{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1906\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=28","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1906\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=27","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1906\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=29","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1906\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=32"},"meta":{"pages":{"current_page":28,"next_page":29,"prev_page":27,"total_pages":32,"limit_value":10,"offset_value":270,"total_count":312,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_651_c03_c01","type":"Subseries","attributes":{"title":"Sub-series 1: Records and mementos","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_651_c03_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. 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Items are arranged alphabetically, primarily by creator, organization, or material type. 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Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Sub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible."],"_nest_path_":"/components#2/components#0","timestamp":"2026-05-21T05:26:10.110Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_651","ead_ssi":"vifgm_repositories_2_resources_651","_root_":"vifgm_repositories_2_resources_651","_nest_parent_":"vifgm_repositories_2_resources_651","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_651.xml","title_filing_ssi":"Lavinia Scott papers","title_ssm":["Lavinia Scott papers"],"title_tesim":["Lavinia Scott papers"],"unitdate_ssm":["circa 1860s-1998"],"unitdate_inclusive_ssm":["circa 1860s-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0506","/repositories/2/resources/651"],"text":["C0506","/repositories/2/resources/651","Lavinia Scott papers","South Africa","KwaZulu-Natal (South Africa)","South Africa -- Politics and government -- 20th century","Education, Higher","Nguni (African people)","Nguni languages","Missions, South African","Education -- South Africa","Women missionaries","Apartheid","Anti-apartheid movements -- South Africa","South African newspapers","Social justice -- Religious aspects -- Christianity","Zulu (African people)","Correspondence","Postcards","Photographs","Newspapers","Slides","Certain materials in the collection are restricted due to personally identifiable information.","The collection is arranged in seven series.","Series Series 1: Correspondence Series 2: Professional activities Series 3: Personal materials Series 4: Newspapers and periodicals Series 5: Photographs and negatives Series 6: Audiovisual materials Series 7: South African artifacts","Lavinia Scott (also known as Clara Lavinia Scott) was born on March 21, 1907 in Yankton, South Dakota to George Harvey and Mary Maud Cole Scott. The youngest of four children, including the future Dr. Franklin Scott, Lavinia spent her life surrounded by education. As a child she attended local public schools, including Jacksonville High School, and in 1923 enrolled in a Bachelor's degree program at Illinois College, where her father served as a Dean for eight years before his sudden death in 1926. Lavinia graduated the following year (1927) with a B.A. in History and it was here that she began to devote her life to education full-time, securing a teaching position with Illinois' Harvard Community High School District Number 153 which she held for approximately two years.","Around the beginning of the 1930s, Lavinia's focus shifted from secular education to international educational missionary work. She enrolled in a Master's program with the Yale Divinity School and upon moving to Connecticut spent two years in training with the United Congregational Church in Bridgeport. In August 1932, less than two months after receiving her Master of Art's degree in June, Lavinia was assigned a teaching position at Adams College (formerly Amanzimtoti Institute) in South Africa under the direction of the Congregational Church affiliated American Board of Commissioners for Foreign Missions (ABCFM). ","Lavinia remained at Adams College until she was transferred to nearby Inanda Seminary in 1936 where she assumed the role of Principal, a title which she held for over 30 years. During this time, she fought back against the South African government's discriminatory Apartheid policies, particularly the Bantu Education Act of 1953, which both significantly lowered the quality of education available to Black South Africans and removed government funding for private missionary schools. She also oversaw the school's Centenary Celebration in 1969, as well as several expansions to the campus, including the beginning of what would become the \"Lavinia Scott Chapel\". In 1969, she left Inanda Seminary, transferring to the newly formed Federal Theological Seminary where she returned to a teaching position until her formal retirement circa 1974.","While her retirement saw a return to the United States, ultimately assuming residence in Claremont, California, it did not mean the end of her mission work. For the next 20 years, Lavinia was an active speaker on behalf of the newly formed United Church of Christ as a South African mission representative for the United Church Board for World Ministries (UCBWM), formerly the ABCFM. She also continued her social justice advocacy, working on behalf of both domestic and international causes, including extensive work throughout the 1980s with the Claremont branch of the Task Force on Central America. Despite her busy schedule, Lavinia still found time to continue her love of traveling, including domestic trips with family and friends, and several returns to South Africa and Inanda Seminary.","While Lavinia never fully stopped her missionary work, she did eventually move to a UCC affiliated retirement community in Claremont known as Pilgrim Place where she lived until her passing on July 10, 1997 at the age of 90. She is buried near her family in Jacksonville's Diamond Grove Cemetery.","Processing completed by Meghan Glasbrenner from September 2022 - August 2023. Finding aid completed by Meghan Glasbrenner in August 2023.","Northwestern University holds the  Lavinia Scott (1907-1997) Papers  which consists mostly of correspondence, largely to Lavinia's mother Mary Maud Scott, as well as the full  Franklin D. Scott (1901-1994) Papers . Harvard University holds several archival collections for the American Board of Commissioners of Foreign Missions divided by location, including the  African missions records , as well as the Finding Aid for the  Inanda Seminary Oral History Project  completed between 2008 – 2010.","The Lavinia Scott papers largely consist of correspondence, reports, newspapers, promotional materials, magazines, speeches, sermons, writings, educational records, travel maps and postcards, photographs, and audiovisual materials created between circa 1860s-1998. The collection contains 7 series.","Series 1: Correspondence (circa 1860s, 1900s-1997) includes sent and received correspondence, both personal and professional. Types of correspondence include postcards, letters on stationary, airmail letters, greeting cards, Christmas and general holiday letters, and carbon copies of sent letters. While the majority of the correspondence is between Lavinia Scott and others, this series also includes correspondence received by others that was then passed on to Lavinia either for review or after their passing. The bulk of the correspondence covers the 1920s – 1970s, with a slight gap in coverage during the 1980s, and a shift to more general cards and holiday letters in the 1990s. This series is arranged alphabetically by correspondent last name, group title, or type of correspondence, such as Family letters sent by Lavinia during her years in South Africa.","Series 2: Professional activities (1885, 1917-1997) includes both direct and indirect materials related to Lavinia's professional life as a Christian missionary speaker and educator. It is further divided into two subseries. Subseries 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.","Series 3: Personal materials (1891, circa 1909-1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries. Subseries 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5. Subseries 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.","Series 4: Newspapers and periodicals (1920s – 1997) includes news and periodical print publications and newsletters, both full text and selections, including many from South Africa in both English and Afrikaans. It is further divided into two subseries. Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3. Subseries 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.","Series 5: Photographs and negatives (circa 1870s – 1990s) includes photographs and negatives related to Lavinia's work and personal life. The contents cover a wide array of sizes and mediums, including gelatin prints, black and white and color snapshots, and color processed prints. Many, but not all, prints include some level of identifying inscription on the back, including stamps from local photographers. It is further divided into two subseries. Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time. Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided. Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided. Sub-series 4: Negatives (circa 1930s – 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.","Series 6: Audiovisual materials (circa 1930s – 1997) includes all audiovisual materials including photographic slides, both labeled and unlabeled cassette and VHS tapes, three professional .45 records, and one unlabeled Magnetophoband BASF reel to reel tape. Cassette and VHS contents reflect Lavinia's mission work in South Africa, including recordings of sermons and ceremonies at Inanda Seminary, sermons and speeches on various religious and social issues, and oral history interviews with mission workers such as Lou Ann Parsons, as well as 6-7 tapes containing an extensive interview with Lavinia herself. The bulk of these materials cover the 1970s – 1980s. Additionally, the photographic slides depict both South African mission work and Inanda Seminary, as well as personal family events and travels, including numerous souvenir professional slides from international locations. The bulk of these materials cover the 1950s – 1970s. All items in this series have been grouped by medium; some photographic slides include identifying information but, further organization by subject has not been completed at this time.","Series 7: South African artifacts (circa 1970s – 1980s) includes carvings, beadwork, and other artifacts likely purchased by or gifted to Lavinia during a return trip to South Africa that reflect Zulu cultural traditions and crafts.","Series 1: Correspondence (circa 1860s, 1900s-1997) consists of sent and received correspondence, both personal and professional. Types of correspondence include postcards, letters on stationary, airmail letters, greeting cards, Christmas and general holiday letters, and carbon copies of sent letters. While the majority of the correspondence is between Lavinia Scott and others, this series also includes correspondence received by others that was then passed on to Lavinia either for review or after their passing. The bulk of the correspondence covers the 1920s – 1970s, with a slight gap in coverage during the 1980s, and a shift to more general cards and holiday letters in the 1990s. This series is arranged alphabetically by correspondent last name, group title, or type of correspondence, such as Family letters sent by Lavinia during her years in South Africa.","Includes newsletter clipping","Includes newspaper clipping","Includes photo Christmas card and newspaper clipping","Includes Inanada Seminary booklet and photographs","Includes newspaper clipping","Includes newspaper clipppings","Includes several newspaper clippings and  1978 matriculation reports for Inanda Seminary","Includes photographs","Includes photographs","Includes photographs","Includes photographs and newspaper clipping","Includes multiple photographs sent with letters","Includes photo card","Includes photo cards","Includes newspaper clipping and photographs","Includes photographs and photo cards","Includes numerous photographs, circa 1990s","Includes newspaper clippings","Includes newspaper clipping","Includes newspaper clipping photocopy","Includes newspaper clipping","Includes 2 photocopied photographs","Includes newspaper clipping","Includes newspaper clipping photocopy","Includes photographs","Includes photograph on front of card","Includes photograph","Includes numerous photographs","Includes photograph","Includes photo Christmas cards","Includes photograph","Includes newspaper clipping","Includes photo cards","Additional correspondence, particularly letters sent from Lavinia, are held by\n Northwestern University","Additional correspondence, particularly letters sent from Lavinia, are held by\n Northwestern University","Includes digitized items due to preservation issues, available upon request","Includes newspaper clipping","Includes newspaper clippings","Includes corrected draft copy of profile","Includes newspaper clipping","Includes photo Christmas card","Includes photograph","Includes photograph","Includes digitized item due to preservation issues, available upon request","Includes photographs","Includes photograph","Includes newspaper clipping","Includes newspaper clippings and photograph","Includes newspaper clipping photocopy","Series 2: Professional activities (1885, 1917-1997) includes both direct and indirect materials related to Lavinia's professional life as a Christian missionary speaker and educator. It is further divided into two subseries.","Sub-series 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","Sub-series 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.","Sub-series 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","2 copies","Includes newspaper clipping","Item digitized due to preservation issues, available upon request","Item is written in Zulu","Includes digitized item due to preservation issues, available upon request","Item digitized due to preservation issues, available upon request","Includes photograph","Includes newspaper clippings","Includes newspaper clippings ; Items removed from leather binder which also contained \"Books to Read\" lists found in Series 3, Box 23 Folder 9","Includes newspaper clippings","Includes photographs and letters","Includes photographs","Zulu language translation, 2 editions","Zulu language translation, 2 editions","Item is written in Zulu with English translation included","Includes newspaper clippings","Includes photograph","2 editions","Includes newspaper clippings","Includes newspaper and periodical clipping photocopies","Includes newspaper clipping photocopies","Includes newspaper clipping photocopies","Includes newspaper clippings","Includes newspaper clipping photocopies","Items restricted for personally identifiable information.","Includes newspaper clipping photocopies","Includes newspaper clipping","Item digitized due to preservation issues, available upon request","Sub-series 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.","Includes photograph","Includes newspaper clippings","Items restricted for personally identifiable information.","Item digitized due to preservation issues, available upon request","Series 3: Personal materials (1891, circa 1909 - 1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries.","Sub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","Sub-series 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5.","Sub-series 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.","Sub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","Items removed from leather binder which also contained \"Books to Read\" lists found in \"Inanda Seminary professional notes, grades, and outlines by Lavinia Scott\" in Series 2.1, Box 16 Folder 3","Items restricted for personally identifiable information.","Contents addressed to Mary Helen Gunn, some items postdate Lavinia's passing in 1997","Contents addressed to Mary Helen Gunn, some items postdate Lavinia's passing in 1997","2 copies","Includes newspaper clippings and photograph","Includes newspaper clippings, photographs, cards (many still in envelopes), programs (for both campus and off-campus events), and general ephemera.","Includes newspaper clipping","Includes newspaper clipping photocopy","Transcription of radio discussion moderated by James H. McBurney and featuring James A. Eldridge, Frank L. Hughes, and Franklin D. Scott","Includes newspaper clippings","Includes newspaper clippings","Includes photograph","Includes newspaper clippings","Sub-series 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5.","Sub-series 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.","Item digitized due to preservation issues, available upon request","Includes loose papers inserted throughout","Includes loose papers inserted","Contents are mostly blank, with minimal and sporadic entries and includes loose papers inserted throughout","Includes numerous loose papers inserted throughout","Includes loose papers inserted in back","Includes loose papers and newsprint clippings inserted throughout","Minimal entries for 1970 and includes loose paper inserted in front","Includes loose pages placed inserted in back","Minimal entries for 1975 and includes loose papers inserted throughout","Includes loose papers inserted throughout","Includes loose papers inserted throughout","Includes loose papers inserted","Includes loose papers inserted throughout","Includes loose papers inserted throughout","Includes loose papers and a newsprint clipping inserted throughout","Includes loose papers and a newsprint clippings inserted throughout","Includes loose papers inserted throughout","Includes loose papers and a newsprint clippings inserted throughout","Includes newsprint clippings inserted","Diary is dated incorrectly inside as 1983; date corrected on cover. Includes loose papers inserted in front.","Includes loose papers and newspaper clippings inserted throughout","Includes loose papers and newspaper clippings inserted throughout","Includes loose papers and newspaper clippings inserted throughout","Series 4: Newspapers and periodicals (1920s – 1997) includes news and periodical print publications and newsletters, both full text and selections, including many from South Africa in both English and Afrikaans. It is further divided into two subseries.","Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3.","Sub-series 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.","Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3.","September 15, 1970: Volume IX, No. 5; July 15, 1974: Volume 13, No. 3; July 1976: Volume 15, No. 2; October 1976: Volume 15, No. 5","January-February 1977: Vol. 15, No. 9-10; April 1977: Vol. 15, No. 12; May 1977 has no Vol., No. information; September 1977: Vol. 15, No. 5","Volume numbering 1-12 corresponds with calendar month numbers; 1970: Volume 32, No. 5; 1972: Volume 34, Nos. 1, 3-4, 9-10, 12; 1973: Volume 35, No. 1; 1974: Volume 36, No. 2","Volume numbering 1-12 corresponds with calendar month numbers; 1976: Volume 38, Nos. 1, 3, 6, 8-11; 1977: Volume 39, Nos. 4-6, 9, 11-12; 1978: Volume 40, Nos. 3, 6, 7, 11; 1979: Volume 41, Nos. 1-2; January 1976 edition reads \"Volume 39, No. 1\" possibly in error","June 15, 1976: Volume III, Issue 10; February 1, 1977: Volume IV, Issue 6; February 6, 1978: Volume V, Issue 3; February 20, 1978: Volume V, Issue 4; March 1, 1978: Volume V, Issue 5; April 3, 1978: Volume V, Issue 7","November 1970: Vol. 100, No. 1194; December 1970: Vol. 100, No. 1195; November 1974: Vol. 104, No. 1242; March-June 1976: Vol. 110, Nos. 1258-1261","November 1977: Vol. 107, No. 1277; July-August 1978: Vol. 108, Nos. 1285-1286; October-December 1978: Vol. 108, Nos. 1288-1290","Spring 1994: Volume 3, Number 1; Spring 1995: Volume 4, Number 1; Fall 1996: Volume 5, Number 2; Spring 1996: Volume 5, Number 1; Spring 1997: Volume 6, Number 1","Sub-series 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.","Series 5: Photographs and negatives (circa 1870s – 1990s) includes photographs and negatives related to Lavinia's work and personal life. The contents cover a wide array of sizes and mediums, including gelatin prints, black and white and color snapshots, and color processed prints. Many, but not all, prints include some level of identifying inscription on the back, including stamps from local photographers. It is further divided into two subseries.","Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time.","Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided.","Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided.","Sub-series 4: Negatives (circa 1930s – 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.","Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time.","This sub-series has items that have been digitized due to preservation issues, available upon request.","Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided.","Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided.","This sub-series has items that have been digitized due to preservation issues, available upon request.","Sub-series 4: Negatives (circa 1930s - 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.","This sub-series has items that have been digitized due to preservation issues, available upon request.","Series 6: Audiovisual materials (circa 1930s – 1997) includes all audiovisual materials including photographic slides, both labeled and unlabeled cassette and VHS tapes, three professional .45 records, and one unlabeled Magnetophoband BASF reel to reel tape. Cassette and VHS contents reflect Lavinia's mission work in South Africa, including recordings of sermons and ceremonies at Inanda Seminary, sermons and speeches on various religious and social issues, and oral history interviews with mission workers such as Lou Ann Parsons, as well as 6-7 tapes containing an extensive interview with Lavinia herself. The bulk of these materials cover the 1970s – 1980s. Additionally, the photographic slides depict both South African mission work and Inanda Seminary, as well as personal family events and travels, including numerous souvenir professional slides from international locations. The bulk of these materials cover the 1950s – 1970s. All items in this series have been grouped by medium; some photographic slides include identifying information but, further organization by subject has not been completed at this time.","Series 7: South African artifacts (circa 1970s – 1980s) includes carvings, beadwork, and other artifacts likely purchased by or gifted to Lavinia during a return trip to South Africa that reflect Zulu cultural traditions and crafts.","Small possibly ivory bust statue, small black bust, heavy wooden elephant, medium wooden elephant","Small wooden elephant, small possibly ivory hippo, plastic bag filled with beadwork, cloth mat with image of Zulu tribe, box labeled \"Zulu beadwork\", and four small carved wooden animals","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Lavinia Scott papers consist of materials created and collected by missionary educator Lavinia Scott (1907 – 1997) covering circa 1860s-1998. This includes materials created by the American Board of Commissioners for Foreign Missions, the United Church Board for World Ministries, the United Church of Christ, and South Africa's Inanda Seminary. The collection covers Lavinia's personal and professional life working and living as a missionary educator in South Africa.","R 71, C 1, S 2 - S 5\n\nR 72, C 3, S 7\n\nR 72, C 4, S 2 - S 7\n\nMap Case 8.3\n\nOS R 2, C 1, S 3","George Mason University. Libraries. Special Collections Research Center","Adams College (Amanzimtoti, South Africa)","Amanzimtoti Institute","American Board of Commissioners for Foreign Missions","General Council of the Congregational Christian Churches of the United States","Illinois College","Inanda Seminary (Inanda, South Africa)","United Church Board for World Ministries","United Church of Christ","Scott, Lavinia, 1907-1997","Stearns, Peter N.","Luthuli, A. J. (Albert John), 1898-1967","Paton, Alan","Scott, Franklin D. (Franklin Daniel), 1901-1994","Wood, Agnes A., 1896-1998","English Zulu Afrikaans"],"unitid_tesim":["C0506","/repositories/2/resources/651"],"normalized_title_ssm":["Lavinia Scott papers"],"collection_title_tesim":["Lavinia Scott papers"],"collection_ssim":["Lavinia Scott papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["South Africa","KwaZulu-Natal (South Africa)","South Africa -- Politics and government -- 20th century"],"geogname_ssim":["South Africa","KwaZulu-Natal (South Africa)","South Africa -- Politics and government -- 20th century"],"creator_ssm":["Scott, Lavinia, 1907-1997","Stearns, Peter N."],"creator_ssim":["Scott, Lavinia, 1907-1997","Stearns, Peter N."],"creator_persname_ssim":["Scott, Lavinia, 1907-1997","Stearns, Peter N."],"creators_ssim":["Scott, Lavinia, 1907-1997","Stearns, Peter N."],"places_ssim":["South Africa","KwaZulu-Natal (South Africa)","South Africa -- Politics and government -- 20th century"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["The papers were brought to George Mason University by former Provost Peter Stearns, Lavinia Scott's nephew, in 2018. Before coming to Special Collections in early 2021, members of the George Mason University history faculty, as well as history graduate students, worked with the material."],"access_subjects_ssim":["Education, Higher","Nguni (African people)","Nguni languages","Missions, South African","Education -- South Africa","Women missionaries","Apartheid","Anti-apartheid movements -- South Africa","South African newspapers","Social justice -- Religious aspects -- Christianity","Zulu (African people)","Correspondence","Postcards","Photographs","Newspapers","Slides"],"access_subjects_ssm":["Education, Higher","Nguni (African people)","Nguni languages","Missions, South African","Education -- South Africa","Women missionaries","Apartheid","Anti-apartheid movements -- South Africa","South African newspapers","Social justice -- Religious aspects -- Christianity","Zulu (African people)","Correspondence","Postcards","Photographs","Newspapers","Slides"],"has_online_content_ssim":["false"],"extent_ssm":["33 Linear Feet 72 boxes, 1 map case"],"extent_tesim":["33 Linear Feet 72 boxes, 1 map case"],"genreform_ssim":["Correspondence","Postcards","Photographs","Newspapers","Slides"],"date_range_isim":[1998],"accessrestrict_html_tesm":["\u003cp\u003eCertain materials in the collection are restricted due to personally identifiable information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Certain materials in the collection are restricted due to personally identifiable information."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in seven series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 2: Professional activities\u003c/item\u003e\n      \u003citem\u003eSeries 3: Personal materials\u003c/item\u003e\n      \u003citem\u003eSeries 4: Newspapers and periodicals\u003c/item\u003e\n      \u003citem\u003eSeries 5: Photographs and negatives\u003c/item\u003e\n      \u003citem\u003eSeries 6: Audiovisual materials\u003c/item\u003e\n      \u003citem\u003eSeries 7: South African artifacts\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in seven series.","Series Series 1: Correspondence Series 2: Professional activities Series 3: Personal materials Series 4: Newspapers and periodicals Series 5: Photographs and negatives Series 6: Audiovisual materials Series 7: South African artifacts"],"bioghist_html_tesm":["\u003cp\u003eLavinia Scott (also known as Clara Lavinia Scott) was born on March 21, 1907 in Yankton, South Dakota to George Harvey and Mary Maud Cole Scott. The youngest of four children, including the future Dr. Franklin Scott, Lavinia spent her life surrounded by education. As a child she attended local public schools, including Jacksonville High School, and in 1923 enrolled in a Bachelor's degree program at Illinois College, where her father served as a Dean for eight years before his sudden death in 1926. Lavinia graduated the following year (1927) with a B.A. in History and it was here that she began to devote her life to education full-time, securing a teaching position with Illinois' Harvard Community High School District Number 153 which she held for approximately two years.\u003c/p\u003e\n","\u003cp\u003eAround the beginning of the 1930s, Lavinia's focus shifted from secular education to international educational missionary work. She enrolled in a Master's program with the Yale Divinity School and upon moving to Connecticut spent two years in training with the United Congregational Church in Bridgeport. In August 1932, less than two months after receiving her Master of Art's degree in June, Lavinia was assigned a teaching position at Adams College (formerly Amanzimtoti Institute) in South Africa under the direction of the Congregational Church affiliated American Board of Commissioners for Foreign Missions (ABCFM). \u003c/p\u003e\n","\u003cp\u003eLavinia remained at Adams College until she was transferred to nearby Inanda Seminary in 1936 where she assumed the role of Principal, a title which she held for over 30 years. During this time, she fought back against the South African government's discriminatory Apartheid policies, particularly the Bantu Education Act of 1953, which both significantly lowered the quality of education available to Black South Africans and removed government funding for private missionary schools. She also oversaw the school's Centenary Celebration in 1969, as well as several expansions to the campus, including the beginning of what would become the \"Lavinia Scott Chapel\". In 1969, she left Inanda Seminary, transferring to the newly formed Federal Theological Seminary where she returned to a teaching position until her formal retirement circa 1974.\u003c/p\u003e\n","\u003cp\u003eWhile her retirement saw a return to the United States, ultimately assuming residence in Claremont, California, it did not mean the end of her mission work. For the next 20 years, Lavinia was an active speaker on behalf of the newly formed United Church of Christ as a South African mission representative for the United Church Board for World Ministries (UCBWM), formerly the ABCFM. She also continued her social justice advocacy, working on behalf of both domestic and international causes, including extensive work throughout the 1980s with the Claremont branch of the Task Force on Central America. Despite her busy schedule, Lavinia still found time to continue her love of traveling, including domestic trips with family and friends, and several returns to South Africa and Inanda Seminary.\u003c/p\u003e\n","\u003cp\u003eWhile Lavinia never fully stopped her missionary work, she did eventually move to a UCC affiliated retirement community in Claremont known as Pilgrim Place where she lived until her passing on July 10, 1997 at the age of 90. She is buried near her family in Jacksonville's Diamond Grove Cemetery.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Lavinia Scott (also known as Clara Lavinia Scott) was born on March 21, 1907 in Yankton, South Dakota to George Harvey and Mary Maud Cole Scott. The youngest of four children, including the future Dr. Franklin Scott, Lavinia spent her life surrounded by education. As a child she attended local public schools, including Jacksonville High School, and in 1923 enrolled in a Bachelor's degree program at Illinois College, where her father served as a Dean for eight years before his sudden death in 1926. Lavinia graduated the following year (1927) with a B.A. in History and it was here that she began to devote her life to education full-time, securing a teaching position with Illinois' Harvard Community High School District Number 153 which she held for approximately two years.","Around the beginning of the 1930s, Lavinia's focus shifted from secular education to international educational missionary work. She enrolled in a Master's program with the Yale Divinity School and upon moving to Connecticut spent two years in training with the United Congregational Church in Bridgeport. In August 1932, less than two months after receiving her Master of Art's degree in June, Lavinia was assigned a teaching position at Adams College (formerly Amanzimtoti Institute) in South Africa under the direction of the Congregational Church affiliated American Board of Commissioners for Foreign Missions (ABCFM). ","Lavinia remained at Adams College until she was transferred to nearby Inanda Seminary in 1936 where she assumed the role of Principal, a title which she held for over 30 years. During this time, she fought back against the South African government's discriminatory Apartheid policies, particularly the Bantu Education Act of 1953, which both significantly lowered the quality of education available to Black South Africans and removed government funding for private missionary schools. She also oversaw the school's Centenary Celebration in 1969, as well as several expansions to the campus, including the beginning of what would become the \"Lavinia Scott Chapel\". In 1969, she left Inanda Seminary, transferring to the newly formed Federal Theological Seminary where she returned to a teaching position until her formal retirement circa 1974.","While her retirement saw a return to the United States, ultimately assuming residence in Claremont, California, it did not mean the end of her mission work. For the next 20 years, Lavinia was an active speaker on behalf of the newly formed United Church of Christ as a South African mission representative for the United Church Board for World Ministries (UCBWM), formerly the ABCFM. She also continued her social justice advocacy, working on behalf of both domestic and international causes, including extensive work throughout the 1980s with the Claremont branch of the Task Force on Central America. Despite her busy schedule, Lavinia still found time to continue her love of traveling, including domestic trips with family and friends, and several returns to South Africa and Inanda Seminary.","While Lavinia never fully stopped her missionary work, she did eventually move to a UCC affiliated retirement community in Claremont known as Pilgrim Place where she lived until her passing on July 10, 1997 at the age of 90. She is buried near her family in Jacksonville's Diamond Grove Cemetery."],"prefercite_html_tesm":["\u003cp\u003eLavinia Scott papers, C0506, Special Collections Research Center, George Mason \nUniversity Libraries.\u003c/p\u003e"],"prefercite_tesim":["Lavinia Scott papers, C0506, Special Collections Research Center, George Mason \nUniversity Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner from September 2022 - August 2023. Finding aid completed by Meghan Glasbrenner in August 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner from September 2022 - August 2023. Finding aid completed by Meghan Glasbrenner in August 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eNorthwestern University holds the \u003ca href=\"https://findingaids.library.northwestern.edu/repositories/4/resources/829\"\u003eLavinia Scott (1907-1997) Papers\u003c/a\u003e which consists mostly of correspondence, largely to Lavinia's mother Mary Maud Scott, as well as the full \u003ca href=\"https://findingaids.library.northwestern.edu/repositories/6/resources/463\"\u003eFranklin D. Scott (1901-1994) Papers\u003c/a\u003e. Harvard University holds several archival collections for the American Board of Commissioners of Foreign Missions divided by location, including the \u003ca href=\"https://hollisarchives.lib.harvard.edu/repositories/24/resources/3023\"\u003eAfrican missions records\u003c/a\u003e, as well as the Finding Aid for the \u003ca href=\"https://scholar.harvard.edu/mehealy/presentations\"\u003eInanda Seminary Oral History Project\u003c/a\u003e completed between 2008 – 2010.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Northwestern University holds the  Lavinia Scott (1907-1997) Papers  which consists mostly of correspondence, largely to Lavinia's mother Mary Maud Scott, as well as the full  Franklin D. Scott (1901-1994) Papers . Harvard University holds several archival collections for the American Board of Commissioners of Foreign Missions divided by location, including the  African missions records , as well as the Finding Aid for the  Inanda Seminary Oral History Project  completed between 2008 – 2010."],"scopecontent_html_tesm":["\u003cp\u003eThe Lavinia Scott papers largely consist of correspondence, reports, newspapers, promotional materials, magazines, speeches, sermons, writings, educational records, travel maps and postcards, photographs, and audiovisual materials created between circa 1860s-1998. The collection contains 7 series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence (circa 1860s, 1900s-1997) includes sent and received correspondence, both personal and professional. Types of correspondence include postcards, letters on stationary, airmail letters, greeting cards, Christmas and general holiday letters, and carbon copies of sent letters. While the majority of the correspondence is between Lavinia Scott and others, this series also includes correspondence received by others that was then passed on to Lavinia either for review or after their passing. The bulk of the correspondence covers the 1920s – 1970s, with a slight gap in coverage during the 1980s, and a shift to more general cards and holiday letters in the 1990s. This series is arranged alphabetically by correspondent last name, group title, or type of correspondence, such as Family letters sent by Lavinia during her years in South Africa.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Professional activities (1885, 1917-1997) includes both direct and indirect materials related to Lavinia's professional life as a Christian missionary speaker and educator. It is further divided into two subseries. Subseries 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Personal materials (1891, circa 1909-1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries. Subseries 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5. Subseries 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Newspapers and periodicals (1920s – 1997) includes news and periodical print publications and newsletters, both full text and selections, including many from South Africa in both English and Afrikaans. It is further divided into two subseries. Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3. Subseries 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Photographs and negatives (circa 1870s – 1990s) includes photographs and negatives related to Lavinia's work and personal life. The contents cover a wide array of sizes and mediums, including gelatin prints, black and white and color snapshots, and color processed prints. Many, but not all, prints include some level of identifying inscription on the back, including stamps from local photographers. It is further divided into two subseries. Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time. Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided. Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided. Sub-series 4: Negatives (circa 1930s – 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.\u003c/p\u003e\n","\u003cp\u003eSeries 6: Audiovisual materials (circa 1930s – 1997) includes all audiovisual materials including photographic slides, both labeled and unlabeled cassette and VHS tapes, three professional .45 records, and one unlabeled Magnetophoband BASF reel to reel tape. Cassette and VHS contents reflect Lavinia's mission work in South Africa, including recordings of sermons and ceremonies at Inanda Seminary, sermons and speeches on various religious and social issues, and oral history interviews with mission workers such as Lou Ann Parsons, as well as 6-7 tapes containing an extensive interview with Lavinia herself. The bulk of these materials cover the 1970s – 1980s. Additionally, the photographic slides depict both South African mission work and Inanda Seminary, as well as personal family events and travels, including numerous souvenir professional slides from international locations. The bulk of these materials cover the 1950s – 1970s. All items in this series have been grouped by medium; some photographic slides include identifying information but, further organization by subject has not been completed at this time.