and granddaughter sit on either side of her, their legs uncovered. All three are smiling. Behind them, a table lamp and a doll dressed in blue sit atop a headboard. Photograph is undated\u003c/p\u003e","\u003cp\u003eHand-colored photograph of Corrine Idella Henry sitting cross-legged on a wooden chair in front of a fabric backdrop. She wears a long coat with lapels, a red collared shirt, black pantyhose, and a pearl necklace. Handwritten text in the lower righthand corner reads \"MUR[PHY],\" most likely indicating that this photograph was taken by Elrich Murphy, Henry's brother-in-law. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Sylvia Dolores Henry, daughter of Corrine Idella Lewis, smiling in front of a backdrop styled after the American flag and decorated with an image of a parchment scroll on which the Preamble to the United States Constitution is written. Sylvia wears a red sweater over a white collared shirt, and her hands are folded in front of her. Typescript caption on the bottom of the photograph reads, \"Our American Constitution, 1787-1987.\" Photograph is undated but was likely taken in 1987\u003c/p\u003e","\u003cp\u003eColor photograph of Blair Spinner, son of Marie Elizabeth Spinner and Albert Spinner. His smile is topped by a dark moustache, and his hair is styled in a short afro. He wears a teal shirt. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a baby identified as \"Bunky,\" posed sitting on a small cushion on a wooden porch. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. The baby wears booties and a white bonnet, and he smiles, his gaze directed upwards and his arm raised and made indistinct by motion blur. The house behind him is made of white bricks or cement blocks. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a child identified as \"Bunky\" wearing a cowboy costume with cheetah patterning and a brimmed hat, with a toy pistol in his raised hand. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. He stands on a patterned rug in front of an Christmas tree decorated with tinsel and ornaments. Opened packages are strewn across the floor around his feet. Photograph is undated but was likely taken at Christmas (25 December)\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a child identified as \"Bunky\" standing on a porch with a small bundle of flowers in his hand. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. He smiles with mouth open, and  is dressed in a cap and a dark coat with white buttons. Behind him are a white, exterior wall and a window. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of five people in a dining room with floral wallpaper. Left to right: unidentified woman, unidentified man (mostly obscured), Albert Henry, Wilmer Benjamin Henry, unidentified man. Wilmer Benjamin Henry (at the center of the photograph) is wearing suspenders and a striped necktie. Behind him is a windowpane that overlooks a yard over which a clothesline has been strung up. On the table in front of the group is a red and yellow flower arrangement. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Corrine Idella Henry, pictured from the shoulders up. She is wearing a collared shirt or jacket. The image is blurry. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Corrine Idella Henry on a porch, leaning back against a wooden support pillar. She wears high waisted pants and sandals, and her arms extend upwards, bending behind the pillar where she rests her head. The corner of a house with white siding is visible in the left of the frame, and the background is full of greenery and clear sky. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Corrine Idella Henry standing in a lawn. Behind her are a wooden fence, trees, and a paved pathway. She is dressed in a matching set with a cropped top and a long skirt. She poses with one hand on her hip and the other on behind her head. This photograph was taken in the yard of the Henry family home on Johnson Lane in the Seminary Hill neighborhood of Alexandria, Virginia. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Elizabeth Henry, younger sister of Wilmer Benjamin and Albert Henry, wearing a dark button-up jacket and a calf-length skirt. Her hand is placed on her hip, and she stands in front of a wall with light colored siding. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Elizabeth Henry Douglas, pictured from the shoulders up. Her hands are clasped under her chin, and a broad smile lights up her face. Her white hair is bushed back from her face, and she wears a purple sweater. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Elizabeth Henry Douglas receiving the Ben Brenman Award for Archaeology. Douglas, dressed in a white blazer and pink shirt, is pictured while being presented with the award from Mayor William D. Euille, wearing a pinstripe suit and striped, purple tie. Douglas and Mayor Euille are posed holding the award, standing in front of (L to R) Janice Magnesun of the Alexandria Archaeological Commission, Charlie LeeDecker representing the Louis Berger Group, Inc., and Joe Reeder. The photograph was taken Alexandria City Council chambers during the meeting held on 27 October 2009.\u003c/p\u003e","\u003cp\u003eBlack and white photograph of six people ranging in age from children to teenagers, posed standing together on the sidewalk. The four eldest of the six stand in a row, linking arms or with arms around one another's shoulders. Two younger children stand in front of them. The subjects of the photo have been identified in no particular order as Gail, Butch, Rusty, Sylvia Dolores Henry, Keith, and Toniette Henry Duncan. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Rita Murphy Harris as a young girl sitting on the lap of a man identified as \"Granddaddy,\" likely Wilmer Benjamin Henry, her maternal grandfather. Behind them hang curtains of white lace and dark damask fabric. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a woman and a man seated on a sofa with a floral pattern. The woman, identified as Grandma wears a patterned blouse and has one arm linked in the crook of the man's elbow. The man, identified as Granddaddy, wears a suit and tie. The wall behind them is white and unadorned. The pair are likely Willie Mae Carter Henry and Wilmer Benjamin Henry. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a man and woman standing arm in arm in a grassy yard at 116 Johnson Lane in the Seminary Hill neighborhood of Alexandria, Virginia. Behind them is a wooden fence, beyond which is dense foliage. The pair are likely Willie Mae Carter Henry and Wilmer Benjamin Henry, who lived at that address. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of five members of the Henry Family gathered in a sitting room in semiformal clothing to celebrate the birthday of Wilmer Benjamin Henry. Three of the five are standing, one man sits cross-legged in an armchair, and a woman perches on one arm of the same chair with her face buried in her palm. In the foreground stands a tabletop with a cake on it. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joseph Brackette and Marie Elizabeth Spinner, siblings born to Willie Mae Carter Henry and Wilmer Benjamin Henry. Brackette wears a suit and a fedora, and his arm is wrapped around his sister's waist. Spinner wears a plaid blazer. Behind them is a stand of trees with leafless branches. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of John Henry, brother of Wilmer Benjamin Henry, standing outdoors. He wears a striped overcoat, glasses, a flat cap, and gloves. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of John Henry, brother of Wilmer Benjamin Henry, with Joyce, his second wife. Joyce wears a long jacket and a brimmed hat, and she holds a handbag. John wears a suit and tie, and his hat is in his hand. They stand outdoors surrounded by trimmed bushes, and an evergreen tree stands in the background. Photograph is dated 21 May 1940\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joyce Henry, sister in law of Wilmer Benjamin Henry, seated at a dining table set for a meal. Joyce, dressed in white is seated next to an unidentified man dressed in a suit and tie. A third person is partially visible in the foreground of the photograph. Behind the seated diners is a glass-front cabinet filled with glassware. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joyce Henry and John Henry standing side by side against the exterior wall of a house paneled with horizontal siding and inset with a shuttered window. John Henry has one arm wrapped around Joyce's waist, his hand resting on her hip. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joyce Henry and an unidentified man standing on a stretch of grass in front of a stand of trees and an upright wooden beam. The man wears suspenders over a white, collared shirt. Joyce wears a dark dress with a ruffle over the breast and holds a leather purse. Photograph is dated 21 May 1940\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joyce Henry and an unidentified man standing outdoors in front of a leafless thicket of trees. In the right of the frame, the front bumper of a black car is visible, including headlights, a tire, and a license plate. The ground seems to be covered by a light snow. The man has one arm wrapped around Joyce's waist, and both of his hands grasp her arms at the elbow. The pair smiles serenely at the camera. Photograph is dated 1941\u003c/p\u003e","\u003cp\u003eColor photograph of Lawrence Duncan (left) and Toniette Henry Duncan (right) seated next to each other in a restaurant booth. The edge of a white tabletop is visible at the bottom of the photograph and behind them is a shelf filled with bottles of wine. Photograph is dated 9 February 2021, Toniette Henry Duncan's 67th birthday\u003c/p\u003e","\u003cp\u003eHand-colored photograph of sisters, Marie Elizabeth Spinner and Corrine Idella Henry, pictured from the shoulders up. They are positioned back to back with heads turned toward the camera, and both wear their dark hair pulled back and done up behind their heads. This image is a duplicate of Photograph of Marie Elizabeth Spinner and Corrine Idella Henry (ABFR-23-037-007). Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Marie Elizabeth Spinner in a formal gown with ruching on the sleeves, a sweetheart neckline, and a floral accent on the hem of the peplum. Her hair is styled in an updo with an accessory studded with pearls. Her shadow falls behind her on a blank backdrop. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Marie Elizabeth Spinner's 96th birthday celebration. She is pictured seated in a living room with six women and a young girl, including her daughter Rita Murphy Harris and niece Toniette Henry Duncan. The room is decorated with various striped and floral motifs in golden yellow. Behind the gathering is a dining room table on which sit purses, a floral arrangement, and two weighted party balloons shaped like the numerals 9 and 6. Spinner is seated in an armchair near the lower edge if the image. Toniette Henry Duncan, center, leans against the chair's arm. Rita Murphy Harris, seated on a couch, is the rightmost figure in the group. Photograph is undated, but Marie Elizabeth Spinner's 96th birthday was 7 January 2020\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Marie Elizabeth Spinner leaning against a wooden support beam on a porch. Her arms are folded behind her back, and she sports a wide smile. She wears a pale brimmed hat and a black dress with a design of swirling white trim on the bust and pocket. Photograph is undated\u003c/p\u003e","\u003cp\u003eA blank page, most likely the back of a photograph, with stamped text at the bottom that reads \"Murphy's Pho'\" This appears to be part of the photographer's stamp of Elrich Murphy, a prominent Black photographer in Alexandria and father of Rita Murphy Harris and first husband of Marie Elizabeth Spinner. Item is undated\u003c/p\u003e","\u003cp\u003eColor photograph of a woman sitting cross-legged with a baby in her hands. The baby, identified as Rashaun, is dressed in overalls and a white long-sleeve shirt. The woman wears denim jeans and a sweater vest, and her hair is styled in an afro. Behind them is a brick house and an unclouded sky. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of five men, trustees of Oakland Baptist Church in Alexandria, Virginia, dressed in brown suit jackets and ties, standing in a row. The man in the center of the row is Reverend Luther H. Mills. Behind them are several utility poles and a round placard bearing a Texaco logo. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of cousins Rita Murphy Harris (left) and Toniette Henry Duncan (right) depicted from the shoulders up. Henry leans into Harris and rests the side of her forehead on her cousin's cheek. Harris has her arm draped over Henry's shoulder. Behind them, colorful abstract paintings and a mounted television hang on gray walls. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of thirteen children of varying ages grouped in a yard hemmed by a wooden fence. The event depicted is a birthday party. Rita Murphy Harris stands in the center of the huddle, wearing a white dress with lace flutter sleeves. The leftmost child, a girl in a plaid dress, is identified as Nancy Henry. Between Nancy and Rita is a boy identified as Henry Poindexter, partially obscured by the party guest in front of him. Burnett Ralph Henry stands in the back of the group, dressed in a striped shirt. Beyond the fence, the roofs of neighborhood buildings peer over the tops of bushes. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Rita Murphy Harris as a child, standing outdoors wearing a dress-length coat of leopard print fabric, a black hood, and a cross-body purse. She squints as she digs her fingers into the opening of the jacket in front of her. The trees behind her are bare of leaves. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Burnett Ralph Henry (right), son of Wilmer Benjamin Henry with Rita Murphy Harris (left), granddaughter of Wilmer Benjamin Henry. Rita, an infant, wears a baby bonnet, and Burnett wears overalls, a striped shirt, and a jacket. His arm is around Rita's shoulder, and his legs dangle over the edge of a wooden porch. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of fourteen children standing in a line on a strip of sparsely grassed dirt between a wooden fence and a brick sidewalk. All appear to be of elementary age or in their early teenage years save for a much younger, smaller girl in the center of the line. Members of the group are variously dressed in dresses, skirts, button-up shirts, and trousers. Some of the children are identified as Rita Murphy Harris, Sylvia Dolores Henry, Toniette Henry Duncan, Slim Henry, Gail, and Peaches. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of two men identified as Slim Henry and Blair. Blair (right) wears tinted glasses and has his arm slung over the shoulders of Slim Henry (left), who wears a brown leather jacket. Blair Spinner is the son of Marie Elizabeth Spinner and her second husband, Albert Spinner, Jr. They smile broadly, standing side by side. Behind them a sculpture made of many intersecting thin, metal rods hangs on the pale purple walls. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of a man identified as Slim Henry in a red shirt and black jacket, a black brimmed hat on his head. He is indoors in front of a wall panel consisting of brown bricks. The wall appears to be draped with a streamer, and the number \"5\" is visible in the bottom left corner of the photo. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of two men wearing brown suits standing in front of a car parked near a Texaco service station on the corner of King Street and West Braddock Road in Alexandria, Virginia, near Blessed Sacrament Roman Catholic Church and Oakland Baptist Church. The two men have been identified as trustees of Oakland Baptist Church in Alexandria. The man on the left is posed with his jacket unbuttoned and his hands in his pockets. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of Toniette Henry Duncan's pictured from the shoulders up. She wears a garment with beadwork at the collar and a woven necklace. Behind her, some seating is visible, and farther beyond, light reflects off the surface of a body of water. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of Toniette Henry Duncan. The framing of the photograph suggests that the image was captured as a selfie. Duncan wears red, and her dark hair is worn in braids or twists that are interwoven with silver-white highlights. She is seated indoors, and in the background, a celebratory card, black and white photograph, and bowl of candy are visible. Photograph is dated to Mother's Day 2021 which was 9 May 2021\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Toniette Henry Duncan as a young girl. She is posed seated outdoors, wearing a pale dress and holding a basket decorated with flowers. Her short legs dangle from her chair. Photograph is undated, but Toniette Henry Duncan turned two years old in February 1956\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Toniette Henry Duncan as a young girl. She is posed outside, squatting low to the ground. She wears a coat over a pale skirt, a stiff bonnet, and Mary Jane shoes. Visible behind her are the skirt and legs of another figure, standing behind her. Photograph is undated, but Toniette Henry Duncan turned three years old in February 1957\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Toniette Henry Duncan as a young girl. She is posed seated on the edge of a porch with her legs dangling over the side. In one hand, she holds a football, and the other hand is raised to the back of her head. Photograph is undated, but Toniette Henry Duncan turned three years old in February 1957\u003c/p\u003e","\u003cp\u003eColor photograph of Toniette Henry Duncan (left) and Kevin Brown (right) at the Virginia Theological Seminary Descendents Gala. Both wear nametags around their necks and are sitting next to a large wooden table. On the table between them are two cans of ginger ale and a black handbag. Behind them, at other side of the table, a person in a dark blue suit writes something on a piece of paper with a pen. Their face is not visible in the image. Photograph is dated 30 July 2021\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of Toniette Henry Duncan. She is pictured from the shoulders up and posed in front of a solid gray background. The neckline of her top is studded with pearls and her hair is worn in braids or twists. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of siblings Joseph Brackette (center) and Marie Elizabeth Spinner (right), posed standing with a third unidentified woman (left), standing near a roofed porch. Marie Elizabeth Spinner wears a plaid blazer while Joseph Brackette wears a fedora and a pinned necktie. The unidentified woman wears a dark fur overcoat. The three are huddled close, and Jospeh Brackette has his arms over his companions' shoulders. A well is visible in the background behind them. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joseph Brackette with his gloved hand tight around the shoulder of an unidentified woman in a dark fur coat. Behind them is a roofed porch with structural support beams. The sky is cloudy and a wooden fence is visible behind them.\u003c/p\u003e","\u003cp\u003eBlack and white photograph of John Henry, son of Wilmer Benjamin Henry, standing in a yard with his hands clasped behind his back. He wears a suit jacket and necktie. Behind him is a small structure of stone and wood (possibly the well from other photographs in this folder), a wooden fence, and several trees without foliage. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of three women standing with arms linked on a brick sidewalk near a row of townhomes and a wooden fence. In the background, people can be seen on their stoops, seemingly in conversation together. The shadow of the photographer stretches across the brickwork in front of the three women. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of cousins Toniette Henry Duncan (left) and Rita Murphy Harris (right) standing side by side at a room in the Virginia Theological Seminary during one of the Seminary's annual Descendents Galas. Duncan wears a black blouse with beadwork on the sleeves and black trousers. Rita wears a structured black and white jacket with a paisley pattern and black trousers. They are posted standing together in front of a framed artwork hanging on a cream and white striped wall. Photograph is undated\u003c/p\u003e","\u003cp\u003ePortrait painting of William Henry pictured from the torso up, done in muted sepia tones. He wears a black suit and necktie and  sports a thick moustache. The painting's background is an abstract blending of colors. William Henry was the husband of Annie Henry and the father of six children: Wilmer, Albert, John, Mary, Elouise, and Elizabeth. Painting is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of William Benjamin Henry standing outdoors in front of a wall made of paneled siding. He is dressed in a suit and necktie with a pocket square. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of William Benjamin Henry holding a knife, poised to slice a white, frosted cake. He wears a suit and a striped tie. Three similarly dressed men are partially visible standing next to him. The contour of what appears to be a person wearing a white dress abuts the left edge of the frame. Behind the people is an indoor domestic space with a glass-paneled door. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white group photograph of several people in semiformal attire, posed standing indoors in front of a window with blinds drawn. William Henry, dressed in a suit, figures prominently in the right of the frame. Also present in the image are his daughters, Eloise and Elizabeth, as well as his son, Wilmer. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Willie Mae Henry, wife of Wilmer Henry. She is posed seated in a chair in front of a blank backdrop and pictured from the waist up. She wears a white embroidered blouse and a beaded necklace, and her hair is pulled back behind her head. She holds her chin high and regards the camera with neither a smile nor a frown. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Willie Mae Henry, wife of Wilmer Henry. She is posed seated in front of a patterned curtain, with her hands folded in her lap. She is dressed in a patterned blouse. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white group photograph of ten people of varying ages, posed standing together in a grassy yard in front of a tall bush and a brick house. The men and boys wear button-up shirts, and the women and girls wear dresses. The group includes Wilmer Benjamin Henry, Willie Mae Henry, and members of their family. In front of the group, a Tyrolean hat with an oversized feather plume lies on the ground. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Wilmer Benjamin Henry standing in a doorway at the Virginia Theological Seminary, with a hand resting on the door handle and holding it open. He smiles exuberantly from under a brimmed hat. Through glass panes set in the door, a brick wall is visible, and a handrail intersects the bottom portion of the photograph. Handwritten note on the top edge of the photograph reads, \"296 # 58-1 3 5/8 [arrow]\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Wilmer Benjamin Henry playing an acoustic guitar. His fingers are occupied with the frets and strings, and he wears a thumb pick. He is dressed in a jacket and brimmed hat. Behind him is a wall adorned with a patterned fabric drape and a calendar. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Wilmer Benjamin Henry. He is posed seated in front of a blank fabric backdrop and pictured from the waist up. His hands are resting in his lap, and he wears a suit and tie. Behind him, in the bottom of the photo, what appears to be wrinkles or a fabric texture are visible in the backdrop. Photograph is undated\u003c/p\u003e","\u003cp\u003eMemorial page for Wilmer Benjamin Henry, appears to be from a funeral program or similar document. Featured on the page is a black and white portrait photograph of Wilmer Benjamin Henry: the same photograph as \"Portrait photograph of Wilmer Benjamin Henry\" (ABFR-23-037-085). Typescript text under the photograph reads, \"Wilmer B. Henry, Sunrise: February 22, 1898, Sunset: December 26, 1981, My Grand Father's Legacy, Believe in GOD, Work Hard, Take Care of Your Family, Live a Righteous Life.\"\u003c/p\u003e","\u003cp\u003eDigital surrogates of materials documenting the Willis family\u003c/p\u003e","\u003cp\u003ePhotocopy of a newsclipping from a local newspaper featuring a photograph of Sheila Willis. Photograph depicts two women standing on either side of a library circulation desk. The library staff member appears to be assisting the patron to check out books. Which woman is Sheila Willis has not been identified. Most of the article accompanying the photograph is cut off in the clipping, but seems to be an article about Alexandria Library. Clipping is dated 25 April 1968\u003c/p\u003e","\u003cp\u003eDigital surrogates of family history materials documenting the Lyles and Dorsey families\u003c/p\u003e","\u003cp\u003eScrapbook documenting the history of the Lyles and Dorsey families. Scrapbook includes photographs, postcards, artwork, and ephemera dating from 1800 through 2015.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content 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This is a completely digital collection consisting of digital surrogates of the materials; the original items have been retained by their owners. Included are photographs, documents, and ephemera.","Please note  that processed donations will be added to this collection on an ongoing basis. Check this collection guide for regular updates. ","Digital surrogates of photographs from the family of William D. \"Bill\" Euille, former Mayor of the City of Alexandria (2003-2016). Euille served as Honorary Co-Chair of the first Alexandria Black Family Reunion in 2023.","Color photograph, portrait of Robert Drinkard and Tammi Drinkard. Both are dressed in formal wear and are standing in front of a colorful backdrop. Photograph appears to have been captured at a formal event or gala. Photograph is undated.","Color photograph of seven people posed in the midst of a ribbon cutting ceremony. From left to right: (unidentified), Ludwig Gaines, Bill Euille, Dal Repper, Rob Krupika, Jim Moran, Paul Smedburg. Photograph is undated.","Color photograph taken during the annual Alexandria Scottish Christmas Walk Parade depicting several people on a snowy street in Alexandria, Virginia. Featured in the foreground of the photo, from left to right: Bill Euille and Rob Krupika. Over the image is text that reads, \"The Three Musketeers.\" Photograph is undated.","Color photograph, portrait of Bill Euille, dressed in a suit and standing in front of a curtained window with his hands folded in front of him. Photograph is undated.","Color photograph, portrait of Bill Euille. This appears to be a candid photo taken of Euille, dressed in a casual outfit, standing in front of a blank, white wall. Photograph is undated.","Digital surrogates of photographs of the African American community in Alexandria, Virginia that were collected by Char McCargo Bah. Bah is a celebrated genealogist, author, and native Alexandrian who has been researching and writing about the Alexandria African American community since 1981. Bah served as Honorary Co-Chair of the first Alexandria Black Family Reunion in 2023","Black and white photograph, early class portrait from the Parker-Gray School in Alexandria, Virginia. Children are posed standing in three rows with a fourth row seated in front with a man posed standing to the right side, their teacher Rozier D. Lyles. The group is posed in front of what appears to be the entrance to the school; a brick wall and wooden door are visible in the background of the image. Photograph is undated, c.1920s","Black and white photograph, portrait of Principal Henry T. White and the first faculty at the Parker-Gray School in Alexandria, Virginia when it opened in 1920. White was the first principal of the Parker-Gray School and served from 1920 through 1928. Eleven men and women are posed in two rows; the back row is standing behind the seated front row. Front row, from left to right: Reverend A.W. Adkins; Henry T. White, teacher and first principal; Laura M. Dorsey; Rozier D. Lyles; and James E. Howard. Back row, from left to right: Mamie E. Anderson; Margaret T. Young; Florence Murray; Harriet E. Thornton; Susie P. Madden; and Sarah D. Gray. Photograph is undated, c.1920","Black and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Eight men and women are posed in two rows, standing on the steps in front of the main entrance to the school. Elam is the first man on the left in the back row. Photograph is undated, c.1930s","Black and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Sixteen men and women are posed in three or four uneven rows, standing on the steps in front of the main entrance to the school. Elam is last man on the right. The man in the center of the front row is Rozier D. Lyles, a teacher at the school. Photograph is undated, c.1930s","Black and white photograph of the Parker-Gray School's first building at 901 Wythe Street in Alexandria, Virginia. Photograph is undated, c.1920","Black and white photograph, class portrait of the Parker-Gray School fifth grade class taught by Mamie E. Anderson in 1920. Three rows of children are posed on the steps in front of the entrance to the Parker-Gray School. Anderson is on the end of the front row, on the right side of the image. Photograph is undated, c.1920","Black and white photograph, two images together in one photo print with one image on top of the other. The top image is the same as that of the Parker-Gray School fifth grade class portrait photograph photo print (ABFR-23-002-006). The bottom image is the same as that of the Photograph of Parker-Gray School first building photo print (ABFR-23-002-005). Both images are undated, c.1920","Black and white photograph, portrait of Principal Henry T. White with students of the Parker-Gray School. White was the first principal of the Parker-Gray School and served from 1920 through 1928. Twenty-eight children are posed standing in two rows on the steps in front of the entrance to the school. White is posed standing in front of the students. Photograph is undated, c.1920s","Black and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Sixteen men and women are posed in three rows, standing on the steps in front of the main entrance to the school. Elam is the first man on the left in the back row. Photograph is undated, c.1930s","Black and white photograph, class portrait of Parker-Gray School students with their teacher Ms. Day. Forty-two students are posed in four rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is undated, c.1930s","Black and white photograph, class portrait of Parker-Gray School students. Thirty-five students are posed in four rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is undated, c.1930s","Black and white photograph of the Parker-Gray School's first building at 901 Wythe Street in Alexandria, Virginia. Photograph is undated, c.1930s","Black and white photograph, class portrait of Parker-Gray School students in 1931. Thirty students of varying ages are posed standing in three rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is dated 1931","Black and white photograph, group portrait of the 1936 graduates of Parker-Gray School. They are posed standing in two rows with some of the school faculty. Photograph is dated 1936","Black and white photograph, class portrait of Parker-Gray School students in 1939. Fifteen students are posed standing in two or three rows on the front steps of the school. Photograph is dated 1939","Black and white photograph, class portrait of Parker-Gray School students in 1939. Eighteen students are posed standing in three rows on the front steps of the school. Photograph is dated 1939","Black and white photograph, class portrait of Parker-Gray School students in 1939. Approximately thirty-five students of varying ages are posed standing in four rows on the front steps of the school. Photograph is dated 1939","Black and white photograph of Parker-Gray School students in 1939. Eleven teenaged students are posed standing casually, with arms around each other's shoulders, etc., on the front steps of the school. Photograph is dated 1939","Black and white photograph of four Parker-Gray School cheerleaders in 1941. Four young women in cheerleading uniforms are posed together in a field, all in a row with their bodies turned towards the right of the image and faces toward the camera. They are kneeling in the grass with one arm in the air and bent at the elbow. In front of them on the grass are two megaphones and pom-poms. Photograph is dated 1941","Black and white photograph, class portrait of Parker-Gray School students in 1941. Approximately forty children are posed standing in four rows on the front steps of the school. Photograph is dated 1941","Black and white photograph, portrait of the 1942 graduating class of Parker-Gray School. Approximately thirty teenaged students dressed in graduation caps and gowns are posed standing in three rows on the pulpit of the Alfred Street Baptist Church in Alexandria, Virginia. A handwritten signature in the bottom, right corner of the image reads \"Murphy.\" Photograph is dated 1942","Black and white photograph, portrait of the 1943 graduating class of Parker-Gray School. Twenty-four teenaged students dressed in graduation caps and gowns are posed in two rows on the stage of what appears to be a school auditorium. A handwritten note across the photo print reads, \"Parker Gray High School Class of 1943.\" Photograph is dated 1943","Black and white photograph of group of students and others posed in a row on the Parker-Gray football field at the 1945 homecoming game. Two students are dressed in football uniforms and standing next to young women holding bouquets, presumably the homecoming court. Photograph dated 1945","Black and white photograph of the 1945 Parker-Gray homecoming queen being crowned by Oliver Ellis, captain of the football team. A young man wearing a football uniform, identified as \"Captain of Douglas,\" and a young woman, identified as \"Miss Douglas,\" look on as Captain of the Parker-Gray football team Oliver Ellis crowns the new Miss Parker-Gray. The two young women and two young men in the photograph are identified this way by handwritten notes on the bottom edge of the photo print. Photograph is dated 1945","Black and white photograph, portrait of the 1945 graduating class of Parker-Gray School. Thirty-five teenaged students dressed in graduation caps and gowns are posed in three rows on the stage of what appears to be a school auditorium. Photograph is dated 1945","Black and white photograph, group portrait of the P Club student organization at Parker-Gray High School. Twenty students are posed in two rows in what appears to be a classroom or the school library. Several of the students are wearing letterman sweaters with a big \"P\" patch on the front. Photograph is dated 1947","Black and white photograph, group portrait of faculty and staff of Parker-Gray. The fifteen men and women are posed in two rows in what appears to be a school cafeteria or auditorium. Several of them are holding a rolled up document. Photograph is dated 1946","Black and white photograph, portrait of the 1946 graduating class of Parker-Gray School. Thirty-seven teenaged students dressed in graduation caps and gowns are posed in three rows on the stage of what appears to be a school auditorium. Photograph is dated 1946","Black and white photograph of seven young women seated at desks in a Parker-Gray classroom while their teacher, Mrs. Chase, looks on. The students each have their own large, black typewriter on their desk and appear to be working on an assignment. A large, wall-mounted chalkboard is visible in the background of the image. Photograph is dated 1946","Black and white photograph of four young women from the Parker-Gray girls basketball team. They are posed together in the school gym with two students standing in the back row, while the other two kneel in front of them and pose with a basketball. All four are dressed in basketball team uniforms and one also wears a sweater over the uniform which reads, \"PARKER GRAY.\" Photograph is dated 1946","Black and white photograph, group portrait of the Parker-Gray High School girls basketball team. Fourteen young women wearing the basketball team uniforms are posed in  two rows in front of a curtain backdrop, with a basketball placed on the ground in front of them. Also in the photograph is a woman wearing a skirt suit, presumably the team coach; as well as another young woman not dressed in the basketball uniform. Photograph is dated 1946","Black and white photograph of the homemaking class at Parker-Gray High School. Four young women are standing at a workstation table, engaged in a cooking or baking project. Two students appear to be stirring something in saucepans, one student appears to be kneading or rolling dough, and another is sprinkling something onto a dish. Another student is seated at a desk working on a written assignment. And the teacher, Ruby Fields Smith, looks on from the front of the classroom.","Black and white photograph, portrait of the 1950 graduating class of Parker-Gray School. Forty-one teenaged students dressed in graduation caps and gowns are posed in three rows in front of the stage of what appears to be a school auditorium. Photograph is dated 1950","Black and white photograph of the Parker-Gray School's second building. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is undated, c.1950s","Black and white photograph of eight men posed standing in a row in front of a curtain. This photograph was taken at the dedication event for the new Parker-Gray High School and the group includes Principal William H. Pitts, Sr. and Reverend Adkins. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950","Black and white photograph of five men posed standing in a row in front of a curtain; one man appears to be handing a small item to Parker-Gray Principal William H. Pitts, Sr. This photograph was taken at the dedication event for the new Parker-Gray High School. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950","Black and white photograph of five men posed standing in a row in front of a curtain, including Parker-Gray Principal William H. Pitts, Sr on the far left. This photograph was taken at the dedication event for the new Parker-Gray High School. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950","Black and white photograph of the crowning of a Parker-Gray High School student. A young woman, identified as [Annt] Lightfoot, wearing a white, lace dress and white gloves is standing next to a young man in a suit while he places a crown on her head. They are both standing in front of a dark-colored curtain, presumably on a stage. She is presumably being crowned as a pageant winner, homecoming queen, or prom queen. Photo is undated, c.1950s","Black and white photograph of three Parker-Gray High School students on a platform or stage, seated in front of a decorative backdrop and arch with a dark-colored curtain visible in the background. From left to right: a young women wearing a polka dot dress and cat-eye glasses with a white, floral corsage pinned to her dress; a young woman, identified as [Annt] Lightfoot, wearing a white dress, white gloves, and crown and holding a bouquet; a young woman wearing a white dress with a white, floral corsage pinned to her dress. Lightfoot is seated on a platform that is raised slightly higher than the other two young women. They are presumably the winner and runners-up of a pageant, homecoming queen, or prom queen contest. Photo is undated, c.1950s","Black and white photograph, studio portrait of a Parker-Gray High School homecoming queen. A young woman is posed, seated in front of a light-colored backdrop. She is wearing a white dress, silver necklace, silver earrings, and silver tiara while holding a large bouquet. Photograph is undated, c.1950s","Black and white photograph of a group of Parker-Gray High School students standing in a football field with the Parker-Gray marching band. Three young women are standing in a row together; the young woman in the middle is holding a bouquet and the other two are both wearing white, floral corsages pinned to their lapels. Behind the young women are several members of the Parker-Gray High School marching band who appear to be in the midst or in a moment right before a performance. Photograph is undated, c.1950s","Black and white photograph, portrait of the 1951 graduating class of Parker-Gray School. Sixty-three teenaged students dressed in graduation caps and gowns are posed seated in five rows on the bleachers in the school gym. Also in the photo are Principal William H. Pitts Sr., seated in the back row, and an unidentified woman seated on the right side of the image. Photograph is dated 1951","Black and white photograph of a group of Parker-Gray High School students and faculty posed standing in a row. The students are all dressed in graduation caps and gowns. From left to right: Principal William H. Pitts, Sr.; Herman T. Newman, salutatorian; Shirly A. Stokes; Naomie E. Lewis; Lloyd Harris; Kirk R. Carter; William H. Pitts, Jr., valedictorian; the Reverend F. D. Williams, and Theodore R. Sinclair, assistant superintendent of Alexandria schools. Photograph is dated 1951","Reverse of Parker-Gray graduation group photograph photo print (ABFR-23-002-038). A handwritten note identifies the people in the photo as well as noting that this picture was used in the newspaper. Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" \"Parker-Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314,\" and \"Columbus George, Jr., Photographer, 518 North Columbus Street, Overlook 3963, Alexandria, Virginia\"","Black and white photograph of the valedictorian and son of the principal, William H. Pitts, Jr., giving a speech during Parker-Gray High School graduation. A young man dressed in a graduation cap and gown and glasses stands at a lectern on a stage. Several students and faculty in graduation gowns and stoles are seated in rows behind him on the stage. Photograph is dated 1951","Black and white photograph of the valedictorian and son of the principal, William H. Pitts, Jr., giving a speech during Parker-Gray High School graduation. A young man dressed in a graduation cap and gown and glasses stands at a lectern on a stage. Seated behind him on the stage are several students and faculty in graduation gowns, including Principal William H. Pitts, Reverend F. D. Williams, and Assistant Superintendent Theodore R. Sinclair. The school band is seated in front of the stage. Photograph is dated 1951","Black and white photograph of a moment during the Parker-Gray High School graduation ceremonies. Standing on the stage, Principal William H. Pitts, Sr. shakes the hand of his son and the valedictorian, William H. Pitts, Jr. Pitts, Jr. is wearing a graduation cap and gown and holding what appears to be his diploma. Pitts, senior is dressed in a white blazer and black bowtie. Photograph is dated 1951","Black and white photograph of Principal William H. Pitts, Sr. making remarks during the Parker-Gray High School graduation. A man wearing a white blazer, black suit pants, black double pocket square, and black bowtie stands at a lectern and appears to be in the middle of speaking. Seated behind him on the stage are several students and faculty wearing graduation gowns and stoles. Photograph is dated 1951","Black and white photograph, group portrait of Parker-Gray High School students who are likely all members of a school sports team or club. Approximately forty young men are  posed standing in two rows with a third row seated in front. Photograph is dated 1951","Black and white photograph, portrait of the 1952 graduating class of Parker-Gray School. Thirty-six teenaged students dressed in graduation caps and gowns are posed standing in six rows on the bleachers in the school gym. Photograph is dated 1952","Black and white photograph, portrait of the 1953 graduating class of Parker-Gray School. Twenty-six teenaged students dressed in graduation caps and gowns are posed in three rows in front of the stage of what appears to be a school auditorium. Photograph is dated 1953","Black and white photograph, group portrait of the members of the National Honor Society from the Parker-Gray High School graduating class of 1953. Three students, dressed in graduation caps and gowns, are posed standing together in front of the stage of what appears to be a school auditorium. From left to right: Hazel Jones, Fred Mathers, Jr., and Delores Hooks. Photograph is dated 1953","Reverse of Parker-Gray High School National Honor Society members group photograph (ABFR-23-002-052). Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" \"Parker Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314.\" A handwritten note reads, \"Members of the First National Honor Society at Parker-Gray H.S. 1953 Chapter 4950 Fred Mathers Jr. [rank] 1; Delores Hooks [rank] 2; Hazel Jones [rank] 3\"","Black and white photograph, portrait of the 1954 graduating class of Parker-Gray School. Approximately fifty teenaged students dressed in graduation caps and gowns are posed in several rows standing on the steps in front of the entrance to the school. Photograph is dated 1954","Black and white photograph, group portrait of young women of the Parker-Gray School graduating class of 1954. Approximately thirty young women are posed in three rows standing around a sign that reads, \"Congratulations Parker Gray Graduates!\" In the middle of the group, directly behind the sign, is an older man in a suit. Photograph is dated 1954","Black and white photograph, group portrait of what appears to be the winner and runners-up of Parker-Gray homecoming queen. Four young women are posed standing in a row; two of them are wearing floral corsages pinned to their lapels and the other two young women are holding bouquets. Photograph is dated 1955","Black and white photograph, group portrait of what appears to be the Parker-Gray homecoming court. Three young men and four young women are posed in a row, standing on a football field. One of the young men is identified as Roland Norton. Two of the young men are dressed in football uniforms (number 80 and number 35). Two of the young women are wearing floral corsages pinned to their lapels and the other two young women are holding bouquets. Photograph is dated 1955","Black and white photograph of the spectators at the 1955 Parker-Gray High School homecoming football game. The bleachers of a football field are filled with Parker-Gray students, faculty, and other community members watching the homecoming football game. Several people stand on the sidelines in front of the bleachers. Photograph is dated 1955","Black and white photograph, group portrait of the Parker-Gray High School class of 1957 taken in their junior year. Approximately sixty students are posed in five rows, standing on the steps in front of the entrance to the school. Photograph is dated 1955","Black and white photograph, portrait of the 1956 graduating class of Parker-Gray School. Fifty-eight teenaged students dressed in graduation caps and gowns are posed in five rows on the bleachers in the school gym. Also in the photo is Principal William H. Pitts Sr. Photograph is dated 1956","Black and white photograph, portrait of May Queen Joyce A. Drayton. A young woman, Joyce A. Drayton, wearing a light-colored satin dress is posed standing in the grass in front of the exterior of the school building. The front entrance of the school is visible in the background of the image. Photograph is dated 1956","Black and white photograph, portrait of the 1957 graduating class of Parker-Gray School. Forty-eight teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Photograph is dated 1957","Black and white photograph of the 1957 Parker-Gray High School homecoming court, including Homecoming Queen Phyllis Tate. Three young women and three young men are posed standing in a row in front of what appears to be a \"throne\" for the homecoming queen. From left to right: a young woman dressed in a plaid skirt set, white gloves, white hat, small round handbag, and corsage pinned to her lapel; a young man in dark-colored pants and a light-colored jacket posed in the act of placing a crown atop the head of the young woman in the center of the group; a young woman (being crowned), Phyllis Tate, wearing a light-colored skirt set and holding a large bouquet; a young man wearing dark-colored pants and a wool jacket; a young woman wearing a dark-colored skirt set, white gloves, white hat, small handbag, and corsage pinned to her lapel. Photograph is dated 1957","Black and white photograph of the 1957 Parker-Gray High School homecoming queen and runners-up. Three young women are posed standing in a row, with the young woman in the center on a raised platform. From left to right: a young woman dressed in a plaid skirt set, white gloves, white hat, small round handbag, and corsage pinned to her lapel; a young woman, Phyllis Tate, wearing a light-colored skirt set, white gloves, glittery crown, and holding a large bouquet; a young woman wearing a dark-colored skirt set, white gloves, white hat, small handbag, and corsage pinned to her lapel. Photograph is dated 1957","Black and white photograph, portrait of Phyllis Tate, the 1957 Parker-Gray High School homecoming queen. A young woman, Phyllis Tate, is posed seated in a chair atop a platform with a backdrop of crepe paper streamers. The backdrop and platform appear to have been decorated by students to serve as a \"throne\" for the homecoming queen. Tate is dressed in a light-colored skirt set, white gloves, sparkling crown, and is holding a large bouquet. Photograph is dated 1957","Black and white photograph that appears to depict the crowning of the 1957 Miss Parker-Gray. A young woman, LaJeune Hundley, is posed standing in what appears to be the school gymnasium while a man appears to place a tiara atop her head. Hundley is wearing a dress, short fur coat, white gloves, and small handbag. Posed standing next to her in the photograph is another young woman, dressed in a light-colored coat over a dress, white gloves, and white fascinator hat. The man crowning Hundley, is turned away from the camera, but might be Principal William H. Pitts, Sr. He is dressed in a long black coat, dark-colored pants,  a fedora hat  and is holding a piece of paper and a microphone. Visible in the background of the image are several people standing on the gym bleachers. Photograph is dated 1957","Reverse of Photograph of Miss Parker-Gray photo print (ABFR-23-002-066). Handwritten note reads, \"Miss Parker-Gray 1957-58 La Jeune Hundley, Attendants - Teyanna Williams, Jesurena Smith.\" Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" and \"Parker-Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314\"","Black and white photograph of Miss Parker-Gray La Jeune Hundley and her two attendants, Teyanna Williams and Jesurena Smith. Three elegantly dressed young women are posed standing in a row in front of what appears to be the bleachers in the school gymnasium. From left to right: a young woman wearing a light-colored coat over a dress, white gloves, white fascinator hat, and small handbag; a young woman, La Jeune Hundley, wearing a dress, short dark-colored fur coat, white gloves, tiara, and small handbag; a young woman wearing a long, light-colored fur coat over a dress and white gloves. Visible in the background of the image are several people standing on the gym bleachers. Photograph is dated 1957","Black and white photograph of Miss Parker-Gray La Jeune Hundley and her two attendants, Teyanna Williams and Jesurena Smith. Three elegantly dressed young women are posed standing in a row in front of what appears to be the bleachers in the school gymnasium. Hundley is stood in the center of the trio and is turned around to shake the hand of a young woman standing behind her wearing a long, dark-colored coat with a corsage pinned to the lapel.","Black and white photograph, portrait of the 1958 graduating class of Parker-Gray School. Twenty-three teenaged students dressed in graduation caps and gowns are posed in three rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. Photograph is dated 1958","Black and white photograph, group portrait of seven young women posed in front of a small platform and backdrop that have been decorated with crepe paper and streamers. It appears to be the \"throne\" for the homecoming queen depicted in other photographs from this series. Photograph is dated 1958","Black and white photograph, group portrait of the 1959 Parker-Gray High School homecoming court. Four young women are posed standing in a row, the two in the center are one step up on a small podium. All four young women are holding bouquets. Photograph is dated 1959","Black and white photograph, group portrait of the 1959 Parker-Gray High School homecoming court. Three young women and three young men are posed in a row standing on a football field. Two of the young men are wearing football uniforms (number 54 and number 72); all three young women are holding bouquets. Photograph is dated 1959","Black and white photograph, portrait of the 1960 graduating class of Parker-Gray School. Thirty-five teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. in the middle of the back row. Photograph is dated 1960","Black and white photographs, composite class portrait of the Parker-Gray High School class of 1961. Headshot studio portraits of students dressed in graduation caps and gowns are arranged in rows with each student's name listed underneath their photo. Also included are studio portrait photographs of Principal William H. Pitts, Sr. and school advisors Mary T. Adams and Jacqueline Green. Item is dated 1961","Black and white photograph, portrait of the 1961 Ms. Parker-Gray, Doris Surratte, being crowned. A young woman, Doris Surratte, dressed in a white dress with sheer white shoulder wrap is posed standing next to a young man wearing a suit who is posed in the moment of placing a crown atop her head. Photograph is dated 1961","Black and white photographs, composite class portrait of the Parker-Gray High School class of 1962. Headshot studio portraits of students dressed in graduation caps and gowns are arranged in rows with each student's name listed underneath their photo. Also included are studio portrait photographs of Principal William H. Pitts, Sr.; Elizabeth Qualls, Sponsor; Robert H. Adkins, Sponsor; Richard Clayton, Sponsor. Item is dated 1962","Black and white photograph, candid photo from the Parker-Gray School Drivers Ed class. A car is parked in a small parking pad next to what appears to be the side or back of the school building. Affixed to the passenger side door of the car is a sign that reads, \"Driver Education Car, Courtesy Aero Chevrolet\" with the AAA logo above it. Four people are seated in the car, who appear to be three students and their instructor in the front passenger seat. Photograph is dated 1963","Black and white photograph, candid photo from the Parker-Gray School Drivers Ed class. Five people are seated in a parked car. Affixed to the passenger side door of the car is a sign that reads, \"Driver Education Car, Courtesy Aero Chevrolet\" with the AAA logo above it. Photograph is dated 1963","Page from the program of the Parker-Gray High School Class of 1965 50th Reunion, held June 12th and 13th, 2015. An illustrated image of a scroll frames a list of the names of the members of the class of 1965, listed in two columns. Item is dated 2015","Black and white photograph, portrait of the 1965 graduating class of Parker-Gray School. Forty-seven teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. Photograph is dated 1965","Black and white photograph, group portrait of the Parker-Gray High School band dressed in their uniforms. They are posed seated in curved rows and appear to be in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, group portrait of the Parker-Gray High School band dressed in their uniforms. They are posed seated in curved rows and appear to be in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, group portrait of the Parker-Gray High School majorettes. Dressed in their uniforms and holding batons, seven young women are posed standing on the bleachers in the school gymnasium. They are standing in a row, each on a different step, ascending up the risers. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Assistant Principal Edward L. Patterson. He is dressed in a dark-colored plaid suit, white shirt, dark-colored tie, and wire-rimmed glasses. Patterson is posed seated at his desk as if in the midst of working. Papers and books are strewn across his desk, while he flips through an open book with one hand and a pencil poised to write something in the other hand. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Assistant Principal Edward L. Patterson. He is dressed in a dark-colored suit, white shirt, checkered tie, and wire-rimmed glasses. He is posed standing behind his desk while he does something with a large metal box atop the desk. Photograph is undated, c.1960s","Black and white photograph, portrait of the cafeteria staff at Parker-Gray High School. Seven women, all dressed in white uniform dresses, are posed standing in a row in what appears to be the school cafeteria. Photograph is undated, c.1960s","Black and white photograph of Ferris Holland, math and science teacher at Parker-Gray High School, and two unidentified students. Holland is standing behind the workstation at the front of his classroom, in the midst of demonstrating a chemistry experiment. To the left of Holland is a young man dressed in a checkered blazer; and to the left of Holland is a young woman wearing a white blouse. Visible behind them in the image is a blank chalkboard. Photograph is undated, c.1960s","Black and white photograph of several members of what appear to be faculty and staff of Parker-Gray High School. Ferris Holland, math and science teacher at Parker-Gray, is posed seated at a desk while pointing to something in a book. Seven other men and women are posed standing around him and looking at the book on his desk. Photograph is undated, c.1960s","Black and white photograph, studio portrait of Hollis Williams, a member of the Parker-Gray High School faculty. Photograph is undated, c.1960s","Black and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and two unidentified students. Smith is posed standing behind a table where two young women are seated; all three have papers in their hands and appear to be in the midst of a conversation. Photograph is undated, c.1960s","Black and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and an unidentified student. Smith is posed seated behind her desk with a young woman seated in a chair at the side of the desk. They are posed as if in the midst of a counseling session. Photograph is undated, c.1960s","Black and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and an unidentified student. Smith is posed seated at a desk with a young man seated in a chair at the side of the desk. They are posed as if in the midst of a counseling session; both looking down at a set of papers on the desk. Photograph is undated, c.1960s","Black and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed standing in front of a filing cabinet in the school administration offices with her hands resting on an open drawer. Photograph is undated, c.1960s","Black and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed standing in front of a filing cabinet in the school administration offices with her hands resting on an open drawer. Photograph is very similar to ABFR-23-002-094 but Adams facial expression is slightly different. Photograph is undated, c.1960s","Black and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed seated at her desk as if in the middle of a phone conversation. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School nurse. A woman dressed in a white nurse's uniform dress and cap is posed seated at a desk with a pen poised as if writing on a set of papers on the desk. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School nurse. A woman dressed in a white nurse's uniform dress and cap is posed seated at a desk with a pen poised as if writing on a set of papers on the desk. Photograph is very similar to ABFR-23-002-097 but her facial expression is slightly different and the photo was taken at a slightly different angle. Photograph is undated, c.1960s","Black and white photograph, portrait of the physical and driving education faculty at Parker-Gray High School. Three men and a woman are posed standing in a row in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk with a pen poised above a set of papers on the desk. Photograph is undated, c.1960s","Black and white photograph, studio portrait of Parker-Gray High School Principal William H. Pitts, Sr. He is dressed in a dark-colored suit, white shirt, tie, and white pocket square and is posed seated in front of a blank backdrop. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. He is posed standing on the steps in front of the entrance to the school. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk with a pen poised above a set of papers on the desk, as if in the midst of doing paperwork. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk while reaching to the intercom on his desk, as if in the midst of making an announcement. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two are seated at their desks and one is standing at the counter writing on a sheet of paper. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two are seated at their desks and one is standing at the counter writing on a sheet of paper. Photograph is similar to ABFR-23-002-105. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Four women are posed in the front office of the school. They are all posed as if in the midst of working at different tasks: writing on a paper at the counter, looking through a filing cabinet, talking on the phone, typing on a typewriter. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two women are standing on either side of the counter and posed as if in the middle of a conversation. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two women are seated at their desks and one woman is standing behind the counter; all are posed as if in the midst of working. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Two women are posed together behind a desk in the school administration offices. From left to right, a woman, Louise Evans, is posed standing and pointing to a piece of paper held in her other hand; a woman is seated at the desk and looking at the paper that Evans' is holding. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School vocational and fine arts faculty. A woman is seated at a piano with six other men and women posed standing around the piano. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School faculty. Twenty-eight men and women are posed in three rows in front of a light-colored curtain serving as a backdrop. They appear to be on the stage in a school auditorium. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Six men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Seven men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Seven men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photo is very similar to ABFR-23-002-114, but the people are posed in slightly different positions. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Ten men and women are posed around a desk at the front of a school classroom with a blank chalkboard behind them. Photograph is undated, c.1960s","Black and white photograph of the homemaking class at Parker-Gray High School. Eight young women are posed around a classroom kitchen at work on different cooking and baking tasks while their teacher looks on. Photograph is undated, c.1960s","Black and white photograph, group portrait of the Parker-Gray High School baseball team. Ten young men wearing baseball uniforms are posed together on a baseball field behind the school. Photograph is undated, c.1960s","Black and white photograph, portrait of Lawrence Veney. He is wearing his Parker-Gray High School baseball team uniform and is posed as if in the midst of throwing a pitch. Photograph is dated 1963","Black and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School pep squad or cheerleading team. Seven young women in pep squad uniforms are in the midst of performing a cheer in the school gymnasium, presumably during a game or pep rally. Photograph is undated, c.1960s","Black and white photograph, portrait of the Parker-Gray High School pep squad or cheerleading team. Eight young women dressed in pep squad uniforms are posed in two rows in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, portrait of the Parker-Gray High School pep squad or cheerleading team. Eight young women dressed in pep squad uniforms are posed standing in a row in front of the bleachers in the school gymnasium, posed as if in the midst of performing a cheer. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School pep squad or cheerleading team. Thirty young women are posed in two rows in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph of four members of the Parker-Gray High School football team. Four young men dressed in football uniforms are posed standing on a football field. Three of the young men are crouched in a defensive position and the fourth young man is standing behind them as if poised to throw the football. Photograph is dated 1961","Black and white photograph, portrait of Raymond Williams, captain of the Parker-Gray High School football team. A young man, Raymond Williams, wearing a football uniform number 80, is posed crouched in a defensive position on a football field. Photograph is dated 1961","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a shot of players and two referees on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of several young women playing a game of volleyball in the Parker-Gray High School gymnasium. Based on their matching outfits, this is likely a candid photograph from a Physical Education class. Photograph is undated, c.1960s","Black and white photograph, group portrait of what is likely the Parker-Gray High School Girls' Athletic Association. Nineteen young women are posed standing in two rows on the bleachers in the school gymnasium. They are all dressed in matching outfits: white blouses paired with dark-colored skirts. Photograph is undated, c.1960s","Black and white photograph, group portrait of members of the Parker-Gray High School pep club. Fourteen young women are posed standing in two rows on the bleachers in the school gymnasium. They are standing angled sideways with their outer arm reaching out toward the middle of the gym. All of the young women are wearing vests with sashes that read, \"Go Team Go.\" Photograph is undated, c.1960s","Black and white photograph, candid photo of two young men in the midst of a wrestling match. A referee dressed in all white is also visible on the side of the mat. Visible in the background of the image are the officials or scorekeepers seated at a table, an announcer seated on a stool with a microphone, and several other members of the Parker-Gray High School wrestling team wearing their uniform sweat suits. Photograph is undated, c.1960s","Black and white photograph, candid photo of two young men in the midst of a wrestling match. A referee dressed in all white is also visible on the side of the mat. Visible in the background of the image are the officials or scorekeepers seated at a table, an announcer seated on a stool with a microphone, and several other members of the Parker-Gray High School wrestling team wearing their uniform sweat suits. Photograph is undated, c.1960s","Black and white photograph, team portrait of the Parker-Gray High School wrestling team. Twelve young men and their two coaches are posed in two rows atop a wrestling mat in the school gymnasium. They are all dressed in matching light-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, team portrait of the Parker-Gray High School wrestling team. Twelve young men and their two coaches are posed in two rows atop a wrestling mat in the school gymnasium. They are all dressed in matching light-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably basketball based on their outfits. Twelve young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching shiny jackets with PG on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably basketball based on their outfits. Twelve young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching shiny jackets with PG on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably track and field based on their outfits. Nine young men are posed standing on the bleachers in the school gymnasium. They are dressed in matching dark-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably track and field based on their outfits. Nine young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching dark-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a junior class at Parker-Gray High School. Approximately sixty students are posed in three rows on the grass in front of the school building. Photograph is undated, c.1960s","Black and white photograph of five Parker-Gray High School students in a car. A young man is posed in the driver's seat, in the passenger seat is a young woman wearing a headscarf, and in the backseat are three other young women. Photograph is undated, c.1960s","Black and white photograph of three Parker-Gray High School students. Three young women are posed standing in a row on a field. Two of the young women are wearing floral corsages pinned to their lapels and the young woman in the center of the group is holding a bouquet. Presumably they are a homecoming court, but the context of the image is not identified anywhere. Photograph is undated, c.1960s","Color photograph taken during the 2010 Parker-Gray School reunion. A man dressed in a brown polo shirt and khaki pants is seated next to a woman dressed in white pants and a blouse with a blue paisley pattern. They are both seated in front of tables and blue and white painted cement brick walls - the type of cement brick that is frequently found in American public school buildings. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman wearing a red collared dress, Norma J. Turner, is seated in front of a blue cement brick wall - the type of cement brick that is frequently found in American public school buildings. Photograph is dated 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women, including Norma J. Turner in the foreground of the image, are seated at a dinner table in what appears to be a restaurant or banquet hall. Visible in the background of the image are three other people who appear to be about to take their seats at another table, as well as, a bartender behind a bar. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at a dinner table in what appears to be a restaurant or banquet hall. Visible in the background of the image are other people seated at another table, as well as, a man ordering a drink from the bar. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at dinner tables in what appears to be a restaurant or banquet hall. In the foreground of the image is a man dressed in black pants, a white shirt, patterned tie, black suspenders, and glasses with a rose-colored tint. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at dinner tables in what appears to be a restaurant or banquet hall. In the foreground of the image is a man dressed in a grey suit, white shirt, and checkered tie; and a woman dressed in a pink, orange, and yellow dress with a sheer yellow jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a black dress with a floral print and a black blazer jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a purple dress and matching purple jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a pink dress and matching pink jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman wearing a white, lace blouse is seated in what appears to be a red booth. Photograph is dated 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is standing up from a dinner table with a red booth seat and looks as if about to give a speech. She is dressed in a sky blue jacket and matching sky blue pants, white blouse, and sky blue hat. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A man dressed in a grey suit, blue shirt, and blue tie is posed seated at a table. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman and man are standing up from a dinner table with a red booth seat and are posed in the midst of presenting a certificate. The woman is dressed in a sky blue jacket and matching sky blue pants, white blouse, and sky blue hat. The man is dressed in a tan suit, light-gray shirt, and patterned tie. Photograph is dated 22 August 2010","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a pink sweater is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a pink sweater is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a grey jacket and floral patterned blouse is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a green blouse with a patterned scarf tied around her neck is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man and a woman are seated in front of a window that looks out onto the street. The woman is wearing a white and grey striped jacket and blouse; the man is wearing a checkered suit jacket, white shirt, and striped tie. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a checkered suit jacket, white shirt, and striped tie is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a white shirt and white baseball cap is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a pink and white blouse, black suit jacket, and backwards black baseball cap is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a tan shirt is standing in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A laughing man wearing a patterned shirt is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white patterned blouse and white pants is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a black shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a yellow shirt, black patterned cardigan, and black headwrap is seated in front of blank whiteboard mounted on a white cement brick wall. A cane is leaning against the wall behind her. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white blouse over a black t-shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a blue and white patterned blouse and white baseball cap with a logo on it that reads, \"Parker-Gray 1920-1965\" is posed standing in what appears to be a classroom. Several other people are visible behind her in the background of the image. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black blouse is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a grey t-shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a red blouse is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white patterned blouse is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a white t-shirt, blue sweater, and holding a notebook is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple, black, and white patterned blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a pale green blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a striped brown suit jacket and pink shirt is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple blouse and white lace shrug is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Unfortunately the image file appears to be corrupted and the bottom half of the image is missing. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple, black, and white patterned blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2015 Parker-Gray School reunion event of Linwood Moses Smith and Sharon Jones Frazier. From left to right: a woman dressed in a purple turtleneck and purple cardigan; a man, Linwood Moses Smith, dressed in khaki pants, a grey zipped jacket under a denim jacket, a grey hat; a woman, Sharon Jones Frazier, dressed in a blue collared top under a tan trench coat. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event of McArthur and Nellie Quander. A man, identified as McArthur, dressed in denim pants, a checkered shirt, black windbreaker with the Free Masons logo on the front, and a brown hat walks with a woman using a mobility aid, Nellie Quander, dressed in a black top, black pants, and bright, red coat. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A candid photograph of three women and a man standing in the street, presumably outside the former Parker-Gray High School building, in the midst of conversation. Included in the group are Sharon Jones Frazier and Audrey P. Davis, Director of the Alexandria Black History Museum. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A portrait photograph of Audrey P. Davis, Director of the Alexandria Black History Museum, posed standing in the street in front of the former Parker-Gray High School building. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A candid photograph of five men standing in the street, presumably outside the former Parker-Gray High School building, in the midst of conversation. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. Seven men and women are posed next to the historic landmark sign noting the adjacent building as the former building of Parker-Gray High School. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A man and woman are seated in the middle of the audience during the celebration event. The man is wearing a blue and white striped shirt and tan suit jacket; the woman is wearing a brown quilted coat. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A man dressed in a grey suit, off-white shirt, patterned tie, and white baseball cap is walking down the street while utilizing a mobility aid. Photograph is dated 2015","Black and white photograph, class portrait of a group of Charles Houston Elementary School students. Approximately fifty children, along with two teachers, are posed standing in four rows on the steps in front of the entrance to the school. Photograph is undated, c.1950s","Black and white photograph, class portrait of the Room 6, Second Grade class at Charles Houston Elementary School in 1964. Twenty-eight children are posed in three rows with their teacher in what appears to be the school library. Two children in the center of the front row are holding a sign that reads, \"Charles Houston Alexandria, VA Grade 2 Room 6 1964.\" Photograph is dated 1964","Black and white photograph, class portrait of the Room 16, Fourth Grade class at Charles Houston Elementary School in 1964. Twenty-seven children are posed in three rows with their teacher in what appears to be the school library. Two children in the center of the front row are holding a sign that reads, \"Charles Houston Alexandria, VA Grade 4 Room 16 1964.\" Photograph is dated 1964","Digital surrogates of photographs from the family of Linwood Moses Smith. Related to the Jesurena Smith family photographs (ABFR-23-006)","Black and white photograph, portrait of a young girl standing posed outside in the grass. She is wearing a white top, white pants, and black sandals with white socks. It appears that the girl is in the yard next to a house; behind her are a brick wall and a large bush or shrubbery. Photograph is undated, c.1950s","Black and white photograph of a group of four young children. The children (a young girl, a young boy, and two toddlers) are outside in the grass, in what appears to be the yard next to a house. One of the toddlers is sitting in the grass while the two older children are each holding a hand of the second toddler while they attempt to stand on their own. It appears that the children are attempting to pose for the photograph, but have been captured in motion. Behind the children is a brick wall with two visible windows and the shadow of a large bush or shrubbery. Photograph is undated, c.1950s","Black and white photograph of a young woman and two very young children. The woman, dressed in black capri pants and a striped tank top, is posed standing outside in the grass in what appears to be the yard next to a house. She is holding a baby in her right arm while with her left holds the hand of a toddler standing next to her. The baby and toddler are both dressed in all white outfits. Behind the group is a brick wall with three visible windows and a large bush or shrubbery. Photograph is undated, c.1950s","Black and white photograph of three young children standing outside in the grass, in front of a short shrub. From left to right, a young boy dressed in a white short sleeved shirt, dark-colored shorts, and black sandals with white socks; a young girl wearing a tank top and shorts with matching printed pattern and tennis shoes; a young girl wearing a white top, white pants, and black sandals with white socks. The three children appear to be attempting to pose for the photograph but were captured either distracted or in motion. Photograph is undated, c.1950s","Color photograph of a woman seated on a couch which appears to be in the living room of a home. The woman is wearing a dark-colored coat and dark-colored dress. She is seated on a blue couch in front of a window with blue, patterned curtains. Unfortunately, the photograph is blurry and some details are hard to see. Photograph is undated, c.1960s","Black and white photograph of a group of five people posed standing in front of a striped tent. Unfortunately, the photograph was damaged and a large portion is missing from the right side of the image. From left to right, a woman wearing a light colored dress with a small, dotted pattern; a man wearing black pants, a white short-sleeved button-down shirt, and a light-colored hat; a woman wearing a striped dress; a young girl wearing a white dress and holding a doll; a man wearing a white shirt, but otherwise obscured by the missing piece. On the bottom edge of the photograph is a handwritten note that reads, \"Feeling might f--\" with the remainder of the note missing. Photograph is undated, c.1950s","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph of Maria, Jootsie, Wootchie, Jesurena [Smith], and Linwood [Moses Smith] (ABFR-23-004-025). Handwritten note which identifies the people in the photograph reads, \"Maria, Jootsie 13, Wootchie 10, Jesurena 8, Linwood 4\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Arnold J. Thammond as a baby (ABFR-23-004-029). Handwritten note which identifies the baby in the photograph reads, \"Arnold J. Thammond, age 4 months\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a man (John?) (ABFR-23-004-040). Handwritten note reads, \"Dear Jesus, please have mercy on John.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo of a family outdoors (ABFR-23-004-050). Handwritten note reads, \"Gen et al 5-29-83\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Same image as ABFR-23-006-022. Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a framed portrait drawing (ABFR-23-004-054). Typescript date stamp reads, \"JUL 92\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two young children in costume (ABFR-23-004-058). Typescript date stamp reads, \"MAY 93 9\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Linwood Smith and unidentified woman (ABFR-23-004-064). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs from the Coleman and Butler families.","Black and white photograph, portrait of a young woman, Lucy, standing posed in a doorway. She is dressed in a light-colored dress worn over a white shirt, a white collar, and a wide brimmed hat. The photo print is mounted in grey board and gold letters spelling \"LUCY\" are affixed to the board underneath the photograph. There is also printed typescript which reads, \"G.G. Donaldson, Washington, DC.\" Photograph is undated","Black and white photograph, candid photo of an oncoming parade headed down a residential street. Men are lined up on either side of the street, and five men are parading down the street toward the photographer. The man out front is wearing white gloves and carrying what appears to be a book. Photograph is undated","Black and white photograph of a group of people posed seated around a table with a microphone mounted on the ceiling and suspended over the middle of the table. They appear to be in a recording booth for radio or audio announcements. The man seated at the table in the middle of the group is dressed in United States military uniform and on the table in front of him are a stack of papers. Photograph is undated, c.1940s","Black and white photograph, portrait of a man and woman dressed for their wedding day. The bride is wearing a white wedding gown, veil, and pendant necklace and holding a bouquet. The groom is dressed in a dark-colored suit, white shirt, and dark-colored bowtie. A handwritten note in the bottom, right corner of the photo print reads, \"Murphy.\" Photograph is undated","Black and white photograph, portrait of a young woman who appears to be seated in front of a window. It is not clear whether she is actually seated in front of a window, or if this is a studio backdrop. She is dressed in a light-colored top with large buttons and a collar with a pleated trim. Photo print appears to have suffered some damage and wear. Photograph is undated","Black and white photograph, studio portrait of a young man. He is dressed in a dark-colored suit, striped tie, striped socks, dark-colored leather shoes, and a dark-colored fedora hat. He is posed seated on a bench with one knee tucked up onto the bench beside him. The background behind him is a painting of a bridge over a pond with ducks and swans swimming in it. Photograph is undated","A card with a printed calligraphy text which reads, \"Oliver Coleman, State Champion, Side Horse, 1967-68.\" It is unclear if this is related to the Studio portrait of a young man (ABFR-23-005-006)","Color photograph, candid portrait of a man and a woman. The woman is wearing a light-colored dress with an embroidered collar and cat-eye glasses. The man is dressed in a dark-colored suit, white shirt, striped tie, and glasses. They appear to be in someone's home and visible in the background of the image are the bottom of a staircase and an ornately carved wooden table with a book, cups, and an ashtray on top. Photograph is undated","Color photograph, studio portrait of a family posed in front of a navy blue backdrop. From left to right: a woman wearing a black dress; an older woman dressed in a red dress, pearl necklace, and glasses; an older man dressed in a black suit, white shirt, black tie, and glasses; a young woman wearing a white dress with a off-the-shoulder neckline and a pearl necklace; and a boy dressed in a black suit, white shirt, and purple satin bowtie. Photograph is undated","Color photograph of three men posed standing with their arms around each other. From left to right: a man dressed in khaki pants and a plaid shirt; a man dressed in khaki pants, bright blue shirt, and a black tie; a man dressed in khaki pants and a dark-colored shirt. Photograph is undated, c.2000s","Color photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right: a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; an older woman wearing a white dress and white floral corsage; an older man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a young woman wearing a white dress and white floral corsage; a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere. Photograph is undated","Black and white photograph, portrait of bride and groom surrounded by several friends and/or family. Centered at the front of the photo: the bride is wearing a white dress, white gloves, a white fascinator, and holding a bouquet in one hand and the hand of the groom with the other; the groom is dressed in a dark-colored suit, white shirt, dark-colored tie, and white boutonniere. Next to and behind the couple, from left to right: a man dressed in a dark suit, white shirt, and patterned tie; a young man whose outfit is obscured; a young woman whose outfit is obscured; a young man wearing a dark-colored suit, white shirt, and dark-colored tie; a woman whose outfit is obscured; a young woman wearing a dark-colored dress with buttons and a bow in her hair; an older woman in a light colored dress and corsage pinned to her lapel. Photograph is undated","Black and white photograph of a man and two women sitting at a desk in an office. A man is seated to the left of the desk and is dressed in a dark-colored suit, white shirt, and patterned tie. One of the women is seated behind the desk with her hands folded on top of the desk; she is dressed in a dark-colored top and jacket. The other woman is seated to the right of the desk and is dressed in a dark-colored skirt suit and white blouse. On the desk are a black telephone, two baskets with papers in them, a bound report or portfolio, and a pen holder. There is a filing cabinet visible in the background of the image. Photograph is undated","Black and white photograph, studio portrait of a woman posed in front of a blank, light-colored backdrop. She is dressed in a dark-colored dress or jacket over a white blouse. The image only depicts from her shoulders up. Photograph is undated","Reverse of Portrait photograph of a woman (ABFR-23-005-014). Handwritten notes read, \"6489\" and \"[illegible].\" A stamped typescript note reads, \"For your convenience the negative of this photograph will be kept on file. When reordering be sure you mentio the letters and numbers that follow 2-[blank], Murphy PO Trait Studio, Alexandria, Virginia.\"","Color photograph, portrait of a bride posed standing in a church sanctuary with three family members. From left to right: an older man dressed in a dark-colored suit, white shirt, burgondy tie, glasses, and white boutonniere; an older woman wearing a pastel blue dress, matching shoes, pearl necklace and bracelet, and white corsage pinned to her lapel; the bride dressed in a white wedding gown, pearl necklace and headband, and holding a bouquet of blue and white flowers; a man dressed in a dark-colored suit, white shirt, navy blue tie, and white boutonniere. Photograph is undated","Color photograph, portrait of a woman standing posed in front of a sage green curtain with a floral pattern. She is dressed in a tan dress, white glvoes, pearl necklace and earrings, white fascinator hat, and white floral corsage pinned to her collar and is holding a white handbag. Photograph is undated, c.1950s","Black and white photograph, portrait of a man seated in front of what appears to be a canvas tent. He is dressed in a light-colored shirt that is likely part of a military uniform, though no identifying insignia is visible in the image. Photograph is undated","Color photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right: a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman dresed in a sparkly, dark-colored dress and white floral wrist-corsage; an older woman wearing a white dress with a white floral wrist-corsage; an older man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman in a black skirt set with a white blouse and a white floral wrist-corsage; and a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere. Photograph is undated","Color photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right; a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman wearing a white dress with a white floral wrist-corsage; a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman dressed in a blue dress with a black and gold stoll draped over her shoulders, and a man in a dark-colored suit, white shirt, and grey tie. Photograph is undated","Black and white photograph, portrait of what appears to be a bride and groom standing posed in front of a decorative white backdrop and two potted plants. The woman is dressed in a white wedding gown, white gloves, and is holding a small bouquet. The man is dressed in a black tuxedo with a white shirt and white bowtie. Photograph is undated, c.1960s","Reverse of Wedding portrait photograph (ABFR-23-005-021). Handwritten note reads, \"1-4\"","Black and white photograph of a group of children of varying ages stood posed in what appears to be a church or banquet hall. From left to right; a young girl wearing a light-colored, striped dress; a young girl wearing a white dress; a young girl wearing a light-colored dress with a white celebretory sash across her shoulder; a young girl wearing a white dress; a young boy dressed in a dark-colored suit, white shirt, and striped bowtie; a young girl wearing a white dress; a young girl wearing a white dress with dark-colored polka dots; a young girl wearing a white dress. Photograph is undated, c.1950s","Reverse of Photograph of group of children (ABFR-23-005-023). Stamped typescript reads, \"Photo by Jackson, 528 N. Payne Street, Alexandria, Va. KI 9-8019\"","Black and white photograph of three women seated in chairs with three men standing behind them. Back row, from left to right: man wearing a light-colored suit, white shirt, and patterned tie; man wearing a dark-colored suit, white shirt, dark-colored tie, and white pocket square; man in a light-colored suit, white shirt, and patterned tie. Front row, from left to right: woman wearing a white dress; woman wearing a white dress, white arm wraps, and a floral corsage pinned to her collar; woman wearing a light-colored dress. They appear to be in a church recreation or banquet hall. Visible in the background of the image are a man eating seated at a long table with a white table cloth, a raised platform stage with chairs on it, a curtain behind the stage with what seems to be a large cross mounted as a backdrop. photograph is undated, c.1950s","Black and white photograph of a dozen men posed standing staggered in a line in front of what appears to be a concessions stand. All of the men are wearing suits and several also have white floral boutonnieres pinned to their lapels. Visible in the background of the image are a couple of women. Photograph is undated, c.1940s","Clipping from a newspaper featuring a black and white photograph of a group of people posed in an office with a caption underneath. Pictured in the photo are a young woman, a young man, and a man seated at a desk and posed looking at brochures. The man seated on the right is also holding the telephone as if in the middle of a call. Standing behind the seated trio and looking over their shoulders are two men and two women. All are dressed in business casual outfits c.1960s. According to the caption, the image depicts two college students, Marilyn Klug and Jim Rogers, who are starting positions with the Alexandria Office of the Virginia Employment Commission under a summer employment project of the Northern Virginia Board of Realtors' \"Make America Better\" Program. Also pictured in the image are G. Lewis Layne, Joanna M. Tanner, Ralph A. Wells, Oliver Coleman, and Eileen K. Levington. Clipping is undated, c.1960s","Black and white photograph of twenty-one men, women, and children posed standing in a church sanctuary in front of the pulpit. Visible in the background of the image are the choir loft, a staircase, and a banner hung behind the pulpit that reads, \"Home-coming, United We Stand, Divided We Fall.\" Photograph is undated, c.1950s","Black and white photograph of twenty-four men and women, posed in three rows. The men are all wearing dark-colored suits, white shirts, and dark-colored ties, with badges or medals pinned to their lapels. The women are all wearing matching white collared dresses, white gloves, and the same badges or medals pinned to their lapels. They appear to be in a church recreation hall and there is a wooden cross visible in the background of the image. Photograph is undated, c.1950s","Digital surrogates of photographs from the family of Jesurena Smith. The Newman family lived at 510 and 512 Pendleton Street in Alexandria, Virginia from 1928 until the 1970s. John Henry Newman moved from Burke, Virginia to Alexandria in the 1920s. Newman had two wives: Nannie Pounds Newman and Elizabeth Pounds Newman. Related to the Linwood Moses Smith family photographs (ABFR-23-004)","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Candid photograph of a wedding (ABFR-23-006-012). Stamped typescript reads, \"Henry's Camera Exchange, 722 King St., Alexandria, Virginia\" and \"Kodachrome Print, Made By Kodak, July 67R\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph from Angie's 50th birthday (ABFR-23-006-014). Handwritten note reads, \"Angie's Big 50, 3-28-09\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman in front of mobile home (ABFR-23-006-020). Handwritten note reads, \"To Shirl \u0026 Roger from fat-Black Ace - Age 43\"","Same image as ABFR-23-004-053. Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a framed portrait drawing propped up on a couch (ABFR-23-006-026). Typescript date stamp reads, \"JUL 92\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman holding a framed portrait drawing of a woman (ABFR-23-006-029). Typescript date stamp reads, \"JUN/02\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and ephemera from the family of Sharon Jones Frazier and her paternal grandmother, Carrie Jones Stevens. Carrie Jones Stevens originally lived in Palmyra, Virginia with her first husband, Albert Jones. Together they had three children - Shedrick (father of Sharon Jones Frazier), Ellen, and Annie. After Albert's death, she re-married Moses Stevens and the family moved to Alexandria, Virginia and lived at 1325 Cameron Street; this home remains in the family as of 2023. Ellen married Lawrence Butler and moved to Philadelphia, Pennsylvania. Annie and Shedrick both attended Parker-Gray School. Annie worked at the Carver Theater and Shedrick had a career as a plasterer","Clipping of an article and two black and white photographs from The Other Alexandria, \"Betty Garrett Scott: 'Memories of My Grandfather' by Char McCargo Bah","Black and white photograph, candid photo of a man walking on a cement patio in front of a brick wall and white door. He is dressed in a light-colored suit, white shirt, and glasses. Photograph is undated","Color photograph, portrait of a young woman, Sharon Jones Frazier, standing posed in a backyard. She is dressed in a light-colored blouse and skirt set. A brick building and a white stone fence are visible in the background of the image. Photograph is undated, c.1960s","Color photograph, portrait of a woman standing posed in a backyard. She is wearing a white collared dress with a pink and green floral pattern. A brick building, white stone fence, and green lawn furniture are visible in the background of the image. Photograph is undated, c.1960s","Black and white photograph, studio portrait of a man seated in front of a light-colored backdrop. He is dressed in a suit and tie. Photograph is undated","Black and white photograph of a young girl sitting on the grass in what appears to be a backyard or park. She is dressed in a light-colored Native American costume dress and band around her forehead with a single dark-colored feather sticking up in the back. Her hair is worn in pigtails. Lawn furniture is visible in the side of the image. The photo print has suffered some wear and damage and there is a vertical crease down the middle of the print which obscures some of the image. Photograph is dated \"February -8\" with a typescript stamp on the top edge of the print, the decade is obscured by the damage to the print but is mostly likely 1958","Black and white photograph of a young girl, Sharon Jones Frazier, posed standing in front of a brick wall. She is wearing a light-colored dress with a Peter Pan collar and a light-colored bow in her hair. A handwritten note on the photo print over the image identifies the little girl as \"Sharon.\" Photograph is undated","Black and white photograph, studio portrait of a young woman, Sharon Jones Frazier, seated in front of a blank backdrop. She is dressed in a white and light-colored collared shirt. A handwritten note on the photo print reads, \"To Mom, Love Sharon, 1972\"","Black and white photograph, studio portrait of a young woman, Sharon Jones Frazier, seated in front of a blank backdrop. She is dressed in a white nurse's uniform: white collared top and small white hat. Photograph is undated, c.1970s","Color photograh, studio portrait of two women and a small dog. Sharon Jones Frazier is dressed in a red collared dress and is standing posed with her hand on the shoulder of an older woman. The other woman is dressed in a black and white houndstooth dress, pearl necklace, and wire-rimmed glasses. She is holding an buff-colored Cocker Spaniel with a red collar. Photograph is undated, c.1990s","Color photograph of a young woman, Sharon Jones Frazier, and a man posed standing together in front of a dark, red wall and a potted plant. She is dressed in a white dress, white jacket, and red brooch pinned to her dress; she is carrying a black handbag. The man is dressed in a dark-colored suit, white shirt, patterned tie, glasses, silver cross necklace, and red brooch pinned to his lapel. Photograph is undated","Black and white photograph, portrait of a young girl posed standing in front of a dark-colored couch with white curtains behind it. She is dressed in a light-colored coat with a double-layered rounded flat collar, white gloves, white beret hat, and white cross-body handbag. Photograph is undated","Color photograph, studio portrait of a woman posed seated in front of a cream-colored backdrop. She is dressed in a cream-colored top and gold jewelry. Photograph is undated, c.1970s","Black and white photograph, studio portrait of a man posed seated in front of a light-colored backdrop with his hands folded in front of him. He is dressed in a houndstooth suit, white shirt, black tie, and badge-shaped lapel pin. Photograph is undated, c.1950s","Black and white photogrpah, studio portrait of a young woman posed sitting in front of a blank backdrop. She is dressed in a light-colored blouse. Photograph is undated, c.1940s","Reverse of Portrait photograph of a woman (ABFR-23-007-015). Stamped typescript reads, \"Stephen's Photographers, 1202 You St., N.W., Washington, D.C.\" Handwritten note reads, \"10336 R GT\"","Black and white photogrpah, portrait of a baby seated propped up against pillows on what appears to be a couch or armchair upholstered in a floral print. The baby is dressed in a white dress and white socks. Photograph is undated","Reverse of Portrait photograph of a baby (ABFR-23-007-017). Stamped typescript reads, \"Pease Photograph Washington, DC Ludlow 2517 Credit Please Photographers\"","Color photograph, studio portrait of a woman, Sharon Jones Frazier, posed seated in front of a dark-colored backdrop. She is dressed in a white blouse with a light blue satin notched collar and light blue satin trim on the breast pockets. Photograph is undated, c.1970s","Color photograph, studio portrait of a woman posed seated in front of a blue backdrop. She is dressed in a red blouse with floral applique, a gold necklace, and glasses. Photograph is undated, c.1980s","Color photograph, studio portrait of a woman, Sharon Jones Frazier, posed seated in front of a blue backdrop with a hand tucked loosely under her chin. She is dressed in a bright, red collared blouse, gold jewelry, and wire-rimmed glasses. Photograph is undated, c.2000s","Black and white photograph, studio portrait of a young woman posed seated in front of a light-colored backdrop. She is dressed in a patterned blouse with a bowtie collar and a pearl necklace. Photograph is undated, c.1940s","Black and white photograph, studio portrait of a young woman, Sharon Jones Frazier, posed seated in front of a light -colored backdrop. She is dressed in denim pants, a plaid shirt, and sweater vest. Photo print has suffered some wear and damage and there are sepia toned streaks across the image. Photograph is undated, c.1970s","Color photograph of four women seated in a corner booth at a restaurant. From left to right: a woman dressed in a blue striped skirt, blue blouse, and blue cardigan; a woman wearing a purple blouse; a woman, Sharon Jones Frazier, dressed in a blue and green patterned blouse; a woman dressed in a black top. Photograph is undated, c.2000s","Color photograph of two young girls posed standing together in a home. From left to right: a young girl wearing a yellow dress with a patterned skirt and yellow satin bow in her hair; a young girl wearing a blue and white patterned dress and holding a doll. Windows with red and white curtains and an interior doorframe to another room are visible in the background of the image. Photograph is undated, c.1950s","Color photograph of two young women, posed as if dancing and with their arms around each other's shoulders. The image is somewhat blurred. From left to right: young woman dressed in a white blouse tucked into a red pencil skirt; young woman dressed in a red and blue checkered dress and white cardigan. Photograph is undated, c.1960s","Color photograph, group portrait of six teenagers posed standing in a row in front of a school trophy case. There are three young women and three young men, presumably their escorts to a school dance or prom. The young men are all dressed in suits and the young women are all wearing light-colored dresses and gloves with floral corsages pinned to their dresses. One young woman is also holding a bouquet. Photograph is undated, c.1960s","Color photograph, group portrait of six teenagers posed standing in a row in front of a school trophy case. There are three young women and three young men, presumably their escorts to a school dance or prom. The young men are all dressed in suits and the young women are all wearing light-colored dresses and gloves with floral corsages pinned to their dresses. One young woman is also holding a bouquet. Photograph is undated, c.1960s","Black and white photograph of two girls standing in a backyard. One girl is posed with her arms crossed in front of her, frowning at the camera, while the other leans with her arm on the first girls' shoulder. Both are wearing light-colored dresses. Trees, an empty clothesline and part of a house are visible in the background of the image. Photograph is undated","Black and white photograph of two children posed standing in a backyard in the midst of Sharon Jones Frazier's birthday party. From left to right: a young girl, Sharon Jones Frazier, dressed in a light-colored dress with a floral pattern, Berta-style collar, and bow in the front; a young boy dressed in a dark-colored suit, white shirt, and black bowtie. Another young girl wearing a dress and a young boy seated in a chair are visible in the background of the image. Photograph is undated","Cover of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010) at Nix and Nix Funeral Home in Philadelphia, Pennsylvania.","Interior page of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page lists the program of events","Interior page of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page features the eulogy and family photographs","Back of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page features a quote from an unknown author dedicated to \"Our MomMom\"","Black and white photograph, group portrait of the Class of 1965 at Parker-Gray High School in Alexandria, Virginia. The students are posed on risers in 7 rows and are all dressed in their graduation caps and gowns. Photograph is dated 1965","Reverse of Group photograph of Parker-Gray H.S. Class of 1965 (ABFR-23-007-035). Handwritten note reads, \"Parker-Gray H.S. Class of 1965\"","Black and white photograph, studio portrait that was hand-colored using pastels. A portrait of an unidentified woman dressed in a white blouse or dress with a high collar that is fastened with a gold broach. Artwork is undated, c.19th century","Digital surrogates of photographs from the family of Charles Sias. Also included are photographs of Parker-Gray High School activities, students, social groups, and athletic teams","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of men standing on football field (ABFR-23-008-001). Typescript date stamp reads, \"July, 1980\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of men on a football field (ABFR-23-008-003). Typescript date stamp reads, \"July, 1980\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of men at a picnic (ABFR-23-008-006). Typescript date stamp reads, \"Jul 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of women at a formal dinner (ABFR-23-008-008). Typescript date stamp reads, \"Jul 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman and a man at a gathering (ABFR-23-008-010). Typescript date stamp reads, \"Jul 90 1\"","[Help us describe this image using our Community Description form at: https://bit.ly/ABFR-community-description]","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo at a beach (ABFR-23-008-014). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man standing on a football field (ABFR-23-008-016). Typescript date stamp reads, \"July, 1980\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man at a family gathering (ABFR-23-008-018). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo of an outdoor gathering (ABFR-23-008-020). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman and man sitting on lounge chairs (ABFR-23-008-022). Typescript date stamp reads, \"09/30/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of women sitting on a dock (ABFR-23-008-024). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of people sitting on a dock  (ABFR-23-008-026). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman in a kitchen (ABFR-23-008-028).  Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph outdoors (ABFR-23-008-030). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph outdoors (ABFR-23-008-032). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph outdoors (ABFR-23-008-034). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman standing by a swimming pool (ABFR-23-008-036). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of three men (ABFR-23-008-038). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman in yard (ABFR-23-008-040). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Mabel Price and unidentified man at formal event (ABFR-23-008-042). Typescript date stamp reads, \"07/06/05.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of woman and man at Parker-Gray High School class of 1965 reunion (ABFR-23-008-044). Typescript date stamp reads, \"JUL 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman (ABFR-23-008-046). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo at formal event (ABFR-23-008-048). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo at formal event (ABFR-23-008-050). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of people at a restaurant (ABFR-23-008-052). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Cherylene Rollerson and Beverly Wilhoit (ABFR-23-008-054). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Corliss and unidentified woman (ABFR-23-008-056). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of cake at Parker-Gray High School class of 1965 reunion (ABFR-23-008-058). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two women in kitchen (ABFR-23-008-060). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and women at gathering (ABFR-23-008-062). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photo of man in kitchen (ABFR-23-008-064). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photo of man in a park (ABFR-23-008-066). Typescript date stamp reads, \"JUL 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Walter at an event at the Alexandria Black History Museum (ABFR-23-008-068). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of three men at outdoor gathering (ABFR-23-008-070). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of woman at Parker-Gray High School class of 1965 reunion (ABFR-23-008-072). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of historic photographs and artwork from the family of D. Jason Wood. Included are 19th century charcoal portrait drawings and hand-colored photographs, 19th century photographic prints, and photographic prints from the early 20th century","Charcoal portrait drawing of an unidentified woman. She is dressed in a high-collared black dress or blouse with a bow at the neck; the image depicts the woman only from the shoulders up. The drawing has suffered some deterioration over time and portions of the image are damaged and missing pigment. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He has a mustache and is dressed in a black suit, white collared shirt, and black tie; the image depicts the man only from the shoulders up. The drawing has suffered some deterioration over time and portions of the image are damaged and missing pigment. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He has a \"salt-and-pepper\" mustache and is dressed in a dark colored suit, white collared shirt, and dark tie; the image only depicts the man from the shoulders up. The drawing has a tear in the upper, left corner that does not obstruct the portrait image. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He has a mustache and is dressed in a black suit, black buttoned vest, white shirt, and black tie; the image only depicts the man from the chest up. The drawing has suffered some environmental damage over time and the bottom, left portion of the drawing is missing, as well as some pieces from the top corners. There is also evidence of water damage and some portions of the image are missing pigment. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He is posed standing, holding what appears to be a rifle with a bayonet. He has a beard and is dressed in pants with suspenders, a long-sleeve shirt with a collar and buttons, a round hat or helmet, and what appears to be a handkerchief or piece of cloth tucked into his waistband. The drawing has suffered some environmental damage over time and is missing pieces from three corners, but the image is not obstructed. Portrait is undated, c. 19th century","Charcoal and ink portrait drawing of an unidentified woman. She is dressed in a high-collared black dress or blouse with a ring closure at the neck and a row of small buttons; the image depicts the woman only from the shoulders up. Portrait is undated, c. 19th century","Pastel portrait drawing of an unidentified woman. She is posed standing in front of an abstract, colored background. She is wearing a late 19th century style dress - a black dress with a high collar, corset, and long-sleeve fitted jacket and skirt with multiple draped layers and possibly a bustle. The dress is embellished with ruffles or lace at the edge of the sleeves and top layer of the skirt. Her hair is pulled back into a low bun. Signature in the bottom, right corner reads, \"N.B. Katze.\" Portrait is undated, c. 19th century","Pastel portrait drawing of an unidentified woman. She is posed standing next to a stone column wrapped in flowering vines and a flowering plant in a stone planter atop a stone pedestal with a decorative relief work of cherubs. She is wearing a bright blue, long-sleeve dress with high collar and black belt at the waist. The style and silhouette of the dress appears to be c. 1900. Signature in the bottom, right corner reads, \"Harris - Ewing.\" Portrait is undated, c. early 20th century","Hand-colored photographic print, portrait of an unidentified woman. She is posed seated, though the chair or stool is not visible. The woman is wearing a black and white pinstripe dress with long-sleeves, high collar, and large white jabot at the neck. Portrait is undated, c. 19th century","Pastel portrait drawing of an unidentified man. He has a mustache and long sideburns and is dressed in a black suit, black buttoned vest, white shirt, white tie, and boutonnière on his lapel. The image only depicts the man from the chest up. Portrait is undated, c. 19th century","Black and white pastel portrait drawing of an unidentified man. He has a white mustache and is dressed in a black suit, black buttoned vest, white shirt, and black tie. The image only depicts the man from the waist up. Portrait is undated, c. 19th century","Hand-colored photographic print, portrait of an unidentified man. The coloring appears to be watercolors and ink. He is posed standing outside in front of a fence and shrubbery. The man has a mustache and is wearing a light gray suit, white shirt, white tie. He is also holding a white and gray boater hat. Portrait is undated, c. late 19th century or early 20th century","Photographic print, portrait of an unidentified man. The man is posed seated. He is wearing a suit, dark colored vest, and white shirt. The man's hair and eyes have been outlined in ink; there are also ink dots throughout the image to accentuate areas of shadow. Portrait is undated, c. 19th century","Black and white photographic print, portrait of an unidentified man. The photograph depicts the man from the waist up; he appears to be posed sitting in front of a studio backdrop. The man is wearing a dark colored suit, white shirt, and dark colored tie. On the matting around the image is a stamp of a lion holding a sword and text that reads, \"Sol. Young, New York.\" Photograph is undated, c. 19th century","Black and white photographic print, portrait of Douglas wearing what appears to be a U.S. Army Air Corps summer uniform from the World War 2 era. The photograph depicts the man from the chest up; he is wearing a uniform shirt with epaulets, a tie tucked into the shirt, and a pilot helmet and goggles. The prop and wings insignia is pinned to his left lapel and there appears to be another insignia pinned to the right lapel, but it is not visible in the photo. On the matting around the photo is text that reads, \"Polk's Studio, Tuskegee Inst., Ala.\" Handwritten text on the bottom right corner of the photograph reads, \"To the Family, From: Douglas.\" Photograph is undated, c. 1930s - 1940s","Black and white photographic print, portrait of Doug wearing what appears to be a U.S. Army Air Corps uniform from the World War 2 era. The photograph depicts the man from the chest up; he is wearing a white shirt, black tie, formal uniform jacket, and peaked service cap with prop and wings insignia. Insignia are pinned to his jacket lapels; a U.S. pin on both top lapels and a prop and wings pin on both bottom lapels. On the matting around the photo is text that reads, \"Polk's Studio, Tuskegee Inst., Ala.\" Handwritten text on the bottom right corner of the photograph reads, \"To my devoted sister - Doug.\" Photograph is undated, c.1940s","Black and white photographic print, group portrait of a group of musicians. Eleven men are posed in two rows, the back row is standing and the front row are seated in folding chairs. Several instruments are arranged on the floor in front of the men; there are a variety of string instruments in the arrangement including a cello, violin, banjo, and several mandolins. The men are all dressed in dark colored suits, white shirts, and neckties (some are bow ties, some are long ties). Photograph is undated, c. 1900s","Digital surrogates of seven photograph albums from the family of Maurice Terrell. Albums include photographs, documents, and ephemera.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"63rd birthday June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two women (ABFR-23-010-135). Handwritten note reads, \"June 24th (97) (Wed.)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two women (ABFR-23-010-137). Handwritten note reads, \"June 24th (97) (Wed)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a man and woman (ABFR-23-010-144). Handwritten note reads, \"June 24th (97) (Wed)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Carl on a sidewalk in downtown Boston (ABFR-23-010-299). Handwritten note reads, \"Downtown Boston, Sunday, 9 May 76. To my sweet baby, Love always, Carl\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs from the Carter and Robinson families. Both families have been in Alexandria since the late 1860s.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and documents from the family of Dorothy Taylor. Included are photographs, a scrapbook, marriage and death certificates, and other documentation of family history.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Realtor listing of 1004 Cameron Street (ABFR-23-013-034).","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Certificate in lieu of lost or destroyed discharge certificate of Walter Thomas (ABFR-23-013-036). Hand written note reads, \"Walter Thomas grave 549 Arlington Cemetery\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Dorothy E. Knapper Taylor (ABFR-23-013-045). Handwritten note reads, \"Dorothy E. Knapper (Taylor)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of unidentified child and Dorothy Knapper in front of a building (ABFR-23-013-047). Handwritten note reads, \"Dorothy Knapper (Taylor) in white\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Beulah Priester and Dorothy Taylor in front of house (ABFR-23-013-049). Handwritten note reads, \"Beulah Priester and Dorothy Taylor Elks convention in Chicago\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Mat. And Dot. sitting outside (ABFR-23-013-052). Handwritten note reads, \"Mat. and Dot\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Dorothy Knapper Taylor (ABFR-23-013-054). Handwritten note reads, \"Dorothy Knapper (Taylor) age unknown\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Dorothy Knapper Taylor (ABFR-23-013-056). Handwritten note reads, \"Dorothy E. Knapper (Taylor)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Virginia Knapper, Ella Lomax, and Desiree Porter (ABFR-23-013-059). Handwritten note reads, \"Virginia Knapper, Ella Lomax, Desiree Porter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Nannie in Elks uniform (ABFR-23-013-061). Handwritten note reads, \"Nannie- Elks uniform\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Virginia Knapper and Desiree Irvin (ABFR-23-013-063). Handwritten note reads, \"Virginia Knapper Desiree Irvin\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Desiree Irvin and Virginia Knapper (ABFR-23-013-065). Handwritten note reads, \"Desiree Irvin and Virginia Knapper\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Virginia Knapper \"Nannie\" and unidentified man (ABFR-23-013-067). Handwritten note reads, \"Virginia Knapper (Nannie) and friends\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of woman (ABFR-23-013-069). Handwritten note reads, \"Dec. 26, 1952 Nannie?\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Ruby Lomax and James Young (ABFR-23-013-071). Handwritten note reads, \"Ruby Lomax and James Young\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Lena Jackson and Virginia \"Nannie\" Knapper (ABFR-23-013-073). Handwritten note reads, \"Lena Jackson and Virginia Knapper (Nannie)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Dorothy \"Momma Dot\" Taylor and Desiree Irvin (ABFR-23-013-077). Handwritten note reading, \"Dorothy Taylor\" is crossed out. Additional handwritten note reads, \"Momma Dot, Desiree Irvin\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Mattie Tyree, Edna Jones, Virginia Knapper, Eudell Bartee, and unidentified people (ABFR-23-013-078). Handwritten note reads, \"Mattie Tyree Edna Jones Virginia Knapper Eudell Barte.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of James Knapper (ABFR-23-013-081). Handwritten note reads, \"Uncle Jim (James Knapper)\" \"Momma Dat's uncle (Pennsylvania Station\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a house (ABFR-23-013-084). Handwritten note reads, \"Mother Dear's house\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of three women (ABFR-23-013-087). Handwritten note reads \"I don't know, I don't know, Mother Dear\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Helen Brown and Emma Thomas (ABFR-23-013-089). Handwritten note reads, \"Helen Brown and Mother Dear (Emma Thomas)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Emma Thomas, four unidentified people, unidentified baby (ABFR-23-013-091). Handwritten note reads, \"Mother Dear\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Ella Lomax (ABFR-23-013-093). Handwritten note reads, \"Ella Lomax\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Adeline Hughes and husband (ABFR-23-013-095). Handwritten note reads, \"Adeline Hughes and husband\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of two women and a man (ABFR-23-013-100). Typescript date stamp reads, \"04/30/22\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Family group portrait (ABFR-23-013-102). Typescript date stamp reads, \"04/30/22\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph of Earl Lloyd and unidentified men standing in a gym (ABFR-23-013-142). Handwritten note reads, \"Earl Lloyd, Missing (Rozier Ware)- Hoodley Windy's dad\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph of the Alexandria Rams football team (ABFR-23-013-145). Handwritten note reads, \"Rams football team, Donald Taylor top row third from left #\"","Digital surrogates of materials documenting the history of the Hamilton and Carrie Gray Family. The Gray Family has been apart of the Black community in Alexandria and Gum Springs since the 19th century. Included are family reunion books, photographs, ephemera, a pastel portrait drawing, and other documentation of family history.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and ephemera from the family of Bernice Lee.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and ephemera from the Cross family","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Wendy Lucas (ABFR-23-020-002). Handwritten note identifies the girl in the image as \"Wendy Lucas\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a backyard family gathering (ABFR-23-020-018). Date stamp reads, \"SEP 1984\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a backyard family gathering (ABFR-23-020-020). Date stamp reads, \"SEP 1984\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group portrait taken at a formal event (ABFR-23-020-028). Handwritten note reads, \"Top of Poem \"Our Family's Love\", Bea Taylor\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a house (ABFR-23-020-030). Handwritten note reads, \"Front of Home.\" Date stamp reads, \"JULY 2002\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Lydia Cross Jones and Eleanor Cross Winbush (ABFR-23-020-033). Handwritten notes read, \"To Bea \u0026 John, this was taken Dec 3rd 1988\" and \"Lydia Cross Jones, Eleanor Cross Winbush.\" Typescript stamp reads, \"Photography by Herbert D. Spears, 7012 Lamp Post Lane, Alexandria, VA 22306, 703-768-6395\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Goff, Haywood, and Bernice (ABFR-23-020-059). Handwritten note reads, \"Goff, Haywood, Bernice.\" Typescript stamp reads, \"When this photograph is used please credit Michael L. Smith\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Lydia (ABFR-23-020-064). Handwritten note identifies the girl in the photo as \"Lydia.\" Typescript stamp reads, \"Pease Photograph, 3728 Hayes St NE, Washington, DC, Lincoln 7 5319\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Daisy P. Cross (ABFR-23-020-071). Handwritten note identifies the woman in the photo as \"Daisy P. Cross\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of materials documenting the history of the Carter Family. Included are photographs, drawings, and paintings","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note in the bottom corner of the photograph reads, \"To Paul, Love Ann\"","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Douglas","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Bernard\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Bernard\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Frederick\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Paul, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Lawrence, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Lawrence, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Lawrence, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Chrystal\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Chrystal\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Chrystal\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of David\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Alfred\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Alfred\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Alfred\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of materials documenting the Alexandria-Mount Vernon Chapter of Jack and Jill of America, Inc and their annual Founders Day celebrations","Excerpt of three pages from a newsletter, program, or informational pamphlet about Founders Day 2023 of the Alexandria-Mount Vernon Chapter of Jack and Jill of America. Excerpted pages include a photograph and roster of the founding members of the chapter; letter to members from Elena Neely, Chapter President in 2023, a history of the chapter, and a 2023 group portrait of the members. Document is dated 2023","Informational and promotional video made for the 55th Anniversary and Founders Day of the Alexandria-Mount Vernon Chapter of Jack and Jill of America. Video gives a brief history of the chapter and information about the organization and its mission, activities, and member statistics. This information is conveyed primarily through audio narration. The narration is accompanied by a slideshow of photographs. There is also background music playing throughout the video. Video is dated 2021","Digital surrogates of photographs, documents, and newsclippings from the family of Shirley Ann Sanders-Steele.","Black and white photograph of Joe Ann Sanders-Smith standing in front of a wrought iron gate in front of the Governor's mansion in Richmond, VA. She is wearing summer clothing. She holds sunglasses in one hand, her other hand on her hip. Joe Ann is smiling for the camera. Photograph is dated November 1957","Reverse of photograph of Joe Ann (ABFR-23-024-001). Handwritten note reads \"My sister in law Joe Ann, Gov's mansion Richm.\" An additional handwritten note beneath this text is obscured by a black marking and is illegible. Photograph is dated November 1957","Color photograph of three women in formalwear seated at a dinner table laid with matching dishware, drinkware, and utensils. At each place setting on the table stands a fruit-based dessert in a cocktail style serving glass. Photograph is dated 1985","Reverse of photograph of three women seated at formal dinner (AFBR-23-024-003). Typescript stamp dates photo to October 1895","Color photograph of Aunt Lil and her niece, Shirley Ann Sanders, in proper attire. They are posed in front of a painted backdrop depicting a lake scene, smiling at the camera. Aunt Lil is standing and has her arm draped over the shoulders of Shirley Ann, who is seated. Photograph is undated, c. 1980s","Reverse of photograph of Aunt Lil and her Shirley Ann Sanders (ABFR-23-024-005). Handwritten note reads \"Aunt Lil + me.\" Photograph is undated","Blurry color photograph of Shirley Ann Sanders, smiling in a long coat standing in the snow-covered yard of a brick building. In front of her sits a dog on a leash, which the woman holds. Photograph is undated","Reverse of photograph of Shirley Ann Sanders on snowy lawn with dog (ABFR-23-024-008). Handwritten note reads \"1713 Price St, Alex Va, 1965-2001, My dog.\" Photograph is undated","Color photograph of a group of children holding balloons of various colors in a living room. In the left of frame, an adult woman seated near a coffee table looks on. Photograph is dated January 1959","Reverse of photograph of Tyrone and Angela's birthday party (ABFR-23-024-009). Handwritten note identifies the birthday celebrants as Tyrone and Angela. Photograph is dated January 1959.","Color photograph of a rectangular cake on a table with two chairs in the background. The left half of the cake, decorated with blue frosting, a cactus, and cowboy figurines, reads \"Happy Birthday Tyrone.\" The right half, pink with a ballerina in white silhouette, reads \"Happy Birthday Angela.\" The photograph is dated January 1959","Reverse of photograph of Tyrone and Angela's birthday cake (ABFR-23-024-011). Handwritten note reads \"Birthday Party, Tyrone (3) Yr + Angela (2) Ys, Jan 1959, At my mothers, 812 N Alfred St.\" Photograph is dated January 1959","Black and white photograph of young Kirk in a white graduation cap and gown, facing the camera. The pews are filled with similarly dressed children, facing the nave. Photograph is undated","Color photograph of young Kirk in white graduation cap and gown on a city sidewalk. Parked cars are visible on the street behind, and power lines stretch across the cloudless sky.","Reverse of photograph of Kirk on the sidewalk on the day of his kindergarten graduation (ABFR-23-024-014). Handwritten text reads \"Kirk Graduation from kindergarten, June-1964 Ebenezer Baptist Church.\" Photograph is dated June 1964","Black and white photograph of Helena with six children of various age in front of her, seated in two rows of three. Nearest to her, from left to right, are Angela, baby Diane, and Tyrone, and in the front row, from left to right, are Ricky, April, and Buttons. Behind the gathered family stand furniture pieces which hold books, small sculptures, and a lamp. Photograph is undated, c. 1960s","Reverse of photograph of Helena in her home with her grandchildren (ABFR-23-024-016). Handwritten text identifies each subject by name and identifies Helena's home address.","Black and white photograph of Helena Lindsey, seated to the right of the frame. To her left are her grandson Buttons as well as Michale Lee and Aaron, a pair of cousins. The subjects are dressed in casual clothes and regarding the camera. Photograph is undated, c. 1970s","Reverse of photograph of Helena at Aunt Lil's house with three boys (ABFR-23-024-018). Handwritten text lists the subjects' names and identifies Aunt Lil's home address. Photograph is undated, c. 1970s","Color photograph featuring Odessa Steele (left), wearing dark silky outfit and dangling earrings, with a city councilwoman (right) who wears a red blazer. The two women are depicted from the shoulders up in front of a dark indoor background. Photograph is dated Depember 1990","Reverse of photograph of Odessa Steele with city council member at the Departmental Club (AFBR-23-024-020). Handwritten text reads \"Lady on city council + my sister at the Departmental Club, Bro + Sis Odessa Steele's 50th Wedding Annversary.\" Typescript stamp dates photo to December 1990","Color photograph of three women seated side-by-side at an indoor banquet table. The table is set with a white tablecloth and spread with various foods on decorative white plates. The woman on the left, Bessie Sanders-Gambrell, wears a floral hat and a corsage. The woman in the middle, Shirley Ann Sanders, is the youngest and wears a red dress with long sleeves. The woman on the right, Virginia Zellars Martin, wears a headwrap and has her arm draped over Shirley Ann's shoulders. Another figure's arm is visible in the left of the frame. Photograph is dated May 1984","Reverse of photograph  of Bessie Sanders-Gambrell, Shirley Ann Sanders, and Virginia Zellars Martin at a Mother's Day banquet (ABFR-23-024-022). Handwritten text identifies the three women in the photo and the nature of the gathering they attend. Typescript stamp dates photograph to July 1984, but event depicted in photograph occured in May 1984","Color photograph of Bessie Sanders-Gambrell in a brimmed hat with flowers, a corsage pinned to her black blazer. Her daughter-in-law, Shirley Ann Sanders, stands behind her between a microphone stand and a large, curtained window. On either side of them sits a woman facing out of frame, her features obscured. Photograph is dated May 1984","Reverse of photograph of Bessie Sanders-Gambrell and Shirley Ann Sanders at Mother's Day banquet with two other women (ABFR-23-024-024). Handwritten text reads \"Mothers Day Banquet May 84, My mother-in-law Bessie was given special honors for the letter I wrote in about her, She gave me the dress I wore.\" Typescript stamp dates development of photograph to July 1984","Color photograph of Shirley Ann Sanders wearing a black, calf-length skirt, lacy white shirt, red corsage, and white hat. She stands with hands folded behind her back, smiling at the camera. Behind her are white houses in a suburban neighborhood. The grass is yellowing, and a bush adjacent to Shirley Ann is bare of leaves. Photograph is dated March 1984","Reverse of photograph of Shirley Ann Sanders standing outside of a house (ABFR-23-024-026). Typescript stamp dates development of photograph to March 1984","Color photograph of 16 men posing in three rows, the frontmost of which is seated. They wear black suits, white gloves, and sober expressions. Each holds blue and white Masonic paraphernalia, and some wear livery collars. The man in the center of the front row holds a gavel. Photograph is dated September 1987","Reverse of photograph of men in Masonic regalia (ABFR-23-024-028). Typescript stamp dates photograph to September 1987","Color photograph of Shirley Ann Sanders (left) and Lalon Sanders, Jr. (right) in formalwear, seen from the torso up. In the dimly lit background, other figures sit at tables. Photograph is dated November 1983","Reverse of photograph of Shirley Ann Sanders seated beside Lalon Sanders, Jr. (ABFR-23-024-030). Handwritten note identifies subject by name. Typescript stamp dates photograph to November 1983","Color photograph of five people seated at a table on a boat, smiling at the camera. The table is set with white coffee mugs, small lamps, and cut-glass goblets. Behind them, a window overlooks a sunlit view of a river lined with trees. At least one other diner seated at a table can be seen. Photograph is dated to 5 November 2003.","Reverse of photograph of seated diners in a riverboat (ABFR-23-024-032). Typescript stamp dates photograph to5  November 2003","Color photograph of a Lee Roy Steele wearing a white suit, white brimmed cap, and identification badge. He has a gray moustache and glasses, and he stands to the left of a red sign on a wooden post that reads \"RESERVED PARKING, HPIP STEELE.\" Photograph is undated","Color photograph of four women standing side by side in a living room, arms behind one another's backs. The woman on the left wears loose green garments. The woman second to the left wears a t-shirt bearing the album cover for Yanni: Live at the Acropolis. The woman second to the right wears a striped yellow dress. The rightmost woman wears a light gray matching set. Behind them, a wedding photo is mounted on the wall, and the entrance to an adjoining room is in view. Photograph is undated","Color photograph of a sheet cake covered in white frosting and piped floral frosting motifs. Text on the cake reads \"Happy 80th Birthday Bessie, we Love You.\" Photograph is dated 2 June 1995","Reverse of photograph of Bessie's birthday cake (ABFR-23-024-036). Handwritten note establishes the date of Bessie's party. Photograph is dated 2 June 1995","Color photograph depicting three men in formalwear standing in a church for a wedding. The men are, from left to right, Ernest Thomas (best man), Willian Thomas \"Buttons\" Holt, Jr. (son of the bride), and Vernon Carl Cooper (groom). Behind them are floral arrangements and a stained glass window. Photograph is dated 11 January, 1997","Reverse of photograph of best man, son of bride, and groom in church for wedding ceremony (ABFR-23-024-038). Handwritten note identifies photo subjects and date of capture. Photograph is dated 11 January, 1997","Color photograph of Joe Ann Sanders-Smith with her arm around the waist of Crystal, her daughter. Both wear light colors and beaded necklaces, and they smile at the camera. In the background a crowd of casually dressed people stand with their backs to the camera. Against the far wall, balloons float. Photograph is dated 4 June 2005","Reverse of photograph of Joe Ann Sanders-Smith and Crystal at a gathering (ABFR-23-024-040). Handwritten note identifies the two women. Photograph is dated 4 June 2005","Color photograph depicting two men, a young child, an elderly woman, and an adult woman in a sitting room. The men, child, and elderly woman are seated, while the other woman stands and leans inward to pose with them. Behind them is a door with decorative panelling and a framed image of Jesus. Photograph is dated December 1984","Reverse of photograph of intergenerational group in house (ABFR-23-024-042). Non-character pen marking appears on center of page. Typescript stamp dates photograph to December 1984","Color photograph of Steele seated in an armchair in a house, enjoying candy. In his breast pocket he has white paper and a ballpoint pen, and a TV remote sits on the chair's arm beside him. Behind him hangs a globe and a white curtain. An door in the background opens on a kitchen. Photograph is dated 2 August 2006","Reverse of photograph of Steele in armchair with a cane (ABFR-23-024-044). Handwritten note supplies the date and reads \"Bro Steele sitting in his rocking chair enjoying candy.\" Photograph is dated 2 August 2006","Color photograph of Angela Sanders, seen from behind with arms outstretched in the motion of conductor. Before her, near a lectern, stands an arc of seven singers. On the right of the frame, a child peers out from one of many white pews. Photograph is undated","Reverse of photograph of Angela Sanders leading the choir at Emmanuel Temple (ABFR-23-024-046). Handwritten note reads \"Angela Sanders at Emmanuel Temple SDA, Leading the choir.\" Photograph is undated","Color photograph set in Emmanuel Temple Seventh-day Adventist Church depicting a row of young singers in white shirts and black lowerwear. In the foreground, Angela Sanders is seated in the pews, pointing at the choir. A sign overhead reads \"TOGETHER for A FINISHED WORK.\" Photograph is undated","Reverse of photograph of Angela Sanders and choir on Emmanuel Temple's Youth Day (ABFR-23-024-048). Handwritten note reads Youth Day at Emmanuel Temple, Angela leading choir, Left to right Candance Stephens, Ericka Jones, Alexcia Thomas, Zanita Watson, ? Wilhoit, Quaina Williams, Susie Bostick-Usher.\" Photograph is undated","Color photograph of a woman dressed in a blue plastic poncho with a white graphic of a boat and the text \"MAID OF THE [illegible, presumably MIST] SINCE 1846.\" She smiles and waves at the camera while a group of other spectators in similar attire stand in the background. Photograph is dated July 2000","Reverse of photograph of woman in blue plastic poncho at Niagara Falls (ABFR-23-024-050). Handwritten note reads \"Nigara Falls July 2000, Gen Conf\" [This is likely a reference to the 57th Adventist General Conference held in Toronto, Canada]. Typescript stamp dates photo to July 2000","Color photograph of Lee Roy Steele dressed in a suit and tie at an Alexandria City Police Department event, a sheet of paper and a plastic cup in his hands. He stands in front of a dark blue backdrop, at the top of which is a partially obscured banner that reads \"[text obscured]A POLICE DEPARTMENT.\" On the floor, to Steele's left, is a sign decorated by an insignia bearing the seal of the City of Alexandria and the text \"Citizens' Police Academy Association.\" Photograph is dated November 1999","Reverse of photograph of Lee Roy Steele at the Citizens' Police Academy (ABFR-23-024-052). Handwritten text reads \"The love of my life, Mr Lee Roy Steele, Alex Police Citizens Academy.\" Typescript stamp dates photograph to November 1999","Color photograph of a large group of birthday celebrants ranging in age from children to seniors. They are arranged in five rows, smiling for the camera. Behind them is one façade of a brick house and a tree wrapped with streamers. A lawn, parked cars, and another brick house are visible in the background. Photograph is dated 2 June 2005","Reverse of photograph of birthday gathering in Teri's yard (ABFR-23-024-054). Handwritten note reads \"Grandma Bessie's 80th Birthday June 2, 1995 at Teris house (yard)\"","Color photograph of two men in a living room in the process of tending to a medical device. The older of the two men, seated in a red chair, looks down at the tube hanging from his bony, exposed chest. In the left of frame, the younger of the men, looking over his shoulder at the camera, holds an indeterminate object as if to apply it to the chest. Photograph is undated","Color photograph of Joe Ann Sanders-Smith and her daughter, Crystal, locked in an embrace in a grassy suburban yard during Grandma Bessie's 80th birthday party. Behind them is another party attendee tending to a barbecue and two others. Photograph is dated 2 June 2005","Reverse of photograph of Joe Ann Sanders-Smith embracing Crystal at Bessie's 80th birthday party (ABFR-23-024-057). Handwritten note identifies the event depicted, date, and names of photo subjects. Photograph is dated 2 June 2005","Color photograph of Lee Roy Steele seated at a small table in a paved yard adjoining a brick house. The table is lain with a tablecloth, a pitcher of orange juice, a bottle of pancake syrup, and various plates with leftover food scraps. Photograph is dated July 2000","Reverse of photograph of Lee Roy Steele seated after an outdoor meal (ABFR-23-024-059). Typescript stamp dates photograph to July 2000","Color photograph of Lee Roy Steele and Shirley Ann Sanders-Steele seated at Kirk's house during Linda's 55th birthday party. His arm is over her shoulder, and behind them is a pair of fully extended white window blinds. Photograph is dated June 2008","Reverse of photograph of Lee Roy Steele and Shirley Ann Sanders-Steele at Linda's 55th birthday party (ABFR-23-024-061). Handwritten note reads \"Linda's 55th, At Kirk's house her birthday party June 2008, Lee Roy Steele, Shirley Ann Sanders-Steele.\" Photograph is dated June 2008","Color photograph of  Lee Roy Steele and Shirley Ann Sanders-Steele lying on a beige reclining couch with their legs extended. Behind them is a half-wall topped with various jars and knick-knacks, and other partygoers surround a kitchen table. Photograph is dated June 2008","Reverse of photograph of Lee Roy Steele and Shirley Ann Sanders-Steele on reclining couch at Linda's 55th birthday party (ABFR-23-024-063). Handwritten note identifies the date, event depicted, and identities of photo subjects. Photograph is dated June 2008","Color photograph of two young cousins, William Thomas Holt and Tyrone Sanders, wearing matching white graduation regalia and black bowties. They stand on a sidewalk in front of bushes and the wall of a building. Photograph is undated","Reverse of photograph of William Thomas Holt, Jr. and Tyrone Sanders at kindergarten graduation (ABFR-23-024-065). Handwritten note reads (My nephew — William Thomas Holt, Jr, my son Tyrone Sanders Graduating from Mrs Ethel Nelsn Kindergarten\" [Note: Ethel Nelson worked as a teacher in Alexandria, Virginia]. Photograph is undated","Black and white clipping with text detailing a written exchange between Lillian Lamb, a cashier at Giant grocery, and Esther Peterson, a prominent consumer advocate, about Giant Lemon Spray Wax. The clipping contains a section of a photo of a grocery store aisle and a complete photo of Lillian Lamb, seen from the waist up. Clipping is undated","Color clipping of an obituary for Lee Roy Steele. Printed text identifies his dates of birth and death and reads \"Gone but not forgotten. He sleeps in Jesus. Your loving wife, Shirley Ann Sanders Steele, Your son, Robert Lee Steele.\" Clipping is dated 23 September 2021","Black and white photograph depicting a group of people standing by a table on which five polaroid photos are strewn. Photograph is undated","Black and white photograph depicting two women in dresses standing on either side of a small artifical Christmas tree. Photograph is undated","Black and white photograph of Sarah Strother in a white graduation cap and gown. She clutches a book to her chest. Behind her is a brick wall. Photograph is dated June 1977","Color photograph of a group of children holding balloons of various colors in a living room. In the left of frame, an adult woman seated near a coffee table looks on. [Note: This photo is a duplicate of ABFR-23-024-009.] Photograph is dated January 1959","Color photograph of a woman in a fur-lined coat seated on a lawn chair in a yard thickly covered by snow. She holds a long, pole-shaped implement, likely a showshovel, in one hand. Photograph is undated","Color photograph of three women wearing pink, long-sleeved semiformal dresses In an unadorned room. In front of them and to the right is a wooden tabletop, and behind them to the left is a gray door. Photograph is undated","Color photograph of Pat Steele and Robert Steele wearing leis and shirts with floral, tropical prints. Wooden railing stands at waist height on either side of the couple. Behind them is the ocean and a dark blue sky. Photograph is undated","Reverse of photograph of Pat and Robert Steele on a boardwalk (ABFR-23-024-075). Handwritten note identifies names of photo subjects. Photograph is undated","Black and white photograph of Sarah Strother in a white graduation cap and gown. She is seated in the front row of a configuration of stadium seats. To the right sit Strother's husband and two other unidentified people. The seats are otherwise unoccupied. Photograph is dated June 1977","Reverse of photograph of Sarah Strother, her husband, and other students at T. C. Williams Adult Education graduation (ABFR-23-024-077). Handwritten note identifies Strother and her husband, event depicted, and date. The note indicates that at least one of the unidentified figures is also a student. [Note: T. C. Williams High School has been renamed to Alexandria City High School.] Photograph is dated June 1977","Black and white photograph of James Wheeler from the torso up. He wears a white collared shirt, necktie, and captain-style hat. Photograph is undated","Reverse of photograph of James Wheeler (ABFR-23-024-079). Handwritten note reads \"Uncle James Wheeler, My Mothers brother, He.\" Photograph is undated","Collage of color photographs showing two individuals at three different formal events. The topmost image shows the pair, a woman and a man, seated at a dinner table set with a tablecloth, glass goblets full of water and other beverages, multiple plates, and a basket of bread rolls. Other seated diners are visible in the background. The two lower photographs depict the couple side-by-side at two different church altars. In the leftmost of these two church photos, the woman wears a calf-length white dress, while in the rightmost photo, she wears a floor-length white gown with lace designs and a white tulle veil. Handwritten captions read \"[Illegible, possibly Ruth] + Mr Bodz, I love you two\" and \"There are the photos I had put in the alumni book [arrows indicate the two church photographs].\" Photographs are undated","Marriage certificate featuring handwritten text in a fill-in-the-blank template to indicate the marriage of Joseph Wheeler and Miss Annie Virginia Lee, both of Alexandria, Virginia. Printed images of red roses and other foliage decorate the page. Certificate is dated 26 February 1920","Reverse of marriage certificate for Joseph Wheeler and Annie Virginia Lee (ABFR-23-024-082). The certificate features handwritten text in a fill-in-the-blank template to indicate the location and date of the couple's marriage. Printed images of red roses and other foliage decorate the page. Certificate is dated 26 February 1920","Black and white print of a military discharge document indicating the honorable discharge of Private James E. Wheeler from the Army of the United States. Document is dated 9 April 1946","Reverse of  military discharge document for James E. Wheeler (ABFR-23-024-084). Typrescript text describes personal data, military history, pay data for James E. Wheeler. Document is dated 9 April 1946","Black and white photograph of young Shirley Ann Gilliam in a puffy gown and large tiara, seated with feet crossed and hands on her lap. Handwritten note reads \"May Oueen [Queen] Charles Houston 1952, Shirley Ann Gilliam\" [Likely in reference to Charles Houston Elementary School]. Photograph is dated 1952","Collage of three black and white photographs and scans of the front and back of a retirement identification card. The photo in the upper left corner shows a woman in a white dress seated on an armchair in a living room. Typescript caption dates this photograph to May 1960. The photo in the lower left corner shows Aunt Lil and a younger sister, May, standing in the yard of a house. Typescript caption identifies the subjects of the photograph by name. Photograph is undated. The photo in the upper right corner shows James E. Wheeler in military attire against a solid background from the torso up. Typescript caption identifies him as \"James E. Wheeler, big brother.\" Photograph is undated but was likely taken before 1946. The front and back of a retirement identification card issued by the United States Treasury Department to George E. Lee occupies the lower right corner. The card displays Lee's photo portrait, signature, retirement date, and length of government service. Card was issued 31 October 1962. Collage is undated","Collage of three black and white photographs, the same three photographs seen in ABFR-23-024-087 and in similar placements on the collage backdrop. The photo in the upper left corner shows a woman sitting on a chair in a living room. Typescript caption dates this photograph to May 1960, and a handwritten note identifies the woman as \"my mom.\" The photo in the lower left corner shows two young women standing in a yard. Typescript caption identifies the subjects of the photograph as Aunt Lil and May, a little sister. Handwritten note reads \"May died.\" Photograph is undated. The photo in the upper right corner shows James E. Wheeler in military dress. Typescript caption identifies him as \"James E. Wheeler, big brother.\" Handwritten note identifies Wheeler as \"my mom's brother.\" Photograph is undated but was likely taken before 1946. Collage is undated","Reverse of collage of family photos with handwritten clarifications (ABFR-23-024-088). Handwritten note reads \"Annie Lee Wheeler Descants.\" Collage is undated","Collage of two black and white photographs with handwritten captions. The photograph on the left shows the head and shoulders of a woman wearing a white collar and hoop earrings. Her lips are slightly parted in a subtle smile, and her hand is raised as if to wave. Handwritten caption identifies her as Shirley Ann Gilliam. The photograph on the right shows the head and shoulders of a man in a gray suit jacket with close-cropped hair. Handwritten caption identifies him as Lalon Sanders, Jr. Photographs and collage are undated","Albert Gallaton Award granted to George E. Lee by the United States Treasury Department. The page is a yellowed manilla color, and in the center of the page, the Treasury Department's seal appears in a darker yellow. The words \"United States Treasury Department\" appear at the head of the page in a blackletter typeface. Beneath this heading is an engraving of Albert Gallatin's head and shoulders and, in a cursive typeface, an explanation that the award recognizes Lee's years-long term of service for the Treasury. The bottom of the page bears the signature of Douglas Dillon, then Secretary of the Treasury Department. Award is dated 6 September 1962","Clipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 7,\" and the title reads \"PREPARING FOR COMPANY'S COMING.\" The upper section of the page is occupied by three black and white images of Giant staffers from Fairfax, Virginia cleaning the store. The lower part of the page contains rhyming verse written by Giant staffers for their corporate executives by Giant employees. Clipping is undated","Page from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 8,\" and the title reads \"Company's coming.\" The page contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Reverse of ABFR-23-024-092. Periodical extract is undated","Clipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 17.\" The page contains a continuation of the \"Company's coming\" article introduced on page 7 of the magazine (ABFR-23-024-091). It contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Clipping is undated","Clipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 18.\" The page contains a continuation of the \"Company's coming\" article introduced on page 7 of the magazine (ABFR-23-024-091). It contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Reverse of ABFR-23-024-094. Clipping is undated","Digital surrogates of photographs from the Colbert, Johnson, and Terrell Families.","Color photograph of four people standing side-by-side in semiformal dress. On the far left of the group is a man wearing a plain white shirt with a tattoo on his forearm. Second to the left is a woman wearing a polka dot dress and a yellow floral parure. Her arm is around the shoulders of Frances Terrel, second to the right, who wears a pink and black ensemble with a bolero jacket and a corsage. The rightmost figure is a man in a brown tuxedo jacket. They stand before a red sequined drapery over a white wall. Photograph is undated","Color photograph of five individuals of varying age in semiformal clothing. They are posed in two rows in front of a mottled brownand gray backdrop such as those used by portrait photographers. In the front row, Terrell sits on the left, dressed in pastel colors and a pearl necklace. The man seated to her right has a whitening beard. Behind them stand two women, who, like Terrell, wear light colored dresses and necklaces, as well as a man in a navy blue tuxedo. All five smile at the camera. Photograph is undated","Color photograph of Calvin D. Terrell and Frances Terrell (left and second to the left, respectively) with four other adults, one of whom holds a toddler in a lacy blue dress. They are standing in a row in a living room. Behind them, on the left edge of the frame, stands an evergreen tree wrapped in tinsel and hung with ornaments. Photograph is undated","Color photograph of 19 people in semiformal dress at an indoor event [likely the same event depicted in photograph of Frances Terrell at an event with three other attendees, ABFR-23-005-001]. Their ages range from child to senior. The room has white walls and floors, and in the lower left corner, a table draped with a white tablecloth can be seen. Behind the people is a sequined red decorative drape. Frances and Calvin D. Terrell stand in the center of the posed assembly. Some among the group have blue paint on their hands or faces, including Calvin D. Terrell. Frances Terrell has blue paint on her sleeve. Photograph is undated","Color photograph of Delaney C. Colbert and Mary Agnes Johnson, parents of Frances Terrell, sitting in chairs on a balustrade-enclosed porch in a suburban neighborhood. Johnson's hand rests on top of Colbert's. Colbert has a brimmed hat on his lap. Behind them, plants are dense with foliage, and a flower bush is in full bloom. Photograph is undated","Color photograph of Frances Terrell as a young woman, posing confidently for the camera. She wears a white turtleneck, round glasses, and abrown pendant in the shape of an upraised, clenched fist. Her hair is styled in an afro, and her hands are planted on her hips. She is inside of a room painted all in white. Behind her is a refrigerator, a cabinet, and an umbrella hanging on a doorknob. Photograph is dated 1970","Reverse of photograph of young Frances Terrell with refrigerator, arms akimbo (ABFR-23-005-006). A printed label featuring a small image of the Nativity in silhouette displays Frances Terrell's name and address. Handwritten note dates photograph to 1970","Color photograph of Louis Eric Clements, son of Frances Terrell, pictured from the shoulders up. He wears a dark blue button-up shirt and smiles for the camera. He stands against a blank white wall, and the camera flash casts a shadow behind him and illuminates the pupils of his eyes. Photograph is undated but was likely taken during the 2000s and no later than 2012 [Clements passed away in 2012]","Color photograph of seven people posed in a line outside a white building, facing the camera, in casual dress. In the center of the line is the eldest photo subject, seated on a bench. To the left are three men, standing, and to the right are three women, also standing. The ground is paved with cement, and decorative elements on the wall behind them feature stylized shellfish. Said decorative elements resemble light fixtures used to decorate the exterior of Red Lobster restaurants. Photograph is undated","Color photograph of Frances Terrell and her husband, Calvin D. Terrell, posing in front of a plain blue backdrop. Calvin D. Terrell, left, wears glasses and a brown gingham suit. Frances Terrell, right, wears a red button-up shirt and simple gold jewelry. They are both smiling, their gazes facing the left of the frame. Photograph is undated","Color photograph of Calvin D. Terrell (left) and Frances Terrell (right) with Louis Eric Clements, seated between them. Clements was the son of Frances Terrell and the stepson of Calvin D. Terrell. They are dressed casually and posing in front of a blank white background. Clements wears a gold cross pendant. Photograph is dated May 2011","Reverse of photo portrait of Calvin D. Terrell, Louis Eric Clements, and Frances Terrell (ABFR-23-025-011). A small label with a floral motif displays Frances Terrell's name and address. Handwritten note dates photograph to May 2011","Color photograph of Delaney C. Colbert (left, seated) and Mary Agnes Johnson (right, standing) in semiformal dress, posed in front of a plain white background. Handwritten note reads \"LOVE DAD + MOTHER\" [Colbert and Johnson are the parents of Frances Terrell]. Photograph is undated","Digital surrogates of photographs from the Zellars family","Digital photo collage depicting members of the Zellars family. Collage includes three portraits, each of a different member of the Zellars Family depicted in military uniform. The largest image, which occupies the left side of the collage, is a black and white portrait photograph of Clearence Zellars, c.1940s. He is wearing an M1 helmet covered in netting. Located in the upper right portion of the collage is a color portrait photograph of Dr. Tincie Zellars Lynch wearing a U.S. Army uniform and posed sitting in front of an American flag and burgundy flag with a wheel insignia and \"396\" in gold lettering, c.1990s. Located in the bottom right portion of the collage is a color portrait photograph of a young man in U.S. Marines uniform who is identified as the brother of Tincie Zellars Lynch, c.1960s-1970s. Typescript text at the bottom of the collage reads, \"My Daddy WWII, me Desert Storm Era my brother Vietnam Boots on the Ground Veteran Family of Veteran Zellars\" and  another typescript caption at the top of the image reads \"7 YEARS AGO.\" Collage is undated","Digital surrogates of family history materials documenting the Gregory and West families. Included are photographs, documents, newsclippings, and artifacts","Black and white photograph, portrait of James Francis Gregory, a Presbyterian minister and educator. He is pictured from the shoulders up. He wears a suit jacket with wide lapels, a white collar, and a thick moustache. The backdrop is a solid color, unadorned. The photograph is framed by an oval-shaped window in a sheet of brown matboard. Photograph is undated","Reverse of Portrait of James Francis Gregory (ABFR-23-034-001). Handwritten note reads, \"James Francis Gregory (1876-1944).\" Photograph is undated","Black and white photograph of a group of eight young men in graduation regalia, holding their mortarboard caps. One of the young men has been identified as James Francis Gregory (second from the right). They sit in front of a richly decorated backdrop featuring engravings and drapery. Photograph is undated but likely dates to the 1890s or early 1900s, when Gregory was a student at Amherst College and then Yale Divinity School","Reverse of photograph of Photograph of James Francis Gregory and students in graduation attire (ABFR-23-034-003). Handwritten note reads, \"James Francis Gregory.\" Photograph is undated","Black and white photograph of twelve people standing outside on a sunny day. Four of the twelve are small children, some of them in a state of semi-undress. The adults stand shoulder-to-shoulder with one another, many of them holding the hands of the children. Behind them, bushes and trees can be seen. Photograph is undated","Black and white photograph of a woman wearing a mortarboard graduation cap, black graduation robe, and white lace collar. She holds a book open in her left hand, and with eyes downcast, she appears to be contemplating its contents. Her hair is dark and styled in tight, chin-length waves. Photograph is undated","Black and white photograph depicting a woman with short, tightly waved hair, huggie earrings, and a light-colored, collared gingham shirt. The backdrop is a light, solid color. Photograph is undated","Black and white photograph of two figures standing outdoors on grassy earth in front of a weeping willow. The woman (left) wears a light colored, midcalf dress and a brimmed hat. The man (right), wears a light, unbuttoned suit and saddle shoes. Both smile for the camera. Photograph is undated","Black and white photograph of a group of people standing outdoors in front of leafy bushes and the exterior wall of a building. In the center of the group, a woman in commencement regalia holds a mortarboard graduation cap in her right hand, and in her left she holds a scroll of paper and a bouquet of flowers. Posed standing around her is a group of men and women, most of whom are wearing long coats and hats. Photograph is undated","Black and white photograph of a woman wearing a white dress, her hands folded behind her back, leaning against a fence in an outdoor recreation area. Behind her and the fence is a grassy expanse and a squat, white building with wooden panel features and an open door. Photograph is undated","Black and white photograph of a smiling girl in a white dress and black stockings. Her hair is in a braid draped over her shoulder, tied with a large black bow. She stands on grass, and behind her are visible tall trees and white houses. Photograph is undated","Black and white photograph of a young woman wearing a white dress with an open graduation gown draped over her shoulders. She holds a scroll of paper and a bouquet of flowers. To her left is an older woman in a long, light colored coat and a hat, who is seen in profile as she looks to the left side of the frame. The pair stands outdoors before a wall densely covered in ivy. Photograph is undated","Black and white group photograph of the Amherst College baseball team in 1898. Thirteen men are posed seated, arranged in three rows. Most of them are wearing Amherst College uniforms. Some of the men hold baseball equipment, such as mitts and a bat. In the center of the group sits James Francis Gregory, legs crossed and slightly reclining, with a baseball cap balanced on his knee. Behind them is Johnson Chapel. Photograph is dated 1898","Reverse of Photograph of James Francis Gregory with Amherst College baseball team (ABFR-23-034-013). Handwritten note reads, \"James Francis Gregory, Captain of Amherst baseball team, 1898.\"","Color photograph of two women (left, right) and one man (center) standing on a lawn near a house of brick and white siding with a large, stepped brick porch. The women wear long overcoats, and the man wears a suit and tie with a brimmed hat. He has a long coat draped over his right arm, a rolled up newspaper in his pocket, and a pipe in his mouth. A numbered sign on the outside of the brick house indicates that its address is 4116 on an unidentified street. Photograph is undated","Black and white photograph of a smiling baby (left) and a young boy in overalls (right) holding one another's hand on a couch in front of a curtained window. Handwritten note in blue ink reads \"Murphy's Photo,\" which most likely refers to local photographer Elrich Murphy. Photograph is undated","Black and white photograph, group portrait of the Gregory family. Pictured seated in the front row (L to R): James Francis Gregory, Fannie Hagan Gregory, and James Monroe Gregory. Pictured standing in the back row (L to R): Margaret Briggs, Eugene Monroe, and Thomas Montgomery. All are dressed in formal attire and are posed not smiling. Behind them is a painted studio backdrop which includes an image of a fluted column. Photograph is undated","Black and white photograph, group portrait of six men arranged in two rows of three. James Francis Gregory is in the back row, far right. He and three other men in the group wear matching suit jackets with pockets and a YMCA insignia on the jacket sleeve. The group is posed in front of a studio backdrop. Photograph is undated","Reverse of Group portrait of James Francis Gregory and unidentified men (ABFR-23-034-018). Handwritten note reads \"James Francis Gregory, Freddie's Grandfather, His children's Great Grandfather, His grandchildren's Great Great Grandfather, World War I Lecturer throughout U.S., YMCA.\" Photograph is undated","Black and white photograph of 15 men and boys, the football team at the Manual Training and Industrial School for Youth, in sweaters and sports paraphernalia decorated with a capital letter \"I.\" They are arranged in three rows, each seated on steps leading to the entrance of a brick building surrounded by a white balustrade. Gregory, the coach, sits in the upper left. The young man in the center of the group is holding a football with a white design printed on its surface, possible letters or numerals. Photograph is undated","Reverse of photograph of James Francis Gregory with Bordentown School football team in spiritwear (ABFR-23-034-020). Handwritten note reads \"Football Team at Ironsides on front steps of Administration Bldg. Top left, Coach James Francis Gregory (Bordentown, N.J.).\" Photograph is undated","Black and white photograph, group portrait of Washington Historic Touring Club on visit to Franciscan Monastery. A large group of people, most of whom appear to be teenagers, are posed standing outside of the Franciscan Monastery of the Holy Land in America. The men and boys who have hats hold the hats in their hands. The Monastery, a light colored building inset with arch windows, occupies much of the background, and a statue of Saint Christopher carrying a young boy [presumably the Christ child] towers over the crowd. Handwritten note in the lower left corner reads \"WASH HISTORIC TOURING CLUB, CARDOZA SCHOOL WASH. D.C., OUTING TO FRANCISCAN MONASTERY MAY 2, 1937, GEO. H. WALLACE Pres. J. FRANCIS GREGORY Inst.\" Handwritten note in the lower right reads \"J. HENRY WRIGHT, WASH. D.C.\" Photograph is dated 2 May 1937","Manuscript document written in graphite pencil on lined paper tracing lines of parentage and descent in the Gregory family, beginning in the 19th century with Henry L. Gregory and Maria A. Gladman. The document lists James Francis Gregory, his siblings, and their marriages and offspring. Manuscript is undated","Reverse of manuscript detailing Gregory Family genealogical records (ABFR-23-034-025). Handwritten text continues the genealogical description from recto of page, starting in the late 19th century and continuing to the present at time of the document's creation. Manuscript is undated","Black and white photograph extracted from The Ironsides Echo, a New Jersey periodical. The photograph depicts a building consisting of several joined units from a sidelong angle. To the left, a wooden fence extends from the building's edge, and a sidewalk leads to a door with a small, stepped porch. The building has shuttered windows, wooden siding, and chimneys. Typescript caption reads \"Property rented and occupied when Principal Gregory took charge in 1897.\" Photograph is undated","Reverse of photograph of Manual Training and Industrial School for Youth premises (ABFR-23-034-027). Handwritten note identifies the photograph's source and subject. Photograph is undated","Black and white photograph of a brickwork school building with a fenced-in porch and semicircular portico balcony. The surrounding trees are bare of leaves. Typescript caption reads \"ADMINISTRATION BUILDING. Manual Training and Industrial School for Colored Youth, Bordentown, N. J.\" Photograph is undated","Reverse of photograph of Manual Training and Industrial School administration building (ABFR-23-034-029). Handwritten note reads \"Source: postcard.\" Photograph is undated","Black and white photograph of four members of James Francis Gregory's family of varying ages. On the left, seated, is Margaret Mohamit Hagan, J. F. Gregory's grandmother, with baby Amherst Gregory, child of J. F. Gregory, on her lap. On the right, seated, is Fannie Hagan Gregory, mother of J. F. Gregory. She wears a long cross pendant, which she holds with both hands in her lap. James Francis Gregory stands behind them in a suit with a bow tie. Photograph is dated approximately 1904","Reverse of photo portrait of four generations of James Francis Gregory's family (ABFR-23-034-029). Handwritten note reads, \"Seated on left, Margaret Mohamit Hagan holding Baby Amherst Gregory (1903-1904), Seated - right, Fannie Hagan Gregory (1886-1928), Standing, James Francis Gregory (1876-1944), about 1904.\"","Black and white photograph, portrait of James Francis Gregory in an Amherst College baseball uniform. He is posed standing with his hands on his hips, in front of a painted, floral studio backdrop. Gregory stands in the center of the frame, his entire body visible, dressed in a sweater with a capital letter \"A\" emblazoned on the chest and padded pants tucked into knee-high socks. He also holds a baseball mitt in one hand. The photo print is mounted on black board. Photograph is undated","Newsclipping of an article from The Philadelphia Press about James Francis Gregory. The headline and subhead of the clipped article reads, \"Negro Carries Off Prize For Oratory: James F. Gregory, of Bordentown, N.J., Secures First Honors for Elocution at the Yale Divinity School.\" The clipping includes a black and white portrait photograph of James Francis Gregory, pictured from the shoulders up. The article reports on Gregory winning Yale Divinity School's Downes prize for the reading of scriptures and hymns, and goes on to enumerate his achievements at Amherst College and Yale Divinity School as an athlete and an orator. Clipping is undated, but was likely printed in June 1901","Reverse of Newsclipping, The Philadelphia Press article about James Francis Gregory (ABFR-23-034-032). Typescript text near the top of the clipping identifies the month of publication as June. Articles touch on controversial railway bills, congressional sessions, and coal prices. Clipping is undated","Typescript document of the beginning of an obituary for James Francis Gregory, beginning with his birth in 1876 and summarizing his academic and professional accomplishments. Document is undated","Black and white photograph, group portrait of a wedding party with the bride. Four people are posed standing in a row in front of an indoor arrangement of plants including tall ferns and flowers. From left to right: a man in a black tuxedo with a white shirt and black bowtie; a woman in a white wedding gown and veil, holding a bouquet of flowers; a woman in a dark velvet dress, holding a bouqut of flowers; and a man in a black tuxedo with a white shirt and black bowtie. Photograph is undated","Color photograph, group portrait of (L to R) NASA mission specialists Ronald \"Ron\" E. McNair, Guion \"Guy\" S. Bluford, and pilot Frederick D. Gregory. Frederick D. Gregory is the grandson of James Francis Gregory. The three men, wearing orange NASA astronaut flight suits, are posed standing in a row. Behind them is a gray studio backdrop, an American flag, and the flag of the United States National Aeronautics and Space Administration (NASA). In front of them is a model of a space shuttle on a black table. The photograph was taken at Johnson Space Center in Houston, Texas. Typescript caption at the bottom of the photograph reads, \"Three of the Eighth Group of NASA Astronauts.\" Photograph is undated, c.1978","Reverse of Group portrait of NASA astronauts with model space shuttle (ABFR-23-034-036). Typescript text reads, \"Three of the 35 New Astronauts. Three of NASA's newest group of astronauts selected in January 1978 pose with mockup of the Space Shuttle at the Johnson Space Center. The group includes, from left to right, mission specialists Ronald \"Ron\" E. McNair and Guion \"Guy\" S. Bluford, and pilot Frederick \"Fred\" D. Gregory.","Black and white photograph of Charles Fremont West wearing a jacket and calf-length boots in a field of tall grass. Beside him sit two dogs on leashes, which West holds in one hand. In the other hand, he holds a dead bird with splayed plumage. The dogs face the left of the frame, where two additional dead birds hang by their legs from a short, sparse tree. Photograph is undated","Reverse of photograph of Charles Fremont West in field with his bird quarry and two dogs (ABFR-23-034-038). Typescript stamp reads, \"PHOTOGRAPHY BY TURNER STUDIO, ALEXANDRIA, VA.\" Photograph is undated","Black and white photograph of football players during the 1922 Rose Bowl at Tournament Park stadium in Pasadena, California. The game was played between the Washington \u0026 Jefferson Presidents (W\u0026J) and the California Golden Bears college football teams. Charles Fremont West played as quarterback for Washington \u0026 Jefferson and was the first African American quarterback to play in the Rose Bowl. On the right side of the image, Hal Erickson (W\u0026J) is pictured running with the ball. Next to him are several players in the midst of a tackle, the impact of which has churned up a spray of earth. Rows of spectators in stadium seating are visible in the background. A handwritten note in the upper right corner reads, \"ERICKSON.\" Another handwritten note along the bottom of the image reads, \"1922 ROSE BOWL GAME, CHARLIE 'PRUNER' WEST, QUARTERBACK.\" Photograph is dated 2 January 1922","Reverse of Photograph of the 1922 Rose Bowll (ABFR-23-034-040). Handwritten note reads, \"1922 Rose Bowl, Washington \u0026 Jefferson College vs U. of Cal., Charles \"Pruner\" West - Quarterback.\" Photograph is dated 2 January 1922","Black and white photograph of a group of people at what seems to be a dinner or other social event. A man wearing a suit and tie and a woman wearing a dark-colored skirted suit are standing together behind a microphone stand. In front of them are four people sitting at a table with a white table cloth, upon which sit several glasses and other dishware. Seated at the table, from left to right: a woman wearing a dark-colored dress and pearl necklace, holding a cigarette; a man wearing a suit and tie, holding a cigarette; a woman wearing a dress, holding a cigarette; and a man in a suit and tie. The two women appear to be in conversation together. The man that is second from the left is looking up over his shoulder at the two people standing behind him. And the man on the far right is leaning to the side and talking to someone whose head is only partially visible in the frame. On the left side of the image the side of a woman's head is partially visible in the frame. Photograph is undated","Reverse of Group photograph at social event (ABFR-23-034-042). Typescript stamp reads, \"McConnell Photography, Randolph 8345, Taylor 8222, 3221 Warden St. NW Wash.10 D.C.\" Photograph is undated","Black and white photograph of Charles Fremont West (far right) and four unidentified men in a field, posed standing in a row. They are all dressed in similar outfits consisting of slacks, sport coats, and hats. Some of their jackets have patches on the sleeve. All five men are holding rifles; three of them have the rifle tucked into their elbow and two men are holding the rifles vertically with buttstocks resting on the ground. Behind them stretches a field of trimmed grass and distant trees. In front of the men is a small, grassless patch littered with bullet casings. A handwritten note in the upper right corner of the image reads, \"Charles Fremont West.\" Photograph is undated","Manuscript document featuring handwritten genealogical record of Henry L. Gregory and his descendants. The document nearly duplicates the content of ABFR-23-034-025, \"Manuscript detailing Gregory Family genealogical records,\" but the formatting of the text is occasionally different and bears annotations and strikethroughs, although the handwriting appears consistent between the two documents. Along the left-hand margin, a note reads \"MIRIAM [illegible].\" Document is undated","Black and white photograph of Charles Fremont West (right) and an unidentified young man (left) standing in a field. They are both posed holding a rifle vertically with the stocks to the ground as well as a trophy. The figure on top of the trophies is a rifleman poised to shoot. Photograph is undated","Reverse of photograph of Charles Fremont West and young rifleman in field with trophies (ABFR-23-034-046). Typescript stamp reads, \"McConnell Photography, Randolph 8345, Taylor 8222, 3221 Warden St. NW Wash.10 D.C.\" Photograph is undated","Black and white photograph of five people at a picnic table outside. A man and two women are seated on the attached bench. One man stands to the side, leaning casually against the table's edge. Another man is posed standing with his foot on the table, elbow resting on his bent knee. Behind them, sunlight peeks through the gaps in a dense wall of foliage. Photograph is undated","Reverse of Photograph of group at a picnic table (ABFR-23-034-048). It is a mostly blank page, with a typescript header and footer with the information typically included when a webpage is printed: page title, page number, date [accessed], and URL. It seems that the photograph was printed on the back of scrap paper, unrelated to the image.","Typescript document, a family tree diagram illustrating the genealogy of Charles Fremont West. At the top of the page is the title, \"Hourglass Chart for Charles Fremont West.\" Charles Fremont West is at the center of the chart and it includes generations back to his great-grandparents, as well as through to his great-grandchildren. Document is undated","Program for the Fiftieth (50th) anniversary reunion for the Dunbar High School Class of 1926, held June 26-27, 1976 at St. Paul's Episcopal (Rock Creek) Church \u0026 Walter Reed Officers Club in Washington, DC. The program booklet is eleven pages and includes an event schedule, statistics about the class of 1926, a list of reunion attendees, a history of the school covering 1870-1926, and an article about African American schools in Washington, D.C. The cover is red with the title and a fleur-de-lis symbol printed in metallic gold. Document is dated 1976","Exhibition poster detailing the life and achievements of Dr. Charles Fremont \"Pruner\" West, created by Dana D. Brooks, Ronald Althouse, and Damien Clement, West Virginia University. The poster includes text and photographs with biographical information about West with details about his career as a student athlete, his academic career, professional career as a doctor, as well as honors and awards he received. The poster also discusses the racism and harrassment that West faced as a Black athlete in the Jim Crow era. On the left side of the poster, in the space between two columns of text, is a large black and white cutout image of West in an athletic uniform. Smaller images from West's academic and professional life are scattered throughout the informational content. Exhibition poster is undated","An effigy of Charles Fremont \"Pruner\" West made out of a model ambulance and black figurine. The ambulance is cast from metal and coated with chipped white paint, and painted on its side are a red cross and the text \"AMBULANCE\". The figurine is a small Nippon baby doll with no arms. It is painted black with red lips and a few red stripes across its body. It was inserted into the model ambulance, laying in the ambulance with its head poking out of the back. The figurine is visually reminiscent of lawn jockeys and other similar racist depictions of black men that reference blackface and minstrelsy. This effigy was originally displayed in the window of a merchant (a dry cleaner) in Morgantown, West Virginia in November 1921. It was placed there with the intention of intimidating West upon his arrival in town with the Washington \u0026 Jefferson College football team to play a game against West Virginia University. This display was one of many forms of racist intimidation that West encountered in Morgantown","Digital surrogates of photographs from the Thompson Family; including Clayton Randolph Thompson, Valerie Jackson Thompson, and their descendants.","Color photograph of a woman seated outdoors on a sunny day. Draped over her is a piece of white, patterned fabric, and in her right hand, she holds a bottle containing a dark brown liquid, Behind her is an expanse of green grass, dangling leaves, and a chain-link fence. Photograph is undated","Black and white portrait photograph of Clayton Randolph Thompson, wearing a suit and tie. He is visible from the shoulders up, and behind him is a featureless background. Photograph is undated","Color photograph of an unidentified woman. She is posed sitting in a church pew, with head bowed and eyes closed as though in prayer. Behind her, church pews and an unadorned wall are visible. Photograph is undated","Black and white halftone photograph from a newsclipping of Alice Thompson Lewis. She is pictured from the shoulders up, wearing glasses and jewelry with large, pearl-like beads. She smiles widely, and behind her is a solid background. Partially visible typescript caption reads \"…[L]EWIS, ALICE T., ...[i]t is so hard [to]...\" Photograph is undated","Black and white photograph of a woman, possibly Valerie Thompson, seated with her hands folded in her lap. She wears a pale colored dress and looks placidly at the camera. Around her is a garden dense with plant life, and behind her is a wooden structure and a fence of wooden palings. Photograph is undated","Color photograph of a man of the Thompson Family visible from the shoulders up, dressed in a black collared shirt. He has a beard and short-cropped black hair, and regards the camera with a solemn expression. Behind him is a smooth, white wall, surrounded by bushes and trees. Photograph is undated","Color photograph of Clifford Martin Thompson standing beside an unidentified woman in front of a wall covered in wallpaper and set with a wooden doorframe. Thompson wears a black tuxedo and a bowtie. He is posed leaning in towards the woman standing next to him. She wears a muted blue garment and dangling earrings, her gaze fixed on something out of frame. Text and icons on the white margin above the photograph indicate that the image is derived from a screenshot of a Facebook post taken on a cell phone. Photograph is undated","Color photograph, portrait of Valerie Myers Jackson Thompson pictured from the shoulders up. She is dressed in white and wears pearl earrings. Her hair is just long enough to brush the tops of her shoulders. The photograph has a reddish tint. Photograph is undated","Color photograph of Clayton \"Bunny\" Thompson, Sr. posed seated at what appears to be a kitchen table. He wears a plaid shirt, and he leans on his elbows, his arms folded over his chest. In front of him, partially visible in the frame, are a red and white beverage can, several pieces of fruit, and a blue gift wrapping bow. Photograph is undated","Digital surrogates of photographs from the Henry Family","Group photograph of four women and one child in a house, posed on a carpeted staircase. Four sit on the steps and in the left of the frame, one woman stands with her hand on the staircase railing. L to R: unidentified woman, Marie Elizabeth Spinner, Toniette Henry Duncan, Rita Murphy Harris, and an unidentified young girl seated on Duncan's lap. Behind them, the stairway leads to an upper level where an open door shows another room. Photograph is undated","Black and white photograph of Albert Henry (left) and his wife, Alice (right) standing behind a table lain with two white, single-tier cakes and a bowl. Albert is dressed in a suit and necktie and smiles as he cuts into one cake with a knife. Alice, wearing a floral dress, rests her hand on Albert's as he slices. The arm of a third person in a striped shirt is partially visible on the left edge of the photograph. Photograph is undated","Black and white photograph of Albert Henry standing beside an unlit fireplace in front of a damask curtain. His elbow rests on the mantle above the fireplace, and his profile casts a shadow on the wall. Henry is dressed in a casual suit and tie and smiles at the camera. Photograph is undated","Portrait painting of Annie Henry from the torso up, done in muted sepia tones. She wears a dark garment with a white frilled collar. The painting is in a brown, oval frame with floral details. Annie Henry was the wife of William Henry and the mother of six children: Wilmer, Albert, John, Mary, Elouise, and Elizabeth. Painting is undated","Black and white photograph of Joyce Rebecca Whitmore Henry leaning against a pillar prop in front of an abstract backdrop. She wears small hoop earrings and a dress with long sleeves and a white collar. Typescript text at the bottom edge of the image reads \"DETAILS.\" Photograph is undated","Color photograph of Marie Elizabeth Spinner, former wife of Elrich Murphy, mother of Rita Murphy Harris, and aunt to Toniette Henry Duncan. She is posed sitting on a striped, cream-colored sofa, holding a set of gold balloons shaped to read, \"97.\" Beside her on the couch is a red gift bag with decorative text that reads \"[Ha]ppy [Birth]day!\" Photograph is undated, but Marie Elizabeth Spinner's 97th birthday took place 7 January 2021","Color photograph Marie Elizabeth Spinner and  her sister Corrine Idella Henry, pictured from the shoulders up. They are positioned back to back with heads turned toward the camera, and both wear their dark hair up. The photograph has an unfocused, desaturated quality. Photograph is undated","Black and white photograph of Marie Elizabeth Spinner, posed with her daughter, Rita, seated on her lap. Behind them hang sheer white and damask curtains. Photograph is undated","Black and white photograph of Marie Elizabeth Spinner from the shoulders up. She wears a light colored garment and a long pearl necklace. Behind her is a striped background. Photograph is undated","Black and white photograph of Marie Elizabeth Spinner, pictured from the shoulders up. She wears a light colored blouse and sits on a couch in front of a white wall. Photograph is undated","Color photograph of Burnett Ralph Henry, son of Wilmer Benjamin Henry and Willie Mae Carter, seated on a patterned couch with a newspaper in his hands. On the coffee table in front of him are a vase of red silk flowers and a miniature artificial Christmas tree decorated with tinsel and ornaments. Next to Henry is a side table holding another vase of red flowers and several portrait photographs. Photograph is undated","Color photograph of a man, identified as Clarence, pictured from the shoulders up. He has gray hair and wears a white collared shirt with gray and blue patterning. Behind him is a piece of brown furniture. The image is blurry. Photograph is undated","Color photograph of Willie Mae Carter Henry, wife of Wilmer Benjamin Henry and mother to Marie Elizabeth Spinner, seated on a chair upholstered with a textured red fabric. She wears a white, striped button-up chemise top. Behind her is a wooden shelf with a bird sculpture and a framed photograph. Photograph is undated","Color photograph of Willie Mae Carter Henry, wife of Wilmer Benjamin Henry and mother to Marie Elizabeth Spinner, posed seated with her hands folded in her lap. She is wearing light blue suit and shite shirt. Two metal tins and a TV remote are visible on a table behind her. Photograph is undated","Black and white photograph of William \"Sonny\" Duke (left) with two other people leaning against the side of a white car. Duke wears a newsboy cap, and one of his arms is in a sling, while the other is draped over the shoulders of a young woman standing beside him. The woman is wearing dark pants, a white top, and a scarf. On the other side of the woman is a man wearing a plaid shirt and dark pants, posed with his hands in his pockets. Photograph is dated March 1957","Black and white photograph of Sylvia Dolores Henry, daughter of Corrine Idella Henry, as a young girl. Her hair is braided and she is wearing a white collared dress. She is posed sitting on the corner of a wooden table. Behind her is a window with blinds drawn. Photograph is undated, c. late 1950s","Black and white photograph of Corrine Idella Henry and her older brother, John Wilmer Henry standing outside. Corrine wears a plaid skirt and a white blouse.  She is posed with her hands on her hips, leaning into her brother. He is wearing dark-colored trousers with wide cuffs and a button-up shirt. His hands are tucked in his pockets. Photograph is undated","Color photograph of Rosell Marshall Henry, wife of Burnett Ralph Henry. She wears glasses and a button-up shirt with a patchwork style pattern. She sits on a wooden chair, and a white cup is visible in front of her. Behind her is a white wall and a white louvered door adorned with postcards and a calendar. Photograph is undated","Studio portrait of Marie Elizabeth Spinner, mother to Rita Murphy Harris and aunt to Toniette Henry Duncan. She is pictured from the shoulders up in front of a blue studio backdrop. She wears glasses, hoop earrings, and a white turtleneck beneath a brown outer jacket. Photograph is undated","Black and White photograph of Marie Elizabeth Spinner in a dress and patterned ascot, perched on a wooden table. Her legs are crossed, and she rests her chin in her hand as she looks directly into the camera. Photograph is undated","Color photograph of Marie Elizabeth Spinner in a light colored, floor-length dress with short, puffy sleeves. A thin string of pearls hangs around her neck, and she holds a small purse in one hand. Her hair is pulled back in an updo. She is posed standing in front of a light blue curtain. Photograph is undated","Color photograph of three women seated on a bed. From left to right: Marie Elizabeth Spinner, Willie Mae Carter Henry (mother of Marie Elizabeth), and Rita Murphy Harris (daughter of Marie Elizabeth and Elrich Murphy). Willie Mae is seated upright in a bed, her legs beneath a pink blanket, while her daughter and granddaughter sit on either side of her, their legs uncovered. All three are smiling. Behind them, a table lamp and a doll dressed in blue sit atop a headboard. Photograph is undated","Hand-colored photograph of Corrine Idella Henry sitting cross-legged on a wooden chair in front of a fabric backdrop. She wears a long coat with lapels, a red collared shirt, black pantyhose, and a pearl necklace. Handwritten text in the lower righthand corner reads \"MUR[PHY],\" most likely indicating that this photograph was taken by Elrich Murphy, Henry's brother-in-law. Photograph is undated","Color photograph of Sylvia Dolores Henry, daughter of Corrine Idella Lewis, smiling in front of a backdrop styled after the American flag and decorated with an image of a parchment scroll on which the Preamble to the United States Constitution is written. Sylvia wears a red sweater over a white collared shirt, and her hands are folded in front of her. Typescript caption on the bottom of the photograph reads, \"Our American Constitution, 1787-1987.\" Photograph is undated but was likely taken in 1987","Color photograph of Blair Spinner, son of Marie Elizabeth Spinner and Albert Spinner. His smile is topped by a dark moustache, and his hair is styled in a short afro. He wears a teal shirt. Photograph is undated","Black and white photograph of a baby identified as \"Bunky,\" posed sitting on a small cushion on a wooden porch. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. The baby wears booties and a white bonnet, and he smiles, his gaze directed upwards and his arm raised and made indistinct by motion blur. The house behind him is made of white bricks or cement blocks. Photograph is undated","Black and white photograph of a child identified as \"Bunky\" wearing a cowboy costume with cheetah patterning and a brimmed hat, with a toy pistol in his raised hand. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. He stands on a patterned rug in front of an Christmas tree decorated with tinsel and ornaments. Opened packages are strewn across the floor around his feet. Photograph is undated but was likely taken at Christmas (25 December)","Black and white photograph of a child identified as \"Bunky\" standing on a porch with a small bundle of flowers in his hand. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. He smiles with mouth open, and  is dressed in a cap and a dark coat with white buttons. Behind him are a white, exterior wall and a window. Photograph is undated","Color photograph of five people in a dining room with floral wallpaper. Left to right: unidentified woman, unidentified man (mostly obscured), Albert Henry, Wilmer Benjamin Henry, unidentified man. Wilmer Benjamin Henry (at the center of the photograph) is wearing suspenders and a striped necktie. Behind him is a windowpane that overlooks a yard over which a clothesline has been strung up. On the table in front of the group is a red and yellow flower arrangement. Photograph is undated","Black and white photograph of Corrine Idella Henry, pictured from the shoulders up. She is wearing a collared shirt or jacket. The image is blurry. Photograph is undated","Black and white photograph of Corrine Idella Henry on a porch, leaning back against a wooden support pillar. She wears high waisted pants and sandals, and her arms extend upwards, bending behind the pillar where she rests her head. The corner of a house with white siding is visible in the left of the frame, and the background is full of greenery and clear sky. Photograph is undated","Black and white photograph of Corrine Idella Henry standing in a lawn. Behind her are a wooden fence, trees, and a paved pathway. She is dressed in a matching set with a cropped top and a long skirt. She poses with one hand on her hip and the other on behind her head. This photograph was taken in the yard of the Henry family home on Johnson Lane in the Seminary Hill neighborhood of Alexandria, Virginia. Photograph is undated","Black and white photograph of Elizabeth Henry, younger sister of Wilmer Benjamin and Albert Henry, wearing a dark button-up jacket and a calf-length skirt. Her hand is placed on her hip, and she stands in front of a wall with light colored siding. Photograph is undated","Color photograph of Elizabeth Henry Douglas, pictured from the shoulders up. Her hands are clasped under her chin, and a broad smile lights up her face. Her white hair is bushed back from her face, and she wears a purple sweater. Photograph is undated","Color photograph of Elizabeth Henry Douglas receiving the Ben Brenman Award for Archaeology. Douglas, dressed in a white blazer and pink shirt, is pictured while being presented with the award from Mayor William D. Euille, wearing a pinstripe suit and striped, purple tie. Douglas and Mayor Euille are posed holding the award, standing in front of (L to R) Janice Magnesun of the Alexandria Archaeological Commission, Charlie LeeDecker representing the Louis Berger Group, Inc., and Joe Reeder. The photograph was taken Alexandria City Council chambers during the meeting held on 27 October 2009.","Black and white photograph of six people ranging in age from children to teenagers, posed standing together on the sidewalk. The four eldest of the six stand in a row, linking arms or with arms around one another's shoulders. Two younger children stand in front of them. The subjects of the photo have been identified in no particular order as Gail, Butch, Rusty, Sylvia Dolores Henry, Keith, and Toniette Henry Duncan. Photograph is undated","Black and white photograph of Rita Murphy Harris as a young girl sitting on the lap of a man identified as \"Granddaddy,\" likely Wilmer Benjamin Henry, her maternal grandfather. Behind them hang curtains of white lace and dark damask fabric. Photograph is undated","Black and white photograph of a woman and a man seated on a sofa with a floral pattern. The woman, identified as Grandma wears a patterned blouse and has one arm linked in the crook of the man's elbow. The man, identified as Granddaddy, wears a suit and tie. The wall behind them is white and unadorned. The pair are likely Willie Mae Carter Henry and Wilmer Benjamin Henry. Photograph is undated","Black and white photograph of a man and woman standing arm in arm in a grassy yard at 116 Johnson Lane in the Seminary Hill neighborhood of Alexandria, Virginia. Behind them is a wooden fence, beyond which is dense foliage. The pair are likely Willie Mae Carter Henry and Wilmer Benjamin Henry, who lived at that address. Photograph is undated","Black and white photograph of five members of the Henry Family gathered in a sitting room in semiformal clothing to celebrate the birthday of Wilmer Benjamin Henry. Three of the five are standing, one man sits cross-legged in an armchair, and a woman perches on one arm of the same chair with her face buried in her palm. In the foreground stands a tabletop with a cake on it. Photograph is undated","Black and white photograph of Joseph Brackette and Marie Elizabeth Spinner, siblings born to Willie Mae Carter Henry and Wilmer Benjamin Henry. Brackette wears a suit and a fedora, and his arm is wrapped around his sister's waist. Spinner wears a plaid blazer. Behind them is a stand of trees with leafless branches. Photograph is undated","Black and white photograph of John Henry, brother of Wilmer Benjamin Henry, standing outdoors. He wears a striped overcoat, glasses, a flat cap, and gloves. Photograph is undated","Black and white photograph of John Henry, brother of Wilmer Benjamin Henry, with Joyce, his second wife. Joyce wears a long jacket and a brimmed hat, and she holds a handbag. John wears a suit and tie, and his hat is in his hand. They stand outdoors surrounded by trimmed bushes, and an evergreen tree stands in the background. Photograph is dated 21 May 1940","Black and white photograph of Joyce Henry, sister in law of Wilmer Benjamin Henry, seated at a dining table set for a meal. Joyce, dressed in white is seated next to an unidentified man dressed in a suit and tie. A third person is partially visible in the foreground of the photograph. Behind the seated diners is a glass-front cabinet filled with glassware. Photograph is undated","Black and white photograph of Joyce Henry and John Henry standing side by side against the exterior wall of a house paneled with horizontal siding and inset with a shuttered window. John Henry has one arm wrapped around Joyce's waist, his hand resting on her hip. Photograph is undated","Black and white photograph of Joyce Henry and an unidentified man standing on a stretch of grass in front of a stand of trees and an upright wooden beam. The man wears suspenders over a white, collared shirt. Joyce wears a dark dress with a ruffle over the breast and holds a leather purse. Photograph is dated 21 May 1940","Black and white photograph of Joyce Henry and an unidentified man standing outdoors in front of a leafless thicket of trees. In the right of the frame, the front bumper of a black car is visible, including headlights, a tire, and a license plate. The ground seems to be covered by a light snow. The man has one arm wrapped around Joyce's waist, and both of his hands grasp her arms at the elbow. The pair smiles serenely at the camera. Photograph is dated 1941","Color photograph of Lawrence Duncan (left) and Toniette Henry Duncan (right) seated next to each other in a restaurant booth. The edge of a white tabletop is visible at the bottom of the photograph and behind them is a shelf filled with bottles of wine. Photograph is dated 9 February 2021, Toniette Henry Duncan's 67th birthday","Hand-colored photograph of sisters, Marie Elizabeth Spinner and Corrine Idella Henry, pictured from the shoulders up. They are positioned back to back with heads turned toward the camera, and both wear their dark hair pulled back and done up behind their heads. This image is a duplicate of Photograph of Marie Elizabeth Spinner and Corrine Idella Henry (ABFR-23-037-007). Photograph is undated","Black and white photograph of Marie Elizabeth Spinner in a formal gown with ruching on the sleeves, a sweetheart neckline, and a floral accent on the hem of the peplum. Her hair is styled in an updo with an accessory studded with pearls. Her shadow falls behind her on a blank backdrop. Photograph is undated","Color photograph of Marie Elizabeth Spinner's 96th birthday celebration. She is pictured seated in a living room with six women and a young girl, including her daughter Rita Murphy Harris and niece Toniette Henry Duncan. The room is decorated with various striped and floral motifs in golden yellow. Behind the gathering is a dining room table on which sit purses, a floral arrangement, and two weighted party balloons shaped like the numerals 9 and 6. Spinner is seated in an armchair near the lower edge if the image. Toniette Henry Duncan, center, leans against the chair's arm. Rita Murphy Harris, seated on a couch, is the rightmost figure in the group. Photograph is undated, but Marie Elizabeth Spinner's 96th birthday was 7 January 2020","Black and white photograph of Marie Elizabeth Spinner leaning against a wooden support beam on a porch. Her arms are folded behind her back, and she sports a wide smile. She wears a pale brimmed hat and a black dress with a design of swirling white trim on the bust and pocket. Photograph is undated","A blank page, most likely the back of a photograph, with stamped text at the bottom that reads \"Murphy's Pho'\" This appears to be part of the photographer's stamp of Elrich Murphy, a prominent Black photographer in Alexandria and father of Rita Murphy Harris and first husband of Marie Elizabeth Spinner. Item is undated","Color photograph of a woman sitting cross-legged with a baby in her hands. The baby, identified as Rashaun, is dressed in overalls and a white long-sleeve shirt. The woman wears denim jeans and a sweater vest, and her hair is styled in an afro. Behind them is a brick house and an unclouded sky. Photograph is undated","Color photograph of five men, trustees of Oakland Baptist Church in Alexandria, Virginia, dressed in brown suit jackets and ties, standing in a row. The man in the center of the row is Reverend Luther H. Mills. Behind them are several utility poles and a round placard bearing a Texaco logo. Photograph is undated","Color photograph of cousins Rita Murphy Harris (left) and Toniette Henry Duncan (right) depicted from the shoulders up. Henry leans into Harris and rests the side of her forehead on her cousin's cheek. Harris has her arm draped over Henry's shoulder. Behind them, colorful abstract paintings and a mounted television hang on gray walls. Photograph is undated","Black and white photograph of thirteen children of varying ages grouped in a yard hemmed by a wooden fence. The event depicted is a birthday party. Rita Murphy Harris stands in the center of the huddle, wearing a white dress with lace flutter sleeves. The leftmost child, a girl in a plaid dress, is identified as Nancy Henry. Between Nancy and Rita is a boy identified as Henry Poindexter, partially obscured by the party guest in front of him. Burnett Ralph Henry stands in the back of the group, dressed in a striped shirt. Beyond the fence, the roofs of neighborhood buildings peer over the tops of bushes. Photograph is undated","Black and white photograph of Rita Murphy Harris as a child, standing outdoors wearing a dress-length coat of leopard print fabric, a black hood, and a cross-body purse. She squints as she digs her fingers into the opening of the jacket in front of her. The trees behind her are bare of leaves. Photograph is undated","Black and white photograph of Burnett Ralph Henry (right), son of Wilmer Benjamin Henry with Rita Murphy Harris (left), granddaughter of Wilmer Benjamin Henry. Rita, an infant, wears a baby bonnet, and Burnett wears overalls, a striped shirt, and a jacket. His arm is around Rita's shoulder, and his legs dangle over the edge of a wooden porch. Photograph is undated","Black and white photograph of fourteen children standing in a line on a strip of sparsely grassed dirt between a wooden fence and a brick sidewalk. All appear to be of elementary age or in their early teenage years save for a much younger, smaller girl in the center of the line. Members of the group are variously dressed in dresses, skirts, button-up shirts, and trousers. Some of the children are identified as Rita Murphy Harris, Sylvia Dolores Henry, Toniette Henry Duncan, Slim Henry, Gail, and Peaches. Photograph is undated","Color photograph of two men identified as Slim Henry and Blair. Blair (right) wears tinted glasses and has his arm slung over the shoulders of Slim Henry (left), who wears a brown leather jacket. Blair Spinner is the son of Marie Elizabeth Spinner and her second husband, Albert Spinner, Jr. They smile broadly, standing side by side. Behind them a sculpture made of many intersecting thin, metal rods hangs on the pale purple walls. Photograph is undated","Color photograph of a man identified as Slim Henry in a red shirt and black jacket, a black brimmed hat on his head. He is indoors in front of a wall panel consisting of brown bricks. The wall appears to be draped with a streamer, and the number \"5\" is visible in the bottom left corner of the photo. Photograph is undated","Color photograph of two men wearing brown suits standing in front of a car parked near a Texaco service station on the corner of King Street and West Braddock Road in Alexandria, Virginia, near Blessed Sacrament Roman Catholic Church and Oakland Baptist Church. The two men have been identified as trustees of Oakland Baptist Church in Alexandria. The man on the left is posed with his jacket unbuttoned and his hands in his pockets. Photograph is undated","Color photograph, portrait of Toniette Henry Duncan's pictured from the shoulders up. She wears a garment with beadwork at the collar and a woven necklace. Behind her, some seating is visible, and farther beyond, light reflects off the surface of a body of water. Photograph is undated","Color photograph, portrait of Toniette Henry Duncan. The framing of the photograph suggests that the image was captured as a selfie. Duncan wears red, and her dark hair is worn in braids or twists that are interwoven with silver-white highlights. She is seated indoors, and in the background, a celebratory card, black and white photograph, and bowl of candy are visible. Photograph is dated to Mother's Day 2021 which was 9 May 2021","Black and white photograph of Toniette Henry Duncan as a young girl. She is posed seated outdoors, wearing a pale dress and holding a basket decorated with flowers. Her short legs dangle from her chair. Photograph is undated, but Toniette Henry Duncan turned two years old in February 1956","Black and white photograph of Toniette Henry Duncan as a young girl. She is posed outside, squatting low to the ground. She wears a coat over a pale skirt, a stiff bonnet, and Mary Jane shoes. Visible behind her are the skirt and legs of another figure, standing behind her. Photograph is undated, but Toniette Henry Duncan turned three years old in February 1957","Black and white photograph of Toniette Henry Duncan as a young girl. She is posed seated on the edge of a porch with her legs dangling over the side. In one hand, she holds a football, and the other hand is raised to the back of her head. Photograph is undated, but Toniette Henry Duncan turned three years old in February 1957","Color photograph of Toniette Henry Duncan (left) and Kevin Brown (right) at the Virginia Theological Seminary Descendents Gala. Both wear nametags around their necks and are sitting next to a large wooden table. On the table between them are two cans of ginger ale and a black handbag. Behind them, at other side of the table, a person in a dark blue suit writes something on a piece of paper with a pen. Their face is not visible in the image. Photograph is dated 30 July 2021","Color photograph, portrait of Toniette Henry Duncan. She is pictured from the shoulders up and posed in front of a solid gray background. The neckline of her top is studded with pearls and her hair is worn in braids or twists. Photograph is undated","Black and white photograph of siblings Joseph Brackette (center) and Marie Elizabeth Spinner (right), posed standing with a third unidentified woman (left), standing near a roofed porch. Marie Elizabeth Spinner wears a plaid blazer while Joseph Brackette wears a fedora and a pinned necktie. The unidentified woman wears a dark fur overcoat. The three are huddled close, and Jospeh Brackette has his arms over his companions' shoulders. A well is visible in the background behind them. Photograph is undated","Black and white photograph of Joseph Brackette with his gloved hand tight around the shoulder of an unidentified woman in a dark fur coat. Behind them is a roofed porch with structural support beams. The sky is cloudy and a wooden fence is visible behind them.","Black and white photograph of John Henry, son of Wilmer Benjamin Henry, standing in a yard with his hands clasped behind his back. He wears a suit jacket and necktie. Behind him is a small structure of stone and wood (possibly the well from other photographs in this folder), a wooden fence, and several trees without foliage. Photograph is undated","Black and white photograph of three women standing with arms linked on a brick sidewalk near a row of townhomes and a wooden fence. In the background, people can be seen on their stoops, seemingly in conversation together. The shadow of the photographer stretches across the brickwork in front of the three women. Photograph is undated","Color photograph of cousins Toniette Henry Duncan (left) and Rita Murphy Harris (right) standing side by side at a room in the Virginia Theological Seminary during one of the Seminary's annual Descendents Galas. Duncan wears a black blouse with beadwork on the sleeves and black trousers. Rita wears a structured black and white jacket with a paisley pattern and black trousers. They are posted standing together in front of a framed artwork hanging on a cream and white striped wall. Photograph is undated","Portrait painting of William Henry pictured from the torso up, done in muted sepia tones. He wears a black suit and necktie and  sports a thick moustache. The painting's background is an abstract blending of colors. William Henry was the husband of Annie Henry and the father of six children: Wilmer, Albert, John, Mary, Elouise, and Elizabeth. Painting is undated","Black and white photograph of William Benjamin Henry standing outdoors in front of a wall made of paneled siding. He is dressed in a suit and necktie with a pocket square. Photograph is undated","Black and white photograph of William Benjamin Henry holding a knife, poised to slice a white, frosted cake. He wears a suit and a striped tie. Three similarly dressed men are partially visible standing next to him. The contour of what appears to be a person wearing a white dress abuts the left edge of the frame. Behind the people is an indoor domestic space with a glass-paneled door. Photograph is undated","Black and white group photograph of several people in semiformal attire, posed standing indoors in front of a window with blinds drawn. William Henry, dressed in a suit, figures prominently in the right of the frame. Also present in the image are his daughters, Eloise and Elizabeth, as well as his son, Wilmer. Photograph is undated","Black and white photograph, portrait of Willie Mae Henry, wife of Wilmer Henry. She is posed seated in a chair in front of a blank backdrop and pictured from the waist up. She wears a white embroidered blouse and a beaded necklace, and her hair is pulled back behind her head. She holds her chin high and regards the camera with neither a smile nor a frown. Photograph is undated","Black and white photograph, portrait of Willie Mae Henry, wife of Wilmer Henry. She is posed seated in front of a patterned curtain, with her hands folded in her lap. She is dressed in a patterned blouse. Photograph is undated","Black and white group photograph of ten people of varying ages, posed standing together in a grassy yard in front of a tall bush and a brick house. The men and boys wear button-up shirts, and the women and girls wear dresses. The group includes Wilmer Benjamin Henry, Willie Mae Henry, and members of their family. In front of the group, a Tyrolean hat with an oversized feather plume lies on the ground. Photograph is undated","Black and white photograph of Wilmer Benjamin Henry standing in a doorway at the Virginia Theological Seminary, with a hand resting on the door handle and holding it open. He smiles exuberantly from under a brimmed hat. Through glass panes set in the door, a brick wall is visible, and a handrail intersects the bottom portion of the photograph. Handwritten note on the top edge of the photograph reads, \"296 # 58-1 3 5/8 [arrow]\" Photograph is undated","Black and white photograph of Wilmer Benjamin Henry playing an acoustic guitar. His fingers are occupied with the frets and strings, and he wears a thumb pick. He is dressed in a jacket and brimmed hat. Behind him is a wall adorned with a patterned fabric drape and a calendar. Photograph is undated","Black and white photograph, portrait of Wilmer Benjamin Henry. He is posed seated in front of a blank fabric backdrop and pictured from the waist up. His hands are resting in his lap, and he wears a suit and tie. Behind him, in the bottom of the photo, what appears to be wrinkles or a fabric texture are visible in the backdrop. Photograph is undated","Memorial page for Wilmer Benjamin Henry, appears to be from a funeral program or similar document. Featured on the page is a black and white portrait photograph of Wilmer Benjamin Henry: the same photograph as \"Portrait photograph of Wilmer Benjamin Henry\" (ABFR-23-037-085). Typescript text under the photograph reads, \"Wilmer B. Henry, Sunrise: February 22, 1898, Sunset: December 26, 1981, My Grand Father's Legacy, Believe in GOD, Work Hard, Take Care of Your Family, Live a Righteous Life.\"","Digital surrogates of materials documenting the Willis family","Photocopy of a newsclipping from a local newspaper featuring a photograph of Sheila Willis. Photograph depicts two women standing on either side of a library circulation desk. The library staff member appears to be assisting the patron to check out books. Which woman is Sheila Willis has not been identified. Most of the article accompanying the photograph is cut off in the clipping, but seems to be an article about Alexandria Library. Clipping is dated 25 April 1968","Digital surrogates of family history materials documenting the Lyles and Dorsey families","Scrapbook documenting the history of the Lyles and Dorsey families. Scrapbook includes photographs, postcards, artwork, and ephemera dating from 1800 through 2015."],"userestrict_html_tesm":["\u003cp\u003eThe materials in this collection are protected by copyright and/or other intellectual property rights. Permission must be obtained from the rights-holder(s) for uses beyond those permitted under the \"Fair Use\" doctrine of the U.S. Copyright Act (17 U.S.C § 107). Contact Local History / Special Collections staff for more information. \u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"http://rightsstatements.org/vocab/InC/1.0/\"\u003e http://rightsstatements.org/vocab/InC/1.0/\u003c/a\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The materials in this collection are protected by copyright and/or other intellectual property rights. Permission must be obtained from the rights-holder(s) for uses beyond those permitted under the \"Fair Use\" doctrine of the U.S. Copyright Act (17 U.S.C § 107). Contact Local History / Special Collections staff for more information. "," http://rightsstatements.org/vocab/InC/1.0/"],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Dunbar High School (Washington, D.C.)","Bah, Char McCargo"],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library","Dunbar High School (Washington, D.C.)"],"persname_ssim":["Bah, Char McCargo"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1499,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:00:29.975Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_172_c11_c30"}},{"id":"vaallhs_repositories_2_resources_172_c11_c31","type":"Item","attributes":{"title":"1916 marriage license of Albert Napper and Virginia Thomas","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_172_c11_c31#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_172_c11_c31#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vaallhs_repositories_2_resources_172_c11_c31","ref_ssm":["vaallhs_repositories_2_resources_172_c11_c31"],"id":"vaallhs_repositories_2_resources_172_c11_c31","ead_ssi":"vaallhs_repositories_2_resources_172","_root_":"vaallhs_repositories_2_resources_172","_nest_parent_":"vaallhs_repositories_2_resources_172_c11","parent_ssi":"vaallhs_repositories_2_resources_172_c11","parent_ssim":["vaallhs_repositories_2_resources_172","vaallhs_repositories_2_resources_172_c11"],"parent_ids_ssim":["vaallhs_repositories_2_resources_172","vaallhs_repositories_2_resources_172_c11"],"parent_unittitles_ssm":["Alexandria Black Family Reunion Digital Collection","Dorothy Taylor family photographs and documents"],"parent_unittitles_tesim":["Alexandria Black Family Reunion Digital Collection","Dorothy Taylor family photographs and documents"],"text":["Alexandria Black Family Reunion Digital Collection","Dorothy Taylor family photographs and documents","1916 marriage license of Albert Napper and Virginia Thomas","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description"],"title_filing_ssi":"1916 marriage license of Albert Napper and Virginia Thomas","title_ssm":["1916 marriage license of Albert Napper and Virginia Thomas"],"title_tesim":["1916 marriage license of Albert Napper and Virginia Thomas"],"unitdate_other_ssim":["1916-08-28"],"normalized_date_ssm":["1916"],"normalized_title_ssm":["1916 marriage license of Albert Napper and Virginia Thomas"],"component_level_isim":[2],"repository_ssim":["Alexandria Library"],"collection_ssim":["Alexandria Black Family Reunion Digital Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":933,"parent_access_restrict_tesm":["This collection is open for research."],"parent_access_terms_tesm":["The materials in this collection are protected by copyright and/or other intellectual property rights. Permission must be obtained from the rights-holder(s) for uses beyond those permitted under the \"Fair Use\" doctrine of the U.S. Copyright Act (17 U.S.C § 107). Contact Local History / Special Collections staff for more information. "," http://rightsstatements.org/vocab/InC/1.0/"],"date_range_isim":[1916],"otherfindaid_html_tesm":["\u003cp\u003e\n  \u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bbff8013-786d-4253-a3a1-20c7887b9187/\"\u003eClick to view digital image\u003c/a\u003e\n\u003c/p\u003e"],"otherfindaid_heading_ssm":["Digital Materials"],"otherfindaid_tesim":["Click to view digital image"],"scopecontent_html_tesm":["\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Description"],"scopecontent_tesim":["Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description"],"_nest_path_":"/components#10/components#30","timestamp":"2026-05-21T04:00:29.975Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_172","ead_ssi":"vaallhs_repositories_2_resources_172","_root_":"vaallhs_repositories_2_resources_172","_nest_parent_":"vaallhs_repositories_2_resources_172","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_172.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/172","title_ssm":["Alexandria Black Family Reunion Digital Collection"],"title_tesim":["Alexandria Black Family Reunion Digital Collection"],"unitdate_ssm":["Digital surrogates created in 2023","1937-2005, and undated"],"unitdate_inclusive_ssm":["1937-2005, and undated"],"unitdate_other_ssim":["Digital surrogates created in 2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["ABFR","/repositories/2/resources/172"],"text":["ABFR","/repositories/2/resources/172","Alexandria Black Family Reunion Digital Collection","African American neighborhoods -- Virginia -- Alexandria.","Alexandria (Va.) -- Social life and customs","African Americans -- Virginia -- Alexandria.","Parker-Gray Schools (Alexandria, Va.)","This collection is open for research.","On April 29, 2023 Alexandria Library hosted the first Black Family Reunion at the Kate Waller Barrett Branch Library in Old Town Alexandria. The event aimed to bring neighborhoods together and help fill gaps in the documented history of Alexandria's African American community. As part of the event, families were invited to bring documents and images to be scanned by Library staff and added to the collections at the Local History / Special Collections Branch to be preserved as part of the city's historical record and made available to the public online.","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Elrich W. Murphy Photograph Collection","Elrich W. Murphy Photograph Collection (MS415)","This collection contains digital donations collected from members of the Alexandria African American community during the 2023 Alexandria Black Family Reunion event. This is a completely digital collection consisting of digital surrogates of the materials; the original items have been retained by their owners. Included are photographs, documents, and ephemera.","Please note  that processed donations will be added to this collection on an ongoing basis. Check this collection guide for regular updates. ","Digital surrogates of photographs from the family of William D. \"Bill\" Euille, former Mayor of the City of Alexandria (2003-2016). Euille served as Honorary Co-Chair of the first Alexandria Black Family Reunion in 2023.","Color photograph, portrait of Robert Drinkard and Tammi Drinkard. Both are dressed in formal wear and are standing in front of a colorful backdrop. Photograph appears to have been captured at a formal event or gala. Photograph is undated.","Color photograph of seven people posed in the midst of a ribbon cutting ceremony. From left to right: (unidentified), Ludwig Gaines, Bill Euille, Dal Repper, Rob Krupika, Jim Moran, Paul Smedburg. Photograph is undated.","Color photograph taken during the annual Alexandria Scottish Christmas Walk Parade depicting several people on a snowy street in Alexandria, Virginia. Featured in the foreground of the photo, from left to right: Bill Euille and Rob Krupika. Over the image is text that reads, \"The Three Musketeers.\" Photograph is undated.","Color photograph, portrait of Bill Euille, dressed in a suit and standing in front of a curtained window with his hands folded in front of him. Photograph is undated.","Color photograph, portrait of Bill Euille. This appears to be a candid photo taken of Euille, dressed in a casual outfit, standing in front of a blank, white wall. Photograph is undated.","Digital surrogates of photographs of the African American community in Alexandria, Virginia that were collected by Char McCargo Bah. Bah is a celebrated genealogist, author, and native Alexandrian who has been researching and writing about the Alexandria African American community since 1981. Bah served as Honorary Co-Chair of the first Alexandria Black Family Reunion in 2023","Black and white photograph, early class portrait from the Parker-Gray School in Alexandria, Virginia. Children are posed standing in three rows with a fourth row seated in front with a man posed standing to the right side, their teacher Rozier D. Lyles. The group is posed in front of what appears to be the entrance to the school; a brick wall and wooden door are visible in the background of the image. Photograph is undated, c.1920s","Black and white photograph, portrait of Principal Henry T. White and the first faculty at the Parker-Gray School in Alexandria, Virginia when it opened in 1920. White was the first principal of the Parker-Gray School and served from 1920 through 1928. Eleven men and women are posed in two rows; the back row is standing behind the seated front row. Front row, from left to right: Reverend A.W. Adkins; Henry T. White, teacher and first principal; Laura M. Dorsey; Rozier D. Lyles; and James E. Howard. Back row, from left to right: Mamie E. Anderson; Margaret T. Young; Florence Murray; Harriet E. Thornton; Susie P. Madden; and Sarah D. Gray. Photograph is undated, c.1920","Black and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Eight men and women are posed in two rows, standing on the steps in front of the main entrance to the school. Elam is the first man on the left in the back row. Photograph is undated, c.1930s","Black and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Sixteen men and women are posed in three or four uneven rows, standing on the steps in front of the main entrance to the school. Elam is last man on the right. The man in the center of the front row is Rozier D. Lyles, a teacher at the school. Photograph is undated, c.1930s","Black and white photograph of the Parker-Gray School's first building at 901 Wythe Street in Alexandria, Virginia. Photograph is undated, c.1920","Black and white photograph, class portrait of the Parker-Gray School fifth grade class taught by Mamie E. Anderson in 1920. Three rows of children are posed on the steps in front of the entrance to the Parker-Gray School. Anderson is on the end of the front row, on the right side of the image. Photograph is undated, c.1920","Black and white photograph, two images together in one photo print with one image on top of the other. The top image is the same as that of the Parker-Gray School fifth grade class portrait photograph photo print (ABFR-23-002-006). The bottom image is the same as that of the Photograph of Parker-Gray School first building photo print (ABFR-23-002-005). Both images are undated, c.1920","Black and white photograph, portrait of Principal Henry T. White with students of the Parker-Gray School. White was the first principal of the Parker-Gray School and served from 1920 through 1928. Twenty-eight children are posed standing in two rows on the steps in front of the entrance to the school. White is posed standing in front of the students. Photograph is undated, c.1920s","Black and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Sixteen men and women are posed in three rows, standing on the steps in front of the main entrance to the school. Elam is the first man on the left in the back row. Photograph is undated, c.1930s","Black and white photograph, class portrait of Parker-Gray School students with their teacher Ms. Day. Forty-two students are posed in four rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is undated, c.1930s","Black and white photograph, class portrait of Parker-Gray School students. Thirty-five students are posed in four rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is undated, c.1930s","Black and white photograph of the Parker-Gray School's first building at 901 Wythe Street in Alexandria, Virginia. Photograph is undated, c.1930s","Black and white photograph, class portrait of Parker-Gray School students in 1931. Thirty students of varying ages are posed standing in three rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is dated 1931","Black and white photograph, group portrait of the 1936 graduates of Parker-Gray School. They are posed standing in two rows with some of the school faculty. Photograph is dated 1936","Black and white photograph, class portrait of Parker-Gray School students in 1939. Fifteen students are posed standing in two or three rows on the front steps of the school. Photograph is dated 1939","Black and white photograph, class portrait of Parker-Gray School students in 1939. Eighteen students are posed standing in three rows on the front steps of the school. Photograph is dated 1939","Black and white photograph, class portrait of Parker-Gray School students in 1939. Approximately thirty-five students of varying ages are posed standing in four rows on the front steps of the school. Photograph is dated 1939","Black and white photograph of Parker-Gray School students in 1939. Eleven teenaged students are posed standing casually, with arms around each other's shoulders, etc., on the front steps of the school. Photograph is dated 1939","Black and white photograph of four Parker-Gray School cheerleaders in 1941. Four young women in cheerleading uniforms are posed together in a field, all in a row with their bodies turned towards the right of the image and faces toward the camera. They are kneeling in the grass with one arm in the air and bent at the elbow. In front of them on the grass are two megaphones and pom-poms. Photograph is dated 1941","Black and white photograph, class portrait of Parker-Gray School students in 1941. Approximately forty children are posed standing in four rows on the front steps of the school. Photograph is dated 1941","Black and white photograph, portrait of the 1942 graduating class of Parker-Gray School. Approximately thirty teenaged students dressed in graduation caps and gowns are posed standing in three rows on the pulpit of the Alfred Street Baptist Church in Alexandria, Virginia. A handwritten signature in the bottom, right corner of the image reads \"Murphy.\" Photograph is dated 1942","Black and white photograph, portrait of the 1943 graduating class of Parker-Gray School. Twenty-four teenaged students dressed in graduation caps and gowns are posed in two rows on the stage of what appears to be a school auditorium. A handwritten note across the photo print reads, \"Parker Gray High School Class of 1943.\" Photograph is dated 1943","Black and white photograph of group of students and others posed in a row on the Parker-Gray football field at the 1945 homecoming game. Two students are dressed in football uniforms and standing next to young women holding bouquets, presumably the homecoming court. Photograph dated 1945","Black and white photograph of the 1945 Parker-Gray homecoming queen being crowned by Oliver Ellis, captain of the football team. A young man wearing a football uniform, identified as \"Captain of Douglas,\" and a young woman, identified as \"Miss Douglas,\" look on as Captain of the Parker-Gray football team Oliver Ellis crowns the new Miss Parker-Gray. The two young women and two young men in the photograph are identified this way by handwritten notes on the bottom edge of the photo print. Photograph is dated 1945","Black and white photograph, portrait of the 1945 graduating class of Parker-Gray School. Thirty-five teenaged students dressed in graduation caps and gowns are posed in three rows on the stage of what appears to be a school auditorium. Photograph is dated 1945","Black and white photograph, group portrait of the P Club student organization at Parker-Gray High School. Twenty students are posed in two rows in what appears to be a classroom or the school library. Several of the students are wearing letterman sweaters with a big \"P\" patch on the front. Photograph is dated 1947","Black and white photograph, group portrait of faculty and staff of Parker-Gray. The fifteen men and women are posed in two rows in what appears to be a school cafeteria or auditorium. Several of them are holding a rolled up document. Photograph is dated 1946","Black and white photograph, portrait of the 1946 graduating class of Parker-Gray School. Thirty-seven teenaged students dressed in graduation caps and gowns are posed in three rows on the stage of what appears to be a school auditorium. Photograph is dated 1946","Black and white photograph of seven young women seated at desks in a Parker-Gray classroom while their teacher, Mrs. Chase, looks on. The students each have their own large, black typewriter on their desk and appear to be working on an assignment. A large, wall-mounted chalkboard is visible in the background of the image. Photograph is dated 1946","Black and white photograph of four young women from the Parker-Gray girls basketball team. They are posed together in the school gym with two students standing in the back row, while the other two kneel in front of them and pose with a basketball. All four are dressed in basketball team uniforms and one also wears a sweater over the uniform which reads, \"PARKER GRAY.\" Photograph is dated 1946","Black and white photograph, group portrait of the Parker-Gray High School girls basketball team. Fourteen young women wearing the basketball team uniforms are posed in  two rows in front of a curtain backdrop, with a basketball placed on the ground in front of them. Also in the photograph is a woman wearing a skirt suit, presumably the team coach; as well as another young woman not dressed in the basketball uniform. Photograph is dated 1946","Black and white photograph of the homemaking class at Parker-Gray High School. Four young women are standing at a workstation table, engaged in a cooking or baking project. Two students appear to be stirring something in saucepans, one student appears to be kneading or rolling dough, and another is sprinkling something onto a dish. Another student is seated at a desk working on a written assignment. And the teacher, Ruby Fields Smith, looks on from the front of the classroom.","Black and white photograph, portrait of the 1950 graduating class of Parker-Gray School. Forty-one teenaged students dressed in graduation caps and gowns are posed in three rows in front of the stage of what appears to be a school auditorium. Photograph is dated 1950","Black and white photograph of the Parker-Gray School's second building. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is undated, c.1950s","Black and white photograph of eight men posed standing in a row in front of a curtain. This photograph was taken at the dedication event for the new Parker-Gray High School and the group includes Principal William H. Pitts, Sr. and Reverend Adkins. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950","Black and white photograph of five men posed standing in a row in front of a curtain; one man appears to be handing a small item to Parker-Gray Principal William H. Pitts, Sr. This photograph was taken at the dedication event for the new Parker-Gray High School. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950","Black and white photograph of five men posed standing in a row in front of a curtain, including Parker-Gray Principal William H. Pitts, Sr on the far left. This photograph was taken at the dedication event for the new Parker-Gray High School. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950","Black and white photograph of the crowning of a Parker-Gray High School student. A young woman, identified as [Annt] Lightfoot, wearing a white, lace dress and white gloves is standing next to a young man in a suit while he places a crown on her head. They are both standing in front of a dark-colored curtain, presumably on a stage. She is presumably being crowned as a pageant winner, homecoming queen, or prom queen. Photo is undated, c.1950s","Black and white photograph of three Parker-Gray High School students on a platform or stage, seated in front of a decorative backdrop and arch with a dark-colored curtain visible in the background. From left to right: a young women wearing a polka dot dress and cat-eye glasses with a white, floral corsage pinned to her dress; a young woman, identified as [Annt] Lightfoot, wearing a white dress, white gloves, and crown and holding a bouquet; a young woman wearing a white dress with a white, floral corsage pinned to her dress. Lightfoot is seated on a platform that is raised slightly higher than the other two young women. They are presumably the winner and runners-up of a pageant, homecoming queen, or prom queen contest. Photo is undated, c.1950s","Black and white photograph, studio portrait of a Parker-Gray High School homecoming queen. A young woman is posed, seated in front of a light-colored backdrop. She is wearing a white dress, silver necklace, silver earrings, and silver tiara while holding a large bouquet. Photograph is undated, c.1950s","Black and white photograph of a group of Parker-Gray High School students standing in a football field with the Parker-Gray marching band. Three young women are standing in a row together; the young woman in the middle is holding a bouquet and the other two are both wearing white, floral corsages pinned to their lapels. Behind the young women are several members of the Parker-Gray High School marching band who appear to be in the midst or in a moment right before a performance. Photograph is undated, c.1950s","Black and white photograph, portrait of the 1951 graduating class of Parker-Gray School. Sixty-three teenaged students dressed in graduation caps and gowns are posed seated in five rows on the bleachers in the school gym. Also in the photo are Principal William H. Pitts Sr., seated in the back row, and an unidentified woman seated on the right side of the image. Photograph is dated 1951","Black and white photograph of a group of Parker-Gray High School students and faculty posed standing in a row. The students are all dressed in graduation caps and gowns. From left to right: Principal William H. Pitts, Sr.; Herman T. Newman, salutatorian; Shirly A. Stokes; Naomie E. Lewis; Lloyd Harris; Kirk R. Carter; William H. Pitts, Jr., valedictorian; the Reverend F. D. Williams, and Theodore R. Sinclair, assistant superintendent of Alexandria schools. Photograph is dated 1951","Reverse of Parker-Gray graduation group photograph photo print (ABFR-23-002-038). A handwritten note identifies the people in the photo as well as noting that this picture was used in the newspaper. Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" \"Parker-Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314,\" and \"Columbus George, Jr., Photographer, 518 North Columbus Street, Overlook 3963, Alexandria, Virginia\"","Black and white photograph of the valedictorian and son of the principal, William H. Pitts, Jr., giving a speech during Parker-Gray High School graduation. A young man dressed in a graduation cap and gown and glasses stands at a lectern on a stage. Several students and faculty in graduation gowns and stoles are seated in rows behind him on the stage. Photograph is dated 1951","Black and white photograph of the valedictorian and son of the principal, William H. Pitts, Jr., giving a speech during Parker-Gray High School graduation. A young man dressed in a graduation cap and gown and glasses stands at a lectern on a stage. Seated behind him on the stage are several students and faculty in graduation gowns, including Principal William H. Pitts, Reverend F. D. Williams, and Assistant Superintendent Theodore R. Sinclair. The school band is seated in front of the stage. Photograph is dated 1951","Black and white photograph of a moment during the Parker-Gray High School graduation ceremonies. Standing on the stage, Principal William H. Pitts, Sr. shakes the hand of his son and the valedictorian, William H. Pitts, Jr. Pitts, Jr. is wearing a graduation cap and gown and holding what appears to be his diploma. Pitts, senior is dressed in a white blazer and black bowtie. Photograph is dated 1951","Black and white photograph of Principal William H. Pitts, Sr. making remarks during the Parker-Gray High School graduation. A man wearing a white blazer, black suit pants, black double pocket square, and black bowtie stands at a lectern and appears to be in the middle of speaking. Seated behind him on the stage are several students and faculty wearing graduation gowns and stoles. Photograph is dated 1951","Black and white photograph, group portrait of Parker-Gray High School students who are likely all members of a school sports team or club. Approximately forty young men are  posed standing in two rows with a third row seated in front. Photograph is dated 1951","Black and white photograph, portrait of the 1952 graduating class of Parker-Gray School. Thirty-six teenaged students dressed in graduation caps and gowns are posed standing in six rows on the bleachers in the school gym. Photograph is dated 1952","Black and white photograph, portrait of the 1953 graduating class of Parker-Gray School. Twenty-six teenaged students dressed in graduation caps and gowns are posed in three rows in front of the stage of what appears to be a school auditorium. Photograph is dated 1953","Black and white photograph, group portrait of the members of the National Honor Society from the Parker-Gray High School graduating class of 1953. Three students, dressed in graduation caps and gowns, are posed standing together in front of the stage of what appears to be a school auditorium. From left to right: Hazel Jones, Fred Mathers, Jr., and Delores Hooks. Photograph is dated 1953","Reverse of Parker-Gray High School National Honor Society members group photograph (ABFR-23-002-052). Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" \"Parker Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314.\" A handwritten note reads, \"Members of the First National Honor Society at Parker-Gray H.S. 1953 Chapter 4950 Fred Mathers Jr. [rank] 1; Delores Hooks [rank] 2; Hazel Jones [rank] 3\"","Black and white photograph, portrait of the 1954 graduating class of Parker-Gray School. Approximately fifty teenaged students dressed in graduation caps and gowns are posed in several rows standing on the steps in front of the entrance to the school. Photograph is dated 1954","Black and white photograph, group portrait of young women of the Parker-Gray School graduating class of 1954. Approximately thirty young women are posed in three rows standing around a sign that reads, \"Congratulations Parker Gray Graduates!\" In the middle of the group, directly behind the sign, is an older man in a suit. Photograph is dated 1954","Black and white photograph, group portrait of what appears to be the winner and runners-up of Parker-Gray homecoming queen. Four young women are posed standing in a row; two of them are wearing floral corsages pinned to their lapels and the other two young women are holding bouquets. Photograph is dated 1955","Black and white photograph, group portrait of what appears to be the Parker-Gray homecoming court. Three young men and four young women are posed in a row, standing on a football field. One of the young men is identified as Roland Norton. Two of the young men are dressed in football uniforms (number 80 and number 35). Two of the young women are wearing floral corsages pinned to their lapels and the other two young women are holding bouquets. Photograph is dated 1955","Black and white photograph of the spectators at the 1955 Parker-Gray High School homecoming football game. The bleachers of a football field are filled with Parker-Gray students, faculty, and other community members watching the homecoming football game. Several people stand on the sidelines in front of the bleachers. Photograph is dated 1955","Black and white photograph, group portrait of the Parker-Gray High School class of 1957 taken in their junior year. Approximately sixty students are posed in five rows, standing on the steps in front of the entrance to the school. Photograph is dated 1955","Black and white photograph, portrait of the 1956 graduating class of Parker-Gray School. Fifty-eight teenaged students dressed in graduation caps and gowns are posed in five rows on the bleachers in the school gym. Also in the photo is Principal William H. Pitts Sr. Photograph is dated 1956","Black and white photograph, portrait of May Queen Joyce A. Drayton. A young woman, Joyce A. Drayton, wearing a light-colored satin dress is posed standing in the grass in front of the exterior of the school building. The front entrance of the school is visible in the background of the image. Photograph is dated 1956","Black and white photograph, portrait of the 1957 graduating class of Parker-Gray School. Forty-eight teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Photograph is dated 1957","Black and white photograph of the 1957 Parker-Gray High School homecoming court, including Homecoming Queen Phyllis Tate. Three young women and three young men are posed standing in a row in front of what appears to be a \"throne\" for the homecoming queen. From left to right: a young woman dressed in a plaid skirt set, white gloves, white hat, small round handbag, and corsage pinned to her lapel; a young man in dark-colored pants and a light-colored jacket posed in the act of placing a crown atop the head of the young woman in the center of the group; a young woman (being crowned), Phyllis Tate, wearing a light-colored skirt set and holding a large bouquet; a young man wearing dark-colored pants and a wool jacket; a young woman wearing a dark-colored skirt set, white gloves, white hat, small handbag, and corsage pinned to her lapel. Photograph is dated 1957","Black and white photograph of the 1957 Parker-Gray High School homecoming queen and runners-up. Three young women are posed standing in a row, with the young woman in the center on a raised platform. From left to right: a young woman dressed in a plaid skirt set, white gloves, white hat, small round handbag, and corsage pinned to her lapel; a young woman, Phyllis Tate, wearing a light-colored skirt set, white gloves, glittery crown, and holding a large bouquet; a young woman wearing a dark-colored skirt set, white gloves, white hat, small handbag, and corsage pinned to her lapel. Photograph is dated 1957","Black and white photograph, portrait of Phyllis Tate, the 1957 Parker-Gray High School homecoming queen. A young woman, Phyllis Tate, is posed seated in a chair atop a platform with a backdrop of crepe paper streamers. The backdrop and platform appear to have been decorated by students to serve as a \"throne\" for the homecoming queen. Tate is dressed in a light-colored skirt set, white gloves, sparkling crown, and is holding a large bouquet. Photograph is dated 1957","Black and white photograph that appears to depict the crowning of the 1957 Miss Parker-Gray. A young woman, LaJeune Hundley, is posed standing in what appears to be the school gymnasium while a man appears to place a tiara atop her head. Hundley is wearing a dress, short fur coat, white gloves, and small handbag. Posed standing next to her in the photograph is another young woman, dressed in a light-colored coat over a dress, white gloves, and white fascinator hat. The man crowning Hundley, is turned away from the camera, but might be Principal William H. Pitts, Sr. He is dressed in a long black coat, dark-colored pants,  a fedora hat  and is holding a piece of paper and a microphone. Visible in the background of the image are several people standing on the gym bleachers. Photograph is dated 1957","Reverse of Photograph of Miss Parker-Gray photo print (ABFR-23-002-066). Handwritten note reads, \"Miss Parker-Gray 1957-58 La Jeune Hundley, Attendants - Teyanna Williams, Jesurena Smith.\" Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" and \"Parker-Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314\"","Black and white photograph of Miss Parker-Gray La Jeune Hundley and her two attendants, Teyanna Williams and Jesurena Smith. Three elegantly dressed young women are posed standing in a row in front of what appears to be the bleachers in the school gymnasium. From left to right: a young woman wearing a light-colored coat over a dress, white gloves, white fascinator hat, and small handbag; a young woman, La Jeune Hundley, wearing a dress, short dark-colored fur coat, white gloves, tiara, and small handbag; a young woman wearing a long, light-colored fur coat over a dress and white gloves. Visible in the background of the image are several people standing on the gym bleachers. Photograph is dated 1957","Black and white photograph of Miss Parker-Gray La Jeune Hundley and her two attendants, Teyanna Williams and Jesurena Smith. Three elegantly dressed young women are posed standing in a row in front of what appears to be the bleachers in the school gymnasium. Hundley is stood in the center of the trio and is turned around to shake the hand of a young woman standing behind her wearing a long, dark-colored coat with a corsage pinned to the lapel.","Black and white photograph, portrait of the 1958 graduating class of Parker-Gray School. Twenty-three teenaged students dressed in graduation caps and gowns are posed in three rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. Photograph is dated 1958","Black and white photograph, group portrait of seven young women posed in front of a small platform and backdrop that have been decorated with crepe paper and streamers. It appears to be the \"throne\" for the homecoming queen depicted in other photographs from this series. Photograph is dated 1958","Black and white photograph, group portrait of the 1959 Parker-Gray High School homecoming court. Four young women are posed standing in a row, the two in the center are one step up on a small podium. All four young women are holding bouquets. Photograph is dated 1959","Black and white photograph, group portrait of the 1959 Parker-Gray High School homecoming court. Three young women and three young men are posed in a row standing on a football field. Two of the young men are wearing football uniforms (number 54 and number 72); all three young women are holding bouquets. Photograph is dated 1959","Black and white photograph, portrait of the 1960 graduating class of Parker-Gray School. Thirty-five teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. in the middle of the back row. Photograph is dated 1960","Black and white photographs, composite class portrait of the Parker-Gray High School class of 1961. Headshot studio portraits of students dressed in graduation caps and gowns are arranged in rows with each student's name listed underneath their photo. Also included are studio portrait photographs of Principal William H. Pitts, Sr. and school advisors Mary T. Adams and Jacqueline Green. Item is dated 1961","Black and white photograph, portrait of the 1961 Ms. Parker-Gray, Doris Surratte, being crowned. A young woman, Doris Surratte, dressed in a white dress with sheer white shoulder wrap is posed standing next to a young man wearing a suit who is posed in the moment of placing a crown atop her head. Photograph is dated 1961","Black and white photographs, composite class portrait of the Parker-Gray High School class of 1962. Headshot studio portraits of students dressed in graduation caps and gowns are arranged in rows with each student's name listed underneath their photo. Also included are studio portrait photographs of Principal William H. Pitts, Sr.; Elizabeth Qualls, Sponsor; Robert H. Adkins, Sponsor; Richard Clayton, Sponsor. Item is dated 1962","Black and white photograph, candid photo from the Parker-Gray School Drivers Ed class. A car is parked in a small parking pad next to what appears to be the side or back of the school building. Affixed to the passenger side door of the car is a sign that reads, \"Driver Education Car, Courtesy Aero Chevrolet\" with the AAA logo above it. Four people are seated in the car, who appear to be three students and their instructor in the front passenger seat. Photograph is dated 1963","Black and white photograph, candid photo from the Parker-Gray School Drivers Ed class. Five people are seated in a parked car. Affixed to the passenger side door of the car is a sign that reads, \"Driver Education Car, Courtesy Aero Chevrolet\" with the AAA logo above it. Photograph is dated 1963","Page from the program of the Parker-Gray High School Class of 1965 50th Reunion, held June 12th and 13th, 2015. An illustrated image of a scroll frames a list of the names of the members of the class of 1965, listed in two columns. Item is dated 2015","Black and white photograph, portrait of the 1965 graduating class of Parker-Gray School. Forty-seven teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. Photograph is dated 1965","Black and white photograph, group portrait of the Parker-Gray High School band dressed in their uniforms. They are posed seated in curved rows and appear to be in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, group portrait of the Parker-Gray High School band dressed in their uniforms. They are posed seated in curved rows and appear to be in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, group portrait of the Parker-Gray High School majorettes. Dressed in their uniforms and holding batons, seven young women are posed standing on the bleachers in the school gymnasium. They are standing in a row, each on a different step, ascending up the risers. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Assistant Principal Edward L. Patterson. He is dressed in a dark-colored plaid suit, white shirt, dark-colored tie, and wire-rimmed glasses. Patterson is posed seated at his desk as if in the midst of working. Papers and books are strewn across his desk, while he flips through an open book with one hand and a pencil poised to write something in the other hand. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Assistant Principal Edward L. Patterson. He is dressed in a dark-colored suit, white shirt, checkered tie, and wire-rimmed glasses. He is posed standing behind his desk while he does something with a large metal box atop the desk. Photograph is undated, c.1960s","Black and white photograph, portrait of the cafeteria staff at Parker-Gray High School. Seven women, all dressed in white uniform dresses, are posed standing in a row in what appears to be the school cafeteria. Photograph is undated, c.1960s","Black and white photograph of Ferris Holland, math and science teacher at Parker-Gray High School, and two unidentified students. Holland is standing behind the workstation at the front of his classroom, in the midst of demonstrating a chemistry experiment. To the left of Holland is a young man dressed in a checkered blazer; and to the left of Holland is a young woman wearing a white blouse. Visible behind them in the image is a blank chalkboard. Photograph is undated, c.1960s","Black and white photograph of several members of what appear to be faculty and staff of Parker-Gray High School. Ferris Holland, math and science teacher at Parker-Gray, is posed seated at a desk while pointing to something in a book. Seven other men and women are posed standing around him and looking at the book on his desk. Photograph is undated, c.1960s","Black and white photograph, studio portrait of Hollis Williams, a member of the Parker-Gray High School faculty. Photograph is undated, c.1960s","Black and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and two unidentified students. Smith is posed standing behind a table where two young women are seated; all three have papers in their hands and appear to be in the midst of a conversation. Photograph is undated, c.1960s","Black and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and an unidentified student. Smith is posed seated behind her desk with a young woman seated in a chair at the side of the desk. They are posed as if in the midst of a counseling session. Photograph is undated, c.1960s","Black and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and an unidentified student. Smith is posed seated at a desk with a young man seated in a chair at the side of the desk. They are posed as if in the midst of a counseling session; both looking down at a set of papers on the desk. Photograph is undated, c.1960s","Black and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed standing in front of a filing cabinet in the school administration offices with her hands resting on an open drawer. Photograph is undated, c.1960s","Black and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed standing in front of a filing cabinet in the school administration offices with her hands resting on an open drawer. Photograph is very similar to ABFR-23-002-094 but Adams facial expression is slightly different. Photograph is undated, c.1960s","Black and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed seated at her desk as if in the middle of a phone conversation. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School nurse. A woman dressed in a white nurse's uniform dress and cap is posed seated at a desk with a pen poised as if writing on a set of papers on the desk. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School nurse. A woman dressed in a white nurse's uniform dress and cap is posed seated at a desk with a pen poised as if writing on a set of papers on the desk. Photograph is very similar to ABFR-23-002-097 but her facial expression is slightly different and the photo was taken at a slightly different angle. Photograph is undated, c.1960s","Black and white photograph, portrait of the physical and driving education faculty at Parker-Gray High School. Three men and a woman are posed standing in a row in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk with a pen poised above a set of papers on the desk. Photograph is undated, c.1960s","Black and white photograph, studio portrait of Parker-Gray High School Principal William H. Pitts, Sr. He is dressed in a dark-colored suit, white shirt, tie, and white pocket square and is posed seated in front of a blank backdrop. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. He is posed standing on the steps in front of the entrance to the school. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk with a pen poised above a set of papers on the desk, as if in the midst of doing paperwork. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk while reaching to the intercom on his desk, as if in the midst of making an announcement. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two are seated at their desks and one is standing at the counter writing on a sheet of paper. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two are seated at their desks and one is standing at the counter writing on a sheet of paper. Photograph is similar to ABFR-23-002-105. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Four women are posed in the front office of the school. They are all posed as if in the midst of working at different tasks: writing on a paper at the counter, looking through a filing cabinet, talking on the phone, typing on a typewriter. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two women are standing on either side of the counter and posed as if in the middle of a conversation. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two women are seated at their desks and one woman is standing behind the counter; all are posed as if in the midst of working. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Two women are posed together behind a desk in the school administration offices. From left to right, a woman, Louise Evans, is posed standing and pointing to a piece of paper held in her other hand; a woman is seated at the desk and looking at the paper that Evans' is holding. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School vocational and fine arts faculty. A woman is seated at a piano with six other men and women posed standing around the piano. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School faculty. Twenty-eight men and women are posed in three rows in front of a light-colored curtain serving as a backdrop. They appear to be on the stage in a school auditorium. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Six men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Seven men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Seven men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photo is very similar to ABFR-23-002-114, but the people are posed in slightly different positions. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Ten men and women are posed around a desk at the front of a school classroom with a blank chalkboard behind them. Photograph is undated, c.1960s","Black and white photograph of the homemaking class at Parker-Gray High School. Eight young women are posed around a classroom kitchen at work on different cooking and baking tasks while their teacher looks on. Photograph is undated, c.1960s","Black and white photograph, group portrait of the Parker-Gray High School baseball team. Ten young men wearing baseball uniforms are posed together on a baseball field behind the school. Photograph is undated, c.1960s","Black and white photograph, portrait of Lawrence Veney. He is wearing his Parker-Gray High School baseball team uniform and is posed as if in the midst of throwing a pitch. Photograph is dated 1963","Black and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School pep squad or cheerleading team. Seven young women in pep squad uniforms are in the midst of performing a cheer in the school gymnasium, presumably during a game or pep rally. Photograph is undated, c.1960s","Black and white photograph, portrait of the Parker-Gray High School pep squad or cheerleading team. Eight young women dressed in pep squad uniforms are posed in two rows in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, portrait of the Parker-Gray High School pep squad or cheerleading team. Eight young women dressed in pep squad uniforms are posed standing in a row in front of the bleachers in the school gymnasium, posed as if in the midst of performing a cheer. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School pep squad or cheerleading team. Thirty young women are posed in two rows in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph of four members of the Parker-Gray High School football team. Four young men dressed in football uniforms are posed standing on a football field. Three of the young men are crouched in a defensive position and the fourth young man is standing behind them as if poised to throw the football. Photograph is dated 1961","Black and white photograph, portrait of Raymond Williams, captain of the Parker-Gray High School football team. A young man, Raymond Williams, wearing a football uniform number 80, is posed crouched in a defensive position on a football field. Photograph is dated 1961","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a shot of players and two referees on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of several young women playing a game of volleyball in the Parker-Gray High School gymnasium. Based on their matching outfits, this is likely a candid photograph from a Physical Education class. Photograph is undated, c.1960s","Black and white photograph, group portrait of what is likely the Parker-Gray High School Girls' Athletic Association. Nineteen young women are posed standing in two rows on the bleachers in the school gymnasium. They are all dressed in matching outfits: white blouses paired with dark-colored skirts. Photograph is undated, c.1960s","Black and white photograph, group portrait of members of the Parker-Gray High School pep club. Fourteen young women are posed standing in two rows on the bleachers in the school gymnasium. They are standing angled sideways with their outer arm reaching out toward the middle of the gym. All of the young women are wearing vests with sashes that read, \"Go Team Go.