{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1915\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=6","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1915\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=5","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1915\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=7","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1915\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=420"},"meta":{"pages":{"current_page":6,"next_page":7,"prev_page":5,"total_pages":420,"limit_value":10,"offset_value":50,"total_count":4198,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_viu00086_c04_c18","type":"Item","attributes":{"title":"Acceptance of poem by \n Sara Teasdalefrom \n The Bellmanwith type listing \"Spring in\n War-Time\", 1915","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_viu00086_c04_c18#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00086_c04_c18","ref_ssm":["viu_viu00086_c04_c18"],"id":"viu_viu00086_c04_c18","ead_ssi":"viu_viu00086","_root_":"viu_viu00086","_nest_parent_":"viu_viu00086_c04","parent_ssi":"viu_viu00086_c04","parent_ssim":["Sara Teasdale Collection \n 1888-1934","MISCELLANEOUS"],"parent_ids_ssim":["viu_viu00086","viu_viu00086_c04"],"title_filing_ssi":"Acceptance of poem by \n Sara Teasdalefrom \n The Bellmanwith type listing \"Spring in\n War-Time\"","title_ssm":["Acceptance of poem by \n Sara Teasdalefrom \n The Bellmanwith type listing \"Spring in\n War-Time\""],"title_tesim":["Acceptance of poem by \n Sara Teasdalefrom \n The Bellmanwith type listing \"Spring in\n War-Time\""],"normalized_title_ssm":["Acceptance of poem by \n Sara Teasdalefrom \n The Bellmanwith type listing \"Spring in\n War-Time\", 1915"],"text":["Acceptance of poem by \n Sara Teasdalefrom \n The Bellmanwith type listing \"Spring in\n War-Time\", 1915","Sara Teasdale Collection \n 1888-1934","MISCELLANEOUS","Box Box 9","Sara Teasdale"],"parent_unittitles_ssm":["Sara Teasdale Collection \n 1888-1934","MISCELLANEOUS"],"parent_unittitles_tesim":["Sara Teasdale Collection \n 1888-1934","MISCELLANEOUS"],"normalized_date_ssm":["1915"],"unitdate_other_ssim":["1915 Apr 6"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":697,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Sara Teasdale Collection \n 1888-1934"],"containers_ssim":["Box Box 9"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"persname_ssim":["Sara Teasdale"],"names_ssim":["Sara Teasdale"],"date_range_isim":[1915],"_nest_path_":"/components#3/components#17","timestamp":"2026-06-23T07:31:56.027Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00086","ead_ssi":"viu_viu00086","_root_":"viu_viu00086","_nest_parent_":"viu_viu00086","ead_source_url_ssi":"data/uva-sc/viu00086.xml","title_ssm":["Sara Teasdale Collection \n 1888-1934"],"title_tesim":["Sara Teasdale Collection \n 1888-1934"],"normalized_title_ssm":["Sara Teasdale Collection \n 1888-1934"],"text":["Sara Teasdale Collection \n 1888-1934","8170-d","ca. 700 items","Collection is open to research","Funded in part by a grant from the National Endowment\n for the Humanities","sending thanks for her sympathy and inviting her\n to visit","revealing his delight in a poem she sent and\n discussing her style","re looking over proofs to her volume of poetry [ \n Sonnets to Duse and Other Poems]","mentioning her \n E[leanora] D[use]sonnet being\n accepted by \n Poet Lorefor publication","re horseback riding and critiquing a poem,\n \"Vengeance\" by Colby","mentioning the July \n Potter's Wheel","sending her a review of \n Sara Teasdale's volume of poetry\n Sonnets to Duse...","praising her book \n Sonnets to Duse...","extending his thanks for the copy of her book \n Sonnets to Duse...and hoping for its success","thanking her for the copy of her book \n Sonnets to Duse..., praising it, and wishing for its\n success","revealing her pride of her childhood friend ( \n Sara Teasdale) after seeing her\n \"Guenevere\" in \n The Digest","expressing his pleasure in presenting her poem\n [\"Guenevere\"] to the world, praising her book of\n verses, \n Sonnets to Duse..., and encouraging her to continue writing\n verses in her careful fashion","praising her poem [\"Guenevere\"]","thanking her for the copy of her book \n Sonnets to Duse...praising her effort, and mentioning seeing\n actress \n Olga Nethersole.","thanking her for the autograph copy of her book \n Sonnets to Duse..., writing about getting settled in their new\n home","asking for a day to visit, expressing her pleasure\n in her ( \n Sara Teasdale's ) book \n Sonnets to Duse..., with ALS from \n Mary D. Harristo \n Sara Teasdale, expressing her\n pride in Teasdale and her book","writing about the beauty of her poems and that he\n has written a review of her book [ \n Sonnets to Duse...]","praising her book [ \n Sonnets to Duse...]","sending his review of her book [ \n Sonnets to Duse...] from \n The Saturday Review","concerning her delight in receiving a letter from \n Arthur Symons, and saying that\n Symons is \"not only one of the greatest living\n critics, but...a poet of true feeling...\"","thanking her for the copy of her book [ \n Sonnets to Duse...], and discussing \n Arthur Symons","enclosing the \"notice by \n Arthur Symonsfrom \n Saturday Review\"","thanking her for the presentation copy of her book\n [Sonnets to Duse...] and praising her poems and\n sonnets","thanking her for the copy of her book [ \n Sonnets to Duse...]","thanking her for the copy of her book [ \n Sonnets to Duse...], and encouraging her to pursue her gift of\n writing verse","expressing appreciation of the copy of her book [ \n Sonnets to Duse...]","thanking her for the copy of her book [ \n Sonnets to Duse...] and wanting to see her","stating that \n Eleanora Dusewould be returning\n to her home at 54 Via Robbia soon, sent to \n Sara Teasdaleby \n Jerome A. Quay","explaining the content of the November 19, 1907\n letter re \n Eleanora Duse","writing that he would be glad to use \"The Heart's\n Hearth\" in the Christmas issue","thanking her for the copy of her book [ \n Sonnets to Duse...] and expressing his and his wife's\n enjoyment of her poetry","returning her poems except for \"Dusk\" which he\n hopes will go into the January issue","acknowledging receipt of her letter and copy of\n her book [ \n Sonnets to Duse...] to be forwarded to \n Eleanora Duse","wishing to purchase her book of verse [ \n Sonnets to Duse...]as a Christmas gift","praising her book of verse, \n Sonnets to Duse..., and including a poem","sending a copy of her \n Sonnets to Duse...for her to autograph and saying that \"Dusk\"\n will be in the February issue","thanking her for the book, [ \n Sonnets to Duse...], commenting on her gift for writing\n poetry, and wanting her parents to visit on their way\n from \n Philadelphia, Pennsylvania","thanking her for the book [ \n Sonnets to Duse...]","thanking her for the book [ \n Sonnets to Duse...], praising the sonnets, and wishing to talk\n with her","praising her book [ \n Sonnets to Duse...] and relating personally to some of the\n poems, and discussing the relationship between a work\n and its artist and how they are perceived by\n others","returning her poem unused due to lack of space","re the birth of their baby, \n Barbara George","expressing appreciation for the book of verses [ \n Sonnets to Duse...] sent to \n Mary F. Raphael, who is not\n well, and saying that Mrs. Raphael has sent three\n autographed photographs of her pictures to \n Sara Teasdale","commenting favorably on her book of verse [ \n Sonnets to Duse...], which she borrowed from \n Fred R. Macauley, referring to \n Sara Teasdaleas having \"the\n unmistakable lyric touch,\" comparing her own verse to\n Sara Teasdale's , and wanting to\n talk with her and get to know her","expressing her pleasure in \n Sara Teasdale's poem,\n \"Guenevere,\" writing that their interpretations of\n Tennyson's masterpiece are very similar and that she\n will send a photograph of her picture of the work\n which illustrates this","sending congratulations for their baby, \n Barbara George","thanking her for the copy of her book [ \n Sonnets to Duse...]","praising her book of verse, \n Sonnets to Duse..., and complimenting her writing","acknowledging her praise for his translation of\n the odes and fragments of \n Sapphoand writing that he would\n be glad to send her a copy, and referring to one of\n her poems as being of \"rare beauty of thought and\n expression\"","expressing enjoyment of her book [ \n Sonnets to Duse...] and congratulating her on its success","thanking her for her book of poems [ \n Sonnets to Duse...] and expressing his appreciation of the\n dedicatory triolet to himself, giving high praise to\n her sonnets and comparing her admirably to \n Christina Rossetti, critiquing\n some of the poems, and giving her the original draft\n of \"The Sleep Wind\"","asking for \n Sara Teasdale's address in order\n to write for permission to set her \"The Heart's\n Hearth\" to music","acknowledging receipt of her poem dedicated to \n John Keatsfor the anniversary of\n his death","enclosing a March 23rd letter from \n Adelia C. Arensand relaying\n praises for her Sonnet on \n John Keatsfrom \n Elizabeth Waddelland \n R.E. Lee Gibson","hoping she is well and commenting on her\n treatments","requesting a paragraph referring to her poem,\n \"Love in Autumn\" and information about herself, with\n a page from his magazine","writing a note about her lines on \n John Keatson a postcard showing\n where Keats died which was sent to him from \n Rome, Italy","sending along an article from \n The Evening Postabout new books of verse which mentions \n Sara Teasdale's sonnet to \n Sappho","acknowledging receipt of her remembrance and\n wishing to hear her read some of her poems","thanking her for her letter and copy of her book, \n Sonnets to Duse..., saying she had already read her poems\n while at the home of \n Arthur Symonsalong with \n Julia Marlowe, and mentioning\n some of her favorite poems by \n Sara Teasdale","re \n Sara Teasdale's impending\n arrival in \n Tucson","advising her on having \n Helen of Troypublished","thanking her for the Christmas gift and saying she\n is going home next week","hoping she had a restful journey home","thanking him for his kindness and sending love to \n Marion Cummings Stanley","writing \"passed Liberal all right\"","acknowledging receipt of a package","accepting \"Helen\" for publication","thanking her for the copy of her book, \n Sonnets to Duse..., and praising it as well as her gift of\n writing","chiding her for not writing","relating that a Mr. \n Sidney Faneof London, England\n has asked permission to set her poem \"Buried Love\" to\n music","accepting her poems \"November\" and \"Vox Amoris\"\n for publication","asking her to read a book of poems and write a\n criticism of it","commenting on the death of \n Algernon Charles Swinburne","telling her that her poems are beautiful","writing that her poetry sings; commenting on her\n literary gift, her lyrical quality, and \"the value of\n the songs,\"; and, discussing the \"necessity of\n deciding between the artificial-imagination and this\n other thing of simplicity in beauty-simplicity and\n the heart.\" There is much literary thought and\n discussion","writing about having his songs published,\n including one with the words to \n Sara Teasdale's poem, \"Buried\n Love\"","re the beauty of spring","accepting her poem, \"The Prayer,\" for\n publicaton","showing an interest in her poem, \"On the Death of\n Swinburne\" and wishing to reproduce something of hers\n in one of their issues","sending a copy of one of his new songs, \"A Queen\n of the Long Age\"","discussing \n Witter Bynner's favorable\n comments on her poetry and his being with publishers \n Small, Maynard \u0026 Company,\n mentioning \n John Stapleton Cowley's praise\n of \"Guenevere,\" and \n Zoe Aikin's new book","thanking her for her book of poems [ \n Sonnets to Duse...] and naming his favorites","describing the peacefulness of \n Charlevoixand her visit with \n Sara Teasdale, and asking him to\n send some money","re boating","mentioning a boat trip around \n Traverse Baywith \n Mamie Teasdale Wheless, her\n delight with \n Charlevoixand \n Sara Teasdaleand her family, and\n wanting to discuss plans with him","discussing a trip around \n Pine Lakeon a \"miniature ferry,\"\n plans for leaving there and returning to \n Tucson, Arizona, mentioning \n Sara Teasdale's and her poetry\n writing, receiving \"Mr. Sappho's\" \n [John Myers O'Hara]new book, \n Songs of the Open","re personal matters and plans for leaving","writing about \n Marion Cummings Stanley's visit,\n on a postcard with a view of a river, \"The Old\n Channel,\" in \n Charlevoix","sending a postcard with another view of a river,\n \"Old River,\" in \n Charlevoix","writing personal news","thanking her for the copy of her book [ \n Sonnets to Duse...] and praising her work","praising her book, \n Sonnets to Duse..., commenting on \"Japanese Incense\" as being\n \"as fragrant in words as is the perfume it speaks,\"\n and saying that her love-songs are as lovely as those\n of \n Sappho","sending pictures of the buildings in which she is\n spending time, and reminiscing about time spent with \n Marion Cummings Stanley","accepting her poem, \"To Cleis,\" for publicaton","thanking her for the gift","sending a Christmas greeting","thanking him for the candy","sending his appreciation of her gift of the book [\n Sonnets to Duse...]","requesting the return of her short monologue,\n \"Sappho,\" with ANS from the Editor saying that they\n are using it in the February issue","thinking of her in this \"loveliest, quaintest\n town\"","thanking him for the gift of \"the dear little\n Japanese girl feeding the fawns\"","thanking her for \"the interesting sixteenth\n century gentleman with a telephone receiver\"","receiving the baby picutres of \n Barbara Georgeand the newborn,\n and asking that the \n Potter's Wheelbe sent to \n Lillie Rose Ernstat \n Hosmer Hall","requesting permission to set to music her poem,\n \"Pierrot,\" and giving some information about herself\n including being a student of \n Leopold Godowsky","requesting permission to set to music her poem,\n \"Daisy Time\"","requesting permission to set to music her poem,\n \"Pierrot\"","enclosing a letter from someone in \n Aberdeen, Scotlandrequesting\n permission to use one of her poems","wishing to obtain \n Sara Teasdale's consent for\n publishing a song with her poem, \"Daisy Time,\" set to\n music","discussing \"Miss French's\" work in poetry, gladly\n accepting \n Sara Teasdale's praise of his\n own work, and mentioning \n John Myers O'Haraand his\n \"Sapphic poems\"","requesting permission to publish as a song her\n poem \"Daisy Time\" which she has set to music","re using her poems","sending a check in payment for two of her poems to\n be published in \n Putnam's Monthly","concerning her poem, \"Erinna,\" which is to appear\n in their second issue, and mentioning as among her\n admirers, \n Louis Untermeyer, \n Mitchell Kennerley, \n Michael Monahan, and \n Richard Le Galliene","concerning the publication of her volume of poems,\n their undertaking the publishing of four or five\n volumes of verse as well as the second book of \"The\n Younger Choir,\" and companies wanting a guarantee of\n sales when publishing poetry","offering her a publishing proposition for her\n volume of verse specifying that she would bear the\n entire cost of production","accepting her poem, \"The Wind,\" for\n publication","requesting permission to set to music her poem,\n \"Daisy Time\"","thanking her for the lace jabot, describing at\n great length the Potter party, and mentioning each of\n the \n Potters","according her the right to make further use of her\n verse, \"Song,\" published by the magazine last July in\n her book or in a musical setting, and accepting her\n poem, \"The Wind,\" for publication","thanking her for her letter and volume, \n Sonnets to Duse...","returning the \"Young Choir\" with his signature","concerning an evening of poetry [a meeting of the \n Poetry Society of America]","giving his weekday schedule","wanting to meet her at the next meeting and\n commenting that Sara Teasdale's \"Helen,\" read by\n Witter Bynner, was well accepted","giving his weekday schedule","writing that he has set to music two of her poems,\n \"Buried Love\" and \"Pierrot\"","finding her quatrain \"At Night\" to be pure and\n true","thanking her for the book [ \n Sonnets to Duse...], and saying it was both a pleasure to read\n it and to meet her, and commenting that \"poets are\n the most charming people on earth\"","thanking her for giving him permission to use her\n poems, \"Daisy Time\" and \"Song\" as musical settings,\n and asking permission to use \"Twilight\"","thanking him for his note about a photograph of\n herself she had sent","calling her \"On the Tower\" a magnificent piece of\n work and printing it in the August issue","requesting permission to submit for publication a\n musical setting of her poem, \"The Prayer\"","thanking her for her courtesy and for the pleasure\n her poems give her","acknowledging receipt of her lyrics, and asking\n her charge for using them","giving high praise to her work in the book of\n poems [ \n Helen of Troy and Other Poems], and wanting to write a nice review for \n The Hesperian","praising her book of poems [ \n Helen of Troy...], especially the love songs, and wanting to\n send her a copy of his selected \n Poems","thanking her for the gift of the charming book [ \n Helen of Troy...]","commenting on her book of poems, \n Helen of Troy...","thanking her for the copy of \n Helen of Troy...and wishing her success","thanking her for the gift, [ \n Helen of Troy...], and planning to read the verses with her\n husband on their wedding trip","thanking her for the volume, [ \n Helen of Troy...], and commenting on its \"lyric\n splendor\"","thanking her for the book, [ \n Helen of Troy...], saying that he has written a review of\n her book for \n The Mirror, and commenting that \"On the Tower\" us\n \"dramatic promise as well as fine poetry\"","thanking her for the copy of \n Helen of Troy..., and sending in return a copy of his \n Poems","calling the verses in her book, [ \n Helen of Troy...] \"dear and familiar,\" showing pride in the\n dedication, saying that she was glad the book arrived\n after her spell of illness and melancholy and that\n she is looking forward to better health and the\n success of her own book","thanking her for the book \n Helen of Troy..., and promising to copy some verses for\n her","referring to her new book, \n Helen to Troy..., as a \"perfect delight,\" and thanking her\n for the copy","commenting that \n Orrick Johnshas written a fine\n review of \n Helen of Troy...","thanking her for the volume of \n Helen of Troy..., and mentioning the lyrics she especially\n liked","thanking her for the gift of her book, \n Helen of Troy..., and commenting that the love-songs are her\n favorite and that they \"have that artlessness that\n signifies the mastery of art\"","thanking her for sending the volume of verse, \n Helen of Troy..., and indicating that it has already become\n a family treasure","thanking her for the book, \n Helen of Troy..., and mentioning his boarders' reaction to\n the volume","thanking her for the gift of her poems, \n Helen of Troy...","requesting permission to set to music her poem,\n \"Twilight,\" with ANS from her mother, \n Mary Elizabeth Willard Teasdale,\n on back","admiring her \"powers \u0026 artistic\n discrimination,\" commenting on his own verse, \"The\n Poet,\" which \n Sara Teasdalehad praised,\n sending her \"a little burlesque volume,\" \n The Younger Quire, saying she will like the review of her \n Helen of Troy..., and praising her work","expressing his enjoyment of her poems, extending\n congratulations on her book, \n Helen of Troy..., commenting on \n Charles Hanson Towne's splendid\n work, and saying that his own \"sense of rhythm is so\n lyrical in style...\"","requesting some biographical information for his\n upcoming article on poets","praising her book of verse, \n Helen of Troy..., discussing a trip to \n Europeand plans for a future\n trip abroad, and mentioning a meeting of the \n Poetry Society of Americawith a\n discussion of the Irish plays and invluding\n interesting persons such as \n Henry Van Dykeand \n Curtis Hidden Page","expressing his appreciation of the gift of her\n book, \n Helen of Troy..., and sending a token in return","giving high praise to her book of verse, \n Helen of Troy..., calling \"Helen of Troy\" and \"On the Tower\"\n \"postive triumphs,\" critiquing several of the poems,\n comparing her favorably to \n Elizabeth Barrett Browningand \n Christina Rossetti, and writing\n a French translation of \"The Pagan End\"","thanking her for the volume of her poems, \n Helen of Troy..., calling her \"a real poet,\" and saying that\n it will be a delightful privilege to read her new\n poems","requesting permission to publish his musical\n setting of her verse, \"Song,\" and asking to use the\n first line as the title","wishing to meet with her to discuss her book, \n Helen of Troy...","sending thanks for her book of verse, \n Helen of Troy...","reminiscing about a Thanksgiving dinner with \n Marion Cummings Stanleyand Sara,\n writing about Marion's despair over the illness of\n her mother, and expressing his delight in reading her\n book, \n Helen of Troy...","thanking her for the book, \n Helen of Troy...and commenting on her great talent","re a column review of \n Sara Teasdale's book, \n Helen of Troy..., in the following day's paper","expressing her pleasure at receiving her book, \n Helen of Troy..., and encouraging her to \"keep on\n singing-for all of us\"","reminiscing about her stay with him and \n Marion Cummings Stanley, and\n asking him to send a copy of her book (which she will\n supply), \n Helen of Troy..., to \n Richard LeGallienneof \n Harper's Magazine, under his own name","drawing her attention to the notice of her book, \n Helen of Troy..., in the Sunday \n New York Times","looking forward to reading her volume of verse, \n Helen of Troy..., and hoping that their reviewer will\n mention it","enclosing some clippings for \n Marion Cummings Stanley,\n planning to mail her book, \n Helen of Troy...to him to send to \n Richard LeGallienne, and\n mentioning her poor health","commenting on the \n St. Louis Timesreview of her book, \n Helen of Troy..., and on their literary relationship","apologizing for the delay in sending copies of \n Helen of Troy...to periodicals she requested, and returning\n the reviews of her book","accepting \"The Lights of New York,\" \"Sea Longing,\"\n and \"Triolets\" for publication","accepting one of her sonnets for the next issue\n and revealing that \n Louis Untermeyerwill be\n reviewing her book, \n Helen of Troy..., in the current issue","praising the verses in her book, \n Helen of Troy...and commenting on their beauty","reminding her of her promise to present a copy of\n her book, \n Helen of Troy..., to him","sending holiday greetings and commenting \"how\n pleasing to turn to a comforting poem and find solace\n in a kindred spirit\"","requesting information from her for his \"calendar\n of the poets\"","concerning an enquiry on her first volume, \n Sonnets to Duse...","congratulating her after seeing the review of her\n book, Helen of Troy..., in the St. Louis Times,\n written on an announcement of new employment with\n Hornblower \u0026 Weeks","concerning the \n Poetry Society of America, and\n mentioning certain persons -- \n Cale Young Rice, \n Josephine Peabody, \n Percy Mackaye--planning to\n attend their annual dinner","writing in answer to her note about his review of \n Helen of Troy...and further critiquing the poetry as he\n would have if given more space in \n The International, and commenting that the attitude in the\n love lyrics is that of a woman","thanking her for the book of poems, \n Helen of Troy..., finding her lyrics \"poignant and\n pertinent,\" commenting on several of his personal\n favorites, and giving a brief comment on \n Rudyard Kipling","enclosing a letter from a friend praising \n Sara Teasdale's book of poems, \n Helen of Troy...and commenting on Teasdale's\n understanding","asking the basis for her poem, \"Sappho\"","expressing gratitude for the copy of her book, \n Helen of Troy..., and commenting on her gift of song","commenting that her \"The Poor House\" was the only\n poem read at the meeting of the \n Poetry Society of America","saying she has read her book, \n Helen of Troy..., and writing of having the same dream\n twice","requesting permission to set to music her poem\n \"When Love Comes Singing to his Heart\"","revealing himself as an admirer of her work and\n putting her in a class with himself","receiving her acceptance to the annual dinner of\n the \n Poetry Society of America","thanking her for her effort to go to the Guild and\n for allowing him to use her poems in a musical\n setting","thanking her for `The Book of Poems' and sending a\n circular of \n Home Progressalong with some literary notes","sending a review and thanking her for the charming\n poems","writing that he will run \n Marion Cummings Stanley's\n article about her poems, and congratulating her on\n her move to \n New York","commenting on his book of poems and preparing for\n her move to \n New York","praising her as the \"most gifted of the lyric\n girls,\" also signed by \n Richard LeGallienneand \n B. Russell Herts","appreciative of her book, \n [Helen of Troy...]","taking the liberty of sending his edition of\n poems, and expressing his delight in her two books \n [Sonnets to Duse...]and \n [Helen of Troy...]","sending her a copy of his book, commenting on her\n style and on his own, asking if she knows \n Zoe Akinsand writing that she\n sent him her book of poems, and discussing the beauty\n of \n Carmel","showing his gratitude for her book, \n [Helen of Troy...], and inviting her to tea","expressing her \"more poignant\" pleasure in \n Sara Teasdale's poems after\n meeting her","thanking her for her book \n [Helen of Troy...]and admiring its style, and giving a message\n from \n Edith Thomas","acknowledging receipt of her book \n [Helen of Troy...]and expressing his pleasure in reading it,\n and giving a critique of many of the poems","praising her poem, \"The Poorhouse\" and confirming\n luncheon plans","thanking her for the inscribed copy of her book \n [Helen of Troy...]","expressing her delight in seeing \n Sara Teasdale's name in so many\n magazines, and requesting to have tea with her","thanking her for her letter of appreciation for \n Louis Untermeyer's poem, and\n commenting on \n George Sylvester Viereck, \n B. Russell Herts, and \n Orrick Johns","commenting on her sweet letter and on \"the\n twilight of Poetry\"","finding her genius in the pages of \n Helen of Troy...","commenting on the review of her book, \n [Helen of Troy...], which he previously sent, written on a\n flyer about himself entitled \"A .... Journalistic\n Jubilee.. .\"","thanking her for the note and book of verse \n [Helen of Troy...]","referring to her poem, \"Four Winds,\" as \"deep,\n refreshing, and ... so cruelly true,\" and waiting to\n pick up a copy of her volume \n [Helen of Troy...]","writing that he will sign his name to the sonnet\n [as requested], intending to return \n The Younger Choirin person instead of by mail, inviting her\n and \n Dugald Stewart Walkerto visit\n one evening, and expecting Aline and Kenton to call\n on her the following day","requesting her to \"contribute an original\n complimentary poem in honor of Browning's centenary\"\n for an article in the \n Boston Transcripton May 4, honoring \n Robert Browning, and mentioning \n Carman Bliss, \n Edwin Markham, and \n Edwin Arlington Robinsonas being\n among those who have already consented","concerning a request through their \n Londonoffice from Messrs. \n Chappell \u0026 Co., Ltd., to\n publish her poem, \"Pierrot,\" with a musical\n setting","expressing his pleasure in receiving her book of\n poems \n [Helen of Troy...], and looking forward to meeting her one\n day","expressing his pleasure in reading her book \n [Helen of Troy...], and commenting on her writing\n improvement","looking forward to having her inscribe his copy of\n her book of poems","expressing her great pleasure at receiving her\n letter and book \n [Helen of Troy...], and discussing friendship","thanking her for her book of poems \n [Helen of Troy...], and returning her kindness with a copy of\n her own novel","wanting to exchange his book, \n The Iron Muse, autographed, for any one of her books, and\n explaining the concept of his book, enclosing two of\n his poems, \"Reno\" and \"The Star\"","acknowledging her kindness in sending the\n inscribed copy of her book \n [Helen of Troy...], and expressing his thoughts after meeting\n her, with enclosure on \"The Modern School\"","thanking her for a copy of her volume of poems, \n Helen of Troy..., and commenting on her clarity of poetic\n ideas","concerning the club's thirty-fourth meeting and\n enclosing a program","requesting \"new treasures\" for \"The Lyric Year,\"\n and referring to a poem in process addressed to \n Sara Teasdale","commenting on his verse coming slowly and on\n finishing his poem dedicated to \n Sara Teasdaleby a year or so,\n and writing to ask if she \"will not find the rare\n inspiration on the sea,\" in reference to her sailing\n to \n Europe","intending to extend the poetry contest and\n commenting on her wanting to sell her poem","requesting her to autograph a recently purchased\n book of her writings","requesting permission to use two of her poems in\n musical settings","requesting to use another one of her poems, \"Less\n than the Cloud to the Wind,\" in a musical setting,\n and sending the title notice about \"When Love Comes\n Singing\"","requesting permission to use her verse, \"At\n Night,\" in a musical setting","requesting biographical data, a photograph and\n review copies from her publishers for an upcoming\n series of special articles on American poets that he\n is going to undertake in his new capacity as head of\n a literary department in \n The Minneapolis Journal","following up on his last letter since he has not\n heard from her, and naming some contributors to the\n article","repeating a prior request","requesting permission to use her poem, \"Pierrot,\"\n in a musical setting","requesting permission to put \n Sara Teasdale's verse, \"Song,\"\n to music","thanking her for the letter and copy of \n Helen of Troy..., trying to express the sincerity of his\n motive in doing the project, and praising her blank\n verse poems","praising her volumes, \n Sonnets to Duse...and \n Helen of Troy..., and desiring to obtain a copy of the\n latter","acknowledging receipt of her songs and letters,\n praising the \"rapture and delicacy\" of her \"From the\n Sea,\" and mentioning the poetry contest","passing on a compliment from \n Ella Wheeler Willcoxand\n requesting a list of her books along with the\n publishers' names","asking for \n Jessie Belle Rittenhouse's\n address in order to express her interest in the \n Poetry Society of America, and\n praising \n Sara Teasdale's verses","accepting her poem, \"I Shall Not Care,\" for\n publication","expressing his pleasure in \n Mitchell Kennerley's acceptance\n of her poem for \"The Lyric Year\"","sending \"a few lines of opinion upon your\n verse...\"","concerning her request for his review of \n Helen of Troy...and his own editorship of \"The Poetry\n Journal\"","writing a brief opinion of \n [Helen of Troy...]","admiring her and thanking her for her kind\n thoughts","accepting \n Sara Teasdale's poem, \"Off\n Capri\"","commenting on the honesty of her poetry,\n mentioning her review of \n Helen of Troy..., and asking if she knows \n George Buchanan Fife","thanking her for the copy of \n Helen of Troy...","expressing her admiration for \n Sara Teasdale's poetry and her\n gratitude for Teasdale noticing her writing","accepting her Christmas poem and requesting a\n review of \n John Hall Wheelock's book of\n poetry","confessing to be a great admirer of her poetry and\n Helen of Troy..., thanking her for her note, and enclosing a\n circular of his new book, \n The Beloved Adventure","accepting \"Sappho\" for future publication","thanking him for the booklet","thanking her for the book and giving a glowing\n opinion of \n [Helen of Troy...]","accepting \"The Hour,\" with a slight change in the\n second stanza","returning her poem, \"The Hour,\" since she rejects\n the change and apologizing for a printing error","looking forward to meeting an old friend \n (Sara Teasdale)for the first\n time","thanking her for the volume, \n Helen of Troy...","reaching an agreement concerning her poem, \"The\n Hour\"","accepting her two poems, \"Song\" and \"Gifts\"","expressing his having the \"true pleasure of\n finding a heart-full of real love lyrics\" and\n praising her work","accepting two of her poems for \n The Poetry Journal, and mentioning a tete-a-tete with \n [Alfred] Noyes","commenting that her work is just what the \n Smart Setneeds","praising her as the best \"writer of delicate\n lyrics\" and commenting on some of her verse in \n Helen of Troy...","sending a tribute to her muse and expressing his\n enjoyment of her visit","praising her volume and apologizing for his delay\n in writing due to his busy schedule","keeping six of her poems for publication and\n suggesting a few changes","mentioning the \n [Alfred] Noyesaffair and \n [Jessie Belle] Rittenhouse,\n sending her copy of \n Helen of Troy...for an inscription and praising its\n \"Love-Songs,\" and discussing a reading by \n Alfred Noyesof \n The Forty Singing Seamen","admitting to be an admirer of her work and\n accepting \"Enough\" and \"Prayer\"","requesting permission to set \"Pierrot Plays in the\n Garden\" to music","commenting on her note and verse, \"A Forsaken\n Garden\" about the vandalism of \n Snows Garden","calling her poem, [\"A Forsaken Garden\"] \"pure\n music in plainest English!...\"","requesting permission to publish a song, \n Sara Teasdale's \"Pierrot,\" set\n to music","sending under separate cover \n The Creed of a Beggarand \n The Rules of the Road, and looking forward to \"a most profitable\n friendship\"","thanking her for the book of verse, \n Helen of Troy..., and praising her true touch","praising one of her narrative poems and hoping to\n be able to publish it","holding two of her poems, \"After Parting\" and\n \"February\"","discussing the poet's adaptation of his or her\n work to their wants","promising to take \n Sara Teasdale's book of poems to\n a nice quiet spot","thanking her for her book, \n [Helen of Troy...]","requesting a signed autograph copy of her poem, \"I\n Shall not Care\"","praising her \"The Carpenter's Son\" as a beautiful\n and impressive poem and accepting it for their\n Christmas issue","requesting an autograph quotation and\n signature","accepting \"Spring Night\" for publication and\n requesting biographical information","accepting \"Sea Spray\" at the usual rate","holding two of her poems, \"Spring Night\" and \"The\n Subway Station,\" with a discussion of his thoughts on\n the latter","accepting \"Heinkehr\"","requesting an autograph poem and signature to add\n to his \"collection of autographic documents\" in\n American literature","expressing her regrets at missing her visit and\n explaining their custom concerning payment when using\n a manuscript","praising her work","inviting her to read her poetry at the \n Monday Club's Poets Day, and\n mentioning \n Zoe Akins","discussing his \n Anthology of Magazine Verse, requesting her to obtain permission from \n Robert Bridgesto use her\n \"Sappho\" in the publication, and praising her\n verse","requesting a portrait and autograph copies of her\n poems \"Sappho\" and \"The Old Maid\" for promotional\n purposes","asking her consent to set her poem, \"Enough\" to\n music","hoping to see her at the Literature Committee\n meeting the following day, and mentioning \n John Hall Wheelock","discussing her poetry","requesting permission to set to music her poem,\n \"The Lines\"","expressing appreciation of hearing several of \n Sara Teasdale's poems","accepting her poems, \"The Bay of Naples,\"\n \"Alchemy,\" and \"Twilight,\" w/ANS from \n Margaret Elizabeth Willard\n Teasdaleon verso","requesting to use \"The Look\" in a musical\n setting","thanking her for the book, \n Helen of Troy...and praising her work","requesting permission to publish her poem, \"Song,\"\n with a musical setting","expressing concern over \n Marion Cummings Stanley","asking for an autographed volume of her work with\n a dedication for an exhibit","praising her ability to write about certain\n subjects with such ease","expressing pleasure in her \n Helen of Troy...and naming several of her favorites, and\n mentioning poets she likes, such as \n Emily Dickinson, \n Josephine Preston Peabody, \n John Banister Tabb, and \n Bliss Carman","accepting her poem, \"To the Mother Of A Poet\"","requesting permission to use her poem, \"The Look,\"\n with a musical setting in the annual book of Songs by\n Wellesley Students","requesting permission to set her poem, \"The Look,\"\n to music","requesting one or more of \n Sara Teasdale's poems to be\n included in her compilation books of poems and\n prayers, \"Sunlit Days\" and \"Starlit Nights\"","thanking her for permission to set her poem, \"The\n Look,\" to music and mentioning \n Eunice Tietjens","enclosing a check for use of her poem, \"At Night,\"\n in their July issue","requesting permission to use her poem, \"The Look,\"\n for a musical setting","praising and critiquing her \n Rivers to the Sea","asking for her \"hearty approval\" and help with\n their `House Party' honoring \n Missouriauthors and writers, and\n describing the city's and the library's plans for the\n affair","requesting \n Sara Teasdale's presence at a\n dinner in honor of \n Jessie Belle Rittenhouseas one\n of those represented in Rittenhouse's volume, \n The Little Book of Modern American\n Verse","asking who published \n Sonnets to Duseand \n Helen of Troy...and whether or not she has had published\n subsequent volumes","requesting permission to publish \"The Look,\" as a\n song","requesting permission to publish her poem, \"The\n Look,\" as a song, and explaining that she is\n seventeen and wishes to further her education as a\n pianist","requesting on behalf of the composer permission to\n publish her poem, \"The Look,\" with a musical\n setting","claiming that his daughter \n Barbara George's poems are\n charming, and giving news of her marriage to \n Ernst B. Filsingeron December\n 19","requesting some sentiment and autograph for his\n collection","accepting her poems \"Swan\" and \"Come\" for\n publication, and mentioning \"Dusk in War-Time,\"\n \"Morning,\" \"Leaves,\" and \"Bitterness\"","requesting her autograph for his collection of\n over two-hundred poets","accepting her poems \"Peace\" and \"The Lighted\n Window\" for publication, w/ANS at bottom","requesting her membership in their new\n organization","requesting permission to publish her poem \"The\n Look\" to a musical setting","requesting permission to publish her poem \"Spring\"\n with the understanding that they cannot pay","extending an invitation to her and her husband to\n see him and his class on April 1, and briefly\n discussing his plans for that day's class","requesting permission to publish \n Sara Teasdale's \"The River\" with\n music","requesting permission to publish a musical setting\n of her poem \"The Look\"","requesting permission to use three of her poems as\n lyrics for songs","accepting her poem \"The Cloud\" for publication","requesting permission to use several of her poems\n from \n Helen of Troy...for musical settings","thanking him for his generous praise, admiring his\n wife's poetry, and mentioning \n Louis Untermeyer","concerning an idea of selling an autographed\n collection of books of verse and about verse to raise\n money for \n The Poetry Journal, and mentioning \n Conrad Aiken, \n Temple Scott, and \n William Stanley Braithwaite","accepting her poem \"Dreams\" for publication","writing in appreciation of her charming note, and\n mentioning \n Theodosia (Garrison) Faulks","writing in appreciation of her kind note and\n enclosed lyrics, praising \"Night Song at Amalfi\"\n particularly, and wishing to compose songs from some\n of the poems whenever she is not too busy with giving\n concerts","expecting to set to music her poems \"Come\" and\n \"The Kiss\" this summer","criticizing \n Sara Teasdale's recently\n published \"In a Lighted Window\"","discussing her little boy poem [\"In a Lighted\n Window\"] and Judge Walker's opinion of it in his June\n 18 letter, expressing his view of \n Zoe [Akin]and her anthology, and\n discussing free verse","offering a royalty of ten percent on all copies\n sold of her \n Rivers to the Seaand submitting a sample page","accepting the revision of \"Summer Night,\n Riverside\" for future publication","congratulating her on her success with \n The MacMillan Company","requesting permission to set to music her poem\n \"The Look\"","congratulating her on having her poems published\n by \n The MacMillan Companyand telling\n of her own writing","requesting to use two musical settings \"But What\n if I Heard my First Love\" and \"The Kiss in Colin's\n Eye\" based on her poems","concerning the publication of \n Sara Teasdale's poetry and the\n possibility of having advance order copies\n autographed","concerning his anthology coming out in October,\n and asking her assistance by sending her extra set of\n proofs when corrected and by contacting \n William Marion Reedy","praising her poems that she sent and hoping to use\n some of them","feeling that her book will be a success","complimenting her poems as being admirably fitted\n for American songs, and saying that she has set four\n of them to musical settings","criticizing the Imagist movement but commenting\n favorably on \n John Gould Fletcher's work, and\n mentioning his drifting away from the group","accepting one of her poems for publication","concerning a suite of songs \"Five Songs of Autumn\"\n written by himself using her poems \"Twilight,\"\n \"November,\" \"Dreams,\" and \"Dead Leaves\"","agreeing to see her book and review it, discussing\n the \"woman and poet,\" mentioning \n MacMillanpublishing his \n Song of Hugh Glass, and inquiring about her interest in\n Greek","agreeing to review her book and giving a lengthy\n discussion of a reviewer's work","praising and criticizing her poetry, and\n discussing the teaching of poetry","requesting permission to quote her poem \"Spring in\n War Time\" in a book being prepared about the war in \n Europe","requesting permission to use her poem \"I Shall Not\n Care\" in a musical setting","asking for some poems","giving glowing and detailed praise of her work in \n Rivers to the Sea, writing of \"the deep human beauty of this\n great poem,\" \"the holy core of life itself...and\n needful to be reminded by such as you,--...,\" \n Sara Teasdaleas \"an unabashed\n lover of life,\" \"this expression of the fundamental\n emotion in its elements...\"","revealing that the Library system has copies of\n her book of poems, \n Rivers to the Sea","thanking her for the inscribed copy of her book \n [Rivers to the Sea], and promising a judgment","writing in response to Sara's illness and\n mentioning her new book and some of her verse","expressing his gratitude for her book and praising\n the verses","(written in German)","replying to her letter concerning a full face or\n profile picture of her to use in their service","(written in German)","expressing appreciation of her book \n [Rivers to the Sea]and praising her verses","praising her book and her expression of her \"love\n in terms of nature,\" and wishing to see Sara","thanking her for \n Rivers to the Seaand commenting on her growth","mentioning the review of her new book to be in\n December's issue","praising her new book and expressing his pleasure\n in having met her and \n Ernst B. Filsingerin St.\n Louis","stating that he received her new book through \n Harriet Monroeand will place it\n among his memorable things, and revealing some\n feelings toward war","mentioning his health, the pleasant publicity of\n his \n Portmanteau, and her book","requesting a contribution for a select anthology\n of Pierrot and Columbine poems","requesting permission to use her poem \"The Kiss\"\n in a musical setting","thanking her for the volume and telling anecdotes\n about himself","expressing admiration for her and pleasure at her\n kind words concerning her own work","expressing her delight upon receiving and reading\n her \"exquisite little volume\"","thanking her for \n Rivers to the Sea, encouraging her and \n Ernst B. Filsingerto go to the\n Poets dinner, and mentioning receipt of the Chicago\n first prize for \"the Chinese nightingale\" and the\n progress of his Movie-Book","expressing her pleasure in reading \n Rivers to the Seaand promising a review shortly","praising her blank verse in \n Rivers to the Sea, and mentioning works by himself and his\n wife, Jean, and the opinions of \n Robert Frostand \n Max Eastman","expressing his fondness for her \n Rivers to the Sea","requesting permission to publish her poem \"The\n Kiss\" in a musical setting","praising her work and commenting on the Rieder\n translation","praising the \"wonderful lyric qualities\" of \n Rivers to the Sea, saying that the \"songs are so directly\n from the heart and life not only of a true poet but\n of a true woman...\"","expressing her and her husband's, \n Henry Mills Alden, admiration\n for her `singing leaves'","praising her \n Rivers to the Seaand her ability to \"bring a seeing eye to\n the most outworn or ordinary situations...\"","commenting that she is \"writing the best singing\n verse in the country today\" and that \"our singers are\n all too few and our \n Ezra Pounds and \n Gertrude Steins are all too\n many!\"","admitting to being an admirer of her poetry, and\n planning to read \"Off Capri\" to \n The Centennial Club","telling her plans to write an article on \n Carl Vroomanand \n Julia Scott Vroomanand wishing\n to quote from \n Sara Teasdale's verses","commenting on her \"very unusual lyric gift\" and\n the satisfying \n Rivers to the Sea, and mentioning Sara's fragile health","citing her work as \"sincere and artistic,\"\n thanking her for the German versions of her poems,\n and wishing to publish some of her verse in the \n Yale Review","discussing an enclosed review of her \n Rivers to the Sea, remarking on the sign of prodigy in \n Stephen Vincent Benet(younger\n brother of \n William Rose Benet), mentioning\n his wife \n Jean Untermeyer's hit with \n Amy Lowell, and likens one of \n G. K. Chesterton's poems to \n Vachel Lindsay's style","quoting praises from Mrs. Meynell about the verses\n of Sara and of \n Margaret Widdemeras well as\n expressing his and his wife \n Grace Dawson's delight with\n them, and mentioning his new book \n The Etchics of Confucius","requesting permission to set to music her poem\n \"Spring in War Time\"","praising \n Rivers to the Seaand especially \"The Answer\"","sharing her admiration of \"the lilt and the lift\n of the poems\" in \n Rivers to the Sea, mentioning \n Jesse R[ittenhouse], \n Margaret Fuller, \n Margaret Widdemer, \n Royal Dixon, and discussing the\n hardship of the family of the late \n Madison Cawein","accepting her poems \"In a Hospital\" and \"Flames\"\n for publication","informing her that they have elected her an\n honorary member","requesting a personal biographical sketch of her\n by one of her friends","thanking her for her \"melodious book\" and\n commenting on some of his favorite poems","asking about `The New Moon' and the series of\n hospital songs, and thanking her for an article by \n Harris Merton Lyon","discussing \n Willard Huntington Wright's\n critical pen, and praising \n Sara Tesdale's songs","expressing pleasure at one of her stories and\n wishing she would do more prose","concerning \n Rivers to the Sea","offering fee for her story \"The Black Hearth\"","sending an affectionate holiday letter","praising \n Sara Teasdale's \n Rivers to the Seaand saying that no other American poet \"so\n feelingly, so spontaneously and beautifully senses\n the primal human emotions\"","thanking her for the copy of [ \n Rivers to the Sea] and commenting on her favorite poems and\n on one fault, and promising to send a copy of her own\n Six French Poets","sending some old photographs of Vine","explaining that she does her readings \"all for\n love of the fine new movement in poetry,\" and\n requests a copy of \n Rivers to the Sea","welcoming her book in their \n Poets Corner, praising her work,\n and inviting her to the College to see the work they\n are trying to do for the young women...","mentioning her stay at the Dawsons' ( \n Miles Dawsonand \n Grace Dawson) where she saw\n Sara's bridal picture","requesting formal permission to include some of\n her poems in an anthology of the \n New Poetry, with a personal handwritten note at the\n bottom and on the verso","expressing his interest in translating some of her\n work into Spanish and asking for her published books\n and a photograph","requesting permission to publish \"The Kiss\" set to\n music","discussing a school project and requesting a\n letter and a photograph","accepting her \"Songs in a Hospital\" and requesting\n one other poem for publication","praising Sara and her work on behalf of \"Ned\" ( \n Edna Wahlert) and herself, and\n enclosing an \"honest tribute from Ned\"","acccepting her poem \"Old Days\" for publication","expressing her satisfaction at hearing from her\n and Ned ( \n Edna Wahlert)","thanking her belatedly for her gift of \n Rivers to the Sea","thanking her for the letter and gift of poetry","concerning her own article on \"Masterpieces of\n American Women Poets\"","praising her \n Sonnets to Duse and Other Poemsand \n Rivers to the Sea","expressing her pleasure in reading \n Rivers to the Sea, and mentioning it being listed in the\n April issue","extending an invitation for her to read some of\n her poems at a benefit tea","accepting her poem \"Child, Child\" for publication\n if it is not to be published in a book soon","expressing his pleasure with her letter, poems,\n and songs as well as his enjoyment in singing her\n songs, and mentioning a singing engagement at the \n Browning SocietySoiree","writing of her enjoyment in hearing \n Ernst B. Filsingerread Sara's\n poems at The Wednesday Club, and inviting her to tea\n with \n Celia Harrisand herself","thanking her for the book which has not yet\n arrived and sending regards to \"Johns and Miss\n Monroe\"","re \n Rivers to the Sea","calling her new book delightful and commenting on\n her ability to \"keep command over so sure an\n artistry,\" and enclosing a copy of his poem \"To St.