\u003c/p\u003e\n","\u003cp\u003eSeries 7: South African artifacts (circa 1970s – 1980s) includes carvings, beadwork, and other artifacts likely purchased by or gifted to Lavinia during a return trip to South Africa that reflect Zulu cultural traditions and crafts.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence (circa 1860s, 1900s-1997) consists of sent and received correspondence, both personal and professional. Types of correspondence include postcards, letters on stationary, airmail letters, greeting cards, Christmas and general holiday letters, and carbon copies of sent letters. While the majority of the correspondence is between Lavinia Scott and others, this series also includes correspondence received by others that was then passed on to Lavinia either for review or after their passing. The bulk of the correspondence covers the 1920s – 1970s, with a slight gap in coverage during the 1980s, and a shift to more general cards and holiday letters in the 1990s. This series is arranged alphabetically by correspondent last name, group title, or type of correspondence, such as Family letters sent by Lavinia during her years in South Africa.\u003c/p\u003e","\u003cp\u003eIncludes newsletter clipping\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes photo Christmas card and newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes Inanada Seminary booklet and photographs\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipppings\u003c/p\u003e","\u003cp\u003eIncludes several newspaper clippings and  1978 matriculation reports for Inanda Seminary\u003c/p\u003e","\u003cp\u003eIncludes photographs\u003c/p\u003e","\u003cp\u003eIncludes photographs\u003c/p\u003e","\u003cp\u003eIncludes photographs\u003c/p\u003e","\u003cp\u003eIncludes photographs and newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes multiple photographs sent with letters\u003c/p\u003e","\u003cp\u003eIncludes photo card\u003c/p\u003e","\u003cp\u003eIncludes photo cards\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping and photographs\u003c/p\u003e","\u003cp\u003eIncludes photographs and photo cards\u003c/p\u003e","\u003cp\u003eIncludes numerous photographs, circa 1990s\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopy\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes 2 photocopied photographs\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopy\u003c/p\u003e","\u003cp\u003eIncludes photographs\u003c/p\u003e","\u003cp\u003eIncludes photograph on front of card\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes numerous photographs\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes photo Christmas cards\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes photo cards\u003c/p\u003e","\u003cp\u003eAdditional correspondence, particularly letters sent from Lavinia, are held by\n\u003ca href=\"https://findingaids.library.northwestern.edu/repositories/4/resources/829\"\u003eNorthwestern University\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eAdditional correspondence, particularly letters sent from Lavinia, are held by\n\u003ca href=\"https://findingaids.library.northwestern.edu/repositories/4/resources/829\"\u003eNorthwestern University\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eIncludes digitized items due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes corrected draft copy of profile\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes photo Christmas card\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes digitized item due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eIncludes photographs\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings and photograph\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopy\u003c/p\u003e","\u003cp\u003eSeries 2: Professional activities (1885, 1917-1997) includes both direct and indirect materials related to Lavinia's professional life as a Christian missionary speaker and educator. It is further divided into two subseries.\u003c/p\u003e\n","\u003cp\u003eSub-series 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.\u003c/p\u003e\n","\u003cp\u003eSub-series 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.\u003c/p\u003e","\u003cp\u003eSub-series 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eItem digitized due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eItem is written in Zulu\u003c/p\u003e","\u003cp\u003eIncludes digitized item due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eItem digitized due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings ; Items removed from leather binder which also contained \"Books to Read\" lists found in Series 3, Box 23 Folder 9\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes photographs and letters\u003c/p\u003e","\u003cp\u003eIncludes photographs\u003c/p\u003e","\u003cp\u003eZulu language translation, 2 editions\u003c/p\u003e","\u003cp\u003eZulu language translation, 2 editions\u003c/p\u003e","\u003cp\u003eItem is written in Zulu with English translation included\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003e2 editions\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes newspaper and periodical clipping photocopies\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopies\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopies\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopies\u003c/p\u003e","\u003cp\u003eItems restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopies\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eItem digitized due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eSub-series 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eItems restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eItem digitized due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eSeries 3: Personal materials (1891, circa 1909 - 1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries.\u003c/p\u003e\n","\u003cp\u003eSub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.\u003c/p\u003e\n","\u003cp\u003eSub-series 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5.\u003c/p\u003e\n","\u003cp\u003eSub-series 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.\u003c/p\u003e","\u003cp\u003eSub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.\u003c/p\u003e","\u003cp\u003eItems removed from leather binder which also contained \"Books to Read\" lists found in \"Inanda Seminary professional notes, grades, and outlines by Lavinia Scott\" in Series 2.1, Box 16 Folder 3\u003c/p\u003e","\u003cp\u003eItems restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eContents addressed to Mary Helen Gunn, some items postdate Lavinia's passing in 1997\u003c/p\u003e","\u003cp\u003eContents addressed to Mary Helen Gunn, some items postdate Lavinia's passing in 1997\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings and photograph\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings, photographs, cards (many still in envelopes), programs (for both campus and off-campus events), and general ephemera.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopy\u003c/p\u003e","\u003cp\u003eTranscription of radio discussion moderated by James H. McBurney and featuring James A. Eldridge, Frank L. Hughes, and Franklin D. Scott\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eSub-series 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5.\u003c/p\u003e","\u003cp\u003eSub-series 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.\u003c/p\u003e","\u003cp\u003eItem digitized due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted\u003c/p\u003e","\u003cp\u003eContents are mostly blank, with minimal and sporadic entries and includes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes numerous loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted in back\u003c/p\u003e","\u003cp\u003eIncludes loose papers and newsprint clippings inserted throughout\u003c/p\u003e","\u003cp\u003eMinimal entries for 1970 and includes loose paper inserted in front\u003c/p\u003e","\u003cp\u003eIncludes loose pages placed inserted in back\u003c/p\u003e","\u003cp\u003eMinimal entries for 1975 and includes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers and a newsprint clipping inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers and a newsprint clippings inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers and a newsprint clippings inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes newsprint clippings inserted\u003c/p\u003e","\u003cp\u003eDiary is dated incorrectly inside as 1983; date corrected on cover. Includes loose papers inserted in front.\u003c/p\u003e","\u003cp\u003eIncludes loose papers and newspaper clippings inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers and newspaper clippings inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers and newspaper clippings inserted throughout\u003c/p\u003e","\u003cp\u003eSeries 4: Newspapers and periodicals (1920s – 1997) includes news and periodical print publications and newsletters, both full text and selections, including many from South Africa in both English and Afrikaans. It is further divided into two subseries.\u003c/p\u003e\n","\u003cp\u003eSub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3.\u003c/p\u003e\n","\u003cp\u003eSub-series 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.\u003c/p\u003e","\u003cp\u003eSub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3.\u003c/p\u003e","\u003cp\u003eSeptember 15, 1970: Volume IX, No. 5; July 15, 1974: Volume 13, No. 3; July 1976: Volume 15, No. 2; October 1976: Volume 15, No. 5\u003c/p\u003e","\u003cp\u003eJanuary-February 1977: Vol. 15, No. 9-10; April 1977: Vol. 15, No. 12; May 1977 has no Vol., No. information; September 1977: Vol. 15, No. 5\u003c/p\u003e","\u003cp\u003eVolume numbering 1-12 corresponds with calendar month numbers; 1970: Volume 32, No. 5; 1972: Volume 34, Nos. 1, 3-4, 9-10, 12; 1973: Volume 35, No. 1; 1974: Volume 36, No. 2\u003c/p\u003e","\u003cp\u003eVolume numbering 1-12 corresponds with calendar month numbers; 1976: Volume 38, Nos. 1, 3, 6, 8-11; 1977: Volume 39, Nos. 4-6, 9, 11-12; 1978: Volume 40, Nos. 3, 6, 7, 11; 1979: Volume 41, Nos. 1-2; January 1976 edition reads \"Volume 39, No. 1\" possibly in error\u003c/p\u003e","\u003cp\u003eJune 15, 1976: Volume III, Issue 10; February 1, 1977: Volume IV, Issue 6; February 6, 1978: Volume V, Issue 3; February 20, 1978: Volume V, Issue 4; March 1, 1978: Volume V, Issue 5; April 3, 1978: Volume V, Issue 7\u003c/p\u003e","\u003cp\u003eNovember 1970: Vol. 100, No. 1194; December 1970: Vol. 100, No. 1195; November 1974: Vol. 104, No. 1242; March-June 1976: Vol. 110, Nos. 1258-1261\u003c/p\u003e","\u003cp\u003eNovember 1977: Vol. 107, No. 1277; July-August 1978: Vol. 108, Nos. 1285-1286; October-December 1978: Vol. 108, Nos. 1288-1290\u003c/p\u003e","\u003cp\u003eSpring 1994: Volume 3, Number 1; Spring 1995: Volume 4, Number 1; Fall 1996: Volume 5, Number 2; Spring 1996: Volume 5, Number 1; Spring 1997: Volume 6, Number 1\u003c/p\u003e","\u003cp\u003eSub-series 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.\u003c/p\u003e","\u003cp\u003eSeries 5: Photographs and negatives (circa 1870s – 1990s) includes photographs and negatives related to Lavinia's work and personal life. The contents cover a wide array of sizes and mediums, including gelatin prints, black and white and color snapshots, and color processed prints. Many, but not all, prints include some level of identifying inscription on the back, including stamps from local photographers. It is further divided into two subseries.\u003c/p\u003e\n","\u003cp\u003eSub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time.\u003c/p\u003e\n","\u003cp\u003eSub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided.\u003c/p\u003e\n","\u003cp\u003eSub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided.\u003c/p\u003e\n","\u003cp\u003eSub-series 4: Negatives (circa 1930s – 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.\u003c/p\u003e","\u003cp\u003eSub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time.\u003c/p\u003e\n","\u003cp\u003eThis sub-series has items that have been digitized due to preservation issues, available upon request.\u003c/p\u003e","\u003cp\u003eSub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided.\u003c/p\u003e","\u003cp\u003eSub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided.\u003c/p\u003e\n","\u003cp\u003eThis sub-series has items that have been digitized due to preservation issues, available upon request.\u003c/p\u003e","\u003cp\u003eSub-series 4: Negatives (circa 1930s - 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.\u003c/p\u003e\n","\u003cp\u003eThis sub-series has items that have been digitized due to preservation issues, available upon request.\u003c/p\u003e","\u003cp\u003eSeries 6: Audiovisual materials (circa 1930s – 1997) includes all audiovisual materials including photographic slides, both labeled and unlabeled cassette and VHS tapes, three professional .45 records, and one unlabeled Magnetophoband BASF reel to reel tape. Cassette and VHS contents reflect Lavinia's mission work in South Africa, including recordings of sermons and ceremonies at Inanda Seminary, sermons and speeches on various religious and social issues, and oral history interviews with mission workers such as Lou Ann Parsons, as well as 6-7 tapes containing an extensive interview with Lavinia herself. The bulk of these materials cover the 1970s – 1980s. Additionally, the photographic slides depict both South African mission work and Inanda Seminary, as well as personal family events and travels, including numerous souvenir professional slides from international locations. The bulk of these materials cover the 1950s – 1970s. All items in this series have been grouped by medium; some photographic slides include identifying information but, further organization by subject has not been completed at this time.\u003c/p\u003e","\u003cp\u003eSeries 7: South African artifacts (circa 1970s – 1980s) includes carvings, beadwork, and other artifacts likely purchased by or gifted to Lavinia during a return trip to South Africa that reflect Zulu cultural traditions and crafts.\u003c/p\u003e","\u003cp\u003eSmall possibly ivory bust statue, small black bust, heavy wooden elephant, medium wooden elephant\u003c/p\u003e","\u003cp\u003eSmall wooden elephant, small possibly ivory hippo, plastic bag filled with beadwork, cloth mat with image of Zulu tribe, box labeled \"Zulu beadwork\", and four small carved wooden animals\u003c/p\u003e"],"scopecontent_heading_ssm":[" Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Lavinia Scott papers largely consist of correspondence, reports, newspapers, promotional materials, magazines, speeches, sermons, writings, educational records, travel maps and postcards, photographs, and audiovisual materials created between circa 1860s-1998. The collection contains 7 series.","Series 1: Correspondence (circa 1860s, 1900s-1997) includes sent and received correspondence, both personal and professional. Types of correspondence include postcards, letters on stationary, airmail letters, greeting cards, Christmas and general holiday letters, and carbon copies of sent letters. While the majority of the correspondence is between Lavinia Scott and others, this series also includes correspondence received by others that was then passed on to Lavinia either for review or after their passing. The bulk of the correspondence covers the 1920s – 1970s, with a slight gap in coverage during the 1980s, and a shift to more general cards and holiday letters in the 1990s. This series is arranged alphabetically by correspondent last name, group title, or type of correspondence, such as Family letters sent by Lavinia during her years in South Africa.","Series 2: Professional activities (1885, 1917-1997) includes both direct and indirect materials related to Lavinia's professional life as a Christian missionary speaker and educator. It is further divided into two subseries. Subseries 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.","Series 3: Personal materials (1891, circa 1909-1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries. Subseries 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5. Subseries 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.","Series 4: Newspapers and periodicals (1920s – 1997) includes news and periodical print publications and newsletters, both full text and selections, including many from South Africa in both English and Afrikaans. It is further divided into two subseries. Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3. Subseries 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.","Series 5: Photographs and negatives (circa 1870s – 1990s) includes photographs and negatives related to Lavinia's work and personal life. The contents cover a wide array of sizes and mediums, including gelatin prints, black and white and color snapshots, and color processed prints. Many, but not all, prints include some level of identifying inscription on the back, including stamps from local photographers. It is further divided into two subseries. Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time. Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided. Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided. Sub-series 4: Negatives (circa 1930s – 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.","Series 6: Audiovisual materials (circa 1930s – 1997) includes all audiovisual materials including photographic slides, both labeled and unlabeled cassette and VHS tapes, three professional .45 records, and one unlabeled Magnetophoband BASF reel to reel tape. Cassette and VHS contents reflect Lavinia's mission work in South Africa, including recordings of sermons and ceremonies at Inanda Seminary, sermons and speeches on various religious and social issues, and oral history interviews with mission workers such as Lou Ann Parsons, as well as 6-7 tapes containing an extensive interview with Lavinia herself. The bulk of these materials cover the 1970s – 1980s. Additionally, the photographic slides depict both South African mission work and Inanda Seminary, as well as personal family events and travels, including numerous souvenir professional slides from international locations. The bulk of these materials cover the 1950s – 1970s. All items in this series have been grouped by medium; some photographic slides include identifying information but, further organization by subject has not been completed at this time.","Series 7: South African artifacts (circa 1970s – 1980s) includes carvings, beadwork, and other artifacts likely purchased by or gifted to Lavinia during a return trip to South Africa that reflect Zulu cultural traditions and crafts.","Series 1: Correspondence (circa 1860s, 1900s-1997) consists of sent and received correspondence, both personal and professional. Types of correspondence include postcards, letters on stationary, airmail letters, greeting cards, Christmas and general holiday letters, and carbon copies of sent letters. While the majority of the correspondence is between Lavinia Scott and others, this series also includes correspondence received by others that was then passed on to Lavinia either for review or after their passing. The bulk of the correspondence covers the 1920s – 1970s, with a slight gap in coverage during the 1980s, and a shift to more general cards and holiday letters in the 1990s. This series is arranged alphabetically by correspondent last name, group title, or type of correspondence, such as Family letters sent by Lavinia during her years in South Africa.","Includes newsletter clipping","Includes newspaper clipping","Includes photo Christmas card and newspaper clipping","Includes Inanada Seminary booklet and photographs","Includes newspaper clipping","Includes newspaper clipppings","Includes several newspaper clippings and  1978 matriculation reports for Inanda Seminary","Includes photographs","Includes photographs","Includes photographs","Includes photographs and newspaper clipping","Includes multiple photographs sent with letters","Includes photo card","Includes photo cards","Includes newspaper clipping and photographs","Includes photographs and photo cards","Includes numerous photographs, circa 1990s","Includes newspaper clippings","Includes newspaper clipping","Includes newspaper clipping photocopy","Includes newspaper clipping","Includes 2 photocopied photographs","Includes newspaper clipping","Includes newspaper clipping photocopy","Includes photographs","Includes photograph on front of card","Includes photograph","Includes numerous photographs","Includes photograph","Includes photo Christmas cards","Includes photograph","Includes newspaper clipping","Includes photo cards","Additional correspondence, particularly letters sent from Lavinia, are held by\n Northwestern University","Additional correspondence, particularly letters sent from Lavinia, are held by\n Northwestern University","Includes digitized items due to preservation issues, available upon request","Includes newspaper clipping","Includes newspaper clippings","Includes corrected draft copy of profile","Includes newspaper clipping","Includes photo Christmas card","Includes photograph","Includes photograph","Includes digitized item due to preservation issues, available upon request","Includes photographs","Includes photograph","Includes newspaper clipping","Includes newspaper clippings and photograph","Includes newspaper clipping photocopy","Series 2: Professional activities (1885, 1917-1997) includes both direct and indirect materials related to Lavinia's professional life as a Christian missionary speaker and educator. It is further divided into two subseries.","Sub-series 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","Sub-series 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.","Sub-series 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","2 copies","Includes newspaper clipping","Item digitized due to preservation issues, available upon request","Item is written in Zulu","Includes digitized item due to preservation issues, available upon request","Item digitized due to preservation issues, available upon request","Includes photograph","Includes newspaper clippings","Includes newspaper clippings ; Items removed from leather binder which also contained \"Books to Read\" lists found in Series 3, Box 23 Folder 9","Includes newspaper clippings","Includes photographs and letters","Includes photographs","Zulu language translation, 2 editions","Zulu language translation, 2 editions","Item is written in Zulu with English translation included","Includes newspaper clippings","Includes photograph","2 editions","Includes newspaper clippings","Includes newspaper and periodical clipping photocopies","Includes newspaper clipping photocopies","Includes newspaper clipping photocopies","Includes newspaper clippings","Includes newspaper clipping photocopies","Items restricted for personally identifiable information.","Includes newspaper clipping photocopies","Includes newspaper clipping","Item digitized due to preservation issues, available upon request","Sub-series 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.","Includes photograph","Includes newspaper clippings","Items restricted for personally identifiable information.","Item digitized due to preservation issues, available upon request","Series 3: Personal materials (1891, circa 1909 - 1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries.","Sub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","Sub-series 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5.","Sub-series 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.","Sub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","Items removed from leather binder which also contained \"Books to Read\" lists found in \"Inanda Seminary professional notes, grades, and outlines by Lavinia Scott\" in Series 2.1, Box 16 Folder 3","Items restricted for personally identifiable information.","Contents addressed to Mary Helen Gunn, some items postdate Lavinia's passing in 1997","Contents addressed to Mary Helen Gunn, some items postdate Lavinia's passing in 1997","2 copies","Includes newspaper clippings and photograph","Includes newspaper clippings, photographs, cards (many still in envelopes), programs (for both campus and off-campus events), and general ephemera.","Includes newspaper clipping","Includes newspaper clipping photocopy","Transcription of radio discussion moderated by James H. McBurney and featuring James A. Eldridge, Frank L. Hughes, and Franklin D. Scott","Includes newspaper clippings","Includes newspaper clippings","Includes photograph","Includes newspaper clippings","Sub-series 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5.","Sub-series 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.","Item digitized due to preservation issues, available upon request","Includes loose papers inserted throughout","Includes loose papers inserted","Contents are mostly blank, with minimal and sporadic entries and includes loose papers inserted throughout","Includes numerous loose papers inserted throughout","Includes loose papers inserted in back","Includes loose papers and newsprint clippings inserted throughout","Minimal entries for 1970 and includes loose paper inserted in front","Includes loose pages placed inserted in back","Minimal entries for 1975 and includes loose papers inserted throughout","Includes loose papers inserted throughout","Includes loose papers inserted throughout","Includes loose papers inserted","Includes loose papers inserted throughout","Includes loose papers inserted throughout","Includes loose papers and a newsprint clipping inserted throughout","Includes loose papers and a newsprint clippings inserted throughout","Includes loose papers inserted throughout","Includes loose papers and a newsprint clippings inserted throughout","Includes newsprint clippings inserted","Diary is dated incorrectly inside as 1983; date corrected on cover. Includes loose papers inserted in front.","Includes loose papers and newspaper clippings inserted throughout","Includes loose papers and newspaper clippings inserted throughout","Includes loose papers and newspaper clippings inserted throughout","Series 4: Newspapers and periodicals (1920s – 1997) includes news and periodical print publications and newsletters, both full text and selections, including many from South Africa in both English and Afrikaans. It is further divided into two subseries.","Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3.","Sub-series 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.","Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3.","September 15, 1970: Volume IX, No. 5; July 15, 1974: Volume 13, No. 3; July 1976: Volume 15, No. 2; October 1976: Volume 15, No. 5","January-February 1977: Vol. 15, No. 9-10; April 1977: Vol. 15, No. 12; May 1977 has no Vol., No. information; September 1977: Vol. 15, No. 5","Volume numbering 1-12 corresponds with calendar month numbers; 1970: Volume 32, No. 5; 1972: Volume 34, Nos. 1, 3-4, 9-10, 12; 1973: Volume 35, No. 1; 1974: Volume 36, No. 2","Volume numbering 1-12 corresponds with calendar month numbers; 1976: Volume 38, Nos. 1, 3, 6, 8-11; 1977: Volume 39, Nos. 4-6, 9, 11-12; 1978: Volume 40, Nos. 3, 6, 7, 11; 1979: Volume 41, Nos. 1-2; January 1976 edition reads \"Volume 39, No. 1\" possibly in error","June 15, 1976: Volume III, Issue 10; February 1, 1977: Volume IV, Issue 6; February 6, 1978: Volume V, Issue 3; February 20, 1978: Volume V, Issue 4; March 1, 1978: Volume V, Issue 5; April 3, 1978: Volume V, Issue 7","November 1970: Vol. 100, No. 1194; December 1970: Vol. 100, No. 1195; November 1974: Vol. 104, No. 1242; March-June 1976: Vol. 110, Nos. 1258-1261","November 1977: Vol. 107, No. 1277; July-August 1978: Vol. 108, Nos. 1285-1286; October-December 1978: Vol. 108, Nos. 1288-1290","Spring 1994: Volume 3, Number 1; Spring 1995: Volume 4, Number 1; Fall 1996: Volume 5, Number 2; Spring 1996: Volume 5, Number 1; Spring 1997: Volume 6, Number 1","Sub-series 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.","Series 5: Photographs and negatives (circa 1870s – 1990s) includes photographs and negatives related to Lavinia's work and personal life. The contents cover a wide array of sizes and mediums, including gelatin prints, black and white and color snapshots, and color processed prints. Many, but not all, prints include some level of identifying inscription on the back, including stamps from local photographers. It is further divided into two subseries.","Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time.","Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided.","Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided.","Sub-series 4: Negatives (circa 1930s – 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.","Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time.","This sub-series has items that have been digitized due to preservation issues, available upon request.","Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided.","Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided.","This sub-series has items that have been digitized due to preservation issues, available upon request.","Sub-series 4: Negatives (circa 1930s - 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.","This sub-series has items that have been digitized due to preservation issues, available upon request.","Series 6: Audiovisual materials (circa 1930s – 1997) includes all audiovisual materials including photographic slides, both labeled and unlabeled cassette and VHS tapes, three professional .45 records, and one unlabeled Magnetophoband BASF reel to reel tape. Cassette and VHS contents reflect Lavinia's mission work in South Africa, including recordings of sermons and ceremonies at Inanda Seminary, sermons and speeches on various religious and social issues, and oral history interviews with mission workers such as Lou Ann Parsons, as well as 6-7 tapes containing an extensive interview with Lavinia herself. The bulk of these materials cover the 1970s – 1980s. Additionally, the photographic slides depict both South African mission work and Inanda Seminary, as well as personal family events and travels, including numerous souvenir professional slides from international locations. The bulk of these materials cover the 1950s – 1970s. All items in this series have been grouped by medium; some photographic slides include identifying information but, further organization by subject has not been completed at this time.","Series 7: South African artifacts (circa 1970s – 1980s) includes carvings, beadwork, and other artifacts likely purchased by or gifted to Lavinia during a return trip to South Africa that reflect Zulu cultural traditions and crafts.","Small possibly ivory bust statue, small black bust, heavy wooden elephant, medium wooden elephant","Small wooden elephant, small possibly ivory hippo, plastic bag filled with beadwork, cloth mat with image of Zulu tribe, box labeled \"Zulu beadwork\", and four small carved wooden animals"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_80cc4e1315ef5dc6c32b4320325dcd33\"\u003eThe Lavinia Scott papers consist of materials created and collected by missionary educator Lavinia Scott (1907 – 1997) covering circa 1860s-1998. This includes materials created by the American Board of Commissioners for Foreign Missions, the United Church Board for World Ministries, the United Church of Christ, and South Africa's Inanda Seminary. The collection covers Lavinia's personal and professional life working and living as a missionary educator in South Africa.\u003c/abstract\u003e"],"abstract_tesim":["The Lavinia Scott papers consist of materials created and collected by missionary educator Lavinia Scott (1907 – 1997) covering circa 1860s-1998. This includes materials created by the American Board of Commissioners for Foreign Missions, the United Church Board for World Ministries, the United Church of Christ, and South Africa's Inanda Seminary. The collection covers Lavinia's personal and professional life working and living as a missionary educator in South Africa."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_81acf2a66423a9d0915a1666348eb948\"\u003eR 71, C 1, S 2 - S 5\n\nR 72, C 3, S 7\n\nR 72, C 4, S 2 - S 7\n\nMap Case 8.3\n\nOS R 2, C 1, S 3\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 2 - S 5\n\nR 72, C 3, S 7\n\nR 72, C 4, S 2 - S 7\n\nMap Case 8.3\n\nOS R 2, C 1, S 3"],"names_coll_ssim":["Adams College (Amanzimtoti, South Africa)","Amanzimtoti Institute","American Board of Commissioners for Foreign Missions","General Council of the Congregational Christian Churches of the United States","Illinois College","Inanda Seminary (Inanda, South Africa)","United Church Board for World Ministries","United Church of Christ","Stearns, Peter N.","Luthuli, A. J. (Albert John), 1898-1967","Paton, Alan","Scott, Franklin D. (Franklin Daniel), 1901-1994","Scott, Lavinia, 1907-1997","Wood, Agnes A., 1896-1998"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Adams College (Amanzimtoti, South Africa)","Amanzimtoti Institute","American Board of Commissioners for Foreign Missions","General Council of the Congregational Christian Churches of the United States","Illinois College","Inanda Seminary (Inanda, South Africa)","United Church Board for World Ministries","United Church of Christ","Scott, Lavinia, 1907-1997","Stearns, Peter N.","Luthuli, A. J. (Albert John), 1898-1967","Paton, Alan","Scott, Franklin D. (Franklin Daniel), 1901-1994","Wood, Agnes A., 1896-1998"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Adams College (Amanzimtoti, South Africa)","Amanzimtoti Institute","American Board of Commissioners for Foreign Missions","General Council of the Congregational Christian Churches of the United States","Illinois College","Inanda Seminary (Inanda, South Africa)","United Church Board for World Ministries","United Church of Christ"],"persname_ssim":["Scott, Lavinia, 1907-1997","Stearns, Peter N.","Luthuli, A. J. (Albert John), 1898-1967","Paton, Alan","Scott, Franklin D. (Franklin Daniel), 1901-1994","Wood, Agnes A., 1896-1998"],"language_ssim":["English Zulu Afrikaans"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":973,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:26:10.110Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_651_c03_c01"}},{"id":"vifgm_repositories_2_resources_651_c02_c01","type":"Subseries","attributes":{"title":"Sub-series 1: South African mission","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_651_c02_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSub-series 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_651_c02_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_651_c02_c01","ref_ssm":["vifgm_repositories_2_resources_651_c02_c01"],"id":"vifgm_repositories_2_resources_651_c02_c01","ead_ssi":"vifgm_repositories_2_resources_651","_root_":"vifgm_repositories_2_resources_651","_nest_parent_":"vifgm_repositories_2_resources_651_c02","parent_ssi":"vifgm_repositories_2_resources_651_c02","parent_ssim":["vifgm_repositories_2_resources_651","vifgm_repositories_2_resources_651_c02"],"parent_ids_ssim":["vifgm_repositories_2_resources_651","vifgm_repositories_2_resources_651_c02"],"parent_unittitles_ssm":["Lavinia Scott papers","Series 2: Professional activities"],"parent_unittitles_tesim":["Lavinia Scott papers","Series 2: Professional activities"],"text":["Lavinia Scott papers","Series 2: Professional activities","Sub-series 1: South African mission","box 12-20, 39, 56-58, 63, 65-66, map-case 8.3","Sub-series 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible."],"title_filing_ssi":"Sub-series 1: South African mission","title_ssm":["Sub-series 1: South African mission"],"title_tesim":["Sub-series 1: South African mission"],"unitdate_inclusive_ssm":["1885, 1917-1990s"],"normalized_date_ssm":["1885/1917"],"normalized_title_ssm":["Sub-series 1: South African mission"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Lavinia Scott papers"],"has_online_content_ssim":["false"],"child_component_count_isi":204,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":273,"parent_access_restrict_tesm":["Certain materials in the collection are restricted due to personally identifiable information."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917],"containers_ssim":["box 12-20, 39, 56-58, 63, 65-66, map-case 8.3"],"scopecontent_html_tesm":["\u003cp\u003eSub-series 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Sub-series 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible."],"_nest_path_":"/components#1/components#0","timestamp":"2026-05-21T05:26:10.110Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_651","ead_ssi":"vifgm_repositories_2_resources_651","_root_":"vifgm_repositories_2_resources_651","_nest_parent_":"vifgm_repositories_2_resources_651","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_651.xml","title_filing_ssi":"Lavinia Scott papers","title_ssm":["Lavinia Scott papers"],"title_tesim":["Lavinia Scott papers"],"unitdate_ssm":["circa 1860s-1998"],"unitdate_inclusive_ssm":["circa 1860s-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0506","/repositories/2/resources/651"],"text":["C0506","/repositories/2/resources/651","Lavinia Scott papers","South Africa","KwaZulu-Natal (South Africa)","South Africa -- Politics and government -- 20th century","Education, Higher","Nguni (African people)","Nguni languages","Missions, South African","Education -- South Africa","Women missionaries","Apartheid","Anti-apartheid movements -- South Africa","South African newspapers","Social justice -- Religious aspects -- Christianity","Zulu (African people)","Correspondence","Postcards","Photographs","Newspapers","Slides","Certain materials in the collection are restricted due to personally identifiable information.","The collection is arranged in seven series.","Series Series 1: Correspondence Series 2: Professional activities Series 3: Personal materials Series 4: Newspapers and periodicals Series 5: Photographs and negatives Series 6: Audiovisual materials Series 7: South African artifacts","Lavinia Scott (also known as Clara Lavinia Scott) was born on March 21, 1907 in Yankton, South Dakota to George Harvey and Mary Maud Cole Scott. The youngest of four children, including the future Dr. Franklin Scott, Lavinia spent her life surrounded by education. As a child she attended local public schools, including Jacksonville High School, and in 1923 enrolled in a Bachelor's degree program at Illinois College, where her father served as a Dean for eight years before his sudden death in 1926. Lavinia graduated the following year (1927) with a B.A. in History and it was here that she began to devote her life to education full-time, securing a teaching position with Illinois' Harvard Community High School District Number 153 which she held for approximately two years.","Around the beginning of the 1930s, Lavinia's focus shifted from secular education to international educational missionary work. She enrolled in a Master's program with the Yale Divinity School and upon moving to Connecticut spent two years in training with the United Congregational Church in Bridgeport. In August 1932, less than two months after receiving her Master of Art's degree in June, Lavinia was assigned a teaching position at Adams College (formerly Amanzimtoti Institute) in South Africa under the direction of the Congregational Church affiliated American Board of Commissioners for Foreign Missions (ABCFM). ","Lavinia remained at Adams College until she was transferred to nearby Inanda Seminary in 1936 where she assumed the role of Principal, a title which she held for over 30 years. During this time, she fought back against the South African government's discriminatory Apartheid policies, particularly the Bantu Education Act of 1953, which both significantly lowered the quality of education available to Black South Africans and removed government funding for private missionary schools. She also oversaw the school's Centenary Celebration in 1969, as well as several expansions to the campus, including the beginning of what would become the \"Lavinia Scott Chapel\". In 1969, she left Inanda Seminary, transferring to the newly formed Federal Theological Seminary where she returned to a teaching position until her formal retirement circa 1974.","While her retirement saw a return to the United States, ultimately assuming residence in Claremont, California, it did not mean the end of her mission work. For the next 20 years, Lavinia was an active speaker on behalf of the newly formed United Church of Christ as a South African mission representative for the United Church Board for World Ministries (UCBWM), formerly the ABCFM. She also continued her social justice advocacy, working on behalf of both domestic and international causes, including extensive work throughout the 1980s with the Claremont branch of the Task Force on Central America. Despite her busy schedule, Lavinia still found time to continue her love of traveling, including domestic trips with family and friends, and several returns to South Africa and Inanda Seminary.","While Lavinia never fully stopped her missionary work, she did eventually move to a UCC affiliated retirement community in Claremont known as Pilgrim Place where she lived until her passing on July 10, 1997 at the age of 90. She is buried near her family in Jacksonville's Diamond Grove Cemetery.","Processing completed by Meghan Glasbrenner from September 2022 - August 2023. Finding aid completed by Meghan Glasbrenner in August 2023.","Northwestern University holds the  Lavinia Scott (1907-1997) Papers  which consists mostly of correspondence, largely to Lavinia's mother Mary Maud Scott, as well as the full  Franklin D. Scott (1901-1994) Papers . Harvard University holds several archival collections for the American Board of Commissioners of Foreign Missions divided by location, including the  African missions records , as well as the Finding Aid for the  Inanda Seminary Oral History Project  completed between 2008 – 2010.","The Lavinia Scott papers largely consist of correspondence, reports, newspapers, promotional materials, magazines, speeches, sermons, writings, educational records, travel maps and postcards, photographs, and audiovisual materials created between circa 1860s-1998. The collection contains 7 series.","Series 1: Correspondence (circa 1860s, 1900s-1997) includes sent and received correspondence, both personal and professional. Types of correspondence include postcards, letters on stationary, airmail letters, greeting cards, Christmas and general holiday letters, and carbon copies of sent letters. While the majority of the correspondence is between Lavinia Scott and others, this series also includes correspondence received by others that was then passed on to Lavinia either for review or after their passing. The bulk of the correspondence covers the 1920s – 1970s, with a slight gap in coverage during the 1980s, and a shift to more general cards and holiday letters in the 1990s. This series is arranged alphabetically by correspondent last name, group title, or type of correspondence, such as Family letters sent by Lavinia during her years in South Africa.","Series 2: Professional activities (1885, 1917-1997) includes both direct and indirect materials related to Lavinia's professional life as a Christian missionary speaker and educator. It is further divided into two subseries. Subseries 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.","Series 3: Personal materials (1891, circa 1909-1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries. Subseries 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5. Subseries 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.","Series 4: Newspapers and periodicals (1920s – 1997) includes news and periodical print publications and newsletters, both full text and selections, including many from South Africa in both English and Afrikaans. It is further divided into two subseries. Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3. Subseries 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.","Series 5: Photographs and negatives (circa 1870s – 1990s) includes photographs and negatives related to Lavinia's work and personal life. The contents cover a wide array of sizes and mediums, including gelatin prints, black and white and color snapshots, and color processed prints. Many, but not all, prints include some level of identifying inscription on the back, including stamps from local photographers. It is further divided into two subseries. Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time. Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided. Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided. Sub-series 4: Negatives (circa 1930s – 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.","Series 6: Audiovisual materials (circa 1930s – 1997) includes all audiovisual materials including photographic slides, both labeled and unlabeled cassette and VHS tapes, three professional .45 records, and one unlabeled Magnetophoband BASF reel to reel tape. Cassette and VHS contents reflect Lavinia's mission work in South Africa, including recordings of sermons and ceremonies at Inanda Seminary, sermons and speeches on various religious and social issues, and oral history interviews with mission workers such as Lou Ann Parsons, as well as 6-7 tapes containing an extensive interview with Lavinia herself. The bulk of these materials cover the 1970s – 1980s. Additionally, the photographic slides depict both South African mission work and Inanda Seminary, as well as personal family events and travels, including numerous souvenir professional slides from international locations. The bulk of these materials cover the 1950s – 1970s. All items in this series have been grouped by medium; some photographic slides include identifying information but, further organization by subject has not been completed at this time.","Series 7: South African artifacts (circa 1970s – 1980s) includes carvings, beadwork, and other artifacts likely purchased by or gifted to Lavinia during a return trip to South Africa that reflect Zulu cultural traditions and crafts.","Series 1: Correspondence (circa 1860s, 1900s-1997) consists of sent and received correspondence, both personal and professional. Types of correspondence include postcards, letters on stationary, airmail letters, greeting cards, Christmas and general holiday letters, and carbon copies of sent letters. While the majority of the correspondence is between Lavinia Scott and others, this series also includes correspondence received by others that was then passed on to Lavinia either for review or after their passing. The bulk of the correspondence covers the 1920s – 1970s, with a slight gap in coverage during the 1980s, and a shift to more general cards and holiday letters in the 1990s. This series is arranged alphabetically by correspondent last name, group title, or type of correspondence, such as Family letters sent by Lavinia during her years in South Africa.","Includes newsletter clipping","Includes newspaper clipping","Includes photo Christmas card and newspaper clipping","Includes Inanada Seminary booklet and photographs","Includes newspaper clipping","Includes newspaper clipppings","Includes several newspaper clippings and  1978 matriculation reports for Inanda Seminary","Includes photographs","Includes photographs","Includes photographs","Includes photographs and newspaper clipping","Includes multiple photographs sent with letters","Includes photo card","Includes photo cards","Includes newspaper clipping and photographs","Includes photographs and photo cards","Includes numerous photographs, circa 1990s","Includes newspaper clippings","Includes newspaper clipping","Includes newspaper clipping photocopy","Includes newspaper clipping","Includes 2 photocopied photographs","Includes newspaper clipping","Includes newspaper clipping photocopy","Includes photographs","Includes photograph on front of card","Includes photograph","Includes numerous photographs","Includes photograph","Includes photo Christmas cards","Includes photograph","Includes newspaper clipping","Includes photo cards","Additional correspondence, particularly letters sent from Lavinia, are held by\n Northwestern University","Additional correspondence, particularly letters sent from Lavinia, are held by\n Northwestern University","Includes digitized items due to preservation issues, available upon request","Includes newspaper clipping","Includes newspaper clippings","Includes corrected draft copy of profile","Includes newspaper clipping","Includes photo Christmas card","Includes photograph","Includes photograph","Includes digitized item due to preservation issues, available upon request","Includes photographs","Includes photograph","Includes newspaper clipping","Includes newspaper clippings and photograph","Includes newspaper clipping photocopy","Series 2: Professional activities (1885, 1917-1997) includes both direct and indirect materials related to Lavinia's professional life as a Christian missionary speaker and educator. It is further divided into two subseries.","Sub-series 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","Sub-series 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.","Sub-series 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","2 copies","Includes newspaper clipping","Item digitized due to preservation issues, available upon request","Item is written in Zulu","Includes digitized item due to preservation issues, available upon request","Item digitized due to preservation issues, available upon request","Includes photograph","Includes newspaper clippings","Includes newspaper clippings ; Items removed from leather binder which also contained \"Books to Read\" lists found in Series 3, Box 23 Folder 9","Includes newspaper clippings","Includes photographs and letters","Includes photographs","Zulu language translation, 2 editions","Zulu language translation, 2 editions","Item is written in Zulu with English translation included","Includes newspaper clippings","Includes photograph","2 editions","Includes newspaper clippings","Includes newspaper and periodical clipping photocopies","Includes newspaper clipping photocopies","Includes newspaper clipping photocopies","Includes newspaper clippings","Includes newspaper clipping photocopies","Items restricted for personally identifiable information.","Includes newspaper clipping photocopies","Includes newspaper clipping","Item digitized due to preservation issues, available upon request","Sub-series 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.","Includes photograph","Includes newspaper clippings","Items restricted for personally identifiable information.","Item digitized due to preservation issues, available upon request","Series 3: Personal materials (1891, circa 1909 - 1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries.","Sub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","Sub-series 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5.","Sub-series 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.","Sub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","Items removed from leather binder which also contained \"Books to Read\" lists found in \"Inanda Seminary professional notes, grades, and outlines by Lavinia Scott\" in Series 2.1, Box 16 Folder 3","Items restricted for personally identifiable information.","Contents addressed to Mary Helen Gunn, some items postdate Lavinia's passing in 1997","Contents addressed to Mary Helen Gunn, some items postdate Lavinia's passing in 1997","2 copies","Includes newspaper clippings and photograph","Includes newspaper clippings, photographs, cards (many still in envelopes), programs (for both campus and off-campus events), and general ephemera.","Includes newspaper clipping","Includes newspaper clipping photocopy","Transcription of radio discussion moderated by James H. McBurney and featuring James A. Eldridge, Frank L. Hughes, and Franklin D. Scott","Includes newspaper clippings","Includes newspaper clippings","Includes photograph","Includes newspaper clippings","Sub-series 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5.","Sub-series 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.","Item digitized due to preservation issues, available upon request","Includes loose papers inserted throughout","Includes loose papers inserted","Contents are mostly blank, with minimal and sporadic entries and includes loose papers inserted throughout","Includes numerous loose papers inserted throughout","Includes loose papers inserted in back","Includes loose papers and newsprint clippings inserted throughout","Minimal entries for 1970 and includes loose paper inserted in front","Includes loose pages placed inserted in back","Minimal entries for 1975 and includes loose papers inserted throughout","Includes loose papers inserted throughout","Includes loose papers inserted throughout","Includes loose papers inserted","Includes loose papers inserted throughout","Includes loose papers inserted throughout","Includes loose papers and a newsprint clipping inserted throughout","Includes loose papers and a newsprint clippings inserted throughout","Includes loose papers inserted throughout","Includes loose papers and a newsprint clippings inserted throughout","Includes newsprint clippings inserted","Diary is dated incorrectly inside as 1983; date corrected on cover. Includes loose papers inserted in front.","Includes loose papers and newspaper clippings inserted throughout","Includes loose papers and newspaper clippings inserted throughout","Includes loose papers and newspaper clippings inserted throughout","Series 4: Newspapers and periodicals (1920s – 1997) includes news and periodical print publications and newsletters, both full text and selections, including many from South Africa in both English and Afrikaans. It is further divided into two subseries.","Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3.","Sub-series 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.","Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3.","September 15, 1970: Volume IX, No. 5; July 15, 1974: Volume 13, No. 3; July 1976: Volume 15, No. 2; October 1976: Volume 15, No. 5","January-February 1977: Vol. 15, No. 9-10; April 1977: Vol. 15, No. 12; May 1977 has no Vol., No. information; September 1977: Vol. 15, No. 5","Volume numbering 1-12 corresponds with calendar month numbers; 1970: Volume 32, No. 5; 1972: Volume 34, Nos. 1, 3-4, 9-10, 12; 1973: Volume 35, No. 1; 1974: Volume 36, No. 2","Volume numbering 1-12 corresponds with calendar month numbers; 1976: Volume 38, Nos. 1, 3, 6, 8-11; 1977: Volume 39, Nos. 4-6, 9, 11-12; 1978: Volume 40, Nos. 3, 6, 7, 11; 1979: Volume 41, Nos. 1-2; January 1976 edition reads \"Volume 39, No. 1\" possibly in error","June 15, 1976: Volume III, Issue 10; February 1, 1977: Volume IV, Issue 6; February 6, 1978: Volume V, Issue 3; February 20, 1978: Volume V, Issue 4; March 1, 1978: Volume V, Issue 5; April 3, 1978: Volume V, Issue 7","November 1970: Vol. 100, No. 1194; December 1970: Vol. 100, No. 1195; November 1974: Vol. 104, No. 1242; March-June 1976: Vol. 110, Nos. 1258-1261","November 1977: Vol. 107, No. 1277; July-August 1978: Vol. 108, Nos. 1285-1286; October-December 1978: Vol. 108, Nos. 1288-1290","Spring 1994: Volume 3, Number 1; Spring 1995: Volume 4, Number 1; Fall 1996: Volume 5, Number 2; Spring 1996: Volume 5, Number 1; Spring 1997: Volume 6, Number 1","Sub-series 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.","Series 5: Photographs and negatives (circa 1870s – 1990s) includes photographs and negatives related to Lavinia's work and personal life. The contents cover a wide array of sizes and mediums, including gelatin prints, black and white and color snapshots, and color processed prints. Many, but not all, prints include some level of identifying inscription on the back, including stamps from local photographers. It is further divided into two subseries.","Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time.","Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided.","Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided.","Sub-series 4: Negatives (circa 1930s – 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.","Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time.","This sub-series has items that have been digitized due to preservation issues, available upon request.","Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided.","Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided.","This sub-series has items that have been digitized due to preservation issues, available upon request.","Sub-series 4: Negatives (circa 1930s - 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.","This sub-series has items that have been digitized due to preservation issues, available upon request.","Series 6: Audiovisual materials (circa 1930s – 1997) includes all audiovisual materials including photographic slides, both labeled and unlabeled cassette and VHS tapes, three professional .45 records, and one unlabeled Magnetophoband BASF reel to reel tape. Cassette and VHS contents reflect Lavinia's mission work in South Africa, including recordings of sermons and ceremonies at Inanda Seminary, sermons and speeches on various religious and social issues, and oral history interviews with mission workers such as Lou Ann Parsons, as well as 6-7 tapes containing an extensive interview with Lavinia herself. The bulk of these materials cover the 1970s – 1980s. Additionally, the photographic slides depict both South African mission work and Inanda Seminary, as well as personal family events and travels, including numerous souvenir professional slides from international locations. The bulk of these materials cover the 1950s – 1970s. All items in this series have been grouped by medium; some photographic slides include identifying information but, further organization by subject has not been completed at this time.","Series 7: South African artifacts (circa 1970s – 1980s) includes carvings, beadwork, and other artifacts likely purchased by or gifted to Lavinia during a return trip to South Africa that reflect Zulu cultural traditions and crafts.","Small possibly ivory bust statue, small black bust, heavy wooden elephant, medium wooden elephant","Small wooden elephant, small possibly ivory hippo, plastic bag filled with beadwork, cloth mat with image of Zulu tribe, box labeled \"Zulu beadwork\", and four small carved wooden animals","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Lavinia Scott papers consist of materials created and collected by missionary educator Lavinia Scott (1907 – 1997) covering circa 1860s-1998. This includes materials created by the American Board of Commissioners for Foreign Missions, the United Church Board for World Ministries, the United Church of Christ, and South Africa's Inanda Seminary. The collection covers Lavinia's personal and professional life working and living as a missionary educator in South Africa.","R 71, C 1, S 2 - S 5\n\nR 72, C 3, S 7\n\nR 72, C 4, S 2 - S 7\n\nMap Case 8.3\n\nOS R 2, C 1, S 3","George Mason University. Libraries. Special Collections Research Center","Adams College (Amanzimtoti, South Africa)","Amanzimtoti Institute","American Board of Commissioners for Foreign Missions","General Council of the Congregational Christian Churches of the United States","Illinois College","Inanda Seminary (Inanda, South Africa)","United Church Board for World Ministries","United Church of Christ","Scott, Lavinia, 1907-1997","Stearns, Peter N.","Luthuli, A. J. (Albert John), 1898-1967","Paton, Alan","Scott, Franklin D. (Franklin Daniel), 1901-1994","Wood, Agnes A., 1896-1998","English Zulu Afrikaans"],"unitid_tesim":["C0506","/repositories/2/resources/651"],"normalized_title_ssm":["Lavinia Scott papers"],"collection_title_tesim":["Lavinia Scott papers"],"collection_ssim":["Lavinia Scott papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["South Africa","KwaZulu-Natal (South Africa)","South Africa -- Politics and government -- 20th century"],"geogname_ssim":["South Africa","KwaZulu-Natal (South Africa)","South Africa -- Politics and government -- 20th century"],"creator_ssm":["Scott, Lavinia, 1907-1997","Stearns, Peter N."],"creator_ssim":["Scott, Lavinia, 1907-1997","Stearns, Peter N."],"creator_persname_ssim":["Scott, Lavinia, 1907-1997","Stearns, Peter N."],"creators_ssim":["Scott, Lavinia, 1907-1997","Stearns, Peter N."],"places_ssim":["South Africa","KwaZulu-Natal (South Africa)","South Africa -- Politics and government -- 20th century"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["The papers were brought to George Mason University by former Provost Peter Stearns, Lavinia Scott's nephew, in 2018. Before coming to Special Collections in early 2021, members of the George Mason University history faculty, as well as history graduate students, worked with the material."],"access_subjects_ssim":["Education, Higher","Nguni (African people)","Nguni languages","Missions, South African","Education -- South Africa","Women missionaries","Apartheid","Anti-apartheid movements -- South Africa","South African newspapers","Social justice -- Religious aspects -- Christianity","Zulu (African people)","Correspondence","Postcards","Photographs","Newspapers","Slides"],"access_subjects_ssm":["Education, Higher","Nguni (African people)","Nguni languages","Missions, South African","Education -- South Africa","Women missionaries","Apartheid","Anti-apartheid movements -- South Africa","South African newspapers","Social justice -- Religious aspects -- Christianity","Zulu (African people)","Correspondence","Postcards","Photographs","Newspapers","Slides"],"has_online_content_ssim":["false"],"extent_ssm":["33 Linear Feet 72 boxes, 1 map case"],"extent_tesim":["33 Linear Feet 72 boxes, 1 map case"],"genreform_ssim":["Correspondence","Postcards","Photographs","Newspapers","Slides"],"date_range_isim":[1998],"accessrestrict_html_tesm":["\u003cp\u003eCertain materials in the collection are restricted due to personally identifiable information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Certain materials in the collection are restricted due to personally identifiable information."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in seven series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 2: Professional activities\u003c/item\u003e\n      \u003citem\u003eSeries 3: Personal materials\u003c/item\u003e\n      \u003citem\u003eSeries 4: Newspapers and periodicals\u003c/item\u003e\n      \u003citem\u003eSeries 5: Photographs and negatives\u003c/item\u003e\n      \u003citem\u003eSeries 6: Audiovisual materials\u003c/item\u003e\n      \u003citem\u003eSeries 7: South African artifacts\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in seven series.","Series Series 1: Correspondence Series 2: Professional activities Series 3: Personal materials Series 4: Newspapers and periodicals Series 5: Photographs and negatives Series 6: Audiovisual materials Series 7: South African artifacts"],"bioghist_html_tesm":["\u003cp\u003eLavinia Scott (also known as Clara Lavinia Scott) was born on March 21, 1907 in Yankton, South Dakota to George Harvey and Mary Maud Cole Scott. The youngest of four children, including the future Dr. Franklin Scott, Lavinia spent her life surrounded by education. As a child she attended local public schools, including Jacksonville High School, and in 1923 enrolled in a Bachelor's degree program at Illinois College, where her father served as a Dean for eight years before his sudden death in 1926. Lavinia graduated the following year (1927) with a B.A. in History and it was here that she began to devote her life to education full-time, securing a teaching position with Illinois' Harvard Community High School District Number 153 which she held for approximately two years.\u003c/p\u003e\n","\u003cp\u003eAround the beginning of the 1930s, Lavinia's focus shifted from secular education to international educational missionary work. She enrolled in a Master's program with the Yale Divinity School and upon moving to Connecticut spent two years in training with the United Congregational Church in Bridgeport. In August 1932, less than two months after receiving her Master of Art's degree in June, Lavinia was assigned a teaching position at Adams College (formerly Amanzimtoti Institute) in South Africa under the direction of the Congregational Church affiliated American Board of Commissioners for Foreign Missions (ABCFM). \u003c/p\u003e\n","\u003cp\u003eLavinia remained at Adams College until she was transferred to nearby Inanda Seminary in 1936 where she assumed the role of Principal, a title which she held for over 30 years. During this time, she fought back against the South African government's discriminatory Apartheid policies, particularly the Bantu Education Act of 1953, which both significantly lowered the quality of education available to Black South Africans and removed government funding for private missionary schools. She also oversaw the school's Centenary Celebration in 1969, as well as several expansions to the campus, including the beginning of what would become the \"Lavinia Scott Chapel\". In 1969, she left Inanda Seminary, transferring to the newly formed Federal Theological Seminary where she returned to a teaching position until her formal retirement circa 1974.\u003c/p\u003e\n","\u003cp\u003eWhile her retirement saw a return to the United States, ultimately assuming residence in Claremont, California, it did not mean the end of her mission work. For the next 20 years, Lavinia was an active speaker on behalf of the newly formed United Church of Christ as a South African mission representative for the United Church Board for World Ministries (UCBWM), formerly the ABCFM. She also continued her social justice advocacy, working on behalf of both domestic and international causes, including extensive work throughout the 1980s with the Claremont branch of the Task Force on Central America. Despite her busy schedule, Lavinia still found time to continue her love of traveling, including domestic trips with family and friends, and several returns to South Africa and Inanda Seminary.\u003c/p\u003e\n","\u003cp\u003eWhile Lavinia never fully stopped her missionary work, she did eventually move to a UCC affiliated retirement community in Claremont known as Pilgrim Place where she lived until her passing on July 10, 1997 at the age of 90. She is buried near her family in Jacksonville's Diamond Grove Cemetery.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Lavinia Scott (also known as Clara Lavinia Scott) was born on March 21, 1907 in Yankton, South Dakota to George Harvey and Mary Maud Cole Scott. The youngest of four children, including the future Dr. Franklin Scott, Lavinia spent her life surrounded by education. As a child she attended local public schools, including Jacksonville High School, and in 1923 enrolled in a Bachelor's degree program at Illinois College, where her father served as a Dean for eight years before his sudden death in 1926. Lavinia graduated the following year (1927) with a B.A. in History and it was here that she began to devote her life to education full-time, securing a teaching position with Illinois' Harvard Community High School District Number 153 which she held for approximately two years.","Around the beginning of the 1930s, Lavinia's focus shifted from secular education to international educational missionary work. She enrolled in a Master's program with the Yale Divinity School and upon moving to Connecticut spent two years in training with the United Congregational Church in Bridgeport. In August 1932, less than two months after receiving her Master of Art's degree in June, Lavinia was assigned a teaching position at Adams College (formerly Amanzimtoti Institute) in South Africa under the direction of the Congregational Church affiliated American Board of Commissioners for Foreign Missions (ABCFM). ","Lavinia remained at Adams College until she was transferred to nearby Inanda Seminary in 1936 where she assumed the role of Principal, a title which she held for over 30 years. During this time, she fought back against the South African government's discriminatory Apartheid policies, particularly the Bantu Education Act of 1953, which both significantly lowered the quality of education available to Black South Africans and removed government funding for private missionary schools. She also oversaw the school's Centenary Celebration in 1969, as well as several expansions to the campus, including the beginning of what would become the \"Lavinia Scott Chapel\". In 1969, she left Inanda Seminary, transferring to the newly formed Federal Theological Seminary where she returned to a teaching position until her formal retirement circa 1974.","While her retirement saw a return to the United States, ultimately assuming residence in Claremont, California, it did not mean the end of her mission work. For the next 20 years, Lavinia was an active speaker on behalf of the newly formed United Church of Christ as a South African mission representative for the United Church Board for World Ministries (UCBWM), formerly the ABCFM. She also continued her social justice advocacy, working on behalf of both domestic and international causes, including extensive work throughout the 1980s with the Claremont branch of the Task Force on Central America. Despite her busy schedule, Lavinia still found time to continue her love of traveling, including domestic trips with family and friends, and several returns to South Africa and Inanda Seminary.","While Lavinia never fully stopped her missionary work, she did eventually move to a UCC affiliated retirement community in Claremont known as Pilgrim Place where she lived until her passing on July 10, 1997 at the age of 90. She is buried near her family in Jacksonville's Diamond Grove Cemetery."],"prefercite_html_tesm":["\u003cp\u003eLavinia Scott papers, C0506, Special Collections Research Center, George Mason \nUniversity Libraries.\u003c/p\u003e"],"prefercite_tesim":["Lavinia Scott papers, C0506, Special Collections Research Center, George Mason \nUniversity Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner from September 2022 - August 2023. Finding aid completed by Meghan Glasbrenner in August 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner from September 2022 - August 2023. Finding aid completed by Meghan Glasbrenner in August 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eNorthwestern University holds the \u003ca href=\"https://findingaids.library.northwestern.edu/repositories/4/resources/829\"\u003eLavinia Scott (1907-1997) Papers\u003c/a\u003e which consists mostly of correspondence, largely to Lavinia's mother Mary Maud Scott, as well as the full \u003ca href=\"https://findingaids.library.northwestern.edu/repositories/6/resources/463\"\u003eFranklin D. Scott (1901-1994) Papers\u003c/a\u003e. Harvard University holds several archival collections for the American Board of Commissioners of Foreign Missions divided by location, including the \u003ca href=\"https://hollisarchives.lib.harvard.edu/repositories/24/resources/3023\"\u003eAfrican missions records\u003c/a\u003e, as well as the Finding Aid for the \u003ca href=\"https://scholar.harvard.edu/mehealy/presentations\"\u003eInanda Seminary Oral History Project\u003c/a\u003e completed between 2008 – 2010.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Northwestern University holds the  Lavinia Scott (1907-1997) Papers  which consists mostly of correspondence, largely to Lavinia's mother Mary Maud Scott, as well as the full  Franklin D. Scott (1901-1994) Papers . Harvard University holds several archival collections for the American Board of Commissioners of Foreign Missions divided by location, including the  African missions records , as well as the Finding Aid for the  Inanda Seminary Oral History Project  completed between 2008 – 2010."],"scopecontent_html_tesm":["\u003cp\u003eThe Lavinia Scott papers largely consist of correspondence, reports, newspapers, promotional materials, magazines, speeches, sermons, writings, educational records, travel maps and postcards, photographs, and audiovisual materials created between circa 1860s-1998. The collection contains 7 series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence (circa 1860s, 1900s-1997) includes sent and received correspondence, both personal and professional. Types of correspondence include postcards, letters on stationary, airmail letters, greeting cards, Christmas and general holiday letters, and carbon copies of sent letters. While the majority of the correspondence is between Lavinia Scott and others, this series also includes correspondence received by others that was then passed on to Lavinia either for review or after their passing. The bulk of the correspondence covers the 1920s – 1970s, with a slight gap in coverage during the 1980s, and a shift to more general cards and holiday letters in the 1990s. This series is arranged alphabetically by correspondent last name, group title, or type of correspondence, such as Family letters sent by Lavinia during her years in South Africa.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Professional activities (1885, 1917-1997) includes both direct and indirect materials related to Lavinia's professional life as a Christian missionary speaker and educator. It is further divided into two subseries. Subseries 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Personal materials (1891, circa 1909-1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries. Subseries 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5. Subseries 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Newspapers and periodicals (1920s – 1997) includes news and periodical print publications and newsletters, both full text and selections, including many from South Africa in both English and Afrikaans. It is further divided into two subseries. Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3. Subseries 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Photographs and negatives (circa 1870s – 1990s) includes photographs and negatives related to Lavinia's work and personal life. The contents cover a wide array of sizes and mediums, including gelatin prints, black and white and color snapshots, and color processed prints. Many, but not all, prints include some level of identifying inscription on the back, including stamps from local photographers. It is further divided into two subseries. Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time. Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided. Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided. Sub-series 4: Negatives (circa 1930s – 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.\u003c/p\u003e\n","\u003cp\u003eSeries 6: Audiovisual materials (circa 1930s – 1997) includes all audiovisual materials including photographic slides, both labeled and unlabeled cassette and VHS tapes, three professional .45 records, and one unlabeled Magnetophoband BASF reel to reel tape. Cassette and VHS contents reflect Lavinia's mission work in South Africa, including recordings of sermons and ceremonies at Inanda Seminary, sermons and speeches on various religious and social issues, and oral history interviews with mission workers such as Lou Ann Parsons, as well as 6-7 tapes containing an extensive interview with Lavinia herself. The bulk of these materials cover the 1970s – 1980s. Additionally, the photographic slides depict both South African mission work and Inanda Seminary, as well as personal family events and travels, including numerous souvenir professional slides from international locations. The bulk of these materials cover the 1950s – 1970s. All items in this series have been grouped by medium; some photographic slides include identifying information but, further organization by subject has not been completed at this time.\u003c/p\u003e\n","\u003cp\u003eSeries 7: South African artifacts (circa 1970s – 1980s) includes carvings, beadwork, and other artifacts likely purchased by or gifted to Lavinia during a return trip to South Africa that reflect Zulu cultural traditions and crafts.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence (circa 1860s, 1900s-1997) consists of sent and received correspondence, both personal and professional. Types of correspondence include postcards, letters on stationary, airmail letters, greeting cards, Christmas and general holiday letters, and carbon copies of sent letters. While the majority of the correspondence is between Lavinia Scott and others, this series also includes correspondence received by others that was then passed on to Lavinia either for review or after their passing. The bulk of the correspondence covers the 1920s – 1970s, with a slight gap in coverage during the 1980s, and a shift to more general cards and holiday letters in the 1990s. This series is arranged alphabetically by correspondent last name, group title, or type of correspondence, such as Family letters sent by Lavinia during her years in South Africa.\u003c/p\u003e","\u003cp\u003eIncludes newsletter clipping\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes photo Christmas card and newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes Inanada Seminary booklet and photographs\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipppings\u003c/p\u003e","\u003cp\u003eIncludes several newspaper clippings and  1978 matriculation reports for Inanda Seminary\u003c/p\u003e","\u003cp\u003eIncludes photographs\u003c/p\u003e","\u003cp\u003eIncludes photographs\u003c/p\u003e","\u003cp\u003eIncludes photographs\u003c/p\u003e","\u003cp\u003eIncludes photographs and newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes multiple photographs sent with letters\u003c/p\u003e","\u003cp\u003eIncludes photo card\u003c/p\u003e","\u003cp\u003eIncludes photo cards\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping and photographs\u003c/p\u003e","\u003cp\u003eIncludes photographs and photo cards\u003c/p\u003e","\u003cp\u003eIncludes numerous photographs, circa 1990s\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopy\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes 2 photocopied photographs\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopy\u003c/p\u003e","\u003cp\u003eIncludes photographs\u003c/p\u003e","\u003cp\u003eIncludes photograph on front of card\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes numerous photographs\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes photo Christmas cards\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes photo cards\u003c/p\u003e","\u003cp\u003eAdditional correspondence, particularly letters sent from Lavinia, are held by\n\u003ca href=\"https://findingaids.library.northwestern.edu/repositories/4/resources/829\"\u003eNorthwestern University\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eAdditional correspondence, particularly letters sent from Lavinia, are held by\n\u003ca href=\"https://findingaids.library.northwestern.edu/repositories/4/resources/829\"\u003eNorthwestern University\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eIncludes digitized items due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes corrected draft copy of profile\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes photo Christmas card\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes digitized item due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eIncludes photographs\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings and photograph\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopy\u003c/p\u003e","\u003cp\u003eSeries 2: Professional activities (1885, 1917-1997) includes both direct and indirect materials related to Lavinia's professional life as a Christian missionary speaker and educator. It is further divided into two subseries.\u003c/p\u003e\n","\u003cp\u003eSub-series 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.\u003c/p\u003e\n","\u003cp\u003eSub-series 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.