\" Photograph is undated, c.1960s","Black and white photograph, candid photo of two young men in the midst of a wrestling match. A referee dressed in all white is also visible on the side of the mat. Visible in the background of the image are the officials or scorekeepers seated at a table, an announcer seated on a stool with a microphone, and several other members of the Parker-Gray High School wrestling team wearing their uniform sweat suits. Photograph is undated, c.1960s","Black and white photograph, candid photo of two young men in the midst of a wrestling match. A referee dressed in all white is also visible on the side of the mat. Visible in the background of the image are the officials or scorekeepers seated at a table, an announcer seated on a stool with a microphone, and several other members of the Parker-Gray High School wrestling team wearing their uniform sweat suits. Photograph is undated, c.1960s","Black and white photograph, team portrait of the Parker-Gray High School wrestling team. Twelve young men and their two coaches are posed in two rows atop a wrestling mat in the school gymnasium. They are all dressed in matching light-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, team portrait of the Parker-Gray High School wrestling team. Twelve young men and their two coaches are posed in two rows atop a wrestling mat in the school gymnasium. They are all dressed in matching light-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably basketball based on their outfits. Twelve young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching shiny jackets with PG on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably basketball based on their outfits. Twelve young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching shiny jackets with PG on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably track and field based on their outfits. Nine young men are posed standing on the bleachers in the school gymnasium. They are dressed in matching dark-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably track and field based on their outfits. Nine young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching dark-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a junior class at Parker-Gray High School. Approximately sixty students are posed in three rows on the grass in front of the school building. Photograph is undated, c.1960s","Black and white photograph of five Parker-Gray High School students in a car. A young man is posed in the driver's seat, in the passenger seat is a young woman wearing a headscarf, and in the backseat are three other young women. Photograph is undated, c.1960s","Black and white photograph of three Parker-Gray High School students. Three young women are posed standing in a row on a field. Two of the young women are wearing floral corsages pinned to their lapels and the young woman in the center of the group is holding a bouquet. Presumably they are a homecoming court, but the context of the image is not identified anywhere. Photograph is undated, c.1960s","Color photograph taken during the 2010 Parker-Gray School reunion. A man dressed in a brown polo shirt and khaki pants is seated next to a woman dressed in white pants and a blouse with a blue paisley pattern. They are both seated in front of tables and blue and white painted cement brick walls - the type of cement brick that is frequently found in American public school buildings. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman wearing a red collared dress, Norma J. Turner, is seated in front of a blue cement brick wall - the type of cement brick that is frequently found in American public school buildings. Photograph is dated 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women, including Norma J. Turner in the foreground of the image, are seated at a dinner table in what appears to be a restaurant or banquet hall. Visible in the background of the image are three other people who appear to be about to take their seats at another table, as well as, a bartender behind a bar. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at a dinner table in what appears to be a restaurant or banquet hall. Visible in the background of the image are other people seated at another table, as well as, a man ordering a drink from the bar. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at dinner tables in what appears to be a restaurant or banquet hall. In the foreground of the image is a man dressed in black pants, a white shirt, patterned tie, black suspenders, and glasses with a rose-colored tint. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at dinner tables in what appears to be a restaurant or banquet hall. In the foreground of the image is a man dressed in a grey suit, white shirt, and checkered tie; and a woman dressed in a pink, orange, and yellow dress with a sheer yellow jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a black dress with a floral print and a black blazer jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a purple dress and matching purple jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a pink dress and matching pink jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman wearing a white, lace blouse is seated in what appears to be a red booth. Photograph is dated 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is standing up from a dinner table with a red booth seat and looks as if about to give a speech. She is dressed in a sky blue jacket and matching sky blue pants, white blouse, and sky blue hat. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A man dressed in a grey suit, blue shirt, and blue tie is posed seated at a table. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman and man are standing up from a dinner table with a red booth seat and are posed in the midst of presenting a certificate. The woman is dressed in a sky blue jacket and matching sky blue pants, white blouse, and sky blue hat. The man is dressed in a tan suit, light-gray shirt, and patterned tie. Photograph is dated 22 August 2010","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a pink sweater is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a pink sweater is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a grey jacket and floral patterned blouse is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a green blouse with a patterned scarf tied around her neck is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man and a woman are seated in front of a window that looks out onto the street. The woman is wearing a white and grey striped jacket and blouse; the man is wearing a checkered suit jacket, white shirt, and striped tie. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a checkered suit jacket, white shirt, and striped tie is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a white shirt and white baseball cap is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a pink and white blouse, black suit jacket, and backwards black baseball cap is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a tan shirt is standing in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A laughing man wearing a patterned shirt is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white patterned blouse and white pants is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a black shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a yellow shirt, black patterned cardigan, and black headwrap is seated in front of blank whiteboard mounted on a white cement brick wall. A cane is leaning against the wall behind her. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white blouse over a black t-shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a blue and white patterned blouse and white baseball cap with a logo on it that reads, \"Parker-Gray 1920-1965\" is posed standing in what appears to be a classroom. Several other people are visible behind her in the background of the image. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black blouse is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a grey t-shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a red blouse is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white patterned blouse is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a white t-shirt, blue sweater, and holding a notebook is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple, black, and white patterned blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a pale green blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a striped brown suit jacket and pink shirt is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple blouse and white lace shrug is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Unfortunately the image file appears to be corrupted and the bottom half of the image is missing. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple, black, and white patterned blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2015 Parker-Gray School reunion event of Linwood Moses Smith and Sharon Jones Frazier. From left to right: a woman dressed in a purple turtleneck and purple cardigan; a man, Linwood Moses Smith, dressed in khaki pants, a grey zipped jacket under a denim jacket, a grey hat; a woman, Sharon Jones Frazier, dressed in a blue collared top under a tan trench coat. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event of McArthur and Nellie Quander. A man, identified as McArthur, dressed in denim pants, a checkered shirt, black windbreaker with the Free Masons logo on the front, and a brown hat walks with a woman using a mobility aid, Nellie Quander, dressed in a black top, black pants, and bright, red coat. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A candid photograph of three women and a man standing in the street, presumably outside the former Parker-Gray High School building, in the midst of conversation. Included in the group are Sharon Jones Frazier and Audrey P. Davis, Director of the Alexandria Black History Museum. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A portrait photograph of Audrey P. Davis, Director of the Alexandria Black History Museum, posed standing in the street in front of the former Parker-Gray High School building. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A candid photograph of five men standing in the street, presumably outside the former Parker-Gray High School building, in the midst of conversation. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. Seven men and women are posed next to the historic landmark sign noting the adjacent building as the former building of Parker-Gray High School. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A man and woman are seated in the middle of the audience during the celebration event. The man is wearing a blue and white striped shirt and tan suit jacket; the woman is wearing a brown quilted coat. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A man dressed in a grey suit, off-white shirt, patterned tie, and white baseball cap is walking down the street while utilizing a mobility aid. Photograph is dated 2015","Black and white photograph, class portrait of a group of Charles Houston Elementary School students. Approximately fifty children, along with two teachers, are posed standing in four rows on the steps in front of the entrance to the school. Photograph is undated, c.1950s","Black and white photograph, class portrait of the Room 6, Second Grade class at Charles Houston Elementary School in 1964. Twenty-eight children are posed in three rows with their teacher in what appears to be the school library. Two children in the center of the front row are holding a sign that reads, \"Charles Houston Alexandria, VA Grade 2 Room 6 1964.\" Photograph is dated 1964","Black and white photograph, class portrait of the Room 16, Fourth Grade class at Charles Houston Elementary School in 1964. Twenty-seven children are posed in three rows with their teacher in what appears to be the school library. Two children in the center of the front row are holding a sign that reads, \"Charles Houston Alexandria, VA Grade 4 Room 16 1964.\" Photograph is dated 1964","Digital surrogates of photographs from the family of Linwood Moses Smith. Related to the Jesurena Smith family photographs (ABFR-23-006)","Black and white photograph, portrait of a young girl standing posed outside in the grass. She is wearing a white top, white pants, and black sandals with white socks. It appears that the girl is in the yard next to a house; behind her are a brick wall and a large bush or shrubbery. Photograph is undated, c.1950s","Black and white photograph of a group of four young children. The children (a young girl, a young boy, and two toddlers) are outside in the grass, in what appears to be the yard next to a house. One of the toddlers is sitting in the grass while the two older children are each holding a hand of the second toddler while they attempt to stand on their own. It appears that the children are attempting to pose for the photograph, but have been captured in motion. Behind the children is a brick wall with two visible windows and the shadow of a large bush or shrubbery. Photograph is undated, c.1950s","Black and white photograph of a young woman and two very young children. The woman, dressed in black capri pants and a striped tank top, is posed standing outside in the grass in what appears to be the yard next to a house. She is holding a baby in her right arm while with her left holds the hand of a toddler standing next to her. The baby and toddler are both dressed in all white outfits. Behind the group is a brick wall with three visible windows and a large bush or shrubbery. Photograph is undated, c.1950s","Black and white photograph of three young children standing outside in the grass, in front of a short shrub. From left to right, a young boy dressed in a white short sleeved shirt, dark-colored shorts, and black sandals with white socks; a young girl wearing a tank top and shorts with matching printed pattern and tennis shoes; a young girl wearing a white top, white pants, and black sandals with white socks. The three children appear to be attempting to pose for the photograph but were captured either distracted or in motion. Photograph is undated, c.1950s","Color photograph of a woman seated on a couch which appears to be in the living room of a home. The woman is wearing a dark-colored coat and dark-colored dress. She is seated on a blue couch in front of a window with blue, patterned curtains. Unfortunately, the photograph is blurry and some details are hard to see. Photograph is undated, c.1960s","Black and white photograph of a group of five people posed standing in front of a striped tent. Unfortunately, the photograph was damaged and a large portion is missing from the right side of the image. From left to right, a woman wearing a light colored dress with a small, dotted pattern; a man wearing black pants, a white short-sleeved button-down shirt, and a light-colored hat; a woman wearing a striped dress; a young girl wearing a white dress and holding a doll; a man wearing a white shirt, but otherwise obscured by the missing piece. On the bottom edge of the photograph is a handwritten note that reads, \"Feeling might f--\" with the remainder of the note missing. Photograph is undated, c.1950s","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph of Maria, Jootsie, Wootchie, Jesurena [Smith], and Linwood [Moses Smith] (ABFR-23-004-025). Handwritten note which identifies the people in the photograph reads, \"Maria, Jootsie 13, Wootchie 10, Jesurena 8, Linwood 4\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Arnold J. Thammond as a baby (ABFR-23-004-029). Handwritten note which identifies the baby in the photograph reads, \"Arnold J. Thammond, age 4 months\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a man (John?) (ABFR-23-004-040). Handwritten note reads, \"Dear Jesus, please have mercy on John.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo of a family outdoors (ABFR-23-004-050). Handwritten note reads, \"Gen et al 5-29-83\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Same image as ABFR-23-006-022. Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a framed portrait drawing (ABFR-23-004-054). Typescript date stamp reads, \"JUL 92\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two young children in costume (ABFR-23-004-058). Typescript date stamp reads, \"MAY 93 9\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Linwood Smith and unidentified woman (ABFR-23-004-064). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs from the Coleman and Butler families.","Black and white photograph, portrait of a young woman, Lucy, standing posed in a doorway. She is dressed in a light-colored dress worn over a white shirt, a white collar, and a wide brimmed hat. The photo print is mounted in grey board and gold letters spelling \"LUCY\" are affixed to the board underneath the photograph. There is also printed typescript which reads, \"G.G. Donaldson, Washington, DC.\" Photograph is undated","Black and white photograph, candid photo of an oncoming parade headed down a residential street. Men are lined up on either side of the street, and five men are parading down the street toward the photographer. The man out front is wearing white gloves and carrying what appears to be a book. Photograph is undated","Black and white photograph of a group of people posed seated around a table with a microphone mounted on the ceiling and suspended over the middle of the table. They appear to be in a recording booth for radio or audio announcements. The man seated at the table in the middle of the group is dressed in United States military uniform and on the table in front of him are a stack of papers. Photograph is undated, c.1940s","Black and white photograph, portrait of a man and woman dressed for their wedding day. The bride is wearing a white wedding gown, veil, and pendant necklace and holding a bouquet. The groom is dressed in a dark-colored suit, white shirt, and dark-colored bowtie. A handwritten note in the bottom, right corner of the photo print reads, \"Murphy.\" Photograph is undated","Black and white photograph, portrait of a young woman who appears to be seated in front of a window. It is not clear whether she is actually seated in front of a window, or if this is a studio backdrop. She is dressed in a light-colored top with large buttons and a collar with a pleated trim. Photo print appears to have suffered some damage and wear. Photograph is undated","Black and white photograph, studio portrait of a young man. He is dressed in a dark-colored suit, striped tie, striped socks, dark-colored leather shoes, and a dark-colored fedora hat. He is posed seated on a bench with one knee tucked up onto the bench beside him. The background behind him is a painting of a bridge over a pond with ducks and swans swimming in it. Photograph is undated","A card with a printed calligraphy text which reads, \"Oliver Coleman, State Champion, Side Horse, 1967-68.\" It is unclear if this is related to the Studio portrait of a young man (ABFR-23-005-006)","Color photograph, candid portrait of a man and a woman. The woman is wearing a light-colored dress with an embroidered collar and cat-eye glasses. The man is dressed in a dark-colored suit, white shirt, striped tie, and glasses. They appear to be in someone's home and visible in the background of the image are the bottom of a staircase and an ornately carved wooden table with a book, cups, and an ashtray on top. Photograph is undated","Color photograph, studio portrait of a family posed in front of a navy blue backdrop. From left to right: a woman wearing a black dress; an older woman dressed in a red dress, pearl necklace, and glasses; an older man dressed in a black suit, white shirt, black tie, and glasses; a young woman wearing a white dress with a off-the-shoulder neckline and a pearl necklace; and a boy dressed in a black suit, white shirt, and purple satin bowtie. Photograph is undated","Color photograph of three men posed standing with their arms around each other. From left to right: a man dressed in khaki pants and a plaid shirt; a man dressed in khaki pants, bright blue shirt, and a black tie; a man dressed in khaki pants and a dark-colored shirt. Photograph is undated, c.2000s","Color photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right: a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; an older woman wearing a white dress and white floral corsage; an older man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a young woman wearing a white dress and white floral corsage; a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere. Photograph is undated","Black and white photograph, portrait of bride and groom surrounded by several friends and/or family. Centered at the front of the photo: the bride is wearing a white dress, white gloves, a white fascinator, and holding a bouquet in one hand and the hand of the groom with the other; the groom is dressed in a dark-colored suit, white shirt, dark-colored tie, and white boutonniere. Next to and behind the couple, from left to right: a man dressed in a dark suit, white shirt, and patterned tie; a young man whose outfit is obscured; a young woman whose outfit is obscured; a young man wearing a dark-colored suit, white shirt, and dark-colored tie; a woman whose outfit is obscured; a young woman wearing a dark-colored dress with buttons and a bow in her hair; an older woman in a light colored dress and corsage pinned to her lapel. Photograph is undated","Black and white photograph of a man and two women sitting at a desk in an office. A man is seated to the left of the desk and is dressed in a dark-colored suit, white shirt, and patterned tie. One of the women is seated behind the desk with her hands folded on top of the desk; she is dressed in a dark-colored top and jacket. The other woman is seated to the right of the desk and is dressed in a dark-colored skirt suit and white blouse. On the desk are a black telephone, two baskets with papers in them, a bound report or portfolio, and a pen holder. There is a filing cabinet visible in the background of the image. Photograph is undated","Black and white photograph, studio portrait of a woman posed in front of a blank, light-colored backdrop. She is dressed in a dark-colored dress or jacket over a white blouse. The image only depicts from her shoulders up. Photograph is undated","Reverse of Portrait photograph of a woman (ABFR-23-005-014). Handwritten notes read, \"6489\" and \"[illegible].\" A stamped typescript note reads, \"For your convenience the negative of this photograph will be kept on file. When reordering be sure you mentio the letters and numbers that follow 2-[blank], Murphy PO Trait Studio, Alexandria, Virginia.\"","Color photograph, portrait of a bride posed standing in a church sanctuary with three family members. From left to right: an older man dressed in a dark-colored suit, white shirt, burgondy tie, glasses, and white boutonniere; an older woman wearing a pastel blue dress, matching shoes, pearl necklace and bracelet, and white corsage pinned to her lapel; the bride dressed in a white wedding gown, pearl necklace and headband, and holding a bouquet of blue and white flowers; a man dressed in a dark-colored suit, white shirt, navy blue tie, and white boutonniere. Photograph is undated","Color photograph, portrait of a woman standing posed in front of a sage green curtain with a floral pattern. She is dressed in a tan dress, white glvoes, pearl necklace and earrings, white fascinator hat, and white floral corsage pinned to her collar and is holding a white handbag. Photograph is undated, c.1950s","Black and white photograph, portrait of a man seated in front of what appears to be a canvas tent. He is dressed in a light-colored shirt that is likely part of a military uniform, though no identifying insignia is visible in the image. Photograph is undated","Color photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right: a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman dresed in a sparkly, dark-colored dress and white floral wrist-corsage; an older woman wearing a white dress with a white floral wrist-corsage; an older man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman in a black skirt set with a white blouse and a white floral wrist-corsage; and a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere. Photograph is undated","Color photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right; a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman wearing a white dress with a white floral wrist-corsage; a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman dressed in a blue dress with a black and gold stoll draped over her shoulders, and a man in a dark-colored suit, white shirt, and grey tie. Photograph is undated","Black and white photograph, portrait of what appears to be a bride and groom standing posed in front of a decorative white backdrop and two potted plants. The woman is dressed in a white wedding gown, white gloves, and is holding a small bouquet. The man is dressed in a black tuxedo with a white shirt and white bowtie. Photograph is undated, c.1960s","Reverse of Wedding portrait photograph (ABFR-23-005-021). Handwritten note reads, \"1-4\"","Black and white photograph of a group of children of varying ages stood posed in what appears to be a church or banquet hall. From left to right; a young girl wearing a light-colored, striped dress; a young girl wearing a white dress; a young girl wearing a light-colored dress with a white celebretory sash across her shoulder; a young girl wearing a white dress; a young boy dressed in a dark-colored suit, white shirt, and striped bowtie; a young girl wearing a white dress; a young girl wearing a white dress with dark-colored polka dots; a young girl wearing a white dress. Photograph is undated, c.1950s","Reverse of Photograph of group of children (ABFR-23-005-023). Stamped typescript reads, \"Photo by Jackson, 528 N. Payne Street, Alexandria, Va. KI 9-8019\"","Black and white photograph of three women seated in chairs with three men standing behind them. Back row, from left to right: man wearing a light-colored suit, white shirt, and patterned tie; man wearing a dark-colored suit, white shirt, dark-colored tie, and white pocket square; man in a light-colored suit, white shirt, and patterned tie. Front row, from left to right: woman wearing a white dress; woman wearing a white dress, white arm wraps, and a floral corsage pinned to her collar; woman wearing a light-colored dress. They appear to be in a church recreation or banquet hall. Visible in the background of the image are a man eating seated at a long table with a white table cloth, a raised platform stage with chairs on it, a curtain behind the stage with what seems to be a large cross mounted as a backdrop. photograph is undated, c.1950s","Black and white photograph of a dozen men posed standing staggered in a line in front of what appears to be a concessions stand. All of the men are wearing suits and several also have white floral boutonnieres pinned to their lapels. Visible in the background of the image are a couple of women. Photograph is undated, c.1940s","Clipping from a newspaper featuring a black and white photograph of a group of people posed in an office with a caption underneath. Pictured in the photo are a young woman, a young man, and a man seated at a desk and posed looking at brochures. The man seated on the right is also holding the telephone as if in the middle of a call. Standing behind the seated trio and looking over their shoulders are two men and two women. All are dressed in business casual outfits c.1960s. According to the caption, the image depicts two college students, Marilyn Klug and Jim Rogers, who are starting positions with the Alexandria Office of the Virginia Employment Commission under a summer employment project of the Northern Virginia Board of Realtors' \"Make America Better\" Program. Also pictured in the image are G. Lewis Layne, Joanna M. Tanner, Ralph A. Wells, Oliver Coleman, and Eileen K. Levington. Clipping is undated, c.1960s","Black and white photograph of twenty-one men, women, and children posed standing in a church sanctuary in front of the pulpit. Visible in the background of the image are the choir loft, a staircase, and a banner hung behind the pulpit that reads, \"Home-coming, United We Stand, Divided We Fall.\" Photograph is undated, c.1950s","Black and white photograph of twenty-four men and women, posed in three rows. The men are all wearing dark-colored suits, white shirts, and dark-colored ties, with badges or medals pinned to their lapels. The women are all wearing matching white collared dresses, white gloves, and the same badges or medals pinned to their lapels. They appear to be in a church recreation hall and there is a wooden cross visible in the background of the image. Photograph is undated, c.1950s","Digital surrogates of photographs from the family of Jesurena Smith. The Newman family lived at 510 and 512 Pendleton Street in Alexandria, Virginia from 1928 until the 1970s. John Henry Newman moved from Burke, Virginia to Alexandria in the 1920s. Newman had two wives: Nannie Pounds Newman and Elizabeth Pounds Newman. Related to the Linwood Moses Smith family photographs (ABFR-23-004)","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Candid photograph of a wedding (ABFR-23-006-012). Stamped typescript reads, \"Henry's Camera Exchange, 722 King St., Alexandria, Virginia\" and \"Kodachrome Print, Made By Kodak, July 67R\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph from Angie's 50th birthday (ABFR-23-006-014). Handwritten note reads, \"Angie's Big 50, 3-28-09\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman in front of mobile home (ABFR-23-006-020). Handwritten note reads, \"To Shirl \u0026 Roger from fat-Black Ace - Age 43\"","Same image as ABFR-23-004-053. Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a framed portrait drawing propped up on a couch (ABFR-23-006-026). Typescript date stamp reads, \"JUL 92\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman holding a framed portrait drawing of a woman (ABFR-23-006-029). Typescript date stamp reads, \"JUN/02\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and ephemera from the family of Sharon Jones Frazier and her paternal grandmother, Carrie Jones Stevens. Carrie Jones Stevens originally lived in Palmyra, Virginia with her first husband, Albert Jones. Together they had three children - Shedrick (father of Sharon Jones Frazier), Ellen, and Annie. After Albert's death, she re-married Moses Stevens and the family moved to Alexandria, Virginia and lived at 1325 Cameron Street; this home remains in the family as of 2023. Ellen married Lawrence Butler and moved to Philadelphia, Pennsylvania. Annie and Shedrick both attended Parker-Gray School. Annie worked at the Carver Theater and Shedrick had a career as a plasterer","Clipping of an article and two black and white photographs from The Other Alexandria, \"Betty Garrett Scott: 'Memories of My Grandfather' by Char McCargo Bah","Black and white photograph, candid photo of a man walking on a cement patio in front of a brick wall and white door. He is dressed in a light-colored suit, white shirt, and glasses. Photograph is undated","Color photograph, portrait of a young woman, Sharon Jones Frazier, standing posed in a backyard. She is dressed in a light-colored blouse and skirt set. A brick building and a white stone fence are visible in the background of the image. Photograph is undated, c.1960s","Color photograph, portrait of a woman standing posed in a backyard. She is wearing a white collared dress with a pink and green floral pattern. A brick building, white stone fence, and green lawn furniture are visible in the background of the image. Photograph is undated, c.1960s","Black and white photograph, studio portrait of a man seated in front of a light-colored backdrop. He is dressed in a suit and tie. Photograph is undated","Black and white photograph of a young girl sitting on the grass in what appears to be a backyard or park. She is dressed in a light-colored Native American costume dress and band around her forehead with a single dark-colored feather sticking up in the back. Her hair is worn in pigtails. Lawn furniture is visible in the side of the image. The photo print has suffered some wear and damage and there is a vertical crease down the middle of the print which obscures some of the image. Photograph is dated \"February -8\" with a typescript stamp on the top edge of the print, the decade is obscured by the damage to the print but is mostly likely 1958","Black and white photograph of a young girl, Sharon Jones Frazier, posed standing in front of a brick wall. She is wearing a light-colored dress with a Peter Pan collar and a light-colored bow in her hair. A handwritten note on the photo print over the image identifies the little girl as \"Sharon.\" Photograph is undated","Black and white photograph, studio portrait of a young woman, Sharon Jones Frazier, seated in front of a blank backdrop. She is dressed in a white and light-colored collared shirt. A handwritten note on the photo print reads, \"To Mom, Love Sharon, 1972\"","Black and white photograph, studio portrait of a young woman, Sharon Jones Frazier, seated in front of a blank backdrop. She is dressed in a white nurse's uniform: white collared top and small white hat. Photograph is undated, c.1970s","Color photograh, studio portrait of two women and a small dog. Sharon Jones Frazier is dressed in a red collared dress and is standing posed with her hand on the shoulder of an older woman. The other woman is dressed in a black and white houndstooth dress, pearl necklace, and wire-rimmed glasses. She is holding an buff-colored Cocker Spaniel with a red collar. Photograph is undated, c.1990s","Color photograph of a young woman, Sharon Jones Frazier, and a man posed standing together in front of a dark, red wall and a potted plant. She is dressed in a white dress, white jacket, and red brooch pinned to her dress; she is carrying a black handbag. The man is dressed in a dark-colored suit, white shirt, patterned tie, glasses, silver cross necklace, and red brooch pinned to his lapel. Photograph is undated","Black and white photograph, portrait of a young girl posed standing in front of a dark-colored couch with white curtains behind it. She is dressed in a light-colored coat with a double-layered rounded flat collar, white gloves, white beret hat, and white cross-body handbag. Photograph is undated","Color photograph, studio portrait of a woman posed seated in front of a cream-colored backdrop. She is dressed in a cream-colored top and gold jewelry. Photograph is undated, c.1970s","Black and white photograph, studio portrait of a man posed seated in front of a light-colored backdrop with his hands folded in front of him. He is dressed in a houndstooth suit, white shirt, black tie, and badge-shaped lapel pin. Photograph is undated, c.1950s","Black and white photogrpah, studio portrait of a young woman posed sitting in front of a blank backdrop. She is dressed in a light-colored blouse. Photograph is undated, c.1940s","Reverse of Portrait photograph of a woman (ABFR-23-007-015). Stamped typescript reads, \"Stephen's Photographers, 1202 You St., N.W., Washington, D.C.\" Handwritten note reads, \"10336 R GT\"","Black and white photogrpah, portrait of a baby seated propped up against pillows on what appears to be a couch or armchair upholstered in a floral print. The baby is dressed in a white dress and white socks. Photograph is undated","Reverse of Portrait photograph of a baby (ABFR-23-007-017). Stamped typescript reads, \"Pease Photograph Washington, DC Ludlow 2517 Credit Please Photographers\"","Color photograph, studio portrait of a woman, Sharon Jones Frazier, posed seated in front of a dark-colored backdrop. She is dressed in a white blouse with a light blue satin notched collar and light blue satin trim on the breast pockets. Photograph is undated, c.1970s","Color photograph, studio portrait of a woman posed seated in front of a blue backdrop. She is dressed in a red blouse with floral applique, a gold necklace, and glasses. Photograph is undated, c.1980s","Color photograph, studio portrait of a woman, Sharon Jones Frazier, posed seated in front of a blue backdrop with a hand tucked loosely under her chin. She is dressed in a bright, red collared blouse, gold jewelry, and wire-rimmed glasses. Photograph is undated, c.2000s","Black and white photograph, studio portrait of a young woman posed seated in front of a light-colored backdrop. She is dressed in a patterned blouse with a bowtie collar and a pearl necklace. Photograph is undated, c.1940s","Black and white photograph, studio portrait of a young woman, Sharon Jones Frazier, posed seated in front of a light -colored backdrop. She is dressed in denim pants, a plaid shirt, and sweater vest. Photo print has suffered some wear and damage and there are sepia toned streaks across the image. Photograph is undated, c.1970s","Color photograph of four women seated in a corner booth at a restaurant. From left to right: a woman dressed in a blue striped skirt, blue blouse, and blue cardigan; a woman wearing a purple blouse; a woman, Sharon Jones Frazier, dressed in a blue and green patterned blouse; a woman dressed in a black top. Photograph is undated, c.2000s","Color photograph of two young girls posed standing together in a home. From left to right: a young girl wearing a yellow dress with a patterned skirt and yellow satin bow in her hair; a young girl wearing a blue and white patterned dress and holding a doll. Windows with red and white curtains and an interior doorframe to another room are visible in the background of the image. Photograph is undated, c.1950s","Color photograph of two young women, posed as if dancing and with their arms around each other's shoulders. The image is somewhat blurred. From left to right: young woman dressed in a white blouse tucked into a red pencil skirt; young woman dressed in a red and blue checkered dress and white cardigan. Photograph is undated, c.1960s","Color photograph, group portrait of six teenagers posed standing in a row in front of a school trophy case. There are three young women and three young men, presumably their escorts to a school dance or prom. The young men are all dressed in suits and the young women are all wearing light-colored dresses and gloves with floral corsages pinned to their dresses. One young woman is also holding a bouquet. Photograph is undated, c.1960s","Color photograph, group portrait of six teenagers posed standing in a row in front of a school trophy case. There are three young women and three young men, presumably their escorts to a school dance or prom. The young men are all dressed in suits and the young women are all wearing light-colored dresses and gloves with floral corsages pinned to their dresses. One young woman is also holding a bouquet. Photograph is undated, c.1960s","Black and white photograph of two girls standing in a backyard. One girl is posed with her arms crossed in front of her, frowning at the camera, while the other leans with her arm on the first girls' shoulder. Both are wearing light-colored dresses. Trees, an empty clothesline and part of a house are visible in the background of the image. Photograph is undated","Black and white photograph of two children posed standing in a backyard in the midst of Sharon Jones Frazier's birthday party. From left to right: a young girl, Sharon Jones Frazier, dressed in a light-colored dress with a floral pattern, Berta-style collar, and bow in the front; a young boy dressed in a dark-colored suit, white shirt, and black bowtie. Another young girl wearing a dress and a young boy seated in a chair are visible in the background of the image. Photograph is undated","Cover of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010) at Nix and Nix Funeral Home in Philadelphia, Pennsylvania.","Interior page of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page lists the program of events","Interior page of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page features the eulogy and family photographs","Back of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page features a quote from an unknown author dedicated to \"Our MomMom\"","Black and white photograph, group portrait of the Class of 1965 at Parker-Gray High School in Alexandria, Virginia. The students are posed on risers in 7 rows and are all dressed in their graduation caps and gowns. Photograph is dated 1965","Reverse of Group photograph of Parker-Gray H.S. Class of 1965 (ABFR-23-007-035). Handwritten note reads, \"Parker-Gray H.S. Class of 1965\"","Black and white photograph, studio portrait that was hand-colored using pastels. A portrait of an unidentified woman dressed in a white blouse or dress with a high collar that is fastened with a gold broach. Artwork is undated, c.19th century","Digital surrogates of photographs from the family of Charles Sias. Also included are photographs of Parker-Gray High School activities, students, social groups, and athletic teams","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of men standing on football field (ABFR-23-008-001). Typescript date stamp reads, \"July, 1980\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of men on a football field (ABFR-23-008-003). Typescript date stamp reads, \"July, 1980\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of men at a picnic (ABFR-23-008-006). Typescript date stamp reads, \"Jul 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of women at a formal dinner (ABFR-23-008-008). Typescript date stamp reads, \"Jul 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman and a man at a gathering (ABFR-23-008-010). Typescript date stamp reads, \"Jul 90 1\"","[Help us describe this image using our Community Description form at: https://bit.ly/ABFR-community-description]","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo at a beach (ABFR-23-008-014). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man standing on a football field (ABFR-23-008-016). Typescript date stamp reads, \"July, 1980\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man at a family gathering (ABFR-23-008-018). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo of an outdoor gathering (ABFR-23-008-020). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman and man sitting on lounge chairs (ABFR-23-008-022). Typescript date stamp reads, \"09/30/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of women sitting on a dock (ABFR-23-008-024). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of people sitting on a dock  (ABFR-23-008-026). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman in a kitchen (ABFR-23-008-028).  Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph outdoors (ABFR-23-008-030). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph outdoors (ABFR-23-008-032). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph outdoors (ABFR-23-008-034). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman standing by a swimming pool (ABFR-23-008-036). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of three men (ABFR-23-008-038). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman in yard (ABFR-23-008-040). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Mabel Price and unidentified man at formal event (ABFR-23-008-042). Typescript date stamp reads, \"07/06/05.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of woman and man at Parker-Gray High School class of 1965 reunion (ABFR-23-008-044). Typescript date stamp reads, \"JUL 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman (ABFR-23-008-046). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo at formal event (ABFR-23-008-048). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo at formal event (ABFR-23-008-050). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of people at a restaurant (ABFR-23-008-052). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Cherylene Rollerson and Beverly Wilhoit (ABFR-23-008-054). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Corliss and unidentified woman (ABFR-23-008-056). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of cake at Parker-Gray High School class of 1965 reunion (ABFR-23-008-058). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two women in kitchen (ABFR-23-008-060). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and women at gathering (ABFR-23-008-062). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photo of man in kitchen (ABFR-23-008-064). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photo of man in a park (ABFR-23-008-066). Typescript date stamp reads, \"JUL 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Walter at an event at the Alexandria Black History Museum (ABFR-23-008-068). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of three men at outdoor gathering (ABFR-23-008-070). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of woman at Parker-Gray High School class of 1965 reunion (ABFR-23-008-072). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of historic photographs and artwork from the family of D. Jason Wood. Included are 19th century charcoal portrait drawings and hand-colored photographs, 19th century photographic prints, and photographic prints from the early 20th century","Charcoal portrait drawing of an unidentified woman. She is dressed in a high-collared black dress or blouse with a bow at the neck; the image depicts the woman only from the shoulders up. The drawing has suffered some deterioration over time and portions of the image are damaged and missing pigment. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He has a mustache and is dressed in a black suit, white collared shirt, and black tie; the image depicts the man only from the shoulders up. The drawing has suffered some deterioration over time and portions of the image are damaged and missing pigment. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He has a \"salt-and-pepper\" mustache and is dressed in a dark colored suit, white collared shirt, and dark tie; the image only depicts the man from the shoulders up. The drawing has a tear in the upper, left corner that does not obstruct the portrait image. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He has a mustache and is dressed in a black suit, black buttoned vest, white shirt, and black tie; the image only depicts the man from the chest up. The drawing has suffered some environmental damage over time and the bottom, left portion of the drawing is missing, as well as some pieces from the top corners. There is also evidence of water damage and some portions of the image are missing pigment. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He is posed standing, holding what appears to be a rifle with a bayonet. He has a beard and is dressed in pants with suspenders, a long-sleeve shirt with a collar and buttons, a round hat or helmet, and what appears to be a handkerchief or piece of cloth tucked into his waistband. The drawing has suffered some environmental damage over time and is missing pieces from three corners, but the image is not obstructed. Portrait is undated, c. 19th century","Charcoal and ink portrait drawing of an unidentified woman. She is dressed in a high-collared black dress or blouse with a ring closure at the neck and a row of small buttons; the image depicts the woman only from the shoulders up. Portrait is undated, c. 19th century","Pastel portrait drawing of an unidentified woman. She is posed standing in front of an abstract, colored background. She is wearing a late 19th century style dress - a black dress with a high collar, corset, and long-sleeve fitted jacket and skirt with multiple draped layers and possibly a bustle. The dress is embellished with ruffles or lace at the edge of the sleeves and top layer of the skirt. Her hair is pulled back into a low bun. Signature in the bottom, right corner reads, \"N.B. Katze.\" Portrait is undated, c. 19th century","Pastel portrait drawing of an unidentified woman. She is posed standing next to a stone column wrapped in flowering vines and a flowering plant in a stone planter atop a stone pedestal with a decorative relief work of cherubs. She is wearing a bright blue, long-sleeve dress with high collar and black belt at the waist. The style and silhouette of the dress appears to be c. 1900. Signature in the bottom, right corner reads, \"Harris - Ewing.\" Portrait is undated, c. early 20th century","Hand-colored photographic print, portrait of an unidentified woman. She is posed seated, though the chair or stool is not visible. The woman is wearing a black and white pinstripe dress with long-sleeves, high collar, and large white jabot at the neck. Portrait is undated, c. 19th century","Pastel portrait drawing of an unidentified man. He has a mustache and long sideburns and is dressed in a black suit, black buttoned vest, white shirt, white tie, and boutonnière on his lapel. The image only depicts the man from the chest up. Portrait is undated, c. 19th century","Black and white pastel portrait drawing of an unidentified man. He has a white mustache and is dressed in a black suit, black buttoned vest, white shirt, and black tie. The image only depicts the man from the waist up. Portrait is undated, c. 19th century","Hand-colored photographic print, portrait of an unidentified man. The coloring appears to be watercolors and ink. He is posed standing outside in front of a fence and shrubbery. The man has a mustache and is wearing a light gray suit, white shirt, white tie. He is also holding a white and gray boater hat. Portrait is undated, c. late 19th century or early 20th century","Photographic print, portrait of an unidentified man. The man is posed seated. He is wearing a suit, dark colored vest, and white shirt. The man's hair and eyes have been outlined in ink; there are also ink dots throughout the image to accentuate areas of shadow. Portrait is undated, c. 19th century","Black and white photographic print, portrait of an unidentified man. The photograph depicts the man from the waist up; he appears to be posed sitting in front of a studio backdrop. The man is wearing a dark colored suit, white shirt, and dark colored tie. On the matting around the image is a stamp of a lion holding a sword and text that reads, \"Sol. Young, New York.\" Photograph is undated, c. 19th century","Black and white photographic print, portrait of Douglas wearing what appears to be a U.S. Army Air Corps summer uniform from the World War 2 era. The photograph depicts the man from the chest up; he is wearing a uniform shirt with epaulets, a tie tucked into the shirt, and a pilot helmet and goggles. The prop and wings insignia is pinned to his left lapel and there appears to be another insignia pinned to the right lapel, but it is not visible in the photo. On the matting around the photo is text that reads, \"Polk's Studio, Tuskegee Inst., Ala.\" Handwritten text on the bottom right corner of the photograph reads, \"To the Family, From: Douglas.\" Photograph is undated, c. 1930s - 1940s","Black and white photographic print, portrait of Doug wearing what appears to be a U.S. Army Air Corps uniform from the World War 2 era. The photograph depicts the man from the chest up; he is wearing a white shirt, black tie, formal uniform jacket, and peaked service cap with prop and wings insignia. Insignia are pinned to his jacket lapels; a U.S. pin on both top lapels and a prop and wings pin on both bottom lapels. On the matting around the photo is text that reads, \"Polk's Studio, Tuskegee Inst., Ala.\" Handwritten text on the bottom right corner of the photograph reads, \"To my devoted sister - Doug.\" Photograph is undated, c.1940s","Black and white photographic print, group portrait of a group of musicians. Eleven men are posed in two rows, the back row is standing and the front row are seated in folding chairs. Several instruments are arranged on the floor in front of the men; there are a variety of string instruments in the arrangement including a cello, violin, banjo, and several mandolins. The men are all dressed in dark colored suits, white shirts, and neckties (some are bow ties, some are long ties). Photograph is undated, c. 1900s","Digital surrogates of seven photograph albums from the family of Maurice Terrell. Albums include photographs, documents, and ephemera.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"63rd birthday June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two women (ABFR-23-010-135). Handwritten note reads, \"June 24th (97) (Wed.)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two women (ABFR-23-010-137). Handwritten note reads, \"June 24th (97) (Wed)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a man and woman (ABFR-23-010-144). Handwritten note reads, \"June 24th (97) (Wed)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Carl on a sidewalk in downtown Boston (ABFR-23-010-299). Handwritten note reads, \"Downtown Boston, Sunday, 9 May 76. To my sweet baby, Love always, Carl\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs from the Carter and Robinson families. Both families have been in Alexandria since the late 1860s.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and documents from the family of Dorothy Taylor. Included are photographs, a scrapbook, marriage and death certificates, and other documentation of family history.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Realtor listing of 1004 Cameron Street (ABFR-23-013-034).","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Certificate in lieu of lost or destroyed discharge certificate of Walter Thomas (ABFR-23-013-036). Hand written note reads, \"Walter Thomas grave 549 Arlington Cemetery\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Dorothy E. Knapper Taylor (ABFR-23-013-045). Handwritten note reads, \"Dorothy E. Knapper (Taylor)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of unidentified child and Dorothy Knapper in front of a building (ABFR-23-013-047). Handwritten note reads, \"Dorothy Knapper (Taylor) in white\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Beulah Priester and Dorothy Taylor in front of house (ABFR-23-013-049). Handwritten note reads, \"Beulah Priester and Dorothy Taylor Elks convention in Chicago\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Mat. And Dot. sitting outside (ABFR-23-013-052). Handwritten note reads, \"Mat. and Dot\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Dorothy Knapper Taylor (ABFR-23-013-054). Handwritten note reads, \"Dorothy Knapper (Taylor) age unknown\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Dorothy Knapper Taylor (ABFR-23-013-056). Handwritten note reads, \"Dorothy E. Knapper (Taylor)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Virginia Knapper, Ella Lomax, and Desiree Porter (ABFR-23-013-059). Handwritten note reads, \"Virginia Knapper, Ella Lomax, Desiree Porter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Nannie in Elks uniform (ABFR-23-013-061). Handwritten note reads, \"Nannie- Elks uniform\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Virginia Knapper and Desiree Irvin (ABFR-23-013-063). Handwritten note reads, \"Virginia Knapper Desiree Irvin\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Desiree Irvin and Virginia Knapper (ABFR-23-013-065). Handwritten note reads, \"Desiree Irvin and Virginia Knapper\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Virginia Knapper \"Nannie\" and unidentified man (ABFR-23-013-067). Handwritten note reads, \"Virginia Knapper (Nannie) and friends\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of woman (ABFR-23-013-069). Handwritten note reads, \"Dec. 26, 1952 Nannie?\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Ruby Lomax and James Young (ABFR-23-013-071). Handwritten note reads, \"Ruby Lomax and James Young\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Lena Jackson and Virginia \"Nannie\" Knapper (ABFR-23-013-073). Handwritten note reads, \"Lena Jackson and Virginia Knapper (Nannie)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Dorothy \"Momma Dot\" Taylor and Desiree Irvin (ABFR-23-013-077). Handwritten note reading, \"Dorothy Taylor\" is crossed out. Additional handwritten note reads, \"Momma Dot, Desiree Irvin\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Mattie Tyree, Edna Jones, Virginia Knapper, Eudell Bartee, and unidentified people (ABFR-23-013-078). Handwritten note reads, \"Mattie Tyree Edna Jones Virginia Knapper Eudell Barte.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of James Knapper (ABFR-23-013-081). Handwritten note reads, \"Uncle Jim (James Knapper)\" \"Momma Dat's uncle (Pennsylvania Station\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a house (ABFR-23-013-084). Handwritten note reads, \"Mother Dear's house\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of three women (ABFR-23-013-087). Handwritten note reads \"I don't know, I don't know, Mother Dear\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Helen Brown and Emma Thomas (ABFR-23-013-089). Handwritten note reads, \"Helen Brown and Mother Dear (Emma Thomas)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Emma Thomas, four unidentified people, unidentified baby (ABFR-23-013-091). Handwritten note reads, \"Mother Dear\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Ella Lomax (ABFR-23-013-093). Handwritten note reads, \"Ella Lomax\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Adeline Hughes and husband (ABFR-23-013-095). Handwritten note reads, \"Adeline Hughes and husband\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of two women and a man (ABFR-23-013-100). Typescript date stamp reads, \"04/30/22\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Family group portrait (ABFR-23-013-102). Typescript date stamp reads, \"04/30/22\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph of Earl Lloyd and unidentified men standing in a gym (ABFR-23-013-142). Handwritten note reads, \"Earl Lloyd, Missing (Rozier Ware)- Hoodley Windy's dad\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph of the Alexandria Rams football team (ABFR-23-013-145). Handwritten note reads, \"Rams football team, Donald Taylor top row third from left #\"","Digital surrogates of materials documenting the history of the Hamilton and Carrie Gray Family. The Gray Family has been apart of the Black community in Alexandria and Gum Springs since the 19th century. Included are family reunion books, photographs, ephemera, a pastel portrait drawing, and other documentation of family history.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and ephemera from the family of Bernice Lee.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and ephemera from the Cross family","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Wendy Lucas (ABFR-23-020-002). Handwritten note identifies the girl in the image as \"Wendy Lucas\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a backyard family gathering (ABFR-23-020-018). Date stamp reads, \"SEP 1984\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a backyard family gathering (ABFR-23-020-020). Date stamp reads, \"SEP 1984\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group portrait taken at a formal event (ABFR-23-020-028). Handwritten note reads, \"Top of Poem \"Our Family's Love\", Bea Taylor\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a house (ABFR-23-020-030). Handwritten note reads, \"Front of Home.\" Date stamp reads, \"JULY 2002\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Lydia Cross Jones and Eleanor Cross Winbush (ABFR-23-020-033). Handwritten notes read, \"To Bea \u0026 John, this was taken Dec 3rd 1988\" and \"Lydia Cross Jones, Eleanor Cross Winbush.\" Typescript stamp reads, \"Photography by Herbert D. Spears, 7012 Lamp Post Lane, Alexandria, VA 22306, 703-768-6395\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Goff, Haywood, and Bernice (ABFR-23-020-059). Handwritten note reads, \"Goff, Haywood, Bernice.\" Typescript stamp reads, \"When this photograph is used please credit Michael L. Smith\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Lydia (ABFR-23-020-064). Handwritten note identifies the girl in the photo as \"Lydia.\" Typescript stamp reads, \"Pease Photograph, 3728 Hayes St NE, Washington, DC, Lincoln 7 5319\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Daisy P. Cross (ABFR-23-020-071). Handwritten note identifies the woman in the photo as \"Daisy P. Cross\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of materials documenting the history of the Carter Family. Included are photographs, drawings, and paintings","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note in the bottom corner of the photograph reads, \"To Paul, Love Ann\"","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Douglas","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Bernard\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Bernard\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Frederick\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Paul, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Lawrence, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Lawrence, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Lawrence, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Chrystal\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Chrystal\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Chrystal\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of David\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Alfred\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Alfred\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Alfred\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of materials documenting the Alexandria-Mount Vernon Chapter of Jack and Jill of America, Inc and their annual Founders Day celebrations","Excerpt of three pages from a newsletter, program, or informational pamphlet about Founders Day 2023 of the Alexandria-Mount Vernon Chapter of Jack and Jill of America. Excerpted pages include a photograph and roster of the founding members of the chapter; letter to members from Elena Neely, Chapter President in 2023, a history of the chapter, and a 2023 group portrait of the members. Document is dated 2023","Informational and promotional video made for the 55th Anniversary and Founders Day of the Alexandria-Mount Vernon Chapter of Jack and Jill of America. Video gives a brief history of the chapter and information about the organization and its mission, activities, and member statistics. This information is conveyed primarily through audio narration. The narration is accompanied by a slideshow of photographs. There is also background music playing throughout the video. Video is dated 2021","Digital surrogates of photographs, documents, and newsclippings from the family of Shirley Ann Sanders-Steele.","Black and white photograph of Joe Ann Sanders-Smith standing in front of a wrought iron gate in front of the Governor's mansion in Richmond, VA. She is wearing summer clothing. She holds sunglasses in one hand, her other hand on her hip. Joe Ann is smiling for the camera. Photograph is dated November 1957","Reverse of photograph of Joe Ann (ABFR-23-024-001). Handwritten note reads \"My sister in law Joe Ann, Gov's mansion Richm.\" An additional handwritten note beneath this text is obscured by a black marking and is illegible. Photograph is dated November 1957","Color photograph of three women in formalwear seated at a dinner table laid with matching dishware, drinkware, and utensils. At each place setting on the table stands a fruit-based dessert in a cocktail style serving glass. Photograph is dated 1985","Reverse of photograph of three women seated at formal dinner (AFBR-23-024-003). Typescript stamp dates photo to October 1895","Color photograph of Aunt Lil and her niece, Shirley Ann Sanders, in proper attire. They are posed in front of a painted backdrop depicting a lake scene, smiling at the camera. Aunt Lil is standing and has her arm draped over the shoulders of Shirley Ann, who is seated. Photograph is undated, c. 1980s","Reverse of photograph of Aunt Lil and her Shirley Ann Sanders (ABFR-23-024-005). Handwritten note reads \"Aunt Lil + me.\" Photograph is undated","Blurry color photograph of Shirley Ann Sanders, smiling in a long coat standing in the snow-covered yard of a brick building. In front of her sits a dog on a leash, which the woman holds. Photograph is undated","Reverse of photograph of Shirley Ann Sanders on snowy lawn with dog (ABFR-23-024-008). Handwritten note reads \"1713 Price St, Alex Va, 1965-2001, My dog.\" Photograph is undated","Color photograph of a group of children holding balloons of various colors in a living room. In the left of frame, an adult woman seated near a coffee table looks on. Photograph is dated January 1959","Reverse of photograph of Tyrone and Angela's birthday party (ABFR-23-024-009). Handwritten note identifies the birthday celebrants as Tyrone and Angela. Photograph is dated January 1959.","Color photograph of a rectangular cake on a table with two chairs in the background. The left half of the cake, decorated with blue frosting, a cactus, and cowboy figurines, reads \"Happy Birthday Tyrone.\" The right half, pink with a ballerina in white silhouette, reads \"Happy Birthday Angela.\" The photograph is dated January 1959","Reverse of photograph of Tyrone and Angela's birthday cake (ABFR-23-024-011). Handwritten note reads \"Birthday Party, Tyrone (3) Yr + Angela (2) Ys, Jan 1959, At my mothers, 812 N Alfred St.\" Photograph is dated January 1959","Black and white photograph of young Kirk in a white graduation cap and gown, facing the camera. The pews are filled with similarly dressed children, facing the nave. Photograph is undated","Color photograph of young Kirk in white graduation cap and gown on a city sidewalk. Parked cars are visible on the street behind, and power lines stretch across the cloudless sky.","Reverse of photograph of Kirk on the sidewalk on the day of his kindergarten graduation (ABFR-23-024-014). Handwritten text reads \"Kirk Graduation from kindergarten, June-1964 Ebenezer Baptist Church.\" Photograph is dated June 1964","Black and white photograph of Helena with six children of various age in front of her, seated in two rows of three. Nearest to her, from left to right, are Angela, baby Diane, and Tyrone, and in the front row, from left to right, are Ricky, April, and Buttons. Behind the gathered family stand furniture pieces which hold books, small sculptures, and a lamp. Photograph is undated, c. 1960s","Reverse of photograph of Helena in her home with her grandchildren (ABFR-23-024-016). Handwritten text identifies each subject by name and identifies Helena's home address.","Black and white photograph of Helena Lindsey, seated to the right of the frame. To her left are her grandson Buttons as well as Michale Lee and Aaron, a pair of cousins. The subjects are dressed in casual clothes and regarding the camera. Photograph is undated, c. 1970s","Reverse of photograph of Helena at Aunt Lil's house with three boys (ABFR-23-024-018). Handwritten text lists the subjects' names and identifies Aunt Lil's home address. Photograph is undated, c. 1970s","Color photograph featuring Odessa Steele (left), wearing dark silky outfit and dangling earrings, with a city councilwoman (right) who wears a red blazer. The two women are depicted from the shoulders up in front of a dark indoor background. Photograph is dated Depember 1990","Reverse of photograph of Odessa Steele with city council member at the Departmental Club (AFBR-23-024-020). Handwritten text reads \"Lady on city council + my sister at the Departmental Club, Bro + Sis Odessa Steele's 50th Wedding Annversary.\" Typescript stamp dates photo to December 1990","Color photograph of three women seated side-by-side at an indoor banquet table. The table is set with a white tablecloth and spread with various foods on decorative white plates. The woman on the left, Bessie Sanders-Gambrell, wears a floral hat and a corsage. The woman in the middle, Shirley Ann Sanders, is the youngest and wears a red dress with long sleeves. The woman on the right, Virginia Zellars Martin, wears a headwrap and has her arm draped over Shirley Ann's shoulders. Another figure's arm is visible in the left of the frame. Photograph is dated May 1984","Reverse of photograph  of Bessie Sanders-Gambrell, Shirley Ann Sanders, and Virginia Zellars Martin at a Mother's Day banquet (ABFR-23-024-022). Handwritten text identifies the three women in the photo and the nature of the gathering they attend. Typescript stamp dates photograph to July 1984, but event depicted in photograph occured in May 1984","Color photograph of Bessie Sanders-Gambrell in a brimmed hat with flowers, a corsage pinned to her black blazer. Her daughter-in-law, Shirley Ann Sanders, stands behind her between a microphone stand and a large, curtained window. On either side of them sits a woman facing out of frame, her features obscured. Photograph is dated May 1984","Reverse of photograph of Bessie Sanders-Gambrell and Shirley Ann Sanders at Mother's Day banquet with two other women (ABFR-23-024-024). Handwritten text reads \"Mothers Day Banquet May 84, My mother-in-law Bessie was given special honors for the letter I wrote in about her, She gave me the dress I wore.\" Typescript stamp dates development of photograph to July 1984","Color photograph of Shirley Ann Sanders wearing a black, calf-length skirt, lacy white shirt, red corsage, and white hat. She stands with hands folded behind her back, smiling at the camera. Behind her are white houses in a suburban neighborhood. The grass is yellowing, and a bush adjacent to Shirley Ann is bare of leaves. Photograph is dated March 1984","Reverse of photograph of Shirley Ann Sanders standing outside of a house (ABFR-23-024-026). Typescript stamp dates development of photograph to March 1984","Color photograph of 16 men posing in three rows, the frontmost of which is seated. They wear black suits, white gloves, and sober expressions. Each holds blue and white Masonic paraphernalia, and some wear livery collars. The man in the center of the front row holds a gavel. Photograph is dated September 1987","Reverse of photograph of men in Masonic regalia (ABFR-23-024-028). Typescript stamp dates photograph to September 1987","Color photograph of Shirley Ann Sanders (left) and Lalon Sanders, Jr. (right) in formalwear, seen from the torso up. In the dimly lit background, other figures sit at tables. Photograph is dated November 1983","Reverse of photograph of Shirley Ann Sanders seated beside Lalon Sanders, Jr. (ABFR-23-024-030). Handwritten note identifies subject by name. Typescript stamp dates photograph to November 1983","Color photograph of five people seated at a table on a boat, smiling at the camera. The table is set with white coffee mugs, small lamps, and cut-glass goblets. Behind them, a window overlooks a sunlit view of a river lined with trees. At least one other diner seated at a table can be seen. Photograph is dated to 5 November 2003.","Reverse of photograph of seated diners in a riverboat (ABFR-23-024-032). Typescript stamp dates photograph to5  November 2003","Color photograph of a Lee Roy Steele wearing a white suit, white brimmed cap, and identification badge. He has a gray moustache and glasses, and he stands to the left of a red sign on a wooden post that reads \"RESERVED PARKING, HPIP STEELE.\" Photograph is undated","Color photograph of four women standing side by side in a living room, arms behind one another's backs. The woman on the left wears loose green garments. The woman second to the left wears a t-shirt bearing the album cover for Yanni: Live at the Acropolis. The woman second to the right wears a striped yellow dress. The rightmost woman wears a light gray matching set. Behind them, a wedding photo is mounted on the wall, and the entrance to an adjoining room is in view. Photograph is undated","Color photograph of a sheet cake covered in white frosting and piped floral frosting motifs. Text on the cake reads \"Happy 80th Birthday Bessie, we Love You.\" Photograph is dated 2 June 1995","Reverse of photograph of Bessie's birthday cake (ABFR-23-024-036). Handwritten note establishes the date of Bessie's party. Photograph is dated 2 June 1995","Color photograph depicting three men in formalwear standing in a church for a wedding. The men are, from left to right, Ernest Thomas (best man), Willian Thomas \"Buttons\" Holt, Jr. (son of the bride), and Vernon Carl Cooper (groom). Behind them are floral arrangements and a stained glass window. Photograph is dated 11 January, 1997","Reverse of photograph of best man, son of bride, and groom in church for wedding ceremony (ABFR-23-024-038). Handwritten note identifies photo subjects and date of capture. Photograph is dated 11 January, 1997","Color photograph of Joe Ann Sanders-Smith with her arm around the waist of Crystal, her daughter. Both wear light colors and beaded necklaces, and they smile at the camera. In the background a crowd of casually dressed people stand with their backs to the camera. Against the far wall, balloons float. Photograph is dated 4 June 2005","Reverse of photograph of Joe Ann Sanders-Smith and Crystal at a gathering (ABFR-23-024-040). Handwritten note identifies the two women. Photograph is dated 4 June 2005","Color photograph depicting two men, a young child, an elderly woman, and an adult woman in a sitting room. The men, child, and elderly woman are seated, while the other woman stands and leans inward to pose with them. Behind them is a door with decorative panelling and a framed image of Jesus. Photograph is dated December 1984","Reverse of photograph of intergenerational group in house (ABFR-23-024-042). Non-character pen marking appears on center of page. Typescript stamp dates photograph to December 1984","Color photograph of Steele seated in an armchair in a house, enjoying candy. In his breast pocket he has white paper and a ballpoint pen, and a TV remote sits on the chair's arm beside him. Behind him hangs a globe and a white curtain. An door in the background opens on a kitchen. Photograph is dated 2 August 2006","Reverse of photograph of Steele in armchair with a cane (ABFR-23-024-044). Handwritten note supplies the date and reads \"Bro Steele sitting in his rocking chair enjoying candy.\" Photograph is dated 2 August 2006","Color photograph of Angela Sanders, seen from behind with arms outstretched in the motion of conductor. Before her, near a lectern, stands an arc of seven singers. On the right of the frame, a child peers out from one of many white pews. Photograph is undated","Reverse of photograph of Angela Sanders leading the choir at Emmanuel Temple (ABFR-23-024-046). Handwritten note reads \"Angela Sanders at Emmanuel Temple SDA, Leading the choir.\" Photograph is undated","Color photograph set in Emmanuel Temple Seventh-day Adventist Church depicting a row of young singers in white shirts and black lowerwear. In the foreground, Angela Sanders is seated in the pews, pointing at the choir. A sign overhead reads \"TOGETHER for A FINISHED WORK.\" Photograph is undated","Reverse of photograph of Angela Sanders and choir on Emmanuel Temple's Youth Day (ABFR-23-024-048). Handwritten note reads Youth Day at Emmanuel Temple, Angela leading choir, Left to right Candance Stephens, Ericka Jones, Alexcia Thomas, Zanita Watson, ? Wilhoit, Quaina Williams, Susie Bostick-Usher.\" Photograph is undated","Color photograph of a woman dressed in a blue plastic poncho with a white graphic of a boat and the text \"MAID OF THE [illegible, presumably MIST] SINCE 1846.\" She smiles and waves at the camera while a group of other spectators in similar attire stand in the background. Photograph is dated July 2000","Reverse of photograph of woman in blue plastic poncho at Niagara Falls (ABFR-23-024-050). Handwritten note reads \"Nigara Falls July 2000, Gen Conf\" [This is likely a reference to the 57th Adventist General Conference held in Toronto, Canada]. Typescript stamp dates photo to July 2000","Color photograph of Lee Roy Steele dressed in a suit and tie at an Alexandria City Police Department event, a sheet of paper and a plastic cup in his hands. He stands in front of a dark blue backdrop, at the top of which is a partially obscured banner that reads \"[text obscured]A POLICE DEPARTMENT.\" On the floor, to Steele's left, is a sign decorated by an insignia bearing the seal of the City of Alexandria and the text \"Citizens' Police Academy Association.\" Photograph is dated November 1999","Reverse of photograph of Lee Roy Steele at the Citizens' Police Academy (ABFR-23-024-052). Handwritten text reads \"The love of my life, Mr Lee Roy Steele, Alex Police Citizens Academy.\" Typescript stamp dates photograph to November 1999","Color photograph of a large group of birthday celebrants ranging in age from children to seniors. They are arranged in five rows, smiling for the camera. Behind them is one façade of a brick house and a tree wrapped with streamers. A lawn, parked cars, and another brick house are visible in the background. Photograph is dated 2 June 2005","Reverse of photograph of birthday gathering in Teri's yard (ABFR-23-024-054). Handwritten note reads \"Grandma Bessie's 80th Birthday June 2, 1995 at Teris house (yard)\"","Color photograph of two men in a living room in the process of tending to a medical device. The older of the two men, seated in a red chair, looks down at the tube hanging from his bony, exposed chest. In the left of frame, the younger of the men, looking over his shoulder at the camera, holds an indeterminate object as if to apply it to the chest. Photograph is undated","Color photograph of Joe Ann Sanders-Smith and her daughter, Crystal, locked in an embrace in a grassy suburban yard during Grandma Bessie's 80th birthday party. Behind them is another party attendee tending to a barbecue and two others. Photograph is dated 2 June 2005","Reverse of photograph of Joe Ann Sanders-Smith embracing Crystal at Bessie's 80th birthday party (ABFR-23-024-057). Handwritten note identifies the event depicted, date, and names of photo subjects. Photograph is dated 2 June 2005","Color photograph of Lee Roy Steele seated at a small table in a paved yard adjoining a brick house. The table is lain with a tablecloth, a pitcher of orange juice, a bottle of pancake syrup, and various plates with leftover food scraps. Photograph is dated July 2000","Reverse of photograph of Lee Roy Steele seated after an outdoor meal (ABFR-23-024-059). Typescript stamp dates photograph to July 2000","Color photograph of Lee Roy Steele and Shirley Ann Sanders-Steele seated at Kirk's house during Linda's 55th birthday party. His arm is over her shoulder, and behind them is a pair of fully extended white window blinds. Photograph is dated June 2008","Reverse of photograph of Lee Roy Steele and Shirley Ann Sanders-Steele at Linda's 55th birthday party (ABFR-23-024-061). Handwritten note reads \"Linda's 55th, At Kirk's house her birthday party June 2008, Lee Roy Steele, Shirley Ann Sanders-Steele.\" Photograph is dated June 2008","Color photograph of  Lee Roy Steele and Shirley Ann Sanders-Steele lying on a beige reclining couch with their legs extended. Behind them is a half-wall topped with various jars and knick-knacks, and other partygoers surround a kitchen table. Photograph is dated June 2008","Reverse of photograph of Lee Roy Steele and Shirley Ann Sanders-Steele on reclining couch at Linda's 55th birthday party (ABFR-23-024-063). Handwritten note identifies the date, event depicted, and identities of photo subjects. Photograph is dated June 2008","Color photograph of two young cousins, William Thomas Holt and Tyrone Sanders, wearing matching white graduation regalia and black bowties. They stand on a sidewalk in front of bushes and the wall of a building. Photograph is undated","Reverse of photograph of William Thomas Holt, Jr. and Tyrone Sanders at kindergarten graduation (ABFR-23-024-065). Handwritten note reads (My nephew — William Thomas Holt, Jr, my son Tyrone Sanders Graduating from Mrs Ethel Nelsn Kindergarten\" [Note: Ethel Nelson worked as a teacher in Alexandria, Virginia]. Photograph is undated","Black and white clipping with text detailing a written exchange between Lillian Lamb, a cashier at Giant grocery, and Esther Peterson, a prominent consumer advocate, about Giant Lemon Spray Wax. The clipping contains a section of a photo of a grocery store aisle and a complete photo of Lillian Lamb, seen from the waist up. Clipping is undated","Color clipping of an obituary for Lee Roy Steele. Printed text identifies his dates of birth and death and reads \"Gone but not forgotten. He sleeps in Jesus. Your loving wife, Shirley Ann Sanders Steele, Your son, Robert Lee Steele.\" Clipping is dated 23 September 2021","Black and white photograph depicting a group of people standing by a table on which five polaroid photos are strewn. Photograph is undated","Black and white photograph depicting two women in dresses standing on either side of a small artifical Christmas tree. Photograph is undated","Black and white photograph of Sarah Strother in a white graduation cap and gown. She clutches a book to her chest. Behind her is a brick wall. Photograph is dated June 1977","Color photograph of a group of children holding balloons of various colors in a living room. In the left of frame, an adult woman seated near a coffee table looks on. [Note: This photo is a duplicate of ABFR-23-024-009.] Photograph is dated January 1959","Color photograph of a woman in a fur-lined coat seated on a lawn chair in a yard thickly covered by snow. She holds a long, pole-shaped implement, likely a showshovel, in one hand. Photograph is undated","Color photograph of three women wearing pink, long-sleeved semiformal dresses In an unadorned room. In front of them and to the right is a wooden tabletop, and behind them to the left is a gray door. Photograph is undated","Color photograph of Pat Steele and Robert Steele wearing leis and shirts with floral, tropical prints. Wooden railing stands at waist height on either side of the couple. Behind them is the ocean and a dark blue sky. Photograph is undated","Reverse of photograph of Pat and Robert Steele on a boardwalk (ABFR-23-024-075). Handwritten note identifies names of photo subjects. Photograph is undated","Black and white photograph of Sarah Strother in a white graduation cap and gown. She is seated in the front row of a configuration of stadium seats. To the right sit Strother's husband and two other unidentified people. The seats are otherwise unoccupied. Photograph is dated June 1977","Reverse of photograph of Sarah Strother, her husband, and other students at T. C. Williams Adult Education graduation (ABFR-23-024-077). Handwritten note identifies Strother and her husband, event depicted, and date. The note indicates that at least one of the unidentified figures is also a student. [Note: T. C. Williams High School has been renamed to Alexandria City High School.] Photograph is dated June 1977","Black and white photograph of James Wheeler from the torso up. He wears a white collared shirt, necktie, and captain-style hat. Photograph is undated","Reverse of photograph of James Wheeler (ABFR-23-024-079). Handwritten note reads \"Uncle James Wheeler, My Mothers brother, He.\" Photograph is undated","Collage of color photographs showing two individuals at three different formal events. The topmost image shows the pair, a woman and a man, seated at a dinner table set with a tablecloth, glass goblets full of water and other beverages, multiple plates, and a basket of bread rolls. Other seated diners are visible in the background. The two lower photographs depict the couple side-by-side at two different church altars. In the leftmost of these two church photos, the woman wears a calf-length white dress, while in the rightmost photo, she wears a floor-length white gown with lace designs and a white tulle veil. Handwritten captions read \"[Illegible, possibly Ruth] + Mr Bodz, I love you two\" and \"There are the photos I had put in the alumni book [arrows indicate the two church photographs].\" Photographs are undated","Marriage certificate featuring handwritten text in a fill-in-the-blank template to indicate the marriage of Joseph Wheeler and Miss Annie Virginia Lee, both of Alexandria, Virginia. Printed images of red roses and other foliage decorate the page. Certificate is dated 26 February 1920","Reverse of marriage certificate for Joseph Wheeler and Annie Virginia Lee (ABFR-23-024-082). The certificate features handwritten text in a fill-in-the-blank template to indicate the location and date of the couple's marriage. Printed images of red roses and other foliage decorate the page. Certificate is dated 26 February 1920","Black and white print of a military discharge document indicating the honorable discharge of Private James E. Wheeler from the Army of the United States. Document is dated 9 April 1946","Reverse of  military discharge document for James E. Wheeler (ABFR-23-024-084). Typrescript text describes personal data, military history, pay data for James E. Wheeler. Document is dated 9 April 1946","Black and white photograph of young Shirley Ann Gilliam in a puffy gown and large tiara, seated with feet crossed and hands on her lap. Handwritten note reads \"May Oueen [Queen] Charles Houston 1952, Shirley Ann Gilliam\" [Likely in reference to Charles Houston Elementary School]. Photograph is dated 1952","Collage of three black and white photographs and scans of the front and back of a retirement identification card. The photo in the upper left corner shows a woman in a white dress seated on an armchair in a living room. Typescript caption dates this photograph to May 1960. The photo in the lower left corner shows Aunt Lil and a younger sister, May, standing in the yard of a house. Typescript caption identifies the subjects of the photograph by name. Photograph is undated. The photo in the upper right corner shows James E. Wheeler in military attire against a solid background from the torso up. Typescript caption identifies him as \"James E. Wheeler, big brother.\" Photograph is undated but was likely taken before 1946. The front and back of a retirement identification card issued by the United States Treasury Department to George E. Lee occupies the lower right corner. The card displays Lee's photo portrait, signature, retirement date, and length of government service. Card was issued 31 October 1962. Collage is undated","Collage of three black and white photographs, the same three photographs seen in ABFR-23-024-087 and in similar placements on the collage backdrop. The photo in the upper left corner shows a woman sitting on a chair in a living room. Typescript caption dates this photograph to May 1960, and a handwritten note identifies the woman as \"my mom.\" The photo in the lower left corner shows two young women standing in a yard. Typescript caption identifies the subjects of the photograph as Aunt Lil and May, a little sister. Handwritten note reads \"May died.\" Photograph is undated. The photo in the upper right corner shows James E. Wheeler in military dress. Typescript caption identifies him as \"James E. Wheeler, big brother.\" Handwritten note identifies Wheeler as \"my mom's brother.\" Photograph is undated but was likely taken before 1946. Collage is undated","Reverse of collage of family photos with handwritten clarifications (ABFR-23-024-088). Handwritten note reads \"Annie Lee Wheeler Descants.\" Collage is undated","Collage of two black and white photographs with handwritten captions. The photograph on the left shows the head and shoulders of a woman wearing a white collar and hoop earrings. Her lips are slightly parted in a subtle smile, and her hand is raised as if to wave. Handwritten caption identifies her as Shirley Ann Gilliam. The photograph on the right shows the head and shoulders of a man in a gray suit jacket with close-cropped hair. Handwritten caption identifies him as Lalon Sanders, Jr. Photographs and collage are undated","Albert Gallaton Award granted to George E. Lee by the United States Treasury Department. The page is a yellowed manilla color, and in the center of the page, the Treasury Department's seal appears in a darker yellow. The words \"United States Treasury Department\" appear at the head of the page in a blackletter typeface. Beneath this heading is an engraving of Albert Gallatin's head and shoulders and, in a cursive typeface, an explanation that the award recognizes Lee's years-long term of service for the Treasury. The bottom of the page bears the signature of Douglas Dillon, then Secretary of the Treasury Department. Award is dated 6 September 1962","Clipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 7,\" and the title reads \"PREPARING FOR COMPANY'S COMING.\" The upper section of the page is occupied by three black and white images of Giant staffers from Fairfax, Virginia cleaning the store. The lower part of the page contains rhyming verse written by Giant staffers for their corporate executives by Giant employees. Clipping is undated","Page from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 8,\" and the title reads \"Company's coming.\" The page contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Reverse of ABFR-23-024-092. Periodical extract is undated","Clipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 17.\" The page contains a continuation of the \"Company's coming\" article introduced on page 7 of the magazine (ABFR-23-024-091). It contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Clipping is undated","Clipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 18.\" The page contains a continuation of the \"Company's coming\" article introduced on page 7 of the magazine (ABFR-23-024-091). It contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Reverse of ABFR-23-024-094. Clipping is undated","Digital surrogates of photographs from the Colbert, Johnson, and Terrell Families.","Color photograph of four people standing side-by-side in semiformal dress. On the far left of the group is a man wearing a plain white shirt with a tattoo on his forearm. Second to the left is a woman wearing a polka dot dress and a yellow floral parure. Her arm is around the shoulders of Frances Terrel, second to the right, who wears a pink and black ensemble with a bolero jacket and a corsage. The rightmost figure is a man in a brown tuxedo jacket. They stand before a red sequined drapery over a white wall. Photograph is undated","Color photograph of five individuals of varying age in semiformal clothing. They are posed in two rows in front of a mottled brownand gray backdrop such as those used by portrait photographers. In the front row, Terrell sits on the left, dressed in pastel colors and a pearl necklace. The man seated to her right has a whitening beard. Behind them stand two women, who, like Terrell, wear light colored dresses and necklaces, as well as a man in a navy blue tuxedo. All five smile at the camera. Photograph is undated","Color photograph of Calvin D. Terrell and Frances Terrell (left and second to the left, respectively) with four other adults, one of whom holds a toddler in a lacy blue dress. They are standing in a row in a living room. Behind them, on the left edge of the frame, stands an evergreen tree wrapped in tinsel and hung with ornaments. Photograph is undated","Color photograph of 19 people in semiformal dress at an indoor event [likely the same event depicted in photograph of Frances Terrell at an event with three other attendees, ABFR-23-005-001]. Their ages range from child to senior. The room has white walls and floors, and in the lower left corner, a table draped with a white tablecloth can be seen. Behind the people is a sequined red decorative drape. Frances and Calvin D. Terrell stand in the center of the posed assembly. Some among the group have blue paint on their hands or faces, including Calvin D. Terrell. Frances Terrell has blue paint on her sleeve. Photograph is undated","Color photograph of Delaney C. Colbert and Mary Agnes Johnson, parents of Frances Terrell, sitting in chairs on a balustrade-enclosed porch in a suburban neighborhood. Johnson's hand rests on top of Colbert's. Colbert has a brimmed hat on his lap. Behind them, plants are dense with foliage, and a flower bush is in full bloom. Photograph is undated","Color photograph of Frances Terrell as a young woman, posing confidently for the camera. She wears a white turtleneck, round glasses, and abrown pendant in the shape of an upraised, clenched fist. Her hair is styled in an afro, and her hands are planted on her hips. She is inside of a room painted all in white. Behind her is a refrigerator, a cabinet, and an umbrella hanging on a doorknob. Photograph is dated 1970","Reverse of photograph of young Frances Terrell with refrigerator, arms akimbo (ABFR-23-005-006). A printed label featuring a small image of the Nativity in silhouette displays Frances Terrell's name and address. Handwritten note dates photograph to 1970","Color photograph of Louis Eric Clements, son of Frances Terrell, pictured from the shoulders up. He wears a dark blue button-up shirt and smiles for the camera. He stands against a blank white wall, and the camera flash casts a shadow behind him and illuminates the pupils of his eyes. Photograph is undated but was likely taken during the 2000s and no later than 2012 [Clements passed away in 2012]","Color photograph of seven people posed in a line outside a white building, facing the camera, in casual dress. In the center of the line is the eldest photo subject, seated on a bench. To the left are three men, standing, and to the right are three women, also standing. The ground is paved with cement, and decorative elements on the wall behind them feature stylized shellfish. Said decorative elements resemble light fixtures used to decorate the exterior of Red Lobster restaurants. Photograph is undated","Color photograph of Frances Terrell and her husband, Calvin D. Terrell, posing in front of a plain blue backdrop. Calvin D. Terrell, left, wears glasses and a brown gingham suit. Frances Terrell, right, wears a red button-up shirt and simple gold jewelry. They are both smiling, their gazes facing the left of the frame. Photograph is undated","Color photograph of Calvin D. Terrell (left) and Frances Terrell (right) with Louis Eric Clements, seated between them. Clements was the son of Frances Terrell and the stepson of Calvin D. Terrell. They are dressed casually and posing in front of a blank white background. Clements wears a gold cross pendant. Photograph is dated May 2011","Reverse of photo portrait of Calvin D. Terrell, Louis Eric Clements, and Frances Terrell (ABFR-23-025-011). A small label with a floral motif displays Frances Terrell's name and address. Handwritten note dates photograph to May 2011","Color photograph of Delaney C. Colbert (left, seated) and Mary Agnes Johnson (right, standing) in semiformal dress, posed in front of a plain white background. Handwritten note reads \"LOVE DAD + MOTHER\" [Colbert and Johnson are the parents of Frances Terrell]. Photograph is undated","Digital surrogates of photographs from the Zellars family","Digital photo collage depicting members of the Zellars family. Collage includes three portraits, each of a different member of the Zellars Family depicted in military uniform. The largest image, which occupies the left side of the collage, is a black and white portrait photograph of Clearence Zellars, c.1940s. He is wearing an M1 helmet covered in netting. Located in the upper right portion of the collage is a color portrait photograph of Dr. Tincie Zellars Lynch wearing a U.S. Army uniform and posed sitting in front of an American flag and burgundy flag with a wheel insignia and \"396\" in gold lettering, c.1990s. Located in the bottom right portion of the collage is a color portrait photograph of a young man in U.S. Marines uniform who is identified as the brother of Tincie Zellars Lynch, c.1960s-1970s. Typescript text at the bottom of the collage reads, \"My Daddy WWII, me Desert Storm Era my brother Vietnam Boots on the Ground Veteran Family of Veteran Zellars\" and  another typescript caption at the top of the image reads \"7 YEARS AGO.\" Collage is undated","Digital surrogates of family history materials documenting the Gregory and West families. Included are photographs, documents, newsclippings, and artifacts","Black and white photograph, portrait of James Francis Gregory, a Presbyterian minister and educator. He is pictured from the shoulders up. He wears a suit jacket with wide lapels, a white collar, and a thick moustache. The backdrop is a solid color, unadorned. The photograph is framed by an oval-shaped window in a sheet of brown matboard. Photograph is undated","Reverse of Portrait of James Francis Gregory (ABFR-23-034-001). Handwritten note reads, \"James Francis Gregory (1876-1944).\" Photograph is undated","Black and white photograph of a group of eight young men in graduation regalia, holding their mortarboard caps. One of the young men has been identified as James Francis Gregory (second from the right). They sit in front of a richly decorated backdrop featuring engravings and drapery. Photograph is undated but likely dates to the 1890s or early 1900s, when Gregory was a student at Amherst College and then Yale Divinity School","Reverse of photograph of Photograph of James Francis Gregory and students in graduation attire (ABFR-23-034-003). Handwritten note reads, \"James Francis Gregory.\" Photograph is undated","Black and white photograph of twelve people standing outside on a sunny day. Four of the twelve are small children, some of them in a state of semi-undress. The adults stand shoulder-to-shoulder with one another, many of them holding the hands of the children. Behind them, bushes and trees can be seen. Photograph is undated","Black and white photograph of a woman wearing a mortarboard graduation cap, black graduation robe, and white lace collar. She holds a book open in her left hand, and with eyes downcast, she appears to be contemplating its contents. Her hair is dark and styled in tight, chin-length waves. Photograph is undated","Black and white photograph depicting a woman with short, tightly waved hair, huggie earrings, and a light-colored, collared gingham shirt. The backdrop is a light, solid color. Photograph is undated","Black and white photograph of two figures standing outdoors on grassy earth in front of a weeping willow. The woman (left) wears a light colored, midcalf dress and a brimmed hat. The man (right), wears a light, unbuttoned suit and saddle shoes. Both smile for the camera. Photograph is undated","Black and white photograph of a group of people standing outdoors in front of leafy bushes and the exterior wall of a building. In the center of the group, a woman in commencement regalia holds a mortarboard graduation cap in her right hand, and in her left she holds a scroll of paper and a bouquet of flowers. Posed standing around her is a group of men and women, most of whom are wearing long coats and hats. Photograph is undated","Black and white photograph of a woman wearing a white dress, her hands folded behind her back, leaning against a fence in an outdoor recreation area. Behind her and the fence is a grassy expanse and a squat, white building with wooden panel features and an open door. Photograph is undated","Black and white photograph of a smiling girl in a white dress and black stockings. Her hair is in a braid draped over her shoulder, tied with a large black bow. She stands on grass, and behind her are visible tall trees and white houses. Photograph is undated","Black and white photograph of a young woman wearing a white dress with an open graduation gown draped over her shoulders. She holds a scroll of paper and a bouquet of flowers. To her left is an older woman in a long, light colored coat and a hat, who is seen in profile as she looks to the left side of the frame. The pair stands outdoors before a wall densely covered in ivy. Photograph is undated","Black and white group photograph of the Amherst College baseball team in 1898. Thirteen men are posed seated, arranged in three rows. Most of them are wearing Amherst College uniforms. Some of the men hold baseball equipment, such as mitts and a bat. In the center of the group sits James Francis Gregory, legs crossed and slightly reclining, with a baseball cap balanced on his knee. Behind them is Johnson Chapel. Photograph is dated 1898","Reverse of Photograph of James Francis Gregory with Amherst College baseball team (ABFR-23-034-013). Handwritten note reads, \"James Francis Gregory, Captain of Amherst baseball team, 1898.\"","Color photograph of two women (left, right) and one man (center) standing on a lawn near a house of brick and white siding with a large, stepped brick porch. The women wear long overcoats, and the man wears a suit and tie with a brimmed hat. He has a long coat draped over his right arm, a rolled up newspaper in his pocket, and a pipe in his mouth. A numbered sign on the outside of the brick house indicates that its address is 4116 on an unidentified street. Photograph is undated","Black and white photograph of a smiling baby (left) and a young boy in overalls (right) holding one another's hand on a couch in front of a curtained window. Handwritten note in blue ink reads \"Murphy's Photo,\" which most likely refers to local photographer Elrich Murphy. Photograph is undated","Black and white photograph, group portrait of the Gregory family. Pictured seated in the front row (L to R): James Francis Gregory, Fannie Hagan Gregory, and James Monroe Gregory. Pictured standing in the back row (L to R): Margaret Briggs, Eugene Monroe, and Thomas Montgomery. All are dressed in formal attire and are posed not smiling. Behind them is a painted studio backdrop which includes an image of a fluted column. Photograph is undated","Black and white photograph, group portrait of six men arranged in two rows of three. James Francis Gregory is in the back row, far right. He and three other men in the group wear matching suit jackets with pockets and a YMCA insignia on the jacket sleeve. The group is posed in front of a studio backdrop. Photograph is undated","Reverse of Group portrait of James Francis Gregory and unidentified men (ABFR-23-034-018). Handwritten note reads \"James Francis Gregory, Freddie's Grandfather, His children's Great Grandfather, His grandchildren's Great Great Grandfather, World War I Lecturer throughout U.S., YMCA.\" Photograph is undated","Black and white photograph of 15 men and boys, the football team at the Manual Training and Industrial School for Youth, in sweaters and sports paraphernalia decorated with a capital letter \"I.\" They are arranged in three rows, each seated on steps leading to the entrance of a brick building surrounded by a white balustrade. Gregory, the coach, sits in the upper left. The young man in the center of the group is holding a football with a white design printed on its surface, possible letters or numerals. Photograph is undated","Reverse of photograph of James Francis Gregory with Bordentown School football team in spiritwear (ABFR-23-034-020). Handwritten note reads \"Football Team at Ironsides on front steps of Administration Bldg. Top left, Coach James Francis Gregory (Bordentown, N.J.).\" Photograph is undated","Black and white photograph, group portrait of Washington Historic Touring Club on visit to Franciscan Monastery. A large group of people, most of whom appear to be teenagers, are posed standing outside of the Franciscan Monastery of the Holy Land in America. The men and boys who have hats hold the hats in their hands. The Monastery, a light colored building inset with arch windows, occupies much of the background, and a statue of Saint Christopher carrying a young boy [presumably the Christ child] towers over the crowd. Handwritten note in the lower left corner reads \"WASH HISTORIC TOURING CLUB, CARDOZA SCHOOL WASH. D.C., OUTING TO FRANCISCAN MONASTERY MAY 2, 1937, GEO. H. WALLACE Pres. J. FRANCIS GREGORY Inst.\" Handwritten note in the lower right reads \"J. HENRY WRIGHT, WASH. D.C.\" Photograph is dated 2 May 1937","Manuscript document written in graphite pencil on lined paper tracing lines of parentage and descent in the Gregory family, beginning in the 19th century with Henry L. Gregory and Maria A. Gladman. The document lists James Francis Gregory, his siblings, and their marriages and offspring. Manuscript is undated","Reverse of manuscript detailing Gregory Family genealogical records (ABFR-23-034-025). Handwritten text continues the genealogical description from recto of page, starting in the late 19th century and continuing to the present at time of the document's creation. Manuscript is undated","Black and white photograph extracted from The Ironsides Echo, a New Jersey periodical. The photograph depicts a building consisting of several joined units from a sidelong angle. To the left, a wooden fence extends from the building's edge, and a sidewalk leads to a door with a small, stepped porch. The building has shuttered windows, wooden siding, and chimneys. Typescript caption reads \"Property rented and occupied when Principal Gregory took charge in 1897.\" Photograph is undated","Reverse of photograph of Manual Training and Industrial School for Youth premises (ABFR-23-034-027). Handwritten note identifies the photograph's source and subject. Photograph is undated","Black and white photograph of a brickwork school building with a fenced-in porch and semicircular portico balcony. The surrounding trees are bare of leaves. Typescript caption reads \"ADMINISTRATION BUILDING. Manual Training and Industrial School for Colored Youth, Bordentown, N. J.\" Photograph is undated","Reverse of photograph of Manual Training and Industrial School administration building (ABFR-23-034-029). Handwritten note reads \"Source: postcard.\" Photograph is undated","Black and white photograph of four members of James Francis Gregory's family of varying ages. On the left, seated, is Margaret Mohamit Hagan, J. F. Gregory's grandmother, with baby Amherst Gregory, child of J. F. Gregory, on her lap. On the right, seated, is Fannie Hagan Gregory, mother of J. F. Gregory. She wears a long cross pendant, which she holds with both hands in her lap. James Francis Gregory stands behind them in a suit with a bow tie. Photograph is dated approximately 1904","Reverse of photo portrait of four generations of James Francis Gregory's family (ABFR-23-034-029). Handwritten note reads, \"Seated on left, Margaret Mohamit Hagan holding Baby Amherst Gregory (1903-1904), Seated - right, Fannie Hagan Gregory (1886-1928), Standing, James Francis Gregory (1876-1944), about 1904.\"","Black and white photograph, portrait of James Francis Gregory in an Amherst College baseball uniform. He is posed standing with his hands on his hips, in front of a painted, floral studio backdrop. Gregory stands in the center of the frame, his entire body visible, dressed in a sweater with a capital letter \"A\" emblazoned on the chest and padded pants tucked into knee-high socks. He also holds a baseball mitt in one hand. The photo print is mounted on black board. Photograph is undated","Newsclipping of an article from The Philadelphia Press about James Francis Gregory. The headline and subhead of the clipped article reads, \"Negro Carries Off Prize For Oratory: James F. Gregory, of Bordentown, N.J., Secures First Honors for Elocution at the Yale Divinity School.\" The clipping includes a black and white portrait photograph of James Francis Gregory, pictured from the shoulders up. The article reports on Gregory winning Yale Divinity School's Downes prize for the reading of scriptures and hymns, and goes on to enumerate his achievements at Amherst College and Yale Divinity School as an athlete and an orator. Clipping is undated, but was likely printed in June 1901","Reverse of Newsclipping, The Philadelphia Press article about James Francis Gregory (ABFR-23-034-032). Typescript text near the top of the clipping identifies the month of publication as June. Articles touch on controversial railway bills, congressional sessions, and coal prices. Clipping is undated","Typescript document of the beginning of an obituary for James Francis Gregory, beginning with his birth in 1876 and summarizing his academic and professional accomplishments. Document is undated","Black and white photograph, group portrait of a wedding party with the bride. Four people are posed standing in a row in front of an indoor arrangement of plants including tall ferns and flowers. From left to right: a man in a black tuxedo with a white shirt and black bowtie; a woman in a white wedding gown and veil, holding a bouquet of flowers; a woman in a dark velvet dress, holding a bouqut of flowers; and a man in a black tuxedo with a white shirt and black bowtie. Photograph is undated","Color photograph, group portrait of (L to R) NASA mission specialists Ronald \"Ron\" E. McNair, Guion \"Guy\" S. Bluford, and pilot Frederick D. Gregory. Frederick D. Gregory is the grandson of James Francis Gregory. The three men, wearing orange NASA astronaut flight suits, are posed standing in a row. Behind them is a gray studio backdrop, an American flag, and the flag of the United States National Aeronautics and Space Administration (NASA). In front of them is a model of a space shuttle on a black table. The photograph was taken at Johnson Space Center in Houston, Texas. Typescript caption at the bottom of the photograph reads, \"Three of the Eighth Group of NASA Astronauts.\" Photograph is undated, c.1978","Reverse of Group portrait of NASA astronauts with model space shuttle (ABFR-23-034-036). Typescript text reads, \"Three of the 35 New Astronauts. Three of NASA's newest group of astronauts selected in January 1978 pose with mockup of the Space Shuttle at the Johnson Space Center. The group includes, from left to right, mission specialists Ronald \"Ron\" E. McNair and Guion \"Guy\" S. Bluford, and pilot Frederick \"Fred\" D. Gregory.","Black and white photograph of Charles Fremont West wearing a jacket and calf-length boots in a field of tall grass. Beside him sit two dogs on leashes, which West holds in one hand. In the other hand, he holds a dead bird with splayed plumage. The dogs face the left of the frame, where two additional dead birds hang by their legs from a short, sparse tree. Photograph is undated","Reverse of photograph of Charles Fremont West in field with his bird quarry and two dogs (ABFR-23-034-038). Typescript stamp reads, \"PHOTOGRAPHY BY TURNER STUDIO, ALEXANDRIA, VA.\" Photograph is undated","Black and white photograph of football players during the 1922 Rose Bowl at Tournament Park stadium in Pasadena, California. The game was played between the Washington \u0026 Jefferson Presidents (W\u0026J) and the California Golden Bears college football teams. Charles Fremont West played as quarterback for Washington \u0026 Jefferson and was the first African American quarterback to play in the Rose Bowl. On the right side of the image, Hal Erickson (W\u0026J) is pictured running with the ball. Next to him are several players in the midst of a tackle, the impact of which has churned up a spray of earth. Rows of spectators in stadium seating are visible in the background. A handwritten note in the upper right corner reads, \"ERICKSON.\" Another handwritten note along the bottom of the image reads, \"1922 ROSE BOWL GAME, CHARLIE 'PRUNER' WEST, QUARTERBACK.\" Photograph is dated 2 January 1922","Reverse of Photograph of the 1922 Rose Bowll (ABFR-23-034-040). Handwritten note reads, \"1922 Rose Bowl, Washington \u0026 Jefferson College vs U. of Cal., Charles \"Pruner\" West - Quarterback.\" Photograph is dated 2 January 1922","Black and white photograph of a group of people at what seems to be a dinner or other social event. A man wearing a suit and tie and a woman wearing a dark-colored skirted suit are standing together behind a microphone stand. In front of them are four people sitting at a table with a white table cloth, upon which sit several glasses and other dishware. Seated at the table, from left to right: a woman wearing a dark-colored dress and pearl necklace, holding a cigarette; a man wearing a suit and tie, holding a cigarette; a woman wearing a dress, holding a cigarette; and a man in a suit and tie. The two women appear to be in conversation together. The man that is second from the left is looking up over his shoulder at the two people standing behind him. And the man on the far right is leaning to the side and talking to someone whose head is only partially visible in the frame. On the left side of the image the side of a woman's head is partially visible in the frame. Photograph is undated","Reverse of Group photograph at social event (ABFR-23-034-042). Typescript stamp reads, \"McConnell Photography, Randolph 8345, Taylor 8222, 3221 Warden St. NW Wash.10 D.C.\" Photograph is undated","Black and white photograph of Charles Fremont West (far right) and four unidentified men in a field, posed standing in a row. They are all dressed in similar outfits consisting of slacks, sport coats, and hats. Some of their jackets have patches on the sleeve. All five men are holding rifles; three of them have the rifle tucked into their elbow and two men are holding the rifles vertically with buttstocks resting on the ground. Behind them stretches a field of trimmed grass and distant trees. In front of the men is a small, grassless patch littered with bullet casings. A handwritten note in the upper right corner of the image reads, \"Charles Fremont West.\" Photograph is undated","Manuscript document featuring handwritten genealogical record of Henry L. Gregory and his descendants. The document nearly duplicates the content of ABFR-23-034-025, \"Manuscript detailing Gregory Family genealogical records,\" but the formatting of the text is occasionally different and bears annotations and strikethroughs, although the handwriting appears consistent between the two documents. Along the left-hand margin, a note reads \"MIRIAM [illegible].\" Document is undated","Black and white photograph of Charles Fremont West (right) and an unidentified young man (left) standing in a field. They are both posed holding a rifle vertically with the stocks to the ground as well as a trophy. The figure on top of the trophies is a rifleman poised to shoot. Photograph is undated","Reverse of photograph of Charles Fremont West and young rifleman in field with trophies (ABFR-23-034-046). Typescript stamp reads, \"McConnell Photography, Randolph 8345, Taylor 8222, 3221 Warden St. NW Wash.10 D.C.\" Photograph is undated","Black and white photograph of five people at a picnic table outside. A man and two women are seated on the attached bench. One man stands to the side, leaning casually against the table's edge. Another man is posed standing with his foot on the table, elbow resting on his bent knee. Behind them, sunlight peeks through the gaps in a dense wall of foliage. Photograph is undated","Reverse of Photograph of group at a picnic table (ABFR-23-034-048). It is a mostly blank page, with a typescript header and footer with the information typically included when a webpage is printed: page title, page number, date [accessed], and URL. It seems that the photograph was printed on the back of scrap paper, unrelated to the image.","Typescript document, a family tree diagram illustrating the genealogy of Charles Fremont West. At the top of the page is the title, \"Hourglass Chart for Charles Fremont West.\" Charles Fremont West is at the center of the chart and it includes generations back to his great-grandparents, as well as through to his great-grandchildren. Document is undated","Program for the Fiftieth (50th) anniversary reunion for the Dunbar High School Class of 1926, held June 26-27, 1976 at St. Paul's Episcopal (Rock Creek) Church \u0026 Walter Reed Officers Club in Washington, DC. The program booklet is eleven pages and includes an event schedule, statistics about the class of 1926, a list of reunion attendees, a history of the school covering 1870-1926, and an article about African American schools in Washington, D.C. The cover is red with the title and a fleur-de-lis symbol printed in metallic gold. Document is dated 1976","Exhibition poster detailing the life and achievements of Dr. Charles Fremont \"Pruner\" West, created by Dana D. Brooks, Ronald Althouse, and Damien Clement, West Virginia University. The poster includes text and photographs with biographical information about West with details about his career as a student athlete, his academic career, professional career as a doctor, as well as honors and awards he received. The poster also discusses the racism and harrassment that West faced as a Black athlete in the Jim Crow era. On the left side of the poster, in the space between two columns of text, is a large black and white cutout image of West in an athletic uniform. Smaller images from West's academic and professional life are scattered throughout the informational content. Exhibition poster is undated","An effigy of Charles Fremont \"Pruner\" West made out of a model ambulance and black figurine. The ambulance is cast from metal and coated with chipped white paint, and painted on its side are a red cross and the text \"AMBULANCE\". The figurine is a small Nippon baby doll with no arms. It is painted black with red lips and a few red stripes across its body. It was inserted into the model ambulance, laying in the ambulance with its head poking out of the back. The figurine is visually reminiscent of lawn jockeys and other similar racist depictions of black men that reference blackface and minstrelsy. This effigy was originally displayed in the window of a merchant (a dry cleaner) in Morgantown, West Virginia in November 1921. It was placed there with the intention of intimidating West upon his arrival in town with the Washington \u0026 Jefferson College football team to play a game against West Virginia University. This display was one of many forms of racist intimidation that West encountered in Morgantown","Digital surrogates of photographs from the Thompson Family; including Clayton Randolph Thompson, Valerie Jackson Thompson, and their descendants.","Color photograph of a woman seated outdoors on a sunny day. Draped over her is a piece of white, patterned fabric, and in her right hand, she holds a bottle containing a dark brown liquid, Behind her is an expanse of green grass, dangling leaves, and a chain-link fence. Photograph is undated","Black and white portrait photograph of Clayton Randolph Thompson, wearing a suit and tie. He is visible from the shoulders up, and behind him is a featureless background. Photograph is undated","Color photograph of an unidentified woman. She is posed sitting in a church pew, with head bowed and eyes closed as though in prayer. Behind her, church pews and an unadorned wall are visible. Photograph is undated","Black and white halftone photograph from a newsclipping of Alice Thompson Lewis. She is pictured from the shoulders up, wearing glasses and jewelry with large, pearl-like beads. She smiles widely, and behind her is a solid background. Partially visible typescript caption reads \"…[L]EWIS, ALICE T., ...[i]t is so hard [to]...\" Photograph is undated","Black and white photograph of a woman, possibly Valerie Thompson, seated with her hands folded in her lap. She wears a pale colored dress and looks placidly at the camera. Around her is a garden dense with plant life, and behind her is a wooden structure and a fence of wooden palings. Photograph is undated","Color photograph of a man of the Thompson Family visible from the shoulders up, dressed in a black collared shirt. He has a beard and short-cropped black hair, and regards the camera with a solemn expression. Behind him is a smooth, white wall, surrounded by bushes and trees. Photograph is undated","Color photograph of Clifford Martin Thompson standing beside an unidentified woman in front of a wall covered in wallpaper and set with a wooden doorframe. Thompson wears a black tuxedo and a bowtie. He is posed leaning in towards the woman standing next to him. She wears a muted blue garment and dangling earrings, her gaze fixed on something out of frame. Text and icons on the white margin above the photograph indicate that the image is derived from a screenshot of a Facebook post taken on a cell phone. Photograph is undated","Color photograph, portrait of Valerie Myers Jackson Thompson pictured from the shoulders up. She is dressed in white and wears pearl earrings. Her hair is just long enough to brush the tops of her shoulders. The photograph has a reddish tint. Photograph is undated","Color photograph of Clayton \"Bunny\" Thompson, Sr. posed seated at what appears to be a kitchen table. He wears a plaid shirt, and he leans on his elbows, his arms folded over his chest. In front of him, partially visible in the frame, are a red and white beverage can, several pieces of fruit, and a blue gift wrapping bow. Photograph is undated","Digital surrogates of photographs from the Henry Family","Group photograph of four women and one child in a house, posed on a carpeted staircase. Four sit on the steps and in the left of the frame, one woman stands with her hand on the staircase railing. L to R: unidentified woman, Marie Elizabeth Spinner, Toniette Henry Duncan, Rita Murphy Harris, and an unidentified young girl seated on Duncan's lap. Behind them, the stairway leads to an upper level where an open door shows another room. Photograph is undated","Black and white photograph of Albert Henry (left) and his wife, Alice (right) standing behind a table lain with two white, single-tier cakes and a bowl. Albert is dressed in a suit and necktie and smiles as he cuts into one cake with a knife. Alice, wearing a floral dress, rests her hand on Albert's as he slices. The arm of a third person in a striped shirt is partially visible on the left edge of the photograph. Photograph is undated","Black and white photograph of Albert Henry standing beside an unlit fireplace in front of a damask curtain. His elbow rests on the mantle above the fireplace, and his profile casts a shadow on the wall. Henry is dressed in a casual suit and tie and smiles at the camera. Photograph is undated","Portrait painting of Annie Henry from the torso up, done in muted sepia tones. She wears a dark garment with a white frilled collar. The painting is in a brown, oval frame with floral details. Annie Henry was the wife of William Henry and the mother of six children: Wilmer, Albert, John, Mary, Elouise, and Elizabeth. Painting is undated","Black and white photograph of Joyce Rebecca Whitmore Henry leaning against a pillar prop in front of an abstract backdrop. She wears small hoop earrings and a dress with long sleeves and a white collar. Typescript text at the bottom edge of the image reads \"DETAILS.\" Photograph is undated","Color photograph of Marie Elizabeth Spinner, former wife of Elrich Murphy, mother of Rita Murphy Harris, and aunt to Toniette Henry Duncan. She is posed sitting on a striped, cream-colored sofa, holding a set of gold balloons shaped to read, \"97.\" Beside her on the couch is a red gift bag with decorative text that reads \"[Ha]ppy [Birth]day!\" Photograph is undated, but Marie Elizabeth Spinner's 97th birthday took place 7 January 2021","Color photograph Marie Elizabeth Spinner and  her sister Corrine Idella Henry, pictured from the shoulders up. They are positioned back to back with heads turned toward the camera, and both wear their dark hair up. The photograph has an unfocused, desaturated quality. Photograph is undated","Black and white photograph of Marie Elizabeth Spinner, posed with her daughter, Rita, seated on her lap. Behind them hang sheer white and damask curtains. Photograph is undated","Black and white photograph of Marie Elizabeth Spinner from the shoulders up. She wears a light colored garment and a long pearl necklace. Behind her is a striped background. Photograph is undated","Black and white photograph of Marie Elizabeth Spinner, pictured from the shoulders up. She wears a light colored blouse and sits on a couch in front of a white wall. Photograph is undated","Color photograph of Burnett Ralph Henry, son of Wilmer Benjamin Henry and Willie Mae Carter, seated on a patterned couch with a newspaper in his hands. On the coffee table in front of him are a vase of red silk flowers and a miniature artificial Christmas tree decorated with tinsel and ornaments. Next to Henry is a side table holding another vase of red flowers and several portrait photographs. Photograph is undated","Color photograph of a man, identified as Clarence, pictured from the shoulders up. He has gray hair and wears a white collared shirt with gray and blue patterning. Behind him is a piece of brown furniture. The image is blurry. Photograph is undated","Color photograph of Willie Mae Carter Henry, wife of Wilmer Benjamin Henry and mother to Marie Elizabeth Spinner, seated on a chair upholstered with a textured red fabric. She wears a white, striped button-up chemise top. Behind her is a wooden shelf with a bird sculpture and a framed photograph. Photograph is undated","Color photograph of Willie Mae Carter Henry, wife of Wilmer Benjamin Henry and mother to Marie Elizabeth Spinner, posed seated with her hands folded in her lap. She is wearing light blue suit and shite shirt. Two metal tins and a TV remote are visible on a table behind her. Photograph is undated","Black and white photograph of William \"Sonny\" Duke (left) with two other people leaning against the side of a white car. Duke wears a newsboy cap, and one of his arms is in a sling, while the other is draped over the shoulders of a young woman standing beside him. The woman is wearing dark pants, a white top, and a scarf. On the other side of the woman is a man wearing a plaid shirt and dark pants, posed with his hands in his pockets. Photograph is dated March 1957","Black and white photograph of Sylvia Dolores Henry, daughter of Corrine Idella Henry, as a young girl. Her hair is braided and she is wearing a white collared dress. She is posed sitting on the corner of a wooden table. Behind her is a window with blinds drawn. Photograph is undated, c. late 1950s","Black and white photograph of Corrine Idella Henry and her older brother, John Wilmer Henry standing outside. Corrine wears a plaid skirt and a white blouse.  She is posed with her hands on her hips, leaning into her brother. He is wearing dark-colored trousers with wide cuffs and a button-up shirt. His hands are tucked in his pockets. Photograph is undated","Color photograph of Rosell Marshall Henry, wife of Burnett Ralph Henry. She wears glasses and a button-up shirt with a patchwork style pattern. She sits on a wooden chair, and a white cup is visible in front of her. Behind her is a white wall and a white louvered door adorned with postcards and a calendar. Photograph is undated","Studio portrait of Marie Elizabeth Spinner, mother to Rita Murphy Harris and aunt to Toniette Henry Duncan. She is pictured from the shoulders up in front of a blue studio backdrop. She wears glasses, hoop earrings, and a white turtleneck beneath a brown outer jacket. Photograph is undated","Black and White photograph of Marie Elizabeth Spinner in a dress and patterned ascot, perched on a wooden table. Her legs are crossed, and she rests her chin in her hand as she looks directly into the camera. Photograph is undated","Color photograph of Marie Elizabeth Spinner in a light colored, floor-length dress with short, puffy sleeves. A thin string of pearls hangs around her neck, and she holds a small purse in one hand. Her hair is pulled back in an updo. She is posed standing in front of a light blue curtain. Photograph is undated","Color photograph of three women seated on a bed. From left to right: Marie Elizabeth Spinner, Willie Mae Carter Henry (mother of Marie Elizabeth), and Rita Murphy Harris (daughter of Marie Elizabeth and Elrich Murphy). Willie Mae is seated upright in a bed, her legs beneath a pink blanket, while her daughter and granddaughter sit on either side of her, their legs uncovered. All three are smiling. Behind them, a table lamp and a doll dressed in blue sit atop a headboard. Photograph is undated","Hand-colored photograph of Corrine Idella Henry sitting cross-legged on a wooden chair in front of a fabric backdrop. She wears a long coat with lapels, a red collared shirt, black pantyhose, and a pearl necklace. Handwritten text in the lower righthand corner reads \"MUR[PHY],\" most likely indicating that this photograph was taken by Elrich Murphy, Henry's brother-in-law. Photograph is undated","Color photograph of Sylvia Dolores Henry, daughter of Corrine Idella Lewis, smiling in front of a backdrop styled after the American flag and decorated with an image of a parchment scroll on which the Preamble to the United States Constitution is written. Sylvia wears a red sweater over a white collared shirt, and her hands are folded in front of her. Typescript caption on the bottom of the photograph reads, \"Our American Constitution, 1787-1987.\" Photograph is undated but was likely taken in 1987","Color photograph of Blair Spinner, son of Marie Elizabeth Spinner and Albert Spinner. His smile is topped by a dark moustache, and his hair is styled in a short afro. He wears a teal shirt. Photograph is undated","Black and white photograph of a baby identified as \"Bunky,\" posed sitting on a small cushion on a wooden porch. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. The baby wears booties and a white bonnet, and he smiles, his gaze directed upwards and his arm raised and made indistinct by motion blur. The house behind him is made of white bricks or cement blocks. Photograph is undated","Black and white photograph of a child identified as \"Bunky\" wearing a cowboy costume with cheetah patterning and a brimmed hat, with a toy pistol in his raised hand. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. He stands on a patterned rug in front of an Christmas tree decorated with tinsel and ornaments. Opened packages are strewn across the floor around his feet. Photograph is undated but was likely taken at Christmas (25 December)","Black and white photograph of a child identified as \"Bunky\" standing on a porch with a small bundle of flowers in his hand. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. He smiles with mouth open, and  is dressed in a cap and a dark coat with white buttons. Behind him are a white, exterior wall and a window. Photograph is undated","Color photograph of five people in a dining room with floral wallpaper. Left to right: unidentified woman, unidentified man (mostly obscured), Albert Henry, Wilmer Benjamin Henry, unidentified man. Wilmer Benjamin Henry (at the center of the photograph) is wearing suspenders and a striped necktie. Behind him is a windowpane that overlooks a yard over which a clothesline has been strung up. On the table in front of the group is a red and yellow flower arrangement. Photograph is undated","Black and white photograph of Corrine Idella Henry, pictured from the shoulders up. She is wearing a collared shirt or jacket. The image is blurry. Photograph is undated","Black and white photograph of Corrine Idella Henry on a porch, leaning back against a wooden support pillar. She wears high waisted pants and sandals, and her arms extend upwards, bending behind the pillar where she rests her head. The corner of a house with white siding is visible in the left of the frame, and the background is full of greenery and clear sky. Photograph is undated","Black and white photograph of Corrine Idella Henry standing in a lawn. Behind her are a wooden fence, trees, and a paved pathway. She is dressed in a matching set with a cropped top and a long skirt. She poses with one hand on her hip and the other on behind her head. This photograph was taken in the yard of the Henry family home on Johnson Lane in the Seminary Hill neighborhood of Alexandria, Virginia. Photograph is undated","Black and white photograph of Elizabeth Henry, younger sister of Wilmer Benjamin and Albert Henry, wearing a dark button-up jacket and a calf-length skirt. Her hand is placed on her hip, and she stands in front of a wall with light colored siding. Photograph is undated","Color photograph of Elizabeth Henry Douglas, pictured from the shoulders up. Her hands are clasped under her chin, and a broad smile lights up her face. Her white hair is bushed back from her face, and she wears a purple sweater. Photograph is undated","Color photograph of Elizabeth Henry Douglas receiving the Ben Brenman Award for Archaeology. Douglas, dressed in a white blazer and pink shirt, is pictured while being presented with the award from Mayor William D. Euille, wearing a pinstripe suit and striped, purple tie. Douglas and Mayor Euille are posed holding the award, standing in front of (L to R) Janice Magnesun of the Alexandria Archaeological Commission, Charlie LeeDecker representing the Louis Berger Group, Inc., and Joe Reeder. The photograph was taken Alexandria City Council chambers during the meeting held on 27 October 2009.","Black and white photograph of six people ranging in age from children to teenagers, posed standing together on the sidewalk. The four eldest of the six stand in a row, linking arms or with arms around one another's shoulders. Two younger children stand in front of them. The subjects of the photo have been identified in no particular order as Gail, Butch, Rusty, Sylvia Dolores Henry, Keith, and Toniette Henry Duncan. Photograph is undated","Black and white photograph of Rita Murphy Harris as a young girl sitting on the lap of a man identified as \"Granddaddy,\" likely Wilmer Benjamin Henry, her maternal grandfather. Behind them hang curtains of white lace and dark damask fabric. Photograph is undated","Black and white photograph of a woman and a man seated on a sofa with a floral pattern. The woman, identified as Grandma wears a patterned blouse and has one arm linked in the crook of the man's elbow. The man, identified as Granddaddy, wears a suit and tie. The wall behind them is white and unadorned. The pair are likely Willie Mae Carter Henry and Wilmer Benjamin Henry. Photograph is undated","Black and white photograph of a man and woman standing arm in arm in a grassy yard at 116 Johnson Lane in the Seminary Hill neighborhood of Alexandria, Virginia. Behind them is a wooden fence, beyond which is dense foliage. The pair are likely Willie Mae Carter Henry and Wilmer Benjamin Henry, who lived at that address. Photograph is undated","Black and white photograph of five members of the Henry Family gathered in a sitting room in semiformal clothing to celebrate the birthday of Wilmer Benjamin Henry. Three of the five are standing, one man sits cross-legged in an armchair, and a woman perches on one arm of the same chair with her face buried in her palm. In the foreground stands a tabletop with a cake on it. Photograph is undated","Black and white photograph of Joseph Brackette and Marie Elizabeth Spinner, siblings born to Willie Mae Carter Henry and Wilmer Benjamin Henry. Brackette wears a suit and a fedora, and his arm is wrapped around his sister's waist. Spinner wears a plaid blazer. Behind them is a stand of trees with leafless branches. Photograph is undated","Black and white photograph of John Henry, brother of Wilmer Benjamin Henry, standing outdoors. He wears a striped overcoat, glasses, a flat cap, and gloves. Photograph is undated","Black and white photograph of John Henry, brother of Wilmer Benjamin Henry, with Joyce, his second wife. Joyce wears a long jacket and a brimmed hat, and she holds a handbag. John wears a suit and tie, and his hat is in his hand. They stand outdoors surrounded by trimmed bushes, and an evergreen tree stands in the background. Photograph is dated 21 May 1940","Black and white photograph of Joyce Henry, sister in law of Wilmer Benjamin Henry, seated at a dining table set for a meal. Joyce, dressed in white is seated next to an unidentified man dressed in a suit and tie. A third person is partially visible in the foreground of the photograph. Behind the seated diners is a glass-front cabinet filled with glassware. Photograph is undated","Black and white photograph of Joyce Henry and John Henry standing side by side against the exterior wall of a house paneled with horizontal siding and inset with a shuttered window. John Henry has one arm wrapped around Joyce's waist, his hand resting on her hip. Photograph is undated","Black and white photograph of Joyce Henry and an unidentified man standing on a stretch of grass in front of a stand of trees and an upright wooden beam. The man wears suspenders over a white, collared shirt. Joyce wears a dark dress with a ruffle over the breast and holds a leather purse. Photograph is dated 21 May 1940","Black and white photograph of Joyce Henry and an unidentified man standing outdoors in front of a leafless thicket of trees. In the right of the frame, the front bumper of a black car is visible, including headlights, a tire, and a license plate. The ground seems to be covered by a light snow. The man has one arm wrapped around Joyce's waist, and both of his hands grasp her arms at the elbow. The pair smiles serenely at the camera. Photograph is dated 1941","Color photograph of Lawrence Duncan (left) and Toniette Henry Duncan (right) seated next to each other in a restaurant booth. The edge of a white tabletop is visible at the bottom of the photograph and behind them is a shelf filled with bottles of wine. Photograph is dated 9 February 2021, Toniette Henry Duncan's 67th birthday","Hand-colored photograph of sisters, Marie Elizabeth Spinner and Corrine Idella Henry, pictured from the shoulders up. They are positioned back to back with heads turned toward the camera, and both wear their dark hair pulled back and done up behind their heads. This image is a duplicate of Photograph of Marie Elizabeth Spinner and Corrine Idella Henry (ABFR-23-037-007). Photograph is undated","Black and white photograph of Marie Elizabeth Spinner in a formal gown with ruching on the sleeves, a sweetheart neckline, and a floral accent on the hem of the peplum. Her hair is styled in an updo with an accessory studded with pearls. Her shadow falls behind her on a blank backdrop. Photograph is undated","Color photograph of Marie Elizabeth Spinner's 96th birthday celebration. She is pictured seated in a living room with six women and a young girl, including her daughter Rita Murphy Harris and niece Toniette Henry Duncan. The room is decorated with various striped and floral motifs in golden yellow. Behind the gathering is a dining room table on which sit purses, a floral arrangement, and two weighted party balloons shaped like the numerals 9 and 6. Spinner is seated in an armchair near the lower edge if the image. Toniette Henry Duncan, center, leans against the chair's arm. Rita Murphy Harris, seated on a couch, is the rightmost figure in the group. Photograph is undated, but Marie Elizabeth Spinner's 96th birthday was 7 January 2020","Black and white photograph of Marie Elizabeth Spinner leaning against a wooden support beam on a porch. Her arms are folded behind her back, and she sports a wide smile. She wears a pale brimmed hat and a black dress with a design of swirling white trim on the bust and pocket. Photograph is undated","A blank page, most likely the back of a photograph, with stamped text at the bottom that reads \"Murphy's Pho'\" This appears to be part of the photographer's stamp of Elrich Murphy, a prominent Black photographer in Alexandria and father of Rita Murphy Harris and first husband of Marie Elizabeth Spinner. Item is undated","Color photograph of a woman sitting cross-legged with a baby in her hands. The baby, identified as Rashaun, is dressed in overalls and a white long-sleeve shirt. The woman wears denim jeans and a sweater vest, and her hair is styled in an afro. Behind them is a brick house and an unclouded sky. Photograph is undated","Color photograph of five men, trustees of Oakland Baptist Church in Alexandria, Virginia, dressed in brown suit jackets and ties, standing in a row. The man in the center of the row is Reverend Luther H. Mills. Behind them are several utility poles and a round placard bearing a Texaco logo. Photograph is undated","Color photograph of cousins Rita Murphy Harris (left) and Toniette Henry Duncan (right) depicted from the shoulders up. Henry leans into Harris and rests the side of her forehead on her cousin's cheek. Harris has her arm draped over Henry's shoulder. Behind them, colorful abstract paintings and a mounted television hang on gray walls. Photograph is undated","Black and white photograph of thirteen children of varying ages grouped in a yard hemmed by a wooden fence. The event depicted is a birthday party. Rita Murphy Harris stands in the center of the huddle, wearing a white dress with lace flutter sleeves. The leftmost child, a girl in a plaid dress, is identified as Nancy Henry. Between Nancy and Rita is a boy identified as Henry Poindexter, partially obscured by the party guest in front of him. Burnett Ralph Henry stands in the back of the group, dressed in a striped shirt. Beyond the fence, the roofs of neighborhood buildings peer over the tops of bushes. Photograph is undated","Black and white photograph of Rita Murphy Harris as a child, standing outdoors wearing a dress-length coat of leopard print fabric, a black hood, and a cross-body purse. She squints as she digs her fingers into the opening of the jacket in front of her. The trees behind her are bare of leaves. Photograph is undated","Black and white photograph of Burnett Ralph Henry (right), son of Wilmer Benjamin Henry with Rita Murphy Harris (left), granddaughter of Wilmer Benjamin Henry. Rita, an infant, wears a baby bonnet, and Burnett wears overalls, a striped shirt, and a jacket. His arm is around Rita's shoulder, and his legs dangle over the edge of a wooden porch. Photograph is undated","Black and white photograph of fourteen children standing in a line on a strip of sparsely grassed dirt between a wooden fence and a brick sidewalk. All appear to be of elementary age or in their early teenage years save for a much younger, smaller girl in the center of the line. Members of the group are variously dressed in dresses, skirts, button-up shirts, and trousers. Some of the children are identified as Rita Murphy Harris, Sylvia Dolores Henry, Toniette Henry Duncan, Slim Henry, Gail, and Peaches. Photograph is undated","Color photograph of two men identified as Slim Henry and Blair. Blair (right) wears tinted glasses and has his arm slung over the shoulders of Slim Henry (left), who wears a brown leather jacket. Blair Spinner is the son of Marie Elizabeth Spinner and her second husband, Albert Spinner, Jr. They smile broadly, standing side by side. Behind them a sculpture made of many intersecting thin, metal rods hangs on the pale purple walls. Photograph is undated","Color photograph of a man identified as Slim Henry in a red shirt and black jacket, a black brimmed hat on his head. He is indoors in front of a wall panel consisting of brown bricks. The wall appears to be draped with a streamer, and the number \"5\" is visible in the bottom left corner of the photo. Photograph is undated","Color photograph of two men wearing brown suits standing in front of a car parked near a Texaco service station on the corner of King Street and West Braddock Road in Alexandria, Virginia, near Blessed Sacrament Roman Catholic Church and Oakland Baptist Church. The two men have been identified as trustees of Oakland Baptist Church in Alexandria. The man on the left is posed with his jacket unbuttoned and his hands in his pockets. Photograph is undated","Color photograph, portrait of Toniette Henry Duncan's pictured from the shoulders up. She wears a garment with beadwork at the collar and a woven necklace. Behind her, some seating is visible, and farther beyond, light reflects off the surface of a body of water. Photograph is undated","Color photograph, portrait of Toniette Henry Duncan. The framing of the photograph suggests that the image was captured as a selfie. Duncan wears red, and her dark hair is worn in braids or twists that are interwoven with silver-white highlights. She is seated indoors, and in the background, a celebratory card, black and white photograph, and bowl of candy are visible. Photograph is dated to Mother's Day 2021 which was 9 May 2021","Black and white photograph of Toniette Henry Duncan as a young girl. She is posed seated outdoors, wearing a pale dress and holding a basket decorated with flowers. Her short legs dangle from her chair. Photograph is undated, but Toniette Henry Duncan turned two years old in February 1956","Black and white photograph of Toniette Henry Duncan as a young girl. She is posed outside, squatting low to the ground. She wears a coat over a pale skirt, a stiff bonnet, and Mary Jane shoes. Visible behind her are the skirt and legs of another figure, standing behind her. Photograph is undated, but Toniette Henry Duncan turned three years old in February 1957","Black and white photograph of Toniette Henry Duncan as a young girl. She is posed seated on the edge of a porch with her legs dangling over the side. In one hand, she holds a football, and the other hand is raised to the back of her head. Photograph is undated, but Toniette Henry Duncan turned three years old in February 1957","Color photograph of Toniette Henry Duncan (left) and Kevin Brown (right) at the Virginia Theological Seminary Descendents Gala. Both wear nametags around their necks and are sitting next to a large wooden table. On the table between them are two cans of ginger ale and a black handbag. Behind them, at other side of the table, a person in a dark blue suit writes something on a piece of paper with a pen. Their face is not visible in the image. Photograph is dated 30 July 2021","Color photograph, portrait of Toniette Henry Duncan. She is pictured from the shoulders up and posed in front of a solid gray background. The neckline of her top is studded with pearls and her hair is worn in braids or twists. Photograph is undated","Black and white photograph of siblings Joseph Brackette (center) and Marie Elizabeth Spinner (right), posed standing with a third unidentified woman (left), standing near a roofed porch. Marie Elizabeth Spinner wears a plaid blazer while Joseph Brackette wears a fedora and a pinned necktie. The unidentified woman wears a dark fur overcoat. The three are huddled close, and Jospeh Brackette has his arms over his companions' shoulders. A well is visible in the background behind them. Photograph is undated","Black and white photograph of Joseph Brackette with his gloved hand tight around the shoulder of an unidentified woman in a dark fur coat. Behind them is a roofed porch with structural support beams. The sky is cloudy and a wooden fence is visible behind them.","Black and white photograph of John Henry, son of Wilmer Benjamin Henry, standing in a yard with his hands clasped behind his back. He wears a suit jacket and necktie. Behind him is a small structure of stone and wood (possibly the well from other photographs in this folder), a wooden fence, and several trees without foliage. Photograph is undated","Black and white photograph of three women standing with arms linked on a brick sidewalk near a row of townhomes and a wooden fence. In the background, people can be seen on their stoops, seemingly in conversation together. The shadow of the photographer stretches across the brickwork in front of the three women. Photograph is undated","Color photograph of cousins Toniette Henry Duncan (left) and Rita Murphy Harris (right) standing side by side at a room in the Virginia Theological Seminary during one of the Seminary's annual Descendents Galas. Duncan wears a black blouse with beadwork on the sleeves and black trousers. Rita wears a structured black and white jacket with a paisley pattern and black trousers. They are posted standing together in front of a framed artwork hanging on a cream and white striped wall. Photograph is undated","Portrait painting of William Henry pictured from the torso up, done in muted sepia tones. He wears a black suit and necktie and  sports a thick moustache. The painting's background is an abstract blending of colors. William Henry was the husband of Annie Henry and the father of six children: Wilmer, Albert, John, Mary, Elouise, and Elizabeth. Painting is undated","Black and white photograph of William Benjamin Henry standing outdoors in front of a wall made of paneled siding. He is dressed in a suit and necktie with a pocket square. Photograph is undated","Black and white photograph of William Benjamin Henry holding a knife, poised to slice a white, frosted cake. He wears a suit and a striped tie. Three similarly dressed men are partially visible standing next to him. The contour of what appears to be a person wearing a white dress abuts the left edge of the frame. Behind the people is an indoor domestic space with a glass-paneled door. Photograph is undated","Black and white group photograph of several people in semiformal attire, posed standing indoors in front of a window with blinds drawn. William Henry, dressed in a suit, figures prominently in the right of the frame. Also present in the image are his daughters, Eloise and Elizabeth, as well as his son, Wilmer. Photograph is undated","Black and white photograph, portrait of Willie Mae Henry, wife of Wilmer Henry. She is posed seated in a chair in front of a blank backdrop and pictured from the waist up. She wears a white embroidered blouse and a beaded necklace, and her hair is pulled back behind her head. She holds her chin high and regards the camera with neither a smile nor a frown. Photograph is undated","Black and white photograph, portrait of Willie Mae Henry, wife of Wilmer Henry. She is posed seated in front of a patterned curtain, with her hands folded in her lap. She is dressed in a patterned blouse. Photograph is undated","Black and white group photograph of ten people of varying ages, posed standing together in a grassy yard in front of a tall bush and a brick house. The men and boys wear button-up shirts, and the women and girls wear dresses. The group includes Wilmer Benjamin Henry, Willie Mae Henry, and members of their family. In front of the group, a Tyrolean hat with an oversized feather plume lies on the ground. Photograph is undated","Black and white photograph of Wilmer Benjamin Henry standing in a doorway at the Virginia Theological Seminary, with a hand resting on the door handle and holding it open. He smiles exuberantly from under a brimmed hat. Through glass panes set in the door, a brick wall is visible, and a handrail intersects the bottom portion of the photograph. Handwritten note on the top edge of the photograph reads, \"296 # 58-1 3 5/8 [arrow]\" Photograph is undated","Black and white photograph of Wilmer Benjamin Henry playing an acoustic guitar. His fingers are occupied with the frets and strings, and he wears a thumb pick. He is dressed in a jacket and brimmed hat. Behind him is a wall adorned with a patterned fabric drape and a calendar. Photograph is undated","Black and white photograph, portrait of Wilmer Benjamin Henry. He is posed seated in front of a blank fabric backdrop and pictured from the waist up. His hands are resting in his lap, and he wears a suit and tie. Behind him, in the bottom of the photo, what appears to be wrinkles or a fabric texture are visible in the backdrop. Photograph is undated","Memorial page for Wilmer Benjamin Henry, appears to be from a funeral program or similar document. Featured on the page is a black and white portrait photograph of Wilmer Benjamin Henry: the same photograph as \"Portrait photograph of Wilmer Benjamin Henry\" (ABFR-23-037-085). Typescript text under the photograph reads, \"Wilmer B. Henry, Sunrise: February 22, 1898, Sunset: December 26, 1981, My Grand Father's Legacy, Believe in GOD, Work Hard, Take Care of Your Family, Live a Righteous Life.\"","Digital surrogates of materials documenting the Willis family","Photocopy of a newsclipping from a local newspaper featuring a photograph of Sheila Willis. Photograph depicts two women standing on either side of a library circulation desk. The library staff member appears to be assisting the patron to check out books. Which woman is Sheila Willis has not been identified. Most of the article accompanying the photograph is cut off in the clipping, but seems to be an article about Alexandria Library. Clipping is dated 25 April 1968","Digital surrogates of family history materials documenting the Lyles and Dorsey families","Scrapbook documenting the history of the Lyles and Dorsey families. Scrapbook includes photographs, postcards, artwork, and ephemera dating from 1800 through 2015.","The materials in this collection are protected by copyright and/or other intellectual property rights. Permission must be obtained from the rights-holder(s) for uses beyond those permitted under the \"Fair Use\" doctrine of the U.S. Copyright Act (17 U.S.C § 107). Contact Local History / Special Collections staff for more information. "," http://rightsstatements.org/vocab/InC/1.0/","Local History and Special Collections Branch, Alexandria Library","Dunbar High School (Washington, D.C.)","Bah, Char McCargo","English"],"unitid_tesim":["ABFR","/repositories/2/resources/172"],"normalized_title_ssm":["Alexandria Black Family Reunion Digital Collection"],"collection_title_tesim":["Alexandria Black Family Reunion Digital Collection"],"collection_ssim":["Alexandria Black Family Reunion Digital Collection"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"geogname_ssm":["African American neighborhoods -- Virginia -- Alexandria.","Alexandria (Va.) -- Social life and customs"],"geogname_ssim":["African American neighborhoods -- Virginia -- Alexandria.","Alexandria (Va.) -- Social life and customs"],"places_ssim":["African American neighborhoods -- Virginia -- Alexandria.","Alexandria (Va.) -- Social life and customs"],"access_terms_ssm":["The materials in this collection are protected by copyright and/or other intellectual property rights. Permission must be obtained from the rights-holder(s) for uses beyond those permitted under the \"Fair Use\" doctrine of the U.S. Copyright Act (17 U.S.C § 107). Contact Local History / Special Collections staff for more information. "," http://rightsstatements.org/vocab/InC/1.0/"],"access_subjects_ssim":["African Americans -- Virginia -- Alexandria.","Parker-Gray Schools (Alexandria, Va.)"],"access_subjects_ssm":["African Americans -- Virginia -- Alexandria.","Parker-Gray Schools (Alexandria, Va.)"],"has_online_content_ssim":["false"],"extent_ssm":["55 Gigabytes"],"extent_tesim":["55 Gigabytes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2023],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eOn April 29, 2023 Alexandria Library hosted the first Black Family Reunion at the Kate Waller Barrett Branch Library in Old Town Alexandria. The event aimed to bring neighborhoods together and help fill gaps in the documented history of Alexandria's African American community. As part of the event, families were invited to bring documents and images to be scanned by Library staff and added to the collections at the Local History / Special Collections Branch to be preserved as part of the city's historical record and made available to the public online.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["On April 29, 2023 Alexandria Library hosted the first Black Family Reunion at the Kate Waller Barrett Branch Library in Old Town Alexandria. The event aimed to bring neighborhoods together and help fill gaps in the documented history of Alexandria's African American community. As part of the event, families were invited to bring documents and images to be scanned by Library staff and added to the collections at the Local History / Special Collections Branch to be preserved as part of the city's historical record and made available to the public online."],"custodhist_html_tesm":["\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 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2023\u003c/p\u003e"],"custodhist_heading_ssm":["Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization"],"custodhist_tesim":["Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital 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image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_75e4358d-e01d-4aeb-a6e3-8f6646807454/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3d1d2f18-3257-49ae-af5f-d46b6d6bda2c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_022d377e-9da2-49ab-b719-5ccdc77da5ca/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_172ae3ac-e209-4de4-a502-ddd3138bca61/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9b780571-b68c-496e-be00-842deeed2e16/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f94be72a-0c87-40e0-945b-87e31ecaf2ae/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7b01078a-2a3f-4597-bc80-2cb9d209dfbd/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bbdeb4f2-9fde-40a4-8085-e89d24e34f21/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9a9fdef7-88d8-4464-8982-62a9af979112/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8772d401-63f1-44f3-b491-62c3e1a9c09b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e535bfc3-f920-46eb-9429-3dff4106b6b5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_51f2e05a-b39f-40ad-83e5-3c9fc0509e4c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_28a47808-1075-4981-b699-0367768a5359/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ecc14579-057d-4caa-8b6f-07b9c94a17f5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_02ecc697-6acf-4ef3-8f03-26255371aa86/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d108cf8e-2650-42b0-afc7-92631a6c4af1/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0bdd7371-e933-4666-8346-a9b80e2dfefc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7d5e53f2-f2e8-40ef-a758-906ce6496c9b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9a2f9a91-982f-4ed5-8933-c69ee0d888ed/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bd79116f-04e3-4a80-8576-ad14bfaeb833/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_92b93a54-3ce2-47f7-8580-4cb31d5d3770/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_30bce1ba-2729-4462-beca-342f443e8a6b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_54482529-6741-4e91-aa06-acf840d4cb95/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f994a29a-f80b-4ff0-ad65-acebd62e8bb4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e39c7d42-83da-4410-a75e-5866ce74c736/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1d481a28-3692-4b36-a1aa-fd0c874e7e0a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_957a9a7e-7bba-49cb-95fd-0e27b68df045/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cf0006e6-e9b4-4f85-969c-3b6f0378056a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0c8e5bb0-b787-47ad-9398-df8a88e627a7/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4f41c775-6838-4e82-a3af-fbae1fc97c2b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_05b9458f-e0a3-438f-b611-e38f6ed8641f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d88b215b-9618-48be-93f3-d3ba6f3b70d3/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e4e9c7a9-a84c-4662-bed2-9867195e85c9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_13d4aeeb-716b-48a6-96cc-f25268735d5d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_13fae6e5-15c9-45ce-867a-48321f9061b5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_017385d2-8edd-448a-90a1-d170b2414a64/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bf72d6a0-ac3b-4dc0-9b24-a43ab3c73319/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_66679b5c-8c60-4fb0-8a6e-6df8af5568f8/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c12eeb90-3d37-471a-85db-e1f4a93a9f44/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0b9e41db-786a-441f-a006-f03e06a3471a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_de0ba925-fa1d-46a6-aad7-c7f8abf440e4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6bedf236-ed58-40bd-8f52-f7b1bc54527f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e9a8def6-dc02-4e86-abf7-381ff634675c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df9da3db-8934-43f1-9493-8a05e8c9bfff/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_55884eb4-4a3b-40a6-a5fd-07afe08a311e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4c202ba5-6dee-4b17-a6a3-f8761da72340/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_41964639-9b68-44b4-bb2d-8d61b530601a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2efa6737-71dc-434d-9323-c4489ea6ff02/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a0450d61-4b56-4aab-b096-f0322cc0289d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_de41bc35-80b8-48ae-adc4-12d02338c609/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_36506903-6351-435d-b534-ee7773665268/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7ab1b0c0-0b8d-47a0-bb77-b992d0856eb3/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f5ba3f19-a42c-431b-bf66-01143f171197/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bf83b6d6-088f-4b37-abf7-913c6c44cb95/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_924b2ada-e423-40c7-bf18-42471cc08d7e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8452a77d-2ab1-448f-81b1-5489a390eb29/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d6439519-bd4c-4029-8c6f-51056034f5a3/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fa7aea0c-4535-4d96-8a28-3ce0853b3f8e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_734fcf14-70cc-4247-aa3a-099b2229018d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_63c75e33-e035-43ee-b2c8-4030196cf78e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_520a6aab-60d7-4d08-87f6-dfdac2e71a21/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5c92c161-954e-4dc5-b079-f54db8194146/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6b953935-9c9c-4edf-a973-04ba767a9734/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1c9f9f32-bfc9-4b1e-82f0-26436b82da5c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cfb524c1-d418-43ef-905b-66dcd762324a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_35a3ace4-b58d-445e-bf88-1bfcbbd187cf/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f848769a-9b0f-4af9-9bad-699be4b2a07f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cc383dfa-d974-4fb0-8f2d-d85dc5cbecf6/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_837b485e-4554-496c-a9f5-25827d723676/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_73364230-d5fe-4ad6-af7b-a9a715441123/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ae1053e4-9d35-4588-8511-02f0bd7eca0e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_74694117-bcdb-4fca-8704-a1e30c202243/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0654f788-8aa8-48af-9ff2-cae1ff344f77/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f73f6c6b-a64c-4d3a-9370-da62952f2eac/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7b85155c-e188-42bb-8486-f4d892d9d24b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f56c7a78-d3b0-4e55-a96d-48bfa5c87863/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ae80df47-ca63-4ac5-abe0-b3f962296c64/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c3d4e950-2870-42a2-9f85-511fa9c81736/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8ba4be9-4d0f-4a08-b137-ec7446e4da8c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5dd34f65-ee41-41d7-aa97-20a6e4c8b333/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a9a9928a-bfd8-491a-a443-58333666aba2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_adfc9247-4f3c-41d2-b3e0-ae6456209e18/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2cfb0cc7-d333-4884-be9c-98f34c0eec22/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c0853c72-e379-4094-b795-08ae6935ffa2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_61cec70c-4b59-4794-a2d4-ee762f437480/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_313fba56-1e1d-43a8-bed0-35d6dd5f21a0/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0b809f1c-7c0b-4655-b597-5ba807271eac/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5801e6bf-13a0-4407-b1d1-03925f0e6e29/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_86e1e05c-2370-4160-9670-a4456259476b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4c82e191-0f4f-4727-9a5d-542be86f6320/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_628614fc-cc87-47e3-ba10-6a8e7f968849/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_117a9867-b6e4-4d37-a879-11156b3ae310/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b15544dc-616b-4607-9844-1a62df317bce/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e1c92f8b-c91d-4237-ab52-c216d7b530d1/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bf5bd132-7cf6-468c-b6b4-dd8428ea91f2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b7eb7bbb-402f-4ce3-9357-90b95a7750f3/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_16c917eb-563d-4582-9d15-ee3be1b8b728/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2e29a392-80a4-4eb0-bc48-92001cbf52ae/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_abafddea-27a0-4422-8faa-69007d38a994/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c8150dc8-20b0-4ccc-a8a2-db5b893138c0/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d39a215e-fe1c-4682-be66-a23e887be54a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_72026f1d-ae6e-461c-bf9f-c792e515b6cc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_016058d1-cf94-4218-abc3-379f6e4c1888/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_679db708-efef-45f2-8538-f2120ea65a94/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2010fadd-1a87-4afc-8b89-86c79551dd44/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b21ddfef-766e-4d91-983e-c2973dbb9bcb/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7c813ade-7efd-41fa-8d16-bfafc4c79697/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_968e4351-1fb3-42a2-9404-e1ef5d4627c9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7e2cc140-bdbc-4bf3-8839-67e1b9ad254d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2bde38a5-7ac0-4463-a945-b77b7edb339d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3e11eb55-bfb4-485f-93d5-737fedf05f94/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0bccb7db-5c4c-4c27-bef1-11f585e6936a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f7fba85a-0dc4-40ae-a33b-f142ac7a0f53/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6a98e113-4b64-4606-90b4-f8044541142a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_158dfbe6-5cd7-4197-b4bc-35a8cb90dd37/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cfe4acbd-f0eb-4514-bc13-6812a7a8eb5d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da20f3e5-0348-4c77-b93a-6537d06d457f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b6c368d0-2eed-483f-8f62-302303dd40ba/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da7c4807-8212-4067-91e4-cc21c1bf3ea9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da87fc07-34a1-4575-8a9e-0876c221a2d4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1481cd39-f98e-4993-8104-fc6fa38bfd98/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_71a0c4c8-6705-47d4-9eca-3e63d8428481/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_34c2641f-c3cd-4ac5-b43c-8f82f72e7534/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eb2139c7-a110-4355-8e24-23384573decf/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7f820a08-ef39-45ca-9c28-082cb3fe0149/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_37125564-c0bb-4672-89ac-bbf81d41c8b0/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_41be7351-cae5-46a0-8d2d-a3b6e98af1d4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8046b8da-f8c3-4dfd-a3f7-3883a74bf4ab/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c7727a2d-cde1-4423-b0be-001374e8ac97/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d6eeb08b-725f-4300-abb6-fbf9090d5933/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ed044225-7c71-4c39-929e-4aed16160282/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6d57e7a0-72fe-402b-8dd4-61d836568b3c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_705c3241-4965-47ce-8a6c-915127951d8a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_69a73404-7110-4815-9edf-45ff8730863c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7a179ac1-afc7-49fb-b6a5-482cfd4cc1ea/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a4aa39d6-378d-43c5-9fe0-2182d35fef9b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c6b7bdeb-9fd9-495a-9950-45b47e197e37/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_657ae609-7893-4135-aa40-e275a6523822/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b1702e2e-188a-488e-bd8f-794f0a971777/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a2d735af-7c01-42a6-8d60-8acd8d2c41b2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_676cb1b8-113b-4c21-9cb0-6bc7e93bfe17/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9568fb80-393f-46b8-9ce0-68c735e43db7/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0fcb9e25-a7a7-4d29-a01a-c78f03d1cec5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cc379164-8011-47f8-bc07-c33eaf420e48/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_adc08177-2bed-4987-9aec-aa930935d42c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fc1531e9-f68c-40d3-ad32-70512b4743b1/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_21f416f4-e2f0-4eb0-818d-7f8010220d47/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6ac47513-0d6c-42a8-b6fc-190c00865ba3/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_07e45980-644e-4f1b-a378-9dccca829db5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dc4c61b6-24e1-41c2-baa9-ed7ce580fbb8/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5bba5ce2-c01b-47ba-b027-1a917594b356/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1a168b2c-e944-495f-b45f-e2697ead0368/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b5881545-7f3b-49b2-9490-e063bb9b105d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_784d006f-53be-443e-bfd3-64d9d6586e6b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bf128980-7dd8-4d19-bfa9-491c592e253d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b9e56851-0a59-4e5b-95a8-325008140a2a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e2bf7b3f-b922-4bad-b588-c4732e9cfb00/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_adab8626-9287-40f1-a857-1a384e92bd3b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1686ec69-f59e-4807-8306-ebc174749a8d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8a3375b6-5ec0-48ce-b6fe-f79c92fda8e9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4d5223ec-1e65-4091-a4cf-267937a5a66c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1a6b08cb-a2c5-4bb3-a43a-1723b12e6a66/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f54d886d-2378-47bc-b4fa-bcf3dfd84ff2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_98803d93-5238-4d5c-aa40-b7ada69aa2f9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_75312e98-4d80-4e90-a2d1-3a7f57f31dc7/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c70a15ce-f0ce-4320-b05f-1e2e6d36a7b9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_21bf4561-5819-45dd-829d-014ed306d1cb/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_006b2806-81bf-4119-bf77-812f9f4de799/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1ecf1755-34b8-4727-93cb-61aac75cab13/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_80e4d423-786f-4c78-9fde-f9e5120b7f7b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_92bf2ebb-f75d-42e9-a30f-1ff5bfa789fc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|67d82db7-02e1-4683-839e-5bea3cb8cb31/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3cbc4448-70af-414d-be15-ab4f6a43a40e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f5d8e9b5-42d8-49bf-9b70-46a80aedf310/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_44303a4e-b06f-47a0-b540-5c35d4a20edc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1dcf4ba7-27fb-4771-a5c2-710a88d9d3bc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9c2abb15-129f-482a-8085-82bd80e9bbc2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1988d522-70ef-41e4-b8c2-422bcd59087d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ff071f57-532c-4852-b484-a540d7ac955f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fa81e30e-85af-4578-8454-bde611270668/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a83fb010-63ab-410a-af7d-d93823b1fa21/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b759ca70-c5f9-4da4-85a9-229d9c96d50c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4aa7e310-0987-411b-b257-69157bd54b2a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5069cc4b-c27c-47c0-9b6f-51cfa6e3e1af/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7187d523-1bd2-49c3-b6ff-2eacb0d41b61/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ba723cb2-34e7-4835-9c2e-c8b7a67e22a9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c20328b9-c7b7-4fed-b18b-04ac9a73a0d1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_46a839ab-e695-4bb5-b9c5-530de93b9055/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b2c8a34c-2d02-4ce6-a784-e13a33924490/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df9a8f8b-61df-4b10-a239-465257820ed6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_053bcabe-9b32-4de7-ba76-998d4db20449/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_84479360-25c9-4b37-951a-c72abb39b688/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_23b3e8b2-77fa-4902-a979-082bc09e7a0b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_88c1a04b-c1e0-410c-916b-94a69d358a28/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ba96b27a-e8c9-4b64-a8de-63b2a726eed7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ff4b6dc8-821d-43fe-9ec0-7d5018e80e6f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_30d346be-f3c2-4e3b-9a2c-5beed892325d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ab184dfa-30ee-44d7-97e1-0379406e17ea/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_77bb24b1-fd04-4782-bd5b-d4165fcd1cdd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_75adff01-5031-4416-99f2-ae7d9d5ee939/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_80f00f65-8305-4694-8f45-4a8cb5cbd976/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b32b61c3-fcc5-4d29-9b38-de1604438d94/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b2ee420c-c65f-43ce-89bb-50034511c762/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a05690ae-3431-435a-9bba-0021c0ef1f0c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b465ad24-2623-475b-bc0a-e1b5faaa1380/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d557999c-e55f-4331-b55d-81f11b7051a1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b08e36fc-ffcc-43b5-96cd-087b35f9da4e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_36b3c542-7fe8-42ae-8d3f-c5a7f61179bc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c00f23a1-afe6-4368-87d6-9d3272c0410a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d634ecaa-c809-4dd8-87b2-7720b88e65d0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a413cc6a-1e8c-4f53-a8c5-cda714b2a32f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e055c81f-5967-4f44-8e66-82e446fc6229/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_88784db0-ba08-4da3-9ee3-710b90b13b13/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4c41aafc-712f-45ef-8c94-57897dcd379e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_40eb0afe-e6e2-4bb3-ba5f-73e77fb7b27d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_59b12147-aeb5-4102-9279-d0ca17c28405/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fe8ca88f-c92b-473e-ad00-d698efd6fa98/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ba17f16d-0890-4274-abdd-415c54bd29ca/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e6010ee1-2bc1-4278-b0dd-df20c65a7e69/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_99fc7629-ccda-4a93-8786-f3d456c1777d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9080709a-f3e8-4bda-9ce2-3ab09d647ac9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_88343032-ed8c-482e-8360-ab54c51b11f4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e4321a1a-1c9c-4b6b-bb3d-e37b965d718c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_70109b86-b561-4292-9048-ce51bc48f966/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_31d5ec90-e448-4d4f-acdb-f4dc15fd96db/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e29e47cb-a03a-4eac-9267-c08a59e0bf30/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0363b418-daf3-4c35-91f5-fd3a9911bf83/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fdabac2b-486a-41ee-9ac3-fa99f52c00d2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f7f53759-f1ba-4d92-af07-12d71b62b0ae/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_82a8ffab-c440-4652-ac0d-d39e2f91d034/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b8cffbd7-dc01-402a-bd88-b46d61b46701/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_030b08a0-1ad8-40b7-8930-94d274f178dd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b66e309a-0949-45a0-881b-d0c50a99b4df/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cfd68017-c76e-423e-b525-3ea8b2ad1c31/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f871bf8a-2a42-4607-8cac-d194e02e8435/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4826248b-d397-4640-8919-22203fb46423/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a552a53e-47ae-4ac6-9cea-df9a9abffcb7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_38842879-b237-434e-98af-60188555d30c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0b8172c9-5967-4be4-952b-ac4d373d6c72/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b2339217-a580-4877-8eb1-ca9f669c40b3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ce50cf09-78bc-431a-a1a1-4cd72274bbc3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|f5ec2229-7303-4e12-a763-0faef1561353/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_646348bd-3b26-4d10-b14a-087b069f8945/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3686d517-4594-4b92-9815-43837bd6fcdc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dd0ed4b1-bd8d-4a98-b447-2615a0446855/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_422c0550-581d-42b5-9788-63126401b238/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_67f2b7bf-cf73-4194-a0fd-213c7c98f9e7/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_42c9a0ce-e41e-4994-993f-11cc1356078c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c8d53ead-77fa-4bfc-ad57-e1758b5d8b18/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_732a09e7-e0ce-4860-995e-b436b1ee97a9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e0bff3d7-7afb-43be-8474-3bac98e98309/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1318ba31-0296-44e4-a97b-919647a7ce72/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8141b0da-b80c-4e7f-b597-2122da7e0d77/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0c837f4b-4769-415c-96f7-9222d84895ce/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8edef862-7e0f-47e9-b26b-ce6b7cd39226/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d85b9585-248d-40b3-afe4-9868d04b66a0/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_01124f1a-6098-407b-8b08-b09d010ad16d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ab25c634-594b-40e6-a425-679077c95f26/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f231935-e1c0-48fd-80f0-4ff715c687bc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ce25efdc-2794-40ca-ab5f-d61e45959bb6/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df07ed7f-6c4b-4596-9ee1-a727712dad10/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3fd9aff8-8cd1-48fd-bcd4-b9db3907a325/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ee41bc6c-87a5-4efe-b1ad-715fb4d3c82a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_42f484f3-dc65-43cb-bfea-54fd7602bf10/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fcf9d200-8ace-4d8e-b73e-2c1590d7c78d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7401927b-8c9b-4eb1-9288-104d226abbc4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2395c522-f2d8-4ab7-bc0a-26aaed71fe38/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5ee70ef3-0962-4d99-a9c0-b9e5c7baba29/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0e0d10c8-c830-4cdb-ba9b-cff310b78dce/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_45da4993-fc8d-4fdb-8a68-b7c91b67d9c1/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_abab20f8-c0f5-49d2-86b2-53f59fcddadc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|7dbbe576-7e95-43df-8007-3c48dd8cf958/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a20e5aa2-57c6-48a8-9939-9d3769d44cce/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d7a5f69d-78bb-46dc-aae5-cdc7f0f87b13/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c09dce14-6394-4d48-b633-7cec5d058579/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_40ec5f94-8741-4e16-bd04-ab716f8b25a9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_292692b8-9df2-428a-aa16-51b25efc4147/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2b03153c-df5b-43de-8b6a-a86f6d494d4b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_56bbb2f7-3c34-4605-ae12-efd02d9a5bb4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7573ccfa-9421-4c5d-b9a8-ab5ed7d749de/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5accb991-5808-497b-8a48-a0b76235dba7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c256a19f-e8d0-4a50-af04-1f41a6720fe9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0fd351d2-d5df-464b-a307-91279f1d1f28/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a9846af1-b82d-4aae-a5d7-bad07a1d17b9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_52730779-4afe-42c0-b65c-bf748894518a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a32890ef-3ee5-494c-85e3-ad6e767fe6be/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_830b2147-6271-4c4e-a3a4-19a3cd277856/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2aaef33d-7479-4b9b-b70a-a17e10d193a5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a675e80f-0606-407e-bf59-c3a06c3cda2e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d69310ad-35b7-4dbc-8f5f-71590daaa017/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eb86d955-4ade-4b9b-ba91-b8c81329d9cc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_145221a4-0bcc-401c-83a3-3e8ed9c43712/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4279f74b-d72c-4571-97bd-d4c693c5a8b9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0a881b02-34b6-4ec6-b86a-af1dbb8d50f1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6202d8b5-ce88-4151-8f9c-5d88cf3c539a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c413811c-7304-4cbf-bce1-6379328652d4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0b971de3-b2b2-46da-bc21-2e630aa2e138/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1717bfde-cac8-4efd-a68e-d5336a677822/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6b21e803-ebf4-4156-9df9-37f814acee94/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_294cb9b2-389b-4055-98f2-113b8b9d8687/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d0c9b6bd-c4a9-43b7-b7a2-ab61ed1d0330/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8b734537-0d04-4985-8aec-660c5f38153d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1a975f81-7da8-412a-9123-0c77a41e0514/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|d7e87b9c-bcf1-4c64-976a-20c66a963f72/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9414b129-747d-4979-aa05-2d42eefdee4d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8b993edf-dc57-4133-b78d-f8bff7a69d9e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c0f4221d-d1f1-4a5b-ac76-e34d51b42fb2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_27c7c85c-0e11-413f-a813-93ab631824b2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c9cae216-ab83-4e31-bc26-e06287ab14b0/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6f1b1261-8cf7-4eee-ae20-7b0ffff162f1/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e193c873-0436-48e5-9992-863f7bd90eb6/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dcf6ce16-1a60-4840-acf8-60ed9ac9648e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ab995430-b4a5-4065-82f0-89a4ff3a4aed/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_90a108f6-71e3-4eea-a1dc-8c93ce19e19d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c4e183e8-7c37-4c7d-9d4a-041b16424581/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1ab09594-b990-42ae-be04-c31931b9530a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_acb68b81-0f33-4741-8c0f-dbbe4078f1b9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_43bcc337-9207-4941-ba16-a1bd9c7d9aca/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3aad05ec-fc11-4db9-a760-110761056512/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6fa3c4a3-3c52-4fec-b0d6-dc5034b366b9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c16a51fc-0be2-4011-b7d1-a13218bce3a6/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_928abf40-7aea-4912-8060-8def48ad0016/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f35552a6-279d-4d37-916b-d0274adbe40f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_072dd151-35c6-4f13-91e6-0c41019c6ccc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d2f94ece-73df-43ad-ab19-c957423e54fc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_625c6fa6-26c0-4cb1-84b0-a7ee4a2cbc23/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fe5c8a0b-e795-4823-9a24-521782372c10/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1c379bb0-6df0-4062-a15f-b25c29263741/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9686a022-304c-496c-a18d-c384faa8679e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_015461ac-7f8e-47a8-9e1d-719e61f00b80/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a5d10d40-5bae-4bc8-b015-4195bc22e501/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_284e5d69-0d8e-4ab6-886c-61bafd23f8d1/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ac8e0caa-2cfc-4b37-8319-06690da9c7bc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fbcc564e-11fb-4098-be1e-40b77025fd4a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_477b82b3-2faf-47ad-ac6a-694ae9b3689e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_32b7f6c8-a7cf-47b4-a131-4a4647513dbd/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a64d6373-2b2b-4b7f-a402-010d6429db1e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dbe217c3-7f07-4456-ad38-6812c655cfda/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b0bc243e-9556-4ba0-9361-dc792fc2dd65/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_80e89a1d-6ccf-4551-a6c5-62dc995911d9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_37b70470-aa70-4025-b5d3-1d61f690fa9b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|00a7ad2b-c7e2-46e7-af82-3cfd96bd51e9/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3e2e5ec8-e58b-4816-8b12-e689a4afce6f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4b79d6e3-8d34-4d49-900e-08fe3b5f163b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1f4ef13d-5cba-43ae-a368-e0ab887c8b62/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a5727e2d-f4df-4138-bfb7-e20a71f37a50/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d07ce7eb-c78d-44be-bd62-340e4f3dd8ac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3a2e5461-66d8-4a2a-b6ac-870fc4383063/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9f6dc7b2-e38e-4ae1-b193-4e22e2f01dae/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6d6d2c57-2769-4c37-b75e-a7fb165238b1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e7b54fe3-d9b3-4693-86b2-d98ad1653f8e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_099060b2-4772-4e71-84da-75e453ef98cb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4cc22396-157a-4d54-bf28-bf19f466175e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b126a10a-b8fe-4818-bf9f-1e463bedfe86/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ce5e65dd-b155-43a5-9d60-90a7f7ae43f4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_040928c2-1401-4731-a389-cde22495c515/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_56080cc0-bbf7-428c-bb71-2dfb8da3a380/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f61fa4ed-f28c-4c57-9ac2-339b5507c503/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_41f5d11d-bc41-4889-8499-52296cabd306/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_009bad6d-6d40-44d9-91dc-0e14b394030d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3e892ed7-99e5-4937-8424-ee95d4ecf5d0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5d82371d-e5e7-4cb4-ab9c-1f1a8af078ab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7d1caa2f-0f83-43f3-94ee-cf1c7e03e944/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4c150442-70b1-4d6d-a787-2ebc2b02a99c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eac7e3c0-7cea-40b9-b812-fb9cf74e61cd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_62eefb47-d782-4e62-b803-09a3554a2e4d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ee173676-0523-4975-827d-aea69d77b9aa/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_13866ffc-6c61-469a-aa79-903d5c3a0b26/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_457b2c15-2902-495d-815f-4c6c1b3f8dbb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bc23e61f-6d1b-4203-a191-2180e027d2ab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d30ba834-f1d3-4b92-8a47-2e9abd774d14/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3c498278-c4c5-489e-ac1e-e9395a129898/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_02a1809a-ded1-4e9d-aac6-aad343f5631a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d835bba0-ef40-4e78-aba0-7a65ed2e871e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e2bc7579-13ec-42d3-9823-a579fab5a2fc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_259df91e-8ea4-477f-bfe4-4735e38401da/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0efa2281-6cdd-4057-a9a3-fc08104aa3a4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2bf8f00f-d2e6-4dd9-ad6f-7d99c347f846/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8228293-50e0-430c-a880-897372fcfce8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4d3cc147-9dd5-4ba8-9104-95496e64d23a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8c30878f-4051-4380-8a71-710fb3c5d372/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df0cf7bd-ddfa-4c7d-9316-80379dbe835d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2f5bc17c-5424-4124-bc5c-280c422f4abd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0e335fdf-0b03-49da-9a56-c7e60d9d1ce7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_968105d7-710d-474b-b91d-f570c0ceb701/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_33b5d21d-9c49-4295-af73-8ca13260c67e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_31e4c9ff-8f70-421f-9599-8c1607cdc77b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3ad87ef1-d864-481a-a291-efd17efa381f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0741f343-4f6a-4e62-9d64-6cccb8fda91e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_07a07b59-9b63-4fe4-ae2f-5eba7eae36df/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_191c8ae5-3abb-4234-9f0a-cdcfefa7a5b0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ba4f147c-4145-4515-b6ee-d492cd2b5fcf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ca1e1d04-1948-48a7-8792-4da5042e4676/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_16e5cdba-658a-4a0c-9659-827e6e77943f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c294b6b6-8d7f-476e-bb8e-5d30cbac8b84/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_58b00098-5b73-4edb-8000-a03e98df8572/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4fb941b3-b923-4baf-b55f-3028250da4d5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1103de8c-a394-463c-baf2-5fecebba9a40/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ef778b98-a7be-4b2c-a0ed-7a69a607c9a2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_23a527e6-df3f-490d-929c-c5cfc09cdfe8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_36049a8f-2158-498b-b13b-6b58a21febca/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3707b344-ed7b-488d-9c68-59aabcae6664/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_773c9027-a602-4e7d-af04-5effaca91af9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b3bb6d09-0ae3-458b-a571-1e7d2664b6ec/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5798ec93-9363-4dce-9e41-6f161a0339d1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5a9c3127-ca57-460d-841f-fa9b0a8df882/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b2a28b43-e451-4519-a726-a66e5342e0a7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_243b92b4-a71c-4f51-afcf-0bfc84647035/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4ae63e93-b77e-4386-848e-a39da9e6083e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c97e35d1-2707-4b83-a07e-cb225458e2e9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_74944b75-003c-48ec-becc-5ad5e8115e33/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cfc140cb-fd1b-4735-a9a1-2a67729c5de9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e2b779bb-201e-4244-9123-68fa154f3869/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_abadc236-d410-4f5f-b107-59aa9278581d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_86cb2f63-99ee-4043-acaa-d338cdea9094/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ec5e354d-3a3e-4313-aec6-7de28746652c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0d10a40c-afa7-4d45-a775-6c92bdd566d0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f058c246-0853-4b3f-bbd1-425279ffb783/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c7d75aa7-e14a-4945-b581-27c034fcc01b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c6d170c9-6f85-4612-a5f9-fe569ea0c82b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4d0704e0-cf8e-43c2-b7c5-b1d1e112afcd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e101ce6b-b22e-4da7-860b-53d5d080d8ea/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fee69ea5-9bd9-4088-932e-09f76b7bc64a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_627d8959-735c-453a-b5d2-026038a871b0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da6b40c7-7628-44b8-b55f-6fe24a7042cb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9f57a01c-6e88-4a15-b9fd-e1e5573f81b7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ff44f360-2ef6-4a22-aee6-b457bced2b93/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9f159467-6b01-4724-898e-51d1082f7f27/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1bd613f1-5a48-402c-a8da-9e649c10feb3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7979ed00-d894-48a1-a930-40a649a35463/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_08891c73-fb6d-4342-ae77-a39641bba92c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8734808c-234d-40ba-a21a-828b906048f2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dbc86540-56a4-4c2f-8a9f-e6c13ec33b50/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5965be0b-21bd-446d-8e85-8d89ae6cbe19/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f6d3c48a-ec6f-480d-88eb-d45c7a24b157/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_27ff28db-3fa8-42e1-b3b4-93f80869dca1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c0f11076-4a82-4164-97e6-72abfb4dceb5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f13c7954-4f29-4d3f-98db-1a25da5f27be/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9947e0da-c57d-4dfc-ae49-ec4096079f29/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b9f0a0d0-0ecd-46cb-aa48-c8dde56596a9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d90d63e1-2cb7-431d-9592-0fe94334591a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4a7a1b4b-5259-4bc1-81f0-caeb4f3401a1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3bbdc703-274b-4ea0-b671-75729aa66146/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|bf4145bf-707c-4605-9efa-1a31e9318e33/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9384fb0c-c4be-4e79-9ba1-4f7420a789da/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2df55971-5bfe-4874-bd79-73c185d08759/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_10fae886-8834-42a9-9144-172e8ffd9f02/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9e8d344b-d9f9-42bb-ae92-647c4f53271e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d8bcdcf7-ddac-4b98-ac7e-5017f555beef/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_92df835e-ae7f-4fe0-ba4d-dd83a3fdc6f8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3c6abe91-421a-4a7a-949e-bdf2e36900bf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fe2e845e-1ddd-4f4d-8ef8-446157b2864b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0d336fbd-50e0-493a-b40a-d8c8f206cf38/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_37acdc12-4a4c-437d-9d81-0a9358a453c0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dc59f01b-4b2b-42ae-8fd6-69b9c60ca849/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_de8090c0-05fc-4597-9ae3-5e5201e9c1ac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3eb2cf9e-6fef-4b9c-8235-421631be316c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9ec02e7f-2e7d-43d9-925f-85f634fc7de9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cb99409a-0672-45f9-aa68-34986843cadf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5769941e-6b09-4192-bb4d-9e75113d6f1a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bf872b03-edb1-4df6-966b-607bb86afb09/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|56877592-f84c-4e47-b25b-f642591badba/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_677229a7-bd4b-40da-9894-ee84102dd3f3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_aea30305-89bd-4372-a53b-855930350748/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da11f60c-b4ea-4862-b00e-f25fd6f922b2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a32b834d-9bc8-4dba-824a-b77ad71dbfe8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_07e28774-baa0-4df1-af72-01182552f929/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a81c76cc-5832-4265-8b50-5ae50dd9b750/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6fc358f5-4968-4bb7-96fc-f9cfc99f9f14/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e5ab8c8d-399b-4f43-a7c5-91696476bd00/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2a1a72a0-0766-4a48-92ec-f0fc176e1ebc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_99ccadb9-dc1b-4623-831a-6239e0f8d6d8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_184c8807-8336-452d-b170-c5ee9af511a2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_70083a63-1e53-4a6f-9924-1daee370540d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_812a87ac-e5c0-40bd-94a8-26703f6cb6e5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fd136f38-af17-4f3d-99e6-0a74f4ed9ec0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f21d023-8902-453e-96dc-8d5650b61293/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a54d2790-c7ae-4c22-9f82-958f144821dd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f59bc8cb-6c0c-488d-85ac-27d744113fd4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f51371b4-1996-4e31-bdcd-cffae63c78ac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_aca57c51-a409-4d1c-a942-5f71140787ac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_210b4b5a-dfe9-4576-9a06-dafd58ee172f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_75879129-abf5-4334-b1d7-48a1b9ad152b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_20321576-095d-43f4-83c8-bded2ea79c30/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c328372e-4c77-4248-ad28-b1b6cba970f8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_78996d05-755a-4b3b-a1e9-b44eb5ea88f2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1ccabb71-84aa-42fc-8f17-9c9003b99766/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4f5e7de6-2ce8-47b9-85a8-33ba0703d928/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3872745f-82ac-42f2-abc6-8e252210f2d3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_db91e735-a4ab-44fa-b10c-fbd249525420/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e3b1dbfc-fb2f-4ff6-8423-01e698413aad/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_32a64070-c0fa-4180-8470-7d95d4607e64/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_55ab5984-b994-4e13-86c5-731530029dd0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f42c1260-a6f6-4de1-81f4-3199bfded21b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_285e8487-6e26-4a70-a474-a4b99b9c2626/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b4f8af36-e296-4f81-9b75-fe3b64589b53/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3a830c85-e490-457b-b48a-339b8bc31c66/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_75eb3e38-718d-494f-8fe2-ef780493e728/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ad2fa55b-c24e-40fe-acd4-86bf2d396099/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_715f53c1-ca7e-485a-96a7-4571b76faca3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1b75814a-b3ea-4888-b1b9-83cb0e001da1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_23d8beba-a284-40f4-ba50-af5d515fe841/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_41bc07b1-dd85-4de7-95b3-87cd882839b8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f3f1e47b-c660-4f33-a6a0-6057905c0642/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6a65ee00-38cc-4696-8624-3e05dee03bce/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f05eede2-ce76-43cd-99a5-bdc3dd30620b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_329d1c81-f0b8-44c7-ae63-7cbbc7a04010/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a55c9423-cb30-4b2a-a8ca-10b634c7e094/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_302452e8-ae7f-4843-bbdd-39f825ab321c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8597f22d-1317-43a5-931b-e5dcb1c3c509/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a709394c-a022-4cf7-8cc7-27fb663b871f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f744a99-50dd-4915-821f-ba11f0b4772c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4afbe7a9-0935-40db-b021-d881a6ea1a00/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_70620f7f-8029-4bd0-ae23-f4a60bcb319e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_42c065de-0b73-49b8-8623-990b8c604518/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f51663f7-952b-4d0c-aada-188a5489755a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_19812d00-1475-4133-9080-075b3fea2190/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_735bda97-e1c1-40e0-9a73-de295f0f9a1b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2bf780f2-c2ea-41a0-9984-18f9cc077144/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_29063d19-d2e7-4551-94ee-2af9c574c688/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eeb2c552-3485-4d4c-b51d-2cec0f9e2fa8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f1720c00-e8e1-406a-a751-ab8f75293f35/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ad6efa65-4b84-42ac-8320-dd48d50002c4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f0136386-9f8d-4153-a243-13770aba5a2e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b9962a73-37d3-40dd-8b5c-60a6feefd354/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_20a680a8-d817-463a-a331-4ed6b844d19d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c54565f8-9dac-4766-8d93-ff6314ad64c4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7cd6e8f5-0418-43f1-b6cd-5dc12964a143/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_307a79a0-45ed-45ec-bafb-f44c5d715fd3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0d1317f5-1a8c-414d-b138-fa7cd0adc37e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_55034444-0b2b-4135-a7b0-fdf401fef290/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f79532f-a0ec-4493-94cb-d204708fee5b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_43a234ed-c3dc-4acd-9e2b-8297d2f78d41/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_28c22b69-ac89-45e3-a996-24ed938b2292/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_39be2d57-705c-4351-b46d-85a1d40083a7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_232441f7-d094-4768-aa7f-3f37c68e2c63/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_af37b5cf-8c0f-42fd-9cff-6558242e868d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bcba2bbf-4803-4341-8e1d-227ae4746f73/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_64f391dd-841f-46fb-b583-304cae4cd38d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2e25bef9-3f41-4341-8377-0d073162ef75/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c928a355-4b79-4647-9bb8-398b0bba3143/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_17ddc8c4-ccb7-423b-9c7d-cd0673b55b42/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c5767ae2-7541-41a9-94b6-ef3c907d375b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_29288814-fcfd-4235-81fb-d09efbbc8333/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_922890db-b903-41d7-b137-bfbc8ca78ea5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1b37cc24-7444-4880-a05d-b4548c4cda98/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5d989f88-8ae1-466c-83e9-6b6ce3e6863a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_abe4b18c-37de-4f2f-abdd-cc09d03a064c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8e029d60-32a1-4a73-8e10-fd87eb4fd43f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_40404eb1-a947-4a1e-a970-64be70e2fe8a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8afb0eb0-d8c3-4518-afb9-3fa33decffbc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_211b16ed-9c16-4956-8600-71d4f80d01e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_245cc15c-34b2-4504-867d-6acae403de9c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_596c93b9-2862-4d5d-bddf-3fb41c8a7a78/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7360c786-9675-4fc6-8eb9-0c9262bd4c83/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_28a6792a-00a7-46f9-b8cd-275653a856a0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c3053b52-10d0-45d9-8ae3-ab0c73e9ab56/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_99889266-1da6-41fa-9edb-fb79e70d39e3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1b0e6b75-4617-41c7-a6bf-b69852dc2f9c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_33e2cdac-16ed-4bfc-a99c-0e61de277963/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_05d47637-e69c-469e-838e-1460bf66756c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3a756e6a-94ad-4f23-bbd8-b7d46036ec19/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3d010a9a-1c5a-4fb8-96ba-61926efd10a3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b8cb58f3-a25c-4e0f-80a0-f4bacf951137/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_81719572-a18c-4d84-a321-f171e19c152d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0e3f8d15-989f-4606-88f0-1321cbc4061b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0d7a2a82-5ab0-4743-a210-4feb21b634c8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_34ae275e-b0c3-46d6-948c-b126a9266889/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ba01cb04-7d05-4f54-9eec-9c850064d7d8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_818265ab-61d4-4a19-88e8-d77b24e37d2f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eca127da-75f4-4615-9264-a6985f8bd5b0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2065051c-8345-4fcd-b22a-2d2714149832/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8ae719ca-4717-47d2-aee3-511226a60c74/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c0bd8a73-6f40-4d01-abea-a57718e53961/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b4c373d3-67a3-42b3-b6d5-185d472e3197/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_db76b258-ac9b-48af-89c5-72a73cb08e86/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cade6e7e-2d76-4d95-a7b0-570c4a1fa7ab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ab208ff7-aec6-4d7e-8981-f0675eca0a6b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_55706745-be66-40f4-98af-de4ad903c4ee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1a2f1100-b3eb-40a5-a979-fe85b7897865/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_99202f56-02cf-4301-901c-2208e6d8037c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fe91169a-c984-49ac-a10e-320586a16f74/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3f8c2d04-d401-4169-95c0-6ebbf7007e95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_27edf33d-3e3c-4112-83df-be1d34590049/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d6045f26-33f9-4f61-be1f-bbe59ef5eec4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eafa0aae-0e25-46b7-aa73-0d56f4498218/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_786c66b4-6f7c-44e2-b2dd-e078be90357d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e7f9a0a0-e9d9-40a1-81ec-977cb6cd6ab7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8cfd716a-2711-4b91-92dc-d07bc29d7f09/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_48c0a6f1-d3c9-4b92-bfb8-6a948b8599ee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_12989edf-5b28-41dc-99e9-49f349f23173/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2106d09e-d223-4bce-a9a3-085522201622/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5ab5dadd-25d8-4e2d-be6a-255dc3cadcf1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_59f1029d-b156-4066-85c4-46032e243ee2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a33e9cb3-cd00-4e0d-b930-bea188ef0ad6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2850bebf-66fa-4c94-8cdf-24c4c1fa66ad/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_db3ba9ed-4875-4eda-a73e-e18271161cf4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7c7ca074-2f8d-4670-94bb-b3893bc9edcb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_440a7bd7-fd0a-42fa-a98e-a86a57338699/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_18f4d8af-ef6a-4dcd-a0b1-29ce8442b901/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7fe49239-5d15-470c-b462-1a747f20f640/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eb06f795-ee8a-4910-889f-4148d8a50c92/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4599fe4d-fad5-42f4-b8df-935315813b07/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_58a073c6-e63c-4ac1-a897-7ad0c3185eed/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d6a74ace-d71d-41fa-9102-ab21cf161bf7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2cd2b56b-dc4b-45dd-8209-217ce3307935/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0e8b1d94-8f7d-4ec7-973b-5a2ccaa8c086/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b7eb10b9-a80a-4ef1-89c0-c7fe12ead6c9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f66b0e7d-d968-4b77-8b82-0e2907d97780/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_673451d9-67f2-4141-9dbb-153e98110855/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_52a793ab-35cc-4ebb-9164-e657e0e49f23/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_321caeeb-4acc-4b6b-a3f5-2415f1d28e98/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ffb6ff78-4220-4df1-b697-26743f89ff4d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_42aa6e02-6c3d-48ba-bef1-bb113070ffba/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9c537f15-3f5b-4db7-bd80-e8d6a9e03a14/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_41dd8557-8d0a-480a-9b6d-0706b30c372f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_24d440c4-3bd7-41a3-8814-0471d23e1782/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b2366cd4-308a-49e4-93ca-f8ddeecc550c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c47ec32d-5806-4e9e-a000-10df31da323b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f9d0d832-2775-4122-8e66-de3d9d35ac2f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4d0e5d47-3b2a-4074-b292-5bd7a147c84f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5da24ec8-bc95-454f-bd35-5a5a7d9a3fc8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_addcaa82-ddf2-4f50-9921-442935a62c36/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4a38873c-72ab-4d8d-b794-bb3e54db111b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_48e1f43b-acc6-47c6-9052-04f687312803/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_82099ff5-e309-4bf2-8013-28048f3c38c1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7423a355-613f-4fb7-912d-adbc8f776fbc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_86881bab-5199-40a8-b77c-f2ff8b51c403/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2336e11c-a175-4854-ae58-68bd2fe79cf9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2d2490fe-24d5-4ba4-a8c1-ba82f5960b23/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6222e195-16b8-4144-b6f4-385b526f17c7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4a85f394-5fd8-4480-bca1-b414df5f87a2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_46362f44-e972-4c4a-95db-ba88f8c9cd3a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_19647d49-3ab9-4d3d-a4ec-c92fa4898efa/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e9cdfaa1-8455-47e8-8d88-1f0e3b4f68f6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_93ae60fb-c5de-42c6-8332-49820ee5a6ff/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3dc62b1d-c158-4257-a562-49b416d9c811/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_accfbf4e-c8f1-488a-aa97-bda63c4d5e4d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c8d36151-0650-413c-b9f8-0a11fa01fe9d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_359e170a-906f-4523-9317-ecfca0c83a77/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8a90e765-089c-4b9d-8d65-58a91fca960d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c7e76ff7-8999-40e9-8aad-3a1373061238/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d1a0806e-83d9-4c2a-94cb-e3f3f8fc264b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5f49ad18-602f-45da-875a-739976df421b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d1ff864d-7c91-4c8d-93dc-b964aebb8e51/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_009ed36d-606f-402c-bdde-fb88b343dece/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1ca77f0b-f716-4633-bdea-5f7bbed9a3e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f6d97614-7bb5-4450-ae30-c0c75b4d1d41/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_993b8f7e-ad30-4e54-b1b4-d8136e104e38/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e3ea67bf-d116-45a3-8a54-1cd40b593557/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_586a7947-acd8-45c6-b034-124f0dc98177/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c88fb81b-0fcd-4a74-8b4b-97d933175993/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_aada6363-5ec1-45da-b2fc-c4c28384ab6f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_65e4ac2b-db4b-4214-bde6-8465fa8224f1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_493302a8-9af4-4113-8c5d-a9ce99258873/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_57f52f59-5d62-45b2-8e9d-79e76c7ec116/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e514bb75-6fc5-444c-bc38-f0818e51b386/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3ec4cc43-4345-4c1f-b335-05f67ce720c6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_84062981-ffaf-4bfa-bde4-acd3c27722a5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a55ec37d-121e-451f-8a62-f5334194c88b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b3945086-6884-4fc2-aa75-494718091d5f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0eb7ba83-478e-4583-87f9-09ad6e4e53cb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_247bf74d-e3d7-4933-8d2f-aac95d0a52d9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_64f8314d-0dcd-40b4-bafa-7b72aee123fd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ed32b4a2-b61c-4113-ae9f-69a0e98b8967/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_732d7ffc-2dab-4cff-a09a-71a0725fe66f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8d739b7-3b4b-44d7-a36b-549016fad636/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_33acd59a-e4f6-4cdc-af9d-58578bac39ec/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1ae687c8-a462-488b-b8ac-ae19d7fea781/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8a048cdf-286b-4378-bf17-320abb29a6e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a76db1a4-6061-4a12-b62f-88c49b3724b4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_76794d1c-9e58-473c-a636-27a98b315e9d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9fc41d57-a86c-4ba1-9f88-687b80c5fcb7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6aa93b04-b714-4d8e-87ea-541e0726ffa5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3757b443-6540-447c-a293-19a8115b6a3e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_418fce7e-438f-4801-aade-bb45a1168074/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f86cc671-d8f0-4f57-8a61-fc3128ca47b0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2a5f419b-e592-4628-9d45-7202669cbd85/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2a277a23-39ca-42e6-9ac1-2f9c8932679b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e64409c5-894a-4b18-bab9-5e71319fed6c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4df5f3cc-3abe-4dde-b633-c3c90b86ca7b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4f97e4d5-a6a1-43a2-96fe-94e43a646450/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_373c377e-1715-4ec7-89c9-523a6c336a9a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_99cc4243-da2f-48c2-9531-07a9af9862ee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cb46e902-ad81-4c31-88ae-5e7c7607ff46/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_819b8e60-d4db-49d2-9988-ca98178032b0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1325da84-5f82-48cc-9a74-beae8cd86cc9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2b39d2cc-bd8b-4160-b524-f697378e84f6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ded5cfd0-7d0c-45bd-b6fd-46b700d97a11/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_238447e9-3d9d-49c7-bef1-eaf205520f64/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d730d774-c3af-4d31-9ce1-57d4d1b77524/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_74920d0f-c472-48fb-bed8-71fbb54db5d0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_de16d306-8eeb-4fc9-9715-162e5cbf0ace/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6161f48b-ded5-47c3-8d57-c794861d1e7e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_54d32abc-abd1-4377-86e1-4500c065c1ab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4c6a5536-3bc6-449d-98be-0ba5564751db/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_32305076-9c4a-4468-bfe4-cf9d7c02f089/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5e49b01e-3a33-4b4f-b3a2-230d68728c51/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_666d04d6-fcbf-4035-b6ca-32e2dd88c629/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_925b1f98-b051-4397-9678-2c5e3ee1382d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d5f19628-e8f6-4d51-85d0-2a843cc9dc92/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9d1ed757-f151-4140-8832-ef95a41a71bd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d438cb21-d828-4800-aa6d-db4b252e8007/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_774c1885-887b-457b-912e-0e5ded18c9c2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d7265eac-1538-40c6-bd40-b3beb775c86b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c564ccb0-cbf5-426d-baa8-fed87e60b1af/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e9cd9cdc-f365-429a-a24a-f786047cc263/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f294b71f-61bf-4191-8521-28406dd47f11/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3cbb0a3d-b7b8-4cc0-b0d0-64acbb1eedd8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_772871cc-6b4a-4c47-a273-897286af6985/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_25a8498c-8a74-43a2-b6f0-120a9f8b5ada/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_db503770-5327-41a8-a796-f0f31acf8812/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4f0ac851-6329-4201-9a47-9504394539f2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_35dd2f54-be25-430a-b5a3-3ade124edc57/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a63ac3c1-1a2c-42e6-a3e0-6e90dbeef0d4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5f37d547-907f-469c-8d89-a534b4b73bfc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f4099510-e107-4218-a905-d0769fa28268/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0942e31c-41f5-4062-9667-f42d385f2ccc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b9f71df1-decf-4f1b-84ed-a37c23c36b2f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7a92672c-4464-4ffc-bbec-fbb8a846e4a5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9039d552-d2da-4c25-9819-0b8c2fc175e2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7b77cf3c-6e71-4998-9eb6-a03a97909990/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f7e3632-7db1-40c3-9af5-4cfa53a4d49a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a5b7c0d3-a104-43f0-95bb-99ec1ebcebde/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_502395d7-6eea-4dd5-b238-0067de91a120/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_62e56ad6-983a-4f87-9a59-1ed5ffa120c2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bb289dad-3e5d-4af7-a546-2d22ee39a11f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a72653dc-6bba-4cfe-892f-f0b0df39c5a6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dd59e2b6-bdd1-41bd-9cf1-cebefadcfcc7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a837a4b8-9832-4185-a0a4-e3d54367467f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5be301ea-2d50-409d-bcc9-33937d1afbc4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0b74b9be-7844-4132-a673-0e407593b8df/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_851a7864-7b18-44e7-9ee2-7481781aa059/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fde7e143-c18c-4240-b3f0-ec764055dae0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_37f95b4f-3896-43e8-8e47-c0dab2720999/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da986076-2c1e-4be8-b265-788ef0280055/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_deb5f4e0-9a9a-4cce-9366-f49529603672/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_de376b85-aced-44d6-9ba1-643c42aa24ea/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_faa7a407-266c-4342-9586-fbd6ec0abf98/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a1b728b4-e5d9-4c1b-a55e-8ae50f150676/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_259b73d3-aa8c-4229-bbbd-de6393259527/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a093a7ec-a10f-4bce-b49e-c55d78f8ebf0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8ec6b87a-230e-4718-a825-069ccf3ff536/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7822d757-16f0-48dc-b976-e075a2300721/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6fd27b03-4845-484d-b37c-aabe8b8e1c2b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_477bc10c-8b20-4c52-b451-e5eb482ee234/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_43f4de54-369c-434d-bda5-3a22b7e65053/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0df4c11e-50c1-4549-bdae-2122a7858742/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6bcc22b4-08f3-4df9-9958-5dedec3dac61/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c234ac7d-6028-45c7-836f-434edb54347e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9549cbe6-f7cd-4fe0-bdef-32cab41c433e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7a6f25a2-bc2a-47c3-b757-f543c432b171/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f77c1e61-db2a-4039-bc81-e2d45b052483/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ef340354-60c3-4ddf-acda-1a608b0a642d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_88a63e67-b6d2-406f-9844-a0f30fd8aaa1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_64993380-3c0c-4492-93d7-cbb979960803/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e6e180f8-3132-4086-b11d-181c41f7711a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8a3bd71-9619-4bb6-b11c-71bfce285d95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dacd49cb-b5cc-4a84-8f21-2ae36ca70b37/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_32e3bb51-0840-425b-becb-c51c29a68494/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3486544e-8452-46f9-a7d0-392afa4159d4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_60c30a50-1cc8-40ae-8a2f-32f9312d0584/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e4193ca9-0079-4a48-8894-432a172198af/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e43e0d11-bdcb-47dd-a3a6-ecbc6c7967ee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f90424ce-b50a-468c-b535-d58d8f1b35f2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_af4e4e41-77bf-40ae-8a4c-55e76a6e5bd4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4710b30d-69e8-4b87-93e6-378fca22bc95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_efab4829-873d-46a1-8866-284b8a70d449/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df89af4a-4aa4-4005-a8b1-5b08420e9902/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_123606cb-4a00-432a-9842-717c6f192026/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f4322ad-8db5-4da3-bf7f-19a34fe39774/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_50695527-2923-45d5-98f4-10822e10e26a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3aa4f451-9c95-47f0-b8b0-39d2283a37e6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f3b494c5-3475-4734-a874-a87d856f7909/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0e982552-28b9-4f45-bc13-7a6ba49387dd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a2af11a4-f3a8-4223-af79-8591ff9975ec/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f9cea09c-2cac-42c4-8ede-7ae4320961f6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0df886de-9760-47c2-9e74-0132d09747a0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1ec5d840-da82-4b95-9d77-2eb872186378/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_be0ead44-b141-4d97-ae82-d479e71c6b79/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_19f57b37-6093-4935-85f2-cb21728176b8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3ba7a285-aad9-41b1-a2b6-a6a9c7062dda/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b0b7e9e2-5b13-4b96-a40f-70fb4cb71ded/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1b94892a-aae0-4878-a7fd-0567aa9e72eb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8d9b66da-d26a-4889-b3ab-87fb40904b2a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_86b4645c-b0d2-465b-b87a-2c19ee0c3aa0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2f06cca2-ef63-420e-ac91-dde71d6f1f64/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_00897515-47f8-45ab-bf52-e27dfbf1ab51/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f4a853e7-e939-400a-924a-6a6a8ccb4911/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_692183cf-ba36-43f9-a832-95af9a87a224/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fcdc4570-bcdc-4516-b009-0db4d7ae8d56/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_948b344d-94c4-4f72-921d-559d86f95f2d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5ff54490-61bf-44c2-88f4-b1f2e429a12e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ba49adda-d3e7-4cc0-a18b-6780abee8f85/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_51aee933-a551-4cf2-adce-e3cbce3e9d87/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c063883a-457d-478c-8c1f-c66943420da4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e07c8c72-f029-4250-acc3-51c0e14156b0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c557d4e6-7c06-439b-944f-cd1ad7959e63/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8d06155d-e8fb-419a-9b50-b258ab096de2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_69a83f8e-3f63-410c-9441-bb49ef918deb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_efe8ac10-14ad-4f96-b3e2-babea4d44508/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a5510fdf-c3d8-4d8f-bcee-702be19b1faf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_77dbb40b-fec0-4256-8507-1db30bc55fd8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_541b0606-7624-4a64-82fc-ed85a486c415/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9a13e0be-94d3-4e53-92eb-a16c9eda3e4f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_83fd27e4-880e-486a-a1c7-1ad0de6987a0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ceacc648-a814-40f7-b5ac-ead6c09690b3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_96728513-18bb-4fe7-9300-544b725641e7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5fe86bb5-1f42-41ce-9c7d-068f8e370779/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b6e2ad09-8b7c-4fc3-b4da-7cc6da34bf86/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4c2700e8-27f5-4d26-8f24-5e9faf6e09f0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0d437a4c-f999-4f6d-acfe-c70dc2551871/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_12234849-086b-47dc-9218-76f167e26187/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a410e05c-fed5-44ba-8d42-c79e9b8dcb37/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1bdfff31-286e-4aae-963f-4f12484553a6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b76c233d-63c3-4a2f-88b6-eef798eff64e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_42f2f186-4860-417e-a0a0-fb25bf5d98ab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_14a406e6-bcdf-434f-8621-18bac9df24f4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ef99dc9a-041e-40c5-b9bb-2a0705856bc1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e0ab6844-8604-49f3-ad65-2412edfa3435/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_87af2fa7-b949-43dc-9ef9-909c8524bfab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2d3413d1-523e-4801-957d-7f8596e791d0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_22d8b3e8-9d04-4ed1-8254-0b2e6d0329a5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b4737573-a8a0-4e4f-9c92-97799d68c30b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_71b23bbb-faf1-4095-a8b3-e8c80188e8be/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6a1c1045-1c81-4f1a-926a-81a9c536c637/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8a51889d-9db7-479b-a533-7598d23e3051/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a5aa25d5-d0b4-4626-8c3b-797281c56026/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_40b2ec5e-fa91-442b-b1d6-abc049d34d14/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_92cc1ec6-a2c2-481a-925b-e5eefbeec571/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bcd027aa-7ba3-43e1-bba4-38ee1015a912/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f34c9f4-1856-44bd-a50d-9182f0cffdbd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_28bab220-13d5-421b-9c75-7349e910d0ba/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fd4f502a-ba4d-4003-b08a-90326ece2e43/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9c11c859-bd84-4d80-82a4-2e8f0d145c3d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8cc28dbe-3d06-4276-b5f1-37e4a7875744/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_acf117a7-7df2-4e6c-87b8-d07aca9bc758/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_61e38178-a598-4c0f-a06c-e10ec91defc7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bb44e6d0-a496-46da-8d44-de097444eedb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a0a8fd0f-7c3b-41d5-97f4-ab276b277da9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d19d23ed-6b48-4c5f-9a3a-9cd1e4b04f9f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_97b24caa-595d-41a6-b49c-b8c3090a60fb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2ca705b2-6d1a-44cc-8b45-08efa076e12b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_aea6ac03-65e4-451a-a8c0-c20c8bf2feb7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3517d490-804c-4827-a0c4-27b31890a046/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a53e51d1-0091-4ee2-bb20-340af9a4b512/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ef759aac-6cf0-40e3-81f6-7cf121e41a60/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dde7133d-9834-4f93-8862-b71bc779cd55/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ea035b31-b23b-4fad-9282-b26442a991a1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_495411f1-9d3c-424e-83c1-f4039f993733/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d1b1e3b8-88e6-48d9-9c01-e4814d5bea49/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_00d8d561-8530-483c-b6b3-0ac002b692ea/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4a5db494-fcb6-4c4b-8d52-c10c502642df/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_42300515-376b-44ad-8b87-385c390eeafe/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|3abe814b-e2a5-4c56-abc8-7a0c6a7bcee7/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e2868bdc-2aa6-48a6-95c8-b58ee2c1584f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_04bedbcd-5baa-4183-b18b-91982ccfa922/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e3c3abb6-4be4-4d4f-964e-ed259eb246ba/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d5054253-5d22-414d-92cd-9569d1821c61/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_028c6ff7-e013-4b18-a0b9-55f551ea0b4b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_40b014d2-4f12-4bcb-8e80-8c03b52d1681/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_63a42555-2eab-449f-af57-889a5ece1415/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_51ced747-59e9-4689-9333-3906b4f859f4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fe49d290-e46f-4be4-ac3d-ccf00fb9157b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3b5d1d29-c717-48ac-9f5f-5c099304929f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fd611bad-91c8-48ed-b587-1f8ef49daf2e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1a291930-e68a-4404-82cf-7c188e330c5f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f03b5e7e-433f-41f9-b336-86b11b25d1af/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_736eba2a-3e06-4798-ab18-cfd9d844a4a5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|7880910c-5f7e-4acf-b36c-e95ec6ee36f8/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a0eae9a8-1582-4b39-8803-0b8d99fa86b7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c9ce1e93-5daa-42ba-90e9-8595a68423e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_99daf427-6384-4ec0-af21-1e83969e402f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_30785340-097d-418b-b149-3fe500561af3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5f857ee4-735d-417e-874d-4dbbe373b989/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8997ce2e-5830-45d6-8dc7-a8c7ebe0d68c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3520cc92-3b28-4311-87f2-7fe8b8435643/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4aa7fa14-97fa-4717-a68e-f894f4a0bc64/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a958d6a2-c5b2-41ce-9d57-920eec63c173/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_34a84801-2955-4615-b083-15bfd0a52d59/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3bc4a2f6-61fb-4088-a758-76c0cae457e6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3988fad8-2ecf-4f66-8f09-9c3026a694f1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_109f4cd1-ceb4-4d9b-9262-6f3ee67ab111/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ff89b4ed-d713-4007-bfbf-631d916342e1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_016ada7b-c00a-4ef2-aa58-747fa32f5b9b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bbfe0173-8489-436f-be38-9515b8834f6f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bdd265cc-0941-4c16-b555-002756260425/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_42b41ba9-f7df-49b4-9aff-a7692b66bef4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a46c5871-5dfe-474c-bbdd-98241b1616bd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f7b31ad3-e792-4427-945c-6ed9f10a7006/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_312ab340-1bd6-49c6-93c7-620243b958c4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6b0823b6-ea66-4ddd-8644-8c3b8f53df95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_370f7abb-eee3-4ac7-8c92-f52ad12de9e8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5b5eaf4b-dfff-4928-8597-916cb5cef7e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b48a04b0-ae52-4dbc-a65a-9b6fa4326e95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0b59b0be-46e7-4ae4-afbc-8a402cf5ecec/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_748faadc-e4c3-4cea-bb40-edc39dcd38e7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_07e3e9ef-12ce-486b-b157-33c4d148adae/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fb1f4d19-fbb8-4661-87f0-e51af9b4c281/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_67ee6d3d-10bf-4ead-bc78-35a5836f56ca/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bbff8013-786d-4253-a3a1-20c7887b9187/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_25c6aac0-3426-4e65-8cb6-ab1476e358a1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9f0118fb-08da-4bf1-81de-b1c7de586696/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fa8be071-52ac-4530-a7b0-faae203f5263/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_70eb6b7c-0a5f-4e85-80b2-39c0d054a688/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_12d3abed-51bc-4b52-80ea-7826d03bf32d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ceb94ad7-61c1-4e4c-83df-ffa8feb22be6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_32ae3ec7-478a-4cc4-a07e-0e15f7f41bd3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_74a01730-1091-4fd0-a971-a418747f48e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8d892fb2-69d8-4da1-b29c-195bf668ca10/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_66d2a084-039e-4531-a07e-8464a3056095/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e64d3330-e949-461d-b9f7-606340716e6c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6aa94957-c490-42d2-870e-c75c980e5f51/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b1a26adb-f717-43de-8c6a-6b9e98fce2f0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7c0f2dc4-cb73-4dcd-a787-93a2d42ba5e3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_10a439a5-9e26-49ee-b6c7-71e6ab34edfc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8b0cadb-cec2-4673-aa27-5f5ad06530ed/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f06db97-7adb-4763-a6b2-6a7489ce62e9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cfc37d18-2500-4b3e-b6bd-e9b108c788a2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_30ff8574-ffbd-40b0-ab7d-88ae49f40c0b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a8520084-58ab-4476-a602-c86701799c90/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3e3f808d-87e7-4734-8975-8fa990231109/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4e1ae992-1dba-46b6-a72d-440531666770/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1147fd1b-52d2-44a8-a2de-fbf960c9ffa8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5fceb8d5-98e7-4183-861b-3dc603fd544f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b079fb9f-910d-4dce-b09c-358c7367a7a5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0b0f815f-a95b-4712-9edd-382bf24a005c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1eea6682-1d9a-4554-9530-2029fb2ed491/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_368a5692-19dc-428a-83b3-416b74c20022/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3e7e3920-d1d6-4b44-b98e-96daabb59557/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_40e8ad50-3502-429b-a879-3809cc39a18b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a27bb7c3-931b-4976-b030-473e48a48f9a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_98d28551-44e4-455b-81d4-8d0d5f30f506/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d410bd35-7eaf-4c6c-8265-cb1cc6200605/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1a015b27-723f-4920-a980-6bc2e8f59813/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e21f10b8-fc7e-44b7-9d49-6ab4f7f4100e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_21f44d14-7428-4677-9061-0cfe293444ff/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_db1e6f91-3659-4e47-a768-1f6daf72ce7c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a54c3e2d-6a73-4a0d-9ce8-525a0d26a0f4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d8b570c1-3949-4981-8195-4922febb0f1f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_70781258-f623-4dd1-a9da-173c3b54f8af/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_244ac74b-98a6-4b44-8dcb-7efac10da18b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1234df21-7ad3-4abe-80de-26d1276af689/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2cf99656-e92a-4d83-9971-dec0550571fd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b281db69-c537-4daf-921f-ed25929cf327/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5ba55f4e-b595-4d58-ac5f-39081af999c2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8bb27d5e-72a9-4fab-93a3-019703071151/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d20f1b81-8290-4a3b-9a83-4f562a02bc5a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e914c303-f47e-477b-a262-300955fc7ff1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da951b29-4e38-437b-a919-dab684a97448/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cb8f0474-25f5-44f6-95ce-c3b05d7c147b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_75139483-ba88-4d62-b0ec-af3329c3dc88/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f987499c-cc47-41e8-b192-ee6b07a76394/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dde1ee01-6c55-40dd-9717-967a1293440c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f095184-2401-41e8-a32a-4df7a2a6aad9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_46faa966-a075-4f92-88ae-7633358410af/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8e72c227-ff6e-427f-b3de-b350ae3eada6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a0a16f32-2bd3-406a-9eae-8685b19fca07/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_46ae126e-7bd2-4ab9-8f77-c128852ff7c9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_449a50b1-a9fe-4752-ae36-5f933103ae95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0e0e19f0-65e9-4f8b-946e-996dc7690eea/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9f802012-befa-4441-ab75-d8138015c09c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_de28d183-057b-41a6-9044-4ee6aa1323df/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_70e07505-87f7-4a5e-ac09-5d83e0685faf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4bf78bc1-8a4d-4a42-8cf2-50a7d50be618/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5b2bf974-e524-4b43-a99e-1766df0f9b8d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_11e4711a-4aa0-4048-b1d0-02af3f6b5d7f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_38597d98-a824-4c92-a65d-a4abb7ccd4cb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_84047c63-11df-4636-90ca-9127b333877f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_437e9e1b-16d9-41f7-b1c4-daf1a81edd8a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_972c45a4-489e-4381-bd41-d29ce953895d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a7fb366e-52ba-40d7-8e1a-6283c5336b6b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6171a66c-d3af-4ef3-a8d8-a52a2e23be8f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c00ff769-4324-4529-9545-0ff068eaf9b9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1f46a68c-17cf-4fde-a551-48fafed8c59d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_92d32b47-dd03-4c97-bab5-4ec4de33bc41/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1e793348-328c-4b92-bed1-0c31bc3ff9d8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_50320bc1-6adc-4749-878c-fc2ef8915cc2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_66eddd26-c9ea-44e5-8edb-778b2cec327b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f86e695c-e8f9-4a30-bd80-a1ad7cbdffd2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_60fa6943-5f32-4bc6-a7f5-7eb2505af865/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1733a3cd-90ea-4ae0-86ae-75efca7be51e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9b0e997b-fa5f-439f-b163-909fa6285a57/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9c670720-a09f-4ae4-bcde-ab7cbfe8aa9f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_742f9e48-3147-4b29-aa68-323c509d01fe/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fb10735c-5b4f-4b4f-8428-c298958b6bc6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_384659e1-ee0d-4699-a446-6b51d50c6f8e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_afe762d1-33c4-4984-9d3c-ed0f5994702d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f04ce2cc-d02f-4bc0-ac1c-ddfedb957bfb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2512e787-63bf-4b5d-ab3e-394754cc95ca/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_481f6d86-764d-4b1d-b020-2b6c2f1932b8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_287ea439-6530-4238-85d4-abc88aa4a922/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_132bec75-c55f-4427-9c1c-c9e0149739de/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f9202835-82b8-44fd-8cf0-a9a960f7e017/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_91d1b842-f57e-4dcd-bd94-077b538e47e8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8a75a571-843c-4cd8-9dc7-ed9c54a73df6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_502c4409-0124-49bd-8b51-537ae9727121/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3e718a0b-5ed4-4813-bfa5-e9c7622c56f3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1f0f8137-4a6a-47d8-8527-d50de5aba92f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c102d4d4-aa88-475b-87c3-48887bdac119/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4121cc58-0473-4ab6-99b1-5b451ebbc7d6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c52d8e8a-e55b-42d6-b5e7-edaa386a6520/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1c9cf542-42f5-4143-a1a2-39e4c7f9ba94/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4993997e-40da-4b0d-adc2-a0fd3152f081/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_039d51c0-115a-4dbf-b8ef-c6186810c980/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c566b7db-2e06-40f0-913f-505f08b99f19/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_658a8625-50e3-4b98-b1d6-e187a708bcfa/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_91c78638-8799-4b11-9b16-52e4db1658ef/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f312abc-114e-4853-938c-d202220c6b3c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0c4c50c7-a425-495f-b3a0-862efaaccbe5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c3d1a770-5ac8-466b-a48f-e4a9936b2fbf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f208e436-b6b0-40f9-adcb-61b02bb3257a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6bb4ea6f-0125-4443-abd6-f66e74080d91/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_776b173d-a603-47c3-bdcb-457449b1bf17/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5eb0c4ee-0c21-4d48-a000-de72fb36138d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0832fffb-03a8-414c-bdec-4b00036051b1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|541472a6-05ae-403e-becd-a47af7aaae7f/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3de2c515-a068-4d77-a5c8-0121ac8f6e01/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c22d609d-6e3d-4626-913b-207dc6909891/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2afd7232-d5fd-4eb8-b8bc-6aa47b087b6d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eddad4aa-13e8-45d3-b9c5-61d9b852cf95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_722a1738-f80a-4864-a2c5-5357dd800838/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0baa240f-2711-4d74-b334-ce4579fac869/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8c7e6ace-0a67-4278-9367-c53fd5a3d4b8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_958a6415-f54f-4c6f-bed0-41aae681c372/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5f7d68c9-24b9-4ffe-842f-652880c7faf9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_37d13176-479e-428f-9cc1-d9e41719c3d1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2b1a7210-3a8a-4a6e-81b0-b6e98b671d07/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d56cb692-dd8b-4186-8eac-1fc6d2b2d48b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1655d617-cf44-4acf-99aa-1a80110e6794/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|96e88688-6df2-4ca2-b002-d6e4bf5a4aae/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_221fda24-65c0-4760-9887-f7715c3201dd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ebc2361e-d498-4c16-863f-7c9aa5b59999/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_be4e3702-72be-41d7-adea-d42ca2726b04/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d38c7344-4f19-4b76-9bdf-e77eeee4e12b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_86d846a4-de90-4f0d-9e72-a17201f7ed6f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6885c3e3-93b2-45ff-b0de-aed54ab9010a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5215a7dc-646f-4527-bf56-c8fbe57407e1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8ee2dcb6-e62d-4344-8bd8-8835ae5c4316/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_363b32e6-280b-4c8a-89ad-f12f9e899b62/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_50e20975-b72d-4ca9-bc1c-ba9dceb00b12/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_06b018ca-d6b0-490a-ae08-f8dcfe16aa03/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|d0ae978d-b0e5-4e25-b14f-eea2ba24ebcf/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2459c013-35c0-471b-871c-459032c35016/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dcb0cc25-38c3-48b2-bf9d-0f337364e8c8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d4591a5b-fd53-46bc-8f67-dfb6c8649bcc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9527d447-a63a-49ba-8551-95515a3468cd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9fb58f35-eb49-4df8-a081-ffa6cf2be47f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1e3bde7c-edc9-4ac6-ac7f-be4b633591c8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3d1846cf-2bad-462e-acdd-56fed2950e5e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0c804b04-f56d-40ab-a9f1-5a09211b2aac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d8880749-4399-488d-a78c-3f46ff1ed2e3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0ce53e5f-2b9a-4d32-8d4c-599ad5e55057/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_85708b36-cca4-4b1e-a469-f203b8166d4f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_82d46701-2c9d-49e5-af29-92524e42c1bc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_475b644a-a7a0-4147-8f31-8c6d8afda7c9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_90cf6af1-1ca9-4d4a-beb0-9589089bc1ee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b0337650-7816-4025-9008-025b2d65768c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4ff77096-3a39-4a36-a6cf-237ae81c8b3c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_99c22f23-8ba5-4e85-b88e-aa556a418f11/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_daddb8a4-414a-4ab6-b808-adfd43f9a4e8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_39310c68-72c0-4694-9dab-17a4282f948b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d6adf28a-89ef-41d1-bec4-cf4128a2d0c5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a2d5e49a-bbd4-46f7-8929-3cf0c04850a3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b5d38be5-31ea-44b8-aa56-4636d4264f47/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_aabaf6d8-cfaa-4b5e-a0a9-7d8059c18524/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6093c5e6-9fb5-48a0-bd05-104fbe96dd7b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8695964f-9578-4b32-a519-f06399756db2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f4b1b98b-d62d-4184-8c09-6e12f49ce71d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e75e8f67-23b4-4b49-9c27-14c182e26699/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ce7c2c18-063a-4c8f-b53a-802253b8a1b1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dd5ed13c-4832-4682-86c0-765ea5ff1a29/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ece109be-5816-4d52-a7d2-bd324a4b88eb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b06622fc-5482-4305-93b7-c0a6d212b6fb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_36ecc6f5-9c48-41ff-bc1f-cf2119860f29/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ca33d5b2-8bc1-4d9e-b74c-766bb4c2d903/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ccffc7f7-d28a-4cf4-930f-5588311f7f8e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4e6b35bf-8346-4981-9788-45a05d13876c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dee878dd-30d8-4749-923c-c4befc041210/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a75fd120-c692-495f-bb20-8a34647414ca/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_136dde89-2898-461f-8eab-ef2ebd2f2ab7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dfd2b8ae-6b29-42e8-8e0e-3dcae5bfb721/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3c1a9e1b-45de-4165-9c3d-b10e01b191fa/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_26ff2896-ee4e-49cb-ab65-c4b6d84c2b61/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_649ab194-5933-48d1-b114-3511b0686544/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_69ecce69-66e9-41f2-aef0-4d4b73270072/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_012d0331-c9c5-441c-9ac6-054c0107ee9b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8b69384-c1e2-402a-b427-bdc2a908d219/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4f01aac4-15de-4d03-b28b-9a48d12e2084/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e577b03c-5deb-4fd1-b8b1-d1018ebe6d7f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_93bed84c-9864-4b95-8927-011d46428443/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_56999fb9-accd-40cd-825e-9cc0f6247200/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6b42974e-fae8-450b-96b8-25d720846de3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f021d44c-1e98-4460-81e1-7b32c033f2e6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a17225c0-a398-4caa-8053-e015a518f71c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8a568c2-10be-40fe-99e7-873f6bf4401a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_32358b4d-dd30-4846-a58b-4aa8d31094d8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a4ac01e0-d8ff-4fc2-8735-ba0dd1ec58c8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c6bd1197-e14f-401d-b6ea-ab47a1274f8e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a323228c-4b9f-4f50-863c-0fa5ff60b55b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b35cabae-50ce-4265-8f8b-781e1079e82d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_16fd456a-6575-42f0-bd19-abf3ebfe8b12/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_022659c6-3de4-49a2-baed-2db5310bc559/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0ed34c11-7381-4bc4-86ad-ad52e36ac1bd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1c885131-4f8b-4aae-b41e-80611d32feea/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ecc20cd6-6218-4f1c-b324-228fc771dd32/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_01568907-fccc-4689-a9ee-b09853c053fb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4b98ec75-625c-4ea5-9cf2-955a9ad037f2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ed44cd8d-644b-4ea2-b051-7595008eedf8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b9d4c15b-dd3d-42c3-9bc2-55b5a314d35e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a3429504-9ad7-4895-952f-a9c8512be16f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_92e54045-6b59-435e-8e0b-4a01690f9588/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_80f1858c-366d-4655-953f-5f4e8a4e81bf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d4a792e2-5b9d-4b83-9ec7-f47e442a76a5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b5fa26df-5b0f-4bd0-a932-b5c023904ca8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2e4c0c85-2e72-4454-8615-1d0c889e2876/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f45bc018-801f-4e2c-a0ab-ca313dd8566c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a1c8f214-8d39-4871-873a-d201080ebf56/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cd2a0695-8686-4d82-b72a-f2e2d37f6b06/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9a86dab6-512b-4ffa-8fdf-9466997d9b9e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5db14f98-af81-441e-b87f-013c34fb0db4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e6283b9a-811e-48ce-88f4-411e65bdf0cc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ebaddf1f-8846-4d68-9dd3-56cf043be3f6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_561d5f18-11e9-46e9-b54e-7f106fa1d1c6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1c56e951-0198-4d8c-af06-567df2f890d3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4ed52aa8-05fa-476b-94a9-760bbfef83e9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_675d861c-6113-4b6d-ad55-fe86bca1de1d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1bc9e210-23fc-478f-bae7-d8a574dbf1f4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_286a9ad3-6e32-45c5-8d48-28a1f7d4495a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4135b8d3-045c-4ce5-92e2-69c2d4b612a7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2dd0d685-74f7-47b2-82ef-d073ab2175bf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b9d220a8-d4c2-4eab-9573-200e9caa0e1c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e34ddfa7-c8d5-4b85-a393-9a42ef56195f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5c97886f-6ee3-4958-a05f-260eaea41b94/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3a12bace-c02e-4ac6-b8f5-ff318a41b0d2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_046b43c3-48d1-466f-b407-464a8d07179b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_69f4a8c0-a280-4ac2-b426-f3d8bf634cc1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_90b805f0-1419-479c-b2f4-1be182197bcf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_43182144-d5d7-43da-8f82-72848b08c18e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9c128cf7-8ac0-4758-ba6c-65266cca6d2d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8b3405f8-4f0b-4666-97cf-d9584d4bbff2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6af5acb3-f20d-4989-b02d-b39ade26ef78/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0df34a22-573f-4561-a648-cedc9800214b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3457a9ef-30e7-4ab9-9ba5-3406231f814b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_34bef5b9-4e16-4fc6-8789-4f5fa646f25d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e3922e45-6870-4dbb-9211-9070f0966796/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d5554b93-bea2-4568-a2a5-ad3f130ac288/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8fdb9c52-7d5c-4a1e-9aa8-2eba38997927/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c6cd7726-5d01-45ff-859b-83c1874ed0ac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_18d72a04-eb6f-45fc-aa7b-e4a3c0bf722f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4e30988e-95f8-41de-92a8-3fd046edccfb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_39b65029-7780-42e4-881b-37bdee0aa69a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_41e220a9-feb1-4b33-b611-213bfc27b52d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d52e5c2d-bfaa-44bb-b0b5-49cf743cd57e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_905a7f46-7277-4f65-a787-b766f24fcea2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ed8104fc-b710-4da2-aa0b-14f6723d9fa2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cd5204a4-b143-48da-a810-b6ced518b211/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7b674ff3-8aa1-4d9b-bb4c-f153dbb8c4e2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1cff9a31-5f59-4df3-a3e1-79f54fc9cd9c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_32898901-bb59-439e-8abb-59730824091d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c11957de-ba17-45a1-9775-eeec1f318041/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_88be8909-6bc3-4461-b9ed-3656f489e453/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_acb5b8d0-04c6-47b8-8fef-7fdb04e6af4c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b5cf679c-9dda-415d-a882-a5a45fe485e4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_129a9144-a58c-4248-86dd-c2d2bee6c24a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_331896c5-8d39-447b-896c-4865ba99c5ac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ef0fb8ce-ac19-4c82-b26d-de2c8ef1fa3c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_20c9b92d-6fee-44d4-919f-226104bf712a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_909a40fb-83e8-4682-8aa3-dbc192c55a2e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_527c5535-2602-4dbf-a81f-60453f421738/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fd2080c9-e580-4a39-8d2e-cb2631288c12/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3db9474e-2745-4bed-bfc9-930ed6c1bf2d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1fc3c01e-dd57-4e4c-bd74-a7c8cd4c433d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5d34095f-6db0-4605-9b07-386eee8d43d6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_12012eab-8de4-4197-ad5d-b8471b4431b3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c42a8f07-1ef1-4735-8683-2da64bad0d06/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_70e9ec42-3001-43f6-9f34-5553f706b8b3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ddb4e4df-7b89-40d2-8eda-e1b5d8b62a2b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3746cb08-fce4-4d81-8c31-60299d9db246/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_566b96de-6921-4f2c-8f9a-97a44cf00766/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e9b8cf2f-96aa-42ae-8669-a955fc56e43f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_97fab0b9-ff06-4a66-a561-de83a1d38ae7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b461629f-b91e-4db5-830d-4e4cfde45f93/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c332f4a4-81f4-45b6-a83f-fddc696e9a4a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ec364c6f-074d-430e-afd1-8bce08bdaba1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ca3bf8d4-40d5-475f-b0fe-975ad769353a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9d4e13c7-0765-491f-8cf5-501afe7a4ac8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_81defbd6-28a7-4a9c-ad52-f4b536287ab7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ea6d8a1a-c31c-4fa6-aea6-af947a97ae02/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_26fa6481-a07b-4d2f-9c4d-3041333d997c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a67d608e-1c8a-44a4-b4cb-c8d401e7566d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2e35d07a-ad1c-42b7-aae5-8abcbabe1733/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_baab8d71-0c47-475c-98a9-f92e01155349/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_06f03092-729d-4300-a3d4-3fe4048da84c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_54daf598-acda-411e-8410-1f54115c757e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e30b13d9-9e00-437e-826b-98e626288158/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0109757f-e279-4a46-9094-aba84f2df60c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b6d0eadb-5856-42c5-8125-26516b943d05/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5430da49-ce78-4a74-9536-3cf97367e796/\"\u003eClick to view digital document\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1015808b-d572-4518-8321-2b239ac47a1c/\"\u003eClick to view digital video\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|72c2e038-21be-43e6-aaa9-3b263826f6fe/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2d6d8cc1-b2b5-430b-9512-83f80d1f1d2e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b3e1dd5e-0007-4c29-8a27-6b4f57b0beef/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a599c2a5-f379-4347-8e2d-a3cc1a662bf9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eb9439d3-6cef-41e7-95f4-e0a57a1d6323/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cde8aecd-5413-4571-a11b-cc3a46d48edc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f29414a-932b-497c-bcb9-f89d029f04c8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_490006d0-7543-4a2b-afaa-682d448472cc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8c002688-1fe2-4591-bb13-83e7aae8c01c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_574f7c62-2ec2-4160-92cb-7f271ac3366d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df41ba1c-345c-415c-98b7-d3cdefd7f262/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bcf36502-6a6c-4f4d-ac08-90368ab7547b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f31eeb78-b574-44c9-8798-5a6b32b84546/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1a7eceab-0be4-4da5-aca9-1d5291ab0bc0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cab8cc1c-957f-4931-ad56-b9003b3f0a1e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fb18add8-4f14-4426-a4a1-5ddf18f6119c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7599834e-9b99-45b8-85dc-4f6bb0ec5154/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9f6833eb-1e89-46bd-bff7-efb3d0b59f1a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a39d4040-c84e-4184-b43b-5ab1420f0c82/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_09b833ce-a313-4273-9359-579c2fb83fee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1e01beb8-1a9d-4952-a9fb-36d192f0d397/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5ab3aad2-c5ba-46af-9a0b-d4d947b444ca/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6476ed41-789e-4c8f-9f69-43685eeba2e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_52387b76-9892-415e-b11f-4da45b711dbb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d73894ca-1ad0-4ed0-b4a2-eba516337ebe/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_69f08249-1ae3-4b06-878c-5ba47d9ad1cb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a590e406-76f8-4944-8911-0235c0cff752/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_39f5fc60-22df-42ed-9087-a48f51ad421c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_03f7e4b3-f3b5-4690-a72f-7c71a921d765/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d276f155-5284-4100-9794-96f6fd90e580/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9372f78b-10b6-43da-bd54-f1656a72a1c0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_62f6349f-1af2-4b64-bf2e-dbe1b4a05334/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_63639cee-d33c-4acc-a524-aa7ec144e02a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ce9ad566-88f2-4419-a7a5-2eb1f4975a5d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fd1cd448-4fea-4377-8a39-339a3081fb2b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9611abcc-e7d2-4308-b8d2-ccbd65767875/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a520e608-9b55-4d13-9189-b3eccc746c23/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bef60139-7c80-4ab4-a85a-cdb6e98e97c1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5ac8fe41-7b18-4711-b27f-693bc4506232/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_aea7e1ba-6980-4332-bf3b-246226b853fa/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0d0d6f56-c2f1-4145-ab53-dd1f7e82cf63/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_04eb9acc-2206-4a64-a92e-0bd99f95d561/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_db13063b-a3a5-4bb3-8cfb-5d8b1f42727e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bfd4ae96-9000-47d6-af17-7fda2c3d684b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_afad2950-bbcc-4ec5-a844-f4b1c69c7747/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_599a9730-f3e7-476d-b2e8-e51b8f3b722b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_43afb453-9e72-4281-81dc-da10ae47657f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9d5bf67e-e503-49c9-bcde-80b8c9e1940f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cf4dee49-4891-4bc2-8e7f-bab352116aa1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f6a7bcc-4a56-4557-9b4f-701cf6512870/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_558cf2d5-3374-4615-833f-986c8c90ab89/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bfd0c6c1-ed55-47ab-b894-2e18986e316e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b0803c2d-276b-428e-b31f-c35e45c0bcd4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9bb34443-423b-449d-a1b2-bcce8c390817/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2842c0e3-7c8e-4aa3-bfde-4016bc86b3d6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a565a40b-21e8-41c9-bcf5-d0ad6b9c9f4e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e79e882c-51f8-4ad6-9e34-dc6e81c51980/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9ef8471c-7fc1-4ca3-bd80-85f9faed063f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2a590329-2970-48d6-b89e-b7b06ccb5323/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_49cd6646-0f1b-426e-81a2-28e880e18b5c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bc2e2330-fc18-46f5-9efa-d64ed2a9e515/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5a1ef76b-aa5c-4895-9d64-5f55c8de0598/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c1c5d66a-3ee5-413d-9a63-1eae14c26280/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_586da159-1f4c-4879-8b52-440e0600dfdc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2dc86b5b-1a9b-453e-b7a9-2116fbb8c062/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f7715e4d-20ac-494a-b3f7-d93494d7bdc2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_58be875c-b507-4124-b37c-f36fe790a4bc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da454903-c00d-4b6c-846d-86a5a3899e93/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_243c42bf-a1a0-4bdd-977e-50715f27d5b6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_43da3070-ed14-42ca-813b-b397a6e07f1d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ed5b7f8f-ce69-41ab-8360-2f60faccdfa4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b92f6697-8607-4ffc-b6c6-7fc83fb644b3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ad16d07c-f310-4052-9530-c485ff7b6491/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f1aa2351-db3c-4288-acc0-8fb6d7897881/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_554ef9fc-a61b-4725-95c9-f733e6be8007/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5891eb3b-ad46-4f03-b4ce-fe377596dd41/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f0c289d-9210-4c2e-8940-9b2fa048a4d0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9662f1cb-e8cd-4384-9c55-8adab74e0474/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ef013be7-3fc9-4d61-86d9-1de7f4a43743/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_02d532e0-923e-49c7-9a63-dd66d912624d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_35bfa51c-d473-40e4-a025-8f2b076d473c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ad81a00b-fabd-41e5-9d9b-f556706115da/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0773d6ae-16d2-4436-9b2c-38485deca57f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7a5a349b-a04f-4fc8-a54a-8487a3e9af4b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e625998e-6d26-4e8e-a1f6-5a0fc0a0a1cb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9cee5146-e25b-4e08-a831-95f286d87a19/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dbce6cfc-8706-43ef-8fa6-96dccea947d5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c36223e3-5389-44c2-93e0-d351992337f4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_205fbe63-dbee-4f2e-9ab8-07b77ba7b19f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8faa8fab-a958-43a2-83db-793036dd55da/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d9e17fb7-278c-4cc7-ba78-c29281ab09a3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fc6b2939-3ca0-4ad8-96b9-daf58ff92f82/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e33f9080-99c7-43e1-a8cd-83222958d21b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8e9b2cae-2e06-4de0-8ec8-206efcaecb46/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_45a50c07-defd-4f69-afcb-c6786f228fa3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dff81a36-dba5-4423-8604-9c77457007c1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|833e033d-6818-4f14-8313-ae5661042f9c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b4cffd52-56d8-4b92-a812-f42aa3e8deb3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_09d56932-6c6d-45b4-88de-319afa02fe07/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_54b3ac91-319b-4fd0-b18c-08f9d05142e2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_20dbbf2b-d25b-4663-8009-bf5b56225e48/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8bcd6533-d669-4ce9-9267-926d61e582d5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bd4538ea-9af6-448e-94da-13aabdec580f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_986d1f52-5b79-451b-b7f1-a155fa64d93b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_97698ded-1513-4549-856d-7209ef361f70/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b90d86ac-6ed8-4ca2-8d8f-815d11cc705e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_12e7d62b-58a4-4b35-bcbd-d108f1a22b6b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_93bae71c-d32b-4e63-9984-e29042126105/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4bc409a8-e9c8-4253-b225-842392f67a23/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_904f05f0-3ee5-4812-93ca-21f914a5f9c1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|ce3fec1c-5921-444a-aff0-f3e6c43454f4/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8e11dc98-3cda-422e-a10e-4aaa6cd27557/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|29ccc1d4-afb6-4be5-a7b9-00f612dd8d52/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2257275b-76b2-41a7-80cb-9baf782591d8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4efcf267-d767-4383-8e55-fcbe23752d4f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c732e855-8ea1-4b11-a403-1c202765c3be/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3471ee7f-d813-425e-9b75-21950c2a4739/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_823661c1-5af5-4548-9a7d-386b92999de3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a6b07f70-aab7-47a4-8186-1c260af07a5e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a0262079-6557-4ea9-acec-7cb18b3e2d38/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2c701df5-8ac9-4ca9-ba2b-92ad2428921e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4017c963-a17c-4d63-9eb0-d9604b4cf01a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f5f3caab-2d94-49f2-ad7e-7e77680d141a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fd5e027f-928b-4604-be97-061e72d42ded/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_373c514e-8951-4037-b8db-15727f27e161/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_58ed5a79-090e-4f04-a878-21c3d96c73fc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4d0a8acb-22e8-4136-918e-6d4fbcf3a9ac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_12e4bef2-f1cc-4892-aaab-bd6664ebe8d9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dfbf1392-32ba-40a5-ae1d-0f3e7c0da1fd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_86034e3d-94bc-4d0c-bc9b-13c6feb26a02/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bed546b6-7c5e-4b44-ab5d-0f65c51f4c19/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6782417c-2470-4e38-9408-73487bce1e9a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_398a8a34-0f5e-4f79-95d0-0302a17d6308/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_84b8ba0e-b2cc-4b24-a3db-c768433a0c4e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d4a39974-66b8-4fd0-9d5b-08c2c8b3e93e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6b7cc9ed-f284-4ceb-bf6d-3a0a8b79bf72/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b4667831-b84e-417a-a226-c5dcd3470cca/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4c3dd031-5030-4fd7-a84c-1f54aa2886af/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1cfd515f-58c3-4950-9b89-15578011ab92/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3ccadc53-c3b9-460d-9f33-c9248fd6f087/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c5343308-7c6f-41f9-8009-a1410f1998cd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_30be7a09-38f4-4154-a078-3a44e2575582/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a396c5c7-924f-4215-a28f-f0923eb8da33/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f86e20d-305b-4f98-b0ab-31af251a7f29/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e2115380-fa43-49c4-a75f-dbf39fefc9d0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_618e616d-aaee-4aef-a7ae-d2fa0c32d26e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0863e59b-7306-487f-a9c2-4be5527866f7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_97443f59-12f6-4a10-a40d-b32d051a04d7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_af72830f-84ff-4e74-884c-1358e68d72f6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d2db8ba7-d5df-47dd-a7c1-ffd7f18d6a38/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8b772566-1e34-485c-b191-abdde953fbb3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b624c184-bbee-4aa9-8ddf-0edac0919aab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1687af85-badb-4748-ba6b-731475bced3a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e5259c52-cdbc-47df-bcb7-4190ebd4afa0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4fafc88b-8314-4fdd-bbd8-66fcf8ba5df6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e79fd787-a57e-4cb6-9403-239437bbf138/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_62390ad0-19f1-4dd4-a7f6-0cd6345be8cc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3401002d-a2a8-4ac1-b44e-7107968991d3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f7360f89-1e41-4620-a107-83b0f89f36e8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d94d16fd-8d76-440c-8d82-c203cbccda39/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ed928ba0-e2c0-4729-b665-470f57478e95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_17ed09fd-8bcf-4736-9e70-1dd44fe8aefa/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_02a4da0c-1f5a-4f69-8733-118c28be7635/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ce07aa5d-7640-4e04-8f0d-ea27ede3ca47/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c97a26be-fb21-4b10-b822-a53ad40df612/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6eb366d2-5ce5-48aa-9b4f-b76f877174f3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|446987de-7556-434d-b010-cad1837a20fb/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ae076f93-6dee-4273-ad6c-8015727c054d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f0008f75-b777-4baf-8e41-662877b8a78e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_31456a18-59ce-4ae6-8dd0-5d515bb0039f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f4b00dd4-0388-4102-9a20-44ef8b0d7e4c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_535b603b-b677-4df2-aa19-ecb27e17e0e8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_24a065ce-1e7f-4110-988d-f8e4b6170ad7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_34be584e-53f1-43dd-aabd-58ce0ccf41d4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bf309901-53f4-47b0-9f43-dbc6d3109145/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f30a3a48-a412-4bf5-819d-ff91723ee1a4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|2a9ac469-1167-4acd-8665-afb9183e17e6/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bda5e082-5d2a-4031-8a3b-538d4613b7bf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_79584638-bedb-47ec-8813-7a312847dfdf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a4eadaa0-e169-49d7-9bdf-ae2bec13394e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4ad3a2d0-5bd9-4719-928f-0a14109e6451/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d8a9446d-dcfb-4019-815f-c7c20c34adec/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_adc87190-58da-4aca-89dd-51c73bbaba43/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dc5c6b54-f8da-4bd1-b328-72acbafa81a8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5f7b85d8-1f56-43ad-bd40-5691c9c05ba6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eada55d6-cb3d-4a38-9d2a-ab5096b91e60/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_757e4d32-ab66-4154-b928-408d89990711/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e6bfa384-e669-429e-af9e-e06d8008809f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d280b11f-b4df-4f1c-a596-47f9b8255756/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6480e230-ba30-4b01-8fe1-eec366f17fee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e0ac1da4-f42b-4ec5-8f0b-bbea2f3d26a6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cac910ff-f539-4b44-aa79-909b190981ba/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f1c6a768-87ec-4225-ad58-f69325e6c374/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_78c5911b-4d21-4a5f-aaf0-0ff6229d5d37/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_236ddd55-b37e-42fc-a0a6-fd49f751f1f2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b438d3ad-1a8d-49c3-9aed-fcf5f99f2543/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_73f9378c-37d5-4ccf-a563-445e4dc80331/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5c7524b0-b0bd-4ad2-8c23-c3d57190f654/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_76c2405a-6699-4bc2-8e50-5b07f612daa1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1d896bd5-bec4-470e-9b27-6a193278d35e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7db029a2-7dad-4cb5-8ccf-3d68f4a9f64d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f22f023a-898b-49e0-a087-f91897f4ebc2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9ffeb9fa-8b4f-445c-b1d7-c8d6423b8cb9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_22c251ec-46a3-4b03-88db-6399b1b9a564/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f0e8ff92-129a-4fc8-a42b-889c746c1434/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c37f9c9f-9671-4f63-b4ad-c87544cfebee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2dbe5d7a-622f-4405-9340-5457779f8f78/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6b60d662-83c3-437d-8d28-cab2cb23dd63/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fb0fcbcb-12dd-4bb1-aa29-7dfc29ef4031/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_167aac3a-4752-4103-a4d7-d468dd2c9048/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f5a16562-903c-45c8-927f-e90d2543a495/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d1eb9edf-f8b9-4095-99aa-d97e5adad8f3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7bbcc874-9980-4a35-85dc-88290db26e9c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8e5433b2-eb8a-4edf-900b-a6a3c225f586/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b7b0d1c8-bc22-4f0f-bdfd-d9bb5862cf44/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f9bf38d3-8943-4db0-96b8-b4be69590abc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0c96c4a5-cf2e-4475-9ae4-dc4a323362d2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dee07f1b-5bed-4c92-9be0-4dd9a9edce28/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c16f894e-87fc-47ce-acee-bd5c49d9fb63/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e5849ecd-3fe2-4ce0-a85d-aa0f50a9b147/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_298f6040-3ebf-4893-92b9-0b8d117e3731/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_00f70c5c-c6f0-441a-b991-68b48359cf1e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8d6ca7cd-bcea-4873-85ba-53bdcb0247a4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0edaa6c3-2bd2-4ad9-acdc-09d4a2bcb25e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d17fcfc8-1a66-44dc-8e42-3ae770e02674/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ff79b270-8e4d-4475-a135-27fae3f3c020/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2b46bed9-a49e-44a5-bfeb-1b499e3fcbc8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_37277f8e-03e4-4a2d-9247-cc6ae7f473f0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_82502183-30e3-4af6-a0c1-ab83d414ec78/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dac69c5c-c72f-4b66-9aaf-37df422b4b96/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_387809da-dab8-414d-9d0c-9e47793e375e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a727b556-8b58-48ac-8538-1d43db3fa7a1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_64fa213b-42d8-480c-8eb4-310ba8ce19de/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_511f48f8-0588-4e80-96b8-273b362cfecd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e234d685-a834-4f4a-871c-9bd599f74588/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_442cf69d-95b4-427b-8060-95f55b80bdfc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e11a7331-3704-4c3b-a3a0-e91aac9dd006/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c4f1725d-9366-4be4-97ad-3dbf4ed179e8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f9f08320-2311-4729-bc33-d563869d2f98/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3133c32c-6d81-4fc3-b5e8-508ab0c3b0bf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_44cee9eb-9cc3-411d-8a23-e61e839986bc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4cfd8e93-8bea-4c88-b648-3f15a00b2f02/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df8b1d9c-6215-4712-9079-30c747a39365/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_16a69592-ff2d-4cc0-a6d5-446e6398e487/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_07c0afcc-80bf-4e5c-83bf-353e0e42d15e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1483ecc5-4c3b-41d4-aa5e-0a096dd629fc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7e2ad50b-6e7b-4caa-a25f-96a5c1318fc7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ff8f525e-e89c-4cac-8c30-6dd8b61f8146/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8407b923-a1ec-4c1e-989d-5797bcc64750/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_83e40840-124a-46ba-b39e-375dd68b79b5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_10c147b6-007f-4d60-9518-c11effc3c601/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_96e7e950-8a12-469c-99f6-2ec0b91e8e7a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0e7bab5b-fcf2-4fed-af68-a17db5f57983/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f847148-3476-4011-81d0-a88dd5f2a094/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f436d5d-c565-4e85-94ae-cabc05e01d68/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b798e748-4d80-445e-a9f3-ac022136671b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_157b3355-f51c-42b2-a098-e6f18a016e76/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3c9e2983-ca28-4428-bcd5-5145875c8d29/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d802874f-b254-457a-8cae-ab182687d26c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e0f561df-53b5-471c-aa36-44531c739e64/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6d599162-6bcc-458b-aaf1-360fb17438c9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d27e7408-84b2-4d3a-ba79-ef0430eab857/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c4af13fc-f8d1-413c-9007-5ac383f7c8e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|daf2032d-3c05-487f-a331-6732e409c1cb/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e10c7651-8de3-4550-9618-1f1416fc626a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|f6e9d6c2-319d-4df7-b561-e49de6e2376b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_74693221-22a0-480f-bfaa-1e282f8ac47f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital 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digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital materials in this collection","Click to view digital document","Click to view digital video","Click to view digital materials in this collection","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital materials in this collection","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital materials in this collection","Click to view digital image","Click to view digital materials in this collection","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital materials in this collection","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital materials in this collection","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital materials in this collection","Click to view digital image","Click to view digital materials in this collection","Click to view digital image"],"prefercite_html_tesm":["\u003cp\u003e[Item description], Alexandria Black Family Reunion Digital Collection, Alexandria Library, Local History / Special Collections, Alexandria, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Item description], Alexandria Black Family Reunion Digital Collection, Alexandria Library, Local History / Special Collections, Alexandria, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibraryva.libraryhost.com/repositories/2/resources/175\"\u003eElrich W. Murphy Photograph Collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibraryva.libraryhost.com/repositories/2/resources/175\"\u003eElrich W. Murphy Photograph Collection (MS415)\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials"],"relatedmaterial_tesim":["Elrich W. Murphy Photograph Collection","Elrich W. Murphy Photograph Collection (MS415)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains digital donations collected from members of the Alexandria African American community during the 2023 Alexandria Black Family Reunion event. This is a completely digital collection consisting of digital surrogates of the materials; the original items have been retained by their owners. Included are photographs, documents, and ephemera.