\n Louis\"","expressing pride at her letter and gift of \n Rivers to the Sea","requesting permission to obtain the rights to \n Sara Teasdale's poem \"Joy\" to\n use in a musical setting, with ANS from Reedy to \n Sara Teasdale Filsingerat\n top","thanking her for the letter and beautiful book,\n and expressing an inerest in setting some of her\n poems to music","indicating that he has set to classical music her\n poem \"Flames\"","writing of activities of the \n Browning Societyand enclosing a\n program","expressing his certainty that some of her lyrics\n will inspire some composer to set them to music","wishing to secure the \"Song Maker\" and one other\n lyric for use in a vocal number in \"Missouri's Place\n in Literature\"","thanking her for the gift of \n Rivers to the Sea, and expressing an interest in setting some\n of them to music","thanking her for the pretty \"Mary Arden poem\"","enclosing three photographs of \n William Favershamand others at\n the Shakespeare Celebration","requesting permission to use \"The Kiss\" in a\n musical setting","thanking her for the letter and copies of her\n poems, and mentioning a discussion with \n Edmund Clarence Stedmanover what\n constitutes a lyric poem","requesting permission to set to music \n Sara Teasdale's poem \"I Heard a\n Cry\"","concerning Newark's Poem Competition and its civic\n theme","requesting her membership and expressing\n admiration","concerning her assistance as judge","thanking her for her letter and poems, which gave\n him a great deal of pleasure","requesting permission to use her poem \"In a\n Hospital\" in a volume of selections from English and\n American poets about the war to be edited by himself\n on behalf of the \n Belgian Scholarship\n Committee","concerning a meeting of American poets to be held\n on June 28 \"in memory of \n Padraic Pearse, \n Thomas MacDonagh, and \n Joseph Plunkett, the three poets\n who were executed for their share in the recent\n uprising in \n Dublin, \" and asking for one of\n her poems to be read","enclosing a request to set to music \"Child,\n Child\"","extending appreciation for her part in the \n St. LouisConvention, and\n commenting on her two beautiful odes read by \n William Faversham","offering preliminary terms for the spring 1917\n publication of her anthology of love lyrics by\n women","concerning \n Houghton Mifflin Company's\n acceptance of Sara's \n The Answering Voice...","more concerning \n The Answering Voice...","requesting copies of her two Shakespearian odes\n both read by \n William Faversham","thanking her for her charming note about her\n daughter \n Hilda Conkling's poem, and\n enclosing some poems by the five-year old","requesting permission to set to music her poem \"A\n Poem of Young Love\"","expressing her enjoyment over \n Rivers to the Sea, and mentioning Sara's discriminating\n comment on \n Sappho","requesting permission to print her \"Testament\" in\n a little volume of sermons","accepting a poem for publication","requesting again permission to set to music her \"A\n Poem of Young Love\" as well as \"When I am Dead\"","praising her \n Rivers to the Sea","expressing his interest in having her poetry set\n to some `Ozark songs'","requesting permission to use her lyrics \"A\n Benediction\" in a musical setting by \n C. Whitney Coombs","asking permission to use the second verse of \n Sara Teasdale's poem \"Child,\n Child\" on a card to be distributed among friends","requesting permission to set to music \n Sara Teasdale's poem \"Child,\n Child\"","expressing his pleasure at her new poems, and\n mentioning the protest against the Post Office\n banning of the works of \n Theodore Dreiser","concerning letters requesting permission to use\n some of Sara's lyrics","accepting her poem \"Other Men\" for publication","requesting permission to set to music her poems\n \"Deep in the Night,\" \"Come,\" and \"The Flight\"","requesting an original verse to use as a guide for\n contestants in a health poetry contest in which \n Harriet Monroe, \n Henry Adams Bellows, and \n William Stanley Braithwaitewill\n act as judges","requesting permission to use one of her poems in\n an anthology she is editing entitled \n The Answering Voice--One Hundred\n Love-Lyrics by Women","accepting her poem \"August Moonrise\" for\n publication if conditions are agreeable","asking her consent on behalf of her singing master\n to have a song published using her verse \"Jewels\"","commenting on the poems she liked best including a\n group of \"Songs Out of Stress\"","admitting that she has been enthusiastically\n reading from Sara's poems at her Poetry Readings and\n asks for furthur cooperation","seeking biographical information for their club\n studying living English and American poets","writing as her agent and enclosing a check for her\n poem \"The Philosopher\" which is to be published in \n Good Housekeeping","accepting her poem \"The Ballad of St. Kevin\" for\n their Christmas issue","requesting permission to publish her poem \"The\n Cloud\" set to music","requesting permission to publish \"The Look\" set to\n music along with some others she is working on","concerning a project with \n The Bookmanand \n Dodd, Mead, \u0026 Companyin the\n form of an anthology of new poems by American\n poets","requesting permission to use some of her poems in\n musical settings","requesting permission to use \"The Cloud\" and\n \"Night Song at Amalfi\" by \n Sara Teasdalein musical\n settings","admiring her work and wondering how to obtain her\n books other than \n Rivers to the Sea","referring to a letter, November 22, 1916, from \n Julius Kranz","admiring \n Sara Teasdale's \"November Night\"\n and commenting on its \"wonderful imagery, its\n sympathetic feeling...\"","translating a reference to \n Rivers to the Seafrom Yiddish to English","referring to a note in praise of her \"November\n Night\"","writing as her agent and sending a check for\n \"Spring Rain\" which is to be published in \n Century Magazine","offering an agreement for her proposal of a book\n of `Love Lyrics'","writing of entertaining friends with a reading of\n her \n Rivers to the Seaand their enjoyment","sending the agreement for the proposed book of\n love lyrics","thanking her for \n Rivers to the Sea","concerning the publication of several of his songs\n made from her lyrics","acknowledging her letter and volume of verse","inviting her to talk intimately about her work at\n the \n Writers GuildDay at the \n University of Missouri","requesting one of her bookplates in exchange for\n the enclosed one of her own","expressing his enjoyment in reading her poems,\n particularly \"I Shall Not Care,\" \"Off Algiers,\" and\n \"Capri\"","revealing that he would be pleased to have her\n work appear more often in the magazine","praising her poems in the form of a poem entitled\n \"Why Not\"","requesting permission to use her poem\n \"Grandfather's Love\" in a musical setting for a\n colleciton of childrens' songs","accepting her poem \"Tonight\" for publication but\n declining \"Defeated\" due to spacing problems","requesting permission to use her poem \"Swans\" in a\n musical setting","accepting her poem \"Schooners\" for publication","requesting permission to set to music her two\n poems \"Joy\" and \"The Look\"","accepting her poem \"The Strawberry Man\" for\n publication, and expressing sympathy for her\n sickness","requesting permission to use a few of her lyrics\n in a revision of his \"The Home Book of Verse\"","praising her poem \"Dreams\" and requesting\n permission to publish it in a musical setting","concerning a magazine, \n The Madrigal, devoted to the publication of love lyrics\n and requesting a contribution","expressing gratitude for her sending \"At Midnight\"\n which he will include in \n The Masque of Poetsand send to \n The Bookman","revealing that he has set her poem \"Swans\" as a\n song after receiving a copy of her \n Rivers to the Sea","requesting permission to use her poem \"Deep in the\n Night\" for a musical setting","concerning the changed version of \"The Prayer of\n the Gardener\"","concerning a volume he is editing entitled \n The Book of New York Verseand wishing to include some of Sara's\n poems","concerning a musical setting of her poem\n \"Pierrot\"","wishing to have published the enclosed Danish\n translation of her poem \"Rain\"","requesting permission to publish a musical setting\n for women's chorus of her poem \"Dusk in June\"","requesting permission to use her poem \"Helen of\n Troy\" in a collection of poems about ancient Troy","requesting permission to use her poem \"Sea\n Longing\" in a \"book on modern tendencies of poetry as\n exhibited in the sonnet\"","informing her that her poem-sequence \"Songs Out of\n Sorrow\" has received the highest vote in balloting of\n the \n Poetry Society of America","thanking her for the letter and poem, and\n mentioning activities in the \n National League","praising her poem \"Tonight\" and wishing to tell\n her about his own brand of poetry-making","expressing her feelings for the poems in \n Rivers to the Sea, and commenting on their being \"so simple\n and natural and real\"","seeking help in the way of reviewing with her own\n verses and asking where to obtain \"Songs Out of\n Sorrow\"","accepting her poem \"Embers\" and requesting\n material for a free ad","praising her poem \"Schooners\" and inquiring about\n the names of the vessels","requesting autographed volumes of \n Rivers to the Seato be auctioned for the \n American Ambulance Fund","requesting permission to publish \n Sara Teasdale's poem \"Tonight\"\n set to music","concerning a request for permission to publish her\n poem \"Buried Love\" with a musical setting from Miss \n Mima A. Taylorof \n Kilmarnock, Scotland","requesting permission to use \n Sara Teasdale's poem \"The Look\"\n in a musical setting to be published by \n Harold Flammer","concerning the September 11 letter from Mrs. \n A. R. Wilson","[concerning \n Ralph T. Whitney]","concerning his request of September 5","praising Sara's love songs and commenting that the\n two books [ \n Love Songsand \n The Answering Voice: One Hundred Love\n Lyrics by Women] are pretty, and writing family news","thanking her for the two books, one of love songs,\n the other a collection of poems by women","thanking her for the forthcoming volume and\n promising to read it with pleasure","thanking her for the two volumes [ \n Love Songsand \n The Answering Voice: One Hundred Love\n Lyrics by Women] and praising her own love songs as being\n of a higher level than the other women's verses","requesting permission to use her verse \"Tonight\"\n in a musical setting","thanking her for the book of lyrics, \n The Answering Voice: One Hundred Love\n Lyrics by Women","thanking her for the volume, \n Love Songs, and commenting on her \"gift for pure\n lyric\"","thanking her for the book, \n Love Songs, and finding in it verses for songs","thanking her for the book of her poems, \n Love Songs, and commenting on its \"lyric\n loveliness\"","thanking her for the inscribed \n Love Songsand praising her work","discussing Sara's \n The Answering Voice: One Hundred Love\n Lyrics by Womenand her own \n Cornucopia of Red and Green Comfitsand \n Vachel Lindsayand his work","thanking her for the charming little book, [ \n Love Songs]","accepting her poems \"Sons\" for the January issue\n and \"When we are Happiest\" for a later one","accepting a poem for their Christmas issue","accepting her poem \"The Cup\" for publication","thanking her for the charming letter and gift of\n poems","praising her volume of poems, \n Love Songs, and asking if she has any war poems to\n possibly read at the MacDowell Center","sending her a poem by himself entitled \"Sara--An\n Acrostic\"","informing her of the \n Poetry Society of Americaaward\n for her volume \n Love Songs","inquiring about the possibilities of further\n work","expressing gratitude for her letter and mentioning\n her own physical weakness","mentioning \n Sonnets to Duse and Other Poems, and asking after her family","commenting on the latter's verses and encouraging\n her","thanking her for her book and telling of his\n enjoyment in reading it","writing to her friend after a long interval,\n telling of her separation from \n Ernst B. Filsinger, a visit in\n May to \n Francewith \n Margaret Conklin, her problems\n since being seriously injured in a taxi-cab in March\n 1928, and plans for a visit to \n California","reviving ties with her old friend","exchanging family news, and mentioning \n Joseph Hergesheimer","thanking her profusely for the gift of a\n butterfly, mentioning \n Jay Van Everen's praise of it,\n referring to her essay on \n Christina Rossetti, discussing \n Virginia Woolf, comparing the\n views of the Empire State Building and the Eiffel\n Tower, and saying she would be glad to meet \n Mary Ware Dennett","discussing the lingering effects of the Depression\n on New York, and her frail physical condition and\n wanting to leave \n New York; and, mentioning Mrs. \n Vachel Lindsay, her own\n biography of \n Christina Rossetti, and\n friends","discussing her decreased income, work on her essay\n about \n Christina Rossetti, and personal\n news","mentioning meeting \n Christina Rossetti's two\n nieces","discussing life in \n Spain; and giving a personal\n discourse on the relationships of \n George Bernard Shawand \n Ellen Terryand \n Henry Irving, and comparing\n Terry to \n Eleonora Duseas an actress and\n lover","mentioning the latter's \"Crumbs,\" \n Sarah Bernhardtand \n Eleonora Duse, \n William Marion Reedyand \n Tyrell Williams, and \n Virginia Woolf","expressing her feelings about the gift of the\n beautiful butterfly and the importance of childhood\n memories","concerning some pictures of \n Sara Teasdale","discussing \n Sara Teasdale's suicide","mentioning \n Williamina Parrish, \n Martha Prentice Merwin, and \n Upton Sinclair","enclosing horoscope and related enclosures","discussing \n Morgan McCormickand \n Isabel (Parrish) McCormick","sending additional horoscope material","remembering \n Sara Teasdale's death and\n mentioning old friends","sending a photograph of \n Sara Teasdale; and, discussing\n Sara's wishes after her death: the \n Christina Rossettibook and other\n works remaining unpublished and keeping her life\n private","writing news of \n Tyrell Williamsand \n Nell Niedringhaus Williamsand\n biographical information","writing family news and mentioning \n Celia [E. Harris]","mentioning \n Vine Colby, \n Petronelle Sombart, \n Edna \"Ned\" Wahlert, and \n Edith Wyatt","mentioning \n Caroline Risque, \n Vine Colby, and briefly\n describing her life in \n Lincoln","describing the pleasure that the \n Potter's Wheelsbrings her and others, mentioning \n Celia E. Harris' convalescence,\n with ANS from Celia, mentioning her own and \n Sara Teasdale's illnesses","ordering photographs","acknowledging the photographs of \n Celia E. Harris","from an \"enchanting old place\"","See the \n \n University of Virginia Library’s use policy.","University of Virginia. Library. Special\n Collections Dept.","Potters","Charles Scribner's Sons","Harper \u0026 Brothers","Small, Maynard \u0026 Company","Hosmer Hall","The Century Company","G. P. Putnam's Sons","G.P. Putnam's Sons","Poetry Society of America","Chappell \u0026 Co., Ltd.","Putnam Publishing\n Company","Monday Club","The Denver Music Company","The MacMillan Company","G. Schirmer (Inc.)","Stix, Baer, \u0026 Fuller","MacMillan","Underwood's News Photo Service","The Centennial Club","Poets Corner","Browning Society","MacMillan Company","Belgian Scholarship\n Committee","Houghton Mifflin Company","Charles Scribner \u0026\n Sons","Dodd, Mead, \u0026 Company","Writers Guild","University of Missouri","National League","American Ambulance Fund","Kilmarnock, Scotland","Greek Ethics Club","State Historical Society of\n Missouri","St. Louis Museum of Fine\n Arts","National Arts Club","Poetry Society of\n America","J. B. Lippincott Company","Frank A. Munsey","Philip Roeder Book and Stationery\n Company","Vine Colby","Lawrence Hanley","Celia Ellen\n Harris","Margaret Scott\n Lawler","Nadaud","Paul Janis","Vine Colby\n McCasland","Williamina\n Parrish","Sara Teasdale","Frances S.\n Porcher","Christina Rossetti","Barbara George","Patience Worth","William Marion Reedy","Marion Cummings Stanley","Caroline Risque","Jennie M.A. Jones","Susan Creighton Williams","(Williamina Parrish","[Sara Teasdale]","[Vine Colby]","George W. Teasdale","E[leanora] D[use]","Williamina Parrish","Lillie Rose Ernst","Thomas B. Mosher","Elizabeth M. Brown","Caroline White McKinney","Will J. Thornton","Fred R. Macauley","Olga Nethersole","Frances S. Porcher","Celia Ellen Harris","Mary D. Harris","Arthur Symons","Lee B. Hildebrand","Julia Marlowe","Louise McNair","J.P. Greene","Marie Isabel Miller","Mary C. Burke","Guiseppe Masi","Jerome A. Quay","Eleanora Duse","Paul Y. Tupper","Joseph B. Gilder","Laura A. Proetz","Sidney Rogers Cook","M. Augusta Bailey","Dorothy Colby","Arthur Hornblow","Inez (Dutro) George","Frank George","Frances Joseph","Mary F. Raphael","Sara Teasdale,","Pinkie D. McGrew","Agnes M. Schulenberg","John Myers O'Hara","Sappho","Oliver H. Campbell","Adelia C. Arens","H. Nelson Gay","John Keats","Elizabeth Waddell","R.E. Lee Gibson","William H. Hills","Elizabeth McCracken","Mary Elizabeth Willard Teasdale","Bruce M. Stanley","Thekla Bernays","Sidney Fane","Algernon Charles Swinburne","Alice Evelyn Watson","Orrick S. Johns","Ethel M. Kelly","Thomas C. Clark","Witter Bynner","John Stapleton Cowley","Zoe Aikin","Mamie Teasdale Wheless","[John Myers O'Hara]","Alexander N. DeMenil","Madison Cawein","Clayton Hamilton","Chen E. Cory","Alfred Edward Housman","Frances M. Weir","Leopold Godowsky","Olive Ruby Hammon","Jessie Johnston Linton","Joan A. Rae","George Sterling","B. Russell Herts","Louis Untermeyer","Mitchell Kennerley","Michael Monahan","Richard Le Galliene","Robert Underwood Johnson","Albert Victor Young","Petronelle Sombart","Charles Hanson Towne","George Sylvester Viereck","Joseph Benson Gilder","Jessie Belle Rittenhouse","Henry Mills Alden","Ernest R. Kroeger","John Shea","Natalie Bigelow","H. Alexander Matthews","Lily S. Anthony","Orrick Johns","Willa Sibert Cather","Homer Croy","A.D. Kerry","William H. Gardner","S.T. Newton","Henry Van Dyke","Curtis Hidden Page","Frederick Oakes Sylvester","Elizabeth Barrett Browning","John L. Hervey","F. Dewey Richards","Julia Marlowe Sothern","Julia G. Scott","Frank K. Hallack","Edward L. Preetorius","Louis H. Behrens","Theodosia Garrison","Richard LeGallienne","Paul E. More","Charles E. Savage","John Sanburn Phillips","Edith M. Thomas","Elizabeth K. Mew","Rufus Rockwell Wilson","Cale Young Rice","Josephine Peabody","Percy Mackaye","Rudyard Kipling","Fannie L. Richey","George S. Johns","Ella M. Kricklaus","Josephine McGill","Rupert Henry Whitcomb","W. W. Tulloch","William Stanley Braithwaite","Zoe Akins","Dugald Stewart Walker","Blanche Shoemaker Wagstaff","Anna Branch","Edith Thomas","Ethel Peyser","Gertrude Cawein","Theodosia Garrison Faulks","Edward J. Wheeler","Alexander Harvey","Wilfred Funk","Campbell Mason","Joyce Kilmer","Robert Browning","Carman Bliss","Edwin Markham","Edwin Arlington Robinson","Arthur Guiterman","Laurence J. Gomme","Nana Wilcox Putnam","Josie Grevé\n Oppenheim","John Curtis Underwood","Leonard D. Abbott","Robert Bridges","Anna Hinrichs","(Ferdinand Earle)","Idress Head","Josephine Hilty Abramson","Cecile Barnes","John G. Neihardt","Jessie T. Pease","Oswald Rimmer","Gertrude Cate","(Ferdinand Earle?)","W. F. Melton","Ella Wheeler Willcox","May W. Dorman","Thomas Augustine Daly","Helen Bullis","George Buchanan Fife","Percy MacKaye","Fannie Stearns Davis","John Hall Wheelock","Bliss Carman","Edna St. Vincent Millay","(Sara Teasdale)","Lawrence Gilman","[Alfred] Noyes","H. L. Mencken","Merle St. Croix Wright","Nathan Haskell Dole","Harriet Monroe","Ruth Guthrie Harding","[Jessie Belle] Rittenhouse","Alfred Noyes","Willard H. Wright","Eugene MacDonald Bonner","Louis Albert Lamb","Helen S. Livingstone","Vachel Lindsay","Agnes Freer","William Rose Benet","Alice C. Henderson","Sidney Hosmer","M. S. O'Donnell","Robert Sterling Yard","Charles Gallup","Arthur B. Maurice","Frederick M. Steele","Elizabeth Cutting","Irwin L. Wheeler","Magda Decker","Charles E. Howson","Vine Colby McCasland","Martha Foote Crow","Isabel Underhill","Julia Ditto Young","Margaret Elizabeth Willard\n Teasdale","Haviland Wessells","Ines Macaulay","Clifton B. Bull","Hortense Flexner","Anita Bartle Brackenbury","Emily Dickinson","Josephine Preston Peabody","John Banister Tabb","Elizabeth van R. Lemont","Percy Lee Atherton","Florence H. Perin","Louise Ayres Garnett","Eunice Tietjens","Elsie Jade Hawson","Charles E. Rush","Allen Dale Smith, Jr.","Clara K. Wellman","Mary Blue","Paul A. Schmitt","Sara Teasdale Filsinger","Ernst B. Filsinger","Howes Norris, Jr.","Edward L. B. Howard","Douglas Malloch","Charlotte V. Butterfield","Carl Hahn","Timothy Spelman","Jacqueline Hendrick Hoyt","Robert Frost","Ernest B. Filsinger","Edmund R. Brown","Conrad Aiken","Temple Scott","Ella Wheeler Wilcox","Theodosia (Garrison) Faulks","Amy M. Beach","Robert F. Walker","Zoe [Akin]","Edward C. Murch","John Warren Teasdale","Luella Ohusted Burnham","Martha Emma Watts","John Alden Carpenter","Rosalie L. Hausmann","John Gould Fletcher","Henry A. Bellows","W. J. Marsh","O. W. Firkins","Maggie W. Barry","Frederick Hoppin Nowland","Gordon Balch Nevin","Wilbur L. Cross","Sara Teasdale\n Filsinger","E. H. Anderson","Grace L. Dawson","Miles M. Dawson","Rudolph Rieder","Nancy K. [Coonsman]","Marguerite Wilkinson","Edgar Lee Masters","Stuart Walker","Kendall Banning","Amy Lowell","Julia Scott Vrooman","Blanche S. Wagstaff","Max Eastman","Bart B. Howard","Frederick Jacobi","Ada Foster Murray Alden","Helen Bullis Kizer","Ezra Pound","Gertrude Stein","Blanche M. Blake","Herma N. Clark","Carl Vrooman","Sara Teasdale's verses","Edward Bliss Reed","Stephen Vincent Benet","Jean Untermeyer","G. K. Chesterton","Margaret Widdemer","Grace Dawson","Robert W. Wilkes","Alice Carter Butler","Anna Catherine Murphy Markham","Jesse R[ittenhouse]","Margaret Fuller","Royal Dixon","Marie DuBois McCormack","Harris Merton Lyon","Willard Huntington Wright","Sara Tesdale","W. K. Kelsey","Vine (Colby)\n McCasland","S[olomon?] L[eopold?] Millard\n Rosenberg","Katharine Howard","George M. Whicher","Julia Pauline Leavens","Miles Dawson","Salomon de la Selva","Hermina Earnest","Mary James","Edna Wahlert","John Masefield","Clara Root Farr","Mary S. Wright","May Massee","Lucia Sloan Hopkins","Gilderoy Scott","Celia Harris","Jane Burr","A. Walter Kramer","L. Camilieri","Horace Johnson","Francis Grierson","Susie Willis","R. Huntington Woodman","William Faversham","Adelaide Forshaw","Cedric W. Lemont","William Arms Fisher","Edmund Clarence Stedman","Frank Howard Warner","Henry Wellington Wack","Lee Shippey","Ray Werner","William Butler Yeats","J. W. Cunliffe","Padraic Pearse","Thomas MacDonagh","Joseph Plunkett","Louise Holdren Anderson","Ferris Greenslet","[Sara Teadale\n Filsinger]","Grace Clarke Pierce","Grace Hazard Conkling","Hilda Conkling","Fay Foster","Anna L. Moss","Jenkin Lloyd Jones","Mary C. Day","Carl Busch","Harold Flammer","C. Whitney Coombs","Alice B. Long","James Bird","Theodore Dreiser","Girard Blair","Paul L. Benjamin","Henry Adams Bellows","Elsa Barker","Rosalie Day","Gertrude M. Richards","A. S. Berghauser","Julia R. Tutwiler","Zella Estelle Leighton","Maude Haben Luck","Edward Joseph O'Brien","Julius Kranz","Cora E. Large","Harold Strong Latham","William J. Matheson","Oscar Leonard","Rudolph Altrocchi","Henry Gray Glover","Harold Vincent Milligan","Robert Gilbert Welsh","Dorothy Furman","Walter de la Mare","Embers McG[ ], Jackson","Carrie Bullard Lewis","Edith Lobdell","Virginia Roderick","Alice Reber Fish","Burton E. Stevenson","William Withenow, Jr.","Gustav Davidson","Edward J. O'Brien","Jane Leland Clarke","William Frederick Bigelow","Hamilton Fish Armstrong","Frances Evans Crawford","August L. Baug","Joseph Jackson","Sadie A. Frank","Frank M. Beverly","Margaret W. Stevens","Winifred Russell","C. Wharton Stork","Jean Stansbury Holden","Aileen Cleveland Higgins","Ralph T. Whitney","Mima A. Taylor","A. R. Wilson","Henry J. Filsinger","Katherine Ernst Filsinger","Theodore Roosevelt","Joseph Kershaw","John Erskine","Padraic Colum","Frank D. Fackenthal","Helen Truesdell Koch","Vine Colby\n McCasland","Barbara Crary George","Margaret Conklin","Susan Meriwether Boogher Bryan","Joseph Hergesheimer","Jay Van Everen","Virginia Woolf","Mary Ware Dennett","George Bernard Shaw","Ellen Terry","Henry Irving","Eleonora Duse","Grace Parrish","Sarah Bernhardt","Tyrell Williams","Martha Prentice Merwin","Upton Sinclair","Morgan McCormick","Isabel (Parrish) McCormick","Mamie Teasdale Whelass","Nell Niedringhaus Williams","Celia [E. Harris]","Celia E. Harris","Edna \"Ned\" Wahlert","Edith Wyatt","[Mary D. Harris]","[Williamina Parrish]","Mary Elizabeth Willard\n Teasdale","F. E. A. Curley","Jessie Belle\n Rittenhouse","G. Schirmer","William Stanley\n Braithwaite","Inez Dutro George","English"],"collection_title_tesim":["Sara Teasdale Collection \n 1888-1934"],"collection_ssim":["Sara Teasdale Collection \n 1888-1934"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["8170-d"],"unitid_tesim":["8170-d"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_persname_ssim":["Vine Colby","Lawrence Hanley","Celia Ellen\n Harris","Margaret Scott\n Lawler","Nadaud","Paul Janis","Vine Colby\n McCasland","Williamina\n Parrish","Sara Teasdale","Frances S.\n Porcher","Christina Rossetti","Barbara George","Patience Worth","William Marion Reedy","Marion Cummings Stanley","Caroline Risque","Jennie M.A. Jones","Susan Creighton Williams","(Williamina Parrish","[Sara Teasdale]","[Vine Colby]","George W. Teasdale","E[leanora] D[use]","Williamina Parrish","Lillie Rose Ernst","Thomas B. Mosher","Elizabeth M. Brown","Caroline White McKinney","Will J. Thornton","Fred R. Macauley","Olga Nethersole","Frances S. Porcher","Celia Ellen Harris","Mary D. Harris","Arthur Symons","Lee B. Hildebrand","Julia Marlowe","Louise McNair","J.P. Greene","Marie Isabel Miller","Mary C. Burke","Guiseppe Masi","Jerome A. Quay","Eleanora Duse","Paul Y. Tupper","Joseph B. Gilder","Laura A. Proetz","Sidney Rogers Cook","M. Augusta Bailey","Dorothy Colby","Arthur Hornblow","Inez (Dutro) George","Frank George","Frances Joseph","Mary F. Raphael","Sara Teasdale,","Pinkie D. McGrew","Agnes M. Schulenberg","John Myers O'Hara","Sappho","Oliver H. Campbell","Adelia C. Arens","H. Nelson Gay","John Keats","Elizabeth Waddell","R.E. Lee Gibson","William H. Hills","Elizabeth McCracken","Mary Elizabeth Willard Teasdale","Bruce M. Stanley","Thekla Bernays","Sidney Fane","Algernon Charles Swinburne","Alice Evelyn Watson","Orrick S. Johns","Ethel M. Kelly","Thomas C. Clark","Witter Bynner","John Stapleton Cowley","Zoe Aikin","Mamie Teasdale Wheless","[John Myers O'Hara]","Alexander N. DeMenil","Madison Cawein","Clayton Hamilton","Chen E. Cory","Alfred Edward Housman","Frances M. Weir","Leopold Godowsky","Olive Ruby Hammon","Jessie Johnston Linton","Joan A. Rae","George Sterling","B. Russell Herts","Louis Untermeyer","Mitchell Kennerley","Michael Monahan","Richard Le Galliene","Robert Underwood Johnson","Albert Victor Young","Petronelle Sombart","Charles Hanson Towne","George Sylvester Viereck","Joseph Benson Gilder","Jessie Belle Rittenhouse","Henry Mills Alden","Ernest R. Kroeger","John Shea","Natalie Bigelow","H. Alexander Matthews","Lily S. Anthony","Orrick Johns","Willa Sibert Cather","Homer Croy","A.D. Kerry","William H. Gardner","S.T. Newton","Henry Van Dyke","Curtis Hidden Page","Frederick Oakes Sylvester","Elizabeth Barrett Browning","John L. Hervey","F. Dewey Richards","Julia Marlowe Sothern","Julia G. Scott","Frank K. Hallack","Edward L. Preetorius","Louis H. Behrens","Theodosia Garrison","Richard LeGallienne","Paul E. More","Charles E. Savage","John Sanburn Phillips","Edith M. Thomas","Elizabeth K. Mew","Rufus Rockwell Wilson","Cale Young Rice","Josephine Peabody","Percy Mackaye","Rudyard Kipling","Fannie L. Richey","George S. Johns","Ella M. Kricklaus","Josephine McGill","Rupert Henry Whitcomb","W. W. Tulloch","William Stanley Braithwaite","Zoe Akins","Dugald Stewart Walker","Blanche Shoemaker Wagstaff","Anna Branch","Edith Thomas","Ethel Peyser","Gertrude Cawein","Theodosia Garrison Faulks","Edward J. Wheeler","Alexander Harvey","Wilfred Funk","Campbell Mason","Joyce Kilmer","Robert Browning","Carman Bliss","Edwin Markham","Edwin Arlington Robinson","Harper \u0026 Brothers","Arthur Guiterman","Laurence J. Gomme","Nana Wilcox Putnam","Josie Grevé\n Oppenheim","John Curtis Underwood","Leonard D. Abbott","Robert Bridges","Anna Hinrichs","(Ferdinand Earle)","Idress Head","Josephine Hilty Abramson","Cecile Barnes","John G. Neihardt","Jessie T. Pease","Oswald Rimmer","Gertrude Cate","(Ferdinand Earle?)","W. F. Melton","Ella Wheeler Willcox","May W. Dorman","Thomas Augustine Daly","Helen Bullis","George Buchanan Fife","Percy MacKaye","Fannie Stearns Davis","John Hall Wheelock","Bliss Carman","Edna St. Vincent Millay","(Sara Teasdale)","Lawrence Gilman","[Alfred] Noyes","H. L. Mencken","Merle St. Croix Wright","Nathan Haskell Dole","Harriet Monroe","Ruth Guthrie Harding","[Jessie Belle] Rittenhouse","Alfred Noyes","Willard H. Wright","Eugene MacDonald Bonner","Louis Albert Lamb","Helen S. Livingstone","Vachel Lindsay","Agnes Freer","William Rose Benet","Alice C. Henderson","Sidney Hosmer","M. S. O'Donnell","Robert Sterling Yard","Charles Gallup","Arthur B. Maurice","Frederick M. Steele","Elizabeth Cutting","Irwin L. Wheeler","Magda Decker","Charles E. Howson","Vine Colby McCasland","Martha Foote Crow","Isabel Underhill","Julia Ditto Young","Margaret Elizabeth Willard\n Teasdale","Haviland Wessells","Ines Macaulay","Clifton B. Bull","Hortense Flexner","Anita Bartle Brackenbury","Emily Dickinson","Josephine Preston Peabody","John Banister Tabb","Elizabeth van R. Lemont","Percy Lee Atherton","Florence H. Perin","Louise Ayres Garnett","Eunice Tietjens","Elsie Jade Hawson","Charles E. Rush","Allen Dale Smith, Jr.","Clara K. Wellman","Mary Blue","Paul A. Schmitt","Sara Teasdale Filsinger","Ernst B. Filsinger","Howes Norris, Jr.","Edward L. B. Howard","Douglas Malloch","Charlotte V. Butterfield","Carl Hahn","Timothy Spelman","Jacqueline Hendrick Hoyt","Robert Frost","Ernest B. Filsinger","Edmund R. Brown","Conrad Aiken","Temple Scott","Ella Wheeler Wilcox","Theodosia (Garrison) Faulks","Amy M. Beach","Robert F. Walker","Zoe [Akin]","Edward C. Murch","John Warren Teasdale","Luella Ohusted Burnham","Martha Emma Watts","John Alden Carpenter","Rosalie L. Hausmann","John Gould Fletcher","Henry A. Bellows","W. J. Marsh","O. W. Firkins","Maggie W. Barry","Frederick Hoppin Nowland","Gordon Balch Nevin","Wilbur L. Cross","Sara Teasdale\n Filsinger","E. H. Anderson","Grace L. Dawson","Miles M. Dawson","Rudolph Rieder","Nancy K. [Coonsman]","Marguerite Wilkinson","Edgar Lee Masters","Stuart Walker","Kendall Banning","Amy Lowell","Julia Scott Vrooman","Blanche S. Wagstaff","Max Eastman","Bart B. Howard","Frederick Jacobi","Ada Foster Murray Alden","Helen Bullis Kizer","Ezra Pound","Gertrude Stein","Blanche M. Blake","Herma N. Clark","Carl Vrooman","Sara Teasdale's verses","Edward Bliss Reed","Stephen Vincent Benet","Jean Untermeyer","G. K. Chesterton","Margaret Widdemer","Grace Dawson","Robert W. Wilkes","Alice Carter Butler","Anna Catherine Murphy Markham","Jesse R[ittenhouse]","Margaret Fuller","Royal Dixon","Marie DuBois McCormack","Harris Merton Lyon","Willard Huntington Wright","Sara Tesdale","W. K. Kelsey","Vine (Colby)\n McCasland","S[olomon?] L[eopold?] Millard\n Rosenberg","Katharine Howard","George M. Whicher","Julia Pauline Leavens","Miles Dawson","Salomon de la Selva","Hermina Earnest","Mary James","Edna Wahlert","John Masefield","Clara Root Farr","Mary S. Wright","May Massee","Lucia Sloan Hopkins","Gilderoy Scott","Celia Harris","Jane Burr","A. Walter Kramer","L. Camilieri","Horace Johnson","Francis Grierson","Susie Willis","R. Huntington Woodman","William Faversham","Adelaide Forshaw","Cedric W. Lemont","William Arms Fisher","Edmund Clarence Stedman","Frank Howard Warner","Henry Wellington Wack","Lee Shippey","Ray Werner","William Butler Yeats","J. W. Cunliffe","Padraic Pearse","Thomas MacDonagh","Joseph Plunkett","Louise Holdren Anderson","Ferris Greenslet","[Sara Teadale\n Filsinger]","Grace Clarke Pierce","Grace Hazard Conkling","Hilda Conkling","Fay Foster","Anna L. Moss","Jenkin Lloyd Jones","Mary C. Day","Carl Busch","Harold Flammer","C. Whitney Coombs","Alice B. Long","James Bird","Theodore Dreiser","Girard Blair","Paul L. Benjamin","Henry Adams Bellows","Elsa Barker","Rosalie Day","Gertrude M. Richards","A. S. Berghauser","Julia R. Tutwiler","Zella Estelle Leighton","Maude Haben Luck","Edward Joseph O'Brien","Julius Kranz","Cora E. Large","Harold Strong Latham","William J. Matheson","Oscar Leonard","Rudolph Altrocchi","Henry Gray Glover","Harold Vincent Milligan","Robert Gilbert Welsh","Dorothy Furman","Walter de la Mare","Embers McG[ ], Jackson","Carrie Bullard Lewis","Edith Lobdell","Virginia Roderick","Alice Reber Fish","Burton E. Stevenson","William Withenow, Jr.","Gustav Davidson","Edward J. O'Brien","Jane Leland Clarke","William Frederick Bigelow","Hamilton Fish Armstrong","Frances Evans Crawford","August L. Baug","Joseph Jackson","Sadie A. Frank","Frank M. Beverly","Margaret W. Stevens","Winifred Russell","C. Wharton Stork","Jean Stansbury Holden","Aileen Cleveland Higgins","Ralph T. Whitney","Mima A. Taylor","A. R. Wilson","Henry J. Filsinger","Katherine Ernst Filsinger","Theodore Roosevelt","Joseph Kershaw","John Erskine","Padraic Colum","Frank D. Fackenthal","Helen Truesdell Koch","Vine Colby\n McCasland","Barbara Crary George","Margaret Conklin","Susan Meriwether Boogher Bryan","Joseph Hergesheimer","Jay Van Everen","Virginia Woolf","Mary Ware Dennett","George Bernard Shaw","Ellen Terry","Henry Irving","Eleonora Duse","Grace Parrish","Sarah Bernhardt","Tyrell Williams","Martha Prentice Merwin","Upton Sinclair","Morgan McCormick","Isabel (Parrish) McCormick","Mamie Teasdale Whelass","Nell Niedringhaus Williams","Celia [E. Harris]","Celia E. Harris","Edna \"Ned\" Wahlert","Edith Wyatt","[Mary D. Harris]","[Williamina Parrish]","Mary Elizabeth Willard\n Teasdale","F. E. A. Curley","Jessie Belle\n Rittenhouse","G. Schirmer","William Stanley\n Braithwaite","Inez Dutro George"],"creator_corpname_ssim":["University of Virginia. Library. Special\n Collections Dept.","Potters","Charles Scribner's Sons","Harper \u0026 Brothers","Small, Maynard \u0026 Company","Hosmer Hall","The Century Company","G. P. Putnam's Sons","G.P. Putnam's Sons","Poetry Society of America","Chappell \u0026 Co., Ltd.","Putnam Publishing\n Company","Monday Club","The Denver Music Company","The MacMillan Company","G. Schirmer (Inc.)","Stix, Baer, \u0026 Fuller","MacMillan","Underwood's News Photo Service","The Centennial Club","Poets Corner","Browning Society","MacMillan Company","Belgian Scholarship\n Committee","Houghton Mifflin Company","Charles Scribner \u0026\n Sons","Dodd, Mead, \u0026 Company","Writers Guild","University of Missouri","National League","American Ambulance Fund","Kilmarnock, Scotland","Greek Ethics Club","State Historical Society of\n Missouri","St. Louis Museum of Fine\n Arts","National Arts Club","Poetry Society of\n America","J. B. Lippincott Company","Frank A. Munsey","Philip Roeder Book and Stationery\n Company"],"creators_ssim":["Vine Colby","Lawrence Hanley","Celia Ellen\n Harris","Margaret Scott\n Lawler","Nadaud","Paul Janis","Vine Colby\n McCasland","Williamina\n Parrish","Sara Teasdale","Frances S.\n Porcher","Christina Rossetti","Barbara George","Patience Worth","William Marion Reedy","Marion Cummings Stanley","Caroline Risque","Jennie M.A. Jones","Susan Creighton Williams","(Williamina Parrish","[Sara Teasdale]","[Vine Colby]","George W. Teasdale","E[leanora] D[use]","Williamina Parrish","Lillie Rose Ernst","Thomas B. Mosher","Elizabeth M. Brown","Caroline White McKinney","Will J. Thornton","Fred R. Macauley","Olga Nethersole","Frances S. Porcher","Celia Ellen Harris","Mary D. Harris","Arthur Symons","Lee B. Hildebrand","Julia Marlowe","Louise McNair","J.P. Greene","Marie Isabel Miller","Mary C. Burke","Guiseppe Masi","Jerome A. Quay","Eleanora Duse","Paul Y. Tupper","Joseph B. Gilder","Laura A. Proetz","Sidney Rogers Cook","M. Augusta Bailey","Dorothy Colby","Arthur Hornblow","Inez (Dutro) George","Frank George","Frances Joseph","Mary F. Raphael","Sara Teasdale,","Pinkie D. McGrew","Agnes M. Schulenberg","John Myers O'Hara","Sappho","Oliver H. Campbell","Adelia C. Arens","H. Nelson Gay","John Keats","Elizabeth Waddell","R.E. Lee Gibson","William H. Hills","Elizabeth McCracken","Mary Elizabeth Willard Teasdale","Bruce M. Stanley","Thekla Bernays","Sidney Fane","Algernon Charles Swinburne","Alice Evelyn Watson","Orrick S. Johns","Ethel M. Kelly","Thomas C. Clark","Witter Bynner","John Stapleton Cowley","Zoe Aikin","Mamie Teasdale Wheless","[John Myers O'Hara]","Alexander N. DeMenil","Madison Cawein","Clayton Hamilton","Chen E. Cory","Alfred Edward Housman","Frances M. Weir","Leopold Godowsky","Olive Ruby Hammon","Jessie Johnston Linton","Joan A. Rae","George Sterling","B. Russell Herts","Louis Untermeyer","Mitchell Kennerley","Michael Monahan","Richard Le Galliene","Robert Underwood Johnson","Albert Victor Young","Petronelle Sombart","Charles Hanson Towne","George Sylvester Viereck","Joseph Benson Gilder","Jessie Belle Rittenhouse","Henry Mills Alden","Ernest R. Kroeger","John Shea","Natalie Bigelow","H. Alexander Matthews","Lily S. Anthony","Orrick Johns","Willa Sibert Cather","Homer Croy","A.D. Kerry","William H. Gardner","S.T. Newton","Henry Van Dyke","Curtis Hidden Page","Frederick Oakes Sylvester","Elizabeth Barrett Browning","John L. Hervey","F. Dewey Richards","Julia Marlowe Sothern","Julia G. Scott","Frank K. Hallack","Edward L. Preetorius","Louis H. Behrens","Theodosia Garrison","Richard LeGallienne","Paul E. More","Charles E. Savage","John Sanburn Phillips","Edith M. Thomas","Elizabeth K. Mew","Rufus Rockwell Wilson","Cale Young Rice","Josephine Peabody","Percy Mackaye","Rudyard Kipling","Fannie L. Richey","George S. Johns","Ella M. Kricklaus","Josephine McGill","Rupert Henry Whitcomb","W. W. Tulloch","William Stanley Braithwaite","Zoe Akins","Dugald Stewart Walker","Blanche Shoemaker Wagstaff","Anna Branch","Edith Thomas","Ethel Peyser","Gertrude Cawein","Theodosia Garrison Faulks","Edward J. Wheeler","Alexander Harvey","Wilfred Funk","Campbell Mason","Joyce Kilmer","Robert Browning","Carman Bliss","Edwin Markham","Edwin Arlington Robinson","Harper \u0026 Brothers","Arthur Guiterman","Laurence J. Gomme","Nana Wilcox Putnam","Josie Grevé\n Oppenheim","John Curtis Underwood","Leonard D. Abbott","Robert Bridges","Anna Hinrichs","(Ferdinand Earle)","Idress Head","Josephine Hilty Abramson","Cecile Barnes","John G. Neihardt","Jessie T. Pease","Oswald Rimmer","Gertrude Cate","(Ferdinand Earle?)","W. F. Melton","Ella Wheeler Willcox","May W. Dorman","Thomas Augustine Daly","Helen Bullis","George Buchanan Fife","Percy MacKaye","Fannie Stearns Davis","John Hall Wheelock","Bliss Carman","Edna St. Vincent Millay","(Sara Teasdale)","Lawrence Gilman","[Alfred] Noyes","H. L. Mencken","Merle St. Croix Wright","Nathan Haskell Dole","Harriet Monroe","Ruth Guthrie Harding","[Jessie Belle] Rittenhouse","Alfred Noyes","Willard H. Wright","Eugene MacDonald Bonner","Louis Albert Lamb","Helen S. Livingstone","Vachel Lindsay","Agnes Freer","William Rose Benet","Alice C. Henderson","Sidney Hosmer","M. S. O'Donnell","Robert Sterling Yard","Charles Gallup","Arthur B. Maurice","Frederick M. Steele","Elizabeth Cutting","Irwin L. Wheeler","Magda Decker","Charles E. Howson","Vine Colby McCasland","Martha Foote Crow","Isabel Underhill","Julia Ditto Young","Margaret Elizabeth Willard\n Teasdale","Haviland Wessells","Ines Macaulay","Clifton B. Bull","Hortense Flexner","Anita Bartle Brackenbury","Emily Dickinson","Josephine Preston Peabody","John Banister Tabb","Elizabeth van R. Lemont","Percy Lee Atherton","Florence H. Perin","Louise Ayres Garnett","Eunice Tietjens","Elsie Jade Hawson","Charles E. Rush","Allen Dale Smith, Jr.","Clara K. Wellman","Mary Blue","Paul A. Schmitt","Sara Teasdale Filsinger","Ernst B. Filsinger","Howes Norris, Jr.","Edward L. B. Howard","Douglas Malloch","Charlotte V. Butterfield","Carl Hahn","Timothy Spelman","Jacqueline Hendrick Hoyt","Robert Frost","Ernest B. Filsinger","Edmund R. Brown","Conrad Aiken","Temple Scott","Ella Wheeler Wilcox","Theodosia (Garrison) Faulks","Amy M. Beach","Robert F. Walker","Zoe [Akin]","Edward C. Murch","John Warren Teasdale","Luella Ohusted Burnham","Martha Emma Watts","John Alden Carpenter","Rosalie L. Hausmann","John Gould Fletcher","Henry A. Bellows","W. J. Marsh","O. W. Firkins","Maggie W. Barry","Frederick Hoppin Nowland","Gordon Balch Nevin","Wilbur L. Cross","Sara Teasdale\n Filsinger","E. H. Anderson","Grace L. Dawson","Miles M. Dawson","Rudolph Rieder","Nancy K. [Coonsman]","Marguerite Wilkinson","Edgar Lee Masters","Stuart Walker","Kendall Banning","Amy Lowell","Julia Scott Vrooman","Blanche S. Wagstaff","Max Eastman","Bart B. Howard","Frederick Jacobi","Ada Foster Murray Alden","Helen Bullis Kizer","Ezra Pound","Gertrude Stein","Blanche M. Blake","Herma N. Clark","Carl Vrooman","Sara Teasdale's verses","Edward Bliss Reed","Stephen Vincent Benet","Jean Untermeyer","G. K. Chesterton","Margaret Widdemer","Grace Dawson","Robert W. Wilkes","Alice Carter Butler","Anna Catherine Murphy Markham","Jesse R[ittenhouse]","Margaret Fuller","Royal Dixon","Marie DuBois McCormack","Harris Merton Lyon","Willard Huntington Wright","Sara Tesdale","W. K. Kelsey","Vine (Colby)\n McCasland","S[olomon?] L[eopold?] Millard\n Rosenberg","Katharine Howard","George M. Whicher","Julia Pauline Leavens","Miles Dawson","Salomon de la Selva","Hermina Earnest","Mary James","Edna Wahlert","John Masefield","Clara Root Farr","Mary S. Wright","May Massee","Lucia Sloan Hopkins","Gilderoy Scott","Celia Harris","Jane Burr","A. Walter Kramer","L. Camilieri","Horace Johnson","Francis Grierson","Susie Willis","R. Huntington Woodman","William Faversham","Adelaide Forshaw","Cedric W. Lemont","William Arms Fisher","Edmund Clarence Stedman","Frank Howard Warner","Henry Wellington Wack","Lee Shippey","Ray Werner","William Butler Yeats","J. W. Cunliffe","Padraic Pearse","Thomas MacDonagh","Joseph Plunkett","Louise Holdren Anderson","Ferris Greenslet","[Sara Teadale\n Filsinger]","Grace Clarke Pierce","Grace Hazard Conkling","Hilda Conkling","Fay Foster","Anna L. Moss","Jenkin Lloyd Jones","Mary C. Day","Carl Busch","Harold Flammer","C. Whitney Coombs","Alice B. Long","James Bird","Theodore Dreiser","Girard Blair","Paul L. Benjamin","Henry Adams Bellows","Elsa Barker","Rosalie Day","Gertrude M. Richards","A. S. Berghauser","Julia R. Tutwiler","Zella Estelle Leighton","Maude Haben Luck","Edward Joseph O'Brien","Julius Kranz","Cora E. Large","Harold Strong Latham","William J. Matheson","Oscar Leonard","Rudolph Altrocchi","Henry Gray Glover","Harold Vincent Milligan","Robert Gilbert Welsh","Dorothy Furman","Walter de la Mare","Embers McG[ ], Jackson","Carrie Bullard Lewis","Edith Lobdell","Virginia Roderick","Alice Reber Fish","Burton E. Stevenson","William Withenow, Jr.","Gustav Davidson","Edward J. O'Brien","Jane Leland Clarke","William Frederick Bigelow","Hamilton Fish Armstrong","Frances Evans Crawford","August L. Baug","Joseph Jackson","Sadie A. Frank","Frank M. Beverly","Margaret W. Stevens","Winifred Russell","C. Wharton Stork","Jean Stansbury Holden","Aileen Cleveland Higgins","Ralph T. Whitney","Mima A. Taylor","A. R. Wilson","Henry J. Filsinger","Katherine Ernst Filsinger","Theodore Roosevelt","Joseph Kershaw","John Erskine","Padraic Colum","Frank D. Fackenthal","Helen Truesdell Koch","Vine Colby\n McCasland","Barbara Crary George","Margaret Conklin","Susan Meriwether Boogher Bryan","Joseph Hergesheimer","Jay Van Everen","Virginia Woolf","Mary Ware Dennett","George Bernard Shaw","Ellen Terry","Henry Irving","Eleonora Duse","Grace Parrish","Sarah Bernhardt","Tyrell Williams","Martha Prentice Merwin","Upton Sinclair","Morgan McCormick","Isabel (Parrish) McCormick","Mamie Teasdale Whelass","Nell Niedringhaus Williams","Celia [E. Harris]","Celia E. Harris","Edna \"Ned\" Wahlert","Edith Wyatt","[Mary D. Harris]","[Williamina Parrish]","Mary Elizabeth Willard\n Teasdale","F. E. A. Curley","Jessie Belle\n Rittenhouse","G. Schirmer","William Stanley\n Braithwaite","Inez Dutro George","University of Virginia. Library. Special\n Collections Dept.","Potters","Charles Scribner's Sons","Harper \u0026 Brothers","Small, Maynard \u0026 Company","Hosmer Hall","The Century Company","G. P. Putnam's Sons","G.P. Putnam's Sons","Poetry Society of America","Chappell \u0026 Co., Ltd.","Putnam Publishing\n Company","Monday Club","The Denver Music Company","The MacMillan Company","G. Schirmer (Inc.)","Stix, Baer, \u0026 Fuller","MacMillan","Underwood's News Photo Service","The Centennial Club","Poets Corner","Browning Society","MacMillan Company","Belgian Scholarship\n Committee","Houghton Mifflin Company","Charles Scribner \u0026\n Sons","Dodd, Mead, \u0026 Company","Writers Guild","University of Missouri","National League","American Ambulance Fund","Kilmarnock, Scotland","Greek Ethics Club","State Historical Society of\n Missouri","St. Louis Museum of Fine\n Arts","National Arts Club","Poetry Society of\n America","J. B. Lippincott Company","Frank A. Munsey","Philip Roeder Book and Stationery\n Company"],"acqinfo_ssim":["Purchase \n 1986 July 18"],"has_online_content_ssim":["false"],"physdesc_tesim":["ca. 700 items"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research\u003c/p\u003e\n "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research"],"prefercite_html_tesm":["\u003cp\u003eSara Teasdale\n Collection, Accession 8170-d, Special Collections Department, University of\n Virginia Library\u003c/p\u003e\n "],"prefercite_tesim":["Sara Teasdale\n Collection, Accession 8170-d, Special Collections Department, University of\n Virginia Library"],"processinfo_html_tesm":["\u003cp\u003eFunded in part by a grant from the National Endowment\n for the Humanities\u003c/p\u003e\n "],"processinfo_heading_ssm":["Funding Note"],"processinfo_tesim":["Funded in part by a grant from the National Endowment\n for the Humanities"],"scopecontent_html_tesm":["\u003cp\u003esending thanks for her sympathy and inviting her\n to visit\u003c/p\u003e\n ","\u003cp\u003erevealing his delight in a poem she sent and\n discussing her style\u003c/p\u003e\n ","\u003cp\u003ere looking over proofs to her volume of poetry [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse and Other Poems\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e\n ","\u003cp\u003ementioning her \n \u003cpersname\u003eE[leanora] D[use]\u003c/persname\u003esonnet being\n accepted by \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePoet Lore\u003c/title\u003e\u003c/bibref\u003efor publication\u003c/p\u003e\n ","\u003cp\u003ere horseback riding and critiquing a poem,\n \"Vengeance\" by Colby\u003c/p\u003e\n ","\u003cp\u003ementioning the July \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePotter's Wheel\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003esending her a review of \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's volume of poetry\n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003epraising her book \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003eextending his thanks for the copy of her book \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003eand hoping for its success\u003c/p\u003e\n ","\u003cp\u003ethanking her for the copy of her book \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, praising it, and wishing for its\n success\u003c/p\u003e\n ","\u003cp\u003erevealing her pride of her childhood friend ( \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e) after seeing her\n \"Guenevere\" in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Digest\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003eexpressing his pleasure in presenting her poem\n [\"Guenevere\"] to the world, praising her book of\n verses, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, and encouraging her to continue writing\n verses in her careful fashion\u003c/p\u003e\n ","\u003cp\u003epraising her poem [\"Guenevere\"]\u003c/p\u003e\n ","\u003cp\u003ethanking her for the copy of her book \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003epraising her effort, and mentioning seeing\n actress \n \u003cpersname\u003eOlga Nethersole\u003c/persname\u003e.\u003c/p\u003e\n ","\u003cp\u003ethanking her for the autograph copy of her book \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, writing about getting settled in their new\n home\u003c/p\u003e\n ","\u003cp\u003easking for a day to visit, expressing her pleasure\n in her ( \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's ) book \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, with ALS from \n \u003cpersname\u003eMary D. Harris\u003c/persname\u003eto \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e, expressing her\n pride in Teasdale and her book\u003c/p\u003e\n ","\u003cp\u003ewriting about the beauty of her poems and that he\n has written a review of her book [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e\n ","\u003cp\u003epraising her book [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e\n ","\u003cp\u003esending his review of her book [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] from \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Saturday Review\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003econcerning her delight in receiving a letter from \n \u003cpersname\u003eArthur Symons\u003c/persname\u003e, and saying that\n Symons is \"not only one of the greatest living\n critics, but...a poet of true feeling...