\u003c/p\u003e","\u003cp\u003eSub-series 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eItem digitized due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eItem is written in Zulu\u003c/p\u003e","\u003cp\u003eIncludes digitized item due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eItem digitized due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings ; Items removed from leather binder which also contained \"Books to Read\" lists found in Series 3, Box 23 Folder 9\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes photographs and letters\u003c/p\u003e","\u003cp\u003eIncludes photographs\u003c/p\u003e","\u003cp\u003eZulu language translation, 2 editions\u003c/p\u003e","\u003cp\u003eZulu language translation, 2 editions\u003c/p\u003e","\u003cp\u003eItem is written in Zulu with English translation included\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003e2 editions\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes newspaper and periodical clipping photocopies\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopies\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopies\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopies\u003c/p\u003e","\u003cp\u003eItems restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopies\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eItem digitized due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eSub-series 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eItems restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eItem digitized due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eSeries 3: Personal materials (1891, circa 1909 - 1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries.\u003c/p\u003e\n","\u003cp\u003eSub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.\u003c/p\u003e\n","\u003cp\u003eSub-series 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5.\u003c/p\u003e\n","\u003cp\u003eSub-series 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.\u003c/p\u003e","\u003cp\u003eSub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.\u003c/p\u003e","\u003cp\u003eItems removed from leather binder which also contained \"Books to Read\" lists found in \"Inanda Seminary professional notes, grades, and outlines by Lavinia Scott\" in Series 2.1, Box 16 Folder 3\u003c/p\u003e","\u003cp\u003eItems restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eContents addressed to Mary Helen Gunn, some items postdate Lavinia's passing in 1997\u003c/p\u003e","\u003cp\u003eContents addressed to Mary Helen Gunn, some items postdate Lavinia's passing in 1997\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings and photograph\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings, photographs, cards (many still in envelopes), programs (for both campus and off-campus events), and general ephemera.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopy\u003c/p\u003e","\u003cp\u003eTranscription of radio discussion moderated by James H. McBurney and featuring James A. Eldridge, Frank L. Hughes, and Franklin D. Scott\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eSub-series 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5.\u003c/p\u003e","\u003cp\u003eSub-series 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.\u003c/p\u003e","\u003cp\u003eItem digitized due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted\u003c/p\u003e","\u003cp\u003eContents are mostly blank, with minimal and sporadic entries and includes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes numerous loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted in back\u003c/p\u003e","\u003cp\u003eIncludes loose papers and newsprint clippings inserted throughout\u003c/p\u003e","\u003cp\u003eMinimal entries for 1970 and includes loose paper inserted in front\u003c/p\u003e","\u003cp\u003eIncludes loose pages placed inserted in back\u003c/p\u003e","\u003cp\u003eMinimal entries for 1975 and includes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers and a newsprint clipping inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers and a newsprint clippings inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers and a newsprint clippings inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes newsprint clippings inserted\u003c/p\u003e","\u003cp\u003eDiary is dated incorrectly inside as 1983; date corrected on cover. Includes loose papers inserted in front.\u003c/p\u003e","\u003cp\u003eIncludes loose papers and newspaper clippings inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers and newspaper clippings inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers and newspaper clippings inserted throughout\u003c/p\u003e","\u003cp\u003eSeries 4: Newspapers and periodicals (1920s – 1997) includes news and periodical print publications and newsletters, both full text and selections, including many from South Africa in both English and Afrikaans. It is further divided into two subseries.\u003c/p\u003e\n","\u003cp\u003eSub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3.\u003c/p\u003e\n","\u003cp\u003eSub-series 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.\u003c/p\u003e","\u003cp\u003eSub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3.\u003c/p\u003e","\u003cp\u003eSeptember 15, 1970: Volume IX, No. 5; July 15, 1974: Volume 13, No. 3; July 1976: Volume 15, No. 2; October 1976: Volume 15, No. 5\u003c/p\u003e","\u003cp\u003eJanuary-February 1977: Vol. 15, No. 9-10; April 1977: Vol. 15, No. 12; May 1977 has no Vol., No. information; September 1977: Vol. 15, No. 5\u003c/p\u003e","\u003cp\u003eVolume numbering 1-12 corresponds with calendar month numbers; 1970: Volume 32, No. 5; 1972: Volume 34, Nos. 1, 3-4, 9-10, 12; 1973: Volume 35, No. 1; 1974: Volume 36, No. 2\u003c/p\u003e","\u003cp\u003eVolume numbering 1-12 corresponds with calendar month numbers; 1976: Volume 38, Nos. 1, 3, 6, 8-11; 1977: Volume 39, Nos. 4-6, 9, 11-12; 1978: Volume 40, Nos. 3, 6, 7, 11; 1979: Volume 41, Nos. 1-2; January 1976 edition reads \"Volume 39, No. 1\" possibly in error\u003c/p\u003e","\u003cp\u003eJune 15, 1976: Volume III, Issue 10; February 1, 1977: Volume IV, Issue 6; February 6, 1978: Volume V, Issue 3; February 20, 1978: Volume V, Issue 4; March 1, 1978: Volume V, Issue 5; April 3, 1978: Volume V, Issue 7\u003c/p\u003e","\u003cp\u003eNovember 1970: Vol. 100, No. 1194; December 1970: Vol. 100, No. 1195; November 1974: Vol. 104, No. 1242; March-June 1976: Vol. 110, Nos. 1258-1261\u003c/p\u003e","\u003cp\u003eNovember 1977: Vol. 107, No. 1277; July-August 1978: Vol. 108, Nos. 1285-1286; October-December 1978: Vol. 108, Nos. 1288-1290\u003c/p\u003e","\u003cp\u003eSpring 1994: Volume 3, Number 1; Spring 1995: Volume 4, Number 1; Fall 1996: Volume 5, Number 2; Spring 1996: Volume 5, Number 1; Spring 1997: Volume 6, Number 1\u003c/p\u003e","\u003cp\u003eSub-series 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.\u003c/p\u003e","\u003cp\u003eSeries 5: Photographs and negatives (circa 1870s – 1990s) includes photographs and negatives related to Lavinia's work and personal life. The contents cover a wide array of sizes and mediums, including gelatin prints, black and white and color snapshots, and color processed prints. Many, but not all, prints include some level of identifying inscription on the back, including stamps from local photographers. It is further divided into two subseries.\u003c/p\u003e\n","\u003cp\u003eSub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time.\u003c/p\u003e\n","\u003cp\u003eSub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided.\u003c/p\u003e\n","\u003cp\u003eSub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided.\u003c/p\u003e\n","\u003cp\u003eSub-series 4: Negatives (circa 1930s – 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.\u003c/p\u003e","\u003cp\u003eSub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time.\u003c/p\u003e\n","\u003cp\u003eThis sub-series has items that have been digitized due to preservation issues, available upon request.\u003c/p\u003e","\u003cp\u003eSub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided.\u003c/p\u003e","\u003cp\u003eSub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided.\u003c/p\u003e\n","\u003cp\u003eThis sub-series has items that have been digitized due to preservation issues, available upon request.\u003c/p\u003e","\u003cp\u003eSub-series 4: Negatives (circa 1930s - 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.\u003c/p\u003e\n","\u003cp\u003eThis sub-series has items that have been digitized due to preservation issues, available upon request.\u003c/p\u003e","\u003cp\u003eSeries 6: Audiovisual materials (circa 1930s – 1997) includes all audiovisual materials including photographic slides, both labeled and unlabeled cassette and VHS tapes, three professional .45 records, and one unlabeled Magnetophoband BASF reel to reel tape. Cassette and VHS contents reflect Lavinia's mission work in South Africa, including recordings of sermons and ceremonies at Inanda Seminary, sermons and speeches on various religious and social issues, and oral history interviews with mission workers such as Lou Ann Parsons, as well as 6-7 tapes containing an extensive interview with Lavinia herself. The bulk of these materials cover the 1970s – 1980s. Additionally, the photographic slides depict both South African mission work and Inanda Seminary, as well as personal family events and travels, including numerous souvenir professional slides from international locations. The bulk of these materials cover the 1950s – 1970s. All items in this series have been grouped by medium; some photographic slides include identifying information but, further organization by subject has not been completed at this time.\u003c/p\u003e","\u003cp\u003eSeries 7: South African artifacts (circa 1970s – 1980s) includes carvings, beadwork, and other artifacts likely purchased by or gifted to Lavinia during a return trip to South Africa that reflect Zulu cultural traditions and crafts.\u003c/p\u003e","\u003cp\u003eSmall possibly ivory bust statue, small black bust, heavy wooden elephant, medium wooden elephant\u003c/p\u003e","\u003cp\u003eSmall wooden elephant, small possibly ivory hippo, plastic bag filled with beadwork, cloth mat with image of Zulu tribe, box labeled \"Zulu beadwork\", and four small carved wooden animals\u003c/p\u003e"],"scopecontent_heading_ssm":[" Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Lavinia Scott papers largely consist of correspondence, reports, newspapers, promotional materials, magazines, speeches, sermons, writings, educational records, travel maps and postcards, photographs, and audiovisual materials created between circa 1860s-1998. The collection contains 7 series.","Series 1: Correspondence (circa 1860s, 1900s-1997) includes sent and received correspondence, both personal and professional. Types of correspondence include postcards, letters on stationary, airmail letters, greeting cards, Christmas and general holiday letters, and carbon copies of sent letters. While the majority of the correspondence is between Lavinia Scott and others, this series also includes correspondence received by others that was then passed on to Lavinia either for review or after their passing. The bulk of the correspondence covers the 1920s – 1970s, with a slight gap in coverage during the 1980s, and a shift to more general cards and holiday letters in the 1990s. This series is arranged alphabetically by correspondent last name, group title, or type of correspondence, such as Family letters sent by Lavinia during her years in South Africa.","Series 2: Professional activities (1885, 1917-1997) includes both direct and indirect materials related to Lavinia's professional life as a Christian missionary speaker and educator. It is further divided into two subseries. Subseries 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.","Series 3: Personal materials (1891, circa 1909-1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries. Subseries 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5. Subseries 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.","Series 4: Newspapers and periodicals (1920s – 1997) includes news and periodical print publications and newsletters, both full text and selections, including many from South Africa in both English and Afrikaans. It is further divided into two subseries. Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3. Subseries 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.","Series 5: Photographs and negatives (circa 1870s – 1990s) includes photographs and negatives related to Lavinia's work and personal life. The contents cover a wide array of sizes and mediums, including gelatin prints, black and white and color snapshots, and color processed prints. Many, but not all, prints include some level of identifying inscription on the back, including stamps from local photographers. It is further divided into two subseries. Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time. Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided. Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided. Sub-series 4: Negatives (circa 1930s – 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.","Series 6: Audiovisual materials (circa 1930s – 1997) includes all audiovisual materials including photographic slides, both labeled and unlabeled cassette and VHS tapes, three professional .45 records, and one unlabeled Magnetophoband BASF reel to reel tape. Cassette and VHS contents reflect Lavinia's mission work in South Africa, including recordings of sermons and ceremonies at Inanda Seminary, sermons and speeches on various religious and social issues, and oral history interviews with mission workers such as Lou Ann Parsons, as well as 6-7 tapes containing an extensive interview with Lavinia herself. The bulk of these materials cover the 1970s – 1980s. Additionally, the photographic slides depict both South African mission work and Inanda Seminary, as well as personal family events and travels, including numerous souvenir professional slides from international locations. The bulk of these materials cover the 1950s – 1970s. All items in this series have been grouped by medium; some photographic slides include identifying information but, further organization by subject has not been completed at this time.","Series 7: South African artifacts (circa 1970s – 1980s) includes carvings, beadwork, and other artifacts likely purchased by or gifted to Lavinia during a return trip to South Africa that reflect Zulu cultural traditions and crafts.","Series 1: Correspondence (circa 1860s, 1900s-1997) consists of sent and received correspondence, both personal and professional. Types of correspondence include postcards, letters on stationary, airmail letters, greeting cards, Christmas and general holiday letters, and carbon copies of sent letters. While the majority of the correspondence is between Lavinia Scott and others, this series also includes correspondence received by others that was then passed on to Lavinia either for review or after their passing. The bulk of the correspondence covers the 1920s – 1970s, with a slight gap in coverage during the 1980s, and a shift to more general cards and holiday letters in the 1990s. This series is arranged alphabetically by correspondent last name, group title, or type of correspondence, such as Family letters sent by Lavinia during her years in South Africa.","Includes newsletter clipping","Includes newspaper clipping","Includes photo Christmas card and newspaper clipping","Includes Inanada Seminary booklet and photographs","Includes newspaper clipping","Includes newspaper clipppings","Includes several newspaper clippings and  1978 matriculation reports for Inanda Seminary","Includes photographs","Includes photographs","Includes photographs","Includes photographs and newspaper clipping","Includes multiple photographs sent with letters","Includes photo card","Includes photo cards","Includes newspaper clipping and photographs","Includes photographs and photo cards","Includes numerous photographs, circa 1990s","Includes newspaper clippings","Includes newspaper clipping","Includes newspaper clipping photocopy","Includes newspaper clipping","Includes 2 photocopied photographs","Includes newspaper clipping","Includes newspaper clipping photocopy","Includes photographs","Includes photograph on front of card","Includes photograph","Includes numerous photographs","Includes photograph","Includes photo Christmas cards","Includes photograph","Includes newspaper clipping","Includes photo cards","Additional correspondence, particularly letters sent from Lavinia, are held by\n Northwestern University","Additional correspondence, particularly letters sent from Lavinia, are held by\n Northwestern University","Includes digitized items due to preservation issues, available upon request","Includes newspaper clipping","Includes newspaper clippings","Includes corrected draft copy of profile","Includes newspaper clipping","Includes photo Christmas card","Includes photograph","Includes photograph","Includes digitized item due to preservation issues, available upon request","Includes photographs","Includes photograph","Includes newspaper clipping","Includes newspaper clippings and photograph","Includes newspaper clipping photocopy","Series 2: Professional activities (1885, 1917-1997) includes both direct and indirect materials related to Lavinia's professional life as a Christian missionary speaker and educator. It is further divided into two subseries.","Sub-series 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","Sub-series 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.","Sub-series 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","2 copies","Includes newspaper clipping","Item digitized due to preservation issues, available upon request","Item is written in Zulu","Includes digitized item due to preservation issues, available upon request","Item digitized due to preservation issues, available upon request","Includes photograph","Includes newspaper clippings","Includes newspaper clippings ; Items removed from leather binder which also contained \"Books to Read\" lists found in Series 3, Box 23 Folder 9","Includes newspaper clippings","Includes photographs and letters","Includes photographs","Zulu language translation, 2 editions","Zulu language translation, 2 editions","Item is written in Zulu with English translation included","Includes newspaper clippings","Includes photograph","2 editions","Includes newspaper clippings","Includes newspaper and periodical clipping photocopies","Includes newspaper clipping photocopies","Includes newspaper clipping photocopies","Includes newspaper clippings","Includes newspaper clipping photocopies","Items restricted for personally identifiable information.","Includes newspaper clipping photocopies","Includes newspaper clipping","Item digitized due to preservation issues, available upon request","Sub-series 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.","Includes photograph","Includes newspaper clippings","Items restricted for personally identifiable information.","Item digitized due to preservation issues, available upon request","Series 3: Personal materials (1891, circa 1909 - 1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries.","Sub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","Sub-series 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5.","Sub-series 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.","Sub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","Items removed from leather binder which also contained \"Books to Read\" lists found in \"Inanda Seminary professional notes, grades, and outlines by Lavinia Scott\" in Series 2.1, Box 16 Folder 3","Items restricted for personally identifiable information.","Contents addressed to Mary Helen Gunn, some items postdate Lavinia's passing in 1997","Contents addressed to Mary Helen Gunn, some items postdate Lavinia's passing in 1997","2 copies","Includes newspaper clippings and photograph","Includes newspaper clippings, photographs, cards (many still in envelopes), programs (for both campus and off-campus events), and general ephemera.","Includes newspaper clipping","Includes newspaper clipping photocopy","Transcription of radio discussion moderated by James H. McBurney and featuring James A. Eldridge, Frank L. Hughes, and Franklin D. Scott","Includes newspaper clippings","Includes newspaper clippings","Includes photograph","Includes newspaper clippings","Sub-series 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5.","Sub-series 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.","Item digitized due to preservation issues, available upon request","Includes loose papers inserted throughout","Includes loose papers inserted","Contents are mostly blank, with minimal and sporadic entries and includes loose papers inserted throughout","Includes numerous loose papers inserted throughout","Includes loose papers inserted in back","Includes loose papers and newsprint clippings inserted throughout","Minimal entries for 1970 and includes loose paper inserted in front","Includes loose pages placed inserted in back","Minimal entries for 1975 and includes loose papers inserted throughout","Includes loose papers inserted throughout","Includes loose papers inserted throughout","Includes loose papers inserted","Includes loose papers inserted throughout","Includes loose papers inserted throughout","Includes loose papers and a newsprint clipping inserted throughout","Includes loose papers and a newsprint clippings inserted throughout","Includes loose papers inserted throughout","Includes loose papers and a newsprint clippings inserted throughout","Includes newsprint clippings inserted","Diary is dated incorrectly inside as 1983; date corrected on cover. Includes loose papers inserted in front.","Includes loose papers and newspaper clippings inserted throughout","Includes loose papers and newspaper clippings inserted throughout","Includes loose papers and newspaper clippings inserted throughout","Series 4: Newspapers and periodicals (1920s – 1997) includes news and periodical print publications and newsletters, both full text and selections, including many from South Africa in both English and Afrikaans. It is further divided into two subseries.","Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3.","Sub-series 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.","Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3.","September 15, 1970: Volume IX, No. 5; July 15, 1974: Volume 13, No. 3; July 1976: Volume 15, No. 2; October 1976: Volume 15, No. 5","January-February 1977: Vol. 15, No. 9-10; April 1977: Vol. 15, No. 12; May 1977 has no Vol., No. information; September 1977: Vol. 15, No. 5","Volume numbering 1-12 corresponds with calendar month numbers; 1970: Volume 32, No. 5; 1972: Volume 34, Nos. 1, 3-4, 9-10, 12; 1973: Volume 35, No. 1; 1974: Volume 36, No. 2","Volume numbering 1-12 corresponds with calendar month numbers; 1976: Volume 38, Nos. 1, 3, 6, 8-11; 1977: Volume 39, Nos. 4-6, 9, 11-12; 1978: Volume 40, Nos. 3, 6, 7, 11; 1979: Volume 41, Nos. 1-2; January 1976 edition reads \"Volume 39, No. 1\" possibly in error","June 15, 1976: Volume III, Issue 10; February 1, 1977: Volume IV, Issue 6; February 6, 1978: Volume V, Issue 3; February 20, 1978: Volume V, Issue 4; March 1, 1978: Volume V, Issue 5; April 3, 1978: Volume V, Issue 7","November 1970: Vol. 100, No. 1194; December 1970: Vol. 100, No. 1195; November 1974: Vol. 104, No. 1242; March-June 1976: Vol. 110, Nos. 1258-1261","November 1977: Vol. 107, No. 1277; July-August 1978: Vol. 108, Nos. 1285-1286; October-December 1978: Vol. 108, Nos. 1288-1290","Spring 1994: Volume 3, Number 1; Spring 1995: Volume 4, Number 1; Fall 1996: Volume 5, Number 2; Spring 1996: Volume 5, Number 1; Spring 1997: Volume 6, Number 1","Sub-series 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.","Series 5: Photographs and negatives (circa 1870s – 1990s) includes photographs and negatives related to Lavinia's work and personal life. The contents cover a wide array of sizes and mediums, including gelatin prints, black and white and color snapshots, and color processed prints. Many, but not all, prints include some level of identifying inscription on the back, including stamps from local photographers. It is further divided into two subseries.","Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time.","Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided.","Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided.","Sub-series 4: Negatives (circa 1930s – 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.","Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time.","This sub-series has items that have been digitized due to preservation issues, available upon request.","Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided.","Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided.","This sub-series has items that have been digitized due to preservation issues, available upon request.","Sub-series 4: Negatives (circa 1930s - 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.","This sub-series has items that have been digitized due to preservation issues, available upon request.","Series 6: Audiovisual materials (circa 1930s – 1997) includes all audiovisual materials including photographic slides, both labeled and unlabeled cassette and VHS tapes, three professional .45 records, and one unlabeled Magnetophoband BASF reel to reel tape. Cassette and VHS contents reflect Lavinia's mission work in South Africa, including recordings of sermons and ceremonies at Inanda Seminary, sermons and speeches on various religious and social issues, and oral history interviews with mission workers such as Lou Ann Parsons, as well as 6-7 tapes containing an extensive interview with Lavinia herself. The bulk of these materials cover the 1970s – 1980s. Additionally, the photographic slides depict both South African mission work and Inanda Seminary, as well as personal family events and travels, including numerous souvenir professional slides from international locations. The bulk of these materials cover the 1950s – 1970s. All items in this series have been grouped by medium; some photographic slides include identifying information but, further organization by subject has not been completed at this time.","Series 7: South African artifacts (circa 1970s – 1980s) includes carvings, beadwork, and other artifacts likely purchased by or gifted to Lavinia during a return trip to South Africa that reflect Zulu cultural traditions and crafts.","Small possibly ivory bust statue, small black bust, heavy wooden elephant, medium wooden elephant","Small wooden elephant, small possibly ivory hippo, plastic bag filled with beadwork, cloth mat with image of Zulu tribe, box labeled \"Zulu beadwork\", and four small carved wooden animals"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_80cc4e1315ef5dc6c32b4320325dcd33\"\u003eThe Lavinia Scott papers consist of materials created and collected by missionary educator Lavinia Scott (1907 – 1997) covering circa 1860s-1998. This includes materials created by the American Board of Commissioners for Foreign Missions, the United Church Board for World Ministries, the United Church of Christ, and South Africa's Inanda Seminary. The collection covers Lavinia's personal and professional life working and living as a missionary educator in South Africa.\u003c/abstract\u003e"],"abstract_tesim":["The Lavinia Scott papers consist of materials created and collected by missionary educator Lavinia Scott (1907 – 1997) covering circa 1860s-1998. This includes materials created by the American Board of Commissioners for Foreign Missions, the United Church Board for World Ministries, the United Church of Christ, and South Africa's Inanda Seminary. The collection covers Lavinia's personal and professional life working and living as a missionary educator in South Africa."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_81acf2a66423a9d0915a1666348eb948\"\u003eR 71, C 1, S 2 - S 5\n\nR 72, C 3, S 7\n\nR 72, C 4, S 2 - S 7\n\nMap Case 8.3\n\nOS R 2, C 1, S 3\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 2 - S 5\n\nR 72, C 3, S 7\n\nR 72, C 4, S 2 - S 7\n\nMap Case 8.3\n\nOS R 2, C 1, S 3"],"names_coll_ssim":["Adams College (Amanzimtoti, South Africa)","Amanzimtoti Institute","American Board of Commissioners for Foreign Missions","General Council of the Congregational Christian Churches of the United States","Illinois College","Inanda Seminary (Inanda, South Africa)","United Church Board for World Ministries","United Church of Christ","Stearns, Peter N.","Luthuli, A. J. (Albert John), 1898-1967","Paton, Alan","Scott, Franklin D. (Franklin Daniel), 1901-1994","Scott, Lavinia, 1907-1997","Wood, Agnes A., 1896-1998"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Adams College (Amanzimtoti, South Africa)","Amanzimtoti Institute","American Board of Commissioners for Foreign Missions","General Council of the Congregational Christian Churches of the United States","Illinois College","Inanda Seminary (Inanda, South Africa)","United Church Board for World Ministries","United Church of Christ","Scott, Lavinia, 1907-1997","Stearns, Peter N.","Luthuli, A. J. (Albert John), 1898-1967","Paton, Alan","Scott, Franklin D. (Franklin Daniel), 1901-1994","Wood, Agnes A., 1896-1998"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Adams College (Amanzimtoti, South Africa)","Amanzimtoti Institute","American Board of Commissioners for Foreign Missions","General Council of the Congregational Christian Churches of the United States","Illinois College","Inanda Seminary (Inanda, South Africa)","United Church Board for World Ministries","United Church of Christ"],"persname_ssim":["Scott, Lavinia, 1907-1997","Stearns, Peter N.","Luthuli, A. J. (Albert John), 1898-1967","Paton, Alan","Scott, Franklin D. (Franklin Daniel), 1901-1994","Wood, Agnes A., 1896-1998"],"language_ssim":["English Zulu Afrikaans"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":973,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:26:10.110Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_651_c02_c01"}},{"id":"vifgm_repositories_2_resources_92_c03_c02","type":"Subseries","attributes":{"title":"Sub-series 2: Records and ephemera","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_92_c03_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_92_c03_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_92_c03_c02","ref_ssm":["vifgm_repositories_2_resources_92_c03_c02"],"id":"vifgm_repositories_2_resources_92_c03_c02","ead_ssi":"vifgm_repositories_2_resources_92","_root_":"vifgm_repositories_2_resources_92","_nest_parent_":"vifgm_repositories_2_resources_92_c03","parent_ssi":"vifgm_repositories_2_resources_92_c03","parent_ssim":["vifgm_repositories_2_resources_92","vifgm_repositories_2_resources_92_c03"],"parent_ids_ssim":["vifgm_repositories_2_resources_92","vifgm_repositories_2_resources_92_c03"],"parent_unittitles_ssm":["Alexander Haight family collection","Series 3: Photographs and ephemera"],"parent_unittitles_tesim":["Alexander Haight family collection","Series 3: Photographs and ephemera"],"text":["Alexander Haight family collection","Series 3: Photographs and ephemera","Sub-series 2: Records and ephemera","box 4, 6-7, map-case 27.2","Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function."],"title_filing_ssi":"Sub-series 2: Records and ephemera","title_ssm":["Sub-series 2: Records and ephemera"],"title_tesim":["Sub-series 2: Records and ephemera"],"unitdate_inclusive_ssm":["circa 1862-1976"],"normalized_date_ssm":["1862/1976"],"normalized_title_ssm":["Sub-series 2: Records and ephemera"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Alexander Haight family collection"],"has_online_content_ssim":["false"],"child_component_count_isi":20,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":136,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["All materials created up to 1928 are in the public domain.","The following statement applies to materials created from 1929 onward: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"containers_ssim":["box 4, 6-7, map-case 27.2"],"scopecontent_html_tesm":["\u003cp\u003eSub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function."],"_nest_path_":"/components#2/components#1","timestamp":"2026-05-21T05:08:29.094Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_92","ead_ssi":"vifgm_repositories_2_resources_92","_root_":"vifgm_repositories_2_resources_92","_nest_parent_":"vifgm_repositories_2_resources_92","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_92.xml","title_filing_ssi":"Alexander Haight family collection","title_ssm":["Alexander Haight family collection"],"title_tesim":["Alexander Haight family collection"],"unitdate_ssm":["circa 1764-1976"],"unitdate_inclusive_ssm":["circa 1764-1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0159","/repositories/2/resources/92"],"text":["C0159","/repositories/2/resources/92","Alexander Haight family collection","United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America","Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers","There are no access restrictions.","Digitized selections from this collection appear in the   Sesquicentennial Civil War Documents Project   hosted on Mason Archival Repository Service (MARS).","The collection is arranged into three series.","Series Series 1: Correspondence Series 2: Legal and financial documents Series 3: Photographs and ephemera","Fairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.","Find a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.","Find a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.","Find a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.","Find a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.","Wikipedia . 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026oldid=1301635745#Chain_of_ownership.","Alexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.","Despite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.","In 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981).","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.","Collection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025.","The Special Collections Research Center holds other collections related to the history of  Fairfax County  and  Northern Virginia , such as the  Randolph H. Lytton historical Virginia collection .","The Special Collections Research Center also holds other collections related to the  Civil War , such as the  William Darke Briscoe Civil War diaries collection , and  World War I , including the  Diary of World War I Red Cross Canteen worker Florence Bishop .","The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.","Series 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.","Series 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.","Series 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.","Series 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, including correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.","All letters on YMCA or Knights of Columbus World War I stationary","Also known as Mrs. Asa Conklin","Letter addressed to Mrs. T.J. Farnham in Illinois","Letter signed \"Aunt Stell\"","Letter signed \"Cousin Howard\"","Full name possibly Charles C. Goodwin, letter on YMCA World War I stationary","Letter addressed \"Dear Sir\", possibly sent to George Sweet","Mixed senders and recipients, some names missing or not legible, includes postmarked envelopes possibly not connected to existing correspondence. Includes partial letters.","Letter addressed to \"Brother\"","Includes six postmarked envelopes not connected to correspondence in folder","Includes correspondence sent and received with mother Emma Jane Haight (formerly Young), father Henry Clement Haight, sister Elizabeth Barlow Hamill (formerly Haight), and brother Alexander Levi Haight (also known as Aleck). One letter also signed by Rafka, no other identification.","Mixed senders, some names not legible, includes empty envelope with postmark not connected to correspondence in folder.","Likely James H. Haight (1851-1929)","One letter signed \"MJH\"","Letter damaged, parts illegible","Includes five postmarked envelopes not connected to correspondence in folder","Son of Phebe Ferris Ham","Phebe Ferris Ham is mother of John Ham","Multiple senders, includes empty envelope dated October 20, 1893 not connected to correspondence in folder","Letter return address reads \"Mrs. W.A. Hart\"","Letter addressed from Harper's Ferry","Easter card, likely grandaughter of Dr. Alfred Leyburn, Sr. Item digitized due to preservation issues, available upon request.","Sender unknown","All letters on YMCA World War I stationary, includes Queensboro Bridge sourvenir postcard","Possibly Margaret Amy Haight, but unconfirmed","Letter sent in YMCA World War I stationary envelope, header on letter reads \"Officeof the Depot Quartermaster\"","Multiple senders and recipients, most agents of the Adams Express Company, includuing: C.R. Bitzer, E. Lucas, and John Clayton","Letter addressed \"To the Sup. Of the N \u0026 W.R.R. machine shop\"","Clerk, Board of Health City of White Plains, New York, includes newspaper clipping from The New York Sun dates May 11, 1919","All letters on Knights of Columbus World War I stationary, includes three World War I themed postcards","Letter addressed to P. Mason and Co.","January 1871 letter addressed to \"Hon. Secretary of War\" and copy sent to Col. Parker \"Compliments of F.J. Porter\"","Includes original letter and typed transcription","August 14th letter digitized due to preservation issues, available upon request.","Date based on content of letter, not date of transcription","Letter addressed \"Dear Children\"","One letter on YMCA World War I stationary, includes on empty envelope","All letters on YMCA and Knights of Columbus World War I stationary, includes empty envelope dated March 26, 1919 not connected to correspondence in folder.","Virginia District Judge John C. Underwood, folder includes both original and typed transcription.","One letter on Union Civil War stationary","Includes original letter and typed transcription","Includes cover letter to Otis Howard Gardner [F]. C. Ainsworth, The Military Secretary re: request for John M. Young's service record dated October 23, 1906 and brief family history.","Series 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet, currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.","Folder includes original handwritten order, photocopy, and typed information card.","Typed signature: C.N. Booth, Clerk","Folders includes original paper currency, photocopy of 50 dollar note, and photocopy of typed information card.","Includes typed information card","Handmade booklet, with text only on interior two pages.","Includes one handwritten receipt","Includes original document and typed information card","Appointed \"surveyor of the County Road from Frying Pan to Little River Turnpike road\"","Includes original and annotated photocopy of receipt dated September 1862","Photograph of horse found in Series 3.1","Folder includes three original handwritten documents, photocopy reproductions, and typed information card.","Folder includes originals, some reproduction photocopys, and a typed information card.","Ledger covers November 1914 - September 1919","Includes notes with names and addresses, possibly used for payments","Receipt also includes partial letter signed \"Mother\" possibly from Phoebe Haight (formerly Sweet)","Some receipts addressed to and co-signed by others","Receipts for letters sent to Elizabeth and George Sweet respectively","Includes photocopy of November 1885 receipt","Receipt for 1893 letter addressed to Elizabeth Sweet","Others names listed include Samuel Dickinson and Andrew Winslow Samson","Name spelled Harrisberger in some documents","Folder includes original handwritten order and typed information card.","Receipt for letter sent to \"Mrs. Alexander Haight\" also known as Phoebe Haight (formerly Sweet)","Includes typed information card inserted into front cover","Folder includes two 1 dollar notes from The City Bank, Augusta, Georgia, one 50 cents note, and one 3 dollar note from Frontier Bank in Potsdam, New York","Series 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.","Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation.","Includes original mounted photograph and reproduction copy with typed information. Typed information identifies original photograph as tintype, possibly in error.","Folder includes original tintype, housed in envelope, reproduction copy, typed information card, and photocopy newspaper clipping. Ownership document in Series 2.","Subject is wearing a Union Army uniform in one of the portraits.","Albumen print, Brady's Album Gallery No. 427","Folder includes original tintype, housed in envelope, reproduction copy, and typed information card.","Folder includes handwritten note from previous processor that identifies the subjects as likely to be Phoebe (formerly Sweet) Haight and her siblings George Sweet and Elizabeth Sweet. Note identifies George incorrectly as Elizabeth's husband.","Inscription on back reads: \"Photo in 1900 A.L. Haight\"","Folders includes snapshot photograph with inscription written in pen on bottom front of image and back of print and 8x10 reproduction of photograph with front inscription included.","Folder includes one snapshopt photograph of an unidentified subject posing outside in a ruffled dress, holding a hat and one 8x10 (possibly enlargement) photograph of an unidentified subject posing in a dark dress seated at a desk.","One portrait in cardboard holder","Folder includes 8 x10 reproduction photographic prints, photocopies of reproductions, typed information card, and envelope address to H.C. Haight. Original daugerrotypes circa 1850s-1860s.","Original photograph taken in 1905","Folder includes 8x10 reproduction photographic prints, a single strip with three negatives of the same image, and typed information card. Inscription written at the bottom of the original image identifies the four seated individuals as: Fountain Beattie, Lycurgus Hutchison, John S. Mosby (\"The Gray Ghost\"), and George Turbeville V. Original photograph taken July 20, 1914.","Folder includes 8x10 reproduction of photograph taken circa 1861-1865 and typed information card.","Folder includes two 8x10 reproductions of photographs taken in June 1863 and typed information card.","Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.","Folder includes printed memorial statement and typed information card.","All images have become detached from binding, includes illustrations of events and locations that are possibly from another booklet.","Edited by their daughter Alice M. Coates","Folder includes original program and typed information card","For General Election November 7, 1939","Map mounted on heavy backing with name \"Alex Haight\" written along left edge. Full map title reads: \"Sketch of The Country occupied by the Federal \u0026 Confederate Armies on the 18th \u0026 21st July 1861. Taken by Capt. Saml. P. Mitchell, of 1st Virginia Regiment. Published by W. Hargrave White. Richmond Va.