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003ePlease note\u003c/b\u003e that processed donations will be added to this collection on an ongoing basis. Check this collection guide for regular updates. \u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the family of William D. \"Bill\" Euille, former Mayor of the City of Alexandria (2003-2016). Euille served as Honorary Co-Chair of the first Alexandria Black Family Reunion in 2023.\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of Robert Drinkard and Tammi Drinkard. Both are dressed in formal wear and are standing in front of a colorful backdrop. Photograph appears to have been captured at a formal event or gala. Photograph is undated.\u003c/p\u003e","\u003cp\u003eColor photograph of seven people posed in the midst of a ribbon cutting ceremony. From left to right: (unidentified), Ludwig Gaines, Bill Euille, Dal Repper, Rob Krupika, Jim Moran, Paul Smedburg. Photograph is undated.\u003c/p\u003e","\u003cp\u003eColor photograph taken during the annual Alexandria Scottish Christmas Walk Parade depicting several people on a snowy street in Alexandria, Virginia. Featured in the foreground of the photo, from left to right: Bill Euille and Rob Krupika. Over the image is text that reads, \"The Three Musketeers.\" Photograph is undated.\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of Bill Euille, dressed in a suit and standing in front of a curtained window with his hands folded in front of him. Photograph is undated.\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of Bill Euille. This appears to be a candid photo taken of Euille, dressed in a casual outfit, standing in front of a blank, white wall. Photograph is undated.\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs of the African American community in Alexandria, Virginia that were collected by Char McCargo Bah. Bah is a celebrated genealogist, author, and native Alexandrian who has been researching and writing about the Alexandria African American community since 1981. Bah served as Honorary Co-Chair of the first Alexandria Black Family Reunion in 2023\u003c/p\u003e","\u003cp\u003eBlack and white photograph, early class portrait from the Parker-Gray School in Alexandria, Virginia. Children are posed standing in three rows with a fourth row seated in front with a man posed standing to the right side, their teacher Rozier D. Lyles. The group is posed in front of what appears to be the entrance to the school; a brick wall and wooden door are visible in the background of the image. Photograph is undated, c.1920s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Principal Henry T. White and the first faculty at the Parker-Gray School in Alexandria, Virginia when it opened in 1920. White was the first principal of the Parker-Gray School and served from 1920 through 1928. Eleven men and women are posed in two rows; the back row is standing behind the seated front row. Front row, from left to right: Reverend A.W. Adkins; Henry T. White, teacher and first principal; Laura M. Dorsey; Rozier D. Lyles; and James E. Howard. Back row, from left to right: Mamie E. Anderson; Margaret T. Young; Florence Murray; Harriet E. Thornton; Susie P. Madden; and Sarah D. Gray. Photograph is undated, c.1920\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Eight men and women are posed in two rows, standing on the steps in front of the main entrance to the school. Elam is the first man on the left in the back row. Photograph is undated, c.1930s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Sixteen men and women are posed in three or four uneven rows, standing on the steps in front of the main entrance to the school. Elam is last man on the right. The man in the center of the front row is Rozier D. Lyles, a teacher at the school. Photograph is undated, c.1930s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the Parker-Gray School's first building at 901 Wythe Street in Alexandria, Virginia. Photograph is undated, c.1920\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of the Parker-Gray School fifth grade class taught by Mamie E. Anderson in 1920. Three rows of children are posed on the steps in front of the entrance to the Parker-Gray School. Anderson is on the end of the front row, on the right side of the image. Photograph is undated, c.1920\u003c/p\u003e","\u003cp\u003eBlack and white photograph, two images together in one photo print with one image on top of the other. The top image is the same as that of the Parker-Gray School fifth grade class portrait photograph photo print (ABFR-23-002-006). The bottom image is the same as that of the Photograph of Parker-Gray School first building photo print (ABFR-23-002-005). Both images are undated, c.1920\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Principal Henry T. White with students of the Parker-Gray School. White was the first principal of the Parker-Gray School and served from 1920 through 1928. Twenty-eight children are posed standing in two rows on the steps in front of the entrance to the school. White is posed standing in front of the students. Photograph is undated, c.1920s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Sixteen men and women are posed in three rows, standing on the steps in front of the main entrance to the school. Elam is the first man on the left in the back row. Photograph is undated, c.1930s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of Parker-Gray School students with their teacher Ms. Day. Forty-two students are posed in four rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is undated, c.1930s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of Parker-Gray School students. Thirty-five students are posed in four rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is undated, c.1930s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the Parker-Gray School's first building at 901 Wythe Street in Alexandria, Virginia. Photograph is undated, c.1930s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of Parker-Gray School students in 1931. Thirty students of varying ages are posed standing in three rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is dated 1931\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the 1936 graduates of Parker-Gray School. They are posed standing in two rows with some of the school faculty. Photograph is dated 1936\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of Parker-Gray School students in 1939. Fifteen students are posed standing in two or three rows on the front steps of the school. Photograph is dated 1939\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of Parker-Gray School students in 1939. Eighteen students are posed standing in three rows on the front steps of the school. Photograph is dated 1939\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of Parker-Gray School students in 1939. Approximately thirty-five students of varying ages are posed standing in four rows on the front steps of the school. Photograph is dated 1939\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Parker-Gray School students in 1939. Eleven teenaged students are posed standing casually, with arms around each other's shoulders, etc., on the front steps of the school. Photograph is dated 1939\u003c/p\u003e","\u003cp\u003eBlack and white photograph of four Parker-Gray School cheerleaders in 1941. Four young women in cheerleading uniforms are posed together in a field, all in a row with their bodies turned towards the right of the image and faces toward the camera. They are kneeling in the grass with one arm in the air and bent at the elbow. In front of them on the grass are two megaphones and pom-poms. Photograph is dated 1941\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of Parker-Gray School students in 1941. Approximately forty children are posed standing in four rows on the front steps of the school. Photograph is dated 1941\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1942 graduating class of Parker-Gray School. Approximately thirty teenaged students dressed in graduation caps and gowns are posed standing in three rows on the pulpit of the Alfred Street Baptist Church in Alexandria, Virginia. A handwritten signature in the bottom, right corner of the image reads \"Murphy.\" Photograph is dated 1942\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1943 graduating class of Parker-Gray School. Twenty-four teenaged students dressed in graduation caps and gowns are posed in two rows on the stage of what appears to be a school auditorium. A handwritten note across the photo print reads, \"Parker Gray High School Class of 1943.\" Photograph is dated 1943\u003c/p\u003e","\u003cp\u003eBlack and white photograph of group of students and others posed in a row on the Parker-Gray football field at the 1945 homecoming game. Two students are dressed in football uniforms and standing next to young women holding bouquets, presumably the homecoming court. Photograph dated 1945\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the 1945 Parker-Gray homecoming queen being crowned by Oliver Ellis, captain of the football team. A young man wearing a football uniform, identified as \"Captain of Douglas,\" and a young woman, identified as \"Miss Douglas,\" look on as Captain of the Parker-Gray football team Oliver Ellis crowns the new Miss Parker-Gray. The two young women and two young men in the photograph are identified this way by handwritten notes on the bottom edge of the photo print. Photograph is dated 1945\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1945 graduating class of Parker-Gray School. Thirty-five teenaged students dressed in graduation caps and gowns are posed in three rows on the stage of what appears to be a school auditorium. Photograph is dated 1945\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the P Club student organization at Parker-Gray High School. Twenty students are posed in two rows in what appears to be a classroom or the school library. Several of the students are wearing letterman sweaters with a big \"P\" patch on the front. Photograph is dated 1947\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of faculty and staff of Parker-Gray. The fifteen men and women are posed in two rows in what appears to be a school cafeteria or auditorium. Several of them are holding a rolled up document. Photograph is dated 1946\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1946 graduating class of Parker-Gray School. Thirty-seven teenaged students dressed in graduation caps and gowns are posed in three rows on the stage of what appears to be a school auditorium. Photograph is dated 1946\u003c/p\u003e","\u003cp\u003eBlack and white photograph of seven young women seated at desks in a Parker-Gray classroom while their teacher, Mrs. Chase, looks on. The students each have their own large, black typewriter on their desk and appear to be working on an assignment. A large, wall-mounted chalkboard is visible in the background of the image. Photograph is dated 1946\u003c/p\u003e","\u003cp\u003eBlack and white photograph of four young women from the Parker-Gray girls basketball team. They are posed together in the school gym with two students standing in the back row, while the other two kneel in front of them and pose with a basketball. All four are dressed in basketball team uniforms and one also wears a sweater over the uniform which reads, \"PARKER GRAY.\" Photograph is dated 1946\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Parker-Gray High School girls basketball team. Fourteen young women wearing the basketball team uniforms are posed in  two rows in front of a curtain backdrop, with a basketball placed on the ground in front of them. Also in the photograph is a woman wearing a skirt suit, presumably the team coach; as well as another young woman not dressed in the basketball uniform. Photograph is dated 1946\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the homemaking class at Parker-Gray High School. Four young women are standing at a workstation table, engaged in a cooking or baking project. Two students appear to be stirring something in saucepans, one student appears to be kneading or rolling dough, and another is sprinkling something onto a dish. Another student is seated at a desk working on a written assignment. And the teacher, Ruby Fields Smith, looks on from the front of the classroom.\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1950 graduating class of Parker-Gray School. Forty-one teenaged students dressed in graduation caps and gowns are posed in three rows in front of the stage of what appears to be a school auditorium. Photograph is dated 1950\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the Parker-Gray School's second building. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of eight men posed standing in a row in front of a curtain. This photograph was taken at the dedication event for the new Parker-Gray High School and the group includes Principal William H. Pitts, Sr. and Reverend Adkins. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950\u003c/p\u003e","\u003cp\u003eBlack and white photograph of five men posed standing in a row in front of a curtain; one man appears to be handing a small item to Parker-Gray Principal William H. Pitts, Sr. This photograph was taken at the dedication event for the new Parker-Gray High School. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950\u003c/p\u003e","\u003cp\u003eBlack and white photograph of five men posed standing in a row in front of a curtain, including Parker-Gray Principal William H. Pitts, Sr on the far left. This photograph was taken at the dedication event for the new Parker-Gray High School. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the crowning of a Parker-Gray High School student. A young woman, identified as [Annt] Lightfoot, wearing a white, lace dress and white gloves is standing next to a young man in a suit while he places a crown on her head. They are both standing in front of a dark-colored curtain, presumably on a stage. She is presumably being crowned as a pageant winner, homecoming queen, or prom queen. Photo is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of three Parker-Gray High School students on a platform or stage, seated in front of a decorative backdrop and arch with a dark-colored curtain visible in the background. From left to right: a young women wearing a polka dot dress and cat-eye glasses with a white, floral corsage pinned to her dress; a young woman, identified as [Annt] Lightfoot, wearing a white dress, white gloves, and crown and holding a bouquet; a young woman wearing a white dress with a white, floral corsage pinned to her dress. Lightfoot is seated on a platform that is raised slightly higher than the other two young women. They are presumably the winner and runners-up of a pageant, homecoming queen, or prom queen contest. Photo is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a Parker-Gray High School homecoming queen. A young woman is posed, seated in front of a light-colored backdrop. She is wearing a white dress, silver necklace, silver earrings, and silver tiara while holding a large bouquet. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of Parker-Gray High School students standing in a football field with the Parker-Gray marching band. Three young women are standing in a row together; the young woman in the middle is holding a bouquet and the other two are both wearing white, floral corsages pinned to their lapels. Behind the young women are several members of the Parker-Gray High School marching band who appear to be in the midst or in a moment right before a performance. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1951 graduating class of Parker-Gray School. Sixty-three teenaged students dressed in graduation caps and gowns are posed seated in five rows on the bleachers in the school gym. Also in the photo are Principal William H. Pitts Sr., seated in the back row, and an unidentified woman seated on the right side of the image. Photograph is dated 1951\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of Parker-Gray High School students and faculty posed standing in a row. The students are all dressed in graduation caps and gowns. From left to right: Principal William H. Pitts, Sr.; Herman T. Newman, salutatorian; Shirly A. Stokes; Naomie E. Lewis; Lloyd Harris; Kirk R. Carter; William H. Pitts, Jr., valedictorian; the Reverend F. D. Williams, and Theodore R. Sinclair, assistant superintendent of Alexandria schools. Photograph is dated 1951\u003c/p\u003e","\u003cp\u003eReverse of Parker-Gray graduation group photograph photo print (ABFR-23-002-038). A handwritten note identifies the people in the photo as well as noting that this picture was used in the newspaper. Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" \"Parker-Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314,\" and \"Columbus George, Jr., Photographer, 518 North Columbus Street, Overlook 3963, Alexandria, Virginia\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the valedictorian and son of the principal, William H. Pitts, Jr., giving a speech during Parker-Gray High School graduation. A young man dressed in a graduation cap and gown and glasses stands at a lectern on a stage. Several students and faculty in graduation gowns and stoles are seated in rows behind him on the stage. Photograph is dated 1951\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the valedictorian and son of the principal, William H. Pitts, Jr., giving a speech during Parker-Gray High School graduation. A young man dressed in a graduation cap and gown and glasses stands at a lectern on a stage. Seated behind him on the stage are several students and faculty in graduation gowns, including Principal William H. Pitts, Reverend F. D. Williams, and Assistant Superintendent Theodore R. Sinclair. The school band is seated in front of the stage. Photograph is dated 1951\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a moment during the Parker-Gray High School graduation ceremonies. Standing on the stage, Principal William H. Pitts, Sr. shakes the hand of his son and the valedictorian, William H. Pitts, Jr. Pitts, Jr. is wearing a graduation cap and gown and holding what appears to be his diploma. Pitts, senior is dressed in a white blazer and black bowtie. Photograph is dated 1951\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Principal William H. Pitts, Sr. making remarks during the Parker-Gray High School graduation. A man wearing a white blazer, black suit pants, black double pocket square, and black bowtie stands at a lectern and appears to be in the middle of speaking. Seated behind him on the stage are several students and faculty wearing graduation gowns and stoles. Photograph is dated 1951\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of Parker-Gray High School students who are likely all members of a school sports team or club. Approximately forty young men are  posed standing in two rows with a third row seated in front. Photograph is dated 1951\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1952 graduating class of Parker-Gray School. Thirty-six teenaged students dressed in graduation caps and gowns are posed standing in six rows on the bleachers in the school gym. Photograph is dated 1952\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1953 graduating class of Parker-Gray School. Twenty-six teenaged students dressed in graduation caps and gowns are posed in three rows in front of the stage of what appears to be a school auditorium. Photograph is dated 1953\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the members of the National Honor Society from the Parker-Gray High School graduating class of 1953. Three students, dressed in graduation caps and gowns, are posed standing together in front of the stage of what appears to be a school auditorium. From left to right: Hazel Jones, Fred Mathers, Jr., and Delores Hooks. Photograph is dated 1953\u003c/p\u003e","\u003cp\u003eReverse of Parker-Gray High School National Honor Society members group photograph (ABFR-23-002-052). Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" \"Parker Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314.\" A handwritten note reads, \"Members of the First National Honor Society at Parker-Gray H.S. 1953 Chapter 4950 Fred Mathers Jr. [rank] 1; Delores Hooks [rank] 2; Hazel Jones [rank] 3\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1954 graduating class of Parker-Gray School. Approximately fifty teenaged students dressed in graduation caps and gowns are posed in several rows standing on the steps in front of the entrance to the school. Photograph is dated 1954\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of young women of the Parker-Gray School graduating class of 1954. Approximately thirty young women are posed in three rows standing around a sign that reads, \"Congratulations Parker Gray Graduates!\" In the middle of the group, directly behind the sign, is an older man in a suit. Photograph is dated 1954\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of what appears to be the winner and runners-up of Parker-Gray homecoming queen. Four young women are posed standing in a row; two of them are wearing floral corsages pinned to their lapels and the other two young women are holding bouquets. Photograph is dated 1955\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of what appears to be the Parker-Gray homecoming court. Three young men and four young women are posed in a row, standing on a football field. One of the young men is identified as Roland Norton. Two of the young men are dressed in football uniforms (number 80 and number 35). Two of the young women are wearing floral corsages pinned to their lapels and the other two young women are holding bouquets. Photograph is dated 1955\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the spectators at the 1955 Parker-Gray High School homecoming football game. The bleachers of a football field are filled with Parker-Gray students, faculty, and other community members watching the homecoming football game. Several people stand on the sidelines in front of the bleachers. Photograph is dated 1955\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Parker-Gray High School class of 1957 taken in their junior year. Approximately sixty students are posed in five rows, standing on the steps in front of the entrance to the school. Photograph is dated 1955\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1956 graduating class of Parker-Gray School. Fifty-eight teenaged students dressed in graduation caps and gowns are posed in five rows on the bleachers in the school gym. Also in the photo is Principal William H. Pitts Sr. Photograph is dated 1956\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of May Queen Joyce A. Drayton. A young woman, Joyce A. Drayton, wearing a light-colored satin dress is posed standing in the grass in front of the exterior of the school building. The front entrance of the school is visible in the background of the image. Photograph is dated 1956\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1957 graduating class of Parker-Gray School. Forty-eight teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Photograph is dated 1957\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the 1957 Parker-Gray High School homecoming court, including Homecoming Queen Phyllis Tate. Three young women and three young men are posed standing in a row in front of what appears to be a \"throne\" for the homecoming queen. From left to right: a young woman dressed in a plaid skirt set, white gloves, white hat, small round handbag, and corsage pinned to her lapel; a young man in dark-colored pants and a light-colored jacket posed in the act of placing a crown atop the head of the young woman in the center of the group; a young woman (being crowned), Phyllis Tate, wearing a light-colored skirt set and holding a large bouquet; a young man wearing dark-colored pants and a wool jacket; a young woman wearing a dark-colored skirt set, white gloves, white hat, small handbag, and corsage pinned to her lapel. Photograph is dated 1957\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the 1957 Parker-Gray High School homecoming queen and runners-up. Three young women are posed standing in a row, with the young woman in the center on a raised platform. From left to right: a young woman dressed in a plaid skirt set, white gloves, white hat, small round handbag, and corsage pinned to her lapel; a young woman, Phyllis Tate, wearing a light-colored skirt set, white gloves, glittery crown, and holding a large bouquet; a young woman wearing a dark-colored skirt set, white gloves, white hat, small handbag, and corsage pinned to her lapel. Photograph is dated 1957\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Phyllis Tate, the 1957 Parker-Gray High School homecoming queen. A young woman, Phyllis Tate, is posed seated in a chair atop a platform with a backdrop of crepe paper streamers. The backdrop and platform appear to have been decorated by students to serve as a \"throne\" for the homecoming queen. Tate is dressed in a light-colored skirt set, white gloves, sparkling crown, and is holding a large bouquet. Photograph is dated 1957\u003c/p\u003e","\u003cp\u003eBlack and white photograph that appears to depict the crowning of the 1957 Miss Parker-Gray. A young woman, LaJeune Hundley, is posed standing in what appears to be the school gymnasium while a man appears to place a tiara atop her head. Hundley is wearing a dress, short fur coat, white gloves, and small handbag. Posed standing next to her in the photograph is another young woman, dressed in a light-colored coat over a dress, white gloves, and white fascinator hat. The man crowning Hundley, is turned away from the camera, but might be Principal William H. Pitts, Sr. He is dressed in a long black coat, dark-colored pants,  a fedora hat  and is holding a piece of paper and a microphone. Visible in the background of the image are several people standing on the gym bleachers. Photograph is dated 1957\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Miss Parker-Gray photo print (ABFR-23-002-066). Handwritten note reads, \"Miss Parker-Gray 1957-58 La Jeune Hundley, Attendants - Teyanna Williams, Jesurena Smith.\" Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" and \"Parker-Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Miss Parker-Gray La Jeune Hundley and her two attendants, Teyanna Williams and Jesurena Smith. Three elegantly dressed young women are posed standing in a row in front of what appears to be the bleachers in the school gymnasium. From left to right: a young woman wearing a light-colored coat over a dress, white gloves, white fascinator hat, and small handbag; a young woman, La Jeune Hundley, wearing a dress, short dark-colored fur coat, white gloves, tiara, and small handbag; a young woman wearing a long, light-colored fur coat over a dress and white gloves. Visible in the background of the image are several people standing on the gym bleachers. Photograph is dated 1957\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Miss Parker-Gray La Jeune Hundley and her two attendants, Teyanna Williams and Jesurena Smith. Three elegantly dressed young women are posed standing in a row in front of what appears to be the bleachers in the school gymnasium. Hundley is stood in the center of the trio and is turned around to shake the hand of a young woman standing behind her wearing a long, dark-colored coat with a corsage pinned to the lapel.\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1958 graduating class of Parker-Gray School. Twenty-three teenaged students dressed in graduation caps and gowns are posed in three rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. Photograph is dated 1958\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of seven young women posed in front of a small platform and backdrop that have been decorated with crepe paper and streamers. It appears to be the \"throne\" for the homecoming queen depicted in other photographs from this series. Photograph is dated 1958\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the 1959 Parker-Gray High School homecoming court. Four young women are posed standing in a row, the two in the center are one step up on a small podium. All four young women are holding bouquets. Photograph is dated 1959\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the 1959 Parker-Gray High School homecoming court. Three young women and three young men are posed in a row standing on a football field. Two of the young men are wearing football uniforms (number 54 and number 72); all three young women are holding bouquets. Photograph is dated 1959\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1960 graduating class of Parker-Gray School. Thirty-five teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. in the middle of the back row. Photograph is dated 1960\u003c/p\u003e","\u003cp\u003eBlack and white photographs, composite class portrait of the Parker-Gray High School class of 1961. Headshot studio portraits of students dressed in graduation caps and gowns are arranged in rows with each student's name listed underneath their photo. Also included are studio portrait photographs of Principal William H. Pitts, Sr. and school advisors Mary T. Adams and Jacqueline Green. Item is dated 1961\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1961 Ms. Parker-Gray, Doris Surratte, being crowned. A young woman, Doris Surratte, dressed in a white dress with sheer white shoulder wrap is posed standing next to a young man wearing a suit who is posed in the moment of placing a crown atop her head. Photograph is dated 1961\u003c/p\u003e","\u003cp\u003eBlack and white photographs, composite class portrait of the Parker-Gray High School class of 1962. Headshot studio portraits of students dressed in graduation caps and gowns are arranged in rows with each student's name listed underneath their photo. Also included are studio portrait photographs of Principal William H. Pitts, Sr.; Elizabeth Qualls, Sponsor; Robert H. Adkins, Sponsor; Richard Clayton, Sponsor. Item is dated 1962\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo from the Parker-Gray School Drivers Ed class. A car is parked in a small parking pad next to what appears to be the side or back of the school building. Affixed to the passenger side door of the car is a sign that reads, \"Driver Education Car, Courtesy Aero Chevrolet\" with the AAA logo above it. Four people are seated in the car, who appear to be three students and their instructor in the front passenger seat. Photograph is dated 1963\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo from the Parker-Gray School Drivers Ed class. Five people are seated in a parked car. Affixed to the passenger side door of the car is a sign that reads, \"Driver Education Car, Courtesy Aero Chevrolet\" with the AAA logo above it. Photograph is dated 1963\u003c/p\u003e","\u003cp\u003ePage from the program of the Parker-Gray High School Class of 1965 50th Reunion, held June 12th and 13th, 2015. An illustrated image of a scroll frames a list of the names of the members of the class of 1965, listed in two columns. Item is dated 2015\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1965 graduating class of Parker-Gray School. Forty-seven teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. Photograph is dated 1965\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Parker-Gray High School band dressed in their uniforms. They are posed seated in curved rows and appear to be in the school gymnasium. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Parker-Gray High School band dressed in their uniforms. They are posed seated in curved rows and appear to be in the school gymnasium. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Parker-Gray High School majorettes. Dressed in their uniforms and holding batons, seven young women are posed standing on the bleachers in the school gymnasium. They are standing in a row, each on a different step, ascending up the risers. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School Assistant Principal Edward L. Patterson. He is dressed in a dark-colored plaid suit, white shirt, dark-colored tie, and wire-rimmed glasses. Patterson is posed seated at his desk as if in the midst of working. Papers and books are strewn across his desk, while he flips through an open book with one hand and a pencil poised to write something in the other hand. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School Assistant Principal Edward L. Patterson. He is dressed in a dark-colored suit, white shirt, checkered tie, and wire-rimmed glasses. He is posed standing behind his desk while he does something with a large metal box atop the desk. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the cafeteria staff at Parker-Gray High School. Seven women, all dressed in white uniform dresses, are posed standing in a row in what appears to be the school cafeteria. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Ferris Holland, math and science teacher at Parker-Gray High School, and two unidentified students. Holland is standing behind the workstation at the front of his classroom, in the midst of demonstrating a chemistry experiment. To the left of Holland is a young man dressed in a checkered blazer; and to the left of Holland is a young woman wearing a white blouse. Visible behind them in the image is a blank chalkboard. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of several members of what appear to be faculty and staff of Parker-Gray High School. Ferris Holland, math and science teacher at Parker-Gray, is posed seated at a desk while pointing to something in a book. Seven other men and women are posed standing around him and looking at the book on his desk. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of Hollis Williams, a member of the Parker-Gray High School faculty. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and two unidentified students. Smith is posed standing behind a table where two young women are seated; all three have papers in their hands and appear to be in the midst of a conversation. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and an unidentified student. Smith is posed seated behind her desk with a young woman seated in a chair at the side of the desk. They are posed as if in the midst of a counseling session. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and an unidentified student. Smith is posed seated at a desk with a young man seated in a chair at the side of the desk. They are posed as if in the midst of a counseling session; both looking down at a set of papers on the desk. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed standing in front of a filing cabinet in the school administration offices with her hands resting on an open drawer. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed standing in front of a filing cabinet in the school administration offices with her hands resting on an open drawer. Photograph is very similar to ABFR-23-002-094 but Adams facial expression is slightly different. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed seated at her desk as if in the middle of a phone conversation. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School nurse. A woman dressed in a white nurse's uniform dress and cap is posed seated at a desk with a pen poised as if writing on a set of papers on the desk. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School nurse. A woman dressed in a white nurse's uniform dress and cap is posed seated at a desk with a pen poised as if writing on a set of papers on the desk. Photograph is very similar to ABFR-23-002-097 but her facial expression is slightly different and the photo was taken at a slightly different angle. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the physical and driving education faculty at Parker-Gray High School. Three men and a woman are posed standing in a row in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk with a pen poised above a set of papers on the desk. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of Parker-Gray High School Principal William H. Pitts, Sr. He is dressed in a dark-colored suit, white shirt, tie, and white pocket square and is posed seated in front of a blank backdrop. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. He is posed standing on the steps in front of the entrance to the school. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk with a pen poised above a set of papers on the desk, as if in the midst of doing paperwork. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk while reaching to the intercom on his desk, as if in the midst of making an announcement. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two are seated at their desks and one is standing at the counter writing on a sheet of paper. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two are seated at their desks and one is standing at the counter writing on a sheet of paper. Photograph is similar to ABFR-23-002-105. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School secretaries. Four women are posed in the front office of the school. They are all posed as if in the midst of working at different tasks: writing on a paper at the counter, looking through a filing cabinet, talking on the phone, typing on a typewriter. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two women are standing on either side of the counter and posed as if in the middle of a conversation. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two women are seated at their desks and one woman is standing behind the counter; all are posed as if in the midst of working. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School secretaries. Two women are posed together behind a desk in the school administration offices. From left to right, a woman, Louise Evans, is posed standing and pointing to a piece of paper held in her other hand; a woman is seated at the desk and looking at the paper that Evans' is holding. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School vocational and fine arts faculty. A woman is seated at a piano with six other men and women posed standing around the piano. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School faculty. Twenty-eight men and women are posed in three rows in front of a light-colored curtain serving as a backdrop. They appear to be on the stage in a school auditorium. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of some members of the Parker-Gray High School faculty. Six men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of some members of the Parker-Gray High School faculty. Seven men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of some members of the Parker-Gray High School faculty. Seven men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photo is very similar to ABFR-23-002-114, but the people are posed in slightly different positions. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of some members of the Parker-Gray High School faculty. Ten men and women are posed around a desk at the front of a school classroom with a blank chalkboard behind them. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the homemaking class at Parker-Gray High School. Eight young women are posed around a classroom kitchen at work on different cooking and baking tasks while their teacher looks on. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Parker-Gray High School baseball team. Ten young men wearing baseball uniforms are posed together on a baseball field behind the school. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Lawrence Veney. He is wearing his Parker-Gray High School baseball team uniform and is posed as if in the midst of throwing a pitch. Photograph is dated 1963\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School pep squad or cheerleading team. Seven young women in pep squad uniforms are in the midst of performing a cheer in the school gymnasium, presumably during a game or pep rally. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the Parker-Gray High School pep squad or cheerleading team. Eight young women dressed in pep squad uniforms are posed in two rows in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the Parker-Gray High School pep squad or cheerleading team. Eight young women dressed in pep squad uniforms are posed standing in a row in front of the bleachers in the school gymnasium, posed as if in the midst of performing a cheer. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School pep squad or cheerleading team. Thirty young women are posed in two rows in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of four members of the Parker-Gray High School football team. Four young men dressed in football uniforms are posed standing on a football field. Three of the young men are crouched in a defensive position and the fourth young man is standing behind them as if poised to throw the football. Photograph is dated 1961\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Raymond Williams, captain of the Parker-Gray High School football team. A young man, Raymond Williams, wearing a football uniform number 80, is posed crouched in a defensive position on a football field. Photograph is dated 1961\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a shot of players and two referees on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of several young women playing a game of volleyball in the Parker-Gray High School gymnasium. Based on their matching outfits, this is likely a candid photograph from a Physical Education class. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of what is likely the Parker-Gray High School Girls' Athletic Association. Nineteen young women are posed standing in two rows on the bleachers in the school gymnasium. They are all dressed in matching outfits: white blouses paired with dark-colored skirts. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of members of the Parker-Gray High School pep club. Fourteen young women are posed standing in two rows on the bleachers in the school gymnasium. They are standing angled sideways with their outer arm reaching out toward the middle of the gym. All of the young women are wearing vests with sashes that read, \"Go Team Go.\" Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of two young men in the midst of a wrestling match. A referee dressed in all white is also visible on the side of the mat. Visible in the background of the image are the officials or scorekeepers seated at a table, an announcer seated on a stool with a microphone, and several other members of the Parker-Gray High School wrestling team wearing their uniform sweat suits. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of two young men in the midst of a wrestling match. A referee dressed in all white is also visible on the side of the mat. Visible in the background of the image are the officials or scorekeepers seated at a table, an announcer seated on a stool with a microphone, and several other members of the Parker-Gray High School wrestling team wearing their uniform sweat suits. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, team portrait of the Parker-Gray High School wrestling team. Twelve young men and their two coaches are posed in two rows atop a wrestling mat in the school gymnasium. They are all dressed in matching light-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, team portrait of the Parker-Gray High School wrestling team. Twelve young men and their two coaches are posed in two rows atop a wrestling mat in the school gymnasium. They are all dressed in matching light-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably basketball based on their outfits. Twelve young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching shiny jackets with PG on the front. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably basketball based on their outfits. Twelve young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching shiny jackets with PG on the front. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably track and field based on their outfits. Nine young men are posed standing on the bleachers in the school gymnasium. They are dressed in matching dark-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably track and field based on their outfits. Nine young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching dark-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of a junior class at Parker-Gray High School. Approximately sixty students are posed in three rows on the grass in front of the school building. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of five Parker-Gray High School students in a car. A young man is posed in the driver's seat, in the passenger seat is a young woman wearing a headscarf, and in the backseat are three other young women. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of three Parker-Gray High School students. Three young women are posed standing in a row on a field. Two of the young women are wearing floral corsages pinned to their lapels and the young woman in the center of the group is holding a bouquet. Presumably they are a homecoming court, but the context of the image is not identified anywhere. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A man dressed in a brown polo shirt and khaki pants is seated next to a woman dressed in white pants and a blouse with a blue paisley pattern. They are both seated in front of tables and blue and white painted cement brick walls - the type of cement brick that is frequently found in American public school buildings. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A woman wearing a red collared dress, Norma J. Turner, is seated in front of a blue cement brick wall - the type of cement brick that is frequently found in American public school buildings. Photograph is dated 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. Several men and women, including Norma J. Turner in the foreground of the image, are seated at a dinner table in what appears to be a restaurant or banquet hall. Visible in the background of the image are three other people who appear to be about to take their seats at another table, as well as, a bartender behind a bar. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at a dinner table in what appears to be a restaurant or banquet hall. Visible in the background of the image are other people seated at another table, as well as, a man ordering a drink from the bar. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at dinner tables in what appears to be a restaurant or banquet hall. In the foreground of the image is a man dressed in black pants, a white shirt, patterned tie, black suspenders, and glasses with a rose-colored tint. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at dinner tables in what appears to be a restaurant or banquet hall. In the foreground of the image is a man dressed in a grey suit, white shirt, and checkered tie; and a woman dressed in a pink, orange, and yellow dress with a sheer yellow jacket. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a black dress with a floral print and a black blazer jacket. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a purple dress and matching purple jacket. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a pink dress and matching pink jacket. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A woman wearing a white, lace blouse is seated in what appears to be a red booth. Photograph is dated 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A woman is standing up from a dinner table with a red booth seat and looks as if about to give a speech. She is dressed in a sky blue jacket and matching sky blue pants, white blouse, and sky blue hat. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A man dressed in a grey suit, blue shirt, and blue tie is posed seated at a table. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A woman and man are standing up from a dinner table with a red booth seat and are posed in the midst of presenting a certificate. The woman is dressed in a sky blue jacket and matching sky blue pants, white blouse, and sky blue hat. The man is dressed in a tan suit, light-gray shirt, and patterned tie. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a pink sweater is seated in front of a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a pink sweater is seated in front of a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a grey jacket and floral patterned blouse is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a green blouse with a patterned scarf tied around her neck is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A man and a woman are seated in front of a window that looks out onto the street. The woman is wearing a white and grey striped jacket and blouse; the man is wearing a checkered suit jacket, white shirt, and striped tie. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A man wearing a checkered suit jacket, white shirt, and striped tie is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A man wearing a white shirt and white baseball cap is seated in front of a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a pink and white blouse, black suit jacket, and backwards black baseball cap is seated in front of a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A man wearing a tan shirt is standing in front of a window that looks out onto the street. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A laughing man wearing a patterned shirt is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white patterned blouse and white pants is seated in front of a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A man wearing a black shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a yellow shirt, black patterned cardigan, and black headwrap is seated in front of blank whiteboard mounted on a white cement brick wall. A cane is leaning against the wall behind her. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white blouse over a black t-shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a blue and white patterned blouse and white baseball cap with a logo on it that reads, \"Parker-Gray 1920-1965\" is posed standing in what appears to be a classroom. Several other people are visible behind her in the background of the image. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black blouse is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a grey t-shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a red blouse is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white patterned blouse is seated in front of a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a white t-shirt, blue sweater, and holding a notebook is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple, black, and white patterned blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a pale green blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A man wearing a striped brown suit jacket and pink shirt is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple blouse and white lace shrug is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Unfortunately the image file appears to be corrupted and the bottom half of the image is missing. Photograph is dated 19 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple, black, and white patterned blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event of Linwood Moses Smith and Sharon Jones Frazier. From left to right: a woman dressed in a purple turtleneck and purple cardigan; a man, Linwood Moses Smith, dressed in khaki pants, a grey zipped jacket under a denim jacket, a grey hat; a woman, Sharon Jones Frazier, dressed in a blue collared top under a tan trench coat. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event of McArthur and Nellie Quander. A man, identified as McArthur, dressed in denim pants, a checkered shirt, black windbreaker with the Free Masons logo on the front, and a brown hat walks with a woman using a mobility aid, Nellie Quander, dressed in a black top, black pants, and bright, red coat. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event. A candid photograph of three women and a man standing in the street, presumably outside the former Parker-Gray High School building, in the midst of conversation. Included in the group are Sharon Jones Frazier and Audrey P. Davis, Director of the Alexandria Black History Museum. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event. A portrait photograph of Audrey P. Davis, Director of the Alexandria Black History Museum, posed standing in the street in front of the former Parker-Gray High School building. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event. A candid photograph of five men standing in the street, presumably outside the former Parker-Gray High School building, in the midst of conversation. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event. Seven men and women are posed next to the historic landmark sign noting the adjacent building as the former building of Parker-Gray High School. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event. A man and woman are seated in the middle of the audience during the celebration event. The man is wearing a blue and white striped shirt and tan suit jacket; the woman is wearing a brown quilted coat. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event. A man dressed in a grey suit, off-white shirt, patterned tie, and white baseball cap is walking down the street while utilizing a mobility aid. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of a group of Charles Houston Elementary School students. Approximately fifty children, along with two teachers, are posed standing in four rows on the steps in front of the entrance to the school. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of the Room 6, Second Grade class at Charles Houston Elementary School in 1964. Twenty-eight children are posed in three rows with their teacher in what appears to be the school library. Two children in the center of the front row are holding a sign that reads, \"Charles Houston Alexandria, VA Grade 2 Room 6 1964.\" Photograph is dated 1964\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of the Room 16, Fourth Grade class at Charles Houston Elementary School in 1964. Twenty-seven children are posed in three rows with their teacher in what appears to be the school library. Two children in the center of the front row are holding a sign that reads, \"Charles Houston Alexandria, VA Grade 4 Room 16 1964.\" Photograph is dated 1964\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the family of Linwood Moses Smith. Related to the Jesurena Smith family photographs (ABFR-23-006)\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of a young girl standing posed outside in the grass. She is wearing a white top, white pants, and black sandals with white socks. It appears that the girl is in the yard next to a house; behind her are a brick wall and a large bush or shrubbery. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of four young children. The children (a young girl, a young boy, and two toddlers) are outside in the grass, in what appears to be the yard next to a house. One of the toddlers is sitting in the grass while the two older children are each holding a hand of the second toddler while they attempt to stand on their own. It appears that the children are attempting to pose for the photograph, but have been captured in motion. Behind the children is a brick wall with two visible windows and the shadow of a large bush or shrubbery. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a young woman and two very young children. The woman, dressed in black capri pants and a striped tank top, is posed standing outside in the grass in what appears to be the yard next to a house. She is holding a baby in her right arm while with her left holds the hand of a toddler standing next to her. The baby and toddler are both dressed in all white outfits. Behind the group is a brick wall with three visible windows and a large bush or shrubbery. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of three young children standing outside in the grass, in front of a short shrub. From left to right, a young boy dressed in a white short sleeved shirt, dark-colored shorts, and black sandals with white socks; a young girl wearing a tank top and shorts with matching printed pattern and tennis shoes; a young girl wearing a white top, white pants, and black sandals with white socks. The three children appear to be attempting to pose for the photograph but were captured either distracted or in motion. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eColor photograph of a woman seated on a couch which appears to be in the living room of a home. The woman is wearing a dark-colored coat and dark-colored dress. She is seated on a blue couch in front of a window with blue, patterned curtains. Unfortunately, the photograph is blurry and some details are hard to see. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of five people posed standing in front of a striped tent. Unfortunately, the photograph was damaged and a large portion is missing from the right side of the image. From left to right, a woman wearing a light colored dress with a small, dotted pattern; a man wearing black pants, a white short-sleeved button-down shirt, and a light-colored hat; a woman wearing a striped dress; a young girl wearing a white dress and holding a doll; a man wearing a white shirt, but otherwise obscured by the missing piece. On the bottom edge of the photograph is a handwritten note that reads, \"Feeling might f--\" with the remainder of the note missing. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photograph of Maria, Jootsie, Wootchie, Jesurena [Smith], and Linwood [Moses Smith] (ABFR-23-004-025). Handwritten note which identifies the people in the photograph reads, \"Maria, Jootsie 13, Wootchie 10, Jesurena 8, Linwood 4\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Arnold J. Thammond as a baby (ABFR-23-004-029). Handwritten note which identifies the baby in the photograph reads, \"Arnold J. Thammond, age 4 months\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a man (John?) (ABFR-23-004-040). Handwritten note reads, \"Dear Jesus, please have mercy on John.\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photo of a family outdoors (ABFR-23-004-050). Handwritten note reads, \"Gen et al 5-29-83\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eSame image as ABFR-23-006-022. Want to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a framed portrait drawing (ABFR-23-004-054). Typescript date stamp reads, \"JUL 92\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of two young children in costume (ABFR-23-004-058). Typescript date stamp reads, \"MAY 93 9\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Linwood Smith and unidentified woman (ABFR-23-004-064). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the Coleman and Butler families.\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of a young woman, Lucy, standing posed in a doorway. She is dressed in a light-colored dress worn over a white shirt, a white collar, and a wide brimmed hat. The photo print is mounted in grey board and gold letters spelling \"LUCY\" are affixed to the board underneath the photograph. There is also printed typescript which reads, \"G.G. Donaldson, Washington, DC.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of an oncoming parade headed down a residential street. Men are lined up on either side of the street, and five men are parading down the street toward the photographer. The man out front is wearing white gloves and carrying what appears to be a book. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of people posed seated around a table with a microphone mounted on the ceiling and suspended over the middle of the table. They appear to be in a recording booth for radio or audio announcements. The man seated at the table in the middle of the group is dressed in United States military uniform and on the table in front of him are a stack of papers. Photograph is undated, c.1940s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of a man and woman dressed for their wedding day. The bride is wearing a white wedding gown, veil, and pendant necklace and holding a bouquet. The groom is dressed in a dark-colored suit, white shirt, and dark-colored bowtie. A handwritten note in the bottom, right corner of the photo print reads, \"Murphy.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of a young woman who appears to be seated in front of a window. It is not clear whether she is actually seated in front of a window, or if this is a studio backdrop. She is dressed in a light-colored top with large buttons and a collar with a pleated trim. Photo print appears to have suffered some damage and wear. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a young man. He is dressed in a dark-colored suit, striped tie, striped socks, dark-colored leather shoes, and a dark-colored fedora hat. He is posed seated on a bench with one knee tucked up onto the bench beside him. The background behind him is a painting of a bridge over a pond with ducks and swans swimming in it. Photograph is undated\u003c/p\u003e","\u003cp\u003eA card with a printed calligraphy text which reads, \"Oliver Coleman, State Champion, Side Horse, 1967-68.\" It is unclear if this is related to the Studio portrait of a young man (ABFR-23-005-006)\u003c/p\u003e","\u003cp\u003eColor photograph, candid portrait of a man and a woman. The woman is wearing a light-colored dress with an embroidered collar and cat-eye glasses. The man is dressed in a dark-colored suit, white shirt, striped tie, and glasses. They appear to be in someone's home and visible in the background of the image are the bottom of a staircase and an ornately carved wooden table with a book, cups, and an ashtray on top. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, studio portrait of a family posed in front of a navy blue backdrop. From left to right: a woman wearing a black dress; an older woman dressed in a red dress, pearl necklace, and glasses; an older man dressed in a black suit, white shirt, black tie, and glasses; a young woman wearing a white dress with a off-the-shoulder neckline and a pearl necklace; and a boy dressed in a black suit, white shirt, and purple satin bowtie. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of three men posed standing with their arms around each other. From left to right: a man dressed in khaki pants and a plaid shirt; a man dressed in khaki pants, bright blue shirt, and a black tie; a man dressed in khaki pants and a dark-colored shirt. Photograph is undated, c.2000s\u003c/p\u003e","\u003cp\u003eColor photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right: a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; an older woman wearing a white dress and white floral corsage; an older man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a young woman wearing a white dress and white floral corsage; a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of bride and groom surrounded by several friends and/or family. Centered at the front of the photo: the bride is wearing a white dress, white gloves, a white fascinator, and holding a bouquet in one hand and the hand of the groom with the other; the groom is dressed in a dark-colored suit, white shirt, dark-colored tie, and white boutonniere. Next to and behind the couple, from left to right: a man dressed in a dark suit, white shirt, and patterned tie; a young man whose outfit is obscured; a young woman whose outfit is obscured; a young man wearing a dark-colored suit, white shirt, and dark-colored tie; a woman whose outfit is obscured; a young woman wearing a dark-colored dress with buttons and a bow in her hair; an older woman in a light colored dress and corsage pinned to her lapel. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a man and two women sitting at a desk in an office. A man is seated to the left of the desk and is dressed in a dark-colored suit, white shirt, and patterned tie. One of the women is seated behind the desk with her hands folded on top of the desk; she is dressed in a dark-colored top and jacket. The other woman is seated to the right of the desk and is dressed in a dark-colored skirt suit and white blouse. On the desk are a black telephone, two baskets with papers in them, a bound report or portfolio, and a pen holder. There is a filing cabinet visible in the background of the image. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a woman posed in front of a blank, light-colored backdrop. She is dressed in a dark-colored dress or jacket over a white blouse. The image only depicts from her shoulders up. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of Portrait photograph of a woman (ABFR-23-005-014). Handwritten notes read, \"6489\" and \"[illegible].\" A stamped typescript note reads, \"For your convenience the negative of this photograph will be kept on file. When reordering be sure you mentio the letters and numbers that follow 2-[blank], Murphy PO Trait Studio, Alexandria, Virginia.\"\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of a bride posed standing in a church sanctuary with three family members. From left to right: an older man dressed in a dark-colored suit, white shirt, burgondy tie, glasses, and white boutonniere; an older woman wearing a pastel blue dress, matching shoes, pearl necklace and bracelet, and white corsage pinned to her lapel; the bride dressed in a white wedding gown, pearl necklace and headband, and holding a bouquet of blue and white flowers; a man dressed in a dark-colored suit, white shirt, navy blue tie, and white boutonniere. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of a woman standing posed in front of a sage green curtain with a floral pattern. She is dressed in a tan dress, white glvoes, pearl necklace and earrings, white fascinator hat, and white floral corsage pinned to her collar and is holding a white handbag. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of a man seated in front of what appears to be a canvas tent. He is dressed in a light-colored shirt that is likely part of a military uniform, though no identifying insignia is visible in the image. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right: a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman dresed in a sparkly, dark-colored dress and white floral wrist-corsage; an older woman wearing a white dress with a white floral wrist-corsage; an older man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman in a black skirt set with a white blouse and a white floral wrist-corsage; and a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right; a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman wearing a white dress with a white floral wrist-corsage; a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman dressed in a blue dress with a black and gold stoll draped over her shoulders, and a man in a dark-colored suit, white shirt, and grey tie. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of what appears to be a bride and groom standing posed in front of a decorative white backdrop and two potted plants. The woman is dressed in a white wedding gown, white gloves, and is holding a small bouquet. The man is dressed in a black tuxedo with a white shirt and white bowtie. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eReverse of Wedding portrait photograph (ABFR-23-005-021). Handwritten note reads, \"1-4\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of children of varying ages stood posed in what appears to be a church or banquet hall. From left to right; a young girl wearing a light-colored, striped dress; a young girl wearing a white dress; a young girl wearing a light-colored dress with a white celebretory sash across her shoulder; a young girl wearing a white dress; a young boy dressed in a dark-colored suit, white shirt, and striped bowtie; a young girl wearing a white dress; a young girl wearing a white dress with dark-colored polka dots; a young girl wearing a white dress. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eReverse of Photograph of group of children (ABFR-23-005-023). Stamped typescript reads, \"Photo by Jackson, 528 N. Payne Street, Alexandria, Va. KI 9-8019\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph of three women seated in chairs with three men standing behind them. Back row, from left to right: man wearing a light-colored suit, white shirt, and patterned tie; man wearing a dark-colored suit, white shirt, dark-colored tie, and white pocket square; man in a light-colored suit, white shirt, and patterned tie. Front row, from left to right: woman wearing a white dress; woman wearing a white dress, white arm wraps, and a floral corsage pinned to her collar; woman wearing a light-colored dress. They appear to be in a church recreation or banquet hall. Visible in the background of the image are a man eating seated at a long table with a white table cloth, a raised platform stage with chairs on it, a curtain behind the stage with what seems to be a large cross mounted as a backdrop. photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a dozen men posed standing staggered in a line in front of what appears to be a concessions stand. All of the men are wearing suits and several also have white floral boutonnieres pinned to their lapels. Visible in the background of the image are a couple of women. Photograph is undated, c.1940s\u003c/p\u003e","\u003cp\u003eClipping from a newspaper featuring a black and white photograph of a group of people posed in an office with a caption underneath. Pictured in the photo are a young woman, a young man, and a man seated at a desk and posed looking at brochures. The man seated on the right is also holding the telephone as if in the middle of a call. Standing behind the seated trio and looking over their shoulders are two men and two women. All are dressed in business casual outfits c.1960s. According to the caption, the image depicts two college students, Marilyn Klug and Jim Rogers, who are starting positions with the Alexandria Office of the Virginia Employment Commission under a summer employment project of the Northern Virginia Board of Realtors' \"Make America Better\" Program. Also pictured in the image are G. Lewis Layne, Joanna M. Tanner, Ralph A. Wells, Oliver Coleman, and Eileen K. Levington. Clipping is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of twenty-one men, women, and children posed standing in a church sanctuary in front of the pulpit. Visible in the background of the image are the choir loft, a staircase, and a banner hung behind the pulpit that reads, \"Home-coming, United We Stand, Divided We Fall.\" Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of twenty-four men and women, posed in three rows. The men are all wearing dark-colored suits, white shirts, and dark-colored ties, with badges or medals pinned to their lapels. The women are all wearing matching white collared dresses, white gloves, and the same badges or medals pinned to their lapels. They appear to be in a church recreation hall and there is a wooden cross visible in the background of the image. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the family of Jesurena Smith. The Newman family lived at 510 and 512 Pendleton Street in Alexandria, Virginia from 1928 until the 1970s. John Henry Newman moved from Burke, Virginia to Alexandria in the 1920s. Newman had two wives: Nannie Pounds Newman and Elizabeth Pounds Newman. Related to the Linwood Moses Smith family photographs (ABFR-23-004)\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Candid photograph of a wedding (ABFR-23-006-012). Stamped typescript reads, \"Henry's Camera Exchange, 722 King St., Alexandria, Virginia\" and \"Kodachrome Print, Made By Kodak, July 67R\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photograph from Angie's 50th birthday (ABFR-23-006-014). Handwritten note reads, \"Angie's Big 50, 3-28-09\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a woman in front of mobile home (ABFR-23-006-020). Handwritten note reads, \"To Shirl \u0026amp; Roger from fat-Black Ace - Age 43\"\u003c/p\u003e","\u003cp\u003eSame image as ABFR-23-004-053. Want to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a framed portrait drawing propped up on a couch (ABFR-23-006-026). Typescript date stamp reads, \"JUL 92\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a woman holding a framed portrait drawing of a woman (ABFR-23-006-029). Typescript date stamp reads, \"JUN/02\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs and ephemera from the family of Sharon Jones Frazier and her paternal grandmother, Carrie Jones Stevens. Carrie Jones Stevens originally lived in Palmyra, Virginia with her first husband, Albert Jones. Together they had three children - Shedrick (father of Sharon Jones Frazier), Ellen, and Annie. After Albert's death, she re-married Moses Stevens and the family moved to Alexandria, Virginia and lived at 1325 Cameron Street; this home remains in the family as of 2023. Ellen married Lawrence Butler and moved to Philadelphia, Pennsylvania. Annie and Shedrick both attended Parker-Gray School. Annie worked at the Carver Theater and Shedrick had a career as a plasterer\u003c/p\u003e","\u003cp\u003eClipping of an article and two black and white photographs from The Other Alexandria, \"Betty Garrett Scott: 'Memories of My Grandfather' by Char McCargo Bah\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of a man walking on a cement patio in front of a brick wall and white door. He is dressed in a light-colored suit, white shirt, and glasses. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of a young woman, Sharon Jones Frazier, standing posed in a backyard. She is dressed in a light-colored blouse and skirt set. A brick building and a white stone fence are visible in the background of the image. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of a woman standing posed in a backyard. She is wearing a white collared dress with a pink and green floral pattern. A brick building, white stone fence, and green lawn furniture are visible in the background of the image. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a man seated in front of a light-colored backdrop. He is dressed in a suit and tie. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a young girl sitting on the grass in what appears to be a backyard or park. She is dressed in a light-colored Native American costume dress and band around her forehead with a single dark-colored feather sticking up in the back. Her hair is worn in pigtails. Lawn furniture is visible in the side of the image. The photo print has suffered some wear and damage and there is a vertical crease down the middle of the print which obscures some of the image. Photograph is dated \"February -8\" with a typescript stamp on the top edge of the print, the decade is obscured by the damage to the print but is mostly likely 1958\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a young girl, Sharon Jones Frazier, posed standing in front of a brick wall. She is wearing a light-colored dress with a Peter Pan collar and a light-colored bow in her hair. A handwritten note on the photo print over the image identifies the little girl as \"Sharon.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a young woman, Sharon Jones Frazier, seated in front of a blank backdrop. She is dressed in a white and light-colored collared shirt. A handwritten note on the photo print reads, \"To Mom, Love Sharon, 1972\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a young woman, Sharon Jones Frazier, seated in front of a blank backdrop. She is dressed in a white nurse's uniform: white collared top and small white hat. Photograph is undated, c.1970s\u003c/p\u003e","\u003cp\u003eColor photograh, studio portrait of two women and a small dog. Sharon Jones Frazier is dressed in a red collared dress and is standing posed with her hand on the shoulder of an older woman. The other woman is dressed in a black and white houndstooth dress, pearl necklace, and wire-rimmed glasses. She is holding an buff-colored Cocker Spaniel with a red collar. Photograph is undated, c.1990s\u003c/p\u003e","\u003cp\u003eColor photograph of a young woman, Sharon Jones Frazier, and a man posed standing together in front of a dark, red wall and a potted plant. She is dressed in a white dress, white jacket, and red brooch pinned to her dress; she is carrying a black handbag. The man is dressed in a dark-colored suit, white shirt, patterned tie, glasses, silver cross necklace, and red brooch pinned to his lapel. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of a young girl posed standing in front of a dark-colored couch with white curtains behind it. She is dressed in a light-colored coat with a double-layered rounded flat collar, white gloves, white beret hat, and white cross-body handbag. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, studio portrait of a woman posed seated in front of a cream-colored backdrop. She is dressed in a cream-colored top and gold jewelry. Photograph is undated, c.1970s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a man posed seated in front of a light-colored backdrop with his hands folded in front of him. He is dressed in a houndstooth suit, white shirt, black tie, and badge-shaped lapel pin. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photogrpah, studio portrait of a young woman posed sitting in front of a blank backdrop. She is dressed in a light-colored blouse. Photograph is undated, c.1940s\u003c/p\u003e","\u003cp\u003eReverse of Portrait photograph of a woman (ABFR-23-007-015). Stamped typescript reads, \"Stephen's Photographers, 1202 You St., N.W., Washington, D.C.\" Handwritten note reads, \"10336 R GT\"\u003c/p\u003e","\u003cp\u003eBlack and white photogrpah, portrait of a baby seated propped up against pillows on what appears to be a couch or armchair upholstered in a floral print. The baby is dressed in a white dress and white socks. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of Portrait photograph of a baby (ABFR-23-007-017). Stamped typescript reads, \"Pease Photograph Washington, DC Ludlow 2517 Credit Please Photographers\"\u003c/p\u003e","\u003cp\u003eColor photograph, studio portrait of a woman, Sharon Jones Frazier, posed seated in front of a dark-colored backdrop. She is dressed in a white blouse with a light blue satin notched collar and light blue satin trim on the breast pockets. Photograph is undated, c.1970s\u003c/p\u003e","\u003cp\u003eColor photograph, studio portrait of a woman posed seated in front of a blue backdrop. She is dressed in a red blouse with floral applique, a gold necklace, and glasses. Photograph is undated, c.1980s\u003c/p\u003e","\u003cp\u003eColor photograph, studio portrait of a woman, Sharon Jones Frazier, posed seated in front of a blue backdrop with a hand tucked loosely under her chin. She is dressed in a bright, red collared blouse, gold jewelry, and wire-rimmed glasses. Photograph is undated, c.2000s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a young woman posed seated in front of a light-colored backdrop. She is dressed in a patterned blouse with a bowtie collar and a pearl necklace. Photograph is undated, c.1940s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a young woman, Sharon Jones Frazier, posed seated in front of a light -colored backdrop. She is dressed in denim pants, a plaid shirt, and sweater vest. Photo print has suffered some wear and damage and there are sepia toned streaks across the image. Photograph is undated, c.1970s\u003c/p\u003e","\u003cp\u003eColor photograph of four women seated in a corner booth at a restaurant. From left to right: a woman dressed in a blue striped skirt, blue blouse, and blue cardigan; a woman wearing a purple blouse; a woman, Sharon Jones Frazier, dressed in a blue and green patterned blouse; a woman dressed in a black top. Photograph is undated, c.2000s\u003c/p\u003e","\u003cp\u003eColor photograph of two young girls posed standing together in a home. From left to right: a young girl wearing a yellow dress with a patterned skirt and yellow satin bow in her hair; a young girl wearing a blue and white patterned dress and holding a doll. Windows with red and white curtains and an interior doorframe to another room are visible in the background of the image. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eColor photograph of two young women, posed as if dancing and with their arms around each other's shoulders. The image is somewhat blurred. From left to right: young woman dressed in a white blouse tucked into a red pencil skirt; young woman dressed in a red and blue checkered dress and white cardigan. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eColor photograph, group portrait of six teenagers posed standing in a row in front of a school trophy case. There are three young women and three young men, presumably their escorts to a school dance or prom. The young men are all dressed in suits and the young women are all wearing light-colored dresses and gloves with floral corsages pinned to their dresses. One young woman is also holding a bouquet. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eColor photograph, group portrait of six teenagers posed standing in a row in front of a school trophy case. There are three young women and three young men, presumably their escorts to a school dance or prom. The young men are all dressed in suits and the young women are all wearing light-colored dresses and gloves with floral corsages pinned to their dresses. One young woman is also holding a bouquet. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of two girls standing in a backyard. One girl is posed with her arms crossed in front of her, frowning at the camera, while the other leans with her arm on the first girls' shoulder. Both are wearing light-colored dresses. Trees, an empty clothesline and part of a house are visible in the background of the image. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of two children posed standing in a backyard in the midst of Sharon Jones Frazier's birthday party. From left to right: a young girl, Sharon Jones Frazier, dressed in a light-colored dress with a floral pattern, Berta-style collar, and bow in the front; a young boy dressed in a dark-colored suit, white shirt, and black bowtie. Another young girl wearing a dress and a young boy seated in a chair are visible in the background of the image. Photograph is undated\u003c/p\u003e","\u003cp\u003eCover of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010) at Nix and Nix Funeral Home in Philadelphia, Pennsylvania.\u003c/p\u003e","\u003cp\u003eInterior page of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page lists the program of events\u003c/p\u003e","\u003cp\u003eInterior page of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page features the eulogy and family photographs\u003c/p\u003e","\u003cp\u003eBack of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page features a quote from an unknown author dedicated to \"Our MomMom\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Class of 1965 at Parker-Gray High School in Alexandria, Virginia. The students are posed on risers in 7 rows and are all dressed in their graduation caps and gowns. Photograph is dated 1965\u003c/p\u003e","\u003cp\u003eReverse of Group photograph of Parker-Gray H.S. Class of 1965 (ABFR-23-007-035). Handwritten note reads, \"Parker-Gray H.S. Class of 1965\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait that was hand-colored using pastels. A portrait of an unidentified woman dressed in a white blouse or dress with a high collar that is fastened with a gold broach. Artwork is undated, c.19th century\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the family of Charles Sias. Also included are photographs of Parker-Gray High School activities, students, social groups, and athletic teams\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of men standing on football field (ABFR-23-008-001). Typescript date stamp reads, \"July, 1980\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of men on a football field (ABFR-23-008-003). Typescript date stamp reads, \"July, 1980\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of men at a picnic (ABFR-23-008-006). Typescript date stamp reads, \"Jul 90 1\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of women at a formal dinner (ABFR-23-008-008). Typescript date stamp reads, \"Jul 90 1\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a woman and a man at a gathering (ABFR-23-008-010). Typescript date stamp reads, \"Jul 90 1\"\u003c/p\u003e","\u003cp\u003e[Help us describe this image using our Community Description form at: https://bit.ly/ABFR-community-description]\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photo at a beach (ABFR-23-008-014). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of man standing on a football field (ABFR-23-008-016). Typescript date stamp reads, \"July, 1980\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of man at a family gathering (ABFR-23-008-018). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photo of an outdoor gathering (ABFR-23-008-020). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a woman and man sitting on lounge chairs (ABFR-23-008-022). Typescript date stamp reads, \"09/30/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of women sitting on a dock (ABFR-23-008-024). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of people sitting on a dock  (ABFR-23-008-026). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of man and woman in a kitchen (ABFR-23-008-028).  Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photograph outdoors (ABFR-23-008-030). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photograph outdoors (ABFR-23-008-032). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photograph outdoors (ABFR-23-008-034). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of man and woman standing by a swimming pool (ABFR-23-008-036). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of three men (ABFR-23-008-038). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of man and woman in yard (ABFR-23-008-040). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Mabel Price and unidentified man at formal event (ABFR-23-008-042). Typescript date stamp reads, \"07/06/05.\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of woman and man at Parker-Gray High School class of 1965 reunion (ABFR-23-008-044). Typescript date stamp reads, \"JUL 90 1\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of man and woman (ABFR-23-008-046). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photo at formal event (ABFR-23-008-048). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photo at formal event (ABFR-23-008-050). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of people at a restaurant (ABFR-23-008-052). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Cherylene Rollerson and Beverly Wilhoit (ABFR-23-008-054). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Corliss and unidentified woman (ABFR-23-008-056). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of cake at Parker-Gray High School class of 1965 reunion (ABFR-23-008-058). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of two women in kitchen (ABFR-23-008-060). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of man and women at gathering (ABFR-23-008-062). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photo of man in kitchen (ABFR-23-008-064). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photo of man in a park (ABFR-23-008-066). Typescript date stamp reads, \"JUL 90 1\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Walter at an event at the Alexandria Black History Museum (ABFR-23-008-068). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of three men at outdoor gathering (ABFR-23-008-070). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of woman at Parker-Gray High School class of 1965 reunion (ABFR-23-008-072). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of historic photographs and artwork from the family of D. Jason Wood. Included are 19th century charcoal portrait drawings and hand-colored photographs, 19th century photographic prints, and photographic prints from the early 20th century\u003c/p\u003e","\u003cp\u003eCharcoal portrait drawing of an unidentified woman. She is dressed in a high-collared black dress or blouse with a bow at the neck; the image depicts the woman only from the shoulders up. The drawing has suffered some deterioration over time and portions of the image are damaged and missing pigment. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eCharcoal portrait drawing of an unidentified man. He has a mustache and is dressed in a black suit, white collared shirt, and black tie; the image depicts the man only from the shoulders up. The drawing has suffered some deterioration over time and portions of the image are damaged and missing pigment. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eCharcoal portrait drawing of an unidentified man. He has a \"salt-and-pepper\" mustache and is dressed in a dark colored suit, white collared shirt, and dark tie; the image only depicts the man from the shoulders up. The drawing has a tear in the upper, left corner that does not obstruct the portrait image. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eCharcoal portrait drawing of an unidentified man. He has a mustache and is dressed in a black suit, black buttoned vest, white shirt, and black tie; the image only depicts the man from the chest up. The drawing has suffered some environmental damage over time and the bottom, left portion of the drawing is missing, as well as some pieces from the top corners. There is also evidence of water damage and some portions of the image are missing pigment. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eCharcoal portrait drawing of an unidentified man. He is posed standing, holding what appears to be a rifle with a bayonet. He has a beard and is dressed in pants with suspenders, a long-sleeve shirt with a collar and buttons, a round hat or helmet, and what appears to be a handkerchief or piece of cloth tucked into his waistband. The drawing has suffered some environmental damage over time and is missing pieces from three corners, but the image is not obstructed. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eCharcoal and ink portrait drawing of an unidentified woman. She is dressed in a high-collared black dress or blouse with a ring closure at the neck and a row of small buttons; the image depicts the woman only from the shoulders up. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003ePastel portrait drawing of an unidentified woman. She is posed standing in front of an abstract, colored background. She is wearing a late 19th century style dress - a black dress with a high collar, corset, and long-sleeve fitted jacket and skirt with multiple draped layers and possibly a bustle. The dress is embellished with ruffles or lace at the edge of the sleeves and top layer of the skirt. Her hair is pulled back into a low bun. Signature in the bottom, right corner reads, \"N.B. Katze.\" Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003ePastel portrait drawing of an unidentified woman. She is posed standing next to a stone column wrapped in flowering vines and a flowering plant in a stone planter atop a stone pedestal with a decorative relief work of cherubs. She is wearing a bright blue, long-sleeve dress with high collar and black belt at the waist. The style and silhouette of the dress appears to be c. 1900. Signature in the bottom, right corner reads, \"Harris - Ewing.\" Portrait is undated, c. early 20th century\u003c/p\u003e","\u003cp\u003eHand-colored photographic print, portrait of an unidentified woman. She is posed seated, though the chair or stool is not visible. The woman is wearing a black and white pinstripe dress with long-sleeves, high collar, and large white jabot at the neck. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003ePastel portrait drawing of an unidentified man. He has a mustache and long sideburns and is dressed in a black suit, black buttoned vest, white shirt, white tie, and boutonnière on his lapel. The image only depicts the man from the chest up. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eBlack and white pastel portrait drawing of an unidentified man. He has a white mustache and is dressed in a black suit, black buttoned vest, white shirt, and black tie. The image only depicts the man from the waist up. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eHand-colored photographic print, portrait of an unidentified man. The coloring appears to be watercolors and ink. He is posed standing outside in front of a fence and shrubbery. The man has a mustache and is wearing a light gray suit, white shirt, white tie. He is also holding a white and gray boater hat. Portrait is undated, c. late 19th century or early 20th century\u003c/p\u003e","\u003cp\u003ePhotographic print, portrait of an unidentified man. The man is posed seated. He is wearing a suit, dark colored vest, and white shirt. The man's hair and eyes have been outlined in ink; there are also ink dots throughout the image to accentuate areas of shadow. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eBlack and white photographic print, portrait of an unidentified man. The photograph depicts the man from the waist up; he appears to be posed sitting in front of a studio backdrop. The man is wearing a dark colored suit, white shirt, and dark colored tie. On the matting around the image is a stamp of a lion holding a sword and text that reads, \"Sol. Young, New York.\" Photograph is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eBlack and white photographic print, portrait of Douglas wearing what appears to be a U.S. Army Air Corps summer uniform from the World War 2 era. The photograph depicts the man from the chest up; he is wearing a uniform shirt with epaulets, a tie tucked into the shirt, and a pilot helmet and goggles. The prop and wings insignia is pinned to his left lapel and there appears to be another insignia pinned to the right lapel, but it is not visible in the photo. On the matting around the photo is text that reads, \"Polk's Studio, Tuskegee Inst., Ala.\" Handwritten text on the bottom right corner of the photograph reads, \"To the Family, From: Douglas.\" Photograph is undated, c. 1930s - 1940s\u003c/p\u003e","\u003cp\u003eBlack and white photographic print, portrait of Doug wearing what appears to be a U.S. Army Air Corps uniform from the World War 2 era. The photograph depicts the man from the chest up; he is wearing a white shirt, black tie, formal uniform jacket, and peaked service cap with prop and wings insignia. Insignia are pinned to his jacket lapels; a U.S. pin on both top lapels and a prop and wings pin on both bottom lapels. On the matting around the photo is text that reads, \"Polk's Studio, Tuskegee Inst., Ala.\" Handwritten text on the bottom right corner of the photograph reads, \"To my devoted sister - Doug.\" Photograph is undated, c.1940s\u003c/p\u003e","\u003cp\u003eBlack and white photographic print, group portrait of a group of musicians. Eleven men are posed in two rows, the back row is standing and the front row are seated in folding chairs. Several instruments are arranged on the floor in front of the men; there are a variety of string instruments in the arrangement including a cello, violin, banjo, and several mandolins. The men are all dressed in dark colored suits, white shirts, and neckties (some are bow ties, some are long ties). Photograph is undated, c. 1900s\u003c/p\u003e","\u003cp\u003eDigital surrogates of seven photograph albums from the family of Maurice Terrell. Albums include photographs, documents, and ephemera.\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eHandwritten note reads, \"63rd birthday June 5, 1997.\" \u003cbr\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eHandwritten note reads, \"June 5, 1997.\" \u003cbr\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eHandwritten note reads, \"June 5, 1997.\" \u003cbr\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eHandwritten note reads, \"June 5, 1997.\" \u003cbr\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eHandwritten note reads, \"June 5, 1997.\" \u003cbr\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of two women (ABFR-23-010-135). Handwritten note reads, \"June 24th (97) (Wed.)\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of two women (ABFR-23-010-137). Handwritten note reads, \"June 24th (97) (Wed)\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a man and woman (ABFR-23-010-144). Handwritten note reads, \"June 24th (97) (Wed)\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Carl on a sidewalk in downtown Boston (ABFR-23-010-299). Handwritten note reads, \"Downtown Boston, Sunday, 9 May 76. To my sweet baby, Love always, Carl\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the Carter and Robinson families. Both families have been in Alexandria since the late 1860s.\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs and documents from the family of Dorothy Taylor. Included are photographs, a scrapbook, marriage and death certificates, and other documentation of family history.\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Realtor listing of 1004 Cameron Street (ABFR-23-013-034).\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Certificate in lieu of lost or destroyed discharge certificate of Walter Thomas (ABFR-23-013-036). Hand written note reads, \"Walter Thomas grave 549 Arlington Cemetery\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Portrait of Dorothy E. Knapper Taylor (ABFR-23-013-045). Handwritten note reads, \"Dorothy E. Knapper (Taylor)\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of unidentified child and Dorothy Knapper in front of a building (ABFR-23-013-047). Handwritten note reads, \"Dorothy Knapper (Taylor) in white\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Beulah Priester and Dorothy Taylor in front of house (ABFR-23-013-049). Handwritten note reads, \"Beulah Priester and Dorothy Taylor Elks convention in Chicago\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Mat. And Dot. sitting outside (ABFR-23-013-052). Handwritten note reads, \"Mat. and Dot\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Portrait of Dorothy Knapper Taylor (ABFR-23-013-054). Handwritten note reads, \"Dorothy Knapper (Taylor) age unknown\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Portrait of Dorothy Knapper Taylor (ABFR-23-013-056). Handwritten note reads, \"Dorothy E. Knapper (Taylor)\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Virginia Knapper, Ella Lomax, and Desiree Porter (ABFR-23-013-059). Handwritten note reads, \"Virginia Knapper, Ella Lomax, Desiree Porter\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Nannie in Elks uniform (ABFR-23-013-061). Handwritten note reads, \"Nannie- Elks uniform\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Virginia Knapper and Desiree Irvin (ABFR-23-013-063). Handwritten note reads, \"Virginia Knapper Desiree Irvin\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Desiree Irvin and Virginia Knapper (ABFR-23-013-065). Handwritten note reads, \"Desiree Irvin and Virginia Knapper\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Virginia Knapper \"Nannie\" and unidentified man (ABFR-23-013-067). Handwritten note reads, \"Virginia Knapper (Nannie) and friends\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of woman (ABFR-23-013-069). Handwritten note reads, \"Dec. 26, 1952 Nannie?\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Ruby Lomax and James Young (ABFR-23-013-071). Handwritten note reads, \"Ruby Lomax and James Young\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Lena Jackson and Virginia \"Nannie\" Knapper (ABFR-23-013-073). Handwritten note reads, \"Lena Jackson and Virginia Knapper (Nannie)\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Dorothy \"Momma Dot\" Taylor and Desiree Irvin (ABFR-23-013-077). Handwritten note reading, \"Dorothy Taylor\" is crossed out. Additional handwritten note reads, \"Momma Dot, Desiree Irvin\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Mattie Tyree, Edna Jones, Virginia Knapper, Eudell Bartee, and unidentified people (ABFR-23-013-078). Handwritten note reads, \"Mattie Tyree Edna Jones Virginia Knapper Eudell Barte.\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Portrait of James Knapper (ABFR-23-013-081). Handwritten note reads, \"Uncle Jim (James Knapper)\" \"Momma Dat's uncle (Pennsylvania Station\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a house (ABFR-23-013-084). Handwritten note reads, \"Mother Dear's house\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of three women (ABFR-23-013-087). Handwritten note reads \"I don't know, I don't know, Mother Dear\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Helen Brown and Emma Thomas (ABFR-23-013-089). Handwritten note reads, \"Helen Brown and Mother Dear (Emma Thomas)\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Emma Thomas, four unidentified people, unidentified baby (ABFR-23-013-091). Handwritten note reads, \"Mother Dear\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Ella Lomax (ABFR-23-013-093). Handwritten note reads, \"Ella Lomax\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Portrait of Adeline Hughes and husband (ABFR-23-013-095). Handwritten note reads, \"Adeline Hughes and husband\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Portrait of two women and a man (ABFR-23-013-100). Typescript date stamp reads, \"04/30/22\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Family group portrait (ABFR-23-013-102). Typescript date stamp reads, \"04/30/22\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photograph of Earl Lloyd and unidentified men standing in a gym (ABFR-23-013-142). Handwritten note reads, \"Earl Lloyd, Missing (Rozier Ware)- Hoodley Windy's dad\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photograph of the Alexandria Rams football team (ABFR-23-013-145). Handwritten note reads, \"Rams football team, Donald Taylor top row third from left #\"\u003c/p\u003e","\u003cp\u003eDigital surrogates of materials documenting the history of the Hamilton and Carrie Gray Family. The Gray Family has been apart of the Black community in Alexandria and Gum Springs since the 19th century. Included are family reunion books, photographs, ephemera, a pastel portrait drawing, and other documentation of family history.\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs and ephemera from the family of Bernice Lee.\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs and ephemera from the Cross family\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Wendy Lucas (ABFR-23-020-002). Handwritten note identifies the girl in the image as \"Wendy Lucas\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a backyard family gathering (ABFR-23-020-018). Date stamp reads, \"SEP 1984\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a backyard family gathering (ABFR-23-020-020). Date stamp reads, \"SEP 1984\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group portrait taken at a formal event (ABFR-23-020-028). Handwritten note reads, \"Top of Poem \"Our Family's Love\", Bea Taylor\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a house (ABFR-23-020-030). Handwritten note reads, \"Front of Home.\" Date stamp reads, \"JULY 2002\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Lydia Cross Jones and Eleanor Cross Winbush (ABFR-23-020-033). Handwritten notes read, \"To Bea \u0026amp; John, this was taken Dec 3rd 1988\" and \"Lydia Cross Jones, Eleanor Cross Winbush.\" Typescript stamp reads, \"Photography by Herbert D. Spears, 7012 Lamp Post Lane, Alexandria, VA 22306, 703-768-6395\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Goff, Haywood, and Bernice (ABFR-23-020-059). Handwritten note reads, \"Goff, Haywood, Bernice.\" Typescript stamp reads, \"When this photograph is used please credit Michael L. Smith\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Lydia (ABFR-23-020-064). Handwritten note identifies the girl in the photo as \"Lydia.\" Typescript stamp reads, \"Pease Photograph, 3728 Hayes St NE, Washington, DC, Lincoln 7 5319\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Portrait of Daisy P. Cross (ABFR-23-020-071). Handwritten note identifies the woman in the photo as \"Daisy P. Cross\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of materials documenting the history of the Carter Family. Included are photographs, drawings, and paintings\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eHandwritten note in the bottom corner of the photograph reads, \"To Paul, Love Ann\"\u003c/p\u003e\n","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Ellan\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Ellan\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Ellan\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Ellan\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Ellan\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Douglas\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Bernard\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Bernard\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Frederick\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Paul, Jr.\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Lawrence, Jr.\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Lawrence, Jr.\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Lawrence, Jr.\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Yolanda\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Yolanda\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Yolanda\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Yolanda\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Chrystal\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Chrystal\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Chrystal\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of David\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Alfred\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Alfred\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Alfred\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter \u0026gt; Family of Lucy\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter \u0026gt; Family of Lucy\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter \u0026gt; Family of Lucy\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter \u0026gt; Family of Lucy\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter \u0026gt; Family of Lucy\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter \u0026gt; Family of Lucy\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of William H. and Hester Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of William H. and Hester Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of William H. and Hester Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of William H. and Hester Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of William H. and Hester Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of William H. and Hester Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of William H. and Hester Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of materials documenting the Alexandria-Mount Vernon Chapter of Jack and Jill of America, Inc and their annual Founders Day celebrations\u003c/p\u003e","\u003cp\u003eExcerpt of three pages from a newsletter, program, or informational pamphlet about Founders Day 2023 of the Alexandria-Mount Vernon Chapter of Jack and Jill of America. Excerpted pages include a photograph and roster of the founding members of the chapter; letter to members from Elena Neely, Chapter President in 2023, a history of the chapter, and a 2023 group portrait of the members. Document is dated 2023\u003c/p\u003e","\u003cp\u003eInformational and promotional video made for the 55th Anniversary and Founders Day of the Alexandria-Mount Vernon Chapter of Jack and Jill of America. Video gives a brief history of the chapter and information about the organization and its mission, activities, and member statistics. This information is conveyed primarily through audio narration. The narration is accompanied by a slideshow of photographs. There is also background music playing throughout the video. Video is dated 2021\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs, documents, and newsclippings from the family of Shirley Ann Sanders-Steele.\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joe Ann Sanders-Smith standing in front of a wrought iron gate in front of the Governor's mansion in Richmond, VA. She is wearing summer clothing. She holds sunglasses in one hand, her other hand on her hip. Joe Ann is smiling for the camera. Photograph is dated November 1957\u003c/p\u003e","\u003cp\u003eReverse of photograph of Joe Ann (ABFR-23-024-001). Handwritten note reads \"My sister in law Joe Ann, Gov's mansion Richm.\" An additional handwritten note beneath this text is obscured by a black marking and is illegible. Photograph is dated November 1957\u003c/p\u003e","\u003cp\u003eColor photograph of three women in formalwear seated at a dinner table laid with matching dishware, drinkware, and utensils. At each place setting on the table stands a fruit-based dessert in a cocktail style serving glass. Photograph is dated 1985\u003c/p\u003e","\u003cp\u003eReverse of photograph of three women seated at formal dinner (AFBR-23-024-003). Typescript stamp dates photo to October 1895\u003c/p\u003e","\u003cp\u003eColor photograph of Aunt Lil and her niece, Shirley Ann Sanders, in proper attire. They are posed in front of a painted backdrop depicting a lake scene, smiling at the camera. Aunt Lil is standing and has her arm draped over the shoulders of Shirley Ann, who is seated. Photograph is undated, c. 1980s\u003c/p\u003e","\u003cp\u003eReverse of photograph of Aunt Lil and her Shirley Ann Sanders (ABFR-23-024-005). Handwritten note reads \"Aunt Lil + me.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlurry color photograph of Shirley Ann Sanders, smiling in a long coat standing in the snow-covered yard of a brick building. In front of her sits a dog on a leash, which the woman holds. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Shirley Ann Sanders on snowy lawn with dog (ABFR-23-024-008). Handwritten note reads \"1713 Price St, Alex Va, 1965-2001, My dog.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of a group of children holding balloons of various colors in a living room. In the left of frame, an adult woman seated near a coffee table looks on. Photograph is dated January 1959\u003c/p\u003e","\u003cp\u003eReverse of photograph of Tyrone and Angela's birthday party (ABFR-23-024-009). Handwritten note identifies the birthday celebrants as Tyrone and Angela. Photograph is dated January 1959.\u003c/p\u003e","\u003cp\u003eColor photograph of a rectangular cake on a table with two chairs in the background. The left half of the cake, decorated with blue frosting, a cactus, and cowboy figurines, reads \"Happy Birthday Tyrone.\" The right half, pink with a ballerina in white silhouette, reads \"Happy Birthday Angela.\" The photograph is dated January 1959\u003c/p\u003e","\u003cp\u003eReverse of photograph of Tyrone and Angela's birthday cake (ABFR-23-024-011). Handwritten note reads \"Birthday Party, Tyrone (3) Yr + Angela (2) Ys, Jan 1959, At my mothers, 812 N Alfred St.\" Photograph is dated January 1959\u003c/p\u003e","\u003cp\u003eBlack and white photograph of young Kirk in a white graduation cap and gown, facing the camera. The pews are filled with similarly dressed children, facing the nave. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of young Kirk in white graduation cap and gown on a city sidewalk. Parked cars are visible on the street behind, and power lines stretch across the cloudless sky.\u003c/p\u003e","\u003cp\u003eReverse of photograph of Kirk on the sidewalk on the day of his kindergarten graduation (ABFR-23-024-014). Handwritten text reads \"Kirk Graduation from kindergarten, June-1964 Ebenezer Baptist Church.\" Photograph is dated June 1964\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Helena with six children of various age in front of her, seated in two rows of three. Nearest to her, from left to right, are Angela, baby Diane, and Tyrone, and in the front row, from left to right, are Ricky, April, and Buttons. Behind the gathered family stand furniture pieces which hold books, small sculptures, and a lamp. Photograph is undated, c. 1960s\u003c/p\u003e","\u003cp\u003eReverse of photograph of Helena in her home with her grandchildren (ABFR-23-024-016). Handwritten text identifies each subject by name and identifies Helena's home address.\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Helena Lindsey, seated to the right of the frame. To her left are her grandson Buttons as well as Michale Lee and Aaron, a pair of cousins. The subjects are dressed in casual clothes and regarding the camera. Photograph is undated, c. 1970s\u003c/p\u003e","\u003cp\u003eReverse of photograph of Helena at Aunt Lil's house with three boys (ABFR-23-024-018). Handwritten text lists the subjects' names and identifies Aunt Lil's home address. Photograph is undated, c. 1970s\u003c/p\u003e","\u003cp\u003eColor photograph featuring Odessa Steele (left), wearing dark silky outfit and dangling earrings, with a city councilwoman (right) who wears a red blazer. The two women are depicted from the shoulders up in front of a dark indoor background. Photograph is dated Depember 1990\u003c/p\u003e","\u003cp\u003eReverse of photograph of Odessa Steele with city council member at the Departmental Club (AFBR-23-024-020). Handwritten text reads \"Lady on city council + my sister at the Departmental Club, Bro + Sis Odessa Steele's 50th Wedding Annversary.\" Typescript stamp dates photo to December 1990\u003c/p\u003e","\u003cp\u003eColor photograph of three women seated side-by-side at an indoor banquet table. The table is set with a white tablecloth and spread with various foods on decorative white plates. The woman on the left, Bessie Sanders-Gambrell, wears a floral hat and a corsage. The woman in the middle, Shirley Ann Sanders, is the youngest and wears a red dress with long sleeves. The woman on the right, Virginia Zellars Martin, wears a headwrap and has her arm draped over Shirley Ann's shoulders. Another figure's arm is visible in the left of the frame. Photograph is dated May 1984\u003c/p\u003e","\u003cp\u003eReverse of photograph  of Bessie Sanders-Gambrell, Shirley Ann Sanders, and Virginia Zellars Martin at a Mother's Day banquet (ABFR-23-024-022). Handwritten text identifies the three women in the photo and the nature of the gathering they attend. Typescript stamp dates photograph to July 1984, but event depicted in photograph occured in May 1984\u003c/p\u003e","\u003cp\u003eColor photograph of Bessie Sanders-Gambrell in a brimmed hat with flowers, a corsage pinned to her black blazer. Her daughter-in-law, Shirley Ann Sanders, stands behind her between a microphone stand and a large, curtained window. On either side of them sits a woman facing out of frame, her features obscured. Photograph is dated May 1984\u003c/p\u003e","\u003cp\u003eReverse of photograph of Bessie Sanders-Gambrell and Shirley Ann Sanders at Mother's Day banquet with two other women (ABFR-23-024-024). Handwritten text reads \"Mothers Day Banquet May 84, My mother-in-law Bessie was given special honors for the letter I wrote in about her, She gave me the dress I wore.\" Typescript stamp dates development of photograph to July 1984\u003c/p\u003e","\u003cp\u003eColor photograph of Shirley Ann Sanders wearing a black, calf-length skirt, lacy white shirt, red corsage, and white hat. She stands with hands folded behind her back, smiling at the camera. Behind her are white houses in a suburban neighborhood. The grass is yellowing, and a bush adjacent to Shirley Ann is bare of leaves. Photograph is dated March 1984\u003c/p\u003e","\u003cp\u003eReverse of photograph of Shirley Ann Sanders standing outside of a house (ABFR-23-024-026). Typescript stamp dates development of photograph to March 1984\u003c/p\u003e","\u003cp\u003eColor photograph of 16 men posing in three rows, the frontmost of which is seated. They wear black suits, white gloves, and sober expressions. Each holds blue and white Masonic paraphernalia, and some wear livery collars. The man in the center of the front row holds a gavel. Photograph is dated September 1987\u003c/p\u003e","\u003cp\u003eReverse of photograph of men in Masonic regalia (ABFR-23-024-028). Typescript stamp dates photograph to September 1987\u003c/p\u003e","\u003cp\u003eColor photograph of Shirley Ann Sanders (left) and Lalon Sanders, Jr. (right) in formalwear, seen from the torso up. In the dimly lit background, other figures sit at tables. Photograph is dated November 1983\u003c/p\u003e","\u003cp\u003eReverse of photograph of Shirley Ann Sanders seated beside Lalon Sanders, Jr. (ABFR-23-024-030). Handwritten note identifies subject by name. Typescript stamp dates photograph to November 1983\u003c/p\u003e","\u003cp\u003eColor photograph of five people seated at a table on a boat, smiling at the camera. The table is set with white coffee mugs, small lamps, and cut-glass goblets. Behind them, a window overlooks a sunlit view of a river lined with trees. At least one other diner seated at a table can be seen. Photograph is dated to 5 November 2003.\u003c/p\u003e","\u003cp\u003eReverse of photograph of seated diners in a riverboat (ABFR-23-024-032). Typescript stamp dates photograph to5  November 2003\u003c/p\u003e","\u003cp\u003eColor photograph of a Lee Roy Steele wearing a white suit, white brimmed cap, and identification badge. He has a gray moustache and glasses, and he stands to the left of a red sign on a wooden post that reads \"RESERVED PARKING, HPIP STEELE.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of four women standing side by side in a living room, arms behind one another's backs. The woman on the left wears loose green garments. The woman second to the left wears a t-shirt bearing the album cover for Yanni: Live at the Acropolis. The woman second to the right wears a striped yellow dress. The rightmost woman wears a light gray matching set. Behind them, a wedding photo is mounted on the wall, and the entrance to an adjoining room is in view. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of a sheet cake covered in white frosting and piped floral frosting motifs. Text on the cake reads \"Happy 80th Birthday Bessie, we Love You.\" Photograph is dated 2 June 1995\u003c/p\u003e","\u003cp\u003eReverse of photograph of Bessie's birthday cake (ABFR-23-024-036). Handwritten note establishes the date of Bessie's party. Photograph is dated 2 June 1995\u003c/p\u003e","\u003cp\u003eColor photograph depicting three men in formalwear standing in a church for a wedding. The men are, from left to right, Ernest Thomas (best man), Willian Thomas \"Buttons\" Holt, Jr. (son of the bride), and Vernon Carl Cooper (groom). Behind them are floral arrangements and a stained glass window. Photograph is dated 11 January, 1997\u003c/p\u003e","\u003cp\u003eReverse of photograph of best man, son of bride, and groom in church for wedding ceremony (ABFR-23-024-038). Handwritten note identifies photo subjects and date of capture. Photograph is dated 11 January, 1997\u003c/p\u003e","\u003cp\u003eColor photograph of Joe Ann Sanders-Smith with her arm around the waist of Crystal, her daughter. Both wear light colors and beaded necklaces, and they smile at the camera. In the background a crowd of casually dressed people stand with their backs to the camera. Against the far wall, balloons float. Photograph is dated 4 June 2005\u003c/p\u003e","\u003cp\u003eReverse of photograph of Joe Ann Sanders-Smith and Crystal at a gathering (ABFR-23-024-040). Handwritten note identifies the two women. Photograph is dated 4 June 2005\u003c/p\u003e","\u003cp\u003eColor photograph depicting two men, a young child, an elderly woman, and an adult woman in a sitting room. The men, child, and elderly woman are seated, while the other woman stands and leans inward to pose with them. Behind them is a door with decorative panelling and a framed image of Jesus. Photograph is dated December 1984\u003c/p\u003e","\u003cp\u003eReverse of photograph of intergenerational group in house (ABFR-23-024-042). Non-character pen marking appears on center of page. Typescript stamp dates photograph to December 1984\u003c/p\u003e","\u003cp\u003eColor photograph of Steele seated in an armchair in a house, enjoying candy. In his breast pocket he has white paper and a ballpoint pen, and a TV remote sits on the chair's arm beside him. Behind him hangs a globe and a white curtain. An door in the background opens on a kitchen. Photograph is dated 2 August 2006\u003c/p\u003e","\u003cp\u003eReverse of photograph of Steele in armchair with a cane (ABFR-23-024-044). Handwritten note supplies the date and reads \"Bro Steele sitting in his rocking chair enjoying candy.\" Photograph is dated 2 August 2006\u003c/p\u003e","\u003cp\u003eColor photograph of Angela Sanders, seen from behind with arms outstretched in the motion of conductor. Before her, near a lectern, stands an arc of seven singers. On the right of the frame, a child peers out from one of many white pews. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Angela Sanders leading the choir at Emmanuel Temple (ABFR-23-024-046). Handwritten note reads \"Angela Sanders at Emmanuel Temple SDA, Leading the choir.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph set in Emmanuel Temple Seventh-day Adventist Church depicting a row of young singers in white shirts and black lowerwear. In the foreground, Angela Sanders is seated in the pews, pointing at the choir. A sign overhead reads \"TOGETHER for A FINISHED WORK.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Angela Sanders and choir on Emmanuel Temple's Youth Day (ABFR-23-024-048). Handwritten note reads Youth Day at Emmanuel Temple, Angela leading choir, Left to right Candance Stephens, Ericka Jones, Alexcia Thomas, Zanita Watson, ? Wilhoit, Quaina Williams, Susie Bostick-Usher.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of a woman dressed in a blue plastic poncho with a white graphic of a boat and the text \"MAID OF THE [illegible, presumably MIST] SINCE 1846.\" She smiles and waves at the camera while a group of other spectators in similar attire stand in the background. Photograph is dated July 2000\u003c/p\u003e","\u003cp\u003eReverse of photograph of woman in blue plastic poncho at Niagara Falls (ABFR-23-024-050). Handwritten note reads \"Nigara Falls July 2000, Gen Conf\" [This is likely a reference to the 57th Adventist General Conference held in Toronto, Canada]. Typescript stamp dates photo to July 2000\u003c/p\u003e","\u003cp\u003eColor photograph of Lee Roy Steele dressed in a suit and tie at an Alexandria City Police Department event, a sheet of paper and a plastic cup in his hands. He stands in front of a dark blue backdrop, at the top of which is a partially obscured banner that reads \"[text obscured]A POLICE DEPARTMENT.\" On the floor, to Steele's left, is a sign decorated by an insignia bearing the seal of the City of Alexandria and the text \"Citizens' Police Academy Association.\" Photograph is dated November 1999\u003c/p\u003e","\u003cp\u003eReverse of photograph of Lee Roy Steele at the Citizens' Police Academy (ABFR-23-024-052). Handwritten text reads \"The love of my life, Mr Lee Roy Steele, Alex Police Citizens Academy.\" Typescript stamp dates photograph to November 1999\u003c/p\u003e","\u003cp\u003eColor photograph of a large group of birthday celebrants ranging in age from children to seniors. They are arranged in five rows, smiling for the camera. Behind them is one façade of a brick house and a tree wrapped with streamers. A lawn, parked cars, and another brick house are visible in the background. Photograph is dated 2 June 2005\u003c/p\u003e","\u003cp\u003eReverse of photograph of birthday gathering in Teri's yard (ABFR-23-024-054). Handwritten note reads \"Grandma Bessie's 80th Birthday June 2, 1995 at Teris house (yard)\"\u003c/p\u003e","\u003cp\u003eColor photograph of two men in a living room in the process of tending to a medical device. The older of the two men, seated in a red chair, looks down at the tube hanging from his bony, exposed chest. In the left of frame, the younger of the men, looking over his shoulder at the camera, holds an indeterminate object as if to apply it to the chest. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Joe Ann Sanders-Smith and her daughter, Crystal, locked in an embrace in a grassy suburban yard during Grandma Bessie's 80th birthday party. Behind them is another party attendee tending to a barbecue and two others. Photograph is dated 2 June 2005\u003c/p\u003e","\u003cp\u003eReverse of photograph of Joe Ann Sanders-Smith embracing Crystal at Bessie's 80th birthday party (ABFR-23-024-057). Handwritten note identifies the event depicted, date, and names of photo subjects. Photograph is dated 2 June 2005\u003c/p\u003e","\u003cp\u003eColor photograph of Lee Roy Steele seated at a small table in a paved yard adjoining a brick house. The table is lain with a tablecloth, a pitcher of orange juice, a bottle of pancake syrup, and various plates with leftover food scraps. Photograph is dated July 2000\u003c/p\u003e","\u003cp\u003eReverse of photograph of Lee Roy Steele seated after an outdoor meal (ABFR-23-024-059). Typescript stamp dates photograph to July 2000\u003c/p\u003e","\u003cp\u003eColor photograph of Lee Roy Steele and Shirley Ann Sanders-Steele seated at Kirk's house during Linda's 55th birthday party. His arm is over her shoulder, and behind them is a pair of fully extended white window blinds. Photograph is dated June 2008\u003c/p\u003e","\u003cp\u003eReverse of photograph of Lee Roy Steele and Shirley Ann Sanders-Steele at Linda's 55th birthday party (ABFR-23-024-061). Handwritten note reads \"Linda's 55th, At Kirk's house her birthday party June 2008, Lee Roy Steele, Shirley Ann Sanders-Steele.\" Photograph is dated June 2008\u003c/p\u003e","\u003cp\u003eColor photograph of  Lee Roy Steele and Shirley Ann Sanders-Steele lying on a beige reclining couch with their legs extended. Behind them is a half-wall topped with various jars and knick-knacks, and other partygoers surround a kitchen table. Photograph is dated June 2008\u003c/p\u003e","\u003cp\u003eReverse of photograph of Lee Roy Steele and Shirley Ann Sanders-Steele on reclining couch at Linda's 55th birthday party (ABFR-23-024-063). Handwritten note identifies the date, event depicted, and identities of photo subjects. Photograph is dated June 2008\u003c/p\u003e","\u003cp\u003eColor photograph of two young cousins, William Thomas Holt and Tyrone Sanders, wearing matching white graduation regalia and black bowties. They stand on a sidewalk in front of bushes and the wall of a building. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of William Thomas Holt, Jr. and Tyrone Sanders at kindergarten graduation (ABFR-23-024-065). Handwritten note reads (My nephew — William Thomas Holt, Jr, my son Tyrone Sanders Graduating from Mrs Ethel Nelsn Kindergarten\" [Note: Ethel Nelson worked as a teacher in Alexandria, Virginia]. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white clipping with text detailing a written exchange between Lillian Lamb, a cashier at Giant grocery, and Esther Peterson, a prominent consumer advocate, about Giant Lemon Spray Wax. The clipping contains a section of a photo of a grocery store aisle and a complete photo of Lillian Lamb, seen from the waist up. Clipping is undated\u003c/p\u003e","\u003cp\u003eColor clipping of an obituary for Lee Roy Steele. Printed text identifies his dates of birth and death and reads \"Gone but not forgotten. He sleeps in Jesus. Your loving wife, Shirley Ann Sanders Steele, Your son, Robert Lee Steele.\" Clipping is dated 23 September 2021\u003c/p\u003e","\u003cp\u003eBlack and white photograph depicting a group of people standing by a table on which five polaroid photos are strewn. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph depicting two women in dresses standing on either side of a small artifical Christmas tree. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Sarah Strother in a white graduation cap and gown. She clutches a book to her chest. Behind her is a brick wall. Photograph is dated June 1977\u003c/p\u003e","\u003cp\u003eColor photograph of a group of children holding balloons of various colors in a living room. In the left of frame, an adult woman seated near a coffee table looks on. [Note: This photo is a duplicate of ABFR-23-024-009.] Photograph is dated January 1959\u003c/p\u003e","\u003cp\u003eColor photograph of a woman in a fur-lined coat seated on a lawn chair in a yard thickly covered by snow. She holds a long, pole-shaped implement, likely a showshovel, in one hand. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of three women wearing pink, long-sleeved semiformal dresses In an unadorned room. In front of them and to the right is a wooden tabletop, and behind them to the left is a gray door. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Pat Steele and Robert Steele wearing leis and shirts with floral, tropical prints. Wooden railing stands at waist height on either side of the couple. Behind them is the ocean and a dark blue sky. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Pat and Robert Steele on a boardwalk (ABFR-23-024-075). Handwritten note identifies names of photo subjects. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Sarah Strother in a white graduation cap and gown. She is seated in the front row of a configuration of stadium seats. To the right sit Strother's husband and two other unidentified people. The seats are otherwise unoccupied. Photograph is dated June 1977\u003c/p\u003e","\u003cp\u003eReverse of photograph of Sarah Strother, her husband, and other students at T. C. Williams Adult Education graduation (ABFR-23-024-077). Handwritten note identifies Strother and her husband, event depicted, and date. The note indicates that at least one of the unidentified figures is also a student. [Note: T. C. Williams High School has been renamed to Alexandria City High School.] Photograph is dated June 1977\u003c/p\u003e","\u003cp\u003eBlack and white photograph of James Wheeler from the torso up. He wears a white collared shirt, necktie, and captain-style hat. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of James Wheeler (ABFR-23-024-079). Handwritten note reads \"Uncle James Wheeler, My Mothers brother, He.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eCollage of color photographs showing two individuals at three different formal events. The topmost image shows the pair, a woman and a man, seated at a dinner table set with a tablecloth, glass goblets full of water and other beverages, multiple plates, and a basket of bread rolls. Other seated diners are visible in the background. The two lower photographs depict the couple side-by-side at two different church altars. In the leftmost of these two church photos, the woman wears a calf-length white dress, while in the rightmost photo, she wears a floor-length white gown with lace designs and a white tulle veil. Handwritten captions read \"[Illegible, possibly Ruth] + Mr Bodz, I love you two\" and \"There are the photos I had put in the alumni book [arrows indicate the two church photographs].\" Photographs are undated\u003c/p\u003e","\u003cp\u003eMarriage certificate featuring handwritten text in a fill-in-the-blank template to indicate the marriage of Joseph Wheeler and Miss Annie Virginia Lee, both of Alexandria, Virginia. Printed images of red roses and other foliage decorate the page. Certificate is dated 26 February 1920\u003c/p\u003e","\u003cp\u003eReverse of marriage certificate for Joseph Wheeler and Annie Virginia Lee (ABFR-23-024-082). The certificate features handwritten text in a fill-in-the-blank template to indicate the location and date of the couple's marriage. Printed images of red roses and other foliage decorate the page. Certificate is dated 26 February 1920\u003c/p\u003e","\u003cp\u003eBlack and white print of a military discharge document indicating the honorable discharge of Private James E. Wheeler from the Army of the United States. Document is dated 9 April 1946\u003c/p\u003e","\u003cp\u003eReverse of  military discharge document for James E. Wheeler (ABFR-23-024-084). Typrescript text describes personal data, military history, pay data for James E. Wheeler. Document is dated 9 April 1946\u003c/p\u003e","\u003cp\u003eBlack and white photograph of young Shirley Ann Gilliam in a puffy gown and large tiara, seated with feet crossed and hands on her lap. Handwritten note reads \"May Oueen [Queen] Charles Houston 1952, Shirley Ann Gilliam\" [Likely in reference to Charles Houston Elementary School]. Photograph is dated 1952\u003c/p\u003e","\u003cp\u003eCollage of three black and white photographs and scans of the front and back of a retirement identification card. The photo in the upper left corner shows a woman in a white dress seated on an armchair in a living room. Typescript caption dates this photograph to May 1960. The photo in the lower left corner shows Aunt Lil and a younger sister, May, standing in the yard of a house. Typescript caption identifies the subjects of the photograph by name. Photograph is undated. The photo in the upper right corner shows James E. Wheeler in military attire against a solid background from the torso up. Typescript caption identifies him as \"James E. Wheeler, big brother.\" Photograph is undated but was likely taken before 1946. The front and back of a retirement identification card issued by the United States Treasury Department to George E. Lee occupies the lower right corner. The card displays Lee's photo portrait, signature, retirement date, and length of government service. Card was issued 31 October 1962. Collage is undated\u003c/p\u003e","\u003cp\u003eCollage of three black and white photographs, the same three photographs seen in ABFR-23-024-087 and in similar placements on the collage backdrop. The photo in the upper left corner shows a woman sitting on a chair in a living room. Typescript caption dates this photograph to May 1960, and a handwritten note identifies the woman as \"my mom.\" The photo in the lower left corner shows two young women standing in a yard. Typescript caption identifies the subjects of the photograph as Aunt Lil and May, a little sister. Handwritten note reads \"May died.\" Photograph is undated. The photo in the upper right corner shows James E. Wheeler in military dress. Typescript caption identifies him as \"James E. Wheeler, big brother.\" Handwritten note identifies Wheeler as \"my mom's brother.\" Photograph is undated but was likely taken before 1946. Collage is undated\u003c/p\u003e","\u003cp\u003eReverse of collage of family photos with handwritten clarifications (ABFR-23-024-088). Handwritten note reads \"Annie Lee Wheeler Descants.\" Collage is undated\u003c/p\u003e","\u003cp\u003eCollage of two black and white photographs with handwritten captions. The photograph on the left shows the head and shoulders of a woman wearing a white collar and hoop earrings. Her lips are slightly parted in a subtle smile, and her hand is raised as if to wave. Handwritten caption identifies her as Shirley Ann Gilliam. The photograph on the right shows the head and shoulders of a man in a gray suit jacket with close-cropped hair. Handwritten caption identifies him as Lalon Sanders, Jr. Photographs and collage are undated\u003c/p\u003e","\u003cp\u003eAlbert Gallaton Award granted to George E. Lee by the United States Treasury Department. The page is a yellowed manilla color, and in the center of the page, the Treasury Department's seal appears in a darker yellow. The words \"United States Treasury Department\" appear at the head of the page in a blackletter typeface. Beneath this heading is an engraving of Albert Gallatin's head and shoulders and, in a cursive typeface, an explanation that the award recognizes Lee's years-long term of service for the Treasury. The bottom of the page bears the signature of Douglas Dillon, then Secretary of the Treasury Department. Award is dated 6 September 1962\u003c/p\u003e","\u003cp\u003eClipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 7,\" and the title reads \"PREPARING FOR COMPANY'S COMING.\" The upper section of the page is occupied by three black and white images of Giant staffers from Fairfax, Virginia cleaning the store. The lower part of the page contains rhyming verse written by Giant staffers for their corporate executives by Giant employees. Clipping is undated\u003c/p\u003e","\u003cp\u003ePage from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 8,\" and the title reads \"Company's coming.\" The page contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Reverse of ABFR-23-024-092. Periodical extract is undated\u003c/p\u003e","\u003cp\u003eClipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 17.\" The page contains a continuation of the \"Company's coming\" article introduced on page 7 of the magazine (ABFR-23-024-091). It contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Clipping is undated\u003c/p\u003e","\u003cp\u003eClipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 18.\" The page contains a continuation of the \"Company's coming\" article introduced on page 7 of the magazine (ABFR-23-024-091). It contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Reverse of ABFR-23-024-094. Clipping is undated\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the Colbert, Johnson, and Terrell Families.\u003c/p\u003e","\u003cp\u003eColor photograph of four people standing side-by-side in semiformal dress. On the far left of the group is a man wearing a plain white shirt with a tattoo on his forearm. Second to the left is a woman wearing a polka dot dress and a yellow floral parure. Her arm is around the shoulders of Frances Terrel, second to the right, who wears a pink and black ensemble with a bolero jacket and a corsage. The rightmost figure is a man in a brown tuxedo jacket. They stand before a red sequined drapery over a white wall. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of five individuals of varying age in semiformal clothing. They are posed in two rows in front of a mottled brownand gray backdrop such as those used by portrait photographers. In the front row, Terrell sits on the left, dressed in pastel colors and a pearl necklace. The man seated to her right has a whitening beard. Behind them stand two women, who, like Terrell, wear light colored dresses and necklaces, as well as a man in a navy blue tuxedo. All five smile at the camera. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Calvin D. Terrell and Frances Terrell (left and second to the left, respectively) with four other adults, one of whom holds a toddler in a lacy blue dress. They are standing in a row in a living room. Behind them, on the left edge of the frame, stands an evergreen tree wrapped in tinsel and hung with ornaments. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of 19 people in semiformal dress at an indoor event [likely the same event depicted in photograph of Frances Terrell at an event with three other attendees, ABFR-23-005-001]. Their ages range from child to senior. The room has white walls and floors, and in the lower left corner, a table draped with a white tablecloth can be seen. Behind the people is a sequined red decorative drape. Frances and Calvin D. Terrell stand in the center of the posed assembly. Some among the group have blue paint on their hands or faces, including Calvin D. Terrell. Frances Terrell has blue paint on her sleeve. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Delaney C. Colbert and Mary Agnes Johnson, parents of Frances Terrell, sitting in chairs on a balustrade-enclosed porch in a suburban neighborhood. Johnson's hand rests on top of Colbert's. Colbert has a brimmed hat on his lap. Behind them, plants are dense with foliage, and a flower bush is in full bloom. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Frances Terrell as a young woman, posing confidently for the camera. She wears a white turtleneck, round glasses, and abrown pendant in the shape of an upraised, clenched fist. Her hair is styled in an afro, and her hands are planted on her hips. She is inside of a room painted all in white. Behind her is a refrigerator, a cabinet, and an umbrella hanging on a doorknob. Photograph is dated 1970\u003c/p\u003e","\u003cp\u003eReverse of photograph of young Frances Terrell with refrigerator, arms akimbo (ABFR-23-005-006). A printed label featuring a small image of the Nativity in silhouette displays Frances Terrell's name and address. Handwritten note dates photograph to 1970\u003c/p\u003e","\u003cp\u003eColor photograph of Louis Eric Clements, son of Frances Terrell, pictured from the shoulders up. He wears a dark blue button-up shirt and smiles for the camera. He stands against a blank white wall, and the camera flash casts a shadow behind him and illuminates the pupils of his eyes. Photograph is undated but was likely taken during the 2000s and no later than 2012 [Clements passed away in 2012]\u003c/p\u003e","\u003cp\u003eColor photograph of seven people posed in a line outside a white building, facing the camera, in casual dress. In the center of the line is the eldest photo subject, seated on a bench. To the left are three men, standing, and to the right are three women, also standing. The ground is paved with cement, and decorative elements on the wall behind them feature stylized shellfish. Said decorative elements resemble light fixtures used to decorate the exterior of Red Lobster restaurants. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Frances Terrell and her husband, Calvin D. Terrell, posing in front of a plain blue backdrop. Calvin D. Terrell, left, wears glasses and a brown gingham suit. Frances Terrell, right, wears a red button-up shirt and simple gold jewelry. They are both smiling, their gazes facing the left of the frame. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Calvin D. Terrell (left) and Frances Terrell (right) with Louis Eric Clements, seated between them. Clements was the son of Frances Terrell and the stepson of Calvin D. Terrell. They are dressed casually and posing in front of a blank white background. Clements wears a gold cross pendant. Photograph is dated May 2011\u003c/p\u003e","\u003cp\u003eReverse of photo portrait of Calvin D. Terrell, Louis Eric Clements, and Frances Terrell (ABFR-23-025-011). A small label with a floral motif displays Frances Terrell's name and address. Handwritten note dates photograph to May 2011\u003c/p\u003e","\u003cp\u003eColor photograph of Delaney C. Colbert (left, seated) and Mary Agnes Johnson (right, standing) in semiformal dress, posed in front of a plain white background. Handwritten note reads \"LOVE DAD + MOTHER\" [Colbert and Johnson are the parents of Frances Terrell]. Photograph is undated\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the Zellars family\u003c/p\u003e","\u003cp\u003eDigital photo collage depicting members of the Zellars family. Collage includes three portraits, each of a different member of the Zellars Family depicted in military uniform. The largest image, which occupies the left side of the collage, is a black and white portrait photograph of Clearence Zellars, c.1940s. He is wearing an M1 helmet covered in netting. Located in the upper right portion of the collage is a color portrait photograph of Dr. Tincie Zellars Lynch wearing a U.S. Army uniform and posed sitting in front of an American flag and burgundy flag with a wheel insignia and \"396\" in gold lettering, c.1990s. Located in the bottom right portion of the collage is a color portrait photograph of a young man in U.S. Marines uniform who is identified as the brother of Tincie Zellars Lynch, c.1960s-1970s. Typescript text at the bottom of the collage reads, \"My Daddy WWII, me Desert Storm Era my brother Vietnam Boots on the Ground Veteran Family of Veteran Zellars\" and  another typescript caption at the top of the image reads \"7 YEARS AGO.\" Collage is undated\u003c/p\u003e","\u003cp\u003eDigital surrogates of family history materials documenting the Gregory and West families. Included are photographs, documents, newsclippings, and artifacts\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of James Francis Gregory, a Presbyterian minister and educator. He is pictured from the shoulders up. He wears a suit jacket with wide lapels, a white collar, and a thick moustache. The backdrop is a solid color, unadorned. The photograph is framed by an oval-shaped window in a sheet of brown matboard. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of Portrait of James Francis Gregory (ABFR-23-034-001). Handwritten note reads, \"James Francis Gregory (1876-1944).\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of eight young men in graduation regalia, holding their mortarboard caps. One of the young men has been identified as James Francis Gregory (second from the right). They sit in front of a richly decorated backdrop featuring engravings and drapery. Photograph is undated but likely dates to the 1890s or early 1900s, when Gregory was a student at Amherst College and then Yale Divinity School\u003c/p\u003e","\u003cp\u003eReverse of photograph of Photograph of James Francis Gregory and students in graduation attire (ABFR-23-034-003). Handwritten note reads, \"James Francis Gregory.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of twelve people standing outside on a sunny day. Four of the twelve are small children, some of them in a state of semi-undress. The adults stand shoulder-to-shoulder with one another, many of them holding the hands of the children. Behind them, bushes and trees can be seen. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a woman wearing a mortarboard graduation cap, black graduation robe, and white lace collar. She holds a book open in her left hand, and with eyes downcast, she appears to be contemplating its contents. Her hair is dark and styled in tight, chin-length waves. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph depicting a woman with short, tightly waved hair, huggie earrings, and a light-colored, collared gingham shirt. The backdrop is a light, solid color. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of two figures standing outdoors on grassy earth in front of a weeping willow. The woman (left) wears a light colored, midcalf dress and a brimmed hat. The man (right), wears a light, unbuttoned suit and saddle shoes. Both smile for the camera. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of people standing outdoors in front of leafy bushes and the exterior wall of a building. In the center of the group, a woman in commencement regalia holds a mortarboard graduation cap in her right hand, and in her left she holds a scroll of paper and a bouquet of flowers. Posed standing around her is a group of men and women, most of whom are wearing long coats and hats. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a woman wearing a white dress, her hands folded behind her back, leaning against a fence in an outdoor recreation area. Behind her and the fence is a grassy expanse and a squat, white building with wooden panel features and an open door. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a smiling girl in a white dress and black stockings. Her hair is in a braid draped over her shoulder, tied with a large black bow. She stands on grass, and behind her are visible tall trees and white houses. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a young woman wearing a white dress with an open graduation gown draped over her shoulders. She holds a scroll of paper and a bouquet of flowers. To her left is an older woman in a long, light colored coat and a hat, who is seen in profile as she looks to the left side of the frame. The pair stands outdoors before a wall densely covered in ivy. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white group photograph of the Amherst College baseball team in 1898. Thirteen men are posed seated, arranged in three rows. Most of them are wearing Amherst College uniforms. Some of the men hold baseball equipment, such as mitts and a bat. In the center of the group sits James Francis Gregory, legs crossed and slightly reclining, with a baseball cap balanced on his knee. Behind them is Johnson Chapel. Photograph is dated 1898\u003c/p\u003e","\u003cp\u003eReverse of Photograph of James Francis Gregory with Amherst College baseball team (ABFR-23-034-013). Handwritten note reads, \"James Francis Gregory, Captain of Amherst baseball team, 1898.\"\u003c/p\u003e","\u003cp\u003eColor photograph of two women (left, right) and one man (center) standing on a lawn near a house of brick and white siding with a large, stepped brick porch. The women wear long overcoats, and the man wears a suit and tie with a brimmed hat. He has a long coat draped over his right arm, a rolled up newspaper in his pocket, and a pipe in his mouth. A numbered sign on the outside of the brick house indicates that its address is 4116 on an unidentified street. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a smiling baby (left) and a young boy in overalls (right) holding one another's hand on a couch in front of a curtained window. Handwritten note in blue ink reads \"Murphy's Photo,\" which most likely refers to local photographer Elrich Murphy. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Gregory family. Pictured seated in the front row (L to R): James Francis Gregory, Fannie Hagan Gregory, and James Monroe Gregory. Pictured standing in the back row (L to R): Margaret Briggs, Eugene Monroe, and Thomas Montgomery. All are dressed in formal attire and are posed not smiling. Behind them is a painted studio backdrop which includes an image of a fluted column. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of six men arranged in two rows of three. James Francis Gregory is in the back row, far right. He and three other men in the group wear matching suit jackets with pockets and a YMCA insignia on the jacket sleeve. The group is posed in front of a studio backdrop. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of Group portrait of James Francis Gregory and unidentified men (ABFR-23-034-018). Handwritten note reads \"James Francis Gregory, Freddie's Grandfather, His children's Great Grandfather, His grandchildren's Great Great Grandfather, World War I Lecturer throughout U.S., YMCA.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of 15 men and boys, the football team at the Manual Training and Industrial School for Youth, in sweaters and sports paraphernalia decorated with a capital letter \"I.\" They are arranged in three rows, each seated on steps leading to the entrance of a brick building surrounded by a white balustrade. Gregory, the coach, sits in the upper left. The young man in the center of the group is holding a football with a white design printed on its surface, possible letters or numerals. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of James Francis Gregory with Bordentown School football team in spiritwear (ABFR-23-034-020). Handwritten note reads \"Football Team at Ironsides on front steps of Administration Bldg. Top left, Coach James Francis Gregory (Bordentown, N.J.).\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of Washington Historic Touring Club on visit to Franciscan Monastery. A large group of people, most of whom appear to be teenagers, are posed standing outside of the Franciscan Monastery of the Holy Land in America. The men and boys who have hats hold the hats in their hands. The Monastery, a light colored building inset with arch windows, occupies much of the background, and a statue of Saint Christopher carrying a young boy [presumably the Christ child] towers over the crowd. Handwritten note in the lower left corner reads \"WASH HISTORIC TOURING CLUB, CARDOZA SCHOOL WASH. D.C., OUTING TO FRANCISCAN MONASTERY MAY 2, 1937, GEO. H. WALLACE Pres. J. FRANCIS GREGORY Inst.\" Handwritten note in the lower right reads \"J. HENRY WRIGHT, WASH. D.C.\" Photograph is dated 2 May 1937\u003c/p\u003e","\u003cp\u003eManuscript document written in graphite pencil on lined paper tracing lines of parentage and descent in the Gregory family, beginning in the 19th century with Henry L. Gregory and Maria A. Gladman. The document lists James Francis Gregory, his siblings, and their marriages and offspring. Manuscript is undated\u003c/p\u003e","\u003cp\u003eReverse of manuscript detailing Gregory Family genealogical records (ABFR-23-034-025). Handwritten text continues the genealogical description from recto of page, starting in the late 19th century and continuing to the present at time of the document's creation. Manuscript is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph extracted from The Ironsides Echo, a New Jersey periodical. The photograph depicts a building consisting of several joined units from a sidelong angle. To the left, a wooden fence extends from the building's edge, and a sidewalk leads to a door with a small, stepped porch. The building has shuttered windows, wooden siding, and chimneys. Typescript caption reads \"Property rented and occupied when Principal Gregory took charge in 1897.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Manual Training and Industrial School for Youth premises (ABFR-23-034-027). Handwritten note identifies the photograph's source and subject. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a brickwork school building with a fenced-in porch and semicircular portico balcony. The surrounding trees are bare of leaves. Typescript caption reads \"ADMINISTRATION BUILDING. Manual Training and Industrial School for Colored Youth, Bordentown, N. J.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Manual Training and Industrial School administration building (ABFR-23-034-029). Handwritten note reads \"Source: postcard.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of four members of James Francis Gregory's family of varying ages. On the left, seated, is Margaret Mohamit Hagan, J. F. Gregory's grandmother, with baby Amherst Gregory, child of J. F. Gregory, on her lap. On the right, seated, is Fannie Hagan Gregory, mother of J. F. Gregory. She wears a long cross pendant, which she holds with both hands in her lap. James Francis Gregory stands behind them in a suit with a bow tie. Photograph is dated approximately 1904\u003c/p\u003e","\u003cp\u003eReverse of photo portrait of four generations of James Francis Gregory's family (ABFR-23-034-029). Handwritten note reads, \"Seated on left, Margaret Mohamit Hagan holding Baby Amherst Gregory (1903-1904), Seated - right, Fannie Hagan Gregory (1886-1928), Standing, James Francis Gregory (1876-1944), about 1904.\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of James Francis Gregory in an Amherst College baseball uniform. He is posed standing with his hands on his hips, in front of a painted, floral studio backdrop. Gregory stands in the center of the frame, his entire body visible, dressed in a sweater with a capital letter \"A\" emblazoned on the chest and padded pants tucked into knee-high socks. He also holds a baseball mitt in one hand. The photo print is mounted on black board. Photograph is undated\u003c/p\u003e","\u003cp\u003eNewsclipping of an article from The Philadelphia Press about James Francis Gregory. The headline and subhead of the clipped article reads, \"Negro Carries Off Prize For Oratory: James F. Gregory, of Bordentown, N.J., Secures First Honors for Elocution at the Yale Divinity School.\" The clipping includes a black and white portrait photograph of James Francis Gregory, pictured from the shoulders up. The article reports on Gregory winning Yale Divinity School's Downes prize for the reading of scriptures and hymns, and goes on to enumerate his achievements at Amherst College and Yale Divinity School as an athlete and an orator. Clipping is undated, but was likely printed in June 1901\u003c/p\u003e","\u003cp\u003eReverse of Newsclipping, The Philadelphia Press article about James Francis Gregory (ABFR-23-034-032). Typescript text near the top of the clipping identifies the month of publication as June. Articles touch on controversial railway bills, congressional sessions, and coal prices. Clipping is undated\u003c/p\u003e","\u003cp\u003eTypescript document of the beginning of an obituary for James Francis Gregory, beginning with his birth in 1876 and summarizing his academic and professional accomplishments. Document is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of a wedding party with the bride. Four people are posed standing in a row in front of an indoor arrangement of plants including tall ferns and flowers. From left to right: a man in a black tuxedo with a white shirt and black bowtie; a woman in a white wedding gown and veil, holding a bouquet of flowers; a woman in a dark velvet dress, holding a bouqut of flowers; and a man in a black tuxedo with a white shirt and black bowtie. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, group portrait of (L to R) NASA mission specialists Ronald \"Ron\" E. McNair, Guion \"Guy\" S. Bluford, and pilot Frederick D. Gregory. Frederick D. Gregory is the grandson of James Francis Gregory. The three men, wearing orange NASA astronaut flight suits, are posed standing in a row. Behind them is a gray studio backdrop, an American flag, and the flag of the United States National Aeronautics and Space Administration (NASA). In front of them is a model of a space shuttle on a black table. The photograph was taken at Johnson Space Center in Houston, Texas. Typescript caption at the bottom of the photograph reads, \"Three of the Eighth Group of NASA Astronauts.\" Photograph is undated, c.1978\u003c/p\u003e","\u003cp\u003eReverse of Group portrait of NASA astronauts with model space shuttle (ABFR-23-034-036). Typescript text reads, \"Three of the 35 New Astronauts. Three of NASA's newest group of astronauts selected in January 1978 pose with mockup of the Space Shuttle at the Johnson Space Center. The group includes, from left to right, mission specialists Ronald \"Ron\" E. McNair and Guion \"Guy\" S. Bluford, and pilot Frederick \"Fred\" D. Gregory.\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Charles Fremont West wearing a jacket and calf-length boots in a field of tall grass. Beside him sit two dogs on leashes, which West holds in one hand. In the other hand, he holds a dead bird with splayed plumage. The dogs face the left of the frame, where two additional dead birds hang by their legs from a short, sparse tree. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Charles Fremont West in field with his bird quarry and two dogs (ABFR-23-034-038). Typescript stamp reads, \"PHOTOGRAPHY BY TURNER STUDIO, ALEXANDRIA, VA.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of football players during the 1922 Rose Bowl at Tournament Park stadium in Pasadena, California. The game was played between the Washington \u0026amp; Jefferson Presidents (W\u0026amp;J) and the California Golden Bears college football teams. Charles Fremont West played as quarterback for Washington \u0026amp; Jefferson and was the first African American quarterback to play in the Rose Bowl. On the right side of the image, Hal Erickson (W\u0026amp;J) is pictured running with the ball. Next to him are several players in the midst of a tackle, the impact of which has churned up a spray of earth. Rows of spectators in stadium seating are visible in the background. A handwritten note in the upper right corner reads, \"ERICKSON.\" Another handwritten note along the bottom of the image reads, \"1922 ROSE BOWL GAME, CHARLIE 'PRUNER' WEST, QUARTERBACK.\" Photograph is dated 2 January 1922\u003c/p\u003e","\u003cp\u003eReverse of Photograph of the 1922 Rose Bowll (ABFR-23-034-040). Handwritten note reads, \"1922 Rose Bowl, Washington \u0026amp; Jefferson College vs U. of Cal., Charles \"Pruner\" West - Quarterback.\" Photograph is dated 2 January 1922\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of people at what seems to be a dinner or other social event. A man wearing a suit and tie and a woman wearing a dark-colored skirted suit are standing together behind a microphone stand. In front of them are four people sitting at a table with a white table cloth, upon which sit several glasses and other dishware. Seated at the table, from left to right: a woman wearing a dark-colored dress and pearl necklace, holding a cigarette; a man wearing a suit and tie, holding a cigarette; a woman wearing a dress, holding a cigarette; and a man in a suit and tie. The two women appear to be in conversation together. The man that is second from the left is looking up over his shoulder at the two people standing behind him. And the man on the far right is leaning to the side and talking to someone whose head is only partially visible in the frame. On the left side of the image the side of a woman's head is partially visible in the frame. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of Group photograph at social event (ABFR-23-034-042). Typescript stamp reads, \"McConnell Photography, Randolph 8345, Taylor 8222, 3221 Warden St. NW Wash.10 D.C.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Charles Fremont West (far right) and four unidentified men in a field, posed standing in a row. They are all dressed in similar outfits consisting of slacks, sport coats, and hats. Some of their jackets have patches on the sleeve. All five men are holding rifles; three of them have the rifle tucked into their elbow and two men are holding the rifles vertically with buttstocks resting on the ground. Behind them stretches a field of trimmed grass and distant trees. In front of the men is a small, grassless patch littered with bullet casings. A handwritten note in the upper right corner of the image reads, \"Charles Fremont West.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eManuscript document featuring handwritten genealogical record of Henry L. Gregory and his descendants. The document nearly duplicates the content of ABFR-23-034-025, \"Manuscript detailing Gregory Family genealogical records,\" but the formatting of the text is occasionally different and bears annotations and strikethroughs, although the handwriting appears consistent between the two documents. Along the left-hand margin, a note reads \"MIRIAM [illegible].\" Document is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Charles Fremont West (right) and an unidentified young man (left) standing in a field. They are both posed holding a rifle vertically with the stocks to the ground as well as a trophy. The figure on top of the trophies is a rifleman poised to shoot. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Charles Fremont West and young rifleman in field with trophies (ABFR-23-034-046). Typescript stamp reads, \"McConnell Photography, Randolph 8345, Taylor 8222, 3221 Warden St. NW Wash.10 D.C.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of five people at a picnic table outside. A man and two women are seated on the attached bench. One man stands to the side, leaning casually against the table's edge. Another man is posed standing with his foot on the table, elbow resting on his bent knee. Behind them, sunlight peeks through the gaps in a dense wall of foliage. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of Photograph of group at a picnic table (ABFR-23-034-048). It is a mostly blank page, with a typescript header and footer with the information typically included when a webpage is printed: page title, page number, date [accessed], and URL. It seems that the photograph was printed on the back of scrap paper, unrelated to the image.\u003c/p\u003e","\u003cp\u003eTypescript document, a family tree diagram illustrating the genealogy of Charles Fremont West. At the top of the page is the title, \"Hourglass Chart for Charles Fremont West.\" Charles Fremont West is at the center of the chart and it includes generations back to his great-grandparents, as well as through to his great-grandchildren. Document is undated\u003c/p\u003e","\u003cp\u003eProgram for the Fiftieth (50th) anniversary reunion for the Dunbar High School Class of 1926, held June 26-27, 1976 at St. Paul's Episcopal (Rock Creek) Church \u0026amp; Walter Reed Officers Club in Washington, DC. The program booklet is eleven pages and includes an event schedule, statistics about the class of 1926, a list of reunion attendees, a history of the school covering 1870-1926, and an article about African American schools in Washington, D.C. The cover is red with the title and a fleur-de-lis symbol printed in metallic gold. Document is dated 1976\u003c/p\u003e","\u003cp\u003eExhibition poster detailing the life and achievements of Dr. Charles Fremont \"Pruner\" West, created by Dana D. Brooks, Ronald Althouse, and Damien Clement, West Virginia University. The poster includes text and photographs with biographical information about West with details about his career as a student athlete, his academic career, professional career as a doctor, as well as honors and awards he received. The poster also discusses the racism and harrassment that West faced as a Black athlete in the Jim Crow era. On the left side of the poster, in the space between two columns of text, is a large black and white cutout image of West in an athletic uniform. Smaller images from West's academic and professional life are scattered throughout the informational content. Exhibition poster is undated\u003c/p\u003e","\u003cp\u003eAn effigy of Charles Fremont \"Pruner\" West made out of a model ambulance and black figurine. The ambulance is cast from metal and coated with chipped white paint, and painted on its side are a red cross and the text \"AMBULANCE\". The figurine is a small Nippon baby doll with no arms. It is painted black with red lips and a few red stripes across its body. It was inserted into the model ambulance, laying in the ambulance with its head poking out of the back. The figurine is visually reminiscent of lawn jockeys and other similar racist depictions of black men that reference blackface and minstrelsy. This effigy was originally displayed in the window of a merchant (a dry cleaner) in Morgantown, West Virginia in November 1921. It was placed there with the intention of intimidating West upon his arrival in town with the Washington \u0026amp; Jefferson College football team to play a game against West Virginia University. This display was one of many forms of racist intimidation that West encountered in Morgantown\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the Thompson Family; including Clayton Randolph Thompson, Valerie Jackson Thompson, and their descendants.\u003c/p\u003e","\u003cp\u003eColor photograph of a woman seated outdoors on a sunny day. Draped over her is a piece of white, patterned fabric, and in her right hand, she holds a bottle containing a dark brown liquid, Behind her is an expanse of green grass, dangling leaves, and a chain-link fence. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white portrait photograph of Clayton Randolph Thompson, wearing a suit and tie. He is visible from the shoulders up, and behind him is a featureless background. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of an unidentified woman. She is posed sitting in a church pew, with head bowed and eyes closed as though in prayer. Behind her, church pews and an unadorned wall are visible. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white halftone photograph from a newsclipping of Alice Thompson Lewis. She is pictured from the shoulders up, wearing glasses and jewelry with large, pearl-like beads. She smiles widely, and behind her is a solid background. Partially visible typescript caption reads \"…[L]EWIS, ALICE T., ...[i]t is so hard [to]...\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a woman, possibly Valerie Thompson, seated with her hands folded in her lap. She wears a pale colored dress and looks placidly at the camera. Around her is a garden dense with plant life, and behind her is a wooden structure and a fence of wooden palings. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of a man of the Thompson Family visible from the shoulders up, dressed in a black collared shirt. He has a beard and short-cropped black hair, and regards the camera with a solemn expression. Behind him is a smooth, white wall, surrounded by bushes and trees. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Clifford Martin Thompson standing beside an unidentified woman in front of a wall covered in wallpaper and set with a wooden doorframe. Thompson wears a black tuxedo and a bowtie. He is posed leaning in towards the woman standing next to him. She wears a muted blue garment and dangling earrings, her gaze fixed on something out of frame. Text and icons on the white margin above the photograph indicate that the image is derived from a screenshot of a Facebook post taken on a cell phone. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of Valerie Myers Jackson Thompson pictured from the shoulders up. She is dressed in white and wears pearl earrings. Her hair is just long enough to brush the tops of her shoulders. The photograph has a reddish tint. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Clayton \"Bunny\" Thompson, Sr. posed seated at what appears to be a kitchen table. He wears a plaid shirt, and he leans on his elbows, his arms folded over his chest. In front of him, partially visible in the frame, are a red and white beverage can, several pieces of fruit, and a blue gift wrapping bow. Photograph is undated\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the Henry Family\u003c/p\u003e","\u003cp\u003eGroup photograph of four women and one child in a house, posed on a carpeted staircase. Four sit on the steps and in the left of the frame, one woman stands with her hand on the staircase railing. L to R: unidentified woman, Marie Elizabeth Spinner, Toniette Henry Duncan, Rita Murphy Harris, and an unidentified young girl seated on Duncan's lap. Behind them, the stairway leads to an upper level where an open door shows another room. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Albert Henry (left) and his wife, Alice (right) standing behind a table lain with two white, single-tier cakes and a bowl. Albert is dressed in a suit and necktie and smiles as he cuts into one cake with a knife. Alice, wearing a floral dress, rests her hand on Albert's as he slices. The arm of a third person in a striped shirt is partially visible on the left edge of the photograph. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Albert Henry standing beside an unlit fireplace in front of a damask curtain. His elbow rests on the mantle above the fireplace, and his profile casts a shadow on the wall. Henry is dressed in a casual suit and tie and smiles at the camera. Photograph is undated\u003c/p\u003e","\u003cp\u003ePortrait painting of Annie Henry from the torso up, done in muted sepia tones. She wears a dark garment with a white frilled collar. The painting is in a brown, oval frame with floral details. Annie Henry was the wife of William Henry and the mother of six children: Wilmer, Albert, John, Mary, Elouise, and Elizabeth. Painting is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joyce Rebecca Whitmore Henry leaning against a pillar prop in front of an abstract backdrop. She wears small hoop earrings and a dress with long sleeves and a white collar. Typescript text at the bottom edge of the image reads \"DETAILS.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Marie Elizabeth Spinner, former wife of Elrich Murphy, mother of Rita Murphy Harris, and aunt to Toniette Henry Duncan. She is posed sitting on a striped, cream-colored sofa, holding a set of gold balloons shaped to read, \"97.\" Beside her on the couch is a red gift bag with decorative text that reads \"[Ha]ppy [Birth]day!\" Photograph is undated, but Marie Elizabeth Spinner's 97th birthday took place 7 January 2021\u003c/p\u003e","\u003cp\u003eColor photograph Marie Elizabeth Spinner and  her sister Corrine Idella Henry, pictured from the shoulders up. They are positioned back to back with heads turned toward the camera, and both wear their dark hair up. The photograph has an unfocused, desaturated quality. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Marie Elizabeth Spinner, posed with her daughter, Rita, seated on her lap. Behind them hang sheer white and damask curtains. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Marie Elizabeth Spinner from the shoulders up. She wears a light colored garment and a long pearl necklace. Behind her is a striped background. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Marie Elizabeth Spinner, pictured from the shoulders up. She wears a light colored blouse and sits on a couch in front of a white wall. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Burnett Ralph Henry, son of Wilmer Benjamin Henry and Willie Mae Carter, seated on a patterned couch with a newspaper in his hands. On the coffee table in front of him are a vase of red silk flowers and a miniature artificial Christmas tree decorated with tinsel and ornaments. Next to Henry is a side table holding another vase of red flowers and several portrait photographs. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of a man, identified as Clarence, pictured from the shoulders up. He has gray hair and wears a white collared shirt with gray and blue patterning. Behind him is a piece of brown furniture. The image is blurry. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Willie Mae Carter Henry, wife of Wilmer Benjamin Henry and mother to Marie Elizabeth Spinner, seated on a chair upholstered with a textured red fabric. She wears a white, striped button-up chemise top. Behind her is a wooden shelf with a bird sculpture and a framed photograph. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Willie Mae Carter Henry, wife of Wilmer Benjamin Henry and mother to Marie Elizabeth Spinner, posed seated with her hands folded in her lap. She is wearing light blue suit and shite shirt. Two metal tins and a TV remote are visible on a table behind her. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of William \"Sonny\" Duke (left) with two other people leaning against the side of a white car. Duke wears a newsboy cap, and one of his arms is in a sling, while the other is draped over the shoulders of a young woman standing beside him. The woman is wearing dark pants, a white top, and a scarf. On the other side of the woman is a man wearing a plaid shirt and dark pants, posed with his hands in his pockets. Photograph is dated March 1957\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Sylvia Dolores Henry, daughter of Corrine Idella Henry, as a young girl. Her hair is braided and she is wearing a white collared dress. She is posed sitting on the corner of a wooden table. Behind her is a window with blinds drawn. Photograph is undated, c. late 1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Corrine Idella Henry and her older brother, John Wilmer Henry standing outside. Corrine wears a plaid skirt and a white blouse.  She is posed with her hands on her hips, leaning into her brother. He is wearing dark-colored trousers with wide cuffs and a button-up shirt. His hands are tucked in his pockets. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Rosell Marshall Henry, wife of Burnett Ralph Henry. She wears glasses and a button-up shirt with a patchwork style pattern. She sits on a wooden chair, and a white cup is visible in front of her. Behind her is a white wall and a white louvered door adorned with postcards and a calendar. Photograph is undated\u003c/p\u003e","\u003cp\u003eStudio portrait of Marie Elizabeth Spinner, mother to Rita Murphy Harris and aunt to Toniette Henry Duncan. She is pictured from the shoulders up in front of a blue studio backdrop. She wears glasses, hoop earrings, and a white turtleneck beneath a brown outer jacket. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and White photograph of Marie Elizabeth Spinner in a dress and patterned ascot, perched on a wooden table. Her legs are crossed, and she rests her chin in her hand as she looks directly into the camera. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Marie Elizabeth Spinner in a light colored, floor-length dress with short, puffy sleeves. A thin string of pearls hangs around her neck, and she holds a small purse in one hand. Her hair is pulled back in an updo. She is posed standing in front of a light blue curtain. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of three women seated on a bed. From left to right: Marie Elizabeth Spinner, Willie Mae Carter Henry (mother of Marie Elizabeth), and Rita Murphy Harris (daughter of Marie Elizabeth and Elrich Murphy). Willie Mae is seated upright in a bed, her legs beneath a pink blanket, while her daughter and granddaughter sit on either side of her, their legs uncovered. All three are smiling. Behind them, a table lamp and a doll dressed in blue sit atop a headboard. Photograph is undated\u003c/p\u003e","\u003cp\u003eHand-colored photograph of Corrine Idella Henry sitting cross-legged on a wooden chair in front of a fabric backdrop. She wears a long coat with lapels, a red collared shirt, black pantyhose, and a pearl necklace. Handwritten text in the lower righthand corner reads \"MUR[PHY],\" most likely indicating that this photograph was taken by Elrich Murphy, Henry's brother-in-law. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Sylvia Dolores Henry, daughter of Corrine Idella Lewis, smiling in front of a backdrop styled after the American flag and decorated with an image of a parchment scroll on which the Preamble to the United States Constitution is written. Sylvia wears a red sweater over a white collared shirt, and her hands are folded in front of her. Typescript caption on the bottom of the photograph reads, \"Our American Constitution, 1787-1987.\" Photograph is undated but was likely taken in 1987\u003c/p\u003e","\u003cp\u003eColor photograph of Blair Spinner, son of Marie Elizabeth Spinner and Albert Spinner. His smile is topped by a dark moustache, and his hair is styled in a short afro. He wears a teal shirt. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a baby identified as \"Bunky,\" posed sitting on a small cushion on a wooden porch. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. The baby wears booties and a white bonnet, and he smiles, his gaze directed upwards and his arm raised and made indistinct by motion blur. The house behind him is made of white bricks or cement blocks. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a child identified as \"Bunky\" wearing a cowboy costume with cheetah patterning and a brimmed hat, with a toy pistol in his raised hand. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. He stands on a patterned rug in front of an Christmas tree decorated with tinsel and ornaments. Opened packages are strewn across the floor around his feet. Photograph is undated but was likely taken at Christmas (25 December)\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a child identified as \"Bunky\" standing on a porch with a small bundle of flowers in his hand. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. He smiles with mouth open, and  is dressed in a cap and a dark coat with white buttons. Behind him are a white, exterior wall and a window. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of five people in a dining room with floral wallpaper. Left to right: unidentified woman, unidentified man (mostly obscured), Albert Henry, Wilmer Benjamin Henry, unidentified man. Wilmer Benjamin Henry (at the center of the photograph) is wearing suspenders and a striped necktie. Behind him is a windowpane that overlooks a yard over which a clothesline has been strung up. On the table in front of the group is a red and yellow flower arrangement. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Corrine Idella Henry, pictured from the shoulders up. She is wearing a collared shirt or jacket. The image is blurry. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Corrine Idella Henry on a porch, leaning back against a wooden support pillar. She wears high waisted pants and sandals, and her arms extend upwards, bending behind the pillar where she rests her head. The corner of a house with white siding is visible in the left of the frame, and the background is full of greenery and clear sky. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Corrine Idella Henry standing in a lawn. Behind her are a wooden fence, trees, and a paved pathway. She is dressed in a matching set with a cropped top and a long skirt. She poses with one hand on her hip and the other on behind her head. This photograph was taken in the yard of the Henry family home on Johnson Lane in the Seminary Hill neighborhood of Alexandria, Virginia. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Elizabeth Henry, younger sister of Wilmer Benjamin and Albert Henry, wearing a dark button-up jacket and a calf-length skirt. Her hand is placed on her hip, and she stands in front of a wall with light colored siding. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Elizabeth Henry Douglas, pictured from the shoulders up. Her hands are clasped under her chin, and a broad smile lights up her face. Her white hair is bushed back from her face, and she wears a purple sweater. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Elizabeth Henry Douglas receiving the Ben Brenman Award for Archaeology. Douglas, dressed in a white blazer and pink shirt, is pictured while being presented with the award from Mayor William D. Euille, wearing a pinstripe suit and striped, purple tie. Douglas and Mayor Euille are posed holding the award, standing in front of (L to R) Janice Magnesun of the Alexandria Archaeological Commission, Charlie LeeDecker representing the Louis Berger Group, Inc., and Joe Reeder. The photograph was taken Alexandria City Council chambers during the meeting held on 27 October 2009.\u003c/p\u003e","\u003cp\u003eBlack and white photograph of six people ranging in age from children to teenagers, posed standing together on the sidewalk. The four eldest of the six stand in a row, linking arms or with arms around one another's shoulders. Two younger children stand in front of them. The subjects of the photo have been identified in no particular order as Gail, Butch, Rusty, Sylvia Dolores Henry, Keith, and Toniette Henry Duncan. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Rita Murphy Harris as a young girl sitting on the lap of a man identified as \"Granddaddy,\" likely Wilmer Benjamin Henry, her maternal grandfather. Behind them hang curtains of white lace and dark damask fabric. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a woman and a man seated on a sofa with a floral pattern. The woman, identified as Grandma wears a patterned blouse and has one arm linked in the crook of the man's elbow. The man, identified as Granddaddy, wears a suit and tie. The wall behind them is white and unadorned. The pair are likely Willie Mae Carter Henry and Wilmer Benjamin Henry. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a man and woman standing arm in arm in a grassy yard at 116 Johnson Lane in the Seminary Hill neighborhood of Alexandria, Virginia. Behind them is a wooden fence, beyond which is dense foliage. The pair are likely Willie Mae Carter Henry and Wilmer Benjamin Henry, who lived at that address. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of five members of the Henry Family gathered in a sitting room in semiformal clothing to celebrate the birthday of Wilmer Benjamin Henry. Three of the five are standing, one man sits cross-legged in an armchair, and a woman perches on one arm of the same chair with her face buried in her palm. In the foreground stands a tabletop with a cake on it. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joseph Brackette and Marie Elizabeth Spinner, siblings born to Willie Mae Carter Henry and Wilmer Benjamin Henry. Brackette wears a suit and a fedora, and his arm is wrapped around his sister's waist. Spinner wears a plaid blazer. Behind them is a stand of trees with leafless branches. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of John Henry, brother of Wilmer Benjamin Henry, standing outdoors. He wears a striped overcoat, glasses, a flat cap, and gloves. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of John Henry, brother of Wilmer Benjamin Henry, with Joyce, his second wife. Joyce wears a long jacket and a brimmed hat, and she holds a handbag. John wears a suit and tie, and his hat is in his hand. They stand outdoors surrounded by trimmed bushes, and an evergreen tree stands in the background. Photograph is dated 21 May 1940\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joyce Henry, sister in law of Wilmer Benjamin Henry, seated at a dining table set for a meal. Joyce, dressed in white is seated next to an unidentified man dressed in a suit and tie. A third person is partially visible in the foreground of the photograph. Behind the seated diners is a glass-front cabinet filled with glassware. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joyce Henry and John Henry standing side by side against the exterior wall of a house paneled with horizontal siding and inset with a shuttered window. John Henry has one arm wrapped around Joyce's waist, his hand resting on her hip. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joyce Henry and an unidentified man standing on a stretch of grass in front of a stand of trees and an upright wooden beam. The man wears suspenders over a white, collared shirt. Joyce wears a dark dress with a ruffle over the breast and holds a leather purse. Photograph is dated 21 May 1940\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joyce Henry and an unidentified man standing outdoors in front of a leafless thicket of trees. In the right of the frame, the front bumper of a black car is visible, including headlights, a tire, and a license plate. The ground seems to be covered by a light snow. The man has one arm wrapped around Joyce's waist, and both of his hands grasp her arms at the elbow. The pair smiles serenely at the camera. Photograph is dated 1941\u003c/p\u003e","\u003cp\u003eColor photograph of Lawrence Duncan (left) and Toniette Henry Duncan (right) seated next to each other in a restaurant booth. The edge of a white tabletop is visible at the bottom of the photograph and behind them is a shelf filled with bottles of wine. Photograph is dated 9 February 2021, Toniette Henry Duncan's 67th birthday\u003c/p\u003e","\u003cp\u003eHand-colored photograph of sisters, Marie Elizabeth Spinner and Corrine Idella Henry, pictured from the shoulders up. They are positioned back to back with heads turned toward the camera, and both wear their dark hair pulled back and done up behind their heads. This image is a duplicate of Photograph of Marie Elizabeth Spinner and Corrine Idella Henry (ABFR-23-037-007). Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Marie Elizabeth Spinner in a formal gown with ruching on the sleeves, a sweetheart neckline, and a floral accent on the hem of the peplum. Her hair is styled in an updo with an accessory studded with pearls. Her shadow falls behind her on a blank backdrop. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Marie Elizabeth Spinner's 96th birthday celebration. She is pictured seated in a living room with six women and a young girl, including her daughter Rita Murphy Harris and niece Toniette Henry Duncan. The room is decorated with various striped and floral motifs in golden yellow. Behind the gathering is a dining room table on which sit purses, a floral arrangement, and two weighted party balloons shaped like the numerals 9 and 6. Spinner is seated in an armchair near the lower edge if the image. Toniette Henry Duncan, center, leans against the chair's arm. Rita Murphy Harris, seated on a couch, is the rightmost figure in the group. Photograph is undated, but Marie Elizabeth Spinner's 96th birthday was 7 January 2020\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Marie Elizabeth Spinner leaning against a wooden support beam on a porch. Her arms are folded behind her back, and she sports a wide smile. She wears a pale brimmed hat and a black dress with a design of swirling white trim on the bust and pocket. Photograph is undated\u003c/p\u003e","\u003cp\u003eA blank page, most likely the back of a photograph, with stamped text at the bottom that reads \"Murphy's Pho'\" This appears to be part of the photographer's stamp of Elrich Murphy, a prominent Black photographer in Alexandria and father of Rita Murphy Harris and first husband of Marie Elizabeth Spinner. Item is undated\u003c/p\u003e","\u003cp\u003eColor photograph of a woman sitting cross-legged with a baby in her hands. The baby, identified as Rashaun, is dressed in overalls and a white long-sleeve shirt. The woman wears denim jeans and a sweater vest, and her hair is styled in an afro. Behind them is a brick house and an unclouded sky. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of five men, trustees of Oakland Baptist Church in Alexandria, Virginia, dressed in brown suit jackets and ties, standing in a row. The man in the center of the row is Reverend Luther H. Mills. Behind them are several utility poles and a round placard bearing a Texaco logo. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of cousins Rita Murphy Harris (left) and Toniette Henry Duncan (right) depicted from the shoulders up. Henry leans into Harris and rests the side of her forehead on her cousin's cheek. Harris has her arm draped over Henry's shoulder. Behind them, colorful abstract paintings and a mounted television hang on gray walls. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of thirteen children of varying ages grouped in a yard hemmed by a wooden fence. The event depicted is a birthday party. Rita Murphy Harris stands in the center of the huddle, wearing a white dress with lace flutter sleeves. The leftmost child, a girl in a plaid dress, is identified as Nancy Henry. Between Nancy and Rita is a boy identified as Henry Poindexter, partially obscured by the party guest in front of him. Burnett Ralph Henry stands in the back of the group, dressed in a striped shirt. Beyond the fence, the roofs of neighborhood buildings peer over the tops of bushes. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Rita Murphy Harris as a child, standing outdoors wearing a dress-length coat of leopard print fabric, a black hood, and a cross-body purse. She squints as she digs her fingers into the opening of the jacket in front of her. The trees behind her are bare of leaves. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Burnett Ralph Henry (right), son of Wilmer Benjamin Henry with Rita Murphy Harris (left), granddaughter of Wilmer Benjamin Henry. Rita, an infant, wears a baby bonnet, and Burnett wears overalls, a striped shirt, and a jacket. His arm is around Rita's shoulder, and his legs dangle over the edge of a wooden porch. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of fourteen children standing in a line on a strip of sparsely grassed dirt between a wooden fence and a brick sidewalk. All appear to be of elementary age or in their early teenage years save for a much younger, smaller girl in the center of the line. Members of the group are variously dressed in dresses, skirts, button-up shirts, and trousers. Some of the children are identified as Rita Murphy Harris, Sylvia Dolores Henry, Toniette Henry Duncan, Slim Henry, Gail, and Peaches. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of two men identified as Slim Henry and Blair. Blair (right) wears tinted glasses and has his arm slung over the shoulders of Slim Henry (left), who wears a brown leather jacket. Blair Spinner is the son of Marie Elizabeth Spinner and her second husband, Albert Spinner, Jr. They smile broadly, standing side by side. Behind them a sculpture made of many intersecting thin, metal rods hangs on the pale purple walls. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of a man identified as Slim Henry in a red shirt and black jacket, a black brimmed hat on his head. He is indoors in front of a wall panel consisting of brown bricks. The wall appears to be draped with a streamer, and the number \"5\" is visible in the bottom left corner of the photo. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of two men wearing brown suits standing in front of a car parked near a Texaco service station on the corner of King Street and West Braddock Road in Alexandria, Virginia, near Blessed Sacrament Roman Catholic Church and Oakland Baptist Church. The two men have been identified as trustees of Oakland Baptist Church in Alexandria. The man on the left is posed with his jacket unbuttoned and his hands in his pockets. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of Toniette Henry Duncan's pictured from the shoulders up. She wears a garment with beadwork at the collar and a woven necklace. Behind her, some seating is visible, and farther beyond, light reflects off the surface of a body of water. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of Toniette Henry Duncan. The framing of the photograph suggests that the image was captured as a selfie. Duncan wears red, and her dark hair is worn in braids or twists that are interwoven with silver-white highlights. She is seated indoors, and in the background, a celebratory card, black and white photograph, and bowl of candy are visible. Photograph is dated to Mother's Day 2021 which was 9 May 2021\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Toniette Henry Duncan as a young girl. She is posed seated outdoors, wearing a pale dress and holding a basket decorated with flowers. Her short legs dangle from her chair. Photograph is undated, but Toniette Henry Duncan turned two years old in February 1956\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Toniette Henry Duncan as a young girl. She is posed outside, squatting low to the ground. She wears a coat over a pale skirt, a stiff bonnet, and Mary Jane shoes. Visible behind her are the skirt and legs of another figure, standing behind her. Photograph is undated, but Toniette Henry Duncan turned three years old in February 1957\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Toniette Henry Duncan as a young girl. She is posed seated on the edge of a porch with her legs dangling over the side. In one hand, she holds a football, and the other hand is raised to the back of her head. Photograph is undated, but Toniette Henry Duncan turned three years old in February 1957\u003c/p\u003e","\u003cp\u003eColor photograph of Toniette Henry Duncan (left) and Kevin Brown (right) at the Virginia Theological Seminary Descendents Gala. Both wear nametags around their necks and are sitting next to a large wooden table. On the table between them are two cans of ginger ale and a black handbag. Behind them, at other side of the table, a person in a dark blue suit writes something on a piece of paper with a pen. Their face is not visible in the image. Photograph is dated 30 July 2021\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of Toniette Henry Duncan. She is pictured from the shoulders up and posed in front of a solid gray background. The neckline of her top is studded with pearls and her hair is worn in braids or twists. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of siblings Joseph Brackette (center) and Marie Elizabeth Spinner (right), posed standing with a third unidentified woman (left), standing near a roofed porch. Marie Elizabeth Spinner wears a plaid blazer while Joseph Brackette wears a fedora and a pinned necktie. The unidentified woman wears a dark fur overcoat. The three are huddled close, and Jospeh Brackette has his arms over his companions' shoulders. A well is visible in the background behind them. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joseph Brackette with his gloved hand tight around the shoulder of an unidentified woman in a dark fur coat. Behind them is a roofed porch with structural support beams. The sky is cloudy and a wooden fence is visible behind them.\u003c/p\u003e","\u003cp\u003eBlack and white photograph of John Henry, son of Wilmer Benjamin Henry, standing in a yard with his hands clasped behind his back. He wears a suit jacket and necktie. Behind him is a small structure of stone and wood (possibly the well from other photographs in this folder), a wooden fence, and several trees without foliage. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of three women standing with arms linked on a brick sidewalk near a row of townhomes and a wooden fence. In the background, people can be seen on their stoops, seemingly in conversation together. The shadow of the photographer stretches across the brickwork in front of the three women. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of cousins Toniette Henry Duncan (left) and Rita Murphy Harris (right) standing side by side at a room in the Virginia Theological Seminary during one of the Seminary's annual Descendents Galas. Duncan wears a black blouse with beadwork on the sleeves and black trousers. Rita wears a structured black and white jacket with a paisley pattern and black trousers. They are posted standing together in front of a framed artwork hanging on a cream and white striped wall. Photograph is undated\u003c/p\u003e","\u003cp\u003ePortrait painting of William Henry pictured from the torso up, done in muted sepia tones. He wears a black suit and necktie and  sports a thick moustache. The painting's background is an abstract blending of colors. William Henry was the husband of Annie Henry and the father of six children: Wilmer, Albert, John, Mary, Elouise, and Elizabeth. Painting is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of William Benjamin Henry standing outdoors in front of a wall made of paneled siding. He is dressed in a suit and necktie with a pocket square. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of William Benjamin Henry holding a knife, poised to slice a white, frosted cake. He wears a suit and a striped tie. Three similarly dressed men are partially visible standing next to him. The contour of what appears to be a person wearing a white dress abuts the left edge of the frame. Behind the people is an indoor domestic space with a glass-paneled door. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white group photograph of several people in semiformal attire, posed standing indoors in front of a window with blinds drawn. William Henry, dressed in a suit, figures prominently in the right of the frame. Also present in the image are his daughters, Eloise and Elizabeth, as well as his son, Wilmer. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Willie Mae Henry, wife of Wilmer Henry. She is posed seated in a chair in front of a blank backdrop and pictured from the waist up. She wears a white embroidered blouse and a beaded necklace, and her hair is pulled back behind her head. She holds her chin high and regards the camera with neither a smile nor a frown. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Willie Mae Henry, wife of Wilmer Henry. She is posed seated in front of a patterned curtain, with her hands folded in her lap. She is dressed in a patterned blouse. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white group photograph of ten people of varying ages, posed standing together in a grassy yard in front of a tall bush and a brick house. The men and boys wear button-up shirts, and the women and girls wear dresses. The group includes Wilmer Benjamin Henry, Willie Mae Henry, and members of their family. In front of the group, a Tyrolean hat with an oversized feather plume lies on the ground. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Wilmer Benjamin Henry standing in a doorway at the Virginia Theological Seminary, with a hand resting on the door handle and holding it open. He smiles exuberantly from under a brimmed hat. Through glass panes set in the door, a brick wall is visible, and a handrail intersects the bottom portion of the photograph. Handwritten note on the top edge of the photograph reads, \"296 # 58-1 3 5/8 [arrow]\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Wilmer Benjamin Henry playing an acoustic guitar. His fingers are occupied with the frets and strings, and he wears a thumb pick. He is dressed in a jacket and brimmed hat. Behind him is a wall adorned with a patterned fabric drape and a calendar. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Wilmer Benjamin Henry. He is posed seated in front of a blank fabric backdrop and pictured from the waist up. His hands are resting in his lap, and he wears a suit and tie. Behind him, in the bottom of the photo, what appears to be wrinkles or a fabric texture are visible in the backdrop. Photograph is undated\u003c/p\u003e","\u003cp\u003eMemorial page for Wilmer Benjamin Henry, appears to be from a funeral program or similar document. Featured on the page is a black and white portrait photograph of Wilmer Benjamin Henry: the same photograph as \"Portrait photograph of Wilmer Benjamin Henry\" (ABFR-23-037-085). Typescript text under the photograph reads, \"Wilmer B. Henry, Sunrise: February 22, 1898, Sunset: December 26, 1981, My Grand Father's Legacy, Believe in GOD, Work Hard, Take Care of Your Family, Live a Righteous Life.\"\u003c/p\u003e","\u003cp\u003eDigital surrogates of materials documenting the Willis family\u003c/p\u003e","\u003cp\u003ePhotocopy of a newsclipping from a local newspaper featuring a photograph of Sheila Willis. Photograph depicts two women standing on either side of a library circulation desk. The library staff member appears to be assisting the patron to check out books. Which woman is Sheila Willis has not been identified. Most of the article accompanying the photograph is cut off in the clipping, but seems to be an article about Alexandria Library. Clipping is dated 25 April 1968\u003c/p\u003e","\u003cp\u003eDigital surrogates of family history materials documenting the Lyles and Dorsey families\u003c/p\u003e","\u003cp\u003eScrapbook documenting the history of the Lyles and Dorsey families. 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Description","Description","Content Description","Description"],"scopecontent_tesim":["This collection contains digital donations collected from members of the Alexandria African American community during the 2023 Alexandria Black Family Reunion event. This is a completely digital collection consisting of digital surrogates of the materials; the original items have been retained by their owners. Included are photographs, documents, and ephemera.","Please note  that processed donations will be added to this collection on an ongoing basis. Check this collection guide for regular updates. ","Digital surrogates of photographs from the family of William D. \"Bill\" Euille, former Mayor of the City of Alexandria (2003-2016). Euille served as Honorary Co-Chair of the first Alexandria Black Family Reunion in 2023.","Color photograph, portrait of Robert Drinkard and Tammi Drinkard. Both are dressed in formal wear and are standing in front of a colorful backdrop. Photograph appears to have been captured at a formal event or gala. Photograph is undated.","Color photograph of seven people posed in the midst of a ribbon cutting ceremony. From left to right: (unidentified), Ludwig Gaines, Bill Euille, Dal Repper, Rob Krupika, Jim Moran, Paul Smedburg. Photograph is undated.","Color photograph taken during the annual Alexandria Scottish Christmas Walk Parade depicting several people on a snowy street in Alexandria, Virginia. Featured in the foreground of the photo, from left to right: Bill Euille and Rob Krupika. Over the image is text that reads, \"The Three Musketeers.\" Photograph is undated.","Color photograph, portrait of Bill Euille, dressed in a suit and standing in front of a curtained window with his hands folded in front of him. Photograph is undated.","Color photograph, portrait of Bill Euille. This appears to be a candid photo taken of Euille, dressed in a casual outfit, standing in front of a blank, white wall. Photograph is undated.","Digital surrogates of photographs of the African American community in Alexandria, Virginia that were collected by Char McCargo Bah. Bah is a celebrated genealogist, author, and native Alexandrian who has been researching and writing about the Alexandria African American community since 1981. Bah served as Honorary Co-Chair of the first Alexandria Black Family Reunion in 2023","Black and white photograph, early class portrait from the Parker-Gray School in Alexandria, Virginia. Children are posed standing in three rows with a fourth row seated in front with a man posed standing to the right side, their teacher Rozier D. Lyles. The group is posed in front of what appears to be the entrance to the school; a brick wall and wooden door are visible in the background of the image. Photograph is undated, c.1920s","Black and white photograph, portrait of Principal Henry T. White and the first faculty at the Parker-Gray School in Alexandria, Virginia when it opened in 1920. White was the first principal of the Parker-Gray School and served from 1920 through 1928. Eleven men and women are posed in two rows; the back row is standing behind the seated front row. Front row, from left to right: Reverend A.W. Adkins; Henry T. White, teacher and first principal; Laura M. Dorsey; Rozier D. Lyles; and James E. Howard. Back row, from left to right: Mamie E. Anderson; Margaret T. Young; Florence Murray; Harriet E. Thornton; Susie P. Madden; and Sarah D. Gray. Photograph is undated, c.1920","Black and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Eight men and women are posed in two rows, standing on the steps in front of the main entrance to the school. Elam is the first man on the left in the back row. Photograph is undated, c.1930s","Black and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Sixteen men and women are posed in three or four uneven rows, standing on the steps in front of the main entrance to the school. Elam is last man on the right. The man in the center of the front row is Rozier D. Lyles, a teacher at the school. Photograph is undated, c.1930s","Black and white photograph of the Parker-Gray School's first building at 901 Wythe Street in Alexandria, Virginia. Photograph is undated, c.1920","Black and white photograph, class portrait of the Parker-Gray School fifth grade class taught by Mamie E. Anderson in 1920. Three rows of children are posed on the steps in front of the entrance to the Parker-Gray School. Anderson is on the end of the front row, on the right side of the image. Photograph is undated, c.1920","Black and white photograph, two images together in one photo print with one image on top of the other. The top image is the same as that of the Parker-Gray School fifth grade class portrait photograph photo print (ABFR-23-002-006). The bottom image is the same as that of the Photograph of Parker-Gray School first building photo print (ABFR-23-002-005). Both images are undated, c.1920","Black and white photograph, portrait of Principal Henry T. White with students of the Parker-Gray School. White was the first principal of the Parker-Gray School and served from 1920 through 1928. Twenty-eight children are posed standing in two rows on the steps in front of the entrance to the school. White is posed standing in front of the students. Photograph is undated, c.1920s","Black and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Sixteen men and women are posed in three rows, standing on the steps in front of the main entrance to the school. Elam is the first man on the left in the back row. Photograph is undated, c.1930s","Black and white photograph, class portrait of Parker-Gray School students with their teacher Ms. Day. Forty-two students are posed in four rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is undated, c.1930s","Black and white photograph, class portrait of Parker-Gray School students. Thirty-five students are posed in four rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is undated, c.1930s","Black and white photograph of the Parker-Gray School's first building at 901 Wythe Street in Alexandria, Virginia. Photograph is undated, c.1930s","Black and white photograph, class portrait of Parker-Gray School students in 1931. Thirty students of varying ages are posed standing in three rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is dated 1931","Black and white photograph, group portrait of the 1936 graduates of Parker-Gray School. They are posed standing in two rows with some of the school faculty. Photograph is dated 1936","Black and white photograph, class portrait of Parker-Gray School students in 1939. Fifteen students are posed standing in two or three rows on the front steps of the school. Photograph is dated 1939","Black and white photograph, class portrait of Parker-Gray School students in 1939. Eighteen students are posed standing in three rows on the front steps of the school. Photograph is dated 1939","Black and white photograph, class portrait of Parker-Gray School students in 1939. Approximately thirty-five students of varying ages are posed standing in four rows on the front steps of the school. Photograph is dated 1939","Black and white photograph of Parker-Gray School students in 1939. Eleven teenaged students are posed standing casually, with arms around each other's shoulders, etc., on the front steps of the school. Photograph is dated 1939","Black and white photograph of four Parker-Gray School cheerleaders in 1941. Four young women in cheerleading uniforms are posed together in a field, all in a row with their bodies turned towards the right of the image and faces toward the camera. They are kneeling in the grass with one arm in the air and bent at the elbow. In front of them on the grass are two megaphones and pom-poms. Photograph is dated 1941","Black and white photograph, class portrait of Parker-Gray School students in 1941. Approximately forty children are posed standing in four rows on the front steps of the school. Photograph is dated 1941","Black and white photograph, portrait of the 1942 graduating class of Parker-Gray School. Approximately thirty teenaged students dressed in graduation caps and gowns are posed standing in three rows on the pulpit of the Alfred Street Baptist Church in Alexandria, Virginia. A handwritten signature in the bottom, right corner of the image reads \"Murphy.\" Photograph is dated 1942","Black and white photograph, portrait of the 1943 graduating class of Parker-Gray School. Twenty-four teenaged students dressed in graduation caps and gowns are posed in two rows on the stage of what appears to be a school auditorium. A handwritten note across the photo print reads, \"Parker Gray High School Class of 1943.\" Photograph is dated 1943","Black and white photograph of group of students and others posed in a row on the Parker-Gray football field at the 1945 homecoming game. Two students are dressed in football uniforms and standing next to young women holding bouquets, presumably the homecoming court. Photograph dated 1945","Black and white photograph of the 1945 Parker-Gray homecoming queen being crowned by Oliver Ellis, captain of the football team. A young man wearing a football uniform, identified as \"Captain of Douglas,\" and a young woman, identified as \"Miss Douglas,\" look on as Captain of the Parker-Gray football team Oliver Ellis crowns the new Miss Parker-Gray. The two young women and two young men in the photograph are identified this way by handwritten notes on the bottom edge of the photo print. Photograph is dated 1945","Black and white photograph, portrait of the 1945 graduating class of Parker-Gray School. Thirty-five teenaged students dressed in graduation caps and gowns are posed in three rows on the stage of what appears to be a school auditorium. Photograph is dated 1945","Black and white photograph, group portrait of the P Club student organization at Parker-Gray High School. Twenty students are posed in two rows in what appears to be a classroom or the school library. Several of the students are wearing letterman sweaters with a big \"P\" patch on the front. Photograph is dated 1947","Black and white photograph, group portrait of faculty and staff of Parker-Gray. The fifteen men and women are posed in two rows in what appears to be a school cafeteria or auditorium. Several of them are holding a rolled up document. Photograph is dated 1946","Black and white photograph, portrait of the 1946 graduating class of Parker-Gray School. Thirty-seven teenaged students dressed in graduation caps and gowns are posed in three rows on the stage of what appears to be a school auditorium. Photograph is dated 1946","Black and white photograph of seven young women seated at desks in a Parker-Gray classroom while their teacher, Mrs. Chase, looks on. The students each have their own large, black typewriter on their desk and appear to be working on an assignment. A large, wall-mounted chalkboard is visible in the background of the image. Photograph is dated 1946","Black and white photograph of four young women from the Parker-Gray girls basketball team. They are posed together in the school gym with two students standing in the back row, while the other two kneel in front of them and pose with a basketball. All four are dressed in basketball team uniforms and one also wears a sweater over the uniform which reads, \"PARKER GRAY.\" Photograph is dated 1946","Black and white photograph, group portrait of the Parker-Gray High School girls basketball team. Fourteen young women wearing the basketball team uniforms are posed in  two rows in front of a curtain backdrop, with a basketball placed on the ground in front of them. Also in the photograph is a woman wearing a skirt suit, presumably the team coach; as well as another young woman not dressed in the basketball uniform. Photograph is dated 1946","Black and white photograph of the homemaking class at Parker-Gray High School. Four young women are standing at a workstation table, engaged in a cooking or baking project. Two students appear to be stirring something in saucepans, one student appears to be kneading or rolling dough, and another is sprinkling something onto a dish. Another student is seated at a desk working on a written assignment. And the teacher, Ruby Fields Smith, looks on from the front of the classroom.","Black and white photograph, portrait of the 1950 graduating class of Parker-Gray School. Forty-one teenaged students dressed in graduation caps and gowns are posed in three rows in front of the stage of what appears to be a school auditorium. Photograph is dated 1950","Black and white photograph of the Parker-Gray School's second building. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is undated, c.1950s","Black and white photograph of eight men posed standing in a row in front of a curtain. This photograph was taken at the dedication event for the new Parker-Gray High School and the group includes Principal William H. Pitts, Sr. and Reverend Adkins. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950","Black and white photograph of five men posed standing in a row in front of a curtain; one man appears to be handing a small item to Parker-Gray Principal William H. Pitts, Sr. This photograph was taken at the dedication event for the new Parker-Gray High School. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950","Black and white photograph of five men posed standing in a row in front of a curtain, including Parker-Gray Principal William H. Pitts, Sr on the far left. This photograph was taken at the dedication event for the new Parker-Gray High School. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950","Black and white photograph of the crowning of a Parker-Gray High School student. A young woman, identified as [Annt] Lightfoot, wearing a white, lace dress and white gloves is standing next to a young man in a suit while he places a crown on her head. They are both standing in front of a dark-colored curtain, presumably on a stage. She is presumably being crowned as a pageant winner, homecoming queen, or prom queen. Photo is undated, c.1950s","Black and white photograph of three Parker-Gray High School students on a platform or stage, seated in front of a decorative backdrop and arch with a dark-colored curtain visible in the background. From left to right: a young women wearing a polka dot dress and cat-eye glasses with a white, floral corsage pinned to her dress; a young woman, identified as [Annt] Lightfoot, wearing a white dress, white gloves, and crown and holding a bouquet; a young woman wearing a white dress with a white, floral corsage pinned to her dress. Lightfoot is seated on a platform that is raised slightly higher than the other two young women. They are presumably the winner and runners-up of a pageant, homecoming queen, or prom queen contest. Photo is undated, c.1950s","Black and white photograph, studio portrait of a Parker-Gray High School homecoming queen. A young woman is posed, seated in front of a light-colored backdrop. She is wearing a white dress, silver necklace, silver earrings, and silver tiara while holding a large bouquet. Photograph is undated, c.1950s","Black and white photograph of a group of Parker-Gray High School students standing in a football field with the Parker-Gray marching band. Three young women are standing in a row together; the young woman in the middle is holding a bouquet and the other two are both wearing white, floral corsages pinned to their lapels. Behind the young women are several members of the Parker-Gray High School marching band who appear to be in the midst or in a moment right before a performance. Photograph is undated, c.1950s","Black and white photograph, portrait of the 1951 graduating class of Parker-Gray School. Sixty-three teenaged students dressed in graduation caps and gowns are posed seated in five rows on the bleachers in the school gym. Also in the photo are Principal William H. Pitts Sr., seated in the back row, and an unidentified woman seated on the right side of the image. Photograph is dated 1951","Black and white photograph of a group of Parker-Gray High School students and faculty posed standing in a row. The students are all dressed in graduation caps and gowns. From left to right: Principal William H. Pitts, Sr.; Herman T. Newman, salutatorian; Shirly A. Stokes; Naomie E. Lewis; Lloyd Harris; Kirk R. Carter; William H. Pitts, Jr., valedictorian; the Reverend F. D. Williams, and Theodore R. Sinclair, assistant superintendent of Alexandria schools. Photograph is dated 1951","Reverse of Parker-Gray graduation group photograph photo print (ABFR-23-002-038). A handwritten note identifies the people in the photo as well as noting that this picture was used in the newspaper. Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" \"Parker-Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314,\" and \"Columbus George, Jr., Photographer, 518 North Columbus Street, Overlook 3963, Alexandria, Virginia\"","Black and white photograph of the valedictorian and son of the principal, William H. Pitts, Jr., giving a speech during Parker-Gray High School graduation. A young man dressed in a graduation cap and gown and glasses stands at a lectern on a stage. Several students and faculty in graduation gowns and stoles are seated in rows behind him on the stage. Photograph is dated 1951","Black and white photograph of the valedictorian and son of the principal, William H. Pitts, Jr., giving a speech during Parker-Gray High School graduation. A young man dressed in a graduation cap and gown and glasses stands at a lectern on a stage. Seated behind him on the stage are several students and faculty in graduation gowns, including Principal William H. Pitts, Reverend F. D. Williams, and Assistant Superintendent Theodore R. Sinclair. The school band is seated in front of the stage. Photograph is dated 1951","Black and white photograph of a moment during the Parker-Gray High School graduation ceremonies. Standing on the stage, Principal William H. Pitts, Sr. shakes the hand of his son and the valedictorian, William H. Pitts, Jr. Pitts, Jr. is wearing a graduation cap and gown and holding what appears to be his diploma. Pitts, senior is dressed in a white blazer and black bowtie. Photograph is dated 1951","Black and white photograph of Principal William H. Pitts, Sr. making remarks during the Parker-Gray High School graduation. A man wearing a white blazer, black suit pants, black double pocket square, and black bowtie stands at a lectern and appears to be in the middle of speaking. Seated behind him on the stage are several students and faculty wearing graduation gowns and stoles. Photograph is dated 1951","Black and white photograph, group portrait of Parker-Gray High School students who are likely all members of a school sports team or club. Approximately forty young men are  posed standing in two rows with a third row seated in front. Photograph is dated 1951","Black and white photograph, portrait of the 1952 graduating class of Parker-Gray School. Thirty-six teenaged students dressed in graduation caps and gowns are posed standing in six rows on the bleachers in the school gym. Photograph is dated 1952","Black and white photograph, portrait of the 1953 graduating class of Parker-Gray School. Twenty-six teenaged students dressed in graduation caps and gowns are posed in three rows in front of the stage of what appears to be a school auditorium. Photograph is dated 1953","Black and white photograph, group portrait of the members of the National Honor Society from the Parker-Gray High School graduating class of 1953. Three students, dressed in graduation caps and gowns, are posed standing together in front of the stage of what appears to be a school auditorium. From left to right: Hazel Jones, Fred Mathers, Jr., and Delores Hooks. Photograph is dated 1953","Reverse of Parker-Gray High School National Honor Society members group photograph (ABFR-23-002-052). Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" \"Parker Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314.\" A handwritten note reads, \"Members of the First National Honor Society at Parker-Gray H.S. 1953 Chapter 4950 Fred Mathers Jr. [rank] 1; Delores Hooks [rank] 2; Hazel Jones [rank] 3\"","Black and white photograph, portrait of the 1954 graduating class of Parker-Gray School. Approximately fifty teenaged students dressed in graduation caps and gowns are posed in several rows standing on the steps in front of the entrance to the school. Photograph is dated 1954","Black and white photograph, group portrait of young women of the Parker-Gray School graduating class of 1954. Approximately thirty young women are posed in three rows standing around a sign that reads, \"Congratulations Parker Gray Graduates!\" In the middle of the group, directly behind the sign, is an older man in a suit. Photograph is dated 1954","Black and white photograph, group portrait of what appears to be the winner and runners-up of Parker-Gray homecoming queen. Four young women are posed standing in a row; two of them are wearing floral corsages pinned to their lapels and the other two young women are holding bouquets. Photograph is dated 1955","Black and white photograph, group portrait of what appears to be the Parker-Gray homecoming court. Three young men and four young women are posed in a row, standing on a football field. One of the young men is identified as Roland Norton. Two of the young men are dressed in football uniforms (number 80 and number 35). Two of the young women are wearing floral corsages pinned to their lapels and the other two young women are holding bouquets. Photograph is dated 1955","Black and white photograph of the spectators at the 1955 Parker-Gray High School homecoming football game. The bleachers of a football field are filled with Parker-Gray students, faculty, and other community members watching the homecoming football game. Several people stand on the sidelines in front of the bleachers. Photograph is dated 1955","Black and white photograph, group portrait of the Parker-Gray High School class of 1957 taken in their junior year. Approximately sixty students are posed in five rows, standing on the steps in front of the entrance to the school. Photograph is dated 1955","Black and white photograph, portrait of the 1956 graduating class of Parker-Gray School. Fifty-eight teenaged students dressed in graduation caps and gowns are posed in five rows on the bleachers in the school gym. Also in the photo is Principal William H. Pitts Sr. Photograph is dated 1956","Black and white photograph, portrait of May Queen Joyce A. Drayton. A young woman, Joyce A. Drayton, wearing a light-colored satin dress is posed standing in the grass in front of the exterior of the school building. The front entrance of the school is visible in the background of the image. Photograph is dated 1956","Black and white photograph, portrait of the 1957 graduating class of Parker-Gray School. Forty-eight teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Photograph is dated 1957","Black and white photograph of the 1957 Parker-Gray High School homecoming court, including Homecoming Queen Phyllis Tate. Three young women and three young men are posed standing in a row in front of what appears to be a \"throne\" for the homecoming queen. From left to right: a young woman dressed in a plaid skirt set, white gloves, white hat, small round handbag, and corsage pinned to her lapel; a young man in dark-colored pants and a light-colored jacket posed in the act of placing a crown atop the head of the young woman in the center of the group; a young woman (being crowned), Phyllis Tate, wearing a light-colored skirt set and holding a large bouquet; a young man wearing dark-colored pants and a wool jacket; a young woman wearing a dark-colored skirt set, white gloves, white hat, small handbag, and corsage pinned to her lapel. Photograph is dated 1957","Black and white photograph of the 1957 Parker-Gray High School homecoming queen and runners-up. Three young women are posed standing in a row, with the young woman in the center on a raised platform. From left to right: a young woman dressed in a plaid skirt set, white gloves, white hat, small round handbag, and corsage pinned to her lapel; a young woman, Phyllis Tate, wearing a light-colored skirt set, white gloves, glittery crown, and holding a large bouquet; a young woman wearing a dark-colored skirt set, white gloves, white hat, small handbag, and corsage pinned to her lapel. Photograph is dated 1957","Black and white photograph, portrait of Phyllis Tate, the 1957 Parker-Gray High School homecoming queen. A young woman, Phyllis Tate, is posed seated in a chair atop a platform with a backdrop of crepe paper streamers. The backdrop and platform appear to have been decorated by students to serve as a \"throne\" for the homecoming queen. Tate is dressed in a light-colored skirt set, white gloves, sparkling crown, and is holding a large bouquet. Photograph is dated 1957","Black and white photograph that appears to depict the crowning of the 1957 Miss Parker-Gray. A young woman, LaJeune Hundley, is posed standing in what appears to be the school gymnasium while a man appears to place a tiara atop her head. Hundley is wearing a dress, short fur coat, white gloves, and small handbag. Posed standing next to her in the photograph is another young woman, dressed in a light-colored coat over a dress, white gloves, and white fascinator hat. The man crowning Hundley, is turned away from the camera, but might be Principal William H. Pitts, Sr. He is dressed in a long black coat, dark-colored pants,  a fedora hat  and is holding a piece of paper and a microphone. Visible in the background of the image are several people standing on the gym bleachers. Photograph is dated 1957","Reverse of Photograph of Miss Parker-Gray photo print (ABFR-23-002-066). Handwritten note reads, \"Miss Parker-Gray 1957-58 La Jeune Hundley, Attendants - Teyanna Williams, Jesurena Smith.\" Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" and \"Parker-Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314\"","Black and white photograph of Miss Parker-Gray La Jeune Hundley and her two attendants, Teyanna Williams and Jesurena Smith. Three elegantly dressed young women are posed standing in a row in front of what appears to be the bleachers in the school gymnasium. From left to right: a young woman wearing a light-colored coat over a dress, white gloves, white fascinator hat, and small handbag; a young woman, La Jeune Hundley, wearing a dress, short dark-colored fur coat, white gloves, tiara, and small handbag; a young woman wearing a long, light-colored fur coat over a dress and white gloves. Visible in the background of the image are several people standing on the gym bleachers. Photograph is dated 1957","Black and white photograph of Miss Parker-Gray La Jeune Hundley and her two attendants, Teyanna Williams and Jesurena Smith. Three elegantly dressed young women are posed standing in a row in front of what appears to be the bleachers in the school gymnasium. Hundley is stood in the center of the trio and is turned around to shake the hand of a young woman standing behind her wearing a long, dark-colored coat with a corsage pinned to the lapel.","Black and white photograph, portrait of the 1958 graduating class of Parker-Gray School. Twenty-three teenaged students dressed in graduation caps and gowns are posed in three rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. Photograph is dated 1958","Black and white photograph, group portrait of seven young women posed in front of a small platform and backdrop that have been decorated with crepe paper and streamers. It appears to be the \"throne\" for the homecoming queen depicted in other photographs from this series. Photograph is dated 1958","Black and white photograph, group portrait of the 1959 Parker-Gray High School homecoming court. Four young women are posed standing in a row, the two in the center are one step up on a small podium. All four young women are holding bouquets. Photograph is dated 1959","Black and white photograph, group portrait of the 1959 Parker-Gray High School homecoming court. Three young women and three young men are posed in a row standing on a football field. Two of the young men are wearing football uniforms (number 54 and number 72); all three young women are holding bouquets. Photograph is dated 1959","Black and white photograph, portrait of the 1960 graduating class of Parker-Gray School. Thirty-five teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. in the middle of the back row. Photograph is dated 1960","Black and white photographs, composite class portrait of the Parker-Gray High School class of 1961. Headshot studio portraits of students dressed in graduation caps and gowns are arranged in rows with each student's name listed underneath their photo. Also included are studio portrait photographs of Principal William H. Pitts, Sr. and school advisors Mary T. Adams and Jacqueline Green. Item is dated 1961","Black and white photograph, portrait of the 1961 Ms. Parker-Gray, Doris Surratte, being crowned. A young woman, Doris Surratte, dressed in a white dress with sheer white shoulder wrap is posed standing next to a young man wearing a suit who is posed in the moment of placing a crown atop her head. Photograph is dated 1961","Black and white photographs, composite class portrait of the Parker-Gray High School class of 1962. Headshot studio portraits of students dressed in graduation caps and gowns are arranged in rows with each student's name listed underneath their photo. Also included are studio portrait photographs of Principal William H. Pitts, Sr.; Elizabeth Qualls, Sponsor; Robert H. Adkins, Sponsor; Richard Clayton, Sponsor. Item is dated 1962","Black and white photograph, candid photo from the Parker-Gray School Drivers Ed class. A car is parked in a small parking pad next to what appears to be the side or back of the school building. Affixed to the passenger side door of the car is a sign that reads, \"Driver Education Car, Courtesy Aero Chevrolet\" with the AAA logo above it. Four people are seated in the car, who appear to be three students and their instructor in the front passenger seat. Photograph is dated 1963","Black and white photograph, candid photo from the Parker-Gray School Drivers Ed class. Five people are seated in a parked car. Affixed to the passenger side door of the car is a sign that reads, \"Driver Education Car, Courtesy Aero Chevrolet\" with the AAA logo above it. Photograph is dated 1963","Page from the program of the Parker-Gray High School Class of 1965 50th Reunion, held June 12th and 13th, 2015. An illustrated image of a scroll frames a list of the names of the members of the class of 1965, listed in two columns. Item is dated 2015","Black and white photograph, portrait of the 1965 graduating class of Parker-Gray School. Forty-seven teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. Photograph is dated 1965","Black and white photograph, group portrait of the Parker-Gray High School band dressed in their uniforms. They are posed seated in curved rows and appear to be in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, group portrait of the Parker-Gray High School band dressed in their uniforms. They are posed seated in curved rows and appear to be in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, group portrait of the Parker-Gray High School majorettes. Dressed in their uniforms and holding batons, seven young women are posed standing on the bleachers in the school gymnasium. They are standing in a row, each on a different step, ascending up the risers. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Assistant Principal Edward L. Patterson. He is dressed in a dark-colored plaid suit, white shirt, dark-colored tie, and wire-rimmed glasses. Patterson is posed seated at his desk as if in the midst of working. Papers and books are strewn across his desk, while he flips through an open book with one hand and a pencil poised to write something in the other hand. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Assistant Principal Edward L. Patterson. He is dressed in a dark-colored suit, white shirt, checkered tie, and wire-rimmed glasses. He is posed standing behind his desk while he does something with a large metal box atop the desk. Photograph is undated, c.1960s","Black and white photograph, portrait of the cafeteria staff at Parker-Gray High School. Seven women, all dressed in white uniform dresses, are posed standing in a row in what appears to be the school cafeteria. Photograph is undated, c.1960s","Black and white photograph of Ferris Holland, math and science teacher at Parker-Gray High School, and two unidentified students. Holland is standing behind the workstation at the front of his classroom, in the midst of demonstrating a chemistry experiment. To the left of Holland is a young man dressed in a checkered blazer; and to the left of Holland is a young woman wearing a white blouse. Visible behind them in the image is a blank chalkboard. Photograph is undated, c.1960s","Black and white photograph of several members of what appear to be faculty and staff of Parker-Gray High School. Ferris Holland, math and science teacher at Parker-Gray, is posed seated at a desk while pointing to something in a book. Seven other men and women are posed standing around him and looking at the book on his desk. Photograph is undated, c.1960s","Black and white photograph, studio portrait of Hollis Williams, a member of the Parker-Gray High School faculty. Photograph is undated, c.1960s","Black and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and two unidentified students. Smith is posed standing behind a table where two young women are seated; all three have papers in their hands and appear to be in the midst of a conversation. Photograph is undated, c.1960s","Black and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and an unidentified student. Smith is posed seated behind her desk with a young woman seated in a chair at the side of the desk. They are posed as if in the midst of a counseling session. Photograph is undated, c.1960s","Black and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and an unidentified student. Smith is posed seated at a desk with a young man seated in a chair at the side of the desk. They are posed as if in the midst of a counseling session; both looking down at a set of papers on the desk. Photograph is undated, c.1960s","Black and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed standing in front of a filing cabinet in the school administration offices with her hands resting on an open drawer. Photograph is undated, c.1960s","Black and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed standing in front of a filing cabinet in the school administration offices with her hands resting on an open drawer. Photograph is very similar to ABFR-23-002-094 but Adams facial expression is slightly different. Photograph is undated, c.1960s","Black and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed seated at her desk as if in the middle of a phone conversation. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School nurse. A woman dressed in a white nurse's uniform dress and cap is posed seated at a desk with a pen poised as if writing on a set of papers on the desk. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School nurse. A woman dressed in a white nurse's uniform dress and cap is posed seated at a desk with a pen poised as if writing on a set of papers on the desk. Photograph is very similar to ABFR-23-002-097 but her facial expression is slightly different and the photo was taken at a slightly different angle. Photograph is undated, c.1960s","Black and white photograph, portrait of the physical and driving education faculty at Parker-Gray High School. Three men and a woman are posed standing in a row in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk with a pen poised above a set of papers on the desk. Photograph is undated, c.1960s","Black and white photograph, studio portrait of Parker-Gray High School Principal William H. Pitts, Sr. He is dressed in a dark-colored suit, white shirt, tie, and white pocket square and is posed seated in front of a blank backdrop. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. He is posed standing on the steps in front of the entrance to the school. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk with a pen poised above a set of papers on the desk, as if in the midst of doing paperwork. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk while reaching to the intercom on his desk, as if in the midst of making an announcement. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two are seated at their desks and one is standing at the counter writing on a sheet of paper. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two are seated at their desks and one is standing at the counter writing on a sheet of paper. Photograph is similar to ABFR-23-002-105. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Four women are posed in the front office of the school. They are all posed as if in the midst of working at different tasks: writing on a paper at the counter, looking through a filing cabinet, talking on the phone, typing on a typewriter. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two women are standing on either side of the counter and posed as if in the middle of a conversation. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two women are seated at their desks and one woman is standing behind the counter; all are posed as if in the midst of working. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Two women are posed together behind a desk in the school administration offices. From left to right, a woman, Louise Evans, is posed standing and pointing to a piece of paper held in her other hand; a woman is seated at the desk and looking at the paper that Evans' is holding. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School vocational and fine arts faculty. A woman is seated at a piano with six other men and women posed standing around the piano. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School faculty. Twenty-eight men and women are posed in three rows in front of a light-colored curtain serving as a backdrop. They appear to be on the stage in a school auditorium. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Six men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Seven men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Seven men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photo is very similar to ABFR-23-002-114, but the people are posed in slightly different positions. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Ten men and women are posed around a desk at the front of a school classroom with a blank chalkboard behind them. Photograph is undated, c.1960s","Black and white photograph of the homemaking class at Parker-Gray High School. Eight young women are posed around a classroom kitchen at work on different cooking and baking tasks while their teacher looks on. Photograph is undated, c.1960s","Black and white photograph, group portrait of the Parker-Gray High School baseball team. Ten young men wearing baseball uniforms are posed together on a baseball field behind the school. Photograph is undated, c.1960s","Black and white photograph, portrait of Lawrence Veney. He is wearing his Parker-Gray High School baseball team uniform and is posed as if in the midst of throwing a pitch. Photograph is dated 1963","Black and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School pep squad or cheerleading team. Seven young women in pep squad uniforms are in the midst of performing a cheer in the school gymnasium, presumably during a game or pep rally. Photograph is undated, c.1960s","Black and white photograph, portrait of the Parker-Gray High School pep squad or cheerleading team. Eight young women dressed in pep squad uniforms are posed in two rows in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, portrait of the Parker-Gray High School pep squad or cheerleading team. Eight young women dressed in pep squad uniforms are posed standing in a row in front of the bleachers in the school gymnasium, posed as if in the midst of performing a cheer. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School pep squad or cheerleading team. Thirty young women are posed in two rows in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph of four members of the Parker-Gray High School football team. Four young men dressed in football uniforms are posed standing on a football field. Three of the young men are crouched in a defensive position and the fourth young man is standing behind them as if poised to throw the football. Photograph is dated 1961","Black and white photograph, portrait of Raymond Williams, captain of the Parker-Gray High School football team. A young man, Raymond Williams, wearing a football uniform number 80, is posed crouched in a defensive position on a football field. Photograph is dated 1961","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a shot of players and two referees on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of several young women playing a game of volleyball in the Parker-Gray High School gymnasium. Based on their matching outfits, this is likely a candid photograph from a Physical Education class. Photograph is undated, c.1960s","Black and white photograph, group portrait of what is likely the Parker-Gray High School Girls' Athletic Association. Nineteen young women are posed standing in two rows on the bleachers in the school gymnasium. They are all dressed in matching outfits: white blouses paired with dark-colored skirts. Photograph is undated, c.1960s","Black and white photograph, group portrait of members of the Parker-Gray High School pep club. Fourteen young women are posed standing in two rows on the bleachers in the school gymnasium. They are standing angled sideways with their outer arm reaching out toward the middle of the gym. All of the young women are wearing vests with sashes that read, \"Go Team Go.