\"\u003c/p\u003e\n ","\u003cp\u003ethanking her for the copy of her book [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e], and discussing \n \u003cpersname\u003eArthur Symons\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003eenclosing the \"notice by \n \u003cpersname\u003eArthur Symons\u003c/persname\u003efrom \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSaturday Review\u003c/title\u003e\u003c/bibref\u003e\"\u003c/p\u003e\n ","\u003cp\u003ethanking her for the presentation copy of her book\n [Sonnets to Duse...] and praising her poems and\n sonnets\u003c/p\u003e\n ","\u003cp\u003ethanking her for the copy of her book [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e\n ","\u003cp\u003ethanking her for the copy of her book [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e], and encouraging her to pursue her gift of\n writing verse\u003c/p\u003e\n ","\u003cp\u003eexpressing appreciation of the copy of her book [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e\n ","\u003cp\u003ethanking her for the copy of her book [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] and wanting to see her\u003c/p\u003e\n ","\u003cp\u003estating that \n \u003cpersname\u003eEleanora Duse\u003c/persname\u003ewould be returning\n to her home at 54 Via Robbia soon, sent to \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003eby \n \u003cpersname\u003eJerome A. Quay\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003eexplaining the content of the November 19, 1907\n letter re \n \u003cpersname\u003eEleanora Duse\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003ewriting that he would be glad to use \"The Heart's\n Hearth\" in the Christmas issue\u003c/p\u003e\n ","\u003cp\u003ethanking her for the copy of her book [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] and expressing his and his wife's\n enjoyment of her poetry\u003c/p\u003e\n ","\u003cp\u003ereturning her poems except for \"Dusk\" which he\n hopes will go into the January issue\u003c/p\u003e\n ","\u003cp\u003eacknowledging receipt of her letter and copy of\n her book [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] to be forwarded to \n \u003cpersname\u003eEleanora Duse\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003ewishing to purchase her book of verse [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]as a Christmas gift\u003c/p\u003e\n ","\u003cp\u003epraising her book of verse, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, and including a poem\u003c/p\u003e\n ","\u003cp\u003esending a copy of her \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003efor her to autograph and saying that \"Dusk\"\n will be in the February issue\u003c/p\u003e\n ","\u003cp\u003ethanking her for the book, [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e], commenting on her gift for writing\n poetry, and wanting her parents to visit on their way\n from \n \u003cgeogname\u003ePhiladelphia, Pennsylvania\u003c/geogname\u003e\u003c/p\u003e\n ","\u003cp\u003ethanking her for the book [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e\n ","\u003cp\u003ethanking her for the book [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e], praising the sonnets, and wishing to talk\n with her\u003c/p\u003e\n ","\u003cp\u003epraising her book [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] and relating personally to some of the\n poems, and discussing the relationship between a work\n and its artist and how they are perceived by\n others\u003c/p\u003e\n ","\u003cp\u003ereturning her poem unused due to lack of space\u003c/p\u003e\n ","\u003cp\u003ere the birth of their baby, \n \u003cpersname\u003eBarbara George\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003eexpressing appreciation for the book of verses [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] sent to \n \u003cpersname\u003eMary F. Raphael\u003c/persname\u003e, who is not\n well, and saying that Mrs. Raphael has sent three\n autographed photographs of her pictures to \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003ecommenting favorably on her book of verse [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e], which she borrowed from \n \u003cpersname\u003eFred R. Macauley\u003c/persname\u003e, referring to \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003eas having \"the\n unmistakable lyric touch,\" comparing her own verse to\n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's , and wanting to\n talk with her and get to know her\u003c/p\u003e\n ","\u003cp\u003eexpressing her pleasure in \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem,\n \"Guenevere,\" writing that their interpretations of\n Tennyson's masterpiece are very similar and that she\n will send a photograph of her picture of the work\n which illustrates this\u003c/p\u003e\n ","\u003cp\u003esending congratulations for their baby, \n \u003cpersname\u003eBarbara George\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003ethanking her for the copy of her book [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e\n ","\u003cp\u003epraising her book of verse, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, and complimenting her writing\u003c/p\u003e\n ","\u003cp\u003eacknowledging her praise for his translation of\n the odes and fragments of \n \u003cpersname\u003eSappho\u003c/persname\u003eand writing that he would\n be glad to send her a copy, and referring to one of\n her poems as being of \"rare beauty of thought and\n expression\"\u003c/p\u003e\n ","\u003cp\u003eexpressing enjoyment of her book [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] and congratulating her on its success\u003c/p\u003e\n ","\u003cp\u003ethanking her for her book of poems [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] and expressing his appreciation of the\n dedicatory triolet to himself, giving high praise to\n her sonnets and comparing her admirably to \n \u003cpersname\u003eChristina Rossetti\u003c/persname\u003e, critiquing\n some of the poems, and giving her the original draft\n of \"The Sleep Wind\"\u003c/p\u003e\n ","\u003cp\u003easking for \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's address in order\n to write for permission to set her \"The Heart's\n Hearth\" to music\u003c/p\u003e\n ","\u003cp\u003eacknowledging receipt of her poem dedicated to \n \u003cpersname\u003eJohn Keats\u003c/persname\u003efor the anniversary of\n his death\u003c/p\u003e\n ","\u003cp\u003eenclosing a March 23rd letter from \n \u003cpersname\u003eAdelia C. Arens\u003c/persname\u003eand relaying\n praises for her Sonnet on \n \u003cpersname\u003eJohn Keats\u003c/persname\u003efrom \n \u003cpersname\u003eElizabeth Waddell\u003c/persname\u003eand \n \u003cpersname\u003eR.E. Lee Gibson\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003ehoping she is well and commenting on her\n treatments\u003c/p\u003e\n ","\u003cp\u003erequesting a paragraph referring to her poem,\n \"Love in Autumn\" and information about herself, with\n a page from his magazine\u003c/p\u003e\n ","\u003cp\u003ewriting a note about her lines on \n \u003cpersname\u003eJohn Keats\u003c/persname\u003eon a postcard showing\n where Keats died which was sent to him from \n \u003cgeogname\u003eRome, Italy\u003c/geogname\u003e\u003c/p\u003e\n ","\u003cp\u003esending along an article from \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Evening Post\u003c/title\u003e\u003c/bibref\u003eabout new books of verse which mentions \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's sonnet to \n \u003cpersname\u003eSappho\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003eacknowledging receipt of her remembrance and\n wishing to hear her read some of her poems\u003c/p\u003e\n ","\u003cp\u003ethanking her for her letter and copy of her book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, saying she had already read her poems\n while at the home of \n \u003cpersname\u003eArthur Symons\u003c/persname\u003ealong with \n \u003cpersname\u003eJulia Marlowe\u003c/persname\u003e, and mentioning\n some of her favorite poems by \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003ere \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's impending\n arrival in \n \u003cgeogname\u003eTucson\u003c/geogname\u003e\u003c/p\u003e\n ","\u003cp\u003eadvising her on having \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy\u003c/title\u003e\u003c/bibref\u003epublished\u003c/p\u003e\n ","\u003cp\u003ethanking her for the Christmas gift and saying she\n is going home next week\u003c/p\u003e\n ","\u003cp\u003ehoping she had a restful journey home\u003c/p\u003e\n ","\u003cp\u003ethanking him for his kindness and sending love to \n \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003ewriting \"passed Liberal all right\"\u003c/p\u003e\n ","\u003cp\u003eacknowledging receipt of a package\u003c/p\u003e\n ","\u003cp\u003eaccepting \"Helen\" for publication\u003c/p\u003e\n ","\u003cp\u003ethanking her for the copy of her book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, and praising it as well as her gift of\n writing\u003c/p\u003e\n ","\u003cp\u003echiding her for not writing\u003c/p\u003e\n ","\u003cp\u003erelating that a Mr. \n \u003cpersname\u003eSidney Fane\u003c/persname\u003eof London, England\n has asked permission to set her poem \"Buried Love\" to\n music\u003c/p\u003e\n ","\u003cp\u003eaccepting her poems \"November\" and \"Vox Amoris\"\n for publication\u003c/p\u003e\n ","\u003cp\u003easking her to read a book of poems and write a\n criticism of it\u003c/p\u003e\n ","\u003cp\u003ecommenting on the death of \n \u003cpersname\u003eAlgernon Charles Swinburne\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003etelling her that her poems are beautiful\u003c/p\u003e\n ","\u003cp\u003ewriting that her poetry sings; commenting on her\n literary gift, her lyrical quality, and \"the value of\n the songs,\"; and, discussing the \"necessity of\n deciding between the artificial-imagination and this\n other thing of simplicity in beauty-simplicity and\n the heart.\" There is much literary thought and\n discussion\u003c/p\u003e\n ","\u003cp\u003ewriting about having his songs published,\n including one with the words to \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem, \"Buried\n Love\"\u003c/p\u003e\n ","\u003cp\u003ere the beauty of spring\u003c/p\u003e\n ","\u003cp\u003eaccepting her poem, \"The Prayer,\" for\n publicaton\u003c/p\u003e\n ","\u003cp\u003eshowing an interest in her poem, \"On the Death of\n Swinburne\" and wishing to reproduce something of hers\n in one of their issues\u003c/p\u003e\n ","\u003cp\u003esending a copy of one of his new songs, \"A Queen\n of the Long Age\"\u003c/p\u003e\n ","\u003cp\u003ediscussing \n \u003cpersname\u003eWitter Bynner\u003c/persname\u003e's favorable\n comments on her poetry and his being with publishers \n \u003ccorpname\u003eSmall, Maynard \u0026amp; Company\u003c/corpname\u003e,\n mentioning \n \u003cpersname\u003eJohn Stapleton Cowley\u003c/persname\u003e's praise\n of \"Guenevere,\" and \n \u003cpersname\u003eZoe Aikin\u003c/persname\u003e's new book\u003c/p\u003e\n ","\u003cp\u003ethanking her for her book of poems [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] and naming his favorites\u003c/p\u003e\n ","\u003cp\u003edescribing the peacefulness of \n \u003cgeogname\u003eCharlevoix\u003c/geogname\u003eand her visit with \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e, and asking him to\n send some money\u003c/p\u003e\n ","\u003cp\u003ere boating\u003c/p\u003e\n ","\u003cp\u003ementioning a boat trip around \n \u003cgeogname\u003eTraverse Bay\u003c/geogname\u003ewith \n \u003cpersname\u003eMamie Teasdale Wheless\u003c/persname\u003e, her\n delight with \n \u003cgeogname\u003eCharlevoix\u003c/geogname\u003eand \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003eand her family, and\n wanting to discuss plans with him\u003c/p\u003e\n ","\u003cp\u003ediscussing a trip around \n \u003cgeogname\u003ePine Lake\u003c/geogname\u003eon a \"miniature ferry,\"\n plans for leaving there and returning to \n \u003cgeogname\u003eTucson, Arizona\u003c/geogname\u003e, mentioning \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's and her poetry\n writing, receiving \"Mr. Sappho's\" \n \u003cpersname\u003e[John Myers O'Hara]\u003c/persname\u003enew book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSongs of the Open\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003ere personal matters and plans for leaving\u003c/p\u003e\n ","\u003cp\u003ewriting about \n \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003e's visit,\n on a postcard with a view of a river, \"The Old\n Channel,\" in \n \u003cgeogname\u003eCharlevoix\u003c/geogname\u003e\u003c/p\u003e\n ","\u003cp\u003esending a postcard with another view of a river,\n \"Old River,\" in \n \u003cgeogname\u003eCharlevoix\u003c/geogname\u003e\u003c/p\u003e\n ","\u003cp\u003ewriting personal news\u003c/p\u003e\n ","\u003cp\u003ethanking her for the copy of her book [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] and praising her work\u003c/p\u003e\n ","\u003cp\u003epraising her book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, commenting on \"Japanese Incense\" as being\n \"as fragrant in words as is the perfume it speaks,\"\n and saying that her love-songs are as lovely as those\n of \n \u003cpersname\u003eSappho\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003esending pictures of the buildings in which she is\n spending time, and reminiscing about time spent with \n \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003eaccepting her poem, \"To Cleis,\" for publicaton\u003c/p\u003e\n ","\u003cp\u003ethanking her for the gift\u003c/p\u003e\n ","\u003cp\u003esending a Christmas greeting\u003c/p\u003e\n ","\u003cp\u003ethanking him for the candy\u003c/p\u003e\n ","\u003cp\u003esending his appreciation of her gift of the book [\n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e\n ","\u003cp\u003erequesting the return of her short monologue,\n \"Sappho,\" with ANS from the Editor saying that they\n are using it in the February issue\u003c/p\u003e\n ","\u003cp\u003ethinking of her in this \"loveliest, quaintest\n town\"\u003c/p\u003e\n ","\u003cp\u003ethanking him for the gift of \"the dear little\n Japanese girl feeding the fawns\"\u003c/p\u003e\n ","\u003cp\u003ethanking her for \"the interesting sixteenth\n century gentleman with a telephone receiver\"\u003c/p\u003e\n ","\u003cp\u003ereceiving the baby picutres of \n \u003cpersname\u003eBarbara George\u003c/persname\u003eand the newborn,\n and asking that the \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePotter's Wheel\u003c/title\u003e\u003c/bibref\u003ebe sent to \n \u003cpersname\u003eLillie Rose Ernst\u003c/persname\u003eat \n \u003ccorpname\u003eHosmer Hall\u003c/corpname\u003e\u003c/p\u003e\n ","\u003cp\u003erequesting permission to set to music her poem,\n \"Pierrot,\" and giving some information about herself\n including being a student of \n \u003cpersname\u003eLeopold Godowsky\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003erequesting permission to set to music her poem,\n \"Daisy Time\"\u003c/p\u003e\n ","\u003cp\u003erequesting permission to set to music her poem,\n \"Pierrot\"\u003c/p\u003e\n ","\u003cp\u003eenclosing a letter from someone in \n \u003cgeogname\u003eAberdeen, Scotland\u003c/geogname\u003erequesting\n permission to use one of her poems\u003c/p\u003e\n ","\u003cp\u003ewishing to obtain \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's consent for\n publishing a song with her poem, \"Daisy Time,\" set to\n music\u003c/p\u003e\n ","\u003cp\u003ediscussing \"Miss French's\" work in poetry, gladly\n accepting \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's praise of his\n own work, and mentioning \n \u003cpersname\u003eJohn Myers O'Hara\u003c/persname\u003eand his\n \"Sapphic poems\"\u003c/p\u003e\n ","\u003cp\u003erequesting permission to publish as a song her\n poem \"Daisy Time\" which she has set to music\u003c/p\u003e\n ","\u003cp\u003ere using her poems\u003c/p\u003e\n ","\u003cp\u003esending a check in payment for two of her poems to\n be published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePutnam's Monthly\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003econcerning her poem, \"Erinna,\" which is to appear\n in their second issue, and mentioning as among her\n admirers, \n \u003cpersname\u003eLouis Untermeyer\u003c/persname\u003e, \n \u003cpersname\u003eMitchell Kennerley\u003c/persname\u003e, \n \u003cpersname\u003eMichael Monahan\u003c/persname\u003e, and \n \u003cpersname\u003eRichard Le Galliene\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003econcerning the publication of her volume of poems,\n their undertaking the publishing of four or five\n volumes of verse as well as the second book of \"The\n Younger Choir,\" and companies wanting a guarantee of\n sales when publishing poetry\u003c/p\u003e\n ","\u003cp\u003eoffering her a publishing proposition for her\n volume of verse specifying that she would bear the\n entire cost of production\u003c/p\u003e\n ","\u003cp\u003eaccepting her poem, \"The Wind,\" for\n publication\u003c/p\u003e\n ","\u003cp\u003erequesting permission to set to music her poem,\n \"Daisy Time\"\u003c/p\u003e\n ","\u003cp\u003ethanking her for the lace jabot, describing at\n great length the Potter party, and mentioning each of\n the \n \u003ccorpname\u003ePotters\u003c/corpname\u003e\u003c/p\u003e\n ","\u003cp\u003eaccording her the right to make further use of her\n verse, \"Song,\" published by the magazine last July in\n her book or in a musical setting, and accepting her\n poem, \"The Wind,\" for publication\u003c/p\u003e\n ","\u003cp\u003ethanking her for her letter and volume, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003ereturning the \"Young Choir\" with his signature\u003c/p\u003e\n ","\u003cp\u003econcerning an evening of poetry [a meeting of the \n \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003e]\u003c/p\u003e\n ","\u003cp\u003egiving his weekday schedule\u003c/p\u003e\n ","\u003cp\u003ewanting to meet her at the next meeting and\n commenting that Sara Teasdale's \"Helen,\" read by\n Witter Bynner, was well accepted\u003c/p\u003e\n ","\u003cp\u003egiving his weekday schedule\u003c/p\u003e\n ","\u003cp\u003ewriting that he has set to music two of her poems,\n \"Buried Love\" and \"Pierrot\"\u003c/p\u003e\n ","\u003cp\u003efinding her quatrain \"At Night\" to be pure and\n true\u003c/p\u003e\n ","\u003cp\u003ethanking her for the book [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e], and saying it was both a pleasure to read\n it and to meet her, and commenting that \"poets are\n the most charming people on earth\"\u003c/p\u003e\n ","\u003cp\u003ethanking her for giving him permission to use her\n poems, \"Daisy Time\" and \"Song\" as musical settings,\n and asking permission to use \"Twilight\"\u003c/p\u003e\n ","\u003cp\u003ethanking him for his note about a photograph of\n herself she had sent\u003c/p\u003e\n ","\u003cp\u003ecalling her \"On the Tower\" a magnificent piece of\n work and printing it in the August issue\u003c/p\u003e\n ","\u003cp\u003erequesting permission to submit for publication a\n musical setting of her poem, \"The Prayer\"\u003c/p\u003e\n ","\u003cp\u003ethanking her for her courtesy and for the pleasure\n her poems give her\u003c/p\u003e\n ","\u003cp\u003eacknowledging receipt of her lyrics, and asking\n her charge for using them\u003c/p\u003e\n ","\u003cp\u003egiving high praise to her work in the book of\n poems [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy and Other Poems\u003c/title\u003e\u003c/bibref\u003e], and wanting to write a nice review for \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Hesperian\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003epraising her book of poems [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e], especially the love songs, and wanting to\n send her a copy of his selected \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePoems\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003ethanking her for the gift of the charming book [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e\n ","\u003cp\u003ecommenting on her book of poems, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003ethanking her for the copy of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand wishing her success\u003c/p\u003e\n ","\u003cp\u003ethanking her for the gift, [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e], and planning to read the verses with her\n husband on their wedding trip\u003c/p\u003e\n ","\u003cp\u003ethanking her for the volume, [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e], and commenting on its \"lyric\n splendor\"\u003c/p\u003e\n ","\u003cp\u003ethanking her for the book, [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e], saying that he has written a review of\n her book for \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Mirror\u003c/title\u003e\u003c/bibref\u003e, and commenting that \"On the Tower\" us\n \"dramatic promise as well as fine poetry\"\u003c/p\u003e\n ","\u003cp\u003ethanking her for the copy of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and sending in return a copy of his \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePoems\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003ecalling the verses in her book, [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e] \"dear and familiar,\" showing pride in the\n dedication, saying that she was glad the book arrived\n after her spell of illness and melancholy and that\n she is looking forward to better health and the\n success of her own book\u003c/p\u003e\n ","\u003cp\u003ethanking her for the book \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and promising to copy some verses for\n her\u003c/p\u003e\n ","\u003cp\u003ereferring to her new book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen to Troy...\u003c/title\u003e\u003c/bibref\u003e, as a \"perfect delight,\" and thanking her\n for the copy\u003c/p\u003e\n ","\u003cp\u003ecommenting that \n \u003cpersname\u003eOrrick Johns\u003c/persname\u003ehas written a fine\n review of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003ethanking her for the volume of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and mentioning the lyrics she especially\n liked\u003c/p\u003e\n ","\u003cp\u003ethanking her for the gift of her book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and commenting that the love-songs are her\n favorite and that they \"have that artlessness that\n signifies the mastery of art\"\u003c/p\u003e\n ","\u003cp\u003ethanking her for sending the volume of verse, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and indicating that it has already become\n a family treasure\u003c/p\u003e\n ","\u003cp\u003ethanking her for the book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and mentioning his boarders' reaction to\n the volume\u003c/p\u003e\n ","\u003cp\u003ethanking her for the gift of her poems, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003erequesting permission to set to music her poem,\n \"Twilight,\" with ANS from her mother, \n \u003cpersname\u003eMary Elizabeth Willard Teasdale\u003c/persname\u003e,\n on back\u003c/p\u003e\n ","\u003cp\u003eadmiring her \"powers \u0026amp; artistic\n discrimination,\" commenting on his own verse, \"The\n Poet,\" which \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003ehad praised,\n sending her \"a little burlesque volume,\" \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Younger Quire\u003c/title\u003e\u003c/bibref\u003e, saying she will like the review of her \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and praising her work\u003c/p\u003e\n ","\u003cp\u003eexpressing his enjoyment of her poems, extending\n congratulations on her book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, commenting on \n \u003cpersname\u003eCharles Hanson Towne\u003c/persname\u003e's splendid\n work, and saying that his own \"sense of rhythm is so\n lyrical in style...\"\u003c/p\u003e\n ","\u003cp\u003erequesting some biographical information for his\n upcoming article on poets\u003c/p\u003e\n ","\u003cp\u003epraising her book of verse, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, discussing a trip to \n \u003cgeogname\u003eEurope\u003c/geogname\u003eand plans for a future\n trip abroad, and mentioning a meeting of the \n \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003ewith a\n discussion of the Irish plays and invluding\n interesting persons such as \n \u003cpersname\u003eHenry Van Dyke\u003c/persname\u003eand \n \u003cpersname\u003eCurtis Hidden Page\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003eexpressing his appreciation of the gift of her\n book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and sending a token in return\u003c/p\u003e\n ","\u003cp\u003egiving high praise to her book of verse, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, calling \"Helen of Troy\" and \"On the Tower\"\n \"postive triumphs,\" critiquing several of the poems,\n comparing her favorably to \n \u003cpersname\u003eElizabeth Barrett Browning\u003c/persname\u003eand \n \u003cpersname\u003eChristina Rossetti\u003c/persname\u003e, and writing\n a French translation of \"The Pagan End\"\u003c/p\u003e\n ","\u003cp\u003ethanking her for the volume of her poems, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, calling her \"a real poet,\" and saying that\n it will be a delightful privilege to read her new\n poems\u003c/p\u003e\n ","\u003cp\u003erequesting permission to publish his musical\n setting of her verse, \"Song,\" and asking to use the\n first line as the title\u003c/p\u003e\n ","\u003cp\u003ewishing to meet with her to discuss her book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003esending thanks for her book of verse, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003ereminiscing about a Thanksgiving dinner with \n \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003eand Sara,\n writing about Marion's despair over the illness of\n her mother, and expressing his delight in reading her\n book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003ethanking her for the book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand commenting on her great talent\u003c/p\u003e\n ","\u003cp\u003ere a column review of \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, in the following day's paper\u003c/p\u003e\n ","\u003cp\u003eexpressing her pleasure at receiving her book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and encouraging her to \"keep on\n singing-for all of us\"\u003c/p\u003e\n ","\u003cp\u003ereminiscing about her stay with him and \n \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003e, and\n asking him to send a copy of her book (which she will\n supply), \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, to \n \u003cpersname\u003eRichard LeGallienne\u003c/persname\u003eof \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHarper's Magazine\u003c/title\u003e\u003c/bibref\u003e, under his own name\u003c/p\u003e\n ","\u003cp\u003edrawing her attention to the notice of her book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, in the Sunday \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eNew York Times\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003elooking forward to reading her volume of verse, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and hoping that their reviewer will\n mention it\u003c/p\u003e\n ","\u003cp\u003eenclosing some clippings for \n \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003e,\n planning to mail her book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eto him to send to \n \u003cpersname\u003eRichard LeGallienne\u003c/persname\u003e, and\n mentioning her poor health\u003c/p\u003e\n ","\u003cp\u003ecommenting on the \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSt. Louis Times\u003c/title\u003e\u003c/bibref\u003ereview of her book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and on their literary relationship\u003c/p\u003e\n ","\u003cp\u003eapologizing for the delay in sending copies of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eto periodicals she requested, and returning\n the reviews of her book\u003c/p\u003e\n ","\u003cp\u003eaccepting \"The Lights of New York,\" \"Sea Longing,\"\n and \"Triolets\" for publication\u003c/p\u003e\n ","\u003cp\u003eaccepting one of her sonnets for the next issue\n and revealing that \n \u003cpersname\u003eLouis Untermeyer\u003c/persname\u003ewill be\n reviewing her book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, in the current issue\u003c/p\u003e\n ","\u003cp\u003epraising the verses in her book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand commenting on their beauty\u003c/p\u003e\n ","\u003cp\u003ereminding her of her promise to present a copy of\n her book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, to him\u003c/p\u003e\n ","\u003cp\u003esending holiday greetings and commenting \"how\n pleasing to turn to a comforting poem and find solace\n in a kindred spirit\"\u003c/p\u003e\n ","\u003cp\u003erequesting information from her for his \"calendar\n of the poets\"\u003c/p\u003e\n ","\u003cp\u003econcerning an enquiry on her first volume, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003econgratulating her after seeing the review of her\n book, Helen of Troy..., in the St. Louis Times,\n written on an announcement of new employment with\n Hornblower \u0026amp; Weeks\u003c/p\u003e\n ","\u003cp\u003econcerning the \n \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003e, and\n mentioning certain persons -- \n \u003cpersname\u003eCale Young Rice\u003c/persname\u003e, \n \u003cpersname\u003eJosephine Peabody\u003c/persname\u003e, \n \u003cpersname\u003ePercy Mackaye\u003c/persname\u003e--planning to\n attend their annual dinner\u003c/p\u003e\n ","\u003cp\u003ewriting in answer to her note about his review of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand further critiquing the poetry as he\n would have if given more space in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe International\u003c/title\u003e\u003c/bibref\u003e, and commenting that the attitude in the\n love lyrics is that of a woman\u003c/p\u003e\n ","\u003cp\u003ethanking her for the book of poems, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, finding her lyrics \"poignant and\n pertinent,\" commenting on several of his personal\n favorites, and giving a brief comment on \n \u003cpersname\u003eRudyard Kipling\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003eenclosing a letter from a friend praising \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's book of poems, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand commenting on Teasdale's\n understanding\u003c/p\u003e\n ","\u003cp\u003easking the basis for her poem, \"Sappho\"\u003c/p\u003e\n ","\u003cp\u003eexpressing gratitude for the copy of her book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and commenting on her gift of song\u003c/p\u003e\n ","\u003cp\u003ecommenting that her \"The Poor House\" was the only\n poem read at the meeting of the \n \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003e\u003c/p\u003e\n ","\u003cp\u003esaying she has read her book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and writing of having the same dream\n twice\u003c/p\u003e\n ","\u003cp\u003erequesting permission to set to music her poem\n \"When Love Comes Singing to his Heart\"\u003c/p\u003e\n ","\u003cp\u003erevealing himself as an admirer of her work and\n putting her in a class with himself\u003c/p\u003e\n ","\u003cp\u003ereceiving her acceptance to the annual dinner of\n the \n \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003e\u003c/p\u003e\n ","\u003cp\u003ethanking her for her effort to go to the Guild and\n for allowing him to use her poems in a musical\n setting\u003c/p\u003e\n ","\u003cp\u003ethanking her for `The Book of Poems' and sending a\n circular of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHome Progress\u003c/title\u003e\u003c/bibref\u003ealong with some literary notes\u003c/p\u003e\n ","\u003cp\u003esending a review and thanking her for the charming\n poems\u003c/p\u003e\n ","\u003cp\u003ewriting that he will run \n \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003e's\n article about her poems, and congratulating her on\n her move to \n \u003cgeogname\u003eNew York\u003c/geogname\u003e\u003c/p\u003e\n ","\u003cp\u003ecommenting on his book of poems and preparing for\n her move to \n \u003cgeogname\u003eNew York\u003c/geogname\u003e\u003c/p\u003e\n ","\u003cp\u003epraising her as the \"most gifted of the lyric\n girls,\" also signed by \n \u003cpersname\u003eRichard LeGallienne\u003c/persname\u003eand \n \u003cpersname\u003eB. Russell Herts\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003eappreciative of her book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003etaking the liberty of sending his edition of\n poems, and expressing his delight in her two books \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Sonnets to Duse...]\u003c/title\u003e\u003c/bibref\u003eand \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003esending her a copy of his book, commenting on her\n style and on his own, asking if she knows \n \u003cpersname\u003eZoe Akins\u003c/persname\u003eand writing that she\n sent him her book of poems, and discussing the beauty\n of \n \u003cgeogname\u003eCarmel\u003c/geogname\u003e\u003c/p\u003e\n ","\u003cp\u003eshowing his gratitude for her book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e, and inviting her to tea\u003c/p\u003e\n ","\u003cp\u003eexpressing her \"more poignant\" pleasure in \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poems after\n meeting her\u003c/p\u003e\n ","\u003cp\u003ethanking her for her book \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003eand admiring its style, and giving a message\n from \n \u003cpersname\u003eEdith Thomas\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003eacknowledging receipt of her book \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003eand expressing his pleasure in reading it,\n and giving a critique of many of the poems\u003c/p\u003e\n ","\u003cp\u003epraising her poem, \"The Poorhouse\" and confirming\n luncheon plans\u003c/p\u003e\n ","\u003cp\u003ethanking her for the inscribed copy of her book \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003eexpressing her delight in seeing \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's name in so many\n magazines, and requesting to have tea with her\u003c/p\u003e\n ","\u003cp\u003ethanking her for her letter of appreciation for \n \u003cpersname\u003eLouis Untermeyer\u003c/persname\u003e's poem, and\n commenting on \n \u003cpersname\u003eGeorge Sylvester Viereck\u003c/persname\u003e, \n \u003cpersname\u003eB. Russell Herts\u003c/persname\u003e, and \n \u003cpersname\u003eOrrick Johns\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003ecommenting on her sweet letter and on \"the\n twilight of Poetry\"\u003c/p\u003e\n ","\u003cp\u003efinding her genius in the pages of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003ecommenting on the review of her book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e, which he previously sent, written on a\n flyer about himself entitled \"A .... Journalistic\n Jubilee.. .\"\u003c/p\u003e\n ","\u003cp\u003ethanking her for the note and book of verse \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003ereferring to her poem, \"Four Winds,\" as \"deep,\n refreshing, and ... so cruelly true,\" and waiting to\n pick up a copy of her volume \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003ewriting that he will sign his name to the sonnet\n [as requested], intending to return \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Younger Choir\u003c/title\u003e\u003c/bibref\u003ein person instead of by mail, inviting her\n and \n \u003cpersname\u003eDugald Stewart Walker\u003c/persname\u003eto visit\n one evening, and expecting Aline and Kenton to call\n on her the following day\u003c/p\u003e\n ","\u003cp\u003erequesting her to \"contribute an original\n complimentary poem in honor of Browning's centenary\"\n for an article in the \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eBoston Transcript\u003c/title\u003e\u003c/bibref\u003eon May 4, honoring \n \u003cpersname\u003eRobert Browning\u003c/persname\u003e, and mentioning \n \u003cpersname\u003eCarman Bliss\u003c/persname\u003e, \n \u003cpersname\u003eEdwin Markham\u003c/persname\u003e, and \n \u003cpersname\u003eEdwin Arlington Robinson\u003c/persname\u003eas being\n among those who have already consented\u003c/p\u003e\n ","\u003cp\u003econcerning a request through their \n \u003cgeogname\u003eLondon\u003c/geogname\u003eoffice from Messrs. \n \u003ccorpname\u003eChappell \u0026amp; Co., Ltd.\u003c/corpname\u003e, to\n publish her poem, \"Pierrot,\" with a musical\n setting\u003c/p\u003e\n ","\u003cp\u003eexpressing his pleasure in receiving her book of\n poems \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e, and looking forward to meeting her one\n day\u003c/p\u003e\n ","\u003cp\u003eexpressing his pleasure in reading her book \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e, and commenting on her writing\n improvement\u003c/p\u003e\n ","\u003cp\u003elooking forward to having her inscribe his copy of\n her book of poems\u003c/p\u003e\n ","\u003cp\u003eexpressing her great pleasure at receiving her\n letter and book \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e, and discussing friendship\u003c/p\u003e\n ","\u003cp\u003ethanking her for her book of poems \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e, and returning her kindness with a copy of\n her own novel\u003c/p\u003e\n ","\u003cp\u003ewanting to exchange his book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Iron Muse\u003c/title\u003e\u003c/bibref\u003e, autographed, for any one of her books, and\n explaining the concept of his book, enclosing two of\n his poems, \"Reno\" and \"The Star\"\u003c/p\u003e\n ","\u003cp\u003eacknowledging her kindness in sending the\n inscribed copy of her book \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e, and expressing his thoughts after meeting\n her, with enclosure on \"The Modern School\"\u003c/p\u003e\n ","\u003cp\u003ethanking her for a copy of her volume of poems, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and commenting on her clarity of poetic\n ideas\u003c/p\u003e\n ","\u003cp\u003econcerning the club's thirty-fourth meeting and\n enclosing a program\u003c/p\u003e\n ","\u003cp\u003erequesting \"new treasures\" for \"The Lyric Year,\"\n and referring to a poem in process addressed to \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003ecommenting on his verse coming slowly and on\n finishing his poem dedicated to \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003eby a year or so,\n and writing to ask if she \"will not find the rare\n inspiration on the sea,\" in reference to her sailing\n to \n \u003cgeogname\u003eEurope\u003c/geogname\u003e\u003c/p\u003e\n ","\u003cp\u003eintending to extend the poetry contest and\n commenting on her wanting to sell her poem\u003c/p\u003e\n ","\u003cp\u003erequesting her to autograph a recently purchased\n book of her writings\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use two of her poems in\n musical settings\u003c/p\u003e\n ","\u003cp\u003erequesting to use another one of her poems, \"Less\n than the Cloud to the Wind,\" in a musical setting,\n and sending the title notice about \"When Love Comes\n Singing\"\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use her verse, \"At\n Night,\" in a musical setting\u003c/p\u003e\n ","\u003cp\u003erequesting biographical data, a photograph and\n review copies from her publishers for an upcoming\n series of special articles on American poets that he\n is going to undertake in his new capacity as head of\n a literary department in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Minneapolis Journal\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003efollowing up on his last letter since he has not\n heard from her, and naming some contributors to the\n article\u003c/p\u003e\n ","\u003cp\u003erepeating a prior request\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use her poem, \"Pierrot,\"\n in a musical setting\u003c/p\u003e\n ","\u003cp\u003erequesting permission to put \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's verse, \"Song,\"\n to music\u003c/p\u003e\n ","\u003cp\u003ethanking her for the letter and copy of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, trying to express the sincerity of his\n motive in doing the project, and praising her blank\n verse poems\u003c/p\u003e\n ","\u003cp\u003epraising her volumes, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003eand \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and desiring to obtain a copy of the\n latter\u003c/p\u003e\n ","\u003cp\u003eacknowledging receipt of her songs and letters,\n praising the \"rapture and delicacy\" of her \"From the\n Sea,\" and mentioning the poetry contest\u003c/p\u003e\n ","\u003cp\u003epassing on a compliment from \n \u003cpersname\u003eElla Wheeler Willcox\u003c/persname\u003eand\n requesting a list of her books along with the\n publishers' names\u003c/p\u003e\n ","\u003cp\u003easking for \n \u003cpersname\u003eJessie Belle Rittenhouse\u003c/persname\u003e's\n address in order to express her interest in the \n \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003e, and\n praising \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's verses\u003c/p\u003e\n ","\u003cp\u003eaccepting her poem, \"I Shall Not Care,\" for\n publication\u003c/p\u003e\n ","\u003cp\u003eexpressing his pleasure in \n \u003cpersname\u003eMitchell Kennerley\u003c/persname\u003e's acceptance\n of her poem for \"The Lyric Year\"\u003c/p\u003e\n ","\u003cp\u003esending \"a few lines of opinion upon your\n verse...\"\u003c/p\u003e\n ","\u003cp\u003econcerning her request for his review of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand his own editorship of \"The Poetry\n Journal\"\u003c/p\u003e\n ","\u003cp\u003ewriting a brief opinion of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003eadmiring her and thanking her for her kind\n thoughts\u003c/p\u003e\n ","\u003cp\u003eaccepting \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem, \"Off\n Capri\"\u003c/p\u003e\n ","\u003cp\u003ecommenting on the honesty of her poetry,\n mentioning her review of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and asking if she knows \n \u003cpersname\u003eGeorge Buchanan Fife\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003ethanking her for the copy of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003eexpressing her admiration for \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poetry and her\n gratitude for Teasdale noticing her writing\u003c/p\u003e\n ","\u003cp\u003eaccepting her Christmas poem and requesting a\n review of \n \u003cpersname\u003eJohn Hall Wheelock\u003c/persname\u003e's book of\n poetry\u003c/p\u003e\n ","\u003cp\u003econfessing to be a great admirer of her poetry and\n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, thanking her for her note, and enclosing a\n circular of his new book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Beloved Adventure\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003eaccepting \"Sappho\" for future publication\u003c/p\u003e\n ","\u003cp\u003ethanking him for the booklet\u003c/p\u003e\n ","\u003cp\u003ethanking her for the book and giving a glowing\n opinion of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003eaccepting \"The Hour,\" with a slight change in the\n second stanza\u003c/p\u003e\n ","\u003cp\u003ereturning her poem, \"The Hour,\" since she rejects\n the change and apologizing for a printing error\u003c/p\u003e\n ","\u003cp\u003elooking forward to meeting an old friend \n \u003cpersname\u003e(Sara Teasdale)\u003c/persname\u003efor the first\n time\u003c/p\u003e\n ","\u003cp\u003ethanking her for the volume, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003ereaching an agreement concerning her poem, \"The\n Hour\"\u003c/p\u003e\n ","\u003cp\u003eaccepting her two poems, \"Song\" and \"Gifts\"\u003c/p\u003e\n ","\u003cp\u003eexpressing his having the \"true pleasure of\n finding a heart-full of real love lyrics\" and\n praising her work\u003c/p\u003e\n ","\u003cp\u003eaccepting two of her poems for \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poetry Journal\u003c/title\u003e\u003c/bibref\u003e, and mentioning a tete-a-tete with \n \u003cpersname\u003e[Alfred] Noyes\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003ecommenting that her work is just what the \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSmart Set\u003c/title\u003e\u003c/bibref\u003eneeds\u003c/p\u003e\n ","\u003cp\u003epraising her as the best \"writer of delicate\n lyrics\" and commenting on some of her verse in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003esending a tribute to her muse and expressing his\n enjoyment of her visit\u003c/p\u003e\n ","\u003cp\u003epraising her volume and apologizing for his delay\n in writing due to his busy schedule\u003c/p\u003e\n ","\u003cp\u003ekeeping six of her poems for publication and\n suggesting a few changes\u003c/p\u003e\n ","\u003cp\u003ementioning the \n \u003cpersname\u003e[Alfred] Noyes\u003c/persname\u003eaffair and \n \u003cpersname\u003e[Jessie Belle] Rittenhouse\u003c/persname\u003e,\n sending her copy of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003efor an inscription and praising its\n \"Love-Songs,\" and discussing a reading by \n \u003cpersname\u003eAlfred Noyes\u003c/persname\u003eof \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Forty Singing Seamen\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003eadmitting to be an admirer of her work and\n accepting \"Enough\" and \"Prayer\"\u003c/p\u003e\n ","\u003cp\u003erequesting permission to set \"Pierrot Plays in the\n Garden\" to music\u003c/p\u003e\n ","\u003cp\u003ecommenting on her note and verse, \"A Forsaken\n Garden\" about the vandalism of \n \u003cgeogname\u003eSnows Garden\u003c/geogname\u003e\u003c/p\u003e\n ","\u003cp\u003ecalling her poem, [\"A Forsaken Garden\"] \"pure\n music in plainest English!...