\"","Includes Volume 1, No. 3, March 1971 and Index, November 1970-November 1971","All materials created up to 1928 are in the public domain.","The following statement applies to materials created from 1929 onward: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I.","R 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2","George Mason University. Libraries. Special Collections Research Center","Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864","English"],"unitid_tesim":["C0159","/repositories/2/resources/92"],"normalized_title_ssm":["Alexander Haight family collection"],"collection_title_tesim":["Alexander Haight family collection"],"collection_ssim":["Alexander Haight family collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"geogname_ssim":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"creator_ssm":["Haight, Alexander Levi, 1891-1981"],"creator_ssim":["Haight, Alexander Levi, 1891-1981"],"creator_persname_ssim":["Haight, Alexander Levi, 1891-1981"],"creators_ssim":["Haight, Alexander Levi, 1891-1981"],"places_ssim":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"access_terms_ssm":["All materials created up to 1928 are in the public domain.","The following statement applies to materials created from 1929 onward: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Alexander Levi Haight in 1978."],"access_subjects_ssim":["Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"access_subjects_ssm":["Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet 7 boxes, 1 map case"],"extent_tesim":["7 Linear Feet 7 boxes, 1 map case"],"genreform_ssim":["Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"date_range_isim":[1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eDigitized selections from this collection appear in the \u003ca href=\"http://mars.gmu.edu/handle/1920/6210\"\u003e Sesquicentennial Civil War Documents Project \u003c/a\u003e hosted on Mason Archival Repository Service (MARS).\u003c/p\u003e"],"altformavail_heading_ssm":["Alternate Form Available"],"altformavail_tesim":["Digitized selections from this collection appear in the   Sesquicentennial Civil War Documents Project   hosted on Mason Archival Repository Service (MARS)."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 2: Legal and financial documents\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs and ephemera\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series.","Series Series 1: Correspondence Series 2: Legal and financial documents Series 3: Photographs and ephemera"],"bibliography_html_tesm":["\u003cp\u003eFairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.\u003c/p\u003e\n","\u003cp\u003eFind a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.\u003c/p\u003e\n","\u003cp\u003eFind a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.\u003c/p\u003e\n","\u003cp\u003eFind a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.\u003c/p\u003e\n","\u003cp\u003eFind a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle\u003eWikipedia\u003c/title\u003e. 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026amp;oldid=1301635745#Chain_of_ownership.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Fairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.","Find a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.","Find a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.","Find a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.","Find a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.","Wikipedia . 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026oldid=1301635745#Chain_of_ownership."],"bioghist_html_tesm":["\u003cp\u003eAlexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.\u003c/p\u003e\n","\u003cp\u003eDespite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.\u003c/p\u003e\n","\u003cp\u003eIn 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Alexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.","Despite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.","In 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981)."],"prefercite_html_tesm":["\u003cp\u003eAlexander Haight family collection, C0159, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Alexander Haight family collection, C0159, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.\u003c/p\u003e","\u003cp\u003eCollection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.","Collection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to the history of \u003ca href=\"https://aspace.gmu.edu/subjects/n79043615\"\u003eFairfax County\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/subjects/1619\"\u003eNorthern Virginia\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0311\"\u003eRandolph H. Lytton historical Virginia collection\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Special Collections Research Center also holds other collections related to the \u003ca href=\"https://aspace.gmu.edu/subjects/sh85140205\"\u003eCivil War\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0239\"\u003eWilliam Darke Briscoe Civil War diaries collection\u003c/a\u003e, and \u003ca href=\"https://aspace.gmu.edu/subjects/sh85148236\"\u003eWorld War I\u003c/a\u003e, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0393\"\u003eDiary of World War I Red Cross Canteen worker Florence Bishop\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to the history of  Fairfax County  and  Northern Virginia , such as the  Randolph H. Lytton historical Virginia collection .","The Special Collections Research Center also holds other collections related to the  Civil War , such as the  William Darke Briscoe Civil War diaries collection , and  World War I , including the  Diary of World War I Red Cross Canteen worker Florence Bishop ."],"scopecontent_html_tesm":["\u003cp\u003eThe Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, including correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.\u003c/p\u003e","\u003cp\u003eAll letters on YMCA or Knights of Columbus World War I stationary\u003c/p\u003e","\u003cp\u003eAlso known as Mrs. Asa Conklin\u003c/p\u003e","\u003cp\u003eLetter addressed to Mrs. T.J. Farnham in Illinois\u003c/p\u003e","\u003cp\u003eLetter signed \"Aunt Stell\"\u003c/p\u003e","\u003cp\u003eLetter signed \"Cousin Howard\"\u003c/p\u003e","\u003cp\u003eFull name possibly Charles C. Goodwin, letter on YMCA World War I stationary\u003c/p\u003e","\u003cp\u003eLetter addressed \"Dear Sir\", possibly sent to George Sweet\u003c/p\u003e","\u003cp\u003eMixed senders and recipients, some names missing or not legible, includes postmarked envelopes possibly not connected to existing correspondence. Includes partial letters.\u003c/p\u003e","\u003cp\u003eLetter addressed to \"Brother\"\u003c/p\u003e","\u003cp\u003eIncludes six postmarked envelopes not connected to correspondence in folder\u003c/p\u003e","\u003cp\u003eIncludes correspondence sent and received with mother Emma Jane Haight (formerly Young), father Henry Clement Haight, sister Elizabeth Barlow Hamill (formerly Haight), and brother Alexander Levi Haight (also known as Aleck). One letter also signed by Rafka, no other identification.\u003c/p\u003e","\u003cp\u003eMixed senders, some names not legible, includes empty envelope with postmark not connected to correspondence in folder.\u003c/p\u003e","\u003cp\u003eLikely James H. Haight (1851-1929)\u003c/p\u003e","\u003cp\u003eOne letter signed \"MJH\"\u003c/p\u003e","\u003cp\u003eLetter damaged, parts illegible\u003c/p\u003e","\u003cp\u003eIncludes five postmarked envelopes not connected to correspondence in folder\u003c/p\u003e","\u003cp\u003eSon of Phebe Ferris Ham\u003c/p\u003e","\u003cp\u003ePhebe Ferris Ham is mother of John Ham\u003c/p\u003e","\u003cp\u003eMultiple senders, includes empty envelope dated October 20, 1893 not connected to correspondence in folder\u003c/p\u003e","\u003cp\u003eLetter return address reads \"Mrs. W.A. Hart\"\u003c/p\u003e","\u003cp\u003eLetter addressed from Harper's Ferry\u003c/p\u003e","\u003cp\u003eEaster card, likely grandaughter of Dr. Alfred Leyburn, Sr. Item digitized due to preservation issues, available upon request.\u003c/p\u003e","\u003cp\u003eSender unknown\u003c/p\u003e","\u003cp\u003eAll letters on YMCA World War I stationary, includes Queensboro Bridge sourvenir postcard\u003c/p\u003e","\u003cp\u003ePossibly Margaret Amy Haight, but unconfirmed\u003c/p\u003e","\u003cp\u003eLetter sent in YMCA World War I stationary envelope, header on letter reads \"Officeof the Depot Quartermaster\"\u003c/p\u003e","\u003cp\u003eMultiple senders and recipients, most agents of the Adams Express Company, includuing: C.R. Bitzer, E. Lucas, and John Clayton\u003c/p\u003e","\u003cp\u003eLetter addressed \"To the Sup. Of the N \u0026amp; W.R.R. machine shop\"\u003c/p\u003e","\u003cp\u003eClerk, Board of Health City of White Plains, New York, includes newspaper clipping from The New York Sun dates May 11, 1919\u003c/p\u003e","\u003cp\u003eAll letters on Knights of Columbus World War I stationary, includes three World War I themed postcards\u003c/p\u003e","\u003cp\u003eLetter addressed to P. Mason and Co.\u003c/p\u003e","\u003cp\u003eJanuary 1871 letter addressed to \"Hon. Secretary of War\" and copy sent to Col. Parker \"Compliments of F.J. Porter\"\u003c/p\u003e","\u003cp\u003eIncludes original letter and typed transcription\u003c/p\u003e","\u003cp\u003eAugust 14th letter digitized due to preservation issues, available upon request.\u003c/p\u003e","\u003cp\u003eDate based on content of letter, not date of transcription\u003c/p\u003e","\u003cp\u003eLetter addressed \"Dear Children\"\u003c/p\u003e","\u003cp\u003eOne letter on YMCA World War I stationary, includes on empty envelope\u003c/p\u003e","\u003cp\u003eAll letters on YMCA and Knights of Columbus World War I stationary, includes empty envelope dated March 26, 1919 not connected to correspondence in folder.\u003c/p\u003e","\u003cp\u003eVirginia District Judge John C. Underwood, folder includes both original and typed transcription.\u003c/p\u003e","\u003cp\u003eOne letter on Union Civil War stationary\u003c/p\u003e","\u003cp\u003eIncludes original letter and typed transcription\u003c/p\u003e","\u003cp\u003eIncludes cover letter to Otis Howard Gardner [F]. C. Ainsworth, The Military Secretary re: request for John M. Young's service record dated October 23, 1906 and brief family history.\u003c/p\u003e","\u003cp\u003eSeries 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet, currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.\u003c/p\u003e","\u003cp\u003eFolder includes original handwritten order, photocopy, and typed information card.\u003c/p\u003e","\u003cp\u003eTyped signature: C.N. Booth, Clerk\u003c/p\u003e","\u003cp\u003eFolders includes original paper currency, photocopy of 50 dollar note, and photocopy of typed information card.\u003c/p\u003e","\u003cp\u003eIncludes typed information card\u003c/p\u003e","\u003cp\u003eHandmade booklet, with text only on interior two pages.\u003c/p\u003e","\u003cp\u003eIncludes one handwritten receipt\u003c/p\u003e","\u003cp\u003eIncludes original document and typed information card\u003c/p\u003e","\u003cp\u003eAppointed \"surveyor of the County Road from Frying Pan to Little River Turnpike road\"\u003c/p\u003e","\u003cp\u003eIncludes original and annotated photocopy of receipt dated September 1862\u003c/p\u003e","\u003cp\u003ePhotograph of horse found in Series 3.1\u003c/p\u003e","\u003cp\u003eFolder includes three original handwritten documents, photocopy reproductions, and typed information card.\u003c/p\u003e","\u003cp\u003eFolder includes originals, some reproduction photocopys, and a typed information card.\u003c/p\u003e","\u003cp\u003eLedger covers November 1914 - September 1919\u003c/p\u003e","\u003cp\u003eIncludes notes with names and addresses, possibly used for payments\u003c/p\u003e","\u003cp\u003eReceipt also includes partial letter signed \"Mother\" possibly from Phoebe Haight (formerly Sweet)\u003c/p\u003e","\u003cp\u003eSome receipts addressed to and co-signed by others\u003c/p\u003e","\u003cp\u003eReceipts for letters sent to Elizabeth and George Sweet respectively\u003c/p\u003e","\u003cp\u003eIncludes photocopy of November 1885 receipt\u003c/p\u003e","\u003cp\u003eReceipt for 1893 letter addressed to Elizabeth Sweet\u003c/p\u003e","\u003cp\u003eOthers names listed include Samuel Dickinson and Andrew Winslow Samson\u003c/p\u003e","\u003cp\u003eName spelled Harrisberger in some documents\u003c/p\u003e","\u003cp\u003eFolder includes original handwritten order and typed information card.\u003c/p\u003e","\u003cp\u003eReceipt for letter sent to \"Mrs. Alexander Haight\" also known as Phoebe Haight (formerly Sweet)\u003c/p\u003e","\u003cp\u003eIncludes typed information card inserted into front cover\u003c/p\u003e","\u003cp\u003eFolder includes two 1 dollar notes from The City Bank, Augusta, Georgia, one 50 cents note, and one 3 dollar note from Frontier Bank in Potsdam, New York\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.\u003c/p\u003e","\u003cp\u003eSub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation.\u003c/p\u003e","\u003cp\u003eIncludes original mounted photograph and reproduction copy with typed information. Typed information identifies original photograph as tintype, possibly in error.\u003c/p\u003e","\u003cp\u003eFolder includes original tintype, housed in envelope, reproduction copy, typed information card, and photocopy newspaper clipping. Ownership document in Series 2.\u003c/p\u003e","\u003cp\u003eSubject is wearing a Union Army uniform in one of the portraits.\u003c/p\u003e","\u003cp\u003eAlbumen print, Brady's Album Gallery No. 427\u003c/p\u003e","\u003cp\u003eFolder includes original tintype, housed in envelope, reproduction copy, and typed information card.\u003c/p\u003e","\u003cp\u003eFolder includes handwritten note from previous processor that identifies the subjects as likely to be Phoebe (formerly Sweet) Haight and her siblings George Sweet and Elizabeth Sweet. Note identifies George incorrectly as Elizabeth's husband.\u003c/p\u003e","\u003cp\u003eInscription on back reads: \"Photo in 1900 A.L. Haight\"\u003c/p\u003e","\u003cp\u003eFolders includes snapshot photograph with inscription written in pen on bottom front of image and back of print and 8x10 reproduction of photograph with front inscription included.\u003c/p\u003e","\u003cp\u003eFolder includes one snapshopt photograph of an unidentified subject posing outside in a ruffled dress, holding a hat and one 8x10 (possibly enlargement) photograph of an unidentified subject posing in a dark dress seated at a desk.\u003c/p\u003e","\u003cp\u003eOne portrait in cardboard holder\u003c/p\u003e","\u003cp\u003eFolder includes 8 x10 reproduction photographic prints, photocopies of reproductions, typed information card, and envelope address to H.C. Haight. Original daugerrotypes circa 1850s-1860s.\u003c/p\u003e","\u003cp\u003eOriginal photograph taken in 1905\u003c/p\u003e","\u003cp\u003eFolder includes 8x10 reproduction photographic prints, a single strip with three negatives of the same image, and typed information card. Inscription written at the bottom of the original image identifies the four seated individuals as: Fountain Beattie, Lycurgus Hutchison, John S. Mosby (\"The Gray Ghost\"), and George Turbeville V. Original photograph taken July 20, 1914.\u003c/p\u003e","\u003cp\u003eFolder includes 8x10 reproduction of photograph taken circa 1861-1865 and typed information card.\u003c/p\u003e","\u003cp\u003eFolder includes two 8x10 reproductions of photographs taken in June 1863 and typed information card.\u003c/p\u003e","\u003cp\u003eSub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.\u003c/p\u003e","\u003cp\u003eFolder includes printed memorial statement and typed information card.\u003c/p\u003e","\u003cp\u003eAll images have become detached from binding, includes illustrations of events and locations that are possibly from another booklet.\u003c/p\u003e","\u003cp\u003eEdited by their daughter Alice M. Coates\u003c/p\u003e","\u003cp\u003eFolder includes original program and typed information card\u003c/p\u003e","\u003cp\u003eFor General Election November 7, 1939\u003c/p\u003e","\u003cp\u003eMap mounted on heavy backing with name \"Alex Haight\" written along left edge. Full map title reads: \"Sketch of The Country occupied by the Federal \u0026amp; Confederate Armies on the 18th \u0026amp; 21st July 1861. Taken by Capt. Saml. P. Mitchell, of 1st Virginia Regiment. Published by W. Hargrave White. Richmond Va.\"\u003c/p\u003e","\u003cp\u003eIncludes Volume 1, No. 3, March 1971 and Index, November 1970-November 1971\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.","Series 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.","Series 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.","Series 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.","Series 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, including correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.","All letters on YMCA or Knights of Columbus World War I stationary","Also known as Mrs. Asa Conklin","Letter addressed to Mrs. T.J. Farnham in Illinois","Letter signed \"Aunt Stell\"","Letter signed \"Cousin Howard\"","Full name possibly Charles C. Goodwin, letter on YMCA World War I stationary","Letter addressed \"Dear Sir\", possibly sent to George Sweet","Mixed senders and recipients, some names missing or not legible, includes postmarked envelopes possibly not connected to existing correspondence. Includes partial letters.","Letter addressed to \"Brother\"","Includes six postmarked envelopes not connected to correspondence in folder","Includes correspondence sent and received with mother Emma Jane Haight (formerly Young), father Henry Clement Haight, sister Elizabeth Barlow Hamill (formerly Haight), and brother Alexander Levi Haight (also known as Aleck). One letter also signed by Rafka, no other identification.","Mixed senders, some names not legible, includes empty envelope with postmark not connected to correspondence in folder.","Likely James H. Haight (1851-1929)","One letter signed \"MJH\"","Letter damaged, parts illegible","Includes five postmarked envelopes not connected to correspondence in folder","Son of Phebe Ferris Ham","Phebe Ferris Ham is mother of John Ham","Multiple senders, includes empty envelope dated October 20, 1893 not connected to correspondence in folder","Letter return address reads \"Mrs. W.A. Hart\"","Letter addressed from Harper's Ferry","Easter card, likely grandaughter of Dr. Alfred Leyburn, Sr. Item digitized due to preservation issues, available upon request.","Sender unknown","All letters on YMCA World War I stationary, includes Queensboro Bridge sourvenir postcard","Possibly Margaret Amy Haight, but unconfirmed","Letter sent in YMCA World War I stationary envelope, header on letter reads \"Officeof the Depot Quartermaster\"","Multiple senders and recipients, most agents of the Adams Express Company, includuing: C.R. Bitzer, E. Lucas, and John Clayton","Letter addressed \"To the Sup. Of the N \u0026 W.R.R. machine shop\"","Clerk, Board of Health City of White Plains, New York, includes newspaper clipping from The New York Sun dates May 11, 1919","All letters on Knights of Columbus World War I stationary, includes three World War I themed postcards","Letter addressed to P. Mason and Co.","January 1871 letter addressed to \"Hon. Secretary of War\" and copy sent to Col. Parker \"Compliments of F.J. Porter\"","Includes original letter and typed transcription","August 14th letter digitized due to preservation issues, available upon request.","Date based on content of letter, not date of transcription","Letter addressed \"Dear Children\"","One letter on YMCA World War I stationary, includes on empty envelope","All letters on YMCA and Knights of Columbus World War I stationary, includes empty envelope dated March 26, 1919 not connected to correspondence in folder.","Virginia District Judge John C. Underwood, folder includes both original and typed transcription.","One letter on Union Civil War stationary","Includes original letter and typed transcription","Includes cover letter to Otis Howard Gardner [F]. C. Ainsworth, The Military Secretary re: request for John M. Young's service record dated October 23, 1906 and brief family history.","Series 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet, currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.","Folder includes original handwritten order, photocopy, and typed information card.","Typed signature: C.N. Booth, Clerk","Folders includes original paper currency, photocopy of 50 dollar note, and photocopy of typed information card.","Includes typed information card","Handmade booklet, with text only on interior two pages.","Includes one handwritten receipt","Includes original document and typed information card","Appointed \"surveyor of the County Road from Frying Pan to Little River Turnpike road\"","Includes original and annotated photocopy of receipt dated September 1862","Photograph of horse found in Series 3.1","Folder includes three original handwritten documents, photocopy reproductions, and typed information card.","Folder includes originals, some reproduction photocopys, and a typed information card.","Ledger covers November 1914 - September 1919","Includes notes with names and addresses, possibly used for payments","Receipt also includes partial letter signed \"Mother\" possibly from Phoebe Haight (formerly Sweet)","Some receipts addressed to and co-signed by others","Receipts for letters sent to Elizabeth and George Sweet respectively","Includes photocopy of November 1885 receipt","Receipt for 1893 letter addressed to Elizabeth Sweet","Others names listed include Samuel Dickinson and Andrew Winslow Samson","Name spelled Harrisberger in some documents","Folder includes original handwritten order and typed information card.","Receipt for letter sent to \"Mrs. Alexander Haight\" also known as Phoebe Haight (formerly Sweet)","Includes typed information card inserted into front cover","Folder includes two 1 dollar notes from The City Bank, Augusta, Georgia, one 50 cents note, and one 3 dollar note from Frontier Bank in Potsdam, New York","Series 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.","Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation.","Includes original mounted photograph and reproduction copy with typed information. Typed information identifies original photograph as tintype, possibly in error.","Folder includes original tintype, housed in envelope, reproduction copy, typed information card, and photocopy newspaper clipping. Ownership document in Series 2.","Subject is wearing a Union Army uniform in one of the portraits.","Albumen print, Brady's Album Gallery No. 427","Folder includes original tintype, housed in envelope, reproduction copy, and typed information card.","Folder includes handwritten note from previous processor that identifies the subjects as likely to be Phoebe (formerly Sweet) Haight and her siblings George Sweet and Elizabeth Sweet. Note identifies George incorrectly as Elizabeth's husband.","Inscription on back reads: \"Photo in 1900 A.L. Haight\"","Folders includes snapshot photograph with inscription written in pen on bottom front of image and back of print and 8x10 reproduction of photograph with front inscription included.","Folder includes one snapshopt photograph of an unidentified subject posing outside in a ruffled dress, holding a hat and one 8x10 (possibly enlargement) photograph of an unidentified subject posing in a dark dress seated at a desk.","One portrait in cardboard holder","Folder includes 8 x10 reproduction photographic prints, photocopies of reproductions, typed information card, and envelope address to H.C. Haight. Original daugerrotypes circa 1850s-1860s.","Original photograph taken in 1905","Folder includes 8x10 reproduction photographic prints, a single strip with three negatives of the same image, and typed information card. Inscription written at the bottom of the original image identifies the four seated individuals as: Fountain Beattie, Lycurgus Hutchison, John S. Mosby (\"The Gray Ghost\"), and George Turbeville V. Original photograph taken July 20, 1914.","Folder includes 8x10 reproduction of photograph taken circa 1861-1865 and typed information card.","Folder includes two 8x10 reproductions of photographs taken in June 1863 and typed information card.","Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.","Folder includes printed memorial statement and typed information card.","All images have become detached from binding, includes illustrations of events and locations that are possibly from another booklet.","Edited by their daughter Alice M. Coates","Folder includes original program and typed information card","For General Election November 7, 1939","Map mounted on heavy backing with name \"Alex Haight\" written along left edge. Full map title reads: \"Sketch of The Country occupied by the Federal \u0026 Confederate Armies on the 18th \u0026 21st July 1861. Taken by Capt. Saml. P. Mitchell, of 1st Virginia Regiment. Published by W. Hargrave White. Richmond Va.\"","Includes Volume 1, No. 3, March 1971 and Index, November 1970-November 1971"],"userestrict_html_tesm":["\u003cp\u003eAll materials created up to 1928 are in the public domain.\u003c/p\u003e\n","\u003cp\u003eThe following statement applies to materials created from 1929 onward: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["All materials created up to 1928 are in the public domain.","The following statement applies to materials created from 1929 onward: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_1a9c21db7465505ff5fd6fb4dd32382c\"\u003eThe Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I.\u003c/abstract\u003e"],"abstract_tesim":["The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cca8c73795be2609e42bfc24f7715bf9\"\u003eR 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2\u003c/physloc\u003e"],"physloc_tesim":["R 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"persname_ssim":["Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":156,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:08:29.094Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_92_c03_c02"}},{"id":"vifgm_repositories_2_resources_331_c03_c01","type":"Subseries","attributes":{"title":"Subseries 3.1: Playscripts","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c03_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSubseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c03_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_331_c03_c01","ref_ssm":["vifgm_repositories_2_resources_331_c03_c01"],"id":"vifgm_repositories_2_resources_331_c03_c01","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331_c03","parent_ssi":"vifgm_repositories_2_resources_331_c03","parent_ssim":["vifgm_repositories_2_resources_331","vifgm_repositories_2_resources_331_c03"],"parent_ids_ssim":["vifgm_repositories_2_resources_331","vifgm_repositories_2_resources_331_c03"],"parent_unittitles_ssm":["Federal Theatre Project collection","Series 3: Library Records"],"parent_unittitles_tesim":["Federal Theatre Project collection","Series 3: Library Records"],"text":["Federal Theatre Project collection","Series 3: Library Records","Subseries 3.1: Playscripts","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title."],"title_filing_ssi":"Subseries 3.1: Playscripts","title_ssm":["Subseries 3.1: Playscripts"],"title_tesim":["Subseries 3.1: Playscripts"],"unitdate_inclusive_ssm":["1885-1986"],"normalized_date_ssm":["1885/1986"],"normalized_title_ssm":["Subseries 3.1: Playscripts"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Federal Theatre Project collection"],"has_online_content_ssim":["false"],"child_component_count_isi":1460,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":648,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"scopecontent_html_tesm":["\u003cp\u003eSubseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title."],"_nest_path_":"/components#2/components#0","timestamp":"2026-05-21T05:00:26.619Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_331","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_331.xml","title_filing_ssi":"Federal Theatre Project collection","title_ssm":["Federal Theatre Project collection"],"title_tesim":["Federal Theatre Project collection"],"unitdate_ssm":["circa 1885-1986","1935-1939"],"unitdate_bulk_ssim":["1935-1939"],"unitdate_inclusive_ssm":["circa 1885-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0002","/repositories/2/resources/331"],"text":["C0002","/repositories/2/resources/331","Federal Theatre Project collection","Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript","There are no access restrictions.","The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   .","Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.","The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . ","Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title:  Prancing Nigger . By E. England suggested from the novel by Ronald Firbank of the same name ","Content warning: racist language/slur.","Full title:  Prancing Nigger .","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue  (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show  (vaudeville)","It Can't Happen Here","Programs:  Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs:  Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer -  Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language  (9 copies);  The Bat  (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival;  The Cradle Will Rock; The Emperor's New Clothes  (3 copies);  Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe  (4 copies);  It Can't Happen Here  (14 copies);  Life and Death of an American; Moving Along  (2 copies);  Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal  (10 copies) ","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills:  Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh . 8.5x14\" flyers and playbills:  Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for  One-Third of a Nation . Volume V number 3 to number 14","Newspaper format program for  One-Third of a Nation . Volume V number 15-17, 19-23","Newspaper format program for  Power . Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol ; Federal Theatre for Youth (overview);  The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation ; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper ( One-Third of a Nation );  Prelude to Spring ; Puppet Pageant at the Philadelphia Museum of Art;  Stepping Stars ; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them -  Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps . Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for  Alison's House  and five for  The Warrior's Husband . Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for  Bill of Divorcement , two for  Blind Alley , two for  Gods of the Lightning , and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play  Pursuit of Happiness  performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night ; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus,  The World's Greatest Circus; Class of '29 ; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939;  Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal ; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills:  Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish;  The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"unitid_tesim":["C0002","/repositories/2/resources/331"],"normalized_title_ssm":["Federal Theatre Project collection"],"collection_title_tesim":["Federal Theatre Project collection"],"collection_ssim":["Federal Theatre Project collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["Donated by the Library of Congress."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"has_online_content_ssim":["false"],"extent_ssm":["185 Linear Feet 371 boxes"],"extent_tesim":["185 Linear Feet 371 boxes"],"genreform_ssim":["Playscript"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe scripts are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"Federal Theatre Project Materials Collection\" show=\"new\"\u003e\u003c/extptr\u003e in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections  \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"available here\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   ."],"arrangement_html_tesm":["\u003cp\u003eArranged into five series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Play Service and Research Records, 1935-1939 (Boxes 5-105)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Library Records, 1885-1986 (Boxes 106-306)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Production Records, 193-193 (Boxes 307-363, 366-367)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Costumes, circa 1935-1939 (Boxes 369-371)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)"],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.\u003c/p\u003e\n","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e\n","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e\n","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e\n","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Federal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.\u003c/p\u003e\n","\u003cp\u003eThe scripts are also available as a series in the \u003cextptr show=\"new\" title=\"FTP digital collection\" href=\"https://mars.gmu.edu/handle/1920/3478\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . "],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Some materials contain racist language and slurs, including play titles.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e\n","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e\n","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e\n","\u003cp\u003eSeries 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThe House Committee on Un-American Activities (HUAC)\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eIncludes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"\u003c/p\u003e","\u003cp\u003eIssues of New Theatre (1934-1936).\u003c/p\u003e","\u003cp\u003eOversize color reprint of article from Fortune\u003c/p\u003e","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e","\u003cp\u003eSubseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eContains blueprints and photographs of portable theatres\u003c/p\u003e","\u003cp\u003eSubseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.\u003c/p\u003e","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSubseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eby John Wiley; based on an Edgar Allen Poe story (photocopy)\u003c/p\u003e","\u003cp\u003eby Beth Brown\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Francis Bosworth\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eDirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eby Virginia Yetes (photocopy)\u003c/p\u003e","\u003cp\u003eby Ruth Morris\u003c/p\u003e","\u003cp\u003eby Gladys Unger and Walter Armitage\u003c/p\u003e","\u003cp\u003eby David Arnold Balch\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003edirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eadapted by S.S. Weiss\u003c/p\u003e","\u003cp\u003eadapted by Ralph Chesse\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Eugene O'Neil\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, photocopy from February 20, 1991\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003epublished in The Catholic School Journal\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Talbot Jennings\u003c/p\u003e","\u003cp\u003eby Mrs. Alexander Mathis\u003c/p\u003e","\u003cp\u003eby Vera Smirnova\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Louis Weitzenkorn\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Langston Hughes; A One-Act Play of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby St. John Ervine\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rudolph Wittenberg\u003c/p\u003e","\u003cp\u003eby Laurance Moore\u003c/p\u003e","\u003cp\u003eby Margaret Brooks and Constance Wyckoff\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Yale Dramatic Association\u003c/p\u003e","\u003cp\u003eby Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy\u003c/p\u003e","\u003cp\u003eby W. H. Auden and Christopher Isherwood\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Lockhart North\u003c/p\u003e","\u003cp\u003eby T. R. Arkell\u003c/p\u003e","\u003cp\u003eby Owen Davis\u003c/p\u003e","\u003cp\u003eby C. L. Anthony\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Remo Bufano\u003c/p\u003e","\u003cp\u003eby Lester Fuller, 2 copies, 1 of which is a photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Mayo\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Herb Meadow, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Walter Hackett\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold, photocopy\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Frederick Stowers\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eTranscribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Albert Powels\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Aodh de Blacam\u003c/p\u003e","\u003cp\u003eby Belmont Ashton\u003c/p\u003e","\u003cp\u003eby Lawrence Houseman\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Anonymous\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Theodore Pratt, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy\u003c/p\u003e","\u003cp\u003eSynopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre\u003c/p\u003e","\u003cp\u003eby Charles M. Barras\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Seymour G. Link\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Maurice Maeterlinck\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Robin Taylor\u003c/p\u003e","\u003cp\u003eRevision by Florence Elberta Barns\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Miss Mabel Osborne\u003c/p\u003e","\u003cp\u003eby Emma Ehrlich Levinger\u003c/p\u003e","\u003cp\u003eby Irwin Shaw\u003c/p\u003e","\u003cp\u003eby Beth Brown and Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eOriginal by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Arnold Zweig\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Robt. A. Bromley (revised edition)\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Estelle L. Silverman\u003c/p\u003e","\u003cp\u003eby Jules Renard\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby George McEnlee, photocopy\u003c/p\u003e","\u003cp\u003eby George McEnlee\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg (revised)\u003c/p\u003e","\u003cp\u003eby German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby James Parish\u003c/p\u003e","\u003cp\u003eby Y. L. Peretz\u003c/p\u003e","\u003cp\u003eby John Woodworth, photocopy\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby John W. Dunn, photocopy\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Stanislaus Stange\u003c/p\u003e","\u003cp\u003eby sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw\u003c/p\u003e","\u003cp\u003eHedley Gordon Graham\u003c/p\u003e","\u003cp\u003eby Essex Dane\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby H. Jack Bates; A Negro Folk Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Welty and Gene Renouf\u003c/p\u003e","\u003cp\u003eby Rose Carlyn, photocopy\u003c/p\u003e","\u003cp\u003eThree by Rose Carlyn; Three by Fannie Engle\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Gilbert Lennox\u003c/p\u003e","\u003cp\u003eby Paul Vincent Carroll\u003c/p\u003e","\u003cp\u003eby Noel Harris Houston\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries\u003c/p\u003e","\u003cp\u003eby Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby A. Callen, M. Worthington, and I. Reuben, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt\u003c/p\u003e","\u003cp\u003eby Royall Tyler\u003c/p\u003e","\u003cp\u003eby M. Manisoff\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein\u003c/p\u003e","\u003cp\u003eby John H. Floyd\u003c/p\u003e","\u003cp\u003eby members of the Play Bureau of the Southwest\u003c/p\u003e","\u003cp\u003eby Betty Lessler Lyman\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Gilmor Brown\u003c/p\u003e","\u003cp\u003eMarionette Division, Buffalo, N.Y.