\" Photograph is undated, c.1960s","Black and white photograph, candid photo of two young men in the midst of a wrestling match. A referee dressed in all white is also visible on the side of the mat. Visible in the background of the image are the officials or scorekeepers seated at a table, an announcer seated on a stool with a microphone, and several other members of the Parker-Gray High School wrestling team wearing their uniform sweat suits. Photograph is undated, c.1960s","Black and white photograph, candid photo of two young men in the midst of a wrestling match. A referee dressed in all white is also visible on the side of the mat. Visible in the background of the image are the officials or scorekeepers seated at a table, an announcer seated on a stool with a microphone, and several other members of the Parker-Gray High School wrestling team wearing their uniform sweat suits. Photograph is undated, c.1960s","Black and white photograph, team portrait of the Parker-Gray High School wrestling team. Twelve young men and their two coaches are posed in two rows atop a wrestling mat in the school gymnasium. They are all dressed in matching light-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, team portrait of the Parker-Gray High School wrestling team. Twelve young men and their two coaches are posed in two rows atop a wrestling mat in the school gymnasium. They are all dressed in matching light-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably basketball based on their outfits. Twelve young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching shiny jackets with PG on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably basketball based on their outfits. Twelve young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching shiny jackets with PG on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably track and field based on their outfits. Nine young men are posed standing on the bleachers in the school gymnasium. They are dressed in matching dark-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably track and field based on their outfits. Nine young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching dark-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a junior class at Parker-Gray High School. Approximately sixty students are posed in three rows on the grass in front of the school building. Photograph is undated, c.1960s","Black and white photograph of five Parker-Gray High School students in a car. A young man is posed in the driver's seat, in the passenger seat is a young woman wearing a headscarf, and in the backseat are three other young women. Photograph is undated, c.1960s","Black and white photograph of three Parker-Gray High School students. Three young women are posed standing in a row on a field. Two of the young women are wearing floral corsages pinned to their lapels and the young woman in the center of the group is holding a bouquet. Presumably they are a homecoming court, but the context of the image is not identified anywhere. Photograph is undated, c.1960s","Color photograph taken during the 2010 Parker-Gray School reunion. A man dressed in a brown polo shirt and khaki pants is seated next to a woman dressed in white pants and a blouse with a blue paisley pattern. They are both seated in front of tables and blue and white painted cement brick walls - the type of cement brick that is frequently found in American public school buildings. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman wearing a red collared dress, Norma J. Turner, is seated in front of a blue cement brick wall - the type of cement brick that is frequently found in American public school buildings. Photograph is dated 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women, including Norma J. Turner in the foreground of the image, are seated at a dinner table in what appears to be a restaurant or banquet hall. Visible in the background of the image are three other people who appear to be about to take their seats at another table, as well as, a bartender behind a bar. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at a dinner table in what appears to be a restaurant or banquet hall. Visible in the background of the image are other people seated at another table, as well as, a man ordering a drink from the bar. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at dinner tables in what appears to be a restaurant or banquet hall. In the foreground of the image is a man dressed in black pants, a white shirt, patterned tie, black suspenders, and glasses with a rose-colored tint. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at dinner tables in what appears to be a restaurant or banquet hall. In the foreground of the image is a man dressed in a grey suit, white shirt, and checkered tie; and a woman dressed in a pink, orange, and yellow dress with a sheer yellow jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a black dress with a floral print and a black blazer jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a purple dress and matching purple jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a pink dress and matching pink jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman wearing a white, lace blouse is seated in what appears to be a red booth. Photograph is dated 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is standing up from a dinner table with a red booth seat and looks as if about to give a speech. She is dressed in a sky blue jacket and matching sky blue pants, white blouse, and sky blue hat. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A man dressed in a grey suit, blue shirt, and blue tie is posed seated at a table. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman and man are standing up from a dinner table with a red booth seat and are posed in the midst of presenting a certificate. The woman is dressed in a sky blue jacket and matching sky blue pants, white blouse, and sky blue hat. The man is dressed in a tan suit, light-gray shirt, and patterned tie. Photograph is dated 22 August 2010","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a pink sweater is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a pink sweater is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a grey jacket and floral patterned blouse is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a green blouse with a patterned scarf tied around her neck is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man and a woman are seated in front of a window that looks out onto the street. The woman is wearing a white and grey striped jacket and blouse; the man is wearing a checkered suit jacket, white shirt, and striped tie. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a checkered suit jacket, white shirt, and striped tie is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a white shirt and white baseball cap is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a pink and white blouse, black suit jacket, and backwards black baseball cap is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a tan shirt is standing in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A laughing man wearing a patterned shirt is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white patterned blouse and white pants is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a black shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a yellow shirt, black patterned cardigan, and black headwrap is seated in front of blank whiteboard mounted on a white cement brick wall. A cane is leaning against the wall behind her. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white blouse over a black t-shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a blue and white patterned blouse and white baseball cap with a logo on it that reads, \"Parker-Gray 1920-1965\" is posed standing in what appears to be a classroom. Several other people are visible behind her in the background of the image. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black blouse is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a grey t-shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a red blouse is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white patterned blouse is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a white t-shirt, blue sweater, and holding a notebook is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple, black, and white patterned blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a pale green blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a striped brown suit jacket and pink shirt is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple blouse and white lace shrug is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Unfortunately the image file appears to be corrupted and the bottom half of the image is missing. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple, black, and white patterned blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2015 Parker-Gray School reunion event of Linwood Moses Smith and Sharon Jones Frazier. From left to right: a woman dressed in a purple turtleneck and purple cardigan; a man, Linwood Moses Smith, dressed in khaki pants, a grey zipped jacket under a denim jacket, a grey hat; a woman, Sharon Jones Frazier, dressed in a blue collared top under a tan trench coat. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event of McArthur and Nellie Quander. A man, identified as McArthur, dressed in denim pants, a checkered shirt, black windbreaker with the Free Masons logo on the front, and a brown hat walks with a woman using a mobility aid, Nellie Quander, dressed in a black top, black pants, and bright, red coat. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A candid photograph of three women and a man standing in the street, presumably outside the former Parker-Gray High School building, in the midst of conversation. Included in the group are Sharon Jones Frazier and Audrey P. Davis, Director of the Alexandria Black History Museum. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A portrait photograph of Audrey P. Davis, Director of the Alexandria Black History Museum, posed standing in the street in front of the former Parker-Gray High School building. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A candid photograph of five men standing in the street, presumably outside the former Parker-Gray High School building, in the midst of conversation. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. Seven men and women are posed next to the historic landmark sign noting the adjacent building as the former building of Parker-Gray High School. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A man and woman are seated in the middle of the audience during the celebration event. The man is wearing a blue and white striped shirt and tan suit jacket; the woman is wearing a brown quilted coat. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A man dressed in a grey suit, off-white shirt, patterned tie, and white baseball cap is walking down the street while utilizing a mobility aid. Photograph is dated 2015","Black and white photograph, class portrait of a group of Charles Houston Elementary School students. Approximately fifty children, along with two teachers, are posed standing in four rows on the steps in front of the entrance to the school. Photograph is undated, c.1950s","Black and white photograph, class portrait of the Room 6, Second Grade class at Charles Houston Elementary School in 1964. Twenty-eight children are posed in three rows with their teacher in what appears to be the school library. Two children in the center of the front row are holding a sign that reads, \"Charles Houston Alexandria, VA Grade 2 Room 6 1964.\" Photograph is dated 1964","Black and white photograph, class portrait of the Room 16, Fourth Grade class at Charles Houston Elementary School in 1964. Twenty-seven children are posed in three rows with their teacher in what appears to be the school library. Two children in the center of the front row are holding a sign that reads, \"Charles Houston Alexandria, VA Grade 4 Room 16 1964.\" Photograph is dated 1964","Digital surrogates of photographs from the family of Linwood Moses Smith. Related to the Jesurena Smith family photographs (ABFR-23-006)","Black and white photograph, portrait of a young girl standing posed outside in the grass. She is wearing a white top, white pants, and black sandals with white socks. It appears that the girl is in the yard next to a house; behind her are a brick wall and a large bush or shrubbery. Photograph is undated, c.1950s","Black and white photograph of a group of four young children. The children (a young girl, a young boy, and two toddlers) are outside in the grass, in what appears to be the yard next to a house. One of the toddlers is sitting in the grass while the two older children are each holding a hand of the second toddler while they attempt to stand on their own. It appears that the children are attempting to pose for the photograph, but have been captured in motion. Behind the children is a brick wall with two visible windows and the shadow of a large bush or shrubbery. Photograph is undated, c.1950s","Black and white photograph of a young woman and two very young children. The woman, dressed in black capri pants and a striped tank top, is posed standing outside in the grass in what appears to be the yard next to a house. She is holding a baby in her right arm while with her left holds the hand of a toddler standing next to her. The baby and toddler are both dressed in all white outfits. Behind the group is a brick wall with three visible windows and a large bush or shrubbery. Photograph is undated, c.1950s","Black and white photograph of three young children standing outside in the grass, in front of a short shrub. From left to right, a young boy dressed in a white short sleeved shirt, dark-colored shorts, and black sandals with white socks; a young girl wearing a tank top and shorts with matching printed pattern and tennis shoes; a young girl wearing a white top, white pants, and black sandals with white socks. The three children appear to be attempting to pose for the photograph but were captured either distracted or in motion. Photograph is undated, c.1950s","Color photograph of a woman seated on a couch which appears to be in the living room of a home. The woman is wearing a dark-colored coat and dark-colored dress. She is seated on a blue couch in front of a window with blue, patterned curtains. Unfortunately, the photograph is blurry and some details are hard to see. Photograph is undated, c.1960s","Black and white photograph of a group of five people posed standing in front of a striped tent. Unfortunately, the photograph was damaged and a large portion is missing from the right side of the image. From left to right, a woman wearing a light colored dress with a small, dotted pattern; a man wearing black pants, a white short-sleeved button-down shirt, and a light-colored hat; a woman wearing a striped dress; a young girl wearing a white dress and holding a doll; a man wearing a white shirt, but otherwise obscured by the missing piece. On the bottom edge of the photograph is a handwritten note that reads, \"Feeling might f--\" with the remainder of the note missing. Photograph is undated, c.1950s","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph of Maria, Jootsie, Wootchie, Jesurena [Smith], and Linwood [Moses Smith] (ABFR-23-004-025). Handwritten note which identifies the people in the photograph reads, \"Maria, Jootsie 13, Wootchie 10, Jesurena 8, Linwood 4\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Arnold J. Thammond as a baby (ABFR-23-004-029). Handwritten note which identifies the baby in the photograph reads, \"Arnold J. Thammond, age 4 months\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a man (John?) (ABFR-23-004-040). Handwritten note reads, \"Dear Jesus, please have mercy on John.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo of a family outdoors (ABFR-23-004-050). Handwritten note reads, \"Gen et al 5-29-83\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Same image as ABFR-23-006-022. Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a framed portrait drawing (ABFR-23-004-054). Typescript date stamp reads, \"JUL 92\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two young children in costume (ABFR-23-004-058). Typescript date stamp reads, \"MAY 93 9\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Linwood Smith and unidentified woman (ABFR-23-004-064). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs from the Coleman and Butler families.","Black and white photograph, portrait of a young woman, Lucy, standing posed in a doorway. She is dressed in a light-colored dress worn over a white shirt, a white collar, and a wide brimmed hat. The photo print is mounted in grey board and gold letters spelling \"LUCY\" are affixed to the board underneath the photograph. There is also printed typescript which reads, \"G.G. Donaldson, Washington, DC.\" Photograph is undated","Black and white photograph, candid photo of an oncoming parade headed down a residential street. Men are lined up on either side of the street, and five men are parading down the street toward the photographer. The man out front is wearing white gloves and carrying what appears to be a book. Photograph is undated","Black and white photograph of a group of people posed seated around a table with a microphone mounted on the ceiling and suspended over the middle of the table. They appear to be in a recording booth for radio or audio announcements. The man seated at the table in the middle of the group is dressed in United States military uniform and on the table in front of him are a stack of papers. Photograph is undated, c.1940s","Black and white photograph, portrait of a man and woman dressed for their wedding day. The bride is wearing a white wedding gown, veil, and pendant necklace and holding a bouquet. The groom is dressed in a dark-colored suit, white shirt, and dark-colored bowtie. A handwritten note in the bottom, right corner of the photo print reads, \"Murphy.\" Photograph is undated","Black and white photograph, portrait of a young woman who appears to be seated in front of a window. It is not clear whether she is actually seated in front of a window, or if this is a studio backdrop. She is dressed in a light-colored top with large buttons and a collar with a pleated trim. Photo print appears to have suffered some damage and wear. Photograph is undated","Black and white photograph, studio portrait of a young man. He is dressed in a dark-colored suit, striped tie, striped socks, dark-colored leather shoes, and a dark-colored fedora hat. He is posed seated on a bench with one knee tucked up onto the bench beside him. The background behind him is a painting of a bridge over a pond with ducks and swans swimming in it. Photograph is undated","A card with a printed calligraphy text which reads, \"Oliver Coleman, State Champion, Side Horse, 1967-68.\" It is unclear if this is related to the Studio portrait of a young man (ABFR-23-005-006)","Color photograph, candid portrait of a man and a woman. The woman is wearing a light-colored dress with an embroidered collar and cat-eye glasses. The man is dressed in a dark-colored suit, white shirt, striped tie, and glasses. They appear to be in someone's home and visible in the background of the image are the bottom of a staircase and an ornately carved wooden table with a book, cups, and an ashtray on top. Photograph is undated","Color photograph, studio portrait of a family posed in front of a navy blue backdrop. From left to right: a woman wearing a black dress; an older woman dressed in a red dress, pearl necklace, and glasses; an older man dressed in a black suit, white shirt, black tie, and glasses; a young woman wearing a white dress with a off-the-shoulder neckline and a pearl necklace; and a boy dressed in a black suit, white shirt, and purple satin bowtie. Photograph is undated","Color photograph of three men posed standing with their arms around each other. From left to right: a man dressed in khaki pants and a plaid shirt; a man dressed in khaki pants, bright blue shirt, and a black tie; a man dressed in khaki pants and a dark-colored shirt. Photograph is undated, c.2000s","Color photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right: a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; an older woman wearing a white dress and white floral corsage; an older man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a young woman wearing a white dress and white floral corsage; a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere. Photograph is undated","Black and white photograph, portrait of bride and groom surrounded by several friends and/or family. Centered at the front of the photo: the bride is wearing a white dress, white gloves, a white fascinator, and holding a bouquet in one hand and the hand of the groom with the other; the groom is dressed in a dark-colored suit, white shirt, dark-colored tie, and white boutonniere. Next to and behind the couple, from left to right: a man dressed in a dark suit, white shirt, and patterned tie; a young man whose outfit is obscured; a young woman whose outfit is obscured; a young man wearing a dark-colored suit, white shirt, and dark-colored tie; a woman whose outfit is obscured; a young woman wearing a dark-colored dress with buttons and a bow in her hair; an older woman in a light colored dress and corsage pinned to her lapel. Photograph is undated","Black and white photograph of a man and two women sitting at a desk in an office. A man is seated to the left of the desk and is dressed in a dark-colored suit, white shirt, and patterned tie. One of the women is seated behind the desk with her hands folded on top of the desk; she is dressed in a dark-colored top and jacket. The other woman is seated to the right of the desk and is dressed in a dark-colored skirt suit and white blouse. On the desk are a black telephone, two baskets with papers in them, a bound report or portfolio, and a pen holder. There is a filing cabinet visible in the background of the image. Photograph is undated","Black and white photograph, studio portrait of a woman posed in front of a blank, light-colored backdrop. She is dressed in a dark-colored dress or jacket over a white blouse. The image only depicts from her shoulders up. Photograph is undated","Reverse of Portrait photograph of a woman (ABFR-23-005-014). Handwritten notes read, \"6489\" and \"[illegible].\" A stamped typescript note reads, \"For your convenience the negative of this photograph will be kept on file. When reordering be sure you mentio the letters and numbers that follow 2-[blank], Murphy PO Trait Studio, Alexandria, Virginia.\"","Color photograph, portrait of a bride posed standing in a church sanctuary with three family members. From left to right: an older man dressed in a dark-colored suit, white shirt, burgondy tie, glasses, and white boutonniere; an older woman wearing a pastel blue dress, matching shoes, pearl necklace and bracelet, and white corsage pinned to her lapel; the bride dressed in a white wedding gown, pearl necklace and headband, and holding a bouquet of blue and white flowers; a man dressed in a dark-colored suit, white shirt, navy blue tie, and white boutonniere. Photograph is undated","Color photograph, portrait of a woman standing posed in front of a sage green curtain with a floral pattern. She is dressed in a tan dress, white glvoes, pearl necklace and earrings, white fascinator hat, and white floral corsage pinned to her collar and is holding a white handbag. Photograph is undated, c.1950s","Black and white photograph, portrait of a man seated in front of what appears to be a canvas tent. He is dressed in a light-colored shirt that is likely part of a military uniform, though no identifying insignia is visible in the image. Photograph is undated","Color photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right: a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman dresed in a sparkly, dark-colored dress and white floral wrist-corsage; an older woman wearing a white dress with a white floral wrist-corsage; an older man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman in a black skirt set with a white blouse and a white floral wrist-corsage; and a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere. Photograph is undated","Color photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right; a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman wearing a white dress with a white floral wrist-corsage; a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman dressed in a blue dress with a black and gold stoll draped over her shoulders, and a man in a dark-colored suit, white shirt, and grey tie. Photograph is undated","Black and white photograph, portrait of what appears to be a bride and groom standing posed in front of a decorative white backdrop and two potted plants. The woman is dressed in a white wedding gown, white gloves, and is holding a small bouquet. The man is dressed in a black tuxedo with a white shirt and white bowtie. Photograph is undated, c.1960s","Reverse of Wedding portrait photograph (ABFR-23-005-021). Handwritten note reads, \"1-4\"","Black and white photograph of a group of children of varying ages stood posed in what appears to be a church or banquet hall. From left to right; a young girl wearing a light-colored, striped dress; a young girl wearing a white dress; a young girl wearing a light-colored dress with a white celebretory sash across her shoulder; a young girl wearing a white dress; a young boy dressed in a dark-colored suit, white shirt, and striped bowtie; a young girl wearing a white dress; a young girl wearing a white dress with dark-colored polka dots; a young girl wearing a white dress. Photograph is undated, c.1950s","Reverse of Photograph of group of children (ABFR-23-005-023). Stamped typescript reads, \"Photo by Jackson, 528 N. Payne Street, Alexandria, Va. KI 9-8019\"","Black and white photograph of three women seated in chairs with three men standing behind them. Back row, from left to right: man wearing a light-colored suit, white shirt, and patterned tie; man wearing a dark-colored suit, white shirt, dark-colored tie, and white pocket square; man in a light-colored suit, white shirt, and patterned tie. Front row, from left to right: woman wearing a white dress; woman wearing a white dress, white arm wraps, and a floral corsage pinned to her collar; woman wearing a light-colored dress. They appear to be in a church recreation or banquet hall. Visible in the background of the image are a man eating seated at a long table with a white table cloth, a raised platform stage with chairs on it, a curtain behind the stage with what seems to be a large cross mounted as a backdrop. photograph is undated, c.1950s","Black and white photograph of a dozen men posed standing staggered in a line in front of what appears to be a concessions stand. All of the men are wearing suits and several also have white floral boutonnieres pinned to their lapels. Visible in the background of the image are a couple of women. Photograph is undated, c.1940s","Clipping from a newspaper featuring a black and white photograph of a group of people posed in an office with a caption underneath. Pictured in the photo are a young woman, a young man, and a man seated at a desk and posed looking at brochures. The man seated on the right is also holding the telephone as if in the middle of a call. Standing behind the seated trio and looking over their shoulders are two men and two women. All are dressed in business casual outfits c.1960s. According to the caption, the image depicts two college students, Marilyn Klug and Jim Rogers, who are starting positions with the Alexandria Office of the Virginia Employment Commission under a summer employment project of the Northern Virginia Board of Realtors' \"Make America Better\" Program. Also pictured in the image are G. Lewis Layne, Joanna M. Tanner, Ralph A. Wells, Oliver Coleman, and Eileen K. Levington. Clipping is undated, c.1960s","Black and white photograph of twenty-one men, women, and children posed standing in a church sanctuary in front of the pulpit. Visible in the background of the image are the choir loft, a staircase, and a banner hung behind the pulpit that reads, \"Home-coming, United We Stand, Divided We Fall.\" Photograph is undated, c.1950s","Black and white photograph of twenty-four men and women, posed in three rows. The men are all wearing dark-colored suits, white shirts, and dark-colored ties, with badges or medals pinned to their lapels. The women are all wearing matching white collared dresses, white gloves, and the same badges or medals pinned to their lapels. They appear to be in a church recreation hall and there is a wooden cross visible in the background of the image. Photograph is undated, c.1950s","Digital surrogates of photographs from the family of Jesurena Smith. The Newman family lived at 510 and 512 Pendleton Street in Alexandria, Virginia from 1928 until the 1970s. John Henry Newman moved from Burke, Virginia to Alexandria in the 1920s. Newman had two wives: Nannie Pounds Newman and Elizabeth Pounds Newman. Related to the Linwood Moses Smith family photographs (ABFR-23-004)","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Candid photograph of a wedding (ABFR-23-006-012). Stamped typescript reads, \"Henry's Camera Exchange, 722 King St., Alexandria, Virginia\" and \"Kodachrome Print, Made By Kodak, July 67R\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph from Angie's 50th birthday (ABFR-23-006-014). Handwritten note reads, \"Angie's Big 50, 3-28-09\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman in front of mobile home (ABFR-23-006-020). Handwritten note reads, \"To Shirl \u0026 Roger from fat-Black Ace - Age 43\"","Same image as ABFR-23-004-053. Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a framed portrait drawing propped up on a couch (ABFR-23-006-026). Typescript date stamp reads, \"JUL 92\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman holding a framed portrait drawing of a woman (ABFR-23-006-029). Typescript date stamp reads, \"JUN/02\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and ephemera from the family of Sharon Jones Frazier and her paternal grandmother, Carrie Jones Stevens. Carrie Jones Stevens originally lived in Palmyra, Virginia with her first husband, Albert Jones. Together they had three children - Shedrick (father of Sharon Jones Frazier), Ellen, and Annie. After Albert's death, she re-married Moses Stevens and the family moved to Alexandria, Virginia and lived at 1325 Cameron Street; this home remains in the family as of 2023. Ellen married Lawrence Butler and moved to Philadelphia, Pennsylvania. Annie and Shedrick both attended Parker-Gray School. Annie worked at the Carver Theater and Shedrick had a career as a plasterer","Clipping of an article and two black and white photographs from The Other Alexandria, \"Betty Garrett Scott: 'Memories of My Grandfather' by Char McCargo Bah","Black and white photograph, candid photo of a man walking on a cement patio in front of a brick wall and white door. He is dressed in a light-colored suit, white shirt, and glasses. Photograph is undated","Color photograph, portrait of a young woman, Sharon Jones Frazier, standing posed in a backyard. She is dressed in a light-colored blouse and skirt set. A brick building and a white stone fence are visible in the background of the image. Photograph is undated, c.1960s","Color photograph, portrait of a woman standing posed in a backyard. She is wearing a white collared dress with a pink and green floral pattern. A brick building, white stone fence, and green lawn furniture are visible in the background of the image. Photograph is undated, c.1960s","Black and white photograph, studio portrait of a man seated in front of a light-colored backdrop. He is dressed in a suit and tie. Photograph is undated","Black and white photograph of a young girl sitting on the grass in what appears to be a backyard or park. She is dressed in a light-colored Native American costume dress and band around her forehead with a single dark-colored feather sticking up in the back. Her hair is worn in pigtails. Lawn furniture is visible in the side of the image. The photo print has suffered some wear and damage and there is a vertical crease down the middle of the print which obscures some of the image. Photograph is dated \"February -8\" with a typescript stamp on the top edge of the print, the decade is obscured by the damage to the print but is mostly likely 1958","Black and white photograph of a young girl, Sharon Jones Frazier, posed standing in front of a brick wall. She is wearing a light-colored dress with a Peter Pan collar and a light-colored bow in her hair. A handwritten note on the photo print over the image identifies the little girl as \"Sharon.\" Photograph is undated","Black and white photograph, studio portrait of a young woman, Sharon Jones Frazier, seated in front of a blank backdrop. She is dressed in a white and light-colored collared shirt. A handwritten note on the photo print reads, \"To Mom, Love Sharon, 1972\"","Black and white photograph, studio portrait of a young woman, Sharon Jones Frazier, seated in front of a blank backdrop. She is dressed in a white nurse's uniform: white collared top and small white hat. Photograph is undated, c.1970s","Color photograh, studio portrait of two women and a small dog. Sharon Jones Frazier is dressed in a red collared dress and is standing posed with her hand on the shoulder of an older woman. The other woman is dressed in a black and white houndstooth dress, pearl necklace, and wire-rimmed glasses. She is holding an buff-colored Cocker Spaniel with a red collar. Photograph is undated, c.1990s","Color photograph of a young woman, Sharon Jones Frazier, and a man posed standing together in front of a dark, red wall and a potted plant. She is dressed in a white dress, white jacket, and red brooch pinned to her dress; she is carrying a black handbag. The man is dressed in a dark-colored suit, white shirt, patterned tie, glasses, silver cross necklace, and red brooch pinned to his lapel. Photograph is undated","Black and white photograph, portrait of a young girl posed standing in front of a dark-colored couch with white curtains behind it. She is dressed in a light-colored coat with a double-layered rounded flat collar, white gloves, white beret hat, and white cross-body handbag. Photograph is undated","Color photograph, studio portrait of a woman posed seated in front of a cream-colored backdrop. She is dressed in a cream-colored top and gold jewelry. Photograph is undated, c.1970s","Black and white photograph, studio portrait of a man posed seated in front of a light-colored backdrop with his hands folded in front of him. He is dressed in a houndstooth suit, white shirt, black tie, and badge-shaped lapel pin. Photograph is undated, c.1950s","Black and white photogrpah, studio portrait of a young woman posed sitting in front of a blank backdrop. She is dressed in a light-colored blouse. Photograph is undated, c.1940s","Reverse of Portrait photograph of a woman (ABFR-23-007-015). Stamped typescript reads, \"Stephen's Photographers, 1202 You St., N.W., Washington, D.C.\" Handwritten note reads, \"10336 R GT\"","Black and white photogrpah, portrait of a baby seated propped up against pillows on what appears to be a couch or armchair upholstered in a floral print. The baby is dressed in a white dress and white socks. Photograph is undated","Reverse of Portrait photograph of a baby (ABFR-23-007-017). Stamped typescript reads, \"Pease Photograph Washington, DC Ludlow 2517 Credit Please Photographers\"","Color photograph, studio portrait of a woman, Sharon Jones Frazier, posed seated in front of a dark-colored backdrop. She is dressed in a white blouse with a light blue satin notched collar and light blue satin trim on the breast pockets. Photograph is undated, c.1970s","Color photograph, studio portrait of a woman posed seated in front of a blue backdrop. She is dressed in a red blouse with floral applique, a gold necklace, and glasses. Photograph is undated, c.1980s","Color photograph, studio portrait of a woman, Sharon Jones Frazier, posed seated in front of a blue backdrop with a hand tucked loosely under her chin. She is dressed in a bright, red collared blouse, gold jewelry, and wire-rimmed glasses. Photograph is undated, c.2000s","Black and white photograph, studio portrait of a young woman posed seated in front of a light-colored backdrop. She is dressed in a patterned blouse with a bowtie collar and a pearl necklace. Photograph is undated, c.1940s","Black and white photograph, studio portrait of a young woman, Sharon Jones Frazier, posed seated in front of a light -colored backdrop. She is dressed in denim pants, a plaid shirt, and sweater vest. Photo print has suffered some wear and damage and there are sepia toned streaks across the image. Photograph is undated, c.1970s","Color photograph of four women seated in a corner booth at a restaurant. From left to right: a woman dressed in a blue striped skirt, blue blouse, and blue cardigan; a woman wearing a purple blouse; a woman, Sharon Jones Frazier, dressed in a blue and green patterned blouse; a woman dressed in a black top. Photograph is undated, c.2000s","Color photograph of two young girls posed standing together in a home. From left to right: a young girl wearing a yellow dress with a patterned skirt and yellow satin bow in her hair; a young girl wearing a blue and white patterned dress and holding a doll. Windows with red and white curtains and an interior doorframe to another room are visible in the background of the image. Photograph is undated, c.1950s","Color photograph of two young women, posed as if dancing and with their arms around each other's shoulders. The image is somewhat blurred. From left to right: young woman dressed in a white blouse tucked into a red pencil skirt; young woman dressed in a red and blue checkered dress and white cardigan. Photograph is undated, c.1960s","Color photograph, group portrait of six teenagers posed standing in a row in front of a school trophy case. There are three young women and three young men, presumably their escorts to a school dance or prom. The young men are all dressed in suits and the young women are all wearing light-colored dresses and gloves with floral corsages pinned to their dresses. One young woman is also holding a bouquet. Photograph is undated, c.1960s","Color photograph, group portrait of six teenagers posed standing in a row in front of a school trophy case. There are three young women and three young men, presumably their escorts to a school dance or prom. The young men are all dressed in suits and the young women are all wearing light-colored dresses and gloves with floral corsages pinned to their dresses. One young woman is also holding a bouquet. Photograph is undated, c.1960s","Black and white photograph of two girls standing in a backyard. One girl is posed with her arms crossed in front of her, frowning at the camera, while the other leans with her arm on the first girls' shoulder. Both are wearing light-colored dresses. Trees, an empty clothesline and part of a house are visible in the background of the image. Photograph is undated","Black and white photograph of two children posed standing in a backyard in the midst of Sharon Jones Frazier's birthday party. From left to right: a young girl, Sharon Jones Frazier, dressed in a light-colored dress with a floral pattern, Berta-style collar, and bow in the front; a young boy dressed in a dark-colored suit, white shirt, and black bowtie. Another young girl wearing a dress and a young boy seated in a chair are visible in the background of the image. Photograph is undated","Cover of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010) at Nix and Nix Funeral Home in Philadelphia, Pennsylvania.","Interior page of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page lists the program of events","Interior page of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page features the eulogy and family photographs","Back of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page features a quote from an unknown author dedicated to \"Our MomMom\"","Black and white photograph, group portrait of the Class of 1965 at Parker-Gray High School in Alexandria, Virginia. The students are posed on risers in 7 rows and are all dressed in their graduation caps and gowns. Photograph is dated 1965","Reverse of Group photograph of Parker-Gray H.S. Class of 1965 (ABFR-23-007-035). Handwritten note reads, \"Parker-Gray H.S. Class of 1965\"","Black and white photograph, studio portrait that was hand-colored using pastels. A portrait of an unidentified woman dressed in a white blouse or dress with a high collar that is fastened with a gold broach. Artwork is undated, c.19th century","Digital surrogates of photographs from the family of Charles Sias. Also included are photographs of Parker-Gray High School activities, students, social groups, and athletic teams","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of men standing on football field (ABFR-23-008-001). Typescript date stamp reads, \"July, 1980\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of men on a football field (ABFR-23-008-003). Typescript date stamp reads, \"July, 1980\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of men at a picnic (ABFR-23-008-006). Typescript date stamp reads, \"Jul 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of women at a formal dinner (ABFR-23-008-008). Typescript date stamp reads, \"Jul 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman and a man at a gathering (ABFR-23-008-010). Typescript date stamp reads, \"Jul 90 1\"","[Help us describe this image using our Community Description form at: https://bit.ly/ABFR-community-description]","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo at a beach (ABFR-23-008-014). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man standing on a football field (ABFR-23-008-016). Typescript date stamp reads, \"July, 1980\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man at a family gathering (ABFR-23-008-018). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo of an outdoor gathering (ABFR-23-008-020). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman and man sitting on lounge chairs (ABFR-23-008-022). Typescript date stamp reads, \"09/30/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of women sitting on a dock (ABFR-23-008-024). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of people sitting on a dock  (ABFR-23-008-026). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman in a kitchen (ABFR-23-008-028).  Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph outdoors (ABFR-23-008-030). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph outdoors (ABFR-23-008-032). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph outdoors (ABFR-23-008-034). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman standing by a swimming pool (ABFR-23-008-036). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of three men (ABFR-23-008-038). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman in yard (ABFR-23-008-040). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Mabel Price and unidentified man at formal event (ABFR-23-008-042). Typescript date stamp reads, \"07/06/05.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of woman and man at Parker-Gray High School class of 1965 reunion (ABFR-23-008-044). Typescript date stamp reads, \"JUL 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman (ABFR-23-008-046). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo at formal event (ABFR-23-008-048). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo at formal event (ABFR-23-008-050). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of people at a restaurant (ABFR-23-008-052). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Cherylene Rollerson and Beverly Wilhoit (ABFR-23-008-054). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Corliss and unidentified woman (ABFR-23-008-056). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of cake at Parker-Gray High School class of 1965 reunion (ABFR-23-008-058). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two women in kitchen (ABFR-23-008-060). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and women at gathering (ABFR-23-008-062). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photo of man in kitchen (ABFR-23-008-064). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photo of man in a park (ABFR-23-008-066). Typescript date stamp reads, \"JUL 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Walter at an event at the Alexandria Black History Museum (ABFR-23-008-068). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of three men at outdoor gathering (ABFR-23-008-070). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of woman at Parker-Gray High School class of 1965 reunion (ABFR-23-008-072). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of historic photographs and artwork from the family of D. Jason Wood. Included are 19th century charcoal portrait drawings and hand-colored photographs, 19th century photographic prints, and photographic prints from the early 20th century","Charcoal portrait drawing of an unidentified woman. She is dressed in a high-collared black dress or blouse with a bow at the neck; the image depicts the woman only from the shoulders up. The drawing has suffered some deterioration over time and portions of the image are damaged and missing pigment. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He has a mustache and is dressed in a black suit, white collared shirt, and black tie; the image depicts the man only from the shoulders up. The drawing has suffered some deterioration over time and portions of the image are damaged and missing pigment. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He has a \"salt-and-pepper\" mustache and is dressed in a dark colored suit, white collared shirt, and dark tie; the image only depicts the man from the shoulders up. The drawing has a tear in the upper, left corner that does not obstruct the portrait image. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He has a mustache and is dressed in a black suit, black buttoned vest, white shirt, and black tie; the image only depicts the man from the chest up. The drawing has suffered some environmental damage over time and the bottom, left portion of the drawing is missing, as well as some pieces from the top corners. There is also evidence of water damage and some portions of the image are missing pigment. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He is posed standing, holding what appears to be a rifle with a bayonet. He has a beard and is dressed in pants with suspenders, a long-sleeve shirt with a collar and buttons, a round hat or helmet, and what appears to be a handkerchief or piece of cloth tucked into his waistband. The drawing has suffered some environmental damage over time and is missing pieces from three corners, but the image is not obstructed. Portrait is undated, c. 19th century","Charcoal and ink portrait drawing of an unidentified woman. She is dressed in a high-collared black dress or blouse with a ring closure at the neck and a row of small buttons; the image depicts the woman only from the shoulders up. Portrait is undated, c. 19th century","Pastel portrait drawing of an unidentified woman. She is posed standing in front of an abstract, colored background. She is wearing a late 19th century style dress - a black dress with a high collar, corset, and long-sleeve fitted jacket and skirt with multiple draped layers and possibly a bustle. The dress is embellished with ruffles or lace at the edge of the sleeves and top layer of the skirt. Her hair is pulled back into a low bun. Signature in the bottom, right corner reads, \"N.B. Katze.\" Portrait is undated, c. 19th century","Pastel portrait drawing of an unidentified woman. She is posed standing next to a stone column wrapped in flowering vines and a flowering plant in a stone planter atop a stone pedestal with a decorative relief work of cherubs. She is wearing a bright blue, long-sleeve dress with high collar and black belt at the waist. The style and silhouette of the dress appears to be c. 1900. Signature in the bottom, right corner reads, \"Harris - Ewing.\" Portrait is undated, c. early 20th century","Hand-colored photographic print, portrait of an unidentified woman. She is posed seated, though the chair or stool is not visible. The woman is wearing a black and white pinstripe dress with long-sleeves, high collar, and large white jabot at the neck. Portrait is undated, c. 19th century","Pastel portrait drawing of an unidentified man. He has a mustache and long sideburns and is dressed in a black suit, black buttoned vest, white shirt, white tie, and boutonnière on his lapel. The image only depicts the man from the chest up. Portrait is undated, c. 19th century","Black and white pastel portrait drawing of an unidentified man. He has a white mustache and is dressed in a black suit, black buttoned vest, white shirt, and black tie. The image only depicts the man from the waist up. Portrait is undated, c. 19th century","Hand-colored photographic print, portrait of an unidentified man. The coloring appears to be watercolors and ink. He is posed standing outside in front of a fence and shrubbery. The man has a mustache and is wearing a light gray suit, white shirt, white tie. He is also holding a white and gray boater hat. Portrait is undated, c. late 19th century or early 20th century","Photographic print, portrait of an unidentified man. The man is posed seated. He is wearing a suit, dark colored vest, and white shirt. The man's hair and eyes have been outlined in ink; there are also ink dots throughout the image to accentuate areas of shadow. Portrait is undated, c. 19th century","Black and white photographic print, portrait of an unidentified man. The photograph depicts the man from the waist up; he appears to be posed sitting in front of a studio backdrop. The man is wearing a dark colored suit, white shirt, and dark colored tie. On the matting around the image is a stamp of a lion holding a sword and text that reads, \"Sol. Young, New York.\" Photograph is undated, c. 19th century","Black and white photographic print, portrait of Douglas wearing what appears to be a U.S. Army Air Corps summer uniform from the World War 2 era. The photograph depicts the man from the chest up; he is wearing a uniform shirt with epaulets, a tie tucked into the shirt, and a pilot helmet and goggles. The prop and wings insignia is pinned to his left lapel and there appears to be another insignia pinned to the right lapel, but it is not visible in the photo. On the matting around the photo is text that reads, \"Polk's Studio, Tuskegee Inst., Ala.\" Handwritten text on the bottom right corner of the photograph reads, \"To the Family, From: Douglas.\" Photograph is undated, c. 1930s - 1940s","Black and white photographic print, portrait of Doug wearing what appears to be a U.S. Army Air Corps uniform from the World War 2 era. The photograph depicts the man from the chest up; he is wearing a white shirt, black tie, formal uniform jacket, and peaked service cap with prop and wings insignia. Insignia are pinned to his jacket lapels; a U.S. pin on both top lapels and a prop and wings pin on both bottom lapels. On the matting around the photo is text that reads, \"Polk's Studio, Tuskegee Inst., Ala.\" Handwritten text on the bottom right corner of the photograph reads, \"To my devoted sister - Doug.\" Photograph is undated, c.1940s","Black and white photographic print, group portrait of a group of musicians. Eleven men are posed in two rows, the back row is standing and the front row are seated in folding chairs. Several instruments are arranged on the floor in front of the men; there are a variety of string instruments in the arrangement including a cello, violin, banjo, and several mandolins. The men are all dressed in dark colored suits, white shirts, and neckties (some are bow ties, some are long ties). Photograph is undated, c. 1900s","Digital surrogates of seven photograph albums from the family of Maurice Terrell. Albums include photographs, documents, and ephemera.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"63rd birthday June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two women (ABFR-23-010-135). Handwritten note reads, \"June 24th (97) (Wed.)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two women (ABFR-23-010-137). Handwritten note reads, \"June 24th (97) (Wed)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a man and woman (ABFR-23-010-144). Handwritten note reads, \"June 24th (97) (Wed)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Carl on a sidewalk in downtown Boston (ABFR-23-010-299). Handwritten note reads, \"Downtown Boston, Sunday, 9 May 76. To my sweet baby, Love always, Carl\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs from the Carter and Robinson families. Both families have been in Alexandria since the late 1860s.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and documents from the family of Dorothy Taylor. Included are photographs, a scrapbook, marriage and death certificates, and other documentation of family history.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Realtor listing of 1004 Cameron Street (ABFR-23-013-034).","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Certificate in lieu of lost or destroyed discharge certificate of Walter Thomas (ABFR-23-013-036). Hand written note reads, \"Walter Thomas grave 549 Arlington Cemetery\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Dorothy E. Knapper Taylor (ABFR-23-013-045). Handwritten note reads, \"Dorothy E. Knapper (Taylor)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of unidentified child and Dorothy Knapper in front of a building (ABFR-23-013-047). Handwritten note reads, \"Dorothy Knapper (Taylor) in white\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Beulah Priester and Dorothy Taylor in front of house (ABFR-23-013-049). Handwritten note reads, \"Beulah Priester and Dorothy Taylor Elks convention in Chicago\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Mat. And Dot. sitting outside (ABFR-23-013-052). Handwritten note reads, \"Mat. and Dot\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Dorothy Knapper Taylor (ABFR-23-013-054). Handwritten note reads, \"Dorothy Knapper (Taylor) age unknown\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Dorothy Knapper Taylor (ABFR-23-013-056). Handwritten note reads, \"Dorothy E. Knapper (Taylor)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Virginia Knapper, Ella Lomax, and Desiree Porter (ABFR-23-013-059). Handwritten note reads, \"Virginia Knapper, Ella Lomax, Desiree Porter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Nannie in Elks uniform (ABFR-23-013-061). Handwritten note reads, \"Nannie- Elks uniform\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Virginia Knapper and Desiree Irvin (ABFR-23-013-063). Handwritten note reads, \"Virginia Knapper Desiree Irvin\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Desiree Irvin and Virginia Knapper (ABFR-23-013-065). Handwritten note reads, \"Desiree Irvin and Virginia Knapper\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Virginia Knapper \"Nannie\" and unidentified man (ABFR-23-013-067). Handwritten note reads, \"Virginia Knapper (Nannie) and friends\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of woman (ABFR-23-013-069). Handwritten note reads, \"Dec. 26, 1952 Nannie?\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Ruby Lomax and James Young (ABFR-23-013-071). Handwritten note reads, \"Ruby Lomax and James Young\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Lena Jackson and Virginia \"Nannie\" Knapper (ABFR-23-013-073). Handwritten note reads, \"Lena Jackson and Virginia Knapper (Nannie)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Dorothy \"Momma Dot\" Taylor and Desiree Irvin (ABFR-23-013-077). Handwritten note reading, \"Dorothy Taylor\" is crossed out. Additional handwritten note reads, \"Momma Dot, Desiree Irvin\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Mattie Tyree, Edna Jones, Virginia Knapper, Eudell Bartee, and unidentified people (ABFR-23-013-078). Handwritten note reads, \"Mattie Tyree Edna Jones Virginia Knapper Eudell Barte.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of James Knapper (ABFR-23-013-081). Handwritten note reads, \"Uncle Jim (James Knapper)\" \"Momma Dat's uncle (Pennsylvania Station\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a house (ABFR-23-013-084). Handwritten note reads, \"Mother Dear's house\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of three women (ABFR-23-013-087). Handwritten note reads \"I don't know, I don't know, Mother Dear\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Helen Brown and Emma Thomas (ABFR-23-013-089). Handwritten note reads, \"Helen Brown and Mother Dear (Emma Thomas)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Emma Thomas, four unidentified people, unidentified baby (ABFR-23-013-091). Handwritten note reads, \"Mother Dear\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Ella Lomax (ABFR-23-013-093). Handwritten note reads, \"Ella Lomax\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Adeline Hughes and husband (ABFR-23-013-095). Handwritten note reads, \"Adeline Hughes and husband\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of two women and a man (ABFR-23-013-100). Typescript date stamp reads, \"04/30/22\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Family group portrait (ABFR-23-013-102). Typescript date stamp reads, \"04/30/22\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph of Earl Lloyd and unidentified men standing in a gym (ABFR-23-013-142). Handwritten note reads, \"Earl Lloyd, Missing (Rozier Ware)- Hoodley Windy's dad\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph of the Alexandria Rams football team (ABFR-23-013-145). Handwritten note reads, \"Rams football team, Donald Taylor top row third from left #\"","Digital surrogates of materials documenting the history of the Hamilton and Carrie Gray Family. The Gray Family has been apart of the Black community in Alexandria and Gum Springs since the 19th century. Included are family reunion books, photographs, ephemera, a pastel portrait drawing, and other documentation of family history.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and ephemera from the family of Bernice Lee.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and ephemera from the Cross family","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Wendy Lucas (ABFR-23-020-002). Handwritten note identifies the girl in the image as \"Wendy Lucas\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a backyard family gathering (ABFR-23-020-018). Date stamp reads, \"SEP 1984\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a backyard family gathering (ABFR-23-020-020). Date stamp reads, \"SEP 1984\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group portrait taken at a formal event (ABFR-23-020-028). Handwritten note reads, \"Top of Poem \"Our Family's Love\", Bea Taylor\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a house (ABFR-23-020-030). Handwritten note reads, \"Front of Home.\" Date stamp reads, \"JULY 2002\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Lydia Cross Jones and Eleanor Cross Winbush (ABFR-23-020-033). Handwritten notes read, \"To Bea \u0026 John, this was taken Dec 3rd 1988\" and \"Lydia Cross Jones, Eleanor Cross Winbush.\" Typescript stamp reads, \"Photography by Herbert D. Spears, 7012 Lamp Post Lane, Alexandria, VA 22306, 703-768-6395\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Goff, Haywood, and Bernice (ABFR-23-020-059). Handwritten note reads, \"Goff, Haywood, Bernice.\" Typescript stamp reads, \"When this photograph is used please credit Michael L. Smith\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Lydia (ABFR-23-020-064). Handwritten note identifies the girl in the photo as \"Lydia.\" Typescript stamp reads, \"Pease Photograph, 3728 Hayes St NE, Washington, DC, Lincoln 7 5319\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Daisy P. Cross (ABFR-23-020-071). Handwritten note identifies the woman in the photo as \"Daisy P. Cross\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of materials documenting the history of the Carter Family. Included are photographs, drawings, and paintings","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note in the bottom corner of the photograph reads, \"To Paul, Love Ann\"","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Douglas","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Bernard\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Bernard\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Frederick\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Paul, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Lawrence, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Lawrence, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Lawrence, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Chrystal\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Chrystal\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Chrystal\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of David\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Alfred\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Alfred\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Alfred\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of materials documenting the Alexandria-Mount Vernon Chapter of Jack and Jill of America, Inc and their annual Founders Day celebrations","Excerpt of three pages from a newsletter, program, or informational pamphlet about Founders Day 2023 of the Alexandria-Mount Vernon Chapter of Jack and Jill of America. Excerpted pages include a photograph and roster of the founding members of the chapter; letter to members from Elena Neely, Chapter President in 2023, a history of the chapter, and a 2023 group portrait of the members. Document is dated 2023","Informational and promotional video made for the 55th Anniversary and Founders Day of the Alexandria-Mount Vernon Chapter of Jack and Jill of America. Video gives a brief history of the chapter and information about the organization and its mission, activities, and member statistics. This information is conveyed primarily through audio narration. The narration is accompanied by a slideshow of photographs. There is also background music playing throughout the video. Video is dated 2021","Digital surrogates of photographs, documents, and newsclippings from the family of Shirley Ann Sanders-Steele.","Black and white photograph of Joe Ann Sanders-Smith standing in front of a wrought iron gate in front of the Governor's mansion in Richmond, VA. She is wearing summer clothing. She holds sunglasses in one hand, her other hand on her hip. Joe Ann is smiling for the camera. Photograph is dated November 1957","Reverse of photograph of Joe Ann (ABFR-23-024-001). Handwritten note reads \"My sister in law Joe Ann, Gov's mansion Richm.\" An additional handwritten note beneath this text is obscured by a black marking and is illegible. Photograph is dated November 1957","Color photograph of three women in formalwear seated at a dinner table laid with matching dishware, drinkware, and utensils. At each place setting on the table stands a fruit-based dessert in a cocktail style serving glass. Photograph is dated 1985","Reverse of photograph of three women seated at formal dinner (AFBR-23-024-003). Typescript stamp dates photo to October 1895","Color photograph of Aunt Lil and her niece, Shirley Ann Sanders, in proper attire. They are posed in front of a painted backdrop depicting a lake scene, smiling at the camera. Aunt Lil is standing and has her arm draped over the shoulders of Shirley Ann, who is seated. Photograph is undated, c. 1980s","Reverse of photograph of Aunt Lil and her Shirley Ann Sanders (ABFR-23-024-005). Handwritten note reads \"Aunt Lil + me.\" Photograph is undated","Blurry color photograph of Shirley Ann Sanders, smiling in a long coat standing in the snow-covered yard of a brick building. In front of her sits a dog on a leash, which the woman holds. Photograph is undated","Reverse of photograph of Shirley Ann Sanders on snowy lawn with dog (ABFR-23-024-008). Handwritten note reads \"1713 Price St, Alex Va, 1965-2001, My dog.\" Photograph is undated","Color photograph of a group of children holding balloons of various colors in a living room. In the left of frame, an adult woman seated near a coffee table looks on. Photograph is dated January 1959","Reverse of photograph of Tyrone and Angela's birthday party (ABFR-23-024-009). Handwritten note identifies the birthday celebrants as Tyrone and Angela. Photograph is dated January 1959.","Color photograph of a rectangular cake on a table with two chairs in the background. The left half of the cake, decorated with blue frosting, a cactus, and cowboy figurines, reads \"Happy Birthday Tyrone.\" The right half, pink with a ballerina in white silhouette, reads \"Happy Birthday Angela.\" The photograph is dated January 1959","Reverse of photograph of Tyrone and Angela's birthday cake (ABFR-23-024-011). Handwritten note reads \"Birthday Party, Tyrone (3) Yr + Angela (2) Ys, Jan 1959, At my mothers, 812 N Alfred St.\" Photograph is dated January 1959","Black and white photograph of young Kirk in a white graduation cap and gown, facing the camera. The pews are filled with similarly dressed children, facing the nave. Photograph is undated","Color photograph of young Kirk in white graduation cap and gown on a city sidewalk. Parked cars are visible on the street behind, and power lines stretch across the cloudless sky.","Reverse of photograph of Kirk on the sidewalk on the day of his kindergarten graduation (ABFR-23-024-014). Handwritten text reads \"Kirk Graduation from kindergarten, June-1964 Ebenezer Baptist Church.\" Photograph is dated June 1964","Black and white photograph of Helena with six children of various age in front of her, seated in two rows of three. Nearest to her, from left to right, are Angela, baby Diane, and Tyrone, and in the front row, from left to right, are Ricky, April, and Buttons. Behind the gathered family stand furniture pieces which hold books, small sculptures, and a lamp. Photograph is undated, c. 1960s","Reverse of photograph of Helena in her home with her grandchildren (ABFR-23-024-016). Handwritten text identifies each subject by name and identifies Helena's home address.","Black and white photograph of Helena Lindsey, seated to the right of the frame. To her left are her grandson Buttons as well as Michale Lee and Aaron, a pair of cousins. The subjects are dressed in casual clothes and regarding the camera. Photograph is undated, c. 1970s","Reverse of photograph of Helena at Aunt Lil's house with three boys (ABFR-23-024-018). Handwritten text lists the subjects' names and identifies Aunt Lil's home address. Photograph is undated, c. 1970s","Color photograph featuring Odessa Steele (left), wearing dark silky outfit and dangling earrings, with a city councilwoman (right) who wears a red blazer. The two women are depicted from the shoulders up in front of a dark indoor background. Photograph is dated Depember 1990","Reverse of photograph of Odessa Steele with city council member at the Departmental Club (AFBR-23-024-020). Handwritten text reads \"Lady on city council + my sister at the Departmental Club, Bro + Sis Odessa Steele's 50th Wedding Annversary.\" Typescript stamp dates photo to December 1990","Color photograph of three women seated side-by-side at an indoor banquet table. The table is set with a white tablecloth and spread with various foods on decorative white plates. The woman on the left, Bessie Sanders-Gambrell, wears a floral hat and a corsage. The woman in the middle, Shirley Ann Sanders, is the youngest and wears a red dress with long sleeves. The woman on the right, Virginia Zellars Martin, wears a headwrap and has her arm draped over Shirley Ann's shoulders. Another figure's arm is visible in the left of the frame. Photograph is dated May 1984","Reverse of photograph  of Bessie Sanders-Gambrell, Shirley Ann Sanders, and Virginia Zellars Martin at a Mother's Day banquet (ABFR-23-024-022). Handwritten text identifies the three women in the photo and the nature of the gathering they attend. Typescript stamp dates photograph to July 1984, but event depicted in photograph occured in May 1984","Color photograph of Bessie Sanders-Gambrell in a brimmed hat with flowers, a corsage pinned to her black blazer. Her daughter-in-law, Shirley Ann Sanders, stands behind her between a microphone stand and a large, curtained window. On either side of them sits a woman facing out of frame, her features obscured. Photograph is dated May 1984","Reverse of photograph of Bessie Sanders-Gambrell and Shirley Ann Sanders at Mother's Day banquet with two other women (ABFR-23-024-024). Handwritten text reads \"Mothers Day Banquet May 84, My mother-in-law Bessie was given special honors for the letter I wrote in about her, She gave me the dress I wore.\" Typescript stamp dates development of photograph to July 1984","Color photograph of Shirley Ann Sanders wearing a black, calf-length skirt, lacy white shirt, red corsage, and white hat. She stands with hands folded behind her back, smiling at the camera. Behind her are white houses in a suburban neighborhood. The grass is yellowing, and a bush adjacent to Shirley Ann is bare of leaves. Photograph is dated March 1984","Reverse of photograph of Shirley Ann Sanders standing outside of a house (ABFR-23-024-026). Typescript stamp dates development of photograph to March 1984","Color photograph of 16 men posing in three rows, the frontmost of which is seated. They wear black suits, white gloves, and sober expressions. Each holds blue and white Masonic paraphernalia, and some wear livery collars. The man in the center of the front row holds a gavel. Photograph is dated September 1987","Reverse of photograph of men in Masonic regalia (ABFR-23-024-028). Typescript stamp dates photograph to September 1987","Color photograph of Shirley Ann Sanders (left) and Lalon Sanders, Jr. (right) in formalwear, seen from the torso up. In the dimly lit background, other figures sit at tables. Photograph is dated November 1983","Reverse of photograph of Shirley Ann Sanders seated beside Lalon Sanders, Jr. (ABFR-23-024-030). Handwritten note identifies subject by name. Typescript stamp dates photograph to November 1983","Color photograph of five people seated at a table on a boat, smiling at the camera. The table is set with white coffee mugs, small lamps, and cut-glass goblets. Behind them, a window overlooks a sunlit view of a river lined with trees. At least one other diner seated at a table can be seen. Photograph is dated to 5 November 2003.","Reverse of photograph of seated diners in a riverboat (ABFR-23-024-032). Typescript stamp dates photograph to5  November 2003","Color photograph of a Lee Roy Steele wearing a white suit, white brimmed cap, and identification badge. He has a gray moustache and glasses, and he stands to the left of a red sign on a wooden post that reads \"RESERVED PARKING, HPIP STEELE.\" Photograph is undated","Color photograph of four women standing side by side in a living room, arms behind one another's backs. The woman on the left wears loose green garments. The woman second to the left wears a t-shirt bearing the album cover for Yanni: Live at the Acropolis. The woman second to the right wears a striped yellow dress. The rightmost woman wears a light gray matching set. Behind them, a wedding photo is mounted on the wall, and the entrance to an adjoining room is in view. Photograph is undated","Color photograph of a sheet cake covered in white frosting and piped floral frosting motifs. Text on the cake reads \"Happy 80th Birthday Bessie, we Love You.\" Photograph is dated 2 June 1995","Reverse of photograph of Bessie's birthday cake (ABFR-23-024-036). Handwritten note establishes the date of Bessie's party. Photograph is dated 2 June 1995","Color photograph depicting three men in formalwear standing in a church for a wedding. The men are, from left to right, Ernest Thomas (best man), Willian Thomas \"Buttons\" Holt, Jr. (son of the bride), and Vernon Carl Cooper (groom). Behind them are floral arrangements and a stained glass window. Photograph is dated 11 January, 1997","Reverse of photograph of best man, son of bride, and groom in church for wedding ceremony (ABFR-23-024-038). Handwritten note identifies photo subjects and date of capture. Photograph is dated 11 January, 1997","Color photograph of Joe Ann Sanders-Smith with her arm around the waist of Crystal, her daughter. Both wear light colors and beaded necklaces, and they smile at the camera. In the background a crowd of casually dressed people stand with their backs to the camera. Against the far wall, balloons float. Photograph is dated 4 June 2005","Reverse of photograph of Joe Ann Sanders-Smith and Crystal at a gathering (ABFR-23-024-040). Handwritten note identifies the two women. Photograph is dated 4 June 2005","Color photograph depicting two men, a young child, an elderly woman, and an adult woman in a sitting room. The men, child, and elderly woman are seated, while the other woman stands and leans inward to pose with them. Behind them is a door with decorative panelling and a framed image of Jesus. Photograph is dated December 1984","Reverse of photograph of intergenerational group in house (ABFR-23-024-042). Non-character pen marking appears on center of page. Typescript stamp dates photograph to December 1984","Color photograph of Steele seated in an armchair in a house, enjoying candy. In his breast pocket he has white paper and a ballpoint pen, and a TV remote sits on the chair's arm beside him. Behind him hangs a globe and a white curtain. An door in the background opens on a kitchen. Photograph is dated 2 August 2006","Reverse of photograph of Steele in armchair with a cane (ABFR-23-024-044). Handwritten note supplies the date and reads \"Bro Steele sitting in his rocking chair enjoying candy.\" Photograph is dated 2 August 2006","Color photograph of Angela Sanders, seen from behind with arms outstretched in the motion of conductor. Before her, near a lectern, stands an arc of seven singers. On the right of the frame, a child peers out from one of many white pews. Photograph is undated","Reverse of photograph of Angela Sanders leading the choir at Emmanuel Temple (ABFR-23-024-046). Handwritten note reads \"Angela Sanders at Emmanuel Temple SDA, Leading the choir.\" Photograph is undated","Color photograph set in Emmanuel Temple Seventh-day Adventist Church depicting a row of young singers in white shirts and black lowerwear. In the foreground, Angela Sanders is seated in the pews, pointing at the choir. A sign overhead reads \"TOGETHER for A FINISHED WORK.\" Photograph is undated","Reverse of photograph of Angela Sanders and choir on Emmanuel Temple's Youth Day (ABFR-23-024-048). Handwritten note reads Youth Day at Emmanuel Temple, Angela leading choir, Left to right Candance Stephens, Ericka Jones, Alexcia Thomas, Zanita Watson, ? Wilhoit, Quaina Williams, Susie Bostick-Usher.\" Photograph is undated","Color photograph of a woman dressed in a blue plastic poncho with a white graphic of a boat and the text \"MAID OF THE [illegible, presumably MIST] SINCE 1846.\" She smiles and waves at the camera while a group of other spectators in similar attire stand in the background. Photograph is dated July 2000","Reverse of photograph of woman in blue plastic poncho at Niagara Falls (ABFR-23-024-050). Handwritten note reads \"Nigara Falls July 2000, Gen Conf\" [This is likely a reference to the 57th Adventist General Conference held in Toronto, Canada]. Typescript stamp dates photo to July 2000","Color photograph of Lee Roy Steele dressed in a suit and tie at an Alexandria City Police Department event, a sheet of paper and a plastic cup in his hands. He stands in front of a dark blue backdrop, at the top of which is a partially obscured banner that reads \"[text obscured]A POLICE DEPARTMENT.\" On the floor, to Steele's left, is a sign decorated by an insignia bearing the seal of the City of Alexandria and the text \"Citizens' Police Academy Association.\" Photograph is dated November 1999","Reverse of photograph of Lee Roy Steele at the Citizens' Police Academy (ABFR-23-024-052). Handwritten text reads \"The love of my life, Mr Lee Roy Steele, Alex Police Citizens Academy.\" Typescript stamp dates photograph to November 1999","Color photograph of a large group of birthday celebrants ranging in age from children to seniors. They are arranged in five rows, smiling for the camera. Behind them is one façade of a brick house and a tree wrapped with streamers. A lawn, parked cars, and another brick house are visible in the background. Photograph is dated 2 June 2005","Reverse of photograph of birthday gathering in Teri's yard (ABFR-23-024-054). Handwritten note reads \"Grandma Bessie's 80th Birthday June 2, 1995 at Teris house (yard)\"","Color photograph of two men in a living room in the process of tending to a medical device. The older of the two men, seated in a red chair, looks down at the tube hanging from his bony, exposed chest. In the left of frame, the younger of the men, looking over his shoulder at the camera, holds an indeterminate object as if to apply it to the chest. Photograph is undated","Color photograph of Joe Ann Sanders-Smith and her daughter, Crystal, locked in an embrace in a grassy suburban yard during Grandma Bessie's 80th birthday party. Behind them is another party attendee tending to a barbecue and two others. Photograph is dated 2 June 2005","Reverse of photograph of Joe Ann Sanders-Smith embracing Crystal at Bessie's 80th birthday party (ABFR-23-024-057). Handwritten note identifies the event depicted, date, and names of photo subjects. Photograph is dated 2 June 2005","Color photograph of Lee Roy Steele seated at a small table in a paved yard adjoining a brick house. The table is lain with a tablecloth, a pitcher of orange juice, a bottle of pancake syrup, and various plates with leftover food scraps. Photograph is dated July 2000","Reverse of photograph of Lee Roy Steele seated after an outdoor meal (ABFR-23-024-059). Typescript stamp dates photograph to July 2000","Color photograph of Lee Roy Steele and Shirley Ann Sanders-Steele seated at Kirk's house during Linda's 55th birthday party. His arm is over her shoulder, and behind them is a pair of fully extended white window blinds. Photograph is dated June 2008","Reverse of photograph of Lee Roy Steele and Shirley Ann Sanders-Steele at Linda's 55th birthday party (ABFR-23-024-061). Handwritten note reads \"Linda's 55th, At Kirk's house her birthday party June 2008, Lee Roy Steele, Shirley Ann Sanders-Steele.\" Photograph is dated June 2008","Color photograph of  Lee Roy Steele and Shirley Ann Sanders-Steele lying on a beige reclining couch with their legs extended. Behind them is a half-wall topped with various jars and knick-knacks, and other partygoers surround a kitchen table. Photograph is dated June 2008","Reverse of photograph of Lee Roy Steele and Shirley Ann Sanders-Steele on reclining couch at Linda's 55th birthday party (ABFR-23-024-063). Handwritten note identifies the date, event depicted, and identities of photo subjects. Photograph is dated June 2008","Color photograph of two young cousins, William Thomas Holt and Tyrone Sanders, wearing matching white graduation regalia and black bowties. They stand on a sidewalk in front of bushes and the wall of a building. Photograph is undated","Reverse of photograph of William Thomas Holt, Jr. and Tyrone Sanders at kindergarten graduation (ABFR-23-024-065). Handwritten note reads (My nephew — William Thomas Holt, Jr, my son Tyrone Sanders Graduating from Mrs Ethel Nelsn Kindergarten\" [Note: Ethel Nelson worked as a teacher in Alexandria, Virginia]. Photograph is undated","Black and white clipping with text detailing a written exchange between Lillian Lamb, a cashier at Giant grocery, and Esther Peterson, a prominent consumer advocate, about Giant Lemon Spray Wax. The clipping contains a section of a photo of a grocery store aisle and a complete photo of Lillian Lamb, seen from the waist up. Clipping is undated","Color clipping of an obituary for Lee Roy Steele. Printed text identifies his dates of birth and death and reads \"Gone but not forgotten. He sleeps in Jesus. Your loving wife, Shirley Ann Sanders Steele, Your son, Robert Lee Steele.\" Clipping is dated 23 September 2021","Black and white photograph depicting a group of people standing by a table on which five polaroid photos are strewn. Photograph is undated","Black and white photograph depicting two women in dresses standing on either side of a small artifical Christmas tree. Photograph is undated","Black and white photograph of Sarah Strother in a white graduation cap and gown. She clutches a book to her chest. Behind her is a brick wall. Photograph is dated June 1977","Color photograph of a group of children holding balloons of various colors in a living room. In the left of frame, an adult woman seated near a coffee table looks on. [Note: This photo is a duplicate of ABFR-23-024-009.] Photograph is dated January 1959","Color photograph of a woman in a fur-lined coat seated on a lawn chair in a yard thickly covered by snow. She holds a long, pole-shaped implement, likely a showshovel, in one hand. Photograph is undated","Color photograph of three women wearing pink, long-sleeved semiformal dresses In an unadorned room. In front of them and to the right is a wooden tabletop, and behind them to the left is a gray door. Photograph is undated","Color photograph of Pat Steele and Robert Steele wearing leis and shirts with floral, tropical prints. Wooden railing stands at waist height on either side of the couple. Behind them is the ocean and a dark blue sky. Photograph is undated","Reverse of photograph of Pat and Robert Steele on a boardwalk (ABFR-23-024-075). Handwritten note identifies names of photo subjects. Photograph is undated","Black and white photograph of Sarah Strother in a white graduation cap and gown. She is seated in the front row of a configuration of stadium seats. To the right sit Strother's husband and two other unidentified people. The seats are otherwise unoccupied. Photograph is dated June 1977","Reverse of photograph of Sarah Strother, her husband, and other students at T. C. Williams Adult Education graduation (ABFR-23-024-077). Handwritten note identifies Strother and her husband, event depicted, and date. The note indicates that at least one of the unidentified figures is also a student. [Note: T. C. Williams High School has been renamed to Alexandria City High School.] Photograph is dated June 1977","Black and white photograph of James Wheeler from the torso up. He wears a white collared shirt, necktie, and captain-style hat. Photograph is undated","Reverse of photograph of James Wheeler (ABFR-23-024-079). Handwritten note reads \"Uncle James Wheeler, My Mothers brother, He.\" Photograph is undated","Collage of color photographs showing two individuals at three different formal events. The topmost image shows the pair, a woman and a man, seated at a dinner table set with a tablecloth, glass goblets full of water and other beverages, multiple plates, and a basket of bread rolls. Other seated diners are visible in the background. The two lower photographs depict the couple side-by-side at two different church altars. In the leftmost of these two church photos, the woman wears a calf-length white dress, while in the rightmost photo, she wears a floor-length white gown with lace designs and a white tulle veil. Handwritten captions read \"[Illegible, possibly Ruth] + Mr Bodz, I love you two\" and \"There are the photos I had put in the alumni book [arrows indicate the two church photographs].\" Photographs are undated","Marriage certificate featuring handwritten text in a fill-in-the-blank template to indicate the marriage of Joseph Wheeler and Miss Annie Virginia Lee, both of Alexandria, Virginia. Printed images of red roses and other foliage decorate the page. Certificate is dated 26 February 1920","Reverse of marriage certificate for Joseph Wheeler and Annie Virginia Lee (ABFR-23-024-082). The certificate features handwritten text in a fill-in-the-blank template to indicate the location and date of the couple's marriage. Printed images of red roses and other foliage decorate the page. Certificate is dated 26 February 1920","Black and white print of a military discharge document indicating the honorable discharge of Private James E. Wheeler from the Army of the United States. Document is dated 9 April 1946","Reverse of  military discharge document for James E. Wheeler (ABFR-23-024-084). Typrescript text describes personal data, military history, pay data for James E. Wheeler. Document is dated 9 April 1946","Black and white photograph of young Shirley Ann Gilliam in a puffy gown and large tiara, seated with feet crossed and hands on her lap. Handwritten note reads \"May Oueen [Queen] Charles Houston 1952, Shirley Ann Gilliam\" [Likely in reference to Charles Houston Elementary School]. Photograph is dated 1952","Collage of three black and white photographs and scans of the front and back of a retirement identification card. The photo in the upper left corner shows a woman in a white dress seated on an armchair in a living room. Typescript caption dates this photograph to May 1960. The photo in the lower left corner shows Aunt Lil and a younger sister, May, standing in the yard of a house. Typescript caption identifies the subjects of the photograph by name. Photograph is undated. The photo in the upper right corner shows James E. Wheeler in military attire against a solid background from the torso up. Typescript caption identifies him as \"James E. Wheeler, big brother.\" Photograph is undated but was likely taken before 1946. The front and back of a retirement identification card issued by the United States Treasury Department to George E. Lee occupies the lower right corner. The card displays Lee's photo portrait, signature, retirement date, and length of government service. Card was issued 31 October 1962. Collage is undated","Collage of three black and white photographs, the same three photographs seen in ABFR-23-024-087 and in similar placements on the collage backdrop. The photo in the upper left corner shows a woman sitting on a chair in a living room. Typescript caption dates this photograph to May 1960, and a handwritten note identifies the woman as \"my mom.\" The photo in the lower left corner shows two young women standing in a yard. Typescript caption identifies the subjects of the photograph as Aunt Lil and May, a little sister. Handwritten note reads \"May died.\" Photograph is undated. The photo in the upper right corner shows James E. Wheeler in military dress. Typescript caption identifies him as \"James E. Wheeler, big brother.\" Handwritten note identifies Wheeler as \"my mom's brother.\" Photograph is undated but was likely taken before 1946. Collage is undated","Reverse of collage of family photos with handwritten clarifications (ABFR-23-024-088). Handwritten note reads \"Annie Lee Wheeler Descants.\" Collage is undated","Collage of two black and white photographs with handwritten captions. The photograph on the left shows the head and shoulders of a woman wearing a white collar and hoop earrings. Her lips are slightly parted in a subtle smile, and her hand is raised as if to wave. Handwritten caption identifies her as Shirley Ann Gilliam. The photograph on the right shows the head and shoulders of a man in a gray suit jacket with close-cropped hair. Handwritten caption identifies him as Lalon Sanders, Jr. Photographs and collage are undated","Albert Gallaton Award granted to George E. Lee by the United States Treasury Department. The page is a yellowed manilla color, and in the center of the page, the Treasury Department's seal appears in a darker yellow. The words \"United States Treasury Department\" appear at the head of the page in a blackletter typeface. Beneath this heading is an engraving of Albert Gallatin's head and shoulders and, in a cursive typeface, an explanation that the award recognizes Lee's years-long term of service for the Treasury. The bottom of the page bears the signature of Douglas Dillon, then Secretary of the Treasury Department. Award is dated 6 September 1962","Clipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 7,\" and the title reads \"PREPARING FOR COMPANY'S COMING.\" The upper section of the page is occupied by three black and white images of Giant staffers from Fairfax, Virginia cleaning the store. The lower part of the page contains rhyming verse written by Giant staffers for their corporate executives by Giant employees. Clipping is undated","Page from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 8,\" and the title reads \"Company's coming.\" The page contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Reverse of ABFR-23-024-092. Periodical extract is undated","Clipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 17.\" The page contains a continuation of the \"Company's coming\" article introduced on page 7 of the magazine (ABFR-23-024-091). It contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Clipping is undated","Clipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 18.\" The page contains a continuation of the \"Company's coming\" article introduced on page 7 of the magazine (ABFR-23-024-091). It contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Reverse of ABFR-23-024-094. Clipping is undated","Digital surrogates of photographs from the Colbert, Johnson, and Terrell Families.","Color photograph of four people standing side-by-side in semiformal dress. On the far left of the group is a man wearing a plain white shirt with a tattoo on his forearm. Second to the left is a woman wearing a polka dot dress and a yellow floral parure. Her arm is around the shoulders of Frances Terrel, second to the right, who wears a pink and black ensemble with a bolero jacket and a corsage. The rightmost figure is a man in a brown tuxedo jacket. They stand before a red sequined drapery over a white wall. Photograph is undated","Color photograph of five individuals of varying age in semiformal clothing. They are posed in two rows in front of a mottled brownand gray backdrop such as those used by portrait photographers. In the front row, Terrell sits on the left, dressed in pastel colors and a pearl necklace. The man seated to her right has a whitening beard. Behind them stand two women, who, like Terrell, wear light colored dresses and necklaces, as well as a man in a navy blue tuxedo. All five smile at the camera. Photograph is undated","Color photograph of Calvin D. Terrell and Frances Terrell (left and second to the left, respectively) with four other adults, one of whom holds a toddler in a lacy blue dress. They are standing in a row in a living room. Behind them, on the left edge of the frame, stands an evergreen tree wrapped in tinsel and hung with ornaments. Photograph is undated","Color photograph of 19 people in semiformal dress at an indoor event [likely the same event depicted in photograph of Frances Terrell at an event with three other attendees, ABFR-23-005-001]. Their ages range from child to senior. The room has white walls and floors, and in the lower left corner, a table draped with a white tablecloth can be seen. Behind the people is a sequined red decorative drape. Frances and Calvin D. Terrell stand in the center of the posed assembly. Some among the group have blue paint on their hands or faces, including Calvin D. Terrell. Frances Terrell has blue paint on her sleeve. Photograph is undated","Color photograph of Delaney C. Colbert and Mary Agnes Johnson, parents of Frances Terrell, sitting in chairs on a balustrade-enclosed porch in a suburban neighborhood. Johnson's hand rests on top of Colbert's. Colbert has a brimmed hat on his lap. Behind them, plants are dense with foliage, and a flower bush is in full bloom. Photograph is undated","Color photograph of Frances Terrell as a young woman, posing confidently for the camera. She wears a white turtleneck, round glasses, and abrown pendant in the shape of an upraised, clenched fist. Her hair is styled in an afro, and her hands are planted on her hips. She is inside of a room painted all in white. Behind her is a refrigerator, a cabinet, and an umbrella hanging on a doorknob. Photograph is dated 1970","Reverse of photograph of young Frances Terrell with refrigerator, arms akimbo (ABFR-23-005-006). A printed label featuring a small image of the Nativity in silhouette displays Frances Terrell's name and address. Handwritten note dates photograph to 1970","Color photograph of Louis Eric Clements, son of Frances Terrell, pictured from the shoulders up. He wears a dark blue button-up shirt and smiles for the camera. He stands against a blank white wall, and the camera flash casts a shadow behind him and illuminates the pupils of his eyes. Photograph is undated but was likely taken during the 2000s and no later than 2012 [Clements passed away in 2012]","Color photograph of seven people posed in a line outside a white building, facing the camera, in casual dress. In the center of the line is the eldest photo subject, seated on a bench. To the left are three men, standing, and to the right are three women, also standing. The ground is paved with cement, and decorative elements on the wall behind them feature stylized shellfish. Said decorative elements resemble light fixtures used to decorate the exterior of Red Lobster restaurants. Photograph is undated","Color photograph of Frances Terrell and her husband, Calvin D. Terrell, posing in front of a plain blue backdrop. Calvin D. Terrell, left, wears glasses and a brown gingham suit. Frances Terrell, right, wears a red button-up shirt and simple gold jewelry. They are both smiling, their gazes facing the left of the frame. Photograph is undated","Color photograph of Calvin D. Terrell (left) and Frances Terrell (right) with Louis Eric Clements, seated between them. Clements was the son of Frances Terrell and the stepson of Calvin D. Terrell. They are dressed casually and posing in front of a blank white background. Clements wears a gold cross pendant. Photograph is dated May 2011","Reverse of photo portrait of Calvin D. Terrell, Louis Eric Clements, and Frances Terrell (ABFR-23-025-011). A small label with a floral motif displays Frances Terrell's name and address. Handwritten note dates photograph to May 2011","Color photograph of Delaney C. Colbert (left, seated) and Mary Agnes Johnson (right, standing) in semiformal dress, posed in front of a plain white background. Handwritten note reads \"LOVE DAD + MOTHER\" [Colbert and Johnson are the parents of Frances Terrell]. Photograph is undated","Digital surrogates of photographs from the Zellars family","Digital photo collage depicting members of the Zellars family. Collage includes three portraits, each of a different member of the Zellars Family depicted in military uniform. The largest image, which occupies the left side of the collage, is a black and white portrait photograph of Clearence Zellars, c.1940s. He is wearing an M1 helmet covered in netting. Located in the upper right portion of the collage is a color portrait photograph of Dr. Tincie Zellars Lynch wearing a U.S. Army uniform and posed sitting in front of an American flag and burgundy flag with a wheel insignia and \"396\" in gold lettering, c.1990s. Located in the bottom right portion of the collage is a color portrait photograph of a young man in U.S. Marines uniform who is identified as the brother of Tincie Zellars Lynch, c.1960s-1970s. Typescript text at the bottom of the collage reads, \"My Daddy WWII, me Desert Storm Era my brother Vietnam Boots on the Ground Veteran Family of Veteran Zellars\" and  another typescript caption at the top of the image reads \"7 YEARS AGO.\" Collage is undated","Digital surrogates of family history materials documenting the Gregory and West families. Included are photographs, documents, newsclippings, and artifacts","Black and white photograph, portrait of James Francis Gregory, a Presbyterian minister and educator. He is pictured from the shoulders up. He wears a suit jacket with wide lapels, a white collar, and a thick moustache. The backdrop is a solid color, unadorned. The photograph is framed by an oval-shaped window in a sheet of brown matboard. Photograph is undated","Reverse of Portrait of James Francis Gregory (ABFR-23-034-001). Handwritten note reads, \"James Francis Gregory (1876-1944).\" Photograph is undated","Black and white photograph of a group of eight young men in graduation regalia, holding their mortarboard caps. One of the young men has been identified as James Francis Gregory (second from the right). They sit in front of a richly decorated backdrop featuring engravings and drapery. Photograph is undated but likely dates to the 1890s or early 1900s, when Gregory was a student at Amherst College and then Yale Divinity School","Reverse of photograph of Photograph of James Francis Gregory and students in graduation attire (ABFR-23-034-003). Handwritten note reads, \"James Francis Gregory.\" Photograph is undated","Black and white photograph of twelve people standing outside on a sunny day. Four of the twelve are small children, some of them in a state of semi-undress. The adults stand shoulder-to-shoulder with one another, many of them holding the hands of the children. Behind them, bushes and trees can be seen. Photograph is undated","Black and white photograph of a woman wearing a mortarboard graduation cap, black graduation robe, and white lace collar. She holds a book open in her left hand, and with eyes downcast, she appears to be contemplating its contents. Her hair is dark and styled in tight, chin-length waves. Photograph is undated","Black and white photograph depicting a woman with short, tightly waved hair, huggie earrings, and a light-colored, collared gingham shirt. The backdrop is a light, solid color. Photograph is undated","Black and white photograph of two figures standing outdoors on grassy earth in front of a weeping willow. The woman (left) wears a light colored, midcalf dress and a brimmed hat. The man (right), wears a light, unbuttoned suit and saddle shoes. Both smile for the camera. Photograph is undated","Black and white photograph of a group of people standing outdoors in front of leafy bushes and the exterior wall of a building. In the center of the group, a woman in commencement regalia holds a mortarboard graduation cap in her right hand, and in her left she holds a scroll of paper and a bouquet of flowers. Posed standing around her is a group of men and women, most of whom are wearing long coats and hats. Photograph is undated","Black and white photograph of a woman wearing a white dress, her hands folded behind her back, leaning against a fence in an outdoor recreation area. Behind her and the fence is a grassy expanse and a squat, white building with wooden panel features and an open door. Photograph is undated","Black and white photograph of a smiling girl in a white dress and black stockings. Her hair is in a braid draped over her shoulder, tied with a large black bow. She stands on grass, and behind her are visible tall trees and white houses. Photograph is undated","Black and white photograph of a young woman wearing a white dress with an open graduation gown draped over her shoulders. She holds a scroll of paper and a bouquet of flowers. To her left is an older woman in a long, light colored coat and a hat, who is seen in profile as she looks to the left side of the frame. The pair stands outdoors before a wall densely covered in ivy. Photograph is undated","Black and white group photograph of the Amherst College baseball team in 1898. Thirteen men are posed seated, arranged in three rows. Most of them are wearing Amherst College uniforms. Some of the men hold baseball equipment, such as mitts and a bat. In the center of the group sits James Francis Gregory, legs crossed and slightly reclining, with a baseball cap balanced on his knee. Behind them is Johnson Chapel. Photograph is dated 1898","Reverse of Photograph of James Francis Gregory with Amherst College baseball team (ABFR-23-034-013). Handwritten note reads, \"James Francis Gregory, Captain of Amherst baseball team, 1898.\"","Color photograph of two women (left, right) and one man (center) standing on a lawn near a house of brick and white siding with a large, stepped brick porch. The women wear long overcoats, and the man wears a suit and tie with a brimmed hat. He has a long coat draped over his right arm, a rolled up newspaper in his pocket, and a pipe in his mouth. A numbered sign on the outside of the brick house indicates that its address is 4116 on an unidentified street. Photograph is undated","Black and white photograph of a smiling baby (left) and a young boy in overalls (right) holding one another's hand on a couch in front of a curtained window. Handwritten note in blue ink reads \"Murphy's Photo,\" which most likely refers to local photographer Elrich Murphy. Photograph is undated","Black and white photograph, group portrait of the Gregory family. Pictured seated in the front row (L to R): James Francis Gregory, Fannie Hagan Gregory, and James Monroe Gregory. Pictured standing in the back row (L to R): Margaret Briggs, Eugene Monroe, and Thomas Montgomery. All are dressed in formal attire and are posed not smiling. Behind them is a painted studio backdrop which includes an image of a fluted column. Photograph is undated","Black and white photograph, group portrait of six men arranged in two rows of three. James Francis Gregory is in the back row, far right. He and three other men in the group wear matching suit jackets with pockets and a YMCA insignia on the jacket sleeve. The group is posed in front of a studio backdrop. Photograph is undated","Reverse of Group portrait of James Francis Gregory and unidentified men (ABFR-23-034-018). Handwritten note reads \"James Francis Gregory, Freddie's Grandfather, His children's Great Grandfather, His grandchildren's Great Great Grandfather, World War I Lecturer throughout U.S., YMCA.\" Photograph is undated","Black and white photograph of 15 men and boys, the football team at the Manual Training and Industrial School for Youth, in sweaters and sports paraphernalia decorated with a capital letter \"I.\" They are arranged in three rows, each seated on steps leading to the entrance of a brick building surrounded by a white balustrade. Gregory, the coach, sits in the upper left. The young man in the center of the group is holding a football with a white design printed on its surface, possible letters or numerals. Photograph is undated","Reverse of photograph of James Francis Gregory with Bordentown School football team in spiritwear (ABFR-23-034-020). Handwritten note reads \"Football Team at Ironsides on front steps of Administration Bldg. Top left, Coach James Francis Gregory (Bordentown, N.J.).\" Photograph is undated","Black and white photograph, group portrait of Washington Historic Touring Club on visit to Franciscan Monastery. A large group of people, most of whom appear to be teenagers, are posed standing outside of the Franciscan Monastery of the Holy Land in America. The men and boys who have hats hold the hats in their hands. The Monastery, a light colored building inset with arch windows, occupies much of the background, and a statue of Saint Christopher carrying a young boy [presumably the Christ child] towers over the crowd. Handwritten note in the lower left corner reads \"WASH HISTORIC TOURING CLUB, CARDOZA SCHOOL WASH. D.C., OUTING TO FRANCISCAN MONASTERY MAY 2, 1937, GEO. H. WALLACE Pres. J. FRANCIS GREGORY Inst.\" Handwritten note in the lower right reads \"J. HENRY WRIGHT, WASH. D.C.\" Photograph is dated 2 May 1937","Manuscript document written in graphite pencil on lined paper tracing lines of parentage and descent in the Gregory family, beginning in the 19th century with Henry L. Gregory and Maria A. Gladman. The document lists James Francis Gregory, his siblings, and their marriages and offspring. Manuscript is undated","Reverse of manuscript detailing Gregory Family genealogical records (ABFR-23-034-025). Handwritten text continues the genealogical description from recto of page, starting in the late 19th century and continuing to the present at time of the document's creation. Manuscript is undated","Black and white photograph extracted from The Ironsides Echo, a New Jersey periodical. The photograph depicts a building consisting of several joined units from a sidelong angle. To the left, a wooden fence extends from the building's edge, and a sidewalk leads to a door with a small, stepped porch. The building has shuttered windows, wooden siding, and chimneys. Typescript caption reads \"Property rented and occupied when Principal Gregory took charge in 1897.\" Photograph is undated","Reverse of photograph of Manual Training and Industrial School for Youth premises (ABFR-23-034-027). Handwritten note identifies the photograph's source and subject. Photograph is undated","Black and white photograph of a brickwork school building with a fenced-in porch and semicircular portico balcony. The surrounding trees are bare of leaves. Typescript caption reads \"ADMINISTRATION BUILDING. Manual Training and Industrial School for Colored Youth, Bordentown, N. J.\" Photograph is undated","Reverse of photograph of Manual Training and Industrial School administration building (ABFR-23-034-029). Handwritten note reads \"Source: postcard.\" Photograph is undated","Black and white photograph of four members of James Francis Gregory's family of varying ages. On the left, seated, is Margaret Mohamit Hagan, J. F. Gregory's grandmother, with baby Amherst Gregory, child of J. F. Gregory, on her lap. On the right, seated, is Fannie Hagan Gregory, mother of J. F. Gregory. She wears a long cross pendant, which she holds with both hands in her lap. James Francis Gregory stands behind them in a suit with a bow tie. Photograph is dated approximately 1904","Reverse of photo portrait of four generations of James Francis Gregory's family (ABFR-23-034-029). Handwritten note reads, \"Seated on left, Margaret Mohamit Hagan holding Baby Amherst Gregory (1903-1904), Seated - right, Fannie Hagan Gregory (1886-1928), Standing, James Francis Gregory (1876-1944), about 1904.\"","Black and white photograph, portrait of James Francis Gregory in an Amherst College baseball uniform. He is posed standing with his hands on his hips, in front of a painted, floral studio backdrop. Gregory stands in the center of the frame, his entire body visible, dressed in a sweater with a capital letter \"A\" emblazoned on the chest and padded pants tucked into knee-high socks. He also holds a baseball mitt in one hand. The photo print is mounted on black board. Photograph is undated","Newsclipping of an article from The Philadelphia Press about James Francis Gregory. The headline and subhead of the clipped article reads, \"Negro Carries Off Prize For Oratory: James F. Gregory, of Bordentown, N.J., Secures First Honors for Elocution at the Yale Divinity School.\" The clipping includes a black and white portrait photograph of James Francis Gregory, pictured from the shoulders up. The article reports on Gregory winning Yale Divinity School's Downes prize for the reading of scriptures and hymns, and goes on to enumerate his achievements at Amherst College and Yale Divinity School as an athlete and an orator. Clipping is undated, but was likely printed in June 1901","Reverse of Newsclipping, The Philadelphia Press article about James Francis Gregory (ABFR-23-034-032). Typescript text near the top of the clipping identifies the month of publication as June. Articles touch on controversial railway bills, congressional sessions, and coal prices. Clipping is undated","Typescript document of the beginning of an obituary for James Francis Gregory, beginning with his birth in 1876 and summarizing his academic and professional accomplishments. Document is undated","Black and white photograph, group portrait of a wedding party with the bride. Four people are posed standing in a row in front of an indoor arrangement of plants including tall ferns and flowers. From left to right: a man in a black tuxedo with a white shirt and black bowtie; a woman in a white wedding gown and veil, holding a bouquet of flowers; a woman in a dark velvet dress, holding a bouqut of flowers; and a man in a black tuxedo with a white shirt and black bowtie. Photograph is undated","Color photograph, group portrait of (L to R) NASA mission specialists Ronald \"Ron\" E. McNair, Guion \"Guy\" S. Bluford, and pilot Frederick D. Gregory. Frederick D. Gregory is the grandson of James Francis Gregory. The three men, wearing orange NASA astronaut flight suits, are posed standing in a row. Behind them is a gray studio backdrop, an American flag, and the flag of the United States National Aeronautics and Space Administration (NASA). In front of them is a model of a space shuttle on a black table. The photograph was taken at Johnson Space Center in Houston, Texas. Typescript caption at the bottom of the photograph reads, \"Three of the Eighth Group of NASA Astronauts.\" Photograph is undated, c.1978","Reverse of Group portrait of NASA astronauts with model space shuttle (ABFR-23-034-036). Typescript text reads, \"Three of the 35 New Astronauts. Three of NASA's newest group of astronauts selected in January 1978 pose with mockup of the Space Shuttle at the Johnson Space Center. The group includes, from left to right, mission specialists Ronald \"Ron\" E. McNair and Guion \"Guy\" S. Bluford, and pilot Frederick \"Fred\" D. Gregory.","Black and white photograph of Charles Fremont West wearing a jacket and calf-length boots in a field of tall grass. Beside him sit two dogs on leashes, which West holds in one hand. In the other hand, he holds a dead bird with splayed plumage. The dogs face the left of the frame, where two additional dead birds hang by their legs from a short, sparse tree. Photograph is undated","Reverse of photograph of Charles Fremont West in field with his bird quarry and two dogs (ABFR-23-034-038). Typescript stamp reads, \"PHOTOGRAPHY BY TURNER STUDIO, ALEXANDRIA, VA.\" Photograph is undated","Black and white photograph of football players during the 1922 Rose Bowl at Tournament Park stadium in Pasadena, California. The game was played between the Washington \u0026 Jefferson Presidents (W\u0026J) and the California Golden Bears college football teams. Charles Fremont West played as quarterback for Washington \u0026 Jefferson and was the first African American quarterback to play in the Rose Bowl. On the right side of the image, Hal Erickson (W\u0026J) is pictured running with the ball. Next to him are several players in the midst of a tackle, the impact of which has churned up a spray of earth. Rows of spectators in stadium seating are visible in the background. A handwritten note in the upper right corner reads, \"ERICKSON.\" Another handwritten note along the bottom of the image reads, \"1922 ROSE BOWL GAME, CHARLIE 'PRUNER' WEST, QUARTERBACK.\" Photograph is dated 2 January 1922","Reverse of Photograph of the 1922 Rose Bowll (ABFR-23-034-040). Handwritten note reads, \"1922 Rose Bowl, Washington \u0026 Jefferson College vs U. of Cal., Charles \"Pruner\" West - Quarterback.\" Photograph is dated 2 January 1922","Black and white photograph of a group of people at what seems to be a dinner or other social event. A man wearing a suit and tie and a woman wearing a dark-colored skirted suit are standing together behind a microphone stand. In front of them are four people sitting at a table with a white table cloth, upon which sit several glasses and other dishware. Seated at the table, from left to right: a woman wearing a dark-colored dress and pearl necklace, holding a cigarette; a man wearing a suit and tie, holding a cigarette; a woman wearing a dress, holding a cigarette; and a man in a suit and tie. The two women appear to be in conversation together. The man that is second from the left is looking up over his shoulder at the two people standing behind him. And the man on the far right is leaning to the side and talking to someone whose head is only partially visible in the frame. On the left side of the image the side of a woman's head is partially visible in the frame. Photograph is undated","Reverse of Group photograph at social event (ABFR-23-034-042). Typescript stamp reads, \"McConnell Photography, Randolph 8345, Taylor 8222, 3221 Warden St. NW Wash.10 D.C.\" Photograph is undated","Black and white photograph of Charles Fremont West (far right) and four unidentified men in a field, posed standing in a row. They are all dressed in similar outfits consisting of slacks, sport coats, and hats. Some of their jackets have patches on the sleeve. All five men are holding rifles; three of them have the rifle tucked into their elbow and two men are holding the rifles vertically with buttstocks resting on the ground. Behind them stretches a field of trimmed grass and distant trees. In front of the men is a small, grassless patch littered with bullet casings. A handwritten note in the upper right corner of the image reads, \"Charles Fremont West.\" Photograph is undated","Manuscript document featuring handwritten genealogical record of Henry L. Gregory and his descendants. The document nearly duplicates the content of ABFR-23-034-025, \"Manuscript detailing Gregory Family genealogical records,\" but the formatting of the text is occasionally different and bears annotations and strikethroughs, although the handwriting appears consistent between the two documents. Along the left-hand margin, a note reads \"MIRIAM [illegible].\" Document is undated","Black and white photograph of Charles Fremont West (right) and an unidentified young man (left) standing in a field. They are both posed holding a rifle vertically with the stocks to the ground as well as a trophy. The figure on top of the trophies is a rifleman poised to shoot. Photograph is undated","Reverse of photograph of Charles Fremont West and young rifleman in field with trophies (ABFR-23-034-046). Typescript stamp reads, \"McConnell Photography, Randolph 8345, Taylor 8222, 3221 Warden St. NW Wash.10 D.C.\" Photograph is undated","Black and white photograph of five people at a picnic table outside. A man and two women are seated on the attached bench. One man stands to the side, leaning casually against the table's edge. Another man is posed standing with his foot on the table, elbow resting on his bent knee. Behind them, sunlight peeks through the gaps in a dense wall of foliage. Photograph is undated","Reverse of Photograph of group at a picnic table (ABFR-23-034-048). It is a mostly blank page, with a typescript header and footer with the information typically included when a webpage is printed: page title, page number, date [accessed], and URL. It seems that the photograph was printed on the back of scrap paper, unrelated to the image.","Typescript document, a family tree diagram illustrating the genealogy of Charles Fremont West. At the top of the page is the title, \"Hourglass Chart for Charles Fremont West.\" Charles Fremont West is at the center of the chart and it includes generations back to his great-grandparents, as well as through to his great-grandchildren. Document is undated","Program for the Fiftieth (50th) anniversary reunion for the Dunbar High School Class of 1926, held June 26-27, 1976 at St. Paul's Episcopal (Rock Creek) Church \u0026 Walter Reed Officers Club in Washington, DC. The program booklet is eleven pages and includes an event schedule, statistics about the class of 1926, a list of reunion attendees, a history of the school covering 1870-1926, and an article about African American schools in Washington, D.C. The cover is red with the title and a fleur-de-lis symbol printed in metallic gold. Document is dated 1976","Exhibition poster detailing the life and achievements of Dr. Charles Fremont \"Pruner\" West, created by Dana D. Brooks, Ronald Althouse, and Damien Clement, West Virginia University. The poster includes text and photographs with biographical information about West with details about his career as a student athlete, his academic career, professional career as a doctor, as well as honors and awards he received. The poster also discusses the racism and harrassment that West faced as a Black athlete in the Jim Crow era. On the left side of the poster, in the space between two columns of text, is a large black and white cutout image of West in an athletic uniform. Smaller images from West's academic and professional life are scattered throughout the informational content. Exhibition poster is undated","An effigy of Charles Fremont \"Pruner\" West made out of a model ambulance and black figurine. The ambulance is cast from metal and coated with chipped white paint, and painted on its side are a red cross and the text \"AMBULANCE\". The figurine is a small Nippon baby doll with no arms. It is painted black with red lips and a few red stripes across its body. It was inserted into the model ambulance, laying in the ambulance with its head poking out of the back. The figurine is visually reminiscent of lawn jockeys and other similar racist depictions of black men that reference blackface and minstrelsy. This effigy was originally displayed in the window of a merchant (a dry cleaner) in Morgantown, West Virginia in November 1921. It was placed there with the intention of intimidating West upon his arrival in town with the Washington \u0026 Jefferson College football team to play a game against West Virginia University. This display was one of many forms of racist intimidation that West encountered in Morgantown","Digital surrogates of photographs from the Thompson Family; including Clayton Randolph Thompson, Valerie Jackson Thompson, and their descendants.","Color photograph of a woman seated outdoors on a sunny day. Draped over her is a piece of white, patterned fabric, and in her right hand, she holds a bottle containing a dark brown liquid, Behind her is an expanse of green grass, dangling leaves, and a chain-link fence. Photograph is undated","Black and white portrait photograph of Clayton Randolph Thompson, wearing a suit and tie. He is visible from the shoulders up, and behind him is a featureless background. Photograph is undated","Color photograph of an unidentified woman. She is posed sitting in a church pew, with head bowed and eyes closed as though in prayer. Behind her, church pews and an unadorned wall are visible. Photograph is undated","Black and white halftone photograph from a newsclipping of Alice Thompson Lewis. She is pictured from the shoulders up, wearing glasses and jewelry with large, pearl-like beads. She smiles widely, and behind her is a solid background. Partially visible typescript caption reads \"…[L]EWIS, ALICE T., ...[i]t is so hard [to]...\" Photograph is undated","Black and white photograph of a woman, possibly Valerie Thompson, seated with her hands folded in her lap. She wears a pale colored dress and looks placidly at the camera. Around her is a garden dense with plant life, and behind her is a wooden structure and a fence of wooden palings. Photograph is undated","Color photograph of a man of the Thompson Family visible from the shoulders up, dressed in a black collared shirt. He has a beard and short-cropped black hair, and regards the camera with a solemn expression. Behind him is a smooth, white wall, surrounded by bushes and trees. Photograph is undated","Color photograph of Clifford Martin Thompson standing beside an unidentified woman in front of a wall covered in wallpaper and set with a wooden doorframe. Thompson wears a black tuxedo and a bowtie. He is posed leaning in towards the woman standing next to him. She wears a muted blue garment and dangling earrings, her gaze fixed on something out of frame. Text and icons on the white margin above the photograph indicate that the image is derived from a screenshot of a Facebook post taken on a cell phone. Photograph is undated","Color photograph, portrait of Valerie Myers Jackson Thompson pictured from the shoulders up. She is dressed in white and wears pearl earrings. Her hair is just long enough to brush the tops of her shoulders. The photograph has a reddish tint. Photograph is undated","Color photograph of Clayton \"Bunny\" Thompson, Sr. posed seated at what appears to be a kitchen table. He wears a plaid shirt, and he leans on his elbows, his arms folded over his chest. In front of him, partially visible in the frame, are a red and white beverage can, several pieces of fruit, and a blue gift wrapping bow. Photograph is undated","Digital surrogates of photographs from the Henry Family","Group photograph of four women and one child in a house, posed on a carpeted staircase. Four sit on the steps and in the left of the frame, one woman stands with her hand on the staircase railing. L to R: unidentified woman, Marie Elizabeth Spinner, Toniette Henry Duncan, Rita Murphy Harris, and an unidentified young girl seated on Duncan's lap. Behind them, the stairway leads to an upper level where an open door shows another room. Photograph is undated","Black and white photograph of Albert Henry (left) and his wife, Alice (right) standing behind a table lain with two white, single-tier cakes and a bowl. Albert is dressed in a suit and necktie and smiles as he cuts into one cake with a knife. Alice, wearing a floral dress, rests her hand on Albert's as he slices. The arm of a third person in a striped shirt is partially visible on the left edge of the photograph. Photograph is undated","Black and white photograph of Albert Henry standing beside an unlit fireplace in front of a damask curtain. His elbow rests on the mantle above the fireplace, and his profile casts a shadow on the wall. Henry is dressed in a casual suit and tie and smiles at the camera. Photograph is undated","Portrait painting of Annie Henry from the torso up, done in muted sepia tones. She wears a dark garment with a white frilled collar. The painting is in a brown, oval frame with floral details. Annie Henry was the wife of William Henry and the mother of six children: Wilmer, Albert, John, Mary, Elouise, and Elizabeth. Painting is undated","Black and white photograph of Joyce Rebecca Whitmore Henry leaning against a pillar prop in front of an abstract backdrop. She wears small hoop earrings and a dress with long sleeves and a white collar. Typescript text at the bottom edge of the image reads \"DETAILS.\" Photograph is undated","Color photograph of Marie Elizabeth Spinner, former wife of Elrich Murphy, mother of Rita Murphy Harris, and aunt to Toniette Henry Duncan. She is posed sitting on a striped, cream-colored sofa, holding a set of gold balloons shaped to read, \"97.\" Beside her on the couch is a red gift bag with decorative text that reads \"[Ha]ppy [Birth]day!\" Photograph is undated, but Marie Elizabeth Spinner's 97th birthday took place 7 January 2021","Color photograph Marie Elizabeth Spinner and  her sister Corrine Idella Henry, pictured from the shoulders up. They are positioned back to back with heads turned toward the camera, and both wear their dark hair up. The photograph has an unfocused, desaturated quality. Photograph is undated","Black and white photograph of Marie Elizabeth Spinner, posed with her daughter, Rita, seated on her lap. Behind them hang sheer white and damask curtains. Photograph is undated","Black and white photograph of Marie Elizabeth Spinner from the shoulders up. She wears a light colored garment and a long pearl necklace. Behind her is a striped background. Photograph is undated","Black and white photograph of Marie Elizabeth Spinner, pictured from the shoulders up. She wears a light colored blouse and sits on a couch in front of a white wall. Photograph is undated","Color photograph of Burnett Ralph Henry, son of Wilmer Benjamin Henry and Willie Mae Carter, seated on a patterned couch with a newspaper in his hands. On the coffee table in front of him are a vase of red silk flowers and a miniature artificial Christmas tree decorated with tinsel and ornaments. Next to Henry is a side table holding another vase of red flowers and several portrait photographs. Photograph is undated","Color photograph of a man, identified as Clarence, pictured from the shoulders up. He has gray hair and wears a white collared shirt with gray and blue patterning. Behind him is a piece of brown furniture. The image is blurry. Photograph is undated","Color photograph of Willie Mae Carter Henry, wife of Wilmer Benjamin Henry and mother to Marie Elizabeth Spinner, seated on a chair upholstered with a textured red fabric. She wears a white, striped button-up chemise top. Behind her is a wooden shelf with a bird sculpture and a framed photograph. Photograph is undated","Color photograph of Willie Mae Carter Henry, wife of Wilmer Benjamin Henry and mother to Marie Elizabeth Spinner, posed seated with her hands folded in her lap. She is wearing light blue suit and shite shirt. Two metal tins and a TV remote are visible on a table behind her. Photograph is undated","Black and white photograph of William \"Sonny\" Duke (left) with two other people leaning against the side of a white car. Duke wears a newsboy cap, and one of his arms is in a sling, while the other is draped over the shoulders of a young woman standing beside him. The woman is wearing dark pants, a white top, and a scarf. On the other side of the woman is a man wearing a plaid shirt and dark pants, posed with his hands in his pockets. Photograph is dated March 1957","Black and white photograph of Sylvia Dolores Henry, daughter of Corrine Idella Henry, as a young girl. Her hair is braided and she is wearing a white collared dress. She is posed sitting on the corner of a wooden table. Behind her is a window with blinds drawn. Photograph is undated, c. late 1950s","Black and white photograph of Corrine Idella Henry and her older brother, John Wilmer Henry standing outside. Corrine wears a plaid skirt and a white blouse.  She is posed with her hands on her hips, leaning into her brother. He is wearing dark-colored trousers with wide cuffs and a button-up shirt. His hands are tucked in his pockets. Photograph is undated","Color photograph of Rosell Marshall Henry, wife of Burnett Ralph Henry. She wears glasses and a button-up shirt with a patchwork style pattern. She sits on a wooden chair, and a white cup is visible in front of her. Behind her is a white wall and a white louvered door adorned with postcards and a calendar. Photograph is undated","Studio portrait of Marie Elizabeth Spinner, mother to Rita Murphy Harris and aunt to Toniette Henry Duncan. She is pictured from the shoulders up in front of a blue studio backdrop. She wears glasses, hoop earrings, and a white turtleneck beneath a brown outer jacket. Photograph is undated","Black and White photograph of Marie Elizabeth Spinner in a dress and patterned ascot, perched on a wooden table. Her legs are crossed, and she rests her chin in her hand as she looks directly into the camera. Photograph is undated","Color photograph of Marie Elizabeth Spinner in a light colored, floor-length dress with short, puffy sleeves. A thin string of pearls hangs around her neck, and she holds a small purse in one hand. Her hair is pulled back in an updo. She is posed standing in front of a light blue curtain. Photograph is undated","Color photograph of three women seated on a bed. From left to right: Marie Elizabeth Spinner, Willie Mae Carter Henry (mother of Marie Elizabeth), and Rita Murphy Harris (daughter of Marie Elizabeth and Elrich Murphy). Willie Mae is seated upright in a bed, her legs beneath a pink blanket, while her daughter and granddaughter sit on either side of her, their legs uncovered. All three are smiling. Behind them, a table lamp and a doll dressed in blue sit atop a headboard. Photograph is undated","Hand-colored photograph of Corrine Idella Henry sitting cross-legged on a wooden chair in front of a fabric backdrop. She wears a long coat with lapels, a red collared shirt, black pantyhose, and a pearl necklace. Handwritten text in the lower righthand corner reads \"MUR[PHY],\" most likely indicating that this photograph was taken by Elrich Murphy, Henry's brother-in-law. Photograph is undated","Color photograph of Sylvia Dolores Henry, daughter of Corrine Idella Lewis, smiling in front of a backdrop styled after the American flag and decorated with an image of a parchment scroll on which the Preamble to the United States Constitution is written. Sylvia wears a red sweater over a white collared shirt, and her hands are folded in front of her. Typescript caption on the bottom of the photograph reads, \"Our American Constitution, 1787-1987.\" Photograph is undated but was likely taken in 1987","Color photograph of Blair Spinner, son of Marie Elizabeth Spinner and Albert Spinner. His smile is topped by a dark moustache, and his hair is styled in a short afro. He wears a teal shirt. Photograph is undated","Black and white photograph of a baby identified as \"Bunky,\" posed sitting on a small cushion on a wooden porch. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. The baby wears booties and a white bonnet, and he smiles, his gaze directed upwards and his arm raised and made indistinct by motion blur. The house behind him is made of white bricks or cement blocks. Photograph is undated","Black and white photograph of a child identified as \"Bunky\" wearing a cowboy costume with cheetah patterning and a brimmed hat, with a toy pistol in his raised hand. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. He stands on a patterned rug in front of an Christmas tree decorated with tinsel and ornaments. Opened packages are strewn across the floor around his feet. Photograph is undated but was likely taken at Christmas (25 December)","Black and white photograph of a child identified as \"Bunky\" standing on a porch with a small bundle of flowers in his hand. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. He smiles with mouth open, and  is dressed in a cap and a dark coat with white buttons. Behind him are a white, exterior wall and a window. Photograph is undated","Color photograph of five people in a dining room with floral wallpaper. Left to right: unidentified woman, unidentified man (mostly obscured), Albert Henry, Wilmer Benjamin Henry, unidentified man. Wilmer Benjamin Henry (at the center of the photograph) is wearing suspenders and a striped necktie. Behind him is a windowpane that overlooks a yard over which a clothesline has been strung up. On the table in front of the group is a red and yellow flower arrangement. Photograph is undated","Black and white photograph of Corrine Idella Henry, pictured from the shoulders up. She is wearing a collared shirt or jacket. The image is blurry. Photograph is undated","Black and white photograph of Corrine Idella Henry on a porch, leaning back against a wooden support pillar. She wears high waisted pants and sandals, and her arms extend upwards, bending behind the pillar where she rests her head. The corner of a house with white siding is visible in the left of the frame, and the background is full of greenery and clear sky. Photograph is undated","Black and white photograph of Corrine Idella Henry standing in a lawn. Behind her are a wooden fence, trees, and a paved pathway. She is dressed in a matching set with a cropped top and a long skirt. She poses with one hand on her hip and the other on behind her head. This photograph was taken in the yard of the Henry family home on Johnson Lane in the Seminary Hill neighborhood of Alexandria, Virginia. Photograph is undated","Black and white photograph of Elizabeth Henry, younger sister of Wilmer Benjamin and Albert Henry, wearing a dark button-up jacket and a calf-length skirt. Her hand is placed on her hip, and she stands in front of a wall with light colored siding. Photograph is undated","Color photograph of Elizabeth Henry Douglas, pictured from the shoulders up. Her hands are clasped under her chin, and a broad smile lights up her face. Her white hair is bushed back from her face, and she wears a purple sweater. Photograph is undated","Color photograph of Elizabeth Henry Douglas receiving the Ben Brenman Award for Archaeology. Douglas, dressed in a white blazer and pink shirt, is pictured while being presented with the award from Mayor William D. Euille, wearing a pinstripe suit and striped, purple tie. Douglas and Mayor Euille are posed holding the award, standing in front of (L to R) Janice Magnesun of the Alexandria Archaeological Commission, Charlie LeeDecker representing the Louis Berger Group, Inc., and Joe Reeder. The photograph was taken Alexandria City Council chambers during the meeting held on 27 October 2009.","Black and white photograph of six people ranging in age from children to teenagers, posed standing together on the sidewalk. The four eldest of the six stand in a row, linking arms or with arms around one another's shoulders. Two younger children stand in front of them. The subjects of the photo have been identified in no particular order as Gail, Butch, Rusty, Sylvia Dolores Henry, Keith, and Toniette Henry Duncan. Photograph is undated","Black and white photograph of Rita Murphy Harris as a young girl sitting on the lap of a man identified as \"Granddaddy,\" likely Wilmer Benjamin Henry, her maternal grandfather. Behind them hang curtains of white lace and dark damask fabric. Photograph is undated","Black and white photograph of a woman and a man seated on a sofa with a floral pattern. The woman, identified as Grandma wears a patterned blouse and has one arm linked in the crook of the man's elbow. The man, identified as Granddaddy, wears a suit and tie. The wall behind them is white and unadorned. The pair are likely Willie Mae Carter Henry and Wilmer Benjamin Henry. Photograph is undated","Black and white photograph of a man and woman standing arm in arm in a grassy yard at 116 Johnson Lane in the Seminary Hill neighborhood of Alexandria, Virginia. Behind them is a wooden fence, beyond which is dense foliage. The pair are likely Willie Mae Carter Henry and Wilmer Benjamin Henry, who lived at that address. Photograph is undated","Black and white photograph of five members of the Henry Family gathered in a sitting room in semiformal clothing to celebrate the birthday of Wilmer Benjamin Henry. Three of the five are standing, one man sits cross-legged in an armchair, and a woman perches on one arm of the same chair with her face buried in her palm. In the foreground stands a tabletop with a cake on it. Photograph is undated","Black and white photograph of Joseph Brackette and Marie Elizabeth Spinner, siblings born to Willie Mae Carter Henry and Wilmer Benjamin Henry. Brackette wears a suit and a fedora, and his arm is wrapped around his sister's waist. Spinner wears a plaid blazer. Behind them is a stand of trees with leafless branches. Photograph is undated","Black and white photograph of John Henry, brother of Wilmer Benjamin Henry, standing outdoors. He wears a striped overcoat, glasses, a flat cap, and gloves. Photograph is undated","Black and white photograph of John Henry, brother of Wilmer Benjamin Henry, with Joyce, his second wife. Joyce wears a long jacket and a brimmed hat, and she holds a handbag. John wears a suit and tie, and his hat is in his hand. They stand outdoors surrounded by trimmed bushes, and an evergreen tree stands in the background. Photograph is dated 21 May 1940","Black and white photograph of Joyce Henry, sister in law of Wilmer Benjamin Henry, seated at a dining table set for a meal. Joyce, dressed in white is seated next to an unidentified man dressed in a suit and tie. A third person is partially visible in the foreground of the photograph. Behind the seated diners is a glass-front cabinet filled with glassware. Photograph is undated","Black and white photograph of Joyce Henry and John Henry standing side by side against the exterior wall of a house paneled with horizontal siding and inset with a shuttered window. John Henry has one arm wrapped around Joyce's waist, his hand resting on her hip. Photograph is undated","Black and white photograph of Joyce Henry and an unidentified man standing on a stretch of grass in front of a stand of trees and an upright wooden beam. The man wears suspenders over a white, collared shirt. Joyce wears a dark dress with a ruffle over the breast and holds a leather purse. Photograph is dated 21 May 1940","Black and white photograph of Joyce Henry and an unidentified man standing outdoors in front of a leafless thicket of trees. In the right of the frame, the front bumper of a black car is visible, including headlights, a tire, and a license plate. The ground seems to be covered by a light snow. The man has one arm wrapped around Joyce's waist, and both of his hands grasp her arms at the elbow. The pair smiles serenely at the camera. Photograph is dated 1941","Color photograph of Lawrence Duncan (left) and Toniette Henry Duncan (right) seated next to each other in a restaurant booth. The edge of a white tabletop is visible at the bottom of the photograph and behind them is a shelf filled with bottles of wine. Photograph is dated 9 February 2021, Toniette Henry Duncan's 67th birthday","Hand-colored photograph of sisters, Marie Elizabeth Spinner and Corrine Idella Henry, pictured from the shoulders up. They are positioned back to back with heads turned toward the camera, and both wear their dark hair pulled back and done up behind their heads. This image is a duplicate of Photograph of Marie Elizabeth Spinner and Corrine Idella Henry (ABFR-23-037-007). Photograph is undated","Black and white photograph of Marie Elizabeth Spinner in a formal gown with ruching on the sleeves, a sweetheart neckline, and a floral accent on the hem of the peplum. Her hair is styled in an updo with an accessory studded with pearls. Her shadow falls behind her on a blank backdrop. Photograph is undated","Color photograph of Marie Elizabeth Spinner's 96th birthday celebration. She is pictured seated in a living room with six women and a young girl, including her daughter Rita Murphy Harris and niece Toniette Henry Duncan. The room is decorated with various striped and floral motifs in golden yellow. Behind the gathering is a dining room table on which sit purses, a floral arrangement, and two weighted party balloons shaped like the numerals 9 and 6. Spinner is seated in an armchair near the lower edge if the image. Toniette Henry Duncan, center, leans against the chair's arm. Rita Murphy Harris, seated on a couch, is the rightmost figure in the group. Photograph is undated, but Marie Elizabeth Spinner's 96th birthday was 7 January 2020","Black and white photograph of Marie Elizabeth Spinner leaning against a wooden support beam on a porch. Her arms are folded behind her back, and she sports a wide smile. She wears a pale brimmed hat and a black dress with a design of swirling white trim on the bust and pocket. Photograph is undated","A blank page, most likely the back of a photograph, with stamped text at the bottom that reads \"Murphy's Pho'\" This appears to be part of the photographer's stamp of Elrich Murphy, a prominent Black photographer in Alexandria and father of Rita Murphy Harris and first husband of Marie Elizabeth Spinner. Item is undated","Color photograph of a woman sitting cross-legged with a baby in her hands. The baby, identified as Rashaun, is dressed in overalls and a white long-sleeve shirt. The woman wears denim jeans and a sweater vest, and her hair is styled in an afro. Behind them is a brick house and an unclouded sky. Photograph is undated","Color photograph of five men, trustees of Oakland Baptist Church in Alexandria, Virginia, dressed in brown suit jackets and ties, standing in a row. The man in the center of the row is Reverend Luther H. Mills. Behind them are several utility poles and a round placard bearing a Texaco logo. Photograph is undated","Color photograph of cousins Rita Murphy Harris (left) and Toniette Henry Duncan (right) depicted from the shoulders up. Henry leans into Harris and rests the side of her forehead on her cousin's cheek. Harris has her arm draped over Henry's shoulder. Behind them, colorful abstract paintings and a mounted television hang on gray walls. Photograph is undated","Black and white photograph of thirteen children of varying ages grouped in a yard hemmed by a wooden fence. The event depicted is a birthday party. Rita Murphy Harris stands in the center of the huddle, wearing a white dress with lace flutter sleeves. The leftmost child, a girl in a plaid dress, is identified as Nancy Henry. Between Nancy and Rita is a boy identified as Henry Poindexter, partially obscured by the party guest in front of him. Burnett Ralph Henry stands in the back of the group, dressed in a striped shirt. Beyond the fence, the roofs of neighborhood buildings peer over the tops of bushes. Photograph is undated","Black and white photograph of Rita Murphy Harris as a child, standing outdoors wearing a dress-length coat of leopard print fabric, a black hood, and a cross-body purse. She squints as she digs her fingers into the opening of the jacket in front of her. The trees behind her are bare of leaves. Photograph is undated","Black and white photograph of Burnett Ralph Henry (right), son of Wilmer Benjamin Henry with Rita Murphy Harris (left), granddaughter of Wilmer Benjamin Henry. Rita, an infant, wears a baby bonnet, and Burnett wears overalls, a striped shirt, and a jacket. His arm is around Rita's shoulder, and his legs dangle over the edge of a wooden porch. Photograph is undated","Black and white photograph of fourteen children standing in a line on a strip of sparsely grassed dirt between a wooden fence and a brick sidewalk. All appear to be of elementary age or in their early teenage years save for a much younger, smaller girl in the center of the line. Members of the group are variously dressed in dresses, skirts, button-up shirts, and trousers. Some of the children are identified as Rita Murphy Harris, Sylvia Dolores Henry, Toniette Henry Duncan, Slim Henry, Gail, and Peaches. Photograph is undated","Color photograph of two men identified as Slim Henry and Blair. Blair (right) wears tinted glasses and has his arm slung over the shoulders of Slim Henry (left), who wears a brown leather jacket. Blair Spinner is the son of Marie Elizabeth Spinner and her second husband, Albert Spinner, Jr. They smile broadly, standing side by side. Behind them a sculpture made of many intersecting thin, metal rods hangs on the pale purple walls. Photograph is undated","Color photograph of a man identified as Slim Henry in a red shirt and black jacket, a black brimmed hat on his head. He is indoors in front of a wall panel consisting of brown bricks. The wall appears to be draped with a streamer, and the number \"5\" is visible in the bottom left corner of the photo. Photograph is undated","Color photograph of two men wearing brown suits standing in front of a car parked near a Texaco service station on the corner of King Street and West Braddock Road in Alexandria, Virginia, near Blessed Sacrament Roman Catholic Church and Oakland Baptist Church. The two men have been identified as trustees of Oakland Baptist Church in Alexandria. The man on the left is posed with his jacket unbuttoned and his hands in his pockets. Photograph is undated","Color photograph, portrait of Toniette Henry Duncan's pictured from the shoulders up. She wears a garment with beadwork at the collar and a woven necklace. Behind her, some seating is visible, and farther beyond, light reflects off the surface of a body of water. Photograph is undated","Color photograph, portrait of Toniette Henry Duncan. The framing of the photograph suggests that the image was captured as a selfie. Duncan wears red, and her dark hair is worn in braids or twists that are interwoven with silver-white highlights. She is seated indoors, and in the background, a celebratory card, black and white photograph, and bowl of candy are visible. Photograph is dated to Mother's Day 2021 which was 9 May 2021","Black and white photograph of Toniette Henry Duncan as a young girl. She is posed seated outdoors, wearing a pale dress and holding a basket decorated with flowers. Her short legs dangle from her chair. Photograph is undated, but Toniette Henry Duncan turned two years old in February 1956","Black and white photograph of Toniette Henry Duncan as a young girl. She is posed outside, squatting low to the ground. She wears a coat over a pale skirt, a stiff bonnet, and Mary Jane shoes. Visible behind her are the skirt and legs of another figure, standing behind her. Photograph is undated, but Toniette Henry Duncan turned three years old in February 1957","Black and white photograph of Toniette Henry Duncan as a young girl. She is posed seated on the edge of a porch with her legs dangling over the side. In one hand, she holds a football, and the other hand is raised to the back of her head. Photograph is undated, but Toniette Henry Duncan turned three years old in February 1957","Color photograph of Toniette Henry Duncan (left) and Kevin Brown (right) at the Virginia Theological Seminary Descendents Gala. Both wear nametags around their necks and are sitting next to a large wooden table. On the table between them are two cans of ginger ale and a black handbag. Behind them, at other side of the table, a person in a dark blue suit writes something on a piece of paper with a pen. Their face is not visible in the image. Photograph is dated 30 July 2021","Color photograph, portrait of Toniette Henry Duncan. She is pictured from the shoulders up and posed in front of a solid gray background. The neckline of her top is studded with pearls and her hair is worn in braids or twists. Photograph is undated","Black and white photograph of siblings Joseph Brackette (center) and Marie Elizabeth Spinner (right), posed standing with a third unidentified woman (left), standing near a roofed porch. Marie Elizabeth Spinner wears a plaid blazer while Joseph Brackette wears a fedora and a pinned necktie. The unidentified woman wears a dark fur overcoat. The three are huddled close, and Jospeh Brackette has his arms over his companions' shoulders. A well is visible in the background behind them. Photograph is undated","Black and white photograph of Joseph Brackette with his gloved hand tight around the shoulder of an unidentified woman in a dark fur coat. Behind them is a roofed porch with structural support beams. The sky is cloudy and a wooden fence is visible behind them.","Black and white photograph of John Henry, son of Wilmer Benjamin Henry, standing in a yard with his hands clasped behind his back. He wears a suit jacket and necktie. Behind him is a small structure of stone and wood (possibly the well from other photographs in this folder), a wooden fence, and several trees without foliage. Photograph is undated","Black and white photograph of three women standing with arms linked on a brick sidewalk near a row of townhomes and a wooden fence. In the background, people can be seen on their stoops, seemingly in conversation together. The shadow of the photographer stretches across the brickwork in front of the three women. Photograph is undated","Color photograph of cousins Toniette Henry Duncan (left) and Rita Murphy Harris (right) standing side by side at a room in the Virginia Theological Seminary during one of the Seminary's annual Descendents Galas. Duncan wears a black blouse with beadwork on the sleeves and black trousers. Rita wears a structured black and white jacket with a paisley pattern and black trousers. They are posted standing together in front of a framed artwork hanging on a cream and white striped wall. Photograph is undated","Portrait painting of William Henry pictured from the torso up, done in muted sepia tones. He wears a black suit and necktie and  sports a thick moustache. The painting's background is an abstract blending of colors. William Henry was the husband of Annie Henry and the father of six children: Wilmer, Albert, John, Mary, Elouise, and Elizabeth. Painting is undated","Black and white photograph of William Benjamin Henry standing outdoors in front of a wall made of paneled siding. He is dressed in a suit and necktie with a pocket square. Photograph is undated","Black and white photograph of William Benjamin Henry holding a knife, poised to slice a white, frosted cake. He wears a suit and a striped tie. Three similarly dressed men are partially visible standing next to him. The contour of what appears to be a person wearing a white dress abuts the left edge of the frame. Behind the people is an indoor domestic space with a glass-paneled door. Photograph is undated","Black and white group photograph of several people in semiformal attire, posed standing indoors in front of a window with blinds drawn. William Henry, dressed in a suit, figures prominently in the right of the frame. Also present in the image are his daughters, Eloise and Elizabeth, as well as his son, Wilmer. Photograph is undated","Black and white photograph, portrait of Willie Mae Henry, wife of Wilmer Henry. She is posed seated in a chair in front of a blank backdrop and pictured from the waist up. She wears a white embroidered blouse and a beaded necklace, and her hair is pulled back behind her head. She holds her chin high and regards the camera with neither a smile nor a frown. Photograph is undated","Black and white photograph, portrait of Willie Mae Henry, wife of Wilmer Henry. She is posed seated in front of a patterned curtain, with her hands folded in her lap. She is dressed in a patterned blouse. Photograph is undated","Black and white group photograph of ten people of varying ages, posed standing together in a grassy yard in front of a tall bush and a brick house. The men and boys wear button-up shirts, and the women and girls wear dresses. The group includes Wilmer Benjamin Henry, Willie Mae Henry, and members of their family. In front of the group, a Tyrolean hat with an oversized feather plume lies on the ground. Photograph is undated","Black and white photograph of Wilmer Benjamin Henry standing in a doorway at the Virginia Theological Seminary, with a hand resting on the door handle and holding it open. He smiles exuberantly from under a brimmed hat. Through glass panes set in the door, a brick wall is visible, and a handrail intersects the bottom portion of the photograph. Handwritten note on the top edge of the photograph reads, \"296 # 58-1 3 5/8 [arrow]\" Photograph is undated","Black and white photograph of Wilmer Benjamin Henry playing an acoustic guitar. His fingers are occupied with the frets and strings, and he wears a thumb pick. He is dressed in a jacket and brimmed hat. Behind him is a wall adorned with a patterned fabric drape and a calendar. Photograph is undated","Black and white photograph, portrait of Wilmer Benjamin Henry. He is posed seated in front of a blank fabric backdrop and pictured from the waist up. His hands are resting in his lap, and he wears a suit and tie. Behind him, in the bottom of the photo, what appears to be wrinkles or a fabric texture are visible in the backdrop. Photograph is undated","Memorial page for Wilmer Benjamin Henry, appears to be from a funeral program or similar document. Featured on the page is a black and white portrait photograph of Wilmer Benjamin Henry: the same photograph as \"Portrait photograph of Wilmer Benjamin Henry\" (ABFR-23-037-085). Typescript text under the photograph reads, \"Wilmer B. Henry, Sunrise: February 22, 1898, Sunset: December 26, 1981, My Grand Father's Legacy, Believe in GOD, Work Hard, Take Care of Your Family, Live a Righteous Life.\"","Digital surrogates of materials documenting the Willis family","Photocopy of a newsclipping from a local newspaper featuring a photograph of Sheila Willis. Photograph depicts two women standing on either side of a library circulation desk. The library staff member appears to be assisting the patron to check out books. Which woman is Sheila Willis has not been identified. Most of the article accompanying the photograph is cut off in the clipping, but seems to be an article about Alexandria Library. Clipping is dated 25 April 1968","Digital surrogates of family history materials documenting the Lyles and Dorsey families","Scrapbook documenting the history of the Lyles and Dorsey families. Scrapbook includes photographs, postcards, artwork, and ephemera dating from 1800 through 2015."],"userestrict_html_tesm":["\u003cp\u003eThe materials in this collection are protected by copyright and/or other intellectual property rights. Permission must be obtained from the rights-holder(s) for uses beyond those permitted under the \"Fair Use\" doctrine of the U.S. Copyright Act (17 U.S.C § 107). Contact Local History / Special Collections staff for more information. \u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"http://rightsstatements.org/vocab/InC/1.0/\"\u003e http://rightsstatements.org/vocab/InC/1.0/\u003c/a\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The materials in this collection are protected by copyright and/or other intellectual property rights. Permission must be obtained from the rights-holder(s) for uses beyond those permitted under the \"Fair Use\" doctrine of the U.S. Copyright Act (17 U.S.C § 107). Contact Local History / Special Collections staff for more information. "," http://rightsstatements.org/vocab/InC/1.0/"],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Dunbar High School (Washington, D.C.)","Bah, Char McCargo"],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library","Dunbar High School (Washington, D.C.)"],"persname_ssim":["Bah, Char McCargo"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1499,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:00:29.975Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_172_c11_c31"}},{"id":"viu_repositories_3_resources_724_c08_c04_c101","type":"File","attributes":{"title":"1922 Anthracite Coal Case - Russell Sage Foundation: Pittsburgh Wage Earning and Other Pennsylvania Surveys","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_724_c08_c04_c101#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_724_c08_c04_c101","ref_ssm":["viu_repositories_3_resources_724_c08_c04_c101"],"id":"viu_repositories_3_resources_724_c08_c04_c101","ead_ssi":"viu_repositories_3_resources_724","_root_":"viu_repositories_3_resources_724","_nest_parent_":"viu_repositories_3_resources_724_c08_c04","parent_ssi":"viu_repositories_3_resources_724_c08_c04","parent_ssim":["viu_repositories_3_resources_724","viu_repositories_3_resources_724_c08","viu_repositories_3_resources_724_c08_c04"],"parent_ids_ssim":["viu_repositories_3_resources_724","viu_repositories_3_resources_724_c08","viu_repositories_3_resources_724_c08_c04"],"parent_unittitles_ssm":["W. Jett Lauck papers","Cases","Coal Cases of 1922"],"parent_unittitles_tesim":["W. Jett Lauck papers","Cases","Coal Cases of 1922"],"text":["W. Jett Lauck papers","Cases","Coal Cases of 1922","1922 Anthracite Coal Case - Russell Sage Foundation: Pittsburgh Wage Earning and Other Pennsylvania Surveys","box 183","folder 18"],"title_filing_ssi":"1922 Anthracite Coal Case - Russell Sage Foundation: Pittsburgh Wage Earning and Other Pennsylvania Surveys","title_ssm":["1922 Anthracite Coal Case - Russell Sage Foundation: Pittsburgh Wage Earning and Other Pennsylvania Surveys"],"title_tesim":["1922 Anthracite Coal Case - Russell Sage Foundation: Pittsburgh Wage Earning and Other Pennsylvania Surveys"],"unitdate_bulk_ssim":["1906, 1909-1920"],"normalized_title_ssm":["1922 Anthracite Coal Case - Russell Sage Foundation: Pittsburgh Wage Earning and Other Pennsylvania Surveys"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["W. Jett Lauck papers"],"extent_ssm":["1 folder(s)"],"extent_tesim":["1 folder(s)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1562,"parent_access_restrict_tesm":["Work diaries used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date in Boxes 216-219. Due to their fragile condition, access to the original diaries is restricted. Researchers should use the diaries on microfilm M-1239-1241."],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920],"containers_ssim":["box 183","folder 18"],"_nest_path_":"/components#7/components#3/components#100","timestamp":"2026-05-20T23:56:56.558Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_724","ead_ssi":"viu_repositories_3_resources_724","_root_":"viu_repositories_3_resources_724","_nest_parent_":"viu_repositories_3_resources_724","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_724.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/105255","title_filing_ssi":"Lauck, W. Jett, papers","title_ssm":["W. Jett Lauck papers"],"title_tesim":["W. Jett Lauck papers"],"unitdate_ssm":["circa 1900-1952"],"unitdate_inclusive_ssm":["circa 1900-1952"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 4742","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/724"],"text":["MSS 4742","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/724","W. Jett Lauck papers","Lewis, John L. (John Llewellyn), 1880-1969","World War, 1939-1945","New Deal, 1933-1939","Depressions - 1929","United Mine Workers of America","Labor unions","American Association for Economic Freedom","Anthracite coal--Pennsylvania","Railroads -- History","Railroads","Electric railroads","World War, 1914-1918","Economics","Work diaries used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date in Boxes 216-219. Due to their fragile condition, access to the original diaries is restricted. Researchers should use the diaries on microfilm M-1239-1241.","Student grades were removed from the file and placed in the control folder box for MSS 4742.","There are fifteen series in this collection. The two largest series are the Cases and Topical series. The majority of series have at least two subseries. Lauck had created two earlier indexes to his files and they were used to shape the current re-organization of the collection, particularly concerning the case files. Some of the decisions concerning arrangement were made due to the difficulties of completing the processing of the W. Jett Lauck papers during the Pandemic of 2020-2021. ","An Outline of the Arrangement is as follows: Series 1) Correspondence (Boxes 1-16); Series 2) American Association for Economic Freedom (Boxes 17-37 and Card files boxes 1-12); Series 3) National War Labor Board (Boxes 38-56); Series 4) Congress of Industrial Organizations (Boxes 57-67); Series 5) Commission on Industrial Relations (Boxes 68-72); Series 6) Articles, Memoranda, and Speeches by W. Jett Lauck (Boxes 73-91) with Subseries A) Work created by W. Jett Lauck for use by himself (Boxes 73-91), Subseries B) Work created by W. Jett Lauck for other people to use (Boxes 82-88), and Subseries C) Banking Monograph by W. Jett Lauck (Boxes 89-91); Series 7) Pennsylvania Anthracite Coal Commission (Boxes 92-103); Series 8) Cases (Boxes 104-204) with  Subseries A) Railroad (Boxes 104-146), Subseries B) General (Boxes 147-169), and Subseries C) Coal (Boxes 170-204); Series 9) Arbitrations (Boxes 205-211); Series 10) Dockets and Other Records of Work by W. Jett Lauck (Boxes 212-219); Series 11) Personal, Financial and Miscellany Papers (Boxes 220-233) with Subseries A) Financial Correspondence and Files (Boxes 220-225), Subseries B) Bureau of Applied Economics (Boxes 225-226), Subseries C) College Notes and School Papers (Boxes 227-230), and Subseries D) Notes, Notebooks, Photographs, Post cards and Miscellany (Boxes 230-233); Series 12) The National Recovery Act and National Recovery Administration (Boxes 234-241) with Subseries A) General Files (Boxes 234-238) and Subseries B) National Recovery Administration Codes (Boxes 238-241); Series 13) Oversize Scrapbook Volumes of Newspaper Clippings and News clippings Files with Subseries A) Scrapbooks (Boxes 242-252) and Subseries B) News clipping Files (Boxes 253-257); Series 14) Topical Files with Subseries A) Coal (Boxes 258-270), Subseries B) Railroad (Boxes 271-287), and Subseries C) General A-Z (Boxes 288-389); and Series 15) Printed Material and Works by Others (Boxes 389-399) with Subseries A) Printed Material (Boxes 389-396) and Subseries B) Works by Others (Boxes 397-399).","Lauck often marked his newspapers and other periodical materials according to subject matter. These clippings are arranged according to his original categorical markings, where possible. Where no markings are discernable, they have been artificially sorted into Lauck's categories or other appropriate topical divisions. They are arranged alphabetically by subject with dedicated, separate folders for subjects with large amounts of material. (Brackets [] denote subtopics or linked topics). Files chiefly consist of news clippings but occasionally there is other printed material or charts, etc.","Arranged alphabetically by last name of authors or speakers with subjects noted, if appropriate.","William Jett Lauck, an American economist and statistician, whose work expertise and experience was both broad and varied, was born on August 2, 1879, in Keyser, West Virginia, to William Blackford Lauck, a railway official, and Emma Eltinge (Spengler) Lauck. He attended Keyser High School and Washington and Lee University (Bachelor of Arts, 1903), becoming a Fellow in the department of political economy at the University of Chicago, 1903-1906. Lauck was an associate professor of economics and political science at Washington and Lee University, 1905-1908, until he entered government service in 1908. That same year, he was married to Eleanor Moore Dunlap of Lexington, Virginia, and they had three children, William Jett Lauck, Jr., Eleanor Moore Lauck and Peter Blackford Lauck. Lauck belonged to the Cosmos and Chevy Chase clubs and was a member of Phi Beta Kappa, Kappa Sigma, and Theta Nu Epsilon.","Lauck joining the United States Immigration Commission in 1908-1909, where he designed a survey of immigration for the Commission. Lauck was the chief examiner for the Tariff Board, 1910-1911. The U.S. Commission on Industrial Relations hired Lauck in 1913-1915 as a managerial expert and consulting statistician to design their investigation into industrial problems in the United States. He was an economic advisor on the Canadian Commission on Economic Development, 1916. Lauck joined the U.S. National War Labor Board in 1918 as Secretary. ","Lauck also took part in the national movement for banking reform and the establishment of the Federal Reserve banking system1911-1912. As an expert on railway economics, he represented the Brotherhoods of Locomotive Firemen and Engineers in their demands for wage increases during a series of arbitrations from 1912-1919, the Western freight weight case, 1915, and also represented the railroad unions in several high-profile national railroad arbitrations in the early twenties. Lauck functioned as the economic advisor for presidential candidate James B. Cox in 1920 and 1924. In 1926, Lauck devised a settlement to end the Passaic New Jersey textile strike. ","During a large part of his career, W. Jett Lauck acted as an economic advisor to John L. Lewis and the United Mine Workers, the Committee on Industrial Organization, the United Automobile Workers and other union organizations, in arbitrations and cases, 1919-1939. He was an investigator for the U.S. Coal Commission, 1923 and economist for the Grain Marketing Company, Chicago, 1924-1925. Lauck assisted on the legislative drafting committee for the National Recovery Act in 1933 and as an expert advisor to the Senate Finance Committee on the revision of the National Recovery Act in 1935. He was also a member of various special boards, and a labor advisor to the Coal Section of the National Recovery Act, 1933-1935. He was also often a government expert witness, as seen in his work for the House of Representatives Special Committee on Government Competition with Private Business, 1933. Lauck served as Chairman of the Pennsylvania Anthracite Industry Coal Commission, 1937. ","Lauck was Vice President of the organization American Association for Economic Freedom. He was also an author or co-author of many books and other publications, including \"The Causes of the Panic of 1893\" (1905); \"The Immigration Problem\" with Johann Wolfgang Jenks (1911); \"Conditions of Labor in American Industries\" with Edgar Sydenstricker (1917); \"The Industrial Code\" with C.S. Watts (1923); Political and Industrial Democracy, 1776-1926\" (1926); and \"The New Industrial Revolution and Wages\" (1929) and Editor of \"British War Experience Series.\"","\"W. Jett Lauck: Biography of a Reformer\" by Carmen Brissette Grayson is a 1975 University of Virginia dissertation that covers the early part of Lauck's career up until the Depression.","\"The Congress of Industrial Organizations (CIO) was a federation of unions that organized workers in industrial unions in the United States and Canada from 1935 to 1955. Created in 1935 by John L. Lewis, who was a part of the United Mine Workers (UMW), it was originally called the Committee for Industrial Organization but changed its name in 1938 when it broke away from the American Federation of Labor.[1] It also changed names because it was not successful with organizing unskilled workers with the AFL.[2]","The CIO supported Franklin D. Roosevelt and the New Deal Coalition, and was open to African Americans. Both the CIO and its rival the AFL grew rapidly during the Great Depression. The rivalry for dominance was bitter and sometimes violent. The CIO (Congress for Industrial Organization) was founded on November 9, 1935, by eight international unions belonging to the American Federation of Labor.","In its statement of purpose, the CIO said it had formed to encourage the AFL to organize workers in mass production industries along industrial union lines. The CIO failed to change AFL policy from within. On September 10, 1936, the AFL suspended all 10 CIO unions (two more had joined in the previous year). In 1938, these unions formed the Congress of Industrial Organizations as a rival labor federation. The Taft-Hartley Act of 1947 required union leaders to swear that they were not Communists. Many CIO leaders refused to obey that requirement, later found unconstitutional. In 1955, the CIO rejoined the AFL, forming the new entity known as the American Federation of Labor-Congress of Industrial Organizations (AFL-CIO).\" This summary was taken directly from Wikipedia ","https://en.wikipedia.org/wiki/Congress_of_Industrial_Organizations","The Wage Reduction Case was brought by William S. Carter, President of the Brotherhood of Locomotive Firemen and Enginemen, originally against the Atlanta, Birmingham, and Atlantic Railway Company, before the United States Railroad Labor Board, but it eventually became a much larger case involving other Brotherhoods and Unions concerning railroad workers and wages.","Timothy Shea was the Acting President of the Brotherhood of Locomotive Firemen and Enginemen between 1919-1922 .","The Six Hour Day Case was also referred to as the 30 Hour Week in the press and in supporting materials. The work was undertaken by Lauck for David B. Robertson, President of the Brotherhood of Locomotive Firemen and Enginemen.","This case was brought by the Brotherhood of Locomotive Firemen and Enginemen demanding that a fireman (helper) be employed on all types of power used in railroad service for safety, including diesel and streamline trains.","The Railway Wage Reduction Case of 1938 was presented before the Emergency Board by W. Jett Lauck on behalf of the Railway Labor Executives' Association.","This case was a call for amendment to the Tariff Act of 1922. Lauck represented a group of domestic manufacturers, including the Glass Containers Association of America, in putting together an argument for an increase in tariffs on imported glass bottles. It is important to note that Lauck did not represent industry in opposition to labor. The Glass Bottles Blowers Association submitted a brief agreeing with the domestic manufacturers, —but only in opposition to foreign goods making American industry and labor obsolete.","The Grain Marketing Company was created to jointly market the product of three grain companies: Armour Grain Company, Rosenbaum Grain Corporation, and Rosenbaum Brothers. W. Jett Lauck served as Director of Appraisals for this venture, preparing a large report on the valuation of the Grain Marketing Company's properties. This report was reproduced in many, slightly altered formats for different purposes, people, and groups, and these variants are the subject of many folders in the case, which contain significant overlap.","The Agricultural Adjustment Administration implemented a new tax on paper towels. The reason given was that they competed with typical cotton towels. W. Jett Lauck advised the Paper Towel Manufacturers Association and prepared their case before the Agricultural Adjustment Administration and Congress.","Some 16,000 textile workers participated in the strike, centered in Passaic, New Jersey and initially organized as the \"United Front Committee\" by the Workers (Communist Party) before being transferred to the leadership of the American Federation of Labor. W. Jett Lauck served as a consulting economist to the strikers, chairman of the Plenary Committee (also known as The Citizens Committee or the Lauck Committee) representing the strikers and overseeing transition to the American Federation of Labor, economist for the National Committee for Passaic Relief and Defense, and member of the Temporary Committee for Establishment of American Standards of Life for Textile Workers, as well as participated in the case on the floor of the Senate and in Senate Committees.","This case was between the Franklin Division of the Franklin Typothetae of Chicago and a collection of unions, namely: the Chicago Typographical Union No. 16, Chicago Printing Pressmen's Union No. 3, Franklin Union No. 4, and Bookbinders' and Paper Cutters' Union No. 8 regarding a cut in wages. W. Jett Lauck represented the unions and prepared their case alongside Arthur Sturgis.","The Guffey-Snyder Act was officially known as the Bituminous Coal Conservation Act of 1935. This law was passed as part of the New Deal and created the Bituminous Coal Commission to set the price of coal. It was ruled unconstitutional and was replaced by the Guffey-Vinson Act in 1937.","Pujo Committe named after the chairman of the Banking and Currency Committee, Representative A. Pujo of Louisiana.","Eugene Meyer was Governor of the Federal Reserve Board and J.W. Pole was Comptroller of the Currency in 1932.","This committee was chaired by Congressman Joseph B. Shannon, (1867-1943), a Democrat from Kansas City, Missouri.","P.J. Morrin was the general president of the International Association of Bridge, Structural, and Iron Workers; Jett Lauck was the economic advisor for the same organization.","The original letters from Franklin D. Roosevelt to W. Jett Lauck were transferred to the UVA Special Collections Franklin D. Roosevelt papers, on February 6, 2005.","The original letters from Upton Sinclair to W. Jett Lauck were transferred to the UVA Special Collections Upton Sinclair papers on February 6, 2005.","The original letters from William H. Taft to W. Jett Lauck were transferred to the UVA Special Collections William H. Taft papers on February 6, 2005.","Manuscript student assistants who worked on the W. Jett Lauck papers for at least one semester include Jacob M. Baker, Shannon Lee, Jacob T. Shaw, and Emily Shipman.","Only two copies of identical duplicates having no annotations were kept. Duplicates were compared and only two were kept of each unique document or publication.  News clippings were only copied if used by Lauck in a case or arbitration, contained an article or other work by him, or information pertaining to his work and career. Others were sorted and arranged by topcs that he had written on the clipping; those with no obvious relevance were discarded. Ledgers and scrapbooks were rehoused in acid free cubic boxes or phase boxes created by the Preservation staff.","Originally the papers were organized with the help of a University of Virginia history seminar sometime between their transfer to Special Collections from the Law Library and 1973, producing a large paper finding aid consisting of the list of the file folder headings. Folders were replaced near the end of the 1990's but some folder headings were lost or corrupted. In 2018, the papers were re-organized into series based on several early indexes created by the office of W. Jett Lauck. Folder headings were corrected based on the indexes, the original paper finding aid, and Lauck's notations on the tops of his documents. Headings were altered on the folders when possible to match the finding aid but only some of the folders were replaced due to constraints of time and money.","Physical processing work was complicated by constant student assistant turn-over and the interruption of the Pandemic of 2020-2021, which prevented onsite work for almost six months and allowed only several onsite short stints per week  the rest of the time. The finding aid is as accurate as these conditions have permitted but there may well be inconsistencies. If such errors are discovered, we welcome researcher input.","Most dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.","Most dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.","The index for this case shows that the supporting materials are incomplete. Some materials may have not survived or others may be present in the collection but their direct connection to this particular case has been lost.","See related material in Box 9 under John L. Lewis.","See also Press Releases: Philip Murray Opening Statement and Final Argument.","See related materials in MSS 4742 Box 192.","See also James Couzens files in MSS 4742, Box 308.","Profiteering files include: Exhibits (2 folders); Food Products; Flour; General; and Industrial Establishment (2 folders).","The W. Jett Lauck collection consists of his professional, business and personal papers as an economist, statistician and government consultant on immigration, banking, railroads, coal, and unemployment problems as well as other facets of labor in the United States. Included are correspondence, scrapbooks of news clippings reflecting his activities, labor reports and studies, drafts of congressional bills, legal briefs, and other material concerning labor problems in the United States from its formative World War I years until 1949. They begin with his association with the progressive labor codes of the Taft-Walsh Labor Relations Commission and continue with the Railway Labor Act of 1926; the fight to gain recognition of labor's right to collective bargaining \"through representatives of their own choosing\" under the National Industrial Recovery Act in 1933; the incorporation of its principles in the National Labor Relations Act; and further activity in defense of this act.","Other manuscripts deal with studies of government competition with private business, the American Association for Economic Freedom, the New York Power Authority; branch, chain, and group banking, drafts of speeches, and work diary accounts of activities and meetings with prominent congressional and labor leaders on labor problems and legislation.","The largest portions of the W. Jett Lauck papers deal with cases and arbitrations, chiefly railroad and coal related, his work on various boards and commission and topical files.","His correspondence with individuals heading organizations interested in labor and industrial relations was wide-spread, just as it was with political figures, educators, and labor leaders.\n Among the public figures with whom he corresponded are Bernard Baruch, Homer S. Cummings, Clarence A. Dystra, John T. Flynn, Guy M. Gillette, Leon Henderson, Herbert Hoover, Hugh S. Johnson, Jesse Jones, William S. Knudsen, Robert M. Fa Follette, Jr., Franklin K. Lane, John L. Lewis,  H.C. Lodge, Jr., William G. McAdoo, James M. Mead, Francis P. Miller, Henry Morgenthau, Karl E. Mundt, Donald Nelson, Judge Ferdinand Pecora, Frances Perkins, Gifford Pinchot, James H. Price, Franklin D. Roosevelt, E.R. Stettinius, Jr., Robert F. Wagner, David I. Walsh, Burton K. Wheeler, and Woodrow Wilson.\nThe educators include Hardy Dillard, Edward C. Elliot, Frank Graham, J.W. Jenks, Richard R. Mead, Lewis Tyree, Harry F. Ward, H.B. Wells, and Ray Lyman Wilbur; and the labor leaders Jacob Baker, Solomon Barkin, Van A. Bittner, Sophia Carey, David Dubinsky, P.T. Fagan, John P. Frey, William Green, Sydney Hillman, Earl E. Houck, Thomas Kennedy, Donald MacMillan, and A.O. Wharton.","This series consists chiefly of correspondence but also includes typescripts of speeches by individuals, and financial and other information about organizations.","Correspondents include:  E. Abbott, Louis Adamic, Adrian Adelman, Sara M. Addison, Joseph Agor, Helen Alfred, Fred H. Allen, Irving B. Altman (editor of \"Dynamic America\"), Aluminum Workers of America, Amalgamated Association of Street and Electric Railway Employees, American Association for Labor Legislation, American Association for Social Security, American Council, American Council on Public Affairs, American Farm Bureau Federation, American Guernsey Cattle Club, American Institute for Economic Research, The American Legion, American Political Science Association, American Sugar Cane League, Americana Corporation concerning Lauck's article on United Mine Workers of America, Thomas R. Amlie, Dr. James W. Angell, Charles P. Anson, \"Atlantic Monthly,\" Paul H. Appleby, Leon Ardzrooni (about the death of Thorstein Veblen), Mr. O.M. Armstrong, and Robert W. Arthur.","Correspondents include: Jacob Baker, Kent Baker, Bank of the Manhattan Company, Mary Barclay, A. K. Barnes, Joseph L. Barnett, Gerald Barradas, Barron's (The National Financial Weekly), John Barth, Mrs. Everett Boughton, Mrs. Robert Bennett Bean, Grant L. Bell, William H. Bell, Harold F. Berg, Nelson N. Berry, S. D. Berry, Jacob Billikoph, Margaret G. B. Blachley, James E. Black, Honorable William Harman Black,  Amy Blankenhorn, Heber Blankenhorn, Dr. Thomas C. Blaisdell, Jr., Ellis P. Block, John A. Bohn, E.W.G. Boogher, Book-of-The-Month Club, Inc., Judge Julian F. Bouchelle, Basil Nicholas Helenagoras Bousios, Fenton Bradford, C. Daniel Bremer, Samuel Bristol, G.L. Broaddus, St. Claire Brookes, The Brookings Institution, Herbert Bruce Brougham, E. Kirk Brown, Law Offices of Brown and Brown, H. Russel Brand, Carl P. Brannin, Selig C. Brez, P.F. Brissenden, Professor Leslie Buckler, Raymond Leslie Buell, John Bullock, Bureau of Agricultural Economics, Bureau of Applied Economics, The Bureau of National Affairs, Harold B. Butler, John E. Burton, J.C. Byars, Herman B. Byer, and Reverend James A. Byrnes.","Correspondents include: [Cadle], Jessie L. Campbell, R. Granville Campbell, The Capital News Company,Sophia Carey, Harry J. Carman, J.D. Carneal and Sons Inc.,  Caroline County Library Committee, M.D. Carrel, Samuel McCrea Cavert, The Chesapeake and Ohio Railway Company, The Chesapeake and Potomac Telephone Company, Mrs. Charlotte Chrestien, The Christian Science Publishing Society, Citizens' Council for Total Defense, Brice Claggett, V.M. Clapp, Clark, Dodge and Company, Brokers, Evans Clark, Victor S. Clark, W. A. Clark, Pauline Clarke, J. William Claudy, Thompson Clayton, Dr. Rudolph A. Clemen, Walt Clyde, The Clerk of the Stafford Court House, E.J. Coil, Kenneth Colegrove, George P. Comer, Department of Commerce, Commodity Research Bureau, Inc., Common Council for American Unity, Ellen Commons, Congressional Intelligence, Inc., Consolidated Vultee American Aircraft Corporation, Dr. P. S. Constantinople, W. Dewey Cooke, Edward L. Corbett, James Corbett, John M. Corbett, Council Against Intolerance in America, Council of Young Southerners, Frederick C. Croxton, Cosmos Club, Morgan Cunningham, and Curles Neck Dairy.","Correspondents include: Oscar H. Darter, Henry David, Elmer Davis, Shelby Cullom Davis, William H. Davis, Len De Caux, Kenneth de Courcy, De Jarnette State Sanatorium, Lud Denny, United States Department of Commerce, Marshall E. Dimock (U.S. DoJ), District Unemployment Compensation Board, Edward J. Donohue, Frank P. Douglass, Law Offices of Drain and Weaver, David Dubinsky, Allan Dunlap, Arthur Dunn, Robert W. Dunn, and C. A. Dykstra.","Correspondents include: Joseph B. Eastman, Economic Policy Committee, C. Vernon Eddy, J. A. Efpokito, Gerald Egan, Electric Home and Farm Authority, and Charles T. Estes.","Correspondents include: P. T. Fagan, Reverend Richard M. Fagley, Ruth Ansell Farley, The Farmers and Merchants State Bank, The Federal Council of the Churches of Christ in America, Federal Works Progress Administration for the Commonwealth of Pennsylvania, First Bancredit Corporation, First National Bank of Boston, The First National Bank of Keyser, Fjell Line of Great Lakes Transatlantic, Inc., Ralph Fleharty, R. D. Fleming, Courtney Fletcher, Duncan U. Fletcher, M. S. Flint, Frank H. Fljozdal, Fitzgerald Flourney, Hon. Edward J. Flynn, John T. Flynn, Foley, Food Research Institute of Stanford University, B.C. Forbes (Forbes Magazine), R. D. Forbes, Forbes and Myers, Foreign Policy Association, Clark Forman, Fortune, The Forum, Major B. Foster, Founders General Corporation, Mrs. M. N. Fox, Jerome Frank, Frank Brothers, Lafayette Franklin, Franklin Press, Franklin Simon Company, T. McCall Frazier, Free Lance-Star, W. R. Freeman, Paul Comly French, John P. Frey, Elisha M. Friedman, Ruth Friedson, and R. S. Fritter.","Correspondents include: Domenico Gagliardo, George B. Galloway, O. Max Gardner, Honorable Leslie C. Garnett, William Edward Garnett, Stanley Garrison, H. Dymoke Gasson, Paul W. Gates, Gayle Motor Company, Theodore Geiger, Phyliss Geisler, General Elevator Co., General Motors Corporation, Alfred Giardino, Clinton S. Golden, Clem Goodman, Henry J. Goodman \u0026 Co., C. O'Connor Goolrick, John T. Goolrick, Mary K. Gorman, Frank P. Graham, Sally Nelson Gravatt, Walter C. Graves Jr., H. A. Gray, Lanier Gray, H. B. Greybill, Myra Moore Griffith, J. Cleveland Grigsby, Sarah Groomes, Guthrie Lithograph Company, and Walter B. Guy.","Correspondents include: Ernst Haberstadt, Max Haleff, Ford P. Hall, Fred W. Hall, F. S. Hall, Edward W. Hamilton, H. E. Hamilton, Hampden-Sydney College, Hugh S. Hanna, Charles Hansel, William Hard, Harper and Brothers, Emma Harris, Owen Harris, Harvard College Library, Leon Henderson, S.J Henry, Warren F. Hickernell, R. G. Hilldrup, Otto Hillsman and Co., Mary W. Hillyer, S. H. Hines Company, David Hirsh and Son, H. C. Holdridge, Hoover War Library, Herbert Hoover, Harry L. Hopkins, Welly K. Hopkins, Dr. W. E. Hotchkiss, Curtis Hubbard, J.S. Hughes, W. A. Hull, and Thomas Lomax Hunter.","Correspondents include: Major William W. Inglis, Institute of American Meat Packers, Institute of World Economics, International Bank, International Statistical Bureau, Inc., Interstate Bankers Corporation, Investment Bankers Association of America, and Irving Trust Company.","Correspondents include: Gardner Jackson, Meyer Jacobstein, Jjell Lines, Thomas Jefferson (typescript copy of letter, June 11, 1807, concerning newspapers and histories), J. M. Johnson, Honorable Jessie Jones, Roberts W. Jones, N.Y. Journal of Commerce, and The Jury Commission.","Correspondents include: Evelyn Kane, Kappa Sigma House Association, Inc., Augustine B. Kelley, Leon H. Keyserling, Susan M. Kingsbury, Dr. George E. Kingsley, Richard Kirby, John H. Klingenfeld, and Oscar Koppel.","Correspondents include: LABOR, Ladies' Garment Workers Union, (William H. Lamar), Sophia J. Lammers, H. Lamson, Richard V. Lancaster, Thomas Larkin III, Joseph P. Lash, David Lasser, Howard Lee, Joseph N. Leinbach, Albert H. Levene, Robert E. Levine, Charles T. Libby, David E. Lilienthal, The Lincoln National Bank of Washington, Ernest K. Lindley, Geo. W. Linkins, Co., Irving Lipkowitz, Henry T. Lipman, Thomas E. Lodge, Stephen M. Loebl, Norman Lombard, W. C. Looker, Jr., Edward Lynch, and Barrow Lyons.","Topics include: American Legion Convention (1945); Committee for Industrial Organization Procedure and Policy (1935-1936); C.I.O. A.F.L. (1940); Congressman Martin and Mr. MacDougall (1939 March 3); Farmington Conference- War Time Organization Planned by the Administration (1939); Fixation of Coal Prices, Memos Relative to (1939); Fortune Magazine's Conferences or Round Tables (1939); Income Tax Returns of Lewis, J. L. (1940-1941); The Inner Circle (1942 Feb 11); Inter-American Bank (1940); Lindberg on \"Preparedness\" (1940); Missouri Pacific Bonds (1941-1942); National Defense to Post-War Planning (1942-1945); Oil and Gas on a Basis of Equality with Coal (1939); A Plan for Economic Democracy - Article written by Major Holdridge (1939); A Plan for Solving the Economic Crisis by Dr. R.H. Von Liedtke (1937-1941); \"Prohibiting\" Strikes for the Emergency Period (1940); James L. Simpson \"Plan for Maintenance of Economic Balance and Security\" (1940);  The Townsend Plan and Mr. Ivan Towanski (1942); Union Shop and Mr. Leland Olds (1941 November 14); United Mine Workers Suggested Program (1934-1935); War Against Unemployment and Poverty (1940 January 10); Threatened  Competition of Natural Gas with Coal (1944 December 5); and Big Inch Pipe Lines and the Rural Electrification Administration (1946 January 14).","Correspondents include: Bishop Francis J. McConnell, William MacDonald, Ernst D. MacDougall, Donald MacMillan, W. C. MacQuown, R. A. Magowan, Edward C. Maguire, Elizabeth M. Maher, Mason Manghum, Maxwell J. Mangold, Bank of the Manhattan Company, Basil Manly, L. C. Marshall, Thomas O. Marvin, Maryland and District of Columbia Industrial Union Council, Maryland Title and Investment Company, Lucy Randolph Mason, Massachusetts Mutual Life Insurance Company, The Bank of Mathews, Inc., Honorable Maury Maverick, Herbert Mazo, Charles McCarthy, Summerfield A. McCarteney, Bishop Francis J. McConnell, Wm. P. McGinn, Edw. F. McGrady, McGraw-Hill Publishing Company-Inc., Ernest D. McIver, Dr. Archibald McLeish, Thomas P. McTigue, Honorable James M. Mead, Richard R. Mead, Royal D. Mead, D. J. Meserole, Eugene Meyer, Jr.,  Francis Pickens Miller, Francis Trevelyan Miller, Ward B. Miller, H. A. Millis, The Milwaukee Journal, Mine Official's Union of America, John J. Minor, George Minnigerode, William Mitch, Wesley C. Mitchell, R. C. L. Moncure, Jr., Monroe and Berry, C. D. Montague, Jean Montgomery, Monthly Labor Review, Robert Morey, Charles S. Morgan, H. W. Morgan, Marie Morris, J. H. Muirhead, Honorable Karl E. Mundt, and Gorham Munson.","Correspondents include: William R. Nagel, Leonard Nairn, Dr. Philip Curtin Nash, Nash Floor Service, A. Nash Tailoring Company, Natalie, Inc., The Nation, The National Association for the Advancement of Colored People, National Association of Manufacturers, National Association of Retired Federal Employees, The National Bank, National Bank of Orange, National Bank of the Republic, National Bank of Washington, National Bituminous Coal Commission, National Broadcasting Company, Inc., National Bureau of Economic Research, National Catholic Welfare Conference, National Child Labor Committee, National Citizen's Council For Defense, The National City Bank of New York, National Cold Steam Company, National Consumers' League, National Council for Prevention of War, National Defense Mediation Board, National Electric Light Association, The National Encyclopedia, National Labor Relations Board, National Lawyers Guild, National Life Insurance Company, National Planning Association, National Resources Planning Board, National Policy Committee, National Press Club, National Recovery Administration, National Resources Board, National Sharecroppers Week, National Window and Office Cleaning Company, National Women's Trade Union League of America, Nation's Business, Nation's Commerce, J. S. Naylor, Donald Nelson, New America, The New Republic, Newsweek, W. S. Newton, The New York Times, George W. Norris, Cecil C. North, The Northern Neck Mutual Fire Association of Virginia, Claudian B. Northrop, and Harold Bernard November.","Correspondents include: Charlton Ogburn, William F. Ogburn, J. G. Ohsol, Joseph C. O'Mahoney, Organization Committee of Social Union, Inc., Mary O'Shaughnessy, William Owen, and John W. Owens.","Correspondents include: Pabst Post-War Employment Awards, A. H. Packard, C. C. Packard, Florence E. Parker, The Parker Corporation, Julius H. Parmelee, Col. Samuel Pascoe, Leo Pavolsky, M. W. Paxton, Jr., Walter Phipes, George Curtis Peck, Ferdinand Pecora, William R. Pendergast, Willis Pepoon, Fred W. Perkins, Thomas W. Perry, Charles E. Persons, Samuel B. Pettengill, Julius I. Peyser, L. W. H. Peyton, David A. Pine, David W. Pipes Jr., Fort Pipes, W. G. Pitero, P.M., Justine Wise Polier, Shad Polier, Wm. T. Powers, Richard T. Pratt, Prentice-Hall, Inc., Evelyn Preston, Harry B. Price, James H. Price, Provisional Committee Toward A Democratic Peace, and Public Affairs Committee.","Correspondents include: Railway Age, Ransdell Inc., Mervyn Rathborne, Stephen Rauschenbush, Carl Raushenbush, The Readers Club, Philip M. Riefkin, Charles S. Robb, James Robb, Newell W. Roberts, D. B. Robertson, Mr. Robey, John M. Robinson, Leland Rex Robinson, Josephine Roche, Rockbridge National Bank, John D. Rockefeller, Jr., Harry L. Rogers, Paul V. Rogers, William N. Rogers, Henry Romeike, Incorporated, Samuel Romer, Walter A. Romer, Leon H. Rouse (with William Green),  Rouss Library, Frances Rowe, and Harold J. Ruttenberg.","Correspondents include: Russell Sage, Lewis D. Sampson, Samuel L. Samuel, Dr. David J. Saposs, Saturday Evening Post, Marshall Schaffer, D. M. Schnapper, L. B. Schnapper, Joseph Schneider, G. Luther Schnur, James T. Shotwell, H. L. Schuh, Montgomery Schuyler, Louis J. Schwab, Henry Herman Schwartz, Ray Scott, Charles Scribner's Sons, Seaboard Air Line Railway Company, Joel Seidman, Shaw-Walker, Chester Shepard, Chester Sheppard, R. T. Shields, Silcox Memorial Fund, Simmons-Boardman Publishing Corporation, Sidney Simon, Richard C. Simonson, John F. Sinclair, Anthony Wayne Smith, C. Archer Smith, Edwin S. Smith, Nelson Lee Smith, S. Granville Smith, Vernon D. Smith, Bernard A. Smyth, H. M. Snead, Jr., Social Union, Inc., The Society for the Advancement of Management, Inc., John E. W. Sohl, L. W. Sorrell, Southern Conference for Human Welfare, Southern Maryland Trust Company, Mr. Sovey, Alexander Spencer, Sphere, R. B. Spindle, George L. Sprague, Saint Albans, Margaret S. Stables, William H. Stafford, Stafford County, Standard Oil Company, Stanford University Library, Louis Stark, State Loan Company, State Teachers College, Henry M. Stephenson, STEEL, Steel Workers Organizing Committee, A. A. Steele, Jean Stephenson, Jos. G. Stephenson, Boris Stern, Harold Stern, E. R. Stettinius, W. M. Steuart, Harry H. Stockfeld, W. L. Stoddard, Benjamin Stolberg, Irving Stone, N. L. Stone, William T. Stone, Chas. G. Stott and Co., Inc., Paul A. Strachan, David Strain, Ralph Strathmore, Nathan Straus, John Studebaker, Ralph G. Sucher, Arthur E. Suffern, Superintendent of Documents (Government Printing Office), Elmer Swack, Paul E. Switzer, Alois P. Swoboda, and Mr. Sydenstricker.","Correspondents include: Ivan Tarnowsky, Tax Policy League, Ordway Tead, Tennessee Valley Authority (Representative Noble J. Gregory), Percy Tetlow, Dorothy Thompson, TIME MAGAZINE, Daniel J. Tobin, John H. Tolan, The Travelers Insurance Company, Beverly Tucker, Henry Saint George Tucker, Earl R. Turner, and The Twentieth Century Fund.","Correspondents include: Alfred P. Wagner, Gordon Wagner, Robert F. Wagner, Thomas C. G. Wagner, J. Forest Walker, Allan E. Walker and Company, George A. Wallace, J. Raymond Walsh, August G. Walters, James N. Walton, James P. Warburg, Dr. Harry E. Ward, R. D. Ward, Ward and Paul, Caroline F. Ware, A.L. Warthen, Charles Washington, Washington and Lee University, \"Washington Post,\" James R. Wason, Elton Watkins, Ralph J. Watkins, Claude S. Watts, Marie Watts, Charles F. Weaver, H. B. Wells, (George) P. West, A. O. Wharton, Ross Wheat, Burton K. Wheeler, William M. Wherry, Hugh A. White, Ralph J. White, W. A. White, T. Y. Wickham, Dorothy G. Wiehl, Dr. Ray Lyman Wilbur, Allan H. Willett, Williams Company, Willis and Willis, Corwin Willson, J. Alfred Wilner, Elsie Cobb Wilson, D. O. Wilson, H. Hazen Wilson, Nelson Wilson, The H. W. Wilson Company, John G. Winant, J. Wise, James Waterman Wise, S. S. Wise, William P. Witherow, J. S. Withrow, Nathan Witt, Laurence C. Witten, Benedict Wolf, World Fellowship, Inc., World Study Tours, and Thomas H. Wright.","Scope note for correspondence files. There has been no attempt to make an exhaustive list of the correspondents in each folder. Most letters were routine correspondence from people seeking information about the group; copies of their publications, speeches, and other educational materials; questions about membership in the group from interested individuals; requests for individuals to become sponsors, members or leaders in the group; leaders of other like-minded organizations; union leadership (often about the lack of funds available to support the American Association for Economic Freedom); or people wanting information about pertinent upcoming legislative bills. Attention on the lists of correspondence is focused particularly on political and public figures, editors, and the legislative and social issues of the day.","These include: American Committee for Protection of Foreign Born; American Council on Public Affairs; Atlantic Charter League; J.M. Artman, editor of \"The American Citizen\"; Representative Thomas R. Amlie; Thurman Arnold, Department of Justice (concerning Frank B. Kellogg statement about the anti-trust Sherman Act); and John B. Abel.","Correspondents include: Alfred L. Bernheim, The Labor Bureau; A.A. Berle banking proposal; Rabbi Barnett R. Brickner, Social Justice Commission; Kent Baker, editor of \"Sphere\" with article sent to him by Lauck, \"Industrial Reconstruction\" attached; David Burdett (conventional economics versus social economics); and G.P. Bronisch, Loyal Americans of German Descent","Correspondents and topics include: Lauck memorandum to Charles H. Chase, (in light of the prospect of a lengthy war and its impact on social and economic reform) informing him of his decision to drastically reduce expenditures by having only one employee to maintain the office (1942); \"Strife and the Worker\" proofs by John F. Cronin; Helen A. Cole, \"The Liberal Worker\"; W.S. Clement and his \"The Ben Franklin Plan\"; Ben V. Cohen, National Power Policy Committee; and the Council for Social Action, Ferry L. Platt, Jr. concerning farm issues.","Correspondents and topics include: Dr. Paul H. Douglas, University of Chicago; Hardy C. Dillard, Institute of Public Affairs, including a letter from John L. Newcomb; Frederic A. Delano, Chairman National Resources Advisory Committee; and a letter to John Dewey.","Correspondents and topics include: Arthur Eggleston, San Francisco Chronicle; Peter Edson, NEA Service; A.E. Edwards concerning the Wagner Labor Relations Act; J.G. Frain; and Charles Flato.","Correspondents and topics include: Alfred C. Gaunt, including \"Smaller Business Lifts Its Eyes\"; Toshi Go, Foreign Affairs Association of Japan; and A.E. Grassby, Winnipeg, Manitoba.","Correspondents and topics include:  Hubert Herring; Sidney Hillman; Fred S. Hall concerning the Industrial Expansion Act (multiple letters); B.W. Huebsch, The Viking Press,  and his concern over the pamphlet \"A New Social Order\"; S.L. Hoover and his question about the Keller Bill and the Association; John Edgar Hoover; and F.J. Hall, editor of \"The United States News\" about numbers of unemployed and other issues (multiple letters).","Correspondents and topics include: Meyer Jacobstein about the Reconstruction Act; and Paul Kellogg.","Correspondence includes: letters to Robert M. LaFollette, Jr.; League for Abundance: League for Industrial Democracy; Harold Loeb; and Dr. Jack Levin.","Correspondents and topics include: secretary of Attorney General Frank Murphy; Darwin J. Meserole, National Unemployment League; Francis P. Miller; Emily Fogg Mead; Homer L. Mead; Lewis E. Meyers; Judge Julian W. Mack; Bishop Francis J. McConnell; George F. Milton, editor \"The Chattanooga News\"; Senator James M. Mead; and letter to Archibald MacLeish, Librarian of Congress.","Correspondents and topics include: Bishop Francis J. McConnell; James W. Miller; Vito Marcantonio; Otto Mayer; Robert E. Mathews concerning the \"sit down strike\" by investment bankers and industrialists in May 1940; and Henry Morgenthau, Jr., letter to.","Correspondence includes: \"The New Republic\"; Douglas Newman, Secretary of the Barradas League; Dr. C.A. Norman; memorandum concerning Senator Norris' presidential qualifications; and Representative Mary T. Norton.","Correspondents and topics include: William Owen; Ernest Minor Patterson; Representative Claude Pepper; Justice Justine Wise Polier; and Jacob S. Potofsky.","Correspondents and topics include: Judge Samuel I. Rosenman; Representative Robert L. Ramsay; Right Reverend Msgr. John A. Ryan.","Correspondents and topics include: John Saxton; Guy Emery Shipler; Edwin S. Smith; William Simkin; B.M. Schnapper concerning the history of the Wagner Act; Ray Scott concerning the \"Fundamental Significance of our Present Day Labor Movement\"; and Porter Sargent.","Correspondents and topics include: Ordway Tead, Harper and Brothers; and Dr. Robert H. Tucker.","Correspondents and topics include: an appreciation of Frank P. Walsh upon his death on May 2, 1939; Matthew Woll, American Federation of Labor; Thomas H. Wright, New America; Harry F. Ward; and Nathan Witt; and N.A. Zonorich.","Includes leases, workman's compensation insurance, correspondence, and unemployment compensation.","These include: \"Policies and Objectives of the American Association of Economic Freedom,\" \"Shrinkages and Hoardings of Purchasing Power Accentuate Current Business Recession,\" \"Hoardings-Taxes Proposed to Stimulate Flow of Credit and Goods and Revival of Business,\" \"Approaches Toward a Concerted Program of Fundamental Economic Reconstruction in the United States,\" various drafts of suggestions for the programs, principles and objectives of the organization, \"Sugar Control,\" \"American Labor's Broadcast to Great Britain,\" \"American Economic Situation of 1937-1938,\" \"Unemployment Insurance,\" \"Industrial Espionage,\" \"Bank-Holding Companies,\" several on social service foundations, \"Economic Freedom in America,\" \"Industrial Reconstruction Act of 1939\" press release draft, \"Capitalism in Crisis,\" \"Prospective Labor Surpluses,\" \"Increased Man Hour Productivity and Technological Unemployment,\" monopoly, and \"Petroleum Quota Controls.\"","These include: participation in management, monopoly, the \"Industrial Reconstruction Act of 1939,\" \"Leaders on the No. 1 Problem,\" \"Federal Administrative Court Bill,\" \"Occupational Groupings,\" \"National Labor Relations Act and Board,\" \"Full Employment Bill,\" \"Senator Claude Pepper,\" \"Senator Lewis B. Schellenbach,\" and starting a American Association of Economic Freedom Bulletin.\"","These include: \"Threatened Crucial Developments,\" \"Anti-democratic philosophies,\" \"Churchill's anticipations, 1932-1939,\" \"Mussolini,\" \"Hitlerism and Nazism,\" \"Profits of Leading Corporations, 1936-1939,\" notes on People's Lobby Conference, and Ickes [speech] on business sabotage of defense.","These titles include: \"Can Unemployment be Ended?\"; \"Challenge to American Democracy\"; \"Civil Liberties and the National Labor Relations Board\"; \"Cure by Shock,\" \"Democracy and Economic Planning\"; \"Economic Reconstruction\"; \"Fundamental Significance of Our Present Day Labor Movement\"; \"Next Step in Democratization\"; \"A New Magna Carta\" \"A New Social Order\"; \"Preparedness for Peace,\"  \"Problems of the National Labor Relations Board.\"","The \"Post-War Reconstruction Bill\" is foldered separately.","Included are: \"Thirty Million Jobs\" by Arthur Dunn; Roundtable: \"Labor's role in Post-War Reconstruction\"; \"Freedom from Want\" by Mr. Walton; \"Nineteenth Century Prophecy of Order\" by Harry Frease; \"The Moral Issue\" by Lowell Mellett; \"A Banking System for Capital and Capital Credit\" by A.A. Berle, Jr.; \"Suggested Housing Program for National Defense Purposes\" by the Congress of Industrial Organizations; and \"A Primer of Current Economics\" [1933].","Included are: Fight for Freedom, Friends of Democracy, and the Gillette Resolution.","These include memoranda, news clippings, an article by George B. Galloway on \"The Imperative of Planning,\" replies, and a speech by W. Jett Lauck.","Includes separate folders on news clippings, some containing criticisms and investigations; problems of the board; and the testimony of John L. Lewis.","Clippings include Wendell Willkie, democracy versus absolutism, banker opinion, national debt, U.S. Attorney General, pump priming the economy, monopolies, religion and democracy, communism, and capitalism and democracy.","Included are: Peace Conditions; People's Congress for Democracy and Peace; Plenty for All League; People's Lobby; Pressure Groups, Attitudes of; Pension Plan – \"Uncle Fred's Automatic Pension Plan\"; Progressives, Conference of; Social Union; Tax-Exempt Bonds; Women in Trade Unions; and Young Democrats.","Topics include: Conferences; Corporation Notes and Memoranda; Kennedy Statement on General Motors Inquiry; Production Costs by T.C. Gordon Wagner; Ratio of Pay Rolls to Returns to Stockholder;Salaries of Officials; and Annual Reports to the Securities and Exchange Commission, 1935 and 1937.","Subjects include: Agreements; Decisions; the Willard E.Hotchkiss Decision in Tar Barrel Case; Negotiations for New Agreements; News clippings; Publications; Report of Homer Martin to the International Executive Board; and a Statement Submitted to Roosevelt by Union Representation.","According to Wikipedia, \"The Commission on Industrial Relations (also known as the Walsh Commission) was a commission created by the U.S. Congress on August 23, 1912 to scrutinize US labor law. The commission studied work conditions throughout the industrial United States between 1913 and 1915. The Chairman was Frank P. Walsh, a labor lawyer and activist from Kansas City, Missouri.","https://en.wikipedia.org/wiki/Commission_on_Industrial_Relations","These include: \"Foreign Competition After the War,\" \"The Artificial Dye Industry in the War,\" and \"Business and the War.\"","Includes: \"Secretary Kennedy Gives Union Views on How Hard-Coal Freight Rates Affect Miner\" (December 15, 1933); \"The N.R.A. and Collective Bargaining\" Catholic Welfare Council (September 17, 1934); address before the National Conference on Economic Security (November 14, 1934); and \"Organized Labor and the N.R.A.\" Catholic Conference, Harrisburg, Pennsylvania (November 27, 1934).","Includes: Statement concerning the Wagner-Lewis Economic Security Bill before the Senate Committee on Finance (February 21, 1935); Commencement Address (June 3, 1935); \"Education and the Parochial School System\" (August 19, 1935); \"The Trade Union and Recovery\" (Labor Day, 1935); and \"Unemployment Insurance, Old Age Pensions, and Housing Legislation\" at the White House Conference on Economic Security (December 30, 1935).","Includes: Labor Day address (September 1937); article \"The United Mine Workers of America\" for the \"American Encyclopedia\" (December 2, 1938); address to the Pennsylvania Utilities Commission on the Competition of Natural Gas (April 1940); and a request for Lauck to send his analysis and recommendations concerning a letter from A.J. Altmeyer, Chairman of the Social Security Board, and two other enclosures pertaining to the Associated Gas and Electric Company, New York City (1942 March 27 and 1943 January 23).","Includes: a radio speech supporting Hoover in the election (1928); and a statement at the Hearing on a Code for the Bituminous Coal Mining Industry before the National Recovery Administration (1933 August 10).","Includes: \"Labor and the National Recovery Administration\" at the Meeting of the American Academy of Political Science, Philadelphia (1934 January 6); \"Labor's Part in Industrial Recovery\" at the San Francisco Commonwealth Club luncheon (1934 October 4); Speech for the International Labor Conference, not delivered (1934 October); and a radio address \"The Employee in the Changing World\" under the auspices of the Intercollegiate Council (1934 December 7).","Includes: Statement by Lewis before National Recovery Administration Hearings on Employment Provisions of Codes of Fair Competition (1935 January 30); \"The American Federation of Labor and the National Recovery Administration\" prepared for the \"Annals,\" Philadelphia but never delivered (1935 March 11-12); The United Mine Workers of America and the National Recovery Act\" Madison Square Gardens (1935 March-May 23); and Statement of Approval for the Wagner Housing Bill in the \"United Mine Workers Journal\" (1935 June 1).","Includes: \"The Case for Industrial Unionism\" (November 12, 1935); radio address \"The Future of Organized Labor\" (November 28, 1935); and article for \"Liberty Magazine\" on industrial unionism (1935 December 20).","Includes: a speech on Industrial Unionism before the Cleveland Auto Council (January 19, 1936); \"The Teacher and His Relation to Labor\" for the American Federation of Teachers Convention (June 19, 1936); a radio address \"Industrial Democracy in Steel\" (July 6, 1936); and an article \"Through Organization Industrial Democracy Dawns for Sleeping Car Porters\" celebrating the eleventh anniversary of the organization (July 15, 1936).","Includes: a political campaign statement about [Alf M.] Landon (August 1, [1936]); the draft of a Radio Address on Steel Organization (August 11, 1936); article \"Labor Looks at Education\" (August 17, 1936) appearing in the October 36 issue of \"The Teacher\"; article \"Towards Industrial Democracy\" (August 24, 1936) in appearing in the October 1936 issue of \"Current History\"; and two speeches supporting Franklin D. Roosevelt for President (August 18 and September 19, 1936).","Includes: radio address \"Labor and the Future\" (September 3, 1936); \"Horizontal Versus Vertical Unionism\" in \"Wharton School Magazine,\" University of Pennsylvania (September 8, 1936); an article for the \"The National Young Democrat\" on the Social Security Act (September 1936); and a radio address \"Roosevelt and the Future\" (October 18, 1936).","Includes: article \"The Next Four Years\" for the \"The Nation\" (November 4, 1936); an article \"Committee for Industrial Organization and Economic Recovery\" for the \"Business Review of New York  University\"(November 17, 1936); \"the Future of American Labor\" in \"The American Spectator\" (November 19, 1936); articles on \"The Next Four Years in Labor\" in \"The New Republic\" (November 25 and December 9, 1936); \"The Future of Wages\" for the \"Cleveland News\" Symposium (December 7, 1936); \"Organized Labor and the Student Union\" (December 23, 1936); \"The Need of the Hour for American Labor\" for the \"Progressive Salesman Magazine\" (December 24, 1936); radio address \"Adapting Union Methods to Current Changes- Industrial Unionism\" (December 31, 1936); and an unpublished article written for \"Redbook\" (1936).","Includes: \"The Meaning of Industrial Unionism\" for the \"Christian Front\" (January 13, 1937); \"The Struggle for Industrial Democracy\" for \"Common Sense\" (March 1937); an address delivered at an Anti-Nazi Mass Meeting in Madison Square Gardens (March 15, 1937); article \"The Origin and Objectives of the C.I.O.\"  for the \"San Francisco Chronicle\" (May 11, 1937); and a radio address \"Labor and Supreme Court\" (May 14, 1937).","Includes: \"Technology and Labor\" in \"Massachusetts Institute of Technology Engineering News\" (September 3, 1937); Labor Day address \"Labor and the Nation\" (September 3, 1937); \"Progress of Committee for Industrial Organization\" in the \"Wharton Review\" (October 21, 1937); \"Effect of Moderate and Gradual Wage Increases on Prices and Living Costs\" in \"The Annalist\" (November 12, 1937) a reply to an article by A.T. Shurick on July 30, 1937; and the [Steel Workers Organizing Committee] address \"The Deplorable and Indefensible Attitude of Big Business (December 13, 1937).","Includes: Address for British Broadcasting Corporation \"Struggle of Labor in America\" (March 15, 1938); \"Labor and the Law\" (April 14, 1938); \"Organized Labor and the Future of Democracy\" published in the \"St. Louis Post Dispatch\" (December 11, 1938).","Includes: Statement for Survey Associates (January 3, 1939); and \"Labor Looks South\" in \"Virginia Quarterly Review\" (Autumn 1939).","Includes: article on \"What Does Labor Want?\" (February 29, 1940); \"The Heritage of American Youth\" (March 1940); \"Obligations of American Citizenship\" (April 3, 1940); \"Foreword\" to Mr. Thomas' Testimony before the Temporary National Economic Committee (May 23, 1940); and a Labor Day Speech (August 29, 1940).","Includes: Extension of Library Service to Union for City and State Employees (May 28, 1941); Statement to be issued by Lewis on the Decision of the National Mediation Board on Union Shops (November 13, 1941); and \"The New Solid South\" (December 17, 1941).","Includes: Testimony of Mr. Steinbugler (March 2, 1935); the \"Most Impressive Point Developed by the Hearings\" (March 2, 1935); untitled Memorandum (July 30, 1936); \"Report on the Progress of the Hearing on the Coordination of Minimum Prices before the Bituminous Coal Division (September 16, 1939); \"Proposed Labor Policy for the War Period,\" various memoranda (September 11-November 13, 1939); an analysis of Professor Green's Proposal about pricing and distributing manufactured products (June 3, 1940); and Notes on the Last Ten Years (January-May, 1940).","Includes: Reply to A.T. Shurick suggestions on taxing (November 29, 1940); Response to the foreword of Walt Clyde's book on \"Owner Capitalism\" (December 4, 1940); suggestions about the National Economic Conference (December 12, 1940); Response to W.C. Graves, Jr. (December 23, 1940); Letter about the Raw Materials National Council (December 27, 1940); Memorandum on Fred G. Clark and the American Economic Foundation (February 20, 1941); H.S. Avery to Edward O'Neal and John L.Lewis on agriculture and farm prices (September 8, 1941); Conrad K. Grieb on need for social reconstruction (October 23, 1941); Letters from Alexander Spencer (October 30 and November 26, 1941); and a manuscript of Albert H. Levene (November 30, 1941).","Includes: Memorandum about Post War Depression (January 7, 1942); a response to S. Ferguson, President of the Hartford Electric Light Company about his proposals about deferred wages (January 13, 1942); W.A Hutton, M.D.  letter on post-war finances (January 14, 1942); Thomas Kennedy request for a study on the Cost of Living (January 16, 1942); Request for a response to the document by L.C. Christian on \"How Must We Finance the War?\" (February 3, 1942); a request for a response to a treatise on our financial system by August Walters (February 5-March 18, 1942); additional R.L. Greene communications (February 12,1942); and H.W. Bailey on labor self-determination (March 9, 1942).","Includes: Digest of the Salient Points of a Report on \"Manpower Policy and Labor Relations in the British Coal Industry\" (January 5, 1943); a Leo Chabert document on financing the war (April 4, 1943); and memoranda about an executive conference of the Natural Resources Board at Farmington Country Club, Charlottesville, Virginia, previously held around 1939.","Subjects include the National Recovery Administration, \"Amalgamation of the Two Enginemen's Brotherhoods,\" \"Russian Recognition and the New Deal,\" \"Future Policies of the National Recovery Administration,\" Six-Hour Day of the Railroads, \"Two Men on the Head End of all Railroad Trains,\" and Housing.","Subjects include \"Benefits of Trade Unionism,\" \"Forbes\" article, \"Limit on Weekly Work Hours,\" a letter to Professor Gordon, and \"Labor Movement and the Future of America\"","Subjects include planks for the Republican Platform, Anti-Strike Legislation, a Rejoinder to the Remarks of Fred Gurley, and \"Recommendations to the Board of Investigation and Research\"","A checklist of article titles can be found in the first folder. Titles in the order of the list   include: \"Economics and Christianity\"; \"The Mysterious Soul of the Steel Corporation\"; \"The Anthracite  Operators Should Concede the Check-off\" July 13, 1923; \"Industrial Principles and Not Machinery Are Important\"; \"The So-Called Check-off and Its Significance\"; \"The Report of the Coal Commission on the Anthracite Industry\"; \"The Purchasing Power of Wheat and Cotton\"; \"Private Cars and the Coal Problem\"; \"Mr. McAdoo's Political Availability\"; and \"No More Pre-war Standards of Wages and Working Conditions.\"","Next ten article titles include: \"The Radical - His Significance at Present\"; \"The Soft Coal Problem Again to the Front\"; \"Labor Banks and Their Ultimate Significance\"; \"Political Democracy Must be Supplemented by Industrial Democracy\"; \"Oil and the Southern Pacific\"; \"The Purchasing Power of the Farmer's Dollar\"; \"The Truth is Never Unpardonable\"; \"Private Cars and the Coal Problem\"; \"The Unique Financial Position of the Pullman Company\"; and \"Another Manifestation of the Soul of the Steel Corporation.\"","The next ten article titles include: \"Sugar and the Flexible Tariff Provision\"; \"Conflict or Arbitration\"; \"The Threatened Boomerang\"; \"Cooperation for Mutual Benefit or Profit?\"; \"Secret Police or Conviction for Crime\"; \"Chairman Butler Emits and Omits\"; National Cooperative Grain Marketing Realized\"; \"The Anthracite Operators Should Concede the Check-off\" (possible duplicate); \"Regulation of the Anthracite Monopoly\" September 1 , 1923; \"Why Not Action on Anthracite?\" September 11, 1923; and \"Can a Living Wage Be Paid to Unskilled Labor?\" October 30, 1923.","The next ten article titles include: \"The Failure of Industrial Arbitration\" October 30, 1923; \"Significant Labor Developments During the Coming Year\" October 30, 1923; \"A Dramatic Migration\" concerning African Americans, October 30, 1923; \"Unprotected Pullman Passengers\" October 30, 1923; \"The New Immigration and Its Significance\" November 2, 1923; \"The Probability of Railroad Legislation\" February 7, 1924; \"The Industrial Magna Carta\" February 23, 1924; \"Land Grants to Western Railroads\" February 23, 1924; \"Increased Efficiency of Labor\" February 23, 1924; and \"Real Industrial Statemanship February 25, 1924.\"","The next ten article titles include: \"Some Other Matters of Record\" June 2, 1924; \"The Verdict from Kansas\" August 7, 1924; \"A Real Test for the Tariff Commission\" August 14, 1924; \"A Billion and a Half Railroad Merger\" August 16, 1924; \"Common Sense\" August 19, 1924; \"President Gompers and a Labor Party\" August 19, 1924; \"A Significant Precedent in Financing Farmers Cooperative Enterprises\"; \"Back to the Declaration of Independence\" August 21, 1924; \"A Costly Labor Policy\" August 23, 1924; and \"Brass Tacks, The Red Flag, and the Constitution\" August 23, 1924.","The final group of articles include: \"Industrial Democracy - Our Greatest Problem\" August 27, 1924; \"The Passing of the Money Gods\"; \"The Conference Board Reports on Taxation in Wisconsin\"; \"The Railroad Labor Board\"; \"The Farmer and the Tariff\"; \"Visible and Invisible Tax Burdens\"; \"The Most Helpful Farm Movement\"; \"Radicals and God's Fools\"; \"Militant Friends Needed\"; \"The Unconscious Cruelty of Success\" October 24, 1924; and \"Another Orgy of Railroad Finance.\"","While some chapters have no individual date, they likely all come from drafts in 1931 or 1932. It is unclear which version belongs to each draft, and equally unclear which versions the explanatory note references. Chapter VII is largely missing. The name of the book may have eventually changed to \"The Need for a Unified Banking System.\"","W. Jett Lauck was chairman of the Pennsylvania Anthracite Coal Commission, responsible for investigating the state of the anthracite industry and the coal bootlegging situation in Pennsylvania, as well as recommending action.","The United States Anthracite Coal Commission is a different and separate entity than the Pennsylvania Anthracite Coal Commission over which Lauck presided (see also, \"United Mine Workers of America before the U.S. Anthracite Coal Commission\").","For reference, the Ad Interim Report was a report made halfway through the Commission's studies; the Final Report was the last official report of the Commission and contains recommendations; the Complete Report was a compendium of all of the Commission's work and reports (over 500 pages).","Reports include \"Anthracite Lands and Deposits,\" \"Anthracite Royalties,\" and \"Control of the Anthracite Industry.\"","Reports include \"Financial Operations of Anthracite Companies\" and \"Monopolistic Nature of the Anthracite Industry.\"","These include \"Award of the Anthracite Coal Strike Commission: Subsequent Agreements, and Resolutions of Board of Conciliation\" (July 1, 1936); \"A Labor Case With Merit: Editorial Comment on the Case of the Anthracite Mine Workers\" (1920); and \"Labor Information Bulletin,\" U.S. Bureau of Labor Statistics (February 1937).","Proposed Bills include the Anthracite Coal Industry Act; the Anthracite Public Authority Bill; the Cooperative Marketing Bill; the Pennsylvania Anthracite Commission; and Suggestions and Opinions.","Files included under Rates contain, the 1933 Freight Rate Case Excerpts and Statistics; Charts and Tables; General Information (see also Anthracite Institute Statistical Data, Maps, and Drawings, Anthracite Producers Statistical Data, Maps, and Drawings); the Interstate Commerce Commission Data; \"Intrastate Rates on Anthracite in Pennsylvania\"; and Rate Fixation in 1915.","Reports include: \"Combination in the Anthracite Industry,\" \"Comparison of Earnings and Wage Rates in the Anthracite and Bituminous Mines of Pennsylvania,\" \"Exhibits of the Anthracite Operators in Reply to Exhibits Presented by the Anthracite Mine Workers,\" \"Irregularity of Employment in the Anthracite Industry,\" \"Occupation Hazard of Anthracite Miners,\" \"Profits of Anthracite Operators,\" and \"The Relationship Between Rates of Pay and Earnings and the Cost of Living in the Anthracite Industry of Pennsylvania.\"","Reports include: \"Reply of the Anthracite Operators to the Demands of the Anthracite Mine Workers,\" \"The Sanction for a Living Wage: A Compilation of Data From Official and Authoritative Sources,\" \"Summary, Analysis, and Statement,\" \"The Trade Union as the Basis for Collective Bargaining: A Compilation of Sanctions and Experiences,\" \"Trade Unions,\" and \"Wholesale and Retail Prices of Anthracite Coal 1913-1920.\"","These exhibits include \"Changes in Cost of Living in the United States, 1913-1922,\" \"A Just and Reasonable Wage,\" and \"Monthly Earnings of Sectionmen.\"","The volume includes exhibits on \"Harmful Effects of Low Wages Upon Health and Morals,\" \"The So-called Law of Supply and Demand,\" \"The Just and Reasonable Wage,\" \"Changes in the Cost of Living in the United States, 1913-1922,\" \"Probable Course of Prices,\" \"Comparison of Prices and Living Costs,\" \"Monthly Earnings of Section Men,\" and \"Monthly Earnings of Section Men – Basic Tables.\"","Includes the following files: Briefs; Construction and Repair of Railroad Equipment; Correspondence on Leasing Out Repair Roads; Minutes of the Philadelphia Hearing; Petition to the Interstate Commerce Commission; Press - Clippings concerning Outside Repair; Press Release Originals; General Electric and Westinghouse; Labor Costs; Louisville to Nashville Railroad; and Miscellaneous.","W. Jett Lauck has also referred to this case as \"the Shopman's Case\" or the \"B.M. Jewell Case.\" Jewell was the President of the Railway Employees division of the American Federation of Labor.","Note that all exhibits were presented before the United States Railroad Labor Board.","Exhibit 11a includes the section \"Financial Mismanagement of the LeHigh Valley Railroad Company\" and Exhibit 12 includes the \"Summary.\"","Exhibit tTitles include: \"Occupation Hazard of Railway Shopmen\"; \"Punitive Overtime\"; \"Industrial Relation on Railroads prior to 1917\"; \"Standardization\"; \"The Recognition of Human Standards in Industry\"; \"The Unity of the American Railway Systems\"; \"Human Standards and Railroad Policy\"; \"Seniority Rules of the National Agreements\"; \"The Sanction of the Eight Hour Day\"; \"The Work of the Railway Carmen,\" and \"The Development of Collective Bargaining on a National Basis.\"","These include: \"Pending Railway Legislation\"; \"The Present Railroad Labor Problem\"; \"The Future Policy as to the Railroads\"; \"Compulsory Arbitration\"; \"Labor Adjustment Boards of the Railroad Administration\"; \"The Reasonableness of the Requests of Locomotive Firemen\"; \"Time and One-Half For Overtime\"; and \"Compulsory Arbitration.\"","The Sleeping Car Conductors Case files consist of several successive cases arranged in this finding aid roughly in the chronological order in which they occurred.","Exhibits include \"An Adequate Basic Wage,\" \"Earnings of Sleeping Car Conductors compared with Changes in the Cost of Living,\" \"Various Factors Indicating Rising Standards of Living in the United States Since 1914,\" \"Compensation of Sleeping Car Conductors compared with other Expenses and Revenue of the Pullman Company,\" and \"General Trend of Wages, 1913-1918, as Compared with Earnings of Sleeping Car Conductors.\"","Exhibits include \"Increased Productive Efficiency of Sleeping Car Conductors and Financial Administration of the Pullman Company,\" \"Increased Labor Productivity,\" and \"Standards of Wage Determination.\"","This file includes information and statistics on Besler Steam Power Trains; the Comparative Costs of Operation; Locomotives in Service; Diesels in Switching Service; Earnings Per Hour; Freight Cars; and General Statistics.","These charts include: \"Anthracite Combination,\" \"The Seven Departments of the Anthracite Industry,\" \"Interlocking Directorates Showing Working Control of Anthracite Operating Companies,\" and \"Profits of Anthracite Combination.\"","Charts include \"Affiliations of Railroads and Banking Houses,\" \"New York Bank Control of Railroads and Railroad Equipment Companies,\" \"New York Bank Control of Coal Mining Companies and Coal Railroads,\" and \"The Geographical Spread of New York Railroad Control.\"","Exhibits include \"Employment and Compensation of Railroad Employees\"; \"Cost of Living\"; \"Methods of Reporting Wage and Hour Data\"; and \"Increasing Output per Worker and Decreasing Wage Cost Per Unit of Output.\"","Exhibits include: \"Trend of Railway Operating Revenues and Total Compensation\"; \"The Rising Tide of Recovery A Survey of the Leading Business Indices\"; \"Labor Movement Supports Railway Workers in Resisting a Wage Cut\"; \"Squandering the Maintenance Dollar\"; \"Financial Mismanagement through Banker Control of Railroads\"; \"Training and Skill of Track and Roadway Section Men\"; \"Average Hourly Earnings in Railroads and Other Industries\"; and \"Estimated Money Share of Individual Railroads in the Proposed 15 Per Cent Pay Reduction.\"","Morgan's statements include those on wages; postwar economic conditions, developments, and private bankers' constructive services; and interference and control in corporate managements.","These include \"Cost of Living is Increasing,\" \"The Railroad Plea of Poverty,\" \"Labor Versus Materials and Interest,\" and \"The Railroads versus the Public Interest\" (printed).","Tables include \"Dividend Performance of Anthracite Railroads and Trunk Lines Compared,\" \"Percentage Relationships of Dividends Paid on Stock Dividends to Total Compensation Paid Employees,\" and \"Distribution of Capital Resources.\"","W. Jett Lauck was employed by the John G. Paton Company of New York City to study the report of the Tariff Commission of 1928 as to the costs of production in the maple sugar industry in the United States and in Canada. He then gave his conclusions on the report to the company and as testimony before the Tariff Commission itself.","There are excerpts from the following: the Tariff Commission Stenographer's Minutes (June 1927), Hearings before the House Committee on Ways and Means (January 1929), Hearings before the Senate Finance Committee (June 1929), Debates in the U.S. Senate (January 1930), Remarks of the Honorable Ernest W. Gibson (February 1930), the Roodenburg Report (November 1930), George H. Burr and Company Report (March 1931), R.G. Dun and Company Report (undated), Cary Maple Sugar Company Federal Income Tax Returns (1921-1930), and Cary Testimony (undated).","These include: Agricultural Adjustment Act and Amendment, House Resolution 9439, Orders from the President and National Recovery Administrator, Regulation 81, Regulation 82, and Secretary of Agriculture Regulations.","Files include the following folders: News clippings; Comparison of Lauck and Mahon Agreements; Final Agreement; General; Hanna Memorandum; Insurance; Saint Louis Public Service Company Union Plan for Cooperation; and Saint Louis Public Service Company Operating Notes.","Files include Pamphlets on Public Utilities, Press on Public Utilities, Press on Governor Roosevelt and Power Utilities, [Union?], and a Report addressed to Frank P. Walsh (1864-1939).","There were two hearings before the United States Tariff Commission related to an investigation into the costs of sugar production. After the January hearings (January 15-24, 1924), other briefs were filed. There was a call for another hearing to be held in March (March 27-28, 1924) after which it was decided that all parties had until April 10th  to file more briefs in connection with the hearings. W. Jett Lauck coordinated and prepared documents for many of the parties involved. He also served as a witness for the Hawaiian Sugar Planters Association.","Includes news about the Bituminous Coal Commission.","This includes the \"Report, Findings and Award of the United States Anthracite Coal Commission of 1920.\"","Files pertaining to Wages include: Wage Demands; Wage Rates of Employees Other Than Contract Miners; Wages, Earnings and Work Conditions in General; Wages in Various Industries 1914 to 1920; and Wages in Various Industries and Occupations: A Summary of Wage Movements 1914-1920.","Mass strikes in both the anthracite and bituminous coal industries in 1922 led to a standstill in production. When the miners and operators failed to reach any agreements, the government abandoned its hands-off approach and attempted to set up commissions to arbitrate the cases. After several failed attempts, both an Anthracite and Bituminous Coal Commission were established to not only arbitrate the current situation, but to investigate its origins in the general history and conditions of the coal industries. W. Jett Lauck was involved with the United Mine Workers of America in both cases to varying degrees. Material is separated into Anthracite and Bituminous, with common material labelled \"General.\"","Some dates are corroborated by list of case exhibits. Where corroboration is not possible, no date has been inferred. Classification as \"exhibit\" is applied based either on inclusion in a numbered list of exhibits or Lauck's handwritten filing directions.","Letters are presumably from W. Jett Lauck to the \"New York Times\" Managing Editor and to the President, regarding the establishment of an Arbitration Board.","These three memoranda are to Mr. Lewis, July 8, 1922; one concerning the production of the Central Competitive Field, April 27, 1922; and a third showing the financial connections of the Boston Financial Group and Secretary Mellon.","The two press releases include a letter to the President regarding Arbitration, July 15, 1922, and the UMWA Statement about Mr. Murray's Speech,  April 22, 1922.","Items include a \"Journal\" Communication sent to every member of Congress, 1922; a Letter to Officers and Members, May 25, 1922; and the UMWA Wage Scale Committee proposed wage scale, February 14, 1922.","The History of the Development of the Anthracite Coal Combination contains five sections: Section 1, Early History of Anthracite Consolidations and Combinations; Section 2, Consummation of the Anthracite Combination, 1896; Section 3, Methods by Which Railroads Have Discriminated in Favor of Their Allied Coal Companies and Favored Clients; Section 4, The Influence of the Combination Upon Freight Rates, Shipping Allotments, and Prices; and Section 5, Present Situation as Regards Ownership and Control.","The unnumbered exhibits include \"The Coal Controversy\" May 1922 and Geological Survey, Weekly Report on the Production of Bituminous Coal, Anthracite, and Beehive Coke, February 11, 1922.","These exhibits include: Exhibit 6: Seasonal Fluctuations in Production and Transportation, June 15, 1921; Exhibit 7: Production, Capacity, Men Employed, Mine Price Per Ton, and Days Lost, 1922, undated; Exhibit 12: Fluctuation in Employment and Earnings of Bituminous Mine Workers, undated; Exhibit 14: Effect of Price Changes Upon Purchasing Power, 1920; Exhibit 16: Chart Showing Production from Union and Non-Union Districts, March 16,  1922.","Memoranda include \"Complete Unionization Would be the Greatest Factor in Stabilization of Soft Coal Industry\" June 19, 1922, several other miscellaneous undated memoranda for Lewis, plus one on the Earnings of Bituminous Mine Workers for a \"Baltimore Sun\" Article, March 17, 1922.","Press Releases include: Capital Investment and Profit of Bituminous Coal Mine Operators, June 1, 1922; Letter From Ellis Searles to Secretary Hoover, February 8, 1922; Letter Submitting Explanatory and Statistical Material Supporting the Preliminary Report of the Commission on Investment and Profit in Soft Coal Mining, July 6, 1922; and Press Release: Russell Sage Foundation Report on \"The Coal Miners' Insecurity\" April 16, 1922.","Morrow's statements were made before the Committee on Labor, April 25, 1922 and before the Interstate Commerce Commission in the Hearing on Railroad Rates, Fares, and Charges, January 19, 1922.","Includes Memoranda and Opening Statement on behalf of Anthracite Mine Workers and Research Material and Data.","Statements concern the Request of Anthracite Operators for a Modification of the Wage Scale, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Typescript and Print copies.","The reply concerns the request of Operators for modification of the Wage Scale, and was by John L. Lewis, etc. on behalf of the United Mine Workers, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Proofs and Print copies.","The Anthracite Freight Rate Case files may be part of the previous group but were placed in a separate divider created by the office of Lauck.","Statistics include four categories: General; Anthracite Coal Carrying Railroads, Typed Originals and Carbons; Financial Performance of Coal Companies (clippings and other statistics),Earnings, and Profit; and Salaries of Operator officials, exceeding $10,000 per year.","Note: an assigned car is a rail car specifically designated for the use of a particular shipper, or, in the case of private cars, for the use of a particular railroad for a specific customer.","Lauck also referred to this as the Mahon Case, after President William D. Mahon.","File includes the Opinion of the Majority of the Arbitration Board, Dissenting Opinion, and a Report on a Proposed Pension Plan","These include: \"Discipline and Education of Locomotive Engineers and Firemen and Standardization of Wages\"; \"Progress Made in Electrification of Railroads and Economics Effected Thereby\"; \"The Railway Dollar, What Became of it in 1913\"; \"Revenue Gains by Representative Western Railroads Available to Compensate Locomotive Engineers and Firemen For Increased Work and Productive Efficiency, 1890-1913\"; The Rise and Fall of Mechanical Stokers\"; \"Miscellaneous Statements in Rebuttal to Exhibits Presented by the Railroads\"; \"Opposition of Railroads to Enactment of Federal Hours of Service Law and Efforts of Federal Government to Enforce Same.\"","All the years but 1933-1935 have an index in the front of the folder.","These \"diaries\" were used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date.","File includes Lauck's Civil Service record (1945) and National War Labor Board service (1918).","The 1911 blueprint \"General Plan\" of the property was prepared by Thomas Meehan and Sons, Mt. Airy, Philadelphia, Landscape Architects, for Francis T.A. Junkin, Lexington, Virginia. The \"Map of Mulberry Hill, Lexington, Virginia,\" 1926, with surrounding properties, was done by R.E. Witt, Certified Land Surveyor.For a typed description of the property by R.E. Witt and a note by W. Jett Lauck, see Box 224 Folder 4.","The Bureau of Applied Economics, Inc. was a \"private, independent, scientific organization, established in 1914 for the purpose of doing research and analytical work in the field of industrial, commercial, banking and general economic activities\" according to one of its brochures. It was located in Washington, D.C. \"where the governmental departments, commissions and other organzations with their specialists, archives and unrivaled library facilites render such research more effective and productive than any other city in America\" according to a page from an unknown directory. Hugh S. Hanna was the Director and W. Jett Lauck was listed as both the Chairman of the Advisory Board and the specialist for money and banking.","One of the chief functions of the Bureau of Applied Econonics was to create publications about importand current issues in the field of labor conditions and industrial relations. These were intended to be brief (50-75 pages) but authoritative and written by a specialist in the subject so that anyone interested in the subject could have access to the gist of all the information in one place and for a low cost. ","File includes Monthly Statements, Proofs of Notices, Subscribers and Sales.","File includes Correspondence, Papers, and Table of Contents.","Lauck taught a course on the History of the Labor Movement at the American University.","The Notes chiefly include Political Science, Sociology, Labor vs Capital, Economics, Constitutional Law, American Government, and Agriculture.","These College Notes are chiefly concerned with the Reciprocity Concept and the Chicago Conference with sections on Cuba and Hawaii; Distribution; Receiverships; Sociology and Tariffs; and Printed Material.","Much of this material is fragmentary or incomplete and it possibly has some material of W. Jett Lauck mixed in.","These photographs include the \"Funeral Procession of Stephen Horvath, McKees Rocks, Pennsylvania, August 14, 1909. Photographs are mostly unidentified and some do not include W. Jett Lauck.","These photographs are mostly unidentified and undated but does includes William Harmon Black and Major Miller Taylor. and his wife.","This file consists of seven oversize photographs, including a Staff Conference; the Immigration Commission, Washington D.C. (1907); three photographs of Lauck with the same two  unidentified men; W.D. Mahon; A.A. Mitten; Earl E. Houck; an unidentified man; and an unidentified hearing.","This folder includes four oversize photographs  of Public Code Hearings on Bituminous Coal Industry, 1933 August 9; Cigar Manufacturing Industry AAA Code Hearing, 1933 November 22;  Structural Steel and  Iron Fabricating Industry N.R.A. Hearing, 1933 October 30; and Anthracite Coal Industry, NRA Code Hearing, William H. Davis Deputy Administrator, Washington, D.C., 1933 November 17","Topics include Agriculture and Farms, Airlines and Aviation, Argentina, Atlantic Charter—Poland*, Atomic Energy and Weapons (see also, J—Japan), Australia, and the Automobile Industry.","Topics include Bank Fraud, Banking and Bankers, Baruch Report, Big Three, Bretton Woods Agreement—International Monetary Fund, British Elections 1945, British Labor Party, British Labor Reports and the Second World War and Budget.","Topics include Cartels, Chamber of Commerce, Canada, Capital/Capitalism, Charter [U.N.] (see also, S—San Francisco Conference), Chemical Warfare, Cherry Blossoms—Washington D.C., China, The Church (see also, Religion and Faith), Churchill, Winston (see also, People), Comintern, Communist Party, Congress, Cost of Living, and Cuba.","See also, Strikes, U—United Mine Workers.","Topics include Debt, Defense, Deflation, Democracy, Democratic Party, The Depression, Diplomacy, Disease, Driving [Winter], and Dumbarton Oaks Conference.","Topics include Economic Bill of Rights, Economic Development [Committee], Economic Policy (see also, B—Bretton Woods Agreement, Post-War Reconstruction), Economic Rights, Economy of War, Employment (see also, U—Unemployment), Electric Workers, Electricity, and Excess Capacity.","Topics include Farms, Fear, Flooding, Food [Costs] [Rations] [Shortages], Food as Weapon, Foreign Policy, Freedoms, France, Franco, and Full Employment America.","Topics include General Motors [Strike] (see also, Strikes), Germany, G.I. Bill, Gold Standard, Government in Business, Grain Marketing, Great Britain, Growth of Democracy, Hapsburgs, and Hatch-Burton-Ball Bill.","Topics include Industrial Divide, Industry, Inflation/Deflation, and Israel.","Japan [and the Atomic Bomb], Jefferson [And the Declaration of Independence], The Jewish People [in Nazi Germany], Jobs as a Property Right, and Kipling, Rudyard (see also, People).","Topics include Labor [and War], Latin America, League of Nations (see also, World Government), Legal Aid Societies, Lend-Lease, Liberalism, and the Lima Conference, Liquor Problem, and Living Wage.","Topics include Magna Carta, Massachusetts Academy, Meat Industry (see also, Strikes), Middle Class, Monetary Reform, Morale [Poor], and Moving Pictures.","Topics include National Association of Manufacturers, National Income, National Interest, \"New Era\" 31*, New York State Industrial Survey Commission 28*, New York Transit Strike, Office of Price Administration, and Oil.","Topics include Pacifists, Packing Houses, Thomas Paine,  Palestine, Pan-American Union, Patents, Peace, Pennsylvania Labor Act, Philanthropy, Poland, Political Minorities, Population [United States] 1940, Power, The Press, Price Controls, Prisoners of War, Production, Profit-Sharing, Profiteering, Public Service, and Pump-Priming the Economy.","For more clippings on people see also: C—Churchill, K—Kipling, P—Paine, R—Roosevelt, Rural Electrification Administration [Harry Slattery], S—Stalin, and T—Truman.","File contains topics such as: Post-War Deflation, Post-War Europe, and United States Labor, Industry, and the Economy.","Topics include: Race and Racial Strife, Radar, Railways and Railroads, Reciprocity – British Agreement, Reconstruction Finance Corporation, Reconversion [and Wages] (see also, Post-War Reconstruction), Re-employment (see also, Post-War Reconstruction), Republican Party, Republican Record, Right Wing Reaction, Roosevelt, Rural Electrification Administration [Harry Slattery], Russians who Fought for Germany in World War II.","Topics include: San Francisco Conference (see also, United Nations), Savings, Sherman Act, Social Security, Socialism, Socialized Medicine, South America, The South [and Politics], The South [and Poll Tax Ban], Southern Revolt, Soviet Union/Russia, Spain, St. Lawrence Seaway, Stalin, Subsidy, Sugar, Supreme Court, Packing the Supreme Court, and Syria.","See also, Coal, G-H—General Motors [Strike], M—Meat Industry, N-O—New York Transit Strike, Steel, and U—United Mine Workers.","Topics include: Tariff Bill, Taxes, Textiles, Third Political Party, Totalitarian States, Troops, Truman [Report], Trusteeships; Unemployment, (see also, E—Employment), Unions, United Kingdom [Britain], United Mine Workers (see also, Coal), Unity, National\nVirginia, and Virginia Budget Efficiency.","See also S—San Francisco Conference and World Government.","Topics include: Wage Central, Wages, Wagner Health Bill, Wall Street, War, War Aims, War and Capital, War Contracts Settlement, War Cost, War Crimes, War Labor Board, War Production Board, Work Week, World Bank, and World War II [Battles].","This file includes agendas, correspondence, reports, membership, and the tentative program.","Topics include: American Mining Congress Declaration of Policy, \tdisagreements over the NRA code, gasoline and coal, new processes, and the right to strike.","This file includes an \"Investigation of Paint Creek Coal Fields of West Virginia,\" \"The Truth about Coal River Collieries,\" \"West Virginia Coal Fields\" (Senator Kenyon), Colorado Coal Fields, and a List of West Virginia Coal Fields.","Includes Houde Engineering Company Memorandum submitted to the National Labor Relations Board, the Hunt Memorandum outlining the Study of Competing Fuels, Lauck's review of \"The Coal Industry\" by Glen L. Parker, the Keller Bill for the Mississippi Valley on the Relative Importance of Fuels, \"Oil-Coal Mixtures as Industrial Fuel\" by J.E. Hedrick, and the Coal Cost of Producing Electricity, by J. Leonard Matt in the \"New York Herald Tribune.\"","The Railroads Financial History material was used in preparation of exhibits for the Brotherhood of Locomotive Firemen and Enginemen Case and updated for use in later cases involving railroads.","These news clippings include: British railway strike, credit, Thomas Dew Cuyler article on 1922 strike, Henry Ford's railroad, Gould System, Inadequacies of Railroad Management, Mergers, Nickle Plate Deal, Receiverships and Foreclosure Sales During 1920, and Railroad Retirement Act of 1937.","Publications include: Decisions, Dockets, Announcements, Lawsuits, Orders, and Reports.","Lauck was on staff as an economist and one of the stockholders for this enterprise. Some stationery has the name \"The Gallatin Institute of Applied Economics\" in the header.","Files include Memoranda from I.A. Rice to W. Jett Lauck, Recommendations, and Rent Law.","Includes a bill on the guaranty of bank deposits legislation and the Glass-Steagall Act (printed).","Banking files include Credit Facilities of the Country, Federal Reserve Board Legal Opinion on Bank Centralization (printed), News clippings, Reform, and the United Labor Bank and Trust Company Dissolution.","Includes files on British wage controversy and the coal industry during World War II, coal industry problems, and the British Coal Mines Act.","Cigar Manufacturing Code of Fair Competition files include Amendments proposed by Abraham Goldbloom and Jett Lauck, including Revisions made by Conference on October 20, 1933; Briefs and Statements (1933); Codes (1933-1934); and Profits and Statistical Data (circa 1929-1933).","These include: Table of Contents, Agents of Concentration and Railroads; Cotton Mills (director); Public Utilities (directors); Concentration of control of Financial and Industrial Resources; Public Utilities (securities), Public Utilities (affiliations), and Public Utilities (summary and tables).","These include: Summary of Banker Control in American Industry; Concentration of Financial Control of Industry; Concentration of Control of the Iron Ore Mining Industry; Report on Public Utilities; Concentration and Control of Money and Credit; Industrials (directors), Agents of Concentration, Coal (statistics), Iron and Steel Report (summary), Industrials (report), Railroads (statistics), Cotton Industry, Coal and Iron Mining; and Concentration of Control of Various Industries (iron, coal, water).","These files include the Bill by Colonel W.G. Williams (1946); an Inquiry by the Federal Power Commission Control (June 27, 1945); and the Memoranda of Colonel W.G. Williams, 1945-1946).","These files include: Miscellaneous, including charts - W. G. Williams (1945-1946); Gas and Oil Pipelines, including a proposed letter from Admiral Stuart to President John L. Lewis (October 16, 1944); and the United States Department of the Interior report of Investigations (July 1945).","Constitutional Amendment files include: Action by Organizations (1936-1937); Articles and News clippings (1935-1939); Bills, including those proposed by Benson, Costigan, Ford, Gray, Maas, and Marcantonio (1935-1937); Challenges to the Authority of the Supreme Court to Declare Legislative Acts Unconstitutional, Notes and Memoranda by W. Jett Lauck, Donald R. Richberg, Merle D. Vincent and Henry [Warrum] (1935-1936); and Correspondence and Memoranda about the New York and Washington, D.C. Meetings (1936).","Constitutional Amendment files include: Detroit Conference (1937); History and Comments (1936?); National Committee and Reports from Henry T. Hunt (1936); National Conference about (1936-1937); Recommendations and Suggestions made by President Roosevelt for a Bill to \"Pack the Supreme Court\" (1937); and Speeches by David J. Lewis and Daniel C. Roper (1935).","Material includes the labor and production costs of cotton, silk and wool goods before and after World War I.","Files include a Memorandum on Major Berry and Conference Plans (1935 November, undated); News (1936-1937); Press Releases (1936-1937); and Summaries and Reports (1936 June-July).","Memoranda topics include the Austrian state railways, the book \"Railroad Melons, Rates, and Wages\"; the suggestions of Baltimore and Ohio Railroad Vice-President Tatnall for railroad improvements; the Cincinnati Southern Railway; and Cooperatives.","These include speeches and statements of Governor Earle, Chief Justice Hughes, British House of Commons, Secretary of State Hull, Secretary Ickes, Robert H. Jackson, Governor Frank Murphy, Senator Norris, Secretary Frances Perkins, Burton K. Wheeler, and Wendell L. Wilkie.","This opinion was given by the General Counsel of the Federal Reserve Board.","These files include the first through third versions introduced in the 72nd Congress in 1932, S. 3215, S. 4115, and S. 4412.","These House bills include: H.R. 7250 (a bill creating national mortgage banks); H.R. 7620 (a bill to create Federal Home Loan Banks); H.R. 11340 (a bill to require national banking associations to furnish bonds to protect depositors against loss of deposits); H.R. 11422 (a bill to regulate the value of money, and for other purposes); and H.R. 12280 (an act to create Federal Home Loan Banks).","Includes an article by Lauck, \"America's New Immigrants\" and reviews of his book with Jeremiah Jenks, \"The Immigration Problem. A Study of American Immigration Conditions and Needs.\"","Includes a Memorandum from Lucius E. Wilson and Research concerning the cotton industry (1890-1912), economic consumption, 1890-1914,  prepared by Frances P. Valiant, centers of population (1914), prices (1914), tendencies in real wages (1900-1913), and wages and prices  (1912-1914)","The topics include: Agriculture; Anti-Strike Bill; Book Reviews; Bituminous Coal; Child Labor Law; Civil Service Employment, Reclassification and Retirement; Federal Employment; Federal Coal Commission; and Foreign Industry and Labor.","The topics Include: Health; Housing; Immigration; Industrial Accidents; Labor Mobility; Milk Bill; National Industrial Conference; New Jersey Chamber of Commerce; Public Health Service; Punitive Overtime; Racial Question, Commission on (\"Negro Wage Earners\"); Seaman's Act Revision in Merchant Marine Bill; Soldiers' Adjusted Compensation Legislation; Steamship Business Training; and United States Steel Corporation Pension Fund.","Two of these files focus on Employee Representation - Efficiency through Cooperation, and include \"A Report on Workers' Participation in Management\" with an appendix, by W. J. Lauck, March 1921.","Companies include: Bethlehem Steel Company, Endicott Johnson and Company, Goodyear Tire and Rubber Company, International Harvester Company, Midvale Steel and Ordnance Company, Standard Oil Company of New Jersey, and General.","Files include: Distribution of Output of Industry; Foreign Trade; General; Labor; Mass Production and Distribution; Production and Stock Market; and Prosperity.","Labor topics in these files include: Labor and Churches (1922-1937); Labor and Industrial Policy during World War I, Memoranda on (1917-1918); Labor Gazette Program (undated); General material (1914-1920); Labor in Great Britain (1918-1937); Labor Injunctions (1927-1932); Labor Insurance (1928); Labor Legislation and Politics (1928); Labor Organizations (1910-1929); Labor Policies (1928); and Labor Problems (1919).","Additional Unemployment topics include: Joint Committee on Unemployment; Press; Social Effects of Unemployment, Statistics; and the Wagner Bills.","Interstate Commerce Commission files include: Decision on Freight Rates in Anthracite Case; Five Per Cent Case; Hearing on Rates on Grain, etc.; Operating and Wage Statistics; and Petition concerning the \"Inefficiency of Railroad Employees.\"","Additional Interstate Commerce Commission files include: Rules on Locomotive Inspection; Rules of Practice; Rules governing Classification of Steam Railway Employees; and Seasonal Variation of Railway Operating Income.","Additional files include: Labor Conditions, including mining accidents; Manufacturers; and Monthly Production of Pig Iron in the United States.","Journeymen Stone Cutters of America files include: Affidavits and Letters on Indiana Situation; Agreements; Amalgamation (Knoxville Wage Scale); Arts and Crafts Industry - Mr. M. W. Mitchell; Bloomington and Bedford Names and Local Vote; Cast Stone Industry Code; Limestone Code; Limestone Code Statement for Hearings and Suggested Complaint to the National Labor Board; the Marble Manufacturing Code, President Mitchell; Press Releases and Miscellaneous; the Sandstone Code and Statement by M.W. Mitchell, President of the Journeymen Stone Cutters' Association of North America.","Additional Labor Costs files include: Bituminous Mine Workers; Book Paper Industry; Canned Salmon; Canned Vegetable Industry; Coal; Construction; Copper Production and Sale; Cotton Industry; Cotton, Silk, and Wood Goods Production Before and After World War I; and Fertilizer Industry.","Additional Labor Costs files include: Hide and Tanning Industries; Leather and Shoe Industries; Pig Iron; Railroads, including Eastern, Operating, Southern, and Western; Relation to Prices; Shoe Industry; Steel Production in the United States; Sugar Profiteering; Summary; Various Industries; and Women's Muslin Underwear Industry.","The Living Wage subtopics include: The Case for a Living Wage; Cost; Cost of Rearing Children; Department of Labor; Effects; Fair Labor Standards Act (Bills, Interpretations, Regulations, etc.); Farmers; and General Press (1 of 2 folders).","Living Wage subtopics include: General Press (2 of 2 folders); Harmful Effects of Low Wages; Lauck Statements; Miscellaneous; National War Labor Board; Practicability (2 folders); Request for a Ruling from the United States Railroad Labor Board on the Living Wage;  \"Sanction for a Living Wage\"? Quotation Verification Work for Lauck's book with that title; Statement of the National War Labor Conference; and an Undated Essay on \"The Just and Reasonable Wage.\"","These documents include the Charter, Constitution, General Plans of Work, Explanation and Comment, Outline of Organization and Scope of Work at the Outset, By-Laws, Suggestions and Notes on Separate Trust Fund, and an article \"Employee Ownership\" by Thomas E. Mitten.","Mitten Management topics include: Labor Cooperation in Australia; Organized Labor in New Orleans; Personal News clippings; Press; and Strikes in Philadelphia and Buffalo.","Literature includes the New York Advertising Club Plan, Memoranda and Principles, etc., which also includes articles by Fred Brenckman and Isador Teitelbaum.","Items include the Conscription of Property Senate Bill 1579 and Consumer Division of Defense, Labor, and Steel.","These files include a report of the Iron Ore Committee, a copy of the \"National Natural Resources Act,\" and the Report of the Planning Committee for Mineral Policy.","These bills include the Bill for Stabilization and Conservation of Natural Gas and Petroleum and the Cole Bill (H.R. 7372) Petroleum Conservation Act.","Files include General; a Brief; Mr. McGinn's Statement; General Producers Company, Mr. Taylor and John L. Lewis; and Sinclair Company - Maintenance of Retail Prices.","Apparently Lauck used his work with the Philadelphia Rapid Transit Company as a basis for his book, \"Political and Industrial Democracy, 1776-1926.\"","Includes files on the following companies: Baltimore and Ohio Railroad; Bank of Italy; Boston Consolidated Gas Company; Chicago Surface Lines; Colorado Fuel and Iron Company Plan; Columbia Conserve Company; Comparison of Fundamentals; Comparative Plans; Dennison Manufacturing Company; Dutchess Bleachery; Employee Representation and the Union (PRT); Employee Stock Ownership (PRT); Endicott-Johnson Company (PRT); Filene; Ford Motor Company; International Harvester Company; Investment Bankers and Cooperative Plans; Louisville Railway Company; Loyal Legion of Loggers and Lumbermen; and Milwaukee Electric Power and Light Company.","Includes files on the following companies: \tNash Tailoring Company; New Cooperative Plan; Packard Piano Company; Pennsylvania Railroad; Peoples Gaslight and Coke Company; Philadelphia Convention; Printz-Biederman Company; Southern Railway; Standard Oil Company; Summary with 1939 clipping; and Union Recognition Case.","Includes news clippings about the Electric Bond and Share Company, Power Authority of New York and others.","Includes a speech by Frank P. Walsh before the  Public Ownership League of America and a Research Bulletin on the Potomac Electric Power Company of Washington.","These files include ones for Analysis, Bradstreet's, Dun's, General, and Government Control of Prices.","Profiteering files include those on: Address of the President; Agricultural Supplies; Articles by W. Jett Lauck and others (2 folders); Banks; Memorandum to Judge W.H. Black; Building Material; Coal; and Copper.","Profiteering files include: Corporate Earnings and Government Revenues (3 folders); and Corporations, Profits of (3 folders).","Profiteering files include: Industries, various, (3 folders); Manly, Basil M. - Survey of American Industrial Conditions; Meat Packing; Metal Trades; Miscellaneous Industries; 1921; Petroleum; Post War Profits; and Press Statements (2 folders).","Profiteering files include: Railroads During and After the War (American); Railroad Equipment; Shoes and Clothing; Speeches in Congress; Steel;  Sugar; Summary; and War Contracts.","Includes the following filers: the Chicago Memorandum; Pending Work file; press release about the need for co-ordination of transportation facilities; press or news clippings; and railroad employee insurance.","Files include a draft of a letter to President Roosevelt and a memorandum on Russia from Lauck.","Russia or Soviet Union files include: \"The Red Trade Menace\"; Research by Dunlap; Social and Economic Conditions, chiefly clippings, including concessions, the cotton case, credit, political and propaganda (2 folders); and Trade Mission.","Files include: \"The Agricultural Situation in the United States\"; \"Labor Banking Movement in the United States, Analysis of\"; \"Membership of Labor Unions\"; and \"Report of the Negro in Industry\".","Files include: Proposal for Cotton Purchase from the United States (3 folders); \"Recent Shifts in Industry\"; \"Report of the Railroad Situation in the U.S.\"; Research – Miscellaneous; and Tariffs.","Files include: Anderson, Paul E. – Reports and Memoranda; Ballantine's Report [on Transportation by Waterway as Related to Competition with the Rail Carriers in the United States]; Commodity Studies, including livestock, potash, green coffee, grains, and rubber; Correspondence; and Department of Commerce Outline.","Files include: Digest of Hearings and Reports; Electric Generation Capacity, U.S.A.; Extent of Railway Operations; News clippings, including article from \"The New Republic\"; Notes and Outline; and Panama Canal Traffic effect upon Railroad Rates.","This file includes a Railway Labor Executives' Policy statement, statement of the Baltimore Association of Commerce, and a paper about the  \"Effect of the Proposed Great Lakes-Saint Lawrence Deep Waterway on the Coal Industry.\"","The file includes articles by Lester Velie (\"Lean Years for the Rails\"), Harold D. Kootz (\"The Railroad Crisis\"), and one about new types of equipment; a speech by Harry S. Truman on railroad financing; a memorandum about railroads serving the Great Lakes ports; and a memorandum to Robertson about the position of Western railroad presidents concerning the waterway prior to 1933-1934.","Reports include: \"Analysis of its effects upon railroad and coalmining industries\" by W. Jett Lauck; \"Coordination of Transportation Agencies\" [by W. Jett Lauck?]; Report of Railroad Coordinator's Freight Traffic Report, including freight rate increases and petroleum pipeline rates; and Report of the Railroad System, Beneficial Effects of project upon.","Files for this committee include: General (2 folders); Papers submitted by J.W. Garrow and White; the Report, both Typescript and Printed (2 folders); Uniform Manufacturers Association Statement; United States Chamber of Commerce Presentation; and Vouchers and Expenses submitted by W. Jett Lauck.","Files include Awards, Decisions, and Authorizations (printed) and Exhibits prepared for the Board by Lauck and associates.","Socialism files include; \"What it is and what it is not\" and History in the United States.","Files include: \"Compilation of the Social Security Laws\"; Correspondence with Barbara Nachtrieb Armstrong (Chief of Staff for Social Security Planning of the Committee on Economic Security; Correspondence with Pauling C. Gilbert; Directory of State Employment Security Officials; and Draft Bills for State Unemployment Compensation.","Files include: H.R. 4142 (Lewis Bill); H.R. 7260 (Social Security Act); Information Primer on the Committee on Economic Security; Inventory of Job Seekers Registered at Public Employment Offices; and League of Nations Staff Pension Fund.","Files include: Major Migratory Routes in the United States; Memoranda to Mr. Kennedy; National Women's Trade Union December Bulletin; Newspapers; and \"Old Age Insurance.\"","Files include: Pamphlets and Print Materials; Preliminary Report on Occupations of Job-Seekers in 43 States; \"The Problem of Insecurity\" (Committee on Economic Security); Radio Address of Frances Perkins, Secretary of Labor; and Recommendations of the Social Security Board Federal Advisory Council.","Files include: \"Social Security Act and War Manpower Commission\" and Social Security Board Federal Advisory Council Binder of Documents (2 folders).","Files include: Social Security Board Federal Advisory Council Meeting (June 1940); Social Security Board Federal Advisory Council Meeting (October 1942); \"Social Security in Defense and After\"; Statements on the Wagner-Lewis Economic Security Bill; Thrift and Security Foundation, Inc.; \"Two Special Reports on Social Legislation\" (Business Advisory Council); United Mine Workers of America Proposed Retirement Plan; and Vocational Training Program for National Defense.","Topics include: Mineral production, \"A Working Economic Plan for the South,\" Washington and Lee as a Southern institution, and the Southern Commercial Congress (all printed).","File includes memoranda to John L. Lewis and suggestions by Katharine Pollak, federal regulation and steel codes.","Topics include a file on Arbitrations, including Portland, Maine; Eastern Massachusetts Street Railway; Boston Elevated Railway Company; and Cumberland County Power and Light Company. Other railway topics include: District of Columbia; \"Low Fares\" article by Louis B. Wehle; the Mahon Case; and a Report by Delos F. Wilcox.","Files include: \"The Bridgemen's Magazine,\" Vol. XXXIII, Nos. 11 and 12; Conferences; H.R. 7596 (To License and Regulate Inter-State Coal Corporations); H.R. 12285 (Ellenbogen's Bill); H.R. 12499 (Wood's Steel Bill); Lauck Notes and Memoranda; and Lists of Materials Prepared in Connection with Iron Workers.","Files include: P.J. Morrin Exhibits I (a), II, and III-VIII; P.J. Morrin's Report as Labor Advisor to Chairman of the Labor Advisory Board and his Statement Before the National Recovery Administration; Possible Projects – Golden Gate Bridge, San Francisco, California and United States Courthouse, New York City; Statement of William P. McGinn to Deputy Administrator; and \"Summary and Objectives of Proposal for New National Recovery Act Legislation.\"","Files include: the Fair Tariff League; Press, including the French situation; and Wood Pulp, Woolens and Worsteds (2 folders).","Taxation files include: \"Conclusions and Constructive Suggestions as to Tax Revision\" by David B. Robertson; News clippings, Printed Material and Press Releases (2 folders); and Notes and Drafts.","Files include: copies of clippings at back of folder; Charts used by Isador Lubin in his Testimony; and Notes by W. Jett Lauck and associates.","Topics include: \"Dynamics of Transport\"; \"How Transport has Shaped the Pattern of National Development\"; \"Objectives of Public Policy\"; \"Problems of Interest Groups\"; \"Problems of National Defense\"; Problems of Rate Levels and Rate Relationships\"; \"Problems of Regulatory Policy\"; \"Problems of Transportation Policy – Review of Basic Issues and Alternative Solutions\"; \"Problems of Transport Coordination\"; \"What Lies Ahead in Transportation\"; and \"What the Transportation System Looks Like Today.\"","Files include information about the 1922, 1934, 1940 (2 folders), and 1946 Conventions.","Wage files include: American Federation of Labor; Articles, Bibliography on Wage Cutting and on a Saving Wage; Disease; Earnings in Ohio; \"A Fair and Reasonable Wage\"; and Minimum Wage (2 folders).","Wage files include: Productive Efficiency Theory; Productivity; Railroad; Rates; Real Wages; Regulation; Report on \"Wages and Hours of Labour in Canada\" and Report of Australian Royal Commission; Standard of Living; Various Industries (2 folders); Wage Adjustments; White Collar Workers; Women; and Works Project Administration.","Topics include: the wartime control of labor (France), War Labor Conference Report (February 25, 1918), \"Labor Policies and the War, War Profits Bill, war and labor, and war tax law.","Materials include: a pamphlet \"Negro Women in Industry in 15 States,\" and other printed material from the Department of Labor and the Women's Bureau.","Titles include: \"American Institute for Economic Research Monthly Bulletin\" (1944) and \"Automotive War Production\" (1945).","Titles include: \"Babson's Washington Reports\" (1938-1939); \"Bank of the Manhattan Company of New York (1946); and \"The Bulletin\" from the International Typographical Union (1945-1946).","Titles include: \"California Safety News\" (1919); \"Common Sense\" (1944); and \"Congressional Daily\" (1941, 1944-1946).","Titles include: \"Economic Notes\" (1939); and \"The Economic Outlook\" (1940, 1944).","Titles include: \"Foreign Commerce Weekly\" (1941) and \"Foreign Policy Bulletin\" (1943, 1946).","Titles include: \"Human Events\" (1947); \"International Post-War Service Statistical Bureau\" (1943); and \"International Statistical Bureau Foreign Letter\" (1943-1944).","Titles include: \"National Bureau of Economic Research\" (1933-1934); \"The National Grange\" (1932); \"People's Lobby Bulletin\" (1945); \"Private Newsletter\" (1934); and \"Propaganda Analysis\" (1939).","Titles include: \"Report of the Mexico City Bureau\" (1940); and \"The Southern Patriot\" (1945-1946).","Titles include: \"United Business Service\" (1941); United Construction Workers News (1946); \"Washington Review\" from Chamber of Commerce, U.S. (1940, 1943); and \"The Yardstick Catholic Tests of a New Social Order\" (1941-1942, 1944).","Includes booklets on \"Diplomatic List\" (1925); National Policy Committee booklet, \"Implications to the United States of a German Victory\" (1940); \"The Storm Washington D.C. January 27-28, 1922; \"The Story of the Globe\" (undated); andClifford Thorne (undated).","Includes: National Association Real Estate Boards (1924); National Monetary Association (1923, undated); \"National Transportation Institute Freight Rates and Prices, 1867-1923\" (1923); New Jersey Teacher Retirement and Pensions (1919); and New School for Social Research (1920).","Includes: Railroads (1944); Remedial Loan Societies (1928); and Remington Rand Inc. (1935).","Includes: Schools (1928-1929); Sperry Corporation (1936); Standard Oil Company (1922); and Standard Statistics Company (1925).","Includes: Virginia State Chamber of Commerce (1924-1930); and \"A Brief History of Taxation in Virginia,\" by Edgar Sydenstricker (1915).","Includes: Senator George D. Aiken (1941), Thurman Arnold on \"Labor Against Itself\" and Antitrust Law Enforcement (circa 1941, undated).","Includes Samuel Brodbelt with a letter to Lauck, February 1, 1940.","Includes: Charles H. Chase on Trade Credit Banking (1934); John Corbin on National Planning (1932).","Includes: Maurice R. Davie, \"What Shall We Do About Immigration? (1946); Eleanor Davis \"The Future of Personnel Administration in the US\" typescript (undated); Edward T. Devine, \"American Labor's Improved Status Since 1914\" (1928); and Wallace B. Donham, \"National Ideal and Internationalist Idols\" (1933).","Includes: Marriner S. Eccles (1939); Irving Fisher \"The Debt - Deflation Theory of Great Depressions\" (1933); and Harry Emerson Fosdick sermon \"A Christian Conscience about War\" (1925).","Includes: Walter Graves, Jr., an open letter concerning Hitler and the British Isles (1941); Senator Pat Harrison (1925); W.P. Harvey, articles on living wage, and capital and labor (undated); Leon Henderson on Use of Small Loans for Medical Expenses (1930), and Alice Hosteler article on Producer-Consumer Relations (undated).","Includes: Benjamin A. Javits, (1933-1934); Jefferson Institute, including an address by Daniel C. Roper (1934); George L. Knapp on Senator Edward P. Costigan of Colorado (undated); and Dr. Julius Klein, \"The Business Trend Since 1921\" (1927).","Includes: J.C. Laughlin, \"Demand and Prices,\" August 1932; William M. Leiserson, \"Labor Past as Key to Labor Future,\" February 10, 1944; Max Lerner, \"Revolution in Ideas,\" 1939; Alexander Levene, \"Modification of the Antitrust Laws and Purchasing Power\" (1932); and John L. Lewis \"Problems of Organized Labor\" (1936).","Includes samples of his articles with a biographical summary up to 1933.","Includes: William G. McAdoo, about William Jennings Bryan (1925); Leifer Magnusson, about the International Labor Organization and the American Federation of Labor (undated); Maury Maverick on \"How Solid is the South?\"(1943); Claudius T. Murchison, \"A Great Deal, Some of It New\" (1934); Reinhold Niebuhr, \"Jerome Frank's Way Out\" (undated); Edwin G. Nourse, \"The Nature and Future of Private Enterprise\" (1941); Frances Perkins, speech press release, 1936; Gifford Pinchot, \"Wages, Margins and Anthracite Prices\" and \"Business and Government in the Economic Crisis,\" (1923-1931).","Includes: Jackson H. Ralston \"Superficiality of International Law,\" 1922; Donald R. Richberg and his Labor Plan (1944); John D. Rockefeller, Jr., \"Considerations Concerning Labor Standards,\" 1922; Daniel C. Roper, \"Regimentation and Recovery\" and \"Trade and Commerce in Perspective,\"1934; and Dr. John A. Ryan, \"Organized Labor Today\" (1926).","Includes: Alexander Sachs on Problems of National Recovery (1937); David J. Saposs, \"Current Anti-Labor Activities\" (1938 April 11); Louis G. Silverberg \"Law and Order: Social Menace\" (1938); Upton Sinclair, \"An open Letter to the President\" (undated); Isidor Teitilbaum (undated); and Lawrence Todd (August 1933).","Includes: Henry A. Wallace, speeches (1937-1942); Sidney Webb \"Four Weeks in England\" (1919); Carl I. Wheat, California Railroad Commission, (1927); William Allen White, \"A Yip From the Doghouse\" (1937); Honorable Roy O. Woodruff \"War Frauds\" speech, 1922; and Owen D. Young speeches (1930-1932).","Includes \"Economic Planning\" (undated); \"When President's Play Politics\" (1938); and fiction pieces written for magazines like \"Ken\" (undated).","Note: Diaries on microfilm M-1239-1241; Use of original diaries restricted due to fragile condition.","Albert and Shirley Small Special Collections Library","Lauck, W. Jett (Lauck, William Jett), 1879-1949","English"],"unitid_tesim":["MSS 4742","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/724"],"normalized_title_ssm":["W. Jett Lauck papers"],"collection_title_tesim":["W. Jett Lauck papers"],"collection_ssim":["W. Jett Lauck papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Lewis, John L. (John Llewellyn), 1880-1969"],"geogname_ssim":["Lewis, John L. (John Llewellyn), 1880-1969"],"creator_ssm":["Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"creator_ssim":["Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"creator_persname_ssim":["Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"creators_ssim":["Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"places_ssim":["Lewis, John L. (John Llewellyn), 1880-1969"],"acqinfo_ssim":["The largest group of W. Jett Lauck papers was given to University of Virginia Law Library by Charles Chase, Washington, D.C. in April 1954 and then transferred from the Law Library to the University of Virginia Special Collections Library on March 23, 1973 and October 7, 1974. The second accession (formerly MSS 4742-a) was given to the Special Collections Library on October 31, 1979, by Charles Chase, with Peter B. Lauck and Eleanor M. Lauck, Annapolis, Maryland, as the donors of record. The last accession (formerly MSS 4742-b)was given to the Libary on 2012 by Peter B. Lauck and Eleanor M. Lauck."],"access_subjects_ssim":["World War, 1939-1945","New Deal, 1933-1939","Depressions - 1929","United Mine Workers of America","Labor unions","American Association for Economic Freedom","Anthracite coal--Pennsylvania","Railroads -- History","Railroads","Electric railroads","World War, 1914-1918","Economics"],"access_subjects_ssm":["World War, 1939-1945","New Deal, 1933-1939","Depressions - 1929","United Mine Workers of America","Labor unions","American Association for Economic Freedom","Anthracite coal--Pennsylvania","Railroads -- History","Railroads","Electric railroads","World War, 1914-1918","Economics"],"has_online_content_ssim":["false"],"extent_ssm":["212 Cubic Feet"],"extent_tesim":["212 Cubic Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952],"accessrestrict_html_tesm":["\u003cp\u003eWork diaries used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date in Boxes 216-219. Due to their fragile condition, access to the original diaries is restricted. Researchers should use the diaries on microfilm M-1239-1241.\u003c/p\u003e","\u003cp\u003eStudent grades were removed from the file and placed in the control folder box for MSS 4742.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Work diaries used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date in Boxes 216-219. Due to their fragile condition, access to the original diaries is restricted. Researchers should use the diaries on microfilm M-1239-1241.","Student grades were removed from the file and placed in the control folder box for MSS 4742."],"arrangement_html_tesm":["\u003cp\u003eThere are fifteen series in this collection. The two largest series are the Cases and Topical series. The majority of series have at least two subseries. Lauck had created two earlier indexes to his files and they were used to shape the current re-organization of the collection, particularly concerning the case files. Some of the decisions concerning arrangement were made due to the difficulties of completing the processing of the W. Jett Lauck papers during the Pandemic of 2020-2021. \u003c/p\u003e\n","\u003cp\u003eAn Outline of the Arrangement is as follows: Series 1) Correspondence (Boxes 1-16); Series 2) American Association for Economic Freedom (Boxes 17-37 and Card files boxes 1-12); Series 3) National War Labor Board (Boxes 38-56); Series 4) Congress of Industrial Organizations (Boxes 57-67); Series 5) Commission on Industrial Relations (Boxes 68-72); Series 6) Articles, Memoranda, and Speeches by W. Jett Lauck (Boxes 73-91) with Subseries A) Work created by W. Jett Lauck for use by himself (Boxes 73-91), Subseries B) Work created by W. Jett Lauck for other people to use (Boxes 82-88), and Subseries C) Banking Monograph by W. Jett Lauck (Boxes 89-91); Series 7) Pennsylvania Anthracite Coal Commission (Boxes 92-103); Series 8) Cases (Boxes 104-204) with  Subseries A) Railroad (Boxes 104-146), Subseries B) General (Boxes 147-169), and Subseries C) Coal (Boxes 170-204); Series 9) Arbitrations (Boxes 205-211); Series 10) Dockets and Other Records of Work by W. Jett Lauck (Boxes 212-219); Series 11) Personal, Financial and Miscellany Papers (Boxes 220-233) with Subseries A) Financial Correspondence and Files (Boxes 220-225), Subseries B) Bureau of Applied Economics (Boxes 225-226), Subseries C) College Notes and School Papers (Boxes 227-230), and Subseries D) Notes, Notebooks, Photographs, Post cards and Miscellany (Boxes 230-233); Series 12) The National Recovery Act and National Recovery Administration (Boxes 234-241) with Subseries A) General Files (Boxes 234-238) and Subseries B) National Recovery Administration Codes (Boxes 238-241); Series 13) Oversize Scrapbook Volumes of Newspaper Clippings and News clippings Files with Subseries A) Scrapbooks (Boxes 242-252) and Subseries B) News clipping Files (Boxes 253-257); Series 14) Topical Files with Subseries A) Coal (Boxes 258-270), Subseries B) Railroad (Boxes 271-287), and Subseries C) General A-Z (Boxes 288-389); and Series 15) Printed Material and Works by Others (Boxes 389-399) with Subseries A) Printed Material (Boxes 389-396) and Subseries B) Works by Others (Boxes 397-399).\u003c/p\u003e","\u003cp\u003eLauck often marked his newspapers and other periodical materials according to subject matter. These clippings are arranged according to his original categorical markings, where possible. Where no markings are discernable, they have been artificially sorted into Lauck's categories or other appropriate topical divisions. They are arranged alphabetically by subject with dedicated, separate folders for subjects with large amounts of material. (Brackets [] denote subtopics or linked topics). Files chiefly consist of news clippings but occasionally there is other printed material or charts, etc.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by last name of authors or speakers with subjects noted, if appropriate.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["There are fifteen series in this collection. The two largest series are the Cases and Topical series. The majority of series have at least two subseries. Lauck had created two earlier indexes to his files and they were used to shape the current re-organization of the collection, particularly concerning the case files. Some of the decisions concerning arrangement were made due to the difficulties of completing the processing of the W. Jett Lauck papers during the Pandemic of 2020-2021. ","An Outline of the Arrangement is as follows: Series 1) Correspondence (Boxes 1-16); Series 2) American Association for Economic Freedom (Boxes 17-37 and Card files boxes 1-12); Series 3) National War Labor Board (Boxes 38-56); Series 4) Congress of Industrial Organizations (Boxes 57-67); Series 5) Commission on Industrial Relations (Boxes 68-72); Series 6) Articles, Memoranda, and Speeches by W. Jett Lauck (Boxes 73-91) with Subseries A) Work created by W. Jett Lauck for use by himself (Boxes 73-91), Subseries B) Work created by W. Jett Lauck for other people to use (Boxes 82-88), and Subseries C) Banking Monograph by W. Jett Lauck (Boxes 89-91); Series 7) Pennsylvania Anthracite Coal Commission (Boxes 92-103); Series 8) Cases (Boxes 104-204) with  Subseries A) Railroad (Boxes 104-146), Subseries B) General (Boxes 147-169), and Subseries C) Coal (Boxes 170-204); Series 9) Arbitrations (Boxes 205-211); Series 10) Dockets and Other Records of Work by W. Jett Lauck (Boxes 212-219); Series 11) Personal, Financial and Miscellany Papers (Boxes 220-233) with Subseries A) Financial Correspondence and Files (Boxes 220-225), Subseries B) Bureau of Applied Economics (Boxes 225-226), Subseries C) College Notes and School Papers (Boxes 227-230), and Subseries D) Notes, Notebooks, Photographs, Post cards and Miscellany (Boxes 230-233); Series 12) The National Recovery Act and National Recovery Administration (Boxes 234-241) with Subseries A) General Files (Boxes 234-238) and Subseries B) National Recovery Administration Codes (Boxes 238-241); Series 13) Oversize Scrapbook Volumes of Newspaper Clippings and News clippings Files with Subseries A) Scrapbooks (Boxes 242-252) and Subseries B) News clipping Files (Boxes 253-257); Series 14) Topical Files with Subseries A) Coal (Boxes 258-270), Subseries B) Railroad (Boxes 271-287), and Subseries C) General A-Z (Boxes 288-389); and Series 15) Printed Material and Works by Others (Boxes 389-399) with Subseries A) Printed Material (Boxes 389-396) and Subseries B) Works by Others (Boxes 397-399).","Lauck often marked his newspapers and other periodical materials according to subject matter. These clippings are arranged according to his original categorical markings, where possible. Where no markings are discernable, they have been artificially sorted into Lauck's categories or other appropriate topical divisions. They are arranged alphabetically by subject with dedicated, separate folders for subjects with large amounts of material. (Brackets [] denote subtopics or linked topics). Files chiefly consist of news clippings but occasionally there is other printed material or charts, etc.","Arranged alphabetically by last name of authors or speakers with subjects noted, if appropriate."],"bioghist_html_tesm":["\u003cp\u003eWilliam Jett Lauck, an American economist and statistician, whose work expertise and experience was both broad and varied, was born on August 2, 1879, in Keyser, West Virginia, to William Blackford Lauck, a railway official, and Emma Eltinge (Spengler) Lauck. He attended Keyser High School and Washington and Lee University (Bachelor of Arts, 1903), becoming a Fellow in the department of political economy at the University of Chicago, 1903-1906. Lauck was an associate professor of economics and political science at Washington and Lee University, 1905-1908, until he entered government service in 1908. That same year, he was married to Eleanor Moore Dunlap of Lexington, Virginia, and they had three children, William Jett Lauck, Jr., Eleanor Moore Lauck and Peter Blackford Lauck. Lauck belonged to the Cosmos and Chevy Chase clubs and was a member of Phi Beta Kappa, Kappa Sigma, and Theta Nu Epsilon.\u003c/p\u003e\n","\u003cp\u003eLauck joining the United States Immigration Commission in 1908-1909, where he designed a survey of immigration for the Commission. Lauck was the chief examiner for the Tariff Board, 1910-1911. The U.S. Commission on Industrial Relations hired Lauck in 1913-1915 as a managerial expert and consulting statistician to design their investigation into industrial problems in the United States. He was an economic advisor on the Canadian Commission on Economic Development, 1916. Lauck joined the U.S. National War Labor Board in 1918 as Secretary. \u003c/p\u003e\n","\u003cp\u003eLauck also took part in the national movement for banking reform and the establishment of the Federal Reserve banking system1911-1912. As an expert on railway economics, he represented the Brotherhoods of Locomotive Firemen and Engineers in their demands for wage increases during a series of arbitrations from 1912-1919, the Western freight weight case, 1915, and also represented the railroad unions in several high-profile national railroad arbitrations in the early twenties. Lauck functioned as the economic advisor for presidential candidate James B. Cox in 1920 and 1924. In 1926, Lauck devised a settlement to end the Passaic New Jersey textile strike. \u003c/p\u003e\n","\u003cp\u003eDuring a large part of his career, W. Jett Lauck acted as an economic advisor to John L. Lewis and the United Mine Workers, the Committee on Industrial Organization, the United Automobile Workers and other union organizations, in arbitrations and cases, 1919-1939. He was an investigator for the U.S. Coal Commission, 1923 and economist for the Grain Marketing Company, Chicago, 1924-1925. Lauck assisted on the legislative drafting committee for the National Recovery Act in 1933 and as an expert advisor to the Senate Finance Committee on the revision of the National Recovery Act in 1935. He was also a member of various special boards, and a labor advisor to the Coal Section of the National Recovery Act, 1933-1935. He was also often a government expert witness, as seen in his work for the House of Representatives Special Committee on Government Competition with Private Business, 1933. Lauck served as Chairman of the Pennsylvania Anthracite Industry Coal Commission, 1937. \u003c/p\u003e\n","\u003cp\u003eLauck was Vice President of the organization American Association for Economic Freedom. He was also an author or co-author of many books and other publications, including \"The Causes of the Panic of 1893\" (1905); \"The Immigration Problem\" with Johann Wolfgang Jenks (1911); \"Conditions of Labor in American Industries\" with Edgar Sydenstricker (1917); \"The Industrial Code\" with C.S. Watts (1923); Political and Industrial Democracy, 1776-1926\" (1926); and \"The New Industrial Revolution and Wages\" (1929) and Editor of \"British War Experience Series.\"\u003c/p\u003e\n","\u003cp\u003e\"W. Jett Lauck: Biography of a Reformer\" by Carmen Brissette Grayson is a 1975 University of Virginia dissertation that covers the early part of Lauck's career up until the Depression.\u003c/p\u003e","\u003cp\u003e\"The Congress of Industrial Organizations (CIO) was a federation of unions that organized workers in industrial unions in the United States and Canada from 1935 to 1955. Created in 1935 by John L. Lewis, who was a part of the United Mine Workers (UMW), it was originally called the Committee for Industrial Organization but changed its name in 1938 when it broke away from the American Federation of Labor.[1] It also changed names because it was not successful with organizing unskilled workers with the AFL.[2]\u003c/p\u003e\n","\u003cp\u003eThe CIO supported Franklin D. Roosevelt and the New Deal Coalition, and was open to African Americans. Both the CIO and its rival the AFL grew rapidly during the Great Depression. The rivalry for dominance was bitter and sometimes violent. The CIO (Congress for Industrial Organization) was founded on November 9, 1935, by eight international unions belonging to the American Federation of Labor.\u003c/p\u003e\n","\u003cp\u003eIn its statement of purpose, the CIO said it had formed to encourage the AFL to organize workers in mass production industries along industrial union lines. The CIO failed to change AFL policy from within. On September 10, 1936, the AFL suspended all 10 CIO unions (two more had joined in the previous year). In 1938, these unions formed the Congress of Industrial Organizations as a rival labor federation. The Taft-Hartley Act of 1947 required union leaders to swear that they were not Communists. Many CIO leaders refused to obey that requirement, later found unconstitutional. In 1955, the CIO rejoined the AFL, forming the new entity known as the American Federation of Labor-Congress of Industrial Organizations (AFL-CIO).\" This summary was taken directly from Wikipedia \u003c/p\u003e\n","\u003cp\u003ehttps://en.wikipedia.org/wiki/Congress_of_Industrial_Organizations\u003c/p\u003e","\u003cp\u003eThe Wage Reduction Case was brought by William S. Carter, President of the Brotherhood of Locomotive Firemen and Enginemen, originally against the Atlanta, Birmingham, and Atlantic Railway Company, before the United States Railroad Labor Board, but it eventually became a much larger case involving other Brotherhoods and Unions concerning railroad workers and wages.\u003c/p\u003e","\u003cp\u003eTimothy Shea was the Acting President of the Brotherhood of Locomotive Firemen and Enginemen between 1919-1922 .\u003c/p\u003e","\u003cp\u003eThe Six Hour Day Case was also referred to as the 30 Hour Week in the press and in supporting materials. The work was undertaken by Lauck for David B. Robertson, President of the Brotherhood of Locomotive Firemen and Enginemen.\u003c/p\u003e","\u003cp\u003eThis case was brought by the Brotherhood of Locomotive Firemen and Enginemen demanding that a fireman (helper) be employed on all types of power used in railroad service for safety, including diesel and streamline trains.\u003c/p\u003e","\u003cp\u003eThe Railway Wage Reduction Case of 1938 was presented before the Emergency Board by W. Jett Lauck on behalf of the Railway Labor Executives' Association.\u003c/p\u003e","\u003cp\u003eThis case was a call for amendment to the Tariff Act of 1922. Lauck represented a group of domestic manufacturers, including the Glass Containers Association of America, in putting together an argument for an increase in tariffs on imported glass bottles. It is important to note that Lauck did not represent industry in opposition to labor. The Glass Bottles Blowers Association submitted a brief agreeing with the domestic manufacturers, —but only in opposition to foreign goods making American industry and labor obsolete.\u003c/p\u003e","\u003cp\u003eThe Grain Marketing Company was created to jointly market the product of three grain companies: Armour Grain Company, Rosenbaum Grain Corporation, and Rosenbaum Brothers. W. Jett Lauck served as Director of Appraisals for this venture, preparing a large report on the valuation of the Grain Marketing Company's properties. This report was reproduced in many, slightly altered formats for different purposes, people, and groups, and these variants are the subject of many folders in the case, which contain significant overlap.\u003c/p\u003e","\u003cp\u003eThe Agricultural Adjustment Administration implemented a new tax on paper towels. The reason given was that they competed with typical cotton towels. W. Jett Lauck advised the Paper Towel Manufacturers Association and prepared their case before the Agricultural Adjustment Administration and Congress.\u003c/p\u003e","\u003cp\u003eSome 16,000 textile workers participated in the strike, centered in Passaic, New Jersey and initially organized as the \"United Front Committee\" by the Workers (Communist Party) before being transferred to the leadership of the American Federation of Labor. W. Jett Lauck served as a consulting economist to the strikers, chairman of the Plenary Committee (also known as The Citizens Committee or the Lauck Committee) representing the strikers and overseeing transition to the American Federation of Labor, economist for the National Committee for Passaic Relief and Defense, and member of the Temporary Committee for Establishment of American Standards of Life for Textile Workers, as well as participated in the case on the floor of the Senate and in Senate Committees.\u003c/p\u003e","\u003cp\u003eThis case was between the Franklin Division of the Franklin Typothetae of Chicago and a collection of unions, namely: the Chicago Typographical Union No. 16, Chicago Printing Pressmen's Union No. 3, Franklin Union No. 4, and Bookbinders' and Paper Cutters' Union No. 8 regarding a cut in wages. W. Jett Lauck represented the unions and prepared their case alongside Arthur Sturgis.\u003c/p\u003e","\u003cp\u003eThe Guffey-Snyder Act was officially known as the Bituminous Coal Conservation Act of 1935. This law was passed as part of the New Deal and created the Bituminous Coal Commission to set the price of coal. It was ruled unconstitutional and was replaced by the Guffey-Vinson Act in 1937.\u003c/p\u003e","\u003cp\u003ePujo Committe named after the chairman of the Banking and Currency Committee, Representative A. Pujo of Louisiana.\u003c/p\u003e","\u003cp\u003eEugene Meyer was Governor of the Federal Reserve Board and J.W. Pole was Comptroller of the Currency in 1932.\u003c/p\u003e","\u003cp\u003eThis committee was chaired by Congressman Joseph B. Shannon, (1867-1943), a Democrat from Kansas City, Missouri.\u003c/p\u003e","\u003cp\u003eP.J. Morrin was the general president of the International Association of Bridge, Structural, and Iron Workers; Jett Lauck was the economic advisor for the same organization.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["William Jett Lauck, an American economist and statistician, whose work expertise and experience was both broad and varied, was born on August 2, 1879, in Keyser, West Virginia, to William Blackford Lauck, a railway official, and Emma Eltinge (Spengler) Lauck. He attended Keyser High School and Washington and Lee University (Bachelor of Arts, 1903), becoming a Fellow in the department of political economy at the University of Chicago, 1903-1906. Lauck was an associate professor of economics and political science at Washington and Lee University, 1905-1908, until he entered government service in 1908. That same year, he was married to Eleanor Moore Dunlap of Lexington, Virginia, and they had three children, William Jett Lauck, Jr., Eleanor Moore Lauck and Peter Blackford Lauck. Lauck belonged to the Cosmos and Chevy Chase clubs and was a member of Phi Beta Kappa, Kappa Sigma, and Theta Nu Epsilon.","Lauck joining the United States Immigration Commission in 1908-1909, where he designed a survey of immigration for the Commission. Lauck was the chief examiner for the Tariff Board, 1910-1911. The U.S. Commission on Industrial Relations hired Lauck in 1913-1915 as a managerial expert and consulting statistician to design their investigation into industrial problems in the United States. He was an economic advisor on the Canadian Commission on Economic Development, 1916. Lauck joined the U.S. National War Labor Board in 1918 as Secretary. ","Lauck also took part in the national movement for banking reform and the establishment of the Federal Reserve banking system1911-1912. As an expert on railway economics, he represented the Brotherhoods of Locomotive Firemen and Engineers in their demands for wage increases during a series of arbitrations from 1912-1919, the Western freight weight case, 1915, and also represented the railroad unions in several high-profile national railroad arbitrations in the early twenties. Lauck functioned as the economic advisor for presidential candidate James B. Cox in 1920 and 1924. In 1926, Lauck devised a settlement to end the Passaic New Jersey textile strike. ","During a large part of his career, W. Jett Lauck acted as an economic advisor to John L. Lewis and the United Mine Workers, the Committee on Industrial Organization, the United Automobile Workers and other union organizations, in arbitrations and cases, 1919-1939. He was an investigator for the U.S. Coal Commission, 1923 and economist for the Grain Marketing Company, Chicago, 1924-1925. Lauck assisted on the legislative drafting committee for the National Recovery Act in 1933 and as an expert advisor to the Senate Finance Committee on the revision of the National Recovery Act in 1935. He was also a member of various special boards, and a labor advisor to the Coal Section of the National Recovery Act, 1933-1935. He was also often a government expert witness, as seen in his work for the House of Representatives Special Committee on Government Competition with Private Business, 1933. Lauck served as Chairman of the Pennsylvania Anthracite Industry Coal Commission, 1937. ","Lauck was Vice President of the organization American Association for Economic Freedom. He was also an author or co-author of many books and other publications, including \"The Causes of the Panic of 1893\" (1905); \"The Immigration Problem\" with Johann Wolfgang Jenks (1911); \"Conditions of Labor in American Industries\" with Edgar Sydenstricker (1917); \"The Industrial Code\" with C.S. Watts (1923); Political and Industrial Democracy, 1776-1926\" (1926); and \"The New Industrial Revolution and Wages\" (1929) and Editor of \"British War Experience Series.\"","\"W. Jett Lauck: Biography of a Reformer\" by Carmen Brissette Grayson is a 1975 University of Virginia dissertation that covers the early part of Lauck's career up until the Depression.","\"The Congress of Industrial Organizations (CIO) was a federation of unions that organized workers in industrial unions in the United States and Canada from 1935 to 1955. Created in 1935 by John L. Lewis, who was a part of the United Mine Workers (UMW), it was originally called the Committee for Industrial Organization but changed its name in 1938 when it broke away from the American Federation of Labor.[1] It also changed names because it was not successful with organizing unskilled workers with the AFL.[2]","The CIO supported Franklin D. Roosevelt and the New Deal Coalition, and was open to African Americans. Both the CIO and its rival the AFL grew rapidly during the Great Depression. The rivalry for dominance was bitter and sometimes violent. The CIO (Congress for Industrial Organization) was founded on November 9, 1935, by eight international unions belonging to the American Federation of Labor.","In its statement of purpose, the CIO said it had formed to encourage the AFL to organize workers in mass production industries along industrial union lines. The CIO failed to change AFL policy from within. On September 10, 1936, the AFL suspended all 10 CIO unions (two more had joined in the previous year). In 1938, these unions formed the Congress of Industrial Organizations as a rival labor federation. The Taft-Hartley Act of 1947 required union leaders to swear that they were not Communists. Many CIO leaders refused to obey that requirement, later found unconstitutional. In 1955, the CIO rejoined the AFL, forming the new entity known as the American Federation of Labor-Congress of Industrial Organizations (AFL-CIO).\" This summary was taken directly from Wikipedia ","https://en.wikipedia.org/wiki/Congress_of_Industrial_Organizations","The Wage Reduction Case was brought by William S. Carter, President of the Brotherhood of Locomotive Firemen and Enginemen, originally against the Atlanta, Birmingham, and Atlantic Railway Company, before the United States Railroad Labor Board, but it eventually became a much larger case involving other Brotherhoods and Unions concerning railroad workers and wages.","Timothy Shea was the Acting President of the Brotherhood of Locomotive Firemen and Enginemen between 1919-1922 .","The Six Hour Day Case was also referred to as the 30 Hour Week in the press and in supporting materials. The work was undertaken by Lauck for David B. Robertson, President of the Brotherhood of Locomotive Firemen and Enginemen.","This case was brought by the Brotherhood of Locomotive Firemen and Enginemen demanding that a fireman (helper) be employed on all types of power used in railroad service for safety, including diesel and streamline trains.","The Railway Wage Reduction Case of 1938 was presented before the Emergency Board by W. Jett Lauck on behalf of the Railway Labor Executives' Association.","This case was a call for amendment to the Tariff Act of 1922. Lauck represented a group of domestic manufacturers, including the Glass Containers Association of America, in putting together an argument for an increase in tariffs on imported glass bottles. It is important to note that Lauck did not represent industry in opposition to labor. The Glass Bottles Blowers Association submitted a brief agreeing with the domestic manufacturers, —but only in opposition to foreign goods making American industry and labor obsolete.","The Grain Marketing Company was created to jointly market the product of three grain companies: Armour Grain Company, Rosenbaum Grain Corporation, and Rosenbaum Brothers. W. Jett Lauck served as Director of Appraisals for this venture, preparing a large report on the valuation of the Grain Marketing Company's properties. This report was reproduced in many, slightly altered formats for different purposes, people, and groups, and these variants are the subject of many folders in the case, which contain significant overlap.","The Agricultural Adjustment Administration implemented a new tax on paper towels. The reason given was that they competed with typical cotton towels. W. Jett Lauck advised the Paper Towel Manufacturers Association and prepared their case before the Agricultural Adjustment Administration and Congress.","Some 16,000 textile workers participated in the strike, centered in Passaic, New Jersey and initially organized as the \"United Front Committee\" by the Workers (Communist Party) before being transferred to the leadership of the American Federation of Labor. W. Jett Lauck served as a consulting economist to the strikers, chairman of the Plenary Committee (also known as The Citizens Committee or the Lauck Committee) representing the strikers and overseeing transition to the American Federation of Labor, economist for the National Committee for Passaic Relief and Defense, and member of the Temporary Committee for Establishment of American Standards of Life for Textile Workers, as well as participated in the case on the floor of the Senate and in Senate Committees.","This case was between the Franklin Division of the Franklin Typothetae of Chicago and a collection of unions, namely: the Chicago Typographical Union No. 16, Chicago Printing Pressmen's Union No. 3, Franklin Union No. 4, and Bookbinders' and Paper Cutters' Union No. 8 regarding a cut in wages. W. Jett Lauck represented the unions and prepared their case alongside Arthur Sturgis.","The Guffey-Snyder Act was officially known as the Bituminous Coal Conservation Act of 1935. This law was passed as part of the New Deal and created the Bituminous Coal Commission to set the price of coal. It was ruled unconstitutional and was replaced by the Guffey-Vinson Act in 1937.","Pujo Committe named after the chairman of the Banking and Currency Committee, Representative A. Pujo of Louisiana.","Eugene Meyer was Governor of the Federal Reserve Board and J.W. Pole was Comptroller of the Currency in 1932.","This committee was chaired by Congressman Joseph B. Shannon, (1867-1943), a Democrat from Kansas City, Missouri.","P.J. Morrin was the general president of the International Association of Bridge, Structural, and Iron Workers; Jett Lauck was the economic advisor for the same organization."],"originalsloc_html_tesm":["\u003cp\u003eThe original letters from Franklin D. Roosevelt to W. Jett Lauck were transferred to the UVA Special Collections Franklin D. Roosevelt papers, on February 6, 2005.\u003c/p\u003e","\u003cp\u003eThe original letters from Upton Sinclair to W. Jett Lauck were transferred to the UVA Special Collections Upton Sinclair papers on February 6, 2005.\u003c/p\u003e","\u003cp\u003eThe original letters from William H. Taft to W. Jett Lauck were transferred to the UVA Special Collections William H. Taft papers on February 6, 2005.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals"],"originalsloc_tesim":["The original letters from Franklin D. Roosevelt to W. Jett Lauck were transferred to the UVA Special Collections Franklin D. Roosevelt papers, on February 6, 2005.","The original letters from Upton Sinclair to W. Jett Lauck were transferred to the UVA Special Collections Upton Sinclair papers on February 6, 2005.","The original letters from William H. Taft to W. Jett Lauck were transferred to the UVA Special Collections William H. Taft papers on February 6, 2005."],"processinfo_html_tesm":["\u003cp\u003eManuscript student assistants who worked on the W. Jett Lauck papers for at least one semester include Jacob M. Baker, Shannon Lee, Jacob T. Shaw, and Emily Shipman.\u003c/p\u003e","\u003cp\u003eOnly two copies of identical duplicates having no annotations were kept. Duplicates were compared and only two were kept of each unique document or publication.  News clippings were only copied if used by Lauck in a case or arbitration, contained an article or other work by him, or information pertaining to his work and career. Others were sorted and arranged by topcs that he had written on the clipping; those with no obvious relevance were discarded. Ledgers and scrapbooks were rehoused in acid free cubic boxes or phase boxes created by the Preservation staff.\u003c/p\u003e","\u003cp\u003eOriginally the papers were organized with the help of a University of Virginia history seminar sometime between their transfer to Special Collections from the Law Library and 1973, producing a large paper finding aid consisting of the list of the file folder headings. Folders were replaced near the end of the 1990's but some folder headings were lost or corrupted. In 2018, the papers were re-organized into series based on several early indexes created by the office of W. Jett Lauck. Folder headings were corrected based on the indexes, the original paper finding aid, and Lauck's notations on the tops of his documents. Headings were altered on the folders when possible to match the finding aid but only some of the folders were replaced due to constraints of time and money.\u003c/p\u003e","\u003cp\u003ePhysical processing work was complicated by constant student assistant turn-over and the interruption of the Pandemic of 2020-2021, which prevented onsite work for almost six months and allowed only several onsite short stints per week  the rest of the time. The finding aid is as accurate as these conditions have permitted but there may well be inconsistencies. If such errors are discovered, we welcome researcher input.\u003c/p\u003e","\u003cp\u003eMost dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.\u003c/p\u003e","\u003cp\u003eMost dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.\u003c/p\u003e","\u003cp\u003eThe index for this case shows that the supporting materials are incomplete. Some materials may have not survived or others may be present in the collection but their direct connection to this particular case has been lost.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["Manuscript student assistants who worked on the W. Jett Lauck papers for at least one semester include Jacob M. Baker, Shannon Lee, Jacob T. Shaw, and Emily Shipman.","Only two copies of identical duplicates having no annotations were kept. Duplicates were compared and only two were kept of each unique document or publication.  News clippings were only copied if used by Lauck in a case or arbitration, contained an article or other work by him, or information pertaining to his work and career. Others were sorted and arranged by topcs that he had written on the clipping; those with no obvious relevance were discarded. Ledgers and scrapbooks were rehoused in acid free cubic boxes or phase boxes created by the Preservation staff.","Originally the papers were organized with the help of a University of Virginia history seminar sometime between their transfer to Special Collections from the Law Library and 1973, producing a large paper finding aid consisting of the list of the file folder headings. Folders were replaced near the end of the 1990's but some folder headings were lost or corrupted. In 2018, the papers were re-organized into series based on several early indexes created by the office of W. Jett Lauck. Folder headings were corrected based on the indexes, the original paper finding aid, and Lauck's notations on the tops of his documents. Headings were altered on the folders when possible to match the finding aid but only some of the folders were replaced due to constraints of time and money.","Physical processing work was complicated by constant student assistant turn-over and the interruption of the Pandemic of 2020-2021, which prevented onsite work for almost six months and allowed only several onsite short stints per week  the rest of the time. The finding aid is as accurate as these conditions have permitted but there may well be inconsistencies. If such errors are discovered, we welcome researcher input.","Most dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.","Most dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.","The index for this case shows that the supporting materials are incomplete. Some materials may have not survived or others may be present in the collection but their direct connection to this particular case has been lost."],"relatedmaterial_html_tesm":["\u003cp\u003eSee related material in Box 9 under John L. Lewis.\u003c/p\u003e","\u003cp\u003eSee also Press Releases: Philip Murray Opening Statement and Final Argument.\u003c/p\u003e","\u003cp\u003eSee related materials in MSS 4742 Box 192.\u003c/p\u003e","\u003cp\u003eSee also James Couzens files in MSS 4742, Box 308.\u003c/p\u003e","\u003cp\u003eProfiteering files include: Exhibits (2 folders); Food Products; Flour; General; and Industrial Establishment (2 folders).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["See related material in Box 9 under John L. Lewis.","See also Press Releases: Philip Murray Opening Statement and Final Argument.","See related materials in MSS 4742 Box 192.","See also James Couzens files in MSS 4742, Box 308.","Profiteering files include: Exhibits (2 folders); Food Products; Flour; General; and Industrial Establishment (2 folders)."],"scopecontent_html_tesm":["\u003cp\u003eThe W. Jett Lauck collection consists of his professional, business and personal papers as an economist, statistician and government consultant on immigration, banking, railroads, coal, and unemployment problems as well as other facets of labor in the United States. Included are correspondence, scrapbooks of news clippings reflecting his activities, labor reports and studies, drafts of congressional bills, legal briefs, and other material concerning labor problems in the United States from its formative World War I years until 1949. They begin with his association with the progressive labor codes of the Taft-Walsh Labor Relations Commission and continue with the Railway Labor Act of 1926; the fight to gain recognition of labor's right to collective bargaining \"through representatives of their own choosing\" under the National Industrial Recovery Act in 1933; the incorporation of its principles in the National Labor Relations Act; and further activity in defense of this act.\u003c/p\u003e\n","\u003cp\u003eOther manuscripts deal with studies of government competition with private business, the American Association for Economic Freedom, the New York Power Authority; branch, chain, and group banking, drafts of speeches, and work diary accounts of activities and meetings with prominent congressional and labor leaders on labor problems and legislation.\u003c/p\u003e\n","\u003cp\u003eThe largest portions of the W. Jett Lauck papers deal with cases and arbitrations, chiefly railroad and coal related, his work on various boards and commission and topical files.\u003c/p\u003e\n","\u003cp\u003eHis correspondence with individuals heading organizations interested in labor and industrial relations was wide-spread, just as it was with political figures, educators, and labor leaders.\n Among the public figures with whom he corresponded are Bernard Baruch, Homer S. Cummings, Clarence A. Dystra, John T. Flynn, Guy M. Gillette, Leon Henderson, Herbert Hoover, Hugh S. Johnson, Jesse Jones, William S. Knudsen, Robert M. Fa Follette, Jr., Franklin K. Lane, John L. Lewis,  H.C. Lodge, Jr., William G. McAdoo, James M. Mead, Francis P. Miller, Henry Morgenthau, Karl E. Mundt, Donald Nelson, Judge Ferdinand Pecora, Frances Perkins, Gifford Pinchot, James H. Price, Franklin D. Roosevelt, E.R. Stettinius, Jr., Robert F. Wagner, David I. Walsh, Burton K. Wheeler, and Woodrow Wilson.\nThe educators include Hardy Dillard, Edward C. Elliot, Frank Graham, J.W. Jenks, Richard R. Mead, Lewis Tyree, Harry F. Ward, H.B. Wells, and Ray Lyman Wilbur; and the labor leaders Jacob Baker, Solomon Barkin, Van A. Bittner, Sophia Carey, David Dubinsky, P.T. Fagan, John P. Frey, William Green, Sydney Hillman, Earl E. Houck, Thomas Kennedy, Donald MacMillan, and A.O. Wharton.\u003c/p\u003e","\u003cp\u003eThis series consists chiefly of correspondence but also includes typescripts of speeches by individuals, and financial and other information about organizations.\u003c/p\u003e","\u003cp\u003eCorrespondents include:  E. Abbott, Louis Adamic, Adrian Adelman, Sara M. Addison, Joseph Agor, Helen Alfred, Fred H. Allen, Irving B. Altman (editor of \"Dynamic America\"), Aluminum Workers of America, Amalgamated Association of Street and Electric Railway Employees, American Association for Labor Legislation, American Association for Social Security, American Council, American Council on Public Affairs, American Farm Bureau Federation, American Guernsey Cattle Club, American Institute for Economic Research, The American Legion, American Political Science Association, American Sugar Cane League, Americana Corporation concerning Lauck's article on United Mine Workers of America, Thomas R. Amlie, Dr. James W. Angell, Charles P. Anson, \"Atlantic Monthly,\" Paul H. Appleby, Leon Ardzrooni (about the death of Thorstein Veblen), Mr. O.M. Armstrong, and Robert W. Arthur.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Jacob Baker, Kent Baker, Bank of the Manhattan Company, Mary Barclay, A. K. Barnes, Joseph L. Barnett, Gerald Barradas, Barron's (The National Financial Weekly), John Barth, Mrs. Everett Boughton, Mrs. Robert Bennett Bean, Grant L. Bell, William H. Bell, Harold F. Berg, Nelson N. Berry, S. D. Berry, Jacob Billikoph, Margaret G. B. Blachley, James E. Black, Honorable William Harman Black,  Amy Blankenhorn, Heber Blankenhorn, Dr. Thomas C. Blaisdell, Jr., Ellis P. Block, John A. Bohn, E.W.G. Boogher, Book-of-The-Month Club, Inc., Judge Julian F. Bouchelle, Basil Nicholas Helenagoras Bousios, Fenton Bradford, C. Daniel Bremer, Samuel Bristol, G.L. Broaddus, St. Claire Brookes, The Brookings Institution, Herbert Bruce Brougham, E. Kirk Brown, Law Offices of Brown and Brown, H. Russel Brand, Carl P. Brannin, Selig C. Brez, P.F. Brissenden, Professor Leslie Buckler, Raymond Leslie Buell, John Bullock, Bureau of Agricultural Economics, Bureau of Applied Economics, The Bureau of National Affairs, Harold B. Butler, John E. Burton, J.C. Byars, Herman B. Byer, and Reverend James A. Byrnes.\u003c/p\u003e","\u003cp\u003eCorrespondents include: [Cadle], Jessie L. Campbell, R. Granville Campbell, The Capital News Company,Sophia Carey, Harry J. Carman, J.D. Carneal and Sons Inc.,  Caroline County Library Committee, M.D. Carrel, Samuel McCrea Cavert, The Chesapeake and Ohio Railway Company, The Chesapeake and Potomac Telephone Company, Mrs. Charlotte Chrestien, The Christian Science Publishing Society, Citizens' Council for Total Defense, Brice Claggett, V.M. Clapp, Clark, Dodge and Company, Brokers, Evans Clark, Victor S. Clark, W. A. Clark, Pauline Clarke, J. William Claudy, Thompson Clayton, Dr. Rudolph A. Clemen, Walt Clyde, The Clerk of the Stafford Court House, E.J. Coil, Kenneth Colegrove, George P. Comer, Department of Commerce, Commodity Research Bureau, Inc., Common Council for American Unity, Ellen Commons, Congressional Intelligence, Inc., Consolidated Vultee American Aircraft Corporation, Dr. P. S. Constantinople, W. Dewey Cooke, Edward L. Corbett, James Corbett, John M. Corbett, Council Against Intolerance in America, Council of Young Southerners, Frederick C. Croxton, Cosmos Club, Morgan Cunningham, and Curles Neck Dairy.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Oscar H. Darter, Henry David, Elmer Davis, Shelby Cullom Davis, William H. Davis, Len De Caux, Kenneth de Courcy, De Jarnette State Sanatorium, Lud Denny, United States Department of Commerce, Marshall E. Dimock (U.S. DoJ), District Unemployment Compensation Board, Edward J. Donohue, Frank P. Douglass, Law Offices of Drain and Weaver, David Dubinsky, Allan Dunlap, Arthur Dunn, Robert W. Dunn, and C. A. Dykstra.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Joseph B. Eastman, Economic Policy Committee, C. Vernon Eddy, J. A. Efpokito, Gerald Egan, Electric Home and Farm Authority, and Charles T. Estes.\u003c/p\u003e","\u003cp\u003eCorrespondents include: P. T. Fagan, Reverend Richard M. Fagley, Ruth Ansell Farley, The Farmers and Merchants State Bank, The Federal Council of the Churches of Christ in America, Federal Works Progress Administration for the Commonwealth of Pennsylvania, First Bancredit Corporation, First National Bank of Boston, The First National Bank of Keyser, Fjell Line of Great Lakes Transatlantic, Inc., Ralph Fleharty, R. D. Fleming, Courtney Fletcher, Duncan U. Fletcher, M. S. Flint, Frank H. Fljozdal, Fitzgerald Flourney, Hon. Edward J. Flynn, John T. Flynn, Foley, Food Research Institute of Stanford University, B.C. Forbes (Forbes Magazine), R. D. Forbes, Forbes and Myers, Foreign Policy Association, Clark Forman, Fortune, The Forum, Major B. Foster, Founders General Corporation, Mrs. M. N. Fox, Jerome Frank, Frank Brothers, Lafayette Franklin, Franklin Press, Franklin Simon Company, T. McCall Frazier, Free Lance-Star, W. R. Freeman, Paul Comly French, John P. Frey, Elisha M. Friedman, Ruth Friedson, and R. S. Fritter.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Domenico Gagliardo, George B. Galloway, O. Max Gardner, Honorable Leslie C. Garnett, William Edward Garnett, Stanley Garrison, H. Dymoke Gasson, Paul W. Gates, Gayle Motor Company, Theodore Geiger, Phyliss Geisler, General Elevator Co., General Motors Corporation, Alfred Giardino, Clinton S. Golden, Clem Goodman, Henry J. Goodman \u0026amp; Co., C. O'Connor Goolrick, John T. Goolrick, Mary K. Gorman, Frank P. Graham, Sally Nelson Gravatt, Walter C. Graves Jr., H. A. Gray, Lanier Gray, H. B. Greybill, Myra Moore Griffith, J. Cleveland Grigsby, Sarah Groomes, Guthrie Lithograph Company, and Walter B. Guy.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Ernst Haberstadt, Max Haleff, Ford P. Hall, Fred W. Hall, F. S. Hall, Edward W. Hamilton, H. E. Hamilton, Hampden-Sydney College, Hugh S. Hanna, Charles Hansel, William Hard, Harper and Brothers, Emma Harris, Owen Harris, Harvard College Library, Leon Henderson, S.J Henry, Warren F. Hickernell, R. G. Hilldrup, Otto Hillsman and Co., Mary W. Hillyer, S. H. Hines Company, David Hirsh and Son, H. C. Holdridge, Hoover War Library, Herbert Hoover, Harry L. Hopkins, Welly K. Hopkins, Dr. W. E. Hotchkiss, Curtis Hubbard, J.S. Hughes, W. A. Hull, and Thomas Lomax Hunter.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Major William W. Inglis, Institute of American Meat Packers, Institute of World Economics, International Bank, International Statistical Bureau, Inc., Interstate Bankers Corporation, Investment Bankers Association of America, and Irving Trust Company.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Gardner Jackson, Meyer Jacobstein, Jjell Lines, Thomas Jefferson (typescript copy of letter, June 11, 1807, concerning newspapers and histories), J. M. Johnson, Honorable Jessie Jones, Roberts W. Jones, N.Y. Journal of Commerce, and The Jury Commission.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Evelyn Kane, Kappa Sigma House Association, Inc., Augustine B. Kelley, Leon H. Keyserling, Susan M. Kingsbury, Dr. George E. Kingsley, Richard Kirby, John H. Klingenfeld, and Oscar Koppel.\u003c/p\u003e","\u003cp\u003eCorrespondents include: LABOR, Ladies' Garment Workers Union, (William H. Lamar), Sophia J. Lammers, H. Lamson, Richard V. Lancaster, Thomas Larkin III, Joseph P. Lash, David Lasser, Howard Lee, Joseph N. Leinbach, Albert H. Levene, Robert E. Levine, Charles T. Libby, David E. Lilienthal, The Lincoln National Bank of Washington, Ernest K. Lindley, Geo. W. Linkins, Co., Irving Lipkowitz, Henry T. Lipman, Thomas E. Lodge, Stephen M. Loebl, Norman Lombard, W. C. Looker, Jr., Edward Lynch, and Barrow Lyons.\u003c/p\u003e","\u003cp\u003eTopics include: American Legion Convention (1945); Committee for Industrial Organization Procedure and Policy (1935-1936); C.I.O. A.F.L. (1940); Congressman Martin and Mr. MacDougall (1939 March 3); Farmington Conference- War Time Organization Planned by the Administration (1939); Fixation of Coal Prices, Memos Relative to (1939); Fortune Magazine's Conferences or Round Tables (1939); Income Tax Returns of Lewis, J. L. (1940-1941); The Inner Circle (1942 Feb 11); Inter-American Bank (1940); Lindberg on \"Preparedness\" (1940); Missouri Pacific Bonds (1941-1942); National Defense to Post-War Planning (1942-1945); Oil and Gas on a Basis of Equality with Coal (1939); A Plan for Economic Democracy - Article written by Major Holdridge (1939); A Plan for Solving the Economic Crisis by Dr. R.H. Von Liedtke (1937-1941); \"Prohibiting\" Strikes for the Emergency Period (1940); James L. Simpson \"Plan for Maintenance of Economic Balance and Security\" (1940);  The Townsend Plan and Mr. Ivan Towanski (1942); Union Shop and Mr. Leland Olds (1941 November 14); United Mine Workers Suggested Program (1934-1935); War Against Unemployment and Poverty (1940 January 10); Threatened  Competition of Natural Gas with Coal (1944 December 5); and Big Inch Pipe Lines and the Rural Electrification Administration (1946 January 14).\u003c/p\u003e","\u003cp\u003eCorrespondents include: Bishop Francis J. McConnell, William MacDonald, Ernst D. MacDougall, Donald MacMillan, W. C. MacQuown, R. A. Magowan, Edward C. Maguire, Elizabeth M. Maher, Mason Manghum, Maxwell J. Mangold, Bank of the Manhattan Company, Basil Manly, L. C. Marshall, Thomas O. Marvin, Maryland and District of Columbia Industrial Union Council, Maryland Title and Investment Company, Lucy Randolph Mason, Massachusetts Mutual Life Insurance Company, The Bank of Mathews, Inc., Honorable Maury Maverick, Herbert Mazo, Charles McCarthy, Summerfield A. McCarteney, Bishop Francis J. McConnell, Wm. P. McGinn, Edw. F. McGrady, McGraw-Hill Publishing Company-Inc., Ernest D. McIver, Dr. Archibald McLeish, Thomas P. McTigue, Honorable James M. Mead, Richard R. Mead, Royal D. Mead, D. J. Meserole, Eugene Meyer, Jr.,  Francis Pickens Miller, Francis Trevelyan Miller, Ward B. Miller, H. A. Millis, The Milwaukee Journal, Mine Official's Union of America, John J. Minor, George Minnigerode, William Mitch, Wesley C. Mitchell, R. C. L. Moncure, Jr., Monroe and Berry, C. D. Montague, Jean Montgomery, Monthly Labor Review, Robert Morey, Charles S. Morgan, H. W. Morgan, Marie Morris, J. H. Muirhead, Honorable Karl E. Mundt, and Gorham Munson.\u003c/p\u003e","\u003cp\u003eCorrespondents include: William R. Nagel, Leonard Nairn, Dr. Philip Curtin Nash, Nash Floor Service, A. Nash Tailoring Company, Natalie, Inc., The Nation, The National Association for the Advancement of Colored People, National Association of Manufacturers, National Association of Retired Federal Employees, The National Bank, National Bank of Orange, National Bank of the Republic, National Bank of Washington, National Bituminous Coal Commission, National Broadcasting Company, Inc., National Bureau of Economic Research, National Catholic Welfare Conference, National Child Labor Committee, National Citizen's Council For Defense, The National City Bank of New York, National Cold Steam Company, National Consumers' League, National Council for Prevention of War, National Defense Mediation Board, National Electric Light Association, The National Encyclopedia, National Labor Relations Board, National Lawyers Guild, National Life Insurance Company, National Planning Association, National Resources Planning Board, National Policy Committee, National Press Club, National Recovery Administration, National Resources Board, National Sharecroppers Week, National Window and Office Cleaning Company, National Women's Trade Union League of America, Nation's Business, Nation's Commerce, J. S. Naylor, Donald Nelson, New America, The New Republic, Newsweek, W. S. Newton, The New York Times, George W. Norris, Cecil C. North, The Northern Neck Mutual Fire Association of Virginia, Claudian B. Northrop, and Harold Bernard November.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Charlton Ogburn, William F. Ogburn, J. G. Ohsol, Joseph C. O'Mahoney, Organization Committee of Social Union, Inc., Mary O'Shaughnessy, William Owen, and John W. Owens.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Pabst Post-War Employment Awards, A. H. Packard, C. C. Packard, Florence E. Parker, The Parker Corporation, Julius H. Parmelee, Col. Samuel Pascoe, Leo Pavolsky, M. W. Paxton, Jr., Walter Phipes, George Curtis Peck, Ferdinand Pecora, William R. Pendergast, Willis Pepoon, Fred W. Perkins, Thomas W. Perry, Charles E. Persons, Samuel B. Pettengill, Julius I. Peyser, L. W. H. Peyton, David A. Pine, David W. Pipes Jr., Fort Pipes, W. G. Pitero, P.M., Justine Wise Polier, Shad Polier, Wm. T. Powers, Richard T. Pratt, Prentice-Hall, Inc., Evelyn Preston, Harry B. Price, James H. Price, Provisional Committee Toward A Democratic Peace, and Public Affairs Committee.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Railway Age, Ransdell Inc., Mervyn Rathborne, Stephen Rauschenbush, Carl Raushenbush, The Readers Club, Philip M. Riefkin, Charles S. Robb, James Robb, Newell W. Roberts, D. B. Robertson, Mr. Robey, John M. Robinson, Leland Rex Robinson, Josephine Roche, Rockbridge National Bank, John D. Rockefeller, Jr., Harry L. Rogers, Paul V. Rogers, William N. Rogers, Henry Romeike, Incorporated, Samuel Romer, Walter A. Romer, Leon H. Rouse (with William Green),  Rouss Library, Frances Rowe, and Harold J. Ruttenberg.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Russell Sage, Lewis D. Sampson, Samuel L. Samuel, Dr. David J. Saposs, Saturday Evening Post, Marshall Schaffer, D. M. Schnapper, L. B. Schnapper, Joseph Schneider, G. Luther Schnur, James T. Shotwell, H. L. Schuh, Montgomery Schuyler, Louis J. Schwab, Henry Herman Schwartz, Ray Scott, Charles Scribner's Sons, Seaboard Air Line Railway Company, Joel Seidman, Shaw-Walker, Chester Shepard, Chester Sheppard, R. T. Shields, Silcox Memorial Fund, Simmons-Boardman Publishing Corporation, Sidney Simon, Richard C. Simonson, John F. Sinclair, Anthony Wayne Smith, C. Archer Smith, Edwin S. Smith, Nelson Lee Smith, S. Granville Smith, Vernon D. Smith, Bernard A. Smyth, H. M. Snead, Jr., Social Union, Inc., The Society for the Advancement of Management, Inc., John E. W. Sohl, L. W. Sorrell, Southern Conference for Human Welfare, Southern Maryland Trust Company, Mr. Sovey, Alexander Spencer, Sphere, R. B. Spindle, George L. Sprague, Saint Albans, Margaret S. Stables, William H. Stafford, Stafford County, Standard Oil Company, Stanford University Library, Louis Stark, State Loan Company, State Teachers College, Henry M. Stephenson, STEEL, Steel Workers Organizing Committee, A. A. Steele, Jean Stephenson, Jos. G. Stephenson, Boris Stern, Harold Stern, E. R. Stettinius, W. M. Steuart, Harry H. Stockfeld, W. L. Stoddard, Benjamin Stolberg, Irving Stone, N. L. Stone, William T. Stone, Chas. G. Stott and Co., Inc., Paul A. Strachan, David Strain, Ralph Strathmore, Nathan Straus, John Studebaker, Ralph G. Sucher, Arthur E. Suffern, Superintendent of Documents (Government Printing Office), Elmer Swack, Paul E. Switzer, Alois P. Swoboda, and Mr. Sydenstricker.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Ivan Tarnowsky, Tax Policy League, Ordway Tead, Tennessee Valley Authority (Representative Noble J. Gregory), Percy Tetlow, Dorothy Thompson, TIME MAGAZINE, Daniel J. Tobin, John H. Tolan, The Travelers Insurance Company, Beverly Tucker, Henry Saint George Tucker, Earl R. Turner, and The Twentieth Century Fund.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Alfred P. Wagner, Gordon Wagner, Robert F. Wagner, Thomas C. G. Wagner, J. Forest Walker, Allan E. Walker and Company, George A. Wallace, J. Raymond Walsh, August G. Walters, James N. Walton, James P. Warburg, Dr. Harry E. Ward, R. D. Ward, Ward and Paul, Caroline F. Ware, A.L. Warthen, Charles Washington, Washington and Lee University, \"Washington Post,\" James R. Wason, Elton Watkins, Ralph J. Watkins, Claude S. Watts, Marie Watts, Charles F. Weaver, H. B. Wells, (George) P. West, A. O. Wharton, Ross Wheat, Burton K. Wheeler, William M. Wherry, Hugh A. White, Ralph J. White, W. A. White, T. Y. Wickham, Dorothy G. Wiehl, Dr. Ray Lyman Wilbur, Allan H. Willett, Williams Company, Willis and Willis, Corwin Willson, J. Alfred Wilner, Elsie Cobb Wilson, D. O. Wilson, H. Hazen Wilson, Nelson Wilson, The H. W. Wilson Company, John G. Winant, J. Wise, James Waterman Wise, S. S. Wise, William P. Witherow, J. S. Withrow, Nathan Witt, Laurence C. Witten, Benedict Wolf, World Fellowship, Inc., World Study Tours, and Thomas H. Wright.\u003c/p\u003e","\u003cp\u003eScope note for correspondence files. There has been no attempt to make an exhaustive list of the correspondents in each folder. Most letters were routine correspondence from people seeking information about the group; copies of their publications, speeches, and other educational materials; questions about membership in the group from interested individuals; requests for individuals to become sponsors, members or leaders in the group; leaders of other like-minded organizations; union leadership (often about the lack of funds available to support the American Association for Economic Freedom); or people wanting information about pertinent upcoming legislative bills. Attention on the lists of correspondence is focused particularly on political and public figures, editors, and the legislative and social issues of the day.\u003c/p\u003e","\u003cp\u003eThese include: American Committee for Protection of Foreign Born; American Council on Public Affairs; Atlantic Charter League; J.M. Artman, editor of \"The American Citizen\"; Representative Thomas R. Amlie; Thurman Arnold, Department of Justice (concerning Frank B. Kellogg statement about the anti-trust Sherman Act); and John B. Abel.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Alfred L. Bernheim, The Labor Bureau; A.A. Berle banking proposal; Rabbi Barnett R. Brickner, Social Justice Commission; Kent Baker, editor of \"Sphere\" with article sent to him by Lauck, \"Industrial Reconstruction\" attached; David Burdett (conventional economics versus social economics); and G.P. Bronisch, Loyal Americans of German Descent\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Lauck memorandum to Charles H. Chase, (in light of the prospect of a lengthy war and its impact on social and economic reform) informing him of his decision to drastically reduce expenditures by having only one employee to maintain the office (1942); \"Strife and the Worker\" proofs by John F. Cronin; Helen A. Cole, \"The Liberal Worker\"; W.S. Clement and his \"The Ben Franklin Plan\"; Ben V. Cohen, National Power Policy Committee; and the Council for Social Action, Ferry L. Platt, Jr. concerning farm issues.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Dr. Paul H. Douglas, University of Chicago; Hardy C. Dillard, Institute of Public Affairs, including a letter from John L. Newcomb; Frederic A. Delano, Chairman National Resources Advisory Committee; and a letter to John Dewey.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Arthur Eggleston, San Francisco Chronicle; Peter Edson, NEA Service; A.E. Edwards concerning the Wagner Labor Relations Act; J.G. Frain; and Charles Flato.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Alfred C. Gaunt, including \"Smaller Business Lifts Its Eyes\"; Toshi Go, Foreign Affairs Association of Japan; and A.E. Grassby, Winnipeg, Manitoba.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include:  Hubert Herring; Sidney Hillman; Fred S. Hall concerning the Industrial Expansion Act (multiple letters); B.W. Huebsch, The Viking Press,  and his concern over the pamphlet \"A New Social Order\"; S.L. Hoover and his question about the Keller Bill and the Association; John Edgar Hoover; and F.J. Hall, editor of \"The United States News\" about numbers of unemployed and other issues (multiple letters).\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Meyer Jacobstein about the Reconstruction Act; and Paul Kellogg.\u003c/p\u003e","\u003cp\u003eCorrespondence includes: letters to Robert M. LaFollette, Jr.; League for Abundance: League for Industrial Democracy; Harold Loeb; and Dr. Jack Levin.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: secretary of Attorney General Frank Murphy; Darwin J. Meserole, National Unemployment League; Francis P. Miller; Emily Fogg Mead; Homer L. Mead; Lewis E. Meyers; Judge Julian W. Mack; Bishop Francis J. McConnell; George F. Milton, editor \"The Chattanooga News\"; Senator James M. Mead; and letter to Archibald MacLeish, Librarian of Congress.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Bishop Francis J. McConnell; James W. Miller; Vito Marcantonio; Otto Mayer; Robert E. Mathews concerning the \"sit down strike\" by investment bankers and industrialists in May 1940; and Henry Morgenthau, Jr., letter to.\u003c/p\u003e","\u003cp\u003eCorrespondence includes: \"The New Republic\"; Douglas Newman, Secretary of the Barradas League; Dr. C.A. Norman; memorandum concerning Senator Norris' presidential qualifications; and Representative Mary T. Norton.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: William Owen; Ernest Minor Patterson; Representative Claude Pepper; Justice Justine Wise Polier; and Jacob S. Potofsky.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Judge Samuel I. Rosenman; Representative Robert L. Ramsay; Right Reverend Msgr. John A. Ryan.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: John Saxton; Guy Emery Shipler; Edwin S. Smith; William Simkin; B.M. Schnapper concerning the history of the Wagner Act; Ray Scott concerning the \"Fundamental Significance of our Present Day Labor Movement\"; and Porter Sargent.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Ordway Tead, Harper and Brothers; and Dr. Robert H. Tucker.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: an appreciation of Frank P. Walsh upon his death on May 2, 1939; Matthew Woll, American Federation of Labor; Thomas H. Wright, New America; Harry F. Ward; and Nathan Witt; and N.A. Zonorich.\u003c/p\u003e","\u003cp\u003eIncludes leases, workman's compensation insurance, correspondence, and unemployment compensation.\u003c/p\u003e","\u003cp\u003eThese include: \"Policies and Objectives of the American Association of Economic Freedom,\" \"Shrinkages and Hoardings of Purchasing Power Accentuate Current Business Recession,\" \"Hoardings-Taxes Proposed to Stimulate Flow of Credit and Goods and Revival of Business,\" \"Approaches Toward a Concerted Program of Fundamental Economic Reconstruction in the United States,\" various drafts of suggestions for the programs, principles and objectives of the organization, \"Sugar Control,\" \"American Labor's Broadcast to Great Britain,\" \"American Economic Situation of 1937-1938,\" \"Unemployment Insurance,\" \"Industrial Espionage,\" \"Bank-Holding Companies,\" several on social service foundations, \"Economic Freedom in America,\" \"Industrial Reconstruction Act of 1939\" press release draft, \"Capitalism in Crisis,\" \"Prospective Labor Surpluses,\" \"Increased Man Hour Productivity and Technological Unemployment,\" monopoly, and \"Petroleum Quota Controls.\"\u003c/p\u003e","\u003cp\u003eThese include: participation in management, monopoly, the \"Industrial Reconstruction Act of 1939,\" \"Leaders on the No. 1 Problem,\" \"Federal Administrative Court Bill,\" \"Occupational Groupings,\" \"National Labor Relations Act and Board,\" \"Full Employment Bill,\" \"Senator Claude Pepper,\" \"Senator Lewis B. Schellenbach,\" and starting a American Association of Economic Freedom Bulletin.\"\u003c/p\u003e","\u003cp\u003eThese include: \"Threatened Crucial Developments,\" \"Anti-democratic philosophies,\" \"Churchill's anticipations, 1932-1939,\" \"Mussolini,\" \"Hitlerism and Nazism,\" \"Profits of Leading Corporations, 1936-1939,\" notes on People's Lobby Conference, and Ickes [speech] on business sabotage of defense.\u003c/p\u003e","\u003cp\u003eThese titles include: \"Can Unemployment be Ended?\"; \"Challenge to American Democracy\"; \"Civil Liberties and the National Labor Relations Board\"; \"Cure by Shock,\" \"Democracy and Economic Planning\"; \"Economic Reconstruction\"; \"Fundamental Significance of Our Present Day Labor Movement\"; \"Next Step in Democratization\"; \"A New Magna Carta\" \"A New Social Order\"; \"Preparedness for Peace,\"  \"Problems of the National Labor Relations Board.\"\u003c/p\u003e\n","\u003cp\u003eThe \"Post-War Reconstruction Bill\" is foldered separately.\u003c/p\u003e","\u003cp\u003eIncluded are: \"Thirty Million Jobs\" by Arthur Dunn; Roundtable: \"Labor's role in Post-War Reconstruction\"; \"Freedom from Want\" by Mr. Walton; \"Nineteenth Century Prophecy of Order\" by Harry Frease; \"The Moral Issue\" by Lowell Mellett; \"A Banking System for Capital and Capital Credit\" by A.A. Berle, Jr.; \"Suggested Housing Program for National Defense Purposes\" by the Congress of Industrial Organizations; and \"A Primer of Current Economics\" [1933].\u003c/p\u003e","\u003cp\u003eIncluded are: Fight for Freedom, Friends of Democracy, and the Gillette Resolution.\u003c/p\u003e","\u003cp\u003eThese include memoranda, news clippings, an article by George B. Galloway on \"The Imperative of Planning,\" replies, and a speech by W. Jett Lauck.\u003c/p\u003e","\u003cp\u003eIncludes separate folders on news clippings, some containing criticisms and investigations; problems of the board; and the testimony of John L. Lewis.\u003c/p\u003e","\u003cp\u003eClippings include Wendell Willkie, democracy versus absolutism, banker opinion, national debt, U.S. Attorney General, pump priming the economy, monopolies, religion and democracy, communism, and capitalism and democracy.\u003c/p\u003e","\u003cp\u003eIncluded are: Peace Conditions; People's Congress for Democracy and Peace; Plenty for All League; People's Lobby; Pressure Groups, Attitudes of; Pension Plan – \"Uncle Fred's Automatic Pension Plan\"; Progressives, Conference of; Social Union; Tax-Exempt Bonds; Women in Trade Unions; and Young Democrats.\u003c/p\u003e","\u003cp\u003eTopics include: Conferences; Corporation Notes and Memoranda; Kennedy Statement on General Motors Inquiry; Production Costs by T.C. Gordon Wagner; Ratio of Pay Rolls to Returns to Stockholder;Salaries of Officials; and Annual Reports to the Securities and Exchange Commission, 1935 and 1937.\u003c/p\u003e","\u003cp\u003eSubjects include: Agreements; Decisions; the Willard E.Hotchkiss Decision in Tar Barrel Case; Negotiations for New Agreements; News clippings; Publications; Report of Homer Martin to the International Executive Board; and a Statement Submitted to Roosevelt by Union Representation.\u003c/p\u003e","\u003cp\u003eAccording to Wikipedia, \"The Commission on Industrial Relations (also known as the Walsh Commission) was a commission created by the U.S. Congress on August 23, 1912 to scrutinize US labor law. The commission studied work conditions throughout the industrial United States between 1913 and 1915. The Chairman was Frank P. Walsh, a labor lawyer and activist from Kansas City, Missouri.\u003c/p\u003e\n","\u003cp\u003ehttps://en.wikipedia.org/wiki/Commission_on_Industrial_Relations\u003c/p\u003e","\u003cp\u003eThese include: \"Foreign Competition After the War,\" \"The Artificial Dye Industry in the War,\" and \"Business and the War.\"\u003c/p\u003e","\u003cp\u003eIncludes: \"Secretary Kennedy Gives Union Views on How Hard-Coal Freight Rates Affect Miner\" (December 15, 1933); \"The N.R.A. and Collective Bargaining\" Catholic Welfare Council (September 17, 1934); address before the National Conference on Economic Security (November 14, 1934); and \"Organized Labor and the N.R.A.\" Catholic Conference, Harrisburg, Pennsylvania (November 27, 1934).\u003c/p\u003e","\u003cp\u003eIncludes: Statement concerning the Wagner-Lewis Economic Security Bill before the Senate Committee on Finance (February 21, 1935); Commencement Address (June 3, 1935); \"Education and the Parochial School System\" (August 19, 1935); \"The Trade Union and Recovery\" (Labor Day, 1935); and \"Unemployment Insurance, Old Age Pensions, and Housing Legislation\" at the White House Conference on Economic Security (December 30, 1935).\u003c/p\u003e","\u003cp\u003eIncludes: Labor Day address (September 1937); article \"The United Mine Workers of America\" for the \"American Encyclopedia\" (December 2, 1938); address to the Pennsylvania Utilities Commission on the Competition of Natural Gas (April 1940); and a request for Lauck to send his analysis and recommendations concerning a letter from A.J. Altmeyer, Chairman of the Social Security Board, and two other enclosures pertaining to the Associated Gas and Electric Company, New York City (1942 March 27 and 1943 January 23).\u003c/p\u003e","\u003cp\u003eIncludes: a radio speech supporting Hoover in the election (1928); and a statement at the Hearing on a Code for the Bituminous Coal Mining Industry before the National Recovery Administration (1933 August 10).\u003c/p\u003e","\u003cp\u003eIncludes: \"Labor and the National Recovery Administration\" at the Meeting of the American Academy of Political Science, Philadelphia (1934 January 6); \"Labor's Part in Industrial Recovery\" at the San Francisco Commonwealth Club luncheon (1934 October 4); Speech for the International Labor Conference, not delivered (1934 October); and a radio address \"The Employee in the Changing World\" under the auspices of the Intercollegiate Council (1934 December 7).\u003c/p\u003e","\u003cp\u003eIncludes: Statement by Lewis before National Recovery Administration Hearings on Employment Provisions of Codes of Fair Competition (1935 January 30); \"The American Federation of Labor and the National Recovery Administration\" prepared for the \"Annals,\" Philadelphia but never delivered (1935 March 11-12); The United Mine Workers of America and the National Recovery Act\" Madison Square Gardens (1935 March-May 23); and Statement of Approval for the Wagner Housing Bill in the \"United Mine Workers Journal\" (1935 June 1).\u003c/p\u003e","\u003cp\u003eIncludes: \"The Case for Industrial Unionism\" (November 12, 1935); radio address \"The Future of Organized Labor\" (November 28, 1935); and article for \"Liberty Magazine\" on industrial unionism (1935 December 20).\u003c/p\u003e","\u003cp\u003eIncludes: a speech on Industrial Unionism before the Cleveland Auto Council (January 19, 1936); \"The Teacher and His Relation to Labor\" for the American Federation of Teachers Convention (June 19, 1936); a radio address \"Industrial Democracy in Steel\" (July 6, 1936); and an article \"Through Organization Industrial Democracy Dawns for Sleeping Car Porters\" celebrating the eleventh anniversary of the organization (July 15, 1936).\u003c/p\u003e","\u003cp\u003eIncludes: a political campaign statement about [Alf M.] Landon (August 1, [1936]); the draft of a Radio Address on Steel Organization (August 11, 1936); article \"Labor Looks at Education\" (August 17, 1936) appearing in the October 36 issue of \"The Teacher\"; article \"Towards Industrial Democracy\" (August 24, 1936) in appearing in the October 1936 issue of \"Current History\"; and two speeches supporting Franklin D. Roosevelt for President (August 18 and September 19, 1936).\u003c/p\u003e","\u003cp\u003eIncludes: radio address \"Labor and the Future\" (September 3, 1936); \"Horizontal Versus Vertical Unionism\" in \"Wharton School Magazine,\" University of Pennsylvania (September 8, 1936); an article for the \"The National Young Democrat\" on the Social Security Act (September 1936); and a radio address \"Roosevelt and the Future\" (October 18, 1936).\u003c/p\u003e","\u003cp\u003eIncludes: article \"The Next Four Years\" for the \"The Nation\" (November 4, 1936); an article \"Committee for Industrial Organization and Economic Recovery\" for the \"Business Review of New York  University\"(November 17, 1936); \"the Future of American Labor\" in \"The American Spectator\" (November 19, 1936); articles on \"The Next Four Years in Labor\" in \"The New Republic\" (November 25 and December 9, 1936); \"The Future of Wages\" for the \"Cleveland News\" Symposium (December 7, 1936); \"Organized Labor and the Student Union\" (December 23, 1936); \"The Need of the Hour for American Labor\" for the \"Progressive Salesman Magazine\" (December 24, 1936); radio address \"Adapting Union Methods to Current Changes- Industrial Unionism\" (December 31, 1936); and an unpublished article written for \"Redbook\" (1936).\u003c/p\u003e","\u003cp\u003eIncludes: \"The Meaning of Industrial Unionism\" for the \"Christian Front\" (January 13, 1937); \"The Struggle for Industrial Democracy\" for \"Common Sense\" (March 1937); an address delivered at an Anti-Nazi Mass Meeting in Madison Square Gardens (March 15, 1937); article \"The Origin and Objectives of the C.I.O.\"  for the \"San Francisco Chronicle\" (May 11, 1937); and a radio address \"Labor and Supreme Court\" (May 14, 1937).\u003c/p\u003e","\u003cp\u003eIncludes: \"Technology and Labor\" in \"Massachusetts Institute of Technology Engineering News\" (September 3, 1937); Labor Day address \"Labor and the Nation\" (September 3, 1937); \"Progress of Committee for Industrial Organization\" in the \"Wharton Review\" (October 21, 1937); \"Effect of Moderate and Gradual Wage Increases on Prices and Living Costs\" in \"The Annalist\" (November 12, 1937) a reply to an article by A.T. Shurick on July 30, 1937; and the [Steel Workers Organizing Committee] address \"The Deplorable and Indefensible Attitude of Big Business (December 13, 1937).\u003c/p\u003e","\u003cp\u003eIncludes: Address for British Broadcasting Corporation \"Struggle of Labor in America\" (March 15, 1938); \"Labor and the Law\" (April 14, 1938); \"Organized Labor and the Future of Democracy\" published in the \"St. Louis Post Dispatch\" (December 11, 1938).\u003c/p\u003e","\u003cp\u003eIncludes: Statement for Survey Associates (January 3, 1939); and \"Labor Looks South\" in \"Virginia Quarterly Review\" (Autumn 1939).\u003c/p\u003e","\u003cp\u003eIncludes: article on \"What Does Labor Want?\" (February 29, 1940); \"The Heritage of American Youth\" (March 1940); \"Obligations of American Citizenship\" (April 3, 1940); \"Foreword\" to Mr. Thomas' Testimony before the Temporary National Economic Committee (May 23, 1940); and a Labor Day Speech (August 29, 1940).\u003c/p\u003e","\u003cp\u003eIncludes: Extension of Library Service to Union for City and State Employees (May 28, 1941); Statement to be issued by Lewis on the Decision of the National Mediation Board on Union Shops (November 13, 1941); and \"The New Solid South\" (December 17, 1941).\u003c/p\u003e","\u003cp\u003eIncludes: Testimony of Mr. Steinbugler (March 2, 1935); the \"Most Impressive Point Developed by the Hearings\" (March 2, 1935); untitled Memorandum (July 30, 1936); \"Report on the Progress of the Hearing on the Coordination of Minimum Prices before the Bituminous Coal Division (September 16, 1939); \"Proposed Labor Policy for the War Period,\" various memoranda (September 11-November 13, 1939); an analysis of Professor Green's Proposal about pricing and distributing manufactured products (June 3, 1940); and Notes on the Last Ten Years (January-May, 1940).\u003c/p\u003e","\u003cp\u003eIncludes: Reply to A.T. Shurick suggestions on taxing (November 29, 1940); Response to the foreword of Walt Clyde's book on \"Owner Capitalism\" (December 4, 1940); suggestions about the National Economic Conference (December 12, 1940); Response to W.C. Graves, Jr. (December 23, 1940); Letter about the Raw Materials National Council (December 27, 1940); Memorandum on Fred G. Clark and the American Economic Foundation (February 20, 1941); H.S. Avery to Edward O'Neal and John L.Lewis on agriculture and farm prices (September 8, 1941); Conrad K. Grieb on need for social reconstruction (October 23, 1941); Letters from Alexander Spencer (October 30 and November 26, 1941); and a manuscript of Albert H. Levene (November 30, 1941).\u003c/p\u003e","\u003cp\u003eIncludes: Memorandum about Post War Depression (January 7, 1942); a response to S. Ferguson, President of the Hartford Electric Light Company about his proposals about deferred wages (January 13, 1942); W.A Hutton, M.D.  letter on post-war finances (January 14, 1942); Thomas Kennedy request for a study on the Cost of Living (January 16, 1942); Request for a response to the document by L.C. Christian on \"How Must We Finance the War?\" (February 3, 1942); a request for a response to a treatise on our financial system by August Walters (February 5-March 18, 1942); additional R.L. Greene communications (February 12,1942); and H.W. Bailey on labor self-determination (March 9, 1942).\u003c/p\u003e","\u003cp\u003eIncludes: Digest of the Salient Points of a Report on \"Manpower Policy and Labor Relations in the British Coal Industry\" (January 5, 1943); a Leo Chabert document on financing the war (April 4, 1943); and memoranda about an executive conference of the Natural Resources Board at Farmington Country Club, Charlottesville, Virginia, previously held around 1939.\u003c/p\u003e","\u003cp\u003eSubjects include the National Recovery Administration, \"Amalgamation of the Two Enginemen's Brotherhoods,\" \"Russian Recognition and the New Deal,\" \"Future Policies of the National Recovery Administration,\" Six-Hour Day of the Railroads, \"Two Men on the Head End of all Railroad Trains,\" and Housing.\u003c/p\u003e","\u003cp\u003eSubjects include \"Benefits of Trade Unionism,\" \"Forbes\" article, \"Limit on Weekly Work Hours,\" a letter to Professor Gordon, and \"Labor Movement and the Future of America\"\u003c/p\u003e","\u003cp\u003eSubjects include planks for the Republican Platform, Anti-Strike Legislation, a Rejoinder to the Remarks of Fred Gurley, and \"Recommendations to the Board of Investigation and Research\"\u003c/p\u003e","\u003cp\u003eA checklist of article titles can be found in the first folder. Titles in the order of the list   include: \"Economics and Christianity\"; \"The Mysterious Soul of the Steel Corporation\"; \"The Anthracite  Operators Should Concede the Check-off\" July 13, 1923; \"Industrial Principles and Not Machinery Are Important\"; \"The So-Called Check-off and Its Significance\"; \"The Report of the Coal Commission on the Anthracite Industry\"; \"The Purchasing Power of Wheat and Cotton\"; \"Private Cars and the Coal Problem\"; \"Mr. McAdoo's Political Availability\"; and \"No More Pre-war Standards of Wages and Working Conditions.\"\u003c/p\u003e\n","\u003cp\u003eNext ten article titles include: \"The Radical - His Significance at Present\"; \"The Soft Coal Problem Again to the Front\"; \"Labor Banks and Their Ultimate Significance\"; \"Political Democracy Must be Supplemented by Industrial Democracy\"; \"Oil and the Southern Pacific\"; \"The Purchasing Power of the Farmer's Dollar\"; \"The Truth is Never Unpardonable\"; \"Private Cars and the Coal Problem\"; \"The Unique Financial Position of the Pullman Company\"; and \"Another Manifestation of the Soul of the Steel Corporation.\"\u003c/p\u003e\n","\u003cp\u003eThe next ten article titles include: \"Sugar and the Flexible Tariff Provision\"; \"Conflict or Arbitration\"; \"The Threatened Boomerang\"; \"Cooperation for Mutual Benefit or Profit?\"; \"Secret Police or Conviction for Crime\"; \"Chairman Butler Emits and Omits\"; National Cooperative Grain Marketing Realized\"; \"The Anthracite Operators Should Concede the Check-off\" (possible duplicate); \"Regulation of the Anthracite Monopoly\" September 1 , 1923; \"Why Not Action on Anthracite?\" September 11, 1923; and \"Can a Living Wage Be Paid to Unskilled Labor?\" October 30, 1923.\u003c/p\u003e\n","\u003cp\u003eThe next ten article titles include: \"The Failure of Industrial Arbitration\" October 30, 1923; \"Significant Labor Developments During the Coming Year\" October 30, 1923; \"A Dramatic Migration\" concerning African Americans, October 30, 1923; \"Unprotected Pullman Passengers\" October 30, 1923; \"The New Immigration and Its Significance\" November 2, 1923; \"The Probability of Railroad Legislation\" February 7, 1924; \"The Industrial Magna Carta\" February 23, 1924; \"Land Grants to Western Railroads\" February 23, 1924; \"Increased Efficiency of Labor\" February 23, 1924; and \"Real Industrial Statemanship February 25, 1924.\"\u003c/p\u003e\n","\u003cp\u003eThe next ten article titles include: \"Some Other Matters of Record\" June 2, 1924; \"The Verdict from Kansas\" August 7, 1924; \"A Real Test for the Tariff Commission\" August 14, 1924; \"A Billion and a Half Railroad Merger\" August 16, 1924; \"Common Sense\" August 19, 1924; \"President Gompers and a Labor Party\" August 19, 1924; \"A Significant Precedent in Financing Farmers Cooperative Enterprises\"; \"Back to the Declaration of Independence\" August 21, 1924; \"A Costly Labor Policy\" August 23, 1924; and \"Brass Tacks, The Red Flag, and the Constitution\" August 23, 1924.\u003c/p\u003e\n","\u003cp\u003eThe final group of articles include: \"Industrial Democracy - Our Greatest Problem\" August 27, 1924; \"The Passing of the Money Gods\"; \"The Conference Board Reports on Taxation in Wisconsin\"; \"The Railroad Labor Board\"; \"The Farmer and the Tariff\"; \"Visible and Invisible Tax Burdens\"; \"The Most Helpful Farm Movement\"; \"Radicals and God's Fools\"; \"Militant Friends Needed\"; \"The Unconscious Cruelty of Success\" October 24, 1924; and \"Another Orgy of Railroad Finance.\"\u003c/p\u003e","\u003cp\u003eWhile some chapters have no individual date, they likely all come from drafts in 1931 or 1932. It is unclear which version belongs to each draft, and equally unclear which versions the explanatory note references. Chapter VII is largely missing. The name of the book may have eventually changed to \"The Need for a Unified Banking System.\"\u003c/p\u003e","\u003cp\u003eW. Jett Lauck was chairman of the Pennsylvania Anthracite Coal Commission, responsible for investigating the state of the anthracite industry and the coal bootlegging situation in Pennsylvania, as well as recommending action.\u003c/p\u003e\n","\u003cp\u003eThe United States Anthracite Coal Commission is a different and separate entity than the Pennsylvania Anthracite Coal Commission over which Lauck presided (see also, \"United Mine Workers of America before the U.S. Anthracite Coal Commission\").\u003c/p\u003e\n","\u003cp\u003eFor reference, the Ad Interim Report was a report made halfway through the Commission's studies; the Final Report was the last official report of the Commission and contains recommendations; the Complete Report was a compendium of all of the Commission's work and reports (over 500 pages).\u003c/p\u003e","\u003cp\u003eReports include \"Anthracite Lands and Deposits,\" \"Anthracite Royalties,\" and \"Control of the Anthracite Industry.\"\u003c/p\u003e","\u003cp\u003eReports include \"Financial Operations of Anthracite Companies\" and \"Monopolistic Nature of the Anthracite Industry.\"\u003c/p\u003e","\u003cp\u003eThese include \"Award of the Anthracite Coal Strike Commission: Subsequent Agreements, and Resolutions of Board of Conciliation\" (July 1, 1936); \"A Labor Case With Merit: Editorial Comment on the Case of the Anthracite Mine Workers\" (1920); and \"Labor Information Bulletin,\" U.S. Bureau of Labor Statistics (February 1937).\u003c/p\u003e","\u003cp\u003eProposed Bills include the Anthracite Coal Industry Act; the Anthracite Public Authority Bill; the Cooperative Marketing Bill; the Pennsylvania Anthracite Commission; and Suggestions and Opinions.\u003c/p\u003e","\u003cp\u003eFiles included under Rates contain, the 1933 Freight Rate Case Excerpts and Statistics; Charts and Tables; General Information (see also Anthracite Institute Statistical Data, Maps, and Drawings, Anthracite Producers Statistical Data, Maps, and Drawings); the Interstate Commerce Commission Data; \"Intrastate Rates on Anthracite in Pennsylvania\"; and Rate Fixation in 1915.\u003c/p\u003e","\u003cp\u003eReports include: \"Combination in the Anthracite Industry,\" \"Comparison of Earnings and Wage Rates in the Anthracite and Bituminous Mines of Pennsylvania,\" \"Exhibits of the Anthracite Operators in Reply to Exhibits Presented by the Anthracite Mine Workers,\" \"Irregularity of Employment in the Anthracite Industry,\" \"Occupation Hazard of Anthracite Miners,\" \"Profits of Anthracite Operators,\" and \"The Relationship Between Rates of Pay and Earnings and the Cost of Living in the Anthracite Industry of Pennsylvania.\"\u003c/p\u003e","\u003cp\u003eReports include: \"Reply of the Anthracite Operators to the Demands of the Anthracite Mine Workers,\" \"The Sanction for a Living Wage: A Compilation of Data From Official and Authoritative Sources,\" \"Summary, Analysis, and Statement,\" \"The Trade Union as the Basis for Collective Bargaining: A Compilation of Sanctions and Experiences,\" \"Trade Unions,\" and \"Wholesale and Retail Prices of Anthracite Coal 1913-1920.\"\u003c/p\u003e","\u003cp\u003eThese exhibits include \"Changes in Cost of Living in the United States, 1913-1922,\" \"A Just and Reasonable Wage,\" and \"Monthly Earnings of Sectionmen.\"\u003c/p\u003e","\u003cp\u003eThe volume includes exhibits on \"Harmful Effects of Low Wages Upon Health and Morals,\" \"The So-called Law of Supply and Demand,\" \"The Just and Reasonable Wage,\" \"Changes in the Cost of Living in the United States, 1913-1922,\" \"Probable Course of Prices,\" \"Comparison of Prices and Living Costs,\" \"Monthly Earnings of Section Men,\" and \"Monthly Earnings of Section Men – Basic Tables.\"\u003c/p\u003e","\u003cp\u003eIncludes the following files: Briefs; Construction and Repair of Railroad Equipment; Correspondence on Leasing Out Repair Roads; Minutes of the Philadelphia Hearing; Petition to the Interstate Commerce Commission; Press - Clippings concerning Outside Repair; Press Release Originals; General Electric and Westinghouse; Labor Costs; Louisville to Nashville Railroad; and Miscellaneous.\u003c/p\u003e","\u003cp\u003eW. Jett Lauck has also referred to this case as \"the Shopman's Case\" or the \"B.M. Jewell Case.\" Jewell was the President of the Railway Employees division of the American Federation of Labor.\u003c/p\u003e","\u003cp\u003eNote that all exhibits were presented before the United States Railroad Labor Board.\u003c/p\u003e","\u003cp\u003eExhibit 11a includes the section \"Financial Mismanagement of the LeHigh Valley Railroad Company\" and Exhibit 12 includes the \"Summary.\"\u003c/p\u003e","\u003cp\u003eExhibit tTitles include: \"Occupation Hazard of Railway Shopmen\"; \"Punitive Overtime\"; \"Industrial Relation on Railroads prior to 1917\"; \"Standardization\"; \"The Recognition of Human Standards in Industry\"; \"The Unity of the American Railway Systems\"; \"Human Standards and Railroad Policy\"; \"Seniority Rules of the National Agreements\"; \"The Sanction of the Eight Hour Day\"; \"The Work of the Railway Carmen,\" and \"The Development of Collective Bargaining on a National Basis.\"\u003c/p\u003e","\u003cp\u003eThese include: \"Pending Railway Legislation\"; \"The Present Railroad Labor Problem\"; \"The Future Policy as to the Railroads\"; \"Compulsory Arbitration\"; \"Labor Adjustment Boards of the Railroad Administration\"; \"The Reasonableness of the Requests of Locomotive Firemen\"; \"Time and One-Half For Overtime\"; and \"Compulsory Arbitration.\"\u003c/p\u003e","\u003cp\u003eThe Sleeping Car Conductors Case files consist of several successive cases arranged in this finding aid roughly in the chronological order in which they occurred.\u003c/p\u003e","\u003cp\u003eExhibits include \"An Adequate Basic Wage,\" \"Earnings of Sleeping Car Conductors compared with Changes in the Cost of Living,\" \"Various Factors Indicating Rising Standards of Living in the United States Since 1914,\" \"Compensation of Sleeping Car Conductors compared with other Expenses and Revenue of the Pullman Company,\" and \"General Trend of Wages, 1913-1918, as Compared with Earnings of Sleeping Car Conductors.\"\u003c/p\u003e","\u003cp\u003eExhibits include \"Increased Productive Efficiency of Sleeping Car Conductors and Financial Administration of the Pullman Company,\" \"Increased Labor Productivity,\" and \"Standards of Wage Determination.\"\u003c/p\u003e","\u003cp\u003eThis file includes information and statistics on Besler Steam Power Trains; the Comparative Costs of Operation; Locomotives in Service; Diesels in Switching Service; Earnings Per Hour; Freight Cars; and General Statistics.\u003c/p\u003e","\u003cp\u003eThese charts include: \"Anthracite Combination,\" \"The Seven Departments of the Anthracite Industry,\" \"Interlocking Directorates Showing Working Control of Anthracite Operating Companies,\" and \"Profits of Anthracite Combination.\"\u003c/p\u003e","\u003cp\u003eCharts include \"Affiliations of Railroads and Banking Houses,\" \"New York Bank Control of Railroads and Railroad Equipment Companies,\" \"New York Bank Control of Coal Mining Companies and Coal Railroads,\" and \"The Geographical Spread of New York Railroad Control.\"\u003c/p\u003e","\u003cp\u003eExhibits include \"Employment and Compensation of Railroad Employees\"; \"Cost of Living\"; \"Methods of Reporting Wage and Hour Data\"; and \"Increasing Output per Worker and Decreasing Wage Cost Per Unit of Output.\"\u003c/p\u003e","\u003cp\u003eExhibits include: \"Trend of Railway Operating Revenues and Total Compensation\"; \"The Rising Tide of Recovery A Survey of the Leading Business Indices\"; \"Labor Movement Supports Railway Workers in Resisting a Wage Cut\"; \"Squandering the Maintenance Dollar\"; \"Financial Mismanagement through Banker Control of Railroads\"; \"Training and Skill of Track and Roadway Section Men\"; \"Average Hourly Earnings in Railroads and Other Industries\"; and \"Estimated Money Share of Individual Railroads in the Proposed 15 Per Cent Pay Reduction.\"\u003c/p\u003e","\u003cp\u003eMorgan's statements include those on wages; postwar economic conditions, developments, and private bankers' constructive services; and interference and control in corporate managements.\u003c/p\u003e","\u003cp\u003eThese include \"Cost of Living is Increasing,\" \"The Railroad Plea of Poverty,\" \"Labor Versus Materials and Interest,\" and \"The Railroads versus the Public Interest\" (printed).\u003c/p\u003e","\u003cp\u003eTables include \"Dividend Performance of Anthracite Railroads and Trunk Lines Compared,\" \"Percentage Relationships of Dividends Paid on Stock Dividends to Total Compensation Paid Employees,\" and \"Distribution of Capital Resources.\"\u003c/p\u003e","\u003cp\u003eW. Jett Lauck was employed by the John G. Paton Company of New York City to study the report of the Tariff Commission of 1928 as to the costs of production in the maple sugar industry in the United States and in Canada. He then gave his conclusions on the report to the company and as testimony before the Tariff Commission itself.\u003c/p\u003e","\u003cp\u003eThere are excerpts from the following: the Tariff Commission Stenographer's Minutes (June 1927), Hearings before the House Committee on Ways and Means (January 1929), Hearings before the Senate Finance Committee (June 1929), Debates in the U.S. Senate (January 1930), Remarks of the Honorable Ernest W. Gibson (February 1930), the Roodenburg Report (November 1930), George H. Burr and Company Report (March 1931), R.G. Dun and Company Report (undated), Cary Maple Sugar Company Federal Income Tax Returns (1921-1930), and Cary Testimony (undated).\u003c/p\u003e","\u003cp\u003eThese include: Agricultural Adjustment Act and Amendment, House Resolution 9439, Orders from the President and National Recovery Administrator, Regulation 81, Regulation 82, and Secretary of Agriculture Regulations.\u003c/p\u003e","\u003cp\u003eFiles include the following folders: News clippings; Comparison of Lauck and Mahon Agreements; Final Agreement; General; Hanna Memorandum; Insurance; Saint Louis Public Service Company Union Plan for Cooperation; and Saint Louis Public Service Company Operating Notes.\u003c/p\u003e","\u003cp\u003eFiles include Pamphlets on Public Utilities, Press on Public Utilities, Press on Governor Roosevelt and Power Utilities, [Union?], and a Report addressed to Frank P. Walsh (1864-1939).\u003c/p\u003e","\u003cp\u003eThere were two hearings before the United States Tariff Commission related to an investigation into the costs of sugar production. After the January hearings (January 15-24, 1924), other briefs were filed. There was a call for another hearing to be held in March (March 27-28, 1924) after which it was decided that all parties had until April 10th  to file more briefs in connection with the hearings. W. Jett Lauck coordinated and prepared documents for many of the parties involved. He also served as a witness for the Hawaiian Sugar Planters Association.\u003c/p\u003e","\u003cp\u003eIncludes news about the Bituminous Coal Commission.\u003c/p\u003e","\u003cp\u003eThis includes the \"Report, Findings and Award of the United States Anthracite Coal Commission of 1920.\"\u003c/p\u003e","\u003cp\u003eFiles pertaining to Wages include: Wage Demands; Wage Rates of Employees Other Than Contract Miners; Wages, Earnings and Work Conditions in General; Wages in Various Industries 1914 to 1920; and Wages in Various Industries and Occupations: A Summary of Wage Movements 1914-1920.\u003c/p\u003e","\u003cp\u003eMass strikes in both the anthracite and bituminous coal industries in 1922 led to a standstill in production. When the miners and operators failed to reach any agreements, the government abandoned its hands-off approach and attempted to set up commissions to arbitrate the cases. After several failed attempts, both an Anthracite and Bituminous Coal Commission were established to not only arbitrate the current situation, but to investigate its origins in the general history and conditions of the coal industries. W. Jett Lauck was involved with the United Mine Workers of America in both cases to varying degrees. Material is separated into Anthracite and Bituminous, with common material labelled \"General.\"\u003c/p\u003e\n","\u003cp\u003eSome dates are corroborated by list of case exhibits. Where corroboration is not possible, no date has been inferred. Classification as \"exhibit\" is applied based either on inclusion in a numbered list of exhibits or Lauck's handwritten filing directions.\u003c/p\u003e","\u003cp\u003eLetters are presumably from W. Jett Lauck to the \"New York Times\" Managing Editor and to the President, regarding the establishment of an Arbitration Board.\u003c/p\u003e","\u003cp\u003eThese three memoranda are to Mr. Lewis, July 8, 1922; one concerning the production of the Central Competitive Field, April 27, 1922; and a third showing the financial connections of the Boston Financial Group and Secretary Mellon.\u003c/p\u003e","\u003cp\u003eThe two press releases include a letter to the President regarding Arbitration, July 15, 1922, and the UMWA Statement about Mr. Murray's Speech,  April 22, 1922.\u003c/p\u003e","\u003cp\u003eItems include a \"Journal\" Communication sent to every member of Congress, 1922; a Letter to Officers and Members, May 25, 1922; and the UMWA Wage Scale Committee proposed wage scale, February 14, 1922.\u003c/p\u003e","\u003cp\u003eThe History of the Development of the Anthracite Coal Combination contains five sections: Section 1, Early History of Anthracite Consolidations and Combinations; Section 2, Consummation of the Anthracite Combination, 1896; Section 3, Methods by Which Railroads Have Discriminated in Favor of Their Allied Coal Companies and Favored Clients; Section 4, The Influence of the Combination Upon Freight Rates, Shipping Allotments, and Prices; and Section 5, Present Situation as Regards Ownership and Control.\u003c/p\u003e","\u003cp\u003eThe unnumbered exhibits include \"The Coal Controversy\" May 1922 and Geological Survey, Weekly Report on the Production of Bituminous Coal, Anthracite, and Beehive Coke, February 11, 1922.\u003c/p\u003e","\u003cp\u003eThese exhibits include: Exhibit 6: Seasonal Fluctuations in Production and Transportation, June 15, 1921; Exhibit 7: Production, Capacity, Men Employed, Mine Price Per Ton, and Days Lost, 1922, undated; Exhibit 12: Fluctuation in Employment and Earnings of Bituminous Mine Workers, undated; Exhibit 14: Effect of Price Changes Upon Purchasing Power, 1920; Exhibit 16: Chart Showing Production from Union and Non-Union Districts, March 16,  1922.\u003c/p\u003e","\u003cp\u003eMemoranda include \"Complete Unionization Would be the Greatest Factor in Stabilization of Soft Coal Industry\" June 19, 1922, several other miscellaneous undated memoranda for Lewis, plus one on the Earnings of Bituminous Mine Workers for a \"Baltimore Sun\" Article, March 17, 1922.\u003c/p\u003e","\u003cp\u003ePress Releases include: Capital Investment and Profit of Bituminous Coal Mine Operators, June 1, 1922; Letter From Ellis Searles to Secretary Hoover, February 8, 1922; Letter Submitting Explanatory and Statistical Material Supporting the Preliminary Report of the Commission on Investment and Profit in Soft Coal Mining, July 6, 1922; and Press Release: Russell Sage Foundation Report on \"The Coal Miners' Insecurity\" April 16, 1922.\u003c/p\u003e","\u003cp\u003eMorrow's statements were made before the Committee on Labor, April 25, 1922 and before the Interstate Commerce Commission in the Hearing on Railroad Rates, Fares, and Charges, January 19, 1922.\u003c/p\u003e","\u003cp\u003eIncludes Memoranda and Opening Statement on behalf of Anthracite Mine Workers and Research Material and Data.\u003c/p\u003e","\u003cp\u003eStatements concern the Request of Anthracite Operators for a Modification of the Wage Scale, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Typescript and Print copies.\u003c/p\u003e","\u003cp\u003eThe reply concerns the request of Operators for modification of the Wage Scale, and was by John L. Lewis, etc. on behalf of the United Mine Workers, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Proofs and Print copies.\u003c/p\u003e","\u003cp\u003eThe Anthracite Freight Rate Case files may be part of the previous group but were placed in a separate divider created by the office of Lauck.\u003c/p\u003e","\u003cp\u003eStatistics include four categories: General; Anthracite Coal Carrying Railroads, Typed Originals and Carbons; Financial Performance of Coal Companies (clippings and other statistics),Earnings, and Profit; and Salaries of Operator officials, exceeding $10,000 per year.\u003c/p\u003e","\u003cp\u003eNote: an assigned car is a rail car specifically designated for the use of a particular shipper, or, in the case of private cars, for the use of a particular railroad for a specific customer.\u003c/p\u003e","\u003cp\u003eLauck also referred to this as the Mahon Case, after President William D. Mahon.\u003c/p\u003e","\u003cp\u003eFile includes the Opinion of the Majority of the Arbitration Board, Dissenting Opinion, and a Report on a Proposed Pension Plan\u003c/p\u003e","\u003cp\u003eThese include: \"Discipline and Education of Locomotive Engineers and Firemen and Standardization of Wages\"; \"Progress Made in Electrification of Railroads and Economics Effected Thereby\"; \"The Railway Dollar, What Became of it in 1913\"; \"Revenue Gains by Representative Western Railroads Available to Compensate Locomotive Engineers and Firemen For Increased Work and Productive Efficiency, 1890-1913\"; The Rise and Fall of Mechanical Stokers\"; \"Miscellaneous Statements in Rebuttal to Exhibits Presented by the Railroads\"; \"Opposition of Railroads to Enactment of Federal Hours of Service Law and Efforts of Federal Government to Enforce Same.\"\u003c/p\u003e","\u003cp\u003eAll the years but 1933-1935 have an index in the front of the folder.\u003c/p\u003e","\u003cp\u003eThese \"diaries\" were used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date.\u003c/p\u003e","\u003cp\u003eFile includes Lauck's Civil Service record (1945) and National War Labor Board service (1918).\u003c/p\u003e","\u003cp\u003eThe 1911 blueprint \"General Plan\" of the property was prepared by Thomas Meehan and Sons, Mt. Airy, Philadelphia, Landscape Architects, for Francis T.A. Junkin, Lexington, Virginia. The \"Map of Mulberry Hill, Lexington, Virginia,\" 1926, with surrounding properties, was done by R.E. Witt, Certified Land Surveyor.For a typed description of the property by R.E. Witt and a note by W. Jett Lauck, see Box 224 Folder 4.\u003c/p\u003e","\u003cp\u003eThe Bureau of Applied Economics, Inc. was a \"private, independent, scientific organization, established in 1914 for the purpose of doing research and analytical work in the field of industrial, commercial, banking and general economic activities\" according to one of its brochures. It was located in Washington, D.C. \"where the governmental departments, commissions and other organzations with their specialists, archives and unrivaled library facilites render such research more effective and productive than any other city in America\" according to a page from an unknown directory. Hugh S. Hanna was the Director and W. Jett Lauck was listed as both the Chairman of the Advisory Board and the specialist for money and banking.\u003c/p\u003e\n","\u003cp\u003eOne of the chief functions of the Bureau of Applied Econonics was to create publications about importand current issues in the field of labor conditions and industrial relations. These were intended to be brief (50-75 pages) but authoritative and written by a specialist in the subject so that anyone interested in the subject could have access to the gist of all the information in one place and for a low cost. \u003c/p\u003e","\u003cp\u003eFile includes Monthly Statements, Proofs of Notices, Subscribers and Sales.\u003c/p\u003e","\u003cp\u003eFile includes Correspondence, Papers, and Table of Contents.\u003c/p\u003e","\u003cp\u003eLauck taught a course on the History of the Labor Movement at the American University.\u003c/p\u003e","\u003cp\u003eThe Notes chiefly include Political Science, Sociology, Labor vs Capital, Economics, Constitutional Law, American Government, and Agriculture.\u003c/p\u003e","\u003cp\u003eThese College Notes are chiefly concerned with the Reciprocity Concept and the Chicago Conference with sections on Cuba and Hawaii; Distribution; Receiverships; Sociology and Tariffs; and Printed Material.\u003c/p\u003e","\u003cp\u003eMuch of this material is fragmentary or incomplete and it possibly has some material of W. Jett Lauck mixed in.\u003c/p\u003e","\u003cp\u003eThese photographs include the \"Funeral Procession of Stephen Horvath, McKees Rocks, Pennsylvania, August 14, 1909. Photographs are mostly unidentified and some do not include W. Jett Lauck.\u003c/p\u003e","\u003cp\u003eThese photographs are mostly unidentified and undated but does includes William Harmon Black and Major Miller Taylor. and his wife.\u003c/p\u003e","\u003cp\u003eThis file consists of seven oversize photographs, including a Staff Conference; the Immigration Commission, Washington D.C. (1907); three photographs of Lauck with the same two  unidentified men; W.D. Mahon; A.A. Mitten; Earl E. Houck; an unidentified man; and an unidentified hearing.\u003c/p\u003e","\u003cp\u003eThis folder includes four oversize photographs  of Public Code Hearings on Bituminous Coal Industry, 1933 August 9; Cigar Manufacturing Industry AAA Code Hearing, 1933 November 22;  Structural Steel and  Iron Fabricating Industry N.R.A. Hearing, 1933 October 30; and Anthracite Coal Industry, NRA Code Hearing, William H. Davis Deputy Administrator, Washington, D.C., 1933 November 17\u003c/p\u003e","\u003cp\u003eTopics include Agriculture and Farms, Airlines and Aviation, Argentina, Atlantic Charter—Poland*, Atomic Energy and Weapons (see also, J—Japan), Australia, and the Automobile Industry.\u003c/p\u003e","\u003cp\u003eTopics include Bank Fraud, Banking and Bankers, Baruch Report, Big Three, Bretton Woods Agreement—International Monetary Fund, British Elections 1945, British Labor Party, British Labor Reports and the Second World War and Budget.\u003c/p\u003e","\u003cp\u003eTopics include Cartels, Chamber of Commerce, Canada, Capital/Capitalism, Charter [U.N.] (see also, S—San Francisco Conference), Chemical Warfare, Cherry Blossoms—Washington D.C., China, The Church (see also, Religion and Faith), Churchill, Winston (see also, People), Comintern, Communist Party, Congress, Cost of Living, and Cuba.\u003c/p\u003e","\u003cp\u003eSee also, Strikes, U—United Mine Workers.\u003c/p\u003e","\u003cp\u003eTopics include Debt, Defense, Deflation, Democracy, Democratic Party, The Depression, Diplomacy, Disease, Driving [Winter], and Dumbarton Oaks Conference.\u003c/p\u003e","\u003cp\u003eTopics include Economic Bill of Rights, Economic Development [Committee], Economic Policy (see also, B—Bretton Woods Agreement, Post-War Reconstruction), Economic Rights, Economy of War, Employment (see also, U—Unemployment), Electric Workers, Electricity, and Excess Capacity.\u003c/p\u003e","\u003cp\u003eTopics include Farms, Fear, Flooding, Food [Costs] [Rations] [Shortages], Food as Weapon, Foreign Policy, Freedoms, France, Franco, and Full Employment America.\u003c/p\u003e","\u003cp\u003eTopics include General Motors [Strike] (see also, Strikes), Germany, G.I. Bill, Gold Standard, Government in Business, Grain Marketing, Great Britain, Growth of Democracy, Hapsburgs, and Hatch-Burton-Ball Bill.\u003c/p\u003e","\u003cp\u003eTopics include Industrial Divide, Industry, Inflation/Deflation, and Israel.\u003c/p\u003e","\u003cp\u003eJapan [and the Atomic Bomb], Jefferson [And the Declaration of Independence], The Jewish People [in Nazi Germany], Jobs as a Property Right, and Kipling, Rudyard (see also, People).\u003c/p\u003e","\u003cp\u003eTopics include Labor [and War], Latin America, League of Nations (see also, World Government), Legal Aid Societies, Lend-Lease, Liberalism, and the Lima Conference, Liquor Problem, and Living Wage.\u003c/p\u003e","\u003cp\u003eTopics include Magna Carta, Massachusetts Academy, Meat Industry (see also, Strikes), Middle Class, Monetary Reform, Morale [Poor], and Moving Pictures.\u003c/p\u003e","\u003cp\u003eTopics include National Association of Manufacturers, National Income, National Interest, \"New Era\" 31*, New York State Industrial Survey Commission 28*, New York Transit Strike, Office of Price Administration, and Oil.\u003c/p\u003e","\u003cp\u003eTopics include Pacifists, Packing Houses, Thomas Paine,  Palestine, Pan-American Union, Patents, Peace, Pennsylvania Labor Act, Philanthropy, Poland, Political Minorities, Population [United States] 1940, Power, The Press, Price Controls, Prisoners of War, Production, Profit-Sharing, Profiteering, Public Service, and Pump-Priming the Economy.\u003c/p\u003e","\u003cp\u003eFor more clippings on people see also: C—Churchill, K—Kipling, P—Paine, R—Roosevelt, Rural Electrification Administration [Harry Slattery], S—Stalin, and T—Truman.\u003c/p\u003e","\u003cp\u003eFile contains topics such as: Post-War Deflation, Post-War Europe, and United States Labor, Industry, and the Economy.\u003c/p\u003e","\u003cp\u003eTopics include: Race and Racial Strife, Radar, Railways and Railroads, Reciprocity – British Agreement, Reconstruction Finance Corporation, Reconversion [and Wages] (see also, Post-War Reconstruction), Re-employment (see also, Post-War Reconstruction), Republican Party, Republican Record, Right Wing Reaction, Roosevelt, Rural Electrification Administration [Harry Slattery], Russians who Fought for Germany in World War II.\u003c/p\u003e","\u003cp\u003eTopics include: San Francisco Conference (see also, United Nations), Savings, Sherman Act, Social Security, Socialism, Socialized Medicine, South America, The South [and Politics], The South [and Poll Tax Ban], Southern Revolt, Soviet Union/Russia, Spain, St. Lawrence Seaway, Stalin, Subsidy, Sugar, Supreme Court, Packing the Supreme Court, and Syria.\u003c/p\u003e","\u003cp\u003eSee also, Coal, G-H—General Motors [Strike], M—Meat Industry, N-O—New York Transit Strike, Steel, and U—United Mine Workers.\u003c/p\u003e","\u003cp\u003eTopics include: Tariff Bill, Taxes, Textiles, Third Political Party, Totalitarian States, Troops, Truman [Report], Trusteeships; Unemployment, (see also, E—Employment), Unions, United Kingdom [Britain], United Mine Workers (see also, Coal), Unity, National\nVirginia, and Virginia Budget Efficiency.\u003c/p\u003e","\u003cp\u003eSee also S—San Francisco Conference and World Government.\u003c/p\u003e","\u003cp\u003eTopics include: Wage Central, Wages, Wagner Health Bill, Wall Street, War, War Aims, War and Capital, War Contracts Settlement, War Cost, War Crimes, War Labor Board, War Production Board, Work Week, World Bank, and World War II [Battles].\u003c/p\u003e","\u003cp\u003eThis file includes agendas, correspondence, reports, membership, and the tentative program.\u003c/p\u003e","\u003cp\u003eTopics include: American Mining Congress Declaration of Policy, \tdisagreements over the NRA code, gasoline and coal, new processes, and the right to strike.\u003c/p\u003e","\u003cp\u003eThis file includes an \"Investigation of Paint Creek Coal Fields of West Virginia,\" \"The Truth about Coal River Collieries,\" \"West Virginia Coal Fields\" (Senator Kenyon), Colorado Coal Fields, and a List of West Virginia Coal Fields.\u003c/p\u003e","\u003cp\u003eIncludes Houde Engineering Company Memorandum submitted to the National Labor Relations Board, the Hunt Memorandum outlining the Study of Competing Fuels, Lauck's review of \"The Coal Industry\" by Glen L. Parker, the Keller Bill for the Mississippi Valley on the Relative Importance of Fuels, \"Oil-Coal Mixtures as Industrial Fuel\" by J.E. Hedrick, and the Coal Cost of Producing Electricity, by J. Leonard Matt in the \"New York Herald Tribune.\"\u003c/p\u003e","\u003cp\u003eThe Railroads Financial History material was used in preparation of exhibits for the Brotherhood of Locomotive Firemen and Enginemen Case and updated for use in later cases involving railroads.\u003c/p\u003e","\u003cp\u003eThese news clippings include: British railway strike, credit, Thomas Dew Cuyler article on 1922 strike, Henry Ford's railroad, Gould System, Inadequacies of Railroad Management, Mergers, Nickle Plate Deal, Receiverships and Foreclosure Sales During 1920, and Railroad Retirement Act of 1937.\u003c/p\u003e","\u003cp\u003ePublications include: Decisions, Dockets, Announcements, Lawsuits, Orders, and Reports.\u003c/p\u003e","\u003cp\u003eLauck was on staff as an economist and one of the stockholders for this enterprise. Some stationery has the name \"The Gallatin Institute of Applied Economics\" in the header.\u003c/p\u003e","\u003cp\u003eFiles include Memoranda from I.A. Rice to W. Jett Lauck, Recommendations, and Rent Law.\u003c/p\u003e","\u003cp\u003eIncludes a bill on the guaranty of bank deposits legislation and the Glass-Steagall Act (printed).\u003c/p\u003e","\u003cp\u003eBanking files include Credit Facilities of the Country, Federal Reserve Board Legal Opinion on Bank Centralization (printed), News clippings, Reform, and the United Labor Bank and Trust Company Dissolution.\u003c/p\u003e","\u003cp\u003eIncludes files on British wage controversy and the coal industry during World War II, coal industry problems, and the British Coal Mines Act.\u003c/p\u003e","\u003cp\u003eCigar Manufacturing Code of Fair Competition files include Amendments proposed by Abraham Goldbloom and Jett Lauck, including Revisions made by Conference on October 20, 1933; Briefs and Statements (1933); Codes (1933-1934); and Profits and Statistical Data (circa 1929-1933).\u003c/p\u003e","\u003cp\u003eThese include: Table of Contents, Agents of Concentration and Railroads; Cotton Mills (director); Public Utilities (directors); Concentration of control of Financial and Industrial Resources; Public Utilities (securities), Public Utilities (affiliations), and Public Utilities (summary and tables).\u003c/p\u003e","\u003cp\u003eThese include: Summary of Banker Control in American Industry; Concentration of Financial Control of Industry; Concentration of Control of the Iron Ore Mining Industry; Report on Public Utilities; Concentration and Control of Money and Credit; Industrials (directors), Agents of Concentration, Coal (statistics), Iron and Steel Report (summary), Industrials (report), Railroads (statistics), Cotton Industry, Coal and Iron Mining; and Concentration of Control of Various Industries (iron, coal, water).\u003c/p\u003e","\u003cp\u003eThese files include the Bill by Colonel W.G. Williams (1946); an Inquiry by the Federal Power Commission Control (June 27, 1945); and the Memoranda of Colonel W.G. Williams, 1945-1946).\u003c/p\u003e","\u003cp\u003eThese files include: Miscellaneous, including charts - W. G. Williams (1945-1946); Gas and Oil Pipelines, including a proposed letter from Admiral Stuart to President John L. Lewis (October 16, 1944); and the United States Department of the Interior report of Investigations (July 1945).\u003c/p\u003e","\u003cp\u003eConstitutional Amendment files include: Action by Organizations (1936-1937); Articles and News clippings (1935-1939); Bills, including those proposed by Benson, Costigan, Ford, Gray, Maas, and Marcantonio (1935-1937); Challenges to the Authority of the Supreme Court to Declare Legislative Acts Unconstitutional, Notes and Memoranda by W. Jett Lauck, Donald R. Richberg, Merle D. Vincent and Henry [Warrum] (1935-1936); and Correspondence and Memoranda about the New York and Washington, D.C. Meetings (1936).\u003c/p\u003e","\u003cp\u003eConstitutional Amendment files include: Detroit Conference (1937); History and Comments (1936?); National Committee and Reports from Henry T. Hunt (1936); National Conference about (1936-1937); Recommendations and Suggestions made by President Roosevelt for a Bill to \"Pack the Supreme Court\" (1937); and Speeches by David J. Lewis and Daniel C. Roper (1935).\u003c/p\u003e","\u003cp\u003eMaterial includes the labor and production costs of cotton, silk and wool goods before and after World War I.\u003c/p\u003e","\u003cp\u003eFiles include a Memorandum on Major Berry and Conference Plans (1935 November, undated); News (1936-1937); Press Releases (1936-1937); and Summaries and Reports (1936 June-July).\u003c/p\u003e","\u003cp\u003eMemoranda topics include the Austrian state railways, the book \"Railroad Melons, Rates, and Wages\"; the suggestions of Baltimore and Ohio Railroad Vice-President Tatnall for railroad improvements; the Cincinnati Southern Railway; and Cooperatives.\u003c/p\u003e","\u003cp\u003eThese include speeches and statements of Governor Earle, Chief Justice Hughes, British House of Commons, Secretary of State Hull, Secretary Ickes, Robert H. Jackson, Governor Frank Murphy, Senator Norris, Secretary Frances Perkins, Burton K. Wheeler, and Wendell L. Wilkie.\u003c/p\u003e","\u003cp\u003eThis opinion was given by the General Counsel of the Federal Reserve Board.\u003c/p\u003e","\u003cp\u003eThese files include the first through third versions introduced in the 72nd Congress in 1932, S. 3215, S. 4115, and S. 4412.\u003c/p\u003e","\u003cp\u003eThese House bills include: H.R. 7250 (a bill creating national mortgage banks); H.R. 7620 (a bill to create Federal Home Loan Banks); H.R. 11340 (a bill to require national banking associations to furnish bonds to protect depositors against loss of deposits); H.R. 11422 (a bill to regulate the value of money, and for other purposes); and H.R. 12280 (an act to create Federal Home Loan Banks).\u003c/p\u003e","\u003cp\u003eIncludes an article by Lauck, \"America's New Immigrants\" and reviews of his book with Jeremiah Jenks, \"The Immigration Problem. A Study of American Immigration Conditions and Needs.\"\u003c/p\u003e","\u003cp\u003eIncludes a Memorandum from Lucius E. Wilson and Research concerning the cotton industry (1890-1912), economic consumption, 1890-1914,  prepared by Frances P. Valiant, centers of population (1914), prices (1914), tendencies in real wages (1900-1913), and wages and prices  (1912-1914)\u003c/p\u003e","\u003cp\u003eThe topics include: Agriculture; Anti-Strike Bill; Book Reviews; Bituminous Coal; Child Labor Law; Civil Service Employment, Reclassification and Retirement; Federal Employment; Federal Coal Commission; and Foreign Industry and Labor.\u003c/p\u003e","\u003cp\u003eThe topics Include: Health; Housing; Immigration; Industrial Accidents; Labor Mobility; Milk Bill; National Industrial Conference; New Jersey Chamber of Commerce; Public Health Service; Punitive Overtime; Racial Question, Commission on (\"Negro Wage Earners\"); Seaman's Act Revision in Merchant Marine Bill; Soldiers' Adjusted Compensation Legislation; Steamship Business Training; and United States Steel Corporation Pension Fund.\u003c/p\u003e","\u003cp\u003eTwo of these files focus on Employee Representation - Efficiency through Cooperation, and include \"A Report on Workers' Participation in Management\" with an appendix, by W. J. Lauck, March 1921.\u003c/p\u003e","\u003cp\u003eCompanies include: Bethlehem Steel Company, Endicott Johnson and Company, Goodyear Tire and Rubber Company, International Harvester Company, Midvale Steel and Ordnance Company, Standard Oil Company of New Jersey, and General.\u003c/p\u003e","\u003cp\u003eFiles include: Distribution of Output of Industry; Foreign Trade; General; Labor; Mass Production and Distribution; Production and Stock Market; and Prosperity.\u003c/p\u003e","\u003cp\u003eLabor topics in these files include: Labor and Churches (1922-1937); Labor and Industrial Policy during World War I, Memoranda on (1917-1918); Labor Gazette Program (undated); General material (1914-1920); Labor in Great Britain (1918-1937); Labor Injunctions (1927-1932); Labor Insurance (1928); Labor Legislation and Politics (1928); Labor Organizations (1910-1929); Labor Policies (1928); and Labor Problems (1919).\u003c/p\u003e","\u003cp\u003eAdditional Unemployment topics include: Joint Committee on Unemployment; Press; Social Effects of Unemployment, Statistics; and the Wagner Bills.\u003c/p\u003e","\u003cp\u003eInterstate Commerce Commission files include: Decision on Freight Rates in Anthracite Case; Five Per Cent Case; Hearing on Rates on Grain, etc.; Operating and Wage Statistics; and Petition concerning the \"Inefficiency of Railroad Employees.\"\u003c/p\u003e","\u003cp\u003eAdditional Interstate Commerce Commission files include: Rules on Locomotive Inspection; Rules of Practice; Rules governing Classification of Steam Railway Employees; and Seasonal Variation of Railway Operating Income.\u003c/p\u003e","\u003cp\u003eAdditional files include: Labor Conditions, including mining accidents; Manufacturers; and Monthly Production of Pig Iron in the United States.\u003c/p\u003e","\u003cp\u003eJourneymen Stone Cutters of America files include: Affidavits and Letters on Indiana Situation; Agreements; Amalgamation (Knoxville Wage Scale); Arts and Crafts Industry - Mr. M. W. Mitchell; Bloomington and Bedford Names and Local Vote; Cast Stone Industry Code; Limestone Code; Limestone Code Statement for Hearings and Suggested Complaint to the National Labor Board; the Marble Manufacturing Code, President Mitchell; Press Releases and Miscellaneous; the Sandstone Code and Statement by M.W. Mitchell, President of the Journeymen Stone Cutters' Association of North America.\u003c/p\u003e","\u003cp\u003eAdditional Labor Costs files include: Bituminous Mine Workers; Book Paper Industry; Canned Salmon; Canned Vegetable Industry; Coal; Construction; Copper Production and Sale; Cotton Industry; Cotton, Silk, and Wood Goods Production Before and After World War I; and Fertilizer Industry.\u003c/p\u003e","\u003cp\u003eAdditional Labor Costs files include: Hide and Tanning Industries; Leather and Shoe Industries; Pig Iron; Railroads, including Eastern, Operating, Southern, and Western; Relation to Prices; Shoe Industry; Steel Production in the United States; Sugar Profiteering; Summary; Various Industries; and Women's Muslin Underwear Industry.\u003c/p\u003e","\u003cp\u003eThe Living Wage subtopics include: The Case for a Living Wage; Cost; Cost of Rearing Children; Department of Labor; Effects; Fair Labor Standards Act (Bills, Interpretations, Regulations, etc.); Farmers; and General Press (1 of 2 folders).\u003c/p\u003e","\u003cp\u003eLiving Wage subtopics include: General Press (2 of 2 folders); Harmful Effects of Low Wages; Lauck Statements; Miscellaneous; National War Labor Board; Practicability (2 folders); Request for a Ruling from the United States Railroad Labor Board on the Living Wage;  \"Sanction for a Living Wage\"? Quotation Verification Work for Lauck's book with that title; Statement of the National War Labor Conference; and an Undated Essay on \"The Just and Reasonable Wage.\"\u003c/p\u003e","\u003cp\u003eThese documents include the Charter, Constitution, General Plans of Work, Explanation and Comment, Outline of Organization and Scope of Work at the Outset, By-Laws, Suggestions and Notes on Separate Trust Fund, and an article \"Employee Ownership\" by Thomas E. Mitten.\u003c/p\u003e","\u003cp\u003eMitten Management topics include: Labor Cooperation in Australia; Organized Labor in New Orleans; Personal News clippings; Press; and Strikes in Philadelphia and Buffalo.\u003c/p\u003e","\u003cp\u003eLiterature includes the New York Advertising Club Plan, Memoranda and Principles, etc., which also includes articles by Fred Brenckman and Isador Teitelbaum.\u003c/p\u003e","\u003cp\u003eItems include the Conscription of Property Senate Bill 1579 and Consumer Division of Defense, Labor, and Steel.\u003c/p\u003e","\u003cp\u003eThese files include a report of the Iron Ore Committee, a copy of the \"National Natural Resources Act,\" and the Report of the Planning Committee for Mineral Policy.\u003c/p\u003e","\u003cp\u003eThese bills include the Bill for Stabilization and Conservation of Natural Gas and Petroleum and the Cole Bill (H.R. 7372) Petroleum Conservation Act.\u003c/p\u003e","\u003cp\u003eFiles include General; a Brief; Mr. McGinn's Statement; General Producers Company, Mr. Taylor and John L. Lewis; and Sinclair Company - Maintenance of Retail Prices.\u003c/p\u003e","\u003cp\u003eApparently Lauck used his work with the Philadelphia Rapid Transit Company as a basis for his book, \"Political and Industrial Democracy, 1776-1926.\"\u003c/p\u003e\n","\u003cp\u003eIncludes files on the following companies: Baltimore and Ohio Railroad; Bank of Italy; Boston Consolidated Gas Company; Chicago Surface Lines; Colorado Fuel and Iron Company Plan; Columbia Conserve Company; Comparison of Fundamentals; Comparative Plans; Dennison Manufacturing Company; Dutchess Bleachery; Employee Representation and the Union (PRT); Employee Stock Ownership (PRT); Endicott-Johnson Company (PRT); Filene; Ford Motor Company; International Harvester Company; Investment Bankers and Cooperative Plans; Louisville Railway Company; Loyal Legion of Loggers and Lumbermen; and Milwaukee Electric Power and Light Company.\u003c/p\u003e","\u003cp\u003eIncludes files on the following companies: \tNash Tailoring Company; New Cooperative Plan; Packard Piano Company; Pennsylvania Railroad; Peoples Gaslight and Coke Company; Philadelphia Convention; Printz-Biederman Company; Southern Railway; Standard Oil Company; Summary with 1939 clipping; and Union Recognition Case.\u003c/p\u003e","\u003cp\u003eIncludes news clippings about the Electric Bond and Share Company, Power Authority of New York and others.\u003c/p\u003e","\u003cp\u003eIncludes a speech by Frank P. Walsh before the  Public Ownership League of America and a Research Bulletin on the Potomac Electric Power Company of Washington.\u003c/p\u003e","\u003cp\u003eThese files include ones for Analysis, Bradstreet's, Dun's, General, and Government Control of Prices.\u003c/p\u003e","\u003cp\u003eProfiteering files include those on: Address of the President; Agricultural Supplies; Articles by W. Jett Lauck and others (2 folders); Banks; Memorandum to Judge W.H. Black; Building Material; Coal; and Copper.\u003c/p\u003e","\u003cp\u003eProfiteering files include: Corporate Earnings and Government Revenues (3 folders); and Corporations, Profits of (3 folders).\u003c/p\u003e","\u003cp\u003eProfiteering files include: Industries, various, (3 folders); Manly, Basil M. - Survey of American Industrial Conditions; Meat Packing; Metal Trades; Miscellaneous Industries; 1921; Petroleum; Post War Profits; and Press Statements (2 folders).\u003c/p\u003e","\u003cp\u003eProfiteering files include: Railroads During and After the War (American); Railroad Equipment; Shoes and Clothing; Speeches in Congress; Steel;  Sugar; Summary; and War Contracts.\u003c/p\u003e","\u003cp\u003eIncludes the following filers: the Chicago Memorandum; Pending Work file; press release about the need for co-ordination of transportation facilities; press or news clippings; and railroad employee insurance.\u003c/p\u003e","\u003cp\u003eFiles include a draft of a letter to President Roosevelt and a memorandum on Russia from Lauck.\u003c/p\u003e","\u003cp\u003eRussia or Soviet Union files include: \"The Red Trade Menace\"; Research by Dunlap; Social and Economic Conditions, chiefly clippings, including concessions, the cotton case, credit, political and propaganda (2 folders); and Trade Mission.\u003c/p\u003e","\u003cp\u003eFiles include: \"The Agricultural Situation in the United States\"; \"Labor Banking Movement in the United States, Analysis of\"; \"Membership of Labor Unions\"; and \"Report of the Negro in Industry\".\u003c/p\u003e","\u003cp\u003eFiles include: Proposal for Cotton Purchase from the United States (3 folders); \"Recent Shifts in Industry\"; \"Report of the Railroad Situation in the U.S.\"; Research – Miscellaneous; and Tariffs.\u003c/p\u003e","\u003cp\u003eFiles include: Anderson, Paul E. – Reports and Memoranda; Ballantine's Report [on Transportation by Waterway as Related to Competition with the Rail Carriers in the United States]; Commodity Studies, including livestock, potash, green coffee, grains, and rubber; Correspondence; and Department of Commerce Outline.\u003c/p\u003e","\u003cp\u003eFiles include: Digest of Hearings and Reports; Electric Generation Capacity, U.S.A.; Extent of Railway Operations; News clippings, including article from \"The New Republic\"; Notes and Outline; and Panama Canal Traffic effect upon Railroad Rates.\u003c/p\u003e","\u003cp\u003eThis file includes a Railway Labor Executives' Policy statement, statement of the Baltimore Association of Commerce, and a paper about the  \"Effect of the Proposed Great Lakes-Saint Lawrence Deep Waterway on the Coal Industry.\"\u003c/p\u003e","\u003cp\u003eThe file includes articles by Lester Velie (\"Lean Years for the Rails\"), Harold D. Kootz (\"The Railroad Crisis\"), and one about new types of equipment; a speech by Harry S. Truman on railroad financing; a memorandum about railroads serving the Great Lakes ports; and a memorandum to Robertson about the position of Western railroad presidents concerning the waterway prior to 1933-1934.\u003c/p\u003e","\u003cp\u003eReports include: \"Analysis of its effects upon railroad and coalmining industries\" by W. Jett Lauck; \"Coordination of Transportation Agencies\" [by W. Jett Lauck?]; Report of Railroad Coordinator's Freight Traffic Report, including freight rate increases and petroleum pipeline rates; and Report of the Railroad System, Beneficial Effects of project upon.\u003c/p\u003e","\u003cp\u003eFiles for this committee include: General (2 folders); Papers submitted by J.W. Garrow and White; the Report, both Typescript and Printed (2 folders); Uniform Manufacturers Association Statement; United States Chamber of Commerce Presentation; and Vouchers and Expenses submitted by W. Jett Lauck.\u003c/p\u003e","\u003cp\u003eFiles include Awards, Decisions, and Authorizations (printed) and Exhibits prepared for the Board by Lauck and associates.\u003c/p\u003e","\u003cp\u003eSocialism files include; \"What it is and what it is not\" and History in the United States.\u003c/p\u003e","\u003cp\u003eFiles include: \"Compilation of the Social Security Laws\"; Correspondence with Barbara Nachtrieb Armstrong (Chief of Staff for Social Security Planning of the Committee on Economic Security; Correspondence with Pauling C. Gilbert; Directory of State Employment Security Officials; and Draft Bills for State Unemployment Compensation.\u003c/p\u003e","\u003cp\u003eFiles include: H.R. 4142 (Lewis Bill); H.R. 7260 (Social Security Act); Information Primer on the Committee on Economic Security; Inventory of Job Seekers Registered at Public Employment Offices; and League of Nations Staff Pension Fund.\u003c/p\u003e","\u003cp\u003eFiles include: Major Migratory Routes in the United States; Memoranda to Mr. Kennedy; National Women's Trade Union December Bulletin; Newspapers; and \"Old Age Insurance.\"\u003c/p\u003e","\u003cp\u003eFiles include: Pamphlets and Print Materials; Preliminary Report on Occupations of Job-Seekers in 43 States; \"The Problem of Insecurity\" (Committee on Economic Security); Radio Address of Frances Perkins, Secretary of Labor; and Recommendations of the Social Security Board Federal Advisory Council.\u003c/p\u003e","\u003cp\u003eFiles include: \"Social Security Act and War Manpower Commission\" and Social Security Board Federal Advisory Council Binder of Documents (2 folders).\u003c/p\u003e","\u003cp\u003eFiles include: Social Security Board Federal Advisory Council Meeting (June 1940); Social Security Board Federal Advisory Council Meeting (October 1942); \"Social Security in Defense and After\"; Statements on the Wagner-Lewis Economic Security Bill; Thrift and Security Foundation, Inc.; \"Two Special Reports on Social Legislation\" (Business Advisory Council); United Mine Workers of America Proposed Retirement Plan; and Vocational Training Program for National Defense.\u003c/p\u003e","\u003cp\u003eTopics include: Mineral production, \"A Working Economic Plan for the South,\" Washington and Lee as a Southern institution, and the Southern Commercial Congress (all printed).\u003c/p\u003e","\u003cp\u003eFile includes memoranda to John L. Lewis and suggestions by Katharine Pollak, federal regulation and steel codes.\u003c/p\u003e","\u003cp\u003eTopics include a file on Arbitrations, including Portland, Maine; Eastern Massachusetts Street Railway; Boston Elevated Railway Company; and Cumberland County Power and Light Company. Other railway topics include: District of Columbia; \"Low Fares\" article by Louis B. Wehle; the Mahon Case; and a Report by Delos F. Wilcox.\u003c/p\u003e","\u003cp\u003eFiles include: \"The Bridgemen's Magazine,\" Vol. XXXIII, Nos. 11 and 12; Conferences; H.R. 7596 (To License and Regulate Inter-State Coal Corporations); H.R. 12285 (Ellenbogen's Bill); H.R. 12499 (Wood's Steel Bill); Lauck Notes and Memoranda; and Lists of Materials Prepared in Connection with Iron Workers.\u003c/p\u003e","\u003cp\u003eFiles include: P.J. Morrin Exhibits I (a), II, and III-VIII; P.J. Morrin's Report as Labor Advisor to Chairman of the Labor Advisory Board and his Statement Before the National Recovery Administration; Possible Projects – Golden Gate Bridge, San Francisco, California and United States Courthouse, New York City; Statement of William P. McGinn to Deputy Administrator; and \"Summary and Objectives of Proposal for New National Recovery Act Legislation.\"\u003c/p\u003e","\u003cp\u003eFiles include: the Fair Tariff League; Press, including the French situation; and Wood Pulp, Woolens and Worsteds (2 folders).\u003c/p\u003e","\u003cp\u003eTaxation files include: \"Conclusions and Constructive Suggestions as to Tax Revision\" by David B. Robertson; News clippings, Printed Material and Press Releases (2 folders); and Notes and Drafts.\u003c/p\u003e","\u003cp\u003eFiles include: copies of clippings at back of folder; Charts used by Isador Lubin in his Testimony; and Notes by W. Jett Lauck and associates.\u003c/p\u003e","\u003cp\u003eTopics include: \"Dynamics of Transport\"; \"How Transport has Shaped the Pattern of National Development\"; \"Objectives of Public Policy\"; \"Problems of Interest Groups\"; \"Problems of National Defense\"; Problems of Rate Levels and Rate Relationships\"; \"Problems of Regulatory Policy\"; \"Problems of Transportation Policy – Review of Basic Issues and Alternative Solutions\"; \"Problems of Transport Coordination\"; \"What Lies Ahead in Transportation\"; and \"What the Transportation System Looks Like Today.\"\u003c/p\u003e","\u003cp\u003eFiles include information about the 1922, 1934, 1940 (2 folders), and 1946 Conventions.\u003c/p\u003e","\u003cp\u003eWage files include: American Federation of Labor; Articles, Bibliography on Wage Cutting and on a Saving Wage; Disease; Earnings in Ohio; \"A Fair and Reasonable Wage\"; and Minimum Wage (2 folders).\u003c/p\u003e","\u003cp\u003eWage files include: Productive Efficiency Theory; Productivity; Railroad; Rates; Real Wages; Regulation; Report on \"Wages and Hours of Labour in Canada\" and Report of Australian Royal Commission; Standard of Living; Various Industries (2 folders); Wage Adjustments; White Collar Workers; Women; and Works Project Administration.\u003c/p\u003e","\u003cp\u003eTopics include: the wartime control of labor (France), War Labor Conference Report (February 25, 1918), \"Labor Policies and the War, War Profits Bill, war and labor, and war tax law.\u003c/p\u003e","\u003cp\u003eMaterials include: a pamphlet \"Negro Women in Industry in 15 States,\" and other printed material from the Department of Labor and the Women's Bureau.\u003c/p\u003e","\u003cp\u003eTitles include: \"American Institute for Economic Research Monthly Bulletin\" (1944) and \"Automotive War Production\" (1945).\u003c/p\u003e","\u003cp\u003eTitles include: \"Babson's Washington Reports\" (1938-1939); \"Bank of the Manhattan Company of New York (1946); and \"The Bulletin\" from the International Typographical Union (1945-1946).\u003c/p\u003e","\u003cp\u003eTitles include: \"California Safety News\" (1919); \"Common Sense\" (1944); and \"Congressional Daily\" (1941, 1944-1946).\u003c/p\u003e","\u003cp\u003eTitles include: \"Economic Notes\" (1939); and \"The Economic Outlook\" (1940, 1944).\u003c/p\u003e","\u003cp\u003eTitles include: \"Foreign Commerce Weekly\" (1941) and \"Foreign Policy Bulletin\" (1943, 1946).\u003c/p\u003e","\u003cp\u003eTitles include: \"Human Events\" (1947); \"International Post-War Service Statistical Bureau\" (1943); and \"International Statistical Bureau Foreign Letter\" (1943-1944).\u003c/p\u003e","\u003cp\u003eTitles include: \"National Bureau of Economic Research\" (1933-1934); \"The National Grange\" (1932); \"People's Lobby Bulletin\" (1945); \"Private Newsletter\" (1934); and \"Propaganda Analysis\" (1939).\u003c/p\u003e","\u003cp\u003eTitles include: \"Report of the Mexico City Bureau\" (1940); and \"The Southern Patriot\" (1945-1946).\u003c/p\u003e","\u003cp\u003eTitles include: \"United Business Service\" (1941); United Construction Workers News (1946); \"Washington Review\" from Chamber of Commerce, U.S. (1940, 1943); and \"The Yardstick Catholic Tests of a New Social Order\" (1941-1942, 1944).\u003c/p\u003e","\u003cp\u003eIncludes booklets on \"Diplomatic List\" (1925); National Policy Committee booklet, \"Implications to the United States of a German Victory\" (1940); \"The Storm Washington D.C. January 27-28, 1922; \"The Story of the Globe\" (undated); andClifford Thorne (undated).\u003c/p\u003e","\u003cp\u003eIncludes: National Association Real Estate Boards (1924); National Monetary Association (1923, undated); \"National Transportation Institute Freight Rates and Prices, 1867-1923\" (1923); New Jersey Teacher Retirement and Pensions (1919); and New School for Social Research (1920).\u003c/p\u003e","\u003cp\u003eIncludes: Railroads (1944); Remedial Loan Societies (1928); and Remington Rand Inc. (1935).\u003c/p\u003e","\u003cp\u003eIncludes: Schools (1928-1929); Sperry Corporation (1936); Standard Oil Company (1922); and Standard Statistics Company (1925).\u003c/p\u003e","\u003cp\u003eIncludes: Virginia State Chamber of Commerce (1924-1930); and \"A Brief History of Taxation in Virginia,\" by Edgar Sydenstricker (1915).\u003c/p\u003e","\u003cp\u003eIncludes: Senator George D. Aiken (1941), Thurman Arnold on \"Labor Against Itself\" and Antitrust Law Enforcement (circa 1941, undated).\u003c/p\u003e","\u003cp\u003eIncludes Samuel Brodbelt with a letter to Lauck, February 1, 1940.\u003c/p\u003e","\u003cp\u003eIncludes: Charles H. Chase on Trade Credit Banking (1934); John Corbin on National Planning (1932).\u003c/p\u003e","\u003cp\u003eIncludes: Maurice R. Davie, \"What Shall We Do About Immigration? (1946); Eleanor Davis \"The Future of Personnel Administration in the US\" typescript (undated); Edward T. Devine, \"American Labor's Improved Status Since 1914\" (1928); and Wallace B. Donham, \"National Ideal and Internationalist Idols\" (1933).\u003c/p\u003e","\u003cp\u003eIncludes: Marriner S. Eccles (1939); Irving Fisher \"The Debt - Deflation Theory of Great Depressions\" (1933); and Harry Emerson Fosdick sermon \"A Christian Conscience about War\" (1925).\u003c/p\u003e","\u003cp\u003eIncludes: Walter Graves, Jr., an open letter concerning Hitler and the British Isles (1941); Senator Pat Harrison (1925); W.P. Harvey, articles on living wage, and capital and labor (undated); Leon Henderson on Use of Small Loans for Medical Expenses (1930), and Alice Hosteler article on Producer-Consumer Relations (undated).\u003c/p\u003e","\u003cp\u003eIncludes: Benjamin A. Javits, (1933-1934); Jefferson Institute, including an address by Daniel C. Roper (1934); George L. Knapp on Senator Edward P. Costigan of Colorado (undated); and Dr. Julius Klein, \"The Business Trend Since 1921\" (1927).\u003c/p\u003e","\u003cp\u003eIncludes: J.C. Laughlin, \"Demand and Prices,\" August 1932; William M. Leiserson, \"Labor Past as Key to Labor Future,\" February 10, 1944; Max Lerner, \"Revolution in Ideas,\" 1939; Alexander Levene, \"Modification of the Antitrust Laws and Purchasing Power\" (1932); and John L. Lewis \"Problems of Organized Labor\" (1936).\u003c/p\u003e","\u003cp\u003eIncludes samples of his articles with a biographical summary up to 1933.\u003c/p\u003e","\u003cp\u003eIncludes: William G. McAdoo, about William Jennings Bryan (1925); Leifer Magnusson, about the International Labor Organization and the American Federation of Labor (undated); Maury Maverick on \"How Solid is the South?\"(1943); Claudius T. Murchison, \"A Great Deal, Some of It New\" (1934); Reinhold Niebuhr, \"Jerome Frank's Way Out\" (undated); Edwin G. Nourse, \"The Nature and Future of Private Enterprise\" (1941); Frances Perkins, speech press release, 1936; Gifford Pinchot, \"Wages, Margins and Anthracite Prices\" and \"Business and Government in the Economic Crisis,\" (1923-1931).\u003c/p\u003e","\u003cp\u003eIncludes: Jackson H. Ralston \"Superficiality of International Law,\" 1922; Donald R. Richberg and his Labor Plan (1944); John D. Rockefeller, Jr., \"Considerations Concerning Labor Standards,\" 1922; Daniel C. Roper, \"Regimentation and Recovery\" and \"Trade and Commerce in Perspective,\"1934; and Dr. John A. Ryan, \"Organized Labor Today\" (1926).\u003c/p\u003e","\u003cp\u003eIncludes: Alexander Sachs on Problems of National Recovery (1937); David J. Saposs, \"Current Anti-Labor Activities\" (1938 April 11); Louis G. Silverberg \"Law and Order: Social Menace\" (1938); Upton Sinclair, \"An open Letter to the President\" (undated); Isidor Teitilbaum (undated); and Lawrence Todd (August 1933).\u003c/p\u003e","\u003cp\u003eIncludes: Henry A. Wallace, speeches (1937-1942); Sidney Webb \"Four Weeks in England\" (1919); Carl I. Wheat, California Railroad Commission, (1927); William Allen White, \"A Yip From the Doghouse\" (1937); Honorable Roy O. Woodruff \"War Frauds\" speech, 1922; and Owen D. Young speeches (1930-1932).\u003c/p\u003e","\u003cp\u003eIncludes \"Economic Planning\" (undated); \"When President's Play Politics\" (1938); and fiction pieces written for magazines like \"Ken\" (undated).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The W. Jett Lauck collection consists of his professional, business and personal papers as an economist, statistician and government consultant on immigration, banking, railroads, coal, and unemployment problems as well as other facets of labor in the United States. Included are correspondence, scrapbooks of news clippings reflecting his activities, labor reports and studies, drafts of congressional bills, legal briefs, and other material concerning labor problems in the United States from its formative World War I years until 1949. They begin with his association with the progressive labor codes of the Taft-Walsh Labor Relations Commission and continue with the Railway Labor Act of 1926; the fight to gain recognition of labor's right to collective bargaining \"through representatives of their own choosing\" under the National Industrial Recovery Act in 1933; the incorporation of its principles in the National Labor Relations Act; and further activity in defense of this act.","Other manuscripts deal with studies of government competition with private business, the American Association for Economic Freedom, the New York Power Authority; branch, chain, and group banking, drafts of speeches, and work diary accounts of activities and meetings with prominent congressional and labor leaders on labor problems and legislation.","The largest portions of the W. Jett Lauck papers deal with cases and arbitrations, chiefly railroad and coal related, his work on various boards and commission and topical files.","His correspondence with individuals heading organizations interested in labor and industrial relations was wide-spread, just as it was with political figures, educators, and labor leaders.\n Among the public figures with whom he corresponded are Bernard Baruch, Homer S. Cummings, Clarence A. Dystra, John T. Flynn, Guy M. Gillette, Leon Henderson, Herbert Hoover, Hugh S. Johnson, Jesse Jones, William S. Knudsen, Robert M. Fa Follette, Jr., Franklin K. Lane, John L. Lewis,  H.C. Lodge, Jr., William G. McAdoo, James M. Mead, Francis P. Miller, Henry Morgenthau, Karl E. Mundt, Donald Nelson, Judge Ferdinand Pecora, Frances Perkins, Gifford Pinchot, James H. Price, Franklin D. Roosevelt, E.R. Stettinius, Jr., Robert F. Wagner, David I. Walsh, Burton K. Wheeler, and Woodrow Wilson.\nThe educators include Hardy Dillard, Edward C. Elliot, Frank Graham, J.W. Jenks, Richard R. Mead, Lewis Tyree, Harry F. Ward, H.B. Wells, and Ray Lyman Wilbur; and the labor leaders Jacob Baker, Solomon Barkin, Van A. Bittner, Sophia Carey, David Dubinsky, P.T. Fagan, John P. Frey, William Green, Sydney Hillman, Earl E. Houck, Thomas Kennedy, Donald MacMillan, and A.O. Wharton.","This series consists chiefly of correspondence but also includes typescripts of speeches by individuals, and financial and other information about organizations.","Correspondents include:  E. Abbott, Louis Adamic, Adrian Adelman, Sara M. Addison, Joseph Agor, Helen Alfred, Fred H. Allen, Irving B. Altman (editor of \"Dynamic America\"), Aluminum Workers of America, Amalgamated Association of Street and Electric Railway Employees, American Association for Labor Legislation, American Association for Social Security, American Council, American Council on Public Affairs, American Farm Bureau Federation, American Guernsey Cattle Club, American Institute for Economic Research, The American Legion, American Political Science Association, American Sugar Cane League, Americana Corporation concerning Lauck's article on United Mine Workers of America, Thomas R. Amlie, Dr. James W. Angell, Charles P. Anson, \"Atlantic Monthly,\" Paul H. Appleby, Leon Ardzrooni (about the death of Thorstein Veblen), Mr. O.M. Armstrong, and Robert W. Arthur.","Correspondents include: Jacob Baker, Kent Baker, Bank of the Manhattan Company, Mary Barclay, A. K. Barnes, Joseph L. Barnett, Gerald Barradas, Barron's (The National Financial Weekly), John Barth, Mrs. Everett Boughton, Mrs. Robert Bennett Bean, Grant L. Bell, William H. Bell, Harold F. Berg, Nelson N. Berry, S. D. Berry, Jacob Billikoph, Margaret G. B. Blachley, James E. Black, Honorable William Harman Black,  Amy Blankenhorn, Heber Blankenhorn, Dr. Thomas C. Blaisdell, Jr., Ellis P. Block, John A. Bohn, E.W.G. Boogher, Book-of-The-Month Club, Inc., Judge Julian F. Bouchelle, Basil Nicholas Helenagoras Bousios, Fenton Bradford, C. Daniel Bremer, Samuel Bristol, G.L. Broaddus, St. Claire Brookes, The Brookings Institution, Herbert Bruce Brougham, E. Kirk Brown, Law Offices of Brown and Brown, H. Russel Brand, Carl P. Brannin, Selig C. Brez, P.F. Brissenden, Professor Leslie Buckler, Raymond Leslie Buell, John Bullock, Bureau of Agricultural Economics, Bureau of Applied Economics, The Bureau of National Affairs, Harold B. Butler, John E. Burton, J.C. Byars, Herman B. Byer, and Reverend James A. Byrnes.","Correspondents include: [Cadle], Jessie L. Campbell, R. Granville Campbell, The Capital News Company,Sophia Carey, Harry J. Carman, J.D. Carneal and Sons Inc.,  Caroline County Library Committee, M.D. Carrel, Samuel McCrea Cavert, The Chesapeake and Ohio Railway Company, The Chesapeake and Potomac Telephone Company, Mrs. Charlotte Chrestien, The Christian Science Publishing Society, Citizens' Council for Total Defense, Brice Claggett, V.M. Clapp, Clark, Dodge and Company, Brokers, Evans Clark, Victor S. Clark, W. A. Clark, Pauline Clarke, J. William Claudy, Thompson Clayton, Dr. Rudolph A. Clemen, Walt Clyde, The Clerk of the Stafford Court House, E.J. Coil, Kenneth Colegrove, George P. Comer, Department of Commerce, Commodity Research Bureau, Inc., Common Council for American Unity, Ellen Commons, Congressional Intelligence, Inc., Consolidated Vultee American Aircraft Corporation, Dr. P. S. Constantinople, W. Dewey Cooke, Edward L. Corbett, James Corbett, John M. Corbett, Council Against Intolerance in America, Council of Young Southerners, Frederick C. Croxton, Cosmos Club, Morgan Cunningham, and Curles Neck Dairy.","Correspondents include: Oscar H. Darter, Henry David, Elmer Davis, Shelby Cullom Davis, William H. Davis, Len De Caux, Kenneth de Courcy, De Jarnette State Sanatorium, Lud Denny, United States Department of Commerce, Marshall E. Dimock (U.S. DoJ), District Unemployment Compensation Board, Edward J. Donohue, Frank P. Douglass, Law Offices of Drain and Weaver, David Dubinsky, Allan Dunlap, Arthur Dunn, Robert W. Dunn, and C. A. Dykstra.","Correspondents include: Joseph B. Eastman, Economic Policy Committee, C. Vernon Eddy, J. A. Efpokito, Gerald Egan, Electric Home and Farm Authority, and Charles T. Estes.","Correspondents include: P. T. Fagan, Reverend Richard M. Fagley, Ruth Ansell Farley, The Farmers and Merchants State Bank, The Federal Council of the Churches of Christ in America, Federal Works Progress Administration for the Commonwealth of Pennsylvania, First Bancredit Corporation, First National Bank of Boston, The First National Bank of Keyser, Fjell Line of Great Lakes Transatlantic, Inc., Ralph Fleharty, R. D. Fleming, Courtney Fletcher, Duncan U. Fletcher, M. S. Flint, Frank H. Fljozdal, Fitzgerald Flourney, Hon. Edward J. Flynn, John T. Flynn, Foley, Food Research Institute of Stanford University, B.C. Forbes (Forbes Magazine), R. D. Forbes, Forbes and Myers, Foreign Policy Association, Clark Forman, Fortune, The Forum, Major B. Foster, Founders General Corporation, Mrs. M. N. Fox, Jerome Frank, Frank Brothers, Lafayette Franklin, Franklin Press, Franklin Simon Company, T. McCall Frazier, Free Lance-Star, W. R. Freeman, Paul Comly French, John P. Frey, Elisha M. Friedman, Ruth Friedson, and R. S. Fritter.","Correspondents include: Domenico Gagliardo, George B. Galloway, O. Max Gardner, Honorable Leslie C. Garnett, William Edward Garnett, Stanley Garrison, H. Dymoke Gasson, Paul W. Gates, Gayle Motor Company, Theodore Geiger, Phyliss Geisler, General Elevator Co., General Motors Corporation, Alfred Giardino, Clinton S. Golden, Clem Goodman, Henry J. Goodman \u0026 Co., C. O'Connor Goolrick, John T. Goolrick, Mary K. Gorman, Frank P. Graham, Sally Nelson Gravatt, Walter C. Graves Jr., H. A. Gray, Lanier Gray, H. B. Greybill, Myra Moore Griffith, J. Cleveland Grigsby, Sarah Groomes, Guthrie Lithograph Company, and Walter B. Guy.","Correspondents include: Ernst Haberstadt, Max Haleff, Ford P. Hall, Fred W. Hall, F. S. Hall, Edward W. Hamilton, H. E. Hamilton, Hampden-Sydney College, Hugh S. Hanna, Charles Hansel, William Hard, Harper and Brothers, Emma Harris, Owen Harris, Harvard College Library, Leon Henderson, S.J Henry, Warren F. Hickernell, R. G. Hilldrup, Otto Hillsman and Co., Mary W. Hillyer, S. H. Hines Company, David Hirsh and Son, H. C. Holdridge, Hoover War Library, Herbert Hoover, Harry L. Hopkins, Welly K. Hopkins, Dr. W. E. Hotchkiss, Curtis Hubbard, J.S. Hughes, W. A. Hull, and Thomas Lomax Hunter.","Correspondents include: Major William W. Inglis, Institute of American Meat Packers, Institute of World Economics, International Bank, International Statistical Bureau, Inc., Interstate Bankers Corporation, Investment Bankers Association of America, and Irving Trust Company.","Correspondents include: Gardner Jackson, Meyer Jacobstein, Jjell Lines, Thomas Jefferson (typescript copy of letter, June 11, 1807, concerning newspapers and histories), J. M. Johnson, Honorable Jessie Jones, Roberts W. Jones, N.Y. Journal of Commerce, and The Jury Commission.","Correspondents include: Evelyn Kane, Kappa Sigma House Association, Inc., Augustine B. Kelley, Leon H. Keyserling, Susan M. Kingsbury, Dr. George E. Kingsley, Richard Kirby, John H. Klingenfeld, and Oscar Koppel.","Correspondents include: LABOR, Ladies' Garment Workers Union, (William H. Lamar), Sophia J. Lammers, H. Lamson, Richard V. Lancaster, Thomas Larkin III, Joseph P. Lash, David Lasser, Howard Lee, Joseph N. Leinbach, Albert H. Levene, Robert E. Levine, Charles T. Libby, David E. Lilienthal, The Lincoln National Bank of Washington, Ernest K. Lindley, Geo. W. Linkins, Co., Irving Lipkowitz, Henry T. Lipman, Thomas E. Lodge, Stephen M. Loebl, Norman Lombard, W. C. Looker, Jr., Edward Lynch, and Barrow Lyons.","Topics include: American Legion Convention (1945); Committee for Industrial Organization Procedure and Policy (1935-1936); C.I.O. A.F.L. (1940); Congressman Martin and Mr. MacDougall (1939 March 3); Farmington Conference- War Time Organization Planned by the Administration (1939); Fixation of Coal Prices, Memos Relative to (1939); Fortune Magazine's Conferences or Round Tables (1939); Income Tax Returns of Lewis, J. L. (1940-1941); The Inner Circle (1942 Feb 11); Inter-American Bank (1940); Lindberg on \"Preparedness\" (1940); Missouri Pacific Bonds (1941-1942); National Defense to Post-War Planning (1942-1945); Oil and Gas on a Basis of Equality with Coal (1939); A Plan for Economic Democracy - Article written by Major Holdridge (1939); A Plan for Solving the Economic Crisis by Dr. R.H. Von Liedtke (1937-1941); \"Prohibiting\" Strikes for the Emergency Period (1940); James L. Simpson \"Plan for Maintenance of Economic Balance and Security\" (1940);  The Townsend Plan and Mr. Ivan Towanski (1942); Union Shop and Mr. Leland Olds (1941 November 14); United Mine Workers Suggested Program (1934-1935); War Against Unemployment and Poverty (1940 January 10); Threatened  Competition of Natural Gas with Coal (1944 December 5); and Big Inch Pipe Lines and the Rural Electrification Administration (1946 January 14).","Correspondents include: Bishop Francis J. McConnell, William MacDonald, Ernst D. MacDougall, Donald MacMillan, W. C. MacQuown, R. A. Magowan, Edward C. Maguire, Elizabeth M. Maher, Mason Manghum, Maxwell J. Mangold, Bank of the Manhattan Company, Basil Manly, L. C. Marshall, Thomas O. Marvin, Maryland and District of Columbia Industrial Union Council, Maryland Title and Investment Company, Lucy Randolph Mason, Massachusetts Mutual Life Insurance Company, The Bank of Mathews, Inc., Honorable Maury Maverick, Herbert Mazo, Charles McCarthy, Summerfield A. McCarteney, Bishop Francis J. McConnell, Wm. P. McGinn, Edw. F. McGrady, McGraw-Hill Publishing Company-Inc., Ernest D. McIver, Dr. Archibald McLeish, Thomas P. McTigue, Honorable James M. Mead, Richard R. Mead, Royal D. Mead, D. J. Meserole, Eugene Meyer, Jr.,  Francis Pickens Miller, Francis Trevelyan Miller, Ward B. Miller, H. A. Millis, The Milwaukee Journal, Mine Official's Union of America, John J. Minor, George Minnigerode, William Mitch, Wesley C. Mitchell, R. C. L. Moncure, Jr., Monroe and Berry, C. D. Montague, Jean Montgomery, Monthly Labor Review, Robert Morey, Charles S. Morgan, H. W. Morgan, Marie Morris, J. H. Muirhead, Honorable Karl E. Mundt, and Gorham Munson.","Correspondents include: William R. Nagel, Leonard Nairn, Dr. Philip Curtin Nash, Nash Floor Service, A. Nash Tailoring Company, Natalie, Inc., The Nation, The National Association for the Advancement of Colored People, National Association of Manufacturers, National Association of Retired Federal Employees, The National Bank, National Bank of Orange, National Bank of the Republic, National Bank of Washington, National Bituminous Coal Commission, National Broadcasting Company, Inc., National Bureau of Economic Research, National Catholic Welfare Conference, National Child Labor Committee, National Citizen's Council For Defense, The National City Bank of New York, National Cold Steam Company, National Consumers' League, National Council for Prevention of War, National Defense Mediation Board, National Electric Light Association, The National Encyclopedia, National Labor Relations Board, National Lawyers Guild, National Life Insurance Company, National Planning Association, National Resources Planning Board, National Policy Committee, National Press Club, National Recovery Administration, National Resources Board, National Sharecroppers Week, National Window and Office Cleaning Company, National Women's Trade Union League of America, Nation's Business, Nation's Commerce, J. S. Naylor, Donald Nelson, New America, The New Republic, Newsweek, W. S. Newton, The New York Times, George W. Norris, Cecil C. North, The Northern Neck Mutual Fire Association of Virginia, Claudian B. Northrop, and Harold Bernard November.","Correspondents include: Charlton Ogburn, William F. Ogburn, J. G. Ohsol, Joseph C. O'Mahoney, Organization Committee of Social Union, Inc., Mary O'Shaughnessy, William Owen, and John W. Owens.","Correspondents include: Pabst Post-War Employment Awards, A. H. Packard, C. C. Packard, Florence E. Parker, The Parker Corporation, Julius H. Parmelee, Col. Samuel Pascoe, Leo Pavolsky, M. W. Paxton, Jr., Walter Phipes, George Curtis Peck, Ferdinand Pecora, William R. Pendergast, Willis Pepoon, Fred W. Perkins, Thomas W. Perry, Charles E. Persons, Samuel B. Pettengill, Julius I. Peyser, L. W. H. Peyton, David A. Pine, David W. Pipes Jr., Fort Pipes, W. G. Pitero, P.M., Justine Wise Polier, Shad Polier, Wm. T. Powers, Richard T. Pratt, Prentice-Hall, Inc., Evelyn Preston, Harry B. Price, James H. Price, Provisional Committee Toward A Democratic Peace, and Public Affairs Committee.","Correspondents include: Railway Age, Ransdell Inc., Mervyn Rathborne, Stephen Rauschenbush, Carl Raushenbush, The Readers Club, Philip M. Riefkin, Charles S. Robb, James Robb, Newell W. Roberts, D. B. Robertson, Mr. Robey, John M. Robinson, Leland Rex Robinson, Josephine Roche, Rockbridge National Bank, John D. Rockefeller, Jr., Harry L. Rogers, Paul V. Rogers, William N. Rogers, Henry Romeike, Incorporated, Samuel Romer, Walter A. Romer, Leon H. Rouse (with William Green),  Rouss Library, Frances Rowe, and Harold J. Ruttenberg.","Correspondents include: Russell Sage, Lewis D. Sampson, Samuel L. Samuel, Dr. David J. Saposs, Saturday Evening Post, Marshall Schaffer, D. M. Schnapper, L. B. Schnapper, Joseph Schneider, G. Luther Schnur, James T. Shotwell, H. L. Schuh, Montgomery Schuyler, Louis J. Schwab, Henry Herman Schwartz, Ray Scott, Charles Scribner's Sons, Seaboard Air Line Railway Company, Joel Seidman, Shaw-Walker, Chester Shepard, Chester Sheppard, R. T. Shields, Silcox Memorial Fund, Simmons-Boardman Publishing Corporation, Sidney Simon, Richard C. Simonson, John F. Sinclair, Anthony Wayne Smith, C. Archer Smith, Edwin S. Smith, Nelson Lee Smith, S. Granville Smith, Vernon D. Smith, Bernard A. Smyth, H. M. Snead, Jr., Social Union, Inc., The Society for the Advancement of Management, Inc., John E. W. Sohl, L. W. Sorrell, Southern Conference for Human Welfare, Southern Maryland Trust Company, Mr. Sovey, Alexander Spencer, Sphere, R. B. Spindle, George L. Sprague, Saint Albans, Margaret S. Stables, William H. Stafford, Stafford County, Standard Oil Company, Stanford University Library, Louis Stark, State Loan Company, State Teachers College, Henry M. Stephenson, STEEL, Steel Workers Organizing Committee, A. A. Steele, Jean Stephenson, Jos. G. Stephenson, Boris Stern, Harold Stern, E. R. Stettinius, W. M. Steuart, Harry H. Stockfeld, W. L. Stoddard, Benjamin Stolberg, Irving Stone, N. L. Stone, William T. Stone, Chas. G. Stott and Co., Inc., Paul A. Strachan, David Strain, Ralph Strathmore, Nathan Straus, John Studebaker, Ralph G. Sucher, Arthur E. Suffern, Superintendent of Documents (Government Printing Office), Elmer Swack, Paul E. Switzer, Alois P. Swoboda, and Mr. Sydenstricker.","Correspondents include: Ivan Tarnowsky, Tax Policy League, Ordway Tead, Tennessee Valley Authority (Representative Noble J. Gregory), Percy Tetlow, Dorothy Thompson, TIME MAGAZINE, Daniel J. Tobin, John H. Tolan, The Travelers Insurance Company, Beverly Tucker, Henry Saint George Tucker, Earl R. Turner, and The Twentieth Century Fund.","Correspondents include: Alfred P. Wagner, Gordon Wagner, Robert F. Wagner, Thomas C. G. Wagner, J. Forest Walker, Allan E. Walker and Company, George A. Wallace, J. Raymond Walsh, August G. Walters, James N. Walton, James P. Warburg, Dr. Harry E. Ward, R. D. Ward, Ward and Paul, Caroline F. Ware, A.L. Warthen, Charles Washington, Washington and Lee University, \"Washington Post,\" James R. Wason, Elton Watkins, Ralph J. Watkins, Claude S. Watts, Marie Watts, Charles F. Weaver, H. B. Wells, (George) P. West, A. O. Wharton, Ross Wheat, Burton K. Wheeler, William M. Wherry, Hugh A. White, Ralph J. White, W. A. White, T. Y. Wickham, Dorothy G. Wiehl, Dr. Ray Lyman Wilbur, Allan H. Willett, Williams Company, Willis and Willis, Corwin Willson, J. Alfred Wilner, Elsie Cobb Wilson, D. O. Wilson, H. Hazen Wilson, Nelson Wilson, The H. W. Wilson Company, John G. Winant, J. Wise, James Waterman Wise, S. S. Wise, William P. Witherow, J. S. Withrow, Nathan Witt, Laurence C. Witten, Benedict Wolf, World Fellowship, Inc., World Study Tours, and Thomas H. Wright.","Scope note for correspondence files. There has been no attempt to make an exhaustive list of the correspondents in each folder. Most letters were routine correspondence from people seeking information about the group; copies of their publications, speeches, and other educational materials; questions about membership in the group from interested individuals; requests for individuals to become sponsors, members or leaders in the group; leaders of other like-minded organizations; union leadership (often about the lack of funds available to support the American Association for Economic Freedom); or people wanting information about pertinent upcoming legislative bills. Attention on the lists of correspondence is focused particularly on political and public figures, editors, and the legislative and social issues of the day.","These include: American Committee for Protection of Foreign Born; American Council on Public Affairs; Atlantic Charter League; J.M. Artman, editor of \"The American Citizen\"; Representative Thomas R. Amlie; Thurman Arnold, Department of Justice (concerning Frank B. Kellogg statement about the anti-trust Sherman Act); and John B. Abel.","Correspondents include: Alfred L. Bernheim, The Labor Bureau; A.A. Berle banking proposal; Rabbi Barnett R. Brickner, Social Justice Commission; Kent Baker, editor of \"Sphere\" with article sent to him by Lauck, \"Industrial Reconstruction\" attached; David Burdett (conventional economics versus social economics); and G.P. Bronisch, Loyal Americans of German Descent","Correspondents and topics include: Lauck memorandum to Charles H. Chase, (in light of the prospect of a lengthy war and its impact on social and economic reform) informing him of his decision to drastically reduce expenditures by having only one employee to maintain the office (1942); \"Strife and the Worker\" proofs by John F. Cronin; Helen A. Cole, \"The Liberal Worker\"; W.S. Clement and his \"The Ben Franklin Plan\"; Ben V. Cohen, National Power Policy Committee; and the Council for Social Action, Ferry L. Platt, Jr. concerning farm issues.","Correspondents and topics include: Dr. Paul H. Douglas, University of Chicago; Hardy C. Dillard, Institute of Public Affairs, including a letter from John L. Newcomb; Frederic A. Delano, Chairman National Resources Advisory Committee; and a letter to John Dewey.","Correspondents and topics include: Arthur Eggleston, San Francisco Chronicle; Peter Edson, NEA Service; A.E. Edwards concerning the Wagner Labor Relations Act; J.G. Frain; and Charles Flato.","Correspondents and topics include: Alfred C. Gaunt, including \"Smaller Business Lifts Its Eyes\"; Toshi Go, Foreign Affairs Association of Japan; and A.E. Grassby, Winnipeg, Manitoba.","Correspondents and topics include:  Hubert Herring; Sidney Hillman; Fred S. Hall concerning the Industrial Expansion Act (multiple letters); B.W. Huebsch, The Viking Press,  and his concern over the pamphlet \"A New Social Order\"; S.L. Hoover and his question about the Keller Bill and the Association; John Edgar Hoover; and F.J. Hall, editor of \"The United States News\" about numbers of unemployed and other issues (multiple letters).","Correspondents and topics include: Meyer Jacobstein about the Reconstruction Act; and Paul Kellogg.","Correspondence includes: letters to Robert M. LaFollette, Jr.; League for Abundance: League for Industrial Democracy; Harold Loeb; and Dr. Jack Levin.","Correspondents and topics include: secretary of Attorney General Frank Murphy; Darwin J. Meserole, National Unemployment League; Francis P. Miller; Emily Fogg Mead; Homer L. Mead; Lewis E. Meyers; Judge Julian W. Mack; Bishop Francis J. McConnell; George F. Milton, editor \"The Chattanooga News\"; Senator James M. Mead; and letter to Archibald MacLeish, Librarian of Congress.","Correspondents and topics include: Bishop Francis J. McConnell; James W. Miller; Vito Marcantonio; Otto Mayer; Robert E. Mathews concerning the \"sit down strike\" by investment bankers and industrialists in May 1940; and Henry Morgenthau, Jr., letter to.","Correspondence includes: \"The New Republic\"; Douglas Newman, Secretary of the Barradas League; Dr. C.A. Norman; memorandum concerning Senator Norris' presidential qualifications; and Representative Mary T. Norton.","Correspondents and topics include: William Owen; Ernest Minor Patterson; Representative Claude Pepper; Justice Justine Wise Polier; and Jacob S. Potofsky.","Correspondents and topics include: Judge Samuel I. Rosenman; Representative Robert L. Ramsay; Right Reverend Msgr. John A. Ryan.","Correspondents and topics include: John Saxton; Guy Emery Shipler; Edwin S. Smith; William Simkin; B.M. Schnapper concerning the history of the Wagner Act; Ray Scott concerning the \"Fundamental Significance of our Present Day Labor Movement\"; and Porter Sargent.","Correspondents and topics include: Ordway Tead, Harper and Brothers; and Dr. Robert H. Tucker.","Correspondents and topics include: an appreciation of Frank P. Walsh upon his death on May 2, 1939; Matthew Woll, American Federation of Labor; Thomas H. Wright, New America; Harry F. Ward; and Nathan Witt; and N.A. Zonorich.","Includes leases, workman's compensation insurance, correspondence, and unemployment compensation.","These include: \"Policies and Objectives of the American Association of Economic Freedom,\" \"Shrinkages and Hoardings of Purchasing Power Accentuate Current Business Recession,\" \"Hoardings-Taxes Proposed to Stimulate Flow of Credit and Goods and Revival of Business,\" \"Approaches Toward a Concerted Program of Fundamental Economic Reconstruction in the United States,\" various drafts of suggestions for the programs, principles and objectives of the organization, \"Sugar Control,\" \"American Labor's Broadcast to Great Britain,\" \"American Economic Situation of 1937-1938,\" \"Unemployment Insurance,\" \"Industrial Espionage,\" \"Bank-Holding Companies,\" several on social service foundations, \"Economic Freedom in America,\" \"Industrial Reconstruction Act of 1939\" press release draft, \"Capitalism in Crisis,\" \"Prospective Labor Surpluses,\" \"Increased Man Hour Productivity and Technological Unemployment,\" monopoly, and \"Petroleum Quota Controls.\"","These include: participation in management, monopoly, the \"Industrial Reconstruction Act of 1939,\" \"Leaders on the No. 1 Problem,\" \"Federal Administrative Court Bill,\" \"Occupational Groupings,\" \"National Labor Relations Act and Board,\" \"Full Employment Bill,\" \"Senator Claude Pepper,\" \"Senator Lewis B. Schellenbach,\" and starting a American Association of Economic Freedom Bulletin.\"","These include: \"Threatened Crucial Developments,\" \"Anti-democratic philosophies,\" \"Churchill's anticipations, 1932-1939,\" \"Mussolini,\" \"Hitlerism and Nazism,\" \"Profits of Leading Corporations, 1936-1939,\" notes on People's Lobby Conference, and Ickes [speech] on business sabotage of defense.","These titles include: \"Can Unemployment be Ended?\"; \"Challenge to American Democracy\"; \"Civil Liberties and the National Labor Relations Board\"; \"Cure by Shock,\" \"Democracy and Economic Planning\"; \"Economic Reconstruction\"; \"Fundamental Significance of Our Present Day Labor Movement\"; \"Next Step in Democratization\"; \"A New Magna Carta\" \"A New Social Order\"; \"Preparedness for Peace,\"  \"Problems of the National Labor Relations Board.\"","The \"Post-War Reconstruction Bill\" is foldered separately.","Included are: \"Thirty Million Jobs\" by Arthur Dunn; Roundtable: \"Labor's role in Post-War Reconstruction\"; \"Freedom from Want\" by Mr. Walton; \"Nineteenth Century Prophecy of Order\" by Harry Frease; \"The Moral Issue\" by Lowell Mellett; \"A Banking System for Capital and Capital Credit\" by A.A. Berle, Jr.; \"Suggested Housing Program for National Defense Purposes\" by the Congress of Industrial Organizations; and \"A Primer of Current Economics\" [1933].","Included are: Fight for Freedom, Friends of Democracy, and the Gillette Resolution.","These include memoranda, news clippings, an article by George B. Galloway on \"The Imperative of Planning,\" replies, and a speech by W. Jett Lauck.","Includes separate folders on news clippings, some containing criticisms and investigations; problems of the board; and the testimony of John L. Lewis.","Clippings include Wendell Willkie, democracy versus absolutism, banker opinion, national debt, U.S. Attorney General, pump priming the economy, monopolies, religion and democracy, communism, and capitalism and democracy.","Included are: Peace Conditions; People's Congress for Democracy and Peace; Plenty for All League; People's Lobby; Pressure Groups, Attitudes of; Pension Plan – \"Uncle Fred's Automatic Pension Plan\"; Progressives, Conference of; Social Union; Tax-Exempt Bonds; Women in Trade Unions; and Young Democrats.","Topics include: Conferences; Corporation Notes and Memoranda; Kennedy Statement on General Motors Inquiry; Production Costs by T.C. Gordon Wagner; Ratio of Pay Rolls to Returns to Stockholder;Salaries of Officials; and Annual Reports to the Securities and Exchange Commission, 1935 and 1937.","Subjects include: Agreements; Decisions; the Willard E.Hotchkiss Decision in Tar Barrel Case; Negotiations for New Agreements; News clippings; Publications; Report of Homer Martin to the International Executive Board; and a Statement Submitted to Roosevelt by Union Representation.","According to Wikipedia, \"The Commission on Industrial Relations (also known as the Walsh Commission) was a commission created by the U.S. Congress on August 23, 1912 to scrutinize US labor law. The commission studied work conditions throughout the industrial United States between 1913 and 1915. The Chairman was Frank P. Walsh, a labor lawyer and activist from Kansas City, Missouri.","https://en.wikipedia.org/wiki/Commission_on_Industrial_Relations","These include: \"Foreign Competition After the War,\" \"The Artificial Dye Industry in the War,\" and \"Business and the War.\"","Includes: \"Secretary Kennedy Gives Union Views on How Hard-Coal Freight Rates Affect Miner\" (December 15, 1933); \"The N.R.A. and Collective Bargaining\" Catholic Welfare Council (September 17, 1934); address before the National Conference on Economic Security (November 14, 1934); and \"Organized Labor and the N.R.A.\" Catholic Conference, Harrisburg, Pennsylvania (November 27, 1934).","Includes: Statement concerning the Wagner-Lewis Economic Security Bill before the Senate Committee on Finance (February 21, 1935); Commencement Address (June 3, 1935); \"Education and the Parochial School System\" (August 19, 1935); \"The Trade Union and Recovery\" (Labor Day, 1935); and \"Unemployment Insurance, Old Age Pensions, and Housing Legislation\" at the White House Conference on Economic Security (December 30, 1935).","Includes: Labor Day address (September 1937); article \"The United Mine Workers of America\" for the \"American Encyclopedia\" (December 2, 1938); address to the Pennsylvania Utilities Commission on the Competition of Natural Gas (April 1940); and a request for Lauck to send his analysis and recommendations concerning a letter from A.J. Altmeyer, Chairman of the Social Security Board, and two other enclosures pertaining to the Associated Gas and Electric Company, New York City (1942 March 27 and 1943 January 23).","Includes: a radio speech supporting Hoover in the election (1928); and a statement at the Hearing on a Code for the Bituminous Coal Mining Industry before the National Recovery Administration (1933 August 10).","Includes: \"Labor and the National Recovery Administration\" at the Meeting of the American Academy of Political Science, Philadelphia (1934 January 6); \"Labor's Part in Industrial Recovery\" at the San Francisco Commonwealth Club luncheon (1934 October 4); Speech for the International Labor Conference, not delivered (1934 October); and a radio address \"The Employee in the Changing World\" under the auspices of the Intercollegiate Council (1934 December 7).","Includes: Statement by Lewis before National Recovery Administration Hearings on Employment Provisions of Codes of Fair Competition (1935 January 30); \"The American Federation of Labor and the National Recovery Administration\" prepared for the \"Annals,\" Philadelphia but never delivered (1935 March 11-12); The United Mine Workers of America and the National Recovery Act\" Madison Square Gardens (1935 March-May 23); and Statement of Approval for the Wagner Housing Bill in the \"United Mine Workers Journal\" (1935 June 1).","Includes: \"The Case for Industrial Unionism\" (November 12, 1935); radio address \"The Future of Organized Labor\" (November 28, 1935); and article for \"Liberty Magazine\" on industrial unionism (1935 December 20).","Includes: a speech on Industrial Unionism before the Cleveland Auto Council (January 19, 1936); \"The Teacher and His Relation to Labor\" for the American Federation of Teachers Convention (June 19, 1936); a radio address \"Industrial Democracy in Steel\" (July 6, 1936); and an article \"Through Organization Industrial Democracy Dawns for Sleeping Car Porters\" celebrating the eleventh anniversary of the organization (July 15, 1936).","Includes: a political campaign statement about [Alf M.] Landon (August 1, [1936]); the draft of a Radio Address on Steel Organization (August 11, 1936); article \"Labor Looks at Education\" (August 17, 1936) appearing in the October 36 issue of \"The Teacher\"; article \"Towards Industrial Democracy\" (August 24, 1936) in appearing in the October 1936 issue of \"Current History\"; and two speeches supporting Franklin D. Roosevelt for President (August 18 and September 19, 1936).","Includes: radio address \"Labor and the Future\" (September 3, 1936); \"Horizontal Versus Vertical Unionism\" in \"Wharton School Magazine,\" University of Pennsylvania (September 8, 1936); an article for the \"The National Young Democrat\" on the Social Security Act (September 1936); and a radio address \"Roosevelt and the Future\" (October 18, 1936).","Includes: article \"The Next Four Years\" for the \"The Nation\" (November 4, 1936); an article \"Committee for Industrial Organization and Economic Recovery\" for the \"Business Review of New York  University\"(November 17, 1936); \"the Future of American Labor\" in \"The American Spectator\" (November 19, 1936); articles on \"The Next Four Years in Labor\" in \"The New Republic\" (November 25 and December 9, 1936); \"The Future of Wages\" for the \"Cleveland News\" Symposium (December 7, 1936); \"Organized Labor and the Student Union\" (December 23, 1936); \"The Need of the Hour for American Labor\" for the \"Progressive Salesman Magazine\" (December 24, 1936); radio address \"Adapting Union Methods to Current Changes- Industrial Unionism\" (December 31, 1936); and an unpublished article written for \"Redbook\" (1936).","Includes: \"The Meaning of Industrial Unionism\" for the \"Christian Front\" (January 13, 1937); \"The Struggle for Industrial Democracy\" for \"Common Sense\" (March 1937); an address delivered at an Anti-Nazi Mass Meeting in Madison Square Gardens (March 15, 1937); article \"The Origin and Objectives of the C.I.O.\"  for the \"San Francisco Chronicle\" (May 11, 1937); and a radio address \"Labor and Supreme Court\" (May 14, 1937).","Includes: \"Technology and Labor\" in \"Massachusetts Institute of Technology Engineering News\" (September 3, 1937); Labor Day address \"Labor and the Nation\" (September 3, 1937); \"Progress of Committee for Industrial Organization\" in the \"Wharton Review\" (October 21, 1937); \"Effect of Moderate and Gradual Wage Increases on Prices and Living Costs\" in \"The Annalist\" (November 12, 1937) a reply to an article by A.T. Shurick on July 30, 1937; and the [Steel Workers Organizing Committee] address \"The Deplorable and Indefensible Attitude of Big Business (December 13, 1937).","Includes: Address for British Broadcasting Corporation \"Struggle of Labor in America\" (March 15, 1938); \"Labor and the Law\" (April 14, 1938); \"Organized Labor and the Future of Democracy\" published in the \"St. Louis Post Dispatch\" (December 11, 1938).","Includes: Statement for Survey Associates (January 3, 1939); and \"Labor Looks South\" in \"Virginia Quarterly Review\" (Autumn 1939).","Includes: article on \"What Does Labor Want?\" (February 29, 1940); \"The Heritage of American Youth\" (March 1940); \"Obligations of American Citizenship\" (April 3, 1940); \"Foreword\" to Mr. Thomas' Testimony before the Temporary National Economic Committee (May 23, 1940); and a Labor Day Speech (August 29, 1940).","Includes: Extension of Library Service to Union for City and State Employees (May 28, 1941); Statement to be issued by Lewis on the Decision of the National Mediation Board on Union Shops (November 13, 1941); and \"The New Solid South\" (December 17, 1941).","Includes: Testimony of Mr. Steinbugler (March 2, 1935); the \"Most Impressive Point Developed by the Hearings\" (March 2, 1935); untitled Memorandum (July 30, 1936); \"Report on the Progress of the Hearing on the Coordination of Minimum Prices before the Bituminous Coal Division (September 16, 1939); \"Proposed Labor Policy for the War Period,\" various memoranda (September 11-November 13, 1939); an analysis of Professor Green's Proposal about pricing and distributing manufactured products (June 3, 1940); and Notes on the Last Ten Years (January-May, 1940).","Includes: Reply to A.T. Shurick suggestions on taxing (November 29, 1940); Response to the foreword of Walt Clyde's book on \"Owner Capitalism\" (December 4, 1940); suggestions about the National Economic Conference (December 12, 1940); Response to W.C. Graves, Jr. (December 23, 1940); Letter about the Raw Materials National Council (December 27, 1940); Memorandum on Fred G. Clark and the American Economic Foundation (February 20, 1941); H.S. Avery to Edward O'Neal and John L.Lewis on agriculture and farm prices (September 8, 1941); Conrad K. Grieb on need for social reconstruction (October 23, 1941); Letters from Alexander Spencer (October 30 and November 26, 1941); and a manuscript of Albert H. Levene (November 30, 1941).","Includes: Memorandum about Post War Depression (January 7, 1942); a response to S. Ferguson, President of the Hartford Electric Light Company about his proposals about deferred wages (January 13, 1942); W.A Hutton, M.D.  letter on post-war finances (January 14, 1942); Thomas Kennedy request for a study on the Cost of Living (January 16, 1942); Request for a response to the document by L.C. Christian on \"How Must We Finance the War?\" (February 3, 1942); a request for a response to a treatise on our financial system by August Walters (February 5-March 18, 1942); additional R.L. Greene communications (February 12,1942); and H.W. Bailey on labor self-determination (March 9, 1942).","Includes: Digest of the Salient Points of a Report on \"Manpower Policy and Labor Relations in the British Coal Industry\" (January 5, 1943); a Leo Chabert document on financing the war (April 4, 1943); and memoranda about an executive conference of the Natural Resources Board at Farmington Country Club, Charlottesville, Virginia, previously held around 1939.","Subjects include the National Recovery Administration, \"Amalgamation of the Two Enginemen's Brotherhoods,\" \"Russian Recognition and the New Deal,\" \"Future Policies of the National Recovery Administration,\" Six-Hour Day of the Railroads, \"Two Men on the Head End of all Railroad Trains,\" and Housing.","Subjects include \"Benefits of Trade Unionism,\" \"Forbes\" article, \"Limit on Weekly Work Hours,\" a letter to Professor Gordon, and \"Labor Movement and the Future of America\"","Subjects include planks for the Republican Platform, Anti-Strike Legislation, a Rejoinder to the Remarks of Fred Gurley, and \"Recommendations to the Board of Investigation and Research\"","A checklist of article titles can be found in the first folder. Titles in the order of the list   include: \"Economics and Christianity\"; \"The Mysterious Soul of the Steel Corporation\"; \"The Anthracite  Operators Should Concede the Check-off\" July 13, 1923; \"Industrial Principles and Not Machinery Are Important\"; \"The So-Called Check-off and Its Significance\"; \"The Report of the Coal Commission on the Anthracite Industry\"; \"The Purchasing Power of Wheat and Cotton\"; \"Private Cars and the Coal Problem\"; \"Mr. McAdoo's Political Availability\"; and \"No More Pre-war Standards of Wages and Working Conditions.\"","Next ten article titles include: \"The Radical - His Significance at Present\"; \"The Soft Coal Problem Again to the Front\"; \"Labor Banks and Their Ultimate Significance\"; \"Political Democracy Must be Supplemented by Industrial Democracy\"; \"Oil and the Southern Pacific\"; \"The Purchasing Power of the Farmer's Dollar\"; \"The Truth is Never Unpardonable\"; \"Private Cars and the Coal Problem\"; \"The Unique Financial Position of the Pullman Company\"; and \"Another Manifestation of the Soul of the Steel Corporation.\"","The next ten article titles include: \"Sugar and the Flexible Tariff Provision\"; \"Conflict or Arbitration\"; \"The Threatened Boomerang\"; \"Cooperation for Mutual Benefit or Profit?\"; \"Secret Police or Conviction for Crime\"; \"Chairman Butler Emits and Omits\"; National Cooperative Grain Marketing Realized\"; \"The Anthracite Operators Should Concede the Check-off\" (possible duplicate); \"Regulation of the Anthracite Monopoly\" September 1 , 1923; \"Why Not Action on Anthracite?\" September 11, 1923; and \"Can a Living Wage Be Paid to Unskilled Labor?\" October 30, 1923.","The next ten article titles include: \"The Failure of Industrial Arbitration\" October 30, 1923; \"Significant Labor Developments During the Coming Year\" October 30, 1923; \"A Dramatic Migration\" concerning African Americans, October 30, 1923; \"Unprotected Pullman Passengers\" October 30, 1923; \"The New Immigration and Its Significance\" November 2, 1923; \"The Probability of Railroad Legislation\" February 7, 1924; \"The Industrial Magna Carta\" February 23, 1924; \"Land Grants to Western Railroads\" February 23, 1924; \"Increased Efficiency of Labor\" February 23, 1924; and \"Real Industrial Statemanship February 25, 1924.\"","The next ten article titles include: \"Some Other Matters of Record\" June 2, 1924; \"The Verdict from Kansas\" August 7, 1924; \"A Real Test for the Tariff Commission\" August 14, 1924; \"A Billion and a Half Railroad Merger\" August 16, 1924; \"Common Sense\" August 19, 1924; \"President Gompers and a Labor Party\" August 19, 1924; \"A Significant Precedent in Financing Farmers Cooperative Enterprises\"; \"Back to the Declaration of Independence\" August 21, 1924; \"A Costly Labor Policy\" August 23, 1924; and \"Brass Tacks, The Red Flag, and the Constitution\" August 23, 1924.","The final group of articles include: \"Industrial Democracy - Our Greatest Problem\" August 27, 1924; \"The Passing of the Money Gods\"; \"The Conference Board Reports on Taxation in Wisconsin\"; \"The Railroad Labor Board\"; \"The Farmer and the Tariff\"; \"Visible and Invisible Tax Burdens\"; \"The Most Helpful Farm Movement\"; \"Radicals and God's Fools\"; \"Militant Friends Needed\"; \"The Unconscious Cruelty of Success\" October 24, 1924; and \"Another Orgy of Railroad Finance.\"","While some chapters have no individual date, they likely all come from drafts in 1931 or 1932. It is unclear which version belongs to each draft, and equally unclear which versions the explanatory note references. Chapter VII is largely missing. The name of the book may have eventually changed to \"The Need for a Unified Banking System.\"","W. Jett Lauck was chairman of the Pennsylvania Anthracite Coal Commission, responsible for investigating the state of the anthracite industry and the coal bootlegging situation in Pennsylvania, as well as recommending action.","The United States Anthracite Coal Commission is a different and separate entity than the Pennsylvania Anthracite Coal Commission over which Lauck presided (see also, \"United Mine Workers of America before the U.S. Anthracite Coal Commission\").","For reference, the Ad Interim Report was a report made halfway through the Commission's studies; the Final Report was the last official report of the Commission and contains recommendations; the Complete Report was a compendium of all of the Commission's work and reports (over 500 pages).","Reports include \"Anthracite Lands and Deposits,\" \"Anthracite Royalties,\" and \"Control of the Anthracite Industry.\"","Reports include \"Financial Operations of Anthracite Companies\" and \"Monopolistic Nature of the Anthracite Industry.\"","These include \"Award of the Anthracite Coal Strike Commission: Subsequent Agreements, and Resolutions of Board of Conciliation\" (July 1, 1936); \"A Labor Case With Merit: Editorial Comment on the Case of the Anthracite Mine Workers\" (1920); and \"Labor Information Bulletin,\" U.S. Bureau of Labor Statistics (February 1937).","Proposed Bills include the Anthracite Coal Industry Act; the Anthracite Public Authority Bill; the Cooperative Marketing Bill; the Pennsylvania Anthracite Commission; and Suggestions and Opinions.","Files included under Rates contain, the 1933 Freight Rate Case Excerpts and Statistics; Charts and Tables; General Information (see also Anthracite Institute Statistical Data, Maps, and Drawings, Anthracite Producers Statistical Data, Maps, and Drawings); the Interstate Commerce Commission Data; \"Intrastate Rates on Anthracite in Pennsylvania\"; and Rate Fixation in 1915.","Reports include: \"Combination in the Anthracite Industry,\" \"Comparison of Earnings and Wage Rates in the Anthracite and Bituminous Mines of Pennsylvania,\" \"Exhibits of the Anthracite Operators in Reply to Exhibits Presented by the Anthracite Mine Workers,\" \"Irregularity of Employment in the Anthracite Industry,\" \"Occupation Hazard of Anthracite Miners,\" \"Profits of Anthracite Operators,\" and \"The Relationship Between Rates of Pay and Earnings and the Cost of Living in the Anthracite Industry of Pennsylvania.\"","Reports include: \"Reply of the Anthracite Operators to the Demands of the Anthracite Mine Workers,\" \"The Sanction for a Living Wage: A Compilation of Data From Official and Authoritative Sources,\" \"Summary, Analysis, and Statement,\" \"The Trade Union as the Basis for Collective Bargaining: A Compilation of Sanctions and Experiences,\" \"Trade Unions,\" and \"Wholesale and Retail Prices of Anthracite Coal 1913-1920.\"","These exhibits include \"Changes in Cost of Living in the United States, 1913-1922,\" \"A Just and Reasonable Wage,\" and \"Monthly Earnings of Sectionmen.\"","The volume includes exhibits on \"Harmful Effects of Low Wages Upon Health and Morals,\" \"The So-called Law of Supply and Demand,\" \"The Just and Reasonable Wage,\" \"Changes in the Cost of Living in the United States, 1913-1922,\" \"Probable Course of Prices,\" \"Comparison of Prices and Living Costs,\" \"Monthly Earnings of Section Men,\" and \"Monthly Earnings of Section Men – Basic Tables.\"","Includes the following files: Briefs; Construction and Repair of Railroad Equipment; Correspondence on Leasing Out Repair Roads; Minutes of the Philadelphia Hearing; Petition to the Interstate Commerce Commission; Press - Clippings concerning Outside Repair; Press Release Originals; General Electric and Westinghouse; Labor Costs; Louisville to Nashville Railroad; and Miscellaneous.","W. Jett Lauck has also referred to this case as \"the Shopman's Case\" or the \"B.M. Jewell Case.\" Jewell was the President of the Railway Employees division of the American Federation of Labor.","Note that all exhibits were presented before the United States Railroad Labor Board.","Exhibit 11a includes the section \"Financial Mismanagement of the LeHigh Valley Railroad Company\" and Exhibit 12 includes the \"Summary.\"","Exhibit tTitles include: \"Occupation Hazard of Railway Shopmen\"; \"Punitive Overtime\"; \"Industrial Relation on Railroads prior to 1917\"; \"Standardization\"; \"The Recognition of Human Standards in Industry\"; \"The Unity of the American Railway Systems\"; \"Human Standards and Railroad Policy\"; \"Seniority Rules of the National Agreements\"; \"The Sanction of the Eight Hour Day\"; \"The Work of the Railway Carmen,\" and \"The Development of Collective Bargaining on a National Basis.\"","These include: \"Pending Railway Legislation\"; \"The Present Railroad Labor Problem\"; \"The Future Policy as to the Railroads\"; \"Compulsory Arbitration\"; \"Labor Adjustment Boards of the Railroad Administration\"; \"The Reasonableness of the Requests of Locomotive Firemen\"; \"Time and One-Half For Overtime\"; and \"Compulsory Arbitration.\"","The Sleeping Car Conductors Case files consist of several successive cases arranged in this finding aid roughly in the chronological order in which they occurred.","Exhibits include \"An Adequate Basic Wage,\" \"Earnings of Sleeping Car Conductors compared with Changes in the Cost of Living,\" \"Various Factors Indicating Rising Standards of Living in the United States Since 1914,\" \"Compensation of Sleeping Car Conductors compared with other Expenses and Revenue of the Pullman Company,\" and \"General Trend of Wages, 1913-1918, as Compared with Earnings of Sleeping Car Conductors.\"","Exhibits include \"Increased Productive Efficiency of Sleeping Car Conductors and Financial Administration of the Pullman Company,\" \"Increased Labor Productivity,\" and \"Standards of Wage Determination.\"","This file includes information and statistics on Besler Steam Power Trains; the Comparative Costs of Operation; Locomotives in Service; Diesels in Switching Service; Earnings Per Hour; Freight Cars; and General Statistics.","These charts include: \"Anthracite Combination,\" \"The Seven Departments of the Anthracite Industry,\" \"Interlocking Directorates Showing Working Control of Anthracite Operating Companies,\" and \"Profits of Anthracite Combination.\"","Charts include \"Affiliations of Railroads and Banking Houses,\" \"New York Bank Control of Railroads and Railroad Equipment Companies,\" \"New York Bank Control of Coal Mining Companies and Coal Railroads,\" and \"The Geographical Spread of New York Railroad Control.\"","Exhibits include \"Employment and Compensation of Railroad Employees\"; \"Cost of Living\"; \"Methods of Reporting Wage and Hour Data\"; and \"Increasing Output per Worker and Decreasing Wage Cost Per Unit of Output.\"","Exhibits include: \"Trend of Railway Operating Revenues and Total Compensation\"; \"The Rising Tide of Recovery A Survey of the Leading Business Indices\"; \"Labor Movement Supports Railway Workers in Resisting a Wage Cut\"; \"Squandering the Maintenance Dollar\"; \"Financial Mismanagement through Banker Control of Railroads\"; \"Training and Skill of Track and Roadway Section Men\"; \"Average Hourly Earnings in Railroads and Other Industries\"; and \"Estimated Money Share of Individual Railroads in the Proposed 15 Per Cent Pay Reduction.\"","Morgan's statements include those on wages; postwar economic conditions, developments, and private bankers' constructive services; and interference and control in corporate managements.","These include \"Cost of Living is Increasing,\" \"The Railroad Plea of Poverty,\" \"Labor Versus Materials and Interest,\" and \"The Railroads versus the Public Interest\" (printed).","Tables include \"Dividend Performance of Anthracite Railroads and Trunk Lines Compared,\" \"Percentage Relationships of Dividends Paid on Stock Dividends to Total Compensation Paid Employees,\" and \"Distribution of Capital Resources.\"","W. Jett Lauck was employed by the John G. Paton Company of New York City to study the report of the Tariff Commission of 1928 as to the costs of production in the maple sugar industry in the United States and in Canada. He then gave his conclusions on the report to the company and as testimony before the Tariff Commission itself.","There are excerpts from the following: the Tariff Commission Stenographer's Minutes (June 1927), Hearings before the House Committee on Ways and Means (January 1929), Hearings before the Senate Finance Committee (June 1929), Debates in the U.S. Senate (January 1930), Remarks of the Honorable Ernest W. Gibson (February 1930), the Roodenburg Report (November 1930), George H. Burr and Company Report (March 1931), R.G. Dun and Company Report (undated), Cary Maple Sugar Company Federal Income Tax Returns (1921-1930), and Cary Testimony (undated).","These include: Agricultural Adjustment Act and Amendment, House Resolution 9439, Orders from the President and National Recovery Administrator, Regulation 81, Regulation 82, and Secretary of Agriculture Regulations.","Files include the following folders: News clippings; Comparison of Lauck and Mahon Agreements; Final Agreement; General; Hanna Memorandum; Insurance; Saint Louis Public Service Company Union Plan for Cooperation; and Saint Louis Public Service Company Operating Notes.","Files include Pamphlets on Public Utilities, Press on Public Utilities, Press on Governor Roosevelt and Power Utilities, [Union?], and a Report addressed to Frank P. Walsh (1864-1939).","There were two hearings before the United States Tariff Commission related to an investigation into the costs of sugar production. After the January hearings (January 15-24, 1924), other briefs were filed. There was a call for another hearing to be held in March (March 27-28, 1924) after which it was decided that all parties had until April 10th  to file more briefs in connection with the hearings. W. Jett Lauck coordinated and prepared documents for many of the parties involved. He also served as a witness for the Hawaiian Sugar Planters Association.","Includes news about the Bituminous Coal Commission.","This includes the \"Report, Findings and Award of the United States Anthracite Coal Commission of 1920.\"","Files pertaining to Wages include: Wage Demands; Wage Rates of Employees Other Than Contract Miners; Wages, Earnings and Work Conditions in General; Wages in Various Industries 1914 to 1920; and Wages in Various Industries and Occupations: A Summary of Wage Movements 1914-1920.","Mass strikes in both the anthracite and bituminous coal industries in 1922 led to a standstill in production. When the miners and operators failed to reach any agreements, the government abandoned its hands-off approach and attempted to set up commissions to arbitrate the cases. After several failed attempts, both an Anthracite and Bituminous Coal Commission were established to not only arbitrate the current situation, but to investigate its origins in the general history and conditions of the coal industries. W. Jett Lauck was involved with the United Mine Workers of America in both cases to varying degrees. Material is separated into Anthracite and Bituminous, with common material labelled \"General.\"","Some dates are corroborated by list of case exhibits. Where corroboration is not possible, no date has been inferred. Classification as \"exhibit\" is applied based either on inclusion in a numbered list of exhibits or Lauck's handwritten filing directions.","Letters are presumably from W. Jett Lauck to the \"New York Times\" Managing Editor and to the President, regarding the establishment of an Arbitration Board.","These three memoranda are to Mr. Lewis, July 8, 1922; one concerning the production of the Central Competitive Field, April 27, 1922; and a third showing the financial connections of the Boston Financial Group and Secretary Mellon.","The two press releases include a letter to the President regarding Arbitration, July 15, 1922, and the UMWA Statement about Mr. Murray's Speech,  April 22, 1922.","Items include a \"Journal\" Communication sent to every member of Congress, 1922; a Letter to Officers and Members, May 25, 1922; and the UMWA Wage Scale Committee proposed wage scale, February 14, 1922.","The History of the Development of the Anthracite Coal Combination contains five sections: Section 1, Early History of Anthracite Consolidations and Combinations; Section 2, Consummation of the Anthracite Combination, 1896; Section 3, Methods by Which Railroads Have Discriminated in Favor of Their Allied Coal Companies and Favored Clients; Section 4, The Influence of the Combination Upon Freight Rates, Shipping Allotments, and Prices; and Section 5, Present Situation as Regards Ownership and Control.","The unnumbered exhibits include \"The Coal Controversy\" May 1922 and Geological Survey, Weekly Report on the Production of Bituminous Coal, Anthracite, and Beehive Coke, February 11, 1922.","These exhibits include: Exhibit 6: Seasonal Fluctuations in Production and Transportation, June 15, 1921; Exhibit 7: Production, Capacity, Men Employed, Mine Price Per Ton, and Days Lost, 1922, undated; Exhibit 12: Fluctuation in Employment and Earnings of Bituminous Mine Workers, undated; Exhibit 14: Effect of Price Changes Upon Purchasing Power, 1920; Exhibit 16: Chart Showing Production from Union and Non-Union Districts, March 16,  1922.","Memoranda include \"Complete Unionization Would be the Greatest Factor in Stabilization of Soft Coal Industry\" June 19, 1922, several other miscellaneous undated memoranda for Lewis, plus one on the Earnings of Bituminous Mine Workers for a \"Baltimore Sun\" Article, March 17, 1922.","Press Releases include: Capital Investment and Profit of Bituminous Coal Mine Operators, June 1, 1922; Letter From Ellis Searles to Secretary Hoover, February 8, 1922; Letter Submitting Explanatory and Statistical Material Supporting the Preliminary Report of the Commission on Investment and Profit in Soft Coal Mining, July 6, 1922; and Press Release: Russell Sage Foundation Report on \"The Coal Miners' Insecurity\" April 16, 1922.","Morrow's statements were made before the Committee on Labor, April 25, 1922 and before the Interstate Commerce Commission in the Hearing on Railroad Rates, Fares, and Charges, January 19, 1922.","Includes Memoranda and Opening Statement on behalf of Anthracite Mine Workers and Research Material and Data.","Statements concern the Request of Anthracite Operators for a Modification of the Wage Scale, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Typescript and Print copies.","The reply concerns the request of Operators for modification of the Wage Scale, and was by John L. Lewis, etc. on behalf of the United Mine Workers, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Proofs and Print copies.","The Anthracite Freight Rate Case files may be part of the previous group but were placed in a separate divider created by the office of Lauck.","Statistics include four categories: General; Anthracite Coal Carrying Railroads, Typed Originals and Carbons; Financial Performance of Coal Companies (clippings and other statistics),Earnings, and Profit; and Salaries of Operator officials, exceeding $10,000 per year.","Note: an assigned car is a rail car specifically designated for the use of a particular shipper, or, in the case of private cars, for the use of a particular railroad for a specific customer.","Lauck also referred to this as the Mahon Case, after President William D. Mahon.","File includes the Opinion of the Majority of the Arbitration Board, Dissenting Opinion, and a Report on a Proposed Pension Plan","These include: \"Discipline and Education of Locomotive Engineers and Firemen and Standardization of Wages\"; \"Progress Made in Electrification of Railroads and Economics Effected Thereby\"; \"The Railway Dollar, What Became of it in 1913\"; \"Revenue Gains by Representative Western Railroads Available to Compensate Locomotive Engineers and Firemen For Increased Work and Productive Efficiency, 1890-1913\"; The Rise and Fall of Mechanical Stokers\"; \"Miscellaneous Statements in Rebuttal to Exhibits Presented by the Railroads\"; \"Opposition of Railroads to Enactment of Federal Hours of Service Law and Efforts of Federal Government to Enforce Same.\"","All the years but 1933-1935 have an index in the front of the folder.","These \"diaries\" were used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date.","File includes Lauck's Civil Service record (1945) and National War Labor Board service (1918).","The 1911 blueprint \"General Plan\" of the property was prepared by Thomas Meehan and Sons, Mt. Airy, Philadelphia, Landscape Architects, for Francis T.A. Junkin, Lexington, Virginia. The \"Map of Mulberry Hill, Lexington, Virginia,\" 1926, with surrounding properties, was done by R.E. Witt, Certified Land Surveyor.For a typed description of the property by R.E. Witt and a note by W. Jett Lauck, see Box 224 Folder 4.","The Bureau of Applied Economics, Inc. was a \"private, independent, scientific organization, established in 1914 for the purpose of doing research and analytical work in the field of industrial, commercial, banking and general economic activities\" according to one of its brochures. It was located in Washington, D.C. \"where the governmental departments, commissions and other organzations with their specialists, archives and unrivaled library facilites render such research more effective and productive than any other city in America\" according to a page from an unknown directory. Hugh S. Hanna was the Director and W. Jett Lauck was listed as both the Chairman of the Advisory Board and the specialist for money and banking.","One of the chief functions of the Bureau of Applied Econonics was to create publications about importand current issues in the field of labor conditions and industrial relations. These were intended to be brief (50-75 pages) but authoritative and written by a specialist in the subject so that anyone interested in the subject could have access to the gist of all the information in one place and for a low cost. ","File includes Monthly Statements, Proofs of Notices, Subscribers and Sales.","File includes Correspondence, Papers, and Table of Contents.","Lauck taught a course on the History of the Labor Movement at the American University.","The Notes chiefly include Political Science, Sociology, Labor vs Capital, Economics, Constitutional Law, American Government, and Agriculture.","These College Notes are chiefly concerned with the Reciprocity Concept and the Chicago Conference with sections on Cuba and Hawaii; Distribution; Receiverships; Sociology and Tariffs; and Printed Material.","Much of this material is fragmentary or incomplete and it possibly has some material of W. Jett Lauck mixed in.","These photographs include the \"Funeral Procession of Stephen Horvath, McKees Rocks, Pennsylvania, August 14, 1909. Photographs are mostly unidentified and some do not include W. Jett Lauck.","These photographs are mostly unidentified and undated but does includes William Harmon Black and Major Miller Taylor. and his wife.","This file consists of seven oversize photographs, including a Staff Conference; the Immigration Commission, Washington D.C. (1907); three photographs of Lauck with the same two  unidentified men; W.D. Mahon; A.A. Mitten; Earl E. Houck; an unidentified man; and an unidentified hearing.","This folder includes four oversize photographs  of Public Code Hearings on Bituminous Coal Industry, 1933 August 9; Cigar Manufacturing Industry AAA Code Hearing, 1933 November 22;  Structural Steel and  Iron Fabricating Industry N.R.A. Hearing, 1933 October 30; and Anthracite Coal Industry, NRA Code Hearing, William H. Davis Deputy Administrator, Washington, D.C., 1933 November 17","Topics include Agriculture and Farms, Airlines and Aviation, Argentina, Atlantic Charter—Poland*, Atomic Energy and Weapons (see also, J—Japan), Australia, and the Automobile Industry.","Topics include Bank Fraud, Banking and Bankers, Baruch Report, Big Three, Bretton Woods Agreement—International Monetary Fund, British Elections 1945, British Labor Party, British Labor Reports and the Second World War and Budget.","Topics include Cartels, Chamber of Commerce, Canada, Capital/Capitalism, Charter [U.N.] (see also, S—San Francisco Conference), Chemical Warfare, Cherry Blossoms—Washington D.C., China, The Church (see also, Religion and Faith), Churchill, Winston (see also, People), Comintern, Communist Party, Congress, Cost of Living, and Cuba.","See also, Strikes, U—United Mine Workers.","Topics include Debt, Defense, Deflation, Democracy, Democratic Party, The Depression, Diplomacy, Disease, Driving [Winter], and Dumbarton Oaks Conference.","Topics include Economic Bill of Rights, Economic Development [Committee], Economic Policy (see also, B—Bretton Woods Agreement, Post-War Reconstruction), Economic Rights, Economy of War, Employment (see also, U—Unemployment), Electric Workers, Electricity, and Excess Capacity.","Topics include Farms, Fear, Flooding, Food [Costs] [Rations] [Shortages], Food as Weapon, Foreign Policy, Freedoms, France, Franco, and Full Employment America.","Topics include General Motors [Strike] (see also, Strikes), Germany, G.I. Bill, Gold Standard, Government in Business, Grain Marketing, Great Britain, Growth of Democracy, Hapsburgs, and Hatch-Burton-Ball Bill.","Topics include Industrial Divide, Industry, Inflation/Deflation, and Israel.","Japan [and the Atomic Bomb], Jefferson [And the Declaration of Independence], The Jewish People [in Nazi Germany], Jobs as a Property Right, and Kipling, Rudyard (see also, People).","Topics include Labor [and War], Latin America, League of Nations (see also, World Government), Legal Aid Societies, Lend-Lease, Liberalism, and the Lima Conference, Liquor Problem, and Living Wage.","Topics include Magna Carta, Massachusetts Academy, Meat Industry (see also, Strikes), Middle Class, Monetary Reform, Morale [Poor], and Moving Pictures.","Topics include National Association of Manufacturers, National Income, National Interest, \"New Era\" 31*, New York State Industrial Survey Commission 28*, New York Transit Strike, Office of Price Administration, and Oil.","Topics include Pacifists, Packing Houses, Thomas Paine,  Palestine, Pan-American Union, Patents, Peace, Pennsylvania Labor Act, Philanthropy, Poland, Political Minorities, Population [United States] 1940, Power, The Press, Price Controls, Prisoners of War, Production, Profit-Sharing, Profiteering, Public Service, and Pump-Priming the Economy.","For more clippings on people see also: C—Churchill, K—Kipling, P—Paine, R—Roosevelt, Rural Electrification Administration [Harry Slattery], S—Stalin, and T—Truman.","File contains topics such as: Post-War Deflation, Post-War Europe, and United States Labor, Industry, and the Economy.","Topics include: Race and Racial Strife, Radar, Railways and Railroads, Reciprocity – British Agreement, Reconstruction Finance Corporation, Reconversion [and Wages] (see also, Post-War Reconstruction), Re-employment (see also, Post-War Reconstruction), Republican Party, Republican Record, Right Wing Reaction, Roosevelt, Rural Electrification Administration [Harry Slattery], Russians who Fought for Germany in World War II.","Topics include: San Francisco Conference (see also, United Nations), Savings, Sherman Act, Social Security, Socialism, Socialized Medicine, South America, The South [and Politics], The South [and Poll Tax Ban], Southern Revolt, Soviet Union/Russia, Spain, St. Lawrence Seaway, Stalin, Subsidy, Sugar, Supreme Court, Packing the Supreme Court, and Syria.","See also, Coal, G-H—General Motors [Strike], M—Meat Industry, N-O—New York Transit Strike, Steel, and U—United Mine Workers.","Topics include: Tariff Bill, Taxes, Textiles, Third Political Party, Totalitarian States, Troops, Truman [Report], Trusteeships; Unemployment, (see also, E—Employment), Unions, United Kingdom [Britain], United Mine Workers (see also, Coal), Unity, National\nVirginia, and Virginia Budget Efficiency.","See also S—San Francisco Conference and World Government.","Topics include: Wage Central, Wages, Wagner Health Bill, Wall Street, War, War Aims, War and Capital, War Contracts Settlement, War Cost, War Crimes, War Labor Board, War Production Board, Work Week, World Bank, and World War II [Battles].","This file includes agendas, correspondence, reports, membership, and the tentative program.","Topics include: American Mining Congress Declaration of Policy, \tdisagreements over the NRA code, gasoline and coal, new processes, and the right to strike.","This file includes an \"Investigation of Paint Creek Coal Fields of West Virginia,\" \"The Truth about Coal River Collieries,\" \"West Virginia Coal Fields\" (Senator Kenyon), Colorado Coal Fields, and a List of West Virginia Coal Fields.","Includes Houde Engineering Company Memorandum submitted to the National Labor Relations Board, the Hunt Memorandum outlining the Study of Competing Fuels, Lauck's review of \"The Coal Industry\" by Glen L. Parker, the Keller Bill for the Mississippi Valley on the Relative Importance of Fuels, \"Oil-Coal Mixtures as Industrial Fuel\" by J.E. Hedrick, and the Coal Cost of Producing Electricity, by J. Leonard Matt in the \"New York Herald Tribune.\"","The Railroads Financial History material was used in preparation of exhibits for the Brotherhood of Locomotive Firemen and Enginemen Case and updated for use in later cases involving railroads.","These news clippings include: British railway strike, credit, Thomas Dew Cuyler article on 1922 strike, Henry Ford's railroad, Gould System, Inadequacies of Railroad Management, Mergers, Nickle Plate Deal, Receiverships and Foreclosure Sales During 1920, and Railroad Retirement Act of 1937.","Publications include: Decisions, Dockets, Announcements, Lawsuits, Orders, and Reports.","Lauck was on staff as an economist and one of the stockholders for this enterprise. Some stationery has the name \"The Gallatin Institute of Applied Economics\" in the header.","Files include Memoranda from I.A. Rice to W. Jett Lauck, Recommendations, and Rent Law.","Includes a bill on the guaranty of bank deposits legislation and the Glass-Steagall Act (printed).","Banking files include Credit Facilities of the Country, Federal Reserve Board Legal Opinion on Bank Centralization (printed), News clippings, Reform, and the United Labor Bank and Trust Company Dissolution.","Includes files on British wage controversy and the coal industry during World War II, coal industry problems, and the British Coal Mines Act.","Cigar Manufacturing Code of Fair Competition files include Amendments proposed by Abraham Goldbloom and Jett Lauck, including Revisions made by Conference on October 20, 1933; Briefs and Statements (1933); Codes (1933-1934); and Profits and Statistical Data (circa 1929-1933).","These include: Table of Contents, Agents of Concentration and Railroads; Cotton Mills (director); Public Utilities (directors); Concentration of control of Financial and Industrial Resources; Public Utilities (securities), Public Utilities (affiliations), and Public Utilities (summary and tables).","These include: Summary of Banker Control in American Industry; Concentration of Financial Control of Industry; Concentration of Control of the Iron Ore Mining Industry; Report on Public Utilities; Concentration and Control of Money and Credit; Industrials (directors), Agents of Concentration, Coal (statistics), Iron and Steel Report (summary), Industrials (report), Railroads (statistics), Cotton Industry, Coal and Iron Mining; and Concentration of Control of Various Industries (iron, coal, water).","These files include the Bill by Colonel W.G. Williams (1946); an Inquiry by the Federal Power Commission Control (June 27, 1945); and the Memoranda of Colonel W.G. Williams, 1945-1946).","These files include: Miscellaneous, including charts - W. G. Williams (1945-1946); Gas and Oil Pipelines, including a proposed letter from Admiral Stuart to President John L. Lewis (October 16, 1944); and the United States Department of the Interior report of Investigations (July 1945).","Constitutional Amendment files include: Action by Organizations (1936-1937); Articles and News clippings (1935-1939); Bills, including those proposed by Benson, Costigan, Ford, Gray, Maas, and Marcantonio (1935-1937); Challenges to the Authority of the Supreme Court to Declare Legislative Acts Unconstitutional, Notes and Memoranda by W. Jett Lauck, Donald R. Richberg, Merle D. Vincent and Henry [Warrum] (1935-1936); and Correspondence and Memoranda about the New York and Washington, D.C. Meetings (1936).","Constitutional Amendment files include: Detroit Conference (1937); History and Comments (1936?); National Committee and Reports from Henry T. Hunt (1936); National Conference about (1936-1937); Recommendations and Suggestions made by President Roosevelt for a Bill to \"Pack the Supreme Court\" (1937); and Speeches by David J. Lewis and Daniel C. Roper (1935).","Material includes the labor and production costs of cotton, silk and wool goods before and after World War I.","Files include a Memorandum on Major Berry and Conference Plans (1935 November, undated); News (1936-1937); Press Releases (1936-1937); and Summaries and Reports (1936 June-July).","Memoranda topics include the Austrian state railways, the book \"Railroad Melons, Rates, and Wages\"; the suggestions of Baltimore and Ohio Railroad Vice-President Tatnall for railroad improvements; the Cincinnati Southern Railway; and Cooperatives.","These include speeches and statements of Governor Earle, Chief Justice Hughes, British House of Commons, Secretary of State Hull, Secretary Ickes, Robert H. Jackson, Governor Frank Murphy, Senator Norris, Secretary Frances Perkins, Burton K. Wheeler, and Wendell L. Wilkie.","This opinion was given by the General Counsel of the Federal Reserve Board.","These files include the first through third versions introduced in the 72nd Congress in 1932, S. 3215, S. 4115, and S. 4412.","These House bills include: H.R. 7250 (a bill creating national mortgage banks); H.R. 7620 (a bill to create Federal Home Loan Banks); H.R. 11340 (a bill to require national banking associations to furnish bonds to protect depositors against loss of deposits); H.R. 11422 (a bill to regulate the value of money, and for other purposes); and H.R. 12280 (an act to create Federal Home Loan Banks).","Includes an article by Lauck, \"America's New Immigrants\" and reviews of his book with Jeremiah Jenks, \"The Immigration Problem. A Study of American Immigration Conditions and Needs.\"","Includes a Memorandum from Lucius E. Wilson and Research concerning the cotton industry (1890-1912), economic consumption, 1890-1914,  prepared by Frances P. Valiant, centers of population (1914), prices (1914), tendencies in real wages (1900-1913), and wages and prices  (1912-1914)","The topics include: Agriculture; Anti-Strike Bill; Book Reviews; Bituminous Coal; Child Labor Law; Civil Service Employment, Reclassification and Retirement; Federal Employment; Federal Coal Commission; and Foreign Industry and Labor.","The topics Include: Health; Housing; Immigration; Industrial Accidents; Labor Mobility; Milk Bill; National Industrial Conference; New Jersey Chamber of Commerce; Public Health Service; Punitive Overtime; Racial Question, Commission on (\"Negro Wage Earners\"); Seaman's Act Revision in Merchant Marine Bill; Soldiers' Adjusted Compensation Legislation; Steamship Business Training; and United States Steel Corporation Pension Fund.","Two of these files focus on Employee Representation - Efficiency through Cooperation, and include \"A Report on Workers' Participation in Management\" with an appendix, by W. J. Lauck, March 1921.","Companies include: Bethlehem Steel Company, Endicott Johnson and Company, Goodyear Tire and Rubber Company, International Harvester Company, Midvale Steel and Ordnance Company, Standard Oil Company of New Jersey, and General.","Files include: Distribution of Output of Industry; Foreign Trade; General; Labor; Mass Production and Distribution; Production and Stock Market; and Prosperity.","Labor topics in these files include: Labor and Churches (1922-1937); Labor and Industrial Policy during World War I, Memoranda on (1917-1918); Labor Gazette Program (undated); General material (1914-1920); Labor in Great Britain (1918-1937); Labor Injunctions (1927-1932); Labor Insurance (1928); Labor Legislation and Politics (1928); Labor Organizations (1910-1929); Labor Policies (1928); and Labor Problems (1919).","Additional Unemployment topics include: Joint Committee on Unemployment; Press; Social Effects of Unemployment, Statistics; and the Wagner Bills.","Interstate Commerce Commission files include: Decision on Freight Rates in Anthracite Case; Five Per Cent Case; Hearing on Rates on Grain, etc.; Operating and Wage Statistics; and Petition concerning the \"Inefficiency of Railroad Employees.\"","Additional Interstate Commerce Commission files include: Rules on Locomotive Inspection; Rules of Practice; Rules governing Classification of Steam Railway Employees; and Seasonal Variation of Railway Operating Income.","Additional files include: Labor Conditions, including mining accidents; Manufacturers; and Monthly Production of Pig Iron in the United States.","Journeymen Stone Cutters of America files include: Affidavits and Letters on Indiana Situation; Agreements; Amalgamation (Knoxville Wage Scale); Arts and Crafts Industry - Mr. M. W. Mitchell; Bloomington and Bedford Names and Local Vote; Cast Stone Industry Code; Limestone Code; Limestone Code Statement for Hearings and Suggested Complaint to the National Labor Board; the Marble Manufacturing Code, President Mitchell; Press Releases and Miscellaneous; the Sandstone Code and Statement by M.W. Mitchell, President of the Journeymen Stone Cutters' Association of North America.","Additional Labor Costs files include: Bituminous Mine Workers; Book Paper Industry; Canned Salmon; Canned Vegetable Industry; Coal; Construction; Copper Production and Sale; Cotton Industry; Cotton, Silk, and Wood Goods Production Before and After World War I; and Fertilizer Industry.","Additional Labor Costs files include: Hide and Tanning Industries; Leather and Shoe Industries; Pig Iron; Railroads, including Eastern, Operating, Southern, and Western; Relation to Prices; Shoe Industry; Steel Production in the United States; Sugar Profiteering; Summary; Various Industries; and Women's Muslin Underwear Industry.","The Living Wage subtopics include: The Case for a Living Wage; Cost; Cost of Rearing Children; Department of Labor; Effects; Fair Labor Standards Act (Bills, Interpretations, Regulations, etc.); Farmers; and General Press (1 of 2 folders).","Living Wage subtopics include: General Press (2 of 2 folders); Harmful Effects of Low Wages; Lauck Statements; Miscellaneous; National War Labor Board; Practicability (2 folders); Request for a Ruling from the United States Railroad Labor Board on the Living Wage;  \"Sanction for a Living Wage\"? Quotation Verification Work for Lauck's book with that title; Statement of the National War Labor Conference; and an Undated Essay on \"The Just and Reasonable Wage.\"","These documents include the Charter, Constitution, General Plans of Work, Explanation and Comment, Outline of Organization and Scope of Work at the Outset, By-Laws, Suggestions and Notes on Separate Trust Fund, and an article \"Employee Ownership\" by Thomas E. Mitten.","Mitten Management topics include: Labor Cooperation in Australia; Organized Labor in New Orleans; Personal News clippings; Press; and Strikes in Philadelphia and Buffalo.","Literature includes the New York Advertising Club Plan, Memoranda and Principles, etc., which also includes articles by Fred Brenckman and Isador Teitelbaum.","Items include the Conscription of Property Senate Bill 1579 and Consumer Division of Defense, Labor, and Steel.","These files include a report of the Iron Ore Committee, a copy of the \"National Natural Resources Act,\" and the Report of the Planning Committee for Mineral Policy.","These bills include the Bill for Stabilization and Conservation of Natural Gas and Petroleum and the Cole Bill (H.R. 7372) Petroleum Conservation Act.","Files include General; a Brief; Mr. McGinn's Statement; General Producers Company, Mr. Taylor and John L. Lewis; and Sinclair Company - Maintenance of Retail Prices.","Apparently Lauck used his work with the Philadelphia Rapid Transit Company as a basis for his book, \"Political and Industrial Democracy, 1776-1926.\"","Includes files on the following companies: Baltimore and Ohio Railroad; Bank of Italy; Boston Consolidated Gas Company; Chicago Surface Lines; Colorado Fuel and Iron Company Plan; Columbia Conserve Company; Comparison of Fundamentals; Comparative Plans; Dennison Manufacturing Company; Dutchess Bleachery; Employee Representation and the Union (PRT); Employee Stock Ownership (PRT); Endicott-Johnson Company (PRT); Filene; Ford Motor Company; International Harvester Company; Investment Bankers and Cooperative Plans; Louisville Railway Company; Loyal Legion of Loggers and Lumbermen; and Milwaukee Electric Power and Light Company.","Includes files on the following companies: \tNash Tailoring Company; New Cooperative Plan; Packard Piano Company; Pennsylvania Railroad; Peoples Gaslight and Coke Company; Philadelphia Convention; Printz-Biederman Company; Southern Railway; Standard Oil Company; Summary with 1939 clipping; and Union Recognition Case.","Includes news clippings about the Electric Bond and Share Company, Power Authority of New York and others.","Includes a speech by Frank P. Walsh before the  Public Ownership League of America and a Research Bulletin on the Potomac Electric Power Company of Washington.","These files include ones for Analysis, Bradstreet's, Dun's, General, and Government Control of Prices.","Profiteering files include those on: Address of the President; Agricultural Supplies; Articles by W. Jett Lauck and others (2 folders); Banks; Memorandum to Judge W.H. Black; Building Material; Coal; and Copper.","Profiteering files include: Corporate Earnings and Government Revenues (3 folders); and Corporations, Profits of (3 folders).","Profiteering files include: Industries, various, (3 folders); Manly, Basil M. - Survey of American Industrial Conditions; Meat Packing; Metal Trades; Miscellaneous Industries; 1921; Petroleum; Post War Profits; and Press Statements (2 folders).","Profiteering files include: Railroads During and After the War (American); Railroad Equipment; Shoes and Clothing; Speeches in Congress; Steel;  Sugar; Summary; and War Contracts.","Includes the following filers: the Chicago Memorandum; Pending Work file; press release about the need for co-ordination of transportation facilities; press or news clippings; and railroad employee insurance.","Files include a draft of a letter to President Roosevelt and a memorandum on Russia from Lauck.","Russia or Soviet Union files include: \"The Red Trade Menace\"; Research by Dunlap; Social and Economic Conditions, chiefly clippings, including concessions, the cotton case, credit, political and propaganda (2 folders); and Trade Mission.","Files include: \"The Agricultural Situation in the United States\"; \"Labor Banking Movement in the United States, Analysis of\"; \"Membership of Labor Unions\"; and \"Report of the Negro in Industry\".","Files include: Proposal for Cotton Purchase from the United States (3 folders); \"Recent Shifts in Industry\"; \"Report of the Railroad Situation in the U.S.\"; Research – Miscellaneous; and Tariffs.","Files include: Anderson, Paul E. – Reports and Memoranda; Ballantine's Report [on Transportation by Waterway as Related to Competition with the Rail Carriers in the United States]; Commodity Studies, including livestock, potash, green coffee, grains, and rubber; Correspondence; and Department of Commerce Outline.","Files include: Digest of Hearings and Reports; Electric Generation Capacity, U.S.A.; Extent of Railway Operations; News clippings, including article from \"The New Republic\"; Notes and Outline; and Panama Canal Traffic effect upon Railroad Rates.","This file includes a Railway Labor Executives' Policy statement, statement of the Baltimore Association of Commerce, and a paper about the  \"Effect of the Proposed Great Lakes-Saint Lawrence Deep Waterway on the Coal Industry.\"","The file includes articles by Lester Velie (\"Lean Years for the Rails\"), Harold D. Kootz (\"The Railroad Crisis\"), and one about new types of equipment; a speech by Harry S. Truman on railroad financing; a memorandum about railroads serving the Great Lakes ports; and a memorandum to Robertson about the position of Western railroad presidents concerning the waterway prior to 1933-1934.","Reports include: \"Analysis of its effects upon railroad and coalmining industries\" by W. Jett Lauck; \"Coordination of Transportation Agencies\" [by W. Jett Lauck?]; Report of Railroad Coordinator's Freight Traffic Report, including freight rate increases and petroleum pipeline rates; and Report of the Railroad System, Beneficial Effects of project upon.","Files for this committee include: General (2 folders); Papers submitted by J.W. Garrow and White; the Report, both Typescript and Printed (2 folders); Uniform Manufacturers Association Statement; United States Chamber of Commerce Presentation; and Vouchers and Expenses submitted by W. Jett Lauck.","Files include Awards, Decisions, and Authorizations (printed) and Exhibits prepared for the Board by Lauck and associates.","Socialism files include; \"What it is and what it is not\" and History in the United States.","Files include: \"Compilation of the Social Security Laws\"; Correspondence with Barbara Nachtrieb Armstrong (Chief of Staff for Social Security Planning of the Committee on Economic Security; Correspondence with Pauling C. Gilbert; Directory of State Employment Security Officials; and Draft Bills for State Unemployment Compensation.","Files include: H.R. 4142 (Lewis Bill); H.R. 7260 (Social Security Act); Information Primer on the Committee on Economic Security; Inventory of Job Seekers Registered at Public Employment Offices; and League of Nations Staff Pension Fund.","Files include: Major Migratory Routes in the United States; Memoranda to Mr. Kennedy; National Women's Trade Union December Bulletin; Newspapers; and \"Old Age Insurance.\"","Files include: Pamphlets and Print Materials; Preliminary Report on Occupations of Job-Seekers in 43 States; \"The Problem of Insecurity\" (Committee on Economic Security); Radio Address of Frances Perkins, Secretary of Labor; and Recommendations of the Social Security Board Federal Advisory Council.","Files include: \"Social Security Act and War Manpower Commission\" and Social Security Board Federal Advisory Council Binder of Documents (2 folders).","Files include: Social Security Board Federal Advisory Council Meeting (June 1940); Social Security Board Federal Advisory Council Meeting (October 1942); \"Social Security in Defense and After\"; Statements on the Wagner-Lewis Economic Security Bill; Thrift and Security Foundation, Inc.; \"Two Special Reports on Social Legislation\" (Business Advisory Council); United Mine Workers of America Proposed Retirement Plan; and Vocational Training Program for National Defense.","Topics include: Mineral production, \"A Working Economic Plan for the South,\" Washington and Lee as a Southern institution, and the Southern Commercial Congress (all printed).","File includes memoranda to John L. Lewis and suggestions by Katharine Pollak, federal regulation and steel codes.","Topics include a file on Arbitrations, including Portland, Maine; Eastern Massachusetts Street Railway; Boston Elevated Railway Company; and Cumberland County Power and Light Company. Other railway topics include: District of Columbia; \"Low Fares\" article by Louis B. Wehle; the Mahon Case; and a Report by Delos F. Wilcox.","Files include: \"The Bridgemen's Magazine,\" Vol. XXXIII, Nos. 11 and 12; Conferences; H.R. 7596 (To License and Regulate Inter-State Coal Corporations); H.R. 12285 (Ellenbogen's Bill); H.R. 12499 (Wood's Steel Bill); Lauck Notes and Memoranda; and Lists of Materials Prepared in Connection with Iron Workers.","Files include: P.J. Morrin Exhibits I (a), II, and III-VIII; P.J. Morrin's Report as Labor Advisor to Chairman of the Labor Advisory Board and his Statement Before the National Recovery Administration; Possible Projects – Golden Gate Bridge, San Francisco, California and United States Courthouse, New York City; Statement of William P. McGinn to Deputy Administrator; and \"Summary and Objectives of Proposal for New National Recovery Act Legislation.\"","Files include: the Fair Tariff League; Press, including the French situation; and Wood Pulp, Woolens and Worsteds (2 folders).","Taxation files include: \"Conclusions and Constructive Suggestions as to Tax Revision\" by David B. Robertson; News clippings, Printed Material and Press Releases (2 folders); and Notes and Drafts.","Files include: copies of clippings at back of folder; Charts used by Isador Lubin in his Testimony; and Notes by W. Jett Lauck and associates.","Topics include: \"Dynamics of Transport\"; \"How Transport has Shaped the Pattern of National Development\"; \"Objectives of Public Policy\"; \"Problems of Interest Groups\"; \"Problems of National Defense\"; Problems of Rate Levels and Rate Relationships\"; \"Problems of Regulatory Policy\"; \"Problems of Transportation Policy – Review of Basic Issues and Alternative Solutions\"; \"Problems of Transport Coordination\"; \"What Lies Ahead in Transportation\"; and \"What the Transportation System Looks Like Today.\"","Files include information about the 1922, 1934, 1940 (2 folders), and 1946 Conventions.","Wage files include: American Federation of Labor; Articles, Bibliography on Wage Cutting and on a Saving Wage; Disease; Earnings in Ohio; \"A Fair and Reasonable Wage\"; and Minimum Wage (2 folders).","Wage files include: Productive Efficiency Theory; Productivity; Railroad; Rates; Real Wages; Regulation; Report on \"Wages and Hours of Labour in Canada\" and Report of Australian Royal Commission; Standard of Living; Various Industries (2 folders); Wage Adjustments; White Collar Workers; Women; and Works Project Administration.","Topics include: the wartime control of labor (France), War Labor Conference Report (February 25, 1918), \"Labor Policies and the War, War Profits Bill, war and labor, and war tax law.","Materials include: a pamphlet \"Negro Women in Industry in 15 States,\" and other printed material from the Department of Labor and the Women's Bureau.","Titles include: \"American Institute for Economic Research Monthly Bulletin\" (1944) and \"Automotive War Production\" (1945).","Titles include: \"Babson's Washington Reports\" (1938-1939); \"Bank of the Manhattan Company of New York (1946); and \"The Bulletin\" from the International Typographical Union (1945-1946).","Titles include: \"California Safety News\" (1919); \"Common Sense\" (1944); and \"Congressional Daily\" (1941, 1944-1946).","Titles include: \"Economic Notes\" (1939); and \"The Economic Outlook\" (1940, 1944).","Titles include: \"Foreign Commerce Weekly\" (1941) and \"Foreign Policy Bulletin\" (1943, 1946).","Titles include: \"Human Events\" (1947); \"International Post-War Service Statistical Bureau\" (1943); and \"International Statistical Bureau Foreign Letter\" (1943-1944).","Titles include: \"National Bureau of Economic Research\" (1933-1934); \"The National Grange\" (1932); \"People's Lobby Bulletin\" (1945); \"Private Newsletter\" (1934); and \"Propaganda Analysis\" (1939).","Titles include: \"Report of the Mexico City Bureau\" (1940); and \"The Southern Patriot\" (1945-1946).","Titles include: \"United Business Service\" (1941); United Construction Workers News (1946); \"Washington Review\" from Chamber of Commerce, U.S. (1940, 1943); and \"The Yardstick Catholic Tests of a New Social Order\" (1941-1942, 1944).","Includes booklets on \"Diplomatic List\" (1925); National Policy Committee booklet, \"Implications to the United States of a German Victory\" (1940); \"The Storm Washington D.C. January 27-28, 1922; \"The Story of the Globe\" (undated); andClifford Thorne (undated).","Includes: National Association Real Estate Boards (1924); National Monetary Association (1923, undated); \"National Transportation Institute Freight Rates and Prices, 1867-1923\" (1923); New Jersey Teacher Retirement and Pensions (1919); and New School for Social Research (1920).","Includes: Railroads (1944); Remedial Loan Societies (1928); and Remington Rand Inc. (1935).","Includes: Schools (1928-1929); Sperry Corporation (1936); Standard Oil Company (1922); and Standard Statistics Company (1925).","Includes: Virginia State Chamber of Commerce (1924-1930); and \"A Brief History of Taxation in Virginia,\" by Edgar Sydenstricker (1915).","Includes: Senator George D. Aiken (1941), Thurman Arnold on \"Labor Against Itself\" and Antitrust Law Enforcement (circa 1941, undated).","Includes Samuel Brodbelt with a letter to Lauck, February 1, 1940.","Includes: Charles H. Chase on Trade Credit Banking (1934); John Corbin on National Planning (1932).","Includes: Maurice R. Davie, \"What Shall We Do About Immigration? (1946); Eleanor Davis \"The Future of Personnel Administration in the US\" typescript (undated); Edward T. Devine, \"American Labor's Improved Status Since 1914\" (1928); and Wallace B. Donham, \"National Ideal and Internationalist Idols\" (1933).","Includes: Marriner S. Eccles (1939); Irving Fisher \"The Debt - Deflation Theory of Great Depressions\" (1933); and Harry Emerson Fosdick sermon \"A Christian Conscience about War\" (1925).","Includes: Walter Graves, Jr., an open letter concerning Hitler and the British Isles (1941); Senator Pat Harrison (1925); W.P. Harvey, articles on living wage, and capital and labor (undated); Leon Henderson on Use of Small Loans for Medical Expenses (1930), and Alice Hosteler article on Producer-Consumer Relations (undated).","Includes: Benjamin A. Javits, (1933-1934); Jefferson Institute, including an address by Daniel C. Roper (1934); George L. Knapp on Senator Edward P. Costigan of Colorado (undated); and Dr. Julius Klein, \"The Business Trend Since 1921\" (1927).","Includes: J.C. Laughlin, \"Demand and Prices,\" August 1932; William M. Leiserson, \"Labor Past as Key to Labor Future,\" February 10, 1944; Max Lerner, \"Revolution in Ideas,\" 1939; Alexander Levene, \"Modification of the Antitrust Laws and Purchasing Power\" (1932); and John L. Lewis \"Problems of Organized Labor\" (1936).","Includes samples of his articles with a biographical summary up to 1933.","Includes: William G. McAdoo, about William Jennings Bryan (1925); Leifer Magnusson, about the International Labor Organization and the American Federation of Labor (undated); Maury Maverick on \"How Solid is the South?\"(1943); Claudius T. Murchison, \"A Great Deal, Some of It New\" (1934); Reinhold Niebuhr, \"Jerome Frank's Way Out\" (undated); Edwin G. Nourse, \"The Nature and Future of Private Enterprise\" (1941); Frances Perkins, speech press release, 1936; Gifford Pinchot, \"Wages, Margins and Anthracite Prices\" and \"Business and Government in the Economic Crisis,\" (1923-1931).","Includes: Jackson H. Ralston \"Superficiality of International Law,\" 1922; Donald R. Richberg and his Labor Plan (1944); John D. Rockefeller, Jr., \"Considerations Concerning Labor Standards,\" 1922; Daniel C. Roper, \"Regimentation and Recovery\" and \"Trade and Commerce in Perspective,\"1934; and Dr. John A. Ryan, \"Organized Labor Today\" (1926).","Includes: Alexander Sachs on Problems of National Recovery (1937); David J. Saposs, \"Current Anti-Labor Activities\" (1938 April 11); Louis G. Silverberg \"Law and Order: Social Menace\" (1938); Upton Sinclair, \"An open Letter to the President\" (undated); Isidor Teitilbaum (undated); and Lawrence Todd (August 1933).","Includes: Henry A. Wallace, speeches (1937-1942); Sidney Webb \"Four Weeks in England\" (1919); Carl I. Wheat, California Railroad Commission, (1927); William Allen White, \"A Yip From the Doghouse\" (1937); Honorable Roy O. Woodruff \"War Frauds\" speech, 1922; and Owen D. Young speeches (1930-1932).","Includes \"Economic Planning\" (undated); \"When President's Play Politics\" (1938); and fiction pieces written for magazines like \"Ken\" (undated)."],"userestrict_html_tesm":["\u003cp\u003eNote: Diaries on microfilm M-1239-1241; Use of original diaries restricted due to fragile condition.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Note: Diaries on microfilm M-1239-1241; Use of original diaries restricted due to fragile condition."],"names_ssim":["Albert and Shirley Small Special Collections Library","Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:56:56.558Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_724_c08_c04_c101"}},{"id":"viu_repositories_3_resources_724_c08_c04_c146","type":"File","attributes":{"title":"1922 Bituminous Coal Case - Retail Prices of Bituminous Coal for Household Use","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_724_c08_c04_c146#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_724_c08_c04_c146","ref_ssm":["viu_repositories_3_resources_724_c08_c04_c146"],"id":"viu_repositories_3_resources_724_c08_c04_c146","ead_ssi":"viu_repositories_3_resources_724","_root_":"viu_repositories_3_resources_724","_nest_parent_":"viu_repositories_3_resources_724_c08_c04","parent_ssi":"viu_repositories_3_resources_724_c08_c04","parent_ssim":["viu_repositories_3_resources_724","viu_repositories_3_resources_724_c08","viu_repositories_3_resources_724_c08_c04"],"parent_ids_ssim":["viu_repositories_3_resources_724","viu_repositories_3_resources_724_c08","viu_repositories_3_resources_724_c08_c04"],"parent_unittitles_ssm":["W. Jett Lauck papers","Cases","Coal Cases of 1922"],"parent_unittitles_tesim":["W. Jett Lauck papers","Cases","Coal Cases of 1922"],"text":["W. Jett Lauck papers","Cases","Coal Cases of 1922","1922 Bituminous Coal Case - Retail Prices of Bituminous Coal for Household Use","box 185","folder 18"],"title_filing_ssi":"1922 Bituminous Coal Case - Retail Prices of Bituminous Coal for Household Use","title_ssm":["1922 Bituminous Coal Case - Retail Prices of Bituminous Coal for Household Use"],"title_tesim":["1922 Bituminous Coal Case - Retail Prices of Bituminous Coal for Household Use"],"unitdate_inclusive_ssm":["1914-1921"],"normalized_date_ssm":["1914/1921"],"normalized_title_ssm":["1922 Bituminous Coal Case - Retail Prices of Bituminous Coal for Household Use"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["W. Jett Lauck papers"],"extent_ssm":["1 folder(s)"],"extent_tesim":["1 folder(s)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1607,"parent_access_restrict_tesm":["Work diaries used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date in Boxes 216-219. Due to their fragile condition, access to the original diaries is restricted. Researchers should use the diaries on microfilm M-1239-1241."],"date_range_isim":[1914,1915,1916,1917,1918,1919,1920,1921],"containers_ssim":["box 185","folder 18"],"_nest_path_":"/components#7/components#3/components#145","timestamp":"2026-05-20T23:56:56.558Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_724","ead_ssi":"viu_repositories_3_resources_724","_root_":"viu_repositories_3_resources_724","_nest_parent_":"viu_repositories_3_resources_724","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_724.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/105255","title_filing_ssi":"Lauck, W. Jett, papers","title_ssm":["W. Jett Lauck papers"],"title_tesim":["W. Jett Lauck papers"],"unitdate_ssm":["circa 1900-1952"],"unitdate_inclusive_ssm":["circa 1900-1952"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 4742","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/724"],"text":["MSS 4742","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/724","W. Jett Lauck papers","Lewis, John L. (John Llewellyn), 1880-1969","World War, 1939-1945","New Deal, 1933-1939","Depressions - 1929","United Mine Workers of America","Labor unions","American Association for Economic Freedom","Anthracite coal--Pennsylvania","Railroads -- History","Railroads","Electric railroads","World War, 1914-1918","Economics","Work diaries used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date in Boxes 216-219. Due to their fragile condition, access to the original diaries is restricted. Researchers should use the diaries on microfilm M-1239-1241.","Student grades were removed from the file and placed in the control folder box for MSS 4742.","There are fifteen series in this collection. The two largest series are the Cases and Topical series. The majority of series have at least two subseries. Lauck had created two earlier indexes to his files and they were used to shape the current re-organization of the collection, particularly concerning the case files. Some of the decisions concerning arrangement were made due to the difficulties of completing the processing of the W. Jett Lauck papers during the Pandemic of 2020-2021. ","An Outline of the Arrangement is as follows: Series 1) Correspondence (Boxes 1-16); Series 2) American Association for Economic Freedom (Boxes 17-37 and Card files boxes 1-12); Series 3) National War Labor Board (Boxes 38-56); Series 4) Congress of Industrial Organizations (Boxes 57-67); Series 5) Commission on Industrial Relations (Boxes 68-72); Series 6) Articles, Memoranda, and Speeches by W. Jett Lauck (Boxes 73-91) with Subseries A) Work created by W. Jett Lauck for use by himself (Boxes 73-91), Subseries B) Work created by W. Jett Lauck for other people to use (Boxes 82-88), and Subseries C) Banking Monograph by W. Jett Lauck (Boxes 89-91); Series 7) Pennsylvania Anthracite Coal Commission (Boxes 92-103); Series 8) Cases (Boxes 104-204) with  Subseries A) Railroad (Boxes 104-146), Subseries B) General (Boxes 147-169), and Subseries C) Coal (Boxes 170-204); Series 9) Arbitrations (Boxes 205-211); Series 10) Dockets and Other Records of Work by W. Jett Lauck (Boxes 212-219); Series 11) Personal, Financial and Miscellany Papers (Boxes 220-233) with Subseries A) Financial Correspondence and Files (Boxes 220-225), Subseries B) Bureau of Applied Economics (Boxes 225-226), Subseries C) College Notes and School Papers (Boxes 227-230), and Subseries D) Notes, Notebooks, Photographs, Post cards and Miscellany (Boxes 230-233); Series 12) The National Recovery Act and National Recovery Administration (Boxes 234-241) with Subseries A) General Files (Boxes 234-238) and Subseries B) National Recovery Administration Codes (Boxes 238-241); Series 13) Oversize Scrapbook Volumes of Newspaper Clippings and News clippings Files with Subseries A) Scrapbooks (Boxes 242-252) and Subseries B) News clipping Files (Boxes 253-257); Series 14) Topical Files with Subseries A) Coal (Boxes 258-270), Subseries B) Railroad (Boxes 271-287), and Subseries C) General A-Z (Boxes 288-389); and Series 15) Printed Material and Works by Others (Boxes 389-399) with Subseries A) Printed Material (Boxes 389-396) and Subseries B) Works by Others (Boxes 397-399).","Lauck often marked his newspapers and other periodical materials according to subject matter. These clippings are arranged according to his original categorical markings, where possible. Where no markings are discernable, they have been artificially sorted into Lauck's categories or other appropriate topical divisions. They are arranged alphabetically by subject with dedicated, separate folders for subjects with large amounts of material. (Brackets [] denote subtopics or linked topics). Files chiefly consist of news clippings but occasionally there is other printed material or charts, etc.","Arranged alphabetically by last name of authors or speakers with subjects noted, if appropriate.","William Jett Lauck, an American economist and statistician, whose work expertise and experience was both broad and varied, was born on August 2, 1879, in Keyser, West Virginia, to William Blackford Lauck, a railway official, and Emma Eltinge (Spengler) Lauck. He attended Keyser High School and Washington and Lee University (Bachelor of Arts, 1903), becoming a Fellow in the department of political economy at the University of Chicago, 1903-1906. Lauck was an associate professor of economics and political science at Washington and Lee University, 1905-1908, until he entered government service in 1908. That same year, he was married to Eleanor Moore Dunlap of Lexington, Virginia, and they had three children, William Jett Lauck, Jr., Eleanor Moore Lauck and Peter Blackford Lauck. Lauck belonged to the Cosmos and Chevy Chase clubs and was a member of Phi Beta Kappa, Kappa Sigma, and Theta Nu Epsilon.","Lauck joining the United States Immigration Commission in 1908-1909, where he designed a survey of immigration for the Commission. Lauck was the chief examiner for the Tariff Board, 1910-1911. The U.S. Commission on Industrial Relations hired Lauck in 1913-1915 as a managerial expert and consulting statistician to design their investigation into industrial problems in the United States. He was an economic advisor on the Canadian Commission on Economic Development, 1916. Lauck joined the U.S. National War Labor Board in 1918 as Secretary. ","Lauck also took part in the national movement for banking reform and the establishment of the Federal Reserve banking system1911-1912. As an expert on railway economics, he represented the Brotherhoods of Locomotive Firemen and Engineers in their demands for wage increases during a series of arbitrations from 1912-1919, the Western freight weight case, 1915, and also represented the railroad unions in several high-profile national railroad arbitrations in the early twenties. Lauck functioned as the economic advisor for presidential candidate James B. Cox in 1920 and 1924. In 1926, Lauck devised a settlement to end the Passaic New Jersey textile strike. ","During a large part of his career, W. Jett Lauck acted as an economic advisor to John L. Lewis and the United Mine Workers, the Committee on Industrial Organization, the United Automobile Workers and other union organizations, in arbitrations and cases, 1919-1939. He was an investigator for the U.S. Coal Commission, 1923 and economist for the Grain Marketing Company, Chicago, 1924-1925. Lauck assisted on the legislative drafting committee for the National Recovery Act in 1933 and as an expert advisor to the Senate Finance Committee on the revision of the National Recovery Act in 1935. He was also a member of various special boards, and a labor advisor to the Coal Section of the National Recovery Act, 1933-1935. He was also often a government expert witness, as seen in his work for the House of Representatives Special Committee on Government Competition with Private Business, 1933. Lauck served as Chairman of the Pennsylvania Anthracite Industry Coal Commission, 1937. ","Lauck was Vice President of the organization American Association for Economic Freedom. He was also an author or co-author of many books and other publications, including \"The Causes of the Panic of 1893\" (1905); \"The Immigration Problem\" with Johann Wolfgang Jenks (1911); \"Conditions of Labor in American Industries\" with Edgar Sydenstricker (1917); \"The Industrial Code\" with C.S. Watts (1923); Political and Industrial Democracy, 1776-1926\" (1926); and \"The New Industrial Revolution and Wages\" (1929) and Editor of \"British War Experience Series.\"","\"W. Jett Lauck: Biography of a Reformer\" by Carmen Brissette Grayson is a 1975 University of Virginia dissertation that covers the early part of Lauck's career up until the Depression.","\"The Congress of Industrial Organizations (CIO) was a federation of unions that organized workers in industrial unions in the United States and Canada from 1935 to 1955. Created in 1935 by John L. Lewis, who was a part of the United Mine Workers (UMW), it was originally called the Committee for Industrial Organization but changed its name in 1938 when it broke away from the American Federation of Labor.[1] It also changed names because it was not successful with organizing unskilled workers with the AFL.[2]","The CIO supported Franklin D. Roosevelt and the New Deal Coalition, and was open to African Americans. Both the CIO and its rival the AFL grew rapidly during the Great Depression. The rivalry for dominance was bitter and sometimes violent. The CIO (Congress for Industrial Organization) was founded on November 9, 1935, by eight international unions belonging to the American Federation of Labor.","In its statement of purpose, the CIO said it had formed to encourage the AFL to organize workers in mass production industries along industrial union lines. The CIO failed to change AFL policy from within. On September 10, 1936, the AFL suspended all 10 CIO unions (two more had joined in the previous year). In 1938, these unions formed the Congress of Industrial Organizations as a rival labor federation. The Taft-Hartley Act of 1947 required union leaders to swear that they were not Communists. Many CIO leaders refused to obey that requirement, later found unconstitutional. In 1955, the CIO rejoined the AFL, forming the new entity known as the American Federation of Labor-Congress of Industrial Organizations (AFL-CIO).\" This summary was taken directly from Wikipedia ","https://en.wikipedia.org/wiki/Congress_of_Industrial_Organizations","The Wage Reduction Case was brought by William S. Carter, President of the Brotherhood of Locomotive Firemen and Enginemen, originally against the Atlanta, Birmingham, and Atlantic Railway Company, before the United States Railroad Labor Board, but it eventually became a much larger case involving other Brotherhoods and Unions concerning railroad workers and wages.","Timothy Shea was the Acting President of the Brotherhood of Locomotive Firemen and Enginemen between 1919-1922 .","The Six Hour Day Case was also referred to as the 30 Hour Week in the press and in supporting materials. The work was undertaken by Lauck for David B. Robertson, President of the Brotherhood of Locomotive Firemen and Enginemen.","This case was brought by the Brotherhood of Locomotive Firemen and Enginemen demanding that a fireman (helper) be employed on all types of power used in railroad service for safety, including diesel and streamline trains.","The Railway Wage Reduction Case of 1938 was presented before the Emergency Board by W. Jett Lauck on behalf of the Railway Labor Executives' Association.","This case was a call for amendment to the Tariff Act of 1922. Lauck represented a group of domestic manufacturers, including the Glass Containers Association of America, in putting together an argument for an increase in tariffs on imported glass bottles. It is important to note that Lauck did not represent industry in opposition to labor. The Glass Bottles Blowers Association submitted a brief agreeing with the domestic manufacturers, —but only in opposition to foreign goods making American industry and labor obsolete.","The Grain Marketing Company was created to jointly market the product of three grain companies: Armour Grain Company, Rosenbaum Grain Corporation, and Rosenbaum Brothers. W. Jett Lauck served as Director of Appraisals for this venture, preparing a large report on the valuation of the Grain Marketing Company's properties. This report was reproduced in many, slightly altered formats for different purposes, people, and groups, and these variants are the subject of many folders in the case, which contain significant overlap.","The Agricultural Adjustment Administration implemented a new tax on paper towels. The reason given was that they competed with typical cotton towels. W. Jett Lauck advised the Paper Towel Manufacturers Association and prepared their case before the Agricultural Adjustment Administration and Congress.","Some 16,000 textile workers participated in the strike, centered in Passaic, New Jersey and initially organized as the \"United Front Committee\" by the Workers (Communist Party) before being transferred to the leadership of the American Federation of Labor. W. Jett Lauck served as a consulting economist to the strikers, chairman of the Plenary Committee (also known as The Citizens Committee or the Lauck Committee) representing the strikers and overseeing transition to the American Federation of Labor, economist for the National Committee for Passaic Relief and Defense, and member of the Temporary Committee for Establishment of American Standards of Life for Textile Workers, as well as participated in the case on the floor of the Senate and in Senate Committees.","This case was between the Franklin Division of the Franklin Typothetae of Chicago and a collection of unions, namely: the Chicago Typographical Union No. 16, Chicago Printing Pressmen's Union No. 3, Franklin Union No. 4, and Bookbinders' and Paper Cutters' Union No. 8 regarding a cut in wages. W. Jett Lauck represented the unions and prepared their case alongside Arthur Sturgis.","The Guffey-Snyder Act was officially known as the Bituminous Coal Conservation Act of 1935. This law was passed as part of the New Deal and created the Bituminous Coal Commission to set the price of coal. It was ruled unconstitutional and was replaced by the Guffey-Vinson Act in 1937.","Pujo Committe named after the chairman of the Banking and Currency Committee, Representative A. Pujo of Louisiana.","Eugene Meyer was Governor of the Federal Reserve Board and J.W. Pole was Comptroller of the Currency in 1932.","This committee was chaired by Congressman Joseph B. Shannon, (1867-1943), a Democrat from Kansas City, Missouri.","P.J. Morrin was the general president of the International Association of Bridge, Structural, and Iron Workers; Jett Lauck was the economic advisor for the same organization.","The original letters from Franklin D. Roosevelt to W. Jett Lauck were transferred to the UVA Special Collections Franklin D. Roosevelt papers, on February 6, 2005.","The original letters from Upton Sinclair to W. Jett Lauck were transferred to the UVA Special Collections Upton Sinclair papers on February 6, 2005.","The original letters from William H. Taft to W. Jett Lauck were transferred to the UVA Special Collections William H. Taft papers on February 6, 2005.","Manuscript student assistants who worked on the W. Jett Lauck papers for at least one semester include Jacob M. Baker, Shannon Lee, Jacob T. Shaw, and Emily Shipman.","Only two copies of identical duplicates having no annotations were kept. Duplicates were compared and only two were kept of each unique document or publication.  News clippings were only copied if used by Lauck in a case or arbitration, contained an article or other work by him, or information pertaining to his work and career. Others were sorted and arranged by topcs that he had written on the clipping; those with no obvious relevance were discarded. Ledgers and scrapbooks were rehoused in acid free cubic boxes or phase boxes created by the Preservation staff.","Originally the papers were organized with the help of a University of Virginia history seminar sometime between their transfer to Special Collections from the Law Library and 1973, producing a large paper finding aid consisting of the list of the file folder headings. Folders were replaced near the end of the 1990's but some folder headings were lost or corrupted. In 2018, the papers were re-organized into series based on several early indexes created by the office of W. Jett Lauck. Folder headings were corrected based on the indexes, the original paper finding aid, and Lauck's notations on the tops of his documents. Headings were altered on the folders when possible to match the finding aid but only some of the folders were replaced due to constraints of time and money.","Physical processing work was complicated by constant student assistant turn-over and the interruption of the Pandemic of 2020-2021, which prevented onsite work for almost six months and allowed only several onsite short stints per week  the rest of the time. The finding aid is as accurate as these conditions have permitted but there may well be inconsistencies. If such errors are discovered, we welcome researcher input.","Most dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.","Most dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.","The index for this case shows that the supporting materials are incomplete. Some materials may have not survived or others may be present in the collection but their direct connection to this particular case has been lost.","See related material in Box 9 under John L. Lewis.","See also Press Releases: Philip Murray Opening Statement and Final Argument.","See related materials in MSS 4742 Box 192.","See also James Couzens files in MSS 4742, Box 308.","Profiteering files include: Exhibits (2 folders); Food Products; Flour; General; and Industrial Establishment (2 folders).","The W. Jett Lauck collection consists of his professional, business and personal papers as an economist, statistician and government consultant on immigration, banking, railroads, coal, and unemployment problems as well as other facets of labor in the United States. Included are correspondence, scrapbooks of news clippings reflecting his activities, labor reports and studies, drafts of congressional bills, legal briefs, and other material concerning labor problems in the United States from its formative World War I years until 1949. They begin with his association with the progressive labor codes of the Taft-Walsh Labor Relations Commission and continue with the Railway Labor Act of 1926; the fight to gain recognition of labor's right to collective bargaining \"through representatives of their own choosing\" under the National Industrial Recovery Act in 1933; the incorporation of its principles in the National Labor Relations Act; and further activity in defense of this act.","Other manuscripts deal with studies of government competition with private business, the American Association for Economic Freedom, the New York Power Authority; branch, chain, and group banking, drafts of speeches, and work diary accounts of activities and meetings with prominent congressional and labor leaders on labor problems and legislation.","The largest portions of the W. Jett Lauck papers deal with cases and arbitrations, chiefly railroad and coal related, his work on various boards and commission and topical files.","His correspondence with individuals heading organizations interested in labor and industrial relations was wide-spread, just as it was with political figures, educators, and labor leaders.\n Among the public figures with whom he corresponded are Bernard Baruch, Homer S. Cummings, Clarence A. Dystra, John T. Flynn, Guy M. Gillette, Leon Henderson, Herbert Hoover, Hugh S. Johnson, Jesse Jones, William S. Knudsen, Robert M. Fa Follette, Jr., Franklin K. Lane, John L. Lewis,  H.C. Lodge, Jr., William G. McAdoo, James M. Mead, Francis P. Miller, Henry Morgenthau, Karl E. Mundt, Donald Nelson, Judge Ferdinand Pecora, Frances Perkins, Gifford Pinchot, James H. Price, Franklin D. Roosevelt, E.R. Stettinius, Jr., Robert F. Wagner, David I. Walsh, Burton K. Wheeler, and Woodrow Wilson.\nThe educators include Hardy Dillard, Edward C. Elliot, Frank Graham, J.W. Jenks, Richard R. Mead, Lewis Tyree, Harry F. Ward, H.B. Wells, and Ray Lyman Wilbur; and the labor leaders Jacob Baker, Solomon Barkin, Van A. Bittner, Sophia Carey, David Dubinsky, P.T. Fagan, John P. Frey, William Green, Sydney Hillman, Earl E. Houck, Thomas Kennedy, Donald MacMillan, and A.O. Wharton.","This series consists chiefly of correspondence but also includes typescripts of speeches by individuals, and financial and other information about organizations.","Correspondents include:  E. Abbott, Louis Adamic, Adrian Adelman, Sara M. Addison, Joseph Agor, Helen Alfred, Fred H. Allen, Irving B. Altman (editor of \"Dynamic America\"), Aluminum Workers of America, Amalgamated Association of Street and Electric Railway Employees, American Association for Labor Legislation, American Association for Social Security, American Council, American Council on Public Affairs, American Farm Bureau Federation, American Guernsey Cattle Club, American Institute for Economic Research, The American Legion, American Political Science Association, American Sugar Cane League, Americana Corporation concerning Lauck's article on United Mine Workers of America, Thomas R. Amlie, Dr. James W. Angell, Charles P. Anson, \"Atlantic Monthly,\" Paul H. Appleby, Leon Ardzrooni (about the death of Thorstein Veblen), Mr. O.M. Armstrong, and Robert W. Arthur.","Correspondents include: Jacob Baker, Kent Baker, Bank of the Manhattan Company, Mary Barclay, A. K. Barnes, Joseph L. Barnett, Gerald Barradas, Barron's (The National Financial Weekly), John Barth, Mrs. Everett Boughton, Mrs. Robert Bennett Bean, Grant L. Bell, William H. Bell, Harold F. Berg, Nelson N. Berry, S. D. Berry, Jacob Billikoph, Margaret G. B. Blachley, James E. Black, Honorable William Harman Black,  Amy Blankenhorn, Heber Blankenhorn, Dr. Thomas C. Blaisdell, Jr., Ellis P. Block, John A. Bohn, E.W.G. Boogher, Book-of-The-Month Club, Inc., Judge Julian F. Bouchelle, Basil Nicholas Helenagoras Bousios, Fenton Bradford, C. Daniel Bremer, Samuel Bristol, G.L. Broaddus, St. Claire Brookes, The Brookings Institution, Herbert Bruce Brougham, E. Kirk Brown, Law Offices of Brown and Brown, H. Russel Brand, Carl P. Brannin, Selig C. Brez, P.F. Brissenden, Professor Leslie Buckler, Raymond Leslie Buell, John Bullock, Bureau of Agricultural Economics, Bureau of Applied Economics, The Bureau of National Affairs, Harold B. Butler, John E. Burton, J.C. Byars, Herman B. Byer, and Reverend James A. Byrnes.","Correspondents include: [Cadle], Jessie L. Campbell, R. Granville Campbell, The Capital News Company,Sophia Carey, Harry J. Carman, J.D. Carneal and Sons Inc.,  Caroline County Library Committee, M.D. Carrel, Samuel McCrea Cavert, The Chesapeake and Ohio Railway Company, The Chesapeake and Potomac Telephone Company, Mrs. Charlotte Chrestien, The Christian Science Publishing Society, Citizens' Council for Total Defense, Brice Claggett, V.M. Clapp, Clark, Dodge and Company, Brokers, Evans Clark, Victor S. Clark, W. A. Clark, Pauline Clarke, J. William Claudy, Thompson Clayton, Dr. Rudolph A. Clemen, Walt Clyde, The Clerk of the Stafford Court House, E.J. Coil, Kenneth Colegrove, George P. Comer, Department of Commerce, Commodity Research Bureau, Inc., Common Council for American Unity, Ellen Commons, Congressional Intelligence, Inc., Consolidated Vultee American Aircraft Corporation, Dr. P. S. Constantinople, W. Dewey Cooke, Edward L. Corbett, James Corbett, John M. Corbett, Council Against Intolerance in America, Council of Young Southerners, Frederick C. Croxton, Cosmos Club, Morgan Cunningham, and Curles Neck Dairy.","Correspondents include: Oscar H. Darter, Henry David, Elmer Davis, Shelby Cullom Davis, William H. Davis, Len De Caux, Kenneth de Courcy, De Jarnette State Sanatorium, Lud Denny, United States Department of Commerce, Marshall E. Dimock (U.S. DoJ), District Unemployment Compensation Board, Edward J. Donohue, Frank P. Douglass, Law Offices of Drain and Weaver, David Dubinsky, Allan Dunlap, Arthur Dunn, Robert W. Dunn, and C. A. Dykstra.","Correspondents include: Joseph B. Eastman, Economic Policy Committee, C. Vernon Eddy, J. A. Efpokito, Gerald Egan, Electric Home and Farm Authority, and Charles T. Estes.","Correspondents include: P. T. Fagan, Reverend Richard M. Fagley, Ruth Ansell Farley, The Farmers and Merchants State Bank, The Federal Council of the Churches of Christ in America, Federal Works Progress Administration for the Commonwealth of Pennsylvania, First Bancredit Corporation, First National Bank of Boston, The First National Bank of Keyser, Fjell Line of Great Lakes Transatlantic, Inc., Ralph Fleharty, R. D. Fleming, Courtney Fletcher, Duncan U. Fletcher, M. S. Flint, Frank H. Fljozdal, Fitzgerald Flourney, Hon. Edward J. Flynn, John T. Flynn, Foley, Food Research Institute of Stanford University, B.C. Forbes (Forbes Magazine), R. D. Forbes, Forbes and Myers, Foreign Policy Association, Clark Forman, Fortune, The Forum, Major B. Foster, Founders General Corporation, Mrs. M. N. Fox, Jerome Frank, Frank Brothers, Lafayette Franklin, Franklin Press, Franklin Simon Company, T. McCall Frazier, Free Lance-Star, W. R. Freeman, Paul Comly French, John P. Frey, Elisha M. Friedman, Ruth Friedson, and R. S. Fritter.","Correspondents include: Domenico Gagliardo, George B. Galloway, O. Max Gardner, Honorable Leslie C. Garnett, William Edward Garnett, Stanley Garrison, H. Dymoke Gasson, Paul W. Gates, Gayle Motor Company, Theodore Geiger, Phyliss Geisler, General Elevator Co., General Motors Corporation, Alfred Giardino, Clinton S. Golden, Clem Goodman, Henry J. Goodman \u0026 Co., C. O'Connor Goolrick, John T. Goolrick, Mary K. Gorman, Frank P. Graham, Sally Nelson Gravatt, Walter C. Graves Jr., H. A. Gray, Lanier Gray, H. B. Greybill, Myra Moore Griffith, J. Cleveland Grigsby, Sarah Groomes, Guthrie Lithograph Company, and Walter B. Guy.","Correspondents include: Ernst Haberstadt, Max Haleff, Ford P. Hall, Fred W. Hall, F. S. Hall, Edward W. Hamilton, H. E. Hamilton, Hampden-Sydney College, Hugh S. Hanna, Charles Hansel, William Hard, Harper and Brothers, Emma Harris, Owen Harris, Harvard College Library, Leon Henderson, S.J Henry, Warren F. Hickernell, R. G. Hilldrup, Otto Hillsman and Co., Mary W. Hillyer, S. H. Hines Company, David Hirsh and Son, H. C. Holdridge, Hoover War Library, Herbert Hoover, Harry L. Hopkins, Welly K. Hopkins, Dr. W. E. Hotchkiss, Curtis Hubbard, J.S. Hughes, W. A. Hull, and Thomas Lomax Hunter.","Correspondents include: Major William W. Inglis, Institute of American Meat Packers, Institute of World Economics, International Bank, International Statistical Bureau, Inc., Interstate Bankers Corporation, Investment Bankers Association of America, and Irving Trust Company.","Correspondents include: Gardner Jackson, Meyer Jacobstein, Jjell Lines, Thomas Jefferson (typescript copy of letter, June 11, 1807, concerning newspapers and histories), J. M. Johnson, Honorable Jessie Jones, Roberts W. Jones, N.Y. Journal of Commerce, and The Jury Commission.","Correspondents include: Evelyn Kane, Kappa Sigma House Association, Inc., Augustine B. Kelley, Leon H. Keyserling, Susan M. Kingsbury, Dr. George E. Kingsley, Richard Kirby, John H. Klingenfeld, and Oscar Koppel.","Correspondents include: LABOR, Ladies' Garment Workers Union, (William H. Lamar), Sophia J. Lammers, H. Lamson, Richard V. Lancaster, Thomas Larkin III, Joseph P. Lash, David Lasser, Howard Lee, Joseph N. Leinbach, Albert H. Levene, Robert E. Levine, Charles T. Libby, David E. Lilienthal, The Lincoln National Bank of Washington, Ernest K. Lindley, Geo. W. Linkins, Co., Irving Lipkowitz, Henry T. Lipman, Thomas E. Lodge, Stephen M. Loebl, Norman Lombard, W. C. Looker, Jr., Edward Lynch, and Barrow Lyons.","Topics include: American Legion Convention (1945); Committee for Industrial Organization Procedure and Policy (1935-1936); C.I.O. A.F.L. (1940); Congressman Martin and Mr. MacDougall (1939 March 3); Farmington Conference- War Time Organization Planned by the Administration (1939); Fixation of Coal Prices, Memos Relative to (1939); Fortune Magazine's Conferences or Round Tables (1939); Income Tax Returns of Lewis, J. L. (1940-1941); The Inner Circle (1942 Feb 11); Inter-American Bank (1940); Lindberg on \"Preparedness\" (1940); Missouri Pacific Bonds (1941-1942); National Defense to Post-War Planning (1942-1945); Oil and Gas on a Basis of Equality with Coal (1939); A Plan for Economic Democracy - Article written by Major Holdridge (1939); A Plan for Solving the Economic Crisis by Dr. R.H. Von Liedtke (1937-1941); \"Prohibiting\" Strikes for the Emergency Period (1940); James L. Simpson \"Plan for Maintenance of Economic Balance and Security\" (1940);  The Townsend Plan and Mr. Ivan Towanski (1942); Union Shop and Mr. Leland Olds (1941 November 14); United Mine Workers Suggested Program (1934-1935); War Against Unemployment and Poverty (1940 January 10); Threatened  Competition of Natural Gas with Coal (1944 December 5); and Big Inch Pipe Lines and the Rural Electrification Administration (1946 January 14).","Correspondents include: Bishop Francis J. McConnell, William MacDonald, Ernst D. MacDougall, Donald MacMillan, W. C. MacQuown, R. A. Magowan, Edward C. Maguire, Elizabeth M. Maher, Mason Manghum, Maxwell J. Mangold, Bank of the Manhattan Company, Basil Manly, L. C. Marshall, Thomas O. Marvin, Maryland and District of Columbia Industrial Union Council, Maryland Title and Investment Company, Lucy Randolph Mason, Massachusetts Mutual Life Insurance Company, The Bank of Mathews, Inc., Honorable Maury Maverick, Herbert Mazo, Charles McCarthy, Summerfield A. McCarteney, Bishop Francis J. McConnell, Wm. P. McGinn, Edw. F. McGrady, McGraw-Hill Publishing Company-Inc., Ernest D. McIver, Dr. Archibald McLeish, Thomas P. McTigue, Honorable James M. Mead, Richard R. Mead, Royal D. Mead, D. J. Meserole, Eugene Meyer, Jr.,  Francis Pickens Miller, Francis Trevelyan Miller, Ward B. Miller, H. A. Millis, The Milwaukee Journal, Mine Official's Union of America, John J. Minor, George Minnigerode, William Mitch, Wesley C. Mitchell, R. C. L. Moncure, Jr., Monroe and Berry, C. D. Montague, Jean Montgomery, Monthly Labor Review, Robert Morey, Charles S. Morgan, H. W. Morgan, Marie Morris, J. H. Muirhead, Honorable Karl E. Mundt, and Gorham Munson.","Correspondents include: William R. Nagel, Leonard Nairn, Dr. Philip Curtin Nash, Nash Floor Service, A. Nash Tailoring Company, Natalie, Inc., The Nation, The National Association for the Advancement of Colored People, National Association of Manufacturers, National Association of Retired Federal Employees, The National Bank, National Bank of Orange, National Bank of the Republic, National Bank of Washington, National Bituminous Coal Commission, National Broadcasting Company, Inc., National Bureau of Economic Research, National Catholic Welfare Conference, National Child Labor Committee, National Citizen's Council For Defense, The National City Bank of New York, National Cold Steam Company, National Consumers' League, National Council for Prevention of War, National Defense Mediation Board, National Electric Light Association, The National Encyclopedia, National Labor Relations Board, National Lawyers Guild, National Life Insurance Company, National Planning Association, National Resources Planning Board, National Policy Committee, National Press Club, National Recovery Administration, National Resources Board, National Sharecroppers Week, National Window and Office Cleaning Company, National Women's Trade Union League of America, Nation's Business, Nation's Commerce, J. S. Naylor, Donald Nelson, New America, The New Republic, Newsweek, W. S. Newton, The New York Times, George W. Norris, Cecil C. North, The Northern Neck Mutual Fire Association of Virginia, Claudian B. Northrop, and Harold Bernard November.","Correspondents include: Charlton Ogburn, William F. Ogburn, J. G. Ohsol, Joseph C. O'Mahoney, Organization Committee of Social Union, Inc., Mary O'Shaughnessy, William Owen, and John W. Owens.","Correspondents include: Pabst Post-War Employment Awards, A. H. Packard, C. C. Packard, Florence E. Parker, The Parker Corporation, Julius H. Parmelee, Col. Samuel Pascoe, Leo Pavolsky, M. W. Paxton, Jr., Walter Phipes, George Curtis Peck, Ferdinand Pecora, William R. Pendergast, Willis Pepoon, Fred W. Perkins, Thomas W. Perry, Charles E. Persons, Samuel B. Pettengill, Julius I. Peyser, L. W. H. Peyton, David A. Pine, David W. Pipes Jr., Fort Pipes, W. G. Pitero, P.M., Justine Wise Polier, Shad Polier, Wm. T. Powers, Richard T. Pratt, Prentice-Hall, Inc., Evelyn Preston, Harry B. Price, James H. Price, Provisional Committee Toward A Democratic Peace, and Public Affairs Committee.","Correspondents include: Railway Age, Ransdell Inc., Mervyn Rathborne, Stephen Rauschenbush, Carl Raushenbush, The Readers Club, Philip M. Riefkin, Charles S. Robb, James Robb, Newell W. Roberts, D. B. Robertson, Mr. Robey, John M. Robinson, Leland Rex Robinson, Josephine Roche, Rockbridge National Bank, John D. Rockefeller, Jr., Harry L. Rogers, Paul V. Rogers, William N. Rogers, Henry Romeike, Incorporated, Samuel Romer, Walter A. Romer, Leon H. Rouse (with William Green),  Rouss Library, Frances Rowe, and Harold J. Ruttenberg.","Correspondents include: Russell Sage, Lewis D. Sampson, Samuel L. Samuel, Dr. David J. Saposs, Saturday Evening Post, Marshall Schaffer, D. M. Schnapper, L. B. Schnapper, Joseph Schneider, G. Luther Schnur, James T. Shotwell, H. L. Schuh, Montgomery Schuyler, Louis J. Schwab, Henry Herman Schwartz, Ray Scott, Charles Scribner's Sons, Seaboard Air Line Railway Company, Joel Seidman, Shaw-Walker, Chester Shepard, Chester Sheppard, R. T. Shields, Silcox Memorial Fund, Simmons-Boardman Publishing Corporation, Sidney Simon, Richard C. Simonson, John F. Sinclair, Anthony Wayne Smith, C. Archer Smith, Edwin S. Smith, Nelson Lee Smith, S. Granville Smith, Vernon D. Smith, Bernard A. Smyth, H. M. Snead, Jr., Social Union, Inc., The Society for the Advancement of Management, Inc., John E. W. Sohl, L. W. Sorrell, Southern Conference for Human Welfare, Southern Maryland Trust Company, Mr. Sovey, Alexander Spencer, Sphere, R. B. Spindle, George L. Sprague, Saint Albans, Margaret S. Stables, William H. Stafford, Stafford County, Standard Oil Company, Stanford University Library, Louis Stark, State Loan Company, State Teachers College, Henry M. Stephenson, STEEL, Steel Workers Organizing Committee, A. A. Steele, Jean Stephenson, Jos. G. Stephenson, Boris Stern, Harold Stern, E. R. Stettinius, W. M. Steuart, Harry H. Stockfeld, W. L. Stoddard, Benjamin Stolberg, Irving Stone, N. L. Stone, William T. Stone, Chas. G. Stott and Co., Inc., Paul A. Strachan, David Strain, Ralph Strathmore, Nathan Straus, John Studebaker, Ralph G. Sucher, Arthur E. Suffern, Superintendent of Documents (Government Printing Office), Elmer Swack, Paul E. Switzer, Alois P. Swoboda, and Mr. Sydenstricker.","Correspondents include: Ivan Tarnowsky, Tax Policy League, Ordway Tead, Tennessee Valley Authority (Representative Noble J. Gregory), Percy Tetlow, Dorothy Thompson, TIME MAGAZINE, Daniel J. Tobin, John H. Tolan, The Travelers Insurance Company, Beverly Tucker, Henry Saint George Tucker, Earl R. Turner, and The Twentieth Century Fund.","Correspondents include: Alfred P. Wagner, Gordon Wagner, Robert F. Wagner, Thomas C. G. Wagner, J. Forest Walker, Allan E. Walker and Company, George A. Wallace, J. Raymond Walsh, August G. Walters, James N. Walton, James P. Warburg, Dr. Harry E. Ward, R. D. Ward, Ward and Paul, Caroline F. Ware, A.L. Warthen, Charles Washington, Washington and Lee University, \"Washington Post,\" James R. Wason, Elton Watkins, Ralph J. Watkins, Claude S. Watts, Marie Watts, Charles F. Weaver, H. B. Wells, (George) P. West, A. O. Wharton, Ross Wheat, Burton K. Wheeler, William M. Wherry, Hugh A. White, Ralph J. White, W. A. White, T. Y. Wickham, Dorothy G. Wiehl, Dr. Ray Lyman Wilbur, Allan H. Willett, Williams Company, Willis and Willis, Corwin Willson, J. Alfred Wilner, Elsie Cobb Wilson, D. O. Wilson, H. Hazen Wilson, Nelson Wilson, The H. W. Wilson Company, John G. Winant, J. Wise, James Waterman Wise, S. S. Wise, William P. Witherow, J. S. Withrow, Nathan Witt, Laurence C. Witten, Benedict Wolf, World Fellowship, Inc., World Study Tours, and Thomas H. Wright.","Scope note for correspondence files. There has been no attempt to make an exhaustive list of the correspondents in each folder. Most letters were routine correspondence from people seeking information about the group; copies of their publications, speeches, and other educational materials; questions about membership in the group from interested individuals; requests for individuals to become sponsors, members or leaders in the group; leaders of other like-minded organizations; union leadership (often about the lack of funds available to support the American Association for Economic Freedom); or people wanting information about pertinent upcoming legislative bills. Attention on the lists of correspondence is focused particularly on political and public figures, editors, and the legislative and social issues of the day.","These include: American Committee for Protection of Foreign Born; American Council on Public Affairs; Atlantic Charter League; J.M. Artman, editor of \"The American Citizen\"; Representative Thomas R. Amlie; Thurman Arnold, Department of Justice (concerning Frank B. Kellogg statement about the anti-trust Sherman Act); and John B. Abel.","Correspondents include: Alfred L. Bernheim, The Labor Bureau; A.A. Berle banking proposal; Rabbi Barnett R. Brickner, Social Justice Commission; Kent Baker, editor of \"Sphere\" with article sent to him by Lauck, \"Industrial Reconstruction\" attached; David Burdett (conventional economics versus social economics); and G.P. Bronisch, Loyal Americans of German Descent","Correspondents and topics include: Lauck memorandum to Charles H. Chase, (in light of the prospect of a lengthy war and its impact on social and economic reform) informing him of his decision to drastically reduce expenditures by having only one employee to maintain the office (1942); \"Strife and the Worker\" proofs by John F. Cronin; Helen A. Cole, \"The Liberal Worker\"; W.S. Clement and his \"The Ben Franklin Plan\"; Ben V. Cohen, National Power Policy Committee; and the Council for Social Action, Ferry L. Platt, Jr. concerning farm issues.","Correspondents and topics include: Dr. Paul H. Douglas, University of Chicago; Hardy C. Dillard, Institute of Public Affairs, including a letter from John L. Newcomb; Frederic A. Delano, Chairman National Resources Advisory Committee; and a letter to John Dewey.","Correspondents and topics include: Arthur Eggleston, San Francisco Chronicle; Peter Edson, NEA Service; A.E. Edwards concerning the Wagner Labor Relations Act; J.G. Frain; and Charles Flato.","Correspondents and topics include: Alfred C. Gaunt, including \"Smaller Business Lifts Its Eyes\"; Toshi Go, Foreign Affairs Association of Japan; and A.E. Grassby, Winnipeg, Manitoba.","Correspondents and topics include:  Hubert Herring; Sidney Hillman; Fred S. Hall concerning the Industrial Expansion Act (multiple letters); B.W. Huebsch, The Viking Press,  and his concern over the pamphlet \"A New Social Order\"; S.L. Hoover and his question about the Keller Bill and the Association; John Edgar Hoover; and F.J. Hall, editor of \"The United States News\" about numbers of unemployed and other issues (multiple letters).","Correspondents and topics include: Meyer Jacobstein about the Reconstruction Act; and Paul Kellogg.","Correspondence includes: letters to Robert M. LaFollette, Jr.; League for Abundance: League for Industrial Democracy; Harold Loeb; and Dr. Jack Levin.","Correspondents and topics include: secretary of Attorney General Frank Murphy; Darwin J. Meserole, National Unemployment League; Francis P. Miller; Emily Fogg Mead; Homer L. Mead; Lewis E. Meyers; Judge Julian W. Mack; Bishop Francis J. McConnell; George F. Milton, editor \"The Chattanooga News\"; Senator James M. Mead; and letter to Archibald MacLeish, Librarian of Congress.","Correspondents and topics include: Bishop Francis J. McConnell; James W. Miller; Vito Marcantonio; Otto Mayer; Robert E. Mathews concerning the \"sit down strike\" by investment bankers and industrialists in May 1940; and Henry Morgenthau, Jr., letter to.","Correspondence includes: \"The New Republic\"; Douglas Newman, Secretary of the Barradas League; Dr. C.A. Norman; memorandum concerning Senator Norris' presidential qualifications; and Representative Mary T. Norton.","Correspondents and topics include: William Owen; Ernest Minor Patterson; Representative Claude Pepper; Justice Justine Wise Polier; and Jacob S. Potofsky.","Correspondents and topics include: Judge Samuel I. Rosenman; Representative Robert L. Ramsay; Right Reverend Msgr. John A. Ryan.","Correspondents and topics include: John Saxton; Guy Emery Shipler; Edwin S. Smith; William Simkin; B.M. Schnapper concerning the history of the Wagner Act; Ray Scott concerning the \"Fundamental Significance of our Present Day Labor Movement\"; and Porter Sargent.","Correspondents and topics include: Ordway Tead, Harper and Brothers; and Dr. Robert H. Tucker.","Correspondents and topics include: an appreciation of Frank P. Walsh upon his death on May 2, 1939; Matthew Woll, American Federation of Labor; Thomas H. Wright, New America; Harry F. Ward; and Nathan Witt; and N.A. Zonorich.","Includes leases, workman's compensation insurance, correspondence, and unemployment compensation.","These include: \"Policies and Objectives of the American Association of Economic Freedom,\" \"Shrinkages and Hoardings of Purchasing Power Accentuate Current Business Recession,\" \"Hoardings-Taxes Proposed to Stimulate Flow of Credit and Goods and Revival of Business,\" \"Approaches Toward a Concerted Program of Fundamental Economic Reconstruction in the United States,\" various drafts of suggestions for the programs, principles and objectives of the organization, \"Sugar Control,\" \"American Labor's Broadcast to Great Britain,\" \"American Economic Situation of 1937-1938,\" \"Unemployment Insurance,\" \"Industrial Espionage,\" \"Bank-Holding Companies,\" several on social service foundations, \"Economic Freedom in America,\" \"Industrial Reconstruction Act of 1939\" press release draft, \"Capitalism in Crisis,\" \"Prospective Labor Surpluses,\" \"Increased Man Hour Productivity and Technological Unemployment,\" monopoly, and \"Petroleum Quota Controls.\"","These include: participation in management, monopoly, the \"Industrial Reconstruction Act of 1939,\" \"Leaders on the No. 1 Problem,\" \"Federal Administrative Court Bill,\" \"Occupational Groupings,\" \"National Labor Relations Act and Board,\" \"Full Employment Bill,\" \"Senator Claude Pepper,\" \"Senator Lewis B. Schellenbach,\" and starting a American Association of Economic Freedom Bulletin.\"","These include: \"Threatened Crucial Developments,\" \"Anti-democratic philosophies,\" \"Churchill's anticipations, 1932-1939,\" \"Mussolini,\" \"Hitlerism and Nazism,\" \"Profits of Leading Corporations, 1936-1939,\" notes on People's Lobby Conference, and Ickes [speech] on business sabotage of defense.","These titles include: \"Can Unemployment be Ended?\"; \"Challenge to American Democracy\"; \"Civil Liberties and the National Labor Relations Board\"; \"Cure by Shock,\" \"Democracy and Economic Planning\"; \"Economic Reconstruction\"; \"Fundamental Significance of Our Present Day Labor Movement\"; \"Next Step in Democratization\"; \"A New Magna Carta\" \"A New Social Order\"; \"Preparedness for Peace,\"  \"Problems of the National Labor Relations Board.\"","The \"Post-War Reconstruction Bill\" is foldered separately.","Included are: \"Thirty Million Jobs\" by Arthur Dunn; Roundtable: \"Labor's role in Post-War Reconstruction\"; \"Freedom from Want\" by Mr. Walton; \"Nineteenth Century Prophecy of Order\" by Harry Frease; \"The Moral Issue\" by Lowell Mellett; \"A Banking System for Capital and Capital Credit\" by A.A. Berle, Jr.; \"Suggested Housing Program for National Defense Purposes\" by the Congress of Industrial Organizations; and \"A Primer of Current Economics\" [1933].","Included are: Fight for Freedom, Friends of Democracy, and the Gillette Resolution.","These include memoranda, news clippings, an article by George B. Galloway on \"The Imperative of Planning,\" replies, and a speech by W. Jett Lauck.","Includes separate folders on news clippings, some containing criticisms and investigations; problems of the board; and the testimony of John L. Lewis.","Clippings include Wendell Willkie, democracy versus absolutism, banker opinion, national debt, U.S. Attorney General, pump priming the economy, monopolies, religion and democracy, communism, and capitalism and democracy.","Included are: Peace Conditions; People's Congress for Democracy and Peace; Plenty for All League; People's Lobby; Pressure Groups, Attitudes of; Pension Plan – \"Uncle Fred's Automatic Pension Plan\"; Progressives, Conference of; Social Union; Tax-Exempt Bonds; Women in Trade Unions; and Young Democrats.","Topics include: Conferences; Corporation Notes and Memoranda; Kennedy Statement on General Motors Inquiry; Production Costs by T.C. Gordon Wagner; Ratio of Pay Rolls to Returns to Stockholder;Salaries of Officials; and Annual Reports to the Securities and Exchange Commission, 1935 and 1937.","Subjects include: Agreements; Decisions; the Willard E.Hotchkiss Decision in Tar Barrel Case; Negotiations for New Agreements; News clippings; Publications; Report of Homer Martin to the International Executive Board; and a Statement Submitted to Roosevelt by Union Representation.","According to Wikipedia, \"The Commission on Industrial Relations (also known as the Walsh Commission) was a commission created by the U.S. Congress on August 23, 1912 to scrutinize US labor law. The commission studied work conditions throughout the industrial United States between 1913 and 1915. The Chairman was Frank P. Walsh, a labor lawyer and activist from Kansas City, Missouri.","https://en.wikipedia.org/wiki/Commission_on_Industrial_Relations","These include: \"Foreign Competition After the War,\" \"The Artificial Dye Industry in the War,\" and \"Business and the War.\"","Includes: \"Secretary Kennedy Gives Union Views on How Hard-Coal Freight Rates Affect Miner\" (December 15, 1933); \"The N.R.A. and Collective Bargaining\" Catholic Welfare Council (September 17, 1934); address before the National Conference on Economic Security (November 14, 1934); and \"Organized Labor and the N.R.A.\" Catholic Conference, Harrisburg, Pennsylvania (November 27, 1934).","Includes: Statement concerning the Wagner-Lewis Economic Security Bill before the Senate Committee on Finance (February 21, 1935); Commencement Address (June 3, 1935); \"Education and the Parochial School System\" (August 19, 1935); \"The Trade Union and Recovery\" (Labor Day, 1935); and \"Unemployment Insurance, Old Age Pensions, and Housing Legislation\" at the White House Conference on Economic Security (December 30, 1935).","Includes: Labor Day address (September 1937); article \"The United Mine Workers of America\" for the \"American Encyclopedia\" (December 2, 1938); address to the Pennsylvania Utilities Commission on the Competition of Natural Gas (April 1940); and a request for Lauck to send his analysis and recommendations concerning a letter from A.J. Altmeyer, Chairman of the Social Security Board, and two other enclosures pertaining to the Associated Gas and Electric Company, New York City (1942 March 27 and 1943 January 23).","Includes: a radio speech supporting Hoover in the election (1928); and a statement at the Hearing on a Code for the Bituminous Coal Mining Industry before the National Recovery Administration (1933 August 10).","Includes: \"Labor and the National Recovery Administration\" at the Meeting of the American Academy of Political Science, Philadelphia (1934 January 6); \"Labor's Part in Industrial Recovery\" at the San Francisco Commonwealth Club luncheon (1934 October 4); Speech for the International Labor Conference, not delivered (1934 October); and a radio address \"The Employee in the Changing World\" under the auspices of the Intercollegiate Council (1934 December 7).","Includes: Statement by Lewis before National Recovery Administration Hearings on Employment Provisions of Codes of Fair Competition (1935 January 30); \"The American Federation of Labor and the National Recovery Administration\" prepared for the \"Annals,\" Philadelphia but never delivered (1935 March 11-12); The United Mine Workers of America and the National Recovery Act\" Madison Square Gardens (1935 March-May 23); and Statement of Approval for the Wagner Housing Bill in the \"United Mine Workers Journal\" (1935 June 1).","Includes: \"The Case for Industrial Unionism\" (November 12, 1935); radio address \"The Future of Organized Labor\" (November 28, 1935); and article for \"Liberty Magazine\" on industrial unionism (1935 December 20).","Includes: a speech on Industrial Unionism before the Cleveland Auto Council (January 19, 1936); \"The Teacher and His Relation to Labor\" for the American Federation of Teachers Convention (June 19, 1936); a radio address \"Industrial Democracy in Steel\" (July 6, 1936); and an article \"Through Organization Industrial Democracy Dawns for Sleeping Car Porters\" celebrating the eleventh anniversary of the organization (July 15, 1936).","Includes: a political campaign statement about [Alf M.] Landon (August 1, [1936]); the draft of a Radio Address on Steel Organization (August 11, 1936); article \"Labor Looks at Education\" (August 17, 1936) appearing in the October 36 issue of \"The Teacher\"; article \"Towards Industrial Democracy\" (August 24, 1936) in appearing in the October 1936 issue of \"Current History\"; and two speeches supporting Franklin D. Roosevelt for President (August 18 and September 19, 1936).","Includes: radio address \"Labor and the Future\" (September 3, 1936); \"Horizontal Versus Vertical Unionism\" in \"Wharton School Magazine,\" University of Pennsylvania (September 8, 1936); an article for the \"The National Young Democrat\" on the Social Security Act (September 1936); and a radio address \"Roosevelt and the Future\" (October 18, 1936).","Includes: article \"The Next Four Years\" for the \"The Nation\" (November 4, 1936); an article \"Committee for Industrial Organization and Economic Recovery\" for the \"Business Review of New York  University\"(November 17, 1936); \"the Future of American Labor\" in \"The American Spectator\" (November 19, 1936); articles on \"The Next Four Years in Labor\" in \"The New Republic\" (November 25 and December 9, 1936); \"The Future of Wages\" for the \"Cleveland News\" Symposium (December 7, 1936); \"Organized Labor and the Student Union\" (December 23, 1936); \"The Need of the Hour for American Labor\" for the \"Progressive Salesman Magazine\" (December 24, 1936); radio address \"Adapting Union Methods to Current Changes- Industrial Unionism\" (December 31, 1936); and an unpublished article written for \"Redbook\" (1936).","Includes: \"The Meaning of Industrial Unionism\" for the \"Christian Front\" (January 13, 1937); \"The Struggle for Industrial Democracy\" for \"Common Sense\" (March 1937); an address delivered at an Anti-Nazi Mass Meeting in Madison Square Gardens (March 15, 1937); article \"The Origin and Objectives of the C.I.O.\"  for the \"San Francisco Chronicle\" (May 11, 1937); and a radio address \"Labor and Supreme Court\" (May 14, 1937).","Includes: \"Technology and Labor\" in \"Massachusetts Institute of Technology Engineering News\" (September 3, 1937); Labor Day address \"Labor and the Nation\" (September 3, 1937); \"Progress of Committee for Industrial Organization\" in the \"Wharton Review\" (October 21, 1937); \"Effect of Moderate and Gradual Wage Increases on Prices and Living Costs\" in \"The Annalist\" (November 12, 1937) a reply to an article by A.T. Shurick on July 30, 1937; and the [Steel Workers Organizing Committee] address \"The Deplorable and Indefensible Attitude of Big Business (December 13, 1937).","Includes: Address for British Broadcasting Corporation \"Struggle of Labor in America\" (March 15, 1938); \"Labor and the Law\" (April 14, 1938); \"Organized Labor and the Future of Democracy\" published in the \"St. Louis Post Dispatch\" (December 11, 1938).","Includes: Statement for Survey Associates (January 3, 1939); and \"Labor Looks South\" in \"Virginia Quarterly Review\" (Autumn 1939).","Includes: article on \"What Does Labor Want?\" (February 29, 1940); \"The Heritage of American Youth\" (March 1940); \"Obligations of American Citizenship\" (April 3, 1940); \"Foreword\" to Mr. Thomas' Testimony before the Temporary National Economic Committee (May 23, 1940); and a Labor Day Speech (August 29, 1940).","Includes: Extension of Library Service to Union for City and State Employees (May 28, 1941); Statement to be issued by Lewis on the Decision of the National Mediation Board on Union Shops (November 13, 1941); and \"The New Solid South\" (December 17, 1941).","Includes: Testimony of Mr. Steinbugler (March 2, 1935); the \"Most Impressive Point Developed by the Hearings\" (March 2, 1935); untitled Memorandum (July 30, 1936); \"Report on the Progress of the Hearing on the Coordination of Minimum Prices before the Bituminous Coal Division (September 16, 1939); \"Proposed Labor Policy for the War Period,\" various memoranda (September 11-November 13, 1939); an analysis of Professor Green's Proposal about pricing and distributing manufactured products (June 3, 1940); and Notes on the Last Ten Years (January-May, 1940).","Includes: Reply to A.T. Shurick suggestions on taxing (November 29, 1940); Response to the foreword of Walt Clyde's book on \"Owner Capitalism\" (December 4, 1940); suggestions about the National Economic Conference (December 12, 1940); Response to W.C. Graves, Jr. (December 23, 1940); Letter about the Raw Materials National Council (December 27, 1940); Memorandum on Fred G. Clark and the American Economic Foundation (February 20, 1941); H.S. Avery to Edward O'Neal and John L.Lewis on agriculture and farm prices (September 8, 1941); Conrad K. Grieb on need for social reconstruction (October 23, 1941); Letters from Alexander Spencer (October 30 and November 26, 1941); and a manuscript of Albert H. Levene (November 30, 1941).","Includes: Memorandum about Post War Depression (January 7, 1942); a response to S. Ferguson, President of the Hartford Electric Light Company about his proposals about deferred wages (January 13, 1942); W.A Hutton, M.D.  letter on post-war finances (January 14, 1942); Thomas Kennedy request for a study on the Cost of Living (January 16, 1942); Request for a response to the document by L.C. Christian on \"How Must We Finance the War?\" (February 3, 1942); a request for a response to a treatise on our financial system by August Walters (February 5-March 18, 1942); additional R.L. Greene communications (February 12,1942); and H.W. Bailey on labor self-determination (March 9, 1942).","Includes: Digest of the Salient Points of a Report on \"Manpower Policy and Labor Relations in the British Coal Industry\" (January 5, 1943); a Leo Chabert document on financing the war (April 4, 1943); and memoranda about an executive conference of the Natural Resources Board at Farmington Country Club, Charlottesville, Virginia, previously held around 1939.","Subjects include the National Recovery Administration, \"Amalgamation of the Two Enginemen's Brotherhoods,\" \"Russian Recognition and the New Deal,\" \"Future Policies of the National Recovery Administration,\" Six-Hour Day of the Railroads, \"Two Men on the Head End of all Railroad Trains,\" and Housing.","Subjects include \"Benefits of Trade Unionism,\" \"Forbes\" article, \"Limit on Weekly Work Hours,\" a letter to Professor Gordon, and \"Labor Movement and the Future of America\"","Subjects include planks for the Republican Platform, Anti-Strike Legislation, a Rejoinder to the Remarks of Fred Gurley, and \"Recommendations to the Board of Investigation and Research\"","A checklist of article titles can be found in the first folder. Titles in the order of the list   include: \"Economics and Christianity\"; \"The Mysterious Soul of the Steel Corporation\"; \"The Anthracite  Operators Should Concede the Check-off\" July 13, 1923; \"Industrial Principles and Not Machinery Are Important\"; \"The So-Called Check-off and Its Significance\"; \"The Report of the Coal Commission on the Anthracite Industry\"; \"The Purchasing Power of Wheat and Cotton\"; \"Private Cars and the Coal Problem\"; \"Mr. McAdoo's Political Availability\"; and \"No More Pre-war Standards of Wages and Working Conditions.\"","Next ten article titles include: \"The Radical - His Significance at Present\"; \"The Soft Coal Problem Again to the Front\"; \"Labor Banks and Their Ultimate Significance\"; \"Political Democracy Must be Supplemented by Industrial Democracy\"; \"Oil and the Southern Pacific\"; \"The Purchasing Power of the Farmer's Dollar\"; \"The Truth is Never Unpardonable\"; \"Private Cars and the Coal Problem\"; \"The Unique Financial Position of the Pullman Company\"; and \"Another Manifestation of the Soul of the Steel Corporation.\"","The next ten article titles include: \"Sugar and the Flexible Tariff Provision\"; \"Conflict or Arbitration\"; \"The Threatened Boomerang\"; \"Cooperation for Mutual Benefit or Profit?\"; \"Secret Police or Conviction for Crime\"; \"Chairman Butler Emits and Omits\"; National Cooperative Grain Marketing Realized\"; \"The Anthracite Operators Should Concede the Check-off\" (possible duplicate); \"Regulation of the Anthracite Monopoly\" September 1 , 1923; \"Why Not Action on Anthracite?\" September 11, 1923; and \"Can a Living Wage Be Paid to Unskilled Labor?\" October 30, 1923.","The next ten article titles include: \"The Failure of Industrial Arbitration\" October 30, 1923; \"Significant Labor Developments During the Coming Year\" October 30, 1923; \"A Dramatic Migration\" concerning African Americans, October 30, 1923; \"Unprotected Pullman Passengers\" October 30, 1923; \"The New Immigration and Its Significance\" November 2, 1923; \"The Probability of Railroad Legislation\" February 7, 1924; \"The Industrial Magna Carta\" February 23, 1924; \"Land Grants to Western Railroads\" February 23, 1924; \"Increased Efficiency of Labor\" February 23, 1924; and \"Real Industrial Statemanship February 25, 1924.\"","The next ten article titles include: \"Some Other Matters of Record\" June 2, 1924; \"The Verdict from Kansas\" August 7, 1924; \"A Real Test for the Tariff Commission\" August 14, 1924; \"A Billion and a Half Railroad Merger\" August 16, 1924; \"Common Sense\" August 19, 1924; \"President Gompers and a Labor Party\" August 19, 1924; \"A Significant Precedent in Financing Farmers Cooperative Enterprises\"; \"Back to the Declaration of Independence\" August 21, 1924; \"A Costly Labor Policy\" August 23, 1924; and \"Brass Tacks, The Red Flag, and the Constitution\" August 23, 1924.","The final group of articles include: \"Industrial Democracy - Our Greatest Problem\" August 27, 1924; \"The Passing of the Money Gods\"; \"The Conference Board Reports on Taxation in Wisconsin\"; \"The Railroad Labor Board\"; \"The Farmer and the Tariff\"; \"Visible and Invisible Tax Burdens\"; \"The Most Helpful Farm Movement\"; \"Radicals and God's Fools\"; \"Militant Friends Needed\"; \"The Unconscious Cruelty of Success\" October 24, 1924; and \"Another Orgy of Railroad Finance.\"","While some chapters have no individual date, they likely all come from drafts in 1931 or 1932. It is unclear which version belongs to each draft, and equally unclear which versions the explanatory note references. Chapter VII is largely missing. The name of the book may have eventually changed to \"The Need for a Unified Banking System.\"","W. Jett Lauck was chairman of the Pennsylvania Anthracite Coal Commission, responsible for investigating the state of the anthracite industry and the coal bootlegging situation in Pennsylvania, as well as recommending action.","The United States Anthracite Coal Commission is a different and separate entity than the Pennsylvania Anthracite Coal Commission over which Lauck presided (see also, \"United Mine Workers of America before the U.S. Anthracite Coal Commission\").","For reference, the Ad Interim Report was a report made halfway through the Commission's studies; the Final Report was the last official report of the Commission and contains recommendations; the Complete Report was a compendium of all of the Commission's work and reports (over 500 pages).","Reports include \"Anthracite Lands and Deposits,\" \"Anthracite Royalties,\" and \"Control of the Anthracite Industry.\"","Reports include \"Financial Operations of Anthracite Companies\" and \"Monopolistic Nature of the Anthracite Industry.\"","These include \"Award of the Anthracite Coal Strike Commission: Subsequent Agreements, and Resolutions of Board of Conciliation\" (July 1, 1936); \"A Labor Case With Merit: Editorial Comment on the Case of the Anthracite Mine Workers\" (1920); and \"Labor Information Bulletin,\" U.S. Bureau of Labor Statistics (February 1937).","Proposed Bills include the Anthracite Coal Industry Act; the Anthracite Public Authority Bill; the Cooperative Marketing Bill; the Pennsylvania Anthracite Commission; and Suggestions and Opinions.","Files included under Rates contain, the 1933 Freight Rate Case Excerpts and Statistics; Charts and Tables; General Information (see also Anthracite Institute Statistical Data, Maps, and Drawings, Anthracite Producers Statistical Data, Maps, and Drawings); the Interstate Commerce Commission Data; \"Intrastate Rates on Anthracite in Pennsylvania\"; and Rate Fixation in 1915.","Reports include: \"Combination in the Anthracite Industry,\" \"Comparison of Earnings and Wage Rates in the Anthracite and Bituminous Mines of Pennsylvania,\" \"Exhibits of the Anthracite Operators in Reply to Exhibits Presented by the Anthracite Mine Workers,\" \"Irregularity of Employment in the Anthracite Industry,\" \"Occupation Hazard of Anthracite Miners,\" \"Profits of Anthracite Operators,\" and \"The Relationship Between Rates of Pay and Earnings and the Cost of Living in the Anthracite Industry of Pennsylvania.\"","Reports include: \"Reply of the Anthracite Operators to the Demands of the Anthracite Mine Workers,\" \"The Sanction for a Living Wage: A Compilation of Data From Official and Authoritative Sources,\" \"Summary, Analysis, and Statement,\" \"The Trade Union as the Basis for Collective Bargaining: A Compilation of Sanctions and Experiences,\" \"Trade Unions,\" and \"Wholesale and Retail Prices of Anthracite Coal 1913-1920.\"","These exhibits include \"Changes in Cost of Living in the United States, 1913-1922,\" \"A Just and Reasonable Wage,\" and \"Monthly Earnings of Sectionmen.\"","The volume includes exhibits on \"Harmful Effects of Low Wages Upon Health and Morals,\" \"The So-called Law of Supply and Demand,\" \"The Just and Reasonable Wage,\" \"Changes in the Cost of Living in the United States, 1913-1922,\" \"Probable Course of Prices,\" \"Comparison of Prices and Living Costs,\" \"Monthly Earnings of Section Men,\" and \"Monthly Earnings of Section Men – Basic Tables.\"","Includes the following files: Briefs; Construction and Repair of Railroad Equipment; Correspondence on Leasing Out Repair Roads; Minutes of the Philadelphia Hearing; Petition to the Interstate Commerce Commission; Press - Clippings concerning Outside Repair; Press Release Originals; General Electric and Westinghouse; Labor Costs; Louisville to Nashville Railroad; and Miscellaneous.","W. Jett Lauck has also referred to this case as \"the Shopman's Case\" or the \"B.M. Jewell Case.\" Jewell was the President of the Railway Employees division of the American Federation of Labor.","Note that all exhibits were presented before the United States Railroad Labor Board.","Exhibit 11a includes the section \"Financial Mismanagement of the LeHigh Valley Railroad Company\" and Exhibit 12 includes the \"Summary.\"","Exhibit tTitles include: \"Occupation Hazard of Railway Shopmen\"; \"Punitive Overtime\"; \"Industrial Relation on Railroads prior to 1917\"; \"Standardization\"; \"The Recognition of Human Standards in Industry\"; \"The Unity of the American Railway Systems\"; \"Human Standards and Railroad Policy\"; \"Seniority Rules of the National Agreements\"; \"The Sanction of the Eight Hour Day\"; \"The Work of the Railway Carmen,\" and \"The Development of Collective Bargaining on a National Basis.\"","These include: \"Pending Railway Legislation\"; \"The Present Railroad Labor Problem\"; \"The Future Policy as to the Railroads\"; \"Compulsory Arbitration\"; \"Labor Adjustment Boards of the Railroad Administration\"; \"The Reasonableness of the Requests of Locomotive Firemen\"; \"Time and One-Half For Overtime\"; and \"Compulsory Arbitration.\"","The Sleeping Car Conductors Case files consist of several successive cases arranged in this finding aid roughly in the chronological order in which they occurred.","Exhibits include \"An Adequate Basic Wage,\" \"Earnings of Sleeping Car Conductors compared with Changes in the Cost of Living,\" \"Various Factors Indicating Rising Standards of Living in the United States Since 1914,\" \"Compensation of Sleeping Car Conductors compared with other Expenses and Revenue of the Pullman Company,\" and \"General Trend of Wages, 1913-1918, as Compared with Earnings of Sleeping Car Conductors.\"","Exhibits include \"Increased Productive Efficiency of Sleeping Car Conductors and Financial Administration of the Pullman Company,\" \"Increased Labor Productivity,\" and \"Standards of Wage Determination.\"","This file includes information and statistics on Besler Steam Power Trains; the Comparative Costs of Operation; Locomotives in Service; Diesels in Switching Service; Earnings Per Hour; Freight Cars; and General Statistics.","These charts include: \"Anthracite Combination,\" \"The Seven Departments of the Anthracite Industry,\" \"Interlocking Directorates Showing Working Control of Anthracite Operating Companies,\" and \"Profits of Anthracite Combination.\"","Charts include \"Affiliations of Railroads and Banking Houses,\" \"New York Bank Control of Railroads and Railroad Equipment Companies,\" \"New York Bank Control of Coal Mining Companies and Coal Railroads,\" and \"The Geographical Spread of New York Railroad Control.\"","Exhibits include \"Employment and Compensation of Railroad Employees\"; \"Cost of Living\"; \"Methods of Reporting Wage and Hour Data\"; and \"Increasing Output per Worker and Decreasing Wage Cost Per Unit of Output.\"","Exhibits include: \"Trend of Railway Operating Revenues and Total Compensation\"; \"The Rising Tide of Recovery A Survey of the Leading Business Indices\"; \"Labor Movement Supports Railway Workers in Resisting a Wage Cut\"; \"Squandering the Maintenance Dollar\"; \"Financial Mismanagement through Banker Control of Railroads\"; \"Training and Skill of Track and Roadway Section Men\"; \"Average Hourly Earnings in Railroads and Other Industries\"; and \"Estimated Money Share of Individual Railroads in the Proposed 15 Per Cent Pay Reduction.\"","Morgan's statements include those on wages; postwar economic conditions, developments, and private bankers' constructive services; and interference and control in corporate managements.","These include \"Cost of Living is Increasing,\" \"The Railroad Plea of Poverty,\" \"Labor Versus Materials and Interest,\" and \"The Railroads versus the Public Interest\" (printed).","Tables include \"Dividend Performance of Anthracite Railroads and Trunk Lines Compared,\" \"Percentage Relationships of Dividends Paid on Stock Dividends to Total Compensation Paid Employees,\" and \"Distribution of Capital Resources.\"","W. Jett Lauck was employed by the John G. Paton Company of New York City to study the report of the Tariff Commission of 1928 as to the costs of production in the maple sugar industry in the United States and in Canada. He then gave his conclusions on the report to the company and as testimony before the Tariff Commission itself.","There are excerpts from the following: the Tariff Commission Stenographer's Minutes (June 1927), Hearings before the House Committee on Ways and Means (January 1929), Hearings before the Senate Finance Committee (June 1929), Debates in the U.S. Senate (January 1930), Remarks of the Honorable Ernest W. Gibson (February 1930), the Roodenburg Report (November 1930), George H. Burr and Company Report (March 1931), R.G. Dun and Company Report (undated), Cary Maple Sugar Company Federal Income Tax Returns (1921-1930), and Cary Testimony (undated).","These include: Agricultural Adjustment Act and Amendment, House Resolution 9439, Orders from the President and National Recovery Administrator, Regulation 81, Regulation 82, and Secretary of Agriculture Regulations.","Files include the following folders: News clippings; Comparison of Lauck and Mahon Agreements; Final Agreement; General; Hanna Memorandum; Insurance; Saint Louis Public Service Company Union Plan for Cooperation; and Saint Louis Public Service Company Operating Notes.","Files include Pamphlets on Public Utilities, Press on Public Utilities, Press on Governor Roosevelt and Power Utilities, [Union?], and a Report addressed to Frank P. Walsh (1864-1939).","There were two hearings before the United States Tariff Commission related to an investigation into the costs of sugar production. After the January hearings (January 15-24, 1924), other briefs were filed. There was a call for another hearing to be held in March (March 27-28, 1924) after which it was decided that all parties had until April 10th  to file more briefs in connection with the hearings. W. Jett Lauck coordinated and prepared documents for many of the parties involved. He also served as a witness for the Hawaiian Sugar Planters Association.","Includes news about the Bituminous Coal Commission.","This includes the \"Report, Findings and Award of the United States Anthracite Coal Commission of 1920.\"","Files pertaining to Wages include: Wage Demands; Wage Rates of Employees Other Than Contract Miners; Wages, Earnings and Work Conditions in General; Wages in Various Industries 1914 to 1920; and Wages in Various Industries and Occupations: A Summary of Wage Movements 1914-1920.","Mass strikes in both the anthracite and bituminous coal industries in 1922 led to a standstill in production. When the miners and operators failed to reach any agreements, the government abandoned its hands-off approach and attempted to set up commissions to arbitrate the cases. After several failed attempts, both an Anthracite and Bituminous Coal Commission were established to not only arbitrate the current situation, but to investigate its origins in the general history and conditions of the coal industries. W. Jett Lauck was involved with the United Mine Workers of America in both cases to varying degrees. Material is separated into Anthracite and Bituminous, with common material labelled \"General.\"","Some dates are corroborated by list of case exhibits. Where corroboration is not possible, no date has been inferred. Classification as \"exhibit\" is applied based either on inclusion in a numbered list of exhibits or Lauck's handwritten filing directions.","Letters are presumably from W. Jett Lauck to the \"New York Times\" Managing Editor and to the President, regarding the establishment of an Arbitration Board.","These three memoranda are to Mr. Lewis, July 8, 1922; one concerning the production of the Central Competitive Field, April 27, 1922; and a third showing the financial connections of the Boston Financial Group and Secretary Mellon.","The two press releases include a letter to the President regarding Arbitration, July 15, 1922, and the UMWA Statement about Mr. Murray's Speech,  April 22, 1922.","Items include a \"Journal\" Communication sent to every member of Congress, 1922; a Letter to Officers and Members, May 25, 1922; and the UMWA Wage Scale Committee proposed wage scale, February 14, 1922.","The History of the Development of the Anthracite Coal Combination contains five sections: Section 1, Early History of Anthracite Consolidations and Combinations; Section 2, Consummation of the Anthracite Combination, 1896; Section 3, Methods by Which Railroads Have Discriminated in Favor of Their Allied Coal Companies and Favored Clients; Section 4, The Influence of the Combination Upon Freight Rates, Shipping Allotments, and Prices; and Section 5, Present Situation as Regards Ownership and Control.","The unnumbered exhibits include \"The Coal Controversy\" May 1922 and Geological Survey, Weekly Report on the Production of Bituminous Coal, Anthracite, and Beehive Coke, February 11, 1922.","These exhibits include: Exhibit 6: Seasonal Fluctuations in Production and Transportation, June 15, 1921; Exhibit 7: Production, Capacity, Men Employed, Mine Price Per Ton, and Days Lost, 1922, undated; Exhibit 12: Fluctuation in Employment and Earnings of Bituminous Mine Workers, undated; Exhibit 14: Effect of Price Changes Upon Purchasing Power, 1920; Exhibit 16: Chart Showing Production from Union and Non-Union Districts, March 16,  1922.","Memoranda include \"Complete Unionization Would be the Greatest Factor in Stabilization of Soft Coal Industry\" June 19, 1922, several other miscellaneous undated memoranda for Lewis, plus one on the Earnings of Bituminous Mine Workers for a \"Baltimore Sun\" Article, March 17, 1922.","Press Releases include: Capital Investment and Profit of Bituminous Coal Mine Operators, June 1, 1922; Letter From Ellis Searles to Secretary Hoover, February 8, 1922; Letter Submitting Explanatory and Statistical Material Supporting the Preliminary Report of the Commission on Investment and Profit in Soft Coal Mining, July 6, 1922; and Press Release: Russell Sage Foundation Report on \"The Coal Miners' Insecurity\" April 16, 1922.","Morrow's statements were made before the Committee on Labor, April 25, 1922 and before the Interstate Commerce Commission in the Hearing on Railroad Rates, Fares, and Charges, January 19, 1922.","Includes Memoranda and Opening Statement on behalf of Anthracite Mine Workers and Research Material and Data.","Statements concern the Request of Anthracite Operators for a Modification of the Wage Scale, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Typescript and Print copies.","The reply concerns the request of Operators for modification of the Wage Scale, and was by John L. Lewis, etc. on behalf of the United Mine Workers, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Proofs and Print copies.","The Anthracite Freight Rate Case files may be part of the previous group but were placed in a separate divider created by the office of Lauck.","Statistics include four categories: General; Anthracite Coal Carrying Railroads, Typed Originals and Carbons; Financial Performance of Coal Companies (clippings and other statistics),Earnings, and Profit; and Salaries of Operator officials, exceeding $10,000 per year.","Note: an assigned car is a rail car specifically designated for the use of a particular shipper, or, in the case of private cars, for the use of a particular railroad for a specific customer.","Lauck also referred to this as the Mahon Case, after President William D. Mahon.","File includes the Opinion of the Majority of the Arbitration Board, Dissenting Opinion, and a Report on a Proposed Pension Plan","These include: \"Discipline and Education of Locomotive Engineers and Firemen and Standardization of Wages\"; \"Progress Made in Electrification of Railroads and Economics Effected Thereby\"; \"The Railway Dollar, What Became of it in 1913\"; \"Revenue Gains by Representative Western Railroads Available to Compensate Locomotive Engineers and Firemen For Increased Work and Productive Efficiency, 1890-1913\"; The Rise and Fall of Mechanical Stokers\"; \"Miscellaneous Statements in Rebuttal to Exhibits Presented by the Railroads\"; \"Opposition of Railroads to Enactment of Federal Hours of Service Law and Efforts of Federal Government to Enforce Same.\"","All the years but 1933-1935 have an index in the front of the folder.","These \"diaries\" were used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date.","File includes Lauck's Civil Service record (1945) and National War Labor Board service (1918).","The 1911 blueprint \"General Plan\" of the property was prepared by Thomas Meehan and Sons, Mt. Airy, Philadelphia, Landscape Architects, for Francis T.A. Junkin, Lexington, Virginia. The \"Map of Mulberry Hill, Lexington, Virginia,\" 1926, with surrounding properties, was done by R.E. Witt, Certified Land Surveyor.For a typed description of the property by R.E. Witt and a note by W. Jett Lauck, see Box 224 Folder 4.","The Bureau of Applied Economics, Inc. was a \"private, independent, scientific organization, established in 1914 for the purpose of doing research and analytical work in the field of industrial, commercial, banking and general economic activities\" according to one of its brochures. It was located in Washington, D.C. \"where the governmental departments, commissions and other organzations with their specialists, archives and unrivaled library facilites render such research more effective and productive than any other city in America\" according to a page from an unknown directory. Hugh S. Hanna was the Director and W. Jett Lauck was listed as both the Chairman of the Advisory Board and the specialist for money and banking.","One of the chief functions of the Bureau of Applied Econonics was to create publications about importand current issues in the field of labor conditions and industrial relations. These were intended to be brief (50-75 pages) but authoritative and written by a specialist in the subject so that anyone interested in the subject could have access to the gist of all the information in one place and for a low cost. ","File includes Monthly Statements, Proofs of Notices, Subscribers and Sales.","File includes Correspondence, Papers, and Table of Contents.","Lauck taught a course on the History of the Labor Movement at the American University.","The Notes chiefly include Political Science, Sociology, Labor vs Capital, Economics, Constitutional Law, American Government, and Agriculture.","These College Notes are chiefly concerned with the Reciprocity Concept and the Chicago Conference with sections on Cuba and Hawaii; Distribution; Receiverships; Sociology and Tariffs; and Printed Material.","Much of this material is fragmentary or incomplete and it possibly has some material of W. Jett Lauck mixed in.","These photographs include the \"Funeral Procession of Stephen Horvath, McKees Rocks, Pennsylvania, August 14, 1909. Photographs are mostly unidentified and some do not include W. Jett Lauck.","These photographs are mostly unidentified and undated but does includes William Harmon Black and Major Miller Taylor. and his wife.","This file consists of seven oversize photographs, including a Staff Conference; the Immigration Commission, Washington D.C. (1907); three photographs of Lauck with the same two  unidentified men; W.D. Mahon; A.A. Mitten; Earl E. Houck; an unidentified man; and an unidentified hearing.","This folder includes four oversize photographs  of Public Code Hearings on Bituminous Coal Industry, 1933 August 9; Cigar Manufacturing Industry AAA Code Hearing, 1933 November 22;  Structural Steel and  Iron Fabricating Industry N.R.A. Hearing, 1933 October 30; and Anthracite Coal Industry, NRA Code Hearing, William H. Davis Deputy Administrator, Washington, D.C., 1933 November 17","Topics include Agriculture and Farms, Airlines and Aviation, Argentina, Atlantic Charter—Poland*, Atomic Energy and Weapons (see also, J—Japan), Australia, and the Automobile Industry.","Topics include Bank Fraud, Banking and Bankers, Baruch Report, Big Three, Bretton Woods Agreement—International Monetary Fund, British Elections 1945, British Labor Party, British Labor Reports and the Second World War and Budget.","Topics include Cartels, Chamber of Commerce, Canada, Capital/Capitalism, Charter [U.N.] (see also, S—San Francisco Conference), Chemical Warfare, Cherry Blossoms—Washington D.C., China, The Church (see also, Religion and Faith), Churchill, Winston (see also, People), Comintern, Communist Party, Congress, Cost of Living, and Cuba.","See also, Strikes, U—United Mine Workers.","Topics include Debt, Defense, Deflation, Democracy, Democratic Party, The Depression, Diplomacy, Disease, Driving [Winter], and Dumbarton Oaks Conference.","Topics include Economic Bill of Rights, Economic Development [Committee], Economic Policy (see also, B—Bretton Woods Agreement, Post-War Reconstruction), Economic Rights, Economy of War, Employment (see also, U—Unemployment), Electric Workers, Electricity, and Excess Capacity.","Topics include Farms, Fear, Flooding, Food [Costs] [Rations] [Shortages], Food as Weapon, Foreign Policy, Freedoms, France, Franco, and Full Employment America.","Topics include General Motors [Strike] (see also, Strikes), Germany, G.I. Bill, Gold Standard, Government in Business, Grain Marketing, Great Britain, Growth of Democracy, Hapsburgs, and Hatch-Burton-Ball Bill.","Topics include Industrial Divide, Industry, Inflation/Deflation, and Israel.","Japan [and the Atomic Bomb], Jefferson [And the Declaration of Independence], The Jewish People [in Nazi Germany], Jobs as a Property Right, and Kipling, Rudyard (see also, People).","Topics include Labor [and War], Latin America, League of Nations (see also, World Government), Legal Aid Societies, Lend-Lease, Liberalism, and the Lima Conference, Liquor Problem, and Living Wage.","Topics include Magna Carta, Massachusetts Academy, Meat Industry (see also, Strikes), Middle Class, Monetary Reform, Morale [Poor], and Moving Pictures.","Topics include National Association of Manufacturers, National Income, National Interest, \"New Era\" 31*, New York State Industrial Survey Commission 28*, New York Transit Strike, Office of Price Administration, and Oil.","Topics include Pacifists, Packing Houses, Thomas Paine,  Palestine, Pan-American Union, Patents, Peace, Pennsylvania Labor Act, Philanthropy, Poland, Political Minorities, Population [United States] 1940, Power, The Press, Price Controls, Prisoners of War, Production, Profit-Sharing, Profiteering, Public Service, and Pump-Priming the Economy.","For more clippings on people see also: C—Churchill, K—Kipling, P—Paine, R—Roosevelt, Rural Electrification Administration [Harry Slattery], S—Stalin, and T—Truman.","File contains topics such as: Post-War Deflation, Post-War Europe, and United States Labor, Industry, and the Economy.","Topics include: Race and Racial Strife, Radar, Railways and Railroads, Reciprocity – British Agreement, Reconstruction Finance Corporation, Reconversion [and Wages] (see also, Post-War Reconstruction), Re-employment (see also, Post-War Reconstruction), Republican Party, Republican Record, Right Wing Reaction, Roosevelt, Rural Electrification Administration [Harry Slattery], Russians who Fought for Germany in World War II.","Topics include: San Francisco Conference (see also, United Nations), Savings, Sherman Act, Social Security, Socialism, Socialized Medicine, South America, The South [and Politics], The South [and Poll Tax Ban], Southern Revolt, Soviet Union/Russia, Spain, St. Lawrence Seaway, Stalin, Subsidy, Sugar, Supreme Court, Packing the Supreme Court, and Syria.","See also, Coal, G-H—General Motors [Strike], M—Meat Industry, N-O—New York Transit Strike, Steel, and U—United Mine Workers.","Topics include: Tariff Bill, Taxes, Textiles, Third Political Party, Totalitarian States, Troops, Truman [Report], Trusteeships; Unemployment, (see also, E—Employment), Unions, United Kingdom [Britain], United Mine Workers (see also, Coal), Unity, National\nVirginia, and Virginia Budget Efficiency.","See also S—San Francisco Conference and World Government.","Topics include: Wage Central, Wages, Wagner Health Bill, Wall Street, War, War Aims, War and Capital, War Contracts Settlement, War Cost, War Crimes, War Labor Board, War Production Board, Work Week, World Bank, and World War II [Battles].","This file includes agendas, correspondence, reports, membership, and the tentative program.","Topics include: American Mining Congress Declaration of Policy, \tdisagreements over the NRA code, gasoline and coal, new processes, and the right to strike.","This file includes an \"Investigation of Paint Creek Coal Fields of West Virginia,\" \"The Truth about Coal River Collieries,\" \"West Virginia Coal Fields\" (Senator Kenyon), Colorado Coal Fields, and a List of West Virginia Coal Fields.","Includes Houde Engineering Company Memorandum submitted to the National Labor Relations Board, the Hunt Memorandum outlining the Study of Competing Fuels, Lauck's review of \"The Coal Industry\" by Glen L. Parker, the Keller Bill for the Mississippi Valley on the Relative Importance of Fuels, \"Oil-Coal Mixtures as Industrial Fuel\" by J.E. Hedrick, and the Coal Cost of Producing Electricity, by J. Leonard Matt in the \"New York Herald Tribune.\"","The Railroads Financial History material was used in preparation of exhibits for the Brotherhood of Locomotive Firemen and Enginemen Case and updated for use in later cases involving railroads.","These news clippings include: British railway strike, credit, Thomas Dew Cuyler article on 1922 strike, Henry Ford's railroad, Gould System, Inadequacies of Railroad Management, Mergers, Nickle Plate Deal, Receiverships and Foreclosure Sales During 1920, and Railroad Retirement Act of 1937.","Publications include: Decisions, Dockets, Announcements, Lawsuits, Orders, and Reports.","Lauck was on staff as an economist and one of the stockholders for this enterprise. Some stationery has the name \"The Gallatin Institute of Applied Economics\" in the header.","Files include Memoranda from I.A. Rice to W. Jett Lauck, Recommendations, and Rent Law.","Includes a bill on the guaranty of bank deposits legislation and the Glass-Steagall Act (printed).","Banking files include Credit Facilities of the Country, Federal Reserve Board Legal Opinion on Bank Centralization (printed), News clippings, Reform, and the United Labor Bank and Trust Company Dissolution.","Includes files on British wage controversy and the coal industry during World War II, coal industry problems, and the British Coal Mines Act.","Cigar Manufacturing Code of Fair Competition files include Amendments proposed by Abraham Goldbloom and Jett Lauck, including Revisions made by Conference on October 20, 1933; Briefs and Statements (1933); Codes (1933-1934); and Profits and Statistical Data (circa 1929-1933).","These include: Table of Contents, Agents of Concentration and Railroads; Cotton Mills (director); Public Utilities (directors); Concentration of control of Financial and Industrial Resources; Public Utilities (securities), Public Utilities (affiliations), and Public Utilities (summary and tables).","These include: Summary of Banker Control in American Industry; Concentration of Financial Control of Industry; Concentration of Control of the Iron Ore Mining Industry; Report on Public Utilities; Concentration and Control of Money and Credit; Industrials (directors), Agents of Concentration, Coal (statistics), Iron and Steel Report (summary), Industrials (report), Railroads (statistics), Cotton Industry, Coal and Iron Mining; and Concentration of Control of Various Industries (iron, coal, water).","These files include the Bill by Colonel W.G. Williams (1946); an Inquiry by the Federal Power Commission Control (June 27, 1945); and the Memoranda of Colonel W.G. Williams, 1945-1946).","These files include: Miscellaneous, including charts - W. G. Williams (1945-1946); Gas and Oil Pipelines, including a proposed letter from Admiral Stuart to President John L. Lewis (October 16, 1944); and the United States Department of the Interior report of Investigations (July 1945).","Constitutional Amendment files include: Action by Organizations (1936-1937); Articles and News clippings (1935-1939); Bills, including those proposed by Benson, Costigan, Ford, Gray, Maas, and Marcantonio (1935-1937); Challenges to the Authority of the Supreme Court to Declare Legislative Acts Unconstitutional, Notes and Memoranda by W. Jett Lauck, Donald R. Richberg, Merle D. Vincent and Henry [Warrum] (1935-1936); and Correspondence and Memoranda about the New York and Washington, D.C. Meetings (1936).","Constitutional Amendment files include: Detroit Conference (1937); History and Comments (1936?); National Committee and Reports from Henry T. Hunt (1936); National Conference about (1936-1937); Recommendations and Suggestions made by President Roosevelt for a Bill to \"Pack the Supreme Court\" (1937); and Speeches by David J. Lewis and Daniel C. Roper (1935).","Material includes the labor and production costs of cotton, silk and wool goods before and after World War I.","Files include a Memorandum on Major Berry and Conference Plans (1935 November, undated); News (1936-1937); Press Releases (1936-1937); and Summaries and Reports (1936 June-July).","Memoranda topics include the Austrian state railways, the book \"Railroad Melons, Rates, and Wages\"; the suggestions of Baltimore and Ohio Railroad Vice-President Tatnall for railroad improvements; the Cincinnati Southern Railway; and Cooperatives.","These include speeches and statements of Governor Earle, Chief Justice Hughes, British House of Commons, Secretary of State Hull, Secretary Ickes, Robert H. Jackson, Governor Frank Murphy, Senator Norris, Secretary Frances Perkins, Burton K. Wheeler, and Wendell L. Wilkie.","This opinion was given by the General Counsel of the Federal Reserve Board.","These files include the first through third versions introduced in the 72nd Congress in 1932, S. 3215, S. 4115, and S. 4412.","These House bills include: H.R. 7250 (a bill creating national mortgage banks); H.R. 7620 (a bill to create Federal Home Loan Banks); H.R. 11340 (a bill to require national banking associations to furnish bonds to protect depositors against loss of deposits); H.R. 11422 (a bill to regulate the value of money, and for other purposes); and H.R. 12280 (an act to create Federal Home Loan Banks).","Includes an article by Lauck, \"America's New Immigrants\" and reviews of his book with Jeremiah Jenks, \"The Immigration Problem. A Study of American Immigration Conditions and Needs.\"","Includes a Memorandum from Lucius E. Wilson and Research concerning the cotton industry (1890-1912), economic consumption, 1890-1914,  prepared by Frances P. Valiant, centers of population (1914), prices (1914), tendencies in real wages (1900-1913), and wages and prices  (1912-1914)","The topics include: Agriculture; Anti-Strike Bill; Book Reviews; Bituminous Coal; Child Labor Law; Civil Service Employment, Reclassification and Retirement; Federal Employment; Federal Coal Commission; and Foreign Industry and Labor.","The topics Include: Health; Housing; Immigration; Industrial Accidents; Labor Mobility; Milk Bill; National Industrial Conference; New Jersey Chamber of Commerce; Public Health Service; Punitive Overtime; Racial Question, Commission on (\"Negro Wage Earners\"); Seaman's Act Revision in Merchant Marine Bill; Soldiers' Adjusted Compensation Legislation; Steamship Business Training; and United States Steel Corporation Pension Fund.","Two of these files focus on Employee Representation - Efficiency through Cooperation, and include \"A Report on Workers' Participation in Management\" with an appendix, by W. J. Lauck, March 1921.","Companies include: Bethlehem Steel Company, Endicott Johnson and Company, Goodyear Tire and Rubber Company, International Harvester Company, Midvale Steel and Ordnance Company, Standard Oil Company of New Jersey, and General.","Files include: Distribution of Output of Industry; Foreign Trade; General; Labor; Mass Production and Distribution; Production and Stock Market; and Prosperity.","Labor topics in these files include: Labor and Churches (1922-1937); Labor and Industrial Policy during World War I, Memoranda on (1917-1918); Labor Gazette Program (undated); General material (1914-1920); Labor in Great Britain (1918-1937); Labor Injunctions (1927-1932); Labor Insurance (1928); Labor Legislation and Politics (1928); Labor Organizations (1910-1929); Labor Policies (1928); and Labor Problems (1919).","Additional Unemployment topics include: Joint Committee on Unemployment; Press; Social Effects of Unemployment, Statistics; and the Wagner Bills.","Interstate Commerce Commission files include: Decision on Freight Rates in Anthracite Case; Five Per Cent Case; Hearing on Rates on Grain, etc.; Operating and Wage Statistics; and Petition concerning the \"Inefficiency of Railroad Employees.\"","Additional Interstate Commerce Commission files include: Rules on Locomotive Inspection; Rules of Practice; Rules governing Classification of Steam Railway Employees; and Seasonal Variation of Railway Operating Income.","Additional files include: Labor Conditions, including mining accidents; Manufacturers; and Monthly Production of Pig Iron in the United States.","Journeymen Stone Cutters of America files include: Affidavits and Letters on Indiana Situation; Agreements; Amalgamation (Knoxville Wage Scale); Arts and Crafts Industry - Mr. M. W. Mitchell; Bloomington and Bedford Names and Local Vote; Cast Stone Industry Code; Limestone Code; Limestone Code Statement for Hearings and Suggested Complaint to the National Labor Board; the Marble Manufacturing Code, President Mitchell; Press Releases and Miscellaneous; the Sandstone Code and Statement by M.W. Mitchell, President of the Journeymen Stone Cutters' Association of North America.","Additional Labor Costs files include: Bituminous Mine Workers; Book Paper Industry; Canned Salmon; Canned Vegetable Industry; Coal; Construction; Copper Production and Sale; Cotton Industry; Cotton, Silk, and Wood Goods Production Before and After World War I; and Fertilizer Industry.","Additional Labor Costs files include: Hide and Tanning Industries; Leather and Shoe Industries; Pig Iron; Railroads, including Eastern, Operating, Southern, and Western; Relation to Prices; Shoe Industry; Steel Production in the United States; Sugar Profiteering; Summary; Various Industries; and Women's Muslin Underwear Industry.","The Living Wage subtopics include: The Case for a Living Wage; Cost; Cost of Rearing Children; Department of Labor; Effects; Fair Labor Standards Act (Bills, Interpretations, Regulations, etc.); Farmers; and General Press (1 of 2 folders).","Living Wage subtopics include: General Press (2 of 2 folders); Harmful Effects of Low Wages; Lauck Statements; Miscellaneous; National War Labor Board; Practicability (2 folders); Request for a Ruling from the United States Railroad Labor Board on the Living Wage;  \"Sanction for a Living Wage\"? Quotation Verification Work for Lauck's book with that title; Statement of the National War Labor Conference; and an Undated Essay on \"The Just and Reasonable Wage.\"","These documents include the Charter, Constitution, General Plans of Work, Explanation and Comment, Outline of Organization and Scope of Work at the Outset, By-Laws, Suggestions and Notes on Separate Trust Fund, and an article \"Employee Ownership\" by Thomas E. Mitten.","Mitten Management topics include: Labor Cooperation in Australia; Organized Labor in New Orleans; Personal News clippings; Press; and Strikes in Philadelphia and Buffalo.","Literature includes the New York Advertising Club Plan, Memoranda and Principles, etc., which also includes articles by Fred Brenckman and Isador Teitelbaum.","Items include the Conscription of Property Senate Bill 1579 and Consumer Division of Defense, Labor, and Steel.","These files include a report of the Iron Ore Committee, a copy of the \"National Natural Resources Act,\" and the Report of the Planning Committee for Mineral Policy.","These bills include the Bill for Stabilization and Conservation of Natural Gas and Petroleum and the Cole Bill (H.R. 7372) Petroleum Conservation Act.","Files include General; a Brief; Mr. McGinn's Statement; General Producers Company, Mr. Taylor and John L. Lewis; and Sinclair Company - Maintenance of Retail Prices.","Apparently Lauck used his work with the Philadelphia Rapid Transit Company as a basis for his book, \"Political and Industrial Democracy, 1776-1926.\"","Includes files on the following companies: Baltimore and Ohio Railroad; Bank of Italy; Boston Consolidated Gas Company; Chicago Surface Lines; Colorado Fuel and Iron Company Plan; Columbia Conserve Company; Comparison of Fundamentals; Comparative Plans; Dennison Manufacturing Company; Dutchess Bleachery; Employee Representation and the Union (PRT); Employee Stock Ownership (PRT); Endicott-Johnson Company (PRT); Filene; Ford Motor Company; International Harvester Company; Investment Bankers and Cooperative Plans; Louisville Railway Company; Loyal Legion of Loggers and Lumbermen; and Milwaukee Electric Power and Light Company.","Includes files on the following companies: \tNash Tailoring Company; New Cooperative Plan; Packard Piano Company; Pennsylvania Railroad; Peoples Gaslight and Coke Company; Philadelphia Convention; Printz-Biederman Company; Southern Railway; Standard Oil Company; Summary with 1939 clipping; and Union Recognition Case.","Includes news clippings about the Electric Bond and Share Company, Power Authority of New York and others.","Includes a speech by Frank P. Walsh before the  Public Ownership League of America and a Research Bulletin on the Potomac Electric Power Company of Washington.","These files include ones for Analysis, Bradstreet's, Dun's, General, and Government Control of Prices.","Profiteering files include those on: Address of the President; Agricultural Supplies; Articles by W. Jett Lauck and others (2 folders); Banks; Memorandum to Judge W.H. Black; Building Material; Coal; and Copper.","Profiteering files include: Corporate Earnings and Government Revenues (3 folders); and Corporations, Profits of (3 folders).","Profiteering files include: Industries, various, (3 folders); Manly, Basil M. - Survey of American Industrial Conditions; Meat Packing; Metal Trades; Miscellaneous Industries; 1921; Petroleum; Post War Profits; and Press Statements (2 folders).","Profiteering files include: Railroads During and After the War (American); Railroad Equipment; Shoes and Clothing; Speeches in Congress; Steel;  Sugar; Summary; and War Contracts.","Includes the following filers: the Chicago Memorandum; Pending Work file; press release about the need for co-ordination of transportation facilities; press or news clippings; and railroad employee insurance.","Files include a draft of a letter to President Roosevelt and a memorandum on Russia from Lauck.","Russia or Soviet Union files include: \"The Red Trade Menace\"; Research by Dunlap; Social and Economic Conditions, chiefly clippings, including concessions, the cotton case, credit, political and propaganda (2 folders); and Trade Mission.","Files include: \"The Agricultural Situation in the United States\"; \"Labor Banking Movement in the United States, Analysis of\"; \"Membership of Labor Unions\"; and \"Report of the Negro in Industry\".","Files include: Proposal for Cotton Purchase from the United States (3 folders); \"Recent Shifts in Industry\"; \"Report of the Railroad Situation in the U.S.\"; Research – Miscellaneous; and Tariffs.","Files include: Anderson, Paul E. – Reports and Memoranda; Ballantine's Report [on Transportation by Waterway as Related to Competition with the Rail Carriers in the United States]; Commodity Studies, including livestock, potash, green coffee, grains, and rubber; Correspondence; and Department of Commerce Outline.","Files include: Digest of Hearings and Reports; Electric Generation Capacity, U.S.A.; Extent of Railway Operations; News clippings, including article from \"The New Republic\"; Notes and Outline; and Panama Canal Traffic effect upon Railroad Rates.","This file includes a Railway Labor Executives' Policy statement, statement of the Baltimore Association of Commerce, and a paper about the  \"Effect of the Proposed Great Lakes-Saint Lawrence Deep Waterway on the Coal Industry.\"","The file includes articles by Lester Velie (\"Lean Years for the Rails\"), Harold D. Kootz (\"The Railroad Crisis\"), and one about new types of equipment; a speech by Harry S. Truman on railroad financing; a memorandum about railroads serving the Great Lakes ports; and a memorandum to Robertson about the position of Western railroad presidents concerning the waterway prior to 1933-1934.","Reports include: \"Analysis of its effects upon railroad and coalmining industries\" by W. Jett Lauck; \"Coordination of Transportation Agencies\" [by W. Jett Lauck?]; Report of Railroad Coordinator's Freight Traffic Report, including freight rate increases and petroleum pipeline rates; and Report of the Railroad System, Beneficial Effects of project upon.","Files for this committee include: General (2 folders); Papers submitted by J.W. Garrow and White; the Report, both Typescript and Printed (2 folders); Uniform Manufacturers Association Statement; United States Chamber of Commerce Presentation; and Vouchers and Expenses submitted by W. Jett Lauck.","Files include Awards, Decisions, and Authorizations (printed) and Exhibits prepared for the Board by Lauck and associates.","Socialism files include; \"What it is and what it is not\" and History in the United States.","Files include: \"Compilation of the Social Security Laws\"; Correspondence with Barbara Nachtrieb Armstrong (Chief of Staff for Social Security Planning of the Committee on Economic Security; Correspondence with Pauling C. Gilbert; Directory of State Employment Security Officials; and Draft Bills for State Unemployment Compensation.","Files include: H.R. 4142 (Lewis Bill); H.R. 7260 (Social Security Act); Information Primer on the Committee on Economic Security; Inventory of Job Seekers Registered at Public Employment Offices; and League of Nations Staff Pension Fund.","Files include: Major Migratory Routes in the United States; Memoranda to Mr. Kennedy; National Women's Trade Union December Bulletin; Newspapers; and \"Old Age Insurance.\"","Files include: Pamphlets and Print Materials; Preliminary Report on Occupations of Job-Seekers in 43 States; \"The Problem of Insecurity\" (Committee on Economic Security); Radio Address of Frances Perkins, Secretary of Labor; and Recommendations of the Social Security Board Federal Advisory Council.","Files include: \"Social Security Act and War Manpower Commission\" and Social Security Board Federal Advisory Council Binder of Documents (2 folders).","Files include: Social Security Board Federal Advisory Council Meeting (June 1940); Social Security Board Federal Advisory Council Meeting (October 1942); \"Social Security in Defense and After\"; Statements on the Wagner-Lewis Economic Security Bill; Thrift and Security Foundation, Inc.; \"Two Special Reports on Social Legislation\" (Business Advisory Council); United Mine Workers of America Proposed Retirement Plan; and Vocational Training Program for National Defense.","Topics include: Mineral production, \"A Working Economic Plan for the South,\" Washington and Lee as a Southern institution, and the Southern Commercial Congress (all printed).","File includes memoranda to John L. Lewis and suggestions by Katharine Pollak, federal regulation and steel codes.","Topics include a file on Arbitrations, including Portland, Maine; Eastern Massachusetts Street Railway; Boston Elevated Railway Company; and Cumberland County Power and Light Company. Other railway topics include: District of Columbia; \"Low Fares\" article by Louis B. Wehle; the Mahon Case; and a Report by Delos F. Wilcox.","Files include: \"The Bridgemen's Magazine,\" Vol. XXXIII, Nos. 11 and 12; Conferences; H.R. 7596 (To License and Regulate Inter-State Coal Corporations); H.R. 12285 (Ellenbogen's Bill); H.R. 12499 (Wood's Steel Bill); Lauck Notes and Memoranda; and Lists of Materials Prepared in Connection with Iron Workers.","Files include: P.J. Morrin Exhibits I (a), II, and III-VIII; P.J. Morrin's Report as Labor Advisor to Chairman of the Labor Advisory Board and his Statement Before the National Recovery Administration; Possible Projects – Golden Gate Bridge, San Francisco, California and United States Courthouse, New York City; Statement of William P. McGinn to Deputy Administrator; and \"Summary and Objectives of Proposal for New National Recovery Act Legislation.\"","Files include: the Fair Tariff League; Press, including the French situation; and Wood Pulp, Woolens and Worsteds (2 folders).","Taxation files include: \"Conclusions and Constructive Suggestions as to Tax Revision\" by David B. Robertson; News clippings, Printed Material and Press Releases (2 folders); and Notes and Drafts.","Files include: copies of clippings at back of folder; Charts used by Isador Lubin in his Testimony; and Notes by W. Jett Lauck and associates.","Topics include: \"Dynamics of Transport\"; \"How Transport has Shaped the Pattern of National Development\"; \"Objectives of Public Policy\"; \"Problems of Interest Groups\"; \"Problems of National Defense\"; Problems of Rate Levels and Rate Relationships\"; \"Problems of Regulatory Policy\"; \"Problems of Transportation Policy – Review of Basic Issues and Alternative Solutions\"; \"Problems of Transport Coordination\"; \"What Lies Ahead in Transportation\"; and \"What the Transportation System Looks Like Today.\"","Files include information about the 1922, 1934, 1940 (2 folders), and 1946 Conventions.","Wage files include: American Federation of Labor; Articles, Bibliography on Wage Cutting and on a Saving Wage; Disease; Earnings in Ohio; \"A Fair and Reasonable Wage\"; and Minimum Wage (2 folders).","Wage files include: Productive Efficiency Theory; Productivity; Railroad; Rates; Real Wages; Regulation; Report on \"Wages and Hours of Labour in Canada\" and Report of Australian Royal Commission; Standard of Living; Various Industries (2 folders); Wage Adjustments; White Collar Workers; Women; and Works Project Administration.","Topics include: the wartime control of labor (France), War Labor Conference Report (February 25, 1918), \"Labor Policies and the War, War Profits Bill, war and labor, and war tax law.","Materials include: a pamphlet \"Negro Women in Industry in 15 States,\" and other printed material from the Department of Labor and the Women's Bureau.","Titles include: \"American Institute for Economic Research Monthly Bulletin\" (1944) and \"Automotive War Production\" (1945).","Titles include: \"Babson's Washington Reports\" (1938-1939); \"Bank of the Manhattan Company of New York (1946); and \"The Bulletin\" from the International Typographical Union (1945-1946).","Titles include: \"California Safety News\" (1919); \"Common Sense\" (1944); and \"Congressional Daily\" (1941, 1944-1946).","Titles include: \"Economic Notes\" (1939); and \"The Economic Outlook\" (1940, 1944).","Titles include: \"Foreign Commerce Weekly\" (1941) and \"Foreign Policy Bulletin\" (1943, 1946).","Titles include: \"Human Events\" (1947); \"International Post-War Service Statistical Bureau\" (1943); and \"International Statistical Bureau Foreign Letter\" (1943-1944).","Titles include: \"National Bureau of Economic Research\" (1933-1934); \"The National Grange\" (1932); \"People's Lobby Bulletin\" (1945); \"Private Newsletter\" (1934); and \"Propaganda Analysis\" (1939).","Titles include: \"Report of the Mexico City Bureau\" (1940); and \"The Southern Patriot\" (1945-1946).","Titles include: \"United Business Service\" (1941); United Construction Workers News (1946); \"Washington Review\" from Chamber of Commerce, U.S. (1940, 1943); and \"The Yardstick Catholic Tests of a New Social Order\" (1941-1942, 1944).","Includes booklets on \"Diplomatic List\" (1925); National Policy Committee booklet, \"Implications to the United States of a German Victory\" (1940); \"The Storm Washington D.C. January 27-28, 1922; \"The Story of the Globe\" (undated); andClifford Thorne (undated).","Includes: National Association Real Estate Boards (1924); National Monetary Association (1923, undated); \"National Transportation Institute Freight Rates and Prices, 1867-1923\" (1923); New Jersey Teacher Retirement and Pensions (1919); and New School for Social Research (1920).","Includes: Railroads (1944); Remedial Loan Societies (1928); and Remington Rand Inc. (1935).","Includes: Schools (1928-1929); Sperry Corporation (1936); Standard Oil Company (1922); and Standard Statistics Company (1925).","Includes: Virginia State Chamber of Commerce (1924-1930); and \"A Brief History of Taxation in Virginia,\" by Edgar Sydenstricker (1915).","Includes: Senator George D. Aiken (1941), Thurman Arnold on \"Labor Against Itself\" and Antitrust Law Enforcement (circa 1941, undated).","Includes Samuel Brodbelt with a letter to Lauck, February 1, 1940.","Includes: Charles H. Chase on Trade Credit Banking (1934); John Corbin on National Planning (1932).","Includes: Maurice R. Davie, \"What Shall We Do About Immigration? (1946); Eleanor Davis \"The Future of Personnel Administration in the US\" typescript (undated); Edward T. Devine, \"American Labor's Improved Status Since 1914\" (1928); and Wallace B. Donham, \"National Ideal and Internationalist Idols\" (1933).","Includes: Marriner S. Eccles (1939); Irving Fisher \"The Debt - Deflation Theory of Great Depressions\" (1933); and Harry Emerson Fosdick sermon \"A Christian Conscience about War\" (1925).","Includes: Walter Graves, Jr., an open letter concerning Hitler and the British Isles (1941); Senator Pat Harrison (1925); W.P. Harvey, articles on living wage, and capital and labor (undated); Leon Henderson on Use of Small Loans for Medical Expenses (1930), and Alice Hosteler article on Producer-Consumer Relations (undated).","Includes: Benjamin A. Javits, (1933-1934); Jefferson Institute, including an address by Daniel C. Roper (1934); George L. Knapp on Senator Edward P. Costigan of Colorado (undated); and Dr. Julius Klein, \"The Business Trend Since 1921\" (1927).","Includes: J.C. Laughlin, \"Demand and Prices,\" August 1932; William M. Leiserson, \"Labor Past as Key to Labor Future,\" February 10, 1944; Max Lerner, \"Revolution in Ideas,\" 1939; Alexander Levene, \"Modification of the Antitrust Laws and Purchasing Power\" (1932); and John L. Lewis \"Problems of Organized Labor\" (1936).","Includes samples of his articles with a biographical summary up to 1933.","Includes: William G. McAdoo, about William Jennings Bryan (1925); Leifer Magnusson, about the International Labor Organization and the American Federation of Labor (undated); Maury Maverick on \"How Solid is the South?\"(1943); Claudius T. Murchison, \"A Great Deal, Some of It New\" (1934); Reinhold Niebuhr, \"Jerome Frank's Way Out\" (undated); Edwin G. Nourse, \"The Nature and Future of Private Enterprise\" (1941); Frances Perkins, speech press release, 1936; Gifford Pinchot, \"Wages, Margins and Anthracite Prices\" and \"Business and Government in the Economic Crisis,\" (1923-1931).","Includes: Jackson H. Ralston \"Superficiality of International Law,\" 1922; Donald R. Richberg and his Labor Plan (1944); John D. Rockefeller, Jr., \"Considerations Concerning Labor Standards,\" 1922; Daniel C. Roper, \"Regimentation and Recovery\" and \"Trade and Commerce in Perspective,\"1934; and Dr. John A. Ryan, \"Organized Labor Today\" (1926).","Includes: Alexander Sachs on Problems of National Recovery (1937); David J. Saposs, \"Current Anti-Labor Activities\" (1938 April 11); Louis G. Silverberg \"Law and Order: Social Menace\" (1938); Upton Sinclair, \"An open Letter to the President\" (undated); Isidor Teitilbaum (undated); and Lawrence Todd (August 1933).","Includes: Henry A. Wallace, speeches (1937-1942); Sidney Webb \"Four Weeks in England\" (1919); Carl I. Wheat, California Railroad Commission, (1927); William Allen White, \"A Yip From the Doghouse\" (1937); Honorable Roy O. Woodruff \"War Frauds\" speech, 1922; and Owen D. Young speeches (1930-1932).","Includes \"Economic Planning\" (undated); \"When President's Play Politics\" (1938); and fiction pieces written for magazines like \"Ken\" (undated).","Note: Diaries on microfilm M-1239-1241; Use of original diaries restricted due to fragile condition.","Albert and Shirley Small Special Collections Library","Lauck, W. Jett (Lauck, William Jett), 1879-1949","English"],"unitid_tesim":["MSS 4742","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/724"],"normalized_title_ssm":["W. Jett Lauck papers"],"collection_title_tesim":["W. Jett Lauck papers"],"collection_ssim":["W. Jett Lauck papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Lewis, John L. (John Llewellyn), 1880-1969"],"geogname_ssim":["Lewis, John L. (John Llewellyn), 1880-1969"],"creator_ssm":["Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"creator_ssim":["Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"creator_persname_ssim":["Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"creators_ssim":["Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"places_ssim":["Lewis, John L. (John Llewellyn), 1880-1969"],"acqinfo_ssim":["The largest group of W. Jett Lauck papers was given to University of Virginia Law Library by Charles Chase, Washington, D.C. in April 1954 and then transferred from the Law Library to the University of Virginia Special Collections Library on March 23, 1973 and October 7, 1974. The second accession (formerly MSS 4742-a) was given to the Special Collections Library on October 31, 1979, by Charles Chase, with Peter B. Lauck and Eleanor M. Lauck, Annapolis, Maryland, as the donors of record. The last accession (formerly MSS 4742-b)was given to the Libary on 2012 by Peter B. Lauck and Eleanor M. Lauck."],"access_subjects_ssim":["World War, 1939-1945","New Deal, 1933-1939","Depressions - 1929","United Mine Workers of America","Labor unions","American Association for Economic Freedom","Anthracite coal--Pennsylvania","Railroads -- History","Railroads","Electric railroads","World War, 1914-1918","Economics"],"access_subjects_ssm":["World War, 1939-1945","New Deal, 1933-1939","Depressions - 1929","United Mine Workers of America","Labor unions","American Association for Economic Freedom","Anthracite coal--Pennsylvania","Railroads -- History","Railroads","Electric railroads","World War, 1914-1918","Economics"],"has_online_content_ssim":["false"],"extent_ssm":["212 Cubic Feet"],"extent_tesim":["212 Cubic Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952],"accessrestrict_html_tesm":["\u003cp\u003eWork diaries used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date in Boxes 216-219. Due to their fragile condition, access to the original diaries is restricted. Researchers should use the diaries on microfilm M-1239-1241.\u003c/p\u003e","\u003cp\u003eStudent grades were removed from the file and placed in the control folder box for MSS 4742.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Work diaries used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date in Boxes 216-219. Due to their fragile condition, access to the original diaries is restricted. Researchers should use the diaries on microfilm M-1239-1241.","Student grades were removed from the file and placed in the control folder box for MSS 4742."],"arrangement_html_tesm":["\u003cp\u003eThere are fifteen series in this collection. The two largest series are the Cases and Topical series. The majority of series have at least two subseries. Lauck had created two earlier indexes to his files and they were used to shape the current re-organization of the collection, particularly concerning the case files. Some of the decisions concerning arrangement were made due to the difficulties of completing the processing of the W. Jett Lauck papers during the Pandemic of 2020-2021. \u003c/p\u003e\n","\u003cp\u003eAn Outline of the Arrangement is as follows: Series 1) Correspondence (Boxes 1-16); Series 2) American Association for Economic Freedom (Boxes 17-37 and Card files boxes 1-12); Series 3) National War Labor Board (Boxes 38-56); Series 4) Congress of Industrial Organizations (Boxes 57-67); Series 5) Commission on Industrial Relations (Boxes 68-72); Series 6) Articles, Memoranda, and Speeches by W. Jett Lauck (Boxes 73-91) with Subseries A) Work created by W. Jett Lauck for use by himself (Boxes 73-91), Subseries B) Work created by W. Jett Lauck for other people to use (Boxes 82-88), and Subseries C) Banking Monograph by W. Jett Lauck (Boxes 89-91); Series 7) Pennsylvania Anthracite Coal Commission (Boxes 92-103); Series 8) Cases (Boxes 104-204) with  Subseries A) Railroad (Boxes 104-146), Subseries B) General (Boxes 147-169), and Subseries C) Coal (Boxes 170-204); Series 9) Arbitrations (Boxes 205-211); Series 10) Dockets and Other Records of Work by W. Jett Lauck (Boxes 212-219); Series 11) Personal, Financial and Miscellany Papers (Boxes 220-233) with Subseries A) Financial Correspondence and Files (Boxes 220-225), Subseries B) Bureau of Applied Economics (Boxes 225-226), Subseries C) College Notes and School Papers (Boxes 227-230), and Subseries D) Notes, Notebooks, Photographs, Post cards and Miscellany (Boxes 230-233); Series 12) The National Recovery Act and National Recovery Administration (Boxes 234-241) with Subseries A) General Files (Boxes 234-238) and Subseries B) National Recovery Administration Codes (Boxes 238-241); Series 13) Oversize Scrapbook Volumes of Newspaper Clippings and News clippings Files with Subseries A) Scrapbooks (Boxes 242-252) and Subseries B) News clipping Files (Boxes 253-257); Series 14) Topical Files with Subseries A) Coal (Boxes 258-270), Subseries B) Railroad (Boxes 271-287), and Subseries C) General A-Z (Boxes 288-389); and Series 15) Printed Material and Works by Others (Boxes 389-399) with Subseries A) Printed Material (Boxes 389-396) and Subseries B) Works by Others (Boxes 397-399).\u003c/p\u003e","\u003cp\u003eLauck often marked his newspapers and other periodical materials according to subject matter. These clippings are arranged according to his original categorical markings, where possible. Where no markings are discernable, they have been artificially sorted into Lauck's categories or other appropriate topical divisions. They are arranged alphabetically by subject with dedicated, separate folders for subjects with large amounts of material. (Brackets [] denote subtopics or linked topics). Files chiefly consist of news clippings but occasionally there is other printed material or charts, etc.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by last name of authors or speakers with subjects noted, if appropriate.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["There are fifteen series in this collection. The two largest series are the Cases and Topical series. The majority of series have at least two subseries. Lauck had created two earlier indexes to his files and they were used to shape the current re-organization of the collection, particularly concerning the case files. Some of the decisions concerning arrangement were made due to the difficulties of completing the processing of the W. Jett Lauck papers during the Pandemic of 2020-2021. ","An Outline of the Arrangement is as follows: Series 1) Correspondence (Boxes 1-16); Series 2) American Association for Economic Freedom (Boxes 17-37 and Card files boxes 1-12); Series 3) National War Labor Board (Boxes 38-56); Series 4) Congress of Industrial Organizations (Boxes 57-67); Series 5) Commission on Industrial Relations (Boxes 68-72); Series 6) Articles, Memoranda, and Speeches by W. Jett Lauck (Boxes 73-91) with Subseries A) Work created by W. Jett Lauck for use by himself (Boxes 73-91), Subseries B) Work created by W. Jett Lauck for other people to use (Boxes 82-88), and Subseries C) Banking Monograph by W. Jett Lauck (Boxes 89-91); Series 7) Pennsylvania Anthracite Coal Commission (Boxes 92-103); Series 8) Cases (Boxes 104-204) with  Subseries A) Railroad (Boxes 104-146), Subseries B) General (Boxes 147-169), and Subseries C) Coal (Boxes 170-204); Series 9) Arbitrations (Boxes 205-211); Series 10) Dockets and Other Records of Work by W. Jett Lauck (Boxes 212-219); Series 11) Personal, Financial and Miscellany Papers (Boxes 220-233) with Subseries A) Financial Correspondence and Files (Boxes 220-225), Subseries B) Bureau of Applied Economics (Boxes 225-226), Subseries C) College Notes and School Papers (Boxes 227-230), and Subseries D) Notes, Notebooks, Photographs, Post cards and Miscellany (Boxes 230-233); Series 12) The National Recovery Act and National Recovery Administration (Boxes 234-241) with Subseries A) General Files (Boxes 234-238) and Subseries B) National Recovery Administration Codes (Boxes 238-241); Series 13) Oversize Scrapbook Volumes of Newspaper Clippings and News clippings Files with Subseries A) Scrapbooks (Boxes 242-252) and Subseries B) News clipping Files (Boxes 253-257); Series 14) Topical Files with Subseries A) Coal (Boxes 258-270), Subseries B) Railroad (Boxes 271-287), and Subseries C) General A-Z (Boxes 288-389); and Series 15) Printed Material and Works by Others (Boxes 389-399) with Subseries A) Printed Material (Boxes 389-396) and Subseries B) Works by Others (Boxes 397-399).","Lauck often marked his newspapers and other periodical materials according to subject matter. These clippings are arranged according to his original categorical markings, where possible. Where no markings are discernable, they have been artificially sorted into Lauck's categories or other appropriate topical divisions. They are arranged alphabetically by subject with dedicated, separate folders for subjects with large amounts of material. (Brackets [] denote subtopics or linked topics). Files chiefly consist of news clippings but occasionally there is other printed material or charts, etc.","Arranged alphabetically by last name of authors or speakers with subjects noted, if appropriate."],"bioghist_html_tesm":["\u003cp\u003eWilliam Jett Lauck, an American economist and statistician, whose work expertise and experience was both broad and varied, was born on August 2, 1879, in Keyser, West Virginia, to William Blackford Lauck, a railway official, and Emma Eltinge (Spengler) Lauck. He attended Keyser High School and Washington and Lee University (Bachelor of Arts, 1903), becoming a Fellow in the department of political economy at the University of Chicago, 1903-1906. Lauck was an associate professor of economics and political science at Washington and Lee University, 1905-1908, until he entered government service in 1908. That same year, he was married to Eleanor Moore Dunlap of Lexington, Virginia, and they had three children, William Jett Lauck, Jr., Eleanor Moore Lauck and Peter Blackford Lauck. Lauck belonged to the Cosmos and Chevy Chase clubs and was a member of Phi Beta Kappa, Kappa Sigma, and Theta Nu Epsilon.\u003c/p\u003e\n","\u003cp\u003eLauck joining the United States Immigration Commission in 1908-1909, where he designed a survey of immigration for the Commission. Lauck was the chief examiner for the Tariff Board, 1910-1911. The U.S. Commission on Industrial Relations hired Lauck in 1913-1915 as a managerial expert and consulting statistician to design their investigation into industrial problems in the United States. He was an economic advisor on the Canadian Commission on Economic Development, 1916. Lauck joined the U.S. National War Labor Board in 1918 as Secretary. \u003c/p\u003e\n","\u003cp\u003eLauck also took part in the national movement for banking reform and the establishment of the Federal Reserve banking system1911-1912. As an expert on railway economics, he represented the Brotherhoods of Locomotive Firemen and Engineers in their demands for wage increases during a series of arbitrations from 1912-1919, the Western freight weight case, 1915, and also represented the railroad unions in several high-profile national railroad arbitrations in the early twenties. Lauck functioned as the economic advisor for presidential candidate James B. Cox in 1920 and 1924. In 1926, Lauck devised a settlement to end the Passaic New Jersey textile strike. \u003c/p\u003e\n","\u003cp\u003eDuring a large part of his career, W. Jett Lauck acted as an economic advisor to John L. Lewis and the United Mine Workers, the Committee on Industrial Organization, the United Automobile Workers and other union organizations, in arbitrations and cases, 1919-1939. He was an investigator for the U.S. Coal Commission, 1923 and economist for the Grain Marketing Company, Chicago, 1924-1925. Lauck assisted on the legislative drafting committee for the National Recovery Act in 1933 and as an expert advisor to the Senate Finance Committee on the revision of the National Recovery Act in 1935. He was also a member of various special boards, and a labor advisor to the Coal Section of the National Recovery Act, 1933-1935. He was also often a government expert witness, as seen in his work for the House of Representatives Special Committee on Government Competition with Private Business, 1933. Lauck served as Chairman of the Pennsylvania Anthracite Industry Coal Commission, 1937. \u003c/p\u003e\n","\u003cp\u003eLauck was Vice President of the organization American Association for Economic Freedom. He was also an author or co-author of many books and other publications, including \"The Causes of the Panic of 1893\" (1905); \"The Immigration Problem\" with Johann Wolfgang Jenks (1911); \"Conditions of Labor in American Industries\" with Edgar Sydenstricker (1917); \"The Industrial Code\" with C.S. Watts (1923); Political and Industrial Democracy, 1776-1926\" (1926); and \"The New Industrial Revolution and Wages\" (1929) and Editor of \"British War Experience Series.\"\u003c/p\u003e\n","\u003cp\u003e\"W. Jett Lauck: Biography of a Reformer\" by Carmen Brissette Grayson is a 1975 University of Virginia dissertation that covers the early part of Lauck's career up until the Depression.\u003c/p\u003e","\u003cp\u003e\"The Congress of Industrial Organizations (CIO) was a federation of unions that organized workers in industrial unions in the United States and Canada from 1935 to 1955. Created in 1935 by John L. Lewis, who was a part of the United Mine Workers (UMW), it was originally called the Committee for Industrial Organization but changed its name in 1938 when it broke away from the American Federation of Labor.[1] It also changed names because it was not successful with organizing unskilled workers with the AFL.[2]\u003c/p\u003e\n","\u003cp\u003eThe CIO supported Franklin D. Roosevelt and the New Deal Coalition, and was open to African Americans. Both the CIO and its rival the AFL grew rapidly during the Great Depression. The rivalry for dominance was bitter and sometimes violent. The CIO (Congress for Industrial Organization) was founded on November 9, 1935, by eight international unions belonging to the American Federation of Labor.\u003c/p\u003e\n","\u003cp\u003eIn its statement of purpose, the CIO said it had formed to encourage the AFL to organize workers in mass production industries along industrial union lines. The CIO failed to change AFL policy from within. On September 10, 1936, the AFL suspended all 10 CIO unions (two more had joined in the previous year). In 1938, these unions formed the Congress of Industrial Organizations as a rival labor federation. The Taft-Hartley Act of 1947 required union leaders to swear that they were not Communists. Many CIO leaders refused to obey that requirement, later found unconstitutional. In 1955, the CIO rejoined the AFL, forming the new entity known as the American Federation of Labor-Congress of Industrial Organizations (AFL-CIO).\" This summary was taken directly from Wikipedia \u003c/p\u003e\n","\u003cp\u003ehttps://en.wikipedia.org/wiki/Congress_of_Industrial_Organizations\u003c/p\u003e","\u003cp\u003eThe Wage Reduction Case was brought by William S. Carter, President of the Brotherhood of Locomotive Firemen and Enginemen, originally against the Atlanta, Birmingham, and Atlantic Railway Company, before the United States Railroad Labor Board, but it eventually became a much larger case involving other Brotherhoods and Unions concerning railroad workers and wages.\u003c/p\u003e","\u003cp\u003eTimothy Shea was the Acting President of the Brotherhood of Locomotive Firemen and Enginemen between 1919-1922 .\u003c/p\u003e","\u003cp\u003eThe Six Hour Day Case was also referred to as the 30 Hour Week in the press and in supporting materials. The work was undertaken by Lauck for David B. Robertson, President of the Brotherhood of Locomotive Firemen and Enginemen.\u003c/p\u003e","\u003cp\u003eThis case was brought by the Brotherhood of Locomotive Firemen and Enginemen demanding that a fireman (helper) be employed on all types of power used in railroad service for safety, including diesel and streamline trains.\u003c/p\u003e","\u003cp\u003eThe Railway Wage Reduction Case of 1938 was presented before the Emergency Board by W. Jett Lauck on behalf of the Railway Labor Executives' Association.\u003c/p\u003e","\u003cp\u003eThis case was a call for amendment to the Tariff Act of 1922. Lauck represented a group of domestic manufacturers, including the Glass Containers Association of America, in putting together an argument for an increase in tariffs on imported glass bottles. It is important to note that Lauck did not represent industry in opposition to labor. The Glass Bottles Blowers Association submitted a brief agreeing with the domestic manufacturers, —but only in opposition to foreign goods making American industry and labor obsolete.\u003c/p\u003e","\u003cp\u003eThe Grain Marketing Company was created to jointly market the product of three grain companies: Armour Grain Company, Rosenbaum Grain Corporation, and Rosenbaum Brothers. W. Jett Lauck served as Director of Appraisals for this venture, preparing a large report on the valuation of the Grain Marketing Company's properties. This report was reproduced in many, slightly altered formats for different purposes, people, and groups, and these variants are the subject of many folders in the case, which contain significant overlap.\u003c/p\u003e","\u003cp\u003eThe Agricultural Adjustment Administration implemented a new tax on paper towels. The reason given was that they competed with typical cotton towels. W. Jett Lauck advised the Paper Towel Manufacturers Association and prepared their case before the Agricultural Adjustment Administration and Congress.\u003c/p\u003e","\u003cp\u003eSome 16,000 textile workers participated in the strike, centered in Passaic, New Jersey and initially organized as the \"United Front Committee\" by the Workers (Communist Party) before being transferred to the leadership of the American Federation of Labor. W. Jett Lauck served as a consulting economist to the strikers, chairman of the Plenary Committee (also known as The Citizens Committee or the Lauck Committee) representing the strikers and overseeing transition to the American Federation of Labor, economist for the National Committee for Passaic Relief and Defense, and member of the Temporary Committee for Establishment of American Standards of Life for Textile Workers, as well as participated in the case on the floor of the Senate and in Senate Committees.\u003c/p\u003e","\u003cp\u003eThis case was between the Franklin Division of the Franklin Typothetae of Chicago and a collection of unions, namely: the Chicago Typographical Union No. 16, Chicago Printing Pressmen's Union No. 3, Franklin Union No. 4, and Bookbinders' and Paper Cutters' Union No. 8 regarding a cut in wages. W. Jett Lauck represented the unions and prepared their case alongside Arthur Sturgis.\u003c/p\u003e","\u003cp\u003eThe Guffey-Snyder Act was officially known as the Bituminous Coal Conservation Act of 1935. This law was passed as part of the New Deal and created the Bituminous Coal Commission to set the price of coal. It was ruled unconstitutional and was replaced by the Guffey-Vinson Act in 1937.\u003c/p\u003e","\u003cp\u003ePujo Committe named after the chairman of the Banking and Currency Committee, Representative A. Pujo of Louisiana.\u003c/p\u003e","\u003cp\u003eEugene Meyer was Governor of the Federal Reserve Board and J.W. Pole was Comptroller of the Currency in 1932.\u003c/p\u003e","\u003cp\u003eThis committee was chaired by Congressman Joseph B. Shannon, (1867-1943), a Democrat from Kansas City, Missouri.\u003c/p\u003e","\u003cp\u003eP.J. Morrin was the general president of the International Association of Bridge, Structural, and Iron Workers; Jett Lauck was the economic advisor for the same organization.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["William Jett Lauck, an American economist and statistician, whose work expertise and experience was both broad and varied, was born on August 2, 1879, in Keyser, West Virginia, to William Blackford Lauck, a railway official, and Emma Eltinge (Spengler) Lauck. He attended Keyser High School and Washington and Lee University (Bachelor of Arts, 1903), becoming a Fellow in the department of political economy at the University of Chicago, 1903-1906. Lauck was an associate professor of economics and political science at Washington and Lee University, 1905-1908, until he entered government service in 1908. That same year, he was married to Eleanor Moore Dunlap of Lexington, Virginia, and they had three children, William Jett Lauck, Jr., Eleanor Moore Lauck and Peter Blackford Lauck. Lauck belonged to the Cosmos and Chevy Chase clubs and was a member of Phi Beta Kappa, Kappa Sigma, and Theta Nu Epsilon.","Lauck joining the United States Immigration Commission in 1908-1909, where he designed a survey of immigration for the Commission. Lauck was the chief examiner for the Tariff Board, 1910-1911. The U.S. Commission on Industrial Relations hired Lauck in 1913-1915 as a managerial expert and consulting statistician to design their investigation into industrial problems in the United States. He was an economic advisor on the Canadian Commission on Economic Development, 1916. Lauck joined the U.S. National War Labor Board in 1918 as Secretary. ","Lauck also took part in the national movement for banking reform and the establishment of the Federal Reserve banking system1911-1912. As an expert on railway economics, he represented the Brotherhoods of Locomotive Firemen and Engineers in their demands for wage increases during a series of arbitrations from 1912-1919, the Western freight weight case, 1915, and also represented the railroad unions in several high-profile national railroad arbitrations in the early twenties. Lauck functioned as the economic advisor for presidential candidate James B. Cox in 1920 and 1924. In 1926, Lauck devised a settlement to end the Passaic New Jersey textile strike. ","During a large part of his career, W. Jett Lauck acted as an economic advisor to John L. Lewis and the United Mine Workers, the Committee on Industrial Organization, the United Automobile Workers and other union organizations, in arbitrations and cases, 1919-1939. He was an investigator for the U.S. Coal Commission, 1923 and economist for the Grain Marketing Company, Chicago, 1924-1925. Lauck assisted on the legislative drafting committee for the National Recovery Act in 1933 and as an expert advisor to the Senate Finance Committee on the revision of the National Recovery Act in 1935. He was also a member of various special boards, and a labor advisor to the Coal Section of the National Recovery Act, 1933-1935. He was also often a government expert witness, as seen in his work for the House of Representatives Special Committee on Government Competition with Private Business, 1933. Lauck served as Chairman of the Pennsylvania Anthracite Industry Coal Commission, 1937. ","Lauck was Vice President of the organization American Association for Economic Freedom. He was also an author or co-author of many books and other publications, including \"The Causes of the Panic of 1893\" (1905); \"The Immigration Problem\" with Johann Wolfgang Jenks (1911); \"Conditions of Labor in American Industries\" with Edgar Sydenstricker (1917); \"The Industrial Code\" with C.S. Watts (1923); Political and Industrial Democracy, 1776-1926\" (1926); and \"The New Industrial Revolution and Wages\" (1929) and Editor of \"British War Experience Series.\"","\"W. Jett Lauck: Biography of a Reformer\" by Carmen Brissette Grayson is a 1975 University of Virginia dissertation that covers the early part of Lauck's career up until the Depression.","\"The Congress of Industrial Organizations (CIO) was a federation of unions that organized workers in industrial unions in the United States and Canada from 1935 to 1955. Created in 1935 by John L. Lewis, who was a part of the United Mine Workers (UMW), it was originally called the Committee for Industrial Organization but changed its name in 1938 when it broke away from the American Federation of Labor.[1] It also changed names because it was not successful with organizing unskilled workers with the AFL.[2]","The CIO supported Franklin D. Roosevelt and the New Deal Coalition, and was open to African Americans. Both the CIO and its rival the AFL grew rapidly during the Great Depression. The rivalry for dominance was bitter and sometimes violent. The CIO (Congress for Industrial Organization) was founded on November 9, 1935, by eight international unions belonging to the American Federation of Labor.","In its statement of purpose, the CIO said it had formed to encourage the AFL to organize workers in mass production industries along industrial union lines. The CIO failed to change AFL policy from within. On September 10, 1936, the AFL suspended all 10 CIO unions (two more had joined in the previous year). In 1938, these unions formed the Congress of Industrial Organizations as a rival labor federation. The Taft-Hartley Act of 1947 required union leaders to swear that they were not Communists. Many CIO leaders refused to obey that requirement, later found unconstitutional. In 1955, the CIO rejoined the AFL, forming the new entity known as the American Federation of Labor-Congress of Industrial Organizations (AFL-CIO).\" This summary was taken directly from Wikipedia ","https://en.wikipedia.org/wiki/Congress_of_Industrial_Organizations","The Wage Reduction Case was brought by William S. Carter, President of the Brotherhood of Locomotive Firemen and Enginemen, originally against the Atlanta, Birmingham, and Atlantic Railway Company, before the United States Railroad Labor Board, but it eventually became a much larger case involving other Brotherhoods and Unions concerning railroad workers and wages.","Timothy Shea was the Acting President of the Brotherhood of Locomotive Firemen and Enginemen between 1919-1922 .","The Six Hour Day Case was also referred to as the 30 Hour Week in the press and in supporting materials. The work was undertaken by Lauck for David B. Robertson, President of the Brotherhood of Locomotive Firemen and Enginemen.","This case was brought by the Brotherhood of Locomotive Firemen and Enginemen demanding that a fireman (helper) be employed on all types of power used in railroad service for safety, including diesel and streamline trains.","The Railway Wage Reduction Case of 1938 was presented before the Emergency Board by W. Jett Lauck on behalf of the Railway Labor Executives' Association.","This case was a call for amendment to the Tariff Act of 1922. Lauck represented a group of domestic manufacturers, including the Glass Containers Association of America, in putting together an argument for an increase in tariffs on imported glass bottles. It is important to note that Lauck did not represent industry in opposition to labor. The Glass Bottles Blowers Association submitted a brief agreeing with the domestic manufacturers, —but only in opposition to foreign goods making American industry and labor obsolete.","The Grain Marketing Company was created to jointly market the product of three grain companies: Armour Grain Company, Rosenbaum Grain Corporation, and Rosenbaum Brothers. W. Jett Lauck served as Director of Appraisals for this venture, preparing a large report on the valuation of the Grain Marketing Company's properties. This report was reproduced in many, slightly altered formats for different purposes, people, and groups, and these variants are the subject of many folders in the case, which contain significant overlap.","The Agricultural Adjustment Administration implemented a new tax on paper towels. The reason given was that they competed with typical cotton towels. W. Jett Lauck advised the Paper Towel Manufacturers Association and prepared their case before the Agricultural Adjustment Administration and Congress.","Some 16,000 textile workers participated in the strike, centered in Passaic, New Jersey and initially organized as the \"United Front Committee\" by the Workers (Communist Party) before being transferred to the leadership of the American Federation of Labor. W. Jett Lauck served as a consulting economist to the strikers, chairman of the Plenary Committee (also known as The Citizens Committee or the Lauck Committee) representing the strikers and overseeing transition to the American Federation of Labor, economist for the National Committee for Passaic Relief and Defense, and member of the Temporary Committee for Establishment of American Standards of Life for Textile Workers, as well as participated in the case on the floor of the Senate and in Senate Committees.","This case was between the Franklin Division of the Franklin Typothetae of Chicago and a collection of unions, namely: the Chicago Typographical Union No. 16, Chicago Printing Pressmen's Union No. 3, Franklin Union No. 4, and Bookbinders' and Paper Cutters' Union No. 8 regarding a cut in wages. W. Jett Lauck represented the unions and prepared their case alongside Arthur Sturgis.","The Guffey-Snyder Act was officially known as the Bituminous Coal Conservation Act of 1935. This law was passed as part of the New Deal and created the Bituminous Coal Commission to set the price of coal. It was ruled unconstitutional and was replaced by the Guffey-Vinson Act in 1937.","Pujo Committe named after the chairman of the Banking and Currency Committee, Representative A. Pujo of Louisiana.","Eugene Meyer was Governor of the Federal Reserve Board and J.W. Pole was Comptroller of the Currency in 1932.","This committee was chaired by Congressman Joseph B. Shannon, (1867-1943), a Democrat from Kansas City, Missouri.","P.J. Morrin was the general president of the International Association of Bridge, Structural, and Iron Workers; Jett Lauck was the economic advisor for the same organization."],"originalsloc_html_tesm":["\u003cp\u003eThe original letters from Franklin D. Roosevelt to W. Jett Lauck were transferred to the UVA Special Collections Franklin D. Roosevelt papers, on February 6, 2005.\u003c/p\u003e","\u003cp\u003eThe original letters from Upton Sinclair to W. Jett Lauck were transferred to the UVA Special Collections Upton Sinclair papers on February 6, 2005.\u003c/p\u003e","\u003cp\u003eThe original letters from William H. Taft to W. Jett Lauck were transferred to the UVA Special Collections William H. Taft papers on February 6, 2005.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals"],"originalsloc_tesim":["The original letters from Franklin D. Roosevelt to W. Jett Lauck were transferred to the UVA Special Collections Franklin D. Roosevelt papers, on February 6, 2005.","The original letters from Upton Sinclair to W. Jett Lauck were transferred to the UVA Special Collections Upton Sinclair papers on February 6, 2005.","The original letters from William H. Taft to W. Jett Lauck were transferred to the UVA Special Collections William H. Taft papers on February 6, 2005."],"processinfo_html_tesm":["\u003cp\u003eManuscript student assistants who worked on the W. Jett Lauck papers for at least one semester include Jacob M. Baker, Shannon Lee, Jacob T. Shaw, and Emily Shipman.\u003c/p\u003e","\u003cp\u003eOnly two copies of identical duplicates having no annotations were kept. Duplicates were compared and only two were kept of each unique document or publication.  News clippings were only copied if used by Lauck in a case or arbitration, contained an article or other work by him, or information pertaining to his work and career. Others were sorted and arranged by topcs that he had written on the clipping; those with no obvious relevance were discarded. Ledgers and scrapbooks were rehoused in acid free cubic boxes or phase boxes created by the Preservation staff.\u003c/p\u003e","\u003cp\u003eOriginally the papers were organized with the help of a University of Virginia history seminar sometime between their transfer to Special Collections from the Law Library and 1973, producing a large paper finding aid consisting of the list of the file folder headings. Folders were replaced near the end of the 1990's but some folder headings were lost or corrupted. In 2018, the papers were re-organized into series based on several early indexes created by the office of W. Jett Lauck. Folder headings were corrected based on the indexes, the original paper finding aid, and Lauck's notations on the tops of his documents. Headings were altered on the folders when possible to match the finding aid but only some of the folders were replaced due to constraints of time and money.\u003c/p\u003e","\u003cp\u003ePhysical processing work was complicated by constant student assistant turn-over and the interruption of the Pandemic of 2020-2021, which prevented onsite work for almost six months and allowed only several onsite short stints per week  the rest of the time. The finding aid is as accurate as these conditions have permitted but there may well be inconsistencies. If such errors are discovered, we welcome researcher input.\u003c/p\u003e","\u003cp\u003eMost dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.\u003c/p\u003e","\u003cp\u003eMost dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.\u003c/p\u003e","\u003cp\u003eThe index for this case shows that the supporting materials are incomplete. Some materials may have not survived or others may be present in the collection but their direct connection to this particular case has been lost.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["Manuscript student assistants who worked on the W. Jett Lauck papers for at least one semester include Jacob M. Baker, Shannon Lee, Jacob T. Shaw, and Emily Shipman.","Only two copies of identical duplicates having no annotations were kept. Duplicates were compared and only two were kept of each unique document or publication.  News clippings were only copied if used by Lauck in a case or arbitration, contained an article or other work by him, or information pertaining to his work and career. Others were sorted and arranged by topcs that he had written on the clipping; those with no obvious relevance were discarded. Ledgers and scrapbooks were rehoused in acid free cubic boxes or phase boxes created by the Preservation staff.","Originally the papers were organized with the help of a University of Virginia history seminar sometime between their transfer to Special Collections from the Law Library and 1973, producing a large paper finding aid consisting of the list of the file folder headings. Folders were replaced near the end of the 1990's but some folder headings were lost or corrupted. In 2018, the papers were re-organized into series based on several early indexes created by the office of W. Jett Lauck. Folder headings were corrected based on the indexes, the original paper finding aid, and Lauck's notations on the tops of his documents. Headings were altered on the folders when possible to match the finding aid but only some of the folders were replaced due to constraints of time and money.","Physical processing work was complicated by constant student assistant turn-over and the interruption of the Pandemic of 2020-2021, which prevented onsite work for almost six months and allowed only several onsite short stints per week  the rest of the time. The finding aid is as accurate as these conditions have permitted but there may well be inconsistencies. If such errors are discovered, we welcome researcher input.","Most dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.","Most dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.","The index for this case shows that the supporting materials are incomplete. Some materials may have not survived or others may be present in the collection but their direct connection to this particular case has been lost."],"relatedmaterial_html_tesm":["\u003cp\u003eSee related material in Box 9 under John L. Lewis.\u003c/p\u003e","\u003cp\u003eSee also Press Releases: Philip Murray Opening Statement and Final Argument.\u003c/p\u003e","\u003cp\u003eSee related materials in MSS 4742 Box 192.\u003c/p\u003e","\u003cp\u003eSee also James Couzens files in MSS 4742, Box 308.\u003c/p\u003e","\u003cp\u003eProfiteering files include: Exhibits (2 folders); Food Products; Flour; General; and Industrial Establishment (2 folders).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["See related material in Box 9 under John L. Lewis.","See also Press Releases: Philip Murray Opening Statement and Final Argument.","See related materials in MSS 4742 Box 192.","See also James Couzens files in MSS 4742, Box 308.","Profiteering files include: Exhibits (2 folders); Food Products; Flour; General; and Industrial Establishment (2 folders)."],"scopecontent_html_tesm":["\u003cp\u003eThe W. Jett Lauck collection consists of his professional, business and personal papers as an economist, statistician and government consultant on immigration, banking, railroads, coal, and unemployment problems as well as other facets of labor in the United States. Included are correspondence, scrapbooks of news clippings reflecting his activities, labor reports and studies, drafts of congressional bills, legal briefs, and other material concerning labor problems in the United States from its formative World War I years until 1949. They begin with his association with the progressive labor codes of the Taft-Walsh Labor Relations Commission and continue with the Railway Labor Act of 1926; the fight to gain recognition of labor's right to collective bargaining \"through representatives of their own choosing\" under the National Industrial Recovery Act in 1933; the incorporation of its principles in the National Labor Relations Act; and further activity in defense of this act.\u003c/p\u003e\n","\u003cp\u003eOther manuscripts deal with studies of government competition with private business, the American Association for Economic Freedom, the New York Power Authority; branch, chain, and group banking, drafts of speeches, and work diary accounts of activities and meetings with prominent congressional and labor leaders on labor problems and legislation.\u003c/p\u003e\n","\u003cp\u003eThe largest portions of the W. Jett Lauck papers deal with cases and arbitrations, chiefly railroad and coal related, his work on various boards and commission and topical files.\u003c/p\u003e\n","\u003cp\u003eHis correspondence with individuals heading organizations interested in labor and industrial relations was wide-spread, just as it was with political figures, educators, and labor leaders.\n Among the public figures with whom he corresponded are Bernard Baruch, Homer S. Cummings, Clarence A. Dystra, John T. Flynn, Guy M. Gillette, Leon Henderson, Herbert Hoover, Hugh S. Johnson, Jesse Jones, William S. Knudsen, Robert M. Fa Follette, Jr., Franklin K. Lane, John L. Lewis,  H.C. Lodge, Jr., William G. McAdoo, James M. Mead, Francis P. Miller, Henry Morgenthau, Karl E. Mundt, Donald Nelson, Judge Ferdinand Pecora, Frances Perkins, Gifford Pinchot, James H. Price, Franklin D. Roosevelt, E.R. Stettinius, Jr., Robert F. Wagner, David I. Walsh, Burton K. Wheeler, and Woodrow Wilson.\nThe educators include Hardy Dillard, Edward C. Elliot, Frank Graham, J.W. Jenks, Richard R. Mead, Lewis Tyree, Harry F. Ward, H.B. Wells, and Ray Lyman Wilbur; and the labor leaders Jacob Baker, Solomon Barkin, Van A. Bittner, Sophia Carey, David Dubinsky, P.T. Fagan, John P. Frey, William Green, Sydney Hillman, Earl E. Houck, Thomas Kennedy, Donald MacMillan, and A.O. Wharton.\u003c/p\u003e","\u003cp\u003eThis series consists chiefly of correspondence but also includes typescripts of speeches by individuals, and financial and other information about organizations.\u003c/p\u003e","\u003cp\u003eCorrespondents include:  E. Abbott, Louis Adamic, Adrian Adelman, Sara M. Addison, Joseph Agor, Helen Alfred, Fred H. Allen, Irving B. Altman (editor of \"Dynamic America\"), Aluminum Workers of America, Amalgamated Association of Street and Electric Railway Employees, American Association for Labor Legislation, American Association for Social Security, American Council, American Council on Public Affairs, American Farm Bureau Federation, American Guernsey Cattle Club, American Institute for Economic Research, The American Legion, American Political Science Association, American Sugar Cane League, Americana Corporation concerning Lauck's article on United Mine Workers of America, Thomas R. Amlie, Dr. James W. Angell, Charles P. Anson, \"Atlantic Monthly,\" Paul H. Appleby, Leon Ardzrooni (about the death of Thorstein Veblen), Mr. O.M. Armstrong, and Robert W. Arthur.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Jacob Baker, Kent Baker, Bank of the Manhattan Company, Mary Barclay, A. K. Barnes, Joseph L. Barnett, Gerald Barradas, Barron's (The National Financial Weekly), John Barth, Mrs. Everett Boughton, Mrs. Robert Bennett Bean, Grant L. Bell, William H. Bell, Harold F. Berg, Nelson N. Berry, S. D. Berry, Jacob Billikoph, Margaret G. B. Blachley, James E. Black, Honorable William Harman Black,  Amy Blankenhorn, Heber Blankenhorn, Dr. Thomas C. Blaisdell, Jr., Ellis P. Block, John A. Bohn, E.W.G. Boogher, Book-of-The-Month Club, Inc., Judge Julian F. Bouchelle, Basil Nicholas Helenagoras Bousios, Fenton Bradford, C. Daniel Bremer, Samuel Bristol, G.L. Broaddus, St. Claire Brookes, The Brookings Institution, Herbert Bruce Brougham, E. Kirk Brown, Law Offices of Brown and Brown, H. Russel Brand, Carl P. Brannin, Selig C. Brez, P.F. Brissenden, Professor Leslie Buckler, Raymond Leslie Buell, John Bullock, Bureau of Agricultural Economics, Bureau of Applied Economics, The Bureau of National Affairs, Harold B. Butler, John E. Burton, J.C. Byars, Herman B. Byer, and Reverend James A. Byrnes.\u003c/p\u003e","\u003cp\u003eCorrespondents include: [Cadle], Jessie L. Campbell, R. Granville Campbell, The Capital News Company,Sophia Carey, Harry J. Carman, J.D. Carneal and Sons Inc.,  Caroline County Library Committee, M.D. Carrel, Samuel McCrea Cavert, The Chesapeake and Ohio Railway Company, The Chesapeake and Potomac Telephone Company, Mrs. Charlotte Chrestien, The Christian Science Publishing Society, Citizens' Council for Total Defense, Brice Claggett, V.M. Clapp, Clark, Dodge and Company, Brokers, Evans Clark, Victor S. Clark, W. A. Clark, Pauline Clarke, J. William Claudy, Thompson Clayton, Dr. Rudolph A. Clemen, Walt Clyde, The Clerk of the Stafford Court House, E.J. Coil, Kenneth Colegrove, George P. Comer, Department of Commerce, Commodity Research Bureau, Inc., Common Council for American Unity, Ellen Commons, Congressional Intelligence, Inc., Consolidated Vultee American Aircraft Corporation, Dr. P. S. Constantinople, W. Dewey Cooke, Edward L. Corbett, James Corbett, John M. Corbett, Council Against Intolerance in America, Council of Young Southerners, Frederick C. Croxton, Cosmos Club, Morgan Cunningham, and Curles Neck Dairy.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Oscar H. Darter, Henry David, Elmer Davis, Shelby Cullom Davis, William H. Davis, Len De Caux, Kenneth de Courcy, De Jarnette State Sanatorium, Lud Denny, United States Department of Commerce, Marshall E. Dimock (U.S. DoJ), District Unemployment Compensation Board, Edward J. Donohue, Frank P. Douglass, Law Offices of Drain and Weaver, David Dubinsky, Allan Dunlap, Arthur Dunn, Robert W. Dunn, and C. A. Dykstra.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Joseph B. Eastman, Economic Policy Committee, C. Vernon Eddy, J. A. Efpokito, Gerald Egan, Electric Home and Farm Authority, and Charles T. Estes.\u003c/p\u003e","\u003cp\u003eCorrespondents include: P. T. Fagan, Reverend Richard M. Fagley, Ruth Ansell Farley, The Farmers and Merchants State Bank, The Federal Council of the Churches of Christ in America, Federal Works Progress Administration for the Commonwealth of Pennsylvania, First Bancredit Corporation, First National Bank of Boston, The First National Bank of Keyser, Fjell Line of Great Lakes Transatlantic, Inc., Ralph Fleharty, R. D. Fleming, Courtney Fletcher, Duncan U. Fletcher, M. S. Flint, Frank H. Fljozdal, Fitzgerald Flourney, Hon. Edward J. Flynn, John T. Flynn, Foley, Food Research Institute of Stanford University, B.C. Forbes (Forbes Magazine), R. D. Forbes, Forbes and Myers, Foreign Policy Association, Clark Forman, Fortune, The Forum, Major B. Foster, Founders General Corporation, Mrs. M. N. Fox, Jerome Frank, Frank Brothers, Lafayette Franklin, Franklin Press, Franklin Simon Company, T. McCall Frazier, Free Lance-Star, W. R. Freeman, Paul Comly French, John P. Frey, Elisha M. Friedman, Ruth Friedson, and R. S. Fritter.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Domenico Gagliardo, George B. Galloway, O. Max Gardner, Honorable Leslie C. Garnett, William Edward Garnett, Stanley Garrison, H. Dymoke Gasson, Paul W. Gates, Gayle Motor Company, Theodore Geiger, Phyliss Geisler, General Elevator Co., General Motors Corporation, Alfred Giardino, Clinton S. Golden, Clem Goodman, Henry J. Goodman \u0026amp; Co., C. O'Connor Goolrick, John T. Goolrick, Mary K. Gorman, Frank P. Graham, Sally Nelson Gravatt, Walter C. Graves Jr., H. A. Gray, Lanier Gray, H. B. Greybill, Myra Moore Griffith, J. Cleveland Grigsby, Sarah Groomes, Guthrie Lithograph Company, and Walter B. Guy.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Ernst Haberstadt, Max Haleff, Ford P. Hall, Fred W. Hall, F. S. Hall, Edward W. Hamilton, H. E. Hamilton, Hampden-Sydney College, Hugh S. Hanna, Charles Hansel, William Hard, Harper and Brothers, Emma Harris, Owen Harris, Harvard College Library, Leon Henderson, S.J Henry, Warren F. Hickernell, R. G. Hilldrup, Otto Hillsman and Co., Mary W. Hillyer, S. H. Hines Company, David Hirsh and Son, H. C. Holdridge, Hoover War Library, Herbert Hoover, Harry L. Hopkins, Welly K. Hopkins, Dr. W. E. Hotchkiss, Curtis Hubbard, J.S. Hughes, W. A. Hull, and Thomas Lomax Hunter.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Major William W. Inglis, Institute of American Meat Packers, Institute of World Economics, International Bank, International Statistical Bureau, Inc., Interstate Bankers Corporation, Investment Bankers Association of America, and Irving Trust Company.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Gardner Jackson, Meyer Jacobstein, Jjell Lines, Thomas Jefferson (typescript copy of letter, June 11, 1807, concerning newspapers and histories), J. M. Johnson, Honorable Jessie Jones, Roberts W. Jones, N.Y. Journal of Commerce, and The Jury Commission.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Evelyn Kane, Kappa Sigma House Association, Inc., Augustine B. Kelley, Leon H. Keyserling, Susan M. Kingsbury, Dr. George E. Kingsley, Richard Kirby, John H. Klingenfeld, and Oscar Koppel.\u003c/p\u003e","\u003cp\u003eCorrespondents include: LABOR, Ladies' Garment Workers Union, (William H. Lamar), Sophia J. Lammers, H. Lamson, Richard V. Lancaster, Thomas Larkin III, Joseph P. Lash, David Lasser, Howard Lee, Joseph N. Leinbach, Albert H. Levene, Robert E. Levine, Charles T. Libby, David E. Lilienthal, The Lincoln National Bank of Washington, Ernest K. Lindley, Geo. W. Linkins, Co., Irving Lipkowitz, Henry T. Lipman, Thomas E. Lodge, Stephen M. Loebl, Norman Lombard, W. C. Looker, Jr., Edward Lynch, and Barrow Lyons.\u003c/p\u003e","\u003cp\u003eTopics include: American Legion Convention (1945); Committee for Industrial Organization Procedure and Policy (1935-1936); C.I.O. A.F.L. (1940); Congressman Martin and Mr. MacDougall (1939 March 3); Farmington Conference- War Time Organization Planned by the Administration (1939); Fixation of Coal Prices, Memos Relative to (1939); Fortune Magazine's Conferences or Round Tables (1939); Income Tax Returns of Lewis, J. L. (1940-1941); The Inner Circle (1942 Feb 11); Inter-American Bank (1940); Lindberg on \"Preparedness\" (1940); Missouri Pacific Bonds (1941-1942); National Defense to Post-War Planning (1942-1945); Oil and Gas on a Basis of Equality with Coal (1939); A Plan for Economic Democracy - Article written by Major Holdridge (1939); A Plan for Solving the Economic Crisis by Dr. R.H. Von Liedtke (1937-1941); \"Prohibiting\" Strikes for the Emergency Period (1940); James L. Simpson \"Plan for Maintenance of Economic Balance and Security\" (1940);  The Townsend Plan and Mr. Ivan Towanski (1942); Union Shop and Mr. Leland Olds (1941 November 14); United Mine Workers Suggested Program (1934-1935); War Against Unemployment and Poverty (1940 January 10); Threatened  Competition of Natural Gas with Coal (1944 December 5); and Big Inch Pipe Lines and the Rural Electrification Administration (1946 January 14).\u003c/p\u003e","\u003cp\u003eCorrespondents include: Bishop Francis J. McConnell, William MacDonald, Ernst D. MacDougall, Donald MacMillan, W. C. MacQuown, R. A. Magowan, Edward C. Maguire, Elizabeth M. Maher, Mason Manghum, Maxwell J. Mangold, Bank of the Manhattan Company, Basil Manly, L. C. Marshall, Thomas O. Marvin, Maryland and District of Columbia Industrial Union Council, Maryland Title and Investment Company, Lucy Randolph Mason, Massachusetts Mutual Life Insurance Company, The Bank of Mathews, Inc., Honorable Maury Maverick, Herbert Mazo, Charles McCarthy, Summerfield A. McCarteney, Bishop Francis J. McConnell, Wm. P. McGinn, Edw. F. McGrady, McGraw-Hill Publishing Company-Inc., Ernest D. McIver, Dr. Archibald McLeish, Thomas P. McTigue, Honorable James M. Mead, Richard R. Mead, Royal D. Mead, D. J. Meserole, Eugene Meyer, Jr.,  Francis Pickens Miller, Francis Trevelyan Miller, Ward B. Miller, H. A. Millis, The Milwaukee Journal, Mine Official's Union of America, John J. Minor, George Minnigerode, William Mitch, Wesley C. Mitchell, R. C. L. Moncure, Jr., Monroe and Berry, C. D. Montague, Jean Montgomery, Monthly Labor Review, Robert Morey, Charles S. Morgan, H. W. Morgan, Marie Morris, J. H. Muirhead, Honorable Karl E. Mundt, and Gorham Munson.\u003c/p\u003e","\u003cp\u003eCorrespondents include: William R. Nagel, Leonard Nairn, Dr. Philip Curtin Nash, Nash Floor Service, A. Nash Tailoring Company, Natalie, Inc., The Nation, The National Association for the Advancement of Colored People, National Association of Manufacturers, National Association of Retired Federal Employees, The National Bank, National Bank of Orange, National Bank of the Republic, National Bank of Washington, National Bituminous Coal Commission, National Broadcasting Company, Inc., National Bureau of Economic Research, National Catholic Welfare Conference, National Child Labor Committee, National Citizen's Council For Defense, The National City Bank of New York, National Cold Steam Company, National Consumers' League, National Council for Prevention of War, National Defense Mediation Board, National Electric Light Association, The National Encyclopedia, National Labor Relations Board, National Lawyers Guild, National Life Insurance Company, National Planning Association, National Resources Planning Board, National Policy Committee, National Press Club, National Recovery Administration, National Resources Board, National Sharecroppers Week, National Window and Office Cleaning Company, National Women's Trade Union League of America, Nation's Business, Nation's Commerce, J. S. Naylor, Donald Nelson, New America, The New Republic, Newsweek, W. S. Newton, The New York Times, George W. Norris, Cecil C. North, The Northern Neck Mutual Fire Association of Virginia, Claudian B. Northrop, and Harold Bernard November.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Charlton Ogburn, William F. Ogburn, J. G. Ohsol, Joseph C. O'Mahoney, Organization Committee of Social Union, Inc., Mary O'Shaughnessy, William Owen, and John W. Owens.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Pabst Post-War Employment Awards, A. H. Packard, C. C. Packard, Florence E. Parker, The Parker Corporation, Julius H. Parmelee, Col. Samuel Pascoe, Leo Pavolsky, M. W. Paxton, Jr., Walter Phipes, George Curtis Peck, Ferdinand Pecora, William R. Pendergast, Willis Pepoon, Fred W. Perkins, Thomas W. Perry, Charles E. Persons, Samuel B. Pettengill, Julius I. Peyser, L. W. H. Peyton, David A. Pine, David W. Pipes Jr., Fort Pipes, W. G. Pitero, P.M., Justine Wise Polier, Shad Polier, Wm. T. Powers, Richard T. Pratt, Prentice-Hall, Inc., Evelyn Preston, Harry B. Price, James H. Price, Provisional Committee Toward A Democratic Peace, and Public Affairs Committee.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Railway Age, Ransdell Inc., Mervyn Rathborne, Stephen Rauschenbush, Carl Raushenbush, The Readers Club, Philip M. Riefkin, Charles S. Robb, James Robb, Newell W. Roberts, D. B. Robertson, Mr. Robey, John M. Robinson, Leland Rex Robinson, Josephine Roche, Rockbridge National Bank, John D. Rockefeller, Jr., Harry L. Rogers, Paul V. Rogers, William N. Rogers, Henry Romeike, Incorporated, Samuel Romer, Walter A. Romer, Leon H. Rouse (with William Green),  Rouss Library, Frances Rowe, and Harold J. Ruttenberg.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Russell Sage, Lewis D. Sampson, Samuel L. Samuel, Dr. David J. Saposs, Saturday Evening Post, Marshall Schaffer, D. M. Schnapper, L. B. Schnapper, Joseph Schneider, G. Luther Schnur, James T. Shotwell, H. L. Schuh, Montgomery Schuyler, Louis J. Schwab, Henry Herman Schwartz, Ray Scott, Charles Scribner's Sons, Seaboard Air Line Railway Company, Joel Seidman, Shaw-Walker, Chester Shepard, Chester Sheppard, R. T. Shields, Silcox Memorial Fund, Simmons-Boardman Publishing Corporation, Sidney Simon, Richard C. Simonson, John F. Sinclair, Anthony Wayne Smith, C. Archer Smith, Edwin S. Smith, Nelson Lee Smith, S. Granville Smith, Vernon D. Smith, Bernard A. Smyth, H. M. Snead, Jr., Social Union, Inc., The Society for the Advancement of Management, Inc., John E. W. Sohl, L. W. Sorrell, Southern Conference for Human Welfare, Southern Maryland Trust Company, Mr. Sovey, Alexander Spencer, Sphere, R. B. Spindle, George L. Sprague, Saint Albans, Margaret S. Stables, William H. Stafford, Stafford County, Standard Oil Company, Stanford University Library, Louis Stark, State Loan Company, State Teachers College, Henry M. Stephenson, STEEL, Steel Workers Organizing Committee, A. A. Steele, Jean Stephenson, Jos. G. Stephenson, Boris Stern, Harold Stern, E. R. Stettinius, W. M. Steuart, Harry H. Stockfeld, W. L. Stoddard, Benjamin Stolberg, Irving Stone, N. L. Stone, William T. Stone, Chas. G. Stott and Co., Inc., Paul A. Strachan, David Strain, Ralph Strathmore, Nathan Straus, John Studebaker, Ralph G. Sucher, Arthur E. Suffern, Superintendent of Documents (Government Printing Office), Elmer Swack, Paul E. Switzer, Alois P. Swoboda, and Mr. Sydenstricker.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Ivan Tarnowsky, Tax Policy League, Ordway Tead, Tennessee Valley Authority (Representative Noble J. Gregory), Percy Tetlow, Dorothy Thompson, TIME MAGAZINE, Daniel J. Tobin, John H. Tolan, The Travelers Insurance Company, Beverly Tucker, Henry Saint George Tucker, Earl R. Turner, and The Twentieth Century Fund.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Alfred P. Wagner, Gordon Wagner, Robert F. Wagner, Thomas C. G. Wagner, J. Forest Walker, Allan E. Walker and Company, George A. Wallace, J. Raymond Walsh, August G. Walters, James N. Walton, James P. Warburg, Dr. Harry E. Ward, R. D. Ward, Ward and Paul, Caroline F. Ware, A.L. Warthen, Charles Washington, Washington and Lee University, \"Washington Post,\" James R. Wason, Elton Watkins, Ralph J. Watkins, Claude S. Watts, Marie Watts, Charles F. Weaver, H. B. Wells, (George) P. West, A. O. Wharton, Ross Wheat, Burton K. Wheeler, William M. Wherry, Hugh A. White, Ralph J. White, W. A. White, T. Y. Wickham, Dorothy G. Wiehl, Dr. Ray Lyman Wilbur, Allan H. Willett, Williams Company, Willis and Willis, Corwin Willson, J. Alfred Wilner, Elsie Cobb Wilson, D. O. Wilson, H. Hazen Wilson, Nelson Wilson, The H. W. Wilson Company, John G. Winant, J. Wise, James Waterman Wise, S. S. Wise, William P. Witherow, J. S. Withrow, Nathan Witt, Laurence C. Witten, Benedict Wolf, World Fellowship, Inc., World Study Tours, and Thomas H. Wright.\u003c/p\u003e","\u003cp\u003eScope note for correspondence files. There has been no attempt to make an exhaustive list of the correspondents in each folder. Most letters were routine correspondence from people seeking information about the group; copies of their publications, speeches, and other educational materials; questions about membership in the group from interested individuals; requests for individuals to become sponsors, members or leaders in the group; leaders of other like-minded organizations; union leadership (often about the lack of funds available to support the American Association for Economic Freedom); or people wanting information about pertinent upcoming legislative bills. Attention on the lists of correspondence is focused particularly on political and public figures, editors, and the legislative and social issues of the day.\u003c/p\u003e","\u003cp\u003eThese include: American Committee for Protection of Foreign Born; American Council on Public Affairs; Atlantic Charter League; J.M. Artman, editor of \"The American Citizen\"; Representative Thomas R. Amlie; Thurman Arnold, Department of Justice (concerning Frank B. Kellogg statement about the anti-trust Sherman Act); and John B. Abel.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Alfred L. Bernheim, The Labor Bureau; A.A. Berle banking proposal; Rabbi Barnett R. Brickner, Social Justice Commission; Kent Baker, editor of \"Sphere\" with article sent to him by Lauck, \"Industrial Reconstruction\" attached; David Burdett (conventional economics versus social economics); and G.P. Bronisch, Loyal Americans of German Descent\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Lauck memorandum to Charles H. Chase, (in light of the prospect of a lengthy war and its impact on social and economic reform) informing him of his decision to drastically reduce expenditures by having only one employee to maintain the office (1942); \"Strife and the Worker\" proofs by John F. Cronin; Helen A. Cole, \"The Liberal Worker\"; W.S. Clement and his \"The Ben Franklin Plan\"; Ben V. Cohen, National Power Policy Committee; and the Council for Social Action, Ferry L. Platt, Jr. concerning farm issues.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Dr. Paul H. Douglas, University of Chicago; Hardy C. Dillard, Institute of Public Affairs, including a letter from John L. Newcomb; Frederic A. Delano, Chairman National Resources Advisory Committee; and a letter to John Dewey.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Arthur Eggleston, San Francisco Chronicle; Peter Edson, NEA Service; A.E. Edwards concerning the Wagner Labor Relations Act; J.G. Frain; and Charles Flato.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Alfred C. Gaunt, including \"Smaller Business Lifts Its Eyes\"; Toshi Go, Foreign Affairs Association of Japan; and A.E. Grassby, Winnipeg, Manitoba.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include:  Hubert Herring; Sidney Hillman; Fred S. Hall concerning the Industrial Expansion Act (multiple letters); B.W. Huebsch, The Viking Press,  and his concern over the pamphlet \"A New Social Order\"; S.L. Hoover and his question about the Keller Bill and the Association; John Edgar Hoover; and F.J. Hall, editor of \"The United States News\" about numbers of unemployed and other issues (multiple letters).\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Meyer Jacobstein about the Reconstruction Act; and Paul Kellogg.\u003c/p\u003e","\u003cp\u003eCorrespondence includes: letters to Robert M. LaFollette, Jr.; League for Abundance: League for Industrial Democracy; Harold Loeb; and Dr. Jack Levin.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: secretary of Attorney General Frank Murphy; Darwin J. Meserole, National Unemployment League; Francis P. Miller; Emily Fogg Mead; Homer L. Mead; Lewis E. Meyers; Judge Julian W. Mack; Bishop Francis J. McConnell; George F. Milton, editor \"The Chattanooga News\"; Senator James M. Mead; and letter to Archibald MacLeish, Librarian of Congress.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Bishop Francis J. McConnell; James W. Miller; Vito Marcantonio; Otto Mayer; Robert E. Mathews concerning the \"sit down strike\" by investment bankers and industrialists in May 1940; and Henry Morgenthau, Jr., letter to.\u003c/p\u003e","\u003cp\u003eCorrespondence includes: \"The New Republic\"; Douglas Newman, Secretary of the Barradas League; Dr. C.A. Norman; memorandum concerning Senator Norris' presidential qualifications; and Representative Mary T. Norton.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: William Owen; Ernest Minor Patterson; Representative Claude Pepper; Justice Justine Wise Polier; and Jacob S. Potofsky.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Judge Samuel I. Rosenman; Representative Robert L. Ramsay; Right Reverend Msgr. John A. Ryan.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: John Saxton; Guy Emery Shipler; Edwin S. Smith; William Simkin; B.M. Schnapper concerning the history of the Wagner Act; Ray Scott concerning the \"Fundamental Significance of our Present Day Labor Movement\"; and Porter Sargent.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Ordway Tead, Harper and Brothers; and Dr. Robert H. Tucker.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: an appreciation of Frank P. Walsh upon his death on May 2, 1939; Matthew Woll, American Federation of Labor; Thomas H. Wright, New America; Harry F. Ward; and Nathan Witt; and N.A. Zonorich.\u003c/p\u003e","\u003cp\u003eIncludes leases, workman's compensation insurance, correspondence, and unemployment compensation.\u003c/p\u003e","\u003cp\u003eThese include: \"Policies and Objectives of the American Association of Economic Freedom,\" \"Shrinkages and Hoardings of Purchasing Power Accentuate Current Business Recession,\" \"Hoardings-Taxes Proposed to Stimulate Flow of Credit and Goods and Revival of Business,\" \"Approaches Toward a Concerted Program of Fundamental Economic Reconstruction in the United States,\" various drafts of suggestions for the programs, principles and objectives of the organization, \"Sugar Control,\" \"American Labor's Broadcast to Great Britain,\" \"American Economic Situation of 1937-1938,\" \"Unemployment Insurance,\" \"Industrial Espionage,\" \"Bank-Holding Companies,\" several on social service foundations, \"Economic Freedom in America,\" \"Industrial Reconstruction Act of 1939\" press release draft, \"Capitalism in Crisis,\" \"Prospective Labor Surpluses,\" \"Increased Man Hour Productivity and Technological Unemployment,\" monopoly, and \"Petroleum Quota Controls.\"\u003c/p\u003e","\u003cp\u003eThese include: participation in management, monopoly, the \"Industrial Reconstruction Act of 1939,\" \"Leaders on the No. 1 Problem,\" \"Federal Administrative Court Bill,\" \"Occupational Groupings,\" \"National Labor Relations Act and Board,\" \"Full Employment Bill,\" \"Senator Claude Pepper,\" \"Senator Lewis B. Schellenbach,\" and starting a American Association of Economic Freedom Bulletin.\"\u003c/p\u003e","\u003cp\u003eThese include: \"Threatened Crucial Developments,\" \"Anti-democratic philosophies,\" \"Churchill's anticipations, 1932-1939,\" \"Mussolini,\" \"Hitlerism and Nazism,\" \"Profits of Leading Corporations, 1936-1939,\" notes on People's Lobby Conference, and Ickes [speech] on business sabotage of defense.\u003c/p\u003e","\u003cp\u003eThese titles include: \"Can Unemployment be Ended?\"; \"Challenge to American Democracy\"; \"Civil Liberties and the National Labor Relations Board\"; \"Cure by Shock,\" \"Democracy and Economic Planning\"; \"Economic Reconstruction\"; \"Fundamental Significance of Our Present Day Labor Movement\"; \"Next Step in Democratization\"; \"A New Magna Carta\" \"A New Social Order\"; \"Preparedness for Peace,\"  \"Problems of the National Labor Relations Board.\"\u003c/p\u003e\n","\u003cp\u003eThe \"Post-War Reconstruction Bill\" is foldered separately.\u003c/p\u003e","\u003cp\u003eIncluded are: \"Thirty Million Jobs\" by Arthur Dunn; Roundtable: \"Labor's role in Post-War Reconstruction\"; \"Freedom from Want\" by Mr. Walton; \"Nineteenth Century Prophecy of Order\" by Harry Frease; \"The Moral Issue\" by Lowell Mellett; \"A Banking System for Capital and Capital Credit\" by A.A. Berle, Jr.; \"Suggested Housing Program for National Defense Purposes\" by the Congress of Industrial Organizations; and \"A Primer of Current Economics\" [1933].\u003c/p\u003e","\u003cp\u003eIncluded are: Fight for Freedom, Friends of Democracy, and the Gillette Resolution.\u003c/p\u003e","\u003cp\u003eThese include memoranda, news clippings, an article by George B. Galloway on \"The Imperative of Planning,\" replies, and a speech by W. Jett Lauck.\u003c/p\u003e","\u003cp\u003eIncludes separate folders on news clippings, some containing criticisms and investigations; problems of the board; and the testimony of John L. Lewis.\u003c/p\u003e","\u003cp\u003eClippings include Wendell Willkie, democracy versus absolutism, banker opinion, national debt, U.S. Attorney General, pump priming the economy, monopolies, religion and democracy, communism, and capitalism and democracy.\u003c/p\u003e","\u003cp\u003eIncluded are: Peace Conditions; People's Congress for Democracy and Peace; Plenty for All League; People's Lobby; Pressure Groups, Attitudes of; Pension Plan – \"Uncle Fred's Automatic Pension Plan\"; Progressives, Conference of; Social Union; Tax-Exempt Bonds; Women in Trade Unions; and Young Democrats.\u003c/p\u003e","\u003cp\u003eTopics include: Conferences; Corporation Notes and Memoranda; Kennedy Statement on General Motors Inquiry; Production Costs by T.C. Gordon Wagner; Ratio of Pay Rolls to Returns to Stockholder;Salaries of Officials; and Annual Reports to the Securities and Exchange Commission, 1935 and 1937.\u003c/p\u003e","\u003cp\u003eSubjects include: Agreements; Decisions; the Willard E.Hotchkiss Decision in Tar Barrel Case; Negotiations for New Agreements; News clippings; Publications; Report of Homer Martin to the International Executive Board; and a Statement Submitted to Roosevelt by Union Representation.\u003c/p\u003e","\u003cp\u003eAccording to Wikipedia, \"The Commission on Industrial Relations (also known as the Walsh Commission) was a commission created by the U.S. Congress on August 23, 1912 to scrutinize US labor law. The commission studied work conditions throughout the industrial United States between 1913 and 1915. The Chairman was Frank P. Walsh, a labor lawyer and activist from Kansas City, Missouri.\u003c/p\u003e\n","\u003cp\u003ehttps://en.wikipedia.org/wiki/Commission_on_Industrial_Relations\u003c/p\u003e","\u003cp\u003eThese include: \"Foreign Competition After the War,\" \"The Artificial Dye Industry in the War,\" and \"Business and the War.\"\u003c/p\u003e","\u003cp\u003eIncludes: \"Secretary Kennedy Gives Union Views on How Hard-Coal Freight Rates Affect Miner\" (December 15, 1933); \"The N.R.A. and Collective Bargaining\" Catholic Welfare Council (September 17, 1934); address before the National Conference on Economic Security (November 14, 1934); and \"Organized Labor and the N.R.A.\" Catholic Conference, Harrisburg, Pennsylvania (November 27, 1934).\u003c/p\u003e","\u003cp\u003eIncludes: Statement concerning the Wagner-Lewis Economic Security Bill before the Senate Committee on Finance (February 21, 1935); Commencement Address (June 3, 1935); \"Education and the Parochial School System\" (August 19, 1935); \"The Trade Union and Recovery\" (Labor Day, 1935); and \"Unemployment Insurance, Old Age Pensions, and Housing Legislation\" at the White House Conference on Economic Security (December 30, 1935).\u003c/p\u003e","\u003cp\u003eIncludes: Labor Day address (September 1937); article \"The United Mine Workers of America\" for the \"American Encyclopedia\" (December 2, 1938); address to the Pennsylvania Utilities Commission on the Competition of Natural Gas (April 1940); and a request for Lauck to send his analysis and recommendations concerning a letter from A.J. Altmeyer, Chairman of the Social Security Board, and two other enclosures pertaining to the Associated Gas and Electric Company, New York City (1942 March 27 and 1943 January 23).\u003c/p\u003e","\u003cp\u003eIncludes: a radio speech supporting Hoover in the election (1928); and a statement at the Hearing on a Code for the Bituminous Coal Mining Industry before the National Recovery Administration (1933 August 10).\u003c/p\u003e","\u003cp\u003eIncludes: \"Labor and the National Recovery Administration\" at the Meeting of the American Academy of Political Science, Philadelphia (1934 January 6); \"Labor's Part in Industrial Recovery\" at the San Francisco Commonwealth Club luncheon (1934 October 4); Speech for the International Labor Conference, not delivered (1934 October); and a radio address \"The Employee in the Changing World\" under the auspices of the Intercollegiate Council (1934 December 7).\u003c/p\u003e","\u003cp\u003eIncludes: Statement by Lewis before National Recovery Administration Hearings on Employment Provisions of Codes of Fair Competition (1935 January 30); \"The American Federation of Labor and the National Recovery Administration\" prepared for the \"Annals,\" Philadelphia but never delivered (1935 March 11-12); The United Mine Workers of America and the National Recovery Act\" Madison Square Gardens (1935 March-May 23); and Statement of Approval for the Wagner Housing Bill in the \"United Mine Workers Journal\" (1935 June 1).\u003c/p\u003e","\u003cp\u003eIncludes: \"The Case for Industrial Unionism\" (November 12, 1935); radio address \"The Future of Organized Labor\" (November 28, 1935); and article for \"Liberty Magazine\" on industrial unionism (1935 December 20).\u003c/p\u003e","\u003cp\u003eIncludes: a speech on Industrial Unionism before the Cleveland Auto Council (January 19, 1936); \"The Teacher and His Relation to Labor\" for the American Federation of Teachers Convention (June 19, 1936); a radio address \"Industrial Democracy in Steel\" (July 6, 1936); and an article \"Through Organization Industrial Democracy Dawns for Sleeping Car Porters\" celebrating the eleventh anniversary of the organization (July 15, 1936).\u003c/p\u003e","\u003cp\u003eIncludes: a political campaign statement about [Alf M.] Landon (August 1, [1936]); the draft of a Radio Address on Steel Organization (August 11, 1936); article \"Labor Looks at Education\" (August 17, 1936) appearing in the October 36 issue of \"The Teacher\"; article \"Towards Industrial Democracy\" (August 24, 1936) in appearing in the October 1936 issue of \"Current History\"; and two speeches supporting Franklin D. Roosevelt for President (August 18 and September 19, 1936).\u003c/p\u003e","\u003cp\u003eIncludes: radio address \"Labor and the Future\" (September 3, 1936); \"Horizontal Versus Vertical Unionism\" in \"Wharton School Magazine,\" University of Pennsylvania (September 8, 1936); an article for the \"The National Young Democrat\" on the Social Security Act (September 1936); and a radio address \"Roosevelt and the Future\" (October 18, 1936).\u003c/p\u003e","\u003cp\u003eIncludes: article \"The Next Four Years\" for the \"The Nation\" (November 4, 1936); an article \"Committee for Industrial Organization and Economic Recovery\" for the \"Business Review of New York  University\"(November 17, 1936); \"the Future of American Labor\" in \"The American Spectator\" (November 19, 1936); articles on \"The Next Four Years in Labor\" in \"The New Republic\" (November 25 and December 9, 1936); \"The Future of Wages\" for the \"Cleveland News\" Symposium (December 7, 1936); \"Organized Labor and the Student Union\" (December 23, 1936); \"The Need of the Hour for American Labor\" for the \"Progressive Salesman Magazine\" (December 24, 1936); radio address \"Adapting Union Methods to Current Changes- Industrial Unionism\" (December 31, 1936); and an unpublished article written for \"Redbook\" (1936).\u003c/p\u003e","\u003cp\u003eIncludes: \"The Meaning of Industrial Unionism\" for the \"Christian Front\" (January 13, 1937); \"The Struggle for Industrial Democracy\" for \"Common Sense\" (March 1937); an address delivered at an Anti-Nazi Mass Meeting in Madison Square Gardens (March 15, 1937); article \"The Origin and Objectives of the C.I.O.\"  for the \"San Francisco Chronicle\" (May 11, 1937); and a radio address \"Labor and Supreme Court\" (May 14, 1937).\u003c/p\u003e","\u003cp\u003eIncludes: \"Technology and Labor\" in \"Massachusetts Institute of Technology Engineering News\" (September 3, 1937); Labor Day address \"Labor and the Nation\" (September 3, 1937); \"Progress of Committee for Industrial Organization\" in the \"Wharton Review\" (October 21, 1937); \"Effect of Moderate and Gradual Wage Increases on Prices and Living Costs\" in \"The Annalist\" (November 12, 1937) a reply to an article by A.T. Shurick on July 30, 1937; and the [Steel Workers Organizing Committee] address \"The Deplorable and Indefensible Attitude of Big Business (December 13, 1937).\u003c/p\u003e","\u003cp\u003eIncludes: Address for British Broadcasting Corporation \"Struggle of Labor in America\" (March 15, 1938); \"Labor and the Law\" (April 14, 1938); \"Organized Labor and the Future of Democracy\" published in the \"St. Louis Post Dispatch\" (December 11, 1938).\u003c/p\u003e","\u003cp\u003eIncludes: Statement for Survey Associates (January 3, 1939); and \"Labor Looks South\" in \"Virginia Quarterly Review\" (Autumn 1939).\u003c/p\u003e","\u003cp\u003eIncludes: article on \"What Does Labor Want?\" (February 29, 1940); \"The Heritage of American Youth\" (March 1940); \"Obligations of American Citizenship\" (April 3, 1940); \"Foreword\" to Mr. Thomas' Testimony before the Temporary National Economic Committee (May 23, 1940); and a Labor Day Speech (August 29, 1940).\u003c/p\u003e","\u003cp\u003eIncludes: Extension of Library Service to Union for City and State Employees (May 28, 1941); Statement to be issued by Lewis on the Decision of the National Mediation Board on Union Shops (November 13, 1941); and \"The New Solid South\" (December 17, 1941).\u003c/p\u003e","\u003cp\u003eIncludes: Testimony of Mr. Steinbugler (March 2, 1935); the \"Most Impressive Point Developed by the Hearings\" (March 2, 1935); untitled Memorandum (July 30, 1936); \"Report on the Progress of the Hearing on the Coordination of Minimum Prices before the Bituminous Coal Division (September 16, 1939); \"Proposed Labor Policy for the War Period,\" various memoranda (September 11-November 13, 1939); an analysis of Professor Green's Proposal about pricing and distributing manufactured products (June 3, 1940); and Notes on the Last Ten Years (January-May, 1940).\u003c/p\u003e","\u003cp\u003eIncludes: Reply to A.T. Shurick suggestions on taxing (November 29, 1940); Response to the foreword of Walt Clyde's book on \"Owner Capitalism\" (December 4, 1940); suggestions about the National Economic Conference (December 12, 1940); Response to W.C. Graves, Jr. (December 23, 1940); Letter about the Raw Materials National Council (December 27, 1940); Memorandum on Fred G. Clark and the American Economic Foundation (February 20, 1941); H.S. Avery to Edward O'Neal and John L.Lewis on agriculture and farm prices (September 8, 1941); Conrad K. Grieb on need for social reconstruction (October 23, 1941); Letters from Alexander Spencer (October 30 and November 26, 1941); and a manuscript of Albert H. Levene (November 30, 1941).\u003c/p\u003e","\u003cp\u003eIncludes: Memorandum about Post War Depression (January 7, 1942); a response to S. Ferguson, President of the Hartford Electric Light Company about his proposals about deferred wages (January 13, 1942); W.A Hutton, M.D.  letter on post-war finances (January 14, 1942); Thomas Kennedy request for a study on the Cost of Living (January 16, 1942); Request for a response to the document by L.C. Christian on \"How Must We Finance the War?\" (February 3, 1942); a request for a response to a treatise on our financial system by August Walters (February 5-March 18, 1942); additional R.L. Greene communications (February 12,1942); and H.W. Bailey on labor self-determination (March 9, 1942).\u003c/p\u003e","\u003cp\u003eIncludes: Digest of the Salient Points of a Report on \"Manpower Policy and Labor Relations in the British Coal Industry\" (January 5, 1943); a Leo Chabert document on financing the war (April 4, 1943); and memoranda about an executive conference of the Natural Resources Board at Farmington Country Club, Charlottesville, Virginia, previously held around 1939.\u003c/p\u003e","\u003cp\u003eSubjects include the National Recovery Administration, \"Amalgamation of the Two Enginemen's Brotherhoods,\" \"Russian Recognition and the New Deal,\" \"Future Policies of the National Recovery Administration,\" Six-Hour Day of the Railroads, \"Two Men on the Head End of all Railroad Trains,\" and Housing.\u003c/p\u003e","\u003cp\u003eSubjects include \"Benefits of Trade Unionism,\" \"Forbes\" article, \"Limit on Weekly Work Hours,\" a letter to Professor Gordon, and \"Labor Movement and the Future of America\"\u003c/p\u003e","\u003cp\u003eSubjects include planks for the Republican Platform, Anti-Strike Legislation, a Rejoinder to the Remarks of Fred Gurley, and \"Recommendations to the Board of Investigation and Research\"\u003c/p\u003e","\u003cp\u003eA checklist of article titles can be found in the first folder. Titles in the order of the list   include: \"Economics and Christianity\"; \"The Mysterious Soul of the Steel Corporation\"; \"The Anthracite  Operators Should Concede the Check-off\" July 13, 1923; \"Industrial Principles and Not Machinery Are Important\"; \"The So-Called Check-off and Its Significance\"; \"The Report of the Coal Commission on the Anthracite Industry\"; \"The Purchasing Power of Wheat and Cotton\"; \"Private Cars and the Coal Problem\"; \"Mr. McAdoo's Political Availability\"; and \"No More Pre-war Standards of Wages and Working Conditions.\"\u003c/p\u003e\n","\u003cp\u003eNext ten article titles include: \"The Radical - His Significance at Present\"; \"The Soft Coal Problem Again to the Front\"; \"Labor Banks and Their Ultimate Significance\"; \"Political Democracy Must be Supplemented by Industrial Democracy\"; \"Oil and the Southern Pacific\"; \"The Purchasing Power of the Farmer's Dollar\"; \"The Truth is Never Unpardonable\"; \"Private Cars and the Coal Problem\"; \"The Unique Financial Position of the Pullman Company\"; and \"Another Manifestation of the Soul of the Steel Corporation.\"\u003c/p\u003e\n","\u003cp\u003eThe next ten article titles include: \"Sugar and the Flexible Tariff Provision\"; \"Conflict or Arbitration\"; \"The Threatened Boomerang\"; \"Cooperation for Mutual Benefit or Profit?\"; \"Secret Police or Conviction for Crime\"; \"Chairman Butler Emits and Omits\"; National Cooperative Grain Marketing Realized\"; \"The Anthracite Operators Should Concede the Check-off\" (possible duplicate); \"Regulation of the Anthracite Monopoly\" September 1 , 1923; \"Why Not Action on Anthracite?\" September 11, 1923; and \"Can a Living Wage Be Paid to Unskilled Labor?\" October 30, 1923.\u003c/p\u003e\n","\u003cp\u003eThe next ten article titles include: \"The Failure of Industrial Arbitration\" October 30, 1923; \"Significant Labor Developments During the Coming Year\" October 30, 1923; \"A Dramatic Migration\" concerning African Americans, October 30, 1923; \"Unprotected Pullman Passengers\" October 30, 1923; \"The New Immigration and Its Significance\" November 2, 1923; \"The Probability of Railroad Legislation\" February 7, 1924; \"The Industrial Magna Carta\" February 23, 1924; \"Land Grants to Western Railroads\" February 23, 1924; \"Increased Efficiency of Labor\" February 23, 1924; and \"Real Industrial Statemanship February 25, 1924.\"\u003c/p\u003e\n","\u003cp\u003eThe next ten article titles include: \"Some Other Matters of Record\" June 2, 1924; \"The Verdict from Kansas\" August 7, 1924; \"A Real Test for the Tariff Commission\" August 14, 1924; \"A Billion and a Half Railroad Merger\" August 16, 1924; \"Common Sense\" August 19, 1924; \"President Gompers and a Labor Party\" August 19, 1924; \"A Significant Precedent in Financing Farmers Cooperative Enterprises\"; \"Back to the Declaration of Independence\" August 21, 1924; \"A Costly Labor Policy\" August 23, 1924; and \"Brass Tacks, The Red Flag, and the Constitution\" August 23, 1924.\u003c/p\u003e\n","\u003cp\u003eThe final group of articles include: \"Industrial Democracy - Our Greatest Problem\" August 27, 1924; \"The Passing of the Money Gods\"; \"The Conference Board Reports on Taxation in Wisconsin\"; \"The Railroad Labor Board\"; \"The Farmer and the Tariff\"; \"Visible and Invisible Tax Burdens\"; \"The Most Helpful Farm Movement\"; \"Radicals and God's Fools\"; \"Militant Friends Needed\"; \"The Unconscious Cruelty of Success\" October 24, 1924; and \"Another Orgy of Railroad Finance.\"\u003c/p\u003e","\u003cp\u003eWhile some chapters have no individual date, they likely all come from drafts in 1931 or 1932. It is unclear which version belongs to each draft, and equally unclear which versions the explanatory note references. Chapter VII is largely missing. The name of the book may have eventually changed to \"The Need for a Unified Banking System.\"\u003c/p\u003e","\u003cp\u003eW. Jett Lauck was chairman of the Pennsylvania Anthracite Coal Commission, responsible for investigating the state of the anthracite industry and the coal bootlegging situation in Pennsylvania, as well as recommending action.\u003c/p\u003e\n","\u003cp\u003eThe United States Anthracite Coal Commission is a different and separate entity than the Pennsylvania Anthracite Coal Commission over which Lauck presided (see also, \"United Mine Workers of America before the U.S. Anthracite Coal Commission\").\u003c/p\u003e\n","\u003cp\u003eFor reference, the Ad Interim Report was a report made halfway through the Commission's studies; the Final Report was the last official report of the Commission and contains recommendations; the Complete Report was a compendium of all of the Commission's work and reports (over 500 pages).\u003c/p\u003e","\u003cp\u003eReports include \"Anthracite Lands and Deposits,\" \"Anthracite Royalties,\" and \"Control of the Anthracite Industry.\"\u003c/p\u003e","\u003cp\u003eReports include \"Financial Operations of Anthracite Companies\" and \"Monopolistic Nature of the Anthracite Industry.\"\u003c/p\u003e","\u003cp\u003eThese include \"Award of the Anthracite Coal Strike Commission: Subsequent Agreements, and Resolutions of Board of Conciliation\" (July 1, 1936); \"A Labor Case With Merit: Editorial Comment on the Case of the Anthracite Mine Workers\" (1920); and \"Labor Information Bulletin,\" U.S. Bureau of Labor Statistics (February 1937).\u003c/p\u003e","\u003cp\u003eProposed Bills include the Anthracite Coal Industry Act; the Anthracite Public Authority Bill; the Cooperative Marketing Bill; the Pennsylvania Anthracite Commission; and Suggestions and Opinions.\u003c/p\u003e","\u003cp\u003eFiles included under Rates contain, the 1933 Freight Rate Case Excerpts and Statistics; Charts and Tables; General Information (see also Anthracite Institute Statistical Data, Maps, and Drawings, Anthracite Producers Statistical Data, Maps, and Drawings); the Interstate Commerce Commission Data; \"Intrastate Rates on Anthracite in Pennsylvania\"; and Rate Fixation in 1915.\u003c/p\u003e","\u003cp\u003eReports include: \"Combination in the Anthracite Industry,\" \"Comparison of Earnings and Wage Rates in the Anthracite and Bituminous Mines of Pennsylvania,\" \"Exhibits of the Anthracite Operators in Reply to Exhibits Presented by the Anthracite Mine Workers,\" \"Irregularity of Employment in the Anthracite Industry,\" \"Occupation Hazard of Anthracite Miners,\" \"Profits of Anthracite Operators,\" and \"The Relationship Between Rates of Pay and Earnings and the Cost of Living in the Anthracite Industry of Pennsylvania.\"\u003c/p\u003e","\u003cp\u003eReports include: \"Reply of the Anthracite Operators to the Demands of the Anthracite Mine Workers,\" \"The Sanction for a Living Wage: A Compilation of Data From Official and Authoritative Sources,\" \"Summary, Analysis, and Statement,\" \"The Trade Union as the Basis for Collective Bargaining: A Compilation of Sanctions and Experiences,\" \"Trade Unions,\" and \"Wholesale and Retail Prices of Anthracite Coal 1913-1920.\"\u003c/p\u003e","\u003cp\u003eThese exhibits include \"Changes in Cost of Living in the United States, 1913-1922,\" \"A Just and Reasonable Wage,\" and \"Monthly Earnings of Sectionmen.\"\u003c/p\u003e","\u003cp\u003eThe volume includes exhibits on \"Harmful Effects of Low Wages Upon Health and Morals,\" \"The So-called Law of Supply and Demand,\" \"The Just and Reasonable Wage,\" \"Changes in the Cost of Living in the United States, 1913-1922,\" \"Probable Course of Prices,\" \"Comparison of Prices and Living Costs,\" \"Monthly Earnings of Section Men,\" and \"Monthly Earnings of Section Men – Basic Tables.\"\u003c/p\u003e","\u003cp\u003eIncludes the following files: Briefs; Construction and Repair of Railroad Equipment; Correspondence on Leasing Out Repair Roads; Minutes of the Philadelphia Hearing; Petition to the Interstate Commerce Commission; Press - Clippings concerning Outside Repair; Press Release Originals; General Electric and Westinghouse; Labor Costs; Louisville to Nashville Railroad; and Miscellaneous.\u003c/p\u003e","\u003cp\u003eW. Jett Lauck has also referred to this case as \"the Shopman's Case\" or the \"B.M. Jewell Case.\" Jewell was the President of the Railway Employees division of the American Federation of Labor.\u003c/p\u003e","\u003cp\u003eNote that all exhibits were presented before the United States Railroad Labor Board.\u003c/p\u003e","\u003cp\u003eExhibit 11a includes the section \"Financial Mismanagement of the LeHigh Valley Railroad Company\" and Exhibit 12 includes the \"Summary.\"\u003c/p\u003e","\u003cp\u003eExhibit tTitles include: \"Occupation Hazard of Railway Shopmen\"; \"Punitive Overtime\"; \"Industrial Relation on Railroads prior to 1917\"; \"Standardization\"; \"The Recognition of Human Standards in Industry\"; \"The Unity of the American Railway Systems\"; \"Human Standards and Railroad Policy\"; \"Seniority Rules of the National Agreements\"; \"The Sanction of the Eight Hour Day\"; \"The Work of the Railway Carmen,\" and \"The Development of Collective Bargaining on a National Basis.\"\u003c/p\u003e","\u003cp\u003eThese include: \"Pending Railway Legislation\"; \"The Present Railroad Labor Problem\"; \"The Future Policy as to the Railroads\"; \"Compulsory Arbitration\"; \"Labor Adjustment Boards of the Railroad Administration\"; \"The Reasonableness of the Requests of Locomotive Firemen\"; \"Time and One-Half For Overtime\"; and \"Compulsory Arbitration.\"\u003c/p\u003e","\u003cp\u003eThe Sleeping Car Conductors Case files consist of several successive cases arranged in this finding aid roughly in the chronological order in which they occurred.\u003c/p\u003e","\u003cp\u003eExhibits include \"An Adequate Basic Wage,\" \"Earnings of Sleeping Car Conductors compared with Changes in the Cost of Living,\" \"Various Factors Indicating Rising Standards of Living in the United States Since 1914,\" \"Compensation of Sleeping Car Conductors compared with other Expenses and Revenue of the Pullman Company,\" and \"General Trend of Wages, 1913-1918, as Compared with Earnings of Sleeping Car Conductors.\"\u003c/p\u003e","\u003cp\u003eExhibits include \"Increased Productive Efficiency of Sleeping Car Conductors and Financial Administration of the Pullman Company,\" \"Increased Labor Productivity,\" and \"Standards of Wage Determination.\"\u003c/p\u003e","\u003cp\u003eThis file includes information and statistics on Besler Steam Power Trains; the Comparative Costs of Operation; Locomotives in Service; Diesels in Switching Service; Earnings Per Hour; Freight Cars; and General Statistics.\u003c/p\u003e","\u003cp\u003eThese charts include: \"Anthracite Combination,\" \"The Seven Departments of the Anthracite Industry,\" \"Interlocking Directorates Showing Working Control of Anthracite Operating Companies,\" and \"Profits of Anthracite Combination.\"\u003c/p\u003e","\u003cp\u003eCharts include \"Affiliations of Railroads and Banking Houses,\" \"New York Bank Control of Railroads and Railroad Equipment Companies,\" \"New York Bank Control of Coal Mining Companies and Coal Railroads,\" and \"The Geographical Spread of New York Railroad Control.\"\u003c/p\u003e","\u003cp\u003eExhibits include \"Employment and Compensation of Railroad Employees\"; \"Cost of Living\"; \"Methods of Reporting Wage and Hour Data\"; and \"Increasing Output per Worker and Decreasing Wage Cost Per Unit of Output.\"\u003c/p\u003e","\u003cp\u003eExhibits include: \"Trend of Railway Operating Revenues and Total Compensation\"; \"The Rising Tide of Recovery A Survey of the Leading Business Indices\"; \"Labor Movement Supports Railway Workers in Resisting a Wage Cut\"; \"Squandering the Maintenance Dollar\"; \"Financial Mismanagement through Banker Control of Railroads\"; \"Training and Skill of Track and Roadway Section Men\"; \"Average Hourly Earnings in Railroads and Other Industries\"; and \"Estimated Money Share of Individual Railroads in the Proposed 15 Per Cent Pay Reduction.\"\u003c/p\u003e","\u003cp\u003eMorgan's statements include those on wages; postwar economic conditions, developments, and private bankers' constructive services; and interference and control in corporate managements.\u003c/p\u003e","\u003cp\u003eThese include \"Cost of Living is Increasing,\" \"The Railroad Plea of Poverty,\" \"Labor Versus Materials and Interest,\" and \"The Railroads versus the Public Interest\" (printed).\u003c/p\u003e","\u003cp\u003eTables include \"Dividend Performance of Anthracite Railroads and Trunk Lines Compared,\" \"Percentage Relationships of Dividends Paid on Stock Dividends to Total Compensation Paid Employees,\" and \"Distribution of Capital Resources.\"\u003c/p\u003e","\u003cp\u003eW. Jett Lauck was employed by the John G. Paton Company of New York City to study the report of the Tariff Commission of 1928 as to the costs of production in the maple sugar industry in the United States and in Canada. He then gave his conclusions on the report to the company and as testimony before the Tariff Commission itself.\u003c/p\u003e","\u003cp\u003eThere are excerpts from the following: the Tariff Commission Stenographer's Minutes (June 1927), Hearings before the House Committee on Ways and Means (January 1929), Hearings before the Senate Finance Committee (June 1929), Debates in the U.S. Senate (January 1930), Remarks of the Honorable Ernest W. Gibson (February 1930), the Roodenburg Report (November 1930), George H. Burr and Company Report (March 1931), R.G. Dun and Company Report (undated), Cary Maple Sugar Company Federal Income Tax Returns (1921-1930), and Cary Testimony (undated).\u003c/p\u003e","\u003cp\u003eThese include: Agricultural Adjustment Act and Amendment, House Resolution 9439, Orders from the President and National Recovery Administrator, Regulation 81, Regulation 82, and Secretary of Agriculture Regulations.\u003c/p\u003e","\u003cp\u003eFiles include the following folders: News clippings; Comparison of Lauck and Mahon Agreements; Final Agreement; General; Hanna Memorandum; Insurance; Saint Louis Public Service Company Union Plan for Cooperation; and Saint Louis Public Service Company Operating Notes.\u003c/p\u003e","\u003cp\u003eFiles include Pamphlets on Public Utilities, Press on Public Utilities, Press on Governor Roosevelt and Power Utilities, [Union?], and a Report addressed to Frank P. Walsh (1864-1939).\u003c/p\u003e","\u003cp\u003eThere were two hearings before the United States Tariff Commission related to an investigation into the costs of sugar production. After the January hearings (January 15-24, 1924), other briefs were filed. There was a call for another hearing to be held in March (March 27-28, 1924) after which it was decided that all parties had until April 10th  to file more briefs in connection with the hearings. W. Jett Lauck coordinated and prepared documents for many of the parties involved. He also served as a witness for the Hawaiian Sugar Planters Association.\u003c/p\u003e","\u003cp\u003eIncludes news about the Bituminous Coal Commission.\u003c/p\u003e","\u003cp\u003eThis includes the \"Report, Findings and Award of the United States Anthracite Coal Commission of 1920.\"\u003c/p\u003e","\u003cp\u003eFiles pertaining to Wages include: Wage Demands; Wage Rates of Employees Other Than Contract Miners; Wages, Earnings and Work Conditions in General; Wages in Various Industries 1914 to 1920; and Wages in Various Industries and Occupations: A Summary of Wage Movements 1914-1920.\u003c/p\u003e","\u003cp\u003eMass strikes in both the anthracite and bituminous coal industries in 1922 led to a standstill in production. When the miners and operators failed to reach any agreements, the government abandoned its hands-off approach and attempted to set up commissions to arbitrate the cases. After several failed attempts, both an Anthracite and Bituminous Coal Commission were established to not only arbitrate the current situation, but to investigate its origins in the general history and conditions of the coal industries. W. Jett Lauck was involved with the United Mine Workers of America in both cases to varying degrees. Material is separated into Anthracite and Bituminous, with common material labelled \"General.\"\u003c/p\u003e\n","\u003cp\u003eSome dates are corroborated by list of case exhibits. Where corroboration is not possible, no date has been inferred. Classification as \"exhibit\" is applied based either on inclusion in a numbered list of exhibits or Lauck's handwritten filing directions.\u003c/p\u003e","\u003cp\u003eLetters are presumably from W. Jett Lauck to the \"New York Times\" Managing Editor and to the President, regarding the establishment of an Arbitration Board.\u003c/p\u003e","\u003cp\u003eThese three memoranda are to Mr. Lewis, July 8, 1922; one concerning the production of the Central Competitive Field, April 27, 1922; and a third showing the financial connections of the Boston Financial Group and Secretary Mellon.\u003c/p\u003e","\u003cp\u003eThe two press releases include a letter to the President regarding Arbitration, July 15, 1922, and the UMWA Statement about Mr. Murray's Speech,  April 22, 1922.\u003c/p\u003e","\u003cp\u003eItems include a \"Journal\" Communication sent to every member of Congress, 1922; a Letter to Officers and Members, May 25, 1922; and the UMWA Wage Scale Committee proposed wage scale, February 14, 1922.\u003c/p\u003e","\u003cp\u003eThe History of the Development of the Anthracite Coal Combination contains five sections: Section 1, Early History of Anthracite Consolidations and Combinations; Section 2, Consummation of the Anthracite Combination, 1896; Section 3, Methods by Which Railroads Have Discriminated in Favor of Their Allied Coal Companies and Favored Clients; Section 4, The Influence of the Combination Upon Freight Rates, Shipping Allotments, and Prices; and Section 5, Present Situation as Regards Ownership and Control.\u003c/p\u003e","\u003cp\u003eThe unnumbered exhibits include \"The Coal Controversy\" May 1922 and Geological Survey, Weekly Report on the Production of Bituminous Coal, Anthracite, and Beehive Coke, February 11, 1922.\u003c/p\u003e","\u003cp\u003eThese exhibits include: Exhibit 6: Seasonal Fluctuations in Production and Transportation, June 15, 1921; Exhibit 7: Production, Capacity, Men Employed, Mine Price Per Ton, and Days Lost, 1922, undated; Exhibit 12: Fluctuation in Employment and Earnings of Bituminous Mine Workers, undated; Exhibit 14: Effect of Price Changes Upon Purchasing Power, 1920; Exhibit 16: Chart Showing Production from Union and Non-Union Districts, March 16,  1922.\u003c/p\u003e","\u003cp\u003eMemoranda include \"Complete Unionization Would be the Greatest Factor in Stabilization of Soft Coal Industry\" June 19, 1922, several other miscellaneous undated memoranda for Lewis, plus one on the Earnings of Bituminous Mine Workers for a \"Baltimore Sun\" Article, March 17, 1922.\u003c/p\u003e","\u003cp\u003ePress Releases include: Capital Investment and Profit of Bituminous Coal Mine Operators, June 1, 1922; Letter From Ellis Searles to Secretary Hoover, February 8, 1922; Letter Submitting Explanatory and Statistical Material Supporting the Preliminary Report of the Commission on Investment and Profit in Soft Coal Mining, July 6, 1922; and Press Release: Russell Sage Foundation Report on \"The Coal Miners' Insecurity\" April 16, 1922.\u003c/p\u003e","\u003cp\u003eMorrow's statements were made before the Committee on Labor, April 25, 1922 and before the Interstate Commerce Commission in the Hearing on Railroad Rates, Fares, and Charges, January 19, 1922.\u003c/p\u003e","\u003cp\u003eIncludes Memoranda and Opening Statement on behalf of Anthracite Mine Workers and Research Material and Data.\u003c/p\u003e","\u003cp\u003eStatements concern the Request of Anthracite Operators for a Modification of the Wage Scale, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Typescript and Print copies.\u003c/p\u003e","\u003cp\u003eThe reply concerns the request of Operators for modification of the Wage Scale, and was by John L. Lewis, etc. on behalf of the United Mine Workers, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Proofs and Print copies.\u003c/p\u003e","\u003cp\u003eThe Anthracite Freight Rate Case files may be part of the previous group but were placed in a separate divider created by the office of Lauck.\u003c/p\u003e","\u003cp\u003eStatistics include four categories: General; Anthracite Coal Carrying Railroads, Typed Originals and Carbons; Financial Performance of Coal Companies (clippings and other statistics),Earnings, and Profit; and Salaries of Operator officials, exceeding $10,000 per year.\u003c/p\u003e","\u003cp\u003eNote: an assigned car is a rail car specifically designated for the use of a particular shipper, or, in the case of private cars, for the use of a particular railroad for a specific customer.\u003c/p\u003e","\u003cp\u003eLauck also referred to this as the Mahon Case, after President William D. Mahon.\u003c/p\u003e","\u003cp\u003eFile includes the Opinion of the Majority of the Arbitration Board, Dissenting Opinion, and a Report on a Proposed Pension Plan\u003c/p\u003e","\u003cp\u003eThese include: \"Discipline and Education of Locomotive Engineers and Firemen and Standardization of Wages\"; \"Progress Made in Electrification of Railroads and Economics Effected Thereby\"; \"The Railway Dollar, What Became of it in 1913\"; \"Revenue Gains by Representative Western Railroads Available to Compensate Locomotive Engineers and Firemen For Increased Work and Productive Efficiency, 1890-1913\"; The Rise and Fall of Mechanical Stokers\"; \"Miscellaneous Statements in Rebuttal to Exhibits Presented by the Railroads\"; \"Opposition of Railroads to Enactment of Federal Hours of Service Law and Efforts of Federal Government to Enforce Same.\"\u003c/p\u003e","\u003cp\u003eAll the years but 1933-1935 have an index in the front of the folder.\u003c/p\u003e","\u003cp\u003eThese \"diaries\" were used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date.\u003c/p\u003e","\u003cp\u003eFile includes Lauck's Civil Service record (1945) and National War Labor Board service (1918).\u003c/p\u003e","\u003cp\u003eThe 1911 blueprint \"General Plan\" of the property was prepared by Thomas Meehan and Sons, Mt. Airy, Philadelphia, Landscape Architects, for Francis T.A. Junkin, Lexington, Virginia. The \"Map of Mulberry Hill, Lexington, Virginia,\" 1926, with surrounding properties, was done by R.E. Witt, Certified Land Surveyor.For a typed description of the property by R.E. Witt and a note by W. Jett Lauck, see Box 224 Folder 4.\u003c/p\u003e","\u003cp\u003eThe Bureau of Applied Economics, Inc. was a \"private, independent, scientific organization, established in 1914 for the purpose of doing research and analytical work in the field of industrial, commercial, banking and general economic activities\" according to one of its brochures. It was located in Washington, D.C. \"where the governmental departments, commissions and other organzations with their specialists, archives and unrivaled library facilites render such research more effective and productive than any other city in America\" according to a page from an unknown directory. Hugh S. Hanna was the Director and W. Jett Lauck was listed as both the Chairman of the Advisory Board and the specialist for money and banking.\u003c/p\u003e\n","\u003cp\u003eOne of the chief functions of the Bureau of Applied Econonics was to create publications about importand current issues in the field of labor conditions and industrial relations. These were intended to be brief (50-75 pages) but authoritative and written by a specialist in the subject so that anyone interested in the subject could have access to the gist of all the information in one place and for a low cost. \u003c/p\u003e","\u003cp\u003eFile includes Monthly Statements, Proofs of Notices, Subscribers and Sales.\u003c/p\u003e","\u003cp\u003eFile includes Correspondence, Papers, and Table of Contents.\u003c/p\u003e","\u003cp\u003eLauck taught a course on the History of the Labor Movement at the American University.\u003c/p\u003e","\u003cp\u003eThe Notes chiefly include Political Science, Sociology, Labor vs Capital, Economics, Constitutional Law, American Government, and Agriculture.\u003c/p\u003e","\u003cp\u003eThese College Notes are chiefly concerned with the Reciprocity Concept and the Chicago Conference with sections on Cuba and Hawaii; Distribution; Receiverships; Sociology and Tariffs; and Printed Material.\u003c/p\u003e","\u003cp\u003eMuch of this material is fragmentary or incomplete and it possibly has some material of W. Jett Lauck mixed in.\u003c/p\u003e","\u003cp\u003eThese photographs include the \"Funeral Procession of Stephen Horvath, McKees Rocks, Pennsylvania, August 14, 1909. Photographs are mostly unidentified and some do not include W. Jett Lauck.\u003c/p\u003e","\u003cp\u003eThese photographs are mostly unidentified and undated but does includes William Harmon Black and Major Miller Taylor. and his wife.\u003c/p\u003e","\u003cp\u003eThis file consists of seven oversize photographs, including a Staff Conference; the Immigration Commission, Washington D.C. (1907); three photographs of Lauck with the same two  unidentified men; W.D. Mahon; A.A. Mitten; Earl E. Houck; an unidentified man; and an unidentified hearing.\u003c/p\u003e","\u003cp\u003eThis folder includes four oversize photographs  of Public Code Hearings on Bituminous Coal Industry, 1933 August 9; Cigar Manufacturing Industry AAA Code Hearing, 1933 November 22;  Structural Steel and  Iron Fabricating Industry N.R.A. Hearing, 1933 October 30; and Anthracite Coal Industry, NRA Code Hearing, William H. Davis Deputy Administrator, Washington, D.C., 1933 November 17\u003c/p\u003e","\u003cp\u003eTopics include Agriculture and Farms, Airlines and Aviation, Argentina, Atlantic Charter—Poland*, Atomic Energy and Weapons (see also, J—Japan), Australia, and the Automobile Industry.\u003c/p\u003e","\u003cp\u003eTopics include Bank Fraud, Banking and Bankers, Baruch Report, Big Three, Bretton Woods Agreement—International Monetary Fund, British Elections 1945, British Labor Party, British Labor Reports and the Second World War and Budget.\u003c/p\u003e","\u003cp\u003eTopics include Cartels, Chamber of Commerce, Canada, Capital/Capitalism, Charter [U.N.] (see also, S—San Francisco Conference), Chemical Warfare, Cherry Blossoms—Washington D.C., China, The Church (see also, Religion and Faith), Churchill, Winston (see also, People), Comintern, Communist Party, Congress, Cost of Living, and Cuba.\u003c/p\u003e","\u003cp\u003eSee also, Strikes, U—United Mine Workers.\u003c/p\u003e","\u003cp\u003eTopics include Debt, Defense, Deflation, Democracy, Democratic Party, The Depression, Diplomacy, Disease, Driving [Winter], and Dumbarton Oaks Conference.\u003c/p\u003e","\u003cp\u003eTopics include Economic Bill of Rights, Economic Development [Committee], Economic Policy (see also, B—Bretton Woods Agreement, Post-War Reconstruction), Economic Rights, Economy of War, Employment (see also, U—Unemployment), Electric Workers, Electricity, and Excess Capacity.\u003c/p\u003e","\u003cp\u003eTopics include Farms, Fear, Flooding, Food [Costs] [Rations] [Shortages], Food as Weapon, Foreign Policy, Freedoms, France, Franco, and Full Employment America.\u003c/p\u003e","\u003cp\u003eTopics include General Motors [Strike] (see also, Strikes), Germany, G.I. Bill, Gold Standard, Government in Business, Grain Marketing, Great Britain, Growth of Democracy, Hapsburgs, and Hatch-Burton-Ball Bill.\u003c/p\u003e","\u003cp\u003eTopics include Industrial Divide, Industry, Inflation/Deflation, and Israel.\u003c/p\u003e","\u003cp\u003eJapan [and the Atomic Bomb], Jefferson [And the Declaration of Independence], The Jewish People [in Nazi Germany], Jobs as a Property Right, and Kipling, Rudyard (see also, People).\u003c/p\u003e","\u003cp\u003eTopics include Labor [and War], Latin America, League of Nations (see also, World Government), Legal Aid Societies, Lend-Lease, Liberalism, and the Lima Conference, Liquor Problem, and Living Wage.\u003c/p\u003e","\u003cp\u003eTopics include Magna Carta, Massachusetts Academy, Meat Industry (see also, Strikes), Middle Class, Monetary Reform, Morale [Poor], and Moving Pictures.\u003c/p\u003e","\u003cp\u003eTopics include National Association of Manufacturers, National Income, National Interest, \"New Era\" 31*, New York State Industrial Survey Commission 28*, New York Transit Strike, Office of Price Administration, and Oil.\u003c/p\u003e","\u003cp\u003eTopics include Pacifists, Packing Houses, Thomas Paine,  Palestine, Pan-American Union, Patents, Peace, Pennsylvania Labor Act, Philanthropy, Poland, Political Minorities, Population [United States] 1940, Power, The Press, Price Controls, Prisoners of War, Production, Profit-Sharing, Profiteering, Public Service, and Pump-Priming the Economy.\u003c/p\u003e","\u003cp\u003eFor more clippings on people see also: C—Churchill, K—Kipling, P—Paine, R—Roosevelt, Rural Electrification Administration [Harry Slattery], S—Stalin, and T—Truman.\u003c/p\u003e","\u003cp\u003eFile contains topics such as: Post-War Deflation, Post-War Europe, and United States Labor, Industry, and the Economy.\u003c/p\u003e","\u003cp\u003eTopics include: Race and Racial Strife, Radar, Railways and Railroads, Reciprocity – British Agreement, Reconstruction Finance Corporation, Reconversion [and Wages] (see also, Post-War Reconstruction), Re-employment (see also, Post-War Reconstruction), Republican Party, Republican Record, Right Wing Reaction, Roosevelt, Rural Electrification Administration [Harry Slattery], Russians who Fought for Germany in World War II.\u003c/p\u003e","\u003cp\u003eTopics include: San Francisco Conference (see also, United Nations), Savings, Sherman Act, Social Security, Socialism, Socialized Medicine, South America, The South [and Politics], The South [and Poll Tax Ban], Southern Revolt, Soviet Union/Russia, Spain, St. Lawrence Seaway, Stalin, Subsidy, Sugar, Supreme Court, Packing the Supreme Court, and Syria.\u003c/p\u003e","\u003cp\u003eSee also, Coal, G-H—General Motors [Strike], M—Meat Industry, N-O—New York Transit Strike, Steel, and U—United Mine Workers.\u003c/p\u003e","\u003cp\u003eTopics include: Tariff Bill, Taxes, Textiles, Third Political Party, Totalitarian States, Troops, Truman [Report], Trusteeships; Unemployment, (see also, E—Employment), Unions, United Kingdom [Britain], United Mine Workers (see also, Coal), Unity, National\nVirginia, and Virginia Budget Efficiency.\u003c/p\u003e","\u003cp\u003eSee also S—San Francisco Conference and World Government.\u003c/p\u003e","\u003cp\u003eTopics include: Wage Central, Wages, Wagner Health Bill, Wall Street, War, War Aims, War and Capital, War Contracts Settlement, War Cost, War Crimes, War Labor Board, War Production Board, Work Week, World Bank, and World War II [Battles].\u003c/p\u003e","\u003cp\u003eThis file includes agendas, correspondence, reports, membership, and the tentative program.\u003c/p\u003e","\u003cp\u003eTopics include: American Mining Congress Declaration of Policy, \tdisagreements over the NRA code, gasoline and coal, new processes, and the right to strike.\u003c/p\u003e","\u003cp\u003eThis file includes an \"Investigation of Paint Creek Coal Fields of West Virginia,\" \"The Truth about Coal River Collieries,\" \"West Virginia Coal Fields\" (Senator Kenyon), Colorado Coal Fields, and a List of West Virginia Coal Fields.\u003c/p\u003e","\u003cp\u003eIncludes Houde Engineering Company Memorandum submitted to the National Labor Relations Board, the Hunt Memorandum outlining the Study of Competing Fuels, Lauck's review of \"The Coal Industry\" by Glen L. Parker, the Keller Bill for the Mississippi Valley on the Relative Importance of Fuels, \"Oil-Coal Mixtures as Industrial Fuel\" by J.E. Hedrick, and the Coal Cost of Producing Electricity, by J. Leonard Matt in the \"New York Herald Tribune.\"\u003c/p\u003e","\u003cp\u003eThe Railroads Financial History material was used in preparation of exhibits for the Brotherhood of Locomotive Firemen and Enginemen Case and updated for use in later cases involving railroads.\u003c/p\u003e","\u003cp\u003eThese news clippings include: British railway strike, credit, Thomas Dew Cuyler article on 1922 strike, Henry Ford's railroad, Gould System, Inadequacies of Railroad Management, Mergers, Nickle Plate Deal, Receiverships and Foreclosure Sales During 1920, and Railroad Retirement Act of 1937.\u003c/p\u003e","\u003cp\u003ePublications include: Decisions, Dockets, Announcements, Lawsuits, Orders, and Reports.\u003c/p\u003e","\u003cp\u003eLauck was on staff as an economist and one of the stockholders for this enterprise. Some stationery has the name \"The Gallatin Institute of Applied Economics\" in the header.\u003c/p\u003e","\u003cp\u003eFiles include Memoranda from I.A. Rice to W. Jett Lauck, Recommendations, and Rent Law.\u003c/p\u003e","\u003cp\u003eIncludes a bill on the guaranty of bank deposits legislation and the Glass-Steagall Act (printed).\u003c/p\u003e","\u003cp\u003eBanking files include Credit Facilities of the Country, Federal Reserve Board Legal Opinion on Bank Centralization (printed), News clippings, Reform, and the United Labor Bank and Trust Company Dissolution.\u003c/p\u003e","\u003cp\u003eIncludes files on British wage controversy and the coal industry during World War II, coal industry problems, and the British Coal Mines Act.\u003c/p\u003e","\u003cp\u003eCigar Manufacturing Code of Fair Competition files include Amendments proposed by Abraham Goldbloom and Jett Lauck, including Revisions made by Conference on October 20, 1933; Briefs and Statements (1933); Codes (1933-1934); and Profits and Statistical Data (circa 1929-1933).\u003c/p\u003e","\u003cp\u003eThese include: Table of Contents, Agents of Concentration and Railroads; Cotton Mills (director); Public Utilities (directors); Concentration of control of Financial and Industrial Resources; Public Utilities (securities), Public Utilities (affiliations), and Public Utilities (summary and tables).\u003c/p\u003e","\u003cp\u003eThese include: Summary of Banker Control in American Industry; Concentration of Financial Control of Industry; Concentration of Control of the Iron Ore Mining Industry; Report on Public Utilities; Concentration and Control of Money and Credit; Industrials (directors), Agents of Concentration, Coal (statistics), Iron and Steel Report (summary), Industrials (report), Railroads (statistics), Cotton Industry, Coal and Iron Mining; and Concentration of Control of Various Industries (iron, coal, water).\u003c/p\u003e","\u003cp\u003eThese files include the Bill by Colonel W.G. Williams (1946); an Inquiry by the Federal Power Commission Control (June 27, 1945); and the Memoranda of Colonel W.G. Williams, 1945-1946).\u003c/p\u003e","\u003cp\u003eThese files include: Miscellaneous, including charts - W. G. Williams (1945-1946); Gas and Oil Pipelines, including a proposed letter from Admiral Stuart to President John L. Lewis (October 16, 1944); and the United States Department of the Interior report of Investigations (July 1945).\u003c/p\u003e","\u003cp\u003eConstitutional Amendment files include: Action by Organizations (1936-1937); Articles and News clippings (1935-1939); Bills, including those proposed by Benson, Costigan, Ford, Gray, Maas, and Marcantonio (1935-1937); Challenges to the Authority of the Supreme Court to Declare Legislative Acts Unconstitutional, Notes and Memoranda by W. Jett Lauck, Donald R. Richberg, Merle D. Vincent and Henry [Warrum] (1935-1936); and Correspondence and Memoranda about the New York and Washington, D.C. Meetings (1936).\u003c/p\u003e","\u003cp\u003eConstitutional Amendment files include: Detroit Conference (1937); History and Comments (1936?); National Committee and Reports from Henry T. Hunt (1936); National Conference about (1936-1937); Recommendations and Suggestions made by President Roosevelt for a Bill to \"Pack the Supreme Court\" (1937); and Speeches by David J. Lewis and Daniel C. Roper (1935).\u003c/p\u003e","\u003cp\u003eMaterial includes the labor and production costs of cotton, silk and wool goods before and after World War I.\u003c/p\u003e","\u003cp\u003eFiles include a Memorandum on Major Berry and Conference Plans (1935 November, undated); News (1936-1937); Press Releases (1936-1937); and Summaries and Reports (1936 June-July).\u003c/p\u003e","\u003cp\u003eMemoranda topics include the Austrian state railways, the book \"Railroad Melons, Rates, and Wages\"; the suggestions of Baltimore and Ohio Railroad Vice-President Tatnall for railroad improvements; the Cincinnati Southern Railway; and Cooperatives.\u003c/p\u003e","\u003cp\u003eThese include speeches and statements of Governor Earle, Chief Justice Hughes, British House of Commons, Secretary of State Hull, Secretary Ickes, Robert H. Jackson, Governor Frank Murphy, Senator Norris, Secretary Frances Perkins, Burton K. Wheeler, and Wendell L. Wilkie.\u003c/p\u003e","\u003cp\u003eThis opinion was given by the General Counsel of the Federal Reserve Board.\u003c/p\u003e","\u003cp\u003eThese files include the first through third versions introduced in the 72nd Congress in 1932, S. 3215, S. 4115, and S. 4412.\u003c/p\u003e","\u003cp\u003eThese House bills include: H.R. 7250 (a bill creating national mortgage banks); H.R. 7620 (a bill to create Federal Home Loan Banks); H.R. 11340 (a bill to require national banking associations to furnish bonds to protect depositors against loss of deposits); H.R. 11422 (a bill to regulate the value of money, and for other purposes); and H.R. 12280 (an act to create Federal Home Loan Banks).\u003c/p\u003e","\u003cp\u003eIncludes an article by Lauck, \"America's New Immigrants\" and reviews of his book with Jeremiah Jenks, \"The Immigration Problem. A Study of American Immigration Conditions and Needs.\"\u003c/p\u003e","\u003cp\u003eIncludes a Memorandum from Lucius E. Wilson and Research concerning the cotton industry (1890-1912), economic consumption, 1890-1914,  prepared by Frances P. Valiant, centers of population (1914), prices (1914), tendencies in real wages (1900-1913), and wages and prices  (1912-1914)\u003c/p\u003e","\u003cp\u003eThe topics include: Agriculture; Anti-Strike Bill; Book Reviews; Bituminous Coal; Child Labor Law; Civil Service Employment, Reclassification and Retirement; Federal Employment; Federal Coal Commission; and Foreign Industry and Labor.\u003c/p\u003e","\u003cp\u003eThe topics Include: Health; Housing; Immigration; Industrial Accidents; Labor Mobility; Milk Bill; National Industrial Conference; New Jersey Chamber of Commerce; Public Health Service; Punitive Overtime; Racial Question, Commission on (\"Negro Wage Earners\"); Seaman's Act Revision in Merchant Marine Bill; Soldiers' Adjusted Compensation Legislation; Steamship Business Training; and United States Steel Corporation Pension Fund.\u003c/p\u003e","\u003cp\u003eTwo of these files focus on Employee Representation - Efficiency through Cooperation, and include \"A Report on Workers' Participation in Management\" with an appendix, by W. J. Lauck, March 1921.\u003c/p\u003e","\u003cp\u003eCompanies include: Bethlehem Steel Company, Endicott Johnson and Company, Goodyear Tire and Rubber Company, International Harvester Company, Midvale Steel and Ordnance Company, Standard Oil Company of New Jersey, and General.\u003c/p\u003e","\u003cp\u003eFiles include: Distribution of Output of Industry; Foreign Trade; General; Labor; Mass Production and Distribution; Production and Stock Market; and Prosperity.\u003c/p\u003e","\u003cp\u003eLabor topics in these files include: Labor and Churches (1922-1937); Labor and Industrial Policy during World War I, Memoranda on (1917-1918); Labor Gazette Program (undated); General material (1914-1920); Labor in Great Britain (1918-1937); Labor Injunctions (1927-1932); Labor Insurance (1928); Labor Legislation and Politics (1928); Labor Organizations (1910-1929); Labor Policies (1928); and Labor Problems (1919).\u003c/p\u003e","\u003cp\u003eAdditional Unemployment topics include: Joint Committee on Unemployment; Press; Social Effects of Unemployment, Statistics; and the Wagner Bills.\u003c/p\u003e","\u003cp\u003eInterstate Commerce Commission files include: Decision on Freight Rates in Anthracite Case; Five Per Cent Case; Hearing on Rates on Grain, etc.; Operating and Wage Statistics; and Petition concerning the \"Inefficiency of Railroad Employees.\"\u003c/p\u003e","\u003cp\u003eAdditional Interstate Commerce Commission files include: Rules on Locomotive Inspection; Rules of Practice; Rules governing Classification of Steam Railway Employees; and Seasonal Variation of Railway Operating Income.\u003c/p\u003e","\u003cp\u003eAdditional files include: Labor Conditions, including mining accidents; Manufacturers; and Monthly Production of Pig Iron in the United States.\u003c/p\u003e","\u003cp\u003eJourneymen Stone Cutters of America files include: Affidavits and Letters on Indiana Situation; Agreements; Amalgamation (Knoxville Wage Scale); Arts and Crafts Industry - Mr. M. W. Mitchell; Bloomington and Bedford Names and Local Vote; Cast Stone Industry Code; Limestone Code; Limestone Code Statement for Hearings and Suggested Complaint to the National Labor Board; the Marble Manufacturing Code, President Mitchell; Press Releases and Miscellaneous; the Sandstone Code and Statement by M.W. Mitchell, President of the Journeymen Stone Cutters' Association of North America.\u003c/p\u003e","\u003cp\u003eAdditional Labor Costs files include: Bituminous Mine Workers; Book Paper Industry; Canned Salmon; Canned Vegetable Industry; Coal; Construction; Copper Production and Sale; Cotton Industry; Cotton, Silk, and Wood Goods Production Before and After World War I; and Fertilizer Industry.\u003c/p\u003e","\u003cp\u003eAdditional Labor Costs files include: Hide and Tanning Industries; Leather and Shoe Industries; Pig Iron; Railroads, including Eastern, Operating, Southern, and Western; Relation to Prices; Shoe Industry; Steel Production in the United States; Sugar Profiteering; Summary; Various Industries; and Women's Muslin Underwear Industry.\u003c/p\u003e","\u003cp\u003eThe Living Wage subtopics include: The Case for a Living Wage; Cost; Cost of Rearing Children; Department of Labor; Effects; Fair Labor Standards Act (Bills, Interpretations, Regulations, etc.); Farmers; and General Press (1 of 2 folders).\u003c/p\u003e","\u003cp\u003eLiving Wage subtopics include: General Press (2 of 2 folders); Harmful Effects of Low Wages; Lauck Statements; Miscellaneous; National War Labor Board; Practicability (2 folders); Request for a Ruling from the United States Railroad Labor Board on the Living Wage;  \"Sanction for a Living Wage\"? Quotation Verification Work for Lauck's book with that title; Statement of the National War Labor Conference; and an Undated Essay on \"The Just and Reasonable Wage.\"\u003c/p\u003e","\u003cp\u003eThese documents include the Charter, Constitution, General Plans of Work, Explanation and Comment, Outline of Organization and Scope of Work at the Outset, By-Laws, Suggestions and Notes on Separate Trust Fund, and an article \"Employee Ownership\" by Thomas E. Mitten.\u003c/p\u003e","\u003cp\u003eMitten Management topics include: Labor Cooperation in Australia; Organized Labor in New Orleans; Personal News clippings; Press; and Strikes in Philadelphia and Buffalo.\u003c/p\u003e","\u003cp\u003eLiterature includes the New York Advertising Club Plan, Memoranda and Principles, etc., which also includes articles by Fred Brenckman and Isador Teitelbaum.\u003c/p\u003e","\u003cp\u003eItems include the Conscription of Property Senate Bill 1579 and Consumer Division of Defense, Labor, and Steel.\u003c/p\u003e","\u003cp\u003eThese files include a report of the Iron Ore Committee, a copy of the \"National Natural Resources Act,\" and the Report of the Planning Committee for Mineral Policy.\u003c/p\u003e","\u003cp\u003eThese bills include the Bill for Stabilization and Conservation of Natural Gas and Petroleum and the Cole Bill (H.R. 7372) Petroleum Conservation Act.\u003c/p\u003e","\u003cp\u003eFiles include General; a Brief; Mr. McGinn's Statement; General Producers Company, Mr. Taylor and John L. Lewis; and Sinclair Company - Maintenance of Retail Prices.\u003c/p\u003e","\u003cp\u003eApparently Lauck used his work with the Philadelphia Rapid Transit Company as a basis for his book, \"Political and Industrial Democracy, 1776-1926.\"\u003c/p\u003e\n","\u003cp\u003eIncludes files on the following companies: Baltimore and Ohio Railroad; Bank of Italy; Boston Consolidated Gas Company; Chicago Surface Lines; Colorado Fuel and Iron Company Plan; Columbia Conserve Company; Comparison of Fundamentals; Comparative Plans; Dennison Manufacturing Company; Dutchess Bleachery; Employee Representation and the Union (PRT); Employee Stock Ownership (PRT); Endicott-Johnson Company (PRT); Filene; Ford Motor Company; International Harvester Company; Investment Bankers and Cooperative Plans; Louisville Railway Company; Loyal Legion of Loggers and Lumbermen; and Milwaukee Electric Power and Light Company.\u003c/p\u003e","\u003cp\u003eIncludes files on the following companies: \tNash Tailoring Company; New Cooperative Plan; Packard Piano Company; Pennsylvania Railroad; Peoples Gaslight and Coke Company; Philadelphia Convention; Printz-Biederman Company; Southern Railway; Standard Oil Company; Summary with 1939 clipping; and Union Recognition Case.\u003c/p\u003e","\u003cp\u003eIncludes news clippings about the Electric Bond and Share Company, Power Authority of New York and others.\u003c/p\u003e","\u003cp\u003eIncludes a speech by Frank P. Walsh before the  Public Ownership League of America and a Research Bulletin on the Potomac Electric Power Company of Washington.\u003c/p\u003e","\u003cp\u003eThese files include ones for Analysis, Bradstreet's, Dun's, General, and Government Control of Prices.\u003c/p\u003e","\u003cp\u003eProfiteering files include those on: Address of the President; Agricultural Supplies; Articles by W. Jett Lauck and others (2 folders); Banks; Memorandum to Judge W.H. Black; Building Material; Coal; and Copper.\u003c/p\u003e","\u003cp\u003eProfiteering files include: Corporate Earnings and Government Revenues (3 folders); and Corporations, Profits of (3 folders).\u003c/p\u003e","\u003cp\u003eProfiteering files include: Industries, various, (3 folders); Manly, Basil M. - Survey of American Industrial Conditions; Meat Packing; Metal Trades; Miscellaneous Industries; 1921; Petroleum; Post War Profits; and Press Statements (2 folders).\u003c/p\u003e","\u003cp\u003eProfiteering files include: Railroads During and After the War (American); Railroad Equipment; Shoes and Clothing; Speeches in Congress; Steel;  Sugar; Summary; and War Contracts.\u003c/p\u003e","\u003cp\u003eIncludes the following filers: the Chicago Memorandum; Pending Work file; press release about the need for co-ordination of transportation facilities; press or news clippings; and railroad employee insurance.\u003c/p\u003e","\u003cp\u003eFiles include a draft of a letter to President Roosevelt and a memorandum on Russia from Lauck.\u003c/p\u003e","\u003cp\u003eRussia or Soviet Union files include: \"The Red Trade Menace\"; Research by Dunlap; Social and Economic Conditions, chiefly clippings, including concessions, the cotton case, credit, political and propaganda (2 folders); and Trade Mission.\u003c/p\u003e","\u003cp\u003eFiles include: \"The Agricultural Situation in the United States\"; \"Labor Banking Movement in the United States, Analysis of\"; \"Membership of Labor Unions\"; and \"Report of the Negro in Industry\".\u003c/p\u003e","\u003cp\u003eFiles include: Proposal for Cotton Purchase from the United States (3 folders); \"Recent Shifts in Industry\"; \"Report of the Railroad Situation in the U.S.\"; Research – Miscellaneous; and Tariffs.\u003c/p\u003e","\u003cp\u003eFiles include: Anderson, Paul E. – Reports and Memoranda; Ballantine's Report [on Transportation by Waterway as Related to Competition with the Rail Carriers in the United States]; Commodity Studies, including livestock, potash, green coffee, grains, and rubber; Correspondence; and Department of Commerce Outline.\u003c/p\u003e","\u003cp\u003eFiles include: Digest of Hearings and Reports; Electric Generation Capacity, U.S.A.; Extent of Railway Operations; News clippings, including article from \"The New Republic\"; Notes and Outline; and Panama Canal Traffic effect upon Railroad Rates.\u003c/p\u003e","\u003cp\u003eThis file includes a Railway Labor Executives' Policy statement, statement of the Baltimore Association of Commerce, and a paper about the  \"Effect of the Proposed Great Lakes-Saint Lawrence Deep Waterway on the Coal Industry.\"\u003c/p\u003e","\u003cp\u003eThe file includes articles by Lester Velie (\"Lean Years for the Rails\"), Harold D. Kootz (\"The Railroad Crisis\"), and one about new types of equipment; a speech by Harry S. Truman on railroad financing; a memorandum about railroads serving the Great Lakes ports; and a memorandum to Robertson about the position of Western railroad presidents concerning the waterway prior to 1933-1934.\u003c/p\u003e","\u003cp\u003eReports include: \"Analysis of its effects upon railroad and coalmining industries\" by W. Jett Lauck; \"Coordination of Transportation Agencies\" [by W. Jett Lauck?]; Report of Railroad Coordinator's Freight Traffic Report, including freight rate increases and petroleum pipeline rates; and Report of the Railroad System, Beneficial Effects of project upon.\u003c/p\u003e","\u003cp\u003eFiles for this committee include: General (2 folders); Papers submitted by J.W. Garrow and White; the Report, both Typescript and Printed (2 folders); Uniform Manufacturers Association Statement; United States Chamber of Commerce Presentation; and Vouchers and Expenses submitted by W. Jett Lauck.\u003c/p\u003e","\u003cp\u003eFiles include Awards, Decisions, and Authorizations (printed) and Exhibits prepared for the Board by Lauck and associates.\u003c/p\u003e","\u003cp\u003eSocialism files include; \"What it is and what it is not\" and History in the United States.\u003c/p\u003e","\u003cp\u003eFiles include: \"Compilation of the Social Security Laws\"; Correspondence with Barbara Nachtrieb Armstrong (Chief of Staff for Social Security Planning of the Committee on Economic Security; Correspondence with Pauling C. Gilbert; Directory of State Employment Security Officials; and Draft Bills for State Unemployment Compensation.\u003c/p\u003e","\u003cp\u003eFiles include: H.R. 4142 (Lewis Bill); H.R. 7260 (Social Security Act); Information Primer on the Committee on Economic Security; Inventory of Job Seekers Registered at Public Employment Offices; and League of Nations Staff Pension Fund.\u003c/p\u003e","\u003cp\u003eFiles include: Major Migratory Routes in the United States; Memoranda to Mr. Kennedy; National Women's Trade Union December Bulletin; Newspapers; and \"Old Age Insurance.\"\u003c/p\u003e","\u003cp\u003eFiles include: Pamphlets and Print Materials; Preliminary Report on Occupations of Job-Seekers in 43 States; \"The Problem of Insecurity\" (Committee on Economic Security); Radio Address of Frances Perkins, Secretary of Labor; and Recommendations of the Social Security Board Federal Advisory Council.\u003c/p\u003e","\u003cp\u003eFiles include: \"Social Security Act and War Manpower Commission\" and Social Security Board Federal Advisory Council Binder of Documents (2 folders).\u003c/p\u003e","\u003cp\u003eFiles include: Social Security Board Federal Advisory Council Meeting (June 1940); Social Security Board Federal Advisory Council Meeting (October 1942); \"Social Security in Defense and After\"; Statements on the Wagner-Lewis Economic Security Bill; Thrift and Security Foundation, Inc.; \"Two Special Reports on Social Legislation\" (Business Advisory Council); United Mine Workers of America Proposed Retirement Plan; and Vocational Training Program for National Defense.\u003c/p\u003e","\u003cp\u003eTopics include: Mineral production, \"A Working Economic Plan for the South,\" Washington and Lee as a Southern institution, and the Southern Commercial Congress (all printed).\u003c/p\u003e","\u003cp\u003eFile includes memoranda to John L. Lewis and suggestions by Katharine Pollak, federal regulation and steel codes.\u003c/p\u003e","\u003cp\u003eTopics include a file on Arbitrations, including Portland, Maine; Eastern Massachusetts Street Railway; Boston Elevated Railway Company; and Cumberland County Power and Light Company. Other railway topics include: District of Columbia; \"Low Fares\" article by Louis B. Wehle; the Mahon Case; and a Report by Delos F. Wilcox.\u003c/p\u003e","\u003cp\u003eFiles include: \"The Bridgemen's Magazine,\" Vol. XXXIII, Nos. 11 and 12; Conferences; H.R. 7596 (To License and Regulate Inter-State Coal Corporations); H.R. 12285 (Ellenbogen's Bill); H.R. 12499 (Wood's Steel Bill); Lauck Notes and Memoranda; and Lists of Materials Prepared in Connection with Iron Workers.\u003c/p\u003e","\u003cp\u003eFiles include: P.J. Morrin Exhibits I (a), II, and III-VIII; P.J. Morrin's Report as Labor Advisor to Chairman of the Labor Advisory Board and his Statement Before the National Recovery Administration; Possible Projects – Golden Gate Bridge, San Francisco, California and United States Courthouse, New York City; Statement of William P. McGinn to Deputy Administrator; and \"Summary and Objectives of Proposal for New National Recovery Act Legislation.\"\u003c/p\u003e","\u003cp\u003eFiles include: the Fair Tariff League; Press, including the French situation; and Wood Pulp, Woolens and Worsteds (2 folders).\u003c/p\u003e","\u003cp\u003eTaxation files include: \"Conclusions and Constructive Suggestions as to Tax Revision\" by David B. Robertson; News clippings, Printed Material and Press Releases (2 folders); and Notes and Drafts.\u003c/p\u003e","\u003cp\u003eFiles include: copies of clippings at back of folder; Charts used by Isador Lubin in his Testimony; and Notes by W. Jett Lauck and associates.\u003c/p\u003e","\u003cp\u003eTopics include: \"Dynamics of Transport\"; \"How Transport has Shaped the Pattern of National Development\"; \"Objectives of Public Policy\"; \"Problems of Interest Groups\"; \"Problems of National Defense\"; Problems of Rate Levels and Rate Relationships\"; \"Problems of Regulatory Policy\"; \"Problems of Transportation Policy – Review of Basic Issues and Alternative Solutions\"; \"Problems of Transport Coordination\"; \"What Lies Ahead in Transportation\"; and \"What the Transportation System Looks Like Today.\"\u003c/p\u003e","\u003cp\u003eFiles include information about the 1922, 1934, 1940 (2 folders), and 1946 Conventions.\u003c/p\u003e","\u003cp\u003eWage files include: American Federation of Labor; Articles, Bibliography on Wage Cutting and on a Saving Wage; Disease; Earnings in Ohio; \"A Fair and Reasonable Wage\"; and Minimum Wage (2 folders).\u003c/p\u003e","\u003cp\u003eWage files include: Productive Efficiency Theory; Productivity; Railroad; Rates; Real Wages; Regulation; Report on \"Wages and Hours of Labour in Canada\" and Report of Australian Royal Commission; Standard of Living; Various Industries (2 folders); Wage Adjustments; White Collar Workers; Women; and Works Project Administration.\u003c/p\u003e","\u003cp\u003eTopics include: the wartime control of labor (France), War Labor Conference Report (February 25, 1918), \"Labor Policies and the War, War Profits Bill, war and labor, and war tax law.\u003c/p\u003e","\u003cp\u003eMaterials include: a pamphlet \"Negro Women in Industry in 15 States,\" and other printed material from the Department of Labor and the Women's Bureau.\u003c/p\u003e","\u003cp\u003eTitles include: \"American Institute for Economic Research Monthly Bulletin\" (1944) and \"Automotive War Production\" (1945).\u003c/p\u003e","\u003cp\u003eTitles include: \"Babson's Washington Reports\" (1938-1939); \"Bank of the Manhattan Company of New York (1946); and \"The Bulletin\" from the International Typographical Union (1945-1946).\u003c/p\u003e","\u003cp\u003eTitles include: \"California Safety News\" (1919); \"Common Sense\" (1944); and \"Congressional Daily\" (1941, 1944-1946).\u003c/p\u003e","\u003cp\u003eTitles include: \"Economic Notes\" (1939); and \"The Economic Outlook\" (1940, 1944).\u003c/p\u003e","\u003cp\u003eTitles include: \"Foreign Commerce Weekly\" (1941) and \"Foreign Policy Bulletin\" (1943, 1946).\u003c/p\u003e","\u003cp\u003eTitles include: \"Human Events\" (1947); \"International Post-War Service Statistical Bureau\" (1943); and \"International Statistical Bureau Foreign Letter\" (1943-1944).\u003c/p\u003e","\u003cp\u003eTitles include: \"National Bureau of Economic Research\" (1933-1934); \"The National Grange\" (1932); \"People's Lobby Bulletin\" (1945); \"Private Newsletter\" (1934); and \"Propaganda Analysis\" (1939).\u003c/p\u003e","\u003cp\u003eTitles include: \"Report of the Mexico City Bureau\" (1940); and \"The Southern Patriot\" (1945-1946).\u003c/p\u003e","\u003cp\u003eTitles include: \"United Business Service\" (1941); United Construction Workers News (1946); \"Washington Review\" from Chamber of Commerce, U.S. (1940, 1943); and \"The Yardstick Catholic Tests of a New Social Order\" (1941-1942, 1944).\u003c/p\u003e","\u003cp\u003eIncludes booklets on \"Diplomatic List\" (1925); National Policy Committee booklet, \"Implications to the United States of a German Victory\" (1940); \"The Storm Washington D.C. January 27-28, 1922; \"The Story of the Globe\" (undated); andClifford Thorne (undated).\u003c/p\u003e","\u003cp\u003eIncludes: National Association Real Estate Boards (1924); National Monetary Association (1923, undated); \"National Transportation Institute Freight Rates and Prices, 1867-1923\" (1923); New Jersey Teacher Retirement and Pensions (1919); and New School for Social Research (1920).\u003c/p\u003e","\u003cp\u003eIncludes: Railroads (1944); Remedial Loan Societies (1928); and Remington Rand Inc. (1935).\u003c/p\u003e","\u003cp\u003eIncludes: Schools (1928-1929); Sperry Corporation (1936); Standard Oil Company (1922); and Standard Statistics Company (1925).\u003c/p\u003e","\u003cp\u003eIncludes: Virginia State Chamber of Commerce (1924-1930); and \"A Brief History of Taxation in Virginia,\" by Edgar Sydenstricker (1915).\u003c/p\u003e","\u003cp\u003eIncludes: Senator George D. Aiken (1941), Thurman Arnold on \"Labor Against Itself\" and Antitrust Law Enforcement (circa 1941, undated).\u003c/p\u003e","\u003cp\u003eIncludes Samuel Brodbelt with a letter to Lauck, February 1, 1940.\u003c/p\u003e","\u003cp\u003eIncludes: Charles H. Chase on Trade Credit Banking (1934); John Corbin on National Planning (1932).\u003c/p\u003e","\u003cp\u003eIncludes: Maurice R. Davie, \"What Shall We Do About Immigration? (1946); Eleanor Davis \"The Future of Personnel Administration in the US\" typescript (undated); Edward T. Devine, \"American Labor's Improved Status Since 1914\" (1928); and Wallace B. Donham, \"National Ideal and Internationalist Idols\" (1933).\u003c/p\u003e","\u003cp\u003eIncludes: Marriner S. Eccles (1939); Irving Fisher \"The Debt - Deflation Theory of Great Depressions\" (1933); and Harry Emerson Fosdick sermon \"A Christian Conscience about War\" (1925).\u003c/p\u003e","\u003cp\u003eIncludes: Walter Graves, Jr., an open letter concerning Hitler and the British Isles (1941); Senator Pat Harrison (1925); W.P. Harvey, articles on living wage, and capital and labor (undated); Leon Henderson on Use of Small Loans for Medical Expenses (1930), and Alice Hosteler article on Producer-Consumer Relations (undated).\u003c/p\u003e","\u003cp\u003eIncludes: Benjamin A. Javits, (1933-1934); Jefferson Institute, including an address by Daniel C. Roper (1934); George L. Knapp on Senator Edward P. Costigan of Colorado (undated); and Dr. Julius Klein, \"The Business Trend Since 1921\" (1927).\u003c/p\u003e","\u003cp\u003eIncludes: J.C. Laughlin, \"Demand and Prices,\" August 1932; William M. Leiserson, \"Labor Past as Key to Labor Future,\" February 10, 1944; Max Lerner, \"Revolution in Ideas,\" 1939; Alexander Levene, \"Modification of the Antitrust Laws and Purchasing Power\" (1932); and John L. Lewis \"Problems of Organized Labor\" (1936).\u003c/p\u003e","\u003cp\u003eIncludes samples of his articles with a biographical summary up to 1933.\u003c/p\u003e","\u003cp\u003eIncludes: William G. McAdoo, about William Jennings Bryan (1925); Leifer Magnusson, about the International Labor Organization and the American Federation of Labor (undated); Maury Maverick on \"How Solid is the South?\"(1943); Claudius T. Murchison, \"A Great Deal, Some of It New\" (1934); Reinhold Niebuhr, \"Jerome Frank's Way Out\" (undated); Edwin G. Nourse, \"The Nature and Future of Private Enterprise\" (1941); Frances Perkins, speech press release, 1936; Gifford Pinchot, \"Wages, Margins and Anthracite Prices\" and \"Business and Government in the Economic Crisis,\" (1923-1931).\u003c/p\u003e","\u003cp\u003eIncludes: Jackson H. Ralston \"Superficiality of International Law,\" 1922; Donald R. Richberg and his Labor Plan (1944); John D. Rockefeller, Jr., \"Considerations Concerning Labor Standards,\" 1922; Daniel C. Roper, \"Regimentation and Recovery\" and \"Trade and Commerce in Perspective,\"1934; and Dr. John A. Ryan, \"Organized Labor Today\" (1926).\u003c/p\u003e","\u003cp\u003eIncludes: Alexander Sachs on Problems of National Recovery (1937); David J. Saposs, \"Current Anti-Labor Activities\" (1938 April 11); Louis G. Silverberg \"Law and Order: Social Menace\" (1938); Upton Sinclair, \"An open Letter to the President\" (undated); Isidor Teitilbaum (undated); and Lawrence Todd (August 1933).\u003c/p\u003e","\u003cp\u003eIncludes: Henry A. Wallace, speeches (1937-1942); Sidney Webb \"Four Weeks in England\" (1919); Carl I. Wheat, California Railroad Commission, (1927); William Allen White, \"A Yip From the Doghouse\" (1937); Honorable Roy O. Woodruff \"War Frauds\" speech, 1922; and Owen D. Young speeches (1930-1932).\u003c/p\u003e","\u003cp\u003eIncludes \"Economic Planning\" (undated); \"When President's Play Politics\" (1938); and fiction pieces written for magazines like \"Ken\" (undated).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The W. Jett Lauck collection consists of his professional, business and personal papers as an economist, statistician and government consultant on immigration, banking, railroads, coal, and unemployment problems as well as other facets of labor in the United States. Included are correspondence, scrapbooks of news clippings reflecting his activities, labor reports and studies, drafts of congressional bills, legal briefs, and other material concerning labor problems in the United States from its formative World War I years until 1949. They begin with his association with the progressive labor codes of the Taft-Walsh Labor Relations Commission and continue with the Railway Labor Act of 1926; the fight to gain recognition of labor's right to collective bargaining \"through representatives of their own choosing\" under the National Industrial Recovery Act in 1933; the incorporation of its principles in the National Labor Relations Act; and further activity in defense of this act.","Other manuscripts deal with studies of government competition with private business, the American Association for Economic Freedom, the New York Power Authority; branch, chain, and group banking, drafts of speeches, and work diary accounts of activities and meetings with prominent congressional and labor leaders on labor problems and legislation.","The largest portions of the W. Jett Lauck papers deal with cases and arbitrations, chiefly railroad and coal related, his work on various boards and commission and topical files.","His correspondence with individuals heading organizations interested in labor and industrial relations was wide-spread, just as it was with political figures, educators, and labor leaders.\n Among the public figures with whom he corresponded are Bernard Baruch, Homer S. Cummings, Clarence A. Dystra, John T. Flynn, Guy M. Gillette, Leon Henderson, Herbert Hoover, Hugh S. Johnson, Jesse Jones, William S. Knudsen, Robert M. Fa Follette, Jr., Franklin K. Lane, John L. Lewis,  H.C. Lodge, Jr., William G. McAdoo, James M. Mead, Francis P. Miller, Henry Morgenthau, Karl E. Mundt, Donald Nelson, Judge Ferdinand Pecora, Frances Perkins, Gifford Pinchot, James H. Price, Franklin D. Roosevelt, E.R. Stettinius, Jr., Robert F. Wagner, David I. Walsh, Burton K. Wheeler, and Woodrow Wilson.\nThe educators include Hardy Dillard, Edward C. Elliot, Frank Graham, J.W. Jenks, Richard R. Mead, Lewis Tyree, Harry F. Ward, H.B. Wells, and Ray Lyman Wilbur; and the labor leaders Jacob Baker, Solomon Barkin, Van A. Bittner, Sophia Carey, David Dubinsky, P.T. Fagan, John P. Frey, William Green, Sydney Hillman, Earl E. Houck, Thomas Kennedy, Donald MacMillan, and A.O. Wharton.","This series consists chiefly of correspondence but also includes typescripts of speeches by individuals, and financial and other information about organizations.","Correspondents include:  E. Abbott, Louis Adamic, Adrian Adelman, Sara M. Addison, Joseph Agor, Helen Alfred, Fred H. Allen, Irving B. Altman (editor of \"Dynamic America\"), Aluminum Workers of America, Amalgamated Association of Street and Electric Railway Employees, American Association for Labor Legislation, American Association for Social Security, American Council, American Council on Public Affairs, American Farm Bureau Federation, American Guernsey Cattle Club, American Institute for Economic Research, The American Legion, American Political Science Association, American Sugar Cane League, Americana Corporation concerning Lauck's article on United Mine Workers of America, Thomas R. Amlie, Dr. James W. Angell, Charles P. Anson, \"Atlantic Monthly,\" Paul H. Appleby, Leon Ardzrooni (about the death of Thorstein Veblen), Mr. O.M. Armstrong, and Robert W. Arthur.","Correspondents include: Jacob Baker, Kent Baker, Bank of the Manhattan Company, Mary Barclay, A. K. Barnes, Joseph L. Barnett, Gerald Barradas, Barron's (The National Financial Weekly), John Barth, Mrs. Everett Boughton, Mrs. Robert Bennett Bean, Grant L. Bell, William H. Bell, Harold F. Berg, Nelson N. Berry, S. D. Berry, Jacob Billikoph, Margaret G. B. Blachley, James E. Black, Honorable William Harman Black,  Amy Blankenhorn, Heber Blankenhorn, Dr. Thomas C. Blaisdell, Jr., Ellis P. Block, John A. Bohn, E.W.G. Boogher, Book-of-The-Month Club, Inc., Judge Julian F. Bouchelle, Basil Nicholas Helenagoras Bousios, Fenton Bradford, C. Daniel Bremer, Samuel Bristol, G.L. Broaddus, St. Claire Brookes, The Brookings Institution, Herbert Bruce Brougham, E. Kirk Brown, Law Offices of Brown and Brown, H. Russel Brand, Carl P. Brannin, Selig C. Brez, P.F. Brissenden, Professor Leslie Buckler, Raymond Leslie Buell, John Bullock, Bureau of Agricultural Economics, Bureau of Applied Economics, The Bureau of National Affairs, Harold B. Butler, John E. Burton, J.C. Byars, Herman B. Byer, and Reverend James A. Byrnes.","Correspondents include: [Cadle], Jessie L. Campbell, R. Granville Campbell, The Capital News Company,Sophia Carey, Harry J. Carman, J.D. Carneal and Sons Inc.,  Caroline County Library Committee, M.D. Carrel, Samuel McCrea Cavert, The Chesapeake and Ohio Railway Company, The Chesapeake and Potomac Telephone Company, Mrs. Charlotte Chrestien, The Christian Science Publishing Society, Citizens' Council for Total Defense, Brice Claggett, V.M. Clapp, Clark, Dodge and Company, Brokers, Evans Clark, Victor S. Clark, W. A. Clark, Pauline Clarke, J. William Claudy, Thompson Clayton, Dr. Rudolph A. Clemen, Walt Clyde, The Clerk of the Stafford Court House, E.J. Coil, Kenneth Colegrove, George P. Comer, Department of Commerce, Commodity Research Bureau, Inc., Common Council for American Unity, Ellen Commons, Congressional Intelligence, Inc., Consolidated Vultee American Aircraft Corporation, Dr. P. S. Constantinople, W. Dewey Cooke, Edward L. Corbett, James Corbett, John M. Corbett, Council Against Intolerance in America, Council of Young Southerners, Frederick C. Croxton, Cosmos Club, Morgan Cunningham, and Curles Neck Dairy.","Correspondents include: Oscar H. Darter, Henry David, Elmer Davis, Shelby Cullom Davis, William H. Davis, Len De Caux, Kenneth de Courcy, De Jarnette State Sanatorium, Lud Denny, United States Department of Commerce, Marshall E. Dimock (U.S. DoJ), District Unemployment Compensation Board, Edward J. Donohue, Frank P. Douglass, Law Offices of Drain and Weaver, David Dubinsky, Allan Dunlap, Arthur Dunn, Robert W. Dunn, and C. A. Dykstra.","Correspondents include: Joseph B. Eastman, Economic Policy Committee, C. Vernon Eddy, J. A. Efpokito, Gerald Egan, Electric Home and Farm Authority, and Charles T. Estes.","Correspondents include: P. T. Fagan, Reverend Richard M. Fagley, Ruth Ansell Farley, The Farmers and Merchants State Bank, The Federal Council of the Churches of Christ in America, Federal Works Progress Administration for the Commonwealth of Pennsylvania, First Bancredit Corporation, First National Bank of Boston, The First National Bank of Keyser, Fjell Line of Great Lakes Transatlantic, Inc., Ralph Fleharty, R. D. Fleming, Courtney Fletcher, Duncan U. Fletcher, M. S. Flint, Frank H. Fljozdal, Fitzgerald Flourney, Hon. Edward J. Flynn, John T. Flynn, Foley, Food Research Institute of Stanford University, B.C. Forbes (Forbes Magazine), R. D. Forbes, Forbes and Myers, Foreign Policy Association, Clark Forman, Fortune, The Forum, Major B. Foster, Founders General Corporation, Mrs. M. N. Fox, Jerome Frank, Frank Brothers, Lafayette Franklin, Franklin Press, Franklin Simon Company, T. McCall Frazier, Free Lance-Star, W. R. Freeman, Paul Comly French, John P. Frey, Elisha M. Friedman, Ruth Friedson, and R. S. Fritter.","Correspondents include: Domenico Gagliardo, George B. Galloway, O. Max Gardner, Honorable Leslie C. Garnett, William Edward Garnett, Stanley Garrison, H. Dymoke Gasson, Paul W. Gates, Gayle Motor Company, Theodore Geiger, Phyliss Geisler, General Elevator Co., General Motors Corporation, Alfred Giardino, Clinton S. Golden, Clem Goodman, Henry J. Goodman \u0026 Co., C. O'Connor Goolrick, John T. Goolrick, Mary K. Gorman, Frank P. Graham, Sally Nelson Gravatt, Walter C. Graves Jr., H. A. Gray, Lanier Gray, H. B. Greybill, Myra Moore Griffith, J. Cleveland Grigsby, Sarah Groomes, Guthrie Lithograph Company, and Walter B. Guy.","Correspondents include: Ernst Haberstadt, Max Haleff, Ford P. Hall, Fred W. Hall, F. S. Hall, Edward W. Hamilton, H. E. Hamilton, Hampden-Sydney College, Hugh S. Hanna, Charles Hansel, William Hard, Harper and Brothers, Emma Harris, Owen Harris, Harvard College Library, Leon Henderson, S.J Henry, Warren F. Hickernell, R. G. Hilldrup, Otto Hillsman and Co., Mary W. Hillyer, S. H. Hines Company, David Hirsh and Son, H. C. Holdridge, Hoover War Library, Herbert Hoover, Harry L. Hopkins, Welly K. Hopkins, Dr. W. E. Hotchkiss, Curtis Hubbard, J.S. Hughes, W. A. Hull, and Thomas Lomax Hunter.","Correspondents include: Major William W. Inglis, Institute of American Meat Packers, Institute of World Economics, International Bank, International Statistical Bureau, Inc., Interstate Bankers Corporation, Investment Bankers Association of America, and Irving Trust Company.","Correspondents include: Gardner Jackson, Meyer Jacobstein, Jjell Lines, Thomas Jefferson (typescript copy of letter, June 11, 1807, concerning newspapers and histories), J. M. Johnson, Honorable Jessie Jones, Roberts W. Jones, N.Y. Journal of Commerce, and The Jury Commission.","Correspondents include: Evelyn Kane, Kappa Sigma House Association, Inc., Augustine B. Kelley, Leon H. Keyserling, Susan M. Kingsbury, Dr. George E. Kingsley, Richard Kirby, John H. Klingenfeld, and Oscar Koppel.","Correspondents include: LABOR, Ladies' Garment Workers Union, (William H. Lamar), Sophia J. Lammers, H. Lamson, Richard V. Lancaster, Thomas Larkin III, Joseph P. Lash, David Lasser, Howard Lee, Joseph N. Leinbach, Albert H. Levene, Robert E. Levine, Charles T. Libby, David E. Lilienthal, The Lincoln National Bank of Washington, Ernest K. Lindley, Geo. W. Linkins, Co., Irving Lipkowitz, Henry T. Lipman, Thomas E. Lodge, Stephen M. Loebl, Norman Lombard, W. C. Looker, Jr., Edward Lynch, and Barrow Lyons.","Topics include: American Legion Convention (1945); Committee for Industrial Organization Procedure and Policy (1935-1936); C.I.O. A.F.L. (1940); Congressman Martin and Mr. MacDougall (1939 March 3); Farmington Conference- War Time Organization Planned by the Administration (1939); Fixation of Coal Prices, Memos Relative to (1939); Fortune Magazine's Conferences or Round Tables (1939); Income Tax Returns of Lewis, J. L. (1940-1941); The Inner Circle (1942 Feb 11); Inter-American Bank (1940); Lindberg on \"Preparedness\" (1940); Missouri Pacific Bonds (1941-1942); National Defense to Post-War Planning (1942-1945); Oil and Gas on a Basis of Equality with Coal (1939); A Plan for Economic Democracy - Article written by Major Holdridge (1939); A Plan for Solving the Economic Crisis by Dr. R.H. Von Liedtke (1937-1941); \"Prohibiting\" Strikes for the Emergency Period (1940); James L. Simpson \"Plan for Maintenance of Economic Balance and Security\" (1940);  The Townsend Plan and Mr. Ivan Towanski (1942); Union Shop and Mr. Leland Olds (1941 November 14); United Mine Workers Suggested Program (1934-1935); War Against Unemployment and Poverty (1940 January 10); Threatened  Competition of Natural Gas with Coal (1944 December 5); and Big Inch Pipe Lines and the Rural Electrification Administration (1946 January 14).","Correspondents include: Bishop Francis J. McConnell, William MacDonald, Ernst D. MacDougall, Donald MacMillan, W. C. MacQuown, R. A. Magowan, Edward C. Maguire, Elizabeth M. Maher, Mason Manghum, Maxwell J. Mangold, Bank of the Manhattan Company, Basil Manly, L. C. Marshall, Thomas O. Marvin, Maryland and District of Columbia Industrial Union Council, Maryland Title and Investment Company, Lucy Randolph Mason, Massachusetts Mutual Life Insurance Company, The Bank of Mathews, Inc., Honorable Maury Maverick, Herbert Mazo, Charles McCarthy, Summerfield A. McCarteney, Bishop Francis J. McConnell, Wm. P. McGinn, Edw. F. McGrady, McGraw-Hill Publishing Company-Inc., Ernest D. McIver, Dr. Archibald McLeish, Thomas P. McTigue, Honorable James M. Mead, Richard R. Mead, Royal D. Mead, D. J. Meserole, Eugene Meyer, Jr.,  Francis Pickens Miller, Francis Trevelyan Miller, Ward B. Miller, H. A. Millis, The Milwaukee Journal, Mine Official's Union of America, John J. Minor, George Minnigerode, William Mitch, Wesley C. Mitchell, R. C. L. Moncure, Jr., Monroe and Berry, C. D. Montague, Jean Montgomery, Monthly Labor Review, Robert Morey, Charles S. Morgan, H. W. Morgan, Marie Morris, J. H. Muirhead, Honorable Karl E. Mundt, and Gorham Munson.","Correspondents include: William R. Nagel, Leonard Nairn, Dr. Philip Curtin Nash, Nash Floor Service, A. Nash Tailoring Company, Natalie, Inc., The Nation, The National Association for the Advancement of Colored People, National Association of Manufacturers, National Association of Retired Federal Employees, The National Bank, National Bank of Orange, National Bank of the Republic, National Bank of Washington, National Bituminous Coal Commission, National Broadcasting Company, Inc., National Bureau of Economic Research, National Catholic Welfare Conference, National Child Labor Committee, National Citizen's Council For Defense, The National City Bank of New York, National Cold Steam Company, National Consumers' League, National Council for Prevention of War, National Defense Mediation Board, National Electric Light Association, The National Encyclopedia, National Labor Relations Board, National Lawyers Guild, National Life Insurance Company, National Planning Association, National Resources Planning Board, National Policy Committee, National Press Club, National Recovery Administration, National Resources Board, National Sharecroppers Week, National Window and Office Cleaning Company, National Women's Trade Union League of America, Nation's Business, Nation's Commerce, J. S. Naylor, Donald Nelson, New America, The New Republic, Newsweek, W. S. Newton, The New York Times, George W. Norris, Cecil C. North, The Northern Neck Mutual Fire Association of Virginia, Claudian B. Northrop, and Harold Bernard November.","Correspondents include: Charlton Ogburn, William F. Ogburn, J. G. Ohsol, Joseph C. O'Mahoney, Organization Committee of Social Union, Inc., Mary O'Shaughnessy, William Owen, and John W. Owens.","Correspondents include: Pabst Post-War Employment Awards, A. H. Packard, C. C. Packard, Florence E. Parker, The Parker Corporation, Julius H. Parmelee, Col. Samuel Pascoe, Leo Pavolsky, M. W. Paxton, Jr., Walter Phipes, George Curtis Peck, Ferdinand Pecora, William R. Pendergast, Willis Pepoon, Fred W. Perkins, Thomas W. Perry, Charles E. Persons, Samuel B. Pettengill, Julius I. Peyser, L. W. H. Peyton, David A. Pine, David W. Pipes Jr., Fort Pipes, W. G. Pitero, P.M., Justine Wise Polier, Shad Polier, Wm. T. Powers, Richard T. Pratt, Prentice-Hall, Inc., Evelyn Preston, Harry B. Price, James H. Price, Provisional Committee Toward A Democratic Peace, and Public Affairs Committee.","Correspondents include: Railway Age, Ransdell Inc., Mervyn Rathborne, Stephen Rauschenbush, Carl Raushenbush, The Readers Club, Philip M. Riefkin, Charles S. Robb, James Robb, Newell W. Roberts, D. B. Robertson, Mr. Robey, John M. Robinson, Leland Rex Robinson, Josephine Roche, Rockbridge National Bank, John D. Rockefeller, Jr., Harry L. Rogers, Paul V. Rogers, William N. Rogers, Henry Romeike, Incorporated, Samuel Romer, Walter A. Romer, Leon H. Rouse (with William Green),  Rouss Library, Frances Rowe, and Harold J. Ruttenberg.","Correspondents include: Russell Sage, Lewis D. Sampson, Samuel L. Samuel, Dr. David J. Saposs, Saturday Evening Post, Marshall Schaffer, D. M. Schnapper, L. B. Schnapper, Joseph Schneider, G. Luther Schnur, James T. Shotwell, H. L. Schuh, Montgomery Schuyler, Louis J. Schwab, Henry Herman Schwartz, Ray Scott, Charles Scribner's Sons, Seaboard Air Line Railway Company, Joel Seidman, Shaw-Walker, Chester Shepard, Chester Sheppard, R. T. Shields, Silcox Memorial Fund, Simmons-Boardman Publishing Corporation, Sidney Simon, Richard C. Simonson, John F. Sinclair, Anthony Wayne Smith, C. Archer Smith, Edwin S. Smith, Nelson Lee Smith, S. Granville Smith, Vernon D. Smith, Bernard A. Smyth, H. M. Snead, Jr., Social Union, Inc., The Society for the Advancement of Management, Inc., John E. W. Sohl, L. W. Sorrell, Southern Conference for Human Welfare, Southern Maryland Trust Company, Mr. Sovey, Alexander Spencer, Sphere, R. B. Spindle, George L. Sprague, Saint Albans, Margaret S. Stables, William H. Stafford, Stafford County, Standard Oil Company, Stanford University Library, Louis Stark, State Loan Company, State Teachers College, Henry M. Stephenson, STEEL, Steel Workers Organizing Committee, A. A. Steele, Jean Stephenson, Jos. G. Stephenson, Boris Stern, Harold Stern, E. R. Stettinius, W. M. Steuart, Harry H. Stockfeld, W. L. Stoddard, Benjamin Stolberg, Irving Stone, N. L. Stone, William T. Stone, Chas. G. Stott and Co., Inc., Paul A. Strachan, David Strain, Ralph Strathmore, Nathan Straus, John Studebaker, Ralph G. Sucher, Arthur E. Suffern, Superintendent of Documents (Government Printing Office), Elmer Swack, Paul E. Switzer, Alois P. Swoboda, and Mr. Sydenstricker.","Correspondents include: Ivan Tarnowsky, Tax Policy League, Ordway Tead, Tennessee Valley Authority (Representative Noble J. Gregory), Percy Tetlow, Dorothy Thompson, TIME MAGAZINE, Daniel J. Tobin, John H. Tolan, The Travelers Insurance Company, Beverly Tucker, Henry Saint George Tucker, Earl R. Turner, and The Twentieth Century Fund.","Correspondents include: Alfred P. Wagner, Gordon Wagner, Robert F. Wagner, Thomas C. G. Wagner, J. Forest Walker, Allan E. Walker and Company, George A. Wallace, J. Raymond Walsh, August G. Walters, James N. Walton, James P. Warburg, Dr. Harry E. Ward, R. D. Ward, Ward and Paul, Caroline F. Ware, A.L. Warthen, Charles Washington, Washington and Lee University, \"Washington Post,\" James R. Wason, Elton Watkins, Ralph J. Watkins, Claude S. Watts, Marie Watts, Charles F. Weaver, H. B. Wells, (George) P. West, A. O. Wharton, Ross Wheat, Burton K. Wheeler, William M. Wherry, Hugh A. White, Ralph J. White, W. A. White, T. Y. Wickham, Dorothy G. Wiehl, Dr. Ray Lyman Wilbur, Allan H. Willett, Williams Company, Willis and Willis, Corwin Willson, J. Alfred Wilner, Elsie Cobb Wilson, D. O. Wilson, H. Hazen Wilson, Nelson Wilson, The H. W. Wilson Company, John G. Winant, J. Wise, James Waterman Wise, S. S. Wise, William P. Witherow, J. S. Withrow, Nathan Witt, Laurence C. Witten, Benedict Wolf, World Fellowship, Inc., World Study Tours, and Thomas H. Wright.","Scope note for correspondence files. There has been no attempt to make an exhaustive list of the correspondents in each folder. Most letters were routine correspondence from people seeking information about the group; copies of their publications, speeches, and other educational materials; questions about membership in the group from interested individuals; requests for individuals to become sponsors, members or leaders in the group; leaders of other like-minded organizations; union leadership (often about the lack of funds available to support the American Association for Economic Freedom); or people wanting information about pertinent upcoming legislative bills. Attention on the lists of correspondence is focused particularly on political and public figures, editors, and the legislative and social issues of the day.","These include: American Committee for Protection of Foreign Born; American Council on Public Affairs; Atlantic Charter League; J.M. Artman, editor of \"The American Citizen\"; Representative Thomas R. Amlie; Thurman Arnold, Department of Justice (concerning Frank B. Kellogg statement about the anti-trust Sherman Act); and John B. Abel.","Correspondents include: Alfred L. Bernheim, The Labor Bureau; A.A. Berle banking proposal; Rabbi Barnett R. Brickner, Social Justice Commission; Kent Baker, editor of \"Sphere\" with article sent to him by Lauck, \"Industrial Reconstruction\" attached; David Burdett (conventional economics versus social economics); and G.P. Bronisch, Loyal Americans of German Descent","Correspondents and topics include: Lauck memorandum to Charles H. Chase, (in light of the prospect of a lengthy war and its impact on social and economic reform) informing him of his decision to drastically reduce expenditures by having only one employee to maintain the office (1942); \"Strife and the Worker\" proofs by John F. Cronin; Helen A. Cole, \"The Liberal Worker\"; W.S. Clement and his \"The Ben Franklin Plan\"; Ben V. Cohen, National Power Policy Committee; and the Council for Social Action, Ferry L. Platt, Jr. concerning farm issues.","Correspondents and topics include: Dr. Paul H. Douglas, University of Chicago; Hardy C. Dillard, Institute of Public Affairs, including a letter from John L. Newcomb; Frederic A. Delano, Chairman National Resources Advisory Committee; and a letter to John Dewey.","Correspondents and topics include: Arthur Eggleston, San Francisco Chronicle; Peter Edson, NEA Service; A.E. Edwards concerning the Wagner Labor Relations Act; J.G. Frain; and Charles Flato.","Correspondents and topics include: Alfred C. Gaunt, including \"Smaller Business Lifts Its Eyes\"; Toshi Go, Foreign Affairs Association of Japan; and A.E. Grassby, Winnipeg, Manitoba.","Correspondents and topics include:  Hubert Herring; Sidney Hillman; Fred S. Hall concerning the Industrial Expansion Act (multiple letters); B.W. Huebsch, The Viking Press,  and his concern over the pamphlet \"A New Social Order\"; S.L. Hoover and his question about the Keller Bill and the Association; John Edgar Hoover; and F.J. Hall, editor of \"The United States News\" about numbers of unemployed and other issues (multiple letters).","Correspondents and topics include: Meyer Jacobstein about the Reconstruction Act; and Paul Kellogg.","Correspondence includes: letters to Robert M. LaFollette, Jr.; League for Abundance: League for Industrial Democracy; Harold Loeb; and Dr. Jack Levin.","Correspondents and topics include: secretary of Attorney General Frank Murphy; Darwin J. Meserole, National Unemployment League; Francis P. Miller; Emily Fogg Mead; Homer L. Mead; Lewis E. Meyers; Judge Julian W. Mack; Bishop Francis J. McConnell; George F. Milton, editor \"The Chattanooga News\"; Senator James M. Mead; and letter to Archibald MacLeish, Librarian of Congress.","Correspondents and topics include: Bishop Francis J. McConnell; James W. Miller; Vito Marcantonio; Otto Mayer; Robert E. Mathews concerning the \"sit down strike\" by investment bankers and industrialists in May 1940; and Henry Morgenthau, Jr., letter to.","Correspondence includes: \"The New Republic\"; Douglas Newman, Secretary of the Barradas League; Dr. C.A. Norman; memorandum concerning Senator Norris' presidential qualifications; and Representative Mary T. Norton.","Correspondents and topics include: William Owen; Ernest Minor Patterson; Representative Claude Pepper; Justice Justine Wise Polier; and Jacob S. Potofsky.","Correspondents and topics include: Judge Samuel I. Rosenman; Representative Robert L. Ramsay; Right Reverend Msgr. John A. Ryan.","Correspondents and topics include: John Saxton; Guy Emery Shipler; Edwin S. Smith; William Simkin; B.M. Schnapper concerning the history of the Wagner Act; Ray Scott concerning the \"Fundamental Significance of our Present Day Labor Movement\"; and Porter Sargent.","Correspondents and topics include: Ordway Tead, Harper and Brothers; and Dr. Robert H. Tucker.","Correspondents and topics include: an appreciation of Frank P. Walsh upon his death on May 2, 1939; Matthew Woll, American Federation of Labor; Thomas H. Wright, New America; Harry F. Ward; and Nathan Witt; and N.A. Zonorich.","Includes leases, workman's compensation insurance, correspondence, and unemployment compensation.","These include: \"Policies and Objectives of the American Association of Economic Freedom,\" \"Shrinkages and Hoardings of Purchasing Power Accentuate Current Business Recession,\" \"Hoardings-Taxes Proposed to Stimulate Flow of Credit and Goods and Revival of Business,\" \"Approaches Toward a Concerted Program of Fundamental Economic Reconstruction in the United States,\" various drafts of suggestions for the programs, principles and objectives of the organization, \"Sugar Control,\" \"American Labor's Broadcast to Great Britain,\" \"American Economic Situation of 1937-1938,\" \"Unemployment Insurance,\" \"Industrial Espionage,\" \"Bank-Holding Companies,\" several on social service foundations, \"Economic Freedom in America,\" \"Industrial Reconstruction Act of 1939\" press release draft, \"Capitalism in Crisis,\" \"Prospective Labor Surpluses,\" \"Increased Man Hour Productivity and Technological Unemployment,\" monopoly, and \"Petroleum Quota Controls.\"","These include: participation in management, monopoly, the \"Industrial Reconstruction Act of 1939,\" \"Leaders on the No. 1 Problem,\" \"Federal Administrative Court Bill,\" \"Occupational Groupings,\" \"National Labor Relations Act and Board,\" \"Full Employment Bill,\" \"Senator Claude Pepper,\" \"Senator Lewis B. Schellenbach,\" and starting a American Association of Economic Freedom Bulletin.\"","These include: \"Threatened Crucial Developments,\" \"Anti-democratic philosophies,\" \"Churchill's anticipations, 1932-1939,\" \"Mussolini,\" \"Hitlerism and Nazism,\" \"Profits of Leading Corporations, 1936-1939,\" notes on People's Lobby Conference, and Ickes [speech] on business sabotage of defense.","These titles include: \"Can Unemployment be Ended?\"; \"Challenge to American Democracy\"; \"Civil Liberties and the National Labor Relations Board\"; \"Cure by Shock,\" \"Democracy and Economic Planning\"; \"Economic Reconstruction\"; \"Fundamental Significance of Our Present Day Labor Movement\"; \"Next Step in Democratization\"; \"A New Magna Carta\" \"A New Social Order\"; \"Preparedness for Peace,\"  \"Problems of the National Labor Relations Board.\"","The \"Post-War Reconstruction Bill\" is foldered separately.","Included are: \"Thirty Million Jobs\" by Arthur Dunn; Roundtable: \"Labor's role in Post-War Reconstruction\"; \"Freedom from Want\" by Mr. Walton; \"Nineteenth Century Prophecy of Order\" by Harry Frease; \"The Moral Issue\" by Lowell Mellett; \"A Banking System for Capital and Capital Credit\" by A.A. Berle, Jr.; \"Suggested Housing Program for National Defense Purposes\" by the Congress of Industrial Organizations; and \"A Primer of Current Economics\" [1933].","Included are: Fight for Freedom, Friends of Democracy, and the Gillette Resolution.","These include memoranda, news clippings, an article by George B. Galloway on \"The Imperative of Planning,\" replies, and a speech by W. Jett Lauck.","Includes separate folders on news clippings, some containing criticisms and investigations; problems of the board; and the testimony of John L. Lewis.","Clippings include Wendell Willkie, democracy versus absolutism, banker opinion, national debt, U.S. Attorney General, pump priming the economy, monopolies, religion and democracy, communism, and capitalism and democracy.","Included are: Peace Conditions; People's Congress for Democracy and Peace; Plenty for All League; People's Lobby; Pressure Groups, Attitudes of; Pension Plan – \"Uncle Fred's Automatic Pension Plan\"; Progressives, Conference of; Social Union; Tax-Exempt Bonds; Women in Trade Unions; and Young Democrats.","Topics include: Conferences; Corporation Notes and Memoranda; Kennedy Statement on General Motors Inquiry; Production Costs by T.C. Gordon Wagner; Ratio of Pay Rolls to Returns to Stockholder;Salaries of Officials; and Annual Reports to the Securities and Exchange Commission, 1935 and 1937.","Subjects include: Agreements; Decisions; the Willard E.Hotchkiss Decision in Tar Barrel Case; Negotiations for New Agreements; News clippings; Publications; Report of Homer Martin to the International Executive Board; and a Statement Submitted to Roosevelt by Union Representation.","According to Wikipedia, \"The Commission on Industrial Relations (also known as the Walsh Commission) was a commission created by the U.S. Congress on August 23, 1912 to scrutinize US labor law. The commission studied work conditions throughout the industrial United States between 1913 and 1915. The Chairman was Frank P. Walsh, a labor lawyer and activist from Kansas City, Missouri.","https://en.wikipedia.org/wiki/Commission_on_Industrial_Relations","These include: \"Foreign Competition After the War,\" \"The Artificial Dye Industry in the War,\" and \"Business and the War.\"","Includes: \"Secretary Kennedy Gives Union Views on How Hard-Coal Freight Rates Affect Miner\" (December 15, 1933); \"The N.R.A. and Collective Bargaining\" Catholic Welfare Council (September 17, 1934); address before the National Conference on Economic Security (November 14, 1934); and \"Organized Labor and the N.R.A.\" Catholic Conference, Harrisburg, Pennsylvania (November 27, 1934).","Includes: Statement concerning the Wagner-Lewis Economic Security Bill before the Senate Committee on Finance (February 21, 1935); Commencement Address (June 3, 1935); \"Education and the Parochial School System\" (August 19, 1935); \"The Trade Union and Recovery\" (Labor Day, 1935); and \"Unemployment Insurance, Old Age Pensions, and Housing Legislation\" at the White House Conference on Economic Security (December 30, 1935).","Includes: Labor Day address (September 1937); article \"The United Mine Workers of America\" for the \"American Encyclopedia\" (December 2, 1938); address to the Pennsylvania Utilities Commission on the Competition of Natural Gas (April 1940); and a request for Lauck to send his analysis and recommendations concerning a letter from A.J. Altmeyer, Chairman of the Social Security Board, and two other enclosures pertaining to the Associated Gas and Electric Company, New York City (1942 March 27 and 1943 January 23).","Includes: a radio speech supporting Hoover in the election (1928); and a statement at the Hearing on a Code for the Bituminous Coal Mining Industry before the National Recovery Administration (1933 August 10).","Includes: \"Labor and the National Recovery Administration\" at the Meeting of the American Academy of Political Science, Philadelphia (1934 January 6); \"Labor's Part in Industrial Recovery\" at the San Francisco Commonwealth Club luncheon (1934 October 4); Speech for the International Labor Conference, not delivered (1934 October); and a radio address \"The Employee in the Changing World\" under the auspices of the Intercollegiate Council (1934 December 7).","Includes: Statement by Lewis before National Recovery Administration Hearings on Employment Provisions of Codes of Fair Competition (1935 January 30); \"The American Federation of Labor and the National Recovery Administration\" prepared for the \"Annals,\" Philadelphia but never delivered (1935 March 11-12); The United Mine Workers of America and the National Recovery Act\" Madison Square Gardens (1935 March-May 23); and Statement of Approval for the Wagner Housing Bill in the \"United Mine Workers Journal\" (1935 June 1).","Includes: \"The Case for Industrial Unionism\" (November 12, 1935); radio address \"The Future of Organized Labor\" (November 28, 1935); and article for \"Liberty Magazine\" on industrial unionism (1935 December 20).","Includes: a speech on Industrial Unionism before the Cleveland Auto Council (January 19, 1936); \"The Teacher and His Relation to Labor\" for the American Federation of Teachers Convention (June 19, 1936); a radio address \"Industrial Democracy in Steel\" (July 6, 1936); and an article \"Through Organization Industrial Democracy Dawns for Sleeping Car Porters\" celebrating the eleventh anniversary of the organization (July 15, 1936).","Includes: a political campaign statement about [Alf M.] Landon (August 1, [1936]); the draft of a Radio Address on Steel Organization (August 11, 1936); article \"Labor Looks at Education\" (August 17, 1936) appearing in the October 36 issue of \"The Teacher\"; article \"Towards Industrial Democracy\" (August 24, 1936) in appearing in the October 1936 issue of \"Current History\"; and two speeches supporting Franklin D. Roosevelt for President (August 18 and September 19, 1936).","Includes: radio address \"Labor and the Future\" (September 3, 1936); \"Horizontal Versus Vertical Unionism\" in \"Wharton School Magazine,\" University of Pennsylvania (September 8, 1936); an article for the \"The National Young Democrat\" on the Social Security Act (September 1936); and a radio address \"Roosevelt and the Future\" (October 18, 1936).","Includes: article \"The Next Four Years\" for the \"The Nation\" (November 4, 1936); an article \"Committee for Industrial Organization and Economic Recovery\" for the \"Business Review of New York  University\"(November 17, 1936); \"the Future of American Labor\" in \"The American Spectator\" (November 19, 1936); articles on \"The Next Four Years in Labor\" in \"The New Republic\" (November 25 and December 9, 1936); \"The Future of Wages\" for the \"Cleveland News\" Symposium (December 7, 1936); \"Organized Labor and the Student Union\" (December 23, 1936); \"The Need of the Hour for American Labor\" for the \"Progressive Salesman Magazine\" (December 24, 1936); radio address \"Adapting Union Methods to Current Changes- Industrial Unionism\" (December 31, 1936); and an unpublished article written for \"Redbook\" (1936).","Includes: \"The Meaning of Industrial Unionism\" for the \"Christian Front\" (January 13, 1937); \"The Struggle for Industrial Democracy\" for \"Common Sense\" (March 1937); an address delivered at an Anti-Nazi Mass Meeting in Madison Square Gardens (March 15, 1937); article \"The Origin and Objectives of the C.I.O.\"  for the \"San Francisco Chronicle\" (May 11, 1937); and a radio address \"Labor and Supreme Court\" (May 14, 1937).","Includes: \"Technology and Labor\" in \"Massachusetts Institute of Technology Engineering News\" (September 3, 1937); Labor Day address \"Labor and the Nation\" (September 3, 1937); \"Progress of Committee for Industrial Organization\" in the \"Wharton Review\" (October 21, 1937); \"Effect of Moderate and Gradual Wage Increases on Prices and Living Costs\" in \"The Annalist\" (November 12, 1937) a reply to an article by A.T. Shurick on July 30, 1937; and the [Steel Workers Organizing Committee] address \"The Deplorable and Indefensible Attitude of Big Business (December 13, 1937).","Includes: Address for British Broadcasting Corporation \"Struggle of Labor in America\" (March 15, 1938); \"Labor and the Law\" (April 14, 1938); \"Organized Labor and the Future of Democracy\" published in the \"St. Louis Post Dispatch\" (December 11, 1938).","Includes: Statement for Survey Associates (January 3, 1939); and \"Labor Looks South\" in \"Virginia Quarterly Review\" (Autumn 1939).","Includes: article on \"What Does Labor Want?\" (February 29, 1940); \"The Heritage of American Youth\" (March 1940); \"Obligations of American Citizenship\" (April 3, 1940); \"Foreword\" to Mr. Thomas' Testimony before the Temporary National Economic Committee (May 23, 1940); and a Labor Day Speech (August 29, 1940).","Includes: Extension of Library Service to Union for City and State Employees (May 28, 1941); Statement to be issued by Lewis on the Decision of the National Mediation Board on Union Shops (November 13, 1941); and \"The New Solid South\" (December 17, 1941).","Includes: Testimony of Mr. Steinbugler (March 2, 1935); the \"Most Impressive Point Developed by the Hearings\" (March 2, 1935); untitled Memorandum (July 30, 1936); \"Report on the Progress of the Hearing on the Coordination of Minimum Prices before the Bituminous Coal Division (September 16, 1939); \"Proposed Labor Policy for the War Period,\" various memoranda (September 11-November 13, 1939); an analysis of Professor Green's Proposal about pricing and distributing manufactured products (June 3, 1940); and Notes on the Last Ten Years (January-May, 1940).","Includes: Reply to A.T. Shurick suggestions on taxing (November 29, 1940); Response to the foreword of Walt Clyde's book on \"Owner Capitalism\" (December 4, 1940); suggestions about the National Economic Conference (December 12, 1940); Response to W.C. Graves, Jr. (December 23, 1940); Letter about the Raw Materials National Council (December 27, 1940); Memorandum on Fred G. Clark and the American Economic Foundation (February 20, 1941); H.S. Avery to Edward O'Neal and John L.Lewis on agriculture and farm prices (September 8, 1941); Conrad K. Grieb on need for social reconstruction (October 23, 1941); Letters from Alexander Spencer (October 30 and November 26, 1941); and a manuscript of Albert H. Levene (November 30, 1941).","Includes: Memorandum about Post War Depression (January 7, 1942); a response to S. Ferguson, President of the Hartford Electric Light Company about his proposals about deferred wages (January 13, 1942); W.A Hutton, M.D.  letter on post-war finances (January 14, 1942); Thomas Kennedy request for a study on the Cost of Living (January 16, 1942); Request for a response to the document by L.C. Christian on \"How Must We Finance the War?\" (February 3, 1942); a request for a response to a treatise on our financial system by August Walters (February 5-March 18, 1942); additional R.L. Greene communications (February 12,1942); and H.W. Bailey on labor self-determination (March 9, 1942).","Includes: Digest of the Salient Points of a Report on \"Manpower Policy and Labor Relations in the British Coal Industry\" (January 5, 1943); a Leo Chabert document on financing the war (April 4, 1943); and memoranda about an executive conference of the Natural Resources Board at Farmington Country Club, Charlottesville, Virginia, previously held around 1939.","Subjects include the National Recovery Administration, \"Amalgamation of the Two Enginemen's Brotherhoods,\" \"Russian Recognition and the New Deal,\" \"Future Policies of the National Recovery Administration,\" Six-Hour Day of the Railroads, \"Two Men on the Head End of all Railroad Trains,\" and Housing.","Subjects include \"Benefits of Trade Unionism,\" \"Forbes\" article, \"Limit on Weekly Work Hours,\" a letter to Professor Gordon, and \"Labor Movement and the Future of America\"","Subjects include planks for the Republican Platform, Anti-Strike Legislation, a Rejoinder to the Remarks of Fred Gurley, and \"Recommendations to the Board of Investigation and Research\"","A checklist of article titles can be found in the first folder. Titles in the order of the list   include: \"Economics and Christianity\"; \"The Mysterious Soul of the Steel Corporation\"; \"The Anthracite  Operators Should Concede the Check-off\" July 13, 1923; \"Industrial Principles and Not Machinery Are Important\"; \"The So-Called Check-off and Its Significance\"; \"The Report of the Coal Commission on the Anthracite Industry\"; \"The Purchasing Power of Wheat and Cotton\"; \"Private Cars and the Coal Problem\"; \"Mr. McAdoo's Political Availability\"; and \"No More Pre-war Standards of Wages and Working Conditions.\"","Next ten article titles include: \"The Radical - His Significance at Present\"; \"The Soft Coal Problem Again to the Front\"; \"Labor Banks and Their Ultimate Significance\"; \"Political Democracy Must be Supplemented by Industrial Democracy\"; \"Oil and the Southern Pacific\"; \"The Purchasing Power of the Farmer's Dollar\"; \"The Truth is Never Unpardonable\"; \"Private Cars and the Coal Problem\"; \"The Unique Financial Position of the Pullman Company\"; and \"Another Manifestation of the Soul of the Steel Corporation.\"","The next ten article titles include: \"Sugar and the Flexible Tariff Provision\"; \"Conflict or Arbitration\"; \"The Threatened Boomerang\"; \"Cooperation for Mutual Benefit or Profit?\"; \"Secret Police or Conviction for Crime\"; \"Chairman Butler Emits and Omits\"; National Cooperative Grain Marketing Realized\"; \"The Anthracite Operators Should Concede the Check-off\" (possible duplicate); \"Regulation of the Anthracite Monopoly\" September 1 , 1923; \"Why Not Action on Anthracite?\" September 11, 1923; and \"Can a Living Wage Be Paid to Unskilled Labor?\" October 30, 1923.","The next ten article titles include: \"The Failure of Industrial Arbitration\" October 30, 1923; \"Significant Labor Developments During the Coming Year\" October 30, 1923; \"A Dramatic Migration\" concerning African Americans, October 30, 1923; \"Unprotected Pullman Passengers\" October 30, 1923; \"The New Immigration and Its Significance\" November 2, 1923; \"The Probability of Railroad Legislation\" February 7, 1924; \"The Industrial Magna Carta\" February 23, 1924; \"Land Grants to Western Railroads\" February 23, 1924; \"Increased Efficiency of Labor\" February 23, 1924; and \"Real Industrial Statemanship February 25, 1924.\"","The next ten article titles include: \"Some Other Matters of Record\" June 2, 1924; \"The Verdict from Kansas\" August 7, 1924; \"A Real Test for the Tariff Commission\" August 14, 1924; \"A Billion and a Half Railroad Merger\" August 16, 1924; \"Common Sense\" August 19, 1924; \"President Gompers and a Labor Party\" August 19, 1924; \"A Significant Precedent in Financing Farmers Cooperative Enterprises\"; \"Back to the Declaration of Independence\" August 21, 1924; \"A Costly Labor Policy\" August 23, 1924; and \"Brass Tacks, The Red Flag, and the Constitution\" August 23, 1924.","The final group of articles include: \"Industrial Democracy - Our Greatest Problem\" August 27, 1924; \"The Passing of the Money Gods\"; \"The Conference Board Reports on Taxation in Wisconsin\"; \"The Railroad Labor Board\"; \"The Farmer and the Tariff\"; \"Visible and Invisible Tax Burdens\"; \"The Most Helpful Farm Movement\"; \"Radicals and God's Fools\"; \"Militant Friends Needed\"; \"The Unconscious Cruelty of Success\" October 24, 1924; and \"Another Orgy of Railroad Finance.\"","While some chapters have no individual date, they likely all come from drafts in 1931 or 1932. It is unclear which version belongs to each draft, and equally unclear which versions the explanatory note references. Chapter VII is largely missing. The name of the book may have eventually changed to \"The Need for a Unified Banking System.\"","W. Jett Lauck was chairman of the Pennsylvania Anthracite Coal Commission, responsible for investigating the state of the anthracite industry and the coal bootlegging situation in Pennsylvania, as well as recommending action.","The United States Anthracite Coal Commission is a different and separate entity than the Pennsylvania Anthracite Coal Commission over which Lauck presided (see also, \"United Mine Workers of America before the U.S. Anthracite Coal Commission\").","For reference, the Ad Interim Report was a report made halfway through the Commission's studies; the Final Report was the last official report of the Commission and contains recommendations; the Complete Report was a compendium of all of the Commission's work and reports (over 500 pages).","Reports include \"Anthracite Lands and Deposits,\" \"Anthracite Royalties,\" and \"Control of the Anthracite Industry.\"","Reports include \"Financial Operations of Anthracite Companies\" and \"Monopolistic Nature of the Anthracite Industry.\"","These include \"Award of the Anthracite Coal Strike Commission: Subsequent Agreements, and Resolutions of Board of Conciliation\" (July 1, 1936); \"A Labor Case With Merit: Editorial Comment on the Case of the Anthracite Mine Workers\" (1920); and \"Labor Information Bulletin,\" U.S. Bureau of Labor Statistics (February 1937).","Proposed Bills include the Anthracite Coal Industry Act; the Anthracite Public Authority Bill; the Cooperative Marketing Bill; the Pennsylvania Anthracite Commission; and Suggestions and Opinions.","Files included under Rates contain, the 1933 Freight Rate Case Excerpts and Statistics; Charts and Tables; General Information (see also Anthracite Institute Statistical Data, Maps, and Drawings, Anthracite Producers Statistical Data, Maps, and Drawings); the Interstate Commerce Commission Data; \"Intrastate Rates on Anthracite in Pennsylvania\"; and Rate Fixation in 1915.","Reports include: \"Combination in the Anthracite Industry,\" \"Comparison of Earnings and Wage Rates in the Anthracite and Bituminous Mines of Pennsylvania,\" \"Exhibits of the Anthracite Operators in Reply to Exhibits Presented by the Anthracite Mine Workers,\" \"Irregularity of Employment in the Anthracite Industry,\" \"Occupation Hazard of Anthracite Miners,\" \"Profits of Anthracite Operators,\" and \"The Relationship Between Rates of Pay and Earnings and the Cost of Living in the Anthracite Industry of Pennsylvania.\"","Reports include: \"Reply of the Anthracite Operators to the Demands of the Anthracite Mine Workers,\" \"The Sanction for a Living Wage: A Compilation of Data From Official and Authoritative Sources,\" \"Summary, Analysis, and Statement,\" \"The Trade Union as the Basis for Collective Bargaining: A Compilation of Sanctions and Experiences,\" \"Trade Unions,\" and \"Wholesale and Retail Prices of Anthracite Coal 1913-1920.\"","These exhibits include \"Changes in Cost of Living in the United States, 1913-1922,\" \"A Just and Reasonable Wage,\" and \"Monthly Earnings of Sectionmen.\"","The volume includes exhibits on \"Harmful Effects of Low Wages Upon Health and Morals,\" \"The So-called Law of Supply and Demand,\" \"The Just and Reasonable Wage,\" \"Changes in the Cost of Living in the United States, 1913-1922,\" \"Probable Course of Prices,\" \"Comparison of Prices and Living Costs,\" \"Monthly Earnings of Section Men,\" and \"Monthly Earnings of Section Men – Basic Tables.\"","Includes the following files: Briefs; Construction and Repair of Railroad Equipment; Correspondence on Leasing Out Repair Roads; Minutes of the Philadelphia Hearing; Petition to the Interstate Commerce Commission; Press - Clippings concerning Outside Repair; Press Release Originals; General Electric and Westinghouse; Labor Costs; Louisville to Nashville Railroad; and Miscellaneous.","W. Jett Lauck has also referred to this case as \"the Shopman's Case\" or the \"B.M. Jewell Case.\" Jewell was the President of the Railway Employees division of the American Federation of Labor.","Note that all exhibits were presented before the United States Railroad Labor Board.","Exhibit 11a includes the section \"Financial Mismanagement of the LeHigh Valley Railroad Company\" and Exhibit 12 includes the \"Summary.\"","Exhibit tTitles include: \"Occupation Hazard of Railway Shopmen\"; \"Punitive Overtime\"; \"Industrial Relation on Railroads prior to 1917\"; \"Standardization\"; \"The Recognition of Human Standards in Industry\"; \"The Unity of the American Railway Systems\"; \"Human Standards and Railroad Policy\"; \"Seniority Rules of the National Agreements\"; \"The Sanction of the Eight Hour Day\"; \"The Work of the Railway Carmen,\" and \"The Development of Collective Bargaining on a National Basis.\"","These include: \"Pending Railway Legislation\"; \"The Present Railroad Labor Problem\"; \"The Future Policy as to the Railroads\"; \"Compulsory Arbitration\"; \"Labor Adjustment Boards of the Railroad Administration\"; \"The Reasonableness of the Requests of Locomotive Firemen\"; \"Time and One-Half For Overtime\"; and \"Compulsory Arbitration.\"","The Sleeping Car Conductors Case files consist of several successive cases arranged in this finding aid roughly in the chronological order in which they occurred.","Exhibits include \"An Adequate Basic Wage,\" \"Earnings of Sleeping Car Conductors compared with Changes in the Cost of Living,\" \"Various Factors Indicating Rising Standards of Living in the United States Since 1914,\" \"Compensation of Sleeping Car Conductors compared with other Expenses and Revenue of the Pullman Company,\" and \"General Trend of Wages, 1913-1918, as Compared with Earnings of Sleeping Car Conductors.\"","Exhibits include \"Increased Productive Efficiency of Sleeping Car Conductors and Financial Administration of the Pullman Company,\" \"Increased Labor Productivity,\" and \"Standards of Wage Determination.\"","This file includes information and statistics on Besler Steam Power Trains; the Comparative Costs of Operation; Locomotives in Service; Diesels in Switching Service; Earnings Per Hour; Freight Cars; and General Statistics.","These charts include: \"Anthracite Combination,\" \"The Seven Departments of the Anthracite Industry,\" \"Interlocking Directorates Showing Working Control of Anthracite Operating Companies,\" and \"Profits of Anthracite Combination.\"","Charts include \"Affiliations of Railroads and Banking Houses,\" \"New York Bank Control of Railroads and Railroad Equipment Companies,\" \"New York Bank Control of Coal Mining Companies and Coal Railroads,\" and \"The Geographical Spread of New York Railroad Control.\"","Exhibits include \"Employment and Compensation of Railroad Employees\"; \"Cost of Living\"; \"Methods of Reporting Wage and Hour Data\"; and \"Increasing Output per Worker and Decreasing Wage Cost Per Unit of Output.\"","Exhibits include: \"Trend of Railway Operating Revenues and Total Compensation\"; \"The Rising Tide of Recovery A Survey of the Leading Business Indices\"; \"Labor Movement Supports Railway Workers in Resisting a Wage Cut\"; \"Squandering the Maintenance Dollar\"; \"Financial Mismanagement through Banker Control of Railroads\"; \"Training and Skill of Track and Roadway Section Men\"; \"Average Hourly Earnings in Railroads and Other Industries\"; and \"Estimated Money Share of Individual Railroads in the Proposed 15 Per Cent Pay Reduction.\"","Morgan's statements include those on wages; postwar economic conditions, developments, and private bankers' constructive services; and interference and control in corporate managements.","These include \"Cost of Living is Increasing,\" \"The Railroad Plea of Poverty,\" \"Labor Versus Materials and Interest,\" and \"The Railroads versus the Public Interest\" (printed).","Tables include \"Dividend Performance of Anthracite Railroads and Trunk Lines Compared,\" \"Percentage Relationships of Dividends Paid on Stock Dividends to Total Compensation Paid Employees,\" and \"Distribution of Capital Resources.\"","W. Jett Lauck was employed by the John G. Paton Company of New York City to study the report of the Tariff Commission of 1928 as to the costs of production in the maple sugar industry in the United States and in Canada. He then gave his conclusions on the report to the company and as testimony before the Tariff Commission itself.","There are excerpts from the following: the Tariff Commission Stenographer's Minutes (June 1927), Hearings before the House Committee on Ways and Means (January 1929), Hearings before the Senate Finance Committee (June 1929), Debates in the U.S. Senate (January 1930), Remarks of the Honorable Ernest W. Gibson (February 1930), the Roodenburg Report (November 1930), George H. Burr and Company Report (March 1931), R.G. Dun and Company Report (undated), Cary Maple Sugar Company Federal Income Tax Returns (1921-1930), and Cary Testimony (undated).","These include: Agricultural Adjustment Act and Amendment, House Resolution 9439, Orders from the President and National Recovery Administrator, Regulation 81, Regulation 82, and Secretary of Agriculture Regulations.","Files include the following folders: News clippings; Comparison of Lauck and Mahon Agreements; Final Agreement; General; Hanna Memorandum; Insurance; Saint Louis Public Service Company Union Plan for Cooperation; and Saint Louis Public Service Company Operating Notes.","Files include Pamphlets on Public Utilities, Press on Public Utilities, Press on Governor Roosevelt and Power Utilities, [Union?], and a Report addressed to Frank P. Walsh (1864-1939).","There were two hearings before the United States Tariff Commission related to an investigation into the costs of sugar production. After the January hearings (January 15-24, 1924), other briefs were filed. There was a call for another hearing to be held in March (March 27-28, 1924) after which it was decided that all parties had until April 10th  to file more briefs in connection with the hearings. W. Jett Lauck coordinated and prepared documents for many of the parties involved. He also served as a witness for the Hawaiian Sugar Planters Association.","Includes news about the Bituminous Coal Commission.","This includes the \"Report, Findings and Award of the United States Anthracite Coal Commission of 1920.\"","Files pertaining to Wages include: Wage Demands; Wage Rates of Employees Other Than Contract Miners; Wages, Earnings and Work Conditions in General; Wages in Various Industries 1914 to 1920; and Wages in Various Industries and Occupations: A Summary of Wage Movements 1914-1920.","Mass strikes in both the anthracite and bituminous coal industries in 1922 led to a standstill in production. When the miners and operators failed to reach any agreements, the government abandoned its hands-off approach and attempted to set up commissions to arbitrate the cases. After several failed attempts, both an Anthracite and Bituminous Coal Commission were established to not only arbitrate the current situation, but to investigate its origins in the general history and conditions of the coal industries. W. Jett Lauck was involved with the United Mine Workers of America in both cases to varying degrees. Material is separated into Anthracite and Bituminous, with common material labelled \"General.\"","Some dates are corroborated by list of case exhibits. Where corroboration is not possible, no date has been inferred. Classification as \"exhibit\" is applied based either on inclusion in a numbered list of exhibits or Lauck's handwritten filing directions.","Letters are presumably from W. Jett Lauck to the \"New York Times\" Managing Editor and to the President, regarding the establishment of an Arbitration Board.","These three memoranda are to Mr. Lewis, July 8, 1922; one concerning the production of the Central Competitive Field, April 27, 1922; and a third showing the financial connections of the Boston Financial Group and Secretary Mellon.","The two press releases include a letter to the President regarding Arbitration, July 15, 1922, and the UMWA Statement about Mr. Murray's Speech,  April 22, 1922.","Items include a \"Journal\" Communication sent to every member of Congress, 1922; a Letter to Officers and Members, May 25, 1922; and the UMWA Wage Scale Committee proposed wage scale, February 14, 1922.","The History of the Development of the Anthracite Coal Combination contains five sections: Section 1, Early History of Anthracite Consolidations and Combinations; Section 2, Consummation of the Anthracite Combination, 1896; Section 3, Methods by Which Railroads Have Discriminated in Favor of Their Allied Coal Companies and Favored Clients; Section 4, The Influence of the Combination Upon Freight Rates, Shipping Allotments, and Prices; and Section 5, Present Situation as Regards Ownership and Control.","The unnumbered exhibits include \"The Coal Controversy\" May 1922 and Geological Survey, Weekly Report on the Production of Bituminous Coal, Anthracite, and Beehive Coke, February 11, 1922.","These exhibits include: Exhibit 6: Seasonal Fluctuations in Production and Transportation, June 15, 1921; Exhibit 7: Production, Capacity, Men Employed, Mine Price Per Ton, and Days Lost, 1922, undated; Exhibit 12: Fluctuation in Employment and Earnings of Bituminous Mine Workers, undated; Exhibit 14: Effect of Price Changes Upon Purchasing Power, 1920; Exhibit 16: Chart Showing Production from Union and Non-Union Districts, March 16,  1922.","Memoranda include \"Complete Unionization Would be the Greatest Factor in Stabilization of Soft Coal Industry\" June 19, 1922, several other miscellaneous undated memoranda for Lewis, plus one on the Earnings of Bituminous Mine Workers for a \"Baltimore Sun\" Article, March 17, 1922.","Press Releases include: Capital Investment and Profit of Bituminous Coal Mine Operators, June 1, 1922; Letter From Ellis Searles to Secretary Hoover, February 8, 1922; Letter Submitting Explanatory and Statistical Material Supporting the Preliminary Report of the Commission on Investment and Profit in Soft Coal Mining, July 6, 1922; and Press Release: Russell Sage Foundation Report on \"The Coal Miners' Insecurity\" April 16, 1922.","Morrow's statements were made before the Committee on Labor, April 25, 1922 and before the Interstate Commerce Commission in the Hearing on Railroad Rates, Fares, and Charges, January 19, 1922.","Includes Memoranda and Opening Statement on behalf of Anthracite Mine Workers and Research Material and Data.","Statements concern the Request of Anthracite Operators for a Modification of the Wage Scale, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Typescript and Print copies.","The reply concerns the request of Operators for modification of the Wage Scale, and was by John L. Lewis, etc. on behalf of the United Mine Workers, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Proofs and Print copies.","The Anthracite Freight Rate Case files may be part of the previous group but were placed in a separate divider created by the office of Lauck.","Statistics include four categories: General; Anthracite Coal Carrying Railroads, Typed Originals and Carbons; Financial Performance of Coal Companies (clippings and other statistics),Earnings, and Profit; and Salaries of Operator officials, exceeding $10,000 per year.","Note: an assigned car is a rail car specifically designated for the use of a particular shipper, or, in the case of private cars, for the use of a particular railroad for a specific customer.","Lauck also referred to this as the Mahon Case, after President William D. Mahon.","File includes the Opinion of the Majority of the Arbitration Board, Dissenting Opinion, and a Report on a Proposed Pension Plan","These include: \"Discipline and Education of Locomotive Engineers and Firemen and Standardization of Wages\"; \"Progress Made in Electrification of Railroads and Economics Effected Thereby\"; \"The Railway Dollar, What Became of it in 1913\"; \"Revenue Gains by Representative Western Railroads Available to Compensate Locomotive Engineers and Firemen For Increased Work and Productive Efficiency, 1890-1913\"; The Rise and Fall of Mechanical Stokers\"; \"Miscellaneous Statements in Rebuttal to Exhibits Presented by the Railroads\"; \"Opposition of Railroads to Enactment of Federal Hours of Service Law and Efforts of Federal Government to Enforce Same.\"","All the years but 1933-1935 have an index in the front of the folder.","These \"diaries\" were used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date.","File includes Lauck's Civil Service record (1945) and National War Labor Board service (1918).","The 1911 blueprint \"General Plan\" of the property was prepared by Thomas Meehan and Sons, Mt. Airy, Philadelphia, Landscape Architects, for Francis T.A. Junkin, Lexington, Virginia. The \"Map of Mulberry Hill, Lexington, Virginia,\" 1926, with surrounding properties, was done by R.E. Witt, Certified Land Surveyor.For a typed description of the property by R.E. Witt and a note by W. Jett Lauck, see Box 224 Folder 4.","The Bureau of Applied Economics, Inc. was a \"private, independent, scientific organization, established in 1914 for the purpose of doing research and analytical work in the field of industrial, commercial, banking and general economic activities\" according to one of its brochures. It was located in Washington, D.C. \"where the governmental departments, commissions and other organzations with their specialists, archives and unrivaled library facilites render such research more effective and productive than any other city in America\" according to a page from an unknown directory. Hugh S. Hanna was the Director and W. Jett Lauck was listed as both the Chairman of the Advisory Board and the specialist for money and banking.","One of the chief functions of the Bureau of Applied Econonics was to create publications about importand current issues in the field of labor conditions and industrial relations. These were intended to be brief (50-75 pages) but authoritative and written by a specialist in the subject so that anyone interested in the subject could have access to the gist of all the information in one place and for a low cost. ","File includes Monthly Statements, Proofs of Notices, Subscribers and Sales.","File includes Correspondence, Papers, and Table of Contents.","Lauck taught a course on the History of the Labor Movement at the American University.","The Notes chiefly include Political Science, Sociology, Labor vs Capital, Economics, Constitutional Law, American Government, and Agriculture.","These College Notes are chiefly concerned with the Reciprocity Concept and the Chicago Conference with sections on Cuba and Hawaii; Distribution; Receiverships; Sociology and Tariffs; and Printed Material.","Much of this material is fragmentary or incomplete and it possibly has some material of W. Jett Lauck mixed in.","These photographs include the \"Funeral Procession of Stephen Horvath, McKees Rocks, Pennsylvania, August 14, 1909. Photographs are mostly unidentified and some do not include W. Jett Lauck.","These photographs are mostly unidentified and undated but does includes William Harmon Black and Major Miller Taylor. and his wife.","This file consists of seven oversize photographs, including a Staff Conference; the Immigration Commission, Washington D.C. (1907); three photographs of Lauck with the same two  unidentified men; W.D. Mahon; A.A. Mitten; Earl E. Houck; an unidentified man; and an unidentified hearing.","This folder includes four oversize photographs  of Public Code Hearings on Bituminous Coal Industry, 1933 August 9; Cigar Manufacturing Industry AAA Code Hearing, 1933 November 22;  Structural Steel and  Iron Fabricating Industry N.R.A. Hearing, 1933 October 30; and Anthracite Coal Industry, NRA Code Hearing, William H. Davis Deputy Administrator, Washington, D.C., 1933 November 17","Topics include Agriculture and Farms, Airlines and Aviation, Argentina, Atlantic Charter—Poland*, Atomic Energy and Weapons (see also, J—Japan), Australia, and the Automobile Industry.","Topics include Bank Fraud, Banking and Bankers, Baruch Report, Big Three, Bretton Woods Agreement—International Monetary Fund, British Elections 1945, British Labor Party, British Labor Reports and the Second World War and Budget.","Topics include Cartels, Chamber of Commerce, Canada, Capital/Capitalism, Charter [U.N.] (see also, S—San Francisco Conference), Chemical Warfare, Cherry Blossoms—Washington D.C., China, The Church (see also, Religion and Faith), Churchill, Winston (see also, People), Comintern, Communist Party, Congress, Cost of Living, and Cuba.","See also, Strikes, U—United Mine Workers.","Topics include Debt, Defense, Deflation, Democracy, Democratic Party, The Depression, Diplomacy, Disease, Driving [Winter], and Dumbarton Oaks Conference.","Topics include Economic Bill of Rights, Economic Development [Committee], Economic Policy (see also, B—Bretton Woods Agreement, Post-War Reconstruction), Economic Rights, Economy of War, Employment (see also, U—Unemployment), Electric Workers, Electricity, and Excess Capacity.","Topics include Farms, Fear, Flooding, Food [Costs] [Rations] [Shortages], Food as Weapon, Foreign Policy, Freedoms, France, Franco, and Full Employment America.","Topics include General Motors [Strike] (see also, Strikes), Germany, G.I. Bill, Gold Standard, Government in Business, Grain Marketing, Great Britain, Growth of Democracy, Hapsburgs, and Hatch-Burton-Ball Bill.","Topics include Industrial Divide, Industry, Inflation/Deflation, and Israel.","Japan [and the Atomic Bomb], Jefferson [And the Declaration of Independence], The Jewish People [in Nazi Germany], Jobs as a Property Right, and Kipling, Rudyard (see also, People).","Topics include Labor [and War], Latin America, League of Nations (see also, World Government), Legal Aid Societies, Lend-Lease, Liberalism, and the Lima Conference, Liquor Problem, and Living Wage.","Topics include Magna Carta, Massachusetts Academy, Meat Industry (see also, Strikes), Middle Class, Monetary Reform, Morale [Poor], and Moving Pictures.","Topics include National Association of Manufacturers, National Income, National Interest, \"New Era\" 31*, New York State Industrial Survey Commission 28*, New York Transit Strike, Office of Price Administration, and Oil.","Topics include Pacifists, Packing Houses, Thomas Paine,  Palestine, Pan-American Union, Patents, Peace, Pennsylvania Labor Act, Philanthropy, Poland, Political Minorities, Population [United States] 1940, Power, The Press, Price Controls, Prisoners of War, Production, Profit-Sharing, Profiteering, Public Service, and Pump-Priming the Economy.","For more clippings on people see also: C—Churchill, K—Kipling, P—Paine, R—Roosevelt, Rural Electrification Administration [Harry Slattery], S—Stalin, and T—Truman.","File contains topics such as: Post-War Deflation, Post-War Europe, and United States Labor, Industry, and the Economy.","Topics include: Race and Racial Strife, Radar, Railways and Railroads, Reciprocity – British Agreement, Reconstruction Finance Corporation, Reconversion [and Wages] (see also, Post-War Reconstruction), Re-employment (see also, Post-War Reconstruction), Republican Party, Republican Record, Right Wing Reaction, Roosevelt, Rural Electrification Administration [Harry Slattery], Russians who Fought for Germany in World War II.","Topics include: San Francisco Conference (see also, United Nations), Savings, Sherman Act, Social Security, Socialism, Socialized Medicine, South America, The South [and Politics], The South [and Poll Tax Ban], Southern Revolt, Soviet Union/Russia, Spain, St. Lawrence Seaway, Stalin, Subsidy, Sugar, Supreme Court, Packing the Supreme Court, and Syria.","See also, Coal, G-H—General Motors [Strike], M—Meat Industry, N-O—New York Transit Strike, Steel, and U—United Mine Workers.","Topics include: Tariff Bill, Taxes, Textiles, Third Political Party, Totalitarian States, Troops, Truman [Report], Trusteeships; Unemployment, (see also, E—Employment), Unions, United Kingdom [Britain], United Mine Workers (see also, Coal), Unity, National\nVirginia, and Virginia Budget Efficiency.","See also S—San Francisco Conference and World Government.","Topics include: Wage Central, Wages, Wagner Health Bill, Wall Street, War, War Aims, War and Capital, War Contracts Settlement, War Cost, War Crimes, War Labor Board, War Production Board, Work Week, World Bank, and World War II [Battles].","This file includes agendas, correspondence, reports, membership, and the tentative program.","Topics include: American Mining Congress Declaration of Policy, \tdisagreements over the NRA code, gasoline and coal, new processes, and the right to strike.","This file includes an \"Investigation of Paint Creek Coal Fields of West Virginia,\" \"The Truth about Coal River Collieries,\" \"West Virginia Coal Fields\" (Senator Kenyon), Colorado Coal Fields, and a List of West Virginia Coal Fields.","Includes Houde Engineering Company Memorandum submitted to the National Labor Relations Board, the Hunt Memorandum outlining the Study of Competing Fuels, Lauck's review of \"The Coal Industry\" by Glen L. Parker, the Keller Bill for the Mississippi Valley on the Relative Importance of Fuels, \"Oil-Coal Mixtures as Industrial Fuel\" by J.E. Hedrick, and the Coal Cost of Producing Electricity, by J. Leonard Matt in the \"New York Herald Tribune.\"","The Railroads Financial History material was used in preparation of exhibits for the Brotherhood of Locomotive Firemen and Enginemen Case and updated for use in later cases involving railroads.","These news clippings include: British railway strike, credit, Thomas Dew Cuyler article on 1922 strike, Henry Ford's railroad, Gould System, Inadequacies of Railroad Management, Mergers, Nickle Plate Deal, Receiverships and Foreclosure Sales During 1920, and Railroad Retirement Act of 1937.","Publications include: Decisions, Dockets, Announcements, Lawsuits, Orders, and Reports.","Lauck was on staff as an economist and one of the stockholders for this enterprise. Some stationery has the name \"The Gallatin Institute of Applied Economics\" in the header.","Files include Memoranda from I.A. Rice to W. Jett Lauck, Recommendations, and Rent Law.","Includes a bill on the guaranty of bank deposits legislation and the Glass-Steagall Act (printed).","Banking files include Credit Facilities of the Country, Federal Reserve Board Legal Opinion on Bank Centralization (printed), News clippings, Reform, and the United Labor Bank and Trust Company Dissolution.","Includes files on British wage controversy and the coal industry during World War II, coal industry problems, and the British Coal Mines Act.","Cigar Manufacturing Code of Fair Competition files include Amendments proposed by Abraham Goldbloom and Jett Lauck, including Revisions made by Conference on October 20, 1933; Briefs and Statements (1933); Codes (1933-1934); and Profits and Statistical Data (circa 1929-1933).","These include: Table of Contents, Agents of Concentration and Railroads; Cotton Mills (director); Public Utilities (directors); Concentration of control of Financial and Industrial Resources; Public Utilities (securities), Public Utilities (affiliations), and Public Utilities (summary and tables).","These include: Summary of Banker Control in American Industry; Concentration of Financial Control of Industry; Concentration of Control of the Iron Ore Mining Industry; Report on Public Utilities; Concentration and Control of Money and Credit; Industrials (directors), Agents of Concentration, Coal (statistics), Iron and Steel Report (summary), Industrials (report), Railroads (statistics), Cotton Industry, Coal and Iron Mining; and Concentration of Control of Various Industries (iron, coal, water).","These files include the Bill by Colonel W.G. Williams (1946); an Inquiry by the Federal Power Commission Control (June 27, 1945); and the Memoranda of Colonel W.G. Williams, 1945-1946).","These files include: Miscellaneous, including charts - W. G. Williams (1945-1946); Gas and Oil Pipelines, including a proposed letter from Admiral Stuart to President John L. Lewis (October 16, 1944); and the United States Department of the Interior report of Investigations (July 1945).","Constitutional Amendment files include: Action by Organizations (1936-1937); Articles and News clippings (1935-1939); Bills, including those proposed by Benson, Costigan, Ford, Gray, Maas, and Marcantonio (1935-1937); Challenges to the Authority of the Supreme Court to Declare Legislative Acts Unconstitutional, Notes and Memoranda by W. Jett Lauck, Donald R. Richberg, Merle D. Vincent and Henry [Warrum] (1935-1936); and Correspondence and Memoranda about the New York and Washington, D.C. Meetings (1936).","Constitutional Amendment files include: Detroit Conference (1937); History and Comments (1936?); National Committee and Reports from Henry T. Hunt (1936); National Conference about (1936-1937); Recommendations and Suggestions made by President Roosevelt for a Bill to \"Pack the Supreme Court\" (1937); and Speeches by David J. Lewis and Daniel C. Roper (1935).","Material includes the labor and production costs of cotton, silk and wool goods before and after World War I.","Files include a Memorandum on Major Berry and Conference Plans (1935 November, undated); News (1936-1937); Press Releases (1936-1937); and Summaries and Reports (1936 June-July).","Memoranda topics include the Austrian state railways, the book \"Railroad Melons, Rates, and Wages\"; the suggestions of Baltimore and Ohio Railroad Vice-President Tatnall for railroad improvements; the Cincinnati Southern Railway; and Cooperatives.","These include speeches and statements of Governor Earle, Chief Justice Hughes, British House of Commons, Secretary of State Hull, Secretary Ickes, Robert H. Jackson, Governor Frank Murphy, Senator Norris, Secretary Frances Perkins, Burton K. Wheeler, and Wendell L. Wilkie.","This opinion was given by the General Counsel of the Federal Reserve Board.","These files include the first through third versions introduced in the 72nd Congress in 1932, S. 3215, S. 4115, and S. 4412.","These House bills include: H.R. 7250 (a bill creating national mortgage banks); H.R. 7620 (a bill to create Federal Home Loan Banks); H.R. 11340 (a bill to require national banking associations to furnish bonds to protect depositors against loss of deposits); H.R. 11422 (a bill to regulate the value of money, and for other purposes); and H.R. 12280 (an act to create Federal Home Loan Banks).","Includes an article by Lauck, \"America's New Immigrants\" and reviews of his book with Jeremiah Jenks, \"The Immigration Problem. A Study of American Immigration Conditions and Needs.\"","Includes a Memorandum from Lucius E. Wilson and Research concerning the cotton industry (1890-1912), economic consumption, 1890-1914,  prepared by Frances P. Valiant, centers of population (1914), prices (1914), tendencies in real wages (1900-1913), and wages and prices  (1912-1914)","The topics include: Agriculture; Anti-Strike Bill; Book Reviews; Bituminous Coal; Child Labor Law; Civil Service Employment, Reclassification and Retirement; Federal Employment; Federal Coal Commission; and Foreign Industry and Labor.","The topics Include: Health; Housing; Immigration; Industrial Accidents; Labor Mobility; Milk Bill; National Industrial Conference; New Jersey Chamber of Commerce; Public Health Service; Punitive Overtime; Racial Question, Commission on (\"Negro Wage Earners\"); Seaman's Act Revision in Merchant Marine Bill; Soldiers' Adjusted Compensation Legislation; Steamship Business Training; and United States Steel Corporation Pension Fund.","Two of these files focus on Employee Representation - Efficiency through Cooperation, and include \"A Report on Workers' Participation in Management\" with an appendix, by W. J. Lauck, March 1921.","Companies include: Bethlehem Steel Company, Endicott Johnson and Company, Goodyear Tire and Rubber Company, International Harvester Company, Midvale Steel and Ordnance Company, Standard Oil Company of New Jersey, and General.","Files include: Distribution of Output of Industry; Foreign Trade; General; Labor; Mass Production and Distribution; Production and Stock Market; and Prosperity.","Labor topics in these files include: Labor and Churches (1922-1937); Labor and Industrial Policy during World War I, Memoranda on (1917-1918); Labor Gazette Program (undated); General material (1914-1920); Labor in Great Britain (1918-1937); Labor Injunctions (1927-1932); Labor Insurance (1928); Labor Legislation and Politics (1928); Labor Organizations (1910-1929); Labor Policies (1928); and Labor Problems (1919).","Additional Unemployment topics include: Joint Committee on Unemployment; Press; Social Effects of Unemployment, Statistics; and the Wagner Bills.","Interstate Commerce Commission files include: Decision on Freight Rates in Anthracite Case; Five Per Cent Case; Hearing on Rates on Grain, etc.; Operating and Wage Statistics; and Petition concerning the \"Inefficiency of Railroad Employees.\"","Additional Interstate Commerce Commission files include: Rules on Locomotive Inspection; Rules of Practice; Rules governing Classification of Steam Railway Employees; and Seasonal Variation of Railway Operating Income.","Additional files include: Labor Conditions, including mining accidents; Manufacturers; and Monthly Production of Pig Iron in the United States.","Journeymen Stone Cutters of America files include: Affidavits and Letters on Indiana Situation; Agreements; Amalgamation (Knoxville Wage Scale); Arts and Crafts Industry - Mr. M. W. Mitchell; Bloomington and Bedford Names and Local Vote; Cast Stone Industry Code; Limestone Code; Limestone Code Statement for Hearings and Suggested Complaint to the National Labor Board; the Marble Manufacturing Code, President Mitchell; Press Releases and Miscellaneous; the Sandstone Code and Statement by M.W. Mitchell, President of the Journeymen Stone Cutters' Association of North America.","Additional Labor Costs files include: Bituminous Mine Workers; Book Paper Industry; Canned Salmon; Canned Vegetable Industry; Coal; Construction; Copper Production and Sale; Cotton Industry; Cotton, Silk, and Wood Goods Production Before and After World War I; and Fertilizer Industry.","Additional Labor Costs files include: Hide and Tanning Industries; Leather and Shoe Industries; Pig Iron; Railroads, including Eastern, Operating, Southern, and Western; Relation to Prices; Shoe Industry; Steel Production in the United States; Sugar Profiteering; Summary; Various Industries; and Women's Muslin Underwear Industry.","The Living Wage subtopics include: The Case for a Living Wage; Cost; Cost of Rearing Children; Department of Labor; Effects; Fair Labor Standards Act (Bills, Interpretations, Regulations, etc.); Farmers; and General Press (1 of 2 folders).","Living Wage subtopics include: General Press (2 of 2 folders); Harmful Effects of Low Wages; Lauck Statements; Miscellaneous; National War Labor Board; Practicability (2 folders); Request for a Ruling from the United States Railroad Labor Board on the Living Wage;  \"Sanction for a Living Wage\"? Quotation Verification Work for Lauck's book with that title; Statement of the National War Labor Conference; and an Undated Essay on \"The Just and Reasonable Wage.\"","These documents include the Charter, Constitution, General Plans of Work, Explanation and Comment, Outline of Organization and Scope of Work at the Outset, By-Laws, Suggestions and Notes on Separate Trust Fund, and an article \"Employee Ownership\" by Thomas E. Mitten.","Mitten Management topics include: Labor Cooperation in Australia; Organized Labor in New Orleans; Personal News clippings; Press; and Strikes in Philadelphia and Buffalo.","Literature includes the New York Advertising Club Plan, Memoranda and Principles, etc., which also includes articles by Fred Brenckman and Isador Teitelbaum.","Items include the Conscription of Property Senate Bill 1579 and Consumer Division of Defense, Labor, and Steel.","These files include a report of the Iron Ore Committee, a copy of the \"National Natural Resources Act,\" and the Report of the Planning Committee for Mineral Policy.","These bills include the Bill for Stabilization and Conservation of Natural Gas and Petroleum and the Cole Bill (H.R. 7372) Petroleum Conservation Act.","Files include General; a Brief; Mr. McGinn's Statement; General Producers Company, Mr. Taylor and John L. Lewis; and Sinclair Company - Maintenance of Retail Prices.","Apparently Lauck used his work with the Philadelphia Rapid Transit Company as a basis for his book, \"Political and Industrial Democracy, 1776-1926.\"","Includes files on the following companies: Baltimore and Ohio Railroad; Bank of Italy; Boston Consolidated Gas Company; Chicago Surface Lines; Colorado Fuel and Iron Company Plan; Columbia Conserve Company; Comparison of Fundamentals; Comparative Plans; Dennison Manufacturing Company; Dutchess Bleachery; Employee Representation and the Union (PRT); Employee Stock Ownership (PRT); Endicott-Johnson Company (PRT); Filene; Ford Motor Company; International Harvester Company; Investment Bankers and Cooperative Plans; Louisville Railway Company; Loyal Legion of Loggers and Lumbermen; and Milwaukee Electric Power and Light Company.","Includes files on the following companies: \tNash Tailoring Company; New Cooperative Plan; Packard Piano Company; Pennsylvania Railroad; Peoples Gaslight and Coke Company; Philadelphia Convention; Printz-Biederman Company; Southern Railway; Standard Oil Company; Summary with 1939 clipping; and Union Recognition Case.","Includes news clippings about the Electric Bond and Share Company, Power Authority of New York and others.","Includes a speech by Frank P. Walsh before the  Public Ownership League of America and a Research Bulletin on the Potomac Electric Power Company of Washington.","These files include ones for Analysis, Bradstreet's, Dun's, General, and Government Control of Prices.","Profiteering files include those on: Address of the President; Agricultural Supplies; Articles by W. Jett Lauck and others (2 folders); Banks; Memorandum to Judge W.H. Black; Building Material; Coal; and Copper.","Profiteering files include: Corporate Earnings and Government Revenues (3 folders); and Corporations, Profits of (3 folders).","Profiteering files include: Industries, various, (3 folders); Manly, Basil M. - Survey of American Industrial Conditions; Meat Packing; Metal Trades; Miscellaneous Industries; 1921; Petroleum; Post War Profits; and Press Statements (2 folders).","Profiteering files include: Railroads During and After the War (American); Railroad Equipment; Shoes and Clothing; Speeches in Congress; Steel;  Sugar; Summary; and War Contracts.","Includes the following filers: the Chicago Memorandum; Pending Work file; press release about the need for co-ordination of transportation facilities; press or news clippings; and railroad employee insurance.","Files include a draft of a letter to President Roosevelt and a memorandum on Russia from Lauck.","Russia or Soviet Union files include: \"The Red Trade Menace\"; Research by Dunlap; Social and Economic Conditions, chiefly clippings, including concessions, the cotton case, credit, political and propaganda (2 folders); and Trade Mission.","Files include: \"The Agricultural Situation in the United States\"; \"Labor Banking Movement in the United States, Analysis of\"; \"Membership of Labor Unions\"; and \"Report of the Negro in Industry\".","Files include: Proposal for Cotton Purchase from the United States (3 folders); \"Recent Shifts in Industry\"; \"Report of the Railroad Situation in the U.S.\"; Research – Miscellaneous; and Tariffs.","Files include: Anderson, Paul E. – Reports and Memoranda; Ballantine's Report [on Transportation by Waterway as Related to Competition with the Rail Carriers in the United States]; Commodity Studies, including livestock, potash, green coffee, grains, and rubber; Correspondence; and Department of Commerce Outline.","Files include: Digest of Hearings and Reports; Electric Generation Capacity, U.S.A.; Extent of Railway Operations; News clippings, including article from \"The New Republic\"; Notes and Outline; and Panama Canal Traffic effect upon Railroad Rates.","This file includes a Railway Labor Executives' Policy statement, statement of the Baltimore Association of Commerce, and a paper about the  \"Effect of the Proposed Great Lakes-Saint Lawrence Deep Waterway on the Coal Industry.\"","The file includes articles by Lester Velie (\"Lean Years for the Rails\"), Harold D. Kootz (\"The Railroad Crisis\"), and one about new types of equipment; a speech by Harry S. Truman on railroad financing; a memorandum about railroads serving the Great Lakes ports; and a memorandum to Robertson about the position of Western railroad presidents concerning the waterway prior to 1933-1934.","Reports include: \"Analysis of its effects upon railroad and coalmining industries\" by W. Jett Lauck; \"Coordination of Transportation Agencies\" [by W. Jett Lauck?]; Report of Railroad Coordinator's Freight Traffic Report, including freight rate increases and petroleum pipeline rates; and Report of the Railroad System, Beneficial Effects of project upon.","Files for this committee include: General (2 folders); Papers submitted by J.W. Garrow and White; the Report, both Typescript and Printed (2 folders); Uniform Manufacturers Association Statement; United States Chamber of Commerce Presentation; and Vouchers and Expenses submitted by W. Jett Lauck.","Files include Awards, Decisions, and Authorizations (printed) and Exhibits prepared for the Board by Lauck and associates.","Socialism files include; \"What it is and what it is not\" and History in the United States.","Files include: \"Compilation of the Social Security Laws\"; Correspondence with Barbara Nachtrieb Armstrong (Chief of Staff for Social Security Planning of the Committee on Economic Security; Correspondence with Pauling C. Gilbert; Directory of State Employment Security Officials; and Draft Bills for State Unemployment Compensation.","Files include: H.R. 4142 (Lewis Bill); H.R. 7260 (Social Security Act); Information Primer on the Committee on Economic Security; Inventory of Job Seekers Registered at Public Employment Offices; and League of Nations Staff Pension Fund.","Files include: Major Migratory Routes in the United States; Memoranda to Mr. Kennedy; National Women's Trade Union December Bulletin; Newspapers; and \"Old Age Insurance.\"","Files include: Pamphlets and Print Materials; Preliminary Report on Occupations of Job-Seekers in 43 States; \"The Problem of Insecurity\" (Committee on Economic Security); Radio Address of Frances Perkins, Secretary of Labor; and Recommendations of the Social Security Board Federal Advisory Council.","Files include: \"Social Security Act and War Manpower Commission\" and Social Security Board Federal Advisory Council Binder of Documents (2 folders).","Files include: Social Security Board Federal Advisory Council Meeting (June 1940); Social Security Board Federal Advisory Council Meeting (October 1942); \"Social Security in Defense and After\"; Statements on the Wagner-Lewis Economic Security Bill; Thrift and Security Foundation, Inc.; \"Two Special Reports on Social Legislation\" (Business Advisory Council); United Mine Workers of America Proposed Retirement Plan; and Vocational Training Program for National Defense.","Topics include: Mineral production, \"A Working Economic Plan for the South,\" Washington and Lee as a Southern institution, and the Southern Commercial Congress (all printed).","File includes memoranda to John L. Lewis and suggestions by Katharine Pollak, federal regulation and steel codes.","Topics include a file on Arbitrations, including Portland, Maine; Eastern Massachusetts Street Railway; Boston Elevated Railway Company; and Cumberland County Power and Light Company. Other railway topics include: District of Columbia; \"Low Fares\" article by Louis B. Wehle; the Mahon Case; and a Report by Delos F. Wilcox.","Files include: \"The Bridgemen's Magazine,\" Vol. XXXIII, Nos. 11 and 12; Conferences; H.R. 7596 (To License and Regulate Inter-State Coal Corporations); H.R. 12285 (Ellenbogen's Bill); H.R. 12499 (Wood's Steel Bill); Lauck Notes and Memoranda; and Lists of Materials Prepared in Connection with Iron Workers.","Files include: P.J. Morrin Exhibits I (a), II, and III-VIII; P.J. Morrin's Report as Labor Advisor to Chairman of the Labor Advisory Board and his Statement Before the National Recovery Administration; Possible Projects – Golden Gate Bridge, San Francisco, California and United States Courthouse, New York City; Statement of William P. McGinn to Deputy Administrator; and \"Summary and Objectives of Proposal for New National Recovery Act Legislation.\"","Files include: the Fair Tariff League; Press, including the French situation; and Wood Pulp, Woolens and Worsteds (2 folders).","Taxation files include: \"Conclusions and Constructive Suggestions as to Tax Revision\" by David B. Robertson; News clippings, Printed Material and Press Releases (2 folders); and Notes and Drafts.","Files include: copies of clippings at back of folder; Charts used by Isador Lubin in his Testimony; and Notes by W. Jett Lauck and associates.","Topics include: \"Dynamics of Transport\"; \"How Transport has Shaped the Pattern of National Development\"; \"Objectives of Public Policy\"; \"Problems of Interest Groups\"; \"Problems of National Defense\"; Problems of Rate Levels and Rate Relationships\"; \"Problems of Regulatory Policy\"; \"Problems of Transportation Policy – Review of Basic Issues and Alternative Solutions\"; \"Problems of Transport Coordination\"; \"What Lies Ahead in Transportation\"; and \"What the Transportation System Looks Like Today.\"","Files include information about the 1922, 1934, 1940 (2 folders), and 1946 Conventions.","Wage files include: American Federation of Labor; Articles, Bibliography on Wage Cutting and on a Saving Wage; Disease; Earnings in Ohio; \"A Fair and Reasonable Wage\"; and Minimum Wage (2 folders).","Wage files include: Productive Efficiency Theory; Productivity; Railroad; Rates; Real Wages; Regulation; Report on \"Wages and Hours of Labour in Canada\" and Report of Australian Royal Commission; Standard of Living; Various Industries (2 folders); Wage Adjustments; White Collar Workers; Women; and Works Project Administration.","Topics include: the wartime control of labor (France), War Labor Conference Report (February 25, 1918), \"Labor Policies and the War, War Profits Bill, war and labor, and war tax law.","Materials include: a pamphlet \"Negro Women in Industry in 15 States,\" and other printed material from the Department of Labor and the Women's Bureau.","Titles include: \"American Institute for Economic Research Monthly Bulletin\" (1944) and \"Automotive War Production\" (1945).","Titles include: \"Babson's Washington Reports\" (1938-1939); \"Bank of the Manhattan Company of New York (1946); and \"The Bulletin\" from the International Typographical Union (1945-1946).","Titles include: \"California Safety News\" (1919); \"Common Sense\" (1944); and \"Congressional Daily\" (1941, 1944-1946).","Titles include: \"Economic Notes\" (1939); and \"The Economic Outlook\" (1940, 1944).","Titles include: \"Foreign Commerce Weekly\" (1941) and \"Foreign Policy Bulletin\" (1943, 1946).","Titles include: \"Human Events\" (1947); \"International Post-War Service Statistical Bureau\" (1943); and \"International Statistical Bureau Foreign Letter\" (1943-1944).","Titles include: \"National Bureau of Economic Research\" (1933-1934); \"The National Grange\" (1932); \"People's Lobby Bulletin\" (1945); \"Private Newsletter\" (1934); and \"Propaganda Analysis\" (1939).","Titles include: \"Report of the Mexico City Bureau\" (1940); and \"The Southern Patriot\" (1945-1946).","Titles include: \"United Business Service\" (1941); United Construction Workers News (1946); \"Washington Review\" from Chamber of Commerce, U.S. (1940, 1943); and \"The Yardstick Catholic Tests of a New Social Order\" (1941-1942, 1944).","Includes booklets on \"Diplomatic List\" (1925); National Policy Committee booklet, \"Implications to the United States of a German Victory\" (1940); \"The Storm Washington D.C. January 27-28, 1922; \"The Story of the Globe\" (undated); andClifford Thorne (undated).","Includes: National Association Real Estate Boards (1924); National Monetary Association (1923, undated); \"National Transportation Institute Freight Rates and Prices, 1867-1923\" (1923); New Jersey Teacher Retirement and Pensions (1919); and New School for Social Research (1920).","Includes: Railroads (1944); Remedial Loan Societies (1928); and Remington Rand Inc. (1935).","Includes: Schools (1928-1929); Sperry Corporation (1936); Standard Oil Company (1922); and Standard Statistics Company (1925).","Includes: Virginia State Chamber of Commerce (1924-1930); and \"A Brief History of Taxation in Virginia,\" by Edgar Sydenstricker (1915).","Includes: Senator George D. Aiken (1941), Thurman Arnold on \"Labor Against Itself\" and Antitrust Law Enforcement (circa 1941, undated).","Includes Samuel Brodbelt with a letter to Lauck, February 1, 1940.","Includes: Charles H. Chase on Trade Credit Banking (1934); John Corbin on National Planning (1932).","Includes: Maurice R. Davie, \"What Shall We Do About Immigration? (1946); Eleanor Davis \"The Future of Personnel Administration in the US\" typescript (undated); Edward T. Devine, \"American Labor's Improved Status Since 1914\" (1928); and Wallace B. Donham, \"National Ideal and Internationalist Idols\" (1933).","Includes: Marriner S. Eccles (1939); Irving Fisher \"The Debt - Deflation Theory of Great Depressions\" (1933); and Harry Emerson Fosdick sermon \"A Christian Conscience about War\" (1925).","Includes: Walter Graves, Jr., an open letter concerning Hitler and the British Isles (1941); Senator Pat Harrison (1925); W.P. Harvey, articles on living wage, and capital and labor (undated); Leon Henderson on Use of Small Loans for Medical Expenses (1930), and Alice Hosteler article on Producer-Consumer Relations (undated).","Includes: Benjamin A. Javits, (1933-1934); Jefferson Institute, including an address by Daniel C. Roper (1934); George L. Knapp on Senator Edward P. Costigan of Colorado (undated); and Dr. Julius Klein, \"The Business Trend Since 1921\" (1927).","Includes: J.C. Laughlin, \"Demand and Prices,\" August 1932; William M. Leiserson, \"Labor Past as Key to Labor Future,\" February 10, 1944; Max Lerner, \"Revolution in Ideas,\" 1939; Alexander Levene, \"Modification of the Antitrust Laws and Purchasing Power\" (1932); and John L. Lewis \"Problems of Organized Labor\" (1936).","Includes samples of his articles with a biographical summary up to 1933.","Includes: William G. McAdoo, about William Jennings Bryan (1925); Leifer Magnusson, about the International Labor Organization and the American Federation of Labor (undated); Maury Maverick on \"How Solid is the South?\"(1943); Claudius T. Murchison, \"A Great Deal, Some of It New\" (1934); Reinhold Niebuhr, \"Jerome Frank's Way Out\" (undated); Edwin G. Nourse, \"The Nature and Future of Private Enterprise\" (1941); Frances Perkins, speech press release, 1936; Gifford Pinchot, \"Wages, Margins and Anthracite Prices\" and \"Business and Government in the Economic Crisis,\" (1923-1931).","Includes: Jackson H. Ralston \"Superficiality of International Law,\" 1922; Donald R. Richberg and his Labor Plan (1944); John D. Rockefeller, Jr., \"Considerations Concerning Labor Standards,\" 1922; Daniel C. Roper, \"Regimentation and Recovery\" and \"Trade and Commerce in Perspective,\"1934; and Dr. John A. Ryan, \"Organized Labor Today\" (1926).","Includes: Alexander Sachs on Problems of National Recovery (1937); David J. Saposs, \"Current Anti-Labor Activities\" (1938 April 11); Louis G. Silverberg \"Law and Order: Social Menace\" (1938); Upton Sinclair, \"An open Letter to the President\" (undated); Isidor Teitilbaum (undated); and Lawrence Todd (August 1933).","Includes: Henry A. Wallace, speeches (1937-1942); Sidney Webb \"Four Weeks in England\" (1919); Carl I. Wheat, California Railroad Commission, (1927); William Allen White, \"A Yip From the Doghouse\" (1937); Honorable Roy O. Woodruff \"War Frauds\" speech, 1922; and Owen D. Young speeches (1930-1932).","Includes \"Economic Planning\" (undated); \"When President's Play Politics\" (1938); and fiction pieces written for magazines like \"Ken\" (undated)."],"userestrict_html_tesm":["\u003cp\u003eNote: Diaries on microfilm M-1239-1241; Use of original diaries restricted due to fragile condition.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Note: Diaries on microfilm M-1239-1241; Use of original diaries restricted due to fragile condition."],"names_ssim":["Albert and Shirley Small Special Collections Library","Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:56:56.558Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_724_c08_c04_c146"}},{"id":"viu_repositories_3_resources_724_c08_c04_c149","type":"File","attributes":{"title":"1922 Bituminous Coal Case - Spot Prices, F.O.B. Mines","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_724_c08_c04_c149#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_724_c08_c04_c149","ref_ssm":["viu_repositories_3_resources_724_c08_c04_c149"],"id":"viu_repositories_3_resources_724_c08_c04_c149","ead_ssi":"viu_repositories_3_resources_724","_root_":"viu_repositories_3_resources_724","_nest_parent_":"viu_repositories_3_resources_724_c08_c04","parent_ssi":"viu_repositories_3_resources_724_c08_c04","parent_ssim":["viu_repositories_3_resources_724","viu_repositories_3_resources_724_c08","viu_repositories_3_resources_724_c08_c04"],"parent_ids_ssim":["viu_repositories_3_resources_724","viu_repositories_3_resources_724_c08","viu_repositories_3_resources_724_c08_c04"],"parent_unittitles_ssm":["W. Jett Lauck papers","Cases","Coal Cases of 1922"],"parent_unittitles_tesim":["W. Jett Lauck papers","Cases","Coal Cases of 1922"],"text":["W. Jett Lauck papers","Cases","Coal Cases of 1922","1922 Bituminous Coal Case - Spot Prices, F.O.B. Mines","box 185","folder 21"],"title_filing_ssi":"1922 Bituminous Coal Case - Spot Prices, F.O.B. Mines","title_ssm":["1922 Bituminous Coal Case - Spot Prices, F.O.B. Mines"],"title_tesim":["1922 Bituminous Coal Case - Spot Prices, F.O.B. Mines"],"unitdate_inclusive_ssm":["1913-1922"],"normalized_date_ssm":["1913/1922"],"normalized_title_ssm":["1922 Bituminous Coal Case - Spot Prices, F.O.B. Mines"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["W. Jett Lauck papers"],"extent_ssm":["1 folder(s)"],"extent_tesim":["1 folder(s)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1610,"parent_access_restrict_tesm":["Work diaries used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date in Boxes 216-219. Due to their fragile condition, access to the original diaries is restricted. Researchers should use the diaries on microfilm M-1239-1241."],"date_range_isim":[1913,1914,1915,1916,1917,1918,1919,1920,1921,1922],"containers_ssim":["box 185","folder 21"],"_nest_path_":"/components#7/components#3/components#148","timestamp":"2026-05-20T23:56:56.558Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_724","ead_ssi":"viu_repositories_3_resources_724","_root_":"viu_repositories_3_resources_724","_nest_parent_":"viu_repositories_3_resources_724","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_724.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/105255","title_filing_ssi":"Lauck, W. Jett, papers","title_ssm":["W. Jett Lauck papers"],"title_tesim":["W. Jett Lauck papers"],"unitdate_ssm":["circa 1900-1952"],"unitdate_inclusive_ssm":["circa 1900-1952"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 4742","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/724"],"text":["MSS 4742","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/724","W. Jett Lauck papers","Lewis, John L. (John Llewellyn), 1880-1969","World War, 1939-1945","New Deal, 1933-1939","Depressions - 1929","United Mine Workers of America","Labor unions","American Association for Economic Freedom","Anthracite coal--Pennsylvania","Railroads -- History","Railroads","Electric railroads","World War, 1914-1918","Economics","Work diaries used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date in Boxes 216-219. Due to their fragile condition, access to the original diaries is restricted. Researchers should use the diaries on microfilm M-1239-1241.","Student grades were removed from the file and placed in the control folder box for MSS 4742.","There are fifteen series in this collection. The two largest series are the Cases and Topical series. The majority of series have at least two subseries. Lauck had created two earlier indexes to his files and they were used to shape the current re-organization of the collection, particularly concerning the case files. Some of the decisions concerning arrangement were made due to the difficulties of completing the processing of the W. Jett Lauck papers during the Pandemic of 2020-2021. ","An Outline of the Arrangement is as follows: Series 1) Correspondence (Boxes 1-16); Series 2) American Association for Economic Freedom (Boxes 17-37 and Card files boxes 1-12); Series 3) National War Labor Board (Boxes 38-56); Series 4) Congress of Industrial Organizations (Boxes 57-67); Series 5) Commission on Industrial Relations (Boxes 68-72); Series 6) Articles, Memoranda, and Speeches by W. Jett Lauck (Boxes 73-91) with Subseries A) Work created by W. Jett Lauck for use by himself (Boxes 73-91), Subseries B) Work created by W. Jett Lauck for other people to use (Boxes 82-88), and Subseries C) Banking Monograph by W. Jett Lauck (Boxes 89-91); Series 7) Pennsylvania Anthracite Coal Commission (Boxes 92-103); Series 8) Cases (Boxes 104-204) with  Subseries A) Railroad (Boxes 104-146), Subseries B) General (Boxes 147-169), and Subseries C) Coal (Boxes 170-204); Series 9) Arbitrations (Boxes 205-211); Series 10) Dockets and Other Records of Work by W. Jett Lauck (Boxes 212-219); Series 11) Personal, Financial and Miscellany Papers (Boxes 220-233) with Subseries A) Financial Correspondence and Files (Boxes 220-225), Subseries B) Bureau of Applied Economics (Boxes 225-226), Subseries C) College Notes and School Papers (Boxes 227-230), and Subseries D) Notes, Notebooks, Photographs, Post cards and Miscellany (Boxes 230-233); Series 12) The National Recovery Act and National Recovery Administration (Boxes 234-241) with Subseries A) General Files (Boxes 234-238) and Subseries B) National Recovery Administration Codes (Boxes 238-241); Series 13) Oversize Scrapbook Volumes of Newspaper Clippings and News clippings Files with Subseries A) Scrapbooks (Boxes 242-252) and Subseries B) News clipping Files (Boxes 253-257); Series 14) Topical Files with Subseries A) Coal (Boxes 258-270), Subseries B) Railroad (Boxes 271-287), and Subseries C) General A-Z (Boxes 288-389); and Series 15) Printed Material and Works by Others (Boxes 389-399) with Subseries A) Printed Material (Boxes 389-396) and Subseries B) Works by Others (Boxes 397-399).","Lauck often marked his newspapers and other periodical materials according to subject matter. These clippings are arranged according to his original categorical markings, where possible. Where no markings are discernable, they have been artificially sorted into Lauck's categories or other appropriate topical divisions. They are arranged alphabetically by subject with dedicated, separate folders for subjects with large amounts of material. (Brackets [] denote subtopics or linked topics). Files chiefly consist of news clippings but occasionally there is other printed material or charts, etc.","Arranged alphabetically by last name of authors or speakers with subjects noted, if appropriate.","William Jett Lauck, an American economist and statistician, whose work expertise and experience was both broad and varied, was born on August 2, 1879, in Keyser, West Virginia, to William Blackford Lauck, a railway official, and Emma Eltinge (Spengler) Lauck. He attended Keyser High School and Washington and Lee University (Bachelor of Arts, 1903), becoming a Fellow in the department of political economy at the University of Chicago, 1903-1906. Lauck was an associate professor of economics and political science at Washington and Lee University, 1905-1908, until he entered government service in 1908. That same year, he was married to Eleanor Moore Dunlap of Lexington, Virginia, and they had three children, William Jett Lauck, Jr., Eleanor Moore Lauck and Peter Blackford Lauck. Lauck belonged to the Cosmos and Chevy Chase clubs and was a member of Phi Beta Kappa, Kappa Sigma, and Theta Nu Epsilon.","Lauck joining the United States Immigration Commission in 1908-1909, where he designed a survey of immigration for the Commission. Lauck was the chief examiner for the Tariff Board, 1910-1911. The U.S. Commission on Industrial Relations hired Lauck in 1913-1915 as a managerial expert and consulting statistician to design their investigation into industrial problems in the United States. He was an economic advisor on the Canadian Commission on Economic Development, 1916. Lauck joined the U.S. National War Labor Board in 1918 as Secretary. ","Lauck also took part in the national movement for banking reform and the establishment of the Federal Reserve banking system1911-1912. As an expert on railway economics, he represented the Brotherhoods of Locomotive Firemen and Engineers in their demands for wage increases during a series of arbitrations from 1912-1919, the Western freight weight case, 1915, and also represented the railroad unions in several high-profile national railroad arbitrations in the early twenties. Lauck functioned as the economic advisor for presidential candidate James B. Cox in 1920 and 1924. In 1926, Lauck devised a settlement to end the Passaic New Jersey textile strike. ","During a large part of his career, W. Jett Lauck acted as an economic advisor to John L. Lewis and the United Mine Workers, the Committee on Industrial Organization, the United Automobile Workers and other union organizations, in arbitrations and cases, 1919-1939. He was an investigator for the U.S. Coal Commission, 1923 and economist for the Grain Marketing Company, Chicago, 1924-1925. Lauck assisted on the legislative drafting committee for the National Recovery Act in 1933 and as an expert advisor to the Senate Finance Committee on the revision of the National Recovery Act in 1935. He was also a member of various special boards, and a labor advisor to the Coal Section of the National Recovery Act, 1933-1935. He was also often a government expert witness, as seen in his work for the House of Representatives Special Committee on Government Competition with Private Business, 1933. Lauck served as Chairman of the Pennsylvania Anthracite Industry Coal Commission, 1937. ","Lauck was Vice President of the organization American Association for Economic Freedom. He was also an author or co-author of many books and other publications, including \"The Causes of the Panic of 1893\" (1905); \"The Immigration Problem\" with Johann Wolfgang Jenks (1911); \"Conditions of Labor in American Industries\" with Edgar Sydenstricker (1917); \"The Industrial Code\" with C.S. Watts (1923); Political and Industrial Democracy, 1776-1926\" (1926); and \"The New Industrial Revolution and Wages\" (1929) and Editor of \"British War Experience Series.\"","\"W. Jett Lauck: Biography of a Reformer\" by Carmen Brissette Grayson is a 1975 University of Virginia dissertation that covers the early part of Lauck's career up until the Depression.","\"The Congress of Industrial Organizations (CIO) was a federation of unions that organized workers in industrial unions in the United States and Canada from 1935 to 1955. Created in 1935 by John L. Lewis, who was a part of the United Mine Workers (UMW), it was originally called the Committee for Industrial Organization but changed its name in 1938 when it broke away from the American Federation of Labor.[1] It also changed names because it was not successful with organizing unskilled workers with the AFL.[2]","The CIO supported Franklin D. Roosevelt and the New Deal Coalition, and was open to African Americans. Both the CIO and its rival the AFL grew rapidly during the Great Depression. The rivalry for dominance was bitter and sometimes violent. The CIO (Congress for Industrial Organization) was founded on November 9, 1935, by eight international unions belonging to the American Federation of Labor.","In its statement of purpose, the CIO said it had formed to encourage the AFL to organize workers in mass production industries along industrial union lines. The CIO failed to change AFL policy from within. On September 10, 1936, the AFL suspended all 10 CIO unions (two more had joined in the previous year). In 1938, these unions formed the Congress of Industrial Organizations as a rival labor federation. The Taft-Hartley Act of 1947 required union leaders to swear that they were not Communists. Many CIO leaders refused to obey that requirement, later found unconstitutional. In 1955, the CIO rejoined the AFL, forming the new entity known as the American Federation of Labor-Congress of Industrial Organizations (AFL-CIO).\" This summary was taken directly from Wikipedia ","https://en.wikipedia.org/wiki/Congress_of_Industrial_Organizations","The Wage Reduction Case was brought by William S. Carter, President of the Brotherhood of Locomotive Firemen and Enginemen, originally against the Atlanta, Birmingham, and Atlantic Railway Company, before the United States Railroad Labor Board, but it eventually became a much larger case involving other Brotherhoods and Unions concerning railroad workers and wages.","Timothy Shea was the Acting President of the Brotherhood of Locomotive Firemen and Enginemen between 1919-1922 .","The Six Hour Day Case was also referred to as the 30 Hour Week in the press and in supporting materials. The work was undertaken by Lauck for David B. Robertson, President of the Brotherhood of Locomotive Firemen and Enginemen.","This case was brought by the Brotherhood of Locomotive Firemen and Enginemen demanding that a fireman (helper) be employed on all types of power used in railroad service for safety, including diesel and streamline trains.","The Railway Wage Reduction Case of 1938 was presented before the Emergency Board by W. Jett Lauck on behalf of the Railway Labor Executives' Association.","This case was a call for amendment to the Tariff Act of 1922. Lauck represented a group of domestic manufacturers, including the Glass Containers Association of America, in putting together an argument for an increase in tariffs on imported glass bottles. It is important to note that Lauck did not represent industry in opposition to labor. The Glass Bottles Blowers Association submitted a brief agreeing with the domestic manufacturers, —but only in opposition to foreign goods making American industry and labor obsolete.","The Grain Marketing Company was created to jointly market the product of three grain companies: Armour Grain Company, Rosenbaum Grain Corporation, and Rosenbaum Brothers. W. Jett Lauck served as Director of Appraisals for this venture, preparing a large report on the valuation of the Grain Marketing Company's properties. This report was reproduced in many, slightly altered formats for different purposes, people, and groups, and these variants are the subject of many folders in the case, which contain significant overlap.","The Agricultural Adjustment Administration implemented a new tax on paper towels. The reason given was that they competed with typical cotton towels. W. Jett Lauck advised the Paper Towel Manufacturers Association and prepared their case before the Agricultural Adjustment Administration and Congress.","Some 16,000 textile workers participated in the strike, centered in Passaic, New Jersey and initially organized as the \"United Front Committee\" by the Workers (Communist Party) before being transferred to the leadership of the American Federation of Labor. W. Jett Lauck served as a consulting economist to the strikers, chairman of the Plenary Committee (also known as The Citizens Committee or the Lauck Committee) representing the strikers and overseeing transition to the American Federation of Labor, economist for the National Committee for Passaic Relief and Defense, and member of the Temporary Committee for Establishment of American Standards of Life for Textile Workers, as well as participated in the case on the floor of the Senate and in Senate Committees.","This case was between the Franklin Division of the Franklin Typothetae of Chicago and a collection of unions, namely: the Chicago Typographical Union No. 16, Chicago Printing Pressmen's Union No. 3, Franklin Union No. 4, and Bookbinders' and Paper Cutters' Union No. 8 regarding a cut in wages. W. Jett Lauck represented the unions and prepared their case alongside Arthur Sturgis.","The Guffey-Snyder Act was officially known as the Bituminous Coal Conservation Act of 1935. This law was passed as part of the New Deal and created the Bituminous Coal Commission to set the price of coal. It was ruled unconstitutional and was replaced by the Guffey-Vinson Act in 1937.","Pujo Committe named after the chairman of the Banking and Currency Committee, Representative A. Pujo of Louisiana.","Eugene Meyer was Governor of the Federal Reserve Board and J.W. Pole was Comptroller of the Currency in 1932.","This committee was chaired by Congressman Joseph B. Shannon, (1867-1943), a Democrat from Kansas City, Missouri.","P.J. Morrin was the general president of the International Association of Bridge, Structural, and Iron Workers; Jett Lauck was the economic advisor for the same organization.","The original letters from Franklin D. Roosevelt to W. Jett Lauck were transferred to the UVA Special Collections Franklin D. Roosevelt papers, on February 6, 2005.","The original letters from Upton Sinclair to W. Jett Lauck were transferred to the UVA Special Collections Upton Sinclair papers on February 6, 2005.","The original letters from William H. Taft to W. Jett Lauck were transferred to the UVA Special Collections William H. Taft papers on February 6, 2005.","Manuscript student assistants who worked on the W. Jett Lauck papers for at least one semester include Jacob M. Baker, Shannon Lee, Jacob T. Shaw, and Emily Shipman.","Only two copies of identical duplicates having no annotations were kept. Duplicates were compared and only two were kept of each unique document or publication.  News clippings were only copied if used by Lauck in a case or arbitration, contained an article or other work by him, or information pertaining to his work and career. Others were sorted and arranged by topcs that he had written on the clipping; those with no obvious relevance were discarded. Ledgers and scrapbooks were rehoused in acid free cubic boxes or phase boxes created by the Preservation staff.","Originally the papers were organized with the help of a University of Virginia history seminar sometime between their transfer to Special Collections from the Law Library and 1973, producing a large paper finding aid consisting of the list of the file folder headings. Folders were replaced near the end of the 1990's but some folder headings were lost or corrupted. In 2018, the papers were re-organized into series based on several early indexes created by the office of W. Jett Lauck. Folder headings were corrected based on the indexes, the original paper finding aid, and Lauck's notations on the tops of his documents. Headings were altered on the folders when possible to match the finding aid but only some of the folders were replaced due to constraints of time and money.","Physical processing work was complicated by constant student assistant turn-over and the interruption of the Pandemic of 2020-2021, which prevented onsite work for almost six months and allowed only several onsite short stints per week  the rest of the time. The finding aid is as accurate as these conditions have permitted but there may well be inconsistencies. If such errors are discovered, we welcome researcher input.","Most dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.","Most dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.","The index for this case shows that the supporting materials are incomplete. Some materials may have not survived or others may be present in the collection but their direct connection to this particular case has been lost.","See related material in Box 9 under John L. Lewis.","See also Press Releases: Philip Murray Opening Statement and Final Argument.","See related materials in MSS 4742 Box 192.","See also James Couzens files in MSS 4742, Box 308.","Profiteering files include: Exhibits (2 folders); Food Products; Flour; General; and Industrial Establishment (2 folders).","The W. Jett Lauck collection consists of his professional, business and personal papers as an economist, statistician and government consultant on immigration, banking, railroads, coal, and unemployment problems as well as other facets of labor in the United States. Included are correspondence, scrapbooks of news clippings reflecting his activities, labor reports and studies, drafts of congressional bills, legal briefs, and other material concerning labor problems in the United States from its formative World War I years until 1949. They begin with his association with the progressive labor codes of the Taft-Walsh Labor Relations Commission and continue with the Railway Labor Act of 1926; the fight to gain recognition of labor's right to collective bargaining \"through representatives of their own choosing\" under the National Industrial Recovery Act in 1933; the incorporation of its principles in the National Labor Relations Act; and further activity in defense of this act.","Other manuscripts deal with studies of government competition with private business, the American Association for Economic Freedom, the New York Power Authority; branch, chain, and group banking, drafts of speeches, and work diary accounts of activities and meetings with prominent congressional and labor leaders on labor problems and legislation.","The largest portions of the W. Jett Lauck papers deal with cases and arbitrations, chiefly railroad and coal related, his work on various boards and commission and topical files.","His correspondence with individuals heading organizations interested in labor and industrial relations was wide-spread, just as it was with political figures, educators, and labor leaders.\n Among the public figures with whom he corresponded are Bernard Baruch, Homer S. Cummings, Clarence A. Dystra, John T. Flynn, Guy M. Gillette, Leon Henderson, Herbert Hoover, Hugh S. Johnson, Jesse Jones, William S. Knudsen, Robert M. Fa Follette, Jr., Franklin K. Lane, John L. Lewis,  H.C. Lodge, Jr., William G. McAdoo, James M. Mead, Francis P. Miller, Henry Morgenthau, Karl E. Mundt, Donald Nelson, Judge Ferdinand Pecora, Frances Perkins, Gifford Pinchot, James H. Price, Franklin D. Roosevelt, E.R. Stettinius, Jr., Robert F. Wagner, David I. Walsh, Burton K. Wheeler, and Woodrow Wilson.\nThe educators include Hardy Dillard, Edward C. Elliot, Frank Graham, J.W. Jenks, Richard R. Mead, Lewis Tyree, Harry F. Ward, H.B. Wells, and Ray Lyman Wilbur; and the labor leaders Jacob Baker, Solomon Barkin, Van A. Bittner, Sophia Carey, David Dubinsky, P.T. Fagan, John P. Frey, William Green, Sydney Hillman, Earl E. Houck, Thomas Kennedy, Donald MacMillan, and A.O. Wharton.","This series consists chiefly of correspondence but also includes typescripts of speeches by individuals, and financial and other information about organizations.","Correspondents include:  E. Abbott, Louis Adamic, Adrian Adelman, Sara M. Addison, Joseph Agor, Helen Alfred, Fred H. Allen, Irving B. Altman (editor of \"Dynamic America\"), Aluminum Workers of America, Amalgamated Association of Street and Electric Railway Employees, American Association for Labor Legislation, American Association for Social Security, American Council, American Council on Public Affairs, American Farm Bureau Federation, American Guernsey Cattle Club, American Institute for Economic Research, The American Legion, American Political Science Association, American Sugar Cane League, Americana Corporation concerning Lauck's article on United Mine Workers of America, Thomas R. Amlie, Dr. James W. Angell, Charles P. Anson, \"Atlantic Monthly,\" Paul H. Appleby, Leon Ardzrooni (about the death of Thorstein Veblen), Mr. O.M. Armstrong, and Robert W. Arthur.","Correspondents include: Jacob Baker, Kent Baker, Bank of the Manhattan Company, Mary Barclay, A. K. Barnes, Joseph L. Barnett, Gerald Barradas, Barron's (The National Financial Weekly), John Barth, Mrs. Everett Boughton, Mrs. Robert Bennett Bean, Grant L. Bell, William H. Bell, Harold F. Berg, Nelson N. Berry, S. D. Berry, Jacob Billikoph, Margaret G. B. Blachley, James E. Black, Honorable William Harman Black,  Amy Blankenhorn, Heber Blankenhorn, Dr. Thomas C. Blaisdell, Jr., Ellis P. Block, John A. Bohn, E.W.G. Boogher, Book-of-The-Month Club, Inc., Judge Julian F. Bouchelle, Basil Nicholas Helenagoras Bousios, Fenton Bradford, C. Daniel Bremer, Samuel Bristol, G.L. Broaddus, St. Claire Brookes, The Brookings Institution, Herbert Bruce Brougham, E. Kirk Brown, Law Offices of Brown and Brown, H. Russel Brand, Carl P. Brannin, Selig C. Brez, P.F. Brissenden, Professor Leslie Buckler, Raymond Leslie Buell, John Bullock, Bureau of Agricultural Economics, Bureau of Applied Economics, The Bureau of National Affairs, Harold B. Butler, John E. Burton, J.C. Byars, Herman B. Byer, and Reverend James A. Byrnes.","Correspondents include: [Cadle], Jessie L. Campbell, R. Granville Campbell, The Capital News Company,Sophia Carey, Harry J. Carman, J.D. Carneal and Sons Inc.,  Caroline County Library Committee, M.D. Carrel, Samuel McCrea Cavert, The Chesapeake and Ohio Railway Company, The Chesapeake and Potomac Telephone Company, Mrs. Charlotte Chrestien, The Christian Science Publishing Society, Citizens' Council for Total Defense, Brice Claggett, V.M. Clapp, Clark, Dodge and Company, Brokers, Evans Clark, Victor S. Clark, W. A. Clark, Pauline Clarke, J. William Claudy, Thompson Clayton, Dr. Rudolph A. Clemen, Walt Clyde, The Clerk of the Stafford Court House, E.J. Coil, Kenneth Colegrove, George P. Comer, Department of Commerce, Commodity Research Bureau, Inc., Common Council for American Unity, Ellen Commons, Congressional Intelligence, Inc., Consolidated Vultee American Aircraft Corporation, Dr. P. S. Constantinople, W. Dewey Cooke, Edward L. Corbett, James Corbett, John M. Corbett, Council Against Intolerance in America, Council of Young Southerners, Frederick C. Croxton, Cosmos Club, Morgan Cunningham, and Curles Neck Dairy.","Correspondents include: Oscar H. Darter, Henry David, Elmer Davis, Shelby Cullom Davis, William H. Davis, Len De Caux, Kenneth de Courcy, De Jarnette State Sanatorium, Lud Denny, United States Department of Commerce, Marshall E. Dimock (U.S. DoJ), District Unemployment Compensation Board, Edward J. Donohue, Frank P. Douglass, Law Offices of Drain and Weaver, David Dubinsky, Allan Dunlap, Arthur Dunn, Robert W. Dunn, and C. A. Dykstra.","Correspondents include: Joseph B. Eastman, Economic Policy Committee, C. Vernon Eddy, J. A. Efpokito, Gerald Egan, Electric Home and Farm Authority, and Charles T. Estes.","Correspondents include: P. T. Fagan, Reverend Richard M. Fagley, Ruth Ansell Farley, The Farmers and Merchants State Bank, The Federal Council of the Churches of Christ in America, Federal Works Progress Administration for the Commonwealth of Pennsylvania, First Bancredit Corporation, First National Bank of Boston, The First National Bank of Keyser, Fjell Line of Great Lakes Transatlantic, Inc., Ralph Fleharty, R. D. Fleming, Courtney Fletcher, Duncan U. Fletcher, M. S. Flint, Frank H. Fljozdal, Fitzgerald Flourney, Hon. Edward J. Flynn, John T. Flynn, Foley, Food Research Institute of Stanford University, B.C. Forbes (Forbes Magazine), R. D. Forbes, Forbes and Myers, Foreign Policy Association, Clark Forman, Fortune, The Forum, Major B. Foster, Founders General Corporation, Mrs. M. N. Fox, Jerome Frank, Frank Brothers, Lafayette Franklin, Franklin Press, Franklin Simon Company, T. McCall Frazier, Free Lance-Star, W. R. Freeman, Paul Comly French, John P. Frey, Elisha M. Friedman, Ruth Friedson, and R. S. Fritter.","Correspondents include: Domenico Gagliardo, George B. Galloway, O. Max Gardner, Honorable Leslie C. Garnett, William Edward Garnett, Stanley Garrison, H. Dymoke Gasson, Paul W. Gates, Gayle Motor Company, Theodore Geiger, Phyliss Geisler, General Elevator Co., General Motors Corporation, Alfred Giardino, Clinton S. Golden, Clem Goodman, Henry J. Goodman \u0026 Co., C. O'Connor Goolrick, John T. Goolrick, Mary K. Gorman, Frank P. Graham, Sally Nelson Gravatt, Walter C. Graves Jr., H. A. Gray, Lanier Gray, H. B. Greybill, Myra Moore Griffith, J. Cleveland Grigsby, Sarah Groomes, Guthrie Lithograph Company, and Walter B. Guy.","Correspondents include: Ernst Haberstadt, Max Haleff, Ford P. Hall, Fred W. Hall, F. S. Hall, Edward W. Hamilton, H. E. Hamilton, Hampden-Sydney College, Hugh S. Hanna, Charles Hansel, William Hard, Harper and Brothers, Emma Harris, Owen Harris, Harvard College Library, Leon Henderson, S.J Henry, Warren F. Hickernell, R. G. Hilldrup, Otto Hillsman and Co., Mary W. Hillyer, S. H. Hines Company, David Hirsh and Son, H. C. Holdridge, Hoover War Library, Herbert Hoover, Harry L. Hopkins, Welly K. Hopkins, Dr. W. E. Hotchkiss, Curtis Hubbard, J.S. Hughes, W. A. Hull, and Thomas Lomax Hunter.","Correspondents include: Major William W. Inglis, Institute of American Meat Packers, Institute of World Economics, International Bank, International Statistical Bureau, Inc., Interstate Bankers Corporation, Investment Bankers Association of America, and Irving Trust Company.","Correspondents include: Gardner Jackson, Meyer Jacobstein, Jjell Lines, Thomas Jefferson (typescript copy of letter, June 11, 1807, concerning newspapers and histories), J. M. Johnson, Honorable Jessie Jones, Roberts W. Jones, N.Y. Journal of Commerce, and The Jury Commission.","Correspondents include: Evelyn Kane, Kappa Sigma House Association, Inc., Augustine B. Kelley, Leon H. Keyserling, Susan M. Kingsbury, Dr. George E. Kingsley, Richard Kirby, John H. Klingenfeld, and Oscar Koppel.","Correspondents include: LABOR, Ladies' Garment Workers Union, (William H. Lamar), Sophia J. Lammers, H. Lamson, Richard V. Lancaster, Thomas Larkin III, Joseph P. Lash, David Lasser, Howard Lee, Joseph N. Leinbach, Albert H. Levene, Robert E. Levine, Charles T. Libby, David E. Lilienthal, The Lincoln National Bank of Washington, Ernest K. Lindley, Geo. W. Linkins, Co., Irving Lipkowitz, Henry T. Lipman, Thomas E. Lodge, Stephen M. Loebl, Norman Lombard, W. C. Looker, Jr., Edward Lynch, and Barrow Lyons.","Topics include: American Legion Convention (1945); Committee for Industrial Organization Procedure and Policy (1935-1936); C.I.O. A.F.L. (1940); Congressman Martin and Mr. MacDougall (1939 March 3); Farmington Conference- War Time Organization Planned by the Administration (1939); Fixation of Coal Prices, Memos Relative to (1939); Fortune Magazine's Conferences or Round Tables (1939); Income Tax Returns of Lewis, J. L. (1940-1941); The Inner Circle (1942 Feb 11); Inter-American Bank (1940); Lindberg on \"Preparedness\" (1940); Missouri Pacific Bonds (1941-1942); National Defense to Post-War Planning (1942-1945); Oil and Gas on a Basis of Equality with Coal (1939); A Plan for Economic Democracy - Article written by Major Holdridge (1939); A Plan for Solving the Economic Crisis by Dr. R.H. Von Liedtke (1937-1941); \"Prohibiting\" Strikes for the Emergency Period (1940); James L. Simpson \"Plan for Maintenance of Economic Balance and Security\" (1940);  The Townsend Plan and Mr. Ivan Towanski (1942); Union Shop and Mr. Leland Olds (1941 November 14); United Mine Workers Suggested Program (1934-1935); War Against Unemployment and Poverty (1940 January 10); Threatened  Competition of Natural Gas with Coal (1944 December 5); and Big Inch Pipe Lines and the Rural Electrification Administration (1946 January 14).","Correspondents include: Bishop Francis J. McConnell, William MacDonald, Ernst D. MacDougall, Donald MacMillan, W. C. MacQuown, R. A. Magowan, Edward C. Maguire, Elizabeth M. Maher, Mason Manghum, Maxwell J. Mangold, Bank of the Manhattan Company, Basil Manly, L. C. Marshall, Thomas O. Marvin, Maryland and District of Columbia Industrial Union Council, Maryland Title and Investment Company, Lucy Randolph Mason, Massachusetts Mutual Life Insurance Company, The Bank of Mathews, Inc., Honorable Maury Maverick, Herbert Mazo, Charles McCarthy, Summerfield A. McCarteney, Bishop Francis J. McConnell, Wm. P. McGinn, Edw. F. McGrady, McGraw-Hill Publishing Company-Inc., Ernest D. McIver, Dr. Archibald McLeish, Thomas P. McTigue, Honorable James M. Mead, Richard R. Mead, Royal D. Mead, D. J. Meserole, Eugene Meyer, Jr.,  Francis Pickens Miller, Francis Trevelyan Miller, Ward B. Miller, H. A. Millis, The Milwaukee Journal, Mine Official's Union of America, John J. Minor, George Minnigerode, William Mitch, Wesley C. Mitchell, R. C. L. Moncure, Jr., Monroe and Berry, C. D. Montague, Jean Montgomery, Monthly Labor Review, Robert Morey, Charles S. Morgan, H. W. Morgan, Marie Morris, J. H. Muirhead, Honorable Karl E. Mundt, and Gorham Munson.","Correspondents include: William R. Nagel, Leonard Nairn, Dr. Philip Curtin Nash, Nash Floor Service, A. Nash Tailoring Company, Natalie, Inc., The Nation, The National Association for the Advancement of Colored People, National Association of Manufacturers, National Association of Retired Federal Employees, The National Bank, National Bank of Orange, National Bank of the Republic, National Bank of Washington, National Bituminous Coal Commission, National Broadcasting Company, Inc., National Bureau of Economic Research, National Catholic Welfare Conference, National Child Labor Committee, National Citizen's Council For Defense, The National City Bank of New York, National Cold Steam Company, National Consumers' League, National Council for Prevention of War, National Defense Mediation Board, National Electric Light Association, The National Encyclopedia, National Labor Relations Board, National Lawyers Guild, National Life Insurance Company, National Planning Association, National Resources Planning Board, National Policy Committee, National Press Club, National Recovery Administration, National Resources Board, National Sharecroppers Week, National Window and Office Cleaning Company, National Women's Trade Union League of America, Nation's Business, Nation's Commerce, J. S. Naylor, Donald Nelson, New America, The New Republic, Newsweek, W. S. Newton, The New York Times, George W. Norris, Cecil C. North, The Northern Neck Mutual Fire Association of Virginia, Claudian B. Northrop, and Harold Bernard November.","Correspondents include: Charlton Ogburn, William F. Ogburn, J. G. Ohsol, Joseph C. O'Mahoney, Organization Committee of Social Union, Inc., Mary O'Shaughnessy, William Owen, and John W. Owens.","Correspondents include: Pabst Post-War Employment Awards, A. H. Packard, C. C. Packard, Florence E. Parker, The Parker Corporation, Julius H. Parmelee, Col. Samuel Pascoe, Leo Pavolsky, M. W. Paxton, Jr., Walter Phipes, George Curtis Peck, Ferdinand Pecora, William R. Pendergast, Willis Pepoon, Fred W. Perkins, Thomas W. Perry, Charles E. Persons, Samuel B. Pettengill, Julius I. Peyser, L. W. H. Peyton, David A. Pine, David W. Pipes Jr., Fort Pipes, W. G. Pitero, P.M., Justine Wise Polier, Shad Polier, Wm. T. Powers, Richard T. Pratt, Prentice-Hall, Inc., Evelyn Preston, Harry B. Price, James H. Price, Provisional Committee Toward A Democratic Peace, and Public Affairs Committee.","Correspondents include: Railway Age, Ransdell Inc., Mervyn Rathborne, Stephen Rauschenbush, Carl Raushenbush, The Readers Club, Philip M. Riefkin, Charles S. Robb, James Robb, Newell W. Roberts, D. B. Robertson, Mr. Robey, John M. Robinson, Leland Rex Robinson, Josephine Roche, Rockbridge National Bank, John D. Rockefeller, Jr., Harry L. Rogers, Paul V. Rogers, William N. Rogers, Henry Romeike, Incorporated, Samuel Romer, Walter A. Romer, Leon H. Rouse (with William Green),  Rouss Library, Frances Rowe, and Harold J. Ruttenberg.","Correspondents include: Russell Sage, Lewis D. Sampson, Samuel L. Samuel, Dr. David J. Saposs, Saturday Evening Post, Marshall Schaffer, D. M. Schnapper, L. B. Schnapper, Joseph Schneider, G. Luther Schnur, James T. Shotwell, H. L. Schuh, Montgomery Schuyler, Louis J. Schwab, Henry Herman Schwartz, Ray Scott, Charles Scribner's Sons, Seaboard Air Line Railway Company, Joel Seidman, Shaw-Walker, Chester Shepard, Chester Sheppard, R. T. Shields, Silcox Memorial Fund, Simmons-Boardman Publishing Corporation, Sidney Simon, Richard C. Simonson, John F. Sinclair, Anthony Wayne Smith, C. Archer Smith, Edwin S. Smith, Nelson Lee Smith, S. Granville Smith, Vernon D. Smith, Bernard A. Smyth, H. M. Snead, Jr., Social Union, Inc., The Society for the Advancement of Management, Inc., John E. W. Sohl, L. W. Sorrell, Southern Conference for Human Welfare, Southern Maryland Trust Company, Mr. Sovey, Alexander Spencer, Sphere, R. B. Spindle, George L. Sprague, Saint Albans, Margaret S. Stables, William H. Stafford, Stafford County, Standard Oil Company, Stanford University Library, Louis Stark, State Loan Company, State Teachers College, Henry M. Stephenson, STEEL, Steel Workers Organizing Committee, A. A. Steele, Jean Stephenson, Jos. G. Stephenson, Boris Stern, Harold Stern, E. R. Stettinius, W. M. Steuart, Harry H. Stockfeld, W. L. Stoddard, Benjamin Stolberg, Irving Stone, N. L. Stone, William T. Stone, Chas. G. Stott and Co., Inc., Paul A. Strachan, David Strain, Ralph Strathmore, Nathan Straus, John Studebaker, Ralph G. Sucher, Arthur E. Suffern, Superintendent of Documents (Government Printing Office), Elmer Swack, Paul E. Switzer, Alois P. Swoboda, and Mr. Sydenstricker.","Correspondents include: Ivan Tarnowsky, Tax Policy League, Ordway Tead, Tennessee Valley Authority (Representative Noble J. Gregory), Percy Tetlow, Dorothy Thompson, TIME MAGAZINE, Daniel J. Tobin, John H. Tolan, The Travelers Insurance Company, Beverly Tucker, Henry Saint George Tucker, Earl R. Turner, and The Twentieth Century Fund.","Correspondents include: Alfred P. Wagner, Gordon Wagner, Robert F. Wagner, Thomas C. G. Wagner, J. Forest Walker, Allan E. Walker and Company, George A. Wallace, J. Raymond Walsh, August G. Walters, James N. Walton, James P. Warburg, Dr. Harry E. Ward, R. D. Ward, Ward and Paul, Caroline F. Ware, A.L. Warthen, Charles Washington, Washington and Lee University, \"Washington Post,\" James R. Wason, Elton Watkins, Ralph J. Watkins, Claude S. Watts, Marie Watts, Charles F. Weaver, H. B. Wells, (George) P. West, A. O. Wharton, Ross Wheat, Burton K. Wheeler, William M. Wherry, Hugh A. White, Ralph J. White, W. A. White, T. Y. Wickham, Dorothy G. Wiehl, Dr. Ray Lyman Wilbur, Allan H. Willett, Williams Company, Willis and Willis, Corwin Willson, J. Alfred Wilner, Elsie Cobb Wilson, D. O. Wilson, H. Hazen Wilson, Nelson Wilson, The H. W. Wilson Company, John G. Winant, J. Wise, James Waterman Wise, S. S. Wise, William P. Witherow, J. S. Withrow, Nathan Witt, Laurence C. Witten, Benedict Wolf, World Fellowship, Inc., World Study Tours, and Thomas H. Wright.","Scope note for correspondence files. There has been no attempt to make an exhaustive list of the correspondents in each folder. Most letters were routine correspondence from people seeking information about the group; copies of their publications, speeches, and other educational materials; questions about membership in the group from interested individuals; requests for individuals to become sponsors, members or leaders in the group; leaders of other like-minded organizations; union leadership (often about the lack of funds available to support the American Association for Economic Freedom); or people wanting information about pertinent upcoming legislative bills. Attention on the lists of correspondence is focused particularly on political and public figures, editors, and the legislative and social issues of the day.","These include: American Committee for Protection of Foreign Born; American Council on Public Affairs; Atlantic Charter League; J.M. Artman, editor of \"The American Citizen\"; Representative Thomas R. Amlie; Thurman Arnold, Department of Justice (concerning Frank B. Kellogg statement about the anti-trust Sherman Act); and John B. Abel.","Correspondents include: Alfred L. Bernheim, The Labor Bureau; A.A. Berle banking proposal; Rabbi Barnett R. Brickner, Social Justice Commission; Kent Baker, editor of \"Sphere\" with article sent to him by Lauck, \"Industrial Reconstruction\" attached; David Burdett (conventional economics versus social economics); and G.P. Bronisch, Loyal Americans of German Descent","Correspondents and topics include: Lauck memorandum to Charles H. Chase, (in light of the prospect of a lengthy war and its impact on social and economic reform) informing him of his decision to drastically reduce expenditures by having only one employee to maintain the office (1942); \"Strife and the Worker\" proofs by John F. Cronin; Helen A. Cole, \"The Liberal Worker\"; W.S. Clement and his \"The Ben Franklin Plan\"; Ben V. Cohen, National Power Policy Committee; and the Council for Social Action, Ferry L. Platt, Jr. concerning farm issues.","Correspondents and topics include: Dr. Paul H. Douglas, University of Chicago; Hardy C. Dillard, Institute of Public Affairs, including a letter from John L. Newcomb; Frederic A. Delano, Chairman National Resources Advisory Committee; and a letter to John Dewey.","Correspondents and topics include: Arthur Eggleston, San Francisco Chronicle; Peter Edson, NEA Service; A.E. Edwards concerning the Wagner Labor Relations Act; J.G. Frain; and Charles Flato.","Correspondents and topics include: Alfred C. Gaunt, including \"Smaller Business Lifts Its Eyes\"; Toshi Go, Foreign Affairs Association of Japan; and A.E. Grassby, Winnipeg, Manitoba.","Correspondents and topics include:  Hubert Herring; Sidney Hillman; Fred S. Hall concerning the Industrial Expansion Act (multiple letters); B.W. Huebsch, The Viking Press,  and his concern over the pamphlet \"A New Social Order\"; S.L. Hoover and his question about the Keller Bill and the Association; John Edgar Hoover; and F.J. Hall, editor of \"The United States News\" about numbers of unemployed and other issues (multiple letters).","Correspondents and topics include: Meyer Jacobstein about the Reconstruction Act; and Paul Kellogg.","Correspondence includes: letters to Robert M. LaFollette, Jr.; League for Abundance: League for Industrial Democracy; Harold Loeb; and Dr. Jack Levin.","Correspondents and topics include: secretary of Attorney General Frank Murphy; Darwin J. Meserole, National Unemployment League; Francis P. Miller; Emily Fogg Mead; Homer L. Mead; Lewis E. Meyers; Judge Julian W. Mack; Bishop Francis J. McConnell; George F. Milton, editor \"The Chattanooga News\"; Senator James M. Mead; and letter to Archibald MacLeish, Librarian of Congress.","Correspondents and topics include: Bishop Francis J. McConnell; James W. Miller; Vito Marcantonio; Otto Mayer; Robert E. Mathews concerning the \"sit down strike\" by investment bankers and industrialists in May 1940; and Henry Morgenthau, Jr., letter to.","Correspondence includes: \"The New Republic\"; Douglas Newman, Secretary of the Barradas League; Dr. C.A. Norman; memorandum concerning Senator Norris' presidential qualifications; and Representative Mary T. Norton.","Correspondents and topics include: William Owen; Ernest Minor Patterson; Representative Claude Pepper; Justice Justine Wise Polier; and Jacob S. Potofsky.","Correspondents and topics include: Judge Samuel I. Rosenman; Representative Robert L. Ramsay; Right Reverend Msgr. John A. Ryan.","Correspondents and topics include: John Saxton; Guy Emery Shipler; Edwin S. Smith; William Simkin; B.M. Schnapper concerning the history of the Wagner Act; Ray Scott concerning the \"Fundamental Significance of our Present Day Labor Movement\"; and Porter Sargent.","Correspondents and topics include: Ordway Tead, Harper and Brothers; and Dr. Robert H. Tucker.","Correspondents and topics include: an appreciation of Frank P. Walsh upon his death on May 2, 1939; Matthew Woll, American Federation of Labor; Thomas H. Wright, New America; Harry F. Ward; and Nathan Witt; and N.A. Zonorich.","Includes leases, workman's compensation insurance, correspondence, and unemployment compensation.","These include: \"Policies and Objectives of the American Association of Economic Freedom,\" \"Shrinkages and Hoardings of Purchasing Power Accentuate Current Business Recession,\" \"Hoardings-Taxes Proposed to Stimulate Flow of Credit and Goods and Revival of Business,\" \"Approaches Toward a Concerted Program of Fundamental Economic Reconstruction in the United States,\" various drafts of suggestions for the programs, principles and objectives of the organization, \"Sugar Control,\" \"American Labor's Broadcast to Great Britain,\" \"American Economic Situation of 1937-1938,\" \"Unemployment Insurance,\" \"Industrial Espionage,\" \"Bank-Holding Companies,\" several on social service foundations, \"Economic Freedom in America,\" \"Industrial Reconstruction Act of 1939\" press release draft, \"Capitalism in Crisis,\" \"Prospective Labor Surpluses,\" \"Increased Man Hour Productivity and Technological Unemployment,\" monopoly, and \"Petroleum Quota Controls.\"","These include: participation in management, monopoly, the \"Industrial Reconstruction Act of 1939,\" \"Leaders on the No. 1 Problem,\" \"Federal Administrative Court Bill,\" \"Occupational Groupings,\" \"National Labor Relations Act and Board,\" \"Full Employment Bill,\" \"Senator Claude Pepper,\" \"Senator Lewis B. Schellenbach,\" and starting a American Association of Economic Freedom Bulletin.\"","These include: \"Threatened Crucial Developments,\" \"Anti-democratic philosophies,\" \"Churchill's anticipations, 1932-1939,\" \"Mussolini,\" \"Hitlerism and Nazism,\" \"Profits of Leading Corporations, 1936-1939,\" notes on People's Lobby Conference, and Ickes [speech] on business sabotage of defense.","These titles include: \"Can Unemployment be Ended?\"; \"Challenge to American Democracy\"; \"Civil Liberties and the National Labor Relations Board\"; \"Cure by Shock,\" \"Democracy and Economic Planning\"; \"Economic Reconstruction\"; \"Fundamental Significance of Our Present Day Labor Movement\"; \"Next Step in Democratization\"; \"A New Magna Carta\" \"A New Social Order\"; \"Preparedness for Peace,\"  \"Problems of the National Labor Relations Board.\"","The \"Post-War Reconstruction Bill\" is foldered separately.","Included are: \"Thirty Million Jobs\" by Arthur Dunn; Roundtable: \"Labor's role in Post-War Reconstruction\"; \"Freedom from Want\" by Mr. Walton; \"Nineteenth Century Prophecy of Order\" by Harry Frease; \"The Moral Issue\" by Lowell Mellett; \"A Banking System for Capital and Capital Credit\" by A.A. Berle, Jr.; \"Suggested Housing Program for National Defense Purposes\" by the Congress of Industrial Organizations; and \"A Primer of Current Economics\" [1933].","Included are: Fight for Freedom, Friends of Democracy, and the Gillette Resolution.","These include memoranda, news clippings, an article by George B. Galloway on \"The Imperative of Planning,\" replies, and a speech by W. Jett Lauck.","Includes separate folders on news clippings, some containing criticisms and investigations; problems of the board; and the testimony of John L. Lewis.","Clippings include Wendell Willkie, democracy versus absolutism, banker opinion, national debt, U.S. Attorney General, pump priming the economy, monopolies, religion and democracy, communism, and capitalism and democracy.","Included are: Peace Conditions; People's Congress for Democracy and Peace; Plenty for All League; People's Lobby; Pressure Groups, Attitudes of; Pension Plan – \"Uncle Fred's Automatic Pension Plan\"; Progressives, Conference of; Social Union; Tax-Exempt Bonds; Women in Trade Unions; and Young Democrats.","Topics include: Conferences; Corporation Notes and Memoranda; Kennedy Statement on General Motors Inquiry; Production Costs by T.C. Gordon Wagner; Ratio of Pay Rolls to Returns to Stockholder;Salaries of Officials; and Annual Reports to the Securities and Exchange Commission, 1935 and 1937.","Subjects include: Agreements; Decisions; the Willard E.Hotchkiss Decision in Tar Barrel Case; Negotiations for New Agreements; News clippings; Publications; Report of Homer Martin to the International Executive Board; and a Statement Submitted to Roosevelt by Union Representation.","According to Wikipedia, \"The Commission on Industrial Relations (also known as the Walsh Commission) was a commission created by the U.S. Congress on August 23, 1912 to scrutinize US labor law. The commission studied work conditions throughout the industrial United States between 1913 and 1915. The Chairman was Frank P. Walsh, a labor lawyer and activist from Kansas City, Missouri.","https://en.wikipedia.org/wiki/Commission_on_Industrial_Relations","These include: \"Foreign Competition After the War,\" \"The Artificial Dye Industry in the War,\" and \"Business and the War.\"","Includes: \"Secretary Kennedy Gives Union Views on How Hard-Coal Freight Rates Affect Miner\" (December 15, 1933); \"The N.R.A. and Collective Bargaining\" Catholic Welfare Council (September 17, 1934); address before the National Conference on Economic Security (November 14, 1934); and \"Organized Labor and the N.R.A.\" Catholic Conference, Harrisburg, Pennsylvania (November 27, 1934).","Includes: Statement concerning the Wagner-Lewis Economic Security Bill before the Senate Committee on Finance (February 21, 1935); Commencement Address (June 3, 1935); \"Education and the Parochial School System\" (August 19, 1935); \"The Trade Union and Recovery\" (Labor Day, 1935); and \"Unemployment Insurance, Old Age Pensions, and Housing Legislation\" at the White House Conference on Economic Security (December 30, 1935).","Includes: Labor Day address (September 1937); article \"The United Mine Workers of America\" for the \"American Encyclopedia\" (December 2, 1938); address to the Pennsylvania Utilities Commission on the Competition of Natural Gas (April 1940); and a request for Lauck to send his analysis and recommendations concerning a letter from A.J. Altmeyer, Chairman of the Social Security Board, and two other enclosures pertaining to the Associated Gas and Electric Company, New York City (1942 March 27 and 1943 January 23).","Includes: a radio speech supporting Hoover in the election (1928); and a statement at the Hearing on a Code for the Bituminous Coal Mining Industry before the National Recovery Administration (1933 August 10).","Includes: \"Labor and the National Recovery Administration\" at the Meeting of the American Academy of Political Science, Philadelphia (1934 January 6); \"Labor's Part in Industrial Recovery\" at the San Francisco Commonwealth Club luncheon (1934 October 4); Speech for the International Labor Conference, not delivered (1934 October); and a radio address \"The Employee in the Changing World\" under the auspices of the Intercollegiate Council (1934 December 7).","Includes: Statement by Lewis before National Recovery Administration Hearings on Employment Provisions of Codes of Fair Competition (1935 January 30); \"The American Federation of Labor and the National Recovery Administration\" prepared for the \"Annals,\" Philadelphia but never delivered (1935 March 11-12); The United Mine Workers of America and the National Recovery Act\" Madison Square Gardens (1935 March-May 23); and Statement of Approval for the Wagner Housing Bill in the \"United Mine Workers Journal\" (1935 June 1).","Includes: \"The Case for Industrial Unionism\" (November 12, 1935); radio address \"The Future of Organized Labor\" (November 28, 1935); and article for \"Liberty Magazine\" on industrial unionism (1935 December 20).","Includes: a speech on Industrial Unionism before the Cleveland Auto Council (January 19, 1936); \"The Teacher and His Relation to Labor\" for the American Federation of Teachers Convention (June 19, 1936); a radio address \"Industrial Democracy in Steel\" (July 6, 1936); and an article \"Through Organization Industrial Democracy Dawns for Sleeping Car Porters\" celebrating the eleventh anniversary of the organization (July 15, 1936).","Includes: a political campaign statement about [Alf M.] Landon (August 1, [1936]); the draft of a Radio Address on Steel Organization (August 11, 1936); article \"Labor Looks at Education\" (August 17, 1936) appearing in the October 36 issue of \"The Teacher\"; article \"Towards Industrial Democracy\" (August 24, 1936) in appearing in the October 1936 issue of \"Current History\"; and two speeches supporting Franklin D. Roosevelt for President (August 18 and September 19, 1936).","Includes: radio address \"Labor and the Future\" (September 3, 1936); \"Horizontal Versus Vertical Unionism\" in \"Wharton School Magazine,\" University of Pennsylvania (September 8, 1936); an article for the \"The National Young Democrat\" on the Social Security Act (September 1936); and a radio address \"Roosevelt and the Future\" (October 18, 1936).","Includes: article \"The Next Four Years\" for the \"The Nation\" (November 4, 1936); an article \"Committee for Industrial Organization and Economic Recovery\" for the \"Business Review of New York  University\"(November 17, 1936); \"the Future of American Labor\" in \"The American Spectator\" (November 19, 1936); articles on \"The Next Four Years in Labor\" in \"The New Republic\" (November 25 and December 9, 1936); \"The Future of Wages\" for the \"Cleveland News\" Symposium (December 7, 1936); \"Organized Labor and the Student Union\" (December 23, 1936); \"The Need of the Hour for American Labor\" for the \"Progressive Salesman Magazine\" (December 24, 1936); radio address \"Adapting Union Methods to Current Changes- Industrial Unionism\" (December 31, 1936); and an unpublished article written for \"Redbook\" (1936).","Includes: \"The Meaning of Industrial Unionism\" for the \"Christian Front\" (January 13, 1937); \"The Struggle for Industrial Democracy\" for \"Common Sense\" (March 1937); an address delivered at an Anti-Nazi Mass Meeting in Madison Square Gardens (March 15, 1937); article \"The Origin and Objectives of the C.I.O.\"  for the \"San Francisco Chronicle\" (May 11, 1937); and a radio address \"Labor and Supreme Court\" (May 14, 1937).","Includes: \"Technology and Labor\" in \"Massachusetts Institute of Technology Engineering News\" (September 3, 1937); Labor Day address \"Labor and the Nation\" (September 3, 1937); \"Progress of Committee for Industrial Organization\" in the \"Wharton Review\" (October 21, 1937); \"Effect of Moderate and Gradual Wage Increases on Prices and Living Costs\" in \"The Annalist\" (November 12, 1937) a reply to an article by A.T. Shurick on July 30, 1937; and the [Steel Workers Organizing Committee] address \"The Deplorable and Indefensible Attitude of Big Business (December 13, 1937).","Includes: Address for British Broadcasting Corporation \"Struggle of Labor in America\" (March 15, 1938); \"Labor and the Law\" (April 14, 1938); \"Organized Labor and the Future of Democracy\" published in the \"St. Louis Post Dispatch\" (December 11, 1938).","Includes: Statement for Survey Associates (January 3, 1939); and \"Labor Looks South\" in \"Virginia Quarterly Review\" (Autumn 1939).","Includes: article on \"What Does Labor Want?\" (February 29, 1940); \"The Heritage of American Youth\" (March 1940); \"Obligations of American Citizenship\" (April 3, 1940); \"Foreword\" to Mr. Thomas' Testimony before the Temporary National Economic Committee (May 23, 1940); and a Labor Day Speech (August 29, 1940).","Includes: Extension of Library Service to Union for City and State Employees (May 28, 1941); Statement to be issued by Lewis on the Decision of the National Mediation Board on Union Shops (November 13, 1941); and \"The New Solid South\" (December 17, 1941).","Includes: Testimony of Mr. Steinbugler (March 2, 1935); the \"Most Impressive Point Developed by the Hearings\" (March 2, 1935); untitled Memorandum (July 30, 1936); \"Report on the Progress of the Hearing on the Coordination of Minimum Prices before the Bituminous Coal Division (September 16, 1939); \"Proposed Labor Policy for the War Period,\" various memoranda (September 11-November 13, 1939); an analysis of Professor Green's Proposal about pricing and distributing manufactured products (June 3, 1940); and Notes on the Last Ten Years (January-May, 1940).","Includes: Reply to A.T. Shurick suggestions on taxing (November 29, 1940); Response to the foreword of Walt Clyde's book on \"Owner Capitalism\" (December 4, 1940); suggestions about the National Economic Conference (December 12, 1940); Response to W.C. Graves, Jr. (December 23, 1940); Letter about the Raw Materials National Council (December 27, 1940); Memorandum on Fred G. Clark and the American Economic Foundation (February 20, 1941); H.S. Avery to Edward O'Neal and John L.Lewis on agriculture and farm prices (September 8, 1941); Conrad K. Grieb on need for social reconstruction (October 23, 1941); Letters from Alexander Spencer (October 30 and November 26, 1941); and a manuscript of Albert H. Levene (November 30, 1941).","Includes: Memorandum about Post War Depression (January 7, 1942); a response to S. Ferguson, President of the Hartford Electric Light Company about his proposals about deferred wages (January 13, 1942); W.A Hutton, M.D.  letter on post-war finances (January 14, 1942); Thomas Kennedy request for a study on the Cost of Living (January 16, 1942); Request for a response to the document by L.C. Christian on \"How Must We Finance the War?\" (February 3, 1942); a request for a response to a treatise on our financial system by August Walters (February 5-March 18, 1942); additional R.L. Greene communications (February 12,1942); and H.W. Bailey on labor self-determination (March 9, 1942).","Includes: Digest of the Salient Points of a Report on \"Manpower Policy and Labor Relations in the British Coal Industry\" (January 5, 1943); a Leo Chabert document on financing the war (April 4, 1943); and memoranda about an executive conference of the Natural Resources Board at Farmington Country Club, Charlottesville, Virginia, previously held around 1939.","Subjects include the National Recovery Administration, \"Amalgamation of the Two Enginemen's Brotherhoods,\" \"Russian Recognition and the New Deal,\" \"Future Policies of the National Recovery Administration,\" Six-Hour Day of the Railroads, \"Two Men on the Head End of all Railroad Trains,\" and Housing.","Subjects include \"Benefits of Trade Unionism,\" \"Forbes\" article, \"Limit on Weekly Work Hours,\" a letter to Professor Gordon, and \"Labor Movement and the Future of America\"","Subjects include planks for the Republican Platform, Anti-Strike Legislation, a Rejoinder to the Remarks of Fred Gurley, and \"Recommendations to the Board of Investigation and Research\"","A checklist of article titles can be found in the first folder. Titles in the order of the list   include: \"Economics and Christianity\"; \"The Mysterious Soul of the Steel Corporation\"; \"The Anthracite  Operators Should Concede the Check-off\" July 13, 1923; \"Industrial Principles and Not Machinery Are Important\"; \"The So-Called Check-off and Its Significance\"; \"The Report of the Coal Commission on the Anthracite Industry\"; \"The Purchasing Power of Wheat and Cotton\"; \"Private Cars and the Coal Problem\"; \"Mr. McAdoo's Political Availability\"; and \"No More Pre-war Standards of Wages and Working Conditions.\"","Next ten article titles include: \"The Radical - His Significance at Present\"; \"The Soft Coal Problem Again to the Front\"; \"Labor Banks and Their Ultimate Significance\"; \"Political Democracy Must be Supplemented by Industrial Democracy\"; \"Oil and the Southern Pacific\"; \"The Purchasing Power of the Farmer's Dollar\"; \"The Truth is Never Unpardonable\"; \"Private Cars and the Coal Problem\"; \"The Unique Financial Position of the Pullman Company\"; and \"Another Manifestation of the Soul of the Steel Corporation.\"","The next ten article titles include: \"Sugar and the Flexible Tariff Provision\"; \"Conflict or Arbitration\"; \"The Threatened Boomerang\"; \"Cooperation for Mutual Benefit or Profit?\"; \"Secret Police or Conviction for Crime\"; \"Chairman Butler Emits and Omits\"; National Cooperative Grain Marketing Realized\"; \"The Anthracite Operators Should Concede the Check-off\" (possible duplicate); \"Regulation of the Anthracite Monopoly\" September 1 , 1923; \"Why Not Action on Anthracite?\" September 11, 1923; and \"Can a Living Wage Be Paid to Unskilled Labor?\" October 30, 1923.","The next ten article titles include: \"The Failure of Industrial Arbitration\" October 30, 1923; \"Significant Labor Developments During the Coming Year\" October 30, 1923; \"A Dramatic Migration\" concerning African Americans, October 30, 1923; \"Unprotected Pullman Passengers\" October 30, 1923; \"The New Immigration and Its Significance\" November 2, 1923; \"The Probability of Railroad Legislation\" February 7, 1924; \"The Industrial Magna Carta\" February 23, 1924; \"Land Grants to Western Railroads\" February 23, 1924; \"Increased Efficiency of Labor\" February 23, 1924; and \"Real Industrial Statemanship February 25, 1924.\"","The next ten article titles include: \"Some Other Matters of Record\" June 2, 1924; \"The Verdict from Kansas\" August 7, 1924; \"A Real Test for the Tariff Commission\" August 14, 1924; \"A Billion and a Half Railroad Merger\" August 16, 1924; \"Common Sense\" August 19, 1924; \"President Gompers and a Labor Party\" August 19, 1924; \"A Significant Precedent in Financing Farmers Cooperative Enterprises\"; \"Back to the Declaration of Independence\" August 21, 1924; \"A Costly Labor Policy\" August 23, 1924; and \"Brass Tacks, The Red Flag, and the Constitution\" August 23, 1924.","The final group of articles include: \"Industrial Democracy - Our Greatest Problem\" August 27, 1924; \"The Passing of the Money Gods\"; \"The Conference Board Reports on Taxation in Wisconsin\"; \"The Railroad Labor Board\"; \"The Farmer and the Tariff\"; \"Visible and Invisible Tax Burdens\"; \"The Most Helpful Farm Movement\"; \"Radicals and God's Fools\"; \"Militant Friends Needed\"; \"The Unconscious Cruelty of Success\" October 24, 1924; and \"Another Orgy of Railroad Finance.\"","While some chapters have no individual date, they likely all come from drafts in 1931 or 1932. It is unclear which version belongs to each draft, and equally unclear which versions the explanatory note references. Chapter VII is largely missing. The name of the book may have eventually changed to \"The Need for a Unified Banking System.\"","W. Jett Lauck was chairman of the Pennsylvania Anthracite Coal Commission, responsible for investigating the state of the anthracite industry and the coal bootlegging situation in Pennsylvania, as well as recommending action.","The United States Anthracite Coal Commission is a different and separate entity than the Pennsylvania Anthracite Coal Commission over which Lauck presided (see also, \"United Mine Workers of America before the U.S. Anthracite Coal Commission\").","For reference, the Ad Interim Report was a report made halfway through the Commission's studies; the Final Report was the last official report of the Commission and contains recommendations; the Complete Report was a compendium of all of the Commission's work and reports (over 500 pages).","Reports include \"Anthracite Lands and Deposits,\" \"Anthracite Royalties,\" and \"Control of the Anthracite Industry.\"","Reports include \"Financial Operations of Anthracite Companies\" and \"Monopolistic Nature of the Anthracite Industry.\"","These include \"Award of the Anthracite Coal Strike Commission: Subsequent Agreements, and Resolutions of Board of Conciliation\" (July 1, 1936); \"A Labor Case With Merit: Editorial Comment on the Case of the Anthracite Mine Workers\" (1920); and \"Labor Information Bulletin,\" U.S. Bureau of Labor Statistics (February 1937).","Proposed Bills include the Anthracite Coal Industry Act; the Anthracite Public Authority Bill; the Cooperative Marketing Bill; the Pennsylvania Anthracite Commission; and Suggestions and Opinions.","Files included under Rates contain, the 1933 Freight Rate Case Excerpts and Statistics; Charts and Tables; General Information (see also Anthracite Institute Statistical Data, Maps, and Drawings, Anthracite Producers Statistical Data, Maps, and Drawings); the Interstate Commerce Commission Data; \"Intrastate Rates on Anthracite in Pennsylvania\"; and Rate Fixation in 1915.","Reports include: \"Combination in the Anthracite Industry,\" \"Comparison of Earnings and Wage Rates in the Anthracite and Bituminous Mines of Pennsylvania,\" \"Exhibits of the Anthracite Operators in Reply to Exhibits Presented by the Anthracite Mine Workers,\" \"Irregularity of Employment in the Anthracite Industry,\" \"Occupation Hazard of Anthracite Miners,\" \"Profits of Anthracite Operators,\" and \"The Relationship Between Rates of Pay and Earnings and the Cost of Living in the Anthracite Industry of Pennsylvania.\"","Reports include: \"Reply of the Anthracite Operators to the Demands of the Anthracite Mine Workers,\" \"The Sanction for a Living Wage: A Compilation of Data From Official and Authoritative Sources,\" \"Summary, Analysis, and Statement,\" \"The Trade Union as the Basis for Collective Bargaining: A Compilation of Sanctions and Experiences,\" \"Trade Unions,\" and \"Wholesale and Retail Prices of Anthracite Coal 1913-1920.\"","These exhibits include \"Changes in Cost of Living in the United States, 1913-1922,\" \"A Just and Reasonable Wage,\" and \"Monthly Earnings of Sectionmen.\"","The volume includes exhibits on \"Harmful Effects of Low Wages Upon Health and Morals,\" \"The So-called Law of Supply and Demand,\" \"The Just and Reasonable Wage,\" \"Changes in the Cost of Living in the United States, 1913-1922,\" \"Probable Course of Prices,\" \"Comparison of Prices and Living Costs,\" \"Monthly Earnings of Section Men,\" and \"Monthly Earnings of Section Men – Basic Tables.\"","Includes the following files: Briefs; Construction and Repair of Railroad Equipment; Correspondence on Leasing Out Repair Roads; Minutes of the Philadelphia Hearing; Petition to the Interstate Commerce Commission; Press - Clippings concerning Outside Repair; Press Release Originals; General Electric and Westinghouse; Labor Costs; Louisville to Nashville Railroad; and Miscellaneous.","W. Jett Lauck has also referred to this case as \"the Shopman's Case\" or the \"B.M. Jewell Case.\" Jewell was the President of the Railway Employees division of the American Federation of Labor.","Note that all exhibits were presented before the United States Railroad Labor Board.","Exhibit 11a includes the section \"Financial Mismanagement of the LeHigh Valley Railroad Company\" and Exhibit 12 includes the \"Summary.\"","Exhibit tTitles include: \"Occupation Hazard of Railway Shopmen\"; \"Punitive Overtime\"; \"Industrial Relation on Railroads prior to 1917\"; \"Standardization\"; \"The Recognition of Human Standards in Industry\"; \"The Unity of the American Railway Systems\"; \"Human Standards and Railroad Policy\"; \"Seniority Rules of the National Agreements\"; \"The Sanction of the Eight Hour Day\"; \"The Work of the Railway Carmen,\" and \"The Development of Collective Bargaining on a National Basis.\"","These include: \"Pending Railway Legislation\"; \"The Present Railroad Labor Problem\"; \"The Future Policy as to the Railroads\"; \"Compulsory Arbitration\"; \"Labor Adjustment Boards of the Railroad Administration\"; \"The Reasonableness of the Requests of Locomotive Firemen\"; \"Time and One-Half For Overtime\"; and \"Compulsory Arbitration.\"","The Sleeping Car Conductors Case files consist of several successive cases arranged in this finding aid roughly in the chronological order in which they occurred.","Exhibits include \"An Adequate Basic Wage,\" \"Earnings of Sleeping Car Conductors compared with Changes in the Cost of Living,\" \"Various Factors Indicating Rising Standards of Living in the United States Since 1914,\" \"Compensation of Sleeping Car Conductors compared with other Expenses and Revenue of the Pullman Company,\" and \"General Trend of Wages, 1913-1918, as Compared with Earnings of Sleeping Car Conductors.\"","Exhibits include \"Increased Productive Efficiency of Sleeping Car Conductors and Financial Administration of the Pullman Company,\" \"Increased Labor Productivity,\" and \"Standards of Wage Determination.\"","This file includes information and statistics on Besler Steam Power Trains; the Comparative Costs of Operation; Locomotives in Service; Diesels in Switching Service; Earnings Per Hour; Freight Cars; and General Statistics.","These charts include: \"Anthracite Combination,\" \"The Seven Departments of the Anthracite Industry,\" \"Interlocking Directorates Showing Working Control of Anthracite Operating Companies,\" and \"Profits of Anthracite Combination.\"","Charts include \"Affiliations of Railroads and Banking Houses,\" \"New York Bank Control of Railroads and Railroad Equipment Companies,\" \"New York Bank Control of Coal Mining Companies and Coal Railroads,\" and \"The Geographical Spread of New York Railroad Control.\"","Exhibits include \"Employment and Compensation of Railroad Employees\"; \"Cost of Living\"; \"Methods of Reporting Wage and Hour Data\"; and \"Increasing Output per Worker and Decreasing Wage Cost Per Unit of Output.\"","Exhibits include: \"Trend of Railway Operating Revenues and Total Compensation\"; \"The Rising Tide of Recovery A Survey of the Leading Business Indices\"; \"Labor Movement Supports Railway Workers in Resisting a Wage Cut\"; \"Squandering the Maintenance Dollar\"; \"Financial Mismanagement through Banker Control of Railroads\"; \"Training and Skill of Track and Roadway Section Men\"; \"Average Hourly Earnings in Railroads and Other Industries\"; and \"Estimated Money Share of Individual Railroads in the Proposed 15 Per Cent Pay Reduction.\"","Morgan's statements include those on wages; postwar economic conditions, developments, and private bankers' constructive services; and interference and control in corporate managements.","These include \"Cost of Living is Increasing,\" \"The Railroad Plea of Poverty,\" \"Labor Versus Materials and Interest,\" and \"The Railroads versus the Public Interest\" (printed).","Tables include \"Dividend Performance of Anthracite Railroads and Trunk Lines Compared,\" \"Percentage Relationships of Dividends Paid on Stock Dividends to Total Compensation Paid Employees,\" and \"Distribution of Capital Resources.\"","W. Jett Lauck was employed by the John G. Paton Company of New York City to study the report of the Tariff Commission of 1928 as to the costs of production in the maple sugar industry in the United States and in Canada. He then gave his conclusions on the report to the company and as testimony before the Tariff Commission itself.","There are excerpts from the following: the Tariff Commission Stenographer's Minutes (June 1927), Hearings before the House Committee on Ways and Means (January 1929), Hearings before the Senate Finance Committee (June 1929), Debates in the U.S. Senate (January 1930), Remarks of the Honorable Ernest W. Gibson (February 1930), the Roodenburg Report (November 1930), George H. Burr and Company Report (March 1931), R.G. Dun and Company Report (undated), Cary Maple Sugar Company Federal Income Tax Returns (1921-1930), and Cary Testimony (undated).","These include: Agricultural Adjustment Act and Amendment, House Resolution 9439, Orders from the President and National Recovery Administrator, Regulation 81, Regulation 82, and Secretary of Agriculture Regulations.","Files include the following folders: News clippings; Comparison of Lauck and Mahon Agreements; Final Agreement; General; Hanna Memorandum; Insurance; Saint Louis Public Service Company Union Plan for Cooperation; and Saint Louis Public Service Company Operating Notes.","Files include Pamphlets on Public Utilities, Press on Public Utilities, Press on Governor Roosevelt and Power Utilities, [Union?], and a Report addressed to Frank P. Walsh (1864-1939).","There were two hearings before the United States Tariff Commission related to an investigation into the costs of sugar production. After the January hearings (January 15-24, 1924), other briefs were filed. There was a call for another hearing to be held in March (March 27-28, 1924) after which it was decided that all parties had until April 10th  to file more briefs in connection with the hearings. W. Jett Lauck coordinated and prepared documents for many of the parties involved. He also served as a witness for the Hawaiian Sugar Planters Association.","Includes news about the Bituminous Coal Commission.","This includes the \"Report, Findings and Award of the United States Anthracite Coal Commission of 1920.\"","Files pertaining to Wages include: Wage Demands; Wage Rates of Employees Other Than Contract Miners; Wages, Earnings and Work Conditions in General; Wages in Various Industries 1914 to 1920; and Wages in Various Industries and Occupations: A Summary of Wage Movements 1914-1920.","Mass strikes in both the anthracite and bituminous coal industries in 1922 led to a standstill in production. When the miners and operators failed to reach any agreements, the government abandoned its hands-off approach and attempted to set up commissions to arbitrate the cases. After several failed attempts, both an Anthracite and Bituminous Coal Commission were established to not only arbitrate the current situation, but to investigate its origins in the general history and conditions of the coal industries. W. Jett Lauck was involved with the United Mine Workers of America in both cases to varying degrees. Material is separated into Anthracite and Bituminous, with common material labelled \"General.\"","Some dates are corroborated by list of case exhibits. Where corroboration is not possible, no date has been inferred. Classification as \"exhibit\" is applied based either on inclusion in a numbered list of exhibits or Lauck's handwritten filing directions.","Letters are presumably from W. Jett Lauck to the \"New York Times\" Managing Editor and to the President, regarding the establishment of an Arbitration Board.","These three memoranda are to Mr. Lewis, July 8, 1922; one concerning the production of the Central Competitive Field, April 27, 1922; and a third showing the financial connections of the Boston Financial Group and Secretary Mellon.","The two press releases include a letter to the President regarding Arbitration, July 15, 1922, and the UMWA Statement about Mr. Murray's Speech,  April 22, 1922.","Items include a \"Journal\" Communication sent to every member of Congress, 1922; a Letter to Officers and Members, May 25, 1922; and the UMWA Wage Scale Committee proposed wage scale, February 14, 1922.","The History of the Development of the Anthracite Coal Combination contains five sections: Section 1, Early History of Anthracite Consolidations and Combinations; Section 2, Consummation of the Anthracite Combination, 1896; Section 3, Methods by Which Railroads Have Discriminated in Favor of Their Allied Coal Companies and Favored Clients; Section 4, The Influence of the Combination Upon Freight Rates, Shipping Allotments, and Prices; and Section 5, Present Situation as Regards Ownership and Control.","The unnumbered exhibits include \"The Coal Controversy\" May 1922 and Geological Survey, Weekly Report on the Production of Bituminous Coal, Anthracite, and Beehive Coke, February 11, 1922.","These exhibits include: Exhibit 6: Seasonal Fluctuations in Production and Transportation, June 15, 1921; Exhibit 7: Production, Capacity, Men Employed, Mine Price Per Ton, and Days Lost, 1922, undated; Exhibit 12: Fluctuation in Employment and Earnings of Bituminous Mine Workers, undated; Exhibit 14: Effect of Price Changes Upon Purchasing Power, 1920; Exhibit 16: Chart Showing Production from Union and Non-Union Districts, March 16,  1922.","Memoranda include \"Complete Unionization Would be the Greatest Factor in Stabilization of Soft Coal Industry\" June 19, 1922, several other miscellaneous undated memoranda for Lewis, plus one on the Earnings of Bituminous Mine Workers for a \"Baltimore Sun\" Article, March 17, 1922.","Press Releases include: Capital Investment and Profit of Bituminous Coal Mine Operators, June 1, 1922; Letter From Ellis Searles to Secretary Hoover, February 8, 1922; Letter Submitting Explanatory and Statistical Material Supporting the Preliminary Report of the Commission on Investment and Profit in Soft Coal Mining, July 6, 1922; and Press Release: Russell Sage Foundation Report on \"The Coal Miners' Insecurity\" April 16, 1922.","Morrow's statements were made before the Committee on Labor, April 25, 1922 and before the Interstate Commerce Commission in the Hearing on Railroad Rates, Fares, and Charges, January 19, 1922.","Includes Memoranda and Opening Statement on behalf of Anthracite Mine Workers and Research Material and Data.","Statements concern the Request of Anthracite Operators for a Modification of the Wage Scale, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Typescript and Print copies.","The reply concerns the request of Operators for modification of the Wage Scale, and was by John L. Lewis, etc. on behalf of the United Mine Workers, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Proofs and Print copies.","The Anthracite Freight Rate Case files may be part of the previous group but were placed in a separate divider created by the office of Lauck.","Statistics include four categories: General; Anthracite Coal Carrying Railroads, Typed Originals and Carbons; Financial Performance of Coal Companies (clippings and other statistics),Earnings, and Profit; and Salaries of Operator officials, exceeding $10,000 per year.","Note: an assigned car is a rail car specifically designated for the use of a particular shipper, or, in the case of private cars, for the use of a particular railroad for a specific customer.","Lauck also referred to this as the Mahon Case, after President William D. Mahon.","File includes the Opinion of the Majority of the Arbitration Board, Dissenting Opinion, and a Report on a Proposed Pension Plan","These include: \"Discipline and Education of Locomotive Engineers and Firemen and Standardization of Wages\"; \"Progress Made in Electrification of Railroads and Economics Effected Thereby\"; \"The Railway Dollar, What Became of it in 1913\"; \"Revenue Gains by Representative Western Railroads Available to Compensate Locomotive Engineers and Firemen For Increased Work and Productive Efficiency, 1890-1913\"; The Rise and Fall of Mechanical Stokers\"; \"Miscellaneous Statements in Rebuttal to Exhibits Presented by the Railroads\"; \"Opposition of Railroads to Enactment of Federal Hours of Service Law and Efforts of Federal Government to Enforce Same.\"","All the years but 1933-1935 have an index in the front of the folder.","These \"diaries\" were used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date.","File includes Lauck's Civil Service record (1945) and National War Labor Board service (1918).","The 1911 blueprint \"General Plan\" of the property was prepared by Thomas Meehan and Sons, Mt. Airy, Philadelphia, Landscape Architects, for Francis T.A. Junkin, Lexington, Virginia. The \"Map of Mulberry Hill, Lexington, Virginia,\" 1926, with surrounding properties, was done by R.E. Witt, Certified Land Surveyor.For a typed description of the property by R.E. Witt and a note by W. Jett Lauck, see Box 224 Folder 4.","The Bureau of Applied Economics, Inc. was a \"private, independent, scientific organization, established in 1914 for the purpose of doing research and analytical work in the field of industrial, commercial, banking and general economic activities\" according to one of its brochures. It was located in Washington, D.C. \"where the governmental departments, commissions and other organzations with their specialists, archives and unrivaled library facilites render such research more effective and productive than any other city in America\" according to a page from an unknown directory. Hugh S. Hanna was the Director and W. Jett Lauck was listed as both the Chairman of the Advisory Board and the specialist for money and banking.","One of the chief functions of the Bureau of Applied Econonics was to create publications about importand current issues in the field of labor conditions and industrial relations. These were intended to be brief (50-75 pages) but authoritative and written by a specialist in the subject so that anyone interested in the subject could have access to the gist of all the information in one place and for a low cost. ","File includes Monthly Statements, Proofs of Notices, Subscribers and Sales.","File includes Correspondence, Papers, and Table of Contents.","Lauck taught a course on the History of the Labor Movement at the American University.","The Notes chiefly include Political Science, Sociology, Labor vs Capital, Economics, Constitutional Law, American Government, and Agriculture.","These College Notes are chiefly concerned with the Reciprocity Concept and the Chicago Conference with sections on Cuba and Hawaii; Distribution; Receiverships; Sociology and Tariffs; and Printed Material.","Much of this material is fragmentary or incomplete and it possibly has some material of W. Jett Lauck mixed in.","These photographs include the \"Funeral Procession of Stephen Horvath, McKees Rocks, Pennsylvania, August 14, 1909. Photographs are mostly unidentified and some do not include W. Jett Lauck.","These photographs are mostly unidentified and undated but does includes William Harmon Black and Major Miller Taylor. and his wife.","This file consists of seven oversize photographs, including a Staff Conference; the Immigration Commission, Washington D.C. (1907); three photographs of Lauck with the same two  unidentified men; W.D. Mahon; A.A. Mitten; Earl E. Houck; an unidentified man; and an unidentified hearing.","This folder includes four oversize photographs  of Public Code Hearings on Bituminous Coal Industry, 1933 August 9; Cigar Manufacturing Industry AAA Code Hearing, 1933 November 22;  Structural Steel and  Iron Fabricating Industry N.R.A. Hearing, 1933 October 30; and Anthracite Coal Industry, NRA Code Hearing, William H. Davis Deputy Administrator, Washington, D.C., 1933 November 17","Topics include Agriculture and Farms, Airlines and Aviation, Argentina, Atlantic Charter—Poland*, Atomic Energy and Weapons (see also, J—Japan), Australia, and the Automobile Industry.","Topics include Bank Fraud, Banking and Bankers, Baruch Report, Big Three, Bretton Woods Agreement—International Monetary Fund, British Elections 1945, British Labor Party, British Labor Reports and the Second World War and Budget.","Topics include Cartels, Chamber of Commerce, Canada, Capital/Capitalism, Charter [U.N.] (see also, S—San Francisco Conference), Chemical Warfare, Cherry Blossoms—Washington D.C., China, The Church (see also, Religion and Faith), Churchill, Winston (see also, People), Comintern, Communist Party, Congress, Cost of Living, and Cuba.","See also, Strikes, U—United Mine Workers.","Topics include Debt, Defense, Deflation, Democracy, Democratic Party, The Depression, Diplomacy, Disease, Driving [Winter], and Dumbarton Oaks Conference.","Topics include Economic Bill of Rights, Economic Development [Committee], Economic Policy (see also, B—Bretton Woods Agreement, Post-War Reconstruction), Economic Rights, Economy of War, Employment (see also, U—Unemployment), Electric Workers, Electricity, and Excess Capacity.","Topics include Farms, Fear, Flooding, Food [Costs] [Rations] [Shortages], Food as Weapon, Foreign Policy, Freedoms, France, Franco, and Full Employment America.","Topics include General Motors [Strike] (see also, Strikes), Germany, G.I. Bill, Gold Standard, Government in Business, Grain Marketing, Great Britain, Growth of Democracy, Hapsburgs, and Hatch-Burton-Ball Bill.","Topics include Industrial Divide, Industry, Inflation/Deflation, and Israel.","Japan [and the Atomic Bomb], Jefferson [And the Declaration of Independence], The Jewish People [in Nazi Germany], Jobs as a Property Right, and Kipling, Rudyard (see also, People).","Topics include Labor [and War], Latin America, League of Nations (see also, World Government), Legal Aid Societies, Lend-Lease, Liberalism, and the Lima Conference, Liquor Problem, and Living Wage.","Topics include Magna Carta, Massachusetts Academy, Meat Industry (see also, Strikes), Middle Class, Monetary Reform, Morale [Poor], and Moving Pictures.","Topics include National Association of Manufacturers, National Income, National Interest, \"New Era\" 31*, New York State Industrial Survey Commission 28*, New York Transit Strike, Office of Price Administration, and Oil.","Topics include Pacifists, Packing Houses, Thomas Paine,  Palestine, Pan-American Union, Patents, Peace, Pennsylvania Labor Act, Philanthropy, Poland, Political Minorities, Population [United States] 1940, Power, The Press, Price Controls, Prisoners of War, Production, Profit-Sharing, Profiteering, Public Service, and Pump-Priming the Economy.","For more clippings on people see also: C—Churchill, K—Kipling, P—Paine, R—Roosevelt, Rural Electrification Administration [Harry Slattery], S—Stalin, and T—Truman.","File contains topics such as: Post-War Deflation, Post-War Europe, and United States Labor, Industry, and the Economy.","Topics include: Race and Racial Strife, Radar, Railways and Railroads, Reciprocity – British Agreement, Reconstruction Finance Corporation, Reconversion [and Wages] (see also, Post-War Reconstruction), Re-employment (see also, Post-War Reconstruction), Republican Party, Republican Record, Right Wing Reaction, Roosevelt, Rural Electrification Administration [Harry Slattery], Russians who Fought for Germany in World War II.","Topics include: San Francisco Conference (see also, United Nations), Savings, Sherman Act, Social Security, Socialism, Socialized Medicine, South America, The South [and Politics], The South [and Poll Tax Ban], Southern Revolt, Soviet Union/Russia, Spain, St. Lawrence Seaway, Stalin, Subsidy, Sugar, Supreme Court, Packing the Supreme Court, and Syria.","See also, Coal, G-H—General Motors [Strike], M—Meat Industry, N-O—New York Transit Strike, Steel, and U—United Mine Workers.","Topics include: Tariff Bill, Taxes, Textiles, Third Political Party, Totalitarian States, Troops, Truman [Report], Trusteeships; Unemployment, (see also, E—Employment), Unions, United Kingdom [Britain], United Mine Workers (see also, Coal), Unity, National\nVirginia, and Virginia Budget Efficiency.","See also S—San Francisco Conference and World Government.","Topics include: Wage Central, Wages, Wagner Health Bill, Wall Street, War, War Aims, War and Capital, War Contracts Settlement, War Cost, War Crimes, War Labor Board, War Production Board, Work Week, World Bank, and World War II [Battles].","This file includes agendas, correspondence, reports, membership, and the tentative program.","Topics include: American Mining Congress Declaration of Policy, \tdisagreements over the NRA code, gasoline and coal, new processes, and the right to strike.","This file includes an \"Investigation of Paint Creek Coal Fields of West Virginia,\" \"The Truth about Coal River Collieries,\" \"West Virginia Coal Fields\" (Senator Kenyon), Colorado Coal Fields, and a List of West Virginia Coal Fields.","Includes Houde Engineering Company Memorandum submitted to the National Labor Relations Board, the Hunt Memorandum outlining the Study of Competing Fuels, Lauck's review of \"The Coal Industry\" by Glen L. Parker, the Keller Bill for the Mississippi Valley on the Relative Importance of Fuels, \"Oil-Coal Mixtures as Industrial Fuel\" by J.E. Hedrick, and the Coal Cost of Producing Electricity, by J. Leonard Matt in the \"New York Herald Tribune.\"","The Railroads Financial History material was used in preparation of exhibits for the Brotherhood of Locomotive Firemen and Enginemen Case and updated for use in later cases involving railroads.","These news clippings include: British railway strike, credit, Thomas Dew Cuyler article on 1922 strike, Henry Ford's railroad, Gould System, Inadequacies of Railroad Management, Mergers, Nickle Plate Deal, Receiverships and Foreclosure Sales During 1920, and Railroad Retirement Act of 1937.","Publications include: Decisions, Dockets, Announcements, Lawsuits, Orders, and Reports.","Lauck was on staff as an economist and one of the stockholders for this enterprise. Some stationery has the name \"The Gallatin Institute of Applied Economics\" in the header.","Files include Memoranda from I.A. Rice to W. Jett Lauck, Recommendations, and Rent Law.","Includes a bill on the guaranty of bank deposits legislation and the Glass-Steagall Act (printed).","Banking files include Credit Facilities of the Country, Federal Reserve Board Legal Opinion on Bank Centralization (printed), News clippings, Reform, and the United Labor Bank and Trust Company Dissolution.","Includes files on British wage controversy and the coal industry during World War II, coal industry problems, and the British Coal Mines Act.","Cigar Manufacturing Code of Fair Competition files include Amendments proposed by Abraham Goldbloom and Jett Lauck, including Revisions made by Conference on October 20, 1933; Briefs and Statements (1933); Codes (1933-1934); and Profits and Statistical Data (circa 1929-1933).","These include: Table of Contents, Agents of Concentration and Railroads; Cotton Mills (director); Public Utilities (directors); Concentration of control of Financial and Industrial Resources; Public Utilities (securities), Public Utilities (affiliations), and Public Utilities (summary and tables).","These include: Summary of Banker Control in American Industry; Concentration of Financial Control of Industry; Concentration of Control of the Iron Ore Mining Industry; Report on Public Utilities; Concentration and Control of Money and Credit; Industrials (directors), Agents of Concentration, Coal (statistics), Iron and Steel Report (summary), Industrials (report), Railroads (statistics), Cotton Industry, Coal and Iron Mining; and Concentration of Control of Various Industries (iron, coal, water).","These files include the Bill by Colonel W.G. Williams (1946); an Inquiry by the Federal Power Commission Control (June 27, 1945); and the Memoranda of Colonel W.G. Williams, 1945-1946).","These files include: Miscellaneous, including charts - W. G. Williams (1945-1946); Gas and Oil Pipelines, including a proposed letter from Admiral Stuart to President John L. Lewis (October 16, 1944); and the United States Department of the Interior report of Investigations (July 1945).","Constitutional Amendment files include: Action by Organizations (1936-1937); Articles and News clippings (1935-1939); Bills, including those proposed by Benson, Costigan, Ford, Gray, Maas, and Marcantonio (1935-1937); Challenges to the Authority of the Supreme Court to Declare Legislative Acts Unconstitutional, Notes and Memoranda by W. Jett Lauck, Donald R. Richberg, Merle D. Vincent and Henry [Warrum] (1935-1936); and Correspondence and Memoranda about the New York and Washington, D.C. Meetings (1936).","Constitutional Amendment files include: Detroit Conference (1937); History and Comments (1936?); National Committee and Reports from Henry T. Hunt (1936); National Conference about (1936-1937); Recommendations and Suggestions made by President Roosevelt for a Bill to \"Pack the Supreme Court\" (1937); and Speeches by David J. Lewis and Daniel C. Roper (1935).","Material includes the labor and production costs of cotton, silk and wool goods before and after World War I.","Files include a Memorandum on Major Berry and Conference Plans (1935 November, undated); News (1936-1937); Press Releases (1936-1937); and Summaries and Reports (1936 June-July).","Memoranda topics include the Austrian state railways, the book \"Railroad Melons, Rates, and Wages\"; the suggestions of Baltimore and Ohio Railroad Vice-President Tatnall for railroad improvements; the Cincinnati Southern Railway; and Cooperatives.","These include speeches and statements of Governor Earle, Chief Justice Hughes, British House of Commons, Secretary of State Hull, Secretary Ickes, Robert H. Jackson, Governor Frank Murphy, Senator Norris, Secretary Frances Perkins, Burton K. Wheeler, and Wendell L. Wilkie.","This opinion was given by the General Counsel of the Federal Reserve Board.","These files include the first through third versions introduced in the 72nd Congress in 1932, S. 3215, S. 4115, and S. 4412.","These House bills include: H.R. 7250 (a bill creating national mortgage banks); H.R. 7620 (a bill to create Federal Home Loan Banks); H.R. 11340 (a bill to require national banking associations to furnish bonds to protect depositors against loss of deposits); H.R. 11422 (a bill to regulate the value of money, and for other purposes); and H.R. 12280 (an act to create Federal Home Loan Banks).","Includes an article by Lauck, \"America's New Immigrants\" and reviews of his book with Jeremiah Jenks, \"The Immigration Problem. A Study of American Immigration Conditions and Needs.\"","Includes a Memorandum from Lucius E. Wilson and Research concerning the cotton industry (1890-1912), economic consumption, 1890-1914,  prepared by Frances P. Valiant, centers of population (1914), prices (1914), tendencies in real wages (1900-1913), and wages and prices  (1912-1914)","The topics include: Agriculture; Anti-Strike Bill; Book Reviews; Bituminous Coal; Child Labor Law; Civil Service Employment, Reclassification and Retirement; Federal Employment; Federal Coal Commission; and Foreign Industry and Labor.","The topics Include: Health; Housing; Immigration; Industrial Accidents; Labor Mobility; Milk Bill; National Industrial Conference; New Jersey Chamber of Commerce; Public Health Service; Punitive Overtime; Racial Question, Commission on (\"Negro Wage Earners\"); Seaman's Act Revision in Merchant Marine Bill; Soldiers' Adjusted Compensation Legislation; Steamship Business Training; and United States Steel Corporation Pension Fund.","Two of these files focus on Employee Representation - Efficiency through Cooperation, and include \"A Report on Workers' Participation in Management\" with an appendix, by W. J. Lauck, March 1921.","Companies include: Bethlehem Steel Company, Endicott Johnson and Company, Goodyear Tire and Rubber Company, International Harvester Company, Midvale Steel and Ordnance Company, Standard Oil Company of New Jersey, and General.","Files include: Distribution of Output of Industry; Foreign Trade; General; Labor; Mass Production and Distribution; Production and Stock Market; and Prosperity.","Labor topics in these files include: Labor and Churches (1922-1937); Labor and Industrial Policy during World War I, Memoranda on (1917-1918); Labor Gazette Program (undated); General material (1914-1920); Labor in Great Britain (1918-1937); Labor Injunctions (1927-1932); Labor Insurance (1928); Labor Legislation and Politics (1928); Labor Organizations (1910-1929); Labor Policies (1928); and Labor Problems (1919).","Additional Unemployment topics include: Joint Committee on Unemployment; Press; Social Effects of Unemployment, Statistics; and the Wagner Bills.","Interstate Commerce Commission files include: Decision on Freight Rates in Anthracite Case; Five Per Cent Case; Hearing on Rates on Grain, etc.; Operating and Wage Statistics; and Petition concerning the \"Inefficiency of Railroad Employees.\"","Additional Interstate Commerce Commission files include: Rules on Locomotive Inspection; Rules of Practice; Rules governing Classification of Steam Railway Employees; and Seasonal Variation of Railway Operating Income.","Additional files include: Labor Conditions, including mining accidents; Manufacturers; and Monthly Production of Pig Iron in the United States.","Journeymen Stone Cutters of America files include: Affidavits and Letters on Indiana Situation; Agreements; Amalgamation (Knoxville Wage Scale); Arts and Crafts Industry - Mr. M. W. Mitchell; Bloomington and Bedford Names and Local Vote; Cast Stone Industry Code; Limestone Code; Limestone Code Statement for Hearings and Suggested Complaint to the National Labor Board; the Marble Manufacturing Code, President Mitchell; Press Releases and Miscellaneous; the Sandstone Code and Statement by M.W. Mitchell, President of the Journeymen Stone Cutters' Association of North America.","Additional Labor Costs files include: Bituminous Mine Workers; Book Paper Industry; Canned Salmon; Canned Vegetable Industry; Coal; Construction; Copper Production and Sale; Cotton Industry; Cotton, Silk, and Wood Goods Production Before and After World War I; and Fertilizer Industry.","Additional Labor Costs files include: Hide and Tanning Industries; Leather and Shoe Industries; Pig Iron; Railroads, including Eastern, Operating, Southern, and Western; Relation to Prices; Shoe Industry; Steel Production in the United States; Sugar Profiteering; Summary; Various Industries; and Women's Muslin Underwear Industry.","The Living Wage subtopics include: The Case for a Living Wage; Cost; Cost of Rearing Children; Department of Labor; Effects; Fair Labor Standards Act (Bills, Interpretations, Regulations, etc.); Farmers; and General Press (1 of 2 folders).","Living Wage subtopics include: General Press (2 of 2 folders); Harmful Effects of Low Wages; Lauck Statements; Miscellaneous; National War Labor Board; Practicability (2 folders); Request for a Ruling from the United States Railroad Labor Board on the Living Wage;  \"Sanction for a Living Wage\"? Quotation Verification Work for Lauck's book with that title; Statement of the National War Labor Conference; and an Undated Essay on \"The Just and Reasonable Wage.\"","These documents include the Charter, Constitution, General Plans of Work, Explanation and Comment, Outline of Organization and Scope of Work at the Outset, By-Laws, Suggestions and Notes on Separate Trust Fund, and an article \"Employee Ownership\" by Thomas E. Mitten.","Mitten Management topics include: Labor Cooperation in Australia; Organized Labor in New Orleans; Personal News clippings; Press; and Strikes in Philadelphia and Buffalo.","Literature includes the New York Advertising Club Plan, Memoranda and Principles, etc., which also includes articles by Fred Brenckman and Isador Teitelbaum.","Items include the Conscription of Property Senate Bill 1579 and Consumer Division of Defense, Labor, and Steel.","These files include a report of the Iron Ore Committee, a copy of the \"National Natural Resources Act,\" and the Report of the Planning Committee for Mineral Policy.","These bills include the Bill for Stabilization and Conservation of Natural Gas and Petroleum and the Cole Bill (H.R. 7372) Petroleum Conservation Act.","Files include General; a Brief; Mr. McGinn's Statement; General Producers Company, Mr. Taylor and John L. Lewis; and Sinclair Company - Maintenance of Retail Prices.","Apparently Lauck used his work with the Philadelphia Rapid Transit Company as a basis for his book, \"Political and Industrial Democracy, 1776-1926.\"","Includes files on the following companies: Baltimore and Ohio Railroad; Bank of Italy; Boston Consolidated Gas Company; Chicago Surface Lines; Colorado Fuel and Iron Company Plan; Columbia Conserve Company; Comparison of Fundamentals; Comparative Plans; Dennison Manufacturing Company; Dutchess Bleachery; Employee Representation and the Union (PRT); Employee Stock Ownership (PRT); Endicott-Johnson Company (PRT); Filene; Ford Motor Company; International Harvester Company; Investment Bankers and Cooperative Plans; Louisville Railway Company; Loyal Legion of Loggers and Lumbermen; and Milwaukee Electric Power and Light Company.","Includes files on the following companies: \tNash Tailoring Company; New Cooperative Plan; Packard Piano Company; Pennsylvania Railroad; Peoples Gaslight and Coke Company; Philadelphia Convention; Printz-Biederman Company; Southern Railway; Standard Oil Company; Summary with 1939 clipping; and Union Recognition Case.","Includes news clippings about the Electric Bond and Share Company, Power Authority of New York and others.","Includes a speech by Frank P. Walsh before the  Public Ownership League of America and a Research Bulletin on the Potomac Electric Power Company of Washington.","These files include ones for Analysis, Bradstreet's, Dun's, General, and Government Control of Prices.","Profiteering files include those on: Address of the President; Agricultural Supplies; Articles by W. Jett Lauck and others (2 folders); Banks; Memorandum to Judge W.H. Black; Building Material; Coal; and Copper.","Profiteering files include: Corporate Earnings and Government Revenues (3 folders); and Corporations, Profits of (3 folders).","Profiteering files include: Industries, various, (3 folders); Manly, Basil M. - Survey of American Industrial Conditions; Meat Packing; Metal Trades; Miscellaneous Industries; 1921; Petroleum; Post War Profits; and Press Statements (2 folders).","Profiteering files include: Railroads During and After the War (American); Railroad Equipment; Shoes and Clothing; Speeches in Congress; Steel;  Sugar; Summary; and War Contracts.","Includes the following filers: the Chicago Memorandum; Pending Work file; press release about the need for co-ordination of transportation facilities; press or news clippings; and railroad employee insurance.","Files include a draft of a letter to President Roosevelt and a memorandum on Russia from Lauck.","Russia or Soviet Union files include: \"The Red Trade Menace\"; Research by Dunlap; Social and Economic Conditions, chiefly clippings, including concessions, the cotton case, credit, political and propaganda (2 folders); and Trade Mission.","Files include: \"The Agricultural Situation in the United States\"; \"Labor Banking Movement in the United States, Analysis of\"; \"Membership of Labor Unions\"; and \"Report of the Negro in Industry\".","Files include: Proposal for Cotton Purchase from the United States (3 folders); \"Recent Shifts in Industry\"; \"Report of the Railroad Situation in the U.S.\"; Research – Miscellaneous; and Tariffs.","Files include: Anderson, Paul E. – Reports and Memoranda; Ballantine's Report [on Transportation by Waterway as Related to Competition with the Rail Carriers in the United States]; Commodity Studies, including livestock, potash, green coffee, grains, and rubber; Correspondence; and Department of Commerce Outline.","Files include: Digest of Hearings and Reports; Electric Generation Capacity, U.S.A.; Extent of Railway Operations; News clippings, including article from \"The New Republic\"; Notes and Outline; and Panama Canal Traffic effect upon Railroad Rates.","This file includes a Railway Labor Executives' Policy statement, statement of the Baltimore Association of Commerce, and a paper about the  \"Effect of the Proposed Great Lakes-Saint Lawrence Deep Waterway on the Coal Industry.\"","The file includes articles by Lester Velie (\"Lean Years for the Rails\"), Harold D. Kootz (\"The Railroad Crisis\"), and one about new types of equipment; a speech by Harry S. Truman on railroad financing; a memorandum about railroads serving the Great Lakes ports; and a memorandum to Robertson about the position of Western railroad presidents concerning the waterway prior to 1933-1934.","Reports include: \"Analysis of its effects upon railroad and coalmining industries\" by W. Jett Lauck; \"Coordination of Transportation Agencies\" [by W. Jett Lauck?]; Report of Railroad Coordinator's Freight Traffic Report, including freight rate increases and petroleum pipeline rates; and Report of the Railroad System, Beneficial Effects of project upon.","Files for this committee include: General (2 folders); Papers submitted by J.W. Garrow and White; the Report, both Typescript and Printed (2 folders); Uniform Manufacturers Association Statement; United States Chamber of Commerce Presentation; and Vouchers and Expenses submitted by W. Jett Lauck.","Files include Awards, Decisions, and Authorizations (printed) and Exhibits prepared for the Board by Lauck and associates.","Socialism files include; \"What it is and what it is not\" and History in the United States.","Files include: \"Compilation of the Social Security Laws\"; Correspondence with Barbara Nachtrieb Armstrong (Chief of Staff for Social Security Planning of the Committee on Economic Security; Correspondence with Pauling C. Gilbert; Directory of State Employment Security Officials; and Draft Bills for State Unemployment Compensation.","Files include: H.R. 4142 (Lewis Bill); H.R. 7260 (Social Security Act); Information Primer on the Committee on Economic Security; Inventory of Job Seekers Registered at Public Employment Offices; and League of Nations Staff Pension Fund.","Files include: Major Migratory Routes in the United States; Memoranda to Mr. Kennedy; National Women's Trade Union December Bulletin; Newspapers; and \"Old Age Insurance.\"","Files include: Pamphlets and Print Materials; Preliminary Report on Occupations of Job-Seekers in 43 States; \"The Problem of Insecurity\" (Committee on Economic Security); Radio Address of Frances Perkins, Secretary of Labor; and Recommendations of the Social Security Board Federal Advisory Council.","Files include: \"Social Security Act and War Manpower Commission\" and Social Security Board Federal Advisory Council Binder of Documents (2 folders).","Files include: Social Security Board Federal Advisory Council Meeting (June 1940); Social Security Board Federal Advisory Council Meeting (October 1942); \"Social Security in Defense and After\"; Statements on the Wagner-Lewis Economic Security Bill; Thrift and Security Foundation, Inc.; \"Two Special Reports on Social Legislation\" (Business Advisory Council); United Mine Workers of America Proposed Retirement Plan; and Vocational Training Program for National Defense.","Topics include: Mineral production, \"A Working Economic Plan for the South,\" Washington and Lee as a Southern institution, and the Southern Commercial Congress (all printed).","File includes memoranda to John L. Lewis and suggestions by Katharine Pollak, federal regulation and steel codes.","Topics include a file on Arbitrations, including Portland, Maine; Eastern Massachusetts Street Railway; Boston Elevated Railway Company; and Cumberland County Power and Light Company. Other railway topics include: District of Columbia; \"Low Fares\" article by Louis B. Wehle; the Mahon Case; and a Report by Delos F. Wilcox.","Files include: \"The Bridgemen's Magazine,\" Vol. XXXIII, Nos. 11 and 12; Conferences; H.R. 7596 (To License and Regulate Inter-State Coal Corporations); H.R. 12285 (Ellenbogen's Bill); H.R. 12499 (Wood's Steel Bill); Lauck Notes and Memoranda; and Lists of Materials Prepared in Connection with Iron Workers.","Files include: P.J. Morrin Exhibits I (a), II, and III-VIII; P.J. Morrin's Report as Labor Advisor to Chairman of the Labor Advisory Board and his Statement Before the National Recovery Administration; Possible Projects – Golden Gate Bridge, San Francisco, California and United States Courthouse, New York City; Statement of William P. McGinn to Deputy Administrator; and \"Summary and Objectives of Proposal for New National Recovery Act Legislation.\"","Files include: the Fair Tariff League; Press, including the French situation; and Wood Pulp, Woolens and Worsteds (2 folders).","Taxation files include: \"Conclusions and Constructive Suggestions as to Tax Revision\" by David B. Robertson; News clippings, Printed Material and Press Releases (2 folders); and Notes and Drafts.","Files include: copies of clippings at back of folder; Charts used by Isador Lubin in his Testimony; and Notes by W. Jett Lauck and associates.","Topics include: \"Dynamics of Transport\"; \"How Transport has Shaped the Pattern of National Development\"; \"Objectives of Public Policy\"; \"Problems of Interest Groups\"; \"Problems of National Defense\"; Problems of Rate Levels and Rate Relationships\"; \"Problems of Regulatory Policy\"; \"Problems of Transportation Policy – Review of Basic Issues and Alternative Solutions\"; \"Problems of Transport Coordination\"; \"What Lies Ahead in Transportation\"; and \"What the Transportation System Looks Like Today.\"","Files include information about the 1922, 1934, 1940 (2 folders), and 1946 Conventions.","Wage files include: American Federation of Labor; Articles, Bibliography on Wage Cutting and on a Saving Wage; Disease; Earnings in Ohio; \"A Fair and Reasonable Wage\"; and Minimum Wage (2 folders).","Wage files include: Productive Efficiency Theory; Productivity; Railroad; Rates; Real Wages; Regulation; Report on \"Wages and Hours of Labour in Canada\" and Report of Australian Royal Commission; Standard of Living; Various Industries (2 folders); Wage Adjustments; White Collar Workers; Women; and Works Project Administration.","Topics include: the wartime control of labor (France), War Labor Conference Report (February 25, 1918), \"Labor Policies and the War, War Profits Bill, war and labor, and war tax law.","Materials include: a pamphlet \"Negro Women in Industry in 15 States,\" and other printed material from the Department of Labor and the Women's Bureau.","Titles include: \"American Institute for Economic Research Monthly Bulletin\" (1944) and \"Automotive War Production\" (1945).","Titles include: \"Babson's Washington Reports\" (1938-1939); \"Bank of the Manhattan Company of New York (1946); and \"The Bulletin\" from the International Typographical Union (1945-1946).","Titles include: \"California Safety News\" (1919); \"Common Sense\" (1944); and \"Congressional Daily\" (1941, 1944-1946).","Titles include: \"Economic Notes\" (1939); and \"The Economic Outlook\" (1940, 1944).","Titles include: \"Foreign Commerce Weekly\" (1941) and \"Foreign Policy Bulletin\" (1943, 1946).","Titles include: \"Human Events\" (1947); \"International Post-War Service Statistical Bureau\" (1943); and \"International Statistical Bureau Foreign Letter\" (1943-1944).","Titles include: \"National Bureau of Economic Research\" (1933-1934); \"The National Grange\" (1932); \"People's Lobby Bulletin\" (1945); \"Private Newsletter\" (1934); and \"Propaganda Analysis\" (1939).","Titles include: \"Report of the Mexico City Bureau\" (1940); and \"The Southern Patriot\" (1945-1946).","Titles include: \"United Business Service\" (1941); United Construction Workers News (1946); \"Washington Review\" from Chamber of Commerce, U.S. (1940, 1943); and \"The Yardstick Catholic Tests of a New Social Order\" (1941-1942, 1944).","Includes booklets on \"Diplomatic List\" (1925); National Policy Committee booklet, \"Implications to the United States of a German Victory\" (1940); \"The Storm Washington D.C. January 27-28, 1922; \"The Story of the Globe\" (undated); andClifford Thorne (undated).","Includes: National Association Real Estate Boards (1924); National Monetary Association (1923, undated); \"National Transportation Institute Freight Rates and Prices, 1867-1923\" (1923); New Jersey Teacher Retirement and Pensions (1919); and New School for Social Research (1920).","Includes: Railroads (1944); Remedial Loan Societies (1928); and Remington Rand Inc. (1935).","Includes: Schools (1928-1929); Sperry Corporation (1936); Standard Oil Company (1922); and Standard Statistics Company (1925).","Includes: Virginia State Chamber of Commerce (1924-1930); and \"A Brief History of Taxation in Virginia,\" by Edgar Sydenstricker (1915).","Includes: Senator George D. Aiken (1941), Thurman Arnold on \"Labor Against Itself\" and Antitrust Law Enforcement (circa 1941, undated).","Includes Samuel Brodbelt with a letter to Lauck, February 1, 1940.","Includes: Charles H. Chase on Trade Credit Banking (1934); John Corbin on National Planning (1932).","Includes: Maurice R. Davie, \"What Shall We Do About Immigration? (1946); Eleanor Davis \"The Future of Personnel Administration in the US\" typescript (undated); Edward T. Devine, \"American Labor's Improved Status Since 1914\" (1928); and Wallace B. Donham, \"National Ideal and Internationalist Idols\" (1933).","Includes: Marriner S. Eccles (1939); Irving Fisher \"The Debt - Deflation Theory of Great Depressions\" (1933); and Harry Emerson Fosdick sermon \"A Christian Conscience about War\" (1925).","Includes: Walter Graves, Jr., an open letter concerning Hitler and the British Isles (1941); Senator Pat Harrison (1925); W.P. Harvey, articles on living wage, and capital and labor (undated); Leon Henderson on Use of Small Loans for Medical Expenses (1930), and Alice Hosteler article on Producer-Consumer Relations (undated).","Includes: Benjamin A. Javits, (1933-1934); Jefferson Institute, including an address by Daniel C. Roper (1934); George L. Knapp on Senator Edward P. Costigan of Colorado (undated); and Dr. Julius Klein, \"The Business Trend Since 1921\" (1927).","Includes: J.C. Laughlin, \"Demand and Prices,\" August 1932; William M. Leiserson, \"Labor Past as Key to Labor Future,\" February 10, 1944; Max Lerner, \"Revolution in Ideas,\" 1939; Alexander Levene, \"Modification of the Antitrust Laws and Purchasing Power\" (1932); and John L. Lewis \"Problems of Organized Labor\" (1936).","Includes samples of his articles with a biographical summary up to 1933.","Includes: William G. McAdoo, about William Jennings Bryan (1925); Leifer Magnusson, about the International Labor Organization and the American Federation of Labor (undated); Maury Maverick on \"How Solid is the South?\"(1943); Claudius T. Murchison, \"A Great Deal, Some of It New\" (1934); Reinhold Niebuhr, \"Jerome Frank's Way Out\" (undated); Edwin G. Nourse, \"The Nature and Future of Private Enterprise\" (1941); Frances Perkins, speech press release, 1936; Gifford Pinchot, \"Wages, Margins and Anthracite Prices\" and \"Business and Government in the Economic Crisis,\" (1923-1931).","Includes: Jackson H. Ralston \"Superficiality of International Law,\" 1922; Donald R. Richberg and his Labor Plan (1944); John D. Rockefeller, Jr., \"Considerations Concerning Labor Standards,\" 1922; Daniel C. Roper, \"Regimentation and Recovery\" and \"Trade and Commerce in Perspective,\"1934; and Dr. John A. Ryan, \"Organized Labor Today\" (1926).","Includes: Alexander Sachs on Problems of National Recovery (1937); David J. Saposs, \"Current Anti-Labor Activities\" (1938 April 11); Louis G. Silverberg \"Law and Order: Social Menace\" (1938); Upton Sinclair, \"An open Letter to the President\" (undated); Isidor Teitilbaum (undated); and Lawrence Todd (August 1933).","Includes: Henry A. Wallace, speeches (1937-1942); Sidney Webb \"Four Weeks in England\" (1919); Carl I. Wheat, California Railroad Commission, (1927); William Allen White, \"A Yip From the Doghouse\" (1937); Honorable Roy O. Woodruff \"War Frauds\" speech, 1922; and Owen D. Young speeches (1930-1932).","Includes \"Economic Planning\" (undated); \"When President's Play Politics\" (1938); and fiction pieces written for magazines like \"Ken\" (undated).","Note: Diaries on microfilm M-1239-1241; Use of original diaries restricted due to fragile condition.","Albert and Shirley Small Special Collections Library","Lauck, W. Jett (Lauck, William Jett), 1879-1949","English"],"unitid_tesim":["MSS 4742","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/724"],"normalized_title_ssm":["W. Jett Lauck papers"],"collection_title_tesim":["W. Jett Lauck papers"],"collection_ssim":["W. Jett Lauck papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Lewis, John L. (John Llewellyn), 1880-1969"],"geogname_ssim":["Lewis, John L. (John Llewellyn), 1880-1969"],"creator_ssm":["Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"creator_ssim":["Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"creator_persname_ssim":["Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"creators_ssim":["Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"places_ssim":["Lewis, John L. (John Llewellyn), 1880-1969"],"acqinfo_ssim":["The largest group of W. Jett Lauck papers was given to University of Virginia Law Library by Charles Chase, Washington, D.C. in April 1954 and then transferred from the Law Library to the University of Virginia Special Collections Library on March 23, 1973 and October 7, 1974. The second accession (formerly MSS 4742-a) was given to the Special Collections Library on October 31, 1979, by Charles Chase, with Peter B. Lauck and Eleanor M. Lauck, Annapolis, Maryland, as the donors of record. The last accession (formerly MSS 4742-b)was given to the Libary on 2012 by Peter B. Lauck and Eleanor M. Lauck."],"access_subjects_ssim":["World War, 1939-1945","New Deal, 1933-1939","Depressions - 1929","United Mine Workers of America","Labor unions","American Association for Economic Freedom","Anthracite coal--Pennsylvania","Railroads -- History","Railroads","Electric railroads","World War, 1914-1918","Economics"],"access_subjects_ssm":["World War, 1939-1945","New Deal, 1933-1939","Depressions - 1929","United Mine Workers of America","Labor unions","American Association for Economic Freedom","Anthracite coal--Pennsylvania","Railroads -- History","Railroads","Electric railroads","World War, 1914-1918","Economics"],"has_online_content_ssim":["false"],"extent_ssm":["212 Cubic Feet"],"extent_tesim":["212 Cubic Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952],"accessrestrict_html_tesm":["\u003cp\u003eWork diaries used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date in Boxes 216-219. Due to their fragile condition, access to the original diaries is restricted. Researchers should use the diaries on microfilm M-1239-1241.\u003c/p\u003e","\u003cp\u003eStudent grades were removed from the file and placed in the control folder box for MSS 4742.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Work diaries used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date in Boxes 216-219. Due to their fragile condition, access to the original diaries is restricted. Researchers should use the diaries on microfilm M-1239-1241.","Student grades were removed from the file and placed in the control folder box for MSS 4742."],"arrangement_html_tesm":["\u003cp\u003eThere are fifteen series in this collection. The two largest series are the Cases and Topical series. The majority of series have at least two subseries. Lauck had created two earlier indexes to his files and they were used to shape the current re-organization of the collection, particularly concerning the case files. Some of the decisions concerning arrangement were made due to the difficulties of completing the processing of the W. Jett Lauck papers during the Pandemic of 2020-2021. \u003c/p\u003e\n","\u003cp\u003eAn Outline of the Arrangement is as follows: Series 1) Correspondence (Boxes 1-16); Series 2) American Association for Economic Freedom (Boxes 17-37 and Card files boxes 1-12); Series 3) National War Labor Board (Boxes 38-56); Series 4) Congress of Industrial Organizations (Boxes 57-67); Series 5) Commission on Industrial Relations (Boxes 68-72); Series 6) Articles, Memoranda, and Speeches by W. Jett Lauck (Boxes 73-91) with Subseries A) Work created by W. Jett Lauck for use by himself (Boxes 73-91), Subseries B) Work created by W. Jett Lauck for other people to use (Boxes 82-88), and Subseries C) Banking Monograph by W. Jett Lauck (Boxes 89-91); Series 7) Pennsylvania Anthracite Coal Commission (Boxes 92-103); Series 8) Cases (Boxes 104-204) with  Subseries A) Railroad (Boxes 104-146), Subseries B) General (Boxes 147-169), and Subseries C) Coal (Boxes 170-204); Series 9) Arbitrations (Boxes 205-211); Series 10) Dockets and Other Records of Work by W. Jett Lauck (Boxes 212-219); Series 11) Personal, Financial and Miscellany Papers (Boxes 220-233) with Subseries A) Financial Correspondence and Files (Boxes 220-225), Subseries B) Bureau of Applied Economics (Boxes 225-226), Subseries C) College Notes and School Papers (Boxes 227-230), and Subseries D) Notes, Notebooks, Photographs, Post cards and Miscellany (Boxes 230-233); Series 12) The National Recovery Act and National Recovery Administration (Boxes 234-241) with Subseries A) General Files (Boxes 234-238) and Subseries B) National Recovery Administration Codes (Boxes 238-241); Series 13) Oversize Scrapbook Volumes of Newspaper Clippings and News clippings Files with Subseries A) Scrapbooks (Boxes 242-252) and Subseries B) News clipping Files (Boxes 253-257); Series 14) Topical Files with Subseries A) Coal (Boxes 258-270), Subseries B) Railroad (Boxes 271-287), and Subseries C) General A-Z (Boxes 288-389); and Series 15) Printed Material and Works by Others (Boxes 389-399) with Subseries A) Printed Material (Boxes 389-396) and Subseries B) Works by Others (Boxes 397-399).\u003c/p\u003e","\u003cp\u003eLauck often marked his newspapers and other periodical materials according to subject matter. These clippings are arranged according to his original categorical markings, where possible. Where no markings are discernable, they have been artificially sorted into Lauck's categories or other appropriate topical divisions. They are arranged alphabetically by subject with dedicated, separate folders for subjects with large amounts of material. (Brackets [] denote subtopics or linked topics). Files chiefly consist of news clippings but occasionally there is other printed material or charts, etc.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by last name of authors or speakers with subjects noted, if appropriate.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["There are fifteen series in this collection. The two largest series are the Cases and Topical series. The majority of series have at least two subseries. Lauck had created two earlier indexes to his files and they were used to shape the current re-organization of the collection, particularly concerning the case files. Some of the decisions concerning arrangement were made due to the difficulties of completing the processing of the W. Jett Lauck papers during the Pandemic of 2020-2021. ","An Outline of the Arrangement is as follows: Series 1) Correspondence (Boxes 1-16); Series 2) American Association for Economic Freedom (Boxes 17-37 and Card files boxes 1-12); Series 3) National War Labor Board (Boxes 38-56); Series 4) Congress of Industrial Organizations (Boxes 57-67); Series 5) Commission on Industrial Relations (Boxes 68-72); Series 6) Articles, Memoranda, and Speeches by W. Jett Lauck (Boxes 73-91) with Subseries A) Work created by W. Jett Lauck for use by himself (Boxes 73-91), Subseries B) Work created by W. Jett Lauck for other people to use (Boxes 82-88), and Subseries C) Banking Monograph by W. Jett Lauck (Boxes 89-91); Series 7) Pennsylvania Anthracite Coal Commission (Boxes 92-103); Series 8) Cases (Boxes 104-204) with  Subseries A) Railroad (Boxes 104-146), Subseries B) General (Boxes 147-169), and Subseries C) Coal (Boxes 170-204); Series 9) Arbitrations (Boxes 205-211); Series 10) Dockets and Other Records of Work by W. Jett Lauck (Boxes 212-219); Series 11) Personal, Financial and Miscellany Papers (Boxes 220-233) with Subseries A) Financial Correspondence and Files (Boxes 220-225), Subseries B) Bureau of Applied Economics (Boxes 225-226), Subseries C) College Notes and School Papers (Boxes 227-230), and Subseries D) Notes, Notebooks, Photographs, Post cards and Miscellany (Boxes 230-233); Series 12) The National Recovery Act and National Recovery Administration (Boxes 234-241) with Subseries A) General Files (Boxes 234-238) and Subseries B) National Recovery Administration Codes (Boxes 238-241); Series 13) Oversize Scrapbook Volumes of Newspaper Clippings and News clippings Files with Subseries A) Scrapbooks (Boxes 242-252) and Subseries B) News clipping Files (Boxes 253-257); Series 14) Topical Files with Subseries A) Coal (Boxes 258-270), Subseries B) Railroad (Boxes 271-287), and Subseries C) General A-Z (Boxes 288-389); and Series 15) Printed Material and Works by Others (Boxes 389-399) with Subseries A) Printed Material (Boxes 389-396) and Subseries B) Works by Others (Boxes 397-399).","Lauck often marked his newspapers and other periodical materials according to subject matter. These clippings are arranged according to his original categorical markings, where possible. Where no markings are discernable, they have been artificially sorted into Lauck's categories or other appropriate topical divisions. They are arranged alphabetically by subject with dedicated, separate folders for subjects with large amounts of material. (Brackets [] denote subtopics or linked topics). Files chiefly consist of news clippings but occasionally there is other printed material or charts, etc.","Arranged alphabetically by last name of authors or speakers with subjects noted, if appropriate."],"bioghist_html_tesm":["\u003cp\u003eWilliam Jett Lauck, an American economist and statistician, whose work expertise and experience was both broad and varied, was born on August 2, 1879, in Keyser, West Virginia, to William Blackford Lauck, a railway official, and Emma Eltinge (Spengler) Lauck. He attended Keyser High School and Washington and Lee University (Bachelor of Arts, 1903), becoming a Fellow in the department of political economy at the University of Chicago, 1903-1906. Lauck was an associate professor of economics and political science at Washington and Lee University, 1905-1908, until he entered government service in 1908. That same year, he was married to Eleanor Moore Dunlap of Lexington, Virginia, and they had three children, William Jett Lauck, Jr., Eleanor Moore Lauck and Peter Blackford Lauck. Lauck belonged to the Cosmos and Chevy Chase clubs and was a member of Phi Beta Kappa, Kappa Sigma, and Theta Nu Epsilon.\u003c/p\u003e\n","\u003cp\u003eLauck joining the United States Immigration Commission in 1908-1909, where he designed a survey of immigration for the Commission. Lauck was the chief examiner for the Tariff Board, 1910-1911. The U.S. Commission on Industrial Relations hired Lauck in 1913-1915 as a managerial expert and consulting statistician to design their investigation into industrial problems in the United States. He was an economic advisor on the Canadian Commission on Economic Development, 1916. Lauck joined the U.S. National War Labor Board in 1918 as Secretary. \u003c/p\u003e\n","\u003cp\u003eLauck also took part in the national movement for banking reform and the establishment of the Federal Reserve banking system1911-1912. As an expert on railway economics, he represented the Brotherhoods of Locomotive Firemen and Engineers in their demands for wage increases during a series of arbitrations from 1912-1919, the Western freight weight case, 1915, and also represented the railroad unions in several high-profile national railroad arbitrations in the early twenties. Lauck functioned as the economic advisor for presidential candidate James B. Cox in 1920 and 1924. In 1926, Lauck devised a settlement to end the Passaic New Jersey textile strike. \u003c/p\u003e\n","\u003cp\u003eDuring a large part of his career, W. Jett Lauck acted as an economic advisor to John L. Lewis and the United Mine Workers, the Committee on Industrial Organization, the United Automobile Workers and other union organizations, in arbitrations and cases, 1919-1939. He was an investigator for the U.S. Coal Commission, 1923 and economist for the Grain Marketing Company, Chicago, 1924-1925. Lauck assisted on the legislative drafting committee for the National Recovery Act in 1933 and as an expert advisor to the Senate Finance Committee on the revision of the National Recovery Act in 1935. He was also a member of various special boards, and a labor advisor to the Coal Section of the National Recovery Act, 1933-1935. He was also often a government expert witness, as seen in his work for the House of Representatives Special Committee on Government Competition with Private Business, 1933. Lauck served as Chairman of the Pennsylvania Anthracite Industry Coal Commission, 1937. \u003c/p\u003e\n","\u003cp\u003eLauck was Vice President of the organization American Association for Economic Freedom. He was also an author or co-author of many books and other publications, including \"The Causes of the Panic of 1893\" (1905); \"The Immigration Problem\" with Johann Wolfgang Jenks (1911); \"Conditions of Labor in American Industries\" with Edgar Sydenstricker (1917); \"The Industrial Code\" with C.S. Watts (1923); Political and Industrial Democracy, 1776-1926\" (1926); and \"The New Industrial Revolution and Wages\" (1929) and Editor of \"British War Experience Series.\"\u003c/p\u003e\n","\u003cp\u003e\"W. Jett Lauck: Biography of a Reformer\" by Carmen Brissette Grayson is a 1975 University of Virginia dissertation that covers the early part of Lauck's career up until the Depression.\u003c/p\u003e","\u003cp\u003e\"The Congress of Industrial Organizations (CIO) was a federation of unions that organized workers in industrial unions in the United States and Canada from 1935 to 1955. Created in 1935 by John L. Lewis, who was a part of the United Mine Workers (UMW), it was originally called the Committee for Industrial Organization but changed its name in 1938 when it broke away from the American Federation of Labor.[1] It also changed names because it was not successful with organizing unskilled workers with the AFL.[2]\u003c/p\u003e\n","\u003cp\u003eThe CIO supported Franklin D. Roosevelt and the New Deal Coalition, and was open to African Americans. Both the CIO and its rival the AFL grew rapidly during the Great Depression. The rivalry for dominance was bitter and sometimes violent. The CIO (Congress for Industrial Organization) was founded on November 9, 1935, by eight international unions belonging to the American Federation of Labor.\u003c/p\u003e\n","\u003cp\u003eIn its statement of purpose, the CIO said it had formed to encourage the AFL to organize workers in mass production industries along industrial union lines. The CIO failed to change AFL policy from within. On September 10, 1936, the AFL suspended all 10 CIO unions (two more had joined in the previous year). In 1938, these unions formed the Congress of Industrial Organizations as a rival labor federation. The Taft-Hartley Act of 1947 required union leaders to swear that they were not Communists. Many CIO leaders refused to obey that requirement, later found unconstitutional. In 1955, the CIO rejoined the AFL, forming the new entity known as the American Federation of Labor-Congress of Industrial Organizations (AFL-CIO).\" This summary was taken directly from Wikipedia \u003c/p\u003e\n","\u003cp\u003ehttps://en.wikipedia.org/wiki/Congress_of_Industrial_Organizations\u003c/p\u003e","\u003cp\u003eThe Wage Reduction Case was brought by William S. Carter, President of the Brotherhood of Locomotive Firemen and Enginemen, originally against the Atlanta, Birmingham, and Atlantic Railway Company, before the United States Railroad Labor Board, but it eventually became a much larger case involving other Brotherhoods and Unions concerning railroad workers and wages.\u003c/p\u003e","\u003cp\u003eTimothy Shea was the Acting President of the Brotherhood of Locomotive Firemen and Enginemen between 1919-1922 .\u003c/p\u003e","\u003cp\u003eThe Six Hour Day Case was also referred to as the 30 Hour Week in the press and in supporting materials. The work was undertaken by Lauck for David B. Robertson, President of the Brotherhood of Locomotive Firemen and Enginemen.\u003c/p\u003e","\u003cp\u003eThis case was brought by the Brotherhood of Locomotive Firemen and Enginemen demanding that a fireman (helper) be employed on all types of power used in railroad service for safety, including diesel and streamline trains.\u003c/p\u003e","\u003cp\u003eThe Railway Wage Reduction Case of 1938 was presented before the Emergency Board by W. Jett Lauck on behalf of the Railway Labor Executives' Association.\u003c/p\u003e","\u003cp\u003eThis case was a call for amendment to the Tariff Act of 1922. Lauck represented a group of domestic manufacturers, including the Glass Containers Association of America, in putting together an argument for an increase in tariffs on imported glass bottles. It is important to note that Lauck did not represent industry in opposition to labor. The Glass Bottles Blowers Association submitted a brief agreeing with the domestic manufacturers, —but only in opposition to foreign goods making American industry and labor obsolete.\u003c/p\u003e","\u003cp\u003eThe Grain Marketing Company was created to jointly market the product of three grain companies: Armour Grain Company, Rosenbaum Grain Corporation, and Rosenbaum Brothers. W. Jett Lauck served as Director of Appraisals for this venture, preparing a large report on the valuation of the Grain Marketing Company's properties. This report was reproduced in many, slightly altered formats for different purposes, people, and groups, and these variants are the subject of many folders in the case, which contain significant overlap.\u003c/p\u003e","\u003cp\u003eThe Agricultural Adjustment Administration implemented a new tax on paper towels. The reason given was that they competed with typical cotton towels. W. Jett Lauck advised the Paper Towel Manufacturers Association and prepared their case before the Agricultural Adjustment Administration and Congress.\u003c/p\u003e","\u003cp\u003eSome 16,000 textile workers participated in the strike, centered in Passaic, New Jersey and initially organized as the \"United Front Committee\" by the Workers (Communist Party) before being transferred to the leadership of the American Federation of Labor. W. Jett Lauck served as a consulting economist to the strikers, chairman of the Plenary Committee (also known as The Citizens Committee or the Lauck Committee) representing the strikers and overseeing transition to the American Federation of Labor, economist for the National Committee for Passaic Relief and Defense, and member of the Temporary Committee for Establishment of American Standards of Life for Textile Workers, as well as participated in the case on the floor of the Senate and in Senate Committees.\u003c/p\u003e","\u003cp\u003eThis case was between the Franklin Division of the Franklin Typothetae of Chicago and a collection of unions, namely: the Chicago Typographical Union No. 16, Chicago Printing Pressmen's Union No. 3, Franklin Union No. 4, and Bookbinders' and Paper Cutters' Union No. 8 regarding a cut in wages. W. Jett Lauck represented the unions and prepared their case alongside Arthur Sturgis.\u003c/p\u003e","\u003cp\u003eThe Guffey-Snyder Act was officially known as the Bituminous Coal Conservation Act of 1935. This law was passed as part of the New Deal and created the Bituminous Coal Commission to set the price of coal. It was ruled unconstitutional and was replaced by the Guffey-Vinson Act in 1937.\u003c/p\u003e","\u003cp\u003ePujo Committe named after the chairman of the Banking and Currency Committee, Representative A. Pujo of Louisiana.\u003c/p\u003e","\u003cp\u003eEugene Meyer was Governor of the Federal Reserve Board and J.W. Pole was Comptroller of the Currency in 1932.\u003c/p\u003e","\u003cp\u003eThis committee was chaired by Congressman Joseph B. Shannon, (1867-1943), a Democrat from Kansas City, Missouri.\u003c/p\u003e","\u003cp\u003eP.J. Morrin was the general president of the International Association of Bridge, Structural, and Iron Workers; Jett Lauck was the economic advisor for the same organization.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["William Jett Lauck, an American economist and statistician, whose work expertise and experience was both broad and varied, was born on August 2, 1879, in Keyser, West Virginia, to William Blackford Lauck, a railway official, and Emma Eltinge (Spengler) Lauck. He attended Keyser High School and Washington and Lee University (Bachelor of Arts, 1903), becoming a Fellow in the department of political economy at the University of Chicago, 1903-1906. Lauck was an associate professor of economics and political science at Washington and Lee University, 1905-1908, until he entered government service in 1908. That same year, he was married to Eleanor Moore Dunlap of Lexington, Virginia, and they had three children, William Jett Lauck, Jr., Eleanor Moore Lauck and Peter Blackford Lauck. Lauck belonged to the Cosmos and Chevy Chase clubs and was a member of Phi Beta Kappa, Kappa Sigma, and Theta Nu Epsilon.","Lauck joining the United States Immigration Commission in 1908-1909, where he designed a survey of immigration for the Commission. Lauck was the chief examiner for the Tariff Board, 1910-1911. The U.S. Commission on Industrial Relations hired Lauck in 1913-1915 as a managerial expert and consulting statistician to design their investigation into industrial problems in the United States. He was an economic advisor on the Canadian Commission on Economic Development, 1916. Lauck joined the U.S. National War Labor Board in 1918 as Secretary. ","Lauck also took part in the national movement for banking reform and the establishment of the Federal Reserve banking system1911-1912. As an expert on railway economics, he represented the Brotherhoods of Locomotive Firemen and Engineers in their demands for wage increases during a series of arbitrations from 1912-1919, the Western freight weight case, 1915, and also represented the railroad unions in several high-profile national railroad arbitrations in the early twenties. Lauck functioned as the economic advisor for presidential candidate James B. Cox in 1920 and 1924. In 1926, Lauck devised a settlement to end the Passaic New Jersey textile strike. ","During a large part of his career, W. Jett Lauck acted as an economic advisor to John L. Lewis and the United Mine Workers, the Committee on Industrial Organization, the United Automobile Workers and other union organizations, in arbitrations and cases, 1919-1939. He was an investigator for the U.S. Coal Commission, 1923 and economist for the Grain Marketing Company, Chicago, 1924-1925. Lauck assisted on the legislative drafting committee for the National Recovery Act in 1933 and as an expert advisor to the Senate Finance Committee on the revision of the National Recovery Act in 1935. He was also a member of various special boards, and a labor advisor to the Coal Section of the National Recovery Act, 1933-1935. He was also often a government expert witness, as seen in his work for the House of Representatives Special Committee on Government Competition with Private Business, 1933. Lauck served as Chairman of the Pennsylvania Anthracite Industry Coal Commission, 1937. ","Lauck was Vice President of the organization American Association for Economic Freedom. He was also an author or co-author of many books and other publications, including \"The Causes of the Panic of 1893\" (1905); \"The Immigration Problem\" with Johann Wolfgang Jenks (1911); \"Conditions of Labor in American Industries\" with Edgar Sydenstricker (1917); \"The Industrial Code\" with C.S. Watts (1923); Political and Industrial Democracy, 1776-1926\" (1926); and \"The New Industrial Revolution and Wages\" (1929) and Editor of \"British War Experience Series.\"","\"W. Jett Lauck: Biography of a Reformer\" by Carmen Brissette Grayson is a 1975 University of Virginia dissertation that covers the early part of Lauck's career up until the Depression.","\"The Congress of Industrial Organizations (CIO) was a federation of unions that organized workers in industrial unions in the United States and Canada from 1935 to 1955. Created in 1935 by John L. Lewis, who was a part of the United Mine Workers (UMW), it was originally called the Committee for Industrial Organization but changed its name in 1938 when it broke away from the American Federation of Labor.[1] It also changed names because it was not successful with organizing unskilled workers with the AFL.[2]","The CIO supported Franklin D. Roosevelt and the New Deal Coalition, and was open to African Americans. Both the CIO and its rival the AFL grew rapidly during the Great Depression. The rivalry for dominance was bitter and sometimes violent. The CIO (Congress for Industrial Organization) was founded on November 9, 1935, by eight international unions belonging to the American Federation of Labor.","In its statement of purpose, the CIO said it had formed to encourage the AFL to organize workers in mass production industries along industrial union lines. The CIO failed to change AFL policy from within. On September 10, 1936, the AFL suspended all 10 CIO unions (two more had joined in the previous year). In 1938, these unions formed the Congress of Industrial Organizations as a rival labor federation. The Taft-Hartley Act of 1947 required union leaders to swear that they were not Communists. Many CIO leaders refused to obey that requirement, later found unconstitutional. In 1955, the CIO rejoined the AFL, forming the new entity known as the American Federation of Labor-Congress of Industrial Organizations (AFL-CIO).\" This summary was taken directly from Wikipedia ","https://en.wikipedia.org/wiki/Congress_of_Industrial_Organizations","The Wage Reduction Case was brought by William S. Carter, President of the Brotherhood of Locomotive Firemen and Enginemen, originally against the Atlanta, Birmingham, and Atlantic Railway Company, before the United States Railroad Labor Board, but it eventually became a much larger case involving other Brotherhoods and Unions concerning railroad workers and wages.","Timothy Shea was the Acting President of the Brotherhood of Locomotive Firemen and Enginemen between 1919-1922 .","The Six Hour Day Case was also referred to as the 30 Hour Week in the press and in supporting materials. The work was undertaken by Lauck for David B. Robertson, President of the Brotherhood of Locomotive Firemen and Enginemen.","This case was brought by the Brotherhood of Locomotive Firemen and Enginemen demanding that a fireman (helper) be employed on all types of power used in railroad service for safety, including diesel and streamline trains.","The Railway Wage Reduction Case of 1938 was presented before the Emergency Board by W. Jett Lauck on behalf of the Railway Labor Executives' Association.","This case was a call for amendment to the Tariff Act of 1922. Lauck represented a group of domestic manufacturers, including the Glass Containers Association of America, in putting together an argument for an increase in tariffs on imported glass bottles. It is important to note that Lauck did not represent industry in opposition to labor. The Glass Bottles Blowers Association submitted a brief agreeing with the domestic manufacturers, —but only in opposition to foreign goods making American industry and labor obsolete.","The Grain Marketing Company was created to jointly market the product of three grain companies: Armour Grain Company, Rosenbaum Grain Corporation, and Rosenbaum Brothers. W. Jett Lauck served as Director of Appraisals for this venture, preparing a large report on the valuation of the Grain Marketing Company's properties. This report was reproduced in many, slightly altered formats for different purposes, people, and groups, and these variants are the subject of many folders in the case, which contain significant overlap.","The Agricultural Adjustment Administration implemented a new tax on paper towels. The reason given was that they competed with typical cotton towels. W. Jett Lauck advised the Paper Towel Manufacturers Association and prepared their case before the Agricultural Adjustment Administration and Congress.","Some 16,000 textile workers participated in the strike, centered in Passaic, New Jersey and initially organized as the \"United Front Committee\" by the Workers (Communist Party) before being transferred to the leadership of the American Federation of Labor. W. Jett Lauck served as a consulting economist to the strikers, chairman of the Plenary Committee (also known as The Citizens Committee or the Lauck Committee) representing the strikers and overseeing transition to the American Federation of Labor, economist for the National Committee for Passaic Relief and Defense, and member of the Temporary Committee for Establishment of American Standards of Life for Textile Workers, as well as participated in the case on the floor of the Senate and in Senate Committees.","This case was between the Franklin Division of the Franklin Typothetae of Chicago and a collection of unions, namely: the Chicago Typographical Union No. 16, Chicago Printing Pressmen's Union No. 3, Franklin Union No. 4, and Bookbinders' and Paper Cutters' Union No. 8 regarding a cut in wages. W. Jett Lauck represented the unions and prepared their case alongside Arthur Sturgis.","The Guffey-Snyder Act was officially known as the Bituminous Coal Conservation Act of 1935. This law was passed as part of the New Deal and created the Bituminous Coal Commission to set the price of coal. It was ruled unconstitutional and was replaced by the Guffey-Vinson Act in 1937.","Pujo Committe named after the chairman of the Banking and Currency Committee, Representative A. Pujo of Louisiana.","Eugene Meyer was Governor of the Federal Reserve Board and J.W. Pole was Comptroller of the Currency in 1932.","This committee was chaired by Congressman Joseph B. Shannon, (1867-1943), a Democrat from Kansas City, Missouri.","P.J. Morrin was the general president of the International Association of Bridge, Structural, and Iron Workers; Jett Lauck was the economic advisor for the same organization."],"originalsloc_html_tesm":["\u003cp\u003eThe original letters from Franklin D. Roosevelt to W. Jett Lauck were transferred to the UVA Special Collections Franklin D. Roosevelt papers, on February 6, 2005.\u003c/p\u003e","\u003cp\u003eThe original letters from Upton Sinclair to W. Jett Lauck were transferred to the UVA Special Collections Upton Sinclair papers on February 6, 2005.\u003c/p\u003e","\u003cp\u003eThe original letters from William H. Taft to W. Jett Lauck were transferred to the UVA Special Collections William H. Taft papers on February 6, 2005.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals"],"originalsloc_tesim":["The original letters from Franklin D. Roosevelt to W. Jett Lauck were transferred to the UVA Special Collections Franklin D. Roosevelt papers, on February 6, 2005.","The original letters from Upton Sinclair to W. Jett Lauck were transferred to the UVA Special Collections Upton Sinclair papers on February 6, 2005.","The original letters from William H. Taft to W. Jett Lauck were transferred to the UVA Special Collections William H. Taft papers on February 6, 2005."],"processinfo_html_tesm":["\u003cp\u003eManuscript student assistants who worked on the W. Jett Lauck papers for at least one semester include Jacob M. Baker, Shannon Lee, Jacob T. Shaw, and Emily Shipman.\u003c/p\u003e","\u003cp\u003eOnly two copies of identical duplicates having no annotations were kept. Duplicates were compared and only two were kept of each unique document or publication.  News clippings were only copied if used by Lauck in a case or arbitration, contained an article or other work by him, or information pertaining to his work and career. Others were sorted and arranged by topcs that he had written on the clipping; those with no obvious relevance were discarded. Ledgers and scrapbooks were rehoused in acid free cubic boxes or phase boxes created by the Preservation staff.\u003c/p\u003e","\u003cp\u003eOriginally the papers were organized with the help of a University of Virginia history seminar sometime between their transfer to Special Collections from the Law Library and 1973, producing a large paper finding aid consisting of the list of the file folder headings. Folders were replaced near the end of the 1990's but some folder headings were lost or corrupted. In 2018, the papers were re-organized into series based on several early indexes created by the office of W. Jett Lauck. Folder headings were corrected based on the indexes, the original paper finding aid, and Lauck's notations on the tops of his documents. Headings were altered on the folders when possible to match the finding aid but only some of the folders were replaced due to constraints of time and money.\u003c/p\u003e","\u003cp\u003ePhysical processing work was complicated by constant student assistant turn-over and the interruption of the Pandemic of 2020-2021, which prevented onsite work for almost six months and allowed only several onsite short stints per week  the rest of the time. The finding aid is as accurate as these conditions have permitted but there may well be inconsistencies. If such errors are discovered, we welcome researcher input.\u003c/p\u003e","\u003cp\u003eMost dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.\u003c/p\u003e","\u003cp\u003eMost dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.\u003c/p\u003e","\u003cp\u003eThe index for this case shows that the supporting materials are incomplete. Some materials may have not survived or others may be present in the collection but their direct connection to this particular case has been lost.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["Manuscript student assistants who worked on the W. Jett Lauck papers for at least one semester include Jacob M. Baker, Shannon Lee, Jacob T. Shaw, and Emily Shipman.","Only two copies of identical duplicates having no annotations were kept. Duplicates were compared and only two were kept of each unique document or publication.  News clippings were only copied if used by Lauck in a case or arbitration, contained an article or other work by him, or information pertaining to his work and career. Others were sorted and arranged by topcs that he had written on the clipping; those with no obvious relevance were discarded. Ledgers and scrapbooks were rehoused in acid free cubic boxes or phase boxes created by the Preservation staff.","Originally the papers were organized with the help of a University of Virginia history seminar sometime between their transfer to Special Collections from the Law Library and 1973, producing a large paper finding aid consisting of the list of the file folder headings. Folders were replaced near the end of the 1990's but some folder headings were lost or corrupted. In 2018, the papers were re-organized into series based on several early indexes created by the office of W. Jett Lauck. Folder headings were corrected based on the indexes, the original paper finding aid, and Lauck's notations on the tops of his documents. Headings were altered on the folders when possible to match the finding aid but only some of the folders were replaced due to constraints of time and money.","Physical processing work was complicated by constant student assistant turn-over and the interruption of the Pandemic of 2020-2021, which prevented onsite work for almost six months and allowed only several onsite short stints per week  the rest of the time. The finding aid is as accurate as these conditions have permitted but there may well be inconsistencies. If such errors are discovered, we welcome researcher input.","Most dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.","Most dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.","The index for this case shows that the supporting materials are incomplete. Some materials may have not survived or others may be present in the collection but their direct connection to this particular case has been lost."],"relatedmaterial_html_tesm":["\u003cp\u003eSee related material in Box 9 under John L. Lewis.\u003c/p\u003e","\u003cp\u003eSee also Press Releases: Philip Murray Opening Statement and Final Argument.\u003c/p\u003e","\u003cp\u003eSee related materials in MSS 4742 Box 192.\u003c/p\u003e","\u003cp\u003eSee also James Couzens files in MSS 4742, Box 308.\u003c/p\u003e","\u003cp\u003eProfiteering files include: Exhibits (2 folders); Food Products; Flour; General; and Industrial Establishment (2 folders).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["See related material in Box 9 under John L. Lewis.","See also Press Releases: Philip Murray Opening Statement and Final Argument.","See related materials in MSS 4742 Box 192.","See also James Couzens files in MSS 4742, Box 308.","Profiteering files include: Exhibits (2 folders); Food Products; Flour; General; and Industrial Establishment (2 folders)."],"scopecontent_html_tesm":["\u003cp\u003eThe W. Jett Lauck collection consists of his professional, business and personal papers as an economist, statistician and government consultant on immigration, banking, railroads, coal, and unemployment problems as well as other facets of labor in the United States. Included are correspondence, scrapbooks of news clippings reflecting his activities, labor reports and studies, drafts of congressional bills, legal briefs, and other material concerning labor problems in the United States from its formative World War I years until 1949. They begin with his association with the progressive labor codes of the Taft-Walsh Labor Relations Commission and continue with the Railway Labor Act of 1926; the fight to gain recognition of labor's right to collective bargaining \"through representatives of their own choosing\" under the National Industrial Recovery Act in 1933; the incorporation of its principles in the National Labor Relations Act; and further activity in defense of this act.\u003c/p\u003e\n","\u003cp\u003eOther manuscripts deal with studies of government competition with private business, the American Association for Economic Freedom, the New York Power Authority; branch, chain, and group banking, drafts of speeches, and work diary accounts of activities and meetings with prominent congressional and labor leaders on labor problems and legislation.\u003c/p\u003e\n","\u003cp\u003eThe largest portions of the W. Jett Lauck papers deal with cases and arbitrations, chiefly railroad and coal related, his work on various boards and commission and topical files.\u003c/p\u003e\n","\u003cp\u003eHis correspondence with individuals heading organizations interested in labor and industrial relations was wide-spread, just as it was with political figures, educators, and labor leaders.\n Among the public figures with whom he corresponded are Bernard Baruch, Homer S. Cummings, Clarence A. Dystra, John T. Flynn, Guy M. Gillette, Leon Henderson, Herbert Hoover, Hugh S. Johnson, Jesse Jones, William S. Knudsen, Robert M. Fa Follette, Jr., Franklin K. Lane, John L. Lewis,  H.C. Lodge, Jr., William G. McAdoo, James M. Mead, Francis P. Miller, Henry Morgenthau, Karl E. Mundt, Donald Nelson, Judge Ferdinand Pecora, Frances Perkins, Gifford Pinchot, James H. Price, Franklin D. Roosevelt, E.R. Stettinius, Jr., Robert F. Wagner, David I. Walsh, Burton K. Wheeler, and Woodrow Wilson.\nThe educators include Hardy Dillard, Edward C. Elliot, Frank Graham, J.W. Jenks, Richard R. Mead, Lewis Tyree, Harry F. Ward, H.B. Wells, and Ray Lyman Wilbur; and the labor leaders Jacob Baker, Solomon Barkin, Van A. Bittner, Sophia Carey, David Dubinsky, P.T. Fagan, John P. Frey, William Green, Sydney Hillman, Earl E. Houck, Thomas Kennedy, Donald MacMillan, and A.O. Wharton.\u003c/p\u003e","\u003cp\u003eThis series consists chiefly of correspondence but also includes typescripts of speeches by individuals, and financial and other information about organizations.\u003c/p\u003e","\u003cp\u003eCorrespondents include:  E. Abbott, Louis Adamic, Adrian Adelman, Sara M. Addison, Joseph Agor, Helen Alfred, Fred H. Allen, Irving B. Altman (editor of \"Dynamic America\"), Aluminum Workers of America, Amalgamated Association of Street and Electric Railway Employees, American Association for Labor Legislation, American Association for Social Security, American Council, American Council on Public Affairs, American Farm Bureau Federation, American Guernsey Cattle Club, American Institute for Economic Research, The American Legion, American Political Science Association, American Sugar Cane League, Americana Corporation concerning Lauck's article on United Mine Workers of America, Thomas R. Amlie, Dr. James W. Angell, Charles P. Anson, \"Atlantic Monthly,\" Paul H. Appleby, Leon Ardzrooni (about the death of Thorstein Veblen), Mr. O.M. Armstrong, and Robert W. Arthur.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Jacob Baker, Kent Baker, Bank of the Manhattan Company, Mary Barclay, A. K. Barnes, Joseph L. Barnett, Gerald Barradas, Barron's (The National Financial Weekly), John Barth, Mrs. Everett Boughton, Mrs. Robert Bennett Bean, Grant L. Bell, William H. Bell, Harold F. Berg, Nelson N. Berry, S. D. Berry, Jacob Billikoph, Margaret G. B. Blachley, James E. Black, Honorable William Harman Black,  Amy Blankenhorn, Heber Blankenhorn, Dr. Thomas C. Blaisdell, Jr., Ellis P. Block, John A. Bohn, E.W.G. Boogher, Book-of-The-Month Club, Inc., Judge Julian F. Bouchelle, Basil Nicholas Helenagoras Bousios, Fenton Bradford, C. Daniel Bremer, Samuel Bristol, G.L. Broaddus, St. Claire Brookes, The Brookings Institution, Herbert Bruce Brougham, E. Kirk Brown, Law Offices of Brown and Brown, H. Russel Brand, Carl P. Brannin, Selig C. Brez, P.F. Brissenden, Professor Leslie Buckler, Raymond Leslie Buell, John Bullock, Bureau of Agricultural Economics, Bureau of Applied Economics, The Bureau of National Affairs, Harold B. Butler, John E. Burton, J.C. Byars, Herman B. Byer, and Reverend James A. Byrnes.\u003c/p\u003e","\u003cp\u003eCorrespondents include: [Cadle], Jessie L. Campbell, R. Granville Campbell, The Capital News Company,Sophia Carey, Harry J. Carman, J.D. Carneal and Sons Inc.,  Caroline County Library Committee, M.D. Carrel, Samuel McCrea Cavert, The Chesapeake and Ohio Railway Company, The Chesapeake and Potomac Telephone Company, Mrs. Charlotte Chrestien, The Christian Science Publishing Society, Citizens' Council for Total Defense, Brice Claggett, V.M. Clapp, Clark, Dodge and Company, Brokers, Evans Clark, Victor S. Clark, W. A. Clark, Pauline Clarke, J. William Claudy, Thompson Clayton, Dr. Rudolph A. Clemen, Walt Clyde, The Clerk of the Stafford Court House, E.J. Coil, Kenneth Colegrove, George P. Comer, Department of Commerce, Commodity Research Bureau, Inc., Common Council for American Unity, Ellen Commons, Congressional Intelligence, Inc., Consolidated Vultee American Aircraft Corporation, Dr. P. S. Constantinople, W. Dewey Cooke, Edward L. Corbett, James Corbett, John M. Corbett, Council Against Intolerance in America, Council of Young Southerners, Frederick C. Croxton, Cosmos Club, Morgan Cunningham, and Curles Neck Dairy.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Oscar H. Darter, Henry David, Elmer Davis, Shelby Cullom Davis, William H. Davis, Len De Caux, Kenneth de Courcy, De Jarnette State Sanatorium, Lud Denny, United States Department of Commerce, Marshall E. Dimock (U.S. DoJ), District Unemployment Compensation Board, Edward J. Donohue, Frank P. Douglass, Law Offices of Drain and Weaver, David Dubinsky, Allan Dunlap, Arthur Dunn, Robert W. Dunn, and C. A. Dykstra.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Joseph B. Eastman, Economic Policy Committee, C. Vernon Eddy, J. A. Efpokito, Gerald Egan, Electric Home and Farm Authority, and Charles T. Estes.\u003c/p\u003e","\u003cp\u003eCorrespondents include: P. T. Fagan, Reverend Richard M. Fagley, Ruth Ansell Farley, The Farmers and Merchants State Bank, The Federal Council of the Churches of Christ in America, Federal Works Progress Administration for the Commonwealth of Pennsylvania, First Bancredit Corporation, First National Bank of Boston, The First National Bank of Keyser, Fjell Line of Great Lakes Transatlantic, Inc., Ralph Fleharty, R. D. Fleming, Courtney Fletcher, Duncan U. Fletcher, M. S. Flint, Frank H. Fljozdal, Fitzgerald Flourney, Hon. Edward J. Flynn, John T. Flynn, Foley, Food Research Institute of Stanford University, B.C. Forbes (Forbes Magazine), R. D. Forbes, Forbes and Myers, Foreign Policy Association, Clark Forman, Fortune, The Forum, Major B. Foster, Founders General Corporation, Mrs. M. N. Fox, Jerome Frank, Frank Brothers, Lafayette Franklin, Franklin Press, Franklin Simon Company, T. McCall Frazier, Free Lance-Star, W. R. Freeman, Paul Comly French, John P. Frey, Elisha M. Friedman, Ruth Friedson, and R. S. Fritter.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Domenico Gagliardo, George B. Galloway, O. Max Gardner, Honorable Leslie C. Garnett, William Edward Garnett, Stanley Garrison, H. Dymoke Gasson, Paul W. Gates, Gayle Motor Company, Theodore Geiger, Phyliss Geisler, General Elevator Co., General Motors Corporation, Alfred Giardino, Clinton S. Golden, Clem Goodman, Henry J. Goodman \u0026amp; Co., C. O'Connor Goolrick, John T. Goolrick, Mary K. Gorman, Frank P. Graham, Sally Nelson Gravatt, Walter C. Graves Jr., H. A. Gray, Lanier Gray, H. B. Greybill, Myra Moore Griffith, J. Cleveland Grigsby, Sarah Groomes, Guthrie Lithograph Company, and Walter B. Guy.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Ernst Haberstadt, Max Haleff, Ford P. Hall, Fred W. Hall, F. S. Hall, Edward W. Hamilton, H. E. Hamilton, Hampden-Sydney College, Hugh S. Hanna, Charles Hansel, William Hard, Harper and Brothers, Emma Harris, Owen Harris, Harvard College Library, Leon Henderson, S.J Henry, Warren F. Hickernell, R. G. Hilldrup, Otto Hillsman and Co., Mary W. Hillyer, S. H. Hines Company, David Hirsh and Son, H. C. Holdridge, Hoover War Library, Herbert Hoover, Harry L. Hopkins, Welly K. Hopkins, Dr. W. E. Hotchkiss, Curtis Hubbard, J.S. Hughes, W. A. Hull, and Thomas Lomax Hunter.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Major William W. Inglis, Institute of American Meat Packers, Institute of World Economics, International Bank, International Statistical Bureau, Inc., Interstate Bankers Corporation, Investment Bankers Association of America, and Irving Trust Company.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Gardner Jackson, Meyer Jacobstein, Jjell Lines, Thomas Jefferson (typescript copy of letter, June 11, 1807, concerning newspapers and histories), J. M. Johnson, Honorable Jessie Jones, Roberts W. Jones, N.Y. Journal of Commerce, and The Jury Commission.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Evelyn Kane, Kappa Sigma House Association, Inc., Augustine B. Kelley, Leon H. Keyserling, Susan M. Kingsbury, Dr. George E. Kingsley, Richard Kirby, John H. Klingenfeld, and Oscar Koppel.\u003c/p\u003e","\u003cp\u003eCorrespondents include: LABOR, Ladies' Garment Workers Union, (William H. Lamar), Sophia J. Lammers, H. Lamson, Richard V. Lancaster, Thomas Larkin III, Joseph P. Lash, David Lasser, Howard Lee, Joseph N. Leinbach, Albert H. Levene, Robert E. Levine, Charles T. Libby, David E. Lilienthal, The Lincoln National Bank of Washington, Ernest K. Lindley, Geo. W. Linkins, Co., Irving Lipkowitz, Henry T. Lipman, Thomas E. Lodge, Stephen M. Loebl, Norman Lombard, W. C. Looker, Jr., Edward Lynch, and Barrow Lyons.\u003c/p\u003e","\u003cp\u003eTopics include: American Legion Convention (1945); Committee for Industrial Organization Procedure and Policy (1935-1936); C.I.O. A.F.L. (1940); Congressman Martin and Mr. MacDougall (1939 March 3); Farmington Conference- War Time Organization Planned by the Administration (1939); Fixation of Coal Prices, Memos Relative to (1939); Fortune Magazine's Conferences or Round Tables (1939); Income Tax Returns of Lewis, J. L. (1940-1941); The Inner Circle (1942 Feb 11); Inter-American Bank (1940); Lindberg on \"Preparedness\" (1940); Missouri Pacific Bonds (1941-1942); National Defense to Post-War Planning (1942-1945); Oil and Gas on a Basis of Equality with Coal (1939); A Plan for Economic Democracy - Article written by Major Holdridge (1939); A Plan for Solving the Economic Crisis by Dr. R.H. Von Liedtke (1937-1941); \"Prohibiting\" Strikes for the Emergency Period (1940); James L. Simpson \"Plan for Maintenance of Economic Balance and Security\" (1940);  The Townsend Plan and Mr. Ivan Towanski (1942); Union Shop and Mr. Leland Olds (1941 November 14); United Mine Workers Suggested Program (1934-1935); War Against Unemployment and Poverty (1940 January 10); Threatened  Competition of Natural Gas with Coal (1944 December 5); and Big Inch Pipe Lines and the Rural Electrification Administration (1946 January 14).\u003c/p\u003e","\u003cp\u003eCorrespondents include: Bishop Francis J. McConnell, William MacDonald, Ernst D. MacDougall, Donald MacMillan, W. C. MacQuown, R. A. Magowan, Edward C. Maguire, Elizabeth M. Maher, Mason Manghum, Maxwell J. Mangold, Bank of the Manhattan Company, Basil Manly, L. C. Marshall, Thomas O. Marvin, Maryland and District of Columbia Industrial Union Council, Maryland Title and Investment Company, Lucy Randolph Mason, Massachusetts Mutual Life Insurance Company, The Bank of Mathews, Inc., Honorable Maury Maverick, Herbert Mazo, Charles McCarthy, Summerfield A. McCarteney, Bishop Francis J. McConnell, Wm. P. McGinn, Edw. F. McGrady, McGraw-Hill Publishing Company-Inc., Ernest D. McIver, Dr. Archibald McLeish, Thomas P. McTigue, Honorable James M. Mead, Richard R. Mead, Royal D. Mead, D. J. Meserole, Eugene Meyer, Jr.,  Francis Pickens Miller, Francis Trevelyan Miller, Ward B. Miller, H. A. Millis, The Milwaukee Journal, Mine Official's Union of America, John J. Minor, George Minnigerode, William Mitch, Wesley C. Mitchell, R. C. L. Moncure, Jr., Monroe and Berry, C. D. Montague, Jean Montgomery, Monthly Labor Review, Robert Morey, Charles S. Morgan, H. W. Morgan, Marie Morris, J. H. Muirhead, Honorable Karl E. Mundt, and Gorham Munson.\u003c/p\u003e","\u003cp\u003eCorrespondents include: William R. Nagel, Leonard Nairn, Dr. Philip Curtin Nash, Nash Floor Service, A. Nash Tailoring Company, Natalie, Inc., The Nation, The National Association for the Advancement of Colored People, National Association of Manufacturers, National Association of Retired Federal Employees, The National Bank, National Bank of Orange, National Bank of the Republic, National Bank of Washington, National Bituminous Coal Commission, National Broadcasting Company, Inc., National Bureau of Economic Research, National Catholic Welfare Conference, National Child Labor Committee, National Citizen's Council For Defense, The National City Bank of New York, National Cold Steam Company, National Consumers' League, National Council for Prevention of War, National Defense Mediation Board, National Electric Light Association, The National Encyclopedia, National Labor Relations Board, National Lawyers Guild, National Life Insurance Company, National Planning Association, National Resources Planning Board, National Policy Committee, National Press Club, National Recovery Administration, National Resources Board, National Sharecroppers Week, National Window and Office Cleaning Company, National Women's Trade Union League of America, Nation's Business, Nation's Commerce, J. S. Naylor, Donald Nelson, New America, The New Republic, Newsweek, W. S. Newton, The New York Times, George W. Norris, Cecil C. North, The Northern Neck Mutual Fire Association of Virginia, Claudian B. Northrop, and Harold Bernard November.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Charlton Ogburn, William F. Ogburn, J. G. Ohsol, Joseph C. O'Mahoney, Organization Committee of Social Union, Inc., Mary O'Shaughnessy, William Owen, and John W. Owens.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Pabst Post-War Employment Awards, A. H. Packard, C. C. Packard, Florence E. Parker, The Parker Corporation, Julius H. Parmelee, Col. Samuel Pascoe, Leo Pavolsky, M. W. Paxton, Jr., Walter Phipes, George Curtis Peck, Ferdinand Pecora, William R. Pendergast, Willis Pepoon, Fred W. Perkins, Thomas W. Perry, Charles E. Persons, Samuel B. Pettengill, Julius I. Peyser, L. W. H. Peyton, David A. Pine, David W. Pipes Jr., Fort Pipes, W. G. Pitero, P.M., Justine Wise Polier, Shad Polier, Wm. T. Powers, Richard T. Pratt, Prentice-Hall, Inc., Evelyn Preston, Harry B. Price, James H. Price, Provisional Committee Toward A Democratic Peace, and Public Affairs Committee.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Railway Age, Ransdell Inc., Mervyn Rathborne, Stephen Rauschenbush, Carl Raushenbush, The Readers Club, Philip M. Riefkin, Charles S. Robb, James Robb, Newell W. Roberts, D. B. Robertson, Mr. Robey, John M. Robinson, Leland Rex Robinson, Josephine Roche, Rockbridge National Bank, John D. Rockefeller, Jr., Harry L. Rogers, Paul V. Rogers, William N. Rogers, Henry Romeike, Incorporated, Samuel Romer, Walter A. Romer, Leon H. Rouse (with William Green),  Rouss Library, Frances Rowe, and Harold J. Ruttenberg.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Russell Sage, Lewis D. Sampson, Samuel L. Samuel, Dr. David J. Saposs, Saturday Evening Post, Marshall Schaffer, D. M. Schnapper, L. B. Schnapper, Joseph Schneider, G. Luther Schnur, James T. Shotwell, H. L. Schuh, Montgomery Schuyler, Louis J. Schwab, Henry Herman Schwartz, Ray Scott, Charles Scribner's Sons, Seaboard Air Line Railway Company, Joel Seidman, Shaw-Walker, Chester Shepard, Chester Sheppard, R. T. Shields, Silcox Memorial Fund, Simmons-Boardman Publishing Corporation, Sidney Simon, Richard C. Simonson, John F. Sinclair, Anthony Wayne Smith, C. Archer Smith, Edwin S. Smith, Nelson Lee Smith, S. Granville Smith, Vernon D. Smith, Bernard A. Smyth, H. M. Snead, Jr., Social Union, Inc., The Society for the Advancement of Management, Inc., John E. W. Sohl, L. W. Sorrell, Southern Conference for Human Welfare, Southern Maryland Trust Company, Mr. Sovey, Alexander Spencer, Sphere, R. B. Spindle, George L. Sprague, Saint Albans, Margaret S. Stables, William H. Stafford, Stafford County, Standard Oil Company, Stanford University Library, Louis Stark, State Loan Company, State Teachers College, Henry M. Stephenson, STEEL, Steel Workers Organizing Committee, A. A. Steele, Jean Stephenson, Jos. G. Stephenson, Boris Stern, Harold Stern, E. R. Stettinius, W. M. Steuart, Harry H. Stockfeld, W. L. Stoddard, Benjamin Stolberg, Irving Stone, N. L. Stone, William T. Stone, Chas. G. Stott and Co., Inc., Paul A. Strachan, David Strain, Ralph Strathmore, Nathan Straus, John Studebaker, Ralph G. Sucher, Arthur E. Suffern, Superintendent of Documents (Government Printing Office), Elmer Swack, Paul E. Switzer, Alois P. Swoboda, and Mr. Sydenstricker.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Ivan Tarnowsky, Tax Policy League, Ordway Tead, Tennessee Valley Authority (Representative Noble J. Gregory), Percy Tetlow, Dorothy Thompson, TIME MAGAZINE, Daniel J. Tobin, John H. Tolan, The Travelers Insurance Company, Beverly Tucker, Henry Saint George Tucker, Earl R. Turner, and The Twentieth Century Fund.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Alfred P. Wagner, Gordon Wagner, Robert F. Wagner, Thomas C. G. Wagner, J. Forest Walker, Allan E. Walker and Company, George A. Wallace, J. Raymond Walsh, August G. Walters, James N. Walton, James P. Warburg, Dr. Harry E. Ward, R. D. Ward, Ward and Paul, Caroline F. Ware, A.L. Warthen, Charles Washington, Washington and Lee University, \"Washington Post,\" James R. Wason, Elton Watkins, Ralph J. Watkins, Claude S. Watts, Marie Watts, Charles F. Weaver, H. B. Wells, (George) P. West, A. O. Wharton, Ross Wheat, Burton K. Wheeler, William M. Wherry, Hugh A. White, Ralph J. White, W. A. White, T. Y. Wickham, Dorothy G. Wiehl, Dr. Ray Lyman Wilbur, Allan H. Willett, Williams Company, Willis and Willis, Corwin Willson, J. Alfred Wilner, Elsie Cobb Wilson, D. O. Wilson, H. Hazen Wilson, Nelson Wilson, The H. W. Wilson Company, John G. Winant, J. Wise, James Waterman Wise, S. S. Wise, William P. Witherow, J. S. Withrow, Nathan Witt, Laurence C. Witten, Benedict Wolf, World Fellowship, Inc., World Study Tours, and Thomas H. Wright.\u003c/p\u003e","\u003cp\u003eScope note for correspondence files. There has been no attempt to make an exhaustive list of the correspondents in each folder. Most letters were routine correspondence from people seeking information about the group; copies of their publications, speeches, and other educational materials; questions about membership in the group from interested individuals; requests for individuals to become sponsors, members or leaders in the group; leaders of other like-minded organizations; union leadership (often about the lack of funds available to support the American Association for Economic Freedom); or people wanting information about pertinent upcoming legislative bills. Attention on the lists of correspondence is focused particularly on political and public figures, editors, and the legislative and social issues of the day.\u003c/p\u003e","\u003cp\u003eThese include: American Committee for Protection of Foreign Born; American Council on Public Affairs; Atlantic Charter League; J.M. Artman, editor of \"The American Citizen\"; Representative Thomas R. Amlie; Thurman Arnold, Department of Justice (concerning Frank B. Kellogg statement about the anti-trust Sherman Act); and John B. Abel.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Alfred L. Bernheim, The Labor Bureau; A.A. Berle banking proposal; Rabbi Barnett R. Brickner, Social Justice Commission; Kent Baker, editor of \"Sphere\" with article sent to him by Lauck, \"Industrial Reconstruction\" attached; David Burdett (conventional economics versus social economics); and G.P. Bronisch, Loyal Americans of German Descent\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Lauck memorandum to Charles H. Chase, (in light of the prospect of a lengthy war and its impact on social and economic reform) informing him of his decision to drastically reduce expenditures by having only one employee to maintain the office (1942); \"Strife and the Worker\" proofs by John F. Cronin; Helen A. Cole, \"The Liberal Worker\"; W.S. Clement and his \"The Ben Franklin Plan\"; Ben V. Cohen, National Power Policy Committee; and the Council for Social Action, Ferry L. Platt, Jr. concerning farm issues.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Dr. Paul H. Douglas, University of Chicago; Hardy C. Dillard, Institute of Public Affairs, including a letter from John L. Newcomb; Frederic A. Delano, Chairman National Resources Advisory Committee; and a letter to John Dewey.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Arthur Eggleston, San Francisco Chronicle; Peter Edson, NEA Service; A.E. Edwards concerning the Wagner Labor Relations Act; J.G. Frain; and Charles Flato.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Alfred C. Gaunt, including \"Smaller Business Lifts Its Eyes\"; Toshi Go, Foreign Affairs Association of Japan; and A.E. Grassby, Winnipeg, Manitoba.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include:  Hubert Herring; Sidney Hillman; Fred S. Hall concerning the Industrial Expansion Act (multiple letters); B.W. Huebsch, The Viking Press,  and his concern over the pamphlet \"A New Social Order\"; S.L. Hoover and his question about the Keller Bill and the Association; John Edgar Hoover; and F.J. Hall, editor of \"The United States News\" about numbers of unemployed and other issues (multiple letters).\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Meyer Jacobstein about the Reconstruction Act; and Paul Kellogg.\u003c/p\u003e","\u003cp\u003eCorrespondence includes: letters to Robert M. LaFollette, Jr.; League for Abundance: League for Industrial Democracy; Harold Loeb; and Dr. Jack Levin.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: secretary of Attorney General Frank Murphy; Darwin J. Meserole, National Unemployment League; Francis P. Miller; Emily Fogg Mead; Homer L. Mead; Lewis E. Meyers; Judge Julian W. Mack; Bishop Francis J. McConnell; George F. Milton, editor \"The Chattanooga News\"; Senator James M. Mead; and letter to Archibald MacLeish, Librarian of Congress.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Bishop Francis J. McConnell; James W. Miller; Vito Marcantonio; Otto Mayer; Robert E. Mathews concerning the \"sit down strike\" by investment bankers and industrialists in May 1940; and Henry Morgenthau, Jr., letter to.\u003c/p\u003e","\u003cp\u003eCorrespondence includes: \"The New Republic\"; Douglas Newman, Secretary of the Barradas League; Dr. C.A. Norman; memorandum concerning Senator Norris' presidential qualifications; and Representative Mary T. Norton.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: William Owen; Ernest Minor Patterson; Representative Claude Pepper; Justice Justine Wise Polier; and Jacob S. Potofsky.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Judge Samuel I. Rosenman; Representative Robert L. Ramsay; Right Reverend Msgr. John A. Ryan.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: John Saxton; Guy Emery Shipler; Edwin S. Smith; William Simkin; B.M. Schnapper concerning the history of the Wagner Act; Ray Scott concerning the \"Fundamental Significance of our Present Day Labor Movement\"; and Porter Sargent.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Ordway Tead, Harper and Brothers; and Dr. Robert H. Tucker.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: an appreciation of Frank P. Walsh upon his death on May 2, 1939; Matthew Woll, American Federation of Labor; Thomas H. Wright, New America; Harry F. Ward; and Nathan Witt; and N.A. Zonorich.\u003c/p\u003e","\u003cp\u003eIncludes leases, workman's compensation insurance, correspondence, and unemployment compensation.\u003c/p\u003e","\u003cp\u003eThese include: \"Policies and Objectives of the American Association of Economic Freedom,\" \"Shrinkages and Hoardings of Purchasing Power Accentuate Current Business Recession,\" \"Hoardings-Taxes Proposed to Stimulate Flow of Credit and Goods and Revival of Business,\" \"Approaches Toward a Concerted Program of Fundamental Economic Reconstruction in the United States,\" various drafts of suggestions for the programs, principles and objectives of the organization, \"Sugar Control,\" \"American Labor's Broadcast to Great Britain,\" \"American Economic Situation of 1937-1938,\" \"Unemployment Insurance,\" \"Industrial Espionage,\" \"Bank-Holding Companies,\" several on social service foundations, \"Economic Freedom in America,\" \"Industrial Reconstruction Act of 1939\" press release draft, \"Capitalism in Crisis,\" \"Prospective Labor Surpluses,\" \"Increased Man Hour Productivity and Technological Unemployment,\" monopoly, and \"Petroleum Quota Controls.\"\u003c/p\u003e","\u003cp\u003eThese include: participation in management, monopoly, the \"Industrial Reconstruction Act of 1939,\" \"Leaders on the No. 1 Problem,\" \"Federal Administrative Court Bill,\" \"Occupational Groupings,\" \"National Labor Relations Act and Board,\" \"Full Employment Bill,\" \"Senator Claude Pepper,\" \"Senator Lewis B. Schellenbach,\" and starting a American Association of Economic Freedom Bulletin.\"\u003c/p\u003e","\u003cp\u003eThese include: \"Threatened Crucial Developments,\" \"Anti-democratic philosophies,\" \"Churchill's anticipations, 1932-1939,\" \"Mussolini,\" \"Hitlerism and Nazism,\" \"Profits of Leading Corporations, 1936-1939,\" notes on People's Lobby Conference, and Ickes [speech] on business sabotage of defense.\u003c/p\u003e","\u003cp\u003eThese titles include: \"Can Unemployment be Ended?\"; \"Challenge to American Democracy\"; \"Civil Liberties and the National Labor Relations Board\"; \"Cure by Shock,\" \"Democracy and Economic Planning\"; \"Economic Reconstruction\"; \"Fundamental Significance of Our Present Day Labor Movement\"; \"Next Step in Democratization\"; \"A New Magna Carta\" \"A New Social Order\"; \"Preparedness for Peace,\"  \"Problems of the National Labor Relations Board.\"\u003c/p\u003e\n","\u003cp\u003eThe \"Post-War Reconstruction Bill\" is foldered separately.\u003c/p\u003e","\u003cp\u003eIncluded are: \"Thirty Million Jobs\" by Arthur Dunn; Roundtable: \"Labor's role in Post-War Reconstruction\"; \"Freedom from Want\" by Mr. Walton; \"Nineteenth Century Prophecy of Order\" by Harry Frease; \"The Moral Issue\" by Lowell Mellett; \"A Banking System for Capital and Capital Credit\" by A.A. Berle, Jr.; \"Suggested Housing Program for National Defense Purposes\" by the Congress of Industrial Organizations; and \"A Primer of Current Economics\" [1933].\u003c/p\u003e","\u003cp\u003eIncluded are: Fight for Freedom, Friends of Democracy, and the Gillette Resolution.\u003c/p\u003e","\u003cp\u003eThese include memoranda, news clippings, an article by George B. Galloway on \"The Imperative of Planning,\" replies, and a speech by W. Jett Lauck.\u003c/p\u003e","\u003cp\u003eIncludes separate folders on news clippings, some containing criticisms and investigations; problems of the board; and the testimony of John L. Lewis.\u003c/p\u003e","\u003cp\u003eClippings include Wendell Willkie, democracy versus absolutism, banker opinion, national debt, U.S. Attorney General, pump priming the economy, monopolies, religion and democracy, communism, and capitalism and democracy.\u003c/p\u003e","\u003cp\u003eIncluded are: Peace Conditions; People's Congress for Democracy and Peace; Plenty for All League; People's Lobby; Pressure Groups, Attitudes of; Pension Plan – \"Uncle Fred's Automatic Pension Plan\"; Progressives, Conference of; Social Union; Tax-Exempt Bonds; Women in Trade Unions; and Young Democrats.\u003c/p\u003e","\u003cp\u003eTopics include: Conferences; Corporation Notes and Memoranda; Kennedy Statement on General Motors Inquiry; Production Costs by T.C. Gordon Wagner; Ratio of Pay Rolls to Returns to Stockholder;Salaries of Officials; and Annual Reports to the Securities and Exchange Commission, 1935 and 1937.\u003c/p\u003e","\u003cp\u003eSubjects include: Agreements; Decisions; the Willard E.Hotchkiss Decision in Tar Barrel Case; Negotiations for New Agreements; News clippings; Publications; Report of Homer Martin to the International Executive Board; and a Statement Submitted to Roosevelt by Union Representation.\u003c/p\u003e","\u003cp\u003eAccording to Wikipedia, \"The Commission on Industrial Relations (also known as the Walsh Commission) was a commission created by the U.S. Congress on August 23, 1912 to scrutinize US labor law. The commission studied work conditions throughout the industrial United States between 1913 and 1915. The Chairman was Frank P. Walsh, a labor lawyer and activist from Kansas City, Missouri.\u003c/p\u003e\n","\u003cp\u003ehttps://en.wikipedia.org/wiki/Commission_on_Industrial_Relations\u003c/p\u003e","\u003cp\u003eThese include: \"Foreign Competition After the War,\" \"The Artificial Dye Industry in the War,\" and \"Business and the War.\"\u003c/p\u003e","\u003cp\u003eIncludes: \"Secretary Kennedy Gives Union Views on How Hard-Coal Freight Rates Affect Miner\" (December 15, 1933); \"The N.R.A. and Collective Bargaining\" Catholic Welfare Council (September 17, 1934); address before the National Conference on Economic Security (November 14, 1934); and \"Organized Labor and the N.R.A.\" Catholic Conference, Harrisburg, Pennsylvania (November 27, 1934).\u003c/p\u003e","\u003cp\u003eIncludes: Statement concerning the Wagner-Lewis Economic Security Bill before the Senate Committee on Finance (February 21, 1935); Commencement Address (June 3, 1935); \"Education and the Parochial School System\" (August 19, 1935); \"The Trade Union and Recovery\" (Labor Day, 1935); and \"Unemployment Insurance, Old Age Pensions, and Housing Legislation\" at the White House Conference on Economic Security (December 30, 1935).\u003c/p\u003e","\u003cp\u003eIncludes: Labor Day address (September 1937); article \"The United Mine Workers of America\" for the \"American Encyclopedia\" (December 2, 1938); address to the Pennsylvania Utilities Commission on the Competition of Natural Gas (April 1940); and a request for Lauck to send his analysis and recommendations concerning a letter from A.J. Altmeyer, Chairman of the Social Security Board, and two other enclosures pertaining to the Associated Gas and Electric Company, New York City (1942 March 27 and 1943 January 23).\u003c/p\u003e","\u003cp\u003eIncludes: a radio speech supporting Hoover in the election (1928); and a statement at the Hearing on a Code for the Bituminous Coal Mining Industry before the National Recovery Administration (1933 August 10).\u003c/p\u003e","\u003cp\u003eIncludes: \"Labor and the National Recovery Administration\" at the Meeting of the American Academy of Political Science, Philadelphia (1934 January 6); \"Labor's Part in Industrial Recovery\" at the San Francisco Commonwealth Club luncheon (1934 October 4); Speech for the International Labor Conference, not delivered (1934 October); and a radio address \"The Employee in the Changing World\" under the auspices of the Intercollegiate Council (1934 December 7).\u003c/p\u003e","\u003cp\u003eIncludes: Statement by Lewis before National Recovery Administration Hearings on Employment Provisions of Codes of Fair Competition (1935 January 30); \"The American Federation of Labor and the National Recovery Administration\" prepared for the \"Annals,\" Philadelphia but never delivered (1935 March 11-12); The United Mine Workers of America and the National Recovery Act\" Madison Square Gardens (1935 March-May 23); and Statement of Approval for the Wagner Housing Bill in the \"United Mine Workers Journal\" (1935 June 1).\u003c/p\u003e","\u003cp\u003eIncludes: \"The Case for Industrial Unionism\" (November 12, 1935); radio address \"The Future of Organized Labor\" (November 28, 1935); and article for \"Liberty Magazine\" on industrial unionism (1935 December 20).\u003c/p\u003e","\u003cp\u003eIncludes: a speech on Industrial Unionism before the Cleveland Auto Council (January 19, 1936); \"The Teacher and His Relation to Labor\" for the American Federation of Teachers Convention (June 19, 1936); a radio address \"Industrial Democracy in Steel\" (July 6, 1936); and an article \"Through Organization Industrial Democracy Dawns for Sleeping Car Porters\" celebrating the eleventh anniversary of the organization (July 15, 1936).\u003c/p\u003e","\u003cp\u003eIncludes: a political campaign statement about [Alf M.] Landon (August 1, [1936]); the draft of a Radio Address on Steel Organization (August 11, 1936); article \"Labor Looks at Education\" (August 17, 1936) appearing in the October 36 issue of \"The Teacher\"; article \"Towards Industrial Democracy\" (August 24, 1936) in appearing in the October 1936 issue of \"Current History\"; and two speeches supporting Franklin D. Roosevelt for President (August 18 and September 19, 1936).\u003c/p\u003e","\u003cp\u003eIncludes: radio address \"Labor and the Future\" (September 3, 1936); \"Horizontal Versus Vertical Unionism\" in \"Wharton School Magazine,\" University of Pennsylvania (September 8, 1936); an article for the \"The National Young Democrat\" on the Social Security Act (September 1936); and a radio address \"Roosevelt and the Future\" (October 18, 1936).\u003c/p\u003e","\u003cp\u003eIncludes: article \"The Next Four Years\" for the \"The Nation\" (November 4, 1936); an article \"Committee for Industrial Organization and Economic Recovery\" for the \"Business Review of New York  University\"(November 17, 1936); \"the Future of American Labor\" in \"The American Spectator\" (November 19, 1936); articles on \"The Next Four Years in Labor\" in \"The New Republic\" (November 25 and December 9, 1936); \"The Future of Wages\" for the \"Cleveland News\" Symposium (December 7, 1936); \"Organized Labor and the Student Union\" (December 23, 1936); \"The Need of the Hour for American Labor\" for the \"Progressive Salesman Magazine\" (December 24, 1936); radio address \"Adapting Union Methods to Current Changes- Industrial Unionism\" (December 31, 1936); and an unpublished article written for \"Redbook\" (1936).\u003c/p\u003e","\u003cp\u003eIncludes: \"The Meaning of Industrial Unionism\" for the \"Christian Front\" (January 13, 1937); \"The Struggle for Industrial Democracy\" for \"Common Sense\" (March 1937); an address delivered at an Anti-Nazi Mass Meeting in Madison Square Gardens (March 15, 1937); article \"The Origin and Objectives of the C.I.O.\"  for the \"San Francisco Chronicle\" (May 11, 1937); and a radio address \"Labor and Supreme Court\" (May 14, 1937).\u003c/p\u003e","\u003cp\u003eIncludes: \"Technology and Labor\" in \"Massachusetts Institute of Technology Engineering News\" (September 3, 1937); Labor Day address \"Labor and the Nation\" (September 3, 1937); \"Progress of Committee for Industrial Organization\" in the \"Wharton Review\" (October 21, 1937); \"Effect of Moderate and Gradual Wage Increases on Prices and Living Costs\" in \"The Annalist\" (November 12, 1937) a reply to an article by A.T. Shurick on July 30, 1937; and the [Steel Workers Organizing Committee] address \"The Deplorable and Indefensible Attitude of Big Business (December 13, 1937).\u003c/p\u003e","\u003cp\u003eIncludes: Address for British Broadcasting Corporation \"Struggle of Labor in America\" (March 15, 1938); \"Labor and the Law\" (April 14, 1938); \"Organized Labor and the Future of Democracy\" published in the \"St. Louis Post Dispatch\" (December 11, 1938).\u003c/p\u003e","\u003cp\u003eIncludes: Statement for Survey Associates (January 3, 1939); and \"Labor Looks South\" in \"Virginia Quarterly Review\" (Autumn 1939).\u003c/p\u003e","\u003cp\u003eIncludes: article on \"What Does Labor Want?\" (February 29, 1940); \"The Heritage of American Youth\" (March 1940); \"Obligations of American Citizenship\" (April 3, 1940); \"Foreword\" to Mr. Thomas' Testimony before the Temporary National Economic Committee (May 23, 1940); and a Labor Day Speech (August 29, 1940).\u003c/p\u003e","\u003cp\u003eIncludes: Extension of Library Service to Union for City and State Employees (May 28, 1941); Statement to be issued by Lewis on the Decision of the National Mediation Board on Union Shops (November 13, 1941); and \"The New Solid South\" (December 17, 1941).\u003c/p\u003e","\u003cp\u003eIncludes: Testimony of Mr. Steinbugler (March 2, 1935); the \"Most Impressive Point Developed by the Hearings\" (March 2, 1935); untitled Memorandum (July 30, 1936); \"Report on the Progress of the Hearing on the Coordination of Minimum Prices before the Bituminous Coal Division (September 16, 1939); \"Proposed Labor Policy for the War Period,\" various memoranda (September 11-November 13, 1939); an analysis of Professor Green's Proposal about pricing and distributing manufactured products (June 3, 1940); and Notes on the Last Ten Years (January-May, 1940).\u003c/p\u003e","\u003cp\u003eIncludes: Reply to A.T. Shurick suggestions on taxing (November 29, 1940); Response to the foreword of Walt Clyde's book on \"Owner Capitalism\" (December 4, 1940); suggestions about the National Economic Conference (December 12, 1940); Response to W.C. Graves, Jr. (December 23, 1940); Letter about the Raw Materials National Council (December 27, 1940); Memorandum on Fred G. Clark and the American Economic Foundation (February 20, 1941); H.S. Avery to Edward O'Neal and John L.Lewis on agriculture and farm prices (September 8, 1941); Conrad K. Grieb on need for social reconstruction (October 23, 1941); Letters from Alexander Spencer (October 30 and November 26, 1941); and a manuscript of Albert H. Levene (November 30, 1941).\u003c/p\u003e","\u003cp\u003eIncludes: Memorandum about Post War Depression (January 7, 1942); a response to S. Ferguson, President of the Hartford Electric Light Company about his proposals about deferred wages (January 13, 1942); W.A Hutton, M.D.  letter on post-war finances (January 14, 1942); Thomas Kennedy request for a study on the Cost of Living (January 16, 1942); Request for a response to the document by L.C. Christian on \"How Must We Finance the War?\" (February 3, 1942); a request for a response to a treatise on our financial system by August Walters (February 5-March 18, 1942); additional R.L. Greene communications (February 12,1942); and H.W. Bailey on labor self-determination (March 9, 1942).\u003c/p\u003e","\u003cp\u003eIncludes: Digest of the Salient Points of a Report on \"Manpower Policy and Labor Relations in the British Coal Industry\" (January 5, 1943); a Leo Chabert document on financing the war (April 4, 1943); and memoranda about an executive conference of the Natural Resources Board at Farmington Country Club, Charlottesville, Virginia, previously held around 1939.\u003c/p\u003e","\u003cp\u003eSubjects include the National Recovery Administration, \"Amalgamation of the Two Enginemen's Brotherhoods,\" \"Russian Recognition and the New Deal,\" \"Future Policies of the National Recovery Administration,\" Six-Hour Day of the Railroads, \"Two Men on the Head End of all Railroad Trains,\" and Housing.\u003c/p\u003e","\u003cp\u003eSubjects include \"Benefits of Trade Unionism,\" \"Forbes\" article, \"Limit on Weekly Work Hours,\" a letter to Professor Gordon, and \"Labor Movement and the Future of America\"\u003c/p\u003e","\u003cp\u003eSubjects include planks for the Republican Platform, Anti-Strike Legislation, a Rejoinder to the Remarks of Fred Gurley, and \"Recommendations to the Board of Investigation and Research\"\u003c/p\u003e","\u003cp\u003eA checklist of article titles can be found in the first folder. Titles in the order of the list   include: \"Economics and Christianity\"; \"The Mysterious Soul of the Steel Corporation\"; \"The Anthracite  Operators Should Concede the Check-off\" July 13, 1923; \"Industrial Principles and Not Machinery Are Important\"; \"The So-Called Check-off and Its Significance\"; \"The Report of the Coal Commission on the Anthracite Industry\"; \"The Purchasing Power of Wheat and Cotton\"; \"Private Cars and the Coal Problem\"; \"Mr. McAdoo's Political Availability\"; and \"No More Pre-war Standards of Wages and Working Conditions.\"\u003c/p\u003e\n","\u003cp\u003eNext ten article titles include: \"The Radical - His Significance at Present\"; \"The Soft Coal Problem Again to the Front\"; \"Labor Banks and Their Ultimate Significance\"; \"Political Democracy Must be Supplemented by Industrial Democracy\"; \"Oil and the Southern Pacific\"; \"The Purchasing Power of the Farmer's Dollar\"; \"The Truth is Never Unpardonable\"; \"Private Cars and the Coal Problem\"; \"The Unique Financial Position of the Pullman Company\"; and \"Another Manifestation of the Soul of the Steel Corporation.\"\u003c/p\u003e\n","\u003cp\u003eThe next ten article titles include: \"Sugar and the Flexible Tariff Provision\"; \"Conflict or Arbitration\"; \"The Threatened Boomerang\"; \"Cooperation for Mutual Benefit or Profit?\"; \"Secret Police or Conviction for Crime\"; \"Chairman Butler Emits and Omits\"; National Cooperative Grain Marketing Realized\"; \"The Anthracite Operators Should Concede the Check-off\" (possible duplicate); \"Regulation of the Anthracite Monopoly\" September 1 , 1923; \"Why Not Action on Anthracite?\" September 11, 1923; and \"Can a Living Wage Be Paid to Unskilled Labor?\" October 30, 1923.\u003c/p\u003e\n","\u003cp\u003eThe next ten article titles include: \"The Failure of Industrial Arbitration\" October 30, 1923; \"Significant Labor Developments During the Coming Year\" October 30, 1923; \"A Dramatic Migration\" concerning African Americans, October 30, 1923; \"Unprotected Pullman Passengers\" October 30, 1923; \"The New Immigration and Its Significance\" November 2, 1923; \"The Probability of Railroad Legislation\" February 7, 1924; \"The Industrial Magna Carta\" February 23, 1924; \"Land Grants to Western Railroads\" February 23, 1924; \"Increased Efficiency of Labor\" February 23, 1924; and \"Real Industrial Statemanship February 25, 1924.\"\u003c/p\u003e\n","\u003cp\u003eThe next ten article titles include: \"Some Other Matters of Record\" June 2, 1924; \"The Verdict from Kansas\" August 7, 1924; \"A Real Test for the Tariff Commission\" August 14, 1924; \"A Billion and a Half Railroad Merger\" August 16, 1924; \"Common Sense\" August 19, 1924; \"President Gompers and a Labor Party\" August 19, 1924; \"A Significant Precedent in Financing Farmers Cooperative Enterprises\"; \"Back to the Declaration of Independence\" August 21, 1924; \"A Costly Labor Policy\" August 23, 1924; and \"Brass Tacks, The Red Flag, and the Constitution\" August 23, 1924.\u003c/p\u003e\n","\u003cp\u003eThe final group of articles include: \"Industrial Democracy - Our Greatest Problem\" August 27, 1924; \"The Passing of the Money Gods\"; \"The Conference Board Reports on Taxation in Wisconsin\"; \"The Railroad Labor Board\"; \"The Farmer and the Tariff\"; \"Visible and Invisible Tax Burdens\"; \"The Most Helpful Farm Movement\"; \"Radicals and God's Fools\"; \"Militant Friends Needed\"; \"The Unconscious Cruelty of Success\" October 24, 1924; and \"Another Orgy of Railroad Finance.\"\u003c/p\u003e","\u003cp\u003eWhile some chapters have no individual date, they likely all come from drafts in 1931 or 1932. It is unclear which version belongs to each draft, and equally unclear which versions the explanatory note references. Chapter VII is largely missing. The name of the book may have eventually changed to \"The Need for a Unified Banking System.\"\u003c/p\u003e","\u003cp\u003eW. Jett Lauck was chairman of the Pennsylvania Anthracite Coal Commission, responsible for investigating the state of the anthracite industry and the coal bootlegging situation in Pennsylvania, as well as recommending action.\u003c/p\u003e\n","\u003cp\u003eThe United States Anthracite Coal Commission is a different and separate entity than the Pennsylvania Anthracite Coal Commission over which Lauck presided (see also, \"United Mine Workers of America before the U.S. Anthracite Coal Commission\").\u003c/p\u003e\n","\u003cp\u003eFor reference, the Ad Interim Report was a report made halfway through the Commission's studies; the Final Report was the last official report of the Commission and contains recommendations; the Complete Report was a compendium of all of the Commission's work and reports (over 500 pages).\u003c/p\u003e","\u003cp\u003eReports include \"Anthracite Lands and Deposits,\" \"Anthracite Royalties,\" and \"Control of the Anthracite Industry.\"\u003c/p\u003e","\u003cp\u003eReports include \"Financial Operations of Anthracite Companies\" and \"Monopolistic Nature of the Anthracite Industry.\"\u003c/p\u003e","\u003cp\u003eThese include \"Award of the Anthracite Coal Strike Commission: Subsequent Agreements, and Resolutions of Board of Conciliation\" (July 1, 1936); \"A Labor Case With Merit: Editorial Comment on the Case of the Anthracite Mine Workers\" (1920); and \"Labor Information Bulletin,\" U.S. Bureau of Labor Statistics (February 1937).\u003c/p\u003e","\u003cp\u003eProposed Bills include the Anthracite Coal Industry Act; the Anthracite Public Authority Bill; the Cooperative Marketing Bill; the Pennsylvania Anthracite Commission; and Suggestions and Opinions.\u003c/p\u003e","\u003cp\u003eFiles included under Rates contain, the 1933 Freight Rate Case Excerpts and Statistics; Charts and Tables; General Information (see also Anthracite Institute Statistical Data, Maps, and Drawings, Anthracite Producers Statistical Data, Maps, and Drawings); the Interstate Commerce Commission Data; \"Intrastate Rates on Anthracite in Pennsylvania\"; and Rate Fixation in 1915.\u003c/p\u003e","\u003cp\u003eReports include: \"Combination in the Anthracite Industry,\" \"Comparison of Earnings and Wage Rates in the Anthracite and Bituminous Mines of Pennsylvania,\" \"Exhibits of the Anthracite Operators in Reply to Exhibits Presented by the Anthracite Mine Workers,\" \"Irregularity of Employment in the Anthracite Industry,\" \"Occupation Hazard of Anthracite Miners,\" \"Profits of Anthracite Operators,\" and \"The Relationship Between Rates of Pay and Earnings and the Cost of Living in the Anthracite Industry of Pennsylvania.\"\u003c/p\u003e","\u003cp\u003eReports include: \"Reply of the Anthracite Operators to the Demands of the Anthracite Mine Workers,\" \"The Sanction for a Living Wage: A Compilation of Data From Official and Authoritative Sources,\" \"Summary, Analysis, and Statement,\" \"The Trade Union as the Basis for Collective Bargaining: A Compilation of Sanctions and Experiences,\" \"Trade Unions,\" and \"Wholesale and Retail Prices of Anthracite Coal 1913-1920.\"\u003c/p\u003e","\u003cp\u003eThese exhibits include \"Changes in Cost of Living in the United States, 1913-1922,\" \"A Just and Reasonable Wage,\" and \"Monthly Earnings of Sectionmen.\"\u003c/p\u003e","\u003cp\u003eThe volume includes exhibits on \"Harmful Effects of Low Wages Upon Health and Morals,\" \"The So-called Law of Supply and Demand,\" \"The Just and Reasonable Wage,\" \"Changes in the Cost of Living in the United States, 1913-1922,\" \"Probable Course of Prices,\" \"Comparison of Prices and Living Costs,\" \"Monthly Earnings of Section Men,\" and \"Monthly Earnings of Section Men – Basic Tables.\"\u003c/p\u003e","\u003cp\u003eIncludes the following files: Briefs; Construction and Repair of Railroad Equipment; Correspondence on Leasing Out Repair Roads; Minutes of the Philadelphia Hearing; Petition to the Interstate Commerce Commission; Press - Clippings concerning Outside Repair; Press Release Originals; General Electric and Westinghouse; Labor Costs; Louisville to Nashville Railroad; and Miscellaneous.\u003c/p\u003e","\u003cp\u003eW. Jett Lauck has also referred to this case as \"the Shopman's Case\" or the \"B.M. Jewell Case.\" Jewell was the President of the Railway Employees division of the American Federation of Labor.\u003c/p\u003e","\u003cp\u003eNote that all exhibits were presented before the United States Railroad Labor Board.\u003c/p\u003e","\u003cp\u003eExhibit 11a includes the section \"Financial Mismanagement of the LeHigh Valley Railroad Company\" and Exhibit 12 includes the \"Summary.\"\u003c/p\u003e","\u003cp\u003eExhibit tTitles include: \"Occupation Hazard of Railway Shopmen\"; \"Punitive Overtime\"; \"Industrial Relation on Railroads prior to 1917\"; \"Standardization\"; \"The Recognition of Human Standards in Industry\"; \"The Unity of the American Railway Systems\"; \"Human Standards and Railroad Policy\"; \"Seniority Rules of the National Agreements\"; \"The Sanction of the Eight Hour Day\"; \"The Work of the Railway Carmen,\" and \"The Development of Collective Bargaining on a National Basis.\"\u003c/p\u003e","\u003cp\u003eThese include: \"Pending Railway Legislation\"; \"The Present Railroad Labor Problem\"; \"The Future Policy as to the Railroads\"; \"Compulsory Arbitration\"; \"Labor Adjustment Boards of the Railroad Administration\"; \"The Reasonableness of the Requests of Locomotive Firemen\"; \"Time and One-Half For Overtime\"; and \"Compulsory Arbitration.\"\u003c/p\u003e","\u003cp\u003eThe Sleeping Car Conductors Case files consist of several successive cases arranged in this finding aid roughly in the chronological order in which they occurred.\u003c/p\u003e","\u003cp\u003eExhibits include \"An Adequate Basic Wage,\" \"Earnings of Sleeping Car Conductors compared with Changes in the Cost of Living,\" \"Various Factors Indicating Rising Standards of Living in the United States Since 1914,\" \"Compensation of Sleeping Car Conductors compared with other Expenses and Revenue of the Pullman Company,\" and \"General Trend of Wages, 1913-1918, as Compared with Earnings of Sleeping Car Conductors.\"\u003c/p\u003e","\u003cp\u003eExhibits include \"Increased Productive Efficiency of Sleeping Car Conductors and Financial Administration of the Pullman Company,\" \"Increased Labor Productivity,\" and \"Standards of Wage Determination.\"\u003c/p\u003e","\u003cp\u003eThis file includes information and statistics on Besler Steam Power Trains; the Comparative Costs of Operation; Locomotives in Service; Diesels in Switching Service; Earnings Per Hour; Freight Cars; and General Statistics.\u003c/p\u003e","\u003cp\u003eThese charts include: \"Anthracite Combination,\" \"The Seven Departments of the Anthracite Industry,\" \"Interlocking Directorates Showing Working Control of Anthracite Operating Companies,\" and \"Profits of Anthracite Combination.\"\u003c/p\u003e","\u003cp\u003eCharts include \"Affiliations of Railroads and Banking Houses,\" \"New York Bank Control of Railroads and Railroad Equipment Companies,\" \"New York Bank Control of Coal Mining Companies and Coal Railroads,\" and \"The Geographical Spread of New York Railroad Control.\"\u003c/p\u003e","\u003cp\u003eExhibits include \"Employment and Compensation of Railroad Employees\"; \"Cost of Living\"; \"Methods of Reporting Wage and Hour Data\"; and \"Increasing Output per Worker and Decreasing Wage Cost Per Unit of Output.\"\u003c/p\u003e","\u003cp\u003eExhibits include: \"Trend of Railway Operating Revenues and Total Compensation\"; \"The Rising Tide of Recovery A Survey of the Leading Business Indices\"; \"Labor Movement Supports Railway Workers in Resisting a Wage Cut\"; \"Squandering the Maintenance Dollar\"; \"Financial Mismanagement through Banker Control of Railroads\"; \"Training and Skill of Track and Roadway Section Men\"; \"Average Hourly Earnings in Railroads and Other Industries\"; and \"Estimated Money Share of Individual Railroads in the Proposed 15 Per Cent Pay Reduction.\"\u003c/p\u003e","\u003cp\u003eMorgan's statements include those on wages; postwar economic conditions, developments, and private bankers' constructive services; and interference and control in corporate managements.\u003c/p\u003e","\u003cp\u003eThese include \"Cost of Living is Increasing,\" \"The Railroad Plea of Poverty,\" \"Labor Versus Materials and Interest,\" and \"The Railroads versus the Public Interest\" (printed).\u003c/p\u003e","\u003cp\u003eTables include \"Dividend Performance of Anthracite Railroads and Trunk Lines Compared,\" \"Percentage Relationships of Dividends Paid on Stock Dividends to Total Compensation Paid Employees,\" and \"Distribution of Capital Resources.\"\u003c/p\u003e","\u003cp\u003eW. Jett Lauck was employed by the John G. Paton Company of New York City to study the report of the Tariff Commission of 1928 as to the costs of production in the maple sugar industry in the United States and in Canada. He then gave his conclusions on the report to the company and as testimony before the Tariff Commission itself.\u003c/p\u003e","\u003cp\u003eThere are excerpts from the following: the Tariff Commission Stenographer's Minutes (June 1927), Hearings before the House Committee on Ways and Means (January 1929), Hearings before the Senate Finance Committee (June 1929), Debates in the U.S. Senate (January 1930), Remarks of the Honorable Ernest W. Gibson (February 1930), the Roodenburg Report (November 1930), George H. Burr and Company Report (March 1931), R.G. Dun and Company Report (undated), Cary Maple Sugar Company Federal Income Tax Returns (1921-1930), and Cary Testimony (undated).\u003c/p\u003e","\u003cp\u003eThese include: Agricultural Adjustment Act and Amendment, House Resolution 9439, Orders from the President and National Recovery Administrator, Regulation 81, Regulation 82, and Secretary of Agriculture Regulations.\u003c/p\u003e","\u003cp\u003eFiles include the following folders: News clippings; Comparison of Lauck and Mahon Agreements; Final Agreement; General; Hanna Memorandum; Insurance; Saint Louis Public Service Company Union Plan for Cooperation; and Saint Louis Public Service Company Operating Notes.\u003c/p\u003e","\u003cp\u003eFiles include Pamphlets on Public Utilities, Press on Public Utilities, Press on Governor Roosevelt and Power Utilities, [Union?], and a Report addressed to Frank P. Walsh (1864-1939).\u003c/p\u003e","\u003cp\u003eThere were two hearings before the United States Tariff Commission related to an investigation into the costs of sugar production. After the January hearings (January 15-24, 1924), other briefs were filed. There was a call for another hearing to be held in March (March 27-28, 1924) after which it was decided that all parties had until April 10th  to file more briefs in connection with the hearings. W. Jett Lauck coordinated and prepared documents for many of the parties involved. He also served as a witness for the Hawaiian Sugar Planters Association.\u003c/p\u003e","\u003cp\u003eIncludes news about the Bituminous Coal Commission.\u003c/p\u003e","\u003cp\u003eThis includes the \"Report, Findings and Award of the United States Anthracite Coal Commission of 1920.\"\u003c/p\u003e","\u003cp\u003eFiles pertaining to Wages include: Wage Demands; Wage Rates of Employees Other Than Contract Miners; Wages, Earnings and Work Conditions in General; Wages in Various Industries 1914 to 1920; and Wages in Various Industries and Occupations: A Summary of Wage Movements 1914-1920.\u003c/p\u003e","\u003cp\u003eMass strikes in both the anthracite and bituminous coal industries in 1922 led to a standstill in production. When the miners and operators failed to reach any agreements, the government abandoned its hands-off approach and attempted to set up commissions to arbitrate the cases. After several failed attempts, both an Anthracite and Bituminous Coal Commission were established to not only arbitrate the current situation, but to investigate its origins in the general history and conditions of the coal industries. W. Jett Lauck was involved with the United Mine Workers of America in both cases to varying degrees. Material is separated into Anthracite and Bituminous, with common material labelled \"General.\"\u003c/p\u003e\n","\u003cp\u003eSome dates are corroborated by list of case exhibits. Where corroboration is not possible, no date has been inferred. Classification as \"exhibit\" is applied based either on inclusion in a numbered list of exhibits or Lauck's handwritten filing directions.\u003c/p\u003e","\u003cp\u003eLetters are presumably from W. Jett Lauck to the \"New York Times\" Managing Editor and to the President, regarding the establishment of an Arbitration Board.\u003c/p\u003e","\u003cp\u003eThese three memoranda are to Mr. Lewis, July 8, 1922; one concerning the production of the Central Competitive Field, April 27, 1922; and a third showing the financial connections of the Boston Financial Group and Secretary Mellon.\u003c/p\u003e","\u003cp\u003eThe two press releases include a letter to the President regarding Arbitration, July 15, 1922, and the UMWA Statement about Mr. Murray's Speech,  April 22, 1922.\u003c/p\u003e","\u003cp\u003eItems include a \"Journal\" Communication sent to every member of Congress, 1922; a Letter to Officers and Members, May 25, 1922; and the UMWA Wage Scale Committee proposed wage scale, February 14, 1922.\u003c/p\u003e","\u003cp\u003eThe History of the Development of the Anthracite Coal Combination contains five sections: Section 1, Early History of Anthracite Consolidations and Combinations; Section 2, Consummation of the Anthracite Combination, 1896; Section 3, Methods by Which Railroads Have Discriminated in Favor of Their Allied Coal Companies and Favored Clients; Section 4, The Influence of the Combination Upon Freight Rates, Shipping Allotments, and Prices; and Section 5, Present Situation as Regards Ownership and Control.\u003c/p\u003e","\u003cp\u003eThe unnumbered exhibits include \"The Coal Controversy\" May 1922 and Geological Survey, Weekly Report on the Production of Bituminous Coal, Anthracite, and Beehive Coke, February 11, 1922.\u003c/p\u003e","\u003cp\u003eThese exhibits include: Exhibit 6: Seasonal Fluctuations in Production and Transportation, June 15, 1921; Exhibit 7: Production, Capacity, Men Employed, Mine Price Per Ton, and Days Lost, 1922, undated; Exhibit 12: Fluctuation in Employment and Earnings of Bituminous Mine Workers, undated; Exhibit 14: Effect of Price Changes Upon Purchasing Power, 1920; Exhibit 16: Chart Showing Production from Union and Non-Union Districts, March 16,  1922.\u003c/p\u003e","\u003cp\u003eMemoranda include \"Complete Unionization Would be the Greatest Factor in Stabilization of Soft Coal Industry\" June 19, 1922, several other miscellaneous undated memoranda for Lewis, plus one on the Earnings of Bituminous Mine Workers for a \"Baltimore Sun\" Article, March 17, 1922.\u003c/p\u003e","\u003cp\u003ePress Releases include: Capital Investment and Profit of Bituminous Coal Mine Operators, June 1, 1922; Letter From Ellis Searles to Secretary Hoover, February 8, 1922; Letter Submitting Explanatory and Statistical Material Supporting the Preliminary Report of the Commission on Investment and Profit in Soft Coal Mining, July 6, 1922; and Press Release: Russell Sage Foundation Report on \"The Coal Miners' Insecurity\" April 16, 1922.\u003c/p\u003e","\u003cp\u003eMorrow's statements were made before the Committee on Labor, April 25, 1922 and before the Interstate Commerce Commission in the Hearing on Railroad Rates, Fares, and Charges, January 19, 1922.\u003c/p\u003e","\u003cp\u003eIncludes Memoranda and Opening Statement on behalf of Anthracite Mine Workers and Research Material and Data.\u003c/p\u003e","\u003cp\u003eStatements concern the Request of Anthracite Operators for a Modification of the Wage Scale, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Typescript and Print copies.\u003c/p\u003e","\u003cp\u003eThe reply concerns the request of Operators for modification of the Wage Scale, and was by John L. Lewis, etc. on behalf of the United Mine Workers, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Proofs and Print copies.\u003c/p\u003e","\u003cp\u003eThe Anthracite Freight Rate Case files may be part of the previous group but were placed in a separate divider created by the office of Lauck.\u003c/p\u003e","\u003cp\u003eStatistics include four categories: General; Anthracite Coal Carrying Railroads, Typed Originals and Carbons; Financial Performance of Coal Companies (clippings and other statistics),Earnings, and Profit; and Salaries of Operator officials, exceeding $10,000 per year.\u003c/p\u003e","\u003cp\u003eNote: an assigned car is a rail car specifically designated for the use of a particular shipper, or, in the case of private cars, for the use of a particular railroad for a specific customer.\u003c/p\u003e","\u003cp\u003eLauck also referred to this as the Mahon Case, after President William D. Mahon.\u003c/p\u003e","\u003cp\u003eFile includes the Opinion of the Majority of the Arbitration Board, Dissenting Opinion, and a Report on a Proposed Pension Plan\u003c/p\u003e","\u003cp\u003eThese include: \"Discipline and Education of Locomotive Engineers and Firemen and Standardization of Wages\"; \"Progress Made in Electrification of Railroads and Economics Effected Thereby\"; \"The Railway Dollar, What Became of it in 1913\"; \"Revenue Gains by Representative Western Railroads Available to Compensate Locomotive Engineers and Firemen For Increased Work and Productive Efficiency, 1890-1913\"; The Rise and Fall of Mechanical Stokers\"; \"Miscellaneous Statements in Rebuttal to Exhibits Presented by the Railroads\"; \"Opposition of Railroads to Enactment of Federal Hours of Service Law and Efforts of Federal Government to Enforce Same.\"\u003c/p\u003e","\u003cp\u003eAll the years but 1933-1935 have an index in the front of the folder.\u003c/p\u003e","\u003cp\u003eThese \"diaries\" were used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date.\u003c/p\u003e","\u003cp\u003eFile includes Lauck's Civil Service record (1945) and National War Labor Board service (1918).\u003c/p\u003e","\u003cp\u003eThe 1911 blueprint \"General Plan\" of the property was prepared by Thomas Meehan and Sons, Mt. Airy, Philadelphia, Landscape Architects, for Francis T.A. Junkin, Lexington, Virginia. The \"Map of Mulberry Hill, Lexington, Virginia,\" 1926, with surrounding properties, was done by R.E. Witt, Certified Land Surveyor.For a typed description of the property by R.E. Witt and a note by W. Jett Lauck, see Box 224 Folder 4.\u003c/p\u003e","\u003cp\u003eThe Bureau of Applied Economics, Inc. was a \"private, independent, scientific organization, established in 1914 for the purpose of doing research and analytical work in the field of industrial, commercial, banking and general economic activities\" according to one of its brochures. It was located in Washington, D.C. \"where the governmental departments, commissions and other organzations with their specialists, archives and unrivaled library facilites render such research more effective and productive than any other city in America\" according to a page from an unknown directory. Hugh S. Hanna was the Director and W. Jett Lauck was listed as both the Chairman of the Advisory Board and the specialist for money and banking.\u003c/p\u003e\n","\u003cp\u003eOne of the chief functions of the Bureau of Applied Econonics was to create publications about importand current issues in the field of labor conditions and industrial relations. These were intended to be brief (50-75 pages) but authoritative and written by a specialist in the subject so that anyone interested in the subject could have access to the gist of all the information in one place and for a low cost. \u003c/p\u003e","\u003cp\u003eFile includes Monthly Statements, Proofs of Notices, Subscribers and Sales.\u003c/p\u003e","\u003cp\u003eFile includes Correspondence, Papers, and Table of Contents.\u003c/p\u003e","\u003cp\u003eLauck taught a course on the History of the Labor Movement at the American University.\u003c/p\u003e","\u003cp\u003eThe Notes chiefly include Political Science, Sociology, Labor vs Capital, Economics, Constitutional Law, American Government, and Agriculture.\u003c/p\u003e","\u003cp\u003eThese College Notes are chiefly concerned with the Reciprocity Concept and the Chicago Conference with sections on Cuba and Hawaii; Distribution; Receiverships; Sociology and Tariffs; and Printed Material.\u003c/p\u003e","\u003cp\u003eMuch of this material is fragmentary or incomplete and it possibly has some material of W. Jett Lauck mixed in.\u003c/p\u003e","\u003cp\u003eThese photographs include the \"Funeral Procession of Stephen Horvath, McKees Rocks, Pennsylvania, August 14, 1909. Photographs are mostly unidentified and some do not include W. Jett Lauck.\u003c/p\u003e","\u003cp\u003eThese photographs are mostly unidentified and undated but does includes William Harmon Black and Major Miller Taylor. and his wife.\u003c/p\u003e","\u003cp\u003eThis file consists of seven oversize photographs, including a Staff Conference; the Immigration Commission, Washington D.C. (1907); three photographs of Lauck with the same two  unidentified men; W.D. Mahon; A.A. Mitten; Earl E. Houck; an unidentified man; and an unidentified hearing.\u003c/p\u003e","\u003cp\u003eThis folder includes four oversize photographs  of Public Code Hearings on Bituminous Coal Industry, 1933 August 9; Cigar Manufacturing Industry AAA Code Hearing, 1933 November 22;  Structural Steel and  Iron Fabricating Industry N.R.A. Hearing, 1933 October 30; and Anthracite Coal Industry, NRA Code Hearing, William H. Davis Deputy Administrator, Washington, D.C., 1933 November 17\u003c/p\u003e","\u003cp\u003eTopics include Agriculture and Farms, Airlines and Aviation, Argentina, Atlantic Charter—Poland*, Atomic Energy and Weapons (see also, J—Japan), Australia, and the Automobile Industry.\u003c/p\u003e","\u003cp\u003eTopics include Bank Fraud, Banking and Bankers, Baruch Report, Big Three, Bretton Woods Agreement—International Monetary Fund, British Elections 1945, British Labor Party, British Labor Reports and the Second World War and Budget.\u003c/p\u003e","\u003cp\u003eTopics include Cartels, Chamber of Commerce, Canada, Capital/Capitalism, Charter [U.N.] (see also, S—San Francisco Conference), Chemical Warfare, Cherry Blossoms—Washington D.C., China, The Church (see also, Religion and Faith), Churchill, Winston (see also, People), Comintern, Communist Party, Congress, Cost of Living, and Cuba.\u003c/p\u003e","\u003cp\u003eSee also, Strikes, U—United Mine Workers.\u003c/p\u003e","\u003cp\u003eTopics include Debt, Defense, Deflation, Democracy, Democratic Party, The Depression, Diplomacy, Disease, Driving [Winter], and Dumbarton Oaks Conference.\u003c/p\u003e","\u003cp\u003eTopics include Economic Bill of Rights, Economic Development [Committee], Economic Policy (see also, B—Bretton Woods Agreement, Post-War Reconstruction), Economic Rights, Economy of War, Employment (see also, U—Unemployment), Electric Workers, Electricity, and Excess Capacity.\u003c/p\u003e","\u003cp\u003eTopics include Farms, Fear, Flooding, Food [Costs] [Rations] [Shortages], Food as Weapon, Foreign Policy, Freedoms, France, Franco, and Full Employment America.\u003c/p\u003e","\u003cp\u003eTopics include General Motors [Strike] (see also, Strikes), Germany, G.I. Bill, Gold Standard, Government in Business, Grain Marketing, Great Britain, Growth of Democracy, Hapsburgs, and Hatch-Burton-Ball Bill.\u003c/p\u003e","\u003cp\u003eTopics include Industrial Divide, Industry, Inflation/Deflation, and Israel.\u003c/p\u003e","\u003cp\u003eJapan [and the Atomic Bomb], Jefferson [And the Declaration of Independence], The Jewish People [in Nazi Germany], Jobs as a Property Right, and Kipling, Rudyard (see also, People).\u003c/p\u003e","\u003cp\u003eTopics include Labor [and War], Latin America, League of Nations (see also, World Government), Legal Aid Societies, Lend-Lease, Liberalism, and the Lima Conference, Liquor Problem, and Living Wage.\u003c/p\u003e","\u003cp\u003eTopics include Magna Carta, Massachusetts Academy, Meat Industry (see also, Strikes), Middle Class, Monetary Reform, Morale [Poor], and Moving Pictures.\u003c/p\u003e","\u003cp\u003eTopics include National Association of Manufacturers, National Income, National Interest, \"New Era\" 31*, New York State Industrial Survey Commission 28*, New York Transit Strike, Office of Price Administration, and Oil.\u003c/p\u003e","\u003cp\u003eTopics include Pacifists, Packing Houses, Thomas Paine,  Palestine, Pan-American Union, Patents, Peace, Pennsylvania Labor Act, Philanthropy, Poland, Political Minorities, Population [United States] 1940, Power, The Press, Price Controls, Prisoners of War, Production, Profit-Sharing, Profiteering, Public Service, and Pump-Priming the Economy.\u003c/p\u003e","\u003cp\u003eFor more clippings on people see also: C—Churchill, K—Kipling, P—Paine, R—Roosevelt, Rural Electrification Administration [Harry Slattery], S—Stalin, and T—Truman.\u003c/p\u003e","\u003cp\u003eFile contains topics such as: Post-War Deflation, Post-War Europe, and United States Labor, Industry, and the Economy.\u003c/p\u003e","\u003cp\u003eTopics include: Race and Racial Strife, Radar, Railways and Railroads, Reciprocity – British Agreement, Reconstruction Finance Corporation, Reconversion [and Wages] (see also, Post-War Reconstruction), Re-employment (see also, Post-War Reconstruction), Republican Party, Republican Record, Right Wing Reaction, Roosevelt, Rural Electrification Administration [Harry Slattery], Russians who Fought for Germany in World War II.\u003c/p\u003e","\u003cp\u003eTopics include: San Francisco Conference (see also, United Nations), Savings, Sherman Act, Social Security, Socialism, Socialized Medicine, South America, The South [and Politics], The South [and Poll Tax Ban], Southern Revolt, Soviet Union/Russia, Spain, St. Lawrence Seaway, Stalin, Subsidy, Sugar, Supreme Court, Packing the Supreme Court, and Syria.\u003c/p\u003e","\u003cp\u003eSee also, Coal, G-H—General Motors [Strike], M—Meat Industry, N-O—New York Transit Strike, Steel, and U—United Mine Workers.\u003c/p\u003e","\u003cp\u003eTopics include: Tariff Bill, Taxes, Textiles, Third Political Party, Totalitarian States, Troops, Truman [Report], Trusteeships; Unemployment, (see also, E—Employment), Unions, United Kingdom [Britain], United Mine Workers (see also, Coal), Unity, National\nVirginia, and Virginia Budget Efficiency.\u003c/p\u003e","\u003cp\u003eSee also S—San Francisco Conference and World Government.\u003c/p\u003e","\u003cp\u003eTopics include: Wage Central, Wages, Wagner Health Bill, Wall Street, War, War Aims, War and Capital, War Contracts Settlement, War Cost, War Crimes, War Labor Board, War Production Board, Work Week, World Bank, and World War II [Battles].\u003c/p\u003e","\u003cp\u003eThis file includes agendas, correspondence, reports, membership, and the tentative program.\u003c/p\u003e","\u003cp\u003eTopics include: American Mining Congress Declaration of Policy, \tdisagreements over the NRA code, gasoline and coal, new processes, and the right to strike.\u003c/p\u003e","\u003cp\u003eThis file includes an \"Investigation of Paint Creek Coal Fields of West Virginia,\" \"The Truth about Coal River Collieries,\" \"West Virginia Coal Fields\" (Senator Kenyon), Colorado Coal Fields, and a List of West Virginia Coal Fields.\u003c/p\u003e","\u003cp\u003eIncludes Houde Engineering Company Memorandum submitted to the National Labor Relations Board, the Hunt Memorandum outlining the Study of Competing Fuels, Lauck's review of \"The Coal Industry\" by Glen L. Parker, the Keller Bill for the Mississippi Valley on the Relative Importance of Fuels, \"Oil-Coal Mixtures as Industrial Fuel\" by J.E. Hedrick, and the Coal Cost of Producing Electricity, by J. Leonard Matt in the \"New York Herald Tribune.\"\u003c/p\u003e","\u003cp\u003eThe Railroads Financial History material was used in preparation of exhibits for the Brotherhood of Locomotive Firemen and Enginemen Case and updated for use in later cases involving railroads.\u003c/p\u003e","\u003cp\u003eThese news clippings include: British railway strike, credit, Thomas Dew Cuyler article on 1922 strike, Henry Ford's railroad, Gould System, Inadequacies of Railroad Management, Mergers, Nickle Plate Deal, Receiverships and Foreclosure Sales During 1920, and Railroad Retirement Act of 1937.\u003c/p\u003e","\u003cp\u003ePublications include: Decisions, Dockets, Announcements, Lawsuits, Orders, and Reports.\u003c/p\u003e","\u003cp\u003eLauck was on staff as an economist and one of the stockholders for this enterprise. Some stationery has the name \"The Gallatin Institute of Applied Economics\" in the header.\u003c/p\u003e","\u003cp\u003eFiles include Memoranda from I.A. Rice to W. Jett Lauck, Recommendations, and Rent Law.\u003c/p\u003e","\u003cp\u003eIncludes a bill on the guaranty of bank deposits legislation and the Glass-Steagall Act (printed).\u003c/p\u003e","\u003cp\u003eBanking files include Credit Facilities of the Country, Federal Reserve Board Legal Opinion on Bank Centralization (printed), News clippings, Reform, and the United Labor Bank and Trust Company Dissolution.\u003c/p\u003e","\u003cp\u003eIncludes files on British wage controversy and the coal industry during World War II, coal industry problems, and the British Coal Mines Act.\u003c/p\u003e","\u003cp\u003eCigar Manufacturing Code of Fair Competition files include Amendments proposed by Abraham Goldbloom and Jett Lauck, including Revisions made by Conference on October 20, 1933; Briefs and Statements (1933); Codes (1933-1934); and Profits and Statistical Data (circa 1929-1933).\u003c/p\u003e","\u003cp\u003eThese include: Table of Contents, Agents of Concentration and Railroads; Cotton Mills (director); Public Utilities (directors); Concentration of control of Financial and Industrial Resources; Public Utilities (securities), Public Utilities (affiliations), and Public Utilities (summary and tables).\u003c/p\u003e","\u003cp\u003eThese include: Summary of Banker Control in American Industry; Concentration of Financial Control of Industry; Concentration of Control of the Iron Ore Mining Industry; Report on Public Utilities; Concentration and Control of Money and Credit; Industrials (directors), Agents of Concentration, Coal (statistics), Iron and Steel Report (summary), Industrials (report), Railroads (statistics), Cotton Industry, Coal and Iron Mining; and Concentration of Control of Various Industries (iron, coal, water).\u003c/p\u003e","\u003cp\u003eThese files include the Bill by Colonel W.G. Williams (1946); an Inquiry by the Federal Power Commission Control (June 27, 1945); and the Memoranda of Colonel W.G. Williams, 1945-1946).\u003c/p\u003e","\u003cp\u003eThese files include: Miscellaneous, including charts - W. G. Williams (1945-1946); Gas and Oil Pipelines, including a proposed letter from Admiral Stuart to President John L. Lewis (October 16, 1944); and the United States Department of the Interior report of Investigations (July 1945).\u003c/p\u003e","\u003cp\u003eConstitutional Amendment files include: Action by Organizations (1936-1937); Articles and News clippings (1935-1939); Bills, including those proposed by Benson, Costigan, Ford, Gray, Maas, and Marcantonio (1935-1937); Challenges to the Authority of the Supreme Court to Declare Legislative Acts Unconstitutional, Notes and Memoranda by W. Jett Lauck, Donald R. Richberg, Merle D. Vincent and Henry [Warrum] (1935-1936); and Correspondence and Memoranda about the New York and Washington, D.C. Meetings (1936).\u003c/p\u003e","\u003cp\u003eConstitutional Amendment files include: Detroit Conference (1937); History and Comments (1936?); National Committee and Reports from Henry T. Hunt (1936); National Conference about (1936-1937); Recommendations and Suggestions made by President Roosevelt for a Bill to \"Pack the Supreme Court\" (1937); and Speeches by David J. Lewis and Daniel C. Roper (1935).\u003c/p\u003e","\u003cp\u003eMaterial includes the labor and production costs of cotton, silk and wool goods before and after World War I.\u003c/p\u003e","\u003cp\u003eFiles include a Memorandum on Major Berry and Conference Plans (1935 November, undated); News (1936-1937); Press Releases (1936-1937); and Summaries and Reports (1936 June-July).\u003c/p\u003e","\u003cp\u003eMemoranda topics include the Austrian state railways, the book \"Railroad Melons, Rates, and Wages\"; the suggestions of Baltimore and Ohio Railroad Vice-President Tatnall for railroad improvements; the Cincinnati Southern Railway; and Cooperatives.\u003c/p\u003e","\u003cp\u003eThese include speeches and statements of Governor Earle, Chief Justice Hughes, British House of Commons, Secretary of State Hull, Secretary Ickes, Robert H. Jackson, Governor Frank Murphy, Senator Norris, Secretary Frances Perkins, Burton K. Wheeler, and Wendell L. Wilkie.\u003c/p\u003e","\u003cp\u003eThis opinion was given by the General Counsel of the Federal Reserve Board.\u003c/p\u003e","\u003cp\u003eThese files include the first through third versions introduced in the 72nd Congress in 1932, S. 3215, S. 4115, and S. 4412.\u003c/p\u003e","\u003cp\u003eThese House bills include: H.R. 7250 (a bill creating national mortgage banks); H.R. 7620 (a bill to create Federal Home Loan Banks); H.R. 11340 (a bill to require national banking associations to furnish bonds to protect depositors against loss of deposits); H.R. 11422 (a bill to regulate the value of money, and for other purposes); and H.R. 12280 (an act to create Federal Home Loan Banks).\u003c/p\u003e","\u003cp\u003eIncludes an article by Lauck, \"America's New Immigrants\" and reviews of his book with Jeremiah Jenks, \"The Immigration Problem. A Study of American Immigration Conditions and Needs.\"\u003c/p\u003e","\u003cp\u003eIncludes a Memorandum from Lucius E. Wilson and Research concerning the cotton industry (1890-1912), economic consumption, 1890-1914,  prepared by Frances P. Valiant, centers of population (1914), prices (1914), tendencies in real wages (1900-1913), and wages and prices  (1912-1914)\u003c/p\u003e","\u003cp\u003eThe topics include: Agriculture; Anti-Strike Bill; Book Reviews; Bituminous Coal; Child Labor Law; Civil Service Employment, Reclassification and Retirement; Federal Employment; Federal Coal Commission; and Foreign Industry and Labor.\u003c/p\u003e","\u003cp\u003eThe topics Include: Health; Housing; Immigration; Industrial Accidents; Labor Mobility; Milk Bill; National Industrial Conference; New Jersey Chamber of Commerce; Public Health Service; Punitive Overtime; Racial Question, Commission on (\"Negro Wage Earners\"); Seaman's Act Revision in Merchant Marine Bill; Soldiers' Adjusted Compensation Legislation; Steamship Business Training; and United States Steel Corporation Pension Fund.\u003c/p\u003e","\u003cp\u003eTwo of these files focus on Employee Representation - Efficiency through Cooperation, and include \"A Report on Workers' Participation in Management\" with an appendix, by W. J. Lauck, March 1921.\u003c/p\u003e","\u003cp\u003eCompanies include: Bethlehem Steel Company, Endicott Johnson and Company, Goodyear Tire and Rubber Company, International Harvester Company, Midvale Steel and Ordnance Company, Standard Oil Company of New Jersey, and General.\u003c/p\u003e","\u003cp\u003eFiles include: Distribution of Output of Industry; Foreign Trade; General; Labor; Mass Production and Distribution; Production and Stock Market; and Prosperity.\u003c/p\u003e","\u003cp\u003eLabor topics in these files include: Labor and Churches (1922-1937); Labor and Industrial Policy during World War I, Memoranda on (1917-1918); Labor Gazette Program (undated); General material (1914-1920); Labor in Great Britain (1918-1937); Labor Injunctions (1927-1932); Labor Insurance (1928); Labor Legislation and Politics (1928); Labor Organizations (1910-1929); Labor Policies (1928); and Labor Problems (1919).\u003c/p\u003e","\u003cp\u003eAdditional Unemployment topics include: Joint Committee on Unemployment; Press; Social Effects of Unemployment, Statistics; and the Wagner Bills.\u003c/p\u003e","\u003cp\u003eInterstate Commerce Commission files include: Decision on Freight Rates in Anthracite Case; Five Per Cent Case; Hearing on Rates on Grain, etc.; Operating and Wage Statistics; and Petition concerning the \"Inefficiency of Railroad Employees.\"\u003c/p\u003e","\u003cp\u003eAdditional Interstate Commerce Commission files include: Rules on Locomotive Inspection; Rules of Practice; Rules governing Classification of Steam Railway Employees; and Seasonal Variation of Railway Operating Income.\u003c/p\u003e","\u003cp\u003eAdditional files include: Labor Conditions, including mining accidents; Manufacturers; and Monthly Production of Pig Iron in the United States.\u003c/p\u003e","\u003cp\u003eJourneymen Stone Cutters of America files include: Affidavits and Letters on Indiana Situation; Agreements; Amalgamation (Knoxville Wage Scale); Arts and Crafts Industry - Mr. M. W. Mitchell; Bloomington and Bedford Names and Local Vote; Cast Stone Industry Code; Limestone Code; Limestone Code Statement for Hearings and Suggested Complaint to the National Labor Board; the Marble Manufacturing Code, President Mitchell; Press Releases and Miscellaneous; the Sandstone Code and Statement by M.W. Mitchell, President of the Journeymen Stone Cutters' Association of North America.\u003c/p\u003e","\u003cp\u003eAdditional Labor Costs files include: Bituminous Mine Workers; Book Paper Industry; Canned Salmon; Canned Vegetable Industry; Coal; Construction; Copper Production and Sale; Cotton Industry; Cotton, Silk, and Wood Goods Production Before and After World War I; and Fertilizer Industry.\u003c/p\u003e","\u003cp\u003eAdditional Labor Costs files include: Hide and Tanning Industries; Leather and Shoe Industries; Pig Iron; Railroads, including Eastern, Operating, Southern, and Western; Relation to Prices; Shoe Industry; Steel Production in the United States; Sugar Profiteering; Summary; Various Industries; and Women's Muslin Underwear Industry.\u003c/p\u003e","\u003cp\u003eThe Living Wage subtopics include: The Case for a Living Wage; Cost; Cost of Rearing Children; Department of Labor; Effects; Fair Labor Standards Act (Bills, Interpretations, Regulations, etc.); Farmers; and General Press (1 of 2 folders).\u003c/p\u003e","\u003cp\u003eLiving Wage subtopics include: General Press (2 of 2 folders); Harmful Effects of Low Wages; Lauck Statements; Miscellaneous; National War Labor Board; Practicability (2 folders); Request for a Ruling from the United States Railroad Labor Board on the Living Wage;  \"Sanction for a Living Wage\"? Quotation Verification Work for Lauck's book with that title; Statement of the National War Labor Conference; and an Undated Essay on \"The Just and Reasonable Wage.\"\u003c/p\u003e","\u003cp\u003eThese documents include the Charter, Constitution, General Plans of Work, Explanation and Comment, Outline of Organization and Scope of Work at the Outset, By-Laws, Suggestions and Notes on Separate Trust Fund, and an article \"Employee Ownership\" by Thomas E. Mitten.\u003c/p\u003e","\u003cp\u003eMitten Management topics include: Labor Cooperation in Australia; Organized Labor in New Orleans; Personal News clippings; Press; and Strikes in Philadelphia and Buffalo.\u003c/p\u003e","\u003cp\u003eLiterature includes the New York Advertising Club Plan, Memoranda and Principles, etc., which also includes articles by Fred Brenckman and Isador Teitelbaum.\u003c/p\u003e","\u003cp\u003eItems include the Conscription of Property Senate Bill 1579 and Consumer Division of Defense, Labor, and Steel.\u003c/p\u003e","\u003cp\u003eThese files include a report of the Iron Ore Committee, a copy of the \"National Natural Resources Act,\" and the Report of the Planning Committee for Mineral Policy.\u003c/p\u003e","\u003cp\u003eThese bills include the Bill for Stabilization and Conservation of Natural Gas and Petroleum and the Cole Bill (H.R. 7372) Petroleum Conservation Act.\u003c/p\u003e","\u003cp\u003eFiles include General; a Brief; Mr. McGinn's Statement; General Producers Company, Mr. Taylor and John L. Lewis; and Sinclair Company - Maintenance of Retail Prices.\u003c/p\u003e","\u003cp\u003eApparently Lauck used his work with the Philadelphia Rapid Transit Company as a basis for his book, \"Political and Industrial Democracy, 1776-1926.\"\u003c/p\u003e\n","\u003cp\u003eIncludes files on the following companies: Baltimore and Ohio Railroad; Bank of Italy; Boston Consolidated Gas Company; Chicago Surface Lines; Colorado Fuel and Iron Company Plan; Columbia Conserve Company; Comparison of Fundamentals; Comparative Plans; Dennison Manufacturing Company; Dutchess Bleachery; Employee Representation and the Union (PRT); Employee Stock Ownership (PRT); Endicott-Johnson Company (PRT); Filene; Ford Motor Company; International Harvester Company; Investment Bankers and Cooperative Plans; Louisville Railway Company; Loyal Legion of Loggers and Lumbermen; and Milwaukee Electric Power and Light Company.\u003c/p\u003e","\u003cp\u003eIncludes files on the following companies: \tNash Tailoring Company; New Cooperative Plan; Packard Piano Company; Pennsylvania Railroad; Peoples Gaslight and Coke Company; Philadelphia Convention; Printz-Biederman Company; Southern Railway; Standard Oil Company; Summary with 1939 clipping; and Union Recognition Case.\u003c/p\u003e","\u003cp\u003eIncludes news clippings about the Electric Bond and Share Company, Power Authority of New York and others.\u003c/p\u003e","\u003cp\u003eIncludes a speech by Frank P. Walsh before the  Public Ownership League of America and a Research Bulletin on the Potomac Electric Power Company of Washington.\u003c/p\u003e","\u003cp\u003eThese files include ones for Analysis, Bradstreet's, Dun's, General, and Government Control of Prices.\u003c/p\u003e","\u003cp\u003eProfiteering files include those on: Address of the President; Agricultural Supplies; Articles by W. Jett Lauck and others (2 folders); Banks; Memorandum to Judge W.H. Black; Building Material; Coal; and Copper.\u003c/p\u003e","\u003cp\u003eProfiteering files include: Corporate Earnings and Government Revenues (3 folders); and Corporations, Profits of (3 folders).\u003c/p\u003e","\u003cp\u003eProfiteering files include: Industries, various, (3 folders); Manly, Basil M. - Survey of American Industrial Conditions; Meat Packing; Metal Trades; Miscellaneous Industries; 1921; Petroleum; Post War Profits; and Press Statements (2 folders).\u003c/p\u003e","\u003cp\u003eProfiteering files include: Railroads During and After the War (American); Railroad Equipment; Shoes and Clothing; Speeches in Congress; Steel;  Sugar; Summary; and War Contracts.\u003c/p\u003e","\u003cp\u003eIncludes the following filers: the Chicago Memorandum; Pending Work file; press release about the need for co-ordination of transportation facilities; press or news clippings; and railroad employee insurance.\u003c/p\u003e","\u003cp\u003eFiles include a draft of a letter to President Roosevelt and a memorandum on Russia from Lauck.\u003c/p\u003e","\u003cp\u003eRussia or Soviet Union files include: \"The Red Trade Menace\"; Research by Dunlap; Social and Economic Conditions, chiefly clippings, including concessions, the cotton case, credit, political and propaganda (2 folders); and Trade Mission.\u003c/p\u003e","\u003cp\u003eFiles include: \"The Agricultural Situation in the United States\"; \"Labor Banking Movement in the United States, Analysis of\"; \"Membership of Labor Unions\"; and \"Report of the Negro in Industry\".\u003c/p\u003e","\u003cp\u003eFiles include: Proposal for Cotton Purchase from the United States (3 folders); \"Recent Shifts in Industry\"; \"Report of the Railroad Situation in the U.S.\"; Research – Miscellaneous; and Tariffs.\u003c/p\u003e","\u003cp\u003eFiles include: Anderson, Paul E. – Reports and Memoranda; Ballantine's Report [on Transportation by Waterway as Related to Competition with the Rail Carriers in the United States]; Commodity Studies, including livestock, potash, green coffee, grains, and rubber; Correspondence; and Department of Commerce Outline.\u003c/p\u003e","\u003cp\u003eFiles include: Digest of Hearings and Reports; Electric Generation Capacity, U.S.A.; Extent of Railway Operations; News clippings, including article from \"The New Republic\"; Notes and Outline; and Panama Canal Traffic effect upon Railroad Rates.\u003c/p\u003e","\u003cp\u003eThis file includes a Railway Labor Executives' Policy statement, statement of the Baltimore Association of Commerce, and a paper about the  \"Effect of the Proposed Great Lakes-Saint Lawrence Deep Waterway on the Coal Industry.\"\u003c/p\u003e","\u003cp\u003eThe file includes articles by Lester Velie (\"Lean Years for the Rails\"), Harold D. Kootz (\"The Railroad Crisis\"), and one about new types of equipment; a speech by Harry S. Truman on railroad financing; a memorandum about railroads serving the Great Lakes ports; and a memorandum to Robertson about the position of Western railroad presidents concerning the waterway prior to 1933-1934.\u003c/p\u003e","\u003cp\u003eReports include: \"Analysis of its effects upon railroad and coalmining industries\" by W. Jett Lauck; \"Coordination of Transportation Agencies\" [by W. Jett Lauck?]; Report of Railroad Coordinator's Freight Traffic Report, including freight rate increases and petroleum pipeline rates; and Report of the Railroad System, Beneficial Effects of project upon.\u003c/p\u003e","\u003cp\u003eFiles for this committee include: General (2 folders); Papers submitted by J.W. Garrow and White; the Report, both Typescript and Printed (2 folders); Uniform Manufacturers Association Statement; United States Chamber of Commerce Presentation; and Vouchers and Expenses submitted by W. Jett Lauck.\u003c/p\u003e","\u003cp\u003eFiles include Awards, Decisions, and Authorizations (printed) and Exhibits prepared for the Board by Lauck and associates.\u003c/p\u003e","\u003cp\u003eSocialism files include; \"What it is and what it is not\" and History in the United States.\u003c/p\u003e","\u003cp\u003eFiles include: \"Compilation of the Social Security Laws\"; Correspondence with Barbara Nachtrieb Armstrong (Chief of Staff for Social Security Planning of the Committee on Economic Security; Correspondence with Pauling C. Gilbert; Directory of State Employment Security Officials; and Draft Bills for State Unemployment Compensation.\u003c/p\u003e","\u003cp\u003eFiles include: H.R. 4142 (Lewis Bill); H.R. 7260 (Social Security Act); Information Primer on the Committee on Economic Security; Inventory of Job Seekers Registered at Public Employment Offices; and League of Nations Staff Pension Fund.\u003c/p\u003e","\u003cp\u003eFiles include: Major Migratory Routes in the United States; Memoranda to Mr. Kennedy; National Women's Trade Union December Bulletin; Newspapers; and \"Old Age Insurance.\"\u003c/p\u003e","\u003cp\u003eFiles include: Pamphlets and Print Materials; Preliminary Report on Occupations of Job-Seekers in 43 States; \"The Problem of Insecurity\" (Committee on Economic Security); Radio Address of Frances Perkins, Secretary of Labor; and Recommendations of the Social Security Board Federal Advisory Council.\u003c/p\u003e","\u003cp\u003eFiles include: \"Social Security Act and War Manpower Commission\" and Social Security Board Federal Advisory Council Binder of Documents (2 folders).\u003c/p\u003e","\u003cp\u003eFiles include: Social Security Board Federal Advisory Council Meeting (June 1940); Social Security Board Federal Advisory Council Meeting (October 1942); \"Social Security in Defense and After\"; Statements on the Wagner-Lewis Economic Security Bill; Thrift and Security Foundation, Inc.; \"Two Special Reports on Social Legislation\" (Business Advisory Council); United Mine Workers of America Proposed Retirement Plan; and Vocational Training Program for National Defense.\u003c/p\u003e","\u003cp\u003eTopics include: Mineral production, \"A Working Economic Plan for the South,\" Washington and Lee as a Southern institution, and the Southern Commercial Congress (all printed).\u003c/p\u003e","\u003cp\u003eFile includes memoranda to John L. Lewis and suggestions by Katharine Pollak, federal regulation and steel codes.\u003c/p\u003e","\u003cp\u003eTopics include a file on Arbitrations, including Portland, Maine; Eastern Massachusetts Street Railway; Boston Elevated Railway Company; and Cumberland County Power and Light Company. Other railway topics include: District of Columbia; \"Low Fares\" article by Louis B. Wehle; the Mahon Case; and a Report by Delos F. Wilcox.\u003c/p\u003e","\u003cp\u003eFiles include: \"The Bridgemen's Magazine,\" Vol. XXXIII, Nos. 11 and 12; Conferences; H.R. 7596 (To License and Regulate Inter-State Coal Corporations); H.R. 12285 (Ellenbogen's Bill); H.R. 12499 (Wood's Steel Bill); Lauck Notes and Memoranda; and Lists of Materials Prepared in Connection with Iron Workers.\u003c/p\u003e","\u003cp\u003eFiles include: P.J. Morrin Exhibits I (a), II, and III-VIII; P.J. Morrin's Report as Labor Advisor to Chairman of the Labor Advisory Board and his Statement Before the National Recovery Administration; Possible Projects – Golden Gate Bridge, San Francisco, California and United States Courthouse, New York City; Statement of William P. McGinn to Deputy Administrator; and \"Summary and Objectives of Proposal for New National Recovery Act Legislation.\"\u003c/p\u003e","\u003cp\u003eFiles include: the Fair Tariff League; Press, including the French situation; and Wood Pulp, Woolens and Worsteds (2 folders).\u003c/p\u003e","\u003cp\u003eTaxation files include: \"Conclusions and Constructive Suggestions as to Tax Revision\" by David B. Robertson; News clippings, Printed Material and Press Releases (2 folders); and Notes and Drafts.\u003c/p\u003e","\u003cp\u003eFiles include: copies of clippings at back of folder; Charts used by Isador Lubin in his Testimony; and Notes by W. Jett Lauck and associates.\u003c/p\u003e","\u003cp\u003eTopics include: \"Dynamics of Transport\"; \"How Transport has Shaped the Pattern of National Development\"; \"Objectives of Public Policy\"; \"Problems of Interest Groups\"; \"Problems of National Defense\"; Problems of Rate Levels and Rate Relationships\"; \"Problems of Regulatory Policy\"; \"Problems of Transportation Policy – Review of Basic Issues and Alternative Solutions\"; \"Problems of Transport Coordination\"; \"What Lies Ahead in Transportation\"; and \"What the Transportation System Looks Like Today.\"\u003c/p\u003e","\u003cp\u003eFiles include information about the 1922, 1934, 1940 (2 folders), and 1946 Conventions.\u003c/p\u003e","\u003cp\u003eWage files include: American Federation of Labor; Articles, Bibliography on Wage Cutting and on a Saving Wage; Disease; Earnings in Ohio; \"A Fair and Reasonable Wage\"; and Minimum Wage (2 folders).\u003c/p\u003e","\u003cp\u003eWage files include: Productive Efficiency Theory; Productivity; Railroad; Rates; Real Wages; Regulation; Report on \"Wages and Hours of Labour in Canada\" and Report of Australian Royal Commission; Standard of Living; Various Industries (2 folders); Wage Adjustments; White Collar Workers; Women; and Works Project Administration.\u003c/p\u003e","\u003cp\u003eTopics include: the wartime control of labor (France), War Labor Conference Report (February 25, 1918), \"Labor Policies and the War, War Profits Bill, war and labor, and war tax law.\u003c/p\u003e","\u003cp\u003eMaterials include: a pamphlet \"Negro Women in Industry in 15 States,\" and other printed material from the Department of Labor and the Women's Bureau.\u003c/p\u003e","\u003cp\u003eTitles include: \"American Institute for Economic Research Monthly Bulletin\" (1944) and \"Automotive War Production\" (1945).\u003c/p\u003e","\u003cp\u003eTitles include: \"Babson's Washington Reports\" (1938-1939); \"Bank of the Manhattan Company of New York (1946); and \"The Bulletin\" from the International Typographical Union (1945-1946).\u003c/p\u003e","\u003cp\u003eTitles include: \"California Safety News\" (1919); \"Common Sense\" (1944); and \"Congressional Daily\" (1941, 1944-1946).\u003c/p\u003e","\u003cp\u003eTitles include: \"Economic Notes\" (1939); and \"The Economic Outlook\" (1940, 1944).\u003c/p\u003e","\u003cp\u003eTitles include: \"Foreign Commerce Weekly\" (1941) and \"Foreign Policy Bulletin\" (1943, 1946).\u003c/p\u003e","\u003cp\u003eTitles include: \"Human Events\" (1947); \"International Post-War Service Statistical Bureau\" (1943); and \"International Statistical Bureau Foreign Letter\" (1943-1944).\u003c/p\u003e","\u003cp\u003eTitles include: \"National Bureau of Economic Research\" (1933-1934); \"The National Grange\" (1932); \"People's Lobby Bulletin\" (1945); \"Private Newsletter\" (1934); and \"Propaganda Analysis\" (1939).\u003c/p\u003e","\u003cp\u003eTitles include: \"Report of the Mexico City Bureau\" (1940); and \"The Southern Patriot\" (1945-1946).\u003c/p\u003e","\u003cp\u003eTitles include: \"United Business Service\" (1941); United Construction Workers News (1946); \"Washington Review\" from Chamber of Commerce, U.S. (1940, 1943); and \"The Yardstick Catholic Tests of a New Social Order\" (1941-1942, 1944).\u003c/p\u003e","\u003cp\u003eIncludes booklets on \"Diplomatic List\" (1925); National Policy Committee booklet, \"Implications to the United States of a German Victory\" (1940); \"The Storm Washington D.C. January 27-28, 1922; \"The Story of the Globe\" (undated); andClifford Thorne (undated).\u003c/p\u003e","\u003cp\u003eIncludes: National Association Real Estate Boards (1924); National Monetary Association (1923, undated); \"National Transportation Institute Freight Rates and Prices, 1867-1923\" (1923); New Jersey Teacher Retirement and Pensions (1919); and New School for Social Research (1920).\u003c/p\u003e","\u003cp\u003eIncludes: Railroads (1944); Remedial Loan Societies (1928); and Remington Rand Inc. (1935).\u003c/p\u003e","\u003cp\u003eIncludes: Schools (1928-1929); Sperry Corporation (1936); Standard Oil Company (1922); and Standard Statistics Company (1925).\u003c/p\u003e","\u003cp\u003eIncludes: Virginia State Chamber of Commerce (1924-1930); and \"A Brief History of Taxation in Virginia,\" by Edgar Sydenstricker (1915).\u003c/p\u003e","\u003cp\u003eIncludes: Senator George D. Aiken (1941), Thurman Arnold on \"Labor Against Itself\" and Antitrust Law Enforcement (circa 1941, undated).\u003c/p\u003e","\u003cp\u003eIncludes Samuel Brodbelt with a letter to Lauck, February 1, 1940.\u003c/p\u003e","\u003cp\u003eIncludes: Charles H. Chase on Trade Credit Banking (1934); John Corbin on National Planning (1932).\u003c/p\u003e","\u003cp\u003eIncludes: Maurice R. Davie, \"What Shall We Do About Immigration? (1946); Eleanor Davis \"The Future of Personnel Administration in the US\" typescript (undated); Edward T. Devine, \"American Labor's Improved Status Since 1914\" (1928); and Wallace B. Donham, \"National Ideal and Internationalist Idols\" (1933).\u003c/p\u003e","\u003cp\u003eIncludes: Marriner S. Eccles (1939); Irving Fisher \"The Debt - Deflation Theory of Great Depressions\" (1933); and Harry Emerson Fosdick sermon \"A Christian Conscience about War\" (1925).\u003c/p\u003e","\u003cp\u003eIncludes: Walter Graves, Jr., an open letter concerning Hitler and the British Isles (1941); Senator Pat Harrison (1925); W.P. Harvey, articles on living wage, and capital and labor (undated); Leon Henderson on Use of Small Loans for Medical Expenses (1930), and Alice Hosteler article on Producer-Consumer Relations (undated).\u003c/p\u003e","\u003cp\u003eIncludes: Benjamin A. Javits, (1933-1934); Jefferson Institute, including an address by Daniel C. Roper (1934); George L. Knapp on Senator Edward P. Costigan of Colorado (undated); and Dr. Julius Klein, \"The Business Trend Since 1921\" (1927).\u003c/p\u003e","\u003cp\u003eIncludes: J.C. Laughlin, \"Demand and Prices,\" August 1932; William M. Leiserson, \"Labor Past as Key to Labor Future,\" February 10, 1944; Max Lerner, \"Revolution in Ideas,\" 1939; Alexander Levene, \"Modification of the Antitrust Laws and Purchasing Power\" (1932); and John L. Lewis \"Problems of Organized Labor\" (1936).\u003c/p\u003e","\u003cp\u003eIncludes samples of his articles with a biographical summary up to 1933.\u003c/p\u003e","\u003cp\u003eIncludes: William G. McAdoo, about William Jennings Bryan (1925); Leifer Magnusson, about the International Labor Organization and the American Federation of Labor (undated); Maury Maverick on \"How Solid is the South?\"(1943); Claudius T. Murchison, \"A Great Deal, Some of It New\" (1934); Reinhold Niebuhr, \"Jerome Frank's Way Out\" (undated); Edwin G. Nourse, \"The Nature and Future of Private Enterprise\" (1941); Frances Perkins, speech press release, 1936; Gifford Pinchot, \"Wages, Margins and Anthracite Prices\" and \"Business and Government in the Economic Crisis,\" (1923-1931).\u003c/p\u003e","\u003cp\u003eIncludes: Jackson H. Ralston \"Superficiality of International Law,\" 1922; Donald R. Richberg and his Labor Plan (1944); John D. Rockefeller, Jr., \"Considerations Concerning Labor Standards,\" 1922; Daniel C. Roper, \"Regimentation and Recovery\" and \"Trade and Commerce in Perspective,\"1934; and Dr. John A. Ryan, \"Organized Labor Today\" (1926).\u003c/p\u003e","\u003cp\u003eIncludes: Alexander Sachs on Problems of National Recovery (1937); David J. Saposs, \"Current Anti-Labor Activities\" (1938 April 11); Louis G. Silverberg \"Law and Order: Social Menace\" (1938); Upton Sinclair, \"An open Letter to the President\" (undated); Isidor Teitilbaum (undated); and Lawrence Todd (August 1933).\u003c/p\u003e","\u003cp\u003eIncludes: Henry A. Wallace, speeches (1937-1942); Sidney Webb \"Four Weeks in England\" (1919); Carl I. Wheat, California Railroad Commission, (1927); William Allen White, \"A Yip From the Doghouse\" (1937); Honorable Roy O. Woodruff \"War Frauds\" speech, 1922; and Owen D. Young speeches (1930-1932).\u003c/p\u003e","\u003cp\u003eIncludes \"Economic Planning\" (undated); \"When President's Play Politics\" (1938); and fiction pieces written for magazines like \"Ken\" (undated).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The W. Jett Lauck collection consists of his professional, business and personal papers as an economist, statistician and government consultant on immigration, banking, railroads, coal, and unemployment problems as well as other facets of labor in the United States. Included are correspondence, scrapbooks of news clippings reflecting his activities, labor reports and studies, drafts of congressional bills, legal briefs, and other material concerning labor problems in the United States from its formative World War I years until 1949. They begin with his association with the progressive labor codes of the Taft-Walsh Labor Relations Commission and continue with the Railway Labor Act of 1926; the fight to gain recognition of labor's right to collective bargaining \"through representatives of their own choosing\" under the National Industrial Recovery Act in 1933; the incorporation of its principles in the National Labor Relations Act; and further activity in defense of this act.","Other manuscripts deal with studies of government competition with private business, the American Association for Economic Freedom, the New York Power Authority; branch, chain, and group banking, drafts of speeches, and work diary accounts of activities and meetings with prominent congressional and labor leaders on labor problems and legislation.","The largest portions of the W. Jett Lauck papers deal with cases and arbitrations, chiefly railroad and coal related, his work on various boards and commission and topical files.","His correspondence with individuals heading organizations interested in labor and industrial relations was wide-spread, just as it was with political figures, educators, and labor leaders.\n Among the public figures with whom he corresponded are Bernard Baruch, Homer S. Cummings, Clarence A. Dystra, John T. Flynn, Guy M. Gillette, Leon Henderson, Herbert Hoover, Hugh S. Johnson, Jesse Jones, William S. Knudsen, Robert M. Fa Follette, Jr., Franklin K. Lane, John L. Lewis,  H.C. Lodge, Jr., William G. McAdoo, James M. Mead, Francis P. Miller, Henry Morgenthau, Karl E. Mundt, Donald Nelson, Judge Ferdinand Pecora, Frances Perkins, Gifford Pinchot, James H. Price, Franklin D. Roosevelt, E.R. Stettinius, Jr., Robert F. Wagner, David I. Walsh, Burton K. Wheeler, and Woodrow Wilson.\nThe educators include Hardy Dillard, Edward C. Elliot, Frank Graham, J.W. Jenks, Richard R. Mead, Lewis Tyree, Harry F. Ward, H.B. Wells, and Ray Lyman Wilbur; and the labor leaders Jacob Baker, Solomon Barkin, Van A. Bittner, Sophia Carey, David Dubinsky, P.T. Fagan, John P. Frey, William Green, Sydney Hillman, Earl E. Houck, Thomas Kennedy, Donald MacMillan, and A.O. Wharton.","This series consists chiefly of correspondence but also includes typescripts of speeches by individuals, and financial and other information about organizations.","Correspondents include:  E. Abbott, Louis Adamic, Adrian Adelman, Sara M. Addison, Joseph Agor, Helen Alfred, Fred H. Allen, Irving B. Altman (editor of \"Dynamic America\"), Aluminum Workers of America, Amalgamated Association of Street and Electric Railway Employees, American Association for Labor Legislation, American Association for Social Security, American Council, American Council on Public Affairs, American Farm Bureau Federation, American Guernsey Cattle Club, American Institute for Economic Research, The American Legion, American Political Science Association, American Sugar Cane League, Americana Corporation concerning Lauck's article on United Mine Workers of America, Thomas R. Amlie, Dr. James W. Angell, Charles P. Anson, \"Atlantic Monthly,\" Paul H. Appleby, Leon Ardzrooni (about the death of Thorstein Veblen), Mr. O.M. Armstrong, and Robert W. Arthur.","Correspondents include: Jacob Baker, Kent Baker, Bank of the Manhattan Company, Mary Barclay, A. K. Barnes, Joseph L. Barnett, Gerald Barradas, Barron's (The National Financial Weekly), John Barth, Mrs. Everett Boughton, Mrs. Robert Bennett Bean, Grant L. Bell, William H. Bell, Harold F. Berg, Nelson N. Berry, S. D. Berry, Jacob Billikoph, Margaret G. B. Blachley, James E. Black, Honorable William Harman Black,  Amy Blankenhorn, Heber Blankenhorn, Dr. Thomas C. Blaisdell, Jr., Ellis P. Block, John A. Bohn, E.W.G. Boogher, Book-of-The-Month Club, Inc., Judge Julian F. Bouchelle, Basil Nicholas Helenagoras Bousios, Fenton Bradford, C. Daniel Bremer, Samuel Bristol, G.L. Broaddus, St. Claire Brookes, The Brookings Institution, Herbert Bruce Brougham, E. Kirk Brown, Law Offices of Brown and Brown, H. Russel Brand, Carl P. Brannin, Selig C. Brez, P.F. Brissenden, Professor Leslie Buckler, Raymond Leslie Buell, John Bullock, Bureau of Agricultural Economics, Bureau of Applied Economics, The Bureau of National Affairs, Harold B. Butler, John E. Burton, J.C. Byars, Herman B. Byer, and Reverend James A. Byrnes.","Correspondents include: [Cadle], Jessie L. Campbell, R. Granville Campbell, The Capital News Company,Sophia Carey, Harry J. Carman, J.D. Carneal and Sons Inc.,  Caroline County Library Committee, M.D. Carrel, Samuel McCrea Cavert, The Chesapeake and Ohio Railway Company, The Chesapeake and Potomac Telephone Company, Mrs. Charlotte Chrestien, The Christian Science Publishing Society, Citizens' Council for Total Defense, Brice Claggett, V.M. Clapp, Clark, Dodge and Company, Brokers, Evans Clark, Victor S. Clark, W. A. Clark, Pauline Clarke, J. William Claudy, Thompson Clayton, Dr. Rudolph A. Clemen, Walt Clyde, The Clerk of the Stafford Court House, E.J. Coil, Kenneth Colegrove, George P. Comer, Department of Commerce, Commodity Research Bureau, Inc., Common Council for American Unity, Ellen Commons, Congressional Intelligence, Inc., Consolidated Vultee American Aircraft Corporation, Dr. P. S. Constantinople, W. Dewey Cooke, Edward L. Corbett, James Corbett, John M. Corbett, Council Against Intolerance in America, Council of Young Southerners, Frederick C. Croxton, Cosmos Club, Morgan Cunningham, and Curles Neck Dairy.","Correspondents include: Oscar H. Darter, Henry David, Elmer Davis, Shelby Cullom Davis, William H. Davis, Len De Caux, Kenneth de Courcy, De Jarnette State Sanatorium, Lud Denny, United States Department of Commerce, Marshall E. Dimock (U.S. DoJ), District Unemployment Compensation Board, Edward J. Donohue, Frank P. Douglass, Law Offices of Drain and Weaver, David Dubinsky, Allan Dunlap, Arthur Dunn, Robert W. Dunn, and C. A. Dykstra.","Correspondents include: Joseph B. Eastman, Economic Policy Committee, C. Vernon Eddy, J. A. Efpokito, Gerald Egan, Electric Home and Farm Authority, and Charles T. Estes.","Correspondents include: P. T. Fagan, Reverend Richard M. Fagley, Ruth Ansell Farley, The Farmers and Merchants State Bank, The Federal Council of the Churches of Christ in America, Federal Works Progress Administration for the Commonwealth of Pennsylvania, First Bancredit Corporation, First National Bank of Boston, The First National Bank of Keyser, Fjell Line of Great Lakes Transatlantic, Inc., Ralph Fleharty, R. D. Fleming, Courtney Fletcher, Duncan U. Fletcher, M. S. Flint, Frank H. Fljozdal, Fitzgerald Flourney, Hon. Edward J. Flynn, John T. Flynn, Foley, Food Research Institute of Stanford University, B.C. Forbes (Forbes Magazine), R. D. Forbes, Forbes and Myers, Foreign Policy Association, Clark Forman, Fortune, The Forum, Major B. Foster, Founders General Corporation, Mrs. M. N. Fox, Jerome Frank, Frank Brothers, Lafayette Franklin, Franklin Press, Franklin Simon Company, T. McCall Frazier, Free Lance-Star, W. R. Freeman, Paul Comly French, John P. Frey, Elisha M. Friedman, Ruth Friedson, and R. S. Fritter.","Correspondents include: Domenico Gagliardo, George B. Galloway, O. Max Gardner, Honorable Leslie C. Garnett, William Edward Garnett, Stanley Garrison, H. Dymoke Gasson, Paul W. Gates, Gayle Motor Company, Theodore Geiger, Phyliss Geisler, General Elevator Co., General Motors Corporation, Alfred Giardino, Clinton S. Golden, Clem Goodman, Henry J. Goodman \u0026 Co., C. O'Connor Goolrick, John T. Goolrick, Mary K. Gorman, Frank P. Graham, Sally Nelson Gravatt, Walter C. Graves Jr., H. A. Gray, Lanier Gray, H. B. Greybill, Myra Moore Griffith, J. Cleveland Grigsby, Sarah Groomes, Guthrie Lithograph Company, and Walter B. Guy.","Correspondents include: Ernst Haberstadt, Max Haleff, Ford P. Hall, Fred W. Hall, F. S. Hall, Edward W. Hamilton, H. E. Hamilton, Hampden-Sydney College, Hugh S. Hanna, Charles Hansel, William Hard, Harper and Brothers, Emma Harris, Owen Harris, Harvard College Library, Leon Henderson, S.J Henry, Warren F. Hickernell, R. G. Hilldrup, Otto Hillsman and Co., Mary W. Hillyer, S. H. Hines Company, David Hirsh and Son, H. C. Holdridge, Hoover War Library, Herbert Hoover, Harry L. Hopkins, Welly K. Hopkins, Dr. W. E. Hotchkiss, Curtis Hubbard, J.S. Hughes, W. A. Hull, and Thomas Lomax Hunter.","Correspondents include: Major William W. Inglis, Institute of American Meat Packers, Institute of World Economics, International Bank, International Statistical Bureau, Inc., Interstate Bankers Corporation, Investment Bankers Association of America, and Irving Trust Company.","Correspondents include: Gardner Jackson, Meyer Jacobstein, Jjell Lines, Thomas Jefferson (typescript copy of letter, June 11, 1807, concerning newspapers and histories), J. M. Johnson, Honorable Jessie Jones, Roberts W. Jones, N.Y. Journal of Commerce, and The Jury Commission.","Correspondents include: Evelyn Kane, Kappa Sigma House Association, Inc., Augustine B. Kelley, Leon H. Keyserling, Susan M. Kingsbury, Dr. George E. Kingsley, Richard Kirby, John H. Klingenfeld, and Oscar Koppel.","Correspondents include: LABOR, Ladies' Garment Workers Union, (William H. Lamar), Sophia J. Lammers, H. Lamson, Richard V. Lancaster, Thomas Larkin III, Joseph P. Lash, David Lasser, Howard Lee, Joseph N. Leinbach, Albert H. Levene, Robert E. Levine, Charles T. Libby, David E. Lilienthal, The Lincoln National Bank of Washington, Ernest K. Lindley, Geo. W. Linkins, Co., Irving Lipkowitz, Henry T. Lipman, Thomas E. Lodge, Stephen M. Loebl, Norman Lombard, W. C. Looker, Jr., Edward Lynch, and Barrow Lyons.","Topics include: American Legion Convention (1945); Committee for Industrial Organization Procedure and Policy (1935-1936); C.I.O. A.F.L. (1940); Congressman Martin and Mr. MacDougall (1939 March 3); Farmington Conference- War Time Organization Planned by the Administration (1939); Fixation of Coal Prices, Memos Relative to (1939); Fortune Magazine's Conferences or Round Tables (1939); Income Tax Returns of Lewis, J. L. (1940-1941); The Inner Circle (1942 Feb 11); Inter-American Bank (1940); Lindberg on \"Preparedness\" (1940); Missouri Pacific Bonds (1941-1942); National Defense to Post-War Planning (1942-1945); Oil and Gas on a Basis of Equality with Coal (1939); A Plan for Economic Democracy - Article written by Major Holdridge (1939); A Plan for Solving the Economic Crisis by Dr. R.H. Von Liedtke (1937-1941); \"Prohibiting\" Strikes for the Emergency Period (1940); James L. Simpson \"Plan for Maintenance of Economic Balance and Security\" (1940);  The Townsend Plan and Mr. Ivan Towanski (1942); Union Shop and Mr. Leland Olds (1941 November 14); United Mine Workers Suggested Program (1934-1935); War Against Unemployment and Poverty (1940 January 10); Threatened  Competition of Natural Gas with Coal (1944 December 5); and Big Inch Pipe Lines and the Rural Electrification Administration (1946 January 14).","Correspondents include: Bishop Francis J. McConnell, William MacDonald, Ernst D. MacDougall, Donald MacMillan, W. C. MacQuown, R. A. Magowan, Edward C. Maguire, Elizabeth M. Maher, Mason Manghum, Maxwell J. Mangold, Bank of the Manhattan Company, Basil Manly, L. C. Marshall, Thomas O. Marvin, Maryland and District of Columbia Industrial Union Council, Maryland Title and Investment Company, Lucy Randolph Mason, Massachusetts Mutual Life Insurance Company, The Bank of Mathews, Inc., Honorable Maury Maverick, Herbert Mazo, Charles McCarthy, Summerfield A. McCarteney, Bishop Francis J. McConnell, Wm. P. McGinn, Edw. F. McGrady, McGraw-Hill Publishing Company-Inc., Ernest D. McIver, Dr. Archibald McLeish, Thomas P. McTigue, Honorable James M. Mead, Richard R. Mead, Royal D. Mead, D. J. Meserole, Eugene Meyer, Jr.,  Francis Pickens Miller, Francis Trevelyan Miller, Ward B. Miller, H. A. Millis, The Milwaukee Journal, Mine Official's Union of America, John J. Minor, George Minnigerode, William Mitch, Wesley C. Mitchell, R. C. L. Moncure, Jr., Monroe and Berry, C. D. Montague, Jean Montgomery, Monthly Labor Review, Robert Morey, Charles S. Morgan, H. W. Morgan, Marie Morris, J. H. Muirhead, Honorable Karl E. Mundt, and Gorham Munson.","Correspondents include: William R. Nagel, Leonard Nairn, Dr. Philip Curtin Nash, Nash Floor Service, A. Nash Tailoring Company, Natalie, Inc., The Nation, The National Association for the Advancement of Colored People, National Association of Manufacturers, National Association of Retired Federal Employees, The National Bank, National Bank of Orange, National Bank of the Republic, National Bank of Washington, National Bituminous Coal Commission, National Broadcasting Company, Inc., National Bureau of Economic Research, National Catholic Welfare Conference, National Child Labor Committee, National Citizen's Council For Defense, The National City Bank of New York, National Cold Steam Company, National Consumers' League, National Council for Prevention of War, National Defense Mediation Board, National Electric Light Association, The National Encyclopedia, National Labor Relations Board, National Lawyers Guild, National Life Insurance Company, National Planning Association, National Resources Planning Board, National Policy Committee, National Press Club, National Recovery Administration, National Resources Board, National Sharecroppers Week, National Window and Office Cleaning Company, National Women's Trade Union League of America, Nation's Business, Nation's Commerce, J. S. Naylor, Donald Nelson, New America, The New Republic, Newsweek, W. S. Newton, The New York Times, George W. Norris, Cecil C. North, The Northern Neck Mutual Fire Association of Virginia, Claudian B. Northrop, and Harold Bernard November.","Correspondents include: Charlton Ogburn, William F. Ogburn, J. G. Ohsol, Joseph C. O'Mahoney, Organization Committee of Social Union, Inc., Mary O'Shaughnessy, William Owen, and John W. Owens.","Correspondents include: Pabst Post-War Employment Awards, A. H. Packard, C. C. Packard, Florence E. Parker, The Parker Corporation, Julius H. Parmelee, Col. Samuel Pascoe, Leo Pavolsky, M. W. Paxton, Jr., Walter Phipes, George Curtis Peck, Ferdinand Pecora, William R. Pendergast, Willis Pepoon, Fred W. Perkins, Thomas W. Perry, Charles E. Persons, Samuel B. Pettengill, Julius I. Peyser, L. W. H. Peyton, David A. Pine, David W. Pipes Jr., Fort Pipes, W. G. Pitero, P.M., Justine Wise Polier, Shad Polier, Wm. T. Powers, Richard T. Pratt, Prentice-Hall, Inc., Evelyn Preston, Harry B. Price, James H. Price, Provisional Committee Toward A Democratic Peace, and Public Affairs Committee.","Correspondents include: Railway Age, Ransdell Inc., Mervyn Rathborne, Stephen Rauschenbush, Carl Raushenbush, The Readers Club, Philip M. Riefkin, Charles S. Robb, James Robb, Newell W. Roberts, D. B. Robertson, Mr. Robey, John M. Robinson, Leland Rex Robinson, Josephine Roche, Rockbridge National Bank, John D. Rockefeller, Jr., Harry L. Rogers, Paul V. Rogers, William N. Rogers, Henry Romeike, Incorporated, Samuel Romer, Walter A. Romer, Leon H. Rouse (with William Green),  Rouss Library, Frances Rowe, and Harold J. Ruttenberg.","Correspondents include: Russell Sage, Lewis D. Sampson, Samuel L. Samuel, Dr. David J. Saposs, Saturday Evening Post, Marshall Schaffer, D. M. Schnapper, L. B. Schnapper, Joseph Schneider, G. Luther Schnur, James T. Shotwell, H. L. Schuh, Montgomery Schuyler, Louis J. Schwab, Henry Herman Schwartz, Ray Scott, Charles Scribner's Sons, Seaboard Air Line Railway Company, Joel Seidman, Shaw-Walker, Chester Shepard, Chester Sheppard, R. T. Shields, Silcox Memorial Fund, Simmons-Boardman Publishing Corporation, Sidney Simon, Richard C. Simonson, John F. Sinclair, Anthony Wayne Smith, C. Archer Smith, Edwin S. Smith, Nelson Lee Smith, S. Granville Smith, Vernon D. Smith, Bernard A. Smyth, H. M. Snead, Jr., Social Union, Inc., The Society for the Advancement of Management, Inc., John E. W. Sohl, L. W. Sorrell, Southern Conference for Human Welfare, Southern Maryland Trust Company, Mr. Sovey, Alexander Spencer, Sphere, R. B. Spindle, George L. Sprague, Saint Albans, Margaret S. Stables, William H. Stafford, Stafford County, Standard Oil Company, Stanford University Library, Louis Stark, State Loan Company, State Teachers College, Henry M. Stephenson, STEEL, Steel Workers Organizing Committee, A. A. Steele, Jean Stephenson, Jos. G. Stephenson, Boris Stern, Harold Stern, E. R. Stettinius, W. M. Steuart, Harry H. Stockfeld, W. L. Stoddard, Benjamin Stolberg, Irving Stone, N. L. Stone, William T. Stone, Chas. G. Stott and Co., Inc., Paul A. Strachan, David Strain, Ralph Strathmore, Nathan Straus, John Studebaker, Ralph G. Sucher, Arthur E. Suffern, Superintendent of Documents (Government Printing Office), Elmer Swack, Paul E. Switzer, Alois P. Swoboda, and Mr. Sydenstricker.","Correspondents include: Ivan Tarnowsky, Tax Policy League, Ordway Tead, Tennessee Valley Authority (Representative Noble J. Gregory), Percy Tetlow, Dorothy Thompson, TIME MAGAZINE, Daniel J. Tobin, John H. Tolan, The Travelers Insurance Company, Beverly Tucker, Henry Saint George Tucker, Earl R. Turner, and The Twentieth Century Fund.","Correspondents include: Alfred P. Wagner, Gordon Wagner, Robert F. Wagner, Thomas C. G. Wagner, J. Forest Walker, Allan E. Walker and Company, George A. Wallace, J. Raymond Walsh, August G. Walters, James N. Walton, James P. Warburg, Dr. Harry E. Ward, R. D. Ward, Ward and Paul, Caroline F. Ware, A.L. Warthen, Charles Washington, Washington and Lee University, \"Washington Post,\" James R. Wason, Elton Watkins, Ralph J. Watkins, Claude S. Watts, Marie Watts, Charles F. Weaver, H. B. Wells, (George) P. West, A. O. Wharton, Ross Wheat, Burton K. Wheeler, William M. Wherry, Hugh A. White, Ralph J. White, W. A. White, T. Y. Wickham, Dorothy G. Wiehl, Dr. Ray Lyman Wilbur, Allan H. Willett, Williams Company, Willis and Willis, Corwin Willson, J. Alfred Wilner, Elsie Cobb Wilson, D. O. Wilson, H. Hazen Wilson, Nelson Wilson, The H. W. Wilson Company, John G. Winant, J. Wise, James Waterman Wise, S. S. Wise, William P. Witherow, J. S. Withrow, Nathan Witt, Laurence C. Witten, Benedict Wolf, World Fellowship, Inc., World Study Tours, and Thomas H. Wright.","Scope note for correspondence files. There has been no attempt to make an exhaustive list of the correspondents in each folder. Most letters were routine correspondence from people seeking information about the group; copies of their publications, speeches, and other educational materials; questions about membership in the group from interested individuals; requests for individuals to become sponsors, members or leaders in the group; leaders of other like-minded organizations; union leadership (often about the lack of funds available to support the American Association for Economic Freedom); or people wanting information about pertinent upcoming legislative bills. Attention on the lists of correspondence is focused particularly on political and public figures, editors, and the legislative and social issues of the day.","These include: American Committee for Protection of Foreign Born; American Council on Public Affairs; Atlantic Charter League; J.M. Artman, editor of \"The American Citizen\"; Representative Thomas R. Amlie; Thurman Arnold, Department of Justice (concerning Frank B. Kellogg statement about the anti-trust Sherman Act); and John B. Abel.","Correspondents include: Alfred L. Bernheim, The Labor Bureau; A.A. Berle banking proposal; Rabbi Barnett R. Brickner, Social Justice Commission; Kent Baker, editor of \"Sphere\" with article sent to him by Lauck, \"Industrial Reconstruction\" attached; David Burdett (conventional economics versus social economics); and G.P. Bronisch, Loyal Americans of German Descent","Correspondents and topics include: Lauck memorandum to Charles H. Chase, (in light of the prospect of a lengthy war and its impact on social and economic reform) informing him of his decision to drastically reduce expenditures by having only one employee to maintain the office (1942); \"Strife and the Worker\" proofs by John F. Cronin; Helen A. Cole, \"The Liberal Worker\"; W.S. Clement and his \"The Ben Franklin Plan\"; Ben V. Cohen, National Power Policy Committee; and the Council for Social Action, Ferry L. Platt, Jr. concerning farm issues.","Correspondents and topics include: Dr. Paul H. Douglas, University of Chicago; Hardy C. Dillard, Institute of Public Affairs, including a letter from John L. Newcomb; Frederic A. Delano, Chairman National Resources Advisory Committee; and a letter to John Dewey.","Correspondents and topics include: Arthur Eggleston, San Francisco Chronicle; Peter Edson, NEA Service; A.E. Edwards concerning the Wagner Labor Relations Act; J.G. Frain; and Charles Flato.","Correspondents and topics include: Alfred C. Gaunt, including \"Smaller Business Lifts Its Eyes\"; Toshi Go, Foreign Affairs Association of Japan; and A.E. Grassby, Winnipeg, Manitoba.","Correspondents and topics include:  Hubert Herring; Sidney Hillman; Fred S. Hall concerning the Industrial Expansion Act (multiple letters); B.W. Huebsch, The Viking Press,  and his concern over the pamphlet \"A New Social Order\"; S.L. Hoover and his question about the Keller Bill and the Association; John Edgar Hoover; and F.J. Hall, editor of \"The United States News\" about numbers of unemployed and other issues (multiple letters).","Correspondents and topics include: Meyer Jacobstein about the Reconstruction Act; and Paul Kellogg.","Correspondence includes: letters to Robert M. LaFollette, Jr.; League for Abundance: League for Industrial Democracy; Harold Loeb; and Dr. Jack Levin.","Correspondents and topics include: secretary of Attorney General Frank Murphy; Darwin J. Meserole, National Unemployment League; Francis P. Miller; Emily Fogg Mead; Homer L. Mead; Lewis E. Meyers; Judge Julian W. Mack; Bishop Francis J. McConnell; George F. Milton, editor \"The Chattanooga News\"; Senator James M. Mead; and letter to Archibald MacLeish, Librarian of Congress.","Correspondents and topics include: Bishop Francis J. McConnell; James W. Miller; Vito Marcantonio; Otto Mayer; Robert E. Mathews concerning the \"sit down strike\" by investment bankers and industrialists in May 1940; and Henry Morgenthau, Jr., letter to.","Correspondence includes: \"The New Republic\"; Douglas Newman, Secretary of the Barradas League; Dr. C.A. Norman; memorandum concerning Senator Norris' presidential qualifications; and Representative Mary T. Norton.","Correspondents and topics include: William Owen; Ernest Minor Patterson; Representative Claude Pepper; Justice Justine Wise Polier; and Jacob S. Potofsky.","Correspondents and topics include: Judge Samuel I. Rosenman; Representative Robert L. Ramsay; Right Reverend Msgr. John A. Ryan.","Correspondents and topics include: John Saxton; Guy Emery Shipler; Edwin S. Smith; William Simkin; B.M. Schnapper concerning the history of the Wagner Act; Ray Scott concerning the \"Fundamental Significance of our Present Day Labor Movement\"; and Porter Sargent.","Correspondents and topics include: Ordway Tead, Harper and Brothers; and Dr. Robert H. Tucker.","Correspondents and topics include: an appreciation of Frank P. Walsh upon his death on May 2, 1939; Matthew Woll, American Federation of Labor; Thomas H. Wright, New America; Harry F. Ward; and Nathan Witt; and N.A. Zonorich.","Includes leases, workman's compensation insurance, correspondence, and unemployment compensation.","These include: \"Policies and Objectives of the American Association of Economic Freedom,\" \"Shrinkages and Hoardings of Purchasing Power Accentuate Current Business Recession,\" \"Hoardings-Taxes Proposed to Stimulate Flow of Credit and Goods and Revival of Business,\" \"Approaches Toward a Concerted Program of Fundamental Economic Reconstruction in the United States,\" various drafts of suggestions for the programs, principles and objectives of the organization, \"Sugar Control,\" \"American Labor's Broadcast to Great Britain,\" \"American Economic Situation of 1937-1938,\" \"Unemployment Insurance,\" \"Industrial Espionage,\" \"Bank-Holding Companies,\" several on social service foundations, \"Economic Freedom in America,\" \"Industrial Reconstruction Act of 1939\" press release draft, \"Capitalism in Crisis,\" \"Prospective Labor Surpluses,\" \"Increased Man Hour Productivity and Technological Unemployment,\" monopoly, and \"Petroleum Quota Controls.\"","These include: participation in management, monopoly, the \"Industrial Reconstruction Act of 1939,\" \"Leaders on the No. 1 Problem,\" \"Federal Administrative Court Bill,\" \"Occupational Groupings,\" \"National Labor Relations Act and Board,\" \"Full Employment Bill,\" \"Senator Claude Pepper,\" \"Senator Lewis B. Schellenbach,\" and starting a American Association of Economic Freedom Bulletin.\"","These include: \"Threatened Crucial Developments,\" \"Anti-democratic philosophies,\" \"Churchill's anticipations, 1932-1939,\" \"Mussolini,\" \"Hitlerism and Nazism,\" \"Profits of Leading Corporations, 1936-1939,\" notes on People's Lobby Conference, and Ickes [speech] on business sabotage of defense.","These titles include: \"Can Unemployment be Ended?\"; \"Challenge to American Democracy\"; \"Civil Liberties and the National Labor Relations Board\"; \"Cure by Shock,\" \"Democracy and Economic Planning\"; \"Economic Reconstruction\"; \"Fundamental Significance of Our Present Day Labor Movement\"; \"Next Step in Democratization\"; \"A New Magna Carta\" \"A New Social Order\"; \"Preparedness for Peace,\"  \"Problems of the National Labor Relations Board.\"","The \"Post-War Reconstruction Bill\" is foldered separately.","Included are: \"Thirty Million Jobs\" by Arthur Dunn; Roundtable: \"Labor's role in Post-War Reconstruction\"; \"Freedom from Want\" by Mr. Walton; \"Nineteenth Century Prophecy of Order\" by Harry Frease; \"The Moral Issue\" by Lowell Mellett; \"A Banking System for Capital and Capital Credit\" by A.A. Berle, Jr.; \"Suggested Housing Program for National Defense Purposes\" by the Congress of Industrial Organizations; and \"A Primer of Current Economics\" [1933].","Included are: Fight for Freedom, Friends of Democracy, and the Gillette Resolution.","These include memoranda, news clippings, an article by George B. Galloway on \"The Imperative of Planning,\" replies, and a speech by W. Jett Lauck.","Includes separate folders on news clippings, some containing criticisms and investigations; problems of the board; and the testimony of John L. Lewis.","Clippings include Wendell Willkie, democracy versus absolutism, banker opinion, national debt, U.S. Attorney General, pump priming the economy, monopolies, religion and democracy, communism, and capitalism and democracy.","Included are: Peace Conditions; People's Congress for Democracy and Peace; Plenty for All League; People's Lobby; Pressure Groups, Attitudes of; Pension Plan – \"Uncle Fred's Automatic Pension Plan\"; Progressives, Conference of; Social Union; Tax-Exempt Bonds; Women in Trade Unions; and Young Democrats.","Topics include: Conferences; Corporation Notes and Memoranda; Kennedy Statement on General Motors Inquiry; Production Costs by T.C. Gordon Wagner; Ratio of Pay Rolls to Returns to Stockholder;Salaries of Officials; and Annual Reports to the Securities and Exchange Commission, 1935 and 1937.","Subjects include: Agreements; Decisions; the Willard E.Hotchkiss Decision in Tar Barrel Case; Negotiations for New Agreements; News clippings; Publications; Report of Homer Martin to the International Executive Board; and a Statement Submitted to Roosevelt by Union Representation.","According to Wikipedia, \"The Commission on Industrial Relations (also known as the Walsh Commission) was a commission created by the U.S. Congress on August 23, 1912 to scrutinize US labor law. The commission studied work conditions throughout the industrial United States between 1913 and 1915. The Chairman was Frank P. Walsh, a labor lawyer and activist from Kansas City, Missouri.","https://en.wikipedia.org/wiki/Commission_on_Industrial_Relations","These include: \"Foreign Competition After the War,\" \"The Artificial Dye Industry in the War,\" and \"Business and the War.\"","Includes: \"Secretary Kennedy Gives Union Views on How Hard-Coal Freight Rates Affect Miner\" (December 15, 1933); \"The N.R.A. and Collective Bargaining\" Catholic Welfare Council (September 17, 1934); address before the National Conference on Economic Security (November 14, 1934); and \"Organized Labor and the N.R.A.\" Catholic Conference, Harrisburg, Pennsylvania (November 27, 1934).","Includes: Statement concerning the Wagner-Lewis Economic Security Bill before the Senate Committee on Finance (February 21, 1935); Commencement Address (June 3, 1935); \"Education and the Parochial School System\" (August 19, 1935); \"The Trade Union and Recovery\" (Labor Day, 1935); and \"Unemployment Insurance, Old Age Pensions, and Housing Legislation\" at the White House Conference on Economic Security (December 30, 1935).","Includes: Labor Day address (September 1937); article \"The United Mine Workers of America\" for the \"American Encyclopedia\" (December 2, 1938); address to the Pennsylvania Utilities Commission on the Competition of Natural Gas (April 1940); and a request for Lauck to send his analysis and recommendations concerning a letter from A.J. Altmeyer, Chairman of the Social Security Board, and two other enclosures pertaining to the Associated Gas and Electric Company, New York City (1942 March 27 and 1943 January 23).","Includes: a radio speech supporting Hoover in the election (1928); and a statement at the Hearing on a Code for the Bituminous Coal Mining Industry before the National Recovery Administration (1933 August 10).","Includes: \"Labor and the National Recovery Administration\" at the Meeting of the American Academy of Political Science, Philadelphia (1934 January 6); \"Labor's Part in Industrial Recovery\" at the San Francisco Commonwealth Club luncheon (1934 October 4); Speech for the International Labor Conference, not delivered (1934 October); and a radio address \"The Employee in the Changing World\" under the auspices of the Intercollegiate Council (1934 December 7).","Includes: Statement by Lewis before National Recovery Administration Hearings on Employment Provisions of Codes of Fair Competition (1935 January 30); \"The American Federation of Labor and the National Recovery Administration\" prepared for the \"Annals,\" Philadelphia but never delivered (1935 March 11-12); The United Mine Workers of America and the National Recovery Act\" Madison Square Gardens (1935 March-May 23); and Statement of Approval for the Wagner Housing Bill in the \"United Mine Workers Journal\" (1935 June 1).","Includes: \"The Case for Industrial Unionism\" (November 12, 1935); radio address \"The Future of Organized Labor\" (November 28, 1935); and article for \"Liberty Magazine\" on industrial unionism (1935 December 20).","Includes: a speech on Industrial Unionism before the Cleveland Auto Council (January 19, 1936); \"The Teacher and His Relation to Labor\" for the American Federation of Teachers Convention (June 19, 1936); a radio address \"Industrial Democracy in Steel\" (July 6, 1936); and an article \"Through Organization Industrial Democracy Dawns for Sleeping Car Porters\" celebrating the eleventh anniversary of the organization (July 15, 1936).","Includes: a political campaign statement about [Alf M.] Landon (August 1, [1936]); the draft of a Radio Address on Steel Organization (August 11, 1936); article \"Labor Looks at Education\" (August 17, 1936) appearing in the October 36 issue of \"The Teacher\"; article \"Towards Industrial Democracy\" (August 24, 1936) in appearing in the October 1936 issue of \"Current History\"; and two speeches supporting Franklin D. Roosevelt for President (August 18 and September 19, 1936).","Includes: radio address \"Labor and the Future\" (September 3, 1936); \"Horizontal Versus Vertical Unionism\" in \"Wharton School Magazine,\" University of Pennsylvania (September 8, 1936); an article for the \"The National Young Democrat\" on the Social Security Act (September 1936); and a radio address \"Roosevelt and the Future\" (October 18, 1936).","Includes: article \"The Next Four Years\" for the \"The Nation\" (November 4, 1936); an article \"Committee for Industrial Organization and Economic Recovery\" for the \"Business Review of New York  University\"(November 17, 1936); \"the Future of American Labor\" in \"The American Spectator\" (November 19, 1936); articles on \"The Next Four Years in Labor\" in \"The New Republic\" (November 25 and December 9, 1936); \"The Future of Wages\" for the \"Cleveland News\" Symposium (December 7, 1936); \"Organized Labor and the Student Union\" (December 23, 1936); \"The Need of the Hour for American Labor\" for the \"Progressive Salesman Magazine\" (December 24, 1936); radio address \"Adapting Union Methods to Current Changes- Industrial Unionism\" (December 31, 1936); and an unpublished article written for \"Redbook\" (1936).","Includes: \"The Meaning of Industrial Unionism\" for the \"Christian Front\" (January 13, 1937); \"The Struggle for Industrial Democracy\" for \"Common Sense\" (March 1937); an address delivered at an Anti-Nazi Mass Meeting in Madison Square Gardens (March 15, 1937); article \"The Origin and Objectives of the C.I.O.\"  for the \"San Francisco Chronicle\" (May 11, 1937); and a radio address \"Labor and Supreme Court\" (May 14, 1937).","Includes: \"Technology and Labor\" in \"Massachusetts Institute of Technology Engineering News\" (September 3, 1937); Labor Day address \"Labor and the Nation\" (September 3, 1937); \"Progress of Committee for Industrial Organization\" in the \"Wharton Review\" (October 21, 1937); \"Effect of Moderate and Gradual Wage Increases on Prices and Living Costs\" in \"The Annalist\" (November 12, 1937) a reply to an article by A.T. Shurick on July 30, 1937; and the [Steel Workers Organizing Committee] address \"The Deplorable and Indefensible Attitude of Big Business (December 13, 1937).","Includes: Address for British Broadcasting Corporation \"Struggle of Labor in America\" (March 15, 1938); \"Labor and the Law\" (April 14, 1938); \"Organized Labor and the Future of Democracy\" published in the \"St. Louis Post Dispatch\" (December 11, 1938).","Includes: Statement for Survey Associates (January 3, 1939); and \"Labor Looks South\" in \"Virginia Quarterly Review\" (Autumn 1939).","Includes: article on \"What Does Labor Want?\" (February 29, 1940); \"The Heritage of American Youth\" (March 1940); \"Obligations of American Citizenship\" (April 3, 1940); \"Foreword\" to Mr. Thomas' Testimony before the Temporary National Economic Committee (May 23, 1940); and a Labor Day Speech (August 29, 1940).","Includes: Extension of Library Service to Union for City and State Employees (May 28, 1941); Statement to be issued by Lewis on the Decision of the National Mediation Board on Union Shops (November 13, 1941); and \"The New Solid South\" (December 17, 1941).","Includes: Testimony of Mr. Steinbugler (March 2, 1935); the \"Most Impressive Point Developed by the Hearings\" (March 2, 1935); untitled Memorandum (July 30, 1936); \"Report on the Progress of the Hearing on the Coordination of Minimum Prices before the Bituminous Coal Division (September 16, 1939); \"Proposed Labor Policy for the War Period,\" various memoranda (September 11-November 13, 1939); an analysis of Professor Green's Proposal about pricing and distributing manufactured products (June 3, 1940); and Notes on the Last Ten Years (January-May, 1940).","Includes: Reply to A.T. Shurick suggestions on taxing (November 29, 1940); Response to the foreword of Walt Clyde's book on \"Owner Capitalism\" (December 4, 1940); suggestions about the National Economic Conference (December 12, 1940); Response to W.C. Graves, Jr. (December 23, 1940); Letter about the Raw Materials National Council (December 27, 1940); Memorandum on Fred G. Clark and the American Economic Foundation (February 20, 1941); H.S. Avery to Edward O'Neal and John L.Lewis on agriculture and farm prices (September 8, 1941); Conrad K. Grieb on need for social reconstruction (October 23, 1941); Letters from Alexander Spencer (October 30 and November 26, 1941); and a manuscript of Albert H. Levene (November 30, 1941).","Includes: Memorandum about Post War Depression (January 7, 1942); a response to S. Ferguson, President of the Hartford Electric Light Company about his proposals about deferred wages (January 13, 1942); W.A Hutton, M.D.  letter on post-war finances (January 14, 1942); Thomas Kennedy request for a study on the Cost of Living (January 16, 1942); Request for a response to the document by L.C. Christian on \"How Must We Finance the War?\" (February 3, 1942); a request for a response to a treatise on our financial system by August Walters (February 5-March 18, 1942); additional R.L. Greene communications (February 12,1942); and H.W. Bailey on labor self-determination (March 9, 1942).","Includes: Digest of the Salient Points of a Report on \"Manpower Policy and Labor Relations in the British Coal Industry\" (January 5, 1943); a Leo Chabert document on financing the war (April 4, 1943); and memoranda about an executive conference of the Natural Resources Board at Farmington Country Club, Charlottesville, Virginia, previously held around 1939.","Subjects include the National Recovery Administration, \"Amalgamation of the Two Enginemen's Brotherhoods,\" \"Russian Recognition and the New Deal,\" \"Future Policies of the National Recovery Administration,\" Six-Hour Day of the Railroads, \"Two Men on the Head End of all Railroad Trains,\" and Housing.","Subjects include \"Benefits of Trade Unionism,\" \"Forbes\" article, \"Limit on Weekly Work Hours,\" a letter to Professor Gordon, and \"Labor Movement and the Future of America\"","Subjects include planks for the Republican Platform, Anti-Strike Legislation, a Rejoinder to the Remarks of Fred Gurley, and \"Recommendations to the Board of Investigation and Research\"","A checklist of article titles can be found in the first folder. Titles in the order of the list   include: \"Economics and Christianity\"; \"The Mysterious Soul of the Steel Corporation\"; \"The Anthracite  Operators Should Concede the Check-off\" July 13, 1923; \"Industrial Principles and Not Machinery Are Important\"; \"The So-Called Check-off and Its Significance\"; \"The Report of the Coal Commission on the Anthracite Industry\"; \"The Purchasing Power of Wheat and Cotton\"; \"Private Cars and the Coal Problem\"; \"Mr. McAdoo's Political Availability\"; and \"No More Pre-war Standards of Wages and Working Conditions.\"","Next ten article titles include: \"The Radical - His Significance at Present\"; \"The Soft Coal Problem Again to the Front\"; \"Labor Banks and Their Ultimate Significance\"; \"Political Democracy Must be Supplemented by Industrial Democracy\"; \"Oil and the Southern Pacific\"; \"The Purchasing Power of the Farmer's Dollar\"; \"The Truth is Never Unpardonable\"; \"Private Cars and the Coal Problem\"; \"The Unique Financial Position of the Pullman Company\"; and \"Another Manifestation of the Soul of the Steel Corporation.\"","The next ten article titles include: \"Sugar and the Flexible Tariff Provision\"; \"Conflict or Arbitration\"; \"The Threatened Boomerang\"; \"Cooperation for Mutual Benefit or Profit?\"; \"Secret Police or Conviction for Crime\"; \"Chairman Butler Emits and Omits\"; National Cooperative Grain Marketing Realized\"; \"The Anthracite Operators Should Concede the Check-off\" (possible duplicate); \"Regulation of the Anthracite Monopoly\" September 1 , 1923; \"Why Not Action on Anthracite?\" September 11, 1923; and \"Can a Living Wage Be Paid to Unskilled Labor?\" October 30, 1923.","The next ten article titles include: \"The Failure of Industrial Arbitration\" October 30, 1923; \"Significant Labor Developments During the Coming Year\" October 30, 1923; \"A Dramatic Migration\" concerning African Americans, October 30, 1923; \"Unprotected Pullman Passengers\" October 30, 1923; \"The New Immigration and Its Significance\" November 2, 1923; \"The Probability of Railroad Legislation\" February 7, 1924; \"The Industrial Magna Carta\" February 23, 1924; \"Land Grants to Western Railroads\" February 23, 1924; \"Increased Efficiency of Labor\" February 23, 1924; and \"Real Industrial Statemanship February 25, 1924.\"","The next ten article titles include: \"Some Other Matters of Record\" June 2, 1924; \"The Verdict from Kansas\" August 7, 1924; \"A Real Test for the Tariff Commission\" August 14, 1924; \"A Billion and a Half Railroad Merger\" August 16, 1924; \"Common Sense\" August 19, 1924; \"President Gompers and a Labor Party\" August 19, 1924; \"A Significant Precedent in Financing Farmers Cooperative Enterprises\"; \"Back to the Declaration of Independence\" August 21, 1924; \"A Costly Labor Policy\" August 23, 1924; and \"Brass Tacks, The Red Flag, and the Constitution\" August 23, 1924.","The final group of articles include: \"Industrial Democracy - Our Greatest Problem\" August 27, 1924; \"The Passing of the Money Gods\"; \"The Conference Board Reports on Taxation in Wisconsin\"; \"The Railroad Labor Board\"; \"The Farmer and the Tariff\"; \"Visible and Invisible Tax Burdens\"; \"The Most Helpful Farm Movement\"; \"Radicals and God's Fools\"; \"Militant Friends Needed\"; \"The Unconscious Cruelty of Success\" October 24, 1924; and \"Another Orgy of Railroad Finance.\"","While some chapters have no individual date, they likely all come from drafts in 1931 or 1932. It is unclear which version belongs to each draft, and equally unclear which versions the explanatory note references. Chapter VII is largely missing. The name of the book may have eventually changed to \"The Need for a Unified Banking System.\"","W. Jett Lauck was chairman of the Pennsylvania Anthracite Coal Commission, responsible for investigating the state of the anthracite industry and the coal bootlegging situation in Pennsylvania, as well as recommending action.","The United States Anthracite Coal Commission is a different and separate entity than the Pennsylvania Anthracite Coal Commission over which Lauck presided (see also, \"United Mine Workers of America before the U.S. Anthracite Coal Commission\").","For reference, the Ad Interim Report was a report made halfway through the Commission's studies; the Final Report was the last official report of the Commission and contains recommendations; the Complete Report was a compendium of all of the Commission's work and reports (over 500 pages).","Reports include \"Anthracite Lands and Deposits,\" \"Anthracite Royalties,\" and \"Control of the Anthracite Industry.\"","Reports include \"Financial Operations of Anthracite Companies\" and \"Monopolistic Nature of the Anthracite Industry.\"","These include \"Award of the Anthracite Coal Strike Commission: Subsequent Agreements, and Resolutions of Board of Conciliation\" (July 1, 1936); \"A Labor Case With Merit: Editorial Comment on the Case of the Anthracite Mine Workers\" (1920); and \"Labor Information Bulletin,\" U.S. Bureau of Labor Statistics (February 1937).","Proposed Bills include the Anthracite Coal Industry Act; the Anthracite Public Authority Bill; the Cooperative Marketing Bill; the Pennsylvania Anthracite Commission; and Suggestions and Opinions.","Files included under Rates contain, the 1933 Freight Rate Case Excerpts and Statistics; Charts and Tables; General Information (see also Anthracite Institute Statistical Data, Maps, and Drawings, Anthracite Producers Statistical Data, Maps, and Drawings); the Interstate Commerce Commission Data; \"Intrastate Rates on Anthracite in Pennsylvania\"; and Rate Fixation in 1915.","Reports include: \"Combination in the Anthracite Industry,\" \"Comparison of Earnings and Wage Rates in the Anthracite and Bituminous Mines of Pennsylvania,\" \"Exhibits of the Anthracite Operators in Reply to Exhibits Presented by the Anthracite Mine Workers,\" \"Irregularity of Employment in the Anthracite Industry,\" \"Occupation Hazard of Anthracite Miners,\" \"Profits of Anthracite Operators,\" and \"The Relationship Between Rates of Pay and Earnings and the Cost of Living in the Anthracite Industry of Pennsylvania.\"","Reports include: \"Reply of the Anthracite Operators to the Demands of the Anthracite Mine Workers,\" \"The Sanction for a Living Wage: A Compilation of Data From Official and Authoritative Sources,\" \"Summary, Analysis, and Statement,\" \"The Trade Union as the Basis for Collective Bargaining: A Compilation of Sanctions and Experiences,\" \"Trade Unions,\" and \"Wholesale and Retail Prices of Anthracite Coal 1913-1920.\"","These exhibits include \"Changes in Cost of Living in the United States, 1913-1922,\" \"A Just and Reasonable Wage,\" and \"Monthly Earnings of Sectionmen.\"","The volume includes exhibits on \"Harmful Effects of Low Wages Upon Health and Morals,\" \"The So-called Law of Supply and Demand,\" \"The Just and Reasonable Wage,\" \"Changes in the Cost of Living in the United States, 1913-1922,\" \"Probable Course of Prices,\" \"Comparison of Prices and Living Costs,\" \"Monthly Earnings of Section Men,\" and \"Monthly Earnings of Section Men – Basic Tables.\"","Includes the following files: Briefs; Construction and Repair of Railroad Equipment; Correspondence on Leasing Out Repair Roads; Minutes of the Philadelphia Hearing; Petition to the Interstate Commerce Commission; Press - Clippings concerning Outside Repair; Press Release Originals; General Electric and Westinghouse; Labor Costs; Louisville to Nashville Railroad; and Miscellaneous.","W. Jett Lauck has also referred to this case as \"the Shopman's Case\" or the \"B.M. Jewell Case.\" Jewell was the President of the Railway Employees division of the American Federation of Labor.","Note that all exhibits were presented before the United States Railroad Labor Board.","Exhibit 11a includes the section \"Financial Mismanagement of the LeHigh Valley Railroad Company\" and Exhibit 12 includes the \"Summary.\"","Exhibit tTitles include: \"Occupation Hazard of Railway Shopmen\"; \"Punitive Overtime\"; \"Industrial Relation on Railroads prior to 1917\"; \"Standardization\"; \"The Recognition of Human Standards in Industry\"; \"The Unity of the American Railway Systems\"; \"Human Standards and Railroad Policy\"; \"Seniority Rules of the National Agreements\"; \"The Sanction of the Eight Hour Day\"; \"The Work of the Railway Carmen,\" and \"The Development of Collective Bargaining on a National Basis.\"","These include: \"Pending Railway Legislation\"; \"The Present Railroad Labor Problem\"; \"The Future Policy as to the Railroads\"; \"Compulsory Arbitration\"; \"Labor Adjustment Boards of the Railroad Administration\"; \"The Reasonableness of the Requests of Locomotive Firemen\"; \"Time and One-Half For Overtime\"; and \"Compulsory Arbitration.\"","The Sleeping Car Conductors Case files consist of several successive cases arranged in this finding aid roughly in the chronological order in which they occurred.","Exhibits include \"An Adequate Basic Wage,\" \"Earnings of Sleeping Car Conductors compared with Changes in the Cost of Living,\" \"Various Factors Indicating Rising Standards of Living in the United States Since 1914,\" \"Compensation of Sleeping Car Conductors compared with other Expenses and Revenue of the Pullman Company,\" and \"General Trend of Wages, 1913-1918, as Compared with Earnings of Sleeping Car Conductors.\"","Exhibits include \"Increased Productive Efficiency of Sleeping Car Conductors and Financial Administration of the Pullman Company,\" \"Increased Labor Productivity,\" and \"Standards of Wage Determination.\"","This file includes information and statistics on Besler Steam Power Trains; the Comparative Costs of Operation; Locomotives in Service; Diesels in Switching Service; Earnings Per Hour; Freight Cars; and General Statistics.","These charts include: \"Anthracite Combination,\" \"The Seven Departments of the Anthracite Industry,\" \"Interlocking Directorates Showing Working Control of Anthracite Operating Companies,\" and \"Profits of Anthracite Combination.\"","Charts include \"Affiliations of Railroads and Banking Houses,\" \"New York Bank Control of Railroads and Railroad Equipment Companies,\" \"New York Bank Control of Coal Mining Companies and Coal Railroads,\" and \"The Geographical Spread of New York Railroad Control.\"","Exhibits include \"Employment and Compensation of Railroad Employees\"; \"Cost of Living\"; \"Methods of Reporting Wage and Hour Data\"; and \"Increasing Output per Worker and Decreasing Wage Cost Per Unit of Output.\"","Exhibits include: \"Trend of Railway Operating Revenues and Total Compensation\"; \"The Rising Tide of Recovery A Survey of the Leading Business Indices\"; \"Labor Movement Supports Railway Workers in Resisting a Wage Cut\"; \"Squandering the Maintenance Dollar\"; \"Financial Mismanagement through Banker Control of Railroads\"; \"Training and Skill of Track and Roadway Section Men\"; \"Average Hourly Earnings in Railroads and Other Industries\"; and \"Estimated Money Share of Individual Railroads in the Proposed 15 Per Cent Pay Reduction.\"","Morgan's statements include those on wages; postwar economic conditions, developments, and private bankers' constructive services; and interference and control in corporate managements.","These include \"Cost of Living is Increasing,\" \"The Railroad Plea of Poverty,\" \"Labor Versus Materials and Interest,\" and \"The Railroads versus the Public Interest\" (printed).","Tables include \"Dividend Performance of Anthracite Railroads and Trunk Lines Compared,\" \"Percentage Relationships of Dividends Paid on Stock Dividends to Total Compensation Paid Employees,\" and \"Distribution of Capital Resources.\"","W. Jett Lauck was employed by the John G. Paton Company of New York City to study the report of the Tariff Commission of 1928 as to the costs of production in the maple sugar industry in the United States and in Canada. He then gave his conclusions on the report to the company and as testimony before the Tariff Commission itself.","There are excerpts from the following: the Tariff Commission Stenographer's Minutes (June 1927), Hearings before the House Committee on Ways and Means (January 1929), Hearings before the Senate Finance Committee (June 1929), Debates in the U.S. Senate (January 1930), Remarks of the Honorable Ernest W. Gibson (February 1930), the Roodenburg Report (November 1930), George H. Burr and Company Report (March 1931), R.G. Dun and Company Report (undated), Cary Maple Sugar Company Federal Income Tax Returns (1921-1930), and Cary Testimony (undated).","These include: Agricultural Adjustment Act and Amendment, House Resolution 9439, Orders from the President and National Recovery Administrator, Regulation 81, Regulation 82, and Secretary of Agriculture Regulations.","Files include the following folders: News clippings; Comparison of Lauck and Mahon Agreements; Final Agreement; General; Hanna Memorandum; Insurance; Saint Louis Public Service Company Union Plan for Cooperation; and Saint Louis Public Service Company Operating Notes.","Files include Pamphlets on Public Utilities, Press on Public Utilities, Press on Governor Roosevelt and Power Utilities, [Union?], and a Report addressed to Frank P. Walsh (1864-1939).","There were two hearings before the United States Tariff Commission related to an investigation into the costs of sugar production. After the January hearings (January 15-24, 1924), other briefs were filed. There was a call for another hearing to be held in March (March 27-28, 1924) after which it was decided that all parties had until April 10th  to file more briefs in connection with the hearings. W. Jett Lauck coordinated and prepared documents for many of the parties involved. He also served as a witness for the Hawaiian Sugar Planters Association.","Includes news about the Bituminous Coal Commission.","This includes the \"Report, Findings and Award of the United States Anthracite Coal Commission of 1920.\"","Files pertaining to Wages include: Wage Demands; Wage Rates of Employees Other Than Contract Miners; Wages, Earnings and Work Conditions in General; Wages in Various Industries 1914 to 1920; and Wages in Various Industries and Occupations: A Summary of Wage Movements 1914-1920.","Mass strikes in both the anthracite and bituminous coal industries in 1922 led to a standstill in production. When the miners and operators failed to reach any agreements, the government abandoned its hands-off approach and attempted to set up commissions to arbitrate the cases. After several failed attempts, both an Anthracite and Bituminous Coal Commission were established to not only arbitrate the current situation, but to investigate its origins in the general history and conditions of the coal industries. W. Jett Lauck was involved with the United Mine Workers of America in both cases to varying degrees. Material is separated into Anthracite and Bituminous, with common material labelled \"General.\"","Some dates are corroborated by list of case exhibits. Where corroboration is not possible, no date has been inferred. Classification as \"exhibit\" is applied based either on inclusion in a numbered list of exhibits or Lauck's handwritten filing directions.","Letters are presumably from W. Jett Lauck to the \"New York Times\" Managing Editor and to the President, regarding the establishment of an Arbitration Board.","These three memoranda are to Mr. Lewis, July 8, 1922; one concerning the production of the Central Competitive Field, April 27, 1922; and a third showing the financial connections of the Boston Financial Group and Secretary Mellon.","The two press releases include a letter to the President regarding Arbitration, July 15, 1922, and the UMWA Statement about Mr. Murray's Speech,  April 22, 1922.","Items include a \"Journal\" Communication sent to every member of Congress, 1922; a Letter to Officers and Members, May 25, 1922; and the UMWA Wage Scale Committee proposed wage scale, February 14, 1922.","The History of the Development of the Anthracite Coal Combination contains five sections: Section 1, Early History of Anthracite Consolidations and Combinations; Section 2, Consummation of the Anthracite Combination, 1896; Section 3, Methods by Which Railroads Have Discriminated in Favor of Their Allied Coal Companies and Favored Clients; Section 4, The Influence of the Combination Upon Freight Rates, Shipping Allotments, and Prices; and Section 5, Present Situation as Regards Ownership and Control.","The unnumbered exhibits include \"The Coal Controversy\" May 1922 and Geological Survey, Weekly Report on the Production of Bituminous Coal, Anthracite, and Beehive Coke, February 11, 1922.","These exhibits include: Exhibit 6: Seasonal Fluctuations in Production and Transportation, June 15, 1921; Exhibit 7: Production, Capacity, Men Employed, Mine Price Per Ton, and Days Lost, 1922, undated; Exhibit 12: Fluctuation in Employment and Earnings of Bituminous Mine Workers, undated; Exhibit 14: Effect of Price Changes Upon Purchasing Power, 1920; Exhibit 16: Chart Showing Production from Union and Non-Union Districts, March 16,  1922.","Memoranda include \"Complete Unionization Would be the Greatest Factor in Stabilization of Soft Coal Industry\" June 19, 1922, several other miscellaneous undated memoranda for Lewis, plus one on the Earnings of Bituminous Mine Workers for a \"Baltimore Sun\" Article, March 17, 1922.","Press Releases include: Capital Investment and Profit of Bituminous Coal Mine Operators, June 1, 1922; Letter From Ellis Searles to Secretary Hoover, February 8, 1922; Letter Submitting Explanatory and Statistical Material Supporting the Preliminary Report of the Commission on Investment and Profit in Soft Coal Mining, July 6, 1922; and Press Release: Russell Sage Foundation Report on \"The Coal Miners' Insecurity\" April 16, 1922.","Morrow's statements were made before the Committee on Labor, April 25, 1922 and before the Interstate Commerce Commission in the Hearing on Railroad Rates, Fares, and Charges, January 19, 1922.","Includes Memoranda and Opening Statement on behalf of Anthracite Mine Workers and Research Material and Data.","Statements concern the Request of Anthracite Operators for a Modification of the Wage Scale, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Typescript and Print copies.","The reply concerns the request of Operators for modification of the Wage Scale, and was by John L. Lewis, etc. on behalf of the United Mine Workers, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Proofs and Print copies.","The Anthracite Freight Rate Case files may be part of the previous group but were placed in a separate divider created by the office of Lauck.","Statistics include four categories: General; Anthracite Coal Carrying Railroads, Typed Originals and Carbons; Financial Performance of Coal Companies (clippings and other statistics),Earnings, and Profit; and Salaries of Operator officials, exceeding $10,000 per year.","Note: an assigned car is a rail car specifically designated for the use of a particular shipper, or, in the case of private cars, for the use of a particular railroad for a specific customer.","Lauck also referred to this as the Mahon Case, after President William D. Mahon.","File includes the Opinion of the Majority of the Arbitration Board, Dissenting Opinion, and a Report on a Proposed Pension Plan","These include: \"Discipline and Education of Locomotive Engineers and Firemen and Standardization of Wages\"; \"Progress Made in Electrification of Railroads and Economics Effected Thereby\"; \"The Railway Dollar, What Became of it in 1913\"; \"Revenue Gains by Representative Western Railroads Available to Compensate Locomotive Engineers and Firemen For Increased Work and Productive Efficiency, 1890-1913\"; The Rise and Fall of Mechanical Stokers\"; \"Miscellaneous Statements in Rebuttal to Exhibits Presented by the Railroads\"; \"Opposition of Railroads to Enactment of Federal Hours of Service Law and Efforts of Federal Government to Enforce Same.\"","All the years but 1933-1935 have an index in the front of the folder.","These \"diaries\" were used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date.","File includes Lauck's Civil Service record (1945) and National War Labor Board service (1918).","The 1911 blueprint \"General Plan\" of the property was prepared by Thomas Meehan and Sons, Mt. Airy, Philadelphia, Landscape Architects, for Francis T.A. Junkin, Lexington, Virginia. The \"Map of Mulberry Hill, Lexington, Virginia,\" 1926, with surrounding properties, was done by R.E. Witt, Certified Land Surveyor.For a typed description of the property by R.E. Witt and a note by W. Jett Lauck, see Box 224 Folder 4.","The Bureau of Applied Economics, Inc. was a \"private, independent, scientific organization, established in 1914 for the purpose of doing research and analytical work in the field of industrial, commercial, banking and general economic activities\" according to one of its brochures. It was located in Washington, D.C. \"where the governmental departments, commissions and other organzations with their specialists, archives and unrivaled library facilites render such research more effective and productive than any other city in America\" according to a page from an unknown directory. Hugh S. Hanna was the Director and W. Jett Lauck was listed as both the Chairman of the Advisory Board and the specialist for money and banking.","One of the chief functions of the Bureau of Applied Econonics was to create publications about importand current issues in the field of labor conditions and industrial relations. These were intended to be brief (50-75 pages) but authoritative and written by a specialist in the subject so that anyone interested in the subject could have access to the gist of all the information in one place and for a low cost. ","File includes Monthly Statements, Proofs of Notices, Subscribers and Sales.","File includes Correspondence, Papers, and Table of Contents.","Lauck taught a course on the History of the Labor Movement at the American University.","The Notes chiefly include Political Science, Sociology, Labor vs Capital, Economics, Constitutional Law, American Government, and Agriculture.","These College Notes are chiefly concerned with the Reciprocity Concept and the Chicago Conference with sections on Cuba and Hawaii; Distribution; Receiverships; Sociology and Tariffs; and Printed Material.","Much of this material is fragmentary or incomplete and it possibly has some material of W. Jett Lauck mixed in.","These photographs include the \"Funeral Procession of Stephen Horvath, McKees Rocks, Pennsylvania, August 14, 1909. Photographs are mostly unidentified and some do not include W. Jett Lauck.","These photographs are mostly unidentified and undated but does includes William Harmon Black and Major Miller Taylor. and his wife.","This file consists of seven oversize photographs, including a Staff Conference; the Immigration Commission, Washington D.C. (1907); three photographs of Lauck with the same two  unidentified men; W.D. Mahon; A.A. Mitten; Earl E. Houck; an unidentified man; and an unidentified hearing.","This folder includes four oversize photographs  of Public Code Hearings on Bituminous Coal Industry, 1933 August 9; Cigar Manufacturing Industry AAA Code Hearing, 1933 November 22;  Structural Steel and  Iron Fabricating Industry N.R.A. Hearing, 1933 October 30; and Anthracite Coal Industry, NRA Code Hearing, William H. Davis Deputy Administrator, Washington, D.C., 1933 November 17","Topics include Agriculture and Farms, Airlines and Aviation, Argentina, Atlantic Charter—Poland*, Atomic Energy and Weapons (see also, J—Japan), Australia, and the Automobile Industry.","Topics include Bank Fraud, Banking and Bankers, Baruch Report, Big Three, Bretton Woods Agreement—International Monetary Fund, British Elections 1945, British Labor Party, British Labor Reports and the Second World War and Budget.","Topics include Cartels, Chamber of Commerce, Canada, Capital/Capitalism, Charter [U.N.] (see also, S—San Francisco Conference), Chemical Warfare, Cherry Blossoms—Washington D.C., China, The Church (see also, Religion and Faith), Churchill, Winston (see also, People), Comintern, Communist Party, Congress, Cost of Living, and Cuba.","See also, Strikes, U—United Mine Workers.","Topics include Debt, Defense, Deflation, Democracy, Democratic Party, The Depression, Diplomacy, Disease, Driving [Winter], and Dumbarton Oaks Conference.","Topics include Economic Bill of Rights, Economic Development [Committee], Economic Policy (see also, B—Bretton Woods Agreement, Post-War Reconstruction), Economic Rights, Economy of War, Employment (see also, U—Unemployment), Electric Workers, Electricity, and Excess Capacity.","Topics include Farms, Fear, Flooding, Food [Costs] [Rations] [Shortages], Food as Weapon, Foreign Policy, Freedoms, France, Franco, and Full Employment America.","Topics include General Motors [Strike] (see also, Strikes), Germany, G.I. Bill, Gold Standard, Government in Business, Grain Marketing, Great Britain, Growth of Democracy, Hapsburgs, and Hatch-Burton-Ball Bill.","Topics include Industrial Divide, Industry, Inflation/Deflation, and Israel.","Japan [and the Atomic Bomb], Jefferson [And the Declaration of Independence], The Jewish People [in Nazi Germany], Jobs as a Property Right, and Kipling, Rudyard (see also, People).","Topics include Labor [and War], Latin America, League of Nations (see also, World Government), Legal Aid Societies, Lend-Lease, Liberalism, and the Lima Conference, Liquor Problem, and Living Wage.","Topics include Magna Carta, Massachusetts Academy, Meat Industry (see also, Strikes), Middle Class, Monetary Reform, Morale [Poor], and Moving Pictures.","Topics include National Association of Manufacturers, National Income, National Interest, \"New Era\" 31*, New York State Industrial Survey Commission 28*, New York Transit Strike, Office of Price Administration, and Oil.","Topics include Pacifists, Packing Houses, Thomas Paine,  Palestine, Pan-American Union, Patents, Peace, Pennsylvania Labor Act, Philanthropy, Poland, Political Minorities, Population [United States] 1940, Power, The Press, Price Controls, Prisoners of War, Production, Profit-Sharing, Profiteering, Public Service, and Pump-Priming the Economy.","For more clippings on people see also: C—Churchill, K—Kipling, P—Paine, R—Roosevelt, Rural Electrification Administration [Harry Slattery], S—Stalin, and T—Truman.","File contains topics such as: Post-War Deflation, Post-War Europe, and United States Labor, Industry, and the Economy.","Topics include: Race and Racial Strife, Radar, Railways and Railroads, Reciprocity – British Agreement, Reconstruction Finance Corporation, Reconversion [and Wages] (see also, Post-War Reconstruction), Re-employment (see also, Post-War Reconstruction), Republican Party, Republican Record, Right Wing Reaction, Roosevelt, Rural Electrification Administration [Harry Slattery], Russians who Fought for Germany in World War II.","Topics include: San Francisco Conference (see also, United Nations), Savings, Sherman Act, Social Security, Socialism, Socialized Medicine, South America, The South [and Politics], The South [and Poll Tax Ban], Southern Revolt, Soviet Union/Russia, Spain, St. Lawrence Seaway, Stalin, Subsidy, Sugar, Supreme Court, Packing the Supreme Court, and Syria.","See also, Coal, G-H—General Motors [Strike], M—Meat Industry, N-O—New York Transit Strike, Steel, and U—United Mine Workers.","Topics include: Tariff Bill, Taxes, Textiles, Third Political Party, Totalitarian States, Troops, Truman [Report], Trusteeships; Unemployment, (see also, E—Employment), Unions, United Kingdom [Britain], United Mine Workers (see also, Coal), Unity, National\nVirginia, and Virginia Budget Efficiency.","See also S—San Francisco Conference and World Government.","Topics include: Wage Central, Wages, Wagner Health Bill, Wall Street, War, War Aims, War and Capital, War Contracts Settlement, War Cost, War Crimes, War Labor Board, War Production Board, Work Week, World Bank, and World War II [Battles].","This file includes agendas, correspondence, reports, membership, and the tentative program.","Topics include: American Mining Congress Declaration of Policy, \tdisagreements over the NRA code, gasoline and coal, new processes, and the right to strike.","This file includes an \"Investigation of Paint Creek Coal Fields of West Virginia,\" \"The Truth about Coal River Collieries,\" \"West Virginia Coal Fields\" (Senator Kenyon), Colorado Coal Fields, and a List of West Virginia Coal Fields.","Includes Houde Engineering Company Memorandum submitted to the National Labor Relations Board, the Hunt Memorandum outlining the Study of Competing Fuels, Lauck's review of \"The Coal Industry\" by Glen L. Parker, the Keller Bill for the Mississippi Valley on the Relative Importance of Fuels, \"Oil-Coal Mixtures as Industrial Fuel\" by J.E. Hedrick, and the Coal Cost of Producing Electricity, by J. Leonard Matt in the \"New York Herald Tribune.\"","The Railroads Financial History material was used in preparation of exhibits for the Brotherhood of Locomotive Firemen and Enginemen Case and updated for use in later cases involving railroads.","These news clippings include: British railway strike, credit, Thomas Dew Cuyler article on 1922 strike, Henry Ford's railroad, Gould System, Inadequacies of Railroad Management, Mergers, Nickle Plate Deal, Receiverships and Foreclosure Sales During 1920, and Railroad Retirement Act of 1937.","Publications include: Decisions, Dockets, Announcements, Lawsuits, Orders, and Reports.","Lauck was on staff as an economist and one of the stockholders for this enterprise. Some stationery has the name \"The Gallatin Institute of Applied Economics\" in the header.","Files include Memoranda from I.A. Rice to W. Jett Lauck, Recommendations, and Rent Law.","Includes a bill on the guaranty of bank deposits legislation and the Glass-Steagall Act (printed).","Banking files include Credit Facilities of the Country, Federal Reserve Board Legal Opinion on Bank Centralization (printed), News clippings, Reform, and the United Labor Bank and Trust Company Dissolution.","Includes files on British wage controversy and the coal industry during World War II, coal industry problems, and the British Coal Mines Act.","Cigar Manufacturing Code of Fair Competition files include Amendments proposed by Abraham Goldbloom and Jett Lauck, including Revisions made by Conference on October 20, 1933; Briefs and Statements (1933); Codes (1933-1934); and Profits and Statistical Data (circa 1929-1933).","These include: Table of Contents, Agents of Concentration and Railroads; Cotton Mills (director); Public Utilities (directors); Concentration of control of Financial and Industrial Resources; Public Utilities (securities), Public Utilities (affiliations), and Public Utilities (summary and tables).","These include: Summary of Banker Control in American Industry; Concentration of Financial Control of Industry; Concentration of Control of the Iron Ore Mining Industry; Report on Public Utilities; Concentration and Control of Money and Credit; Industrials (directors), Agents of Concentration, Coal (statistics), Iron and Steel Report (summary), Industrials (report), Railroads (statistics), Cotton Industry, Coal and Iron Mining; and Concentration of Control of Various Industries (iron, coal, water).","These files include the Bill by Colonel W.G. Williams (1946); an Inquiry by the Federal Power Commission Control (June 27, 1945); and the Memoranda of Colonel W.G. Williams, 1945-1946).","These files include: Miscellaneous, including charts - W. G. Williams (1945-1946); Gas and Oil Pipelines, including a proposed letter from Admiral Stuart to President John L. Lewis (October 16, 1944); and the United States Department of the Interior report of Investigations (July 1945).","Constitutional Amendment files include: Action by Organizations (1936-1937); Articles and News clippings (1935-1939); Bills, including those proposed by Benson, Costigan, Ford, Gray, Maas, and Marcantonio (1935-1937); Challenges to the Authority of the Supreme Court to Declare Legislative Acts Unconstitutional, Notes and Memoranda by W. Jett Lauck, Donald R. Richberg, Merle D. Vincent and Henry [Warrum] (1935-1936); and Correspondence and Memoranda about the New York and Washington, D.C. Meetings (1936).","Constitutional Amendment files include: Detroit Conference (1937); History and Comments (1936?); National Committee and Reports from Henry T. Hunt (1936); National Conference about (1936-1937); Recommendations and Suggestions made by President Roosevelt for a Bill to \"Pack the Supreme Court\" (1937); and Speeches by David J. Lewis and Daniel C. Roper (1935).","Material includes the labor and production costs of cotton, silk and wool goods before and after World War I.","Files include a Memorandum on Major Berry and Conference Plans (1935 November, undated); News (1936-1937); Press Releases (1936-1937); and Summaries and Reports (1936 June-July).","Memoranda topics include the Austrian state railways, the book \"Railroad Melons, Rates, and Wages\"; the suggestions of Baltimore and Ohio Railroad Vice-President Tatnall for railroad improvements; the Cincinnati Southern Railway; and Cooperatives.","These include speeches and statements of Governor Earle, Chief Justice Hughes, British House of Commons, Secretary of State Hull, Secretary Ickes, Robert H. Jackson, Governor Frank Murphy, Senator Norris, Secretary Frances Perkins, Burton K. Wheeler, and Wendell L. Wilkie.","This opinion was given by the General Counsel of the Federal Reserve Board.","These files include the first through third versions introduced in the 72nd Congress in 1932, S. 3215, S. 4115, and S. 4412.","These House bills include: H.R. 7250 (a bill creating national mortgage banks); H.R. 7620 (a bill to create Federal Home Loan Banks); H.R. 11340 (a bill to require national banking associations to furnish bonds to protect depositors against loss of deposits); H.R. 11422 (a bill to regulate the value of money, and for other purposes); and H.R. 12280 (an act to create Federal Home Loan Banks).","Includes an article by Lauck, \"America's New Immigrants\" and reviews of his book with Jeremiah Jenks, \"The Immigration Problem. A Study of American Immigration Conditions and Needs.\"","Includes a Memorandum from Lucius E. Wilson and Research concerning the cotton industry (1890-1912), economic consumption, 1890-1914,  prepared by Frances P. Valiant, centers of population (1914), prices (1914), tendencies in real wages (1900-1913), and wages and prices  (1912-1914)","The topics include: Agriculture; Anti-Strike Bill; Book Reviews; Bituminous Coal; Child Labor Law; Civil Service Employment, Reclassification and Retirement; Federal Employment; Federal Coal Commission; and Foreign Industry and Labor.","The topics Include: Health; Housing; Immigration; Industrial Accidents; Labor Mobility; Milk Bill; National Industrial Conference; New Jersey Chamber of Commerce; Public Health Service; Punitive Overtime; Racial Question, Commission on (\"Negro Wage Earners\"); Seaman's Act Revision in Merchant Marine Bill; Soldiers' Adjusted Compensation Legislation; Steamship Business Training; and United States Steel Corporation Pension Fund.","Two of these files focus on Employee Representation - Efficiency through Cooperation, and include \"A Report on Workers' Participation in Management\" with an appendix, by W. J. Lauck, March 1921.","Companies include: Bethlehem Steel Company, Endicott Johnson and Company, Goodyear Tire and Rubber Company, International Harvester Company, Midvale Steel and Ordnance Company, Standard Oil Company of New Jersey, and General.","Files include: Distribution of Output of Industry; Foreign Trade; General; Labor; Mass Production and Distribution; Production and Stock Market; and Prosperity.","Labor topics in these files include: Labor and Churches (1922-1937); Labor and Industrial Policy during World War I, Memoranda on (1917-1918); Labor Gazette Program (undated); General material (1914-1920); Labor in Great Britain (1918-1937); Labor Injunctions (1927-1932); Labor Insurance (1928); Labor Legislation and Politics (1928); Labor Organizations (1910-1929); Labor Policies (1928); and Labor Problems (1919).","Additional Unemployment topics include: Joint Committee on Unemployment; Press; Social Effects of Unemployment, Statistics; and the Wagner Bills.","Interstate Commerce Commission files include: Decision on Freight Rates in Anthracite Case; Five Per Cent Case; Hearing on Rates on Grain, etc.; Operating and Wage Statistics; and Petition concerning the \"Inefficiency of Railroad Employees.\"","Additional Interstate Commerce Commission files include: Rules on Locomotive Inspection; Rules of Practice; Rules governing Classification of Steam Railway Employees; and Seasonal Variation of Railway Operating Income.","Additional files include: Labor Conditions, including mining accidents; Manufacturers; and Monthly Production of Pig Iron in the United States.","Journeymen Stone Cutters of America files include: Affidavits and Letters on Indiana Situation; Agreements; Amalgamation (Knoxville Wage Scale); Arts and Crafts Industry - Mr. M. W. Mitchell; Bloomington and Bedford Names and Local Vote; Cast Stone Industry Code; Limestone Code; Limestone Code Statement for Hearings and Suggested Complaint to the National Labor Board; the Marble Manufacturing Code, President Mitchell; Press Releases and Miscellaneous; the Sandstone Code and Statement by M.W. Mitchell, President of the Journeymen Stone Cutters' Association of North America.","Additional Labor Costs files include: Bituminous Mine Workers; Book Paper Industry; Canned Salmon; Canned Vegetable Industry; Coal; Construction; Copper Production and Sale; Cotton Industry; Cotton, Silk, and Wood Goods Production Before and After World War I; and Fertilizer Industry.","Additional Labor Costs files include: Hide and Tanning Industries; Leather and Shoe Industries; Pig Iron; Railroads, including Eastern, Operating, Southern, and Western; Relation to Prices; Shoe Industry; Steel Production in the United States; Sugar Profiteering; Summary; Various Industries; and Women's Muslin Underwear Industry.","The Living Wage subtopics include: The Case for a Living Wage; Cost; Cost of Rearing Children; Department of Labor; Effects; Fair Labor Standards Act (Bills, Interpretations, Regulations, etc.); Farmers; and General Press (1 of 2 folders).","Living Wage subtopics include: General Press (2 of 2 folders); Harmful Effects of Low Wages; Lauck Statements; Miscellaneous; National War Labor Board; Practicability (2 folders); Request for a Ruling from the United States Railroad Labor Board on the Living Wage;  \"Sanction for a Living Wage\"? Quotation Verification Work for Lauck's book with that title; Statement of the National War Labor Conference; and an Undated Essay on \"The Just and Reasonable Wage.\"","These documents include the Charter, Constitution, General Plans of Work, Explanation and Comment, Outline of Organization and Scope of Work at the Outset, By-Laws, Suggestions and Notes on Separate Trust Fund, and an article \"Employee Ownership\" by Thomas E. Mitten.","Mitten Management topics include: Labor Cooperation in Australia; Organized Labor in New Orleans; Personal News clippings; Press; and Strikes in Philadelphia and Buffalo.","Literature includes the New York Advertising Club Plan, Memoranda and Principles, etc., which also includes articles by Fred Brenckman and Isador Teitelbaum.","Items include the Conscription of Property Senate Bill 1579 and Consumer Division of Defense, Labor, and Steel.","These files include a report of the Iron Ore Committee, a copy of the \"National Natural Resources Act,\" and the Report of the Planning Committee for Mineral Policy.","These bills include the Bill for Stabilization and Conservation of Natural Gas and Petroleum and the Cole Bill (H.R. 7372) Petroleum Conservation Act.","Files include General; a Brief; Mr. McGinn's Statement; General Producers Company, Mr. Taylor and John L. Lewis; and Sinclair Company - Maintenance of Retail Prices.","Apparently Lauck used his work with the Philadelphia Rapid Transit Company as a basis for his book, \"Political and Industrial Democracy, 1776-1926.\"","Includes files on the following companies: Baltimore and Ohio Railroad; Bank of Italy; Boston Consolidated Gas Company; Chicago Surface Lines; Colorado Fuel and Iron Company Plan; Columbia Conserve Company; Comparison of Fundamentals; Comparative Plans; Dennison Manufacturing Company; Dutchess Bleachery; Employee Representation and the Union (PRT); Employee Stock Ownership (PRT); Endicott-Johnson Company (PRT); Filene; Ford Motor Company; International Harvester Company; Investment Bankers and Cooperative Plans; Louisville Railway Company; Loyal Legion of Loggers and Lumbermen; and Milwaukee Electric Power and Light Company.","Includes files on the following companies: \tNash Tailoring Company; New Cooperative Plan; Packard Piano Company; Pennsylvania Railroad; Peoples Gaslight and Coke Company; Philadelphia Convention; Printz-Biederman Company; Southern Railway; Standard Oil Company; Summary with 1939 clipping; and Union Recognition Case.","Includes news clippings about the Electric Bond and Share Company, Power Authority of New York and others.","Includes a speech by Frank P. Walsh before the  Public Ownership League of America and a Research Bulletin on the Potomac Electric Power Company of Washington.","These files include ones for Analysis, Bradstreet's, Dun's, General, and Government Control of Prices.","Profiteering files include those on: Address of the President; Agricultural Supplies; Articles by W. Jett Lauck and others (2 folders); Banks; Memorandum to Judge W.H. Black; Building Material; Coal; and Copper.","Profiteering files include: Corporate Earnings and Government Revenues (3 folders); and Corporations, Profits of (3 folders).","Profiteering files include: Industries, various, (3 folders); Manly, Basil M. - Survey of American Industrial Conditions; Meat Packing; Metal Trades; Miscellaneous Industries; 1921; Petroleum; Post War Profits; and Press Statements (2 folders).","Profiteering files include: Railroads During and After the War (American); Railroad Equipment; Shoes and Clothing; Speeches in Congress; Steel;  Sugar; Summary; and War Contracts.","Includes the following filers: the Chicago Memorandum; Pending Work file; press release about the need for co-ordination of transportation facilities; press or news clippings; and railroad employee insurance.","Files include a draft of a letter to President Roosevelt and a memorandum on Russia from Lauck.","Russia or Soviet Union files include: \"The Red Trade Menace\"; Research by Dunlap; Social and Economic Conditions, chiefly clippings, including concessions, the cotton case, credit, political and propaganda (2 folders); and Trade Mission.","Files include: \"The Agricultural Situation in the United States\"; \"Labor Banking Movement in the United States, Analysis of\"; \"Membership of Labor Unions\"; and \"Report of the Negro in Industry\".","Files include: Proposal for Cotton Purchase from the United States (3 folders); \"Recent Shifts in Industry\"; \"Report of the Railroad Situation in the U.S.\"; Research – Miscellaneous; and Tariffs.","Files include: Anderson, Paul E. – Reports and Memoranda; Ballantine's Report [on Transportation by Waterway as Related to Competition with the Rail Carriers in the United States]; Commodity Studies, including livestock, potash, green coffee, grains, and rubber; Correspondence; and Department of Commerce Outline.","Files include: Digest of Hearings and Reports; Electric Generation Capacity, U.S.A.; Extent of Railway Operations; News clippings, including article from \"The New Republic\"; Notes and Outline; and Panama Canal Traffic effect upon Railroad Rates.","This file includes a Railway Labor Executives' Policy statement, statement of the Baltimore Association of Commerce, and a paper about the  \"Effect of the Proposed Great Lakes-Saint Lawrence Deep Waterway on the Coal Industry.\"","The file includes articles by Lester Velie (\"Lean Years for the Rails\"), Harold D. Kootz (\"The Railroad Crisis\"), and one about new types of equipment; a speech by Harry S. Truman on railroad financing; a memorandum about railroads serving the Great Lakes ports; and a memorandum to Robertson about the position of Western railroad presidents concerning the waterway prior to 1933-1934.","Reports include: \"Analysis of its effects upon railroad and coalmining industries\" by W. Jett Lauck; \"Coordination of Transportation Agencies\" [by W. Jett Lauck?]; Report of Railroad Coordinator's Freight Traffic Report, including freight rate increases and petroleum pipeline rates; and Report of the Railroad System, Beneficial Effects of project upon.","Files for this committee include: General (2 folders); Papers submitted by J.W. Garrow and White; the Report, both Typescript and Printed (2 folders); Uniform Manufacturers Association Statement; United States Chamber of Commerce Presentation; and Vouchers and Expenses submitted by W. Jett Lauck.","Files include Awards, Decisions, and Authorizations (printed) and Exhibits prepared for the Board by Lauck and associates.","Socialism files include; \"What it is and what it is not\" and History in the United States.","Files include: \"Compilation of the Social Security Laws\"; Correspondence with Barbara Nachtrieb Armstrong (Chief of Staff for Social Security Planning of the Committee on Economic Security; Correspondence with Pauling C. Gilbert; Directory of State Employment Security Officials; and Draft Bills for State Unemployment Compensation.","Files include: H.R. 4142 (Lewis Bill); H.R. 7260 (Social Security Act); Information Primer on the Committee on Economic Security; Inventory of Job Seekers Registered at Public Employment Offices; and League of Nations Staff Pension Fund.","Files include: Major Migratory Routes in the United States; Memoranda to Mr. Kennedy; National Women's Trade Union December Bulletin; Newspapers; and \"Old Age Insurance.\"","Files include: Pamphlets and Print Materials; Preliminary Report on Occupations of Job-Seekers in 43 States; \"The Problem of Insecurity\" (Committee on Economic Security); Radio Address of Frances Perkins, Secretary of Labor; and Recommendations of the Social Security Board Federal Advisory Council.","Files include: \"Social Security Act and War Manpower Commission\" and Social Security Board Federal Advisory Council Binder of Documents (2 folders).","Files include: Social Security Board Federal Advisory Council Meeting (June 1940); Social Security Board Federal Advisory Council Meeting (October 1942); \"Social Security in Defense and After\"; Statements on the Wagner-Lewis Economic Security Bill; Thrift and Security Foundation, Inc.; \"Two Special Reports on Social Legislation\" (Business Advisory Council); United Mine Workers of America Proposed Retirement Plan; and Vocational Training Program for National Defense.","Topics include: Mineral production, \"A Working Economic Plan for the South,\" Washington and Lee as a Southern institution, and the Southern Commercial Congress (all printed).","File includes memoranda to John L. Lewis and suggestions by Katharine Pollak, federal regulation and steel codes.","Topics include a file on Arbitrations, including Portland, Maine; Eastern Massachusetts Street Railway; Boston Elevated Railway Company; and Cumberland County Power and Light Company. Other railway topics include: District of Columbia; \"Low Fares\" article by Louis B. Wehle; the Mahon Case; and a Report by Delos F. Wilcox.","Files include: \"The Bridgemen's Magazine,\" Vol. XXXIII, Nos. 11 and 12; Conferences; H.R. 7596 (To License and Regulate Inter-State Coal Corporations); H.R. 12285 (Ellenbogen's Bill); H.R. 12499 (Wood's Steel Bill); Lauck Notes and Memoranda; and Lists of Materials Prepared in Connection with Iron Workers.","Files include: P.J. Morrin Exhibits I (a), II, and III-VIII; P.J. Morrin's Report as Labor Advisor to Chairman of the Labor Advisory Board and his Statement Before the National Recovery Administration; Possible Projects – Golden Gate Bridge, San Francisco, California and United States Courthouse, New York City; Statement of William P. McGinn to Deputy Administrator; and \"Summary and Objectives of Proposal for New National Recovery Act Legislation.\"","Files include: the Fair Tariff League; Press, including the French situation; and Wood Pulp, Woolens and Worsteds (2 folders).","Taxation files include: \"Conclusions and Constructive Suggestions as to Tax Revision\" by David B. Robertson; News clippings, Printed Material and Press Releases (2 folders); and Notes and Drafts.","Files include: copies of clippings at back of folder; Charts used by Isador Lubin in his Testimony; and Notes by W. Jett Lauck and associates.","Topics include: \"Dynamics of Transport\"; \"How Transport has Shaped the Pattern of National Development\"; \"Objectives of Public Policy\"; \"Problems of Interest Groups\"; \"Problems of National Defense\"; Problems of Rate Levels and Rate Relationships\"; \"Problems of Regulatory Policy\"; \"Problems of Transportation Policy – Review of Basic Issues and Alternative Solutions\"; \"Problems of Transport Coordination\"; \"What Lies Ahead in Transportation\"; and \"What the Transportation System Looks Like Today.\"","Files include information about the 1922, 1934, 1940 (2 folders), and 1946 Conventions.","Wage files include: American Federation of Labor; Articles, Bibliography on Wage Cutting and on a Saving Wage; Disease; Earnings in Ohio; \"A Fair and Reasonable Wage\"; and Minimum Wage (2 folders).","Wage files include: Productive Efficiency Theory; Productivity; Railroad; Rates; Real Wages; Regulation; Report on \"Wages and Hours of Labour in Canada\" and Report of Australian Royal Commission; Standard of Living; Various Industries (2 folders); Wage Adjustments; White Collar Workers; Women; and Works Project Administration.","Topics include: the wartime control of labor (France), War Labor Conference Report (February 25, 1918), \"Labor Policies and the War, War Profits Bill, war and labor, and war tax law.","Materials include: a pamphlet \"Negro Women in Industry in 15 States,\" and other printed material from the Department of Labor and the Women's Bureau.","Titles include: \"American Institute for Economic Research Monthly Bulletin\" (1944) and \"Automotive War Production\" (1945).","Titles include: \"Babson's Washington Reports\" (1938-1939); \"Bank of the Manhattan Company of New York (1946); and \"The Bulletin\" from the International Typographical Union (1945-1946).","Titles include: \"California Safety News\" (1919); \"Common Sense\" (1944); and \"Congressional Daily\" (1941, 1944-1946).","Titles include: \"Economic Notes\" (1939); and \"The Economic Outlook\" (1940, 1944).","Titles include: \"Foreign Commerce Weekly\" (1941) and \"Foreign Policy Bulletin\" (1943, 1946).","Titles include: \"Human Events\" (1947); \"International Post-War Service Statistical Bureau\" (1943); and \"International Statistical Bureau Foreign Letter\" (1943-1944).","Titles include: \"National Bureau of Economic Research\" (1933-1934); \"The National Grange\" (1932); \"People's Lobby Bulletin\" (1945); \"Private Newsletter\" (1934); and \"Propaganda Analysis\" (1939).","Titles include: \"Report of the Mexico City Bureau\" (1940); and \"The Southern Patriot\" (1945-1946).","Titles include: \"United Business Service\" (1941); United Construction Workers News (1946); \"Washington Review\" from Chamber of Commerce, U.S. (1940, 1943); and \"The Yardstick Catholic Tests of a New Social Order\" (1941-1942, 1944).","Includes booklets on \"Diplomatic List\" (1925); National Policy Committee booklet, \"Implications to the United States of a German Victory\" (1940); \"The Storm Washington D.C. January 27-28, 1922; \"The Story of the Globe\" (undated); andClifford Thorne (undated).","Includes: National Association Real Estate Boards (1924); National Monetary Association (1923, undated); \"National Transportation Institute Freight Rates and Prices, 1867-1923\" (1923); New Jersey Teacher Retirement and Pensions (1919); and New School for Social Research (1920).","Includes: Railroads (1944); Remedial Loan Societies (1928); and Remington Rand Inc. (1935).","Includes: Schools (1928-1929); Sperry Corporation (1936); Standard Oil Company (1922); and Standard Statistics Company (1925).","Includes: Virginia State Chamber of Commerce (1924-1930); and \"A Brief History of Taxation in Virginia,\" by Edgar Sydenstricker (1915).","Includes: Senator George D. Aiken (1941), Thurman Arnold on \"Labor Against Itself\" and Antitrust Law Enforcement (circa 1941, undated).","Includes Samuel Brodbelt with a letter to Lauck, February 1, 1940.","Includes: Charles H. Chase on Trade Credit Banking (1934); John Corbin on National Planning (1932).","Includes: Maurice R. Davie, \"What Shall We Do About Immigration? (1946); Eleanor Davis \"The Future of Personnel Administration in the US\" typescript (undated); Edward T. Devine, \"American Labor's Improved Status Since 1914\" (1928); and Wallace B. Donham, \"National Ideal and Internationalist Idols\" (1933).","Includes: Marriner S. Eccles (1939); Irving Fisher \"The Debt - Deflation Theory of Great Depressions\" (1933); and Harry Emerson Fosdick sermon \"A Christian Conscience about War\" (1925).","Includes: Walter Graves, Jr., an open letter concerning Hitler and the British Isles (1941); Senator Pat Harrison (1925); W.P. Harvey, articles on living wage, and capital and labor (undated); Leon Henderson on Use of Small Loans for Medical Expenses (1930), and Alice Hosteler article on Producer-Consumer Relations (undated).","Includes: Benjamin A. Javits, (1933-1934); Jefferson Institute, including an address by Daniel C. Roper (1934); George L. Knapp on Senator Edward P. Costigan of Colorado (undated); and Dr. Julius Klein, \"The Business Trend Since 1921\" (1927).","Includes: J.C. Laughlin, \"Demand and Prices,\" August 1932; William M. Leiserson, \"Labor Past as Key to Labor Future,\" February 10, 1944; Max Lerner, \"Revolution in Ideas,\" 1939; Alexander Levene, \"Modification of the Antitrust Laws and Purchasing Power\" (1932); and John L. Lewis \"Problems of Organized Labor\" (1936).","Includes samples of his articles with a biographical summary up to 1933.","Includes: William G. McAdoo, about William Jennings Bryan (1925); Leifer Magnusson, about the International Labor Organization and the American Federation of Labor (undated); Maury Maverick on \"How Solid is the South?\"(1943); Claudius T. Murchison, \"A Great Deal, Some of It New\" (1934); Reinhold Niebuhr, \"Jerome Frank's Way Out\" (undated); Edwin G. Nourse, \"The Nature and Future of Private Enterprise\" (1941); Frances Perkins, speech press release, 1936; Gifford Pinchot, \"Wages, Margins and Anthracite Prices\" and \"Business and Government in the Economic Crisis,\" (1923-1931).","Includes: Jackson H. Ralston \"Superficiality of International Law,\" 1922; Donald R. Richberg and his Labor Plan (1944); John D. Rockefeller, Jr., \"Considerations Concerning Labor Standards,\" 1922; Daniel C. Roper, \"Regimentation and Recovery\" and \"Trade and Commerce in Perspective,\"1934; and Dr. John A. Ryan, \"Organized Labor Today\" (1926).","Includes: Alexander Sachs on Problems of National Recovery (1937); David J. Saposs, \"Current Anti-Labor Activities\" (1938 April 11); Louis G. Silverberg \"Law and Order: Social Menace\" (1938); Upton Sinclair, \"An open Letter to the President\" (undated); Isidor Teitilbaum (undated); and Lawrence Todd (August 1933).","Includes: Henry A. Wallace, speeches (1937-1942); Sidney Webb \"Four Weeks in England\" (1919); Carl I. Wheat, California Railroad Commission, (1927); William Allen White, \"A Yip From the Doghouse\" (1937); Honorable Roy O. Woodruff \"War Frauds\" speech, 1922; and Owen D. Young speeches (1930-1932).","Includes \"Economic Planning\" (undated); \"When President's Play Politics\" (1938); and fiction pieces written for magazines like \"Ken\" (undated)."],"userestrict_html_tesm":["\u003cp\u003eNote: Diaries on microfilm M-1239-1241; Use of original diaries restricted due to fragile condition.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Note: Diaries on microfilm M-1239-1241; Use of original diaries restricted due to fragile condition."],"names_ssim":["Albert and Shirley Small Special Collections Library","Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:56:56.558Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_724_c08_c04_c149"}},{"id":"viblbv_repositories_2_resources_1363_c03_c01_c13_c07","type":"Item","attributes":{"title":"#192 - Worthington, W. W.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1363_c03_c01_c13_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1363_c03_c01_c13_c07","ref_ssm":["viblbv_repositories_2_resources_1363_c03_c01_c13_c07"],"id":"viblbv_repositories_2_resources_1363_c03_c01_c13_c07","ead_ssi":"viblbv_repositories_2_resources_1363","_root_":"viblbv_repositories_2_resources_1363","_nest_parent_":"viblbv_repositories_2_resources_1363_c03_c01_c13","parent_ssi":"viblbv_repositories_2_resources_1363_c03_c01_c13","parent_ssim":["viblbv_repositories_2_resources_1363","viblbv_repositories_2_resources_1363_c03","viblbv_repositories_2_resources_1363_c03_c01","viblbv_repositories_2_resources_1363_c03_c01_c13"],"parent_ids_ssim":["viblbv_repositories_2_resources_1363","viblbv_repositories_2_resources_1363_c03","viblbv_repositories_2_resources_1363_c03_c01","viblbv_repositories_2_resources_1363_c03_c01_c13"],"parent_unittitles_ssm":["Bailey-Law Collection","Series III. Naturalists Biographical Files","Subseries A. Numerical Files","#186-194"],"parent_unittitles_tesim":["Bailey-Law Collection","Series III. Naturalists Biographical Files","Subseries A. Numerical Files","#186-194"],"text":["Bailey-Law Collection","Series III. Naturalists Biographical Files","Subseries A. Numerical Files","#186-194","#192 - Worthington, W. W."],"title_filing_ssi":"#192 - Worthington, W. W.","title_ssm":["#192 - Worthington, W. W."],"title_tesim":["#192 - Worthington, W. W."],"unitdate_inclusive_ssm":["1902-1920, n.d."],"normalized_date_ssm":["1902/1920"],"normalized_title_ssm":["#192 - Worthington, W. W."],"component_level_isim":[4],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Bailey-Law Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":340,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920],"_nest_path_":"/components#2/components#0/components#12/components#6","timestamp":"2026-05-21T02:18:51.534Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1363","ead_ssi":"viblbv_repositories_2_resources_1363","_root_":"viblbv_repositories_2_resources_1363","_nest_parent_":"viblbv_repositories_2_resources_1363","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1363.xml","title_filing_ssi":"Bailey-Law Collection","title_ssm":["Bailey-Law Collection"],"title_tesim":["Bailey-Law Collection"],"unitdate_ssm":["1825-1971"],"unitdate_inclusive_ssm":["1825-1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1982.002"],"text":["Ms.1982.002","Bailey-Law Collection","Ornithology","Science and Technology","The collection is open for research.","Some of this collection has been digitized and is available online.","Born in East Orange, New Jersey on October 13, 1878, Harold Harris Bailey was the son of Harold Balch Bailey and Lillie Adams Taylor. As a child, Bailey moved with his parents to Newport News, Virginia, and in 1906, he married Ida Margaret Eschenburg. Bailey worked as a naval architect and ship broker, perhaps while living in California, then returned to Newport News. He served four years as game inspector for Virginia and Maryland before resigning in 1918 to devote all of his time to the management of his farm on the James River in Virginia. Meanwhile, inheriting an interest in ornithology from his father, Bailey had published The Birds of Virginia in 1913.","Bailey moved with his wife and children to Miami, Florida, where he worked with the Bureau of Biological Survey and published The Birds of Florida in 1925. During his years in Florida, Bailey was instrumental in the establishment of Everglades National Park.","In 1937, Bailey married Laura Beatty Law, and the couple in 1942 moved with their extensive collections to Goshen, Virginia, where they renovated the abandoned Rockbridge Alum Springs mineral spa and established the Rockbridge Alum Springs Biological Laboratory. In 1961, Bailey established the Bailey Research Trust (later the Bailey Wildlife Foundation). Following Harold Bailey's death on July 24, 1962, Laura Bailey oversaw curatorial duties for the collection and presented it to Virginia Polytechnic Institute and State University in 1969. She died in Lexington, Virginia on September 18, 1975.","John Eugene Law, son of John and Katherine E. Law, was born in Forest City, Iowa, on August 26, 1877. After graduating from high school in Perry, Iowa, Law attended the University of Wisconsin and Stanford University. Obtaining an A. B. in 1900, he held a series of bank positions in Pomona and Hollywood, California for the next several years before retiring from business in 1914. In 1919, he joined the California Museum of Vertebrate Zoology. Paid one dollar a year, Law served first as a curator in osteology and later as a curator in ptilology. ","Though he conducted considerable research (particularly in California and the Chiricahua Mountains of Arizona), published a number of papers and amassed a sizable collection of specimens, a great portion of Law's time was devoted to administrative duties for the Western Bird-banding Association and, to a greater extent, the Cooper Ornithological Club. He joined the COC in 1900 and would hold several key positions (Southern Division president, 1905, 1913-1915; vice-president, 1916-1917; secretary, 1906-1912; business manager, 1907-1925; president, board of governors, 1925). ","Law married Laura Mauldin Beatty (1886-1975) in Los Angeles on January 20, 1915. Sharing an interest in ornithology, the couple often performed field work together, especially in bird-banding. John Eugene Law died on November 14, 1931. In 1937, Laura Beatty Law married another ornithologist, Harold Bailey.","The guide to the Bailey-Law Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement and description of the Bailey-Law Collection commenced in June 2009 and was completed in October 2009.","Books from the Bailey-Law Collection may be found by performing a keyword search on \"Bailey-Law Collection\" in the library's  online catalog . ","The extensive collection of bird skins, bird eggs, and mammal skins amassed by Law and Bailey were given to Virginia Polytechnic Institute and State University's Department of Biology in 1969. In 1990, the collection was transferred to the Virginia Tech branch of the Virginia Museum of Natural History. When the branch closed in 2003, most of the collection was transferred to the Virginia Museum of Natural History in Martinsville; the remainder was retained by Virginia Tech's Department of Biology. ","This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books,  The Birds of Virginia  and  The Birds of Florida , as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.","The collection is organized into the following series: ","Series I. John Eugene Law Papers, 1891-1931. This series is arranged in three subseries:","Subseries A. Correspondence, 1902-1930. Most significant among Law's correspondence is a large collection of letters between Law and Joseph Grinnell, director of the University of California's Museum of Vertebrate Zoology. Also included is correspondence with a handful of other naturalists. Arranged by correspondent name.","Subseries B. Subject files, 1912-1930. This subseries, containing mostly handwritten notes, consists of a collection of subject files maintained by Law concerning bird species, behavior and physiology. Included are large files on toxostoma (probably from Law's 1928 article on the curve-billed thrasher) as well as the Chiricahua Mountains of New Mexico, to which Law devoted a number of research trips. Arranged alphabetically by subject matter.","Subseries C. Research and field work, 1891-1931. This subseries includes materials produced by Law while performing ornithological research in the library and the field. Included are a series of research notebooks consisting largely of data gleaned from published sources. Among the field journals also contained in this subseries are notes on bird, nest and egg observations and collections made in California, Iowa, Minnesota, Wisconsin and unidentified locations. Arranged by document type.","Series II. Harold Harris Bailey Papers, 1910-1967. This series is arranged in five subseries:","Subseries A. Correspondence, 1915-1959. This small set of letters relates to ornithology as well as more general matters. Arranged chronologically.","Subseries B. Field and Research Work, 1911-1967. Bailey's field notes are contained in this subseries, as are a collection of bird banding records (which were likely commenced by John Eugene Law before being continued by Bailey), and various materials relating to Bailey's collections, including a case--used by both Bailey and his father--for collecting eggs.","Subseries C. Subject Files, 1910-1953. This brief subseries includes a handful of topics on which Bailey collected materials. Foremost among the topics is Bailey's longstanding, albeit seemingly one-sided, feud with the American Ornithologists' Union and the Cooper Ornithological Club, resulting from Bailey's stance on the 1931 A.O.U. checklist and other matters. ","Subseries D. Publications, 1913-1947. Included within these files are materials arising from the publication of Bailey's  The Birds of Virginia  (1913) and  The Birds of Florida  (1925). The subseries contains production correspondence, promotional material, and sales records. Also included are correspondence and lists relating to the  Bulletin of the Bailey Museum and Library of Natural History , together with sample issues of the publication. ","Subseries E. Rockbridge Alum Springs, 1945-1962. Various topics relating to the Baileys' establishment and operation of the Rockbridge Alum Springs Biological Laboratory are contained in this subseries. Included are files on Bailey's attempt to have a flyway lake constructed at the springs, an ongoing battle with trespassing hunters, requests for game and fish stock, the possible acquisition of adjoining lands, and the creation of a naturalists portrait gallery. Throughout the correspondence in this subseries, as elsewhere within the collection, Bailey's letters overflow with vitriol and belligerence, particularly against the academic naturalist establishment. When not criticizing fellow naturalists, he directs barbs against such general topics as the New Deal, the Civil Rights Movement, and communism.","Series III. Naturalists Biographical Files, 1825-1971. Comprising the core of the collection, the biographical files represent the Baileys' attempt to compile reference files on 19th- and 20- century naturalists. (The Baileys had titled the collection the Naturalist Autograph Files, but because the collection comprises more than autographs, it was given a broader title during processing.) The collection contains a broad scope of materials, ranging from correspondence to field notes, biographical sketches, printed materials, and photographs. Included among these are items that the Baileys \"inherited\" from other naturalists, as well as materials on a few individuals not known as naturalists, including letters signed by U. S. President Herbert Hoover and author James Branch Cabell, as well as a painting by artist Carl Moon.","Unique among the materials in this series is an autograph book maintained by Harold Balch Bailey, containing the autographs of notable 19th-century personages, including U. S. presidents and other political leaders; Union Army generals; authors; musicians; and artists. Also among the elder Bailey's papers are some documents regarding a 19th-century Massachusetts militia, including an item signed by John Quincy Adams. Other unusual items include Charles Townsend's file of material on Easter Island and a notebook of natural science observations maintained by Herman Haupt Jr. The series is arranged in two subseries:","Subseries A. Numerical files, 1825-1970. The files in this subseries comprise the Baileys' original \"Naturalist Autograph Files\" and remain as the couple compiled them. Each name is associated with a unique number, and the files are arranged numerically, with two indexes to the collection at the end. Many of the names represented in these files may also be found in Subseries II. ","Subseries B. Alphabetical files, 1836-1971. The files in this subseries were compiled from materials found loose within the collection. The items seem to have been intended by the Baileys for their autograph files but had yet to be integrated. The collection includes the same types of materials found in the numbered folders but is arranged alphabetically. Many of the names represented in these files may also be found in Subseries I. At the end of the subseries is a bound set of various collectors' egg catalogs.","Series IV. Printed Material, 1882-1969. This series includes a small selection of printed materials deemed best left with the manuscript collection when other printed materials were transferred to the Rare Book Collection. Most significant among the holdings are materials of the Cooper Ornithological Club / Cooper Ornithological Society and a collection of catalogs offering bird eggs, bird skins, cabinetry, and supplies for ornithologists, naturalists and taxidermists. Arranged by subject matter.","Series V. Images, 1904-1942. This series is arranged by format in two subseries: ","Subseries A. Color Plates and Other Illustrations, 1913-1922. This subseries consists largely of color plates detached from various illustrated publications, as well as sets of color prints. Other illustrations and paintings associated with individuals may be found in Series III.","Subseries B. Photographs, 1902-1937. Considering the breadth of Bailey and Law's research and collecting activities during a span of several decades, the collection contains relatively few photographs. Included is are full sets of original photos and half-tones used for Bailey's  The Birds of Virginia . The photographs have been divided among the following categories:  The Birds of Virginia , nests and eggs, birds, people, exhibits, specimens, and scenery. Included among the scenery are a few photos and postcards of Mountain Lake, the Cascades and Castle Rock in Giles County, Virginia. Photographs made by and of identified naturalists may be found in Series III.","[includes material relating to 19th-century Massachusetts militia units, one item bearing the signature of John Quincy Adams]","Contains signatures of: Ulysses S. Grant [Union Army general and United States president] Ambrose E. Burnside [Union Army general] William Tecumseh Sherman [Union Army general] Philip H. Sheridan [Union Army general] J. Tyler J. Davis Henry P. Baldwin [Michigan governor] Levi P. Morton [United States vice-president] Hannibal Hamlin [United States vice-president] William Claflin [Massachusetts governor] Douglas Sladen [English author] [S. W. Lincoln Jr.?] Grover Cleveland [United States president] Frances Folsom Cleveland [United States first lady] Rutherford B. Hayes [United States president] John J. Audubon [naturalist] Joshua L. Chamberlain [Maine governor] Benjamin F. Butler [Union Army general] Geo. H. Hepworth [minister and journalist] Walter Harriman [New Hampshire governor] Horace Greeley [newspaper editor; 1872 presidential candidate] Joseph [W.?] Donahue James M. Harvey [Kansas governor] John W. Geary [Pennsylvania governor] John Hoffman [New York governor] Hans von Bulow [pianist] Lucius Fairchild [Wisconsin governor] Robert W. Chambers [American author] Henry Huntly Haight [California governor] Geo. S. Boutwell [United States secretary of the treasury] Henry L. Pierce [Massachusetts congressman] Charles [illegible] E. M. Pease [Texas governor] H. L. Dawes [Massachusetts senator] William Gaston [Massachusetts governor] Alexander H. Rice [Massachusetts governor] Henry W. Longfellow [poet] William Dean Howells [author][with poem] Margaret J. Preston [poet] Oliver Wendall Holmes [United States Supreme Court justice][with poem]  William Cullen Bryant [poet and newspaper editor] Nathaniel B. Shurtleff [Boston mayor] Aaron V. Brown [United States postmaster-general] Marshall Jewell [United States postmaster-general] Morrison Remick Waite [United States Supreme Court chief justice] William Worth Belknap [United States secretary of war] Asa Gray [Harvard University professor of botany] Olive Thorne Miller [naturalist and children's writer] James Parton [author/biographer] Bayard Taylor [poet] Thomas Hughes [English author] [illegible] Frank Stockton [author] William R. Marshall [Minnesota governor] W. L. Champney [artist][with drawing] P. A. Rearick [United States Navy captain]","[notebook containing color plates extracted from unidentified publication]","[includes original artwork] ","[see also Oversize Materials]","[\"Notes \u0026 Memoranda Relating to Natural Science in General as Observed and Collected\"]","[see also Oversize Materials]","[photographs and research materials relating to Rapa Nui (also known as Easter Island)] ","[2 folders]","[bound collection of individual checklists]","[identified by Bailey as being from reports of the New York Fish Commission]","Baltimore oriole [accompanied by black-and-white original] Blackbird Black-crowned night heron Blue Jay Bluebird [2 items] Bobolink [accompanied by black-and-white original] Brown thrasher [accompanied by black-and-white original]","Catbird [accompanied by black-and-white original] Chimney swift [accompanied by black-and-white original Chipping sparrow Crow Field sparrow Indigo bunting [accompanied by black-and-white original]","Kingbird [accompanied by black-and-white original] Kingfisher [accompanied by black-and-white original] Least bittern Louisiana water thrush [accompanied by black-and-white original Meadowlark [accompanied by black-and-white original]","Orchard oriole [accompanied by black-and-white original] Ovenbird Pewee [accompanied by black-and-white original] Red-eyed vireo [accompanied by black-and-white original] Robin","Whip-poor-will [accompanied by black-and-white original] White-eyed vireo [accompanied by black-and-white original] Woodcock [accompanied by black-and-white original Yellow-billed cuckoo Yellow-breasted chat [accompanied by black-and-white original","Alder flaycatcher n.d. American coot n.d. [2 items] Arkansas goldfinch 1904 Bald eagle 1927 Bank swallow n.d. Barn swallow n.d.","Black and white warbler (with cowbird) n.d. Black-billed cuckoo n.d. Black-headed grosbeak n.d. [2 copies] Black-necked stilt n.d. Blue-winged warbler n.d. Bob white n.d. [2 items]","California towhee 1904 Canadian grouse n.d. Canadian warbler n.d. Cape sable seaside sparrow 1921, n.d.","Chestnut-sided warbler 1902, n.d. [3 items] Chickadee n.d. Chipping sparrow n.d. Clapper rail n.d. Downy woodpecker n.d. Duck hawk n.d. Dusky seaside sparrow 1920","Field sparrow n.d. Flamingo n.d. [6 items] Florida bald eagle 1921 Florida bob white n.d. Florida meadowlark 1922 [2 items] Florida nighthawk n.d. Florida red-shouldered hawk 1928 Florida redwing 1920","Grasshopper sparrow n.d. Great white heron 1924 Ground dove n.d. [2 items] Hermit thrush n.d. Hooded warbler n.d. House wren n.d. Kingbird 1902 Kingfisher n.d.","Laughing gull 1910 Lazuli bunting n.d. Least flycatcher (with cowbird) n.d. Least tern n.d. [2 items] Loggerhead shrike n.d. Magnolia warbler n.d. Myrtle warbler n.d.","Nashville warbler n.d. Northern yellowthroat n.d. Olive-sided flycatcher n.d. Ovenbird n.d. Phoebe 1902 [2 items] Prairie warbler n.d.","Red-billed tropic bird n.d. Red-cockaded woodpecker 1918 Red-winged blackbird n.d. Redstart n.d. Robin n.d. Rose-breasted grosbeak n.d. Ruby-throat n.d. Ruddy [2 items] Russet-backed thrush 1904","Sage grouse n.d. Salt marsh yellow throat n.d. [2 items] Samuel's song sparrow n.d. [2 items] Sand swallow n.d. Scarlet tanager n.d. Screech owl n.d.","Tennessee warbler n.d. Towhee n.d. Vermillion flycatcher 1935 Vesper sparrow n.d. Western flycatcher n.d. Western mockingbird 1920 Western red-tailed hawk 1904 [2 copies] White-crowned pigeon 1921, n.d. White-throated sparrow n.d.","Wilson's plover 1932 n.d. [3 items] Wilson's thrush n.d. Wilson's warbler n.d. Wood ibis n.d. [2 items] Wood thrush n.d. Worm-eating warbler n.d. Yellow-billed cuckoo n.d. Yellow warbler n.d.","Bald eagle n.d. [2 copies] Baltimore oriole n.d. Black albatross 1913 [2 items] Blackbird n.d. Blue-footed booby n.d. Blue-winged warbler n.d. [2 items] Bluebird n.d. [2 items] Bridled tern 1921 Brown pelican n.d. Brown thrasher n.d. [2 items]","Canada goose 1917, n.d. [3 items] Canvasback duck 1917 Catbird n.d. [2 items] Chestnut-sided warbler n.d. Chickadee n.d. [2 items] Chimney swift n.d. Chipping sparrow n.d. Crow n.d.","Downy woodpecker n.d. Field sparrow n.d. [3 items] Flamingo n.d. [3 items] Flicker n.d. [2 items]","Florida burrowing owl 1920, n.d. [2 items] Florida cormorant n.d. Florida jay n.d. Foster's tern n.d. Gannet n.d. [2 items] Great blue heron 1904 Green heron n.d. Harlequin ducks n.d. Hooded warbler n.d. [2 items] House wren n.d.","Kingfisher n.d. Least tern n.d. [3 items] Little blue heron n.d. Loggerhead shrike n.d. Louisiana water thrush n.d. Man o'war bird n.d. Ovenbird n.d. Pelican 1935 Phoebe n.d. [3 items]","Red-eyed vireo n.d. [4 items] Redstart n.d. Robin n.d. [3 items] Rose-breasted grosbeak n.d. [2 items]","Screech owl n.d. [3 items] Shrike n.d. Song sparrow n.d. [Southeastern American kestrel] n.d. [4 items] Spotted sandpiper n.d.","Water ouzel 1905 Western yellowthroat n.d. Whip-poor-will n.d. Whistling swan 1917 [2 items] White albatross 1913 [2 items] White ibis n.d. White pelican n.d.[2 items] Wild turkey n.d. [2 items]","Wood ibis n.d. [4 items] Wood thrush n.d. [3 items] Yellow-breasted chat n.d. [2 items] Yellow warbler n.d. [2 items]","Bald eagle n.d. [2 copies] Baltimore oriole n.d. Black albatross 1913 [2 items] Blackbird n.d. Blue-footed booby n.d. Blue-winged warbler n.d. [2 items] Bluebird n.d. [2 items] Bridled tern 1921 Brown pelican n.d. Brown thrasher n.d. [2 items]","[artist unknown; given to Bailey by Charles Townsend]","The following maps from the collection were transferred to the Historical Map Collection:\n \nAlleghany County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nBland County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nBotetourt County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nCarroll County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nCraig County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1967).\n \nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1972).\n \nDelaware, Maryland, Virginia-West Virginia (San Jose, CA: H. M. Gousha Co., 1973).\n \nFloyd County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nGeological Map of the Dominion of Canada ([Ottawa]: Department of the Interior, 1909).\n \nGeorge Washington National Forest, Virginia-West Virginia ([Washington, DC]: U. S. Department of Agriculture, 1950).\n \nGiles County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nGrayson County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nMap of Mexico (Washington, D.C.: National Geographic Society, 1916).\n \nMap of the New Balkan States and Central Europe ([S.l.: National Geographic Society, [1914?]).\n \nMaryland, Delaware, District of Columbia, Virginia, and West Virginia Road Map for 1930 (New York: General Drafting Co., 1938).\n \nMillboro, Virginia Quadrangle (Washington, DC: U. S. Geological Survey, 1949).\n \nThe National Geographic Magazine Map of Mexico ([Washington, D.C.: National Geographic Society, 1911?]).\n \nPatrick County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1941).\n \nPittsylvania County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1942).\n \nPittsylvania County [subdivisions] (Richmond: Virginia Department of Highways, [1942?]).\n \nPresenting Your Map of Rockbridge County, Virginia (Portland, OR: Western States Map Company, [n.d.]).\n \nPulaski County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n \nRoanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nShell Official Road Map of Delaware - Maryland - Virginia - W. Virginia, n.d. (Chicago: H. M. Gousha Co., [1938].\n \nSovereignty and Mandate Boundary Lines in 1921 of the Islands of the Pacific (Washington, D.C.: National Geographic Society, 1921).\n \nSubdivisions of Roanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, [1940]).\n \nTerritory of Arizona ([Washington, D.C.: Government Land Office], 1903).\n \nTopographical Map of the Guy's Run Iron Lands, Rockbridge Co., Va. (Staunton, VA: Eng. Office of Jed. Hotchkiss, 1878). [reproduction]\n \nWise County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books,  The Birds of Virginia  and  The Birds of Florida , as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.","Special Collections and University Archives, Virginia Tech","Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931","The materials in the collection are in English."],"unitid_tesim":["Ms.1982.002"],"normalized_title_ssm":["Bailey-Law Collection"],"collection_title_tesim":["Bailey-Law Collection"],"collection_ssim":["Bailey-Law Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"creator_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"creator_persname_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"creators_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Bailey-Law Collection was obtained in several separate accruals. The lithographed plates from Bailey's  The Birds of Florida  were donated to Special Collections in 1980. The bulk of the collection, however, was received via transfers from Virginia Tech's Department of Biology in 1982 and from the Virginia Museum of Natural History at Virginia Tech in 2003."],"access_subjects_ssim":["Ornithology","Science and Technology"],"access_subjects_ssm":["Ornithology","Science and Technology"],"has_online_content_ssim":["false"],"extent_ssm":["15.0 Cubic Feet 36 boxes"],"extent_tesim":["15.0 Cubic Feet 36 boxes"],"date_range_isim":[1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/368\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"bioghist_html_tesm":["\u003cp\u003eBorn in East Orange, New Jersey on October 13, 1878, Harold Harris Bailey was the son of Harold Balch Bailey and Lillie Adams Taylor. As a child, Bailey moved with his parents to Newport News, Virginia, and in 1906, he married Ida Margaret Eschenburg. Bailey worked as a naval architect and ship broker, perhaps while living in California, then returned to Newport News. He served four years as game inspector for Virginia and Maryland before resigning in 1918 to devote all of his time to the management of his farm on the James River in Virginia. Meanwhile, inheriting an interest in ornithology from his father, Bailey had published The Birds of Virginia in 1913.\u003c/p\u003e\n","\u003cp\u003eBailey moved with his wife and children to Miami, Florida, where he worked with the Bureau of Biological Survey and published The Birds of Florida in 1925. During his years in Florida, Bailey was instrumental in the establishment of Everglades National Park.\u003c/p\u003e\n","\u003cp\u003eIn 1937, Bailey married Laura Beatty Law, and the couple in 1942 moved with their extensive collections to Goshen, Virginia, where they renovated the abandoned Rockbridge Alum Springs mineral spa and established the Rockbridge Alum Springs Biological Laboratory. In 1961, Bailey established the Bailey Research Trust (later the Bailey Wildlife Foundation). Following Harold Bailey's death on July 24, 1962, Laura Bailey oversaw curatorial duties for the collection and presented it to Virginia Polytechnic Institute and State University in 1969. She died in Lexington, Virginia on September 18, 1975.\u003c/p\u003e","\u003cp\u003eJohn Eugene Law, son of John and Katherine E. Law, was born in Forest City, Iowa, on August 26, 1877. After graduating from high school in Perry, Iowa, Law attended the University of Wisconsin and Stanford University. Obtaining an A. B. in 1900, he held a series of bank positions in Pomona and Hollywood, California for the next several years before retiring from business in 1914. In 1919, he joined the California Museum of Vertebrate Zoology. Paid one dollar a year, Law served first as a curator in osteology and later as a curator in ptilology. \u003c/p\u003e\n","\u003cp\u003eThough he conducted considerable research (particularly in California and the Chiricahua Mountains of Arizona), published a number of papers and amassed a sizable collection of specimens, a great portion of Law's time was devoted to administrative duties for the Western Bird-banding Association and, to a greater extent, the Cooper Ornithological Club. He joined the COC in 1900 and would hold several key positions (Southern Division president, 1905, 1913-1915; vice-president, 1916-1917; secretary, 1906-1912; business manager, 1907-1925; president, board of governors, 1925). \u003c/p\u003e\n","\u003cp\u003eLaw married Laura Mauldin Beatty (1886-1975) in Los Angeles on January 20, 1915. Sharing an interest in ornithology, the couple often performed field work together, especially in bird-banding. John Eugene Law died on November 14, 1931. In 1937, Laura Beatty Law married another ornithologist, Harold Bailey.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note - Harold Harris Bailey","Biographical Note - John Eugene Law"],"bioghist_tesim":["Born in East Orange, New Jersey on October 13, 1878, Harold Harris Bailey was the son of Harold Balch Bailey and Lillie Adams Taylor. As a child, Bailey moved with his parents to Newport News, Virginia, and in 1906, he married Ida Margaret Eschenburg. Bailey worked as a naval architect and ship broker, perhaps while living in California, then returned to Newport News. He served four years as game inspector for Virginia and Maryland before resigning in 1918 to devote all of his time to the management of his farm on the James River in Virginia. Meanwhile, inheriting an interest in ornithology from his father, Bailey had published The Birds of Virginia in 1913.","Bailey moved with his wife and children to Miami, Florida, where he worked with the Bureau of Biological Survey and published The Birds of Florida in 1925. During his years in Florida, Bailey was instrumental in the establishment of Everglades National Park.","In 1937, Bailey married Laura Beatty Law, and the couple in 1942 moved with their extensive collections to Goshen, Virginia, where they renovated the abandoned Rockbridge Alum Springs mineral spa and established the Rockbridge Alum Springs Biological Laboratory. In 1961, Bailey established the Bailey Research Trust (later the Bailey Wildlife Foundation). Following Harold Bailey's death on July 24, 1962, Laura Bailey oversaw curatorial duties for the collection and presented it to Virginia Polytechnic Institute and State University in 1969. She died in Lexington, Virginia on September 18, 1975.","John Eugene Law, son of John and Katherine E. Law, was born in Forest City, Iowa, on August 26, 1877. After graduating from high school in Perry, Iowa, Law attended the University of Wisconsin and Stanford University. Obtaining an A. B. in 1900, he held a series of bank positions in Pomona and Hollywood, California for the next several years before retiring from business in 1914. In 1919, he joined the California Museum of Vertebrate Zoology. Paid one dollar a year, Law served first as a curator in osteology and later as a curator in ptilology. ","Though he conducted considerable research (particularly in California and the Chiricahua Mountains of Arizona), published a number of papers and amassed a sizable collection of specimens, a great portion of Law's time was devoted to administrative duties for the Western Bird-banding Association and, to a greater extent, the Cooper Ornithological Club. He joined the COC in 1900 and would hold several key positions (Southern Division president, 1905, 1913-1915; vice-president, 1916-1917; secretary, 1906-1912; business manager, 1907-1925; president, board of governors, 1925). ","Law married Laura Mauldin Beatty (1886-1975) in Los Angeles on January 20, 1915. Sharing an interest in ornithology, the couple often performed field work together, especially in bird-banding. John Eugene Law died on November 14, 1931. In 1937, Laura Beatty Law married another ornithologist, Harold Bailey."],"odd_html_tesm":["\u003cp\u003eThe guide to the Bailey-Law Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Bailey-Law Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Bailey-Law Collection, Ms1982-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Bailey-Law Collection, Ms1982-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Bailey-Law Collection commenced in June 2009 and was completed in October 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Bailey-Law Collection commenced in June 2009 and was completed in October 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks from the Bailey-Law Collection may be found by performing a keyword search on \"Bailey-Law Collection\" in the library's \u003cextref href=\"https://catalog.lib.vt.edu/\" title=\"online catalog\"\u003eonline catalog\u003c/extref\u003e. \u003c/p\u003e\n","\u003cp\u003eThe extensive collection of bird skins, bird eggs, and mammal skins amassed by Law and Bailey were given to Virginia Polytechnic Institute and State University's Department of Biology in 1969. In 1990, the collection was transferred to the Virginia Tech branch of the Virginia Museum of Natural History. When the branch closed in 2003, most of the collection was transferred to the Virginia Museum of Natural History in Martinsville; the remainder was retained by Virginia Tech's Department of Biology. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["Books from the Bailey-Law Collection may be found by performing a keyword search on \"Bailey-Law Collection\" in the library's  online catalog . ","The extensive collection of bird skins, bird eggs, and mammal skins amassed by Law and Bailey were given to Virginia Polytechnic Institute and State University's Department of Biology in 1969. In 1990, the collection was transferred to the Virginia Tech branch of the Virginia Museum of Natural History. When the branch closed in 2003, most of the collection was transferred to the Virginia Museum of Natural History in Martinsville; the remainder was retained by Virginia Tech's Department of Biology. "],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books, \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e and \u003ctitle render=\"italic\"\u003eThe Birds of Florida\u003c/title\u003e, as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.\u003c/p\u003e\n","\u003cp\u003eThe collection is organized into the following series: \u003c/p\u003e\n","\u003cp\u003eSeries I. John Eugene Law Papers, 1891-1931. This series is arranged in three subseries:\u003c/p\u003e\n","\u003cp\u003eSubseries A. Correspondence, 1902-1930. Most significant among Law's correspondence is a large collection of letters between Law and Joseph Grinnell, director of the University of California's Museum of Vertebrate Zoology. Also included is correspondence with a handful of other naturalists. Arranged by correspondent name.\u003c/p\u003e\n","\u003cp\u003eSubseries B. Subject files, 1912-1930. This subseries, containing mostly handwritten notes, consists of a collection of subject files maintained by Law concerning bird species, behavior and physiology. Included are large files on toxostoma (probably from Law's 1928 article on the curve-billed thrasher) as well as the Chiricahua Mountains of New Mexico, to which Law devoted a number of research trips. Arranged alphabetically by subject matter.\u003c/p\u003e\n","\u003cp\u003eSubseries C. Research and field work, 1891-1931. This subseries includes materials produced by Law while performing ornithological research in the library and the field. Included are a series of research notebooks consisting largely of data gleaned from published sources. Among the field journals also contained in this subseries are notes on bird, nest and egg observations and collections made in California, Iowa, Minnesota, Wisconsin and unidentified locations. Arranged by document type.\u003c/p\u003e\n","\u003cp\u003eSeries II. Harold Harris Bailey Papers, 1910-1967. This series is arranged in five subseries:\u003c/p\u003e\n","\u003cp\u003eSubseries A. Correspondence, 1915-1959. This small set of letters relates to ornithology as well as more general matters. Arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eSubseries B. Field and Research Work, 1911-1967. Bailey's field notes are contained in this subseries, as are a collection of bird banding records (which were likely commenced by John Eugene Law before being continued by Bailey), and various materials relating to Bailey's collections, including a case--used by both Bailey and his father--for collecting eggs.\u003c/p\u003e\n","\u003cp\u003eSubseries C. Subject Files, 1910-1953. This brief subseries includes a handful of topics on which Bailey collected materials. Foremost among the topics is Bailey's longstanding, albeit seemingly one-sided, feud with the American Ornithologists' Union and the Cooper Ornithological Club, resulting from Bailey's stance on the 1931 A.O.U. checklist and other matters. \u003c/p\u003e\n","\u003cp\u003eSubseries D. Publications, 1913-1947. Included within these files are materials arising from the publication of Bailey's \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e (1913) and \u003ctitle render=\"italic\"\u003eThe Birds of Florida\u003c/title\u003e (1925). The subseries contains production correspondence, promotional material, and sales records. Also included are correspondence and lists relating to the \u003ctitle render=\"italic\"\u003eBulletin of the Bailey Museum and Library of Natural History\u003c/title\u003e, together with sample issues of the publication. \u003c/p\u003e\n","\u003cp\u003eSubseries E. Rockbridge Alum Springs, 1945-1962. Various topics relating to the Baileys' establishment and operation of the Rockbridge Alum Springs Biological Laboratory are contained in this subseries. Included are files on Bailey's attempt to have a flyway lake constructed at the springs, an ongoing battle with trespassing hunters, requests for game and fish stock, the possible acquisition of adjoining lands, and the creation of a naturalists portrait gallery. Throughout the correspondence in this subseries, as elsewhere within the collection, Bailey's letters overflow with vitriol and belligerence, particularly against the academic naturalist establishment. When not criticizing fellow naturalists, he directs barbs against such general topics as the New Deal, the Civil Rights Movement, and communism.\u003c/p\u003e\n","\u003cp\u003eSeries III. Naturalists Biographical Files, 1825-1971. Comprising the core of the collection, the biographical files represent the Baileys' attempt to compile reference files on 19th- and 20- century naturalists. (The Baileys had titled the collection the Naturalist Autograph Files, but because the collection comprises more than autographs, it was given a broader title during processing.) The collection contains a broad scope of materials, ranging from correspondence to field notes, biographical sketches, printed materials, and photographs. Included among these are items that the Baileys \"inherited\" from other naturalists, as well as materials on a few individuals not known as naturalists, including letters signed by U. S. President Herbert Hoover and author James Branch Cabell, as well as a painting by artist Carl Moon.\u003c/p\u003e\n","\u003cp\u003eUnique among the materials in this series is an autograph book maintained by Harold Balch Bailey, containing the autographs of notable 19th-century personages, including U. S. presidents and other political leaders; Union Army generals; authors; musicians; and artists. Also among the elder Bailey's papers are some documents regarding a 19th-century Massachusetts militia, including an item signed by John Quincy Adams. Other unusual items include Charles Townsend's file of material on Easter Island and a notebook of natural science observations maintained by Herman Haupt Jr. The series is arranged in two subseries:\u003c/p\u003e\n","\u003cp\u003eSubseries A. Numerical files, 1825-1970. The files in this subseries comprise the Baileys' original \"Naturalist Autograph Files\" and remain as the couple compiled them. Each name is associated with a unique number, and the files are arranged numerically, with two indexes to the collection at the end. Many of the names represented in these files may also be found in Subseries II. \u003c/p\u003e\n","\u003cp\u003eSubseries B. Alphabetical files, 1836-1971. The files in this subseries were compiled from materials found loose within the collection. The items seem to have been intended by the Baileys for their autograph files but had yet to be integrated. The collection includes the same types of materials found in the numbered folders but is arranged alphabetically. Many of the names represented in these files may also be found in Subseries I. At the end of the subseries is a bound set of various collectors' egg catalogs.\u003c/p\u003e\n","\u003cp\u003eSeries IV. Printed Material, 1882-1969. This series includes a small selection of printed materials deemed best left with the manuscript collection when other printed materials were transferred to the Rare Book Collection. Most significant among the holdings are materials of the Cooper Ornithological Club / Cooper Ornithological Society and a collection of catalogs offering bird eggs, bird skins, cabinetry, and supplies for ornithologists, naturalists and taxidermists. Arranged by subject matter.\u003c/p\u003e\n","\u003cp\u003eSeries V. Images, 1904-1942. This series is arranged by format in two subseries: \u003c/p\u003e\n","\u003cp\u003eSubseries A. Color Plates and Other Illustrations, 1913-1922. This subseries consists largely of color plates detached from various illustrated publications, as well as sets of color prints. Other illustrations and paintings associated with individuals may be found in Series III.\u003c/p\u003e\n","\u003cp\u003eSubseries B. Photographs, 1902-1937. Considering the breadth of Bailey and Law's research and collecting activities during a span of several decades, the collection contains relatively few photographs. Included is are full sets of original photos and half-tones used for Bailey's \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e. The photographs have been divided among the following categories: \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e, nests and eggs, birds, people, exhibits, specimens, and scenery. Included among the scenery are a few photos and postcards of Mountain Lake, the Cascades and Castle Rock in Giles County, Virginia. Photographs made by and of identified naturalists may be found in Series III.\u003c/p\u003e","\u003cp\u003e[includes material relating to 19th-century Massachusetts militia units, one item bearing the signature of John Quincy Adams]\u003c/p\u003e","\u003cp\u003e\u003clist type=\"simple\"\u003e\u003chead\u003eContains signatures of:\u003c/head\u003e\n\u003citem\u003eUlysses S. Grant [Union Army general and United States president]\u003c/item\u003e\u003citem\u003eAmbrose E. Burnside [Union Army general]\u003c/item\u003e\u003citem\u003eWilliam Tecumseh Sherman [Union Army general]\u003c/item\u003e\u003citem\u003ePhilip H. Sheridan [Union Army general]\u003c/item\u003e\u003citem\u003eJ. Tyler\u003c/item\u003e\u003citem\u003eJ. Davis\u003c/item\u003e\u003citem\u003eHenry P. Baldwin [Michigan governor]\u003c/item\u003e\u003citem\u003eLevi P. Morton [United States vice-president]\u003c/item\u003e\u003citem\u003eHannibal Hamlin [United States vice-president]\u003c/item\u003e\u003citem\u003eWilliam Claflin [Massachusetts governor]\u003c/item\u003e\u003citem\u003eDouglas Sladen [English author]\u003c/item\u003e\u003citem\u003e[S. W. Lincoln Jr.?]\u003c/item\u003e\u003citem\u003eGrover Cleveland [United States president]\u003c/item\u003e\u003citem\u003eFrances Folsom Cleveland [United States first lady]\u003c/item\u003e\u003citem\u003eRutherford B. Hayes [United States president]\u003c/item\u003e\u003citem\u003eJohn J. Audubon [naturalist]\u003c/item\u003e\u003citem\u003eJoshua L. Chamberlain [Maine governor]\u003c/item\u003e\u003citem\u003eBenjamin F. Butler [Union Army general]\u003c/item\u003e\u003citem\u003eGeo. H. Hepworth [minister and journalist]\u003c/item\u003e\u003citem\u003eWalter Harriman [New Hampshire governor]\u003c/item\u003e\u003citem\u003eHorace Greeley [newspaper editor; 1872 presidential candidate]\u003c/item\u003e\u003citem\u003eJoseph [W.?] Donahue\u003c/item\u003e\u003citem\u003eJames M. Harvey [Kansas governor]\u003c/item\u003e\u003citem\u003eJohn W. Geary [Pennsylvania governor]\u003c/item\u003e\u003citem\u003eJohn Hoffman [New York governor]\u003c/item\u003e\u003citem\u003eHans von Bulow [pianist]\u003c/item\u003e\u003citem\u003eLucius Fairchild [Wisconsin governor]\u003c/item\u003e\u003citem\u003eRobert W. Chambers [American author]\u003c/item\u003e\u003citem\u003eHenry Huntly Haight [California governor]\u003c/item\u003e\u003citem\u003eGeo. S. Boutwell [United States secretary of the treasury]\u003c/item\u003e\u003citem\u003eHenry L. Pierce [Massachusetts congressman]\u003c/item\u003e\u003citem\u003eCharles [illegible]\u003c/item\u003e\u003citem\u003eE. M. Pease [Texas governor]\u003c/item\u003e\u003citem\u003eH. L. Dawes [Massachusetts senator]\u003c/item\u003e\u003citem\u003eWilliam Gaston [Massachusetts governor]\u003c/item\u003e\u003citem\u003eAlexander H. Rice [Massachusetts governor]\u003c/item\u003e\u003citem\u003eHenry W. Longfellow [poet]\u003c/item\u003e\u003citem\u003eWilliam Dean Howells [author][with poem]\u003c/item\u003e\u003citem\u003eMargaret J. Preston [poet]\u003c/item\u003e\u003citem\u003eOliver Wendall Holmes [United States Supreme Court justice][with poem] \u003c/item\u003e\u003citem\u003eWilliam Cullen Bryant [poet and newspaper editor]\u003c/item\u003e\u003citem\u003eNathaniel B. Shurtleff [Boston mayor]\u003c/item\u003e\u003citem\u003eAaron V. Brown [United States postmaster-general]\u003c/item\u003e\u003citem\u003eMarshall Jewell [United States postmaster-general]\u003c/item\u003e\u003citem\u003eMorrison Remick Waite [United States Supreme Court chief justice]\u003c/item\u003e\u003citem\u003eWilliam Worth Belknap [United States secretary of war]\u003c/item\u003e\u003citem\u003eAsa Gray [Harvard University professor of botany]\u003c/item\u003e\u003citem\u003eOlive Thorne Miller [naturalist and children's writer]\u003c/item\u003e\u003citem\u003eJames Parton [author/biographer]\u003c/item\u003e\u003citem\u003eBayard Taylor [poet]\u003c/item\u003e\u003citem\u003eThomas Hughes [English author]\u003c/item\u003e\u003citem\u003e[illegible]\u003c/item\u003e\u003citem\u003eFrank Stockton [author]\u003c/item\u003e\u003citem\u003eWilliam R. Marshall [Minnesota governor]\u003c/item\u003e\u003citem\u003eW. L. Champney [artist][with drawing]\u003c/item\u003e\u003citem\u003eP. A. Rearick [United States Navy captain]\u003c/item\u003e\u003c/list\u003e\u003c/p\u003e","\u003cp\u003e[notebook containing color plates extracted from unidentified publication]\u003c/p\u003e","\u003cp\u003e[includes original artwork] \u003c/p\u003e\n","\u003cp\u003e[see also Oversize Materials]\u003c/p\u003e","\u003cp\u003e[\"Notes \u0026amp; Memoranda Relating to Natural Science in General as Observed and Collected\"]\u003c/p\u003e","\u003cp\u003e[see also Oversize Materials]\u003c/p\u003e","\u003cp\u003e[photographs and research materials relating to Rapa Nui (also known as Easter Island)] \u003c/p\u003e\n","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[bound collection of individual checklists]\u003c/p\u003e","\u003cp\u003e[identified by Bailey as being from reports of the New York Fish Commission]\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBaltimore oriole [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eBlackbird\u003c/item\u003e\u003citem\u003eBlack-crowned night heron\u003c/item\u003e\u003citem\u003eBlue Jay\u003c/item\u003e\u003citem\u003eBluebird [2 items]\u003c/item\u003e\u003citem\u003eBobolink [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eBrown thrasher [accompanied by black-and-white original]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eCatbird [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eChimney swift [accompanied by black-and-white original\u003c/item\u003e\u003citem\u003eChipping sparrow\u003c/item\u003e\u003citem\u003eCrow\u003c/item\u003e\u003citem\u003eField sparrow\u003c/item\u003e\u003citem\u003eIndigo bunting [accompanied by black-and-white original]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eKingbird [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eKingfisher [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eLeast bittern\u003c/item\u003e\u003citem\u003eLouisiana water thrush [accompanied by black-and-white original\u003c/item\u003e\u003citem\u003eMeadowlark [accompanied by black-and-white original]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eOrchard oriole [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eOvenbird\u003c/item\u003e\u003citem\u003ePewee [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eRed-eyed vireo [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eRobin\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWhip-poor-will [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eWhite-eyed vireo [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eWoodcock [accompanied by black-and-white original\u003c/item\u003e\u003citem\u003eYellow-billed cuckoo\u003c/item\u003e\u003citem\u003eYellow-breasted chat [accompanied by black-and-white original\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eAlder flaycatcher n.d.\u003c/item\u003e\u003citem\u003eAmerican coot n.d. [2 items]\u003c/item\u003e\u003citem\u003eArkansas goldfinch 1904\u003c/item\u003e\u003citem\u003eBald eagle 1927\u003c/item\u003e\u003citem\u003eBank swallow n.d.\u003c/item\u003e\u003citem\u003eBarn swallow n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBlack and white warbler (with cowbird) n.d.\u003c/item\u003e\u003citem\u003eBlack-billed cuckoo n.d.\u003c/item\u003e\u003citem\u003eBlack-headed grosbeak n.d. [2 copies]\u003c/item\u003e\u003citem\u003eBlack-necked stilt n.d.\u003c/item\u003e\u003citem\u003eBlue-winged warbler n.d.\u003c/item\u003e\u003citem\u003eBob white n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eCalifornia towhee 1904\u003c/item\u003e\u003citem\u003eCanadian grouse n.d.\u003c/item\u003e\u003citem\u003eCanadian warbler n.d.\u003c/item\u003e\u003citem\u003eCape sable seaside sparrow 1921, n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eChestnut-sided warbler 1902, n.d. [3 items]\u003c/item\u003e\u003citem\u003eChickadee n.d.\u003c/item\u003e\u003citem\u003eChipping sparrow n.d.\u003c/item\u003e\u003citem\u003eClapper rail n.d.\u003c/item\u003e\u003citem\u003eDowny woodpecker n.d.\u003c/item\u003e\u003citem\u003eDuck hawk n.d.\u003c/item\u003e\u003citem\u003eDusky seaside sparrow 1920\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eField sparrow n.d.\u003c/item\u003e\u003citem\u003eFlamingo n.d. [6 items]\u003c/item\u003e\u003citem\u003eFlorida bald eagle 1921\u003c/item\u003e\u003citem\u003eFlorida bob white n.d.\u003c/item\u003e\u003citem\u003eFlorida meadowlark 1922 [2 items]\u003c/item\u003e\u003citem\u003eFlorida nighthawk n.d.\u003c/item\u003e\u003citem\u003eFlorida red-shouldered hawk 1928\u003c/item\u003e\u003citem\u003eFlorida redwing 1920\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eGrasshopper sparrow n.d.\u003c/item\u003e\u003citem\u003eGreat white heron 1924\u003c/item\u003e\u003citem\u003eGround dove n.d. [2 items]\u003c/item\u003e\u003citem\u003eHermit thrush n.d.\u003c/item\u003e\u003citem\u003eHooded warbler n.d.\u003c/item\u003e\u003citem\u003eHouse wren n.d.\u003c/item\u003e\u003citem\u003eKingbird 1902\u003c/item\u003e\u003citem\u003eKingfisher n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eLaughing gull 1910\u003c/item\u003e\u003citem\u003eLazuli bunting n.d.\u003c/item\u003e\u003citem\u003eLeast flycatcher (with cowbird) n.d.\u003c/item\u003e\u003citem\u003eLeast tern n.d. [2 items]\u003c/item\u003e\u003citem\u003eLoggerhead shrike n.d.\u003c/item\u003e\u003citem\u003eMagnolia warbler n.d.\u003c/item\u003e\u003citem\u003eMyrtle warbler n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eNashville warbler n.d.\u003c/item\u003e\u003citem\u003eNorthern yellowthroat n.d.\u003c/item\u003e\u003citem\u003eOlive-sided flycatcher n.d.\u003c/item\u003e\u003citem\u003eOvenbird n.d.\u003c/item\u003e\u003citem\u003ePhoebe 1902 [2 items]\u003c/item\u003e\u003citem\u003ePrairie warbler n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eRed-billed tropic bird n.d.\u003c/item\u003e\u003citem\u003eRed-cockaded woodpecker 1918\u003c/item\u003e\u003citem\u003eRed-winged blackbird n.d.\u003c/item\u003e\u003citem\u003eRedstart n.d.\u003c/item\u003e\u003citem\u003eRobin n.d.\u003c/item\u003e\u003citem\u003eRose-breasted grosbeak n.d.\u003c/item\u003e\u003citem\u003eRuby-throat n.d.\u003c/item\u003e\u003citem\u003eRuddy [2 items]\u003c/item\u003e\u003citem\u003eRusset-backed thrush 1904\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eSage grouse n.d.\u003c/item\u003e\u003citem\u003eSalt marsh yellow throat n.d. [2 items]\u003c/item\u003e\u003citem\u003eSamuel's song sparrow n.d. [2 items]\u003c/item\u003e\u003citem\u003eSand swallow n.d.\u003c/item\u003e\u003citem\u003eScarlet tanager n.d.\u003c/item\u003e\u003citem\u003eScreech owl n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eTennessee warbler n.d.\u003c/item\u003e\u003citem\u003eTowhee n.d.\u003c/item\u003e\u003citem\u003eVermillion flycatcher 1935\u003c/item\u003e\u003citem\u003eVesper sparrow n.d.\u003c/item\u003e\u003citem\u003eWestern flycatcher n.d.\u003c/item\u003e\u003citem\u003eWestern mockingbird 1920\u003c/item\u003e\u003citem\u003eWestern red-tailed hawk 1904 [2 copies]\u003c/item\u003e\u003citem\u003eWhite-crowned pigeon 1921, n.d.\u003c/item\u003e\u003citem\u003eWhite-throated sparrow n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWilson's plover 1932 n.d. [3 items]\u003c/item\u003e\u003citem\u003eWilson's thrush n.d.\u003c/item\u003e\u003citem\u003eWilson's warbler n.d.\u003c/item\u003e\u003citem\u003eWood ibis n.d. [2 items]\u003c/item\u003e\u003citem\u003eWood thrush n.d.\u003c/item\u003e\u003citem\u003eWorm-eating warbler n.d.\u003c/item\u003e\u003citem\u003eYellow-billed cuckoo n.d.\u003c/item\u003e\u003citem\u003eYellow warbler n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBald eagle n.d. [2 copies]\u003c/item\u003e\u003citem\u003eBaltimore oriole n.d.\u003c/item\u003e\u003citem\u003eBlack albatross 1913 [2 items]\u003c/item\u003e\u003citem\u003eBlackbird n.d.\u003c/item\u003e\u003citem\u003eBlue-footed booby n.d.\u003c/item\u003e\u003citem\u003eBlue-winged warbler n.d. [2 items]\u003c/item\u003e\u003citem\u003eBluebird n.d. [2 items]\u003c/item\u003e\u003citem\u003eBridled tern 1921\u003c/item\u003e\u003citem\u003eBrown pelican n.d.\u003c/item\u003e\u003citem\u003eBrown thrasher n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eCanada goose 1917, n.d. [3 items]\u003c/item\u003e\u003citem\u003eCanvasback duck 1917\u003c/item\u003e\u003citem\u003eCatbird n.d. [2 items]\u003c/item\u003e\u003citem\u003eChestnut-sided warbler n.d.\u003c/item\u003e\u003citem\u003eChickadee n.d. [2 items]\u003c/item\u003e\u003citem\u003eChimney swift n.d.\u003c/item\u003e\u003citem\u003eChipping sparrow n.d.\u003c/item\u003e\u003citem\u003eCrow n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eDowny woodpecker n.d.\u003c/item\u003e\u003citem\u003eField sparrow n.d. [3 items]\u003c/item\u003e\u003citem\u003eFlamingo n.d. [3 items]\u003c/item\u003e\u003citem\u003eFlicker n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eFlorida burrowing owl 1920, n.d. [2 items]\u003c/item\u003e\u003citem\u003eFlorida cormorant n.d.\u003c/item\u003e\u003citem\u003eFlorida jay n.d.\u003c/item\u003e\u003citem\u003eFoster's tern n.d.\u003c/item\u003e\u003citem\u003eGannet n.d. [2 items]\u003c/item\u003e\u003citem\u003eGreat blue heron 1904\u003c/item\u003e\u003citem\u003eGreen heron n.d.\u003c/item\u003e\u003citem\u003eHarlequin ducks n.d.\u003c/item\u003e\u003citem\u003eHooded warbler n.d. [2 items]\u003c/item\u003e\u003citem\u003eHouse wren n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eKingfisher n.d.\u003c/item\u003e\u003citem\u003eLeast tern n.d. [3 items]\u003c/item\u003e\u003citem\u003eLittle blue heron n.d.\u003c/item\u003e\u003citem\u003eLoggerhead shrike n.d.\u003c/item\u003e\u003citem\u003eLouisiana water thrush n.d.\u003c/item\u003e\u003citem\u003eMan o'war bird n.d.\u003c/item\u003e\u003citem\u003eOvenbird n.d.\u003c/item\u003e\u003citem\u003ePelican 1935\u003c/item\u003e\u003citem\u003ePhoebe n.d. [3 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eRed-eyed vireo n.d. [4 items]\u003c/item\u003e\u003citem\u003eRedstart n.d.\u003c/item\u003e\u003citem\u003eRobin n.d. [3 items]\u003c/item\u003e\u003citem\u003eRose-breasted grosbeak n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eScreech owl n.d. [3 items]\u003c/item\u003e\u003citem\u003eShrike n.d.\u003c/item\u003e\u003citem\u003eSong sparrow n.d.\u003c/item\u003e\u003citem\u003e[Southeastern American kestrel] n.d. [4 items]\u003c/item\u003e\u003citem\u003eSpotted sandpiper n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWater ouzel 1905\u003c/item\u003e\u003citem\u003eWestern yellowthroat n.d.\u003c/item\u003e\u003citem\u003eWhip-poor-will n.d.\u003c/item\u003e\u003citem\u003eWhistling swan 1917 [2 items]\u003c/item\u003e\u003citem\u003eWhite albatross 1913 [2 items]\u003c/item\u003e\u003citem\u003eWhite ibis n.d.\u003c/item\u003e\u003citem\u003eWhite pelican n.d.[2 items]\u003c/item\u003e\u003citem\u003eWild turkey n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWood ibis n.d. [4 items]\u003c/item\u003e\u003citem\u003eWood thrush n.d. [3 items]\u003c/item\u003e\u003citem\u003eYellow-breasted chat n.d. [2 items]\u003c/item\u003e\u003citem\u003eYellow warbler n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBald eagle n.d. [2 copies]\u003c/item\u003e\u003citem\u003eBaltimore oriole n.d.\u003c/item\u003e\u003citem\u003eBlack albatross 1913 [2 items]\u003c/item\u003e\u003citem\u003eBlackbird n.d.\u003c/item\u003e\u003citem\u003eBlue-footed booby n.d.\u003c/item\u003e\u003citem\u003eBlue-winged warbler n.d. [2 items]\u003c/item\u003e\u003citem\u003eBluebird n.d. [2 items]\u003c/item\u003e\u003citem\u003eBridled tern 1921\u003c/item\u003e\u003citem\u003eBrown pelican n.d.\u003c/item\u003e\u003citem\u003eBrown thrasher n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003cp\u003e[artist unknown; given to Bailey by Charles Townsend]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books,  The Birds of Virginia  and  The Birds of Florida , as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.","The collection is organized into the following series: ","Series I. John Eugene Law Papers, 1891-1931. This series is arranged in three subseries:","Subseries A. Correspondence, 1902-1930. Most significant among Law's correspondence is a large collection of letters between Law and Joseph Grinnell, director of the University of California's Museum of Vertebrate Zoology. Also included is correspondence with a handful of other naturalists. Arranged by correspondent name.","Subseries B. Subject files, 1912-1930. This subseries, containing mostly handwritten notes, consists of a collection of subject files maintained by Law concerning bird species, behavior and physiology. Included are large files on toxostoma (probably from Law's 1928 article on the curve-billed thrasher) as well as the Chiricahua Mountains of New Mexico, to which Law devoted a number of research trips. Arranged alphabetically by subject matter.","Subseries C. Research and field work, 1891-1931. This subseries includes materials produced by Law while performing ornithological research in the library and the field. Included are a series of research notebooks consisting largely of data gleaned from published sources. Among the field journals also contained in this subseries are notes on bird, nest and egg observations and collections made in California, Iowa, Minnesota, Wisconsin and unidentified locations. Arranged by document type.","Series II. Harold Harris Bailey Papers, 1910-1967. This series is arranged in five subseries:","Subseries A. Correspondence, 1915-1959. This small set of letters relates to ornithology as well as more general matters. Arranged chronologically.","Subseries B. Field and Research Work, 1911-1967. Bailey's field notes are contained in this subseries, as are a collection of bird banding records (which were likely commenced by John Eugene Law before being continued by Bailey), and various materials relating to Bailey's collections, including a case--used by both Bailey and his father--for collecting eggs.","Subseries C. Subject Files, 1910-1953. This brief subseries includes a handful of topics on which Bailey collected materials. Foremost among the topics is Bailey's longstanding, albeit seemingly one-sided, feud with the American Ornithologists' Union and the Cooper Ornithological Club, resulting from Bailey's stance on the 1931 A.O.U. checklist and other matters. ","Subseries D. Publications, 1913-1947. Included within these files are materials arising from the publication of Bailey's  The Birds of Virginia  (1913) and  The Birds of Florida  (1925). The subseries contains production correspondence, promotional material, and sales records. Also included are correspondence and lists relating to the  Bulletin of the Bailey Museum and Library of Natural History , together with sample issues of the publication. ","Subseries E. Rockbridge Alum Springs, 1945-1962. Various topics relating to the Baileys' establishment and operation of the Rockbridge Alum Springs Biological Laboratory are contained in this subseries. Included are files on Bailey's attempt to have a flyway lake constructed at the springs, an ongoing battle with trespassing hunters, requests for game and fish stock, the possible acquisition of adjoining lands, and the creation of a naturalists portrait gallery. Throughout the correspondence in this subseries, as elsewhere within the collection, Bailey's letters overflow with vitriol and belligerence, particularly against the academic naturalist establishment. When not criticizing fellow naturalists, he directs barbs against such general topics as the New Deal, the Civil Rights Movement, and communism.","Series III. Naturalists Biographical Files, 1825-1971. Comprising the core of the collection, the biographical files represent the Baileys' attempt to compile reference files on 19th- and 20- century naturalists. (The Baileys had titled the collection the Naturalist Autograph Files, but because the collection comprises more than autographs, it was given a broader title during processing.) The collection contains a broad scope of materials, ranging from correspondence to field notes, biographical sketches, printed materials, and photographs. Included among these are items that the Baileys \"inherited\" from other naturalists, as well as materials on a few individuals not known as naturalists, including letters signed by U. S. President Herbert Hoover and author James Branch Cabell, as well as a painting by artist Carl Moon.","Unique among the materials in this series is an autograph book maintained by Harold Balch Bailey, containing the autographs of notable 19th-century personages, including U. S. presidents and other political leaders; Union Army generals; authors; musicians; and artists. Also among the elder Bailey's papers are some documents regarding a 19th-century Massachusetts militia, including an item signed by John Quincy Adams. Other unusual items include Charles Townsend's file of material on Easter Island and a notebook of natural science observations maintained by Herman Haupt Jr. The series is arranged in two subseries:","Subseries A. Numerical files, 1825-1970. The files in this subseries comprise the Baileys' original \"Naturalist Autograph Files\" and remain as the couple compiled them. Each name is associated with a unique number, and the files are arranged numerically, with two indexes to the collection at the end. Many of the names represented in these files may also be found in Subseries II. ","Subseries B. Alphabetical files, 1836-1971. The files in this subseries were compiled from materials found loose within the collection. The items seem to have been intended by the Baileys for their autograph files but had yet to be integrated. The collection includes the same types of materials found in the numbered folders but is arranged alphabetically. Many of the names represented in these files may also be found in Subseries I. At the end of the subseries is a bound set of various collectors' egg catalogs.","Series IV. Printed Material, 1882-1969. This series includes a small selection of printed materials deemed best left with the manuscript collection when other printed materials were transferred to the Rare Book Collection. Most significant among the holdings are materials of the Cooper Ornithological Club / Cooper Ornithological Society and a collection of catalogs offering bird eggs, bird skins, cabinetry, and supplies for ornithologists, naturalists and taxidermists. Arranged by subject matter.","Series V. Images, 1904-1942. This series is arranged by format in two subseries: ","Subseries A. Color Plates and Other Illustrations, 1913-1922. This subseries consists largely of color plates detached from various illustrated publications, as well as sets of color prints. Other illustrations and paintings associated with individuals may be found in Series III.","Subseries B. Photographs, 1902-1937. Considering the breadth of Bailey and Law's research and collecting activities during a span of several decades, the collection contains relatively few photographs. Included is are full sets of original photos and half-tones used for Bailey's  The Birds of Virginia . The photographs have been divided among the following categories:  The Birds of Virginia , nests and eggs, birds, people, exhibits, specimens, and scenery. Included among the scenery are a few photos and postcards of Mountain Lake, the Cascades and Castle Rock in Giles County, Virginia. Photographs made by and of identified naturalists may be found in Series III.","[includes material relating to 19th-century Massachusetts militia units, one item bearing the signature of John Quincy Adams]","Contains signatures of: Ulysses S. Grant [Union Army general and United States president] Ambrose E. Burnside [Union Army general] William Tecumseh Sherman [Union Army general] Philip H. Sheridan [Union Army general] J. Tyler J. Davis Henry P. Baldwin [Michigan governor] Levi P. Morton [United States vice-president] Hannibal Hamlin [United States vice-president] William Claflin [Massachusetts governor] Douglas Sladen [English author] [S. W. Lincoln Jr.?] Grover Cleveland [United States president] Frances Folsom Cleveland [United States first lady] Rutherford B. Hayes [United States president] John J. Audubon [naturalist] Joshua L. Chamberlain [Maine governor] Benjamin F. Butler [Union Army general] Geo. H. Hepworth [minister and journalist] Walter Harriman [New Hampshire governor] Horace Greeley [newspaper editor; 1872 presidential candidate] Joseph [W.?] Donahue James M. Harvey [Kansas governor] John W. Geary [Pennsylvania governor] John Hoffman [New York governor] Hans von Bulow [pianist] Lucius Fairchild [Wisconsin governor] Robert W. Chambers [American author] Henry Huntly Haight [California governor] Geo. S. Boutwell [United States secretary of the treasury] Henry L. Pierce [Massachusetts congressman] Charles [illegible] E. M. Pease [Texas governor] H. L. Dawes [Massachusetts senator] William Gaston [Massachusetts governor] Alexander H. Rice [Massachusetts governor] Henry W. Longfellow [poet] William Dean Howells [author][with poem] Margaret J. Preston [poet] Oliver Wendall Holmes [United States Supreme Court justice][with poem]  William Cullen Bryant [poet and newspaper editor] Nathaniel B. Shurtleff [Boston mayor] Aaron V. Brown [United States postmaster-general] Marshall Jewell [United States postmaster-general] Morrison Remick Waite [United States Supreme Court chief justice] William Worth Belknap [United States secretary of war] Asa Gray [Harvard University professor of botany] Olive Thorne Miller [naturalist and children's writer] James Parton [author/biographer] Bayard Taylor [poet] Thomas Hughes [English author] [illegible] Frank Stockton [author] William R. Marshall [Minnesota governor] W. L. Champney [artist][with drawing] P. A. Rearick [United States Navy captain]","[notebook containing color plates extracted from unidentified publication]","[includes original artwork] ","[see also Oversize Materials]","[\"Notes \u0026 Memoranda Relating to Natural Science in General as Observed and Collected\"]","[see also Oversize Materials]","[photographs and research materials relating to Rapa Nui (also known as Easter Island)] ","[2 folders]","[bound collection of individual checklists]","[identified by Bailey as being from reports of the New York Fish Commission]","Baltimore oriole [accompanied by black-and-white original] Blackbird Black-crowned night heron Blue Jay Bluebird [2 items] Bobolink [accompanied by black-and-white original] Brown thrasher [accompanied by black-and-white original]","Catbird [accompanied by black-and-white original] Chimney swift [accompanied by black-and-white original Chipping sparrow Crow Field sparrow Indigo bunting [accompanied by black-and-white original]","Kingbird [accompanied by black-and-white original] Kingfisher [accompanied by black-and-white original] Least bittern Louisiana water thrush [accompanied by black-and-white original Meadowlark [accompanied by black-and-white original]","Orchard oriole [accompanied by black-and-white original] Ovenbird Pewee [accompanied by black-and-white original] Red-eyed vireo [accompanied by black-and-white original] Robin","Whip-poor-will [accompanied by black-and-white original] White-eyed vireo [accompanied by black-and-white original] Woodcock [accompanied by black-and-white original Yellow-billed cuckoo Yellow-breasted chat [accompanied by black-and-white original","Alder flaycatcher n.d. American coot n.d. [2 items] Arkansas goldfinch 1904 Bald eagle 1927 Bank swallow n.d. Barn swallow n.d.","Black and white warbler (with cowbird) n.d. Black-billed cuckoo n.d. Black-headed grosbeak n.d. [2 copies] Black-necked stilt n.d. Blue-winged warbler n.d. Bob white n.d. [2 items]","California towhee 1904 Canadian grouse n.d. Canadian warbler n.d. Cape sable seaside sparrow 1921, n.d.","Chestnut-sided warbler 1902, n.d. [3 items] Chickadee n.d. Chipping sparrow n.d. Clapper rail n.d. Downy woodpecker n.d. Duck hawk n.d. Dusky seaside sparrow 1920","Field sparrow n.d. Flamingo n.d. [6 items] Florida bald eagle 1921 Florida bob white n.d. Florida meadowlark 1922 [2 items] Florida nighthawk n.d. Florida red-shouldered hawk 1928 Florida redwing 1920","Grasshopper sparrow n.d. Great white heron 1924 Ground dove n.d. [2 items] Hermit thrush n.d. Hooded warbler n.d. House wren n.d. Kingbird 1902 Kingfisher n.d.","Laughing gull 1910 Lazuli bunting n.d. Least flycatcher (with cowbird) n.d. Least tern n.d. [2 items] Loggerhead shrike n.d. Magnolia warbler n.d. Myrtle warbler n.d.","Nashville warbler n.d. Northern yellowthroat n.d. Olive-sided flycatcher n.d. Ovenbird n.d. Phoebe 1902 [2 items] Prairie warbler n.d.","Red-billed tropic bird n.d. Red-cockaded woodpecker 1918 Red-winged blackbird n.d. Redstart n.d. Robin n.d. Rose-breasted grosbeak n.d. Ruby-throat n.d. Ruddy [2 items] Russet-backed thrush 1904","Sage grouse n.d. Salt marsh yellow throat n.d. [2 items] Samuel's song sparrow n.d. [2 items] Sand swallow n.d. Scarlet tanager n.d. Screech owl n.d.","Tennessee warbler n.d. Towhee n.d. Vermillion flycatcher 1935 Vesper sparrow n.d. Western flycatcher n.d. Western mockingbird 1920 Western red-tailed hawk 1904 [2 copies] White-crowned pigeon 1921, n.d. White-throated sparrow n.d.","Wilson's plover 1932 n.d. [3 items] Wilson's thrush n.d. Wilson's warbler n.d. Wood ibis n.d. [2 items] Wood thrush n.d. Worm-eating warbler n.d. Yellow-billed cuckoo n.d. Yellow warbler n.d.","Bald eagle n.d. [2 copies] Baltimore oriole n.d. Black albatross 1913 [2 items] Blackbird n.d. Blue-footed booby n.d. Blue-winged warbler n.d. [2 items] Bluebird n.d. [2 items] Bridled tern 1921 Brown pelican n.d. Brown thrasher n.d. [2 items]","Canada goose 1917, n.d. [3 items] Canvasback duck 1917 Catbird n.d. [2 items] Chestnut-sided warbler n.d. Chickadee n.d. [2 items] Chimney swift n.d. Chipping sparrow n.d. Crow n.d.","Downy woodpecker n.d. Field sparrow n.d. [3 items] Flamingo n.d. [3 items] Flicker n.d. [2 items]","Florida burrowing owl 1920, n.d. [2 items] Florida cormorant n.d. Florida jay n.d. Foster's tern n.d. Gannet n.d. [2 items] Great blue heron 1904 Green heron n.d. Harlequin ducks n.d. Hooded warbler n.d. [2 items] House wren n.d.","Kingfisher n.d. Least tern n.d. [3 items] Little blue heron n.d. Loggerhead shrike n.d. Louisiana water thrush n.d. Man o'war bird n.d. Ovenbird n.d. Pelican 1935 Phoebe n.d. [3 items]","Red-eyed vireo n.d. [4 items] Redstart n.d. Robin n.d. [3 items] Rose-breasted grosbeak n.d. [2 items]","Screech owl n.d. [3 items] Shrike n.d. Song sparrow n.d. [Southeastern American kestrel] n.d. [4 items] Spotted sandpiper n.d.","Water ouzel 1905 Western yellowthroat n.d. Whip-poor-will n.d. Whistling swan 1917 [2 items] White albatross 1913 [2 items] White ibis n.d. White pelican n.d.[2 items] Wild turkey n.d. [2 items]","Wood ibis n.d. [4 items] Wood thrush n.d. [3 items] Yellow-breasted chat n.d. [2 items] Yellow warbler n.d. [2 items]","Bald eagle n.d. [2 copies] Baltimore oriole n.d. Black albatross 1913 [2 items] Blackbird n.d. Blue-footed booby n.d. Blue-winged warbler n.d. [2 items] Bluebird n.d. [2 items] Bridled tern 1921 Brown pelican n.d. Brown thrasher n.d. [2 items]","[artist unknown; given to Bailey by Charles Townsend]"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following maps from the collection were transferred to the Historical Map Collection:\n\u003clist\u003e\u003citem\u003e\nAlleghany County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nBland County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nBotetourt County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nCarroll County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nCraig County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026amp; Co., 1967).\n\u003c/item\u003e\u003citem\u003e\nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026amp; Co., 1972).\n\u003c/item\u003e\u003citem\u003e\nDelaware, Maryland, Virginia-West Virginia (San Jose, CA: H. M. Gousha Co., 1973).\n\u003c/item\u003e\u003citem\u003e\nFloyd County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nGeological Map of the Dominion of Canada ([Ottawa]: Department of the Interior, 1909).\n\u003c/item\u003e\u003citem\u003e\nGeorge Washington National Forest, Virginia-West Virginia ([Washington, DC]: U. S. Department of Agriculture, 1950).\n\u003c/item\u003e\u003citem\u003e\nGiles County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nGrayson County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nMap of Mexico (Washington, D.C.: National Geographic Society, 1916).\n\u003c/item\u003e\u003citem\u003e\nMap of the New Balkan States and Central Europe ([S.l.: National Geographic Society, [1914?]).\n\u003c/item\u003e\u003citem\u003e\nMaryland, Delaware, District of Columbia, Virginia, and West Virginia Road Map for 1930 (New York: General Drafting Co., 1938).\n\u003c/item\u003e\u003citem\u003e\nMillboro, Virginia Quadrangle (Washington, DC: U. S. Geological Survey, 1949).\n\u003c/item\u003e\u003citem\u003e\nThe National Geographic Magazine Map of Mexico ([Washington, D.C.: National Geographic Society, 1911?]).\n\u003c/item\u003e\u003citem\u003e\nPatrick County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1941).\n\u003c/item\u003e\u003citem\u003e\nPittsylvania County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1942).\n\u003c/item\u003e\u003citem\u003e\nPittsylvania County [subdivisions] (Richmond: Virginia Department of Highways, [1942?]).\n\u003c/item\u003e\u003citem\u003e\nPresenting Your Map of Rockbridge County, Virginia (Portland, OR: Western States Map Company, [n.d.]).\n\u003c/item\u003e\u003citem\u003e\nPulaski County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n\u003c/item\u003e\u003citem\u003e\nRoanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nShell Official Road Map of Delaware - Maryland - Virginia - W. Virginia, n.d. (Chicago: H. M. Gousha Co., [1938].\n\u003c/item\u003e\u003citem\u003e\nSovereignty and Mandate Boundary Lines in 1921 of the Islands of the Pacific (Washington, D.C.: National Geographic Society, 1921).\n\u003c/item\u003e\u003citem\u003e\nSubdivisions of Roanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, [1940]).\n\u003c/item\u003e\u003citem\u003e\nTerritory of Arizona ([Washington, D.C.: Government Land Office], 1903).\n\u003c/item\u003e\u003citem\u003e\nTopographical Map of the Guy's Run Iron Lands, Rockbridge Co., Va. (Staunton, VA: Eng. Office of Jed. Hotchkiss, 1878). [reproduction]\n\u003c/item\u003e\u003citem\u003e\nWise County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n\u003c/item\u003e\u003c/list\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["The following maps from the collection were transferred to the Historical Map Collection:\n \nAlleghany County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nBland County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nBotetourt County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nCarroll County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nCraig County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1967).\n \nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1972).\n \nDelaware, Maryland, Virginia-West Virginia (San Jose, CA: H. M. Gousha Co., 1973).\n \nFloyd County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nGeological Map of the Dominion of Canada ([Ottawa]: Department of the Interior, 1909).\n \nGeorge Washington National Forest, Virginia-West Virginia ([Washington, DC]: U. S. Department of Agriculture, 1950).\n \nGiles County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nGrayson County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nMap of Mexico (Washington, D.C.: National Geographic Society, 1916).\n \nMap of the New Balkan States and Central Europe ([S.l.: National Geographic Society, [1914?]).\n \nMaryland, Delaware, District of Columbia, Virginia, and West Virginia Road Map for 1930 (New York: General Drafting Co., 1938).\n \nMillboro, Virginia Quadrangle (Washington, DC: U. S. Geological Survey, 1949).\n \nThe National Geographic Magazine Map of Mexico ([Washington, D.C.: National Geographic Society, 1911?]).\n \nPatrick County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1941).\n \nPittsylvania County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1942).\n \nPittsylvania County [subdivisions] (Richmond: Virginia Department of Highways, [1942?]).\n \nPresenting Your Map of Rockbridge County, Virginia (Portland, OR: Western States Map Company, [n.d.]).\n \nPulaski County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n \nRoanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nShell Official Road Map of Delaware - Maryland - Virginia - W. Virginia, n.d. (Chicago: H. M. Gousha Co., [1938].\n \nSovereignty and Mandate Boundary Lines in 1921 of the Islands of the Pacific (Washington, D.C.: National Geographic Society, 1921).\n \nSubdivisions of Roanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, [1940]).\n \nTerritory of Arizona ([Washington, D.C.: Government Land Office], 1903).\n \nTopographical Map of the Guy's Run Iron Lands, Rockbridge Co., Va. (Staunton, VA: Eng. Office of Jed. Hotchkiss, 1878). [reproduction]\n \nWise County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f419c7b4e4e2820af0c941b645e14b03\" label=\"Abstract\"\u003eThis collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books, \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e and \u003ctitle render=\"italic\"\u003eThe Birds of Florida\u003c/title\u003e, as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books,  The Birds of Virginia  and  The Birds of Florida , as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"persname_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1290,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:18:51.534Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1363_c03_c01_c13_c07"}},{"id":"wvmturhc_repositories_2_resources_2333_c04_c01_c01","type":"Box","attributes":{"title":"19th and 20th Century West Virginia History Courses","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2333_c04_c01_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2333_c04_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_2333_c04_c01_c01","ref_ssm":["wvmturhc_repositories_2_resources_2333_c04_c01_c01"],"id":"wvmturhc_repositories_2_resources_2333_c04_c01_c01","ead_ssi":"wvmturhc_repositories_2_resources_2333","_root_":"wvmturhc_repositories_2_resources_2333","_nest_parent_":"wvmturhc_repositories_2_resources_2333_c04_c01","parent_ssi":"wvmturhc_repositories_2_resources_2333_c04_c01","parent_ssim":["wvmturhc_repositories_2_resources_2333","wvmturhc_repositories_2_resources_2333_c04","wvmturhc_repositories_2_resources_2333_c04_c01"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_2333","wvmturhc_repositories_2_resources_2333_c04","wvmturhc_repositories_2_resources_2333_c04_c01"],"parent_unittitles_ssm":["Ronald Lewis, Historian, Papers","Series 4. Addendum of 2024 May 29","Teaching"],"parent_unittitles_tesim":["Ronald Lewis, Historian, Papers","Series 4. Addendum of 2024 May 29","Teaching"],"text":["Ronald Lewis, Historian, Papers","Series 4. Addendum of 2024 May 29","Teaching","19th and 20th Century West Virginia History Courses","Box 22","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter."],"title_filing_ssi":"19th and 20th Century West Virginia History Courses","title_ssm":["19th and 20th Century West Virginia History Courses"],"title_tesim":["19th and 20th Century West Virginia History Courses"],"unitdate_inclusive_ssm":["circa 1880-2017"],"normalized_date_ssm":["1880/2017"],"normalized_title_ssm":["19th and 20th Century West Virginia History Courses"],"component_level_isim":[3],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Ronald Lewis, Historian, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":451,"parent_access_restrict_tesm":["Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.Box 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"containers_ssim":["Box 22"],"scopecontent_html_tesm":["\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter."],"_nest_path_":"/components#3/components#0/components#0","timestamp":"2026-05-21T00:44:25.654Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_2333","ead_ssi":"wvmturhc_repositories_2_resources_2333","_root_":"wvmturhc_repositories_2_resources_2333","_nest_parent_":"wvmturhc_repositories_2_resources_2333","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2333.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/205406","title_ssm":["Ronald Lewis, Historian, Papers"],"title_tesim":["Ronald Lewis, Historian, Papers"],"unitdate_ssm":["circa 1850-2021","circa 1970-2021"],"unitdate_bulk_ssim":["circa 1970-2021"],"unitdate_inclusive_ssm":["circa 1850-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3882","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2333"],"text":["A\u0026M 3882","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2333","Ronald Lewis, Historian, Papers","Appalachian Region -- History","History -- Study and teaching ","West Virginia University  -- History","Coal mines and mining","Lumber industry and timber.","Immigrants -- Miners","Content with student grades located in boxes 1 (folders 1-2, 10, 12, 15-24), 7, 21 (folders 1-2), and 23 must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n \nContent including social security numbers located in boxes 1 (folders 1-6, 9) and 21 (career materials subseries) will be restricted for 75 years after the date of record creation, but researchers may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center reference department in advance to request access.\n \nContent including personnel files, like faculty evaluations and position appointments, located in box 21 (career materials subseries and folders 1-2) and box 26 (folder 4) must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n \nResearchers may access born digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Some of these materials are not yet reformatted and must be requested in advance.\n \nAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.\n \nAll or part of this collection is stored offsite. Please make an appointment prior to visiting.","This series contains restricted materials: social security numbers and student records. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 1 contains restricted materials: social security numbers and student grades. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Box 1 contains restricted materials: social security numbers and student grades.  Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","This series contains student records. Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Box 7 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","This series contains restricted materials: Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials in box 26 by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance. Box 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance. Box 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","The original order established by Dr. Lewis has been retained in much of the collection. Series and subseries have only been imposed where they accurately categorize the initial physical arrangement, allowing for the majority of Lewis's organization to remain intact. The imposed series — 1. Teaching, 2. Research and Scholarly Activity, and 3. Professional Service and Additional Career Materials — were chosen to represent the three main facets of university faculty work. Series 4 is comprised of an addendum received in 2024, and subseries have been imposed based on the existing series structure.","Many of the folder titles within this collection, including in the addendum, were created by Dr. Lewis and incorporated as-is during archival arrangement. He frequently utilized abbreviations and acronyms, especially in reference to academic institutions and professional organizations. ","This collection includes a formerly separate WVRHC collection (A\u0026M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia). It has been added to this collection in its entirety at the donor's request, so that his body of work can be represented together.","Materials within this subseries were left in the original arrangement developed by Dr. Lewis. Individual folders represent specific students, and the materials he wrote or reviewed on behalf of those students are within their folders.","A professor emeritus of history at West Virginia University, Lewis received his PhD in American History from the University of Akron in 1974.  He focused on regional studies, especially Appalachian history.  His first teaching opportunity was at the University of Delaware as an assistant professor from 1974 to 1985, where he focused primarily on the intersection of race and labor in the United States.  He was then hired in 1985 to teach West Virginian and Appalachian History at West Virginia University.  He earned emeritus status in 2008.  He has authored many books, earned several awards, and was a Fulbright-Hayes Commission Award Recipient.","This collection contains materials of various formats used and created by historian Dr. Ronald Lewis throughout his career. There are records and course materials from classes taught by Dr. Lewis at the University of Delaware and, primarily, at West Virginia University (WVU). It includes other documents relating to his work as a faculty advisor to graduate students in WVU's history department. There is extensive documentation of his research, most of which was done on Appalachian history and West Virginia coal mining, including articles he has written, facsimiles of primary and secondary sources used in his research, and A/V materials like oral histories. Records generated from Dr. Lewis's scholarly activities are included, such as book and article reviews and conference presentations. There are also materials relating to his other professional pursuits, such as his membership in historical organizations and correspondence with other professionals in the field. This collection provides a broad overview of the work of an historian in an academic institution. The dates provided are reflective of material creation, except within the Welsh Miners and Scott's Run subseries. These dates, listed in folder titles, reflect the content and were determined by the donor when he created and titled these files. Please be aware that the dates may not be accurate for every item within the folder/box but rather reflect the general timeframe of the subject matter. Born digital and audiovisual materials exist within the collection as floppy disks, CDs, DVDs, VHS tapes, and cassettes. Addendum of 2024 May 29 includes similar materials but reflects Dr. Lewis's more recent work. There are materials relating to his work as a professor and faculty member, the development of two books and other publications, and documentation of his career. Common formats include lecture notes, facsimiles of research sources, and correspondence; digital materials exist within the addendum as floppy disks, zip disks, and CDs.","This series includes materials used and created by Dr. Lewis in relation to his work as a professor at the University of Delaware and West Virginia University (WVU). Common materials include course rosters and syllabi, grading information, and graduate student correspondence and publications. Much of this series is comprised of Lewis's work as an advisor to PhD students at WVU. Additional teaching-related records are located in Series 4, boxes 22, 23, and 29.","Teaching Materials include administrative and course content-related documents from Dr. Lewis's time as an instructor. Course rosters, examination papers, and assigned reading materials are included. Recommendation letters and graduate student committee papers are present. Digital materials like syllabi and exams exist within this subseries as well.","Graduate Student Files include academic papers, presentations, correspondence, job recommendations, and other materials that Dr. Lewis authored or reviewed as a faculty advisor to graduate students at West Virginia University. Digital materials from this subseries include recommendations, comprehensive exams, and graduate committee details.","This series includes research materials, book and article reviews, papers written by Dr. Lewis, and research sources assigned in Lewis's classes. Many of his own publications and presentations are included, along with related correspondence with colleagues. Additional research and scholarly activity records are located in Series 4, boxes 24-28 and 30.","This subseries includes articles that Lewis has authored, referenced for his research, or assigned his students to read, most of which focus on American history. Articles in boxes 10-11 were all written by Dr. Lewis; articles in boxes 1-6 were written by others and utilized by Lewis in research or teaching. Digital materials in this subseries include articles used for research and other supporting information for Lewis's articles.","This subseries includes facsimiles of texts used by Lewis in his research, articles written about his published books, materials from events where Lewis presented information about his books, and publishing correspondence. It does not include any copies of Lewis's own books.","Papers and Presentations include publications and lectures delivered by Dr. Lewis at conferences and symposiums. In addition to the materials Lewis presented at these events, this subseries includes correspondence with event organizers and other presenters.","This subseries includes book reviews that Dr. Lewis wrote for various scholarly journals and related correspondence, along with advance copies of books sent to him for review. The books he reviewed focus primarily on Appalachian history and Black history. Digital materials from this subseries include advance copies of material for review.","These materials relate to a report for the Appalachian Regional Commission (ARC) written by Dr. Lewis and Dwight Billings of the University of Kentucky. It includes correspondence and notes taken during the creation of the report, manuscript review comments, and a copy of the report itself,  Appalachian Cultural and Economic Development , published by the University of Kentucky Press.","This subseries consists of Dr. Lewis's work on Scott's Run, a mining community in West Virginia that experienced a large coal boom in the late 19th and early 20th centuries. It includes copies of scholarly publications on Scott's Run, commemorative articles, newspaper clippings, facsimiles of primary source materials, course assignments from Dr. Lewis's classes on mining communities, and oral history interviews. Many of the oral histories are in A/V format, recorded on cassette and VHS tapes. Digital materials include interview transcriptions, researched data about Scott's Run, and more. The dates for this subseries reflect the content – not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","These are research materials utilized and created by Dr. Lewis in his study of Welsh immigrants working in the U.S. mining industry and the broader history of British Isles emigration in the late 19th and early 20th centuries. Scholarly articles, Dr. Lewis's notes, and copies of primary source documents like census data and mining reports are included in this subseries. Some additional research files exist as digital materials. The dates for this subseries reflect the content– not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","These materials relate to the development of Dr. Lewis's 2013 book on WVU,  Aspiring to Greatness: West Virginia University Since WWII . Multiple facets of WVU history are represented in Lewis's research materials, comprised of university administrative documents, local newspaper clippings, recorded interviews, and more. Interviews and event recordings are stored as CDs, DVDs, other A/V formats located in box 19.","This subseries consists of research notes compiled by Dr. Lewis  for the development of his 2017 book,  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for  West Virginia's Timber Frontier . It includes biographical information and statistical profiles about industry leaders and corporations in the 19th and 20th centuries. These materials were previously a separate collection – A\u0026M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia – but have since been incorporated as a part of A\u0026M 3882 at the donor's request.","This series represents Dr. Lewis's service to his profession, membership in professional historical organizations, his personal records of career accomplishments and his various positions held across institutions, and the correspondence he retained over the duration of his career. Additional professional service and career records are located in Series 4, box 26, folder 4.","These materials consist of weekly academic planners kept by Dr. Lewis, in which he recorded personal and professional events. Box 5 holds 12 planners from 1994-2004, and box 21 holds 9 planners from 2004-2012.","These are materials relating to Dr. Lewis's work outside the university setting, including as an editorial board member to scholarly journals, as an historical consultant, and as a member of historical associations. Materials include correspondence with Lewis's colleagues in these settings, published statements by Lewis about the organizations he belonged to, and article evaluations.","These files include information related to Dr. Lewis's various appointments, promotions, fellowships, and sabbaticals throughout his career. They are largely comprised of university administrative files and related correspondence. Additional items like Lewis's curriculum vitae and faculty evaluations exist as digital materials.","These materials include professional and personal correspondence between Dr. Lewis and other university personnel, fellow members of historical associations, and friends. Common formats include handwritten notes, greeting cards, typed memos, and printed email exchanges.","This series is an addendum received from Dr. Lewis in 2024. It includes assorted teaching materials from Dr. Lewis's time as a professor at West Virginia University, like course syllabi and assigned reading materials. There are also research files and similar materials related the development of Lewis's various scholarly publications, including two books:  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier  (2016) and  Iron Artisans: Welsh Immigrants and the American Age of Steel  (2023). Materials compiled in the development of these texts include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. There are also a few files related to Lewis's career broadly, like his curriculum vitae and faculty evaluations. Born digital materials exist within the series as floppy disks, zip disks and CDs with files related to Lewis's work as a faculty member at WVU, the development of his scholarly publications, and his career documentation. The dates for the Teaching and Research and Scholarly Activities subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","Includes assorted teaching materials from classes Dr. Lewis taught at WVU on United States, West Virginian, and Appalachian cultural and industrial history, with topics including mining accidents, such as the Monongah mine disaster. These teaching materials are comprised of lecture notes, syllabi, and assigned articles/texts. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The classes included in this addendum were largely taught in the late 1990s and early 2000s. Digital materials from this subseries consist of lecture notes, exams, and syllabi. Additional teaching records are located in Series 1 of this collection.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","Includes materials related the development of articles, reviews, and two books by Dr. Lewis:  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier  (2016) and  Iron Artisans: Welsh Immigrants and the American Age of Steel  (2023). Materials compiled in the development of Lewis's books include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The compilation of these materials largely took place during the 2010s and early 2020s. Digital materials from this subseries consist of conference presentations and research files. Additional research materials are located in Series 2 of this collection. ","Includes early book proposal. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","This subseries consists only of digital materials that include faculty evaluations, Lewis's Curriculum Vitae, and other professional records. Additional career materials are located in Series 3 of this collection.","A group of bound dissertations has been separated at the donor's request. They were written from 1990-2009 and focus on West Virginia-related historical subjects. Dr. Lewis served on the dissertaion committee for each. These items were passed on, to be made available in the WVRHC main stacks.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Lewis, Ronald L., 1940-","English \n.    "],"unitid_tesim":["A\u0026M 3882","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2333"],"normalized_title_ssm":["Ronald Lewis, Historian, Papers"],"collection_title_tesim":["Ronald Lewis, Historian, Papers"],"collection_ssim":["Ronald Lewis, Historian, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Appalachian Region -- History"],"geogname_ssim":["Appalachian Region -- History"],"creator_ssm":["Lewis, Ronald L., 1940-"],"creator_ssim":["Lewis, Ronald L., 1940-"],"creator_persname_ssim":["Lewis, Ronald L., 1940-"],"creators_ssim":["Lewis, Ronald L., 1940-"],"places_ssim":["Appalachian Region -- History"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Multiple gifts from Lewis, Ronald: 2008/07/25, 2012/12/20, and 2024/05/29"],"access_subjects_ssim":["History -- Study and teaching ","West Virginia University  -- History","Coal mines and mining","Lumber industry and timber.","Immigrants -- Miners"],"access_subjects_ssm":["History -- Study and teaching ","West Virginia University  -- History","Coal mines and mining","Lumber industry and timber.","Immigrants -- Miners"],"has_online_content_ssim":["false"],"extent_ssm":["33.46 Linear Feet 33 ft. 5.5 in. (1 document case, 5 in.; 1 document case, 4 in.; 1 document case, 2.5 in.; 26 record cartons, 15 in. each.)","4.46 Gigabytes 745 files, formats include .pdf, .wpd, .doc, .jpg, .tif, .xls, .ppt, etc."],"extent_tesim":["33.46 Linear Feet 33 ft. 5.5 in. (1 document case, 5 in.; 1 document case, 4 in.; 1 document case, 2.5 in.; 26 record cartons, 15 in. each.)","4.46 Gigabytes 745 files, formats include .pdf, .wpd, .doc, .jpg, .tif, .xls, .ppt, etc."],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eContent with student grades located in boxes 1 (folders 1-2, 10, 12, 15-24), 7, 21 (folders 1-2), and 23 must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nContent including social security numbers located in boxes 1 (folders 1-6, 9) and 21 (career materials subseries) will be restricted for 75 years after the date of record creation, but researchers may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center reference department in advance to request access.\n\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nContent including personnel files, like faculty evaluations and position appointments, located in box 21 (career materials subseries and folders 1-2) and box 26 (folder 4) must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nResearchers may access born digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department. Some of these materials are not yet reformatted and must be requested in advance.\n\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department in advance.\n\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nAll or part of this collection is stored offsite. Please make an appointment prior to visiting.\u003c/p\u003e","\u003cp\u003eThis series contains restricted materials: social security numbers and student records. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eBox 1 contains restricted materials: social security numbers and student grades. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eBox 1 contains restricted materials: social security numbers and student grades.  Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eThis series contains student records. Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department in advance.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eBox 7 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department in advance.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003eAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.\u003c/p\u003e","\u003cp\u003eAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.\u003c/p\u003e","\u003cp\u003eThis series contains restricted materials: Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eBox 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eBox 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eContent including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials in box 26 by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eBox 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eBox 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.\u003c/p\u003e","\u003cp\u003eContent including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Content with student grades located in boxes 1 (folders 1-2, 10, 12, 15-24), 7, 21 (folders 1-2), and 23 must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n \nContent including social security numbers located in boxes 1 (folders 1-6, 9) and 21 (career materials subseries) will be restricted for 75 years after the date of record creation, but researchers may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center reference department in advance to request access.\n \nContent including personnel files, like faculty evaluations and position appointments, located in box 21 (career materials subseries and folders 1-2) and box 26 (folder 4) must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n \nResearchers may access born digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Some of these materials are not yet reformatted and must be requested in advance.\n \nAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.\n \nAll or part of this collection is stored offsite. Please make an appointment prior to visiting.","This series contains restricted materials: social security numbers and student records. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 1 contains restricted materials: social security numbers and student grades. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Box 1 contains restricted materials: social security numbers and student grades.  Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","This series contains student records. Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Box 7 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","This series contains restricted materials: Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials in box 26 by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance. Box 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance. Box 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"arrangement_html_tesm":["\u003cp\u003eThe original order established by Dr. Lewis has been retained in much of the collection. Series and subseries have only been imposed where they accurately categorize the initial physical arrangement, allowing for the majority of Lewis's organization to remain intact. The imposed series — 1. Teaching, 2. Research and Scholarly Activity, and 3. Professional Service and Additional Career Materials — were chosen to represent the three main facets of university faculty work. Series 4 is comprised of an addendum received in 2024, and subseries have been imposed based on the existing series structure.\u003c/p\u003e\n","\u003cp\u003eMany of the folder titles within this collection, including in the addendum, were created by Dr. Lewis and incorporated as-is during archival arrangement. He frequently utilized abbreviations and acronyms, especially in reference to academic institutions and professional organizations. \u003c/p\u003e\n","\u003cp\u003eThis collection includes a formerly separate WVRHC collection (A\u0026amp;M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia). It has been added to this collection in its entirety at the donor's request, so that his body of work can be represented together.\u003c/p\u003e","\u003cp\u003eMaterials within this subseries were left in the original arrangement developed by Dr. Lewis. Individual folders represent specific students, and the materials he wrote or reviewed on behalf of those students are within their folders.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The original order established by Dr. Lewis has been retained in much of the collection. Series and subseries have only been imposed where they accurately categorize the initial physical arrangement, allowing for the majority of Lewis's organization to remain intact. The imposed series — 1. Teaching, 2. Research and Scholarly Activity, and 3. Professional Service and Additional Career Materials — were chosen to represent the three main facets of university faculty work. Series 4 is comprised of an addendum received in 2024, and subseries have been imposed based on the existing series structure.","Many of the folder titles within this collection, including in the addendum, were created by Dr. Lewis and incorporated as-is during archival arrangement. He frequently utilized abbreviations and acronyms, especially in reference to academic institutions and professional organizations. ","This collection includes a formerly separate WVRHC collection (A\u0026M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia). It has been added to this collection in its entirety at the donor's request, so that his body of work can be represented together.","Materials within this subseries were left in the original arrangement developed by Dr. Lewis. Individual folders represent specific students, and the materials he wrote or reviewed on behalf of those students are within their folders."],"bioghist_html_tesm":["\u003cp\u003eA professor emeritus of history at West Virginia University, Lewis received his PhD in American History from the University of Akron in 1974.  He focused on regional studies, especially Appalachian history.  His first teaching opportunity was at the University of Delaware as an assistant professor from 1974 to 1985, where he focused primarily on the intersection of race and labor in the United States.  He was then hired in 1985 to teach West Virginian and Appalachian History at West Virginia University.  He earned emeritus status in 2008.  He has authored many books, earned several awards, and was a Fulbright-Hayes Commission Award Recipient.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["A professor emeritus of history at West Virginia University, Lewis received his PhD in American History from the University of Akron in 1974.  He focused on regional studies, especially Appalachian history.  His first teaching opportunity was at the University of Delaware as an assistant professor from 1974 to 1985, where he focused primarily on the intersection of race and labor in the United States.  He was then hired in 1985 to teach West Virginian and Appalachian History at West Virginia University.  He earned emeritus status in 2008.  He has authored many books, earned several awards, and was a Fulbright-Hayes Commission Award Recipient."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Ronald Lewis, Historian, Papers, A\u0026amp;M 3882, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Ronald Lewis, Historian, Papers, A\u0026M 3882, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials of various formats used and created by historian Dr. Ronald Lewis throughout his career. There are records and course materials from classes taught by Dr. Lewis at the University of Delaware and, primarily, at West Virginia University (WVU). It includes other documents relating to his work as a faculty advisor to graduate students in WVU's history department. There is extensive documentation of his research, most of which was done on Appalachian history and West Virginia coal mining, including articles he has written, facsimiles of primary and secondary sources used in his research, and A/V materials like oral histories. Records generated from Dr. Lewis's scholarly activities are included, such as book and article reviews and conference presentations. There are also materials relating to his other professional pursuits, such as his membership in historical organizations and correspondence with other professionals in the field. This collection provides a broad overview of the work of an historian in an academic institution.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe dates provided are reflective of material creation, except within the Welsh Miners and Scott's Run subseries. These dates, listed in folder titles, reflect the content and were determined by the donor when he created and titled these files. Please be aware that the dates may not be accurate for every item within the folder/box but rather reflect the general timeframe of the subject matter.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eBorn digital and audiovisual materials exist within the collection as floppy disks, CDs, DVDs, VHS tapes, and cassettes.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eAddendum of 2024 May 29 includes similar materials but reflects Dr. Lewis's more recent work. There are materials relating to his work as a professor and faculty member, the development of two books and other publications, and documentation of his career. Common formats include lecture notes, facsimiles of research sources, and correspondence; digital materials exist within the addendum as floppy disks, zip disks, and CDs.\u003c/p\u003e","\u003cp\u003eThis series includes materials used and created by Dr. Lewis in relation to his work as a professor at the University of Delaware and West Virginia University (WVU). Common materials include course rosters and syllabi, grading information, and graduate student correspondence and publications. Much of this series is comprised of Lewis's work as an advisor to PhD students at WVU. Additional teaching-related records are located in Series 4, boxes 22, 23, and 29.\u003c/p\u003e","\u003cp\u003eTeaching Materials include administrative and course content-related documents from Dr. Lewis's time as an instructor. Course rosters, examination papers, and assigned reading materials are included. Recommendation letters and graduate student committee papers are present. Digital materials like syllabi and exams exist within this subseries as well.\u003c/p\u003e","\u003cp\u003eGraduate Student Files include academic papers, presentations, correspondence, job recommendations, and other materials that Dr. Lewis authored or reviewed as a faculty advisor to graduate students at West Virginia University. Digital materials from this subseries include recommendations, comprehensive exams, and graduate committee details.\u003c/p\u003e","\u003cp\u003eThis series includes research materials, book and article reviews, papers written by Dr. Lewis, and research sources assigned in Lewis's classes. Many of his own publications and presentations are included, along with related correspondence with colleagues. Additional research and scholarly activity records are located in Series 4, boxes 24-28 and 30.\u003c/p\u003e","\u003cp\u003eThis subseries includes articles that Lewis has authored, referenced for his research, or assigned his students to read, most of which focus on American history. Articles in boxes 10-11 were all written by Dr. Lewis; articles in boxes 1-6 were written by others and utilized by Lewis in research or teaching. Digital materials in this subseries include articles used for research and other supporting information for Lewis's articles.\u003c/p\u003e","\u003cp\u003eThis subseries includes facsimiles of texts used by Lewis in his research, articles written about his published books, materials from events where Lewis presented information about his books, and publishing correspondence. It does not include any copies of Lewis's own books.\u003c/p\u003e","\u003cp\u003ePapers and Presentations include publications and lectures delivered by Dr. Lewis at conferences and symposiums. In addition to the materials Lewis presented at these events, this subseries includes correspondence with event organizers and other presenters.\u003c/p\u003e","\u003cp\u003eThis subseries includes book reviews that Dr. Lewis wrote for various scholarly journals and related correspondence, along with advance copies of books sent to him for review. The books he reviewed focus primarily on Appalachian history and Black history. Digital materials from this subseries include advance copies of material for review.\u003c/p\u003e","\u003cp\u003eThese materials relate to a report for the Appalachian Regional Commission (ARC) written by Dr. Lewis and Dwight Billings of the University of Kentucky. It includes correspondence and notes taken during the creation of the report, manuscript review comments, and a copy of the report itself, \u003ctitle\u003e\u003cpart\u003eAppalachian Cultural and Economic Development\u003c/part\u003e\u003c/title\u003e, published by the University of Kentucky Press.\u003c/p\u003e","\u003cp\u003eThis subseries consists of Dr. Lewis's work on Scott's Run, a mining community in West Virginia that experienced a large coal boom in the late 19th and early 20th centuries. It includes copies of scholarly publications on Scott's Run, commemorative articles, newspaper clippings, facsimiles of primary source materials, course assignments from Dr. Lewis's classes on mining communities, and oral history interviews. Many of the oral histories are in A/V format, recorded on cassette and VHS tapes. Digital materials include interview transcriptions, researched data about Scott's Run, and more. The dates for this subseries reflect the content – not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThese are research materials utilized and created by Dr. Lewis in his study of Welsh immigrants working in the U.S. mining industry and the broader history of British Isles emigration in the late 19th and early 20th centuries. Scholarly articles, Dr. Lewis's notes, and copies of primary source documents like census data and mining reports are included in this subseries. Some additional research files exist as digital materials. The dates for this subseries reflect the content– not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThese materials relate to the development of Dr. Lewis's 2013 book on WVU, \u003ctitle\u003e\u003cpart\u003eAspiring to Greatness: West Virginia University Since WWII\u003c/part\u003e\u003c/title\u003e. Multiple facets of WVU history are represented in Lewis's research materials, comprised of university administrative documents, local newspaper clippings, recorded interviews, and more. Interviews and event recordings are stored as CDs, DVDs, other A/V formats located in box 19.\u003c/p\u003e","\u003cp\u003eThis subseries consists of research notes compiled by Dr. Lewis  for the development of his 2017 book, \u003ctitle\u003e\u003cpart\u003eThe Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for  West Virginia's Timber Frontier\u003c/part\u003e\u003c/title\u003e. It includes biographical information and statistical profiles about industry leaders and corporations in the 19th and 20th centuries. These materials were previously a separate collection – A\u0026amp;M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia – but have since been incorporated as a part of A\u0026amp;M 3882 at the donor's request.\u003c/p\u003e","\u003cp\u003eThis series represents Dr. Lewis's service to his profession, membership in professional historical organizations, his personal records of career accomplishments and his various positions held across institutions, and the correspondence he retained over the duration of his career. Additional professional service and career records are located in Series 4, box 26, folder 4.\u003c/p\u003e","\u003cp\u003eThese materials consist of weekly academic planners kept by Dr. Lewis, in which he recorded personal and professional events. Box 5 holds 12 planners from 1994-2004, and box 21 holds 9 planners from 2004-2012.\u003c/p\u003e","\u003cp\u003eThese are materials relating to Dr. Lewis's work outside the university setting, including as an editorial board member to scholarly journals, as an historical consultant, and as a member of historical associations. Materials include correspondence with Lewis's colleagues in these settings, published statements by Lewis about the organizations he belonged to, and article evaluations.\u003c/p\u003e","\u003cp\u003eThese files include information related to Dr. Lewis's various appointments, promotions, fellowships, and sabbaticals throughout his career. They are largely comprised of university administrative files and related correspondence. Additional items like Lewis's curriculum vitae and faculty evaluations exist as digital materials.\u003c/p\u003e","\u003cp\u003eThese materials include professional and personal correspondence between Dr. Lewis and other university personnel, fellow members of historical associations, and friends. Common formats include handwritten notes, greeting cards, typed memos, and printed email exchanges.\u003c/p\u003e","\u003cp\u003eThis series is an addendum received from Dr. Lewis in 2024. It includes assorted teaching materials from Dr. Lewis's time as a professor at West Virginia University, like course syllabi and assigned reading materials. There are also research files and similar materials related the development of Lewis's various scholarly publications, including two books: \u003ctitle\u003e\u003cpart\u003eThe Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier\u003c/part\u003e\u003c/title\u003e (2016) and \u003ctitle\u003e\u003cpart\u003eIron Artisans: Welsh Immigrants and the American Age of Steel\u003c/part\u003e\u003c/title\u003e (2023). Materials compiled in the development of these texts include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. There are also a few files related to Lewis's career broadly, like his curriculum vitae and faculty evaluations. Born digital materials exist within the series as floppy disks, zip disks and CDs with files related to Lewis's work as a faculty member at WVU, the development of his scholarly publications, and his career documentation. The dates for the Teaching and Research and Scholarly Activities subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eIncludes assorted teaching materials from classes Dr. Lewis taught at WVU on United States, West Virginian, and Appalachian cultural and industrial history, with topics including mining accidents, such as the Monongah mine disaster. These teaching materials are comprised of lecture notes, syllabi, and assigned articles/texts. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The classes included in this addendum were largely taught in the late 1990s and early 2000s. Digital materials from this subseries consist of lecture notes, exams, and syllabi. Additional teaching records are located in Series 1 of this collection.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eIncludes materials related the development of articles, reviews, and two books by Dr. Lewis: \u003ctitle\u003e\u003cpart\u003eThe Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier\u003c/part\u003e\u003c/title\u003e (2016) and \u003ctitle\u003e\u003cpart\u003eIron Artisans: Welsh Immigrants and the American Age of Steel\u003c/part\u003e\u003c/title\u003e (2023). Materials compiled in the development of Lewis's books include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The compilation of these materials largely took place during the 2010s and early 2020s. Digital materials from this subseries consist of conference presentations and research files. Additional research materials are located in Series 2 of this collection. \u003c/p\u003e","\u003cp\u003eIncludes early book proposal. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThis subseries consists only of digital materials that include faculty evaluations, Lewis's Curriculum Vitae, and other professional records. Additional career materials are located in Series 3 of this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains materials of various formats used and created by historian Dr. Ronald Lewis throughout his career. There are records and course materials from classes taught by Dr. Lewis at the University of Delaware and, primarily, at West Virginia University (WVU). It includes other documents relating to his work as a faculty advisor to graduate students in WVU's history department. There is extensive documentation of his research, most of which was done on Appalachian history and West Virginia coal mining, including articles he has written, facsimiles of primary and secondary sources used in his research, and A/V materials like oral histories. Records generated from Dr. Lewis's scholarly activities are included, such as book and article reviews and conference presentations. There are also materials relating to his other professional pursuits, such as his membership in historical organizations and correspondence with other professionals in the field. This collection provides a broad overview of the work of an historian in an academic institution. The dates provided are reflective of material creation, except within the Welsh Miners and Scott's Run subseries. These dates, listed in folder titles, reflect the content and were determined by the donor when he created and titled these files. Please be aware that the dates may not be accurate for every item within the folder/box but rather reflect the general timeframe of the subject matter. Born digital and audiovisual materials exist within the collection as floppy disks, CDs, DVDs, VHS tapes, and cassettes. Addendum of 2024 May 29 includes similar materials but reflects Dr. Lewis's more recent work. There are materials relating to his work as a professor and faculty member, the development of two books and other publications, and documentation of his career. Common formats include lecture notes, facsimiles of research sources, and correspondence; digital materials exist within the addendum as floppy disks, zip disks, and CDs.","This series includes materials used and created by Dr. Lewis in relation to his work as a professor at the University of Delaware and West Virginia University (WVU). Common materials include course rosters and syllabi, grading information, and graduate student correspondence and publications. Much of this series is comprised of Lewis's work as an advisor to PhD students at WVU. Additional teaching-related records are located in Series 4, boxes 22, 23, and 29.","Teaching Materials include administrative and course content-related documents from Dr. Lewis's time as an instructor. Course rosters, examination papers, and assigned reading materials are included. Recommendation letters and graduate student committee papers are present. Digital materials like syllabi and exams exist within this subseries as well.","Graduate Student Files include academic papers, presentations, correspondence, job recommendations, and other materials that Dr. Lewis authored or reviewed as a faculty advisor to graduate students at West Virginia University. Digital materials from this subseries include recommendations, comprehensive exams, and graduate committee details.","This series includes research materials, book and article reviews, papers written by Dr. Lewis, and research sources assigned in Lewis's classes. Many of his own publications and presentations are included, along with related correspondence with colleagues. Additional research and scholarly activity records are located in Series 4, boxes 24-28 and 30.","This subseries includes articles that Lewis has authored, referenced for his research, or assigned his students to read, most of which focus on American history. Articles in boxes 10-11 were all written by Dr. Lewis; articles in boxes 1-6 were written by others and utilized by Lewis in research or teaching. Digital materials in this subseries include articles used for research and other supporting information for Lewis's articles.","This subseries includes facsimiles of texts used by Lewis in his research, articles written about his published books, materials from events where Lewis presented information about his books, and publishing correspondence. It does not include any copies of Lewis's own books.","Papers and Presentations include publications and lectures delivered by Dr. Lewis at conferences and symposiums. In addition to the materials Lewis presented at these events, this subseries includes correspondence with event organizers and other presenters.","This subseries includes book reviews that Dr. Lewis wrote for various scholarly journals and related correspondence, along with advance copies of books sent to him for review. The books he reviewed focus primarily on Appalachian history and Black history. Digital materials from this subseries include advance copies of material for review.","These materials relate to a report for the Appalachian Regional Commission (ARC) written by Dr. Lewis and Dwight Billings of the University of Kentucky. It includes correspondence and notes taken during the creation of the report, manuscript review comments, and a copy of the report itself,  Appalachian Cultural and Economic Development , published by the University of Kentucky Press.","This subseries consists of Dr. Lewis's work on Scott's Run, a mining community in West Virginia that experienced a large coal boom in the late 19th and early 20th centuries. It includes copies of scholarly publications on Scott's Run, commemorative articles, newspaper clippings, facsimiles of primary source materials, course assignments from Dr. Lewis's classes on mining communities, and oral history interviews. Many of the oral histories are in A/V format, recorded on cassette and VHS tapes. Digital materials include interview transcriptions, researched data about Scott's Run, and more. The dates for this subseries reflect the content – not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","These are research materials utilized and created by Dr. Lewis in his study of Welsh immigrants working in the U.S. mining industry and the broader history of British Isles emigration in the late 19th and early 20th centuries. Scholarly articles, Dr. Lewis's notes, and copies of primary source documents like census data and mining reports are included in this subseries. Some additional research files exist as digital materials. The dates for this subseries reflect the content– not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","These materials relate to the development of Dr. Lewis's 2013 book on WVU,  Aspiring to Greatness: West Virginia University Since WWII . Multiple facets of WVU history are represented in Lewis's research materials, comprised of university administrative documents, local newspaper clippings, recorded interviews, and more. Interviews and event recordings are stored as CDs, DVDs, other A/V formats located in box 19.","This subseries consists of research notes compiled by Dr. Lewis  for the development of his 2017 book,  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for  West Virginia's Timber Frontier . It includes biographical information and statistical profiles about industry leaders and corporations in the 19th and 20th centuries. These materials were previously a separate collection – A\u0026M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia – but have since been incorporated as a part of A\u0026M 3882 at the donor's request.","This series represents Dr. Lewis's service to his profession, membership in professional historical organizations, his personal records of career accomplishments and his various positions held across institutions, and the correspondence he retained over the duration of his career. Additional professional service and career records are located in Series 4, box 26, folder 4.","These materials consist of weekly academic planners kept by Dr. Lewis, in which he recorded personal and professional events. Box 5 holds 12 planners from 1994-2004, and box 21 holds 9 planners from 2004-2012.","These are materials relating to Dr. Lewis's work outside the university setting, including as an editorial board member to scholarly journals, as an historical consultant, and as a member of historical associations. Materials include correspondence with Lewis's colleagues in these settings, published statements by Lewis about the organizations he belonged to, and article evaluations.","These files include information related to Dr. Lewis's various appointments, promotions, fellowships, and sabbaticals throughout his career. They are largely comprised of university administrative files and related correspondence. Additional items like Lewis's curriculum vitae and faculty evaluations exist as digital materials.","These materials include professional and personal correspondence between Dr. Lewis and other university personnel, fellow members of historical associations, and friends. Common formats include handwritten notes, greeting cards, typed memos, and printed email exchanges.","This series is an addendum received from Dr. Lewis in 2024. It includes assorted teaching materials from Dr. Lewis's time as a professor at West Virginia University, like course syllabi and assigned reading materials. There are also research files and similar materials related the development of Lewis's various scholarly publications, including two books:  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier  (2016) and  Iron Artisans: Welsh Immigrants and the American Age of Steel  (2023). Materials compiled in the development of these texts include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. There are also a few files related to Lewis's career broadly, like his curriculum vitae and faculty evaluations. Born digital materials exist within the series as floppy disks, zip disks and CDs with files related to Lewis's work as a faculty member at WVU, the development of his scholarly publications, and his career documentation. The dates for the Teaching and Research and Scholarly Activities subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","Includes assorted teaching materials from classes Dr. Lewis taught at WVU on United States, West Virginian, and Appalachian cultural and industrial history, with topics including mining accidents, such as the Monongah mine disaster. These teaching materials are comprised of lecture notes, syllabi, and assigned articles/texts. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The classes included in this addendum were largely taught in the late 1990s and early 2000s. Digital materials from this subseries consist of lecture notes, exams, and syllabi. Additional teaching records are located in Series 1 of this collection.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","Includes materials related the development of articles, reviews, and two books by Dr. Lewis:  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier  (2016) and  Iron Artisans: Welsh Immigrants and the American Age of Steel  (2023). Materials compiled in the development of Lewis's books include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The compilation of these materials largely took place during the 2010s and early 2020s. Digital materials from this subseries consist of conference presentations and research files. Additional research materials are located in Series 2 of this collection. ","Includes early book proposal. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","This subseries consists only of digital materials that include faculty evaluations, Lewis's Curriculum Vitae, and other professional records. Additional career materials are located in Series 3 of this collection."],"separatedmaterial_html_tesm":["\u003cp\u003eA group of bound dissertations has been separated at the donor's request. They were written from 1990-2009 and focus on West Virginia-related historical subjects. Dr. Lewis served on the dissertaion committee for each. These items were passed on, to be made available in the WVRHC main stacks.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A group of bound dissertations has been separated at the donor's request. They were written from 1990-2009 and focus on West Virginia-related historical subjects. Dr. Lewis served on the dissertaion committee for each. These items were passed on, to be made available in the WVRHC main stacks."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f553a08ee4582b45b1194697df7d1763\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Lewis, Ronald L., 1940-"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Lewis, Ronald L., 1940-"],"persname_ssim":["Lewis, Ronald L., 1940-"],"language_ssim":["English \n.    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