\"\u003c/p\u003e\n ","\u003cp\u003erequesting permission to publish a song, \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's \"Pierrot,\" set\n to music\u003c/p\u003e\n ","\u003cp\u003esending under separate cover \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Creed of a Beggar\u003c/title\u003e\u003c/bibref\u003eand \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Rules of the Road\u003c/title\u003e\u003c/bibref\u003e, and looking forward to \"a most profitable\n friendship\"\u003c/p\u003e\n ","\u003cp\u003ethanking her for the book of verse, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and praising her true touch\u003c/p\u003e\n ","\u003cp\u003epraising one of her narrative poems and hoping to\n be able to publish it\u003c/p\u003e\n ","\u003cp\u003eholding two of her poems, \"After Parting\" and\n \"February\"\u003c/p\u003e\n ","\u003cp\u003ediscussing the poet's adaptation of his or her\n work to their wants\u003c/p\u003e\n ","\u003cp\u003epromising to take \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's book of poems to\n a nice quiet spot\u003c/p\u003e\n ","\u003cp\u003ethanking her for her book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003erequesting a signed autograph copy of her poem, \"I\n Shall not Care\"\u003c/p\u003e\n ","\u003cp\u003epraising her \"The Carpenter's Son\" as a beautiful\n and impressive poem and accepting it for their\n Christmas issue\u003c/p\u003e\n ","\u003cp\u003erequesting an autograph quotation and\n signature\u003c/p\u003e\n ","\u003cp\u003eaccepting \"Spring Night\" for publication and\n requesting biographical information\u003c/p\u003e\n ","\u003cp\u003eaccepting \"Sea Spray\" at the usual rate\u003c/p\u003e\n ","\u003cp\u003eholding two of her poems, \"Spring Night\" and \"The\n Subway Station,\" with a discussion of his thoughts on\n the latter\u003c/p\u003e\n ","\u003cp\u003eaccepting \"Heinkehr\"\u003c/p\u003e\n ","\u003cp\u003erequesting an autograph poem and signature to add\n to his \"collection of autographic documents\" in\n American literature\u003c/p\u003e\n ","\u003cp\u003eexpressing her regrets at missing her visit and\n explaining their custom concerning payment when using\n a manuscript\u003c/p\u003e\n ","\u003cp\u003epraising her work\u003c/p\u003e\n ","\u003cp\u003einviting her to read her poetry at the \n \u003ccorpname\u003eMonday Club\u003c/corpname\u003e's Poets Day, and\n mentioning \n \u003cpersname\u003eZoe Akins\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003ediscussing his \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Magazine Verse\u003c/title\u003e\u003c/bibref\u003e, requesting her to obtain permission from \n \u003cpersname\u003eRobert Bridges\u003c/persname\u003eto use her\n \"Sappho\" in the publication, and praising her\n verse\u003c/p\u003e\n ","\u003cp\u003erequesting a portrait and autograph copies of her\n poems \"Sappho\" and \"The Old Maid\" for promotional\n purposes\u003c/p\u003e\n ","\u003cp\u003easking her consent to set her poem, \"Enough\" to\n music\u003c/p\u003e\n ","\u003cp\u003ehoping to see her at the Literature Committee\n meeting the following day, and mentioning \n \u003cpersname\u003eJohn Hall Wheelock\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003ediscussing her poetry\u003c/p\u003e\n ","\u003cp\u003erequesting permission to set to music her poem,\n \"The Lines\"\u003c/p\u003e\n ","\u003cp\u003eexpressing appreciation of hearing several of \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poems\u003c/p\u003e\n ","\u003cp\u003eaccepting her poems, \"The Bay of Naples,\"\n \"Alchemy,\" and \"Twilight,\" w/ANS from \n \u003cpersname\u003eMargaret Elizabeth Willard\n Teasdale\u003c/persname\u003eon verso\u003c/p\u003e\n ","\u003cp\u003erequesting to use \"The Look\" in a musical\n setting\u003c/p\u003e\n ","\u003cp\u003ethanking her for the book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand praising her work\u003c/p\u003e\n ","\u003cp\u003erequesting permission to publish her poem, \"Song,\"\n with a musical setting\u003c/p\u003e\n ","\u003cp\u003eexpressing concern over \n \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003easking for an autographed volume of her work with\n a dedication for an exhibit\u003c/p\u003e\n ","\u003cp\u003epraising her ability to write about certain\n subjects with such ease\u003c/p\u003e\n ","\u003cp\u003eexpressing pleasure in her \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand naming several of her favorites, and\n mentioning poets she likes, such as \n \u003cpersname\u003eEmily Dickinson\u003c/persname\u003e, \n \u003cpersname\u003eJosephine Preston Peabody\u003c/persname\u003e, \n \u003cpersname\u003eJohn Banister Tabb\u003c/persname\u003e, and \n \u003cpersname\u003eBliss Carman\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003eaccepting her poem, \"To the Mother Of A Poet\"\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use her poem, \"The Look,\"\n with a musical setting in the annual book of Songs by\n Wellesley Students\u003c/p\u003e\n ","\u003cp\u003erequesting permission to set her poem, \"The Look,\"\n to music\u003c/p\u003e\n ","\u003cp\u003erequesting one or more of \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poems to be\n included in her compilation books of poems and\n prayers, \"Sunlit Days\" and \"Starlit Nights\"\u003c/p\u003e\n ","\u003cp\u003ethanking her for permission to set her poem, \"The\n Look,\" to music and mentioning \n \u003cpersname\u003eEunice Tietjens\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003eenclosing a check for use of her poem, \"At Night,\"\n in their July issue\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use her poem, \"The Look,\"\n for a musical setting\u003c/p\u003e\n ","\u003cp\u003epraising and critiquing her \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003easking for her \"hearty approval\" and help with\n their `House Party' honoring \n \u003cgeogname\u003eMissouri\u003c/geogname\u003eauthors and writers, and\n describing the city's and the library's plans for the\n affair\u003c/p\u003e\n ","\u003cp\u003erequesting \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's presence at a\n dinner in honor of \n \u003cpersname\u003eJessie Belle Rittenhouse\u003c/persname\u003eas one\n of those represented in Rittenhouse's volume, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Little Book of Modern American\n Verse\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003easking who published \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse\u003c/title\u003e\u003c/bibref\u003eand \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand whether or not she has had published\n subsequent volumes\u003c/p\u003e\n ","\u003cp\u003erequesting permission to publish \"The Look,\" as a\n song\u003c/p\u003e\n ","\u003cp\u003erequesting permission to publish her poem, \"The\n Look,\" as a song, and explaining that she is\n seventeen and wishes to further her education as a\n pianist\u003c/p\u003e\n ","\u003cp\u003erequesting on behalf of the composer permission to\n publish her poem, \"The Look,\" with a musical\n setting\u003c/p\u003e\n ","\u003cp\u003eclaiming that his daughter \n \u003cpersname\u003eBarbara George\u003c/persname\u003e's poems are\n charming, and giving news of her marriage to \n \u003cpersname\u003eErnst B. Filsinger\u003c/persname\u003eon December\n 19\u003c/p\u003e\n ","\u003cp\u003erequesting some sentiment and autograph for his\n collection\u003c/p\u003e\n ","\u003cp\u003eaccepting her poems \"Swan\" and \"Come\" for\n publication, and mentioning \"Dusk in War-Time,\"\n \"Morning,\" \"Leaves,\" and \"Bitterness\"\u003c/p\u003e\n ","\u003cp\u003erequesting her autograph for his collection of\n over two-hundred poets\u003c/p\u003e\n ","\u003cp\u003eaccepting her poems \"Peace\" and \"The Lighted\n Window\" for publication, w/ANS at bottom\u003c/p\u003e\n ","\u003cp\u003erequesting her membership in their new\n organization\u003c/p\u003e\n ","\u003cp\u003erequesting permission to publish her poem \"The\n Look\" to a musical setting\u003c/p\u003e\n ","\u003cp\u003erequesting permission to publish her poem \"Spring\"\n with the understanding that they cannot pay\u003c/p\u003e\n ","\u003cp\u003eextending an invitation to her and her husband to\n see him and his class on April 1, and briefly\n discussing his plans for that day's class\u003c/p\u003e\n ","\u003cp\u003erequesting permission to publish \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's \"The River\" with\n music\u003c/p\u003e\n ","\u003cp\u003erequesting permission to publish a musical setting\n of her poem \"The Look\"\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use three of her poems as\n lyrics for songs\u003c/p\u003e\n ","\u003cp\u003eaccepting her poem \"The Cloud\" for publication\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use several of her poems\n from \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003efor musical settings\u003c/p\u003e\n ","\u003cp\u003ethanking him for his generous praise, admiring his\n wife's poetry, and mentioning \n \u003cpersname\u003eLouis Untermeyer\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003econcerning an idea of selling an autographed\n collection of books of verse and about verse to raise\n money for \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poetry Journal\u003c/title\u003e\u003c/bibref\u003e, and mentioning \n \u003cpersname\u003eConrad Aiken\u003c/persname\u003e, \n \u003cpersname\u003eTemple Scott\u003c/persname\u003e, and \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003eaccepting her poem \"Dreams\" for publication\u003c/p\u003e\n ","\u003cp\u003ewriting in appreciation of her charming note, and\n mentioning \n \u003cpersname\u003eTheodosia (Garrison) Faulks\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003ewriting in appreciation of her kind note and\n enclosed lyrics, praising \"Night Song at Amalfi\"\n particularly, and wishing to compose songs from some\n of the poems whenever she is not too busy with giving\n concerts\u003c/p\u003e\n ","\u003cp\u003eexpecting to set to music her poems \"Come\" and\n \"The Kiss\" this summer\u003c/p\u003e\n ","\u003cp\u003ecriticizing \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's recently\n published \"In a Lighted Window\"\u003c/p\u003e\n ","\u003cp\u003ediscussing her little boy poem [\"In a Lighted\n Window\"] and Judge Walker's opinion of it in his June\n 18 letter, expressing his view of \n \u003cpersname\u003eZoe [Akin]\u003c/persname\u003eand her anthology, and\n discussing free verse\u003c/p\u003e\n ","\u003cp\u003eoffering a royalty of ten percent on all copies\n sold of her \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eand submitting a sample page\u003c/p\u003e\n ","\u003cp\u003eaccepting the revision of \"Summer Night,\n Riverside\" for future publication\u003c/p\u003e\n ","\u003cp\u003econgratulating her on her success with \n \u003ccorpname\u003eThe MacMillan Company\u003c/corpname\u003e\u003c/p\u003e\n ","\u003cp\u003erequesting permission to set to music her poem\n \"The Look\"\u003c/p\u003e\n ","\u003cp\u003econgratulating her on having her poems published\n by \n \u003ccorpname\u003eThe MacMillan Company\u003c/corpname\u003eand telling\n of her own writing\u003c/p\u003e\n ","\u003cp\u003erequesting to use two musical settings \"But What\n if I Heard my First Love\" and \"The Kiss in Colin's\n Eye\" based on her poems\u003c/p\u003e\n ","\u003cp\u003econcerning the publication of \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poetry and the\n possibility of having advance order copies\n autographed\u003c/p\u003e\n ","\u003cp\u003econcerning his anthology coming out in October,\n and asking her assistance by sending her extra set of\n proofs when corrected and by contacting \n \u003cpersname\u003eWilliam Marion Reedy\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003epraising her poems that she sent and hoping to use\n some of them\u003c/p\u003e\n ","\u003cp\u003efeeling that her book will be a success\u003c/p\u003e\n ","\u003cp\u003ecomplimenting her poems as being admirably fitted\n for American songs, and saying that she has set four\n of them to musical settings\u003c/p\u003e\n ","\u003cp\u003ecriticizing the Imagist movement but commenting\n favorably on \n \u003cpersname\u003eJohn Gould Fletcher\u003c/persname\u003e's work, and\n mentioning his drifting away from the group\u003c/p\u003e\n ","\u003cp\u003eaccepting one of her poems for publication\u003c/p\u003e\n ","\u003cp\u003econcerning a suite of songs \"Five Songs of Autumn\"\n written by himself using her poems \"Twilight,\"\n \"November,\" \"Dreams,\" and \"Dead Leaves\"\u003c/p\u003e\n ","\u003cp\u003eagreeing to see her book and review it, discussing\n the \"woman and poet,\" mentioning \n \u003ccorpname\u003eMacMillan\u003c/corpname\u003epublishing his \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSong of Hugh Glass\u003c/title\u003e\u003c/bibref\u003e, and inquiring about her interest in\n Greek\u003c/p\u003e\n ","\u003cp\u003eagreeing to review her book and giving a lengthy\n discussion of a reviewer's work\u003c/p\u003e\n ","\u003cp\u003epraising and criticizing her poetry, and\n discussing the teaching of poetry\u003c/p\u003e\n ","\u003cp\u003erequesting permission to quote her poem \"Spring in\n War Time\" in a book being prepared about the war in \n \u003cgeogname\u003eEurope\u003c/geogname\u003e\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use her poem \"I Shall Not\n Care\" in a musical setting\u003c/p\u003e\n ","\u003cp\u003easking for some poems\u003c/p\u003e\n ","\u003cp\u003egiving glowing and detailed praise of her work in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, writing of \"the deep human beauty of this\n great poem,\" \"the holy core of life itself...and\n needful to be reminded by such as you,--...,\" \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003eas \"an unabashed\n lover of life,\" \"this expression of the fundamental\n emotion in its elements...\"\u003c/p\u003e\n ","\u003cp\u003erevealing that the Library system has copies of\n her book of poems, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003ethanking her for the inscribed copy of her book \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Rivers to the Sea]\u003c/title\u003e\u003c/bibref\u003e, and promising a judgment\u003c/p\u003e\n ","\u003cp\u003ewriting in response to Sara's illness and\n mentioning her new book and some of her verse\u003c/p\u003e\n ","\u003cp\u003eexpressing his gratitude for her book and praising\n the verses\u003c/p\u003e\n ","\u003cp\u003e(written in German)\u003c/p\u003e\n ","\u003cp\u003ereplying to her letter concerning a full face or\n profile picture of her to use in their service\u003c/p\u003e\n ","\u003cp\u003e(written in German)\u003c/p\u003e\n ","\u003cp\u003eexpressing appreciation of her book \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Rivers to the Sea]\u003c/title\u003e\u003c/bibref\u003eand praising her verses\u003c/p\u003e\n ","\u003cp\u003epraising her book and her expression of her \"love\n in terms of nature,\" and wishing to see Sara\u003c/p\u003e\n ","\u003cp\u003ethanking her for \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eand commenting on her growth\u003c/p\u003e\n ","\u003cp\u003ementioning the review of her new book to be in\n December's issue\u003c/p\u003e\n ","\u003cp\u003epraising her new book and expressing his pleasure\n in having met her and \n \u003cpersname\u003eErnst B. Filsinger\u003c/persname\u003ein St.\n Louis\u003c/p\u003e\n ","\u003cp\u003estating that he received her new book through \n \u003cpersname\u003eHarriet Monroe\u003c/persname\u003eand will place it\n among his memorable things, and revealing some\n feelings toward war\u003c/p\u003e\n ","\u003cp\u003ementioning his health, the pleasant publicity of\n his \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePortmanteau\u003c/title\u003e\u003c/bibref\u003e, and her book\u003c/p\u003e\n ","\u003cp\u003erequesting a contribution for a select anthology\n of Pierrot and Columbine poems\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use her poem \"The Kiss\"\n in a musical setting\u003c/p\u003e\n ","\u003cp\u003ethanking her for the volume and telling anecdotes\n about himself\u003c/p\u003e\n ","\u003cp\u003eexpressing admiration for her and pleasure at her\n kind words concerning her own work\u003c/p\u003e\n ","\u003cp\u003eexpressing her delight upon receiving and reading\n her \"exquisite little volume\"\u003c/p\u003e\n ","\u003cp\u003ethanking her for \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, encouraging her and \n \u003cpersname\u003eErnst B. Filsinger\u003c/persname\u003eto go to the\n Poets dinner, and mentioning receipt of the Chicago\n first prize for \"the Chinese nightingale\" and the\n progress of his Movie-Book\u003c/p\u003e\n ","\u003cp\u003eexpressing her pleasure in reading \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eand promising a review shortly\u003c/p\u003e\n ","\u003cp\u003epraising her blank verse in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, and mentioning works by himself and his\n wife, Jean, and the opinions of \n \u003cpersname\u003eRobert Frost\u003c/persname\u003eand \n \u003cpersname\u003eMax Eastman\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003eexpressing his fondness for her \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003erequesting permission to publish her poem \"The\n Kiss\" in a musical setting\u003c/p\u003e\n ","\u003cp\u003epraising her work and commenting on the Rieder\n translation\u003c/p\u003e\n ","\u003cp\u003epraising the \"wonderful lyric qualities\" of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, saying that the \"songs are so directly\n from the heart and life not only of a true poet but\n of a true woman...\"\u003c/p\u003e\n ","\u003cp\u003eexpressing her and her husband's, \n \u003cpersname\u003eHenry Mills Alden\u003c/persname\u003e, admiration\n for her `singing leaves'\u003c/p\u003e\n ","\u003cp\u003epraising her \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eand her ability to \"bring a seeing eye to\n the most outworn or ordinary situations...\"\u003c/p\u003e\n ","\u003cp\u003ecommenting that she is \"writing the best singing\n verse in the country today\" and that \"our singers are\n all too few and our \n \u003cpersname\u003eEzra Pound\u003c/persname\u003es and \n \u003cpersname\u003eGertrude Stein\u003c/persname\u003es are all too\n many!\"\u003c/p\u003e\n ","\u003cp\u003eadmitting to being an admirer of her poetry, and\n planning to read \"Off Capri\" to \n \u003ccorpname\u003eThe Centennial Club\u003c/corpname\u003e\u003c/p\u003e\n ","\u003cp\u003etelling her plans to write an article on \n \u003cpersname\u003eCarl Vrooman\u003c/persname\u003eand \n \u003cpersname\u003eJulia Scott Vrooman\u003c/persname\u003eand wishing\n to quote from \n \u003cpersname\u003eSara Teasdale's verses\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003ecommenting on her \"very unusual lyric gift\" and\n the satisfying \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, and mentioning Sara's fragile health\u003c/p\u003e\n ","\u003cp\u003eciting her work as \"sincere and artistic,\"\n thanking her for the German versions of her poems,\n and wishing to publish some of her verse in the \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eYale Review\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003ediscussing an enclosed review of her \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, remarking on the sign of prodigy in \n \u003cpersname\u003eStephen Vincent Benet\u003c/persname\u003e(younger\n brother of \n \u003cpersname\u003eWilliam Rose Benet\u003c/persname\u003e), mentioning\n his wife \n \u003cpersname\u003eJean Untermeyer\u003c/persname\u003e's hit with \n \u003cpersname\u003eAmy Lowell\u003c/persname\u003e, and likens one of \n \u003cpersname\u003eG. K. Chesterton\u003c/persname\u003e's poems to \n \u003cpersname\u003eVachel Lindsay\u003c/persname\u003e's style\u003c/p\u003e\n ","\u003cp\u003equoting praises from Mrs. Meynell about the verses\n of Sara and of \n \u003cpersname\u003eMargaret Widdemer\u003c/persname\u003eas well as\n expressing his and his wife \n \u003cpersname\u003eGrace Dawson\u003c/persname\u003e's delight with\n them, and mentioning his new book \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Etchics of Confucius\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003erequesting permission to set to music her poem\n \"Spring in War Time\"\u003c/p\u003e\n ","\u003cp\u003epraising \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eand especially \"The Answer\"\u003c/p\u003e\n ","\u003cp\u003esharing her admiration of \"the lilt and the lift\n of the poems\" in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, mentioning \n \u003cpersname\u003eJesse R[ittenhouse]\u003c/persname\u003e, \n \u003cpersname\u003eMargaret Fuller\u003c/persname\u003e, \n \u003cpersname\u003eMargaret Widdemer\u003c/persname\u003e, \n \u003cpersname\u003eRoyal Dixon\u003c/persname\u003e, and discussing the\n hardship of the family of the late \n \u003cpersname\u003eMadison Cawein\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003eaccepting her poems \"In a Hospital\" and \"Flames\"\n for publication\u003c/p\u003e\n ","\u003cp\u003einforming her that they have elected her an\n honorary member\u003c/p\u003e\n ","\u003cp\u003erequesting a personal biographical sketch of her\n by one of her friends\u003c/p\u003e\n ","\u003cp\u003ethanking her for her \"melodious book\" and\n commenting on some of his favorite poems\u003c/p\u003e\n ","\u003cp\u003easking about `The New Moon' and the series of\n hospital songs, and thanking her for an article by \n \u003cpersname\u003eHarris Merton Lyon\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003ediscussing \n \u003cpersname\u003eWillard Huntington Wright\u003c/persname\u003e's\n critical pen, and praising \n \u003cpersname\u003eSara Tesdale\u003c/persname\u003e's songs\u003c/p\u003e\n ","\u003cp\u003eexpressing pleasure at one of her stories and\n wishing she would do more prose\u003c/p\u003e\n ","\u003cp\u003econcerning \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003eoffering fee for her story \"The Black Hearth\"\u003c/p\u003e\n ","\u003cp\u003esending an affectionate holiday letter\u003c/p\u003e\n ","\u003cp\u003epraising \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eand saying that no other American poet \"so\n feelingly, so spontaneously and beautifully senses\n the primal human emotions\"\u003c/p\u003e\n ","\u003cp\u003ethanking her for the copy of [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e] and commenting on her favorite poems and\n on one fault, and promising to send a copy of her own\n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSix French Poets\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003esending some old photographs of Vine\u003c/p\u003e\n ","\u003cp\u003eexplaining that she does her readings \"all for\n love of the fine new movement in poetry,\" and\n requests a copy of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003ewelcoming her book in their \n \u003ccorpname\u003ePoets Corner\u003c/corpname\u003e, praising her work,\n and inviting her to the College to see the work they\n are trying to do for the young women...\u003c/p\u003e\n ","\u003cp\u003ementioning her stay at the Dawsons' ( \n \u003cpersname\u003eMiles Dawson\u003c/persname\u003eand \n \u003cpersname\u003eGrace Dawson\u003c/persname\u003e) where she saw\n Sara's bridal picture\u003c/p\u003e\n ","\u003cp\u003erequesting formal permission to include some of\n her poems in an anthology of the \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eNew Poetry\u003c/title\u003e\u003c/bibref\u003e, with a personal handwritten note at the\n bottom and on the verso\u003c/p\u003e\n ","\u003cp\u003eexpressing his interest in translating some of her\n work into Spanish and asking for her published books\n and a photograph\u003c/p\u003e\n ","\u003cp\u003erequesting permission to publish \"The Kiss\" set to\n music\u003c/p\u003e\n ","\u003cp\u003ediscussing a school project and requesting a\n letter and a photograph\u003c/p\u003e\n ","\u003cp\u003eaccepting her \"Songs in a Hospital\" and requesting\n one other poem for publication\u003c/p\u003e\n ","\u003cp\u003epraising Sara and her work on behalf of \"Ned\" ( \n \u003cpersname\u003eEdna Wahlert\u003c/persname\u003e) and herself, and\n enclosing an \"honest tribute from Ned\"\u003c/p\u003e\n ","\u003cp\u003eacccepting her poem \"Old Days\" for publication\u003c/p\u003e\n ","\u003cp\u003eexpressing her satisfaction at hearing from her\n and Ned ( \n \u003cpersname\u003eEdna Wahlert\u003c/persname\u003e)\u003c/p\u003e\n ","\u003cp\u003ethanking her belatedly for her gift of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003ethanking her for the letter and gift of poetry\u003c/p\u003e\n ","\u003cp\u003econcerning her own article on \"Masterpieces of\n American Women Poets\"\u003c/p\u003e\n ","\u003cp\u003epraising her \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse and Other Poems\u003c/title\u003e\u003c/bibref\u003eand \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003eexpressing her pleasure in reading \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, and mentioning it being listed in the\n April issue\u003c/p\u003e\n ","\u003cp\u003eextending an invitation for her to read some of\n her poems at a benefit tea\u003c/p\u003e\n ","\u003cp\u003eaccepting her poem \"Child, Child\" for publication\n if it is not to be published in a book soon\u003c/p\u003e\n ","\u003cp\u003eexpressing his pleasure with her letter, poems,\n and songs as well as his enjoyment in singing her\n songs, and mentioning a singing engagement at the \n \u003ccorpname\u003eBrowning Society\u003c/corpname\u003eSoiree\u003c/p\u003e\n ","\u003cp\u003ewriting of her enjoyment in hearing \n \u003cpersname\u003eErnst B. Filsinger\u003c/persname\u003eread Sara's\n poems at The Wednesday Club, and inviting her to tea\n with \n \u003cpersname\u003eCelia Harris\u003c/persname\u003eand herself\u003c/p\u003e\n ","\u003cp\u003ethanking her for the book which has not yet\n arrived and sending regards to \"Johns and Miss\n Monroe\"\u003c/p\u003e\n ","\u003cp\u003ere \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003ecalling her new book delightful and commenting on\n her ability to \"keep command over so sure an\n artistry,\" and enclosing a copy of his poem \"To St.\n Louis\"\u003c/p\u003e\n ","\u003cp\u003eexpressing pride at her letter and gift of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003erequesting permission to obtain the rights to \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem \"Joy\" to\n use in a musical setting, with ANS from Reedy to \n \u003cpersname\u003eSara Teasdale Filsinger\u003c/persname\u003eat\n top\u003c/p\u003e\n ","\u003cp\u003ethanking her for the letter and beautiful book,\n and expressing an inerest in setting some of her\n poems to music\u003c/p\u003e\n ","\u003cp\u003eindicating that he has set to classical music her\n poem \"Flames\"\u003c/p\u003e\n ","\u003cp\u003ewriting of activities of the \n \u003ccorpname\u003eBrowning Society\u003c/corpname\u003eand enclosing a\n program\u003c/p\u003e\n ","\u003cp\u003eexpressing his certainty that some of her lyrics\n will inspire some composer to set them to music\u003c/p\u003e\n ","\u003cp\u003ewishing to secure the \"Song Maker\" and one other\n lyric for use in a vocal number in \"Missouri's Place\n in Literature\"\u003c/p\u003e\n ","\u003cp\u003ethanking her for the gift of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, and expressing an interest in setting some\n of them to music\u003c/p\u003e\n ","\u003cp\u003ethanking her for the pretty \"Mary Arden poem\"\u003c/p\u003e\n ","\u003cp\u003eenclosing three photographs of \n \u003cpersname\u003eWilliam Faversham\u003c/persname\u003eand others at\n the Shakespeare Celebration\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use \"The Kiss\" in a\n musical setting\u003c/p\u003e\n ","\u003cp\u003ethanking her for the letter and copies of her\n poems, and mentioning a discussion with \n \u003cpersname\u003eEdmund Clarence Stedman\u003c/persname\u003eover what\n constitutes a lyric poem\u003c/p\u003e\n ","\u003cp\u003erequesting permission to set to music \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem \"I Heard a\n Cry\"\u003c/p\u003e\n ","\u003cp\u003econcerning Newark's Poem Competition and its civic\n theme\u003c/p\u003e\n ","\u003cp\u003erequesting her membership and expressing\n admiration\u003c/p\u003e\n ","\u003cp\u003econcerning her assistance as judge\u003c/p\u003e\n ","\u003cp\u003ethanking her for her letter and poems, which gave\n him a great deal of pleasure\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use her poem \"In a\n Hospital\" in a volume of selections from English and\n American poets about the war to be edited by himself\n on behalf of the \n \u003ccorpname\u003eBelgian Scholarship\n Committee\u003c/corpname\u003e\u003c/p\u003e\n ","\u003cp\u003econcerning a meeting of American poets to be held\n on June 28 \"in memory of \n \u003cpersname\u003ePadraic Pearse\u003c/persname\u003e, \n \u003cpersname\u003eThomas MacDonagh\u003c/persname\u003e, and \n \u003cpersname\u003eJoseph Plunkett\u003c/persname\u003e, the three poets\n who were executed for their share in the recent\n uprising in \n \u003cgeogname\u003eDublin\u003c/geogname\u003e, \" and asking for one of\n her poems to be read\u003c/p\u003e\n ","\u003cp\u003eenclosing a request to set to music \"Child,\n Child\"\u003c/p\u003e\n ","\u003cp\u003eextending appreciation for her part in the \n \u003cgeogname\u003eSt. Louis\u003c/geogname\u003eConvention, and\n commenting on her two beautiful odes read by \n \u003cpersname\u003eWilliam Faversham\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003eoffering preliminary terms for the spring 1917\n publication of her anthology of love lyrics by\n women\u003c/p\u003e\n ","\u003cp\u003econcerning \n \u003ccorpname\u003eHoughton Mifflin Company\u003c/corpname\u003e's\n acceptance of Sara's \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Answering Voice...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003emore concerning \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Answering Voice...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003erequesting copies of her two Shakespearian odes\n both read by \n \u003cpersname\u003eWilliam Faversham\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003ethanking her for her charming note about her\n daughter \n \u003cpersname\u003eHilda Conkling\u003c/persname\u003e's poem, and\n enclosing some poems by the five-year old\u003c/p\u003e\n ","\u003cp\u003erequesting permission to set to music her poem \"A\n Poem of Young Love\"\u003c/p\u003e\n ","\u003cp\u003eexpressing her enjoyment over \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, and mentioning Sara's discriminating\n comment on \n \u003cpersname\u003eSappho\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003erequesting permission to print her \"Testament\" in\n a little volume of sermons\u003c/p\u003e\n ","\u003cp\u003eaccepting a poem for publication\u003c/p\u003e\n ","\u003cp\u003erequesting again permission to set to music her \"A\n Poem of Young Love\" as well as \"When I am Dead\"\u003c/p\u003e\n ","\u003cp\u003epraising her \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003eexpressing his interest in having her poetry set\n to some `Ozark songs'\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use her lyrics \"A\n Benediction\" in a musical setting by \n \u003cpersname\u003eC. Whitney Coombs\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003easking permission to use the second verse of \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem \"Child,\n Child\" on a card to be distributed among friends\u003c/p\u003e\n ","\u003cp\u003erequesting permission to set to music \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem \"Child,\n Child\"\u003c/p\u003e\n ","\u003cp\u003eexpressing his pleasure at her new poems, and\n mentioning the protest against the Post Office\n banning of the works of \n \u003cpersname\u003eTheodore Dreiser\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003econcerning letters requesting permission to use\n some of Sara's lyrics\u003c/p\u003e\n ","\u003cp\u003eaccepting her poem \"Other Men\" for publication\u003c/p\u003e\n ","\u003cp\u003erequesting permission to set to music her poems\n \"Deep in the Night,\" \"Come,\" and \"The Flight\"\u003c/p\u003e\n ","\u003cp\u003erequesting an original verse to use as a guide for\n contestants in a health poetry contest in which \n \u003cpersname\u003eHarriet Monroe\u003c/persname\u003e, \n \u003cpersname\u003eHenry Adams Bellows\u003c/persname\u003e, and \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003ewill\n act as judges\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use one of her poems in\n an anthology she is editing entitled \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Answering Voice--One Hundred\n Love-Lyrics by Women\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003eaccepting her poem \"August Moonrise\" for\n publication if conditions are agreeable\u003c/p\u003e\n ","\u003cp\u003easking her consent on behalf of her singing master\n to have a song published using her verse \"Jewels\"\u003c/p\u003e\n ","\u003cp\u003ecommenting on the poems she liked best including a\n group of \"Songs Out of Stress\"\u003c/p\u003e\n ","\u003cp\u003eadmitting that she has been enthusiastically\n reading from Sara's poems at her Poetry Readings and\n asks for furthur cooperation\u003c/p\u003e\n ","\u003cp\u003eseeking biographical information for their club\n studying living English and American poets\u003c/p\u003e\n ","\u003cp\u003ewriting as her agent and enclosing a check for her\n poem \"The Philosopher\" which is to be published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eGood Housekeeping\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003eaccepting her poem \"The Ballad of St. Kevin\" for\n their Christmas issue\u003c/p\u003e\n ","\u003cp\u003erequesting permission to publish her poem \"The\n Cloud\" set to music\u003c/p\u003e\n ","\u003cp\u003erequesting permission to publish \"The Look\" set to\n music along with some others she is working on\u003c/p\u003e\n ","\u003cp\u003econcerning a project with \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Bookman\u003c/title\u003e\u003c/bibref\u003eand \n \u003ccorpname\u003eDodd, Mead, \u0026amp; Company\u003c/corpname\u003ein the\n form of an anthology of new poems by American\n poets\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use some of her poems in\n musical settings\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use \"The Cloud\" and\n \"Night Song at Amalfi\" by \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003ein musical\n settings\u003c/p\u003e\n ","\u003cp\u003eadmiring her work and wondering how to obtain her\n books other than \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003ereferring to a letter, November 22, 1916, from \n \u003cpersname\u003eJulius Kranz\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003eadmiring \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's \"November Night\"\n and commenting on its \"wonderful imagery, its\n sympathetic feeling...\"\u003c/p\u003e\n ","\u003cp\u003etranslating a reference to \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003efrom Yiddish to English\u003c/p\u003e\n ","\u003cp\u003ereferring to a note in praise of her \"November\n Night\"\u003c/p\u003e\n ","\u003cp\u003ewriting as her agent and sending a check for\n \"Spring Rain\" which is to be published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eCentury Magazine\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003eoffering an agreement for her proposal of a book\n of `Love Lyrics'\u003c/p\u003e\n ","\u003cp\u003ewriting of entertaining friends with a reading of\n her \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eand their enjoyment\u003c/p\u003e\n ","\u003cp\u003esending the agreement for the proposed book of\n love lyrics\u003c/p\u003e\n ","\u003cp\u003ethanking her for \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003econcerning the publication of several of his songs\n made from her lyrics\u003c/p\u003e\n ","\u003cp\u003eacknowledging her letter and volume of verse\u003c/p\u003e\n ","\u003cp\u003einviting her to talk intimately about her work at\n the \n \u003ccorpname\u003eWriters Guild\u003c/corpname\u003eDay at the \n \u003ccorpname\u003eUniversity of Missouri\u003c/corpname\u003e\u003c/p\u003e\n ","\u003cp\u003erequesting one of her bookplates in exchange for\n the enclosed one of her own\u003c/p\u003e\n ","\u003cp\u003eexpressing his enjoyment in reading her poems,\n particularly \"I Shall Not Care,\" \"Off Algiers,\" and\n \"Capri\"\u003c/p\u003e\n ","\u003cp\u003erevealing that he would be pleased to have her\n work appear more often in the magazine\u003c/p\u003e\n ","\u003cp\u003epraising her poems in the form of a poem entitled\n \"Why Not\"\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use her poem\n \"Grandfather's Love\" in a musical setting for a\n colleciton of childrens' songs\u003c/p\u003e\n ","\u003cp\u003eaccepting her poem \"Tonight\" for publication but\n declining \"Defeated\" due to spacing problems\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use her poem \"Swans\" in a\n musical setting\u003c/p\u003e\n ","\u003cp\u003eaccepting her poem \"Schooners\" for publication\u003c/p\u003e\n ","\u003cp\u003erequesting permission to set to music her two\n poems \"Joy\" and \"The Look\"\u003c/p\u003e\n ","\u003cp\u003eaccepting her poem \"The Strawberry Man\" for\n publication, and expressing sympathy for her\n sickness\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use a few of her lyrics\n in a revision of his \"The Home Book of Verse\"\u003c/p\u003e\n ","\u003cp\u003epraising her poem \"Dreams\" and requesting\n permission to publish it in a musical setting\u003c/p\u003e\n ","\u003cp\u003econcerning a magazine, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Madrigal\u003c/title\u003e\u003c/bibref\u003e, devoted to the publication of love lyrics\n and requesting a contribution\u003c/p\u003e\n ","\u003cp\u003eexpressing gratitude for her sending \"At Midnight\"\n which he will include in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Masque of Poets\u003c/title\u003e\u003c/bibref\u003eand send to \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Bookman\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003erevealing that he has set her poem \"Swans\" as a\n song after receiving a copy of her \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use her poem \"Deep in the\n Night\" for a musical setting\u003c/p\u003e\n ","\u003cp\u003econcerning the changed version of \"The Prayer of\n the Gardener\"\u003c/p\u003e\n ","\u003cp\u003econcerning a volume he is editing entitled \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of New York Verse\u003c/title\u003e\u003c/bibref\u003eand wishing to include some of Sara's\n poems\u003c/p\u003e\n ","\u003cp\u003econcerning a musical setting of her poem\n \"Pierrot\"\u003c/p\u003e\n ","\u003cp\u003ewishing to have published the enclosed Danish\n translation of her poem \"Rain\"\u003c/p\u003e\n ","\u003cp\u003erequesting permission to publish a musical setting\n for women's chorus of her poem \"Dusk in June\"\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use her poem \"Helen of\n Troy\" in a collection of poems about ancient Troy\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use her poem \"Sea\n Longing\" in a \"book on modern tendencies of poetry as\n exhibited in the sonnet\"\u003c/p\u003e\n ","\u003cp\u003einforming her that her poem-sequence \"Songs Out of\n Sorrow\" has received the highest vote in balloting of\n the \n \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003e\u003c/p\u003e\n ","\u003cp\u003ethanking her for the letter and poem, and\n mentioning activities in the \n \u003ccorpname\u003eNational League\u003c/corpname\u003e\u003c/p\u003e\n ","\u003cp\u003epraising her poem \"Tonight\" and wishing to tell\n her about his own brand of poetry-making\u003c/p\u003e\n ","\u003cp\u003eexpressing her feelings for the poems in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, and commenting on their being \"so simple\n and natural and real\"\u003c/p\u003e\n ","\u003cp\u003eseeking help in the way of reviewing with her own\n verses and asking where to obtain \"Songs Out of\n Sorrow\"\u003c/p\u003e\n ","\u003cp\u003eaccepting her poem \"Embers\" and requesting\n material for a free ad\u003c/p\u003e\n ","\u003cp\u003epraising her poem \"Schooners\" and inquiring about\n the names of the vessels\u003c/p\u003e\n ","\u003cp\u003erequesting autographed volumes of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eto be auctioned for the \n \u003ccorpname\u003eAmerican Ambulance Fund\u003c/corpname\u003e\u003c/p\u003e\n ","\u003cp\u003erequesting permission to publish \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem \"Tonight\"\n set to music\u003c/p\u003e\n ","\u003cp\u003econcerning a request for permission to publish her\n poem \"Buried Love\" with a musical setting from Miss \n \u003cpersname\u003eMima A. Taylor\u003c/persname\u003eof \n \u003ccorpname\u003eKilmarnock, Scotland\u003c/corpname\u003e\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem \"The Look\"\n in a musical setting to be published by \n \u003cpersname\u003eHarold Flammer\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003econcerning the September 11 letter from Mrs. \n \u003cpersname\u003eA. R. Wilson\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003e[concerning \n \u003cpersname\u003eRalph T. Whitney\u003c/persname\u003e]\u003c/p\u003e\n ","\u003cp\u003econcerning his request of September 5\u003c/p\u003e\n ","\u003cp\u003epraising Sara's love songs and commenting that the\n two books [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003eand \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Answering Voice: One Hundred Love\n Lyrics by Women\u003c/title\u003e\u003c/bibref\u003e] are pretty, and writing family news\u003c/p\u003e\n ","\u003cp\u003ethanking her for the two books, one of love songs,\n the other a collection of poems by women\u003c/p\u003e\n ","\u003cp\u003ethanking her for the forthcoming volume and\n promising to read it with pleasure\u003c/p\u003e\n ","\u003cp\u003ethanking her for the two volumes [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003eand \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Answering Voice: One Hundred Love\n Lyrics by Women\u003c/title\u003e\u003c/bibref\u003e] and praising her own love songs as being\n of a higher level than the other women's verses\u003c/p\u003e\n ","\u003cp\u003erequesting permission to use her verse \"Tonight\"\n in a musical setting\u003c/p\u003e\n ","\u003cp\u003ethanking her for the book of lyrics, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Answering Voice: One Hundred Love\n Lyrics by Women\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003ethanking her for the volume, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003e, and commenting on her \"gift for pure\n lyric\"\u003c/p\u003e\n ","\u003cp\u003ethanking her for the book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003e, and finding in it verses for songs\u003c/p\u003e\n ","\u003cp\u003ethanking her for the book of her poems, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003e, and commenting on its \"lyric\n loveliness\"\u003c/p\u003e\n ","\u003cp\u003ethanking her for the inscribed \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003eand praising her work\u003c/p\u003e\n ","\u003cp\u003ediscussing Sara's \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Answering Voice: One Hundred Love\n Lyrics by Women\u003c/title\u003e\u003c/bibref\u003eand her own \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eCornucopia of Red and Green Comfits\u003c/title\u003e\u003c/bibref\u003eand \n \u003cpersname\u003eVachel Lindsay\u003c/persname\u003eand his work\u003c/p\u003e\n ","\u003cp\u003ethanking her for the charming little book, [ \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e\n ","\u003cp\u003eaccepting her poems \"Sons\" for the January issue\n and \"When we are Happiest\" for a later one\u003c/p\u003e\n ","\u003cp\u003eaccepting a poem for their Christmas issue\u003c/p\u003e\n ","\u003cp\u003eaccepting her poem \"The Cup\" for publication\u003c/p\u003e\n ","\u003cp\u003ethanking her for the charming letter and gift of\n poems\u003c/p\u003e\n ","\u003cp\u003epraising her volume of poems, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003e, and asking if she has any war poems to\n possibly read at the MacDowell Center\u003c/p\u003e\n ","\u003cp\u003esending her a poem by himself entitled \"Sara--An\n Acrostic\"\u003c/p\u003e\n ","\u003cp\u003einforming her of the \n \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003eaward\n for her volume \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n ","\u003cp\u003einquiring about the possibilities of further\n work\u003c/p\u003e\n ","\u003cp\u003eexpressing gratitude for her letter and mentioning\n her own physical weakness\u003c/p\u003e\n ","\u003cp\u003ementioning \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse and Other Poems\u003c/title\u003e\u003c/bibref\u003e, and asking after her family\u003c/p\u003e\n ","\u003cp\u003ecommenting on the latter's verses and encouraging\n her\u003c/p\u003e\n ","\u003cp\u003ethanking her for her book and telling of his\n enjoyment in reading it\u003c/p\u003e\n ","\u003cp\u003ewriting to her friend after a long interval,\n telling of her separation from \n \u003cpersname\u003eErnst B. Filsinger\u003c/persname\u003e, a visit in\n May to \n \u003cgeogname\u003eFrance\u003c/geogname\u003ewith \n \u003cpersname\u003eMargaret Conklin\u003c/persname\u003e, her problems\n since being seriously injured in a taxi-cab in March\n 1928, and plans for a visit to \n \u003cgeogname\u003eCalifornia\u003c/geogname\u003e\u003c/p\u003e\n ","\u003cp\u003ereviving ties with her old friend\u003c/p\u003e\n ","\u003cp\u003eexchanging family news, and mentioning \n \u003cpersname\u003eJoseph Hergesheimer\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003ethanking her profusely for the gift of a\n butterfly, mentioning \n \u003cpersname\u003eJay Van Everen\u003c/persname\u003e's praise of it,\n referring to her essay on \n \u003cpersname\u003eChristina Rossetti\u003c/persname\u003e, discussing \n \u003cpersname\u003eVirginia Woolf\u003c/persname\u003e, comparing the\n views of the Empire State Building and the Eiffel\n Tower, and saying she would be glad to meet \n \u003cpersname\u003eMary Ware Dennett\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003ediscussing the lingering effects of the Depression\n on New York, and her frail physical condition and\n wanting to leave \n \u003cgeogname\u003eNew York\u003c/geogname\u003e; and, mentioning Mrs. \n \u003cpersname\u003eVachel Lindsay\u003c/persname\u003e, her own\n biography of \n \u003cpersname\u003eChristina Rossetti\u003c/persname\u003e, and\n friends\u003c/p\u003e\n ","\u003cp\u003ediscussing her decreased income, work on her essay\n about \n \u003cpersname\u003eChristina Rossetti\u003c/persname\u003e, and personal\n news\u003c/p\u003e\n ","\u003cp\u003ementioning meeting \n \u003cpersname\u003eChristina Rossetti\u003c/persname\u003e's two\n nieces\u003c/p\u003e\n ","\u003cp\u003ediscussing life in \n \u003cgeogname\u003eSpain\u003c/geogname\u003e; and giving a personal\n discourse on the relationships of \n \u003cpersname\u003eGeorge Bernard Shaw\u003c/persname\u003eand \n \u003cpersname\u003eEllen Terry\u003c/persname\u003eand \n \u003cpersname\u003eHenry Irving\u003c/persname\u003e, and comparing\n Terry to \n \u003cpersname\u003eEleonora Duse\u003c/persname\u003eas an actress and\n lover\u003c/p\u003e\n ","\u003cp\u003ementioning the latter's \"Crumbs,\" \n \u003cpersname\u003eSarah Bernhardt\u003c/persname\u003eand \n \u003cpersname\u003eEleonora Duse\u003c/persname\u003e, \n \u003cpersname\u003eWilliam Marion Reedy\u003c/persname\u003eand \n \u003cpersname\u003eTyrell Williams\u003c/persname\u003e, and \n \u003cpersname\u003eVirginia Woolf\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003eexpressing her feelings about the gift of the\n beautiful butterfly and the importance of childhood\n memories\u003c/p\u003e\n ","\u003cp\u003econcerning some pictures of \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003ediscussing \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's suicide\u003c/p\u003e\n ","\u003cp\u003ementioning \n \u003cpersname\u003eWilliamina Parrish\u003c/persname\u003e, \n \u003cpersname\u003eMartha Prentice Merwin\u003c/persname\u003e, and \n \u003cpersname\u003eUpton Sinclair\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003eenclosing horoscope and related enclosures\u003c/p\u003e\n ","\u003cp\u003ediscussing \n \u003cpersname\u003eMorgan McCormick\u003c/persname\u003eand \n \u003cpersname\u003eIsabel (Parrish) McCormick\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003esending additional horoscope material\u003c/p\u003e\n ","\u003cp\u003eremembering \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's death and\n mentioning old friends\u003c/p\u003e\n ","\u003cp\u003esending a photograph of \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e; and, discussing\n Sara's wishes after her death: the \n \u003cpersname\u003eChristina Rossetti\u003c/persname\u003ebook and other\n works remaining unpublished and keeping her life\n private\u003c/p\u003e\n ","\u003cp\u003ewriting news of \n \u003cpersname\u003eTyrell Williams\u003c/persname\u003eand \n \u003cpersname\u003eNell Niedringhaus Williams\u003c/persname\u003eand\n biographical information\u003c/p\u003e\n ","\u003cp\u003ewriting family news and mentioning \n \u003cpersname\u003eCelia [E. Harris]\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003ementioning \n \u003cpersname\u003eVine Colby\u003c/persname\u003e, \n \u003cpersname\u003ePetronelle Sombart\u003c/persname\u003e, \n \u003cpersname\u003eEdna \"Ned\" Wahlert\u003c/persname\u003e, and \n \u003cpersname\u003eEdith Wyatt\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003ementioning \n \u003cpersname\u003eCaroline Risque\u003c/persname\u003e, \n \u003cpersname\u003eVine Colby\u003c/persname\u003e, and briefly\n describing her life in \n \u003cgeogname\u003eLincoln\u003c/geogname\u003e\u003c/p\u003e\n ","\u003cp\u003edescribing the pleasure that the \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePotter's Wheels\u003c/title\u003e\u003c/bibref\u003ebrings her and others, mentioning \n \u003cpersname\u003eCelia E. Harris\u003c/persname\u003e' convalescence,\n with ANS from Celia, mentioning her own and \n \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's illnesses\u003c/p\u003e\n ","\u003cp\u003eordering photographs\u003c/p\u003e\n ","\u003cp\u003eacknowledging the photographs of \n \u003cpersname\u003eCelia E. Harris\u003c/persname\u003e\u003c/p\u003e\n ","\u003cp\u003efrom an \"enchanting old place\"\u003c/p\u003e\n "],"scopecontent_tesim":["sending thanks for her sympathy and inviting her\n to visit","revealing his delight in a poem she sent and\n discussing her style","re looking over proofs to her volume of poetry [ \n Sonnets to Duse and Other Poems]","mentioning her \n E[leanora] D[use]sonnet being\n accepted by \n Poet Lorefor publication","re horseback riding and critiquing a poem,\n \"Vengeance\" by Colby","mentioning the July \n Potter's Wheel","sending her a review of \n Sara Teasdale's volume of poetry\n Sonnets to Duse...","praising her book \n Sonnets to Duse...","extending his thanks for the copy of her book \n Sonnets to Duse...and hoping for its success","thanking her for the copy of her book \n Sonnets to Duse..., praising it, and wishing for its\n success","revealing her pride of her childhood friend ( \n Sara Teasdale) after seeing her\n \"Guenevere\" in \n The Digest","expressing his pleasure in presenting her poem\n [\"Guenevere\"] to the world, praising her book of\n verses, \n Sonnets to Duse..., and encouraging her to continue writing\n verses in her careful fashion","praising her poem [\"Guenevere\"]","thanking her for the copy of her book \n Sonnets to Duse...praising her effort, and mentioning seeing\n actress \n Olga Nethersole.","thanking her for the autograph copy of her book \n Sonnets to Duse..., writing about getting settled in their new\n home","asking for a day to visit, expressing her pleasure\n in her ( \n Sara Teasdale's ) book \n Sonnets to Duse..., with ALS from \n Mary D. Harristo \n Sara Teasdale, expressing her\n pride in Teasdale and her book","writing about the beauty of her poems and that he\n has written a review of her book [ \n Sonnets to Duse...]","praising her book [ \n Sonnets to Duse...]","sending his review of her book [ \n Sonnets to Duse...] from \n The Saturday Review","concerning her delight in receiving a letter from \n Arthur Symons, and saying that\n Symons is \"not only one of the greatest living\n critics, but...a poet of true feeling...\"","thanking her for the copy of her book [ \n Sonnets to Duse...], and discussing \n Arthur Symons","enclosing the \"notice by \n Arthur Symonsfrom \n Saturday Review\"","thanking her for the presentation copy of her book\n [Sonnets to Duse...] and praising her poems and\n sonnets","thanking her for the copy of her book [ \n Sonnets to Duse...]","thanking her for the copy of her book [ \n Sonnets to Duse...], and encouraging her to pursue her gift of\n writing verse","expressing appreciation of the copy of her book [ \n Sonnets to Duse...]","thanking her for the copy of her book [ \n Sonnets to Duse...] and wanting to see her","stating that \n Eleanora Dusewould be returning\n to her home at 54 Via Robbia soon, sent to \n Sara Teasdaleby \n Jerome A. Quay","explaining the content of the November 19, 1907\n letter re \n Eleanora Duse","writing that he would be glad to use \"The Heart's\n Hearth\" in the Christmas issue","thanking her for the copy of her book [ \n Sonnets to Duse...] and expressing his and his wife's\n enjoyment of her poetry","returning her poems except for \"Dusk\" which he\n hopes will go into the January issue","acknowledging receipt of her letter and copy of\n her book [ \n Sonnets to Duse...] to be forwarded to \n Eleanora Duse","wishing to purchase her book of verse [ \n Sonnets to Duse...]as a Christmas gift","praising her book of verse, \n Sonnets to Duse..., and including a poem","sending a copy of her \n Sonnets to Duse...for her to autograph and saying that \"Dusk\"\n will be in the February issue","thanking her for the book, [ \n Sonnets to Duse...], commenting on her gift for writing\n poetry, and wanting her parents to visit on their way\n from \n Philadelphia, Pennsylvania","thanking her for the book [ \n Sonnets to Duse...]","thanking her for the book [ \n Sonnets to Duse...], praising the sonnets, and wishing to talk\n with her","praising her book [ \n Sonnets to Duse...] and relating personally to some of the\n poems, and discussing the relationship between a work\n and its artist and how they are perceived by\n others","returning her poem unused due to lack of space","re the birth of their baby, \n Barbara George","expressing appreciation for the book of verses [ \n Sonnets to Duse...] sent to \n Mary F. Raphael, who is not\n well, and saying that Mrs. Raphael has sent three\n autographed photographs of her pictures to \n Sara Teasdale","commenting favorably on her book of verse [ \n Sonnets to Duse...], which she borrowed from \n Fred R. Macauley, referring to \n Sara Teasdaleas having \"the\n unmistakable lyric touch,\" comparing her own verse to\n Sara Teasdale's , and wanting to\n talk with her and get to know her","expressing her pleasure in \n Sara Teasdale's poem,\n \"Guenevere,\" writing that their interpretations of\n Tennyson's masterpiece are very similar and that she\n will send a photograph of her picture of the work\n which illustrates this","sending congratulations for their baby, \n Barbara George","thanking her for the copy of her book [ \n Sonnets to Duse...]","praising her book of verse, \n Sonnets to Duse..., and complimenting her writing","acknowledging her praise for his translation of\n the odes and fragments of \n Sapphoand writing that he would\n be glad to send her a copy, and referring to one of\n her poems as being of \"rare beauty of thought and\n expression\"","expressing enjoyment of her book [ \n Sonnets to Duse...] and congratulating her on its success","thanking her for her book of poems [ \n Sonnets to Duse...] and expressing his appreciation of the\n dedicatory triolet to himself, giving high praise to\n her sonnets and comparing her admirably to \n Christina Rossetti, critiquing\n some of the poems, and giving her the original draft\n of \"The Sleep Wind\"","asking for \n Sara Teasdale's address in order\n to write for permission to set her \"The Heart's\n Hearth\" to music","acknowledging receipt of her poem dedicated to \n John Keatsfor the anniversary of\n his death","enclosing a March 23rd letter from \n Adelia C. Arensand relaying\n praises for her Sonnet on \n John Keatsfrom \n Elizabeth Waddelland \n R.E. Lee Gibson","hoping she is well and commenting on her\n treatments","requesting a paragraph referring to her poem,\n \"Love in Autumn\" and information about herself, with\n a page from his magazine","writing a note about her lines on \n John Keatson a postcard showing\n where Keats died which was sent to him from \n Rome, Italy","sending along an article from \n The Evening Postabout new books of verse which mentions \n Sara Teasdale's sonnet to \n Sappho","acknowledging receipt of her remembrance and\n wishing to hear her read some of her poems","thanking her for her letter and copy of her book, \n Sonnets to Duse..., saying she had already read her poems\n while at the home of \n Arthur Symonsalong with \n Julia Marlowe, and mentioning\n some of her favorite poems by \n Sara Teasdale","re \n Sara Teasdale's impending\n arrival in \n Tucson","advising her on having \n Helen of Troypublished","thanking her for the Christmas gift and saying she\n is going home next week","hoping she had a restful journey home","thanking him for his kindness and sending love to \n Marion Cummings Stanley","writing \"passed Liberal all right\"","acknowledging receipt of a package","accepting \"Helen\" for publication","thanking her for the copy of her book, \n Sonnets to Duse..., and praising it as well as her gift of\n writing","chiding her for not writing","relating that a Mr. \n Sidney Faneof London, England\n has asked permission to set her poem \"Buried Love\" to\n music","accepting her poems \"November\" and \"Vox Amoris\"\n for publication","asking her to read a book of poems and write a\n criticism of it","commenting on the death of \n Algernon Charles Swinburne","telling her that her poems are beautiful","writing that her poetry sings; commenting on her\n literary gift, her lyrical quality, and \"the value of\n the songs,\"; and, discussing the \"necessity of\n deciding between the artificial-imagination and this\n other thing of simplicity in beauty-simplicity and\n the heart.\" There is much literary thought and\n discussion","writing about having his songs published,\n including one with the words to \n Sara Teasdale's poem, \"Buried\n Love\"","re the beauty of spring","accepting her poem, \"The Prayer,\" for\n publicaton","showing an interest in her poem, \"On the Death of\n Swinburne\" and wishing to reproduce something of hers\n in one of their issues","sending a copy of one of his new songs, \"A Queen\n of the Long Age\"","discussing \n Witter Bynner's favorable\n comments on her poetry and his being with publishers \n Small, Maynard \u0026 Company,\n mentioning \n John Stapleton Cowley's praise\n of \"Guenevere,\" and \n Zoe Aikin's new book","thanking her for her book of poems [ \n Sonnets to Duse...] and naming his favorites","describing the peacefulness of \n Charlevoixand her visit with \n Sara Teasdale, and asking him to\n send some money","re boating","mentioning a boat trip around \n Traverse Baywith \n Mamie Teasdale Wheless, her\n delight with \n Charlevoixand \n Sara Teasdaleand her family, and\n wanting to discuss plans with him","discussing a trip around \n Pine Lakeon a \"miniature ferry,\"\n plans for leaving there and returning to \n Tucson, Arizona, mentioning \n Sara Teasdale's and her poetry\n writing, receiving \"Mr. Sappho's\" \n [John Myers O'Hara]new book, \n Songs of the Open","re personal matters and plans for leaving","writing about \n Marion Cummings Stanley's visit,\n on a postcard with a view of a river, \"The Old\n Channel,\" in \n Charlevoix","sending a postcard with another view of a river,\n \"Old River,\" in \n Charlevoix","writing personal news","thanking her for the copy of her book [ \n Sonnets to Duse...] and praising her work","praising her book, \n Sonnets to Duse..., commenting on \"Japanese Incense\" as being\n \"as fragrant in words as is the perfume it speaks,\"\n and saying that her love-songs are as lovely as those\n of \n Sappho","sending pictures of the buildings in which she is\n spending time, and reminiscing about time spent with \n Marion Cummings Stanley","accepting her poem, \"To Cleis,\" for publicaton","thanking her for the gift","sending a Christmas greeting","thanking him for the candy","sending his appreciation of her gift of the book [\n Sonnets to Duse...]","requesting the return of her short monologue,\n \"Sappho,\" with ANS from the Editor saying that they\n are using it in the February issue","thinking of her in this \"loveliest, quaintest\n town\"","thanking him for the gift of \"the dear little\n Japanese girl feeding the fawns\"","thanking her for \"the interesting sixteenth\n century gentleman with a telephone receiver\"","receiving the baby picutres of \n Barbara Georgeand the newborn,\n and asking that the \n Potter's Wheelbe sent to \n Lillie Rose Ernstat \n Hosmer Hall","requesting permission to set to music her poem,\n \"Pierrot,\" and giving some information about herself\n including being a student of \n Leopold Godowsky","requesting permission to set to music her poem,\n \"Daisy Time\"","requesting permission to set to music her poem,\n \"Pierrot\"","enclosing a letter from someone in \n Aberdeen, Scotlandrequesting\n permission to use one of her poems","wishing to obtain \n Sara Teasdale's consent for\n publishing a song with her poem, \"Daisy Time,\" set to\n music","discussing \"Miss French's\" work in poetry, gladly\n accepting \n Sara Teasdale's praise of his\n own work, and mentioning \n John Myers O'Haraand his\n \"Sapphic poems\"","requesting permission to publish as a song her\n poem \"Daisy Time\" which she has set to music","re using her poems","sending a check in payment for two of her poems to\n be published in \n Putnam's Monthly","concerning her poem, \"Erinna,\" which is to appear\n in their second issue, and mentioning as among her\n admirers, \n Louis Untermeyer, \n Mitchell Kennerley, \n Michael Monahan, and \n Richard Le Galliene","concerning the publication of her volume of poems,\n their undertaking the publishing of four or five\n volumes of verse as well as the second book of \"The\n Younger Choir,\" and companies wanting a guarantee of\n sales when publishing poetry","offering her a publishing proposition for her\n volume of verse specifying that she would bear the\n entire cost of production","accepting her poem, \"The Wind,\" for\n publication","requesting permission to set to music her poem,\n \"Daisy Time\"","thanking her for the lace jabot, describing at\n great length the Potter party, and mentioning each of\n the \n Potters","according her the right to make further use of her\n verse, \"Song,\" published by the magazine last July in\n her book or in a musical setting, and accepting her\n poem, \"The Wind,\" for publication","thanking her for her letter and volume, \n Sonnets to Duse...","returning the \"Young Choir\" with his signature","concerning an evening of poetry [a meeting of the \n Poetry Society of America]","giving his weekday schedule","wanting to meet her at the next meeting and\n commenting that Sara Teasdale's \"Helen,\" read by\n Witter Bynner, was well accepted","giving his weekday schedule","writing that he has set to music two of her poems,\n \"Buried Love\" and \"Pierrot\"","finding her quatrain \"At Night\" to be pure and\n true","thanking her for the book [ \n Sonnets to Duse...], and saying it was both a pleasure to read\n it and to meet her, and commenting that \"poets are\n the most charming people on earth\"","thanking her for giving him permission to use her\n poems, \"Daisy Time\" and \"Song\" as musical settings,\n and asking permission to use \"Twilight\"","thanking him for his note about a photograph of\n herself she had sent","calling her \"On the Tower\" a magnificent piece of\n work and printing it in the August issue","requesting permission to submit for publication a\n musical setting of her poem, \"The Prayer\"","thanking her for her courtesy and for the pleasure\n her poems give her","acknowledging receipt of her lyrics, and asking\n her charge for using them","giving high praise to her work in the book of\n poems [ \n Helen of Troy and Other Poems], and wanting to write a nice review for \n The Hesperian","praising her book of poems [ \n Helen of Troy...], especially the love songs, and wanting to\n send her a copy of his selected \n Poems","thanking her for the gift of the charming book [ \n Helen of Troy...]","commenting on her book of poems, \n Helen of Troy...","thanking her for the copy of \n Helen of Troy...and wishing her success","thanking her for the gift, [ \n Helen of Troy...], and planning to read the verses with her\n husband on their wedding trip","thanking her for the volume, [ \n Helen of Troy...], and commenting on its \"lyric\n splendor\"","thanking her for the book, [ \n Helen of Troy...], saying that he has written a review of\n her book for \n The Mirror, and commenting that \"On the Tower\" us\n \"dramatic promise as well as fine poetry\"","thanking her for the copy of \n Helen of Troy..., and sending in return a copy of his \n Poems","calling the verses in her book, [ \n Helen of Troy...] \"dear and familiar,\" showing pride in the\n dedication, saying that she was glad the book arrived\n after her spell of illness and melancholy and that\n she is looking forward to better health and the\n success of her own book","thanking her for the book \n Helen of Troy..., and promising to copy some verses for\n her","referring to her new book, \n Helen to Troy..., as a \"perfect delight,\" and thanking her\n for the copy","commenting that \n Orrick Johnshas written a fine\n review of \n Helen of Troy...","thanking her for the volume of \n Helen of Troy..., and mentioning the lyrics she especially\n liked","thanking her for the gift of her book, \n Helen of Troy..., and commenting that the love-songs are her\n favorite and that they \"have that artlessness that\n signifies the mastery of art\"","thanking her for sending the volume of verse, \n Helen of Troy..., and indicating that it has already become\n a family treasure","thanking her for the book, \n Helen of Troy..., and mentioning his boarders' reaction to\n the volume","thanking her for the gift of her poems, \n Helen of Troy...","requesting permission to set to music her poem,\n \"Twilight,\" with ANS from her mother, \n Mary Elizabeth Willard Teasdale,\n on back","admiring her \"powers \u0026 artistic\n discrimination,\" commenting on his own verse, \"The\n Poet,\" which \n Sara Teasdalehad praised,\n sending her \"a little burlesque volume,\" \n The Younger Quire, saying she will like the review of her \n Helen of Troy..., and praising her work","expressing his enjoyment of her poems, extending\n congratulations on her book, \n Helen of Troy..., commenting on \n Charles Hanson Towne's splendid\n work, and saying that his own \"sense of rhythm is so\n lyrical in style...\"","requesting some biographical information for his\n upcoming article on poets","praising her book of verse, \n Helen of Troy..., discussing a trip to \n Europeand plans for a future\n trip abroad, and mentioning a meeting of the \n Poetry Society of Americawith a\n discussion of the Irish plays and invluding\n interesting persons such as \n Henry Van Dykeand \n Curtis Hidden Page","expressing his appreciation of the gift of her\n book, \n Helen of Troy..., and sending a token in return","giving high praise to her book of verse, \n Helen of Troy..., calling \"Helen of Troy\" and \"On the Tower\"\n \"postive triumphs,\" critiquing several of the poems,\n comparing her favorably to \n Elizabeth Barrett Browningand \n Christina Rossetti, and writing\n a French translation of \"The Pagan End\"","thanking her for the volume of her poems, \n Helen of Troy..., calling her \"a real poet,\" and saying that\n it will be a delightful privilege to read her new\n poems","requesting permission to publish his musical\n setting of her verse, \"Song,\" and asking to use the\n first line as the title","wishing to meet with her to discuss her book, \n Helen of Troy...","sending thanks for her book of verse, \n Helen of Troy...","reminiscing about a Thanksgiving dinner with \n Marion Cummings Stanleyand Sara,\n writing about Marion's despair over the illness of\n her mother, and expressing his delight in reading her\n book, \n Helen of Troy...","thanking her for the book, \n Helen of Troy...and commenting on her great talent","re a column review of \n Sara Teasdale's book, \n Helen of Troy..., in the following day's paper","expressing her pleasure at receiving her book, \n Helen of Troy..., and encouraging her to \"keep on\n singing-for all of us\"","reminiscing about her stay with him and \n Marion Cummings Stanley, and\n asking him to send a copy of her book (which she will\n supply), \n Helen of Troy..., to \n Richard LeGallienneof \n Harper's Magazine, under his own name","drawing her attention to the notice of her book, \n Helen of Troy..., in the Sunday \n New York Times","looking forward to reading her volume of verse, \n Helen of Troy..., and hoping that their reviewer will\n mention it","enclosing some clippings for \n Marion Cummings Stanley,\n planning to mail her book, \n Helen of Troy...to him to send to \n Richard LeGallienne, and\n mentioning her poor health","commenting on the \n St. Louis Timesreview of her book, \n Helen of Troy..., and on their literary relationship","apologizing for the delay in sending copies of \n Helen of Troy...to periodicals she requested, and returning\n the reviews of her book","accepting \"The Lights of New York,\" \"Sea Longing,\"\n and \"Triolets\" for publication","accepting one of her sonnets for the next issue\n and revealing that \n Louis Untermeyerwill be\n reviewing her book, \n Helen of Troy..., in the current issue","praising the verses in her book, \n Helen of Troy...and commenting on their beauty","reminding her of her promise to present a copy of\n her book, \n Helen of Troy..., to him","sending holiday greetings and commenting \"how\n pleasing to turn to a comforting poem and find solace\n in a kindred spirit\"","requesting information from her for his \"calendar\n of the poets\"","concerning an enquiry on her first volume, \n Sonnets to Duse...","congratulating her after seeing the review of her\n book, Helen of Troy..., in the St. Louis Times,\n written on an announcement of new employment with\n Hornblower \u0026 Weeks","concerning the \n Poetry Society of America, and\n mentioning certain persons -- \n Cale Young Rice, \n Josephine Peabody, \n Percy Mackaye--planning to\n attend their annual dinner","writing in answer to her note about his review of \n Helen of Troy...and further critiquing the poetry as he\n would have if given more space in \n The International, and commenting that the attitude in the\n love lyrics is that of a woman","thanking her for the book of poems, \n Helen of Troy..., finding her lyrics \"poignant and\n pertinent,\" commenting on several of his personal\n favorites, and giving a brief comment on \n Rudyard Kipling","enclosing a letter from a friend praising \n Sara Teasdale's book of poems, \n Helen of Troy...and commenting on Teasdale's\n understanding","asking the basis for her poem, \"Sappho\"","expressing gratitude for the copy of her book, \n Helen of Troy..., and commenting on her gift of song","commenting that her \"The Poor House\" was the only\n poem read at the meeting of the \n Poetry Society of America","saying she has read her book, \n Helen of Troy..., and writing of having the same dream\n twice","requesting permission to set to music her poem\n \"When Love Comes Singing to his Heart\"","revealing himself as an admirer of her work and\n putting her in a class with himself","receiving her acceptance to the annual dinner of\n the \n Poetry Society of America","thanking her for her effort to go to the Guild and\n for allowing him to use her poems in a musical\n setting","thanking her for `The Book of Poems' and sending a\n circular of \n Home Progressalong with some literary notes","sending a review and thanking her for the charming\n poems","writing that he will run \n Marion Cummings Stanley's\n article about her poems, and congratulating her on\n her move to \n New York","commenting on his book of poems and preparing for\n her move to \n New York","praising her as the \"most gifted of the lyric\n girls,\" also signed by \n Richard LeGallienneand \n B. Russell Herts","appreciative of her book, \n [Helen of Troy...]","taking the liberty of sending his edition of\n poems, and expressing his delight in her two books \n [Sonnets to Duse...]and \n [Helen of Troy...]","sending her a copy of his book, commenting on her\n style and on his own, asking if she knows \n Zoe Akinsand writing that she\n sent him her book of poems, and discussing the beauty\n of \n Carmel","showing his gratitude for her book, \n [Helen of Troy...], and inviting her to tea","expressing her \"more poignant\" pleasure in \n Sara Teasdale's poems after\n meeting her","thanking her for her book \n [Helen of Troy...]and admiring its style, and giving a message\n from \n Edith Thomas","acknowledging receipt of her book \n [Helen of Troy...]and expressing his pleasure in reading it,\n and giving a critique of many of the poems","praising her poem, \"The Poorhouse\" and confirming\n luncheon plans","thanking her for the inscribed copy of her book \n [Helen of Troy...]","expressing her delight in seeing \n Sara Teasdale's name in so many\n magazines, and requesting to have tea with her","thanking her for her letter of appreciation for \n Louis Untermeyer's poem, and\n commenting on \n George Sylvester Viereck, \n B. Russell Herts, and \n Orrick Johns","commenting on her sweet letter and on \"the\n twilight of Poetry\"","finding her genius in the pages of \n Helen of Troy...","commenting on the review of her book, \n [Helen of Troy...], which he previously sent, written on a\n flyer about himself entitled \"A .... Journalistic\n Jubilee.. .\"","thanking her for the note and book of verse \n [Helen of Troy...]","referring to her poem, \"Four Winds,\" as \"deep,\n refreshing, and ... so cruelly true,\" and waiting to\n pick up a copy of her volume \n [Helen of Troy...]","writing that he will sign his name to the sonnet\n [as requested], intending to return \n The Younger Choirin person instead of by mail, inviting her\n and \n Dugald Stewart Walkerto visit\n one evening, and expecting Aline and Kenton to call\n on her the following day","requesting her to \"contribute an original\n complimentary poem in honor of Browning's centenary\"\n for an article in the \n Boston Transcripton May 4, honoring \n Robert Browning, and mentioning \n Carman Bliss, \n Edwin Markham, and \n Edwin Arlington Robinsonas being\n among those who have already consented","concerning a request through their \n Londonoffice from Messrs. \n Chappell \u0026 Co., Ltd., to\n publish her poem, \"Pierrot,\" with a musical\n setting","expressing his pleasure in receiving her book of\n poems \n [Helen of Troy...], and looking forward to meeting her one\n day","expressing his pleasure in reading her book \n [Helen of Troy...], and commenting on her writing\n improvement","looking forward to having her inscribe his copy of\n her book of poems","expressing her great pleasure at receiving her\n letter and book \n [Helen of Troy...], and discussing friendship","thanking her for her book of poems \n [Helen of Troy...], and returning her kindness with a copy of\n her own novel","wanting to exchange his book, \n The Iron Muse, autographed, for any one of her books, and\n explaining the concept of his book, enclosing two of\n his poems, \"Reno\" and \"The Star\"","acknowledging her kindness in sending the\n inscribed copy of her book \n [Helen of Troy...], and expressing his thoughts after meeting\n her, with enclosure on \"The Modern School\"","thanking her for a copy of her volume of poems, \n Helen of Troy..., and commenting on her clarity of poetic\n ideas","concerning the club's thirty-fourth meeting and\n enclosing a program","requesting \"new treasures\" for \"The Lyric Year,\"\n and referring to a poem in process addressed to \n Sara Teasdale","commenting on his verse coming slowly and on\n finishing his poem dedicated to \n Sara Teasdaleby a year or so,\n and writing to ask if she \"will not find the rare\n inspiration on the sea,\" in reference to her sailing\n to \n Europe","intending to extend the poetry contest and\n commenting on her wanting to sell her poem","requesting her to autograph a recently purchased\n book of her writings","requesting permission to use two of her poems in\n musical settings","requesting to use another one of her poems, \"Less\n than the Cloud to the Wind,\" in a musical setting,\n and sending the title notice about \"When Love Comes\n Singing\"","requesting permission to use her verse, \"At\n Night,\" in a musical setting","requesting biographical data, a photograph and\n review copies from her publishers for an upcoming\n series of special articles on American poets that he\n is going to undertake in his new capacity as head of\n a literary department in \n The Minneapolis Journal","following up on his last letter since he has not\n heard from her, and naming some contributors to the\n article","repeating a prior request","requesting permission to use her poem, \"Pierrot,\"\n in a musical setting","requesting permission to put \n Sara Teasdale's verse, \"Song,\"\n to music","thanking her for the letter and copy of \n Helen of Troy..., trying to express the sincerity of his\n motive in doing the project, and praising her blank\n verse poems","praising her volumes, \n Sonnets to Duse...and \n Helen of Troy..., and desiring to obtain a copy of the\n latter","acknowledging receipt of her songs and letters,\n praising the \"rapture and delicacy\" of her \"From the\n Sea,\" and mentioning the poetry contest","passing on a compliment from \n Ella Wheeler Willcoxand\n requesting a list of her books along with the\n publishers' names","asking for \n Jessie Belle Rittenhouse's\n address in order to express her interest in the \n Poetry Society of America, and\n praising \n Sara Teasdale's verses","accepting her poem, \"I Shall Not Care,\" for\n publication","expressing his pleasure in \n Mitchell Kennerley's acceptance\n of her poem for \"The Lyric Year\"","sending \"a few lines of opinion upon your\n verse...\"","concerning her request for his review of \n Helen of Troy...and his own editorship of \"The Poetry\n Journal\"","writing a brief opinion of \n [Helen of Troy...]","admiring her and thanking her for her kind\n thoughts","accepting \n Sara Teasdale's poem, \"Off\n Capri\"","commenting on the honesty of her poetry,\n mentioning her review of \n Helen of Troy..., and asking if she knows \n George Buchanan Fife","thanking her for the copy of \n Helen of Troy...","expressing her admiration for \n Sara Teasdale's poetry and her\n gratitude for Teasdale noticing her writing","accepting her Christmas poem and requesting a\n review of \n John Hall Wheelock's book of\n poetry","confessing to be a great admirer of her poetry and\n Helen of Troy..., thanking her for her note, and enclosing a\n circular of his new book, \n The Beloved Adventure","accepting \"Sappho\" for future publication","thanking him for the booklet","thanking her for the book and giving a glowing\n opinion of \n [Helen of Troy...]","accepting \"The Hour,\" with a slight change in the\n second stanza","returning her poem, \"The Hour,\" since she rejects\n the change and apologizing for a printing error","looking forward to meeting an old friend \n (Sara Teasdale)for the first\n time","thanking her for the volume, \n Helen of Troy...","reaching an agreement concerning her poem, \"The\n Hour\"","accepting her two poems, \"Song\" and \"Gifts\"","expressing his having the \"true pleasure of\n finding a heart-full of real love lyrics\" and\n praising her work","accepting two of her poems for \n The Poetry Journal, and mentioning a tete-a-tete with \n [Alfred] Noyes","commenting that her work is just what the \n Smart Setneeds","praising her as the best \"writer of delicate\n lyrics\" and commenting on some of her verse in \n Helen of Troy...","sending a tribute to her muse and expressing his\n enjoyment of her visit","praising her volume and apologizing for his delay\n in writing due to his busy schedule","keeping six of her poems for publication and\n suggesting a few changes","mentioning the \n [Alfred] Noyesaffair and \n [Jessie Belle] Rittenhouse,\n sending her copy of \n Helen of Troy...for an inscription and praising its\n \"Love-Songs,\" and discussing a reading by \n Alfred Noyesof \n The Forty Singing Seamen","admitting to be an admirer of her work and\n accepting \"Enough\" and \"Prayer\"","requesting permission to set \"Pierrot Plays in the\n Garden\" to music","commenting on her note and verse, \"A Forsaken\n Garden\" about the vandalism of \n Snows Garden","calling her poem, [\"A Forsaken Garden\"] \"pure\n music in plainest English!...\"","requesting permission to publish a song, \n Sara Teasdale's \"Pierrot,\" set\n to music","sending under separate cover \n The Creed of a Beggarand \n The Rules of the Road, and looking forward to \"a most profitable\n friendship\"","thanking her for the book of verse, \n Helen of Troy..., and praising her true touch","praising one of her narrative poems and hoping to\n be able to publish it","holding two of her poems, \"After Parting\" and\n \"February\"","discussing the poet's adaptation of his or her\n work to their wants","promising to take \n Sara Teasdale's book of poems to\n a nice quiet spot","thanking her for her book, \n [Helen of Troy...]","requesting a signed autograph copy of her poem, \"I\n Shall not Care\"","praising her \"The Carpenter's Son\" as a beautiful\n and impressive poem and accepting it for their\n Christmas issue","requesting an autograph quotation and\n signature","accepting \"Spring Night\" for publication and\n requesting biographical information","accepting \"Sea Spray\" at the usual rate","holding two of her poems, \"Spring Night\" and \"The\n Subway Station,\" with a discussion of his thoughts on\n the latter","accepting \"Heinkehr\"","requesting an autograph poem and signature to add\n to his \"collection of autographic documents\" in\n American literature","expressing her regrets at missing her visit and\n explaining their custom concerning payment when using\n a manuscript","praising her work","inviting her to read her poetry at the \n Monday Club's Poets Day, and\n mentioning \n Zoe Akins","discussing his \n Anthology of Magazine Verse, requesting her to obtain permission from \n Robert Bridgesto use her\n \"Sappho\" in the publication, and praising her\n verse","requesting a portrait and autograph copies of her\n poems \"Sappho\" and \"The Old Maid\" for promotional\n purposes","asking her consent to set her poem, \"Enough\" to\n music","hoping to see her at the Literature Committee\n meeting the following day, and mentioning \n John Hall Wheelock","discussing her poetry","requesting permission to set to music her poem,\n \"The Lines\"","expressing appreciation of hearing several of \n Sara Teasdale's poems","accepting her poems, \"The Bay of Naples,\"\n \"Alchemy,\" and \"Twilight,\" w/ANS from \n Margaret Elizabeth Willard\n Teasdaleon verso","requesting to use \"The Look\" in a musical\n setting","thanking her for the book, \n Helen of Troy...and praising her work","requesting permission to publish her poem, \"Song,\"\n with a musical setting","expressing concern over \n Marion Cummings Stanley","asking for an autographed volume of her work with\n a dedication for an exhibit","praising her ability to write about certain\n subjects with such ease","expressing pleasure in her \n Helen of Troy...and naming several of her favorites, and\n mentioning poets she likes, such as \n Emily Dickinson, \n Josephine Preston Peabody, \n John Banister Tabb, and \n Bliss Carman","accepting her poem, \"To the Mother Of A Poet\"","requesting permission to use her poem, \"The Look,\"\n with a musical setting in the annual book of Songs by\n Wellesley Students","requesting permission to set her poem, \"The Look,\"\n to music","requesting one or more of \n Sara Teasdale's poems to be\n included in her compilation books of poems and\n prayers, \"Sunlit Days\" and \"Starlit Nights\"","thanking her for permission to set her poem, \"The\n Look,\" to music and mentioning \n Eunice Tietjens","enclosing a check for use of her poem, \"At Night,\"\n in their July issue","requesting permission to use her poem, \"The Look,\"\n for a musical setting","praising and critiquing her \n Rivers to the Sea","asking for her \"hearty approval\" and help with\n their `House Party' honoring \n Missouriauthors and writers, and\n describing the city's and the library's plans for the\n affair","requesting \n Sara Teasdale's presence at a\n dinner in honor of \n Jessie Belle Rittenhouseas one\n of those represented in Rittenhouse's volume, \n The Little Book of Modern American\n Verse","asking who published \n Sonnets to Duseand \n Helen of Troy...and whether or not she has had published\n subsequent volumes","requesting permission to publish \"The Look,\" as a\n song","requesting permission to publish her poem, \"The\n Look,\" as a song, and explaining that she is\n seventeen and wishes to further her education as a\n pianist","requesting on behalf of the composer permission to\n publish her poem, \"The Look,\" with a musical\n setting","claiming that his daughter \n Barbara George's poems are\n charming, and giving news of her marriage to \n Ernst B. Filsingeron December\n 19","requesting some sentiment and autograph for his\n collection","accepting her poems \"Swan\" and \"Come\" for\n publication, and mentioning \"Dusk in War-Time,\"\n \"Morning,\" \"Leaves,\" and \"Bitterness\"","requesting her autograph for his collection of\n over two-hundred poets","accepting her poems \"Peace\" and \"The Lighted\n Window\" for publication, w/ANS at bottom","requesting her membership in their new\n organization","requesting permission to publish her poem \"The\n Look\" to a musical setting","requesting permission to publish her poem \"Spring\"\n with the understanding that they cannot pay","extending an invitation to her and her husband to\n see him and his class on April 1, and briefly\n discussing his plans for that day's class","requesting permission to publish \n Sara Teasdale's \"The River\" with\n music","requesting permission to publish a musical setting\n of her poem \"The Look\"","requesting permission to use three of her poems as\n lyrics for songs","accepting her poem \"The Cloud\" for publication","requesting permission to use several of her poems\n from \n Helen of Troy...for musical settings","thanking him for his generous praise, admiring his\n wife's poetry, and mentioning \n Louis Untermeyer","concerning an idea of selling an autographed\n collection of books of verse and about verse to raise\n money for \n The Poetry Journal, and mentioning \n Conrad Aiken, \n Temple Scott, and \n William Stanley Braithwaite","accepting her poem \"Dreams\" for publication","writing in appreciation of her charming note, and\n mentioning \n Theodosia (Garrison) Faulks","writing in appreciation of her kind note and\n enclosed lyrics, praising \"Night Song at Amalfi\"\n particularly, and wishing to compose songs from some\n of the poems whenever she is not too busy with giving\n concerts","expecting to set to music her poems \"Come\" and\n \"The Kiss\" this summer","criticizing \n Sara Teasdale's recently\n published \"In a Lighted Window\"","discussing her little boy poem [\"In a Lighted\n Window\"] and Judge Walker's opinion of it in his June\n 18 letter, expressing his view of \n Zoe [Akin]and her anthology, and\n discussing free verse","offering a royalty of ten percent on all copies\n sold of her \n Rivers to the Seaand submitting a sample page","accepting the revision of \"Summer Night,\n Riverside\" for future publication","congratulating her on her success with \n The MacMillan Company","requesting permission to set to music her poem\n \"The Look\"","congratulating her on having her poems published\n by \n The MacMillan Companyand telling\n of her own writing","requesting to use two musical settings \"But What\n if I Heard my First Love\" and \"The Kiss in Colin's\n Eye\" based on her poems","concerning the publication of \n Sara Teasdale's poetry and the\n possibility of having advance order copies\n autographed","concerning his anthology coming out in October,\n and asking her assistance by sending her extra set of\n proofs when corrected and by contacting \n William Marion Reedy","praising her poems that she sent and hoping to use\n some of them","feeling that her book will be a success","complimenting her poems as being admirably fitted\n for American songs, and saying that she has set four\n of them to musical settings","criticizing the Imagist movement but commenting\n favorably on \n John Gould Fletcher's work, and\n mentioning his drifting away from the group","accepting one of her poems for publication","concerning a suite of songs \"Five Songs of Autumn\"\n written by himself using her poems \"Twilight,\"\n \"November,\" \"Dreams,\" and \"Dead Leaves\"","agreeing to see her book and review it, discussing\n the \"woman and poet,\" mentioning \n MacMillanpublishing his \n Song of Hugh Glass, and inquiring about her interest in\n Greek","agreeing to review her book and giving a lengthy\n discussion of a reviewer's work","praising and criticizing her poetry, and\n discussing the teaching of poetry","requesting permission to quote her poem \"Spring in\n War Time\" in a book being prepared about the war in \n Europe","requesting permission to use her poem \"I Shall Not\n Care\" in a musical setting","asking for some poems","giving glowing and detailed praise of her work in \n Rivers to the Sea, writing of \"the deep human beauty of this\n great poem,\" \"the holy core of life itself...and\n needful to be reminded by such as you,--...,\" \n Sara Teasdaleas \"an unabashed\n lover of life,\" \"this expression of the fundamental\n emotion in its elements...\"","revealing that the Library system has copies of\n her book of poems, \n Rivers to the Sea","thanking her for the inscribed copy of her book \n [Rivers to the Sea], and promising a judgment","writing in response to Sara's illness and\n mentioning her new book and some of her verse","expressing his gratitude for her book and praising\n the verses","(written in German)","replying to her letter concerning a full face or\n profile picture of her to use in their service","(written in German)","expressing appreciation of her book \n [Rivers to the Sea]and praising her verses","praising her book and her expression of her \"love\n in terms of nature,\" and wishing to see Sara","thanking her for \n Rivers to the Seaand commenting on her growth","mentioning the review of her new book to be in\n December's issue","praising her new book and expressing his pleasure\n in having met her and \n Ernst B. Filsingerin St.\n Louis","stating that he received her new book through \n Harriet Monroeand will place it\n among his memorable things, and revealing some\n feelings toward war","mentioning his health, the pleasant publicity of\n his \n Portmanteau, and her book","requesting a contribution for a select anthology\n of Pierrot and Columbine poems","requesting permission to use her poem \"The Kiss\"\n in a musical setting","thanking her for the volume and telling anecdotes\n about himself","expressing admiration for her and pleasure at her\n kind words concerning her own work","expressing her delight upon receiving and reading\n her \"exquisite little volume\"","thanking her for \n Rivers to the Sea, encouraging her and \n Ernst B. Filsingerto go to the\n Poets dinner, and mentioning receipt of the Chicago\n first prize for \"the Chinese nightingale\" and the\n progress of his Movie-Book","expressing her pleasure in reading \n Rivers to the Seaand promising a review shortly","praising her blank verse in \n Rivers to the Sea, and mentioning works by himself and his\n wife, Jean, and the opinions of \n Robert Frostand \n Max Eastman","expressing his fondness for her \n Rivers to the Sea","requesting permission to publish her poem \"The\n Kiss\" in a musical setting","praising her work and commenting on the Rieder\n translation","praising the \"wonderful lyric qualities\" of \n Rivers to the Sea, saying that the \"songs are so directly\n from the heart and life not only of a true poet but\n of a true woman...\"","expressing her and her husband's, \n Henry Mills Alden, admiration\n for her `singing leaves'","praising her \n Rivers to the Seaand her ability to \"bring a seeing eye to\n the most outworn or ordinary situations...\"","commenting that she is \"writing the best singing\n verse in the country today\" and that \"our singers are\n all too few and our \n Ezra Pounds and \n Gertrude Steins are all too\n many!\"","admitting to being an admirer of her poetry, and\n planning to read \"Off Capri\" to \n The Centennial Club","telling her plans to write an article on \n Carl Vroomanand \n Julia Scott Vroomanand wishing\n to quote from \n Sara Teasdale's verses","commenting on her \"very unusual lyric gift\" and\n the satisfying \n Rivers to the Sea, and mentioning Sara's fragile health","citing her work as \"sincere and artistic,\"\n thanking her for the German versions of her poems,\n and wishing to publish some of her verse in the \n Yale Review","discussing an enclosed review of her \n Rivers to the Sea, remarking on the sign of prodigy in \n Stephen Vincent Benet(younger\n brother of \n William Rose Benet), mentioning\n his wife \n Jean Untermeyer's hit with \n Amy Lowell, and likens one of \n G. K. Chesterton's poems to \n Vachel Lindsay's style","quoting praises from Mrs. Meynell about the verses\n of Sara and of \n Margaret Widdemeras well as\n expressing his and his wife \n Grace Dawson's delight with\n them, and mentioning his new book \n The Etchics of Confucius","requesting permission to set to music her poem\n \"Spring in War Time\"","praising \n Rivers to the Seaand especially \"The Answer\"","sharing her admiration of \"the lilt and the lift\n of the poems\" in \n Rivers to the Sea, mentioning \n Jesse R[ittenhouse], \n Margaret Fuller, \n Margaret Widdemer, \n Royal Dixon, and discussing the\n hardship of the family of the late \n Madison Cawein","accepting her poems \"In a Hospital\" and \"Flames\"\n for publication","informing her that they have elected her an\n honorary member","requesting a personal biographical sketch of her\n by one of her friends","thanking her for her \"melodious book\" and\n commenting on some of his favorite poems","asking about `The New Moon' and the series of\n hospital songs, and thanking her for an article by \n Harris Merton Lyon","discussing \n Willard Huntington Wright's\n critical pen, and praising \n Sara Tesdale's songs","expressing pleasure at one of her stories and\n wishing she would do more prose","concerning \n Rivers to the Sea","offering fee for her story \"The Black Hearth\"","sending an affectionate holiday letter","praising \n Sara Teasdale's \n Rivers to the Seaand saying that no other American poet \"so\n feelingly, so spontaneously and beautifully senses\n the primal human emotions\"","thanking her for the copy of [ \n Rivers to the Sea] and commenting on her favorite poems and\n on one fault, and promising to send a copy of her own\n Six French Poets","sending some old photographs of Vine","explaining that she does her readings \"all for\n love of the fine new movement in poetry,\" and\n requests a copy of \n Rivers to the Sea","welcoming her book in their \n Poets Corner, praising her work,\n and inviting her to the College to see the work they\n are trying to do for the young women...","mentioning her stay at the Dawsons' ( \n Miles Dawsonand \n Grace Dawson) where she saw\n Sara's bridal picture","requesting formal permission to include some of\n her poems in an anthology of the \n New Poetry, with a personal handwritten note at the\n bottom and on the verso","expressing his interest in translating some of her\n work into Spanish and asking for her published books\n and a photograph","requesting permission to publish \"The Kiss\" set to\n music","discussing a school project and requesting a\n letter and a photograph","accepting her \"Songs in a Hospital\" and requesting\n one other poem for publication","praising Sara and her work on behalf of \"Ned\" ( \n Edna Wahlert) and herself, and\n enclosing an \"honest tribute from Ned\"","acccepting her poem \"Old Days\" for publication","expressing her satisfaction at hearing from her\n and Ned ( \n Edna Wahlert)","thanking her belatedly for her gift of \n Rivers to the Sea","thanking her for the letter and gift of poetry","concerning her own article on \"Masterpieces of\n American Women Poets\"","praising her \n Sonnets to Duse and Other Poemsand \n Rivers to the Sea","expressing her pleasure in reading \n Rivers to the Sea, and mentioning it being listed in the\n April issue","extending an invitation for her to read some of\n her poems at a benefit tea","accepting her poem \"Child, Child\" for publication\n if it is not to be published in a book soon","expressing his pleasure with her letter, poems,\n and songs as well as his enjoyment in singing her\n songs, and mentioning a singing engagement at the \n Browning SocietySoiree","writing of her enjoyment in hearing \n Ernst B. Filsingerread Sara's\n poems at The Wednesday Club, and inviting her to tea\n with \n Celia Harrisand herself","thanking her for the book which has not yet\n arrived and sending regards to \"Johns and Miss\n Monroe\"","re \n Rivers to the Sea","calling her new book delightful and commenting on\n her ability to \"keep command over so sure an\n artistry,\" and enclosing a copy of his poem \"To St.\n Louis\"","expressing pride at her letter and gift of \n Rivers to the Sea","requesting permission to obtain the rights to \n Sara Teasdale's poem \"Joy\" to\n use in a musical setting, with ANS from Reedy to \n Sara Teasdale Filsingerat\n top","thanking her for the letter and beautiful book,\n and expressing an inerest in setting some of her\n poems to music","indicating that he has set to classical music her\n poem \"Flames\"","writing of activities of the \n Browning Societyand enclosing a\n program","expressing his certainty that some of her lyrics\n will inspire some composer to set them to music","wishing to secure the \"Song Maker\" and one other\n lyric for use in a vocal number in \"Missouri's Place\n in Literature\"","thanking her for the gift of \n Rivers to the Sea, and expressing an interest in setting some\n of them to music","thanking her for the pretty \"Mary Arden poem\"","enclosing three photographs of \n William Favershamand others at\n the Shakespeare Celebration","requesting permission to use \"The Kiss\" in a\n musical setting","thanking her for the letter and copies of her\n poems, and mentioning a discussion with \n Edmund Clarence Stedmanover what\n constitutes a lyric poem","requesting permission to set to music \n Sara Teasdale's poem \"I Heard a\n Cry\"","concerning Newark's Poem Competition and its civic\n theme","requesting her membership and expressing\n admiration","concerning her assistance as judge","thanking her for her letter and poems, which gave\n him a great deal of pleasure","requesting permission to use her poem \"In a\n Hospital\" in a volume of selections from English and\n American poets about the war to be edited by himself\n on behalf of the \n Belgian Scholarship\n Committee","concerning a meeting of American poets to be held\n on June 28 \"in memory of \n Padraic Pearse, \n Thomas MacDonagh, and \n Joseph Plunkett, the three poets\n who were executed for their share in the recent\n uprising in \n Dublin, \" and asking for one of\n her poems to be read","enclosing a request to set to music \"Child,\n Child\"","extending appreciation for her part in the \n St. LouisConvention, and\n commenting on her two beautiful odes read by \n William Faversham","offering preliminary terms for the spring 1917\n publication of her anthology of love lyrics by\n women","concerning \n Houghton Mifflin Company's\n acceptance of Sara's \n The Answering Voice...","more concerning \n The Answering Voice...","requesting copies of her two Shakespearian odes\n both read by \n William Faversham","thanking her for her charming note about her\n daughter \n Hilda Conkling's poem, and\n enclosing some poems by the five-year old","requesting permission to set to music her poem \"A\n Poem of Young Love\"","expressing her enjoyment over \n Rivers to the Sea, and mentioning Sara's discriminating\n comment on \n Sappho","requesting permission to print her \"Testament\" in\n a little volume of sermons","accepting a poem for publication","requesting again permission to set to music her \"A\n Poem of Young Love\" as well as \"When I am Dead\"","praising her \n Rivers to the Sea","expressing his interest in having her poetry set\n to some `Ozark songs'","requesting permission to use her lyrics \"A\n Benediction\" in a musical setting by \n C. Whitney Coombs","asking permission to use the second verse of \n Sara Teasdale's poem \"Child,\n Child\" on a card to be distributed among friends","requesting permission to set to music \n Sara Teasdale's poem \"Child,\n Child\"","expressing his pleasure at her new poems, and\n mentioning the protest against the Post Office\n banning of the works of \n Theodore Dreiser","concerning letters requesting permission to use\n some of Sara's lyrics","accepting her poem \"Other Men\" for publication","requesting permission to set to music her poems\n \"Deep in the Night,\" \"Come,\" and \"The Flight\"","requesting an original verse to use as a guide for\n contestants in a health poetry contest in which \n Harriet Monroe, \n Henry Adams Bellows, and \n William Stanley Braithwaitewill\n act as judges","requesting permission to use one of her poems in\n an anthology she is editing entitled \n The Answering Voice--One Hundred\n Love-Lyrics by Women","accepting her poem \"August Moonrise\" for\n publication if conditions are agreeable","asking her consent on behalf of her singing master\n to have a song published using her verse \"Jewels\"","commenting on the poems she liked best including a\n group of \"Songs Out of Stress\"","admitting that she has been enthusiastically\n reading from Sara's poems at her Poetry Readings and\n asks for furthur cooperation","seeking biographical information for their club\n studying living English and American poets","writing as her agent and enclosing a check for her\n poem \"The Philosopher\" which is to be published in \n Good Housekeeping","accepting her poem \"The Ballad of St. Kevin\" for\n their Christmas issue","requesting permission to publish her poem \"The\n Cloud\" set to music","requesting permission to publish \"The Look\" set to\n music along with some others she is working on","concerning a project with \n The Bookmanand \n Dodd, Mead, \u0026 Companyin the\n form of an anthology of new poems by American\n poets","requesting permission to use some of her poems in\n musical settings","requesting permission to use \"The Cloud\" and\n \"Night Song at Amalfi\" by \n Sara Teasdalein musical\n settings","admiring her work and wondering how to obtain her\n books other than \n Rivers to the Sea","referring to a letter, November 22, 1916, from \n Julius Kranz","admiring \n Sara Teasdale's \"November Night\"\n and commenting on its \"wonderful imagery, its\n sympathetic feeling...\"","translating a reference to \n Rivers to the Seafrom Yiddish to English","referring to a note in praise of her \"November\n Night\"","writing as her agent and sending a check for\n \"Spring Rain\" which is to be published in \n Century Magazine","offering an agreement for her proposal of a book\n of `Love Lyrics'","writing of entertaining friends with a reading of\n her \n Rivers to the Seaand their enjoyment","sending the agreement for the proposed book of\n love lyrics","thanking her for \n Rivers to the Sea","concerning the publication of several of his songs\n made from her lyrics","acknowledging her letter and volume of verse","inviting her to talk intimately about her work at\n the \n Writers GuildDay at the \n University of Missouri","requesting one of her bookplates in exchange for\n the enclosed one of her own","expressing his enjoyment in reading her poems,\n particularly \"I Shall Not Care,\" \"Off Algiers,\" and\n \"Capri\"","revealing that he would be pleased to have her\n work appear more often in the magazine","praising her poems in the form of a poem entitled\n \"Why Not\"","requesting permission to use her poem\n \"Grandfather's Love\" in a musical setting for a\n colleciton of childrens' songs","accepting her poem \"Tonight\" for publication but\n declining \"Defeated\" due to spacing problems","requesting permission to use her poem \"Swans\" in a\n musical setting","accepting her poem \"Schooners\" for publication","requesting permission to set to music her two\n poems \"Joy\" and \"The Look\"","accepting her poem \"The Strawberry Man\" for\n publication, and expressing sympathy for her\n sickness","requesting permission to use a few of her lyrics\n in a revision of his \"The Home Book of Verse\"","praising her poem \"Dreams\" and requesting\n permission to publish it in a musical setting","concerning a magazine, \n The Madrigal, devoted to the publication of love lyrics\n and requesting a contribution","expressing gratitude for her sending \"At Midnight\"\n which he will include in \n The Masque of Poetsand send to \n The Bookman","revealing that he has set her poem \"Swans\" as a\n song after receiving a copy of her \n Rivers to the Sea","requesting permission to use her poem \"Deep in the\n Night\" for a musical setting","concerning the changed version of \"The Prayer of\n the Gardener\"","concerning a volume he is editing entitled \n The Book of New York Verseand wishing to include some of Sara's\n poems","concerning a musical setting of her poem\n \"Pierrot\"","wishing to have published the enclosed Danish\n translation of her poem \"Rain\"","requesting permission to publish a musical setting\n for women's chorus of her poem \"Dusk in June\"","requesting permission to use her poem \"Helen of\n Troy\" in a collection of poems about ancient Troy","requesting permission to use her poem \"Sea\n Longing\" in a \"book on modern tendencies of poetry as\n exhibited in the sonnet\"","informing her that her poem-sequence \"Songs Out of\n Sorrow\" has received the highest vote in balloting of\n the \n Poetry Society of America","thanking her for the letter and poem, and\n mentioning activities in the \n National League","praising her poem \"Tonight\" and wishing to tell\n her about his own brand of poetry-making","expressing her feelings for the poems in \n Rivers to the Sea, and commenting on their being \"so simple\n and natural and real\"","seeking help in the way of reviewing with her own\n verses and asking where to obtain \"Songs Out of\n Sorrow\"","accepting her poem \"Embers\" and requesting\n material for a free ad","praising her poem \"Schooners\" and inquiring about\n the names of the vessels","requesting autographed volumes of \n Rivers to the Seato be auctioned for the \n American Ambulance Fund","requesting permission to publish \n Sara Teasdale's poem \"Tonight\"\n set to music","concerning a request for permission to publish her\n poem \"Buried Love\" with a musical setting from Miss \n Mima A. Taylorof \n Kilmarnock, Scotland","requesting permission to use \n Sara Teasdale's poem \"The Look\"\n in a musical setting to be published by \n Harold Flammer","concerning the September 11 letter from Mrs. \n A. R. Wilson","[concerning \n Ralph T. Whitney]","concerning his request of September 5","praising Sara's love songs and commenting that the\n two books [ \n Love Songsand \n The Answering Voice: One Hundred Love\n Lyrics by Women] are pretty, and writing family news","thanking her for the two books, one of love songs,\n the other a collection of poems by women","thanking her for the forthcoming volume and\n promising to read it with pleasure","thanking her for the two volumes [ \n Love Songsand \n The Answering Voice: One Hundred Love\n Lyrics by Women] and praising her own love songs as being\n of a higher level than the other women's verses","requesting permission to use her verse \"Tonight\"\n in a musical setting","thanking her for the book of lyrics, \n The Answering Voice: One Hundred Love\n Lyrics by Women","thanking her for the volume, \n Love Songs, and commenting on her \"gift for pure\n lyric\"","thanking her for the book, \n Love Songs, and finding in it verses for songs","thanking her for the book of her poems, \n Love Songs, and commenting on its \"lyric\n loveliness\"","thanking her for the inscribed \n Love Songsand praising her work","discussing Sara's \n The Answering Voice: One Hundred Love\n Lyrics by Womenand her own \n Cornucopia of Red and Green Comfitsand \n Vachel Lindsayand his work","thanking her for the charming little book, [ \n Love Songs]","accepting her poems \"Sons\" for the January issue\n and \"When we are Happiest\" for a later one","accepting a poem for their Christmas issue","accepting her poem \"The Cup\" for publication","thanking her for the charming letter and gift of\n poems","praising her volume of poems, \n Love Songs, and asking if she has any war poems to\n possibly read at the MacDowell Center","sending her a poem by himself entitled \"Sara--An\n Acrostic\"","informing her of the \n Poetry Society of Americaaward\n for her volume \n Love Songs","inquiring about the possibilities of further\n work","expressing gratitude for her letter and mentioning\n her own physical weakness","mentioning \n Sonnets to Duse and Other Poems, and asking after her family","commenting on the latter's verses and encouraging\n her","thanking her for her book and telling of his\n enjoyment in reading it","writing to her friend after a long interval,\n telling of her separation from \n Ernst B. Filsinger, a visit in\n May to \n Francewith \n Margaret Conklin, her problems\n since being seriously injured in a taxi-cab in March\n 1928, and plans for a visit to \n California","reviving ties with her old friend","exchanging family news, and mentioning \n Joseph Hergesheimer","thanking her profusely for the gift of a\n butterfly, mentioning \n Jay Van Everen's praise of it,\n referring to her essay on \n Christina Rossetti, discussing \n Virginia Woolf, comparing the\n views of the Empire State Building and the Eiffel\n Tower, and saying she would be glad to meet \n Mary Ware Dennett","discussing the lingering effects of the Depression\n on New York, and her frail physical condition and\n wanting to leave \n New York; and, mentioning Mrs. \n Vachel Lindsay, her own\n biography of \n Christina Rossetti, and\n friends","discussing her decreased income, work on her essay\n about \n Christina Rossetti, and personal\n news","mentioning meeting \n Christina Rossetti's two\n nieces","discussing life in \n Spain; and giving a personal\n discourse on the relationships of \n George Bernard Shawand \n Ellen Terryand \n Henry Irving, and comparing\n Terry to \n Eleonora Duseas an actress and\n lover","mentioning the latter's \"Crumbs,\" \n Sarah Bernhardtand \n Eleonora Duse, \n William Marion Reedyand \n Tyrell Williams, and \n Virginia Woolf","expressing her feelings about the gift of the\n beautiful butterfly and the importance of childhood\n memories","concerning some pictures of \n Sara Teasdale","discussing \n Sara Teasdale's suicide","mentioning \n Williamina Parrish, \n Martha Prentice Merwin, and \n Upton Sinclair","enclosing horoscope and related enclosures","discussing \n Morgan McCormickand \n Isabel (Parrish) McCormick","sending additional horoscope material","remembering \n Sara Teasdale's death and\n mentioning old friends","sending a photograph of \n Sara Teasdale; and, discussing\n Sara's wishes after her death: the \n Christina Rossettibook and other\n works remaining unpublished and keeping her life\n private","writing news of \n Tyrell Williamsand \n Nell Niedringhaus Williamsand\n biographical information","writing family news and mentioning \n Celia [E. Harris]","mentioning \n Vine Colby, \n Petronelle Sombart, \n Edna \"Ned\" Wahlert, and \n Edith Wyatt","mentioning \n Caroline Risque, \n Vine Colby, and briefly\n describing her life in \n Lincoln","describing the pleasure that the \n Potter's Wheelsbrings her and others, mentioning \n Celia E. Harris' convalescence,\n with ANS from Celia, mentioning her own and \n Sara Teasdale's illnesses","ordering photographs","acknowledging the photographs of \n Celia E. Harris","from an \"enchanting old place\""],"userestrict_html_tesm":["\u003cp\u003eSee the \n \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n \n University of Virginia Library’s use policy."],"physloc_html_tesm":["\u003cphysloc\u003e\u003c/physloc\u003e\n "],"corpname_ssim":["University of Virginia. Library. Special\n Collections Dept.","Potters","Charles Scribner's Sons","Harper \u0026 Brothers","Small, Maynard \u0026 Company","Hosmer Hall","The Century Company","G. P. Putnam's Sons","G.P. Putnam's Sons","Poetry Society of America","Chappell \u0026 Co., Ltd.","Putnam Publishing\n Company","Monday Club","The Denver Music Company","The MacMillan Company","G. Schirmer (Inc.)","Stix, Baer, \u0026 Fuller","MacMillan","Underwood's News Photo Service","The Centennial Club","Poets Corner","Browning Society","MacMillan Company","Belgian Scholarship\n Committee","Houghton Mifflin Company","Charles Scribner \u0026\n Sons","Dodd, Mead, \u0026 Company","Writers Guild","University of Missouri","National League","American Ambulance Fund","Kilmarnock, Scotland","Greek Ethics Club","State Historical Society of\n Missouri","St. Louis Museum of Fine\n Arts","National Arts Club","Poetry Society of\n America","J. B. Lippincott Company","Frank A. Munsey","Philip Roeder Book and Stationery\n Company"],"persname_ssim":["Vine Colby","Lawrence Hanley","Celia Ellen\n Harris","Margaret Scott\n Lawler","Nadaud","Paul Janis","Vine Colby\n McCasland","Williamina\n Parrish","Sara Teasdale","Frances S.\n Porcher","Christina Rossetti","Barbara George","Patience Worth","William Marion Reedy","Marion Cummings Stanley","Caroline Risque","Jennie M.A. Jones","Susan Creighton Williams","(Williamina Parrish","[Sara Teasdale]","[Vine Colby]","George W. Teasdale","E[leanora] D[use]","Williamina Parrish","Lillie Rose Ernst","Thomas B. Mosher","Elizabeth M. Brown","Caroline White McKinney","Will J. Thornton","Fred R. Macauley","Olga Nethersole","Frances S. Porcher","Celia Ellen Harris","Mary D. Harris","Arthur Symons","Lee B. Hildebrand","Julia Marlowe","Louise McNair","J.P. Greene","Marie Isabel Miller","Mary C. Burke","Guiseppe Masi","Jerome A. Quay","Eleanora Duse","Paul Y. Tupper","Joseph B. Gilder","Laura A. Proetz","Sidney Rogers Cook","M. Augusta Bailey","Dorothy Colby","Arthur Hornblow","Inez (Dutro) George","Frank George","Frances Joseph","Mary F. Raphael","Sara Teasdale,","Pinkie D. McGrew","Agnes M. Schulenberg","John Myers O'Hara","Sappho","Oliver H. Campbell","Adelia C. Arens","H. Nelson Gay","John Keats","Elizabeth Waddell","R.E. Lee Gibson","William H. Hills","Elizabeth McCracken","Mary Elizabeth Willard Teasdale","Bruce M. Stanley","Thekla Bernays","Sidney Fane","Algernon Charles Swinburne","Alice Evelyn Watson","Orrick S. Johns","Ethel M. Kelly","Thomas C. Clark","Witter Bynner","John Stapleton Cowley","Zoe Aikin","Mamie Teasdale Wheless","[John Myers O'Hara]","Alexander N. DeMenil","Madison Cawein","Clayton Hamilton","Chen E. Cory","Alfred Edward Housman","Frances M. Weir","Leopold Godowsky","Olive Ruby Hammon","Jessie Johnston Linton","Joan A. Rae","George Sterling","B. Russell Herts","Louis Untermeyer","Mitchell Kennerley","Michael Monahan","Richard Le Galliene","Robert Underwood Johnson","Albert Victor Young","Petronelle Sombart","Charles Hanson Towne","George Sylvester Viereck","Joseph Benson Gilder","Jessie Belle Rittenhouse","Henry Mills Alden","Ernest R. Kroeger","John Shea","Natalie Bigelow","H. Alexander Matthews","Lily S. Anthony","Orrick Johns","Willa Sibert Cather","Homer Croy","A.D. Kerry","William H. Gardner","S.T. Newton","Henry Van Dyke","Curtis Hidden Page","Frederick Oakes Sylvester","Elizabeth Barrett Browning","John L. Hervey","F. Dewey Richards","Julia Marlowe Sothern","Julia G. Scott","Frank K. Hallack","Edward L. Preetorius","Louis H. Behrens","Theodosia Garrison","Richard LeGallienne","Paul E. More","Charles E. Savage","John Sanburn Phillips","Edith M. Thomas","Elizabeth K. Mew","Rufus Rockwell Wilson","Cale Young Rice","Josephine Peabody","Percy Mackaye","Rudyard Kipling","Fannie L. Richey","George S. Johns","Ella M. Kricklaus","Josephine McGill","Rupert Henry Whitcomb","W. W. Tulloch","William Stanley Braithwaite","Zoe Akins","Dugald Stewart Walker","Blanche Shoemaker Wagstaff","Anna Branch","Edith Thomas","Ethel Peyser","Gertrude Cawein","Theodosia Garrison Faulks","Edward J. Wheeler","Alexander Harvey","Wilfred Funk","Campbell Mason","Joyce Kilmer","Robert Browning","Carman Bliss","Edwin Markham","Edwin Arlington Robinson","Harper \u0026 Brothers","Arthur Guiterman","Laurence J. Gomme","Nana Wilcox Putnam","Josie Grevé\n Oppenheim","John Curtis Underwood","Leonard D. Abbott","Robert Bridges","Anna Hinrichs","(Ferdinand Earle)","Idress Head","Josephine Hilty Abramson","Cecile Barnes","John G. Neihardt","Jessie T. Pease","Oswald Rimmer","Gertrude Cate","(Ferdinand Earle?)","W. F. Melton","Ella Wheeler Willcox","May W. Dorman","Thomas Augustine Daly","Helen Bullis","George Buchanan Fife","Percy MacKaye","Fannie Stearns Davis","John Hall Wheelock","Bliss Carman","Edna St. Vincent Millay","(Sara Teasdale)","Lawrence Gilman","[Alfred] Noyes","H. L. Mencken","Merle St. Croix Wright","Nathan Haskell Dole","Harriet Monroe","Ruth Guthrie Harding","[Jessie Belle] Rittenhouse","Alfred Noyes","Willard H. Wright","Eugene MacDonald Bonner","Louis Albert Lamb","Helen S. Livingstone","Vachel Lindsay","Agnes Freer","William Rose Benet","Alice C. Henderson","Sidney Hosmer","M. S. O'Donnell","Robert Sterling Yard","Charles Gallup","Arthur B. Maurice","Frederick M. Steele","Elizabeth Cutting","Irwin L. Wheeler","Magda Decker","Charles E. Howson","Vine Colby McCasland","Martha Foote Crow","Isabel Underhill","Julia Ditto Young","Margaret Elizabeth Willard\n Teasdale","Haviland Wessells","Ines Macaulay","Clifton B. 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Cross","Sara Teasdale\n Filsinger","E. H. Anderson","Grace L. Dawson","Miles M. Dawson","Rudolph Rieder","Nancy K. [Coonsman]","Marguerite Wilkinson","Edgar Lee Masters","Stuart Walker","Kendall Banning","Amy Lowell","Julia Scott Vrooman","Blanche S. Wagstaff","Max Eastman","Bart B. Howard","Frederick Jacobi","Ada Foster Murray Alden","Helen Bullis Kizer","Ezra Pound","Gertrude Stein","Blanche M. Blake","Herma N. Clark","Carl Vrooman","Sara Teasdale's verses","Edward Bliss Reed","Stephen Vincent Benet","Jean Untermeyer","G. K. Chesterton","Margaret Widdemer","Grace Dawson","Robert W. Wilkes","Alice Carter Butler","Anna Catherine Murphy Markham","Jesse R[ittenhouse]","Margaret Fuller","Royal Dixon","Marie DuBois McCormack","Harris Merton Lyon","Willard Huntington Wright","Sara Tesdale","W. K. Kelsey","Vine (Colby)\n McCasland","S[olomon?] L[eopold?] Millard\n Rosenberg","Katharine Howard","George M. Whicher","Julia Pauline Leavens","Miles Dawson","Salomon de la Selva","Hermina Earnest","Mary James","Edna Wahlert","John Masefield","Clara Root Farr","Mary S. Wright","May Massee","Lucia Sloan Hopkins","Gilderoy Scott","Celia Harris","Jane Burr","A. Walter Kramer","L. Camilieri","Horace Johnson","Francis Grierson","Susie Willis","R. Huntington Woodman","William Faversham","Adelaide Forshaw","Cedric W. Lemont","William Arms Fisher","Edmund Clarence Stedman","Frank Howard Warner","Henry Wellington Wack","Lee Shippey","Ray Werner","William Butler Yeats","J. W. Cunliffe","Padraic Pearse","Thomas MacDonagh","Joseph Plunkett","Louise Holdren Anderson","Ferris Greenslet","[Sara Teadale\n Filsinger]","Grace Clarke Pierce","Grace Hazard Conkling","Hilda Conkling","Fay Foster","Anna L. Moss","Jenkin Lloyd Jones","Mary C. Day","Carl Busch","Harold Flammer","C. Whitney Coombs","Alice B. Long","James Bird","Theodore Dreiser","Girard Blair","Paul L. Benjamin","Henry Adams Bellows","Elsa Barker","Rosalie Day","Gertrude M. Richards","A. S. Berghauser","Julia R. Tutwiler","Zella Estelle Leighton","Maude Haben Luck","Edward Joseph O'Brien","Julius Kranz","Cora E. Large","Harold Strong Latham","William J. Matheson","Oscar Leonard","Rudolph Altrocchi","Henry Gray Glover","Harold Vincent Milligan","Robert Gilbert Welsh","Dorothy Furman","Walter de la Mare","Embers McG[ ], Jackson","Carrie Bullard Lewis","Edith Lobdell","Virginia Roderick","Alice Reber Fish","Burton E. Stevenson","William Withenow, Jr.","Gustav Davidson","Edward J. O'Brien","Jane Leland Clarke","William Frederick Bigelow","Hamilton Fish Armstrong","Frances Evans Crawford","August L. Baug","Joseph Jackson","Sadie A. Frank","Frank M. Beverly","Margaret W. Stevens","Winifred Russell","C. Wharton Stork","Jean Stansbury Holden","Aileen Cleveland Higgins","Ralph T. Whitney","Mima A. Taylor","A. R. Wilson","Henry J. Filsinger","Katherine Ernst Filsinger","Theodore Roosevelt","Joseph Kershaw","John Erskine","Padraic Colum","Frank D. Fackenthal","Helen Truesdell Koch","Vine Colby\n McCasland","Barbara Crary George","Margaret Conklin","Susan Meriwether Boogher Bryan","Joseph Hergesheimer","Jay Van Everen","Virginia Woolf","Mary Ware Dennett","George Bernard Shaw","Ellen Terry","Henry Irving","Eleonora Duse","Grace Parrish","Sarah Bernhardt","Tyrell Williams","Martha Prentice Merwin","Upton Sinclair","Morgan McCormick","Isabel (Parrish) McCormick","Mamie Teasdale Whelass","Nell Niedringhaus Williams","Celia [E. Harris]","Celia E. Harris","Edna \"Ned\" Wahlert","Edith Wyatt","[Mary D. Harris]","[Williamina Parrish]","Mary Elizabeth Willard\n Teasdale","F. E. A. Curley","Jessie Belle\n Rittenhouse","G. Schirmer","William Stanley\n Braithwaite","Inez Dutro George"],"names_ssim":["University of Virginia. Library. Special\n Collections Dept.","Potters","Charles Scribner's Sons","Harper \u0026 Brothers","Small, Maynard \u0026 Company","Hosmer Hall","The Century Company","G. P. Putnam's Sons","G.P. Putnam's Sons","Poetry Society of America","Chappell \u0026 Co., Ltd.","Putnam Publishing\n Company","Monday Club","The Denver Music Company","The MacMillan Company","G. Schirmer (Inc.)","Stix, Baer, \u0026 Fuller","MacMillan","Underwood's News Photo Service","The Centennial Club","Poets Corner","Browning Society","MacMillan Company","Belgian Scholarship\n Committee","Houghton Mifflin Company","Charles Scribner \u0026\n Sons","Dodd, Mead, \u0026 Company","Writers Guild","University of Missouri","National League","American Ambulance Fund","Kilmarnock, Scotland","Greek Ethics Club","State Historical Society of\n Missouri","St. Louis Museum of Fine\n Arts","National Arts Club","Poetry Society of\n America","J. B. Lippincott Company","Frank A. Munsey","Philip Roeder Book and Stationery\n Company","Vine Colby","Lawrence Hanley","Celia Ellen\n Harris","Margaret Scott\n Lawler","Nadaud","Paul Janis","Vine Colby\n McCasland","Williamina\n Parrish","Sara Teasdale","Frances S.\n Porcher","Christina Rossetti","Barbara George","Patience Worth","William Marion Reedy","Marion Cummings Stanley","Caroline Risque","Jennie M.A. Jones","Susan Creighton Williams","(Williamina Parrish","[Sara Teasdale]","[Vine Colby]","George W. Teasdale","E[leanora] D[use]","Williamina Parrish","Lillie Rose Ernst","Thomas B. Mosher","Elizabeth M. Brown","Caroline White McKinney","Will J. Thornton","Fred R. Macauley","Olga Nethersole","Frances S. Porcher","Celia Ellen Harris","Mary D. Harris","Arthur Symons","Lee B. Hildebrand","Julia Marlowe","Louise McNair","J.P. Greene","Marie Isabel Miller","Mary C. Burke","Guiseppe Masi","Jerome A. Quay","Eleanora Duse","Paul Y. Tupper","Joseph B. Gilder","Laura A. Proetz","Sidney Rogers Cook","M. Augusta Bailey","Dorothy Colby","Arthur Hornblow","Inez (Dutro) George","Frank George","Frances Joseph","Mary F. Raphael","Sara Teasdale,","Pinkie D. McGrew","Agnes M. Schulenberg","John Myers O'Hara","Sappho","Oliver H. Campbell","Adelia C. Arens","H. Nelson Gay","John Keats","Elizabeth Waddell","R.E. Lee Gibson","William H. Hills","Elizabeth McCracken","Mary Elizabeth Willard Teasdale","Bruce M. Stanley","Thekla Bernays","Sidney Fane","Algernon Charles Swinburne","Alice Evelyn Watson","Orrick S. Johns","Ethel M. Kelly","Thomas C. Clark","Witter Bynner","John Stapleton Cowley","Zoe Aikin","Mamie Teasdale Wheless","[John Myers O'Hara]","Alexander N. DeMenil","Madison Cawein","Clayton Hamilton","Chen E. Cory","Alfred Edward Housman","Frances M. Weir","Leopold Godowsky","Olive Ruby Hammon","Jessie Johnston Linton","Joan A. Rae","George Sterling","B. Russell Herts","Louis Untermeyer","Mitchell Kennerley","Michael Monahan","Richard Le Galliene","Robert Underwood Johnson","Albert Victor Young","Petronelle Sombart","Charles Hanson Towne","George Sylvester Viereck","Joseph Benson Gilder","Jessie Belle Rittenhouse","Henry Mills Alden","Ernest R. Kroeger","John Shea","Natalie Bigelow","H. Alexander Matthews","Lily S. Anthony","Orrick Johns","Willa Sibert Cather","Homer Croy","A.D. Kerry","William H. Gardner","S.T. Newton","Henry Van Dyke","Curtis Hidden Page","Frederick Oakes Sylvester","Elizabeth Barrett Browning","John L. Hervey","F. Dewey Richards","Julia Marlowe Sothern","Julia G. Scott","Frank K. Hallack","Edward L. Preetorius","Louis H. Behrens","Theodosia Garrison","Richard LeGallienne","Paul E. More","Charles E. Savage","John Sanburn Phillips","Edith M. Thomas","Elizabeth K. Mew","Rufus Rockwell Wilson","Cale Young Rice","Josephine Peabody","Percy Mackaye","Rudyard Kipling","Fannie L. Richey","George S. Johns","Ella M. Kricklaus","Josephine McGill","Rupert Henry Whitcomb","W. W. Tulloch","William Stanley Braithwaite","Zoe Akins","Dugald Stewart Walker","Blanche Shoemaker Wagstaff","Anna Branch","Edith Thomas","Ethel Peyser","Gertrude Cawein","Theodosia Garrison Faulks","Edward J. Wheeler","Alexander Harvey","Wilfred Funk","Campbell Mason","Joyce Kilmer","Robert Browning","Carman Bliss","Edwin Markham","Edwin Arlington Robinson","Arthur Guiterman","Laurence J. Gomme","Nana Wilcox Putnam","Josie Grevé\n Oppenheim","John Curtis Underwood","Leonard D. Abbott","Robert Bridges","Anna Hinrichs","(Ferdinand Earle)","Idress Head","Josephine Hilty Abramson","Cecile Barnes","John G. Neihardt","Jessie T. Pease","Oswald Rimmer","Gertrude Cate","(Ferdinand Earle?)","W. F. Melton","Ella Wheeler Willcox","May W. Dorman","Thomas Augustine Daly","Helen Bullis","George Buchanan Fife","Percy MacKaye","Fannie Stearns Davis","John Hall Wheelock","Bliss Carman","Edna St. Vincent Millay","(Sara Teasdale)","Lawrence Gilman","[Alfred] Noyes","H. L. Mencken","Merle St. Croix Wright","Nathan Haskell Dole","Harriet Monroe","Ruth Guthrie Harding","[Jessie Belle] Rittenhouse","Alfred Noyes","Willard H. Wright","Eugene MacDonald Bonner","Louis Albert Lamb","Helen S. Livingstone","Vachel Lindsay","Agnes Freer","William Rose Benet","Alice C. Henderson","Sidney Hosmer","M. S. O'Donnell","Robert Sterling Yard","Charles Gallup","Arthur B. Maurice","Frederick M. Steele","Elizabeth Cutting","Irwin L. Wheeler","Magda Decker","Charles E. Howson","Vine Colby McCasland","Martha Foote Crow","Isabel Underhill","Julia Ditto Young","Margaret Elizabeth Willard\n Teasdale","Haviland Wessells","Ines Macaulay","Clifton B. Bull","Hortense Flexner","Anita Bartle Brackenbury","Emily Dickinson","Josephine Preston Peabody","John Banister Tabb","Elizabeth van R. Lemont","Percy Lee Atherton","Florence H. Perin","Louise Ayres Garnett","Eunice Tietjens","Elsie Jade Hawson","Charles E. Rush","Allen Dale Smith, Jr.","Clara K. Wellman","Mary Blue","Paul A. Schmitt","Sara Teasdale Filsinger","Ernst B. Filsinger","Howes Norris, Jr.","Edward L. B. Howard","Douglas Malloch","Charlotte V. Butterfield","Carl Hahn","Timothy Spelman","Jacqueline Hendrick Hoyt","Robert Frost","Ernest B. Filsinger","Edmund R. Brown","Conrad Aiken","Temple Scott","Ella Wheeler Wilcox","Theodosia (Garrison) Faulks","Amy M. Beach","Robert F. Walker","Zoe [Akin]","Edward C. Murch","John Warren Teasdale","Luella Ohusted Burnham","Martha Emma Watts","John Alden Carpenter","Rosalie L. Hausmann","John Gould Fletcher","Henry A. Bellows","W. J. Marsh","O. W. Firkins","Maggie W. Barry","Frederick Hoppin Nowland","Gordon Balch Nevin","Wilbur L. Cross","Sara Teasdale\n Filsinger","E. H. Anderson","Grace L. Dawson","Miles M. Dawson","Rudolph Rieder","Nancy K. [Coonsman]","Marguerite Wilkinson","Edgar Lee Masters","Stuart Walker","Kendall Banning","Amy Lowell","Julia Scott Vrooman","Blanche S. Wagstaff","Max Eastman","Bart B. Howard","Frederick Jacobi","Ada Foster Murray Alden","Helen Bullis Kizer","Ezra Pound","Gertrude Stein","Blanche M. Blake","Herma N. Clark","Carl Vrooman","Sara Teasdale's verses","Edward Bliss Reed","Stephen Vincent Benet","Jean Untermeyer","G. K. Chesterton","Margaret Widdemer","Grace Dawson","Robert W. Wilkes","Alice Carter Butler","Anna Catherine Murphy Markham","Jesse R[ittenhouse]","Margaret Fuller","Royal Dixon","Marie DuBois McCormack","Harris Merton Lyon","Willard Huntington Wright","Sara Tesdale","W. K. Kelsey","Vine (Colby)\n McCasland","S[olomon?] L[eopold?] Millard\n Rosenberg","Katharine Howard","George M. Whicher","Julia Pauline Leavens","Miles Dawson","Salomon de la Selva","Hermina Earnest","Mary James","Edna Wahlert","John Masefield","Clara Root Farr","Mary S. Wright","May Massee","Lucia Sloan Hopkins","Gilderoy Scott","Celia Harris","Jane Burr","A. Walter Kramer","L. Camilieri","Horace Johnson","Francis Grierson","Susie Willis","R. Huntington Woodman","William Faversham","Adelaide Forshaw","Cedric W. Lemont","William Arms Fisher","Edmund Clarence Stedman","Frank Howard Warner","Henry Wellington Wack","Lee Shippey","Ray Werner","William Butler Yeats","J. W. Cunliffe","Padraic Pearse","Thomas MacDonagh","Joseph Plunkett","Louise Holdren Anderson","Ferris Greenslet","[Sara Teadale\n Filsinger]","Grace Clarke Pierce","Grace Hazard Conkling","Hilda Conkling","Fay Foster","Anna L. Moss","Jenkin Lloyd Jones","Mary C. Day","Carl Busch","Harold Flammer","C. Whitney Coombs","Alice B. Long","James Bird","Theodore Dreiser","Girard Blair","Paul L. Benjamin","Henry Adams Bellows","Elsa Barker","Rosalie Day","Gertrude M. Richards","A. S. Berghauser","Julia R. Tutwiler","Zella Estelle Leighton","Maude Haben Luck","Edward Joseph O'Brien","Julius Kranz","Cora E. Large","Harold Strong Latham","William J. Matheson","Oscar Leonard","Rudolph Altrocchi","Henry Gray Glover","Harold Vincent Milligan","Robert Gilbert Welsh","Dorothy Furman","Walter de la Mare","Embers McG[ ], Jackson","Carrie Bullard Lewis","Edith Lobdell","Virginia Roderick","Alice Reber Fish","Burton E. Stevenson","William Withenow, Jr.","Gustav Davidson","Edward J. O'Brien","Jane Leland Clarke","William Frederick Bigelow","Hamilton Fish Armstrong","Frances Evans Crawford","August L. Baug","Joseph Jackson","Sadie A. Frank","Frank M. Beverly","Margaret W. Stevens","Winifred Russell","C. Wharton Stork","Jean Stansbury Holden","Aileen Cleveland Higgins","Ralph T. Whitney","Mima A. Taylor","A. R. Wilson","Henry J. Filsinger","Katherine Ernst Filsinger","Theodore Roosevelt","Joseph Kershaw","John Erskine","Padraic Colum","Frank D. Fackenthal","Helen Truesdell Koch","Vine Colby\n McCasland","Barbara Crary George","Margaret Conklin","Susan Meriwether Boogher Bryan","Joseph Hergesheimer","Jay Van Everen","Virginia Woolf","Mary Ware Dennett","George Bernard Shaw","Ellen Terry","Henry Irving","Eleonora Duse","Grace Parrish","Sarah Bernhardt","Tyrell Williams","Martha Prentice Merwin","Upton Sinclair","Morgan McCormick","Isabel (Parrish) McCormick","Mamie Teasdale Whelass","Nell Niedringhaus Williams","Celia [E. Harris]","Celia E. Harris","Edna \"Ned\" Wahlert","Edith Wyatt","[Mary D. Harris]","[Williamina Parrish]","Mary Elizabeth Willard\n Teasdale","F. E. A. Curley","Jessie Belle\n Rittenhouse","G. Schirmer","William Stanley\n Braithwaite","Inez Dutro George"],"language_ssim":["English"],"total_component_count_is":737,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:31:56.027Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_viu00086_c04_c18"}},{"id":"viu_repositories_3_resources_779_c03","type":"Series","attributes":{"title":"Accession 2019-0235, 1905/2007","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_779_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_779_c03","ref_ssm":["viu_repositories_3_resources_779_c03"],"id":"viu_repositories_3_resources_779_c03","ead_ssi":"viu_repositories_3_resources_779","_root_":"viu_repositories_3_resources_779","_nest_parent_":"viu_repositories_3_resources_779","parent_ssi":"viu_repositories_3_resources_779","parent_ssim":["Virginia Folklore Society records, 1905/2007"],"parent_ids_ssim":["viu_repositories_3_resources_779"],"title_filing_ssi":"Accession 2019-0235","title_ssm":["Accession 2019-0235"],"title_tesim":["Accession 2019-0235"],"normalized_title_ssm":["Accession 2019-0235, 1905/2007"],"text":["Accession 2019-0235, 1905/2007","Virginia Folklore Society records, 1905/2007","English","Materials within the boxes have been maintained in their orginal order. This accession has been minimally processed.","Audio cassette tapes have been removed to a separate storage location. Copies of membership checks have been deaccessioned when noted. Some periodicals and printed material from box 8 have been separated for review."],"parent_unittitles_ssm":["Virginia Folklore Society records, 1905/2007"],"parent_unittitles_tesim":["Virginia Folklore Society records, 1905/2007"],"normalized_date_ssm":["1905/2007"],"unitdate_inclusive_ssm":["1905-2007"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":202,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Virginia Folklore Society records, 1905/2007"],"extent_ssm":["8 Cubic Feet 8 cubic foot boxes"],"extent_tesim":["8 Cubic Feet 8 cubic foot boxes"],"has_online_content_ssim":["false"],"child_component_count_isi":8,"parent_access_restrict_tesm":["Boxes 27 and 28 do not circulate."],"language_ssim":["English"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eMaterials within the boxes have been maintained in their orginal order. This accession has been minimally processed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials within the boxes have been maintained in their orginal order. This accession has been minimally processed."],"separatedmaterial_html_tesm":["\u003cp\u003eAudio cassette tapes have been removed to a separate storage location. Copies of membership checks have been deaccessioned when noted. Some periodicals and printed material from box 8 have been separated for review.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Audio cassette tapes have been removed to a separate storage location. Copies of membership checks have been deaccessioned when noted. Some periodicals and printed material from box 8 have been separated for review."],"_nest_path_":"/components#2","timestamp":"2026-06-23T07:29:38.998Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_779","ead_ssi":"viu_repositories_3_resources_779","_root_":"viu_repositories_3_resources_779","_nest_parent_":"viu_repositories_3_resources_779","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_779.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/687","title_filing_ssi":"Virginia Folklore Society records","title_ssm":["Virginia Folklore Society records"],"title_tesim":["Virginia Folklore Society records"],"unitdate_ssm":["1905-2007"],"unitdate_inclusive_ssm":["1905-2007"],"normalized_date_ssm":["1905/2007"],"normalized_title_ssm":["Virginia Folklore Society records, 1905/2007"],"text":["Virginia Folklore Society records, 1905/2007","MSS 9936","Archival Resource Key","/repositories/3/resources/779","clippings (information artifacts)","Black-and-white photographs","Notebooks","Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate.","Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order. This accession has been minimally processed.","The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\"","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5).","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\"","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America.","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society.","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history.","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore.","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive.","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country.","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program.","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society. Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings.","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition.","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972.","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia.","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others.","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia.","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981.","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field.","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s.","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm.","Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis. By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society. It is not to be withdrawn from the library by the Society.","This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials. \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.","Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis. Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting. Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs.","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks. Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.","Audio cassette tapes have been removed to a separate storage location. Copies of membership checks have been deaccessioned when noted. Some periodicals and printed material from box 8 have been separated for review.","Albert and Shirley Small Special Collections Library","Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967","English"],"collection_title_tesim":["Virginia Folklore Society records, 1905/2007"],"collection_ssim":["Virginia Folklore Society records, 1905/2007"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"unitid_tesim":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_persname_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967","Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["Archival transfer from MSS 9829, the papers of Arthur Kyle Davis, 19 February 1974 comprise series one and two. Series three, accession number Accession 2019-0235, donated by Marc Charles Perdue and Martin Clay Perdue."],"access_subjects_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"access_subjects_ssm":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"has_online_content_ssim":["true"],"extent_ssm":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"extent_tesim":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"genreform_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eBoxes 27 and 28 do not circulate.\u003c/p\u003e ","\u003cp\u003eBoxes 27 and 28 in this series DO NOT circulate.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235\u003c/p\u003e ","\u003cp\u003eMaterials within the boxes have been maintained in their orginal order. This accession has been minimally processed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order. This accession has been minimally processed."],"bioghist_html_tesm":["\u003cp\u003eThe broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" \u003c/p\u003e","\u003cp\u003eThe Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). \u003c/p\u003e","\u003cp\u003eUnder C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" \u003c/p\u003e","\u003cp\u003eBy 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. \u003c/p\u003e","\u003cp\u003eTwo figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. \u003c/p\u003e","\u003cp\u003eThe second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. \u003c/p\u003e","\u003cp\u003eThe Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. \u003c/p\u003e","\u003cp\u003eIn 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. \u003c/p\u003e","\u003cp\u003eBeginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. \u003c/p\u003e","\u003cp\u003eIn March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. \u003c/p\u003e","\u003cp\u003eIn addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society. Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.\u003c/p\u003e","\u003cp\u003eIn 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. \u003c/p\u003e","\u003cp\u003eWith the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. \u003c/p\u003e","\u003cp\u003eOn March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. \u003c/p\u003e","\u003cp\u003eFolklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026amp; Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. \u003c/p\u003e","\u003cp\u003eThe contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. \u003c/p\u003e","\u003cp\u003eThe decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. \u003c/p\u003e","\u003cp\u003eIn spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. \u003c/p\u003e","\u003cp\u003eThe changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. \u003c/p\u003e","\u003cp\u003eConsistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. \u003c/p\u003e","\u003cp\u003eExcerpted from http://faculty.virginia.edu/vafolk/archive.htm. \u003c/p\u003e "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\"","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5).","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\"","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America.","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society.","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history.","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore.","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive.","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country.","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program.","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society. Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings.","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition.","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972.","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia.","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others.","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia.","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981.","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field.","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s.","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm."],"custodhist_html_tesm":["\u003cp\u003eMaterial transferred from the papers bequeathed to the Library by Arthur Kyle Davis. By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society. It is not to be withdrawn from the library by the Society.\u003c/p\u003e "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis. By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society. It is not to be withdrawn from the library by the Society."],"odd_html_tesm":["\u003cp\u003eThis resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e","\u003cp\u003e•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026amp; Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials. \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.\u003c/p\u003e","\u003cp\u003e•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.\u003c/p\u003e","\u003cp\u003e•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.\u003c/p\u003e","\u003cp\u003e•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.\u003c/p\u003e"],"odd_heading_ssm":["General","Inventory","Inventory","Inventory","Inventory"],"odd_tesim":["This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials. \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately."],"scopecontent_html_tesm":["\u003cp\u003eVirginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis. Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.\u003c/p\u003e","\u003cp\u003eRegarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting. Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. \u003c/p\u003e","\u003cp\u003eThe recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks. Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).\u003c/p\u003e","\u003cp\u003ePlease note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e ","\u003cp\u003eFolder 1 contains transcripts and notes.\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMyrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eColeman Williams, vocals. Performance location: Halifax County, Virginia, United States\u003c/p\u003e","\u003cp\u003ePerformance location: Henrico County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eCarter Wicks, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eWilliam Elliott Dold, vocals.\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRichard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eG. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRoselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLouise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMerkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinor Wilson, vocals.\u003c/p\u003e","\u003cp\u003eRussell Davis, vocals. Performance location: Greene County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRonald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFlorence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, dulcimer.\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFrank Geldand, piano.\u003c/p\u003e","\u003cp\u003eBetty Booker, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis (1st work).\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals.\u003c/p\u003e","\u003cp\u003eThis box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.\u003c/p\u003e","\u003cp\u003eA large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.\u003c/p\u003e","\u003cp\u003ePapers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.\u003c/p\u003e","\u003cp\u003eVirginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note"],"scopecontent_tesim":["Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis. Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting. Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs.","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks. Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters."],"separatedmaterial_html_tesm":["\u003cp\u003eAudio cassette tapes have been removed to a separate storage location. Copies of membership checks have been deaccessioned when noted. Some periodicals and printed material from box 8 have been separated for review.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Audio cassette tapes have been removed to a separate storage location. Copies of membership checks have been deaccessioned when noted. Some periodicals and printed material from box 8 have been separated for review."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. 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Handle with care."],"parent_access_terms_tesm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials (https://library.virginia.edu/special-collections/services/publishing).","The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916],"_nest_path_":"/components#954/components#17","timestamp":"2026-06-23T07:28:43.518Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1766","ead_ssi":"viu_repositories_3_resources_1766","_root_":"viu_repositories_3_resources_1766","_nest_parent_":"viu_repositories_3_resources_1766","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1766.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/216627","title_filing_ssi":"Buford, Edward Price Papers","title_ssm":["Papers of Edward Price Buford"],"title_tesim":["Papers of Edward Price Buford"],"unitdate_ssm":["1893-1931"],"unitdate_inclusive_ssm":["1893-1931"],"normalized_date_ssm":["1893/1931"],"normalized_title_ssm":["Papers of Edward Price Buford, 1893/1931"],"text":["Papers of Edward Price Buford, 1893/1931","MSS 38-31","Archival Resource Key","/repositories/3/resources/1766","Brunswick County (Va.)","Lawrenceville (Va.)","Fund raising","Hospitals--Finance","lawyers","The collection is open for research use.","Some documents are fragmented and brittle, especially in box 69. Bound letter books and account ledgers (volumes) are all in poor condition with damage to spines and covers. Onionskin paper inside volumes is extremely fragile. In some of the volumes, the ink has faded greatly, making many of the letters very difficult to read or completely illegible. Handle with care.","Bound volumes are damaged and extremely fragile. Handle with care.","Seventh annual report of the Archivist, University of Virginia Library, 1936-1937, p. 7., Eighth annual report of the Archivist, University of Virginia Library, 1937-1938, p.24, no.31.","This collection was originally cataloged with a summary description. In May 2025, a collection inventory was created by Special Collections staff. Folder titles and dates were transcribed and existing order was maintained. The metadata from the original catalog record was combined with the inventory to create this finding aid.","Letter books 1-11 were numbered by the creator; numbers are marked on the covers of the volumes. Letter books beyond number 11 and ledgers were assigned numbers by Special Collections staff to facilitate retrieval from the stacks.","Copy of 8th Annual Report in MSS guides binder in Special Collections reading room.","Papers of Edward Price Buford, lawyer of Lawrenceville, Brunswick County, Va., who practiced alone and in the firms of Buford, Palmer and Hill, and Buford, Palmer and Eggleston. Letter books, daybook and journal containing personal and legal correspondence and accounts, and materials relating to political and economic conditions in Lawrenceville and Southside Virginia, to a hospital fund campaign in Lawrenceville, and to the Lawrenceville Land and Timber Co. of which Buford was an officer. Correspondents include Robert Strange.","The letter books contain copies of outgoing correspondence, typically typed in ink and containing signatures of the originating correspondent (Buford). They also contain handwritten indexes which reference the names of correspondents and pages on which they can be found. The account ledgers contain financial account transactions. Correspondence \"letter books\" are listed first and ledgers are listed last; both are in chronological order according to start date. Letter Books 3, 5, and 6 do not exist.","This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials (https://library.virginia.edu/special-collections/services/publishing).","The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Boxes 1-114 in this collection are stored offsite. 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Handle with care."],"odd_html_tesm":["\u003cp\u003eSeventh annual report of the Archivist, University of Virginia Library, 1936-1937, p. 7., Eighth annual report of the Archivist, University of Virginia Library, 1937-1938, p.24, no.31.\u003c/p\u003e "],"odd_heading_ssm":["Cited in"],"odd_tesim":["Seventh annual report of the Archivist, University of Virginia Library, 1936-1937, p. 7., Eighth annual report of the Archivist, University of Virginia Library, 1937-1938, p.24, no.31."],"prefercite_html_tesm":["\u003cp\u003eMSS 38-31, Edward Price Buford Papers, [box number, folder number], Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e "],"prefercite_tesim":["MSS 38-31, Edward Price Buford Papers, [box number, folder number], Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis collection was originally cataloged with a summary description. 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The account ledgers contain financial account transactions. Correspondence \"letter books\" are listed first and ledgers are listed last; both are in chronological order according to start date. Letter Books 3, 5, and 6 do not exist."],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials (https://library.virginia.edu/special-collections/services/publishing).\u003c/p\u003e","\u003cp\u003eThe library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials. \u003c/p\u003e "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials (https://library.virginia.edu/special-collections/services/publishing).","The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_52afd9d7b8d3bcf7a07517c56b5962f1\"\u003eBoxes 1-114 in this collection are stored offsite. Please allow 72 hours for delivery to Small Library.\nBound letter books and account ledgers are stored onsite at Small Library.\u003c/physloc\u003e\n "],"physloc_tesim":["Boxes 1-114 in this collection are stored offsite. 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F. Snarrhad an interest, including the\n Farmers Mutual Telephone Systemand three\n general stores: \n Borden Brothers; \n Snarr, Borden and Mileyand \n Snarr and Miley Company. Many of the\n ledgers and account books were not labeled so the store to\n which they belong could not be determined.","See the \n \n University of Virginia Library’s use policy.","University of Virginia. Library. Special\n Collections Dept.","Farmers Mutual Telephone System","Borden Brothers","Snarr, Borden and Miley","Snarr and Miley Company","N. F. Snarr","English"],"collection_title_tesim":["Shenandoah Valley Business Papers \n 1881-1924"],"collection_ssim":["Shenandoah Valley Business Papers \n 1881-1924"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["4505"],"unitid_tesim":["4505"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_persname_ssim":["N. F. 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F. Snarr\u003c/persname\u003ehad an interest, including the\n \u003ccorpname\u003eFarmers Mutual Telephone System\u003c/corpname\u003eand three\n general stores: \n \u003ccorpname\u003eBorden Brothers\u003c/corpname\u003e; \n \u003ccorpname\u003eSnarr, Borden and Miley\u003c/corpname\u003eand \n \u003ccorpname\u003eSnarr and Miley Company\u003c/corpname\u003e. Many of the\n ledgers and account books were not labeled so the store to\n which they belong could not be determined.\u003c/p\u003e\n "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The following material concerns businesses in which \n N. F. Snarrhad an interest, including the\n Farmers Mutual Telephone Systemand three\n general stores: \n Borden Brothers; \n Snarr, Borden and Mileyand \n Snarr and Miley Company. Many of the\n ledgers and account books were not labeled so the store to\n which they belong could not be determined."],"userestrict_html_tesm":["\u003cp\u003eSee the \n \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n \n University of Virginia Library’s use policy."],"physloc_html_tesm":["\u003cphysloc\u003e\u003c/physloc\u003e\n "],"corpname_ssim":["University of Virginia. Library. Special\n Collections Dept.","Farmers Mutual Telephone System","Borden Brothers","Snarr, Borden and Miley","Snarr and Miley Company"],"persname_ssim":["N. F. Snarr"],"names_ssim":["University of Virginia. Library. Special\n Collections Dept.","Farmers Mutual Telephone System","Borden Brothers","Snarr, Borden and Miley","Snarr and Miley Company","N. F. Snarr"],"language_ssim":["English"],"total_component_count_is":44,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:33:41.315Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_viu00977_c39"}},{"id":"viu_repositories_3_resources_1879_c14","type":"File","attributes":{"title":"Account book, 1909/1919","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1879_c14#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1879_c14","ref_ssm":["viu_repositories_3_resources_1879_c14"],"id":"viu_repositories_3_resources_1879_c14","ead_ssi":"viu_repositories_3_resources_1879","_root_":"viu_repositories_3_resources_1879","_nest_parent_":"viu_repositories_3_resources_1879","parent_ssi":"viu_repositories_3_resources_1879","parent_ssim":["Rose, Redd, and Claiborne family papers, 1771/2009"],"parent_ids_ssim":["viu_repositories_3_resources_1879"],"title_filing_ssi":"Account book","title_ssm":["Account book"],"title_tesim":["Account book"],"normalized_title_ssm":["Account book, 1909/1919"],"text":["Account book, 1909/1919","Rose, Redd, and Claiborne family papers, 1771/2009","box 1","folder 15"],"parent_unittitles_ssm":["Rose, Redd, and Claiborne family papers, 1771/2009"],"parent_unittitles_tesim":["Rose, Redd, and Claiborne family papers, 1771/2009"],"normalized_date_ssm":["1909/1919"],"unitdate_inclusive_ssm":["c. 1909-1919"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":14,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Rose, Redd, and Claiborne family papers, 1771/2009"],"containers_ssim":["box 1","folder 15"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919],"_nest_path_":"/components#13","timestamp":"2026-06-23T07:28:59.529Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1879","ead_ssi":"viu_repositories_3_resources_1879","_root_":"viu_repositories_3_resources_1879","_nest_parent_":"viu_repositories_3_resources_1879","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1879.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/241029","title_filing_ssi":"Rose, Redd, and Claiborne family papers","title_ssm":["Rose, Redd, and Claiborne family papers"],"title_tesim":["Rose, Redd, and Claiborne family papers"],"unitdate_ssm":["c. 1771-2007"],"unitdate_inclusive_ssm":["c. 1771-2007"],"normalized_date_ssm":["1771/2009"],"normalized_title_ssm":["Rose, Redd, and Claiborne family papers, 1771/2009"],"text":["Rose, Redd, and Claiborne family papers, 1771/2009","MSS.16944","Archival Resource Key","/repositories/3/resources/1879","Virginia -- History -- 19th Century","Virginia -- History -- 21st century","Deeds -- United States","Genealogy","Account books","Fair. Some letters and photographs are fragile or have areas of loss, but have been placed in archival sleeves for researcher access.","The Redd family's Virginia origins trace to William Rufus de Redde, who immigrated to Virginia from England with Governor Alexander Spottswood during the reign of Queen Anne (approximately 1702–1714). Upon settling in Spotsylvania County, he adopted the anglicized surname Redd, married a niece of Governor Spottswood (Miss Moore), and had three sons: John Rufus, Thomas, and George.","His eldest son, Col. John Rufus Redd, was born in Spotsylvania County, educated in Virginia and England, served in the House of Burgesses, participated in the French and Indian Wars, and subsequently moved to Buckingham County. He married a granddaughter of Governor Spottswood and daughter of Captain Nathaniel Dandridge. He and his wife had eleven children – six sons and five daughters – and Col. Redd was wounded at the Battle of Camden (1780) during the Revolutionary War.","Major John Redd (b. October 20, 1755, Buckingham County, Virginia; d. August 11, 1850, Henry County, Virginia), the eldest son of Col. John Rufus Redd, relocated to Henry County (then part of Halifax County) at approximately age seventeen. He volunteered for military service at the outset of the Revolutionary War under Captain Bryce Martin, rose to the rank of Major of Cavalry, and was present at the surrender of Lord Cornwallis at Yorktown on October 19, 1781. He married Mary Waller, daughter of Col. George Waller, a fellow Revolutionary officer, and had ten children. He served as a representative of Henry County in the Virginia Legislature for approximately twenty years, including the 1798–1799 session. He resided at a property called Marrowbone in the southern portion of Henry County, where he was interred in a family cemetery. His will and estate documentation establish activity in the county from approximately the 1780s through his death.","Eugene Mason Redd (fl. c. 1835–1926) and James M. Redd (J.M. Redd) are the principal family figures documented in the later portions of this collection. Both are represented through agricultural account books (c. 1871–1915, 1901–1906, 1909–1919), receipts (c. 1896–1926), and papers related to the Virginia Electric Cooperative (c. 1899–1943). Estate documentation for James Redd extends the record to 1971.","Ethel Blaine Tompkins Redd connected the Redd family to the Tompkins and Blaine families. Her father, Metellas Woods Tompkins, is represented by papers dating to approximately 1890. Dr. Hamilton L. Blaine, whose documents and certificates span 1850–1917, is documented in association with the Blaine family line. The Redd and Tompkins family records (c. 1835–1948) reflect the combined households and shared property interests of these families.","The Redd family held the Bellevette home tract, for which a chain of custody is documented from approximately 1745 to 1972. Family members also participated in the United Daughters of the Confederacy, evidenced by a 1943 application in the collection.","This collection contains correspondence, deeds, estate indentures, account books, receipts notebooks, photographs, carte-de-visite, genealogical research and trees, clippings, a tintype, and ephemera, including wallets, a metal box, and a lock of hair documenting the Rose, Redd, and Claiborne families of Virginia. Names frequently appearing in papers include Eugene M. Redd and his son James Redd. Also included are Ezra Morrison, Mattie Tompkins, Clarence Redd, Jessie Redd McCarthy, Rachel Ayers, Blaine McCarthy Willett, John McCarthy, and the Blain family. The papers document genealogical research and track land purchase and holding, including the Bellevette, a Robert Rose property that has passed down to his descendants, in Nelson County. Also included is correspondence from the turn of the century regarding the Central Virginia Electric Cooperative, a private, not-for-profit cooperative that has provided electricity to customers.","Miscellaneous materials including Heads of Families First Census of the United States: 1790, postcards, ephemera, photocopies of maps, plots, and notes.","This folder contains a photograph of a 1957 \"Naval Review of Fleets\" in Virginia, a hand-drawn coat of arms for the Claiborne family, an 1803 land deed signed by Governor John Page, a page of 1924 graduates of the Washington College of Law with Mattie Thompkins circled, and two manuscript indentures frome the 1771 and 1792.","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["Rose, Redd, and Claiborne family papers, 1771/2009"],"collection_ssim":["Rose, Redd, and Claiborne family papers, 1771/2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.16944","Archival Resource Key","/repositories/3/resources/1879"],"unitid_tesim":["MSS.16944","Archival Resource Key","/repositories/3/resources/1879"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Virginia -- History -- 19th Century","Virginia -- History -- 21st century"],"geogname_ssim":["Virginia -- History -- 19th Century","Virginia -- History -- 21st century"],"places_ssim":["Virginia -- History -- 19th Century","Virginia -- History -- 21st century"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"access_subjects_ssim":["Deeds -- United States","Genealogy","Account books"],"access_subjects_ssm":["Deeds -- United States","Genealogy","Account books"],"has_online_content_ssim":["false"],"physdesc_tesim":["Fair. Some letters and photographs are fragile or have areas of loss, but have been placed in archival sleeves for researcher access."],"extent_ssm":["1.69 Cubic Feet 1 cubic box; 1 elephant folio flat file folder, 1 medium oversize folder"],"extent_tesim":["1.69 Cubic Feet 1 cubic box; 1 elephant folio flat file folder, 1 medium oversize folder"],"genreform_ssim":["Account books"],"date_range_isim":[1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_heading_ssm":["Conditions Governing Access"],"bioghist_html_tesm":["\u003cp\u003eThe Redd family's Virginia origins trace to William Rufus de Redde, who immigrated to Virginia from England with Governor Alexander Spottswood during the reign of Queen Anne (approximately 1702–1714). Upon settling in Spotsylvania County, he adopted the anglicized surname Redd, married a niece of Governor Spottswood (Miss Moore), and had three sons: John Rufus, Thomas, and George. \u003c/p\u003e","\u003cp\u003eHis eldest son, Col. John Rufus Redd, was born in Spotsylvania County, educated in Virginia and England, served in the House of Burgesses, participated in the French and Indian Wars, and subsequently moved to Buckingham County. He married a granddaughter of Governor Spottswood and daughter of Captain Nathaniel Dandridge. He and his wife had eleven children – six sons and five daughters – and Col. Redd was wounded at the Battle of Camden (1780) during the Revolutionary War. \u003c/p\u003e","\u003cp\u003eMajor John Redd (b. October 20, 1755, Buckingham County, Virginia; d. August 11, 1850, Henry County, Virginia), the eldest son of Col. John Rufus Redd, relocated to Henry County (then part of Halifax County) at approximately age seventeen. He volunteered for military service at the outset of the Revolutionary War under Captain Bryce Martin, rose to the rank of Major of Cavalry, and was present at the surrender of Lord Cornwallis at Yorktown on October 19, 1781. He married Mary Waller, daughter of Col. George Waller, a fellow Revolutionary officer, and had ten children. He served as a representative of Henry County in the Virginia Legislature for approximately twenty years, including the 1798–1799 session. He resided at a property called Marrowbone in the southern portion of Henry County, where he was interred in a family cemetery. His will and estate documentation establish activity in the county from approximately the 1780s through his death. \u003c/p\u003e","\u003cp\u003eEugene Mason Redd (fl. c. 1835–1926) and James M. Redd (J.M. Redd) are the principal family figures documented in the later portions of this collection. Both are represented through agricultural account books (c. 1871–1915, 1901–1906, 1909–1919), receipts (c. 1896–1926), and papers related to the Virginia Electric Cooperative (c. 1899–1943). Estate documentation for James Redd extends the record to 1971. \u003c/p\u003e","\u003cp\u003eEthel Blaine Tompkins Redd connected the Redd family to the Tompkins and Blaine families. Her father, Metellas Woods Tompkins, is represented by papers dating to approximately 1890. Dr. Hamilton L. Blaine, whose documents and certificates span 1850–1917, is documented in association with the Blaine family line. The Redd and Tompkins family records (c. 1835–1948) reflect the combined households and shared property interests of these families. \u003c/p\u003e","\u003cp\u003eThe Redd family held the Bellevette home tract, for which a chain of custody is documented from approximately 1745 to 1972. Family members also participated in the United Daughters of the Confederacy, evidenced by a 1943 application in the collection. \u003c/p\u003e "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Redd family's Virginia origins trace to William Rufus de Redde, who immigrated to Virginia from England with Governor Alexander Spottswood during the reign of Queen Anne (approximately 1702–1714). Upon settling in Spotsylvania County, he adopted the anglicized surname Redd, married a niece of Governor Spottswood (Miss Moore), and had three sons: John Rufus, Thomas, and George.","His eldest son, Col. John Rufus Redd, was born in Spotsylvania County, educated in Virginia and England, served in the House of Burgesses, participated in the French and Indian Wars, and subsequently moved to Buckingham County. He married a granddaughter of Governor Spottswood and daughter of Captain Nathaniel Dandridge. He and his wife had eleven children – six sons and five daughters – and Col. Redd was wounded at the Battle of Camden (1780) during the Revolutionary War.","Major John Redd (b. October 20, 1755, Buckingham County, Virginia; d. August 11, 1850, Henry County, Virginia), the eldest son of Col. John Rufus Redd, relocated to Henry County (then part of Halifax County) at approximately age seventeen. He volunteered for military service at the outset of the Revolutionary War under Captain Bryce Martin, rose to the rank of Major of Cavalry, and was present at the surrender of Lord Cornwallis at Yorktown on October 19, 1781. He married Mary Waller, daughter of Col. George Waller, a fellow Revolutionary officer, and had ten children. He served as a representative of Henry County in the Virginia Legislature for approximately twenty years, including the 1798–1799 session. He resided at a property called Marrowbone in the southern portion of Henry County, where he was interred in a family cemetery. His will and estate documentation establish activity in the county from approximately the 1780s through his death.","Eugene Mason Redd (fl. c. 1835–1926) and James M. Redd (J.M. Redd) are the principal family figures documented in the later portions of this collection. Both are represented through agricultural account books (c. 1871–1915, 1901–1906, 1909–1919), receipts (c. 1896–1926), and papers related to the Virginia Electric Cooperative (c. 1899–1943). Estate documentation for James Redd extends the record to 1971.","Ethel Blaine Tompkins Redd connected the Redd family to the Tompkins and Blaine families. Her father, Metellas Woods Tompkins, is represented by papers dating to approximately 1890. Dr. Hamilton L. Blaine, whose documents and certificates span 1850–1917, is documented in association with the Blaine family line. The Redd and Tompkins family records (c. 1835–1948) reflect the combined households and shared property interests of these families.","The Redd family held the Bellevette home tract, for which a chain of custody is documented from approximately 1745 to 1972. Family members also participated in the United Daughters of the Confederacy, evidenced by a 1943 application in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains correspondence, deeds, estate indentures, account books, receipts notebooks, photographs, carte-de-visite, genealogical research and trees, clippings, a tintype, and ephemera, including wallets, a metal box, and a lock of hair documenting the Rose, Redd, and Claiborne families of Virginia. Names frequently appearing in papers include Eugene M. Redd and his son James Redd. Also included are Ezra Morrison, Mattie Tompkins, Clarence Redd, Jessie Redd McCarthy, Rachel Ayers, Blaine McCarthy Willett, John McCarthy, and the Blain family. The papers document genealogical research and track land purchase and holding, including the Bellevette, a Robert Rose property that has passed down to his descendants, in Nelson County. Also included is correspondence from the turn of the century regarding the Central Virginia Electric Cooperative, a private, not-for-profit cooperative that has provided electricity to customers.\u003c/p\u003e ","\u003cp\u003eMiscellaneous materials including Heads of Families First Census of the United States: 1790, postcards, ephemera, photocopies of maps, plots, and notes.\u003c/p\u003e","\u003cp\u003eThis folder contains a photograph of a 1957 \"Naval Review of Fleets\" in Virginia, a hand-drawn coat of arms for the Claiborne family, an 1803 land deed signed by Governor John Page, a page of 1924 graduates of the Washington College of Law with Mattie Thompkins circled, and two manuscript indentures frome the 1771 and 1792.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains correspondence, deeds, estate indentures, account books, receipts notebooks, photographs, carte-de-visite, genealogical research and trees, clippings, a tintype, and ephemera, including wallets, a metal box, and a lock of hair documenting the Rose, Redd, and Claiborne families of Virginia. Names frequently appearing in papers include Eugene M. Redd and his son James Redd. Also included are Ezra Morrison, Mattie Tompkins, Clarence Redd, Jessie Redd McCarthy, Rachel Ayers, Blaine McCarthy Willett, John McCarthy, and the Blain family. The papers document genealogical research and track land purchase and holding, including the Bellevette, a Robert Rose property that has passed down to his descendants, in Nelson County. Also included is correspondence from the turn of the century regarding the Central Virginia Electric Cooperative, a private, not-for-profit cooperative that has provided electricity to customers.","Miscellaneous materials including Heads of Families First Census of the United States: 1790, postcards, ephemera, photocopies of maps, plots, and notes.","This folder contains a photograph of a 1957 \"Naval Review of Fleets\" in Virginia, a hand-drawn coat of arms for the Claiborne family, an 1803 land deed signed by Governor John Page, a page of 1924 graduates of the Washington College of Law with Mattie Thompkins circled, and two manuscript indentures frome the 1771 and 1792."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":27,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:28:59.529Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1879_c14"}},{"id":"viu_viu00976_c03","type":"Item","attributes":{"title":"Account book belonging to Dr. \n Benjamin C. Goodwin., 1910/1922","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_viu00976_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00976_c03","ref_ssm":["viu_viu00976_c03"],"id":"viu_viu00976_c03","ead_ssi":"viu_viu00976","_root_":"viu_viu00976","_nest_parent_":"viu_viu00976","parent_ssi":"viu_viu00976","parent_ssim":["Scottsville Ledgers \n 1829-1922"],"parent_ids_ssim":["viu_viu00976"],"title_filing_ssi":"Account book belonging to Dr. \n Benjamin C. Goodwin.","title_ssm":["Account book belonging to Dr. \n Benjamin C. Goodwin."],"title_tesim":["Account book belonging to Dr. \n Benjamin C. Goodwin."],"normalized_title_ssm":["Account book belonging to Dr. \n Benjamin C. Goodwin., 1910/1922"],"text":["Account book belonging to Dr. \n Benjamin C. Goodwin., 1910/1922","Scottsville Ledgers \n 1829-1922","Benjamin C. Goodwin"],"parent_unittitles_ssm":["Scottsville Ledgers \n 1829-1922"],"parent_unittitles_tesim":["Scottsville Ledgers \n 1829-1922"],"normalized_date_ssm":["1910/1922"],"unitdate_other_ssim":["1910-1922"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":3,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Scottsville Ledgers \n 1829-1922"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"persname_ssim":["Benjamin C. Goodwin"],"names_ssim":["Benjamin C. Goodwin"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922],"_nest_path_":"/components#2","timestamp":"2026-06-23T07:33:41.315Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00976","ead_ssi":"viu_viu00976","_root_":"viu_viu00976","_nest_parent_":"viu_viu00976","ead_source_url_ssi":"data/uva-sc/viu00976.xml","title_ssm":["Scottsville Ledgers \n 1829-1922"],"title_tesim":["Scottsville Ledgers \n 1829-1922"],"normalized_title_ssm":["Scottsville Ledgers \n 1829-1922"],"text":["Scottsville Ledgers \n 1829-1922","4454","3 items","Collection is open to research.","Funded in part by a grant from the National Endowment\n for the Humanities","See the \n \n University of Virginia Library’s use policy.","University of Virginia. Library. Special\n Collections Dept.","John D. Moon","Lucy Margaret Goodwin","Benjamin C. Goodwin","English"],"collection_title_tesim":["Scottsville Ledgers \n 1829-1922"],"collection_ssim":["Scottsville Ledgers \n 1829-1922"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["4454"],"unitid_tesim":["4454"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_persname_ssim":["John D. Moon","Lucy Margaret Goodwin","Benjamin C. Goodwin"],"creator_corpname_ssim":["University of Virginia. Library. Special\n Collections Dept."],"creators_ssim":["John D. Moon","Lucy Margaret Goodwin","Benjamin C. Goodwin","University of Virginia. Library. Special\n Collections Dept."],"acqinfo_ssim":["Deposit 1953 September 18"],"has_online_content_ssim":["false"],"physdesc_tesim":["3 items"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e\n "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"prefercite_html_tesm":["\u003cp\u003eScottsville\n Ledgers, Accession 4454, Special Collections Department, University of\n Virginia Library\u003c/p\u003e\n "],"prefercite_tesim":["Scottsville\n Ledgers, Accession 4454, Special Collections Department, University of\n Virginia Library"],"processinfo_html_tesm":["\u003cp\u003eFunded in part by a grant from the National Endowment\n for the Humanities\u003c/p\u003e\n "],"processinfo_heading_ssm":["Funding Note"],"processinfo_tesim":["Funded in part by a grant from the National Endowment\n for the Humanities"],"userestrict_html_tesm":["\u003cp\u003eSee the \n \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n \n University of Virginia Library’s use policy."],"physloc_html_tesm":["\u003cphysloc\u003e\u003c/physloc\u003e\n "],"corpname_ssim":["University of Virginia. Library. Special\n Collections Dept."],"persname_ssim":["John D. Moon","Lucy Margaret Goodwin","Benjamin C. Goodwin"],"names_ssim":["University of Virginia. Library. Special\n Collections Dept.","John D. Moon","Lucy Margaret Goodwin","Benjamin C. Goodwin"],"language_ssim":["English"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:33:41.315Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_viu00976_c03"}},{"id":"viu_viu00013_c01_c14","type":"Item","attributes":{"title":"Account Book for [The Star Theater] of\n Charlottesville, re motion picture shows, 1912/1915","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_viu00013_c01_c14#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00013_c01_c14","ref_ssm":["viu_viu00013_c01_c14"],"id":"viu_viu00013_c01_c14","ead_ssi":"viu_viu00013","_root_":"viu_viu00013","_nest_parent_":"viu_viu00013_c01","parent_ssi":"viu_viu00013_c01","parent_ssim":["The Cox-McPherson Ledgers and Papers \n 1758-1949 Inclusive","BOX 1"],"parent_ids_ssim":["viu_viu00013","viu_viu00013_c01"],"title_filing_ssi":"Account Book for [The Star Theater] of\n Charlottesville, re motion picture shows","title_ssm":["Account Book for [The Star Theater] of\n Charlottesville, re motion picture shows"],"title_tesim":["Account Book for [The Star Theater] of\n Charlottesville, re motion picture shows"],"normalized_title_ssm":["Account Book for [The Star Theater] of\n Charlottesville, re motion picture shows, 1912/1915"],"text":["Account Book for [The Star Theater] of\n Charlottesville, re motion picture shows, 1912/1915","The Cox-McPherson Ledgers and Papers \n 1758-1949 Inclusive","BOX 1"],"parent_unittitles_ssm":["The Cox-McPherson Ledgers and Papers \n 1758-1949 Inclusive","BOX 1"],"parent_unittitles_tesim":["The Cox-McPherson Ledgers and Papers \n 1758-1949 Inclusive","BOX 1"],"normalized_date_ssm":["1912/1915"],"unitdate_other_ssim":["1912-1915"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":15,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The Cox-McPherson Ledgers and Papers \n 1758-1949 Inclusive"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1912,1913,1914,1915],"_nest_path_":"/components#0/components#13","timestamp":"2026-06-23T07:31:42.753Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00013","ead_ssi":"viu_viu00013","_root_":"viu_viu00013","_nest_parent_":"viu_viu00013","ead_source_url_ssi":"data/uva-sc/viu00013.xml","title_ssm":["The Cox-McPherson Ledgers and Papers \n 1758-1949 Inclusive"],"title_tesim":["The Cox-McPherson Ledgers and Papers \n 1758-1949 Inclusive"],"normalized_title_ssm":["The Cox-McPherson Ledgers and Papers \n 1758-1949 Inclusive"],"text":["The Cox-McPherson Ledgers and Papers \n 1758-1949 Inclusive","Collection number 38-11","209 items","Collection is open to research.","The collection is arranged chronologically with the eight\n bound volumes filed at the end of the collection.","Leroy Wesley Coxwas the son of Dr. \n William Coxand \n Mary Elizabeth (Lacy) Coxand had the\n following brothers and sisters: \n A.D. Cox, \n Almira Josephine Cox, \n Lucian N. Cox, \n E.M. Coxand \n Panthea Adelaide Cox. In 1871, \n Leroy Wesley Coxmarried \n Annie Eliza Foster(daughter of \n Nelson Fosterand \n Annie Eliza Oaks) and produced the\n following offspring: \n Lucian Franklin Cox, \n Edgar Nelson Cox, \n Mary Eliza Cox(Mrs. \n Thomas Brown), \n Annie Leroy cox(Mrs. \n A.P. Dennis), \n Leroy Wesley Cox, \n Amelia Foster Cox(Mrs. \n J.F. Powell), and \n Almira Josephine Cox(Mrs. \n E.H. McPherson).","Funded in part by a grant from the National Endowment\n for the Humanities","This collection consists of 209 items (2 Hollinger boxes;.5\n linear feet), 1758-1949, chiefly papers and bound volumes of\n the \n Coxand \n McPhersonfamilies. The papers include:\n Bible records for the children of \n John Humberand \n Elizabeth Humber, the \n Cox family, and the \n Lacy family; a poem, \"The Late Fire in \n Charlottesville, Virginia\"; a \n Knights of PythiasCertificate belonging\n to \n Lewis H. Brown; Precinct Poll books for \n Charlottesville, and printed material\n concerning the \n Women's Christian Temperance Union.","Other items in the papers include: a photograph of Miss \n Almira Josephine Coxand her four nieces, \n Amelia Foster Christian Cox, \n Annie Leroy Cox, \n Mary Elizabeth Coxand \n Almira Josephine Cox, who were all\n children of \n Leroy Wesley Coxand \n Ann Eliza Foster Cox; and a photostat of \n The Soldiers Almanac.","There are several folders of material pertaining to \n Leroy Wesley Cox(1845-1938), a carriage\n and wagon manufacturer of \n Charlottesville, Virginia, and his\n involvement in the \n Republican Party of Charlottesville,\n 1896-1922. Among these papers are some of the Republican Party\n Papers, which include material about meetings, certificates\n for presidents of the \n Republican Campaign Club, voter\n registration lists for \n Charlottesvilleof white women and men, a\n list of \"colored\" members of the \n McKinley and Hobart Club(1896) and both\n \"colored\" and white voters of \n Charlottesville(1896); political\n broadsides, including several about voter qualifications and\n conventions; and newsclippings. The folder of political\n correspondence was created by \n Leroy Wesley Coxwhile serving as a\n secretary and chairman of the \n Republican City Committeeof \n Charlottesvillefor over twenty years,\n 1901-1922.","The collection also contains several bound volumes\n including: precinct poll books for \n Charlottesville(1915); records of ward\n membership (1896 \u0026 n.d.); a general record book for the \n Republican Party of Albemarle\n County(1894); an account book for \n L.W. Cox Carriage Manufacturer(1884); an\n account book for [the \n Star Theater] of \n Charlottesville, Virginia, for \"motion\n picture shows\" (1912-1915); a record of \n A.D. Cox's estate (1913-1914); and a\n journal (1916-1917).","See the \n \n University of Virginia Library’s use policy.","University of Virginia. Library. Special\n Collections Dept.","Knights of Pythias","Women's Christian Temperance Union","Republican Party of Charlottesville","Republican Campaign Club","McKinley and Hobart Club","Republican City Committee","Republican Party of Albemarle\n County","L.W. Cox Carriage Manufacturer","Star Theater","Cox","McPherson","Cox family","Lacy family","E.H. McPherson","Leroy Wesley Cox","William Cox","Mary Elizabeth (Lacy) Cox","A.D. Cox","Almira Josephine Cox","Lucian N. Cox","E.M. Cox","Panthea Adelaide Cox","Annie Eliza Foster","Nelson Foster","Annie Eliza Oaks","Lucian Franklin Cox","Edgar Nelson Cox","Mary Eliza Cox","Thomas Brown","Annie Leroy cox","A.P. Dennis","Amelia Foster Cox","J.F. Powell","John Humber","Elizabeth Humber","Lewis H. Brown","Amelia Foster Christian Cox","Annie Leroy Cox","Mary Elizabeth Cox","Ann Eliza Foster Cox","English"],"collection_title_tesim":["The Cox-McPherson Ledgers and Papers \n 1758-1949 Inclusive"],"collection_ssim":["The Cox-McPherson Ledgers and Papers \n 1758-1949 Inclusive"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Collection number 38-11"],"unitid_tesim":["Collection number 38-11"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Collector: \n E.H. McPherson"],"creator_ssim":["Collector: \n E.H. McPherson"],"creator_persname_ssim":["E.H. McPherson","Leroy Wesley Cox","William Cox","Mary Elizabeth (Lacy) Cox","A.D. Cox","Almira Josephine Cox","Lucian N. Cox","E.M. Cox","Panthea Adelaide Cox","Annie Eliza Foster","Nelson Foster","Annie Eliza Oaks","Lucian Franklin Cox","Edgar Nelson Cox","Mary Eliza Cox","Thomas Brown","Annie Leroy cox","A.P. Dennis","Amelia Foster Cox","J.F. Powell","John Humber","Elizabeth Humber","Lewis H. Brown","Amelia Foster Christian Cox","Annie Leroy Cox","Mary Elizabeth Cox","Ann Eliza Foster Cox"],"creator_corpname_ssim":["University of Virginia. Library. Special\n Collections Dept.","Knights of Pythias","Women's Christian Temperance Union","Republican Party of Charlottesville","Republican Campaign Club","McKinley and Hobart Club","Republican City Committee","Republican Party of Albemarle\n County","L.W. Cox Carriage Manufacturer","Star Theater"],"creator_famname_ssim":["Cox","McPherson","Cox family","Lacy family"],"creators_ssim":["E.H. McPherson","Leroy Wesley Cox","William Cox","Mary Elizabeth (Lacy) Cox","A.D. Cox","Almira Josephine Cox","Lucian N. Cox","E.M. Cox","Panthea Adelaide Cox","Annie Eliza Foster","Nelson Foster","Annie Eliza Oaks","Lucian Franklin Cox","Edgar Nelson Cox","Mary Eliza Cox","Thomas Brown","Annie Leroy cox","A.P. Dennis","Amelia Foster Cox","J.F. Powell","John Humber","Elizabeth Humber","Lewis H. Brown","Amelia Foster Christian Cox","Annie Leroy Cox","Mary Elizabeth Cox","Ann Eliza Foster Cox","University of Virginia. Library. Special\n Collections Dept.","Knights of Pythias","Women's Christian Temperance Union","Republican Party of Charlottesville","Republican Campaign Club","McKinley and Hobart Club","Republican City Committee","Republican Party of Albemarle\n County","L.W. Cox Carriage Manufacturer","Star Theater","Cox","McPherson","Cox family","Lacy family"],"acqinfo_ssim":["The Cox-McPherson Papers were given to the Library by\n Mrs. \n E.H. McPhersonof \n Charlottesville, Virginia, in \n 1938."],"has_online_content_ssim":["false"],"physdesc_tesim":["209 items"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e\n "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically with the eight\n bound volumes filed at the end of the collection.\u003c/p\u003e\n "],"arrangement_heading_ssm":["Organization"],"arrangement_tesim":["The collection is arranged chronologically with the eight\n bound volumes filed at the end of the collection."],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eLeroy Wesley Cox\u003c/persname\u003ewas the son of Dr. \n \u003cpersname\u003eWilliam Cox\u003c/persname\u003eand \n \u003cpersname\u003eMary Elizabeth (Lacy) Cox\u003c/persname\u003eand had the\n following brothers and sisters: \n \u003cpersname\u003eA.D. Cox\u003c/persname\u003e, \n \u003cpersname\u003eAlmira Josephine Cox\u003c/persname\u003e, \n \u003cpersname\u003eLucian N. Cox\u003c/persname\u003e, \n \u003cpersname\u003eE.M. Cox\u003c/persname\u003eand \n \u003cpersname\u003ePanthea Adelaide Cox\u003c/persname\u003e. In 1871, \n \u003cpersname\u003eLeroy Wesley Cox\u003c/persname\u003emarried \n \u003cpersname\u003eAnnie Eliza Foster\u003c/persname\u003e(daughter of \n \u003cpersname\u003eNelson Foster\u003c/persname\u003eand \n \u003cpersname\u003eAnnie Eliza Oaks\u003c/persname\u003e) and produced the\n following offspring: \n \u003cpersname\u003eLucian Franklin Cox\u003c/persname\u003e, \n \u003cpersname\u003eEdgar Nelson Cox\u003c/persname\u003e, \n \u003cpersname\u003eMary Eliza Cox\u003c/persname\u003e(Mrs. \n \u003cpersname\u003eThomas Brown\u003c/persname\u003e), \n \u003cpersname\u003eAnnie Leroy cox\u003c/persname\u003e(Mrs. \n \u003cpersname\u003eA.P. Dennis\u003c/persname\u003e), \n \u003cpersname\u003eLeroy Wesley Cox\u003c/persname\u003e, \n \u003cpersname\u003eAmelia Foster Cox\u003c/persname\u003e(Mrs. \n \u003cpersname\u003eJ.F. Powell\u003c/persname\u003e), and \n \u003cpersname\u003eAlmira Josephine Cox\u003c/persname\u003e(Mrs. \n \u003cpersname\u003eE.H. McPherson\u003c/persname\u003e).\u003c/p\u003e\n "],"bioghist_heading_ssm":["Genealogical Note"],"bioghist_tesim":["Leroy Wesley Coxwas the son of Dr. \n William Coxand \n Mary Elizabeth (Lacy) Coxand had the\n following brothers and sisters: \n A.D. Cox, \n Almira Josephine Cox, \n Lucian N. Cox, \n E.M. Coxand \n Panthea Adelaide Cox. In 1871, \n Leroy Wesley Coxmarried \n Annie Eliza Foster(daughter of \n Nelson Fosterand \n Annie Eliza Oaks) and produced the\n following offspring: \n Lucian Franklin Cox, \n Edgar Nelson Cox, \n Mary Eliza Cox(Mrs. \n Thomas Brown), \n Annie Leroy cox(Mrs. \n A.P. Dennis), \n Leroy Wesley Cox, \n Amelia Foster Cox(Mrs. \n J.F. Powell), and \n Almira Josephine Cox(Mrs. \n E.H. McPherson)."],"prefercite_html_tesm":["\u003cp\u003eA Guide to The Cox-McPherson Ledgers and\n Papers, Accession 38-11, Special Collections Department, University of\n Virginia Library\u003c/p\u003e\n "],"prefercite_tesim":["A Guide to The Cox-McPherson Ledgers and\n Papers, Accession 38-11, Special Collections Department, University of\n Virginia Library"],"processinfo_html_tesm":["\u003cp\u003eFunded in part by a grant from the National Endowment\n for the Humanities\u003c/p\u003e\n "],"processinfo_heading_ssm":["Funding Note"],"processinfo_tesim":["Funded in part by a grant from the National Endowment\n for the Humanities"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of 209 items (2 Hollinger boxes;.5\n linear feet), 1758-1949, chiefly papers and bound volumes of\n the \n \u003cfamname\u003eCox\u003c/famname\u003eand \n \u003cfamname\u003eMcPherson\u003c/famname\u003efamilies. The papers include:\n Bible records for the children of \n \u003cpersname\u003eJohn Humber\u003c/persname\u003eand \n \u003cpersname\u003eElizabeth Humber\u003c/persname\u003e, the \n \u003cfamname\u003eCox family\u003c/famname\u003e, and the \n \u003cfamname\u003eLacy family\u003c/famname\u003e; a poem, \"The Late Fire in \n \u003cgeogname\u003eCharlottesville, Virginia\u003c/geogname\u003e\"; a \n \u003ccorpname\u003eKnights of Pythias\u003c/corpname\u003eCertificate belonging\n to \n \u003cpersname\u003eLewis H. Brown\u003c/persname\u003e; Precinct Poll books for \n \u003cgeogname\u003eCharlottesville\u003c/geogname\u003e, and printed material\n concerning the \n \u003ccorpname\u003eWomen's Christian Temperance Union\u003c/corpname\u003e.\u003c/p\u003e\n ","\u003cp\u003eOther items in the papers include: a photograph of Miss \n \u003cpersname\u003eAlmira Josephine Cox\u003c/persname\u003eand her four nieces, \n \u003cpersname\u003eAmelia Foster Christian Cox\u003c/persname\u003e, \n \u003cpersname\u003eAnnie Leroy Cox\u003c/persname\u003e, \n \u003cpersname\u003eMary Elizabeth Cox\u003c/persname\u003eand \n \u003cpersname\u003eAlmira Josephine Cox\u003c/persname\u003e, who were all\n children of \n \u003cpersname\u003eLeroy Wesley Cox\u003c/persname\u003eand \n \u003cpersname\u003eAnn Eliza Foster Cox\u003c/persname\u003e; and a photostat of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Soldiers Almanac.\u003c/title\u003e\u003c/p\u003e\n ","\u003cp\u003eThere are several folders of material pertaining to \n \u003cpersname\u003eLeroy Wesley Cox\u003c/persname\u003e(1845-1938), a carriage\n and wagon manufacturer of \n \u003cgeogname\u003eCharlottesville, Virginia\u003c/geogname\u003e, and his\n involvement in the \n \u003ccorpname\u003eRepublican Party of Charlottesville\u003c/corpname\u003e,\n 1896-1922. Among these papers are some of the Republican Party\n Papers, which include material about meetings, certificates\n for presidents of the \n \u003ccorpname\u003eRepublican Campaign Club\u003c/corpname\u003e, voter\n registration lists for \n \u003cgeogname\u003eCharlottesville\u003c/geogname\u003eof white women and men, a\n list of \"colored\" members of the \n \u003ccorpname\u003eMcKinley and Hobart Club\u003c/corpname\u003e(1896) and both\n \"colored\" and white voters of \n \u003cgeogname\u003eCharlottesville\u003c/geogname\u003e(1896); political\n broadsides, including several about voter qualifications and\n conventions; and newsclippings. The folder of political\n correspondence was created by \n \u003cpersname\u003eLeroy Wesley Cox\u003c/persname\u003ewhile serving as a\n secretary and chairman of the \n \u003ccorpname\u003eRepublican City Committee\u003c/corpname\u003eof \n \u003cgeogname\u003eCharlottesville\u003c/geogname\u003efor over twenty years,\n 1901-1922.\u003c/p\u003e\n ","\u003cp\u003eThe collection also contains several bound volumes\n including: precinct poll books for \n \u003cgeogname\u003eCharlottesville\u003c/geogname\u003e(1915); records of ward\n membership (1896 \u0026amp; n.d.); a general record book for the \n \u003ccorpname\u003eRepublican Party of Albemarle\n County\u003c/corpname\u003e(1894); an account book for \n \u003ccorpname\u003eL.W. Cox Carriage Manufacturer\u003c/corpname\u003e(1884); an\n account book for [the \n \u003ccorpname\u003eStar Theater\u003c/corpname\u003e] of \n \u003cgeogname\u003eCharlottesville, Virginia\u003c/geogname\u003e, for \"motion\n picture shows\" (1912-1915); a record of \n \u003cpersname\u003eA.D. Cox\u003c/persname\u003e's estate (1913-1914); and a\n journal (1916-1917).\u003c/p\u003e\n "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of 209 items (2 Hollinger boxes;.5\n linear feet), 1758-1949, chiefly papers and bound volumes of\n the \n Coxand \n McPhersonfamilies. The papers include:\n Bible records for the children of \n John Humberand \n Elizabeth Humber, the \n Cox family, and the \n Lacy family; a poem, \"The Late Fire in \n Charlottesville, Virginia\"; a \n Knights of PythiasCertificate belonging\n to \n Lewis H. Brown; Precinct Poll books for \n Charlottesville, and printed material\n concerning the \n Women's Christian Temperance Union.","Other items in the papers include: a photograph of Miss \n Almira Josephine Coxand her four nieces, \n Amelia Foster Christian Cox, \n Annie Leroy Cox, \n Mary Elizabeth Coxand \n Almira Josephine Cox, who were all\n children of \n Leroy Wesley Coxand \n Ann Eliza Foster Cox; and a photostat of \n The Soldiers Almanac.","There are several folders of material pertaining to \n Leroy Wesley Cox(1845-1938), a carriage\n and wagon manufacturer of \n Charlottesville, Virginia, and his\n involvement in the \n Republican Party of Charlottesville,\n 1896-1922. Among these papers are some of the Republican Party\n Papers, which include material about meetings, certificates\n for presidents of the \n Republican Campaign Club, voter\n registration lists for \n Charlottesvilleof white women and men, a\n list of \"colored\" members of the \n McKinley and Hobart Club(1896) and both\n \"colored\" and white voters of \n Charlottesville(1896); political\n broadsides, including several about voter qualifications and\n conventions; and newsclippings. The folder of political\n correspondence was created by \n Leroy Wesley Coxwhile serving as a\n secretary and chairman of the \n Republican City Committeeof \n Charlottesvillefor over twenty years,\n 1901-1922.","The collection also contains several bound volumes\n including: precinct poll books for \n Charlottesville(1915); records of ward\n membership (1896 \u0026 n.d.); a general record book for the \n Republican Party of Albemarle\n County(1894); an account book for \n L.W. Cox Carriage Manufacturer(1884); an\n account book for [the \n Star Theater] of \n Charlottesville, Virginia, for \"motion\n picture shows\" (1912-1915); a record of \n A.D. Cox's estate (1913-1914); and a\n journal (1916-1917)."],"userestrict_html_tesm":["\u003cp\u003eSee the \n \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n \n University of Virginia Library’s use policy."],"physloc_html_tesm":["\u003cphysloc\u003e\u003c/physloc\u003e\n "],"corpname_ssim":["University of Virginia. Library. Special\n Collections Dept.","Knights of Pythias","Women's Christian Temperance Union","Republican Party of Charlottesville","Republican Campaign Club","McKinley and Hobart Club","Republican City Committee","Republican Party of Albemarle\n County","L.W. Cox Carriage Manufacturer","Star Theater"],"famname_ssim":["Cox","McPherson","Cox family","Lacy family"],"persname_ssim":["E.H. McPherson","Leroy Wesley Cox","William Cox","Mary Elizabeth (Lacy) Cox","A.D. Cox","Almira Josephine Cox","Lucian N. Cox","E.M. Cox","Panthea Adelaide Cox","Annie Eliza Foster","Nelson Foster","Annie Eliza Oaks","Lucian Franklin Cox","Edgar Nelson Cox","Mary Eliza Cox","Thomas Brown","Annie Leroy cox","A.P. Dennis","Amelia Foster Cox","J.F. Powell","John Humber","Elizabeth Humber","Lewis H. Brown","Amelia Foster Christian Cox","Annie Leroy Cox","Mary Elizabeth Cox","Ann Eliza Foster Cox"],"names_ssim":["University of Virginia. Library. Special\n Collections Dept.","Knights of Pythias","Women's Christian Temperance Union","Republican Party of Charlottesville","Republican Campaign Club","McKinley and Hobart Club","Republican City Committee","Republican Party of Albemarle\n County","L.W. Cox Carriage Manufacturer","Star Theater","Cox","McPherson","Cox family","Lacy family","E.H. McPherson","Leroy Wesley Cox","William Cox","Mary Elizabeth (Lacy) Cox","A.D. Cox","Almira Josephine Cox","Lucian N. Cox","E.M. Cox","Panthea Adelaide Cox","Annie Eliza Foster","Nelson Foster","Annie Eliza Oaks","Lucian Franklin Cox","Edgar Nelson Cox","Mary Eliza Cox","Thomas Brown","Annie Leroy cox","A.P. Dennis","Amelia Foster Cox","J.F. Powell","John Humber","Elizabeth Humber","Lewis H. Brown","Amelia Foster Christian Cox","Annie Leroy Cox","Mary Elizabeth Cox","Ann Eliza Foster Cox"],"language_ssim":["English"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:31:42.753Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_viu00013_c01_c14"}},{"id":"viu_viu00036_c05_c01","type":"Item","attributes":{"title":"Account Book of Egbert W.\n Magruder, 1912/1928","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_viu00036_c05_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00036_c05_c01","ref_ssm":["viu_viu00036_c05_c01"],"id":"viu_viu00036_c05_c01","ead_ssi":"viu_viu00036","_root_":"viu_viu00036","_nest_parent_":"viu_viu00036_c05","parent_ssi":"viu_viu00036_c05","parent_ssim":["Papers of the Magruder Family","V. Bound Volumes"],"parent_ids_ssim":["viu_viu00036","viu_viu00036_c05"],"title_filing_ssi":"Account Book of Egbert W.\n Magruder","title_ssm":["Account Book of Egbert W.\n Magruder"],"title_tesim":["Account Book of Egbert W.\n Magruder"],"normalized_title_ssm":["Account Book of Egbert W.\n Magruder, 1912/1928"],"text":["Account Book of Egbert W.\n Magruder, 1912/1928","Papers of the Magruder Family","V. Bound Volumes","Box Box 10"],"parent_unittitles_ssm":["Papers of the Magruder Family","V. Bound Volumes"],"parent_unittitles_tesim":["Papers of the Magruder Family","V. Bound Volumes"],"normalized_date_ssm":["1912/1928"],"unitdate_other_ssim":["1912-1928"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":109,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Papers of the Magruder Family"],"containers_ssim":["Box Box 10"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928],"_nest_path_":"/components#4/components#0","timestamp":"2026-06-23T07:31:42.753Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00036","ead_ssi":"viu_viu00036","_root_":"viu_viu00036","_nest_parent_":"viu_viu00036","ead_source_url_ssi":"data/uva-sc/viu00036.xml","title_ssm":["Papers of the Magruder Family"],"title_tesim":["Papers of the Magruder Family"],"normalized_title_ssm":["Papers of the Magruder Family"],"text":["Papers of the Magruder Family","2733-b","There are no restrictions.","The collection is divided into six series: I. Correspondence; II. Family and Personal Papers; III. Egbert Watson Magruder Papers; IV. Miscellaneous; V. Bound Volumes; and Oversize. Folders are arranged alphabetically within each series. Oversize items are arranged chronologically. Included in the miscellaneous series are printed material and photographs.","Egbert Watson Magruder was born on October\n 25, 1868, in \n Albemarle County, Virginia, the son of \n Benjamin Henry Magruder and \n Anne Evalina (Norris) Magruder . After his\n early education in public and private schools, he entered \n Hampden-Sydney College in 1887, and\n received his B.A. degree in 1891. He completed courses in\n chemistry at the \n University of Virginia, and entered \n Johns Hopkins University in 1892, where he\n was assistant in the department of chemistry during his last\n two years. Afterwards, he received an appointment to the \n Mississippi College of Agriculture . For\n approximately fifteen years, until his resignation in 1915, \n Egbert Watson Magruder was the Chief\n Chemist and Pure Food Expert of the \n State Department of Agriculture . During\n part of this time, he was also director of the \n Virginia Test Farm at \n Saxe, Charlotte County . In 1915, he\n accepted an offer to become the Chief Chemist of the \n F. S. Royster Guano Company of \n Norfolk, Virginia, where his duties\n included taking charge of all chemical laboratories, and\n performing analytical and investigation work.","On Novermber 8, 1916, \n Egbert Watson Magruder married the former \n Frances Byrd Alvey of \n Richmond, Virginia . \n Egbert Watson Magruder was a member of the\n Board of Visitors of \n Virginia Polytechnic Institute, \n Blacksburg, Virginia, the \n American Chemical Society, \n Association of Official Agricultural\n Chemists, \n Virginia Academy of Science, and \n American Society of Agronomy, as well as\n being a member of the following clubs: \n Virginia Chemists' Club, \n Hampton Roads Chemists' Club (as one of\n the organizers and first president of each), the \n Kiwanis Club, \n Norfolk Country Club, and the \n Norfolk Town Club . In addition, he wrote\n numerous articles on agricultural chemistry and agriculture,\n including such topics as the manufacture and use of commercial\n fertilizer, the cultivation of wheat and tobacco, and food and\n food adulterations. \n Egbert Watson Magruder owned a farm of ca.\n 100 acres at \n Dry Bridge, Chesterfield County; he\n remained with the \n F. S. Royster Guano Company until his\n death in 1945.","Horatio \"Rashe\" Erskine Magruder was born\n on September 8, 1846 in \n Albemarle County, the son of \n Benjamin Henry Magruder and \n Maria Louisa (Minor) Magruder . He was\n educated in private country neighborhood schools before\n entering the \n Confederate Army at age seventeen in 1864.\n He served in the \n Rockbridge Artillery of Stonewall\n Jackson's old Brigade, and took part in the battles of The \n Wilderness and \n Spotsylvania Courthouse. He was captured,\n and imprisoned at \n Point Lookout, Maryland; after a lengthy\n illness in prison, he was exchanged, and returned to General \n Robert E. Lee 's army in 1865 after his\n recuperation. He was in the retreat of the \n Confederate Army to \n Appomattox .","After the war, \n Horatio Erskine Magruder attended the \n University of Virginia, studying Latin,\n Modern Languages, and Mathematics. He returned to \"Glenmore,\" the family home, where he\n formed a partnership with his father, and eventually took over\n management of the plantation. He was one of the most prominent\n farmers in \n Albemarle County . \n Horatio Erskine Magruder married his\n cousin, \n Julia May Chewning, of \"Island Home,\" \n Albemarle County, on December 12, 1894.\n He was a member of the vestry of \n Grace Episcopal Church in \n Cismont, the \n American Clan Gregor Society, and\n president of the \n Monticello Wine Company of \n Charlottesville and the \n Albemarle Mutual Fire Insurance Company .\n He died on January 19, 1924 at \"Glenmore.\"","John Bowie Magruder was born on November\n 10, 1839, in \n Albemarle County, the eldest son of \n Benjamin Henry Magruder and \n Maria Louisa (Minor) Magruder . After\n graduating from the \n Albemarle Military Academy, he entered\n the \n University of Virginia, where he received\n his M.A. degree in 1860. In the spring of 1861, he took a\n special three-month military course at the \n Virginia Military Institute in \n Lexington, and raised a company in \n Albemarle County known as the \n Rivanna Guards . As captain, he took the\n company to \n Richmond in June 1861 where they were\n mustered in with the \n 57th Regiment under \n Lewis A. Armistead . He was promoted to\n Colonel after the Battle of \n Fredericksburg on December 22, 1862. He\n was wounded during Pickett's Charge in the battle of \n Gettysburg July 3, 1863, and carried to a\n hospital near the battlefield where he died on July 5th.","This collection consists of ca. 2988 items (10 Hollinger\n boxes and oversize items), ca. 1787-1945, pertaining chiefly\n to the career of \n Egbert Watson Magruder as an agricultural\n chemist for the \n Department of Agriculture of Virginia and,\n later, for the \n F. S. Royster Guano Company of \n Norfolk, Virginia . Included are\n correspondence, reports, articles and speeches, laboratory\n data, architectural drawings and blueprints, printed material,\n and photographs. \n Egbert Watson Magruder collected material,\n 18981945, on various subjects related to the different aspects\n of his work, including agriculture, chemistry, chemists'\n associations, fertilizer, horticulture, livestock, and\n mineralogy. Also included are \n Magruder family papers, consisting of\n correspondence, legal and business papers, plats and surveys,\n and related papers. Topics or items of interest include\n several letters,1861-1863, from \n John Bowie Magruder during his service in\n the \n Confederate Army during the Civil War\n describing several battles, including \n Fredericksburg and \n Suffolk, and camp life at \n Fort Dillard, \n Fort Drury (near \n Fredericksburg), and on White Marsh Road\n near \n Suffolk; an 1861 account book kept by \n John Bowie Magruder for the \n Rivanna Guards; a letter, October 17,\n 1864, to \n Benjamin Henry Magruder from his son, \n Horatio Erskine Magruder while a prisoner\n at \n Point Lookout, Maryland, during the war;\n papers pertaining to the purchase of \"Glenmore\"; papers concerning various \n Virginia estates such as \"Edgehill\" and \"Glenmore\" in \n Albemarle County, \"Blenheim\" in Caroline County, \"Union Mills\" in \n Fluvanna County, and \"River Bend\" in \n Spotsylvania County; an account book from\n the Charlottesville Grange; and genealogical\n and biographical information for the Magruder family and allied families.","See the \n \n University of Virginia Library’s use policy.","English"],"collection_title_tesim":["Papers of the Magruder Family"],"collection_ssim":["Papers of the Magruder Family"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2733-b"],"unitid_tesim":["2733-b"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["This collection was donated to the Library on February 19, 1985, by: \n R. Gregory Magruder, Evalina Magruder, Allaville Magruder, and Elizabeth Henshaw , all of Charlottesville, Virginia; Frances Lummis Lloyd of Longmont, Colorado; Lt. Col. Mason M. Lummis of Alexandria, Virginia; and, Gen. Carter B. Magruder of Arlington, Virginia ."],"has_online_content_ssim":["false"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e\n "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into six series: I. Correspondence; II. Family and Personal Papers; III. Egbert Watson Magruder Papers; IV. Miscellaneous; V. Bound Volumes; and Oversize. Folders are arranged alphabetically within each series. Oversize items are arranged chronologically. Included in the miscellaneous series are printed material and photographs.\u003c/p\u003e\n "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into six series: I. Correspondence; II. Family and Personal Papers; III. Egbert Watson Magruder Papers; IV. Miscellaneous; V. Bound Volumes; and Oversize. Folders are arranged alphabetically within each series. Oversize items are arranged chronologically. Included in the miscellaneous series are printed material and photographs."],"bioghist_html_tesm":["\u003cp\u003e\n Egbert Watson Magruder was born on October\n 25, 1868, in \n Albemarle County, Virginia, the son of \n Benjamin Henry Magruder and \n Anne Evalina (Norris) Magruder . After his\n early education in public and private schools, he entered \n Hampden-Sydney College in 1887, and\n received his B.A. degree in 1891. He completed courses in\n chemistry at the \n University of Virginia, and entered \n Johns Hopkins University in 1892, where he\n was assistant in the department of chemistry during his last\n two years. Afterwards, he received an appointment to the \n Mississippi College of Agriculture . For\n approximately fifteen years, until his resignation in 1915, \n Egbert Watson Magruder was the Chief\n Chemist and Pure Food Expert of the \n State Department of Agriculture . During\n part of this time, he was also director of the \n Virginia Test Farm at \n Saxe, Charlotte County . In 1915, he\n accepted an offer to become the Chief Chemist of the \n F. S. Royster Guano Company of \n Norfolk, Virginia, where his duties\n included taking charge of all chemical laboratories, and\n performing analytical and investigation work.\u003c/p\u003e\n ","\u003cp\u003eOn Novermber 8, 1916, \n Egbert Watson Magruder married the former \n Frances Byrd Alvey of \n Richmond, Virginia . \n Egbert Watson Magruder was a member of the\n Board of Visitors of \n Virginia Polytechnic Institute, \n Blacksburg, Virginia, the \n American Chemical Society, \n Association of Official Agricultural\n Chemists, \n Virginia Academy of Science, and \n American Society of Agronomy, as well as\n being a member of the following clubs: \n Virginia Chemists' Club, \n Hampton Roads Chemists' Club (as one of\n the organizers and first president of each), the \n Kiwanis Club, \n Norfolk Country Club, and the \n Norfolk Town Club . In addition, he wrote\n numerous articles on agricultural chemistry and agriculture,\n including such topics as the manufacture and use of commercial\n fertilizer, the cultivation of wheat and tobacco, and food and\n food adulterations. \n Egbert Watson Magruder owned a farm of ca.\n 100 acres at \n Dry Bridge, Chesterfield County; he\n remained with the \n F. S. Royster Guano Company until his\n death in 1945.\u003c/p\u003e\n ","\u003cp\u003e\n Horatio \"Rashe\" Erskine Magruder was born\n on September 8, 1846 in \n Albemarle County, the son of \n Benjamin Henry Magruder and \n Maria Louisa (Minor) Magruder . He was\n educated in private country neighborhood schools before\n entering the \n Confederate Army at age seventeen in 1864.\n He served in the \n Rockbridge Artillery of Stonewall\n Jackson's old Brigade, and took part in the battles of The \n Wilderness and \n Spotsylvania Courthouse. He was captured,\n and imprisoned at \n Point Lookout, Maryland; after a lengthy\n illness in prison, he was exchanged, and returned to General \n Robert E. Lee 's army in 1865 after his\n recuperation. He was in the retreat of the \n Confederate Army to \n Appomattox .\u003c/p\u003e\n ","\u003cp\u003eAfter the war, \n Horatio Erskine Magruder attended the \n University of Virginia, studying Latin,\n Modern Languages, and Mathematics. He returned to \"Glenmore,\" the family home, where he\n formed a partnership with his father, and eventually took over\n management of the plantation. He was one of the most prominent\n farmers in \n Albemarle County . \n Horatio Erskine Magruder married his\n cousin, \n Julia May Chewning, of \"Island Home,\" \n Albemarle County, on December 12, 1894.\n He was a member of the vestry of \n Grace Episcopal Church in \n Cismont, the \n American Clan Gregor Society, and\n president of the \n Monticello Wine Company of \n Charlottesville and the \n Albemarle Mutual Fire Insurance Company .\n He died on January 19, 1924 at \"Glenmore.\"\u003c/p\u003e\n ","\u003cp\u003e\n John Bowie Magruder was born on November\n 10, 1839, in \n Albemarle County, the eldest son of \n Benjamin Henry Magruder and \n Maria Louisa (Minor) Magruder . After\n graduating from the \n Albemarle Military Academy, he entered\n the \n University of Virginia, where he received\n his M.A. degree in 1860. In the spring of 1861, he took a\n special three-month military course at the \n Virginia Military Institute in \n Lexington, and raised a company in \n Albemarle County known as the \n Rivanna Guards . As captain, he took the\n company to \n Richmond in June 1861 where they were\n mustered in with the \n 57th Regiment under \n Lewis A. Armistead . He was promoted to\n Colonel after the Battle of \n Fredericksburg on December 22, 1862. He\n was wounded during Pickett's Charge in the battle of \n Gettysburg July 3, 1863, and carried to a\n hospital near the battlefield where he died on July 5th.\u003c/p\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Egbert Watson Magruder was born on October\n 25, 1868, in \n Albemarle County, Virginia, the son of \n Benjamin Henry Magruder and \n Anne Evalina (Norris) Magruder . After his\n early education in public and private schools, he entered \n Hampden-Sydney College in 1887, and\n received his B.A. degree in 1891. He completed courses in\n chemistry at the \n University of Virginia, and entered \n Johns Hopkins University in 1892, where he\n was assistant in the department of chemistry during his last\n two years. Afterwards, he received an appointment to the \n Mississippi College of Agriculture . For\n approximately fifteen years, until his resignation in 1915, \n Egbert Watson Magruder was the Chief\n Chemist and Pure Food Expert of the \n State Department of Agriculture . During\n part of this time, he was also director of the \n Virginia Test Farm at \n Saxe, Charlotte County . In 1915, he\n accepted an offer to become the Chief Chemist of the \n F. S. Royster Guano Company of \n Norfolk, Virginia, where his duties\n included taking charge of all chemical laboratories, and\n performing analytical and investigation work.","On Novermber 8, 1916, \n Egbert Watson Magruder married the former \n Frances Byrd Alvey of \n Richmond, Virginia . \n Egbert Watson Magruder was a member of the\n Board of Visitors of \n Virginia Polytechnic Institute, \n Blacksburg, Virginia, the \n American Chemical Society, \n Association of Official Agricultural\n Chemists, \n Virginia Academy of Science, and \n American Society of Agronomy, as well as\n being a member of the following clubs: \n Virginia Chemists' Club, \n Hampton Roads Chemists' Club (as one of\n the organizers and first president of each), the \n Kiwanis Club, \n Norfolk Country Club, and the \n Norfolk Town Club . In addition, he wrote\n numerous articles on agricultural chemistry and agriculture,\n including such topics as the manufacture and use of commercial\n fertilizer, the cultivation of wheat and tobacco, and food and\n food adulterations. \n Egbert Watson Magruder owned a farm of ca.\n 100 acres at \n Dry Bridge, Chesterfield County; he\n remained with the \n F. S. Royster Guano Company until his\n death in 1945.","Horatio \"Rashe\" Erskine Magruder was born\n on September 8, 1846 in \n Albemarle County, the son of \n Benjamin Henry Magruder and \n Maria Louisa (Minor) Magruder . He was\n educated in private country neighborhood schools before\n entering the \n Confederate Army at age seventeen in 1864.\n He served in the \n Rockbridge Artillery of Stonewall\n Jackson's old Brigade, and took part in the battles of The \n Wilderness and \n Spotsylvania Courthouse. He was captured,\n and imprisoned at \n Point Lookout, Maryland; after a lengthy\n illness in prison, he was exchanged, and returned to General \n Robert E. Lee 's army in 1865 after his\n recuperation. He was in the retreat of the \n Confederate Army to \n Appomattox .","After the war, \n Horatio Erskine Magruder attended the \n University of Virginia, studying Latin,\n Modern Languages, and Mathematics. He returned to \"Glenmore,\" the family home, where he\n formed a partnership with his father, and eventually took over\n management of the plantation. He was one of the most prominent\n farmers in \n Albemarle County . \n Horatio Erskine Magruder married his\n cousin, \n Julia May Chewning, of \"Island Home,\" \n Albemarle County, on December 12, 1894.\n He was a member of the vestry of \n Grace Episcopal Church in \n Cismont, the \n American Clan Gregor Society, and\n president of the \n Monticello Wine Company of \n Charlottesville and the \n Albemarle Mutual Fire Insurance Company .\n He died on January 19, 1924 at \"Glenmore.\"","John Bowie Magruder was born on November\n 10, 1839, in \n Albemarle County, the eldest son of \n Benjamin Henry Magruder and \n Maria Louisa (Minor) Magruder . After\n graduating from the \n Albemarle Military Academy, he entered\n the \n University of Virginia, where he received\n his M.A. degree in 1860. In the spring of 1861, he took a\n special three-month military course at the \n Virginia Military Institute in \n Lexington, and raised a company in \n Albemarle County known as the \n Rivanna Guards . As captain, he took the\n company to \n Richmond in June 1861 where they were\n mustered in with the \n 57th Regiment under \n Lewis A. Armistead . He was promoted to\n Colonel after the Battle of \n Fredericksburg on December 22, 1862. He\n was wounded during Pickett's Charge in the battle of \n Gettysburg July 3, 1863, and carried to a\n hospital near the battlefield where he died on July 5th."],"prefercite_html_tesm":["\u003cp\u003ePapers of the Magruder Family, Accession #2733-b, Special Collections, University of Virginia, Charlottesville, Va.\u003c/p\u003e\n "],"prefercite_tesim":["Papers of the Magruder Family, Accession #2733-b, Special Collections, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of ca. 2988 items (10 Hollinger\n boxes and oversize items), ca. 1787-1945, pertaining chiefly\n to the career of \n Egbert Watson Magruder as an agricultural\n chemist for the \n Department of Agriculture of Virginia and,\n later, for the \n F. S. Royster Guano Company of \n Norfolk, Virginia . Included are\n correspondence, reports, articles and speeches, laboratory\n data, architectural drawings and blueprints, printed material,\n and photographs. \n Egbert Watson Magruder collected material,\n 18981945, on various subjects related to the different aspects\n of his work, including agriculture, chemistry, chemists'\n associations, fertilizer, horticulture, livestock, and\n mineralogy. Also included are \n Magruder family papers, consisting of\n correspondence, legal and business papers, plats and surveys,\n and related papers. Topics or items of interest include\n several letters,1861-1863, from \n John Bowie Magruder during his service in\n the \n Confederate Army during the Civil War\n describing several battles, including \n Fredericksburg and \n Suffolk, and camp life at \n Fort Dillard, \n Fort Drury (near \n Fredericksburg), and on White Marsh Road\n near \n Suffolk; an 1861 account book kept by \n John Bowie Magruder for the \n Rivanna Guards; a letter, October 17,\n 1864, to \n Benjamin Henry Magruder from his son, \n Horatio Erskine Magruder while a prisoner\n at \n Point Lookout, Maryland, during the war;\n papers pertaining to the purchase of \"Glenmore\"; papers concerning various \n Virginia estates such as \"Edgehill\" and \"Glenmore\" in \n Albemarle County, \"Blenheim\" in Caroline County, \"Union Mills\" in \n Fluvanna County, and \"River Bend\" in \n Spotsylvania County; an account book from\n the Charlottesville Grange; and genealogical\n and biographical information for the Magruder family and allied families.\u003c/p\u003e\n "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of ca. 2988 items (10 Hollinger\n boxes and oversize items), ca. 1787-1945, pertaining chiefly\n to the career of \n Egbert Watson Magruder as an agricultural\n chemist for the \n Department of Agriculture of Virginia and,\n later, for the \n F. S. Royster Guano Company of \n Norfolk, Virginia . Included are\n correspondence, reports, articles and speeches, laboratory\n data, architectural drawings and blueprints, printed material,\n and photographs. \n Egbert Watson Magruder collected material,\n 18981945, on various subjects related to the different aspects\n of his work, including agriculture, chemistry, chemists'\n associations, fertilizer, horticulture, livestock, and\n mineralogy. Also included are \n Magruder family papers, consisting of\n correspondence, legal and business papers, plats and surveys,\n and related papers. Topics or items of interest include\n several letters,1861-1863, from \n John Bowie Magruder during his service in\n the \n Confederate Army during the Civil War\n describing several battles, including \n Fredericksburg and \n Suffolk, and camp life at \n Fort Dillard, \n Fort Drury (near \n Fredericksburg), and on White Marsh Road\n near \n Suffolk; an 1861 account book kept by \n John Bowie Magruder for the \n Rivanna Guards; a letter, October 17,\n 1864, to \n Benjamin Henry Magruder from his son, \n Horatio Erskine Magruder while a prisoner\n at \n Point Lookout, Maryland, during the war;\n papers pertaining to the purchase of \"Glenmore\"; papers concerning various \n Virginia estates such as \"Edgehill\" and \"Glenmore\" in \n Albemarle County, \"Blenheim\" in Caroline County, \"Union Mills\" in \n Fluvanna County, and \"River Bend\" in \n Spotsylvania County; an account book from\n the Charlottesville Grange; and genealogical\n and biographical information for the Magruder family and allied families."],"userestrict_html_tesm":["\u003cp\u003eSee the \n \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n \n University of Virginia Library’s use policy."],"language_ssim":["English"],"total_component_count_is":118,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:31:42.753Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_viu00036_c05_c01"}},{"id":"viu_viu00040_c06_c21","type":"Item","attributes":{"title":"Account book of income of \n Mary Johnstonfrom her writing;\n also includes list of books read, letters written,\n magazine subscriptions, 1913/1937","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_viu00040_c06_c21#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00040_c06_c21","ref_ssm":["viu_viu00040_c06_c21"],"id":"viu_viu00040_c06_c21","ead_ssi":"viu_viu00040","_root_":"viu_viu00040","_nest_parent_":"viu_viu00040_c06","parent_ssi":"viu_viu00040_c06","parent_ssim":["Papers of Mary Johnston","Accounts"],"parent_ids_ssim":["viu_viu00040","viu_viu00040_c06"],"title_filing_ssi":"Account book of income of \n Mary Johnstonfrom her writing;\n also includes list of books read, letters written,\n magazine subscriptions","title_ssm":["Account book of income of \n Mary Johnstonfrom her writing;\n also includes list of books read, letters written,\n magazine subscriptions"],"title_tesim":["Account book of income of \n Mary Johnstonfrom her writing;\n also includes list of books read, letters written,\n magazine subscriptions"],"normalized_title_ssm":["Account book of income of \n Mary Johnstonfrom her writing;\n also includes list of books read, letters written,\n magazine subscriptions, 1913/1937"],"text":["Account book of income of \n Mary Johnstonfrom her writing;\n also includes list of books read, letters written,\n magazine subscriptions, 1913/1937","Papers of Mary Johnston","Accounts","item","box Box 25"],"parent_unittitles_ssm":["Papers of Mary Johnston","Accounts"],"parent_unittitles_tesim":["Papers of Mary Johnston","Accounts"],"normalized_date_ssm":["1913/1937"],"unitdate_other_ssim":["1913-1937"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":323,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Papers of Mary Johnston"],"physdesc_tesim":["item"],"extent_ssm":["1"],"extent_tesim":["1"],"containers_ssim":["box Box 25"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937],"_nest_path_":"/components#5/components#20","timestamp":"2026-06-23T07:31:42.753Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00040","ead_ssi":"viu_viu00040","_root_":"viu_viu00040","_nest_parent_":"viu_viu00040","ead_source_url_ssi":"data/uva-sc/viu00040.xml","title_ssm":["Papers of Mary Johnston"],"title_tesim":["Papers of Mary Johnston"],"normalized_title_ssm":["Papers of Mary Johnston"],"text":["Papers of Mary Johnston","3588","This collection consists of ca. 4000 items.","There are no restrictions.","The correspondence with family, friends, agents, and\n publishers has been arranged alphabetically by the\n correspondents; this correspondence comprises the first seven\n boxes. The miscellaneous family, suffrage and other\n correspondence is in chronological order and occupies boxes 8-10. Boxes 11-19 contain the manuscripts of stories, novels,\n and dramatic adaptations and have been arranged alphabetically\n by title. The diaries and copies of diaries are arranged\n chronologically in boxes 20 and 21. In boxes 21-22 are are\n rough drafts of the biography compiled by her sister from \n Mary Johnston's diaries and unfinished\n autobiography. Box 23 contains genealogical material, and\n boxes 24-25 contain accounts and cashbooks. In box 26 are\n contracts and other legal papers, as well as photographs. Box\n 27 holds manuscripts of speeches on suffrage, labor, books and\n the Civil War, and box 28 contains miscellaneous personal\n articles. The remainder of box 28 and boxes 29-32 contain\n news-clippings collected by \n John W. Johnston, \n Mary Johnston, and \n Elizabeth Johnston; these clippings are\n about local \n Virginia news in the late 1800's, the\n suffrage movement, the peace movement, and \n Mary Johnston's novels.","Mary Johnston was born November 21, 1870 in \n Buchanan, Virginia to \n Elizabeth Alexander Johnston from \n Moorefield, West Virginia and \n John W. Johnston, lawyer and railway\n executive, of \n Botetourt County, Virginia. \n Mary Johnston, the oldest of six\n children, was followed by \n Eloise Johnston, \n Anne Johnston, \n John Johnston, \n Walter Johnston, and \n Elizabeth Johnston; the first and last\n two siblings lived most of their adult lives with \n Mary Johnston until her death, and they\n are mentioned frequently in these papers.","The family moved to \n Birmingham, Alabama in 1886 and, except\n for a brief period spent in \n New York City around 1893 remained in \n Birmingham until 1902 when they moved to \n Richmond, Virginia. \n Elizabeth Alexander Johnston died in 1889\n soon after the birth of her last child. \n John W. Johnston, a \n Confederate soldier and cousin to General \n Joseph E. Johnston, died in 1905, and\n soon thereafter \n Mary Johnston became critically ill,\n hovering close to death for nearly a year. Although she\n recovered and lived until 1936, she was plagued with horrible\n headaches and ill health most of her life. In 1912 \n Mary Johnston and \n Eloise Johnston bought land and built a\n home, \"Three Hills,\" in \n Warm Springs, Virginia; this remained the\n Johnston family home until \n Elizabeth Johnston's death in the\n 1960's.","Mary Johnston was not formally educated\n but apparently did a great deal of undirected reading in her\n youth, particularly of literature, history, philosophy, and\n science. She loved nature and, as a young adult, travelled\n frequently in \n Europe. She began writing in 1893, and\n her novel, \n Prisoner of Hope,which appeared\n in 1898, was her first publication. \n Houghton, Mifflin and Co. published her\n novels until she changed to \n Harpers in 1918; in 1922 she moved to \n Little-Brown and Co. Her literary agent\n was \n Carl Brandt. \n Mary Johnston published twenty-three\n novels--the earlier ones such as \n To Have and To Hold,Audrey,Sir Mortimer,Lewis Rand,and \n The Long Roll were the most\n popular--one play, \n The Goddess of Reason; one\n historical work, \n The Pioneers of the Old\n South; and numerous short stories.","In addition to her literary and feminist activities, \n Mary Johnston was a self-declared pacifist\n in World War I and worked for peace through various\n organizations. She also had a great interest in socialism,\n although she never joined the \n Socialist Party. In later years she\n studied theosophy with much enthusiasm.","The Papers of Mary Johnston consists of ca. 4000 items, including correspondence (both personal and professional), literary manuscripts, dramatic adaptations, diaries, accounts and cashbooks, photographs, speeches and news clippings.","See the \n \n University of Virginia Library’s use policy.","English"],"collection_title_tesim":["Papers of Mary Johnston"],"collection_ssim":["Papers of Mary Johnston"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["3588"],"unitid_tesim":["3588"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["The Papers of Mary Johnston were deposited by Elizabeth Johnston\n November 1, 1960and became the property of the\n University of Virginia when she\n died."],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection consists of ca. 4000 items."],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e\n "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe correspondence with family, friends, agents, and\n publishers has been arranged alphabetically by the\n correspondents; this correspondence comprises the first seven\n boxes. The miscellaneous family, suffrage and other\n correspondence is in chronological order and occupies boxes 8-10. Boxes 11-19 contain the manuscripts of stories, novels,\n and dramatic adaptations and have been arranged alphabetically\n by title. The diaries and copies of diaries are arranged\n chronologically in boxes 20 and 21. In boxes 21-22 are are\n rough drafts of the biography compiled by her sister from \n Mary Johnston's diaries and unfinished\n autobiography. Box 23 contains genealogical material, and\n boxes 24-25 contain accounts and cashbooks. In box 26 are\n contracts and other legal papers, as well as photographs. Box\n 27 holds manuscripts of speeches on suffrage, labor, books and\n the Civil War, and box 28 contains miscellaneous personal\n articles. The remainder of box 28 and boxes 29-32 contain\n news-clippings collected by \n John W. Johnston, \n Mary Johnston, and \n Elizabeth Johnston; these clippings are\n about local \n Virginia news in the late 1800's, the\n suffrage movement, the peace movement, and \n Mary Johnston's novels.\u003c/p\u003e\n "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The correspondence with family, friends, agents, and\n publishers has been arranged alphabetically by the\n correspondents; this correspondence comprises the first seven\n boxes. The miscellaneous family, suffrage and other\n correspondence is in chronological order and occupies boxes 8-10. Boxes 11-19 contain the manuscripts of stories, novels,\n and dramatic adaptations and have been arranged alphabetically\n by title. The diaries and copies of diaries are arranged\n chronologically in boxes 20 and 21. In boxes 21-22 are are\n rough drafts of the biography compiled by her sister from \n Mary Johnston's diaries and unfinished\n autobiography. Box 23 contains genealogical material, and\n boxes 24-25 contain accounts and cashbooks. In box 26 are\n contracts and other legal papers, as well as photographs. Box\n 27 holds manuscripts of speeches on suffrage, labor, books and\n the Civil War, and box 28 contains miscellaneous personal\n articles. The remainder of box 28 and boxes 29-32 contain\n news-clippings collected by \n John W. Johnston, \n Mary Johnston, and \n Elizabeth Johnston; these clippings are\n about local \n Virginia news in the late 1800's, the\n suffrage movement, the peace movement, and \n Mary Johnston's novels."],"bioghist_html_tesm":["\u003cp\u003e\n Mary Johnston was born November 21, 1870 in \n Buchanan, Virginia to \n Elizabeth Alexander Johnston from \n Moorefield, West Virginia and \n John W. Johnston, lawyer and railway\n executive, of \n Botetourt County, Virginia. \n Mary Johnston, the oldest of six\n children, was followed by \n Eloise Johnston, \n Anne Johnston, \n John Johnston, \n Walter Johnston, and \n Elizabeth Johnston; the first and last\n two siblings lived most of their adult lives with \n Mary Johnston until her death, and they\n are mentioned frequently in these papers.\u003c/p\u003e\n ","\u003cp\u003eThe family moved to \n Birmingham, Alabama in 1886 and, except\n for a brief period spent in \n New York City around 1893 remained in \n Birmingham until 1902 when they moved to \n Richmond, Virginia. \n Elizabeth Alexander Johnston died in 1889\n soon after the birth of her last child. \n John W. Johnston, a \n Confederate soldier and cousin to General \n Joseph E. Johnston, died in 1905, and\n soon thereafter \n Mary Johnston became critically ill,\n hovering close to death for nearly a year. Although she\n recovered and lived until 1936, she was plagued with horrible\n headaches and ill health most of her life. In 1912 \n Mary Johnston and \n Eloise Johnston bought land and built a\n home, \"Three Hills,\" in \n Warm Springs, Virginia; this remained the\n Johnston family home until \n Elizabeth Johnston's death in the\n 1960's.\u003c/p\u003e\n ","\u003cp\u003e\n Mary Johnston was not formally educated\n but apparently did a great deal of undirected reading in her\n youth, particularly of literature, history, philosophy, and\n science. She loved nature and, as a young adult, travelled\n frequently in \n Europe. She began writing in 1893, and\n her novel, \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003ePrisoner of Hope,\u003c/title\u003ewhich appeared\n in 1898, was her first publication. \n Houghton, Mifflin and Co. published her\n novels until she changed to \n Harpers in 1918; in 1922 she moved to \n Little-Brown and Co. Her literary agent\n was \n Carl Brandt. \n Mary Johnston published twenty-three\n novels--the earlier ones such as \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTo Have and To Hold,\u003c/title\u003e\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAudrey,\u003c/title\u003e\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eSir Mortimer,\u003c/title\u003e\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLewis Rand,\u003c/title\u003eand \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Long Roll\u003c/title\u003e were the most\n popular--one play, \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Goddess of Reason;\u003c/title\u003e one\n historical work, \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Pioneers of the Old\n South;\u003c/title\u003e and numerous short stories.\u003c/p\u003e\n ","\u003cp\u003eIn addition to her literary and feminist activities, \n Mary Johnston was a self-declared pacifist\n in World War I and worked for peace through various\n organizations. She also had a great interest in socialism,\n although she never joined the \n Socialist Party. In later years she\n studied theosophy with much enthusiasm.\u003c/p\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Mary Johnston was born November 21, 1870 in \n Buchanan, Virginia to \n Elizabeth Alexander Johnston from \n Moorefield, West Virginia and \n John W. Johnston, lawyer and railway\n executive, of \n Botetourt County, Virginia. \n Mary Johnston, the oldest of six\n children, was followed by \n Eloise Johnston, \n Anne Johnston, \n John Johnston, \n Walter Johnston, and \n Elizabeth Johnston; the first and last\n two siblings lived most of their adult lives with \n Mary Johnston until her death, and they\n are mentioned frequently in these papers.","The family moved to \n Birmingham, Alabama in 1886 and, except\n for a brief period spent in \n New York City around 1893 remained in \n Birmingham until 1902 when they moved to \n Richmond, Virginia. \n Elizabeth Alexander Johnston died in 1889\n soon after the birth of her last child. \n John W. Johnston, a \n Confederate soldier and cousin to General \n Joseph E. Johnston, died in 1905, and\n soon thereafter \n Mary Johnston became critically ill,\n hovering close to death for nearly a year. Although she\n recovered and lived until 1936, she was plagued with horrible\n headaches and ill health most of her life. In 1912 \n Mary Johnston and \n Eloise Johnston bought land and built a\n home, \"Three Hills,\" in \n Warm Springs, Virginia; this remained the\n Johnston family home until \n Elizabeth Johnston's death in the\n 1960's.","Mary Johnston was not formally educated\n but apparently did a great deal of undirected reading in her\n youth, particularly of literature, history, philosophy, and\n science. She loved nature and, as a young adult, travelled\n frequently in \n Europe. She began writing in 1893, and\n her novel, \n Prisoner of Hope,which appeared\n in 1898, was her first publication. \n Houghton, Mifflin and Co. published her\n novels until she changed to \n Harpers in 1918; in 1922 she moved to \n Little-Brown and Co. Her literary agent\n was \n Carl Brandt. \n Mary Johnston published twenty-three\n novels--the earlier ones such as \n To Have and To Hold,Audrey,Sir Mortimer,Lewis Rand,and \n The Long Roll were the most\n popular--one play, \n The Goddess of Reason; one\n historical work, \n The Pioneers of the Old\n South; and numerous short stories.","In addition to her literary and feminist activities, \n Mary Johnston was a self-declared pacifist\n in World War I and worked for peace through various\n organizations. She also had a great interest in socialism,\n although she never joined the \n Socialist Party. In later years she\n studied theosophy with much enthusiasm."],"prefercite_html_tesm":["\u003cp\u003ePapers of Mary Johnston, Accession #3588, Special Collections, University of Virginia Library, Charlottesville, Va.\n\u003c/p\u003e\n "],"prefercite_tesim":["Papers of Mary Johnston, Accession #3588, Special Collections, University of Virginia Library, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe Papers of Mary Johnston consists of ca. 4000 items, including correspondence (both personal and professional), literary manuscripts, dramatic adaptations, diaries, accounts and cashbooks, photographs, speeches and news clippings.\n\u003c/p\u003e\n "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Papers of Mary Johnston consists of ca. 4000 items, including correspondence (both personal and professional), literary manuscripts, dramatic adaptations, diaries, accounts and cashbooks, photographs, speeches and news clippings."],"userestrict_html_tesm":["\u003cp\u003eSee the \n \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n \n University of Virginia Library’s use policy."],"language_ssim":["English"],"total_component_count_is":423,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:31:42.753Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_viu00040_c06_c21"}},{"id":"viu_viu01015_c03_c16","type":"Item","attributes":{"title":"Account Book of Mrs. G.D. Smith in Account\n with E.L. Rothschild \u0026 Co., Stockbrokers, (#8221,\n V. 17), 1915/1930","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_viu01015_c03_c16#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu01015_c03_c16","ref_ssm":["viu_viu01015_c03_c16"],"id":"viu_viu01015_c03_c16","ead_ssi":"viu_viu01015","_root_":"viu_viu01015","_nest_parent_":"viu_viu01015_c03","parent_ssi":"viu_viu01015_c03","parent_ssim":["Berkeley Family Papers \n 1536-present","Bound Volumes"],"parent_ids_ssim":["viu_viu01015","viu_viu01015_c03"],"title_filing_ssi":"Account Book of Mrs. G.D. Smith in Account\n with E.L. Rothschild \u0026 Co., Stockbrokers, (#8221,\n V. 17)","title_ssm":["Account Book of Mrs. G.D. Smith in Account\n with E.L. Rothschild \u0026 Co., Stockbrokers, (#8221,\n V. 17)"],"title_tesim":["Account Book of Mrs. G.D. Smith in Account\n with E.L. Rothschild \u0026 Co., Stockbrokers, (#8221,\n V. 17)"],"normalized_title_ssm":["Account Book of Mrs. G.D. Smith in Account\n with E.L. Rothschild \u0026 Co., Stockbrokers, (#8221,\n V. 17), 1915/1930"],"text":["Account Book of Mrs. G.D. Smith in Account\n with E.L. Rothschild \u0026 Co., Stockbrokers, (#8221,\n V. 17), 1915/1930","Berkeley Family Papers \n 1536-present","Bound Volumes","Box Box 80"],"parent_unittitles_ssm":["Berkeley Family Papers \n 1536-present","Bound Volumes"],"parent_unittitles_tesim":["Berkeley Family Papers \n 1536-present","Bound Volumes"],"normalized_date_ssm":["1915/1930"],"unitdate_other_ssim":["1915 -1930"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":92,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Berkeley Family Papers \n 1536-present"],"containers_ssim":["Box Box 80"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930],"_nest_path_":"/components#2/components#15","timestamp":"2026-06-23T07:33:41.315Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu01015","ead_ssi":"viu_viu01015","_root_":"viu_viu01015","_nest_parent_":"viu_viu01015","ead_source_url_ssi":"data/uva-sc/viu01015.xml","title_ssm":["Berkeley Family Papers \n 1536-present"],"title_tesim":["Berkeley Family Papers \n 1536-present"],"normalized_title_ssm":["Berkeley Family Papers \n 1536-present"],"text":["Berkeley Family Papers \n 1536-present","38-113","circa 20,000 items","There are no restrictions.","This collection primarily includes personal correspondence\n and legal and business papers of the \n Berkeley Family . Interfiled with these\n papers are extensive papers of the closely-related \n Noland family . The joined collection\n comprises about 20,000 items (ca. 85 Hollinger documents boxes\n on about 38 feet of shelving) dating between 1653 and 1930, with the heaviest concentration in the nineteenth\n century.","The Berkeleys were in \n Virginia very early, and settled first in \n Gloucester County. The family was in \n Middlesex County by the first decade of\n the eighteenth century where they built \" \n Barn Elms\" on the Piankatank River (on\n the north bank from present Berkeley Island). About 1820 they\n left Middlesex for \" \n Aldie, \" \n Loudoun County where they remained until\n 1882 when they moved to \n Red Hill, \n Albemarle County. The name \"Edmund\"\n appears in every generation.","The bulk of the Berkeley Papers concern business matters,\n especially farming operations on lands in Gloucester, Middlesex,King\n William, Prince William, Hanover, Lancaster, Loudoun, Albemarle, Clarke, and other\n counties.","Because of the close ties between the Berkeley and Noland\n families there are many common correspondents and much\n complementary material in the various groups of Noland and\n Berkeley families papers received by the Library from a number\n of donors over almost fifty years. Accordingly, the groups of \n Noland family papers have been interfiled\n into the Berkeley Papers. Separate folders have been used, and\n the accession numbers assigned to each group as it was\n received by the Library appear on the folders.","Much of the Noland material concerns \"Airwell,\" Hanover County, and \n William Noland, \n Carter B. Berkeley, and \n Nelson Berkeley. Other items and topics\n of interest in the combined collections include: letters from \n Berkeley family members attending the \n University of Virginia; letters written\n by during the Civil War, especially by the Berkeleys serving\n in the \n Eighth Virginia Infantry Regiment.\n Letters written by \n Edmund Berkeley (1824-1915) relate many\n anecdotes about prominent persons such as the \n Marquis de Lafayette, \n James Monroe, \n Catesby ap Roger Jones, \n Andrew Jackson, \n Abel Parker Upshur, \n Henry Clay, \n John C. Calhoun, \n Daniel Webster, \n Charles Dickens, \n Sam Houston, and \n Theodore Roosevelt. He also describes\n events such as the explosion of the cannon named the\n \"Peacemaker\" on board the U.S.S. Princeton in 1844. Edmund\n served as Lieutenant Colonel of the Eighth Virginia, and his\n letters and those of his brother \n Norborne Berkeley (1828-), colonel of the\n Regiment, describe the many actions in which the regiment was\n involved such as \n Bull Run, \n Seven Pines, and \n Gettyburg, as well as life in Union\n prison camps, especially \n Johnson's Island, after their capture at \n Gettyburg following Pickett's charge.","The portion of the collection accessioned as #8221 includes\n personal correspondence of \n Landon C. Berkeley, \n Anne Poe Harrison (Landon's wife), \n Cynthia Berkeley, \n Edmonia Berkeley, and \n Francis Lewis Berkeley (1859-1942). Topics\n mentioned in these letters include: the election of 1856;\n horse racing; speeches by \n Dwight Lyman Moody ; \n Wellesley College; the \n Miller School of Albemarle, \n Albemarle County, Virginia; \n Oregon in the 1880's; \n While Sulphur Springs, Virginia; slave\n hiring; \n Mary Custis Lee, [Chiswell\n Dabney] \"Chilly\" Langhorne; and \n William Mahone. Correspondents in this\n section include \n John Thompson Brown, \n John Warwick Daniel, \n Andrew Jackson Montague, \n John Barbee Minor, \n Thomas Nelson Page, \n Thomas Walter Harrison, and \n Micajah Woods.","There are bound volumes in #8221 that include class\n notebooks used by \n Francis Lewis Berkeley at the \n University of Virginia, 1896-1899, while\n taking courses in geology and agricultural chemistry, and his\n diary for 1906-1910 (Boxes 78-80). Other bound volumes\n include: a school notebook kept by \n Cynthia Berkeley in 1887 (Box 78); a mill\n ledger kept by \n William Noland at \n Aldie, \n Loudoun County; accounts, 1854-1885, kept\n by \n William Noland Berkeley ; a common stock\n register, 1915-1930, of \n G.E. Smith with \n E.L. Rothschild Co.; and a trigonometry\n notebook, 1912.","Financial and legal papers in #8221 consist of deeds,\n receipts cancelled checks, and similar material. There is a\n large body of financial and legal papers of \n John Crissey of New York, an in-law of the\n Berkeleys.","See the \n \n University of Virginia Library’s use policy.","English"],"collection_title_tesim":["Berkeley Family Papers \n 1536-present"],"collection_ssim":["Berkeley Family Papers \n 1536-present"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["38-113"],"unitid_tesim":["38-113"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["The collection was placed on deposit by various members of the Berkeley family between 1933 and 1999. The papers were made a gift to the Library by Edmund Berkeley, Jr. and Edmund Berkeley, III on November 20, 2018."],"has_online_content_ssim":["false"],"physdesc_tesim":["circa 20,000 items"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"prefercite_html_tesm":["\u003cp\u003eBerkeley Family Papers, 1653-1930, Accession #38-113, Special Collections, University of\n Virginia Library, Charlottesville, Va.\u003c/p\u003e\n "],"prefercite_tesim":["Berkeley Family Papers, 1653-1930, Accession #38-113, Special Collections, University of\n Virginia Library, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection primarily includes personal correspondence\n and legal and business papers of the \n Berkeley Family . Interfiled with these\n papers are extensive papers of the closely-related \n Noland family . The joined collection\n comprises about 20,000 items (ca. 85 Hollinger documents boxes\n on about 38 feet of shelving) dating between 1653 and 1930, with the heaviest concentration in the nineteenth\n century.\u003c/p\u003e\n ","\u003cp\u003eThe Berkeleys were in \n Virginia very early, and settled first in \n Gloucester County. The family was in \n Middlesex County by the first decade of\n the eighteenth century where they built \" \n Barn Elms\" on the Piankatank River (on\n the north bank from present Berkeley Island). About 1820 they\n left Middlesex for \" \n Aldie, \" \n Loudoun County where they remained until\n 1882 when they moved to \n Red Hill, \n Albemarle County. The name \"Edmund\"\n appears in every generation.\u003c/p\u003e\n ","\u003cp\u003eThe bulk of the Berkeley Papers concern business matters,\n especially farming operations on lands in Gloucester, Middlesex,King\n William, Prince William, Hanover, Lancaster, Loudoun, Albemarle, Clarke, and other\n counties.\u003c/p\u003e\n ","\u003cp\u003eBecause of the close ties between the Berkeley and Noland\n families there are many common correspondents and much\n complementary material in the various groups of Noland and\n Berkeley families papers received by the Library from a number\n of donors over almost fifty years. Accordingly, the groups of \n Noland family papers have been interfiled\n into the Berkeley Papers. Separate folders have been used, and\n the accession numbers assigned to each group as it was\n received by the Library appear on the folders.\u003c/p\u003e\n ","\u003cp\u003eMuch of the Noland material concerns \"Airwell,\" Hanover County, and \n William Noland, \n Carter B. Berkeley, and \n Nelson Berkeley. Other items and topics\n of interest in the combined collections include: letters from \n Berkeley family members attending the \n University of Virginia; letters written\n by during the Civil War, especially by the Berkeleys serving\n in the \n Eighth Virginia Infantry Regiment.\n Letters written by \n Edmund Berkeley (1824-1915) relate many\n anecdotes about prominent persons such as the \n Marquis de Lafayette, \n James Monroe, \n Catesby ap Roger Jones, \n Andrew Jackson, \n Abel Parker Upshur, \n Henry Clay, \n John C. Calhoun, \n Daniel Webster, \n Charles Dickens, \n Sam Houston, and \n Theodore Roosevelt. He also describes\n events such as the explosion of the cannon named the\n \"Peacemaker\" on board the U.S.S. Princeton in 1844. Edmund\n served as Lieutenant Colonel of the Eighth Virginia, and his\n letters and those of his brother \n Norborne Berkeley (1828-), colonel of the\n Regiment, describe the many actions in which the regiment was\n involved such as \n Bull Run, \n Seven Pines, and \n Gettyburg, as well as life in Union\n prison camps, especially \n Johnson's Island, after their capture at \n Gettyburg following Pickett's charge.\u003c/p\u003e\n ","\u003cp\u003eThe portion of the collection accessioned as #8221 includes\n personal correspondence of \n Landon C. Berkeley, \n Anne Poe Harrison (Landon's wife), \n Cynthia Berkeley, \n Edmonia Berkeley, and \n Francis Lewis Berkeley (1859-1942). Topics\n mentioned in these letters include: the election of 1856;\n horse racing; speeches by \n Dwight Lyman Moody ; \n Wellesley College; the \n Miller School of Albemarle, \n Albemarle County, Virginia; \n Oregon in the 1880's; \n While Sulphur Springs, Virginia; slave\n hiring; \n Mary Custis Lee, [Chiswell\n Dabney] \"Chilly\" Langhorne; and \n William Mahone. Correspondents in this\n section include \n John Thompson Brown, \n John Warwick Daniel, \n Andrew Jackson Montague, \n John Barbee Minor, \n Thomas Nelson Page, \n Thomas Walter Harrison, and \n Micajah Woods.\u003c/p\u003e\n ","\u003cp\u003eThere are bound volumes in #8221 that include class\n notebooks used by \n Francis Lewis Berkeley at the \n University of Virginia, 1896-1899, while\n taking courses in geology and agricultural chemistry, and his\n diary for 1906-1910 (Boxes 78-80). Other bound volumes\n include: a school notebook kept by \n Cynthia Berkeley in 1887 (Box 78); a mill\n ledger kept by \n William Noland at \n Aldie, \n Loudoun County; accounts, 1854-1885, kept\n by \n William Noland Berkeley ; a common stock\n register, 1915-1930, of \n G.E. Smith with \n E.L. Rothschild Co.; and a trigonometry\n notebook, 1912.\u003c/p\u003e\n ","\u003cp\u003eFinancial and legal papers in #8221 consist of deeds,\n receipts cancelled checks, and similar material. There is a\n large body of financial and legal papers of \n John Crissey of New York, an in-law of the\n Berkeleys.\u003c/p\u003e\n "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection primarily includes personal correspondence\n and legal and business papers of the \n Berkeley Family . Interfiled with these\n papers are extensive papers of the closely-related \n Noland family . The joined collection\n comprises about 20,000 items (ca. 85 Hollinger documents boxes\n on about 38 feet of shelving) dating between 1653 and 1930, with the heaviest concentration in the nineteenth\n century.","The Berkeleys were in \n Virginia very early, and settled first in \n Gloucester County. The family was in \n Middlesex County by the first decade of\n the eighteenth century where they built \" \n Barn Elms\" on the Piankatank River (on\n the north bank from present Berkeley Island). About 1820 they\n left Middlesex for \" \n Aldie, \" \n Loudoun County where they remained until\n 1882 when they moved to \n Red Hill, \n Albemarle County. The name \"Edmund\"\n appears in every generation.","The bulk of the Berkeley Papers concern business matters,\n especially farming operations on lands in Gloucester, Middlesex,King\n William, Prince William, Hanover, Lancaster, Loudoun, Albemarle, Clarke, and other\n counties.","Because of the close ties between the Berkeley and Noland\n families there are many common correspondents and much\n complementary material in the various groups of Noland and\n Berkeley families papers received by the Library from a number\n of donors over almost fifty years. Accordingly, the groups of \n Noland family papers have been interfiled\n into the Berkeley Papers. Separate folders have been used, and\n the accession numbers assigned to each group as it was\n received by the Library appear on the folders.","Much of the Noland material concerns \"Airwell,\" Hanover County, and \n William Noland, \n Carter B. Berkeley, and \n Nelson Berkeley. Other items and topics\n of interest in the combined collections include: letters from \n Berkeley family members attending the \n University of Virginia; letters written\n by during the Civil War, especially by the Berkeleys serving\n in the \n Eighth Virginia Infantry Regiment.\n Letters written by \n Edmund Berkeley (1824-1915) relate many\n anecdotes about prominent persons such as the \n Marquis de Lafayette, \n James Monroe, \n Catesby ap Roger Jones, \n Andrew Jackson, \n Abel Parker Upshur, \n Henry Clay, \n John C. Calhoun, \n Daniel Webster, \n Charles Dickens, \n Sam Houston, and \n Theodore Roosevelt. He also describes\n events such as the explosion of the cannon named the\n \"Peacemaker\" on board the U.S.S. Princeton in 1844. Edmund\n served as Lieutenant Colonel of the Eighth Virginia, and his\n letters and those of his brother \n Norborne Berkeley (1828-), colonel of the\n Regiment, describe the many actions in which the regiment was\n involved such as \n Bull Run, \n Seven Pines, and \n Gettyburg, as well as life in Union\n prison camps, especially \n Johnson's Island, after their capture at \n Gettyburg following Pickett's charge.","The portion of the collection accessioned as #8221 includes\n personal correspondence of \n Landon C. Berkeley, \n Anne Poe Harrison (Landon's wife), \n Cynthia Berkeley, \n Edmonia Berkeley, and \n Francis Lewis Berkeley (1859-1942). Topics\n mentioned in these letters include: the election of 1856;\n horse racing; speeches by \n Dwight Lyman Moody ; \n Wellesley College; the \n Miller School of Albemarle, \n Albemarle County, Virginia; \n Oregon in the 1880's; \n While Sulphur Springs, Virginia; slave\n hiring; \n Mary Custis Lee, [Chiswell\n Dabney] \"Chilly\" Langhorne; and \n William Mahone. Correspondents in this\n section include \n John Thompson Brown, \n John Warwick Daniel, \n Andrew Jackson Montague, \n John Barbee Minor, \n Thomas Nelson Page, \n Thomas Walter Harrison, and \n Micajah Woods.","There are bound volumes in #8221 that include class\n notebooks used by \n Francis Lewis Berkeley at the \n University of Virginia, 1896-1899, while\n taking courses in geology and agricultural chemistry, and his\n diary for 1906-1910 (Boxes 78-80). Other bound volumes\n include: a school notebook kept by \n Cynthia Berkeley in 1887 (Box 78); a mill\n ledger kept by \n William Noland at \n Aldie, \n Loudoun County; accounts, 1854-1885, kept\n by \n William Noland Berkeley ; a common stock\n register, 1915-1930, of \n G.E. Smith with \n E.L. Rothschild Co.; and a trigonometry\n notebook, 1912.","Financial and legal papers in #8221 consist of deeds,\n receipts cancelled checks, and similar material. There is a\n large body of financial and legal papers of \n John Crissey of New York, an in-law of the\n Berkeleys."],"userestrict_html_tesm":["\u003cp\u003eSee the \n \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e\n "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n \n University of Virginia Library’s use policy."],"physloc_html_tesm":["\u003cphysloc\u003e\u003c/physloc\u003e\n "],"language_ssim":["English"],"total_component_count_is":129,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:33:41.315Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_viu01015_c03_c16"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"University of Virginia, Special Collections Dept.","value":"University of Virginia, Special Collections Dept.","hits":4198},"links":{"remove":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1915\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1915\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"165th Depot Brigade Band photograph, 1914/1918","value":"165th Depot Brigade Band photograph, 1914/1918","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=165th+Depot+Brigade+Band+photograph%2C+1914%2F1918\u0026f%5Bdate_range%5D%5B%5D=1915\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}},{"attributes":{"label":"A. 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