\u003c/p\u003e","\u003cp\u003eby Edgar Wallace\u003c/p\u003e","\u003cp\u003eby James Stephens\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Laurette MacDuffie\u003c/p\u003e","\u003cp\u003eby Anna Best Joder\u003c/p\u003e","\u003cp\u003eby Elizabeth Leigh Vaughan\u003c/p\u003e","\u003cp\u003eby W. H. Auden\u003c/p\u003e","\u003cp\u003eby Joaquin Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Joaquin Miller\u003c/p\u003e","\u003cp\u003eby Ruby Lorraine Radford\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby L. W. Barrus\u003c/p\u003e","\u003cp\u003eby George Foss, photocopy\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby George W. Cronyn\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby J. C. Furnes\u003c/p\u003e","\u003cp\u003eby Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Merrill Denison\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe, arranged for marionettes by Robert Larson\u003c/p\u003e","\u003cp\u003eby Twort (?) Gilbert and Edward Rosen\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby Jules Romans, English version by Harley Granville-Barker\u003c/p\u003e","\u003cp\u003eby Minnie H. Niemier\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eby Elizabeth McFadden\u003c/p\u003e","\u003cp\u003eby Charlotte Kohler, photocopy\u003c/p\u003e","\u003cp\u003eby Joan and Michale A. Slane\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Rosa Carlyn\u003c/p\u003e","\u003cp\u003epublished by the National Tuberculosis Association\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby W. H. Smith\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eby Emily Percy Denison\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Elise Jerard\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby C. C. Parsons\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Sean O'Casey\u003c/p\u003e","\u003cp\u003eby Demetre Bohris\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy received June 11, 1991\u003c/p\u003e","\u003cp\u003eby Kjeld Abell\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar (adaptation)\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby Will T. Goodwin; Working Script\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Cervantes\u003c/p\u003e","\u003cp\u003eby Doris Troutman\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby H. A. Archibald\u003c/p\u003e","\u003cp\u003eby Munro Leaf\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Rachel Lyman Field\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Frank Craven\u003c/p\u003e","\u003cp\u003eby George H. Corey, photocopy\u003c/p\u003e","\u003cp\u003eby George H. Corey\u003c/p\u003e","\u003cp\u003eby E. and P. Green\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eA play for boys and girls with radio participation, experiment number 1 by Berthold Brecht\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Rosenblum\u003c/p\u003e","\u003cp\u003eby Phile Higley\u003c/p\u003e","\u003cp\u003eby Myrtle L. Barger\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Eleanor Garland\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson\u003c/p\u003e","\u003cp\u003eby Harriet Wedgwood, a health play for children, reprinted from Hygeia\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Beverly Hamer in the Carolina Play Book volume X, number 3\u003c/p\u003e","\u003cp\u003eby William Stevenson\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby Felix Doherty\u003c/p\u003e","\u003cp\u003eby Nando Vitali\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Philo Higley\u003c/p\u003e","\u003cp\u003eby Arnold Ridley\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Aldous Huxley\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy\u003c/p\u003e","\u003cp\u003eadapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Jacob Gordon\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Leon Crozier\u003c/p\u003e","\u003cp\u003eby Paul Armstrong and Rex Beach\u003c/p\u003e","\u003cp\u003eby Paul Smith\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Kermit Love\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ridgely Torrence; A Play for the Negro Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch; A Comedy of Recent Times, photocopy\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Warwick F. Williams\u003c/p\u003e","\u003cp\u003eby William R. Randall\u003c/p\u003e","\u003cp\u003eby Anna Friedman; A Roosevelt Play, photocopy\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries, photocopy\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Bernard Szold and E. P. O'Donnell\u003c/p\u003e","\u003cp\u003eby Bernard Szold and E. P. O'Donnell\u003c/p\u003e","\u003cp\u003eby Marc Connelly\u003c/p\u003e","\u003cp\u003eadapted by Stephen Weiss\u003c/p\u003e","\u003cp\u003eby William J. Langman, S. J.\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Grace Dorcas Ruthenberg\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Wilfrido Ma Guerrero\u003c/p\u003e","\u003cp\u003eby Donald Davis and Samuel Ornitz\u003c/p\u003e","\u003cp\u003eby Joseph Lehmann\u003c/p\u003e","\u003cp\u003eby Charles Prentiss\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Elizabeth Jane Astley\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby David Belasco\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Helen Clare Nelson\u003c/p\u003e","\u003cp\u003eby Barry Conners\u003c/p\u003e","\u003cp\u003eby Abram Hill, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eadapted and translated by Donald Fay Robinson\u003c/p\u003e","\u003cp\u003eadapted by Kent Pease Hamdent High School, Hamdent, Connecticut\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Mary B. Stafford\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby John Wiley\u003c/p\u003e","\u003cp\u003eby Harold Courlander\u003c/p\u003e","\u003cp\u003eby Sally Coulter\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Michael Swift\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby John Alan Haughton\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Sara E. Bower\u003c/p\u003e","\u003cp\u003eby Bertram M. Gross\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eby Edith Kunz\u003c/p\u003e","\u003cp\u003eby The Historical Project, Federal Writers Project of Minnesota\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Perez Hirschbaum\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe, photocopy\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Norman Roston\u003c/p\u003e","\u003cp\u003eby Noah Elstein, photocopy\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby Raymond Reeves, photocopy\u003c/p\u003e","\u003cp\u003eby Raymond Reeves\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby John McGee\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project Los Angeles, California\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby Martha Hodgson Ellis\u003c/p\u003e","\u003cp\u003eby David Schrieber\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. 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Langan\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby Edgar Slaughter\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Catherine Reighard\u003c/p\u003e","\u003cp\u003eby Max M. Dill\u003c/p\u003e","\u003cp\u003eby Don Mullally\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby Lawrence J. 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Beldon?\u003c/p\u003e","\u003cp\u003eby Harry King Tootle\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Charlotte Chorpenning\u003c/p\u003e","\u003cp\u003eby Bertram Robinson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Edward Hopter\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Marion Flexner and Dorothy Park Clark\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Alma Shaw\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning, photocopy\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby C. B. 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Upham\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park, photocopy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park revised by Robert Finch\u003c/p\u003e","\u003cp\u003eby Theodore Browne; An \"African Version\", photocopy\u003c/p\u003e","\u003cp\u003eby Clarence H. 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Kaye\u003c/p\u003e","\u003cp\u003eby Benjamin M. Kaye\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Marian Katherine Brown\u003c/p\u003e","\u003cp\u003eby Seyril Schochen\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003eby Kenneth Webb\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003edramatized from L. Feuchtwanger's novel by Clayton Fritchi\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby John Mason Brown\u003c/p\u003e","\u003cp\u003eby Grace H. Swift, photocopy\u003c/p\u003e","\u003cp\u003eby Catherine F. Reighard\u003c/p\u003e","\u003cp\u003eby Gladys E. Murray\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Faye L. Tornquist\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003etranslation by Joan Vanderpool\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Martha B. King\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eafter the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eby Sarah Neuman\u003c/p\u003e","\u003cp\u003ea Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank, photocopy\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eby Frank Kintrea\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Phil Cook and McElbert Moore\u003c/p\u003e","\u003cp\u003eby Ben Bengal\u003c/p\u003e","\u003cp\u003eby A. Korneichuk\u003c/p\u003e","\u003cp\u003eby J. Liss\u003c/p\u003e","\u003cp\u003eby Margaret Naumberg\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Robert Russell, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Dorothy Heyward and DuBose Heyward\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e\n","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e. By E. England suggested from the novel by Ronald Firbank of the same name \u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e\n","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eby Robert Whitehand, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Albert Maltz; Anti-Fascist Play, photocopy\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Garrett Underhill\u003c/p\u003e","\u003cp\u003eby Freidrich Wolf, photocopy\u003c/p\u003e","\u003cp\u003eby Friedrich Wolf\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Claudia Hatch, photocopy\u003c/p\u003e","\u003cp\u003eby Eldridge Lindsay\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Lawrence Langner and Armina Marshall Langner\u003c/p\u003e","\u003cp\u003eby Leonora Kaghan and Anita Phillips\u003c/p\u003e","\u003cp\u003eby Tonia Bakina\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Blanding Sloan\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby L. Resnick\u003c/p\u003e","\u003cp\u003eby Robert Sturgis, photocopy\u003c/p\u003e","\u003cp\u003eby Fritz Karinthy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Frances Montgomery\u003c/p\u003e","\u003cp\u003eby Jan Klokog\u003c/p\u003e","\u003cp\u003eas produced by the Federal Theater Project at Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eadapted for Buffalo Historical Marionette Theatre\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Richard Oliver; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eDramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa\u003c/p\u003e","\u003cp\u003eby Hassard Short and Maurice Henniquin\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Francisco Rodrigo\u003c/p\u003e","\u003cp\u003eby Leonide Andreyeff\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps, photocopy\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Micha Hawkins\u003c/p\u003e","\u003cp\u003eThe Adventures of a Bunny\u003c/p\u003e","\u003cp\u003eby Frances Lester Warner\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Christobel Morley Cordell, photocopy\u003c/p\u003e","\u003cp\u003eby Richard Brinsley Sheridan\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Phyllis Clare Flannery; A Farce Satire, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht, translated by Keene Wallis\u003c/p\u003e","\u003cp\u003eby Leonard J. Tyle\u003c/p\u003e","\u003cp\u003eby William Evans\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby Florence Clothier; A Play of the Labrador Coast, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Goldsmith; The Mistakes of a Night, photocopy\u003c/p\u003e","\u003cp\u003ecompiled from Old English nativity plays by Robert Larson\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Andrews and Anne Wilson Peabody\u003c/p\u003e","\u003cp\u003eby George Kelly, version used by Negro Theatre Unit, New York City\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Robert K. Ryland\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Sholem Ash\u003c/p\u003e","\u003cp\u003eby Isabel Anderson (Mrs. Larz Anderson)\u003c/p\u003e","\u003cp\u003eby Fall River, photocopy\u003c/p\u003e","\u003cp\u003eby F. S. Hill\u003c/p\u003e","\u003cp\u003eby Miles Malleson\u003c/p\u003e","\u003cp\u003eby Janet Hartman and Hallie Flanagan, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller and Stephen Weiss\u003c/p\u003e","\u003cp\u003eby Sedarmee Club Madison House\u003c/p\u003e","\u003cp\u003eby Jo Basshe, photocopy\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence, photocopy\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003ean ancient Japanese farce translated by Michio Itow and Louis V. Ledoux\u003c/p\u003e","\u003cp\u003eby Grace Welsh Lutgen, photocopy\u003c/p\u003e","\u003cp\u003eby J. S. Coppard\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003ethree copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby James P. Judge\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Otis Chatfield-Taylor, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Harold Robbins\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Peters and George Sklar\u003c/p\u003e","\u003cp\u003eby Robert T. Colwell and Robert A. Simon\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Tripp\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, photocopy\u003c/p\u003e","\u003cp\u003eby Lula Vollmer\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Georgie Douglass Johnson\u003c/p\u003e","\u003cp\u003eby George Cram Cook and Susan Glaspell\u003c/p\u003e","\u003cp\u003eby C. Liberman\u003c/p\u003e","\u003cp\u003eby August Strindberg\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eFederal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby David Pinski, photocopy\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinsky\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby David Lano\u003c/p\u003e","\u003cp\u003eVagabond Puppeteers for the Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Shotwell Callvert, photocopy\u003c/p\u003e","\u003cp\u003eby William dorsey Blake; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Anthony Armstrong\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Florine Schwartz; A Play for Children, photocopy\u003c/p\u003e","\u003cp\u003eby Anna M. Lutkenhaus, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur A. Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby William Kozlenko\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Knox Herold\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Gertrude Tonkonogy, photocopy\u003c/p\u003e","\u003cp\u003eby Marita Rosler\u003c/p\u003e","\u003cp\u003eby Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith; photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Robert Wallsten\u003c/p\u003e","\u003cp\u003eby Isabel Barber; A dramatist guild contest play #552\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby John Broome, photocopy\u003c/p\u003e","\u003cp\u003eby John Broome\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form, photocopy\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form\u003c/p\u003e","\u003cp\u003eby George Murray and David Pelts; A Living Newspaper on Pensions; photocopy\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman, photocopy\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Stephen Spender\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003eBased on Homer and Euripides, includes photocopied program, photocopy\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eby Philip H. Davis\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003eby Eleanor Phelps, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eContent Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.\u003c/p\u003e","\u003cp\u003eby J. M. Barrie\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby H. R. Lenormand\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Whitfield Cook, photocopy\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Robert Larson\u003c/p\u003e","\u003cp\u003eJacksonville, Florida script 1939, photocopy\u003c/p\u003e","\u003cp\u003eby Anton Chekhov\u003c/p\u003e","\u003cp\u003eby Augustin Daly\u003c/p\u003e","\u003cp\u003eby Bernice McQuilken\u003c/p\u003e","\u003cp\u003eby Gene Buck\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Mrs. William Hyman\u003c/p\u003e","\u003cp\u003eby Charles Allen Smart\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Karl Gutzkov\u003c/p\u003e","\u003cp\u003eby Eden White; A Rollicking Comedy\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby I. L. Peretz\u003c/p\u003e","\u003cp\u003eby John F. Burns\u003c/p\u003e","\u003cp\u003eby Stefan Zweig\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Caroline C. Lovell\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby Percy Mackaye\u003c/p\u003e","\u003cp\u003eby William L. Price\u003c/p\u003e","\u003cp\u003eby Frances Gordon Strunsky\u003c/p\u003e","\u003cp\u003eby Helen Gholson Kittredge\u003c/p\u003e","\u003cp\u003eby Irving R. Kapner\u003c/p\u003e","\u003cp\u003etranslated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Gerhart Hauptmann\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003etranslated from the Russian by Aaron Chorover\u003c/p\u003e","\u003cp\u003eby W. Alan Coutts\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby George H. Broadhurst\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Zerner and Ben S. Gross\u003c/p\u003e","\u003cp\u003eby Albert Hackett\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby Katherine Peabody Gurling\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby John Bowaldeth\u003c/p\u003e","\u003cp\u003eby Lelia May Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Lucien Chantel\u003c/p\u003e","\u003cp\u003eby John Emerson and Anita Loos\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Clemence Dane, photocopy\u003c/p\u003e","\u003cp\u003eby David Pay Robinson\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach (revised Chicago version)\u003c/p\u003e","\u003cp\u003eby Kenneth White\u003c/p\u003e","\u003cp\u003eby Rae Abraham\u003c/p\u003e","\u003cp\u003eby Allan Davis\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Samuel Jesse Warshawsky, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Virgil L. Baker\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Josef and Karel Capek\u003c/p\u003e","\u003cp\u003eby Molly Day Thacher, photocopy\u003c/p\u003e","\u003cp\u003eby Tom Jewett\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Jakob Loewenberg\u003c/p\u003e","\u003cp\u003eby Peter Arnow\u003c/p\u003e","\u003cp\u003eby Mark Reed\u003c/p\u003e","\u003cp\u003eby Ulysses S. Elam\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Margaret Knox and Anna M. Lufkenhaus\u003c/p\u003e","\u003cp\u003eby Dorothy L. Sayers\u003c/p\u003e","\u003cp\u003eby M. Daniel\u003c/p\u003e","\u003cp\u003eSubseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.\u003c/p\u003e","\u003cp\u003eby Howard Warwick\u003c/p\u003e","\u003cp\u003eby Gene Stafford\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery\u003c/p\u003e","\u003cp\u003eby Charles Brownell\u003c/p\u003e","\u003cp\u003eby Friedrich Wolfe\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003etwo versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams, photocopy and original\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Harold Hartogensis\u003c/p\u003e","\u003cp\u003eby Boyd\u003c/p\u003e","\u003cp\u003eby Philip Massinger, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Ben Jonson, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Sergei Prokofiev, 5 front pages and 2 full copies\u003c/p\u003e","\u003cp\u003eby Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Richard Wright\u003c/p\u003e","\u003cp\u003eby Pauline Simmons\u003c/p\u003e","\u003cp\u003eby Marshall Davidson\u003c/p\u003e","\u003cp\u003eby Martha Foley\u003c/p\u003e","\u003cp\u003eby Dr. Charles Russell\u003c/p\u003e","\u003cp\u003eby A. Hyatt Mayor\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby Morris Watson\u003c/p\u003e","\u003cp\u003einterview with Martha Graham and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Pietro di Donato and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Estelle Liebling and Leah Plotkin\u003c/p\u003e","\u003cp\u003eby Howard Koch adapted by Lawrence Levey (photocopy and original)\u003c/p\u003e","\u003cp\u003eby Barrie and Leona Stavis, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Carl Glick, adapted by Philip Ansel Roll\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Karl Barron\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eadapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eadapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Matty Cohen and B. F. Kamsler\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Joseph W. Miller\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett, first 25 pages\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby unknown; by Harry Goldsmith\u003c/p\u003e","\u003cp\u003eby John T. Mole\u003c/p\u003e","\u003cp\u003eby Gertrude Onnen and Phyllis Frederic; by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Charles Crumpton, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Lewis Meyer\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Georgia Fawcett, photocopy\u003c/p\u003e","\u003cp\u003eby Clifford Odets, adapted by Maurice Kurtz\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by George Thorp\u003c/p\u003e","\u003cp\u003eby Harold Parke Godwin; by Frederick Prokosch\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery, incomplete copy - first 13 pages\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Paul de Kruif\u003c/p\u003e","\u003cp\u003eby Lawrence Bearson; by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby T. O. Day\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Jack Barefield, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Backus, photocopy\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby Ben Hawthorne, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arendt\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby William N. Robson\u003c/p\u003e","\u003cp\u003edramatization by Robert Lewis Shayon\u003c/p\u003e","\u003cp\u003eby Edward Solomon\u003c/p\u003e","\u003cp\u003eby Bucalossi\u003c/p\u003e","\u003cp\u003eby Michael William Balfe\u003c/p\u003e","\u003cp\u003eby Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Karl W. Schulz\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Lajos Serly\u003c/p\u003e","\u003cp\u003eby Sir William S. Gilbert and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Lews W. Moyer, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby Sylvia Altman\u003c/p\u003e","\u003cp\u003eby Sylvia Altman and Jeanette Gussin\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Maxwell Wolodin; by Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by John I. Mole\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by Michael Davidson\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lee Fontainbleu; by Laurence U. Shloss\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman\u003c/p\u003e","\u003cp\u003eBy Herbert Lewis; by Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer\u003c/p\u003e","\u003cp\u003eby Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Jerome Beatty, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Manuel Komroff, adapted by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby Barrie Williams; by Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Frank Burrill\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Herb Meadow; adaptation by Joel Hammil and Leo Fontaine\u003c/p\u003e","\u003cp\u003eby A. L. Tyler\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hugh Lester\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Harold Hartogensis; by Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Benet Costa, photocopy\u003c/p\u003e","\u003cp\u003eby Jane Ashman; also includes Women as Homemakers first page\u003c/p\u003e","\u003cp\u003eby Leo Fontaine, photocopy\u003c/p\u003e","\u003cp\u003eSubseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eProposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley\u003c/p\u003e","\u003cp\u003eSubseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAmerican Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAccent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFestival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eClass of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms from \"Folk plays of the Carolina playmakers\"\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAbu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIn Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTen Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBlind Alley; Brothers; It Can't Happen Here; Rachel's Man\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOne-Third of a Nation; Roll Sweet Chariot; Room Service\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBig Vaudeville Musical Revue\u003c/title\u003e (79 copies from different performances around Maine)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnnouncing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here; Liliom; The Road to Rome\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLadies of the Jury\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eVodvil Show\u003c/title\u003e (vaudeville)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eAdalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional\u003c/title\u003e\u003c/p\u003e\n","\u003cp\u003eBuffalo Historical Marionettes available in digital format.\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eProfessor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFlyers and playbills: Current productions flyer - \u003ctitle\u003eBig Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language\u003c/title\u003e (9 copies); \u003ctitle\u003eThe Bat\u003c/title\u003e (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival; \u003ctitle\u003eThe Cradle Will Rock; The Emperor's New Clothes\u003c/title\u003e (3 copies); \u003ctitle\u003eFair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe\u003c/title\u003e (4 copies); \u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e (14 copies); \u003ctitle\u003eLife and Death of an American; Moving Along\u003c/title\u003e (2 copies); \u003ctitle\u003eOliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal\u003c/title\u003e (10 copies) \u003c/p\u003e\n","\u003cp\u003eBuffalo Historical Marionettes Benefit Performance is available in digital format.\u003c/p\u003e","\u003cp\u003eFlyers and playbills: \u003ctitle\u003eSing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh\u003c/title\u003e. 8.5x14\" flyers and playbills: \u003ctitle\u003eAdam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 3 to number 14\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 15-17, 19-23\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003ePower\u003c/title\u003e. Volume II number 1, Volume III number 1\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eCriminal at Large\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHer Majesty the Widow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePersonal Appearance\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePost Road\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eRemember the Day\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSaturday's Children\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTamed and How\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnother Language; The Barker; The Old Maid; There's Always Juliet\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAs Husbands Go; I Want a Policeman\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe First Mrs. Fraser\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Good Fairy\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt's a Wise Child\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Late Christopher Bean\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNed McCobbs Daughter\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePossession\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSun Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTea for Three\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThey Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThree Cornered Moon\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFresh Fields\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFirst Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Boy Meets Girl; The Christmas Carol\u003c/title\u003e; Federal Theatre for Youth (overview); \u003ctitle\u003eThe First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Counsellor-At-Law; One-Third of a Nation\u003c/title\u003e; Third Annual Central Oklahoma Folk Festival;\u003c/p\u003e","\u003cp\u003eThe Living Newspaper (\u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e); \u003ctitle\u003ePrelude to Spring\u003c/title\u003e; Puppet Pageant at the Philadelphia Museum of Art; \u003ctitle\u003eStepping Stars\u003c/title\u003e; Vaudeville\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eChristmas with Dickens\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGreen Grow the Lilacs; Old Heidelberg\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ephotocopies, many with original performance dates handwritten on them - \u003ctitle\u003eAdelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps\u003c/title\u003e. Photocopies.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAdam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are seven pieces for \u003ctitle\u003eAlison's House\u003c/title\u003e and five for \u003ctitle\u003eThe Warrior's Husband\u003c/title\u003e. Roughly each piece measures 42 inches high and 28 inches wide.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are three pieces for \u003ctitle\u003eBill of Divorcement\u003c/title\u003e, two for \u003ctitle\u003eBlind Alley\u003c/title\u003e, two for \u003ctitle\u003eGods of the Lightning\u003c/title\u003e, and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play \u003ctitle\u003ePursuit of Happiness\u003c/title\u003e performed at the Mayan Theatre in Los Angeles in August of 1937.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Case of Philip Lawrence; Chalk Dust; The Cherokee Night\u003c/title\u003e; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus, \u003ctitle\u003eThe World's Greatest Circus; Class of '29\u003c/title\u003e; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939; \u003ctitle\u003eConjure Man Dies; Coriolanus; The Cradle Will Rock\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eEinmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal\u003c/title\u003e; Eugene O'Neill's One-Act Plays of the Sea\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFair and Warmer; Fantasy 1939; Flight\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eH.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLife and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMacbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNative Ground; No More Peace; Noah\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOn the Rocks; On Top; One-Third of a Nation; Outside Looking In\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDas Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThe Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: \u003ctitle\u003eWalk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: Various plays in Yiddish; \u003ctitle\u003eThe Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eSubseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Willy B. Stahl and Walter C. Schad, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass\u003c/p\u003e","\u003cp\u003eviolin music, arranged by M. L. Lake\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Alex North\u003c/p\u003e","\u003cp\u003eby Fred Miller Jr. and L. Leslie Loth\u003c/p\u003e","\u003cp\u003eby Herbert Kingsley, New York, New York\u003c/p\u003e","\u003cp\u003eincludes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California\u003c/p\u003e","\u003cp\u003emusic for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager\u003c/p\u003e","\u003cp\u003emusic for vocal lead on \"Sweet by and by\"\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, 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von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer, New York, New York\u003c/p\u003e","\u003cp\u003eviolin music \"If She Says No\"\u003c/p\u003e","\u003cp\u003emusic for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"\u003c/p\u003e","\u003cp\u003eChicago, Illinois\u003c/p\u003e","\u003cp\u003eviolin music \"Flow Gently, Sweet Afton\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Charles J. Levy\u003c/p\u003e","\u003cp\u003eincludes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"\u003c/p\u003e","\u003cp\u003eby Charles Wakefield Cadman\u003c/p\u003e","\u003cp\u003eby R. E. Austin\u003c/p\u003e","\u003cp\u003eby Irvin Cooper\u003c/p\u003e","\u003cp\u003e[Eddison von Ottenfeld] Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Meyer Rappaport and Emile Cote\u003c/p\u003e","\u003cp\u003eFrom the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof\u003c/p\u003e","\u003cp\u003eby Marshall Bartholomew\u003c/p\u003e","\u003cp\u003emusic by Genevieve Pitot, New York\u003c/p\u003e","\u003cp\u003eby F. Melius Christiansen\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Ralph Story\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Mozart-Shelley\u003c/p\u003e","\u003cp\u003eby Daniel Wood and Sumner Salter\u003c/p\u003e","\u003cp\u003eErnestine Valencia, arranged by Dan J. Michaud\u003c/p\u003e","\u003cp\u003eby Edward Elgar and Arthur Fagge\u003c/p\u003e","\u003cp\u003eby J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eparaphrase for mixed voices by William Schaeffer\u003c/p\u003e","\u003cp\u003eby Ivor Tchervanow and Ralph L. Baldwin\u003c/p\u003e","\u003cp\u003eby Rimsky-Korsikoff, arranged by Jacob Schwartzdorf\u003c/p\u003e","\u003cp\u003eby May H. Brahe\u003c/p\u003e","\u003cp\u003eviolin music, by Edna R. Heard\u003c/p\u003e","\u003cp\u003ePiano music \"Party Entre Act 1-2\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Max Hirschfeld, New York, New York\u003c/p\u003e","\u003cp\u003eby Jean Stor, New York, New York\u003c/p\u003e","\u003cp\u003eby David Sheinfeld\u003c/p\u003e","\u003cp\u003eby John Ansell\u003c/p\u003e","\u003cp\u003eThis series includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLong red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"\u003c/p\u003e","\u003cp\u003eA long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"\u003c/p\u003e","\u003cp\u003eTwo pairs of men's pants, one yellow, one red. Both pants stop below the knee. 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title:  Prancing Nigger . By E. England suggested from the novel by Ronald Firbank of the same name ","Content warning: racist language/slur.","Full title:  Prancing Nigger .","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue  (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show  (vaudeville)","It Can't Happen Here","Programs:  Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs:  Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer -  Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language  (9 copies);  The Bat  (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival;  The Cradle Will Rock; The Emperor's New Clothes  (3 copies);  Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe  (4 copies);  It Can't Happen Here  (14 copies);  Life and Death of an American; Moving Along  (2 copies);  Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal  (10 copies) ","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills:  Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh . 8.5x14\" flyers and playbills:  Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for  One-Third of a Nation . Volume V number 3 to number 14","Newspaper format program for  One-Third of a Nation . Volume V number 15-17, 19-23","Newspaper format program for  Power . Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol ; Federal Theatre for Youth (overview);  The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation ; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper ( One-Third of a Nation );  Prelude to Spring ; Puppet Pageant at the Philadelphia Museum of Art;  Stepping Stars ; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them -  Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps . Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for  Alison's House  and five for  The Warrior's Husband . Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for  Bill of Divorcement , two for  Blind Alley , two for  Gods of the Lightning , and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play  Pursuit of Happiness  performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night ; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus,  The World's Greatest Circus; Class of '29 ; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939;  Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal ; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills:  Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish;  The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0f4707cda45d410e12f09ae2a350510a\" label=\"Abstract\"\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/abstract\u003e"],"abstract_tesim":["The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d65479dc2ffe44debbb5af464a6479da\"\u003e\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2\u003c/physloc\u003e"],"physloc_tesim":["\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3180,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:00:26.619Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c03_c01"}},{"id":"vifgm_repositories_2_resources_331_c04_c03","type":"Subseries","attributes":{"title":"Subseries 4.3: Music File","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c04_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSubseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c04_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_331_c04_c03","ref_ssm":["vifgm_repositories_2_resources_331_c04_c03"],"id":"vifgm_repositories_2_resources_331_c04_c03","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331_c04","parent_ssi":"vifgm_repositories_2_resources_331_c04","parent_ssim":["vifgm_repositories_2_resources_331","vifgm_repositories_2_resources_331_c04"],"parent_ids_ssim":["vifgm_repositories_2_resources_331","vifgm_repositories_2_resources_331_c04"],"parent_unittitles_ssm":["Federal Theatre Project collection","Series 4: Production Records"],"parent_unittitles_tesim":["Federal Theatre Project collection","Series 4: Production Records"],"text":["Federal Theatre Project collection","Series 4: Production Records","Subseries 4.3: Music File","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates."],"title_filing_ssi":"Subseries 4.3: Music File","title_ssm":["Subseries 4.3: Music File"],"title_tesim":["Subseries 4.3: Music File"],"unitdate_inclusive_ssm":["1892-1939"],"normalized_date_ssm":["1892/1939"],"normalized_title_ssm":["Subseries 4.3: Music File"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Federal Theatre Project collection"],"has_online_content_ssim":["false"],"child_component_count_isi":473,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2702,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"date_range_isim":[1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"scopecontent_html_tesm":["\u003cp\u003eSubseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates."],"_nest_path_":"/components#3/components#2","timestamp":"2026-05-21T05:00:26.619Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_331","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_331.xml","title_filing_ssi":"Federal Theatre Project collection","title_ssm":["Federal Theatre Project collection"],"title_tesim":["Federal Theatre Project collection"],"unitdate_ssm":["circa 1885-1986","1935-1939"],"unitdate_bulk_ssim":["1935-1939"],"unitdate_inclusive_ssm":["circa 1885-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0002","/repositories/2/resources/331"],"text":["C0002","/repositories/2/resources/331","Federal Theatre Project collection","Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript","There are no access restrictions.","The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   .","Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.","The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . ","Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title:  Prancing Nigger . By E. England suggested from the novel by Ronald Firbank of the same name ","Content warning: racist language/slur.","Full title:  Prancing Nigger .","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue  (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show  (vaudeville)","It Can't Happen Here","Programs:  Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs:  Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer -  Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language  (9 copies);  The Bat  (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival;  The Cradle Will Rock; The Emperor's New Clothes  (3 copies);  Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe  (4 copies);  It Can't Happen Here  (14 copies);  Life and Death of an American; Moving Along  (2 copies);  Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal  (10 copies) ","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills:  Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh . 8.5x14\" flyers and playbills:  Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for  One-Third of a Nation . Volume V number 3 to number 14","Newspaper format program for  One-Third of a Nation . Volume V number 15-17, 19-23","Newspaper format program for  Power . Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol ; Federal Theatre for Youth (overview);  The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation ; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper ( One-Third of a Nation );  Prelude to Spring ; Puppet Pageant at the Philadelphia Museum of Art;  Stepping Stars ; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them -  Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps . Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for  Alison's House  and five for  The Warrior's Husband . Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for  Bill of Divorcement , two for  Blind Alley , two for  Gods of the Lightning , and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play  Pursuit of Happiness  performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night ; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus,  The World's Greatest Circus; Class of '29 ; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939;  Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal ; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills:  Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish;  The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"unitid_tesim":["C0002","/repositories/2/resources/331"],"normalized_title_ssm":["Federal Theatre Project collection"],"collection_title_tesim":["Federal Theatre Project collection"],"collection_ssim":["Federal Theatre Project collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["Donated by the Library of Congress."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"has_online_content_ssim":["false"],"extent_ssm":["185 Linear Feet 371 boxes"],"extent_tesim":["185 Linear Feet 371 boxes"],"genreform_ssim":["Playscript"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe scripts are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"Federal Theatre Project Materials Collection\" show=\"new\"\u003e\u003c/extptr\u003e in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections  \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"available here\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   ."],"arrangement_html_tesm":["\u003cp\u003eArranged into five series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Play Service and Research Records, 1935-1939 (Boxes 5-105)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Library Records, 1885-1986 (Boxes 106-306)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Production Records, 193-193 (Boxes 307-363, 366-367)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Costumes, circa 1935-1939 (Boxes 369-371)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)"],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.\u003c/p\u003e\n","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e\n","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e\n","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e\n","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Federal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.\u003c/p\u003e\n","\u003cp\u003eThe scripts are also available as a series in the \u003cextptr show=\"new\" title=\"FTP digital collection\" href=\"https://mars.gmu.edu/handle/1920/3478\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . "],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Some materials contain racist language and slurs, including play titles.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e\n","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e\n","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e\n","\u003cp\u003eSeries 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThe House Committee on Un-American Activities (HUAC)\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eIncludes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"\u003c/p\u003e","\u003cp\u003eIssues of New Theatre (1934-1936).\u003c/p\u003e","\u003cp\u003eOversize color reprint of article from Fortune\u003c/p\u003e","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e","\u003cp\u003eSubseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eContains blueprints and photographs of portable theatres\u003c/p\u003e","\u003cp\u003eSubseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.\u003c/p\u003e","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSubseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eby John Wiley; based on an Edgar Allen Poe story (photocopy)\u003c/p\u003e","\u003cp\u003eby Beth Brown\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Francis Bosworth\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eDirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eby Virginia Yetes (photocopy)\u003c/p\u003e","\u003cp\u003eby Ruth Morris\u003c/p\u003e","\u003cp\u003eby Gladys Unger and Walter Armitage\u003c/p\u003e","\u003cp\u003eby David Arnold Balch\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003edirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eadapted by S.S. Weiss\u003c/p\u003e","\u003cp\u003eadapted by Ralph Chesse\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Eugene O'Neil\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, photocopy from February 20, 1991\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003epublished in The Catholic School Journal\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Talbot Jennings\u003c/p\u003e","\u003cp\u003eby Mrs. Alexander Mathis\u003c/p\u003e","\u003cp\u003eby Vera Smirnova\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Louis Weitzenkorn\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Langston Hughes; A One-Act Play of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby St. John Ervine\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rudolph Wittenberg\u003c/p\u003e","\u003cp\u003eby Laurance Moore\u003c/p\u003e","\u003cp\u003eby Margaret Brooks and Constance Wyckoff\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Yale Dramatic Association\u003c/p\u003e","\u003cp\u003eby Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy\u003c/p\u003e","\u003cp\u003eby W. H. Auden and Christopher Isherwood\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Lockhart North\u003c/p\u003e","\u003cp\u003eby T. R. Arkell\u003c/p\u003e","\u003cp\u003eby Owen Davis\u003c/p\u003e","\u003cp\u003eby C. L. Anthony\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Remo Bufano\u003c/p\u003e","\u003cp\u003eby Lester Fuller, 2 copies, 1 of which is a photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Mayo\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Herb Meadow, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Walter Hackett\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold, photocopy\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Frederick Stowers\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eTranscribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Albert Powels\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Aodh de Blacam\u003c/p\u003e","\u003cp\u003eby Belmont Ashton\u003c/p\u003e","\u003cp\u003eby Lawrence Houseman\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Anonymous\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Theodore Pratt, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy\u003c/p\u003e","\u003cp\u003eSynopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre\u003c/p\u003e","\u003cp\u003eby Charles M. Barras\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Seymour G. Link\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Maurice Maeterlinck\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Robin Taylor\u003c/p\u003e","\u003cp\u003eRevision by Florence Elberta Barns\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Miss Mabel Osborne\u003c/p\u003e","\u003cp\u003eby Emma Ehrlich Levinger\u003c/p\u003e","\u003cp\u003eby Irwin Shaw\u003c/p\u003e","\u003cp\u003eby Beth Brown and Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eOriginal by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Arnold Zweig\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Robt. A. Bromley (revised edition)\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Estelle L. Silverman\u003c/p\u003e","\u003cp\u003eby Jules Renard\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby George McEnlee, photocopy\u003c/p\u003e","\u003cp\u003eby George McEnlee\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg (revised)\u003c/p\u003e","\u003cp\u003eby German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby James Parish\u003c/p\u003e","\u003cp\u003eby Y. L. Peretz\u003c/p\u003e","\u003cp\u003eby John Woodworth, photocopy\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby John W. Dunn, photocopy\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Stanislaus Stange\u003c/p\u003e","\u003cp\u003eby sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw\u003c/p\u003e","\u003cp\u003eHedley Gordon Graham\u003c/p\u003e","\u003cp\u003eby Essex Dane\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby H. Jack Bates; A Negro Folk Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Welty and Gene Renouf\u003c/p\u003e","\u003cp\u003eby Rose Carlyn, photocopy\u003c/p\u003e","\u003cp\u003eThree by Rose Carlyn; Three by Fannie Engle\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Gilbert Lennox\u003c/p\u003e","\u003cp\u003eby Paul Vincent Carroll\u003c/p\u003e","\u003cp\u003eby Noel Harris Houston\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries\u003c/p\u003e","\u003cp\u003eby Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby A. Callen, M. Worthington, and I. Reuben, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt\u003c/p\u003e","\u003cp\u003eby Royall Tyler\u003c/p\u003e","\u003cp\u003eby M. Manisoff\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein\u003c/p\u003e","\u003cp\u003eby John H. Floyd\u003c/p\u003e","\u003cp\u003eby members of the Play Bureau of the Southwest\u003c/p\u003e","\u003cp\u003eby Betty Lessler Lyman\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Gilmor Brown\u003c/p\u003e","\u003cp\u003eMarionette Division, Buffalo, N.Y.\u003c/p\u003e","\u003cp\u003eby Edgar Wallace\u003c/p\u003e","\u003cp\u003eby James Stephens\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Laurette MacDuffie\u003c/p\u003e","\u003cp\u003eby Anna Best Joder\u003c/p\u003e","\u003cp\u003eby Elizabeth Leigh Vaughan\u003c/p\u003e","\u003cp\u003eby W. H. Auden\u003c/p\u003e","\u003cp\u003eby Joaquin Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Joaquin Miller\u003c/p\u003e","\u003cp\u003eby Ruby Lorraine Radford\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby L. W. Barrus\u003c/p\u003e","\u003cp\u003eby George Foss, photocopy\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby George W. Cronyn\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby J. C. Furnes\u003c/p\u003e","\u003cp\u003eby Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Merrill Denison\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe, arranged for marionettes by Robert Larson\u003c/p\u003e","\u003cp\u003eby Twort (?) Gilbert and Edward Rosen\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby Jules Romans, English version by Harley Granville-Barker\u003c/p\u003e","\u003cp\u003eby Minnie H. Niemier\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eby Elizabeth McFadden\u003c/p\u003e","\u003cp\u003eby Charlotte Kohler, photocopy\u003c/p\u003e","\u003cp\u003eby Joan and Michale A. Slane\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Rosa Carlyn\u003c/p\u003e","\u003cp\u003epublished by the National Tuberculosis Association\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby W. H. Smith\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eby Emily Percy Denison\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Elise Jerard\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby C. C. Parsons\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Sean O'Casey\u003c/p\u003e","\u003cp\u003eby Demetre Bohris\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy received June 11, 1991\u003c/p\u003e","\u003cp\u003eby Kjeld Abell\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar (adaptation)\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby Will T. Goodwin; Working Script\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Cervantes\u003c/p\u003e","\u003cp\u003eby Doris Troutman\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby H. A. Archibald\u003c/p\u003e","\u003cp\u003eby Munro Leaf\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Rachel Lyman Field\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Frank Craven\u003c/p\u003e","\u003cp\u003eby George H. Corey, photocopy\u003c/p\u003e","\u003cp\u003eby George H. Corey\u003c/p\u003e","\u003cp\u003eby E. and P. Green\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eA play for boys and girls with radio participation, experiment number 1 by Berthold Brecht\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Rosenblum\u003c/p\u003e","\u003cp\u003eby Phile Higley\u003c/p\u003e","\u003cp\u003eby Myrtle L. Barger\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Eleanor Garland\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson\u003c/p\u003e","\u003cp\u003eby Harriet Wedgwood, a health play for children, reprinted from Hygeia\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Beverly Hamer in the Carolina Play Book volume X, number 3\u003c/p\u003e","\u003cp\u003eby William Stevenson\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby Felix Doherty\u003c/p\u003e","\u003cp\u003eby Nando Vitali\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Philo Higley\u003c/p\u003e","\u003cp\u003eby Arnold Ridley\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Aldous Huxley\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy\u003c/p\u003e","\u003cp\u003eadapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Jacob Gordon\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Leon Crozier\u003c/p\u003e","\u003cp\u003eby Paul Armstrong and Rex Beach\u003c/p\u003e","\u003cp\u003eby Paul Smith\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Kermit Love\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ridgely Torrence; A Play for the Negro Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch; A Comedy of Recent Times, photocopy\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Warwick F. Williams\u003c/p\u003e","\u003cp\u003eby William R. Randall\u003c/p\u003e","\u003cp\u003eby Anna Friedman; A Roosevelt Play, photocopy\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries, photocopy\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Bernard Szold and E. P. O'Donnell\u003c/p\u003e","\u003cp\u003eby Bernard Szold and E. P. O'Donnell\u003c/p\u003e","\u003cp\u003eby Marc Connelly\u003c/p\u003e","\u003cp\u003eadapted by Stephen Weiss\u003c/p\u003e","\u003cp\u003eby William J. Langman, S. J.\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Grace Dorcas Ruthenberg\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Wilfrido Ma Guerrero\u003c/p\u003e","\u003cp\u003eby Donald Davis and Samuel Ornitz\u003c/p\u003e","\u003cp\u003eby Joseph Lehmann\u003c/p\u003e","\u003cp\u003eby Charles Prentiss\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Elizabeth Jane Astley\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby David Belasco\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Helen Clare Nelson\u003c/p\u003e","\u003cp\u003eby Barry Conners\u003c/p\u003e","\u003cp\u003eby Abram Hill, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eadapted and translated by Donald Fay Robinson\u003c/p\u003e","\u003cp\u003eadapted by Kent Pease Hamdent High School, Hamdent, Connecticut\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Mary B. Stafford\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby John Wiley\u003c/p\u003e","\u003cp\u003eby Harold Courlander\u003c/p\u003e","\u003cp\u003eby Sally Coulter\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Michael Swift\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby John Alan Haughton\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Sara E. Bower\u003c/p\u003e","\u003cp\u003eby Bertram M. Gross\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eby Edith Kunz\u003c/p\u003e","\u003cp\u003eby The Historical Project, Federal Writers Project of Minnesota\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Perez Hirschbaum\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe, photocopy\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Norman Roston\u003c/p\u003e","\u003cp\u003eby Noah Elstein, photocopy\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby Raymond Reeves, photocopy\u003c/p\u003e","\u003cp\u003eby Raymond Reeves\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby John McGee\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project Los Angeles, California\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby Martha Hodgson Ellis\u003c/p\u003e","\u003cp\u003eby David Schrieber\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Luidmilla Vepritskaya\u003c/p\u003e","\u003cp\u003eby Alma Shaw\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby Warren Coleman; A Negro Comedy, 2 photocopies\u003c/p\u003e","\u003cp\u003eElmer Rice\u003c/p\u003e","\u003cp\u003eby Shakespeare\u003c/p\u003e","\u003cp\u003eby Thomas A. Langan\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby Edgar Slaughter\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Catherine Reighard\u003c/p\u003e","\u003cp\u003eby Max M. Dill\u003c/p\u003e","\u003cp\u003eby Don Mullally\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby Lawrence J. Bernard\u003c/p\u003e","\u003cp\u003eby Frances Nimmo Greene and Robert Harvey Greene\u003c/p\u003e","\u003cp\u003eby Frances Nimmo Greene and Robert Harvey Greene\u003c/p\u003e","\u003cp\u003eby Frances Nimmo Greene and Robert Harvey Greene\u003c/p\u003e","\u003cp\u003eby George Scudder\u003c/p\u003e","\u003cp\u003eby Irving Kaye Davis\u003c/p\u003e","\u003cp\u003eby Irving Kaye Davis\u003c/p\u003e","\u003cp\u003eby Irving Kaye Davis\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Harry King Tootle\u003c/p\u003e","\u003cp\u003eby Harry King Tootle\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Oliver La Farge\u003c/p\u003e","\u003cp\u003eby V. Beldon?\u003c/p\u003e","\u003cp\u003eby Harry King Tootle\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Charlotte Chorpenning\u003c/p\u003e","\u003cp\u003eby Bertram Robinson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Edward Hopter\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Marion Flexner and Dorothy Park Clark\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Alma Shaw\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning, photocopy\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby Molka Reich of Miami Florida Project\u003c/p\u003e","\u003cp\u003etranslated from Flemish by Jacob Borut and Lola Sachs\u003c/p\u003e","\u003cp\u003etranslated from Flemish by Jacob Borut and Lola Sachs\u003c/p\u003e","\u003cp\u003eby Marc Connelly\u003c/p\u003e","\u003cp\u003eby Alexei Tolstoi\u003c/p\u003e","\u003cp\u003eby Eleanor Glendower Griffith\u003c/p\u003e","\u003cp\u003eby Lawrence and Sylvia Martin, photocopy\u003c/p\u003e","\u003cp\u003eby Lawrence and Sylvia Martin, photocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Charles George\u003c/p\u003e","\u003cp\u003eby T. C. Upham\u003c/p\u003e","\u003cp\u003eby T. C. Upham\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park, photocopy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park revised by Robert Finch\u003c/p\u003e","\u003cp\u003eby Theodore Browne; An \"African Version\", photocopy\u003c/p\u003e","\u003cp\u003eby Clarence H. Talbot\u003c/p\u003e","\u003cp\u003ereprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays\u003c/p\u003e","\u003cp\u003eby William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936\u003c/p\u003e","\u003cp\u003eby William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Blake\u003c/p\u003e","\u003cp\u003eby Victoria Heindel\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003eby Louis Golding and A. R. Rawlinson\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Alfred Sutro\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby Mr. Beete\u003c/p\u003e","\u003cp\u003eby Mr. Beete\u003c/p\u003e","\u003cp\u003eby Hollister Noble and Edward R. Sammis\u003c/p\u003e","\u003cp\u003eby Hollister Noble and Edward R. Sammis\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Anatole France\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman and Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman and Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Earnest Andai and Lajos Balint\u003c/p\u003e","\u003cp\u003eby Federal Theatres, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Anton Chekhov\u003c/p\u003e","\u003cp\u003eby Rena B. Johnson\u003c/p\u003e","\u003cp\u003eby Tom Taylor and Charles Reade\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003erevised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul\u003c/p\u003e","\u003cp\u003erevised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul\u003c/p\u003e","\u003cp\u003eby John Le Touche\u003c/p\u003e","\u003cp\u003eby Brandon Tynan\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby H. Richard Oliver and John McCain Rimassa\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby Rose Dubin\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eBy W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu, photocopy\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu\u003c/p\u003e","\u003cp\u003eby Plautus; translated by Clarence P. Bill, photocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Lynn Root and Harry Clork\u003c/p\u003e","\u003cp\u003eby Wallace L. Waite\u003c/p\u003e","\u003cp\u003eby Wallace L. Waite\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003eby Dee Burque\u003c/p\u003e","\u003cp\u003eby Hans Chlumberg, photocopy\u003c/p\u003e","\u003cp\u003eby Nahum Brind\u003c/p\u003e","\u003cp\u003eby John Crosby\u003c/p\u003e","\u003cp\u003eby John Crosby\u003c/p\u003e","\u003cp\u003ePage has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.\u003c/p\u003e","\u003cp\u003eby John Charles Brownell\u003c/p\u003e","\u003cp\u003eby E. B. Ginty\u003c/p\u003e","\u003cp\u003eby E. B. Ginty\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Rose Franken and Jane Lewin\u003c/p\u003e","\u003cp\u003eby Rose Franken and Jane Lewin\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Michael Gold\u003c/p\u003e","\u003cp\u003eby J. R. Perkins\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Denis Johnston\u003c/p\u003e","\u003cp\u003eby Denis Johnston\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Samuel French\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Ramon Romero, photocopy\u003c/p\u003e","\u003cp\u003eby Ramon Romero, photocopy\u003c/p\u003e","\u003cp\u003eby Ramon Romero\u003c/p\u003e","\u003cp\u003eby Ramon Romero\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy\u003c/p\u003e","\u003cp\u003eby Cecil E. Reynolds\u003c/p\u003e","\u003cp\u003eby Cecil E. Reynolds\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003efrom volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry\u003c/p\u003e","\u003cp\u003eby Nathalie Satz and Sergei Rosaanov\u003c/p\u003e","\u003cp\u003eby Anemone Pemberton\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby students of Commonwealth College; Commonwealth College Fortnightly, photocopy\u003c/p\u003e","\u003cp\u003eby Eleanor Flexner\u003c/p\u003e","\u003cp\u003eby Eleanor Flexner\u003c/p\u003e","\u003cp\u003eby Arthur Strawn and Henry Rosendahl\u003c/p\u003e","\u003cp\u003eby Talbot Jennings\u003c/p\u003e","\u003cp\u003eby Ernest Toller\u003c/p\u003e","\u003cp\u003eby Ernest Toller\u003c/p\u003e","\u003cp\u003eby Lilian Gill\u003c/p\u003e","\u003cp\u003eby Jerome Geneson\u003c/p\u003e","\u003cp\u003eby George Smedley Smith and Bernard Szold\u003c/p\u003e","\u003cp\u003eby George Smedley Smith and Bernard Szold\u003c/p\u003e","\u003cp\u003eby Ethel Watts Mumford and Lily Strickland\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Nathan Spiegel\u003c/p\u003e","\u003cp\u003eby Joseph Hergesheimer\u003c/p\u003e","\u003cp\u003eby Joseph Hergesheimer\u003c/p\u003e","\u003cp\u003eby Sid Kuller and Ray Golden\u003c/p\u003e","\u003cp\u003eby Sid Kuller and Ray Golden\u003c/p\u003e","\u003cp\u003eby Harold Igo, photocopy\u003c/p\u003e","\u003cp\u003eby Harold Igo\u003c/p\u003e","\u003cp\u003eby Harold Igo\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby James Knox Millen\u003c/p\u003e","\u003cp\u003eby James Knox Millen\u003c/p\u003e","\u003cp\u003eby Denman Thompson\u003c/p\u003e","\u003cp\u003eadapted for marionettes by Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eadapted for marionettes by Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Benjamin M. Kaye\u003c/p\u003e","\u003cp\u003eby Benjamin M. Kaye\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Marian Katherine Brown\u003c/p\u003e","\u003cp\u003eby Seyril Schochen\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003eby Kenneth Webb\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003edramatized from L. Feuchtwanger's novel by Clayton Fritchi\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby John Mason Brown\u003c/p\u003e","\u003cp\u003eby Grace H. Swift, photocopy\u003c/p\u003e","\u003cp\u003eby Catherine F. Reighard\u003c/p\u003e","\u003cp\u003eby Gladys E. Murray\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Faye L. Tornquist\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003etranslation by Joan Vanderpool\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Martha B. King\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eafter the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eby Sarah Neuman\u003c/p\u003e","\u003cp\u003ea Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank, photocopy\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eby Frank Kintrea\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Phil Cook and McElbert Moore\u003c/p\u003e","\u003cp\u003eby Ben Bengal\u003c/p\u003e","\u003cp\u003eby A. Korneichuk\u003c/p\u003e","\u003cp\u003eby J. Liss\u003c/p\u003e","\u003cp\u003eby Margaret Naumberg\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Robert Russell, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Dorothy Heyward and DuBose Heyward\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e\n","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e. By E. England suggested from the novel by Ronald Firbank of the same name \u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e\n","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eby Robert Whitehand, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Albert Maltz; Anti-Fascist Play, photocopy\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Garrett Underhill\u003c/p\u003e","\u003cp\u003eby Freidrich Wolf, photocopy\u003c/p\u003e","\u003cp\u003eby Friedrich Wolf\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Claudia Hatch, photocopy\u003c/p\u003e","\u003cp\u003eby Eldridge Lindsay\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Lawrence Langner and Armina Marshall Langner\u003c/p\u003e","\u003cp\u003eby Leonora Kaghan and Anita Phillips\u003c/p\u003e","\u003cp\u003eby Tonia Bakina\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Blanding Sloan\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby L. Resnick\u003c/p\u003e","\u003cp\u003eby Robert Sturgis, photocopy\u003c/p\u003e","\u003cp\u003eby Fritz Karinthy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Frances Montgomery\u003c/p\u003e","\u003cp\u003eby Jan Klokog\u003c/p\u003e","\u003cp\u003eas produced by the Federal Theater Project at Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eadapted for Buffalo Historical Marionette Theatre\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Richard Oliver; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eDramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa\u003c/p\u003e","\u003cp\u003eby Hassard Short and Maurice Henniquin\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Francisco Rodrigo\u003c/p\u003e","\u003cp\u003eby Leonide Andreyeff\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps, photocopy\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Micha Hawkins\u003c/p\u003e","\u003cp\u003eThe Adventures of a Bunny\u003c/p\u003e","\u003cp\u003eby Frances Lester Warner\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Christobel Morley Cordell, photocopy\u003c/p\u003e","\u003cp\u003eby Richard Brinsley Sheridan\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Phyllis Clare Flannery; A Farce Satire, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht, translated by Keene Wallis\u003c/p\u003e","\u003cp\u003eby Leonard J. Tyle\u003c/p\u003e","\u003cp\u003eby William Evans\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby Florence Clothier; A Play of the Labrador Coast, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Goldsmith; The Mistakes of a Night, photocopy\u003c/p\u003e","\u003cp\u003ecompiled from Old English nativity plays by Robert Larson\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Andrews and Anne Wilson Peabody\u003c/p\u003e","\u003cp\u003eby George Kelly, version used by Negro Theatre Unit, New York City\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Robert K. Ryland\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Sholem Ash\u003c/p\u003e","\u003cp\u003eby Isabel Anderson (Mrs. Larz Anderson)\u003c/p\u003e","\u003cp\u003eby Fall River, photocopy\u003c/p\u003e","\u003cp\u003eby F. S. Hill\u003c/p\u003e","\u003cp\u003eby Miles Malleson\u003c/p\u003e","\u003cp\u003eby Janet Hartman and Hallie Flanagan, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller and Stephen Weiss\u003c/p\u003e","\u003cp\u003eby Sedarmee Club Madison House\u003c/p\u003e","\u003cp\u003eby Jo Basshe, photocopy\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence, photocopy\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003ean ancient Japanese farce translated by Michio Itow and Louis V. Ledoux\u003c/p\u003e","\u003cp\u003eby Grace Welsh Lutgen, photocopy\u003c/p\u003e","\u003cp\u003eby J. S. Coppard\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003ethree copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby James P. Judge\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Otis Chatfield-Taylor, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Harold Robbins\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Peters and George Sklar\u003c/p\u003e","\u003cp\u003eby Robert T. Colwell and Robert A. Simon\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Tripp\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, photocopy\u003c/p\u003e","\u003cp\u003eby Lula Vollmer\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Georgie Douglass Johnson\u003c/p\u003e","\u003cp\u003eby George Cram Cook and Susan Glaspell\u003c/p\u003e","\u003cp\u003eby C. Liberman\u003c/p\u003e","\u003cp\u003eby August Strindberg\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eFederal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby David Pinski, photocopy\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinsky\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby David Lano\u003c/p\u003e","\u003cp\u003eVagabond Puppeteers for the Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Shotwell Callvert, photocopy\u003c/p\u003e","\u003cp\u003eby William dorsey Blake; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Anthony Armstrong\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Florine Schwartz; A Play for Children, photocopy\u003c/p\u003e","\u003cp\u003eby Anna M. Lutkenhaus, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur A. Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby William Kozlenko\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Knox Herold\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Gertrude Tonkonogy, photocopy\u003c/p\u003e","\u003cp\u003eby Marita Rosler\u003c/p\u003e","\u003cp\u003eby Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith; photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Robert Wallsten\u003c/p\u003e","\u003cp\u003eby Isabel Barber; A dramatist guild contest play #552\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby John Broome, photocopy\u003c/p\u003e","\u003cp\u003eby John Broome\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form, photocopy\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form\u003c/p\u003e","\u003cp\u003eby George Murray and David Pelts; A Living Newspaper on Pensions; photocopy\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman, photocopy\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Stephen Spender\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003eBased on Homer and Euripides, includes photocopied program, photocopy\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eby Philip H. Davis\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003eby Eleanor Phelps, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eContent Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.\u003c/p\u003e","\u003cp\u003eby J. M. Barrie\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby H. R. Lenormand\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Whitfield Cook, photocopy\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Robert Larson\u003c/p\u003e","\u003cp\u003eJacksonville, Florida script 1939, photocopy\u003c/p\u003e","\u003cp\u003eby Anton Chekhov\u003c/p\u003e","\u003cp\u003eby Augustin Daly\u003c/p\u003e","\u003cp\u003eby Bernice McQuilken\u003c/p\u003e","\u003cp\u003eby Gene Buck\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Mrs. William Hyman\u003c/p\u003e","\u003cp\u003eby Charles Allen Smart\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Karl Gutzkov\u003c/p\u003e","\u003cp\u003eby Eden White; A Rollicking Comedy\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby I. L. Peretz\u003c/p\u003e","\u003cp\u003eby John F. Burns\u003c/p\u003e","\u003cp\u003eby Stefan Zweig\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Caroline C. Lovell\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby Percy Mackaye\u003c/p\u003e","\u003cp\u003eby William L. Price\u003c/p\u003e","\u003cp\u003eby Frances Gordon Strunsky\u003c/p\u003e","\u003cp\u003eby Helen Gholson Kittredge\u003c/p\u003e","\u003cp\u003eby Irving R. Kapner\u003c/p\u003e","\u003cp\u003etranslated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Gerhart Hauptmann\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003etranslated from the Russian by Aaron Chorover\u003c/p\u003e","\u003cp\u003eby W. Alan Coutts\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby George H. Broadhurst\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Zerner and Ben S. Gross\u003c/p\u003e","\u003cp\u003eby Albert Hackett\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby Katherine Peabody Gurling\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby John Bowaldeth\u003c/p\u003e","\u003cp\u003eby Lelia May Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Lucien Chantel\u003c/p\u003e","\u003cp\u003eby John Emerson and Anita Loos\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Clemence Dane, photocopy\u003c/p\u003e","\u003cp\u003eby David Pay Robinson\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach (revised Chicago version)\u003c/p\u003e","\u003cp\u003eby Kenneth White\u003c/p\u003e","\u003cp\u003eby Rae Abraham\u003c/p\u003e","\u003cp\u003eby Allan Davis\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Samuel Jesse Warshawsky, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Virgil L. Baker\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Josef and Karel Capek\u003c/p\u003e","\u003cp\u003eby Molly Day Thacher, photocopy\u003c/p\u003e","\u003cp\u003eby Tom Jewett\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Jakob Loewenberg\u003c/p\u003e","\u003cp\u003eby Peter Arnow\u003c/p\u003e","\u003cp\u003eby Mark Reed\u003c/p\u003e","\u003cp\u003eby Ulysses S. Elam\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Margaret Knox and Anna M. Lufkenhaus\u003c/p\u003e","\u003cp\u003eby Dorothy L. Sayers\u003c/p\u003e","\u003cp\u003eby M. Daniel\u003c/p\u003e","\u003cp\u003eSubseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.\u003c/p\u003e","\u003cp\u003eby Howard Warwick\u003c/p\u003e","\u003cp\u003eby Gene Stafford\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery\u003c/p\u003e","\u003cp\u003eby Charles Brownell\u003c/p\u003e","\u003cp\u003eby Friedrich Wolfe\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003etwo versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams, photocopy and original\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Harold Hartogensis\u003c/p\u003e","\u003cp\u003eby Boyd\u003c/p\u003e","\u003cp\u003eby Philip Massinger, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Ben Jonson, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Sergei Prokofiev, 5 front pages and 2 full copies\u003c/p\u003e","\u003cp\u003eby Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Richard Wright\u003c/p\u003e","\u003cp\u003eby Pauline Simmons\u003c/p\u003e","\u003cp\u003eby Marshall Davidson\u003c/p\u003e","\u003cp\u003eby Martha Foley\u003c/p\u003e","\u003cp\u003eby Dr. Charles Russell\u003c/p\u003e","\u003cp\u003eby A. Hyatt Mayor\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby Morris Watson\u003c/p\u003e","\u003cp\u003einterview with Martha Graham and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Pietro di Donato and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Estelle Liebling and Leah Plotkin\u003c/p\u003e","\u003cp\u003eby Howard Koch adapted by Lawrence Levey (photocopy and original)\u003c/p\u003e","\u003cp\u003eby Barrie and Leona Stavis, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Carl Glick, adapted by Philip Ansel Roll\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Karl Barron\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eadapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eadapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Matty Cohen and B. F. Kamsler\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Joseph W. Miller\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett, first 25 pages\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby unknown; by Harry Goldsmith\u003c/p\u003e","\u003cp\u003eby John T. Mole\u003c/p\u003e","\u003cp\u003eby Gertrude Onnen and Phyllis Frederic; by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Charles Crumpton, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Lewis Meyer\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Georgia Fawcett, photocopy\u003c/p\u003e","\u003cp\u003eby Clifford Odets, adapted by Maurice Kurtz\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by George Thorp\u003c/p\u003e","\u003cp\u003eby Harold Parke Godwin; by Frederick Prokosch\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery, incomplete copy - first 13 pages\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Paul de Kruif\u003c/p\u003e","\u003cp\u003eby Lawrence Bearson; by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby T. O. Day\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Jack Barefield, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Backus, photocopy\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby Ben Hawthorne, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arendt\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby William N. Robson\u003c/p\u003e","\u003cp\u003edramatization by Robert Lewis Shayon\u003c/p\u003e","\u003cp\u003eby Edward Solomon\u003c/p\u003e","\u003cp\u003eby Bucalossi\u003c/p\u003e","\u003cp\u003eby Michael William Balfe\u003c/p\u003e","\u003cp\u003eby Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Karl W. Schulz\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Lajos Serly\u003c/p\u003e","\u003cp\u003eby Sir William S. Gilbert and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Lews W. Moyer, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby Sylvia Altman\u003c/p\u003e","\u003cp\u003eby Sylvia Altman and Jeanette Gussin\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Maxwell Wolodin; by Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by John I. Mole\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by Michael Davidson\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lee Fontainbleu; by Laurence U. Shloss\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman\u003c/p\u003e","\u003cp\u003eBy Herbert Lewis; by Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer\u003c/p\u003e","\u003cp\u003eby Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Jerome Beatty, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Manuel Komroff, adapted by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby Barrie Williams; by Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Frank Burrill\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Herb Meadow; adaptation by Joel Hammil and Leo Fontaine\u003c/p\u003e","\u003cp\u003eby A. L. Tyler\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hugh Lester\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Harold Hartogensis; by Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Benet Costa, photocopy\u003c/p\u003e","\u003cp\u003eby Jane Ashman; also includes Women as Homemakers first page\u003c/p\u003e","\u003cp\u003eby Leo Fontaine, photocopy\u003c/p\u003e","\u003cp\u003eSubseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eProposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley\u003c/p\u003e","\u003cp\u003eSubseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAmerican Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAccent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFestival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eClass of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms from \"Folk plays of the Carolina playmakers\"\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAbu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIn Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTen Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBlind Alley; Brothers; It Can't Happen Here; Rachel's Man\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOne-Third of a Nation; Roll Sweet Chariot; Room Service\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBig Vaudeville Musical Revue\u003c/title\u003e (79 copies from different performances around Maine)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnnouncing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here; Liliom; The Road to Rome\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLadies of the Jury\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eVodvil Show\u003c/title\u003e (vaudeville)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eAdalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional\u003c/title\u003e\u003c/p\u003e\n","\u003cp\u003eBuffalo Historical Marionettes available in digital format.\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eProfessor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFlyers and playbills: Current productions flyer - \u003ctitle\u003eBig Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language\u003c/title\u003e (9 copies); \u003ctitle\u003eThe Bat\u003c/title\u003e (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival; \u003ctitle\u003eThe Cradle Will Rock; The Emperor's New Clothes\u003c/title\u003e (3 copies); \u003ctitle\u003eFair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe\u003c/title\u003e (4 copies); \u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e (14 copies); \u003ctitle\u003eLife and Death of an American; Moving Along\u003c/title\u003e (2 copies); \u003ctitle\u003eOliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal\u003c/title\u003e (10 copies) \u003c/p\u003e\n","\u003cp\u003eBuffalo Historical Marionettes Benefit Performance is available in digital format.\u003c/p\u003e","\u003cp\u003eFlyers and playbills: \u003ctitle\u003eSing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh\u003c/title\u003e. 8.5x14\" flyers and playbills: \u003ctitle\u003eAdam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 3 to number 14\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 15-17, 19-23\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003ePower\u003c/title\u003e. Volume II number 1, Volume III number 1\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eCriminal at Large\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHer Majesty the Widow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePersonal Appearance\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePost Road\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eRemember the Day\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSaturday's Children\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTamed and How\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnother Language; The Barker; The Old Maid; There's Always Juliet\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAs Husbands Go; I Want a Policeman\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe First Mrs. Fraser\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Good Fairy\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt's a Wise Child\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Late Christopher Bean\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNed McCobbs Daughter\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePossession\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSun Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTea for Three\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThey Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThree Cornered Moon\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFresh Fields\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFirst Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Boy Meets Girl; The Christmas Carol\u003c/title\u003e; Federal Theatre for Youth (overview); \u003ctitle\u003eThe First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Counsellor-At-Law; One-Third of a Nation\u003c/title\u003e; Third Annual Central Oklahoma Folk Festival;\u003c/p\u003e","\u003cp\u003eThe Living Newspaper (\u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e); \u003ctitle\u003ePrelude to Spring\u003c/title\u003e; Puppet Pageant at the Philadelphia Museum of Art; \u003ctitle\u003eStepping Stars\u003c/title\u003e; Vaudeville\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eChristmas with Dickens\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGreen Grow the Lilacs; Old Heidelberg\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ephotocopies, many with original performance dates handwritten on them - \u003ctitle\u003eAdelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps\u003c/title\u003e. Photocopies.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAdam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are seven pieces for \u003ctitle\u003eAlison's House\u003c/title\u003e and five for \u003ctitle\u003eThe Warrior's Husband\u003c/title\u003e. Roughly each piece measures 42 inches high and 28 inches wide.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are three pieces for \u003ctitle\u003eBill of Divorcement\u003c/title\u003e, two for \u003ctitle\u003eBlind Alley\u003c/title\u003e, two for \u003ctitle\u003eGods of the Lightning\u003c/title\u003e, and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play \u003ctitle\u003ePursuit of Happiness\u003c/title\u003e performed at the Mayan Theatre in Los Angeles in August of 1937.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Case of Philip Lawrence; Chalk Dust; The Cherokee Night\u003c/title\u003e; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus, \u003ctitle\u003eThe World's Greatest Circus; Class of '29\u003c/title\u003e; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939; \u003ctitle\u003eConjure Man Dies; Coriolanus; The Cradle Will Rock\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eEinmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal\u003c/title\u003e; Eugene O'Neill's One-Act Plays of the Sea\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFair and Warmer; Fantasy 1939; Flight\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eH.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLife and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMacbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNative Ground; No More Peace; Noah\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOn the Rocks; On Top; One-Third of a Nation; Outside Looking In\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDas Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThe Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: \u003ctitle\u003eWalk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: Various plays in Yiddish; \u003ctitle\u003eThe Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eSubseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Willy B. Stahl and Walter C. Schad, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass\u003c/p\u003e","\u003cp\u003eviolin music, arranged by M. L. Lake\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Alex North\u003c/p\u003e","\u003cp\u003eby Fred Miller Jr. and L. Leslie Loth\u003c/p\u003e","\u003cp\u003eby Herbert Kingsley, New York, New York\u003c/p\u003e","\u003cp\u003eincludes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California\u003c/p\u003e","\u003cp\u003emusic for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager\u003c/p\u003e","\u003cp\u003emusic for vocal lead on \"Sweet by and by\"\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, 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von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer, New York, New York\u003c/p\u003e","\u003cp\u003eviolin music \"If She Says No\"\u003c/p\u003e","\u003cp\u003emusic for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"\u003c/p\u003e","\u003cp\u003eChicago, Illinois\u003c/p\u003e","\u003cp\u003eviolin music \"Flow Gently, Sweet Afton\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Charles J. Levy\u003c/p\u003e","\u003cp\u003eincludes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"\u003c/p\u003e","\u003cp\u003eby Charles Wakefield Cadman\u003c/p\u003e","\u003cp\u003eby R. E. Austin\u003c/p\u003e","\u003cp\u003eby Irvin Cooper\u003c/p\u003e","\u003cp\u003e[Eddison von Ottenfeld] Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Meyer Rappaport and Emile Cote\u003c/p\u003e","\u003cp\u003eFrom the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof\u003c/p\u003e","\u003cp\u003eby Marshall Bartholomew\u003c/p\u003e","\u003cp\u003emusic by Genevieve Pitot, New York\u003c/p\u003e","\u003cp\u003eby F. Melius Christiansen\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Ralph Story\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Mozart-Shelley\u003c/p\u003e","\u003cp\u003eby Daniel Wood and Sumner Salter\u003c/p\u003e","\u003cp\u003eErnestine Valencia, arranged by Dan J. Michaud\u003c/p\u003e","\u003cp\u003eby Edward Elgar and Arthur Fagge\u003c/p\u003e","\u003cp\u003eby J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eparaphrase for mixed voices by William Schaeffer\u003c/p\u003e","\u003cp\u003eby Ivor Tchervanow and Ralph L. Baldwin\u003c/p\u003e","\u003cp\u003eby Rimsky-Korsikoff, arranged by Jacob Schwartzdorf\u003c/p\u003e","\u003cp\u003eby May H. Brahe\u003c/p\u003e","\u003cp\u003eviolin music, by Edna R. Heard\u003c/p\u003e","\u003cp\u003ePiano music \"Party Entre Act 1-2\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Max Hirschfeld, New York, New York\u003c/p\u003e","\u003cp\u003eby Jean Stor, New York, New York\u003c/p\u003e","\u003cp\u003eby David Sheinfeld\u003c/p\u003e","\u003cp\u003eby John Ansell\u003c/p\u003e","\u003cp\u003eThis series includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLong red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"\u003c/p\u003e","\u003cp\u003eA long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"\u003c/p\u003e","\u003cp\u003eTwo pairs of men's pants, one yellow, one red. Both pants stop below the knee. 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title:  Prancing Nigger . By E. England suggested from the novel by Ronald Firbank of the same name ","Content warning: racist language/slur.","Full title:  Prancing Nigger .","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue  (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show  (vaudeville)","It Can't Happen Here","Programs:  Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs:  Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer -  Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language  (9 copies);  The Bat  (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival;  The Cradle Will Rock; The Emperor's New Clothes  (3 copies);  Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe  (4 copies);  It Can't Happen Here  (14 copies);  Life and Death of an American; Moving Along  (2 copies);  Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal  (10 copies) ","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills:  Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh . 8.5x14\" flyers and playbills:  Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for  One-Third of a Nation . Volume V number 3 to number 14","Newspaper format program for  One-Third of a Nation . Volume V number 15-17, 19-23","Newspaper format program for  Power . Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol ; Federal Theatre for Youth (overview);  The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation ; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper ( One-Third of a Nation );  Prelude to Spring ; Puppet Pageant at the Philadelphia Museum of Art;  Stepping Stars ; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them -  Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps . Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for  Alison's House  and five for  The Warrior's Husband . Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for  Bill of Divorcement , two for  Blind Alley , two for  Gods of the Lightning , and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play  Pursuit of Happiness  performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night ; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus,  The World's Greatest Circus; Class of '29 ; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939;  Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal ; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills:  Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish;  The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0f4707cda45d410e12f09ae2a350510a\" label=\"Abstract\"\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/abstract\u003e"],"abstract_tesim":["The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d65479dc2ffe44debbb5af464a6479da\"\u003e\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2\u003c/physloc\u003e"],"physloc_tesim":["\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3180,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:00:26.619Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c04_c03"}},{"id":"vifgm_repositories_2_resources_550_c04_c25","type":"File","attributes":{"title":"Temple Israel Service Programs, Letter to Jerome Epstein, Sr.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_550_c04_c25#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_550_c04_c25","ref_ssm":["vifgm_repositories_2_resources_550_c04_c25"],"id":"vifgm_repositories_2_resources_550_c04_c25","ead_ssi":"vifgm_repositories_2_resources_550","_root_":"vifgm_repositories_2_resources_550","_nest_parent_":"vifgm_repositories_2_resources_550_c04","parent_ssi":"vifgm_repositories_2_resources_550_c04","parent_ssim":["vifgm_repositories_2_resources_550","vifgm_repositories_2_resources_550_c04"],"parent_ids_ssim":["vifgm_repositories_2_resources_550","vifgm_repositories_2_resources_550_c04"],"parent_unittitles_ssm":["Jerome Epstein papers","Series 4: Epstein Family Items"],"parent_unittitles_tesim":["Jerome Epstein papers","Series 4: Epstein Family Items"],"text":["Jerome Epstein papers","Series 4: Epstein Family Items","Temple Israel Service Programs, Letter to Jerome Epstein, Sr.","Box 21","Folder 4"],"title_filing_ssi":"Temple Israel Service Programs, Letter to Jerome Epstein, Sr.","title_ssm":["Temple Israel Service Programs, Letter to Jerome Epstein, Sr."],"title_tesim":["Temple Israel Service Programs, Letter to Jerome Epstein, Sr."],"unitdate_other_ssim":["1894, 1967"],"normalized_date_ssm":["1894/1967"],"normalized_title_ssm":["Temple Israel Service Programs, Letter to Jerome Epstein, Sr."],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Jerome Epstein papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":100,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967],"containers_ssim":["Box 21","Folder 4"],"_nest_path_":"/components#3/components#24","timestamp":"2026-05-21T05:31:11.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_550","ead_ssi":"vifgm_repositories_2_resources_550","_root_":"vifgm_repositories_2_resources_550","_nest_parent_":"vifgm_repositories_2_resources_550","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_550.xml","title_ssm":["Jerome Epstein papers"],"title_tesim":["Jerome Epstein papers"],"unitdate_ssm":["1877-1895, 1915-2002"],"unitdate_inclusive_ssm":["1877-1895, 1915-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0262","/repositories/2/resources/550"],"text":["C0262","/repositories/2/resources/550","Jerome Epstein papers","Letters","Photographs","Slides (Photography)","World War, 1939-1945","Correspondence","Scrapbooks","There are no access restrictions.","One of the scrapbooks in this collection was digitized and is available to view ","Benjamin Brands was the 2018 L. Claire Kincannon Intern at the Special Collections Research Center. His work culminated in the digital humanities project:   which includes digitized and transcribed letters from this collection.","This collection is arranged into four series.","Series 1: World War II Era Items, 1942-1946 (Boxes 1-2) Series 2: Photographs, 1914-1998 (Boxes 3-10) Series 3: Scrapbooks and Slides, 1940-1954 (Boxes 11-16) Series 4: Epstein Family Items, 1877-1895, 1915-2002 (Boxes 17-23)","Born August 25, 1925 to Jerome and Rosella Epstein, Jerome Zachariah Epstein, Jr. attended Jefferson Public Schools until being accepted into Miami University in Oxford, Ohio in 1942. After attending Miami University in Oxford for one year, Epstein enlisted in the U.S. Army, August 10, 1943, and went into active service January 3, 1944. He was sent to Italy and served for seven months as a radio operator with the 110th Mountain Signal Company 10th Mountain Division located in the Northern Appennines and the Po Valley. Epstein was honorably discharged April 19, 1946 and was awarded two bronze service stars. After returning to civilian life, Epstein finished a 4-year program at University of Dayton. After college, he would go on to work at Western Iron and Steel, a family business. Jerome Epstein, Jr. died August 14, 2002.","Processed by Bill Keeler in October 2017. EAD markup completed by Bill Keeler in October 2017. Finding aid edited by Amanda Menjivar in August 2022.","Special Collections Research Center holds other collections that document World War II and postwar United States history, including the   and the  .","The collection includes photographs, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. The collection is arranged into four series: "," Series 1: World War II Era Items (1942-1946) includes photographs, maps, identification papers, travel books, and numerous letters. "," Series 2: Photographs (1914-1998) includes photographs of Jerome Epstein, Jr., the Epstein family, negatives, photo albums, and photography equipment. "," Series 3: Scrapbooks and Slides (1940-1954) includes color slides of the Epstein family, vacations, and spring flowers. It also includes many scrapbooks which contain post cards, newspaper clippings, and many World War II items. "," Series 4: Epstein Family Items (1877-1895, 1915-2002) includes many items belonging to the Epstein family including financial documents, date books, newspapers clippings, Western Iron and Steel documents, and school documents.","This series includes photographs, maps, identification papers, travel books, and numerous letters.","This series includes photographs of Jerome Epstein, Jr., the Epstein family, negatives, photo albums, and photography equipment.","This series includes color slides of the Epstein family, vacations, and spring flowers. It also includes many scrapbooks which contain post cards, newspaper clippings, and many World War II items.","Includes many items belonging to the Epstein family including financial documents, date books, newspapers clippings, Western Iron and Steel documents, and school documents.","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection includes World War II military letters, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. The collection contains material from 1877-1895 and 1915-2002.","R 50, C 5, S 2-5\n\nR 50, C 6, S 1","George Mason University. Libraries. Special Collections Research Center","Epstein, Jerome, 1925-2002","English"],"unitid_tesim":["C0262","/repositories/2/resources/550"],"normalized_title_ssm":["Jerome Epstein papers"],"collection_title_tesim":["Jerome Epstein papers"],"collection_ssim":["Jerome Epstein papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Epstein, Jerome, 1925-2002"],"creator_ssim":["Epstein, Jerome, 1925-2002"],"creator_persname_ssim":["Epstein, Jerome, 1925-2002"],"creators_ssim":["Epstein, Jerome, 1925-2002"],"access_terms_ssm":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by L. Claire Kincannon in 2015."],"access_subjects_ssim":["Letters","Photographs","Slides (Photography)","World War, 1939-1945","Correspondence","Scrapbooks"],"access_subjects_ssm":["Letters","Photographs","Slides (Photography)","World War, 1939-1945","Correspondence","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["8.0 linear ft."],"extent_tesim":["8.0 linear ft."],"genreform_ssim":["Correspondence","Scrapbooks"],"date_range_isim":[1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eOne of the scrapbooks in this collection was digitized and is available to view \u003cextptr show=\"new\" title=\"here.\" href=\"http://images.gmu.edu/luna/servlet/GMU~13~13\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eBenjamin Brands was the 2018 L. Claire Kincannon Intern at the Special Collections Research Center. His work culminated in the digital humanities project: \u003cextptr show=\"new\" title=\"Please Send Food: A G.I.'s War in Italy,\" href=\"http://silverbox.gmu.edu/omeka-s/s/epstein/page/home\"\u003e\u003c/extptr\u003e which includes digitized and transcribed letters from this collection.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["One of the scrapbooks in this collection was digitized and is available to view ","Benjamin Brands was the 2018 L. Claire Kincannon Intern at the Special Collections Research Center. His work culminated in the digital humanities project:   which includes digitized and transcribed letters from this collection."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into four series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: World War II Era Items, 1942-1946 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Photographs, 1914-1998 (Boxes 3-10)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Scrapbooks and Slides, 1940-1954 (Boxes 11-16)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Epstein Family Items, 1877-1895, 1915-2002 (Boxes 17-23)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into four series.","Series 1: World War II Era Items, 1942-1946 (Boxes 1-2) Series 2: Photographs, 1914-1998 (Boxes 3-10) Series 3: Scrapbooks and Slides, 1940-1954 (Boxes 11-16) Series 4: Epstein Family Items, 1877-1895, 1915-2002 (Boxes 17-23)"],"bioghist_html_tesm":["\u003cp\u003eBorn August 25, 1925 to Jerome and Rosella Epstein, Jerome Zachariah Epstein, Jr. attended Jefferson Public Schools until being accepted into Miami University in Oxford, Ohio in 1942. After attending Miami University in Oxford for one year, Epstein enlisted in the U.S. Army, August 10, 1943, and went into active service January 3, 1944. He was sent to Italy and served for seven months as a radio operator with the 110th Mountain Signal Company 10th Mountain Division located in the Northern Appennines and the Po Valley. Epstein was honorably discharged April 19, 1946 and was awarded two bronze service stars. After returning to civilian life, Epstein finished a 4-year program at University of Dayton. After college, he would go on to work at Western Iron and Steel, a family business. Jerome Epstein, Jr. died August 14, 2002.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born August 25, 1925 to Jerome and Rosella Epstein, Jerome Zachariah Epstein, Jr. attended Jefferson Public Schools until being accepted into Miami University in Oxford, Ohio in 1942. After attending Miami University in Oxford for one year, Epstein enlisted in the U.S. Army, August 10, 1943, and went into active service January 3, 1944. He was sent to Italy and served for seven months as a radio operator with the 110th Mountain Signal Company 10th Mountain Division located in the Northern Appennines and the Po Valley. Epstein was honorably discharged April 19, 1946 and was awarded two bronze service stars. After returning to civilian life, Epstein finished a 4-year program at University of Dayton. After college, he would go on to work at Western Iron and Steel, a family business. Jerome Epstein, Jr. died August 14, 2002."],"prefercite_html_tesm":["\u003cp\u003eJerome Epstein papers, C0262, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Jerome Epstein papers, C0262, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Bill Keeler in October 2017. EAD markup completed by Bill Keeler in October 2017. Finding aid edited by Amanda Menjivar in August 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Bill Keeler in October 2017. EAD markup completed by Bill Keeler in October 2017. Finding aid edited by Amanda Menjivar in August 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds other collections that document World War II and postwar United States history, including the \u003cextptr show=\"new\" title=\"Leonard H. Clark military history collection\" href=\"https://aspace.gmu.edu/resources/c0060\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Mary Elsie Fox photograph collection\" href=\"https://aspace.gmu.edu/resources/c0067\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds other collections that document World War II and postwar United States history, including the   and the  ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes photographs, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. 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"," Series 3: Scrapbooks and Slides (1940-1954) includes color slides of the Epstein family, vacations, and spring flowers. It also includes many scrapbooks which contain post cards, newspaper clippings, and many World War II items. "," Series 4: Epstein Family Items (1877-1895, 1915-2002) includes many items belonging to the Epstein family including financial documents, date books, newspapers clippings, Western Iron and Steel documents, and school documents.","This series includes photographs, maps, identification papers, travel books, and numerous letters.","This series includes photographs of Jerome Epstein, Jr., the Epstein family, negatives, photo albums, and photography equipment.","This series includes color slides of the Epstein family, vacations, and spring flowers. 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These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref3\"\u003eThe collection includes World War II military letters, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. The collection contains material from 1877-1895 and 1915-2002.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes World War II military letters, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. 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It also includes many scrapbooks which contain post cards, newspaper clippings, and many World War II items.\n","Series 4: Epstein Family Items (1877-1895, 1915-2002) includes many items belonging to the Epstein family including financial documents, date books, newspapers clippings, Western Iron and Steel documents, and school documents.\n","This series includes photographs, maps, identification papers, travel books, and numerous letters.","","","","","","","","","","","","This series includes photographs of Jerome Epstein, Jr., the Epstein family, negatives, photo albums, and photography equipment.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series includes color slides of the Epstein family, vacations, and spring flowers. 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Permission to publish material from the Jerome Epstein papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref3\" label=\"Abstract\"\u003eThe collection includes World War II military letters, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. The collection contains material from 1877-1895 and 1915-2002.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes World War II military letters, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. The collection contains material from 1877-1895 and 1915-2002."],"names_ssim":["George Mason University.  Libraries.   Special Collections Research Center.","Epstein, Jerome, 1925-2002"],"corpname_ssim":["George Mason University.  Libraries.   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No known restrictions.","The copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1906],"containers_ssim":["box 9","folder 6"],"_nest_path_":"/components#1/components#121","timestamp":"2026-05-21T05:14:16.259Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_113","ead_ssi":"vifgm_repositories_2_resources_113","_root_":"vifgm_repositories_2_resources_113","_nest_parent_":"vifgm_repositories_2_resources_113","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_113.xml","title_ssm":["Charles Rodrigues playbill collection"],"title_tesim":["Charles Rodrigues playbill collection"],"unitdate_ssm":["1879-2009"],"unitdate_inclusive_ssm":["1879-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0184","/repositories/2/resources/113"],"text":["C0184","/repositories/2/resources/113","Charles Rodrigues playbill collection","Theater -- New York (State) -- New York","Theater -- United States","There are no access restrictions.","Arranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.","Series Series 1: Outside New York City, 1879-2009 (boxes 1-5, 37) Series 2: New York City, 1885-2009 (boxes 6-34, 37-38) Series 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)","Charles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage.","Processed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Brent in April 2022.","The Special Collections Research Center holds many other collections on theatre and the performing arts.","The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","The collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. ","Includes playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Playbills in this subseries are from the Boston Museum, Carousel Theatre, Charles Playhouse, Colonial Theatre, Copley Theatre, Music Hall, the New Globe Theatre, North Shore Music Theatre, Plymouth Theatre, Saxon Theatre, Shubert Theatre, South Shore Music Circus, Sumner Theatre, and the Wilbur Theatre in Boston. There is also one playbill from the Court Square Theatre in Springfield, MA, one from The Dettors Theatre in Concord, MA, two from the Provincetown Playhouse On-the-wharf in Provincetown, MA, and a review of a play from Tilton, NH.","Springfield, MA","A Majority of One; A Thousand Clowns; A Very Special Baby; Anastasia; Around the World in 80 Days","Indians  review from the Tiltonian publication of the Tilton School in Tilton, NH.","First Love; Follies ; Benefit performance of  Follies  for the American Cancer Society Massachusetts division;  Giants, Sons of Giants; Grand Hotel; Guys and Dolls; Hamlet; Hot September","Mame; Married Alive!; Mid-Summer; Mr. President","The Odd Couple; On a Clear Day You Can See Forever; On the Twentieth Century; Pacific Overtures; Photo Finish; Pretty Belle; The Roar of the Greasepaint-The Smell of the Crowd; Romanoff and Juliet; Sherry!; Toys in the Attic; Wildcat; Woman of the Year","Provincetown, MA","Many of the playbills in this subseries are Performing Arts magazines and from theaters in San Franciso and Los Angeles. Theatres include the Ambassador Cocoanut grove, American Conservatory Theatre, Aquarius Theatre, Curran Theatre, Dorothy Chandler Pavilion, Huntington Hartford Theatre, Las Palmas Theatre, Little Fox Theatre, the Music Center, the Orpheum Theatre, Shubert Theatre, and the War Memorial Opera House.","Camelot; Evita; Gigi; Give 'em Hell, Harry!","Hair; Kismet; Lorelei; The Music Man; Odyssey; Oklahoma!","Pacific Overtures ; San Francisco Opera  L'elisir d'amore; Shine It On","Sunset Boulevard; Tom Jones; The Wiz","This subseries includes playbills from the Blackstone Theatre, Columbia Theatre, the Goodman Theatre, and the Happy Medium Theatre in Chicago.","Includes playbills from the Westport Country Playhouse, Goodspeed Opera House, the Hartman Theatre, The Holmes School in Darien, Stamford Center for the Arts, the Shubert Theatre, the Long Wharf Theatre, the Ivoryton Playhouse, Yale Repertory Theatre, and Westbury Music Fair in Connecticut.","A Song for Cyrano; Ain't Misbehavin'; Annie; Bells are Ringing; The Chalk Garden; Cry for Us All; Daarlin' Juno","Dear Charles; The Devil's Disciple; El Capitan; How Now Dow Jones; Illya Darling; The King and I","Kiss Me, Kate; The Marquise; The Play's the Thing","Spider's Web; Stardust; The Three Musketeers; Two by Two; The Vagabond King; Zorba","Playbill from the Parker Playhouse in Ft. Lauderdale, Florida","This subseries includes playbills from the Abbey Theatre, Adelphi Theatre, Apollo Theatre, Comedy Theatre, Daly's Theatre, Duke of York's Theatre, Her Majesty's A Stoll Moss Theatre, Lyric Theatre, National Theatre, New London Theatre, The New Lyric Opera House, New Theatre, Palace Theatre, Palladium, Phoenix Theatre, Piccadilly Theatre, Prince Edward Theatre, Prince of Wales Theatre, Queen's Hall, The Queen's Theatre, Roundabout Theatre, Royal Court Theatre, Royal Lyceum Theatre, Royal Opera House Covent Garden, Royal Shakespeare Theatre, Savoy Theatre, Shaftesbury Theatre, Strand Theatre, St. James Theatre, Theatre Royal Drury Lane, Theatre Royal Haymarket, Victoria Palace Theatre, Wyndham's Theatre in London, the West Yorkshire Playhouse in Leeds, and the Alexandrian Theatre in Liverpool.","A Madhouse in Goa; Aspects of Love; Bloomsbury; Don Carlos","Playbill and souvenir program","Souvenir programs","Follies  (includes photograph of theatre;  Front \u0026 Center  (magazine of Roundabout Theatre Company);  The Four Musketeers!","Golden Boy; Hadrian VII; Halfway Up the Tree; The Hotel in Amsterdam; Lady Be Good; Madame Tussaud's; The Mousetrap","Gone with the Wind; Hamlet; Here and Now; High Society; Les Miserables; Martin Guerre","Operettas  by Jacques Offenbach; Sadler's Wells opera at the London Coliseum;  Travesties","Miss Saigon; Murder Among Friends; Not Now, Darling; The Odd Couple; Oliver!; Over My Dead Body; Phantom of the Opera; The Quare Fellow; The Secret of Sherlock Holmes; Shirley Valentine; Show Boat; Single Spies","Steel Magnolias; Sunset Boulevard; Sweet Charity","This subseries includes playbills from Long Island theatres, SUNY, and the Tappan Zee theatre in Nyack, as well as playbills from Westchester New York. Playbills from Westchester theatres are separated and included after the Long Island, SUNY, and Nyack playbills. Playbills from High School and community productions are included alphabetically by city at the end of this subseries.","A Song for Cyrano; Anita Baker; Assassins; Chicago; Come Back, Little Sheba; Damn Yankees; Follies","Ain't Misbehavin'; At This Performance; Camelot ; Emelin Theatre 2008-2009; Emelin's Broadway Holiday Cabaret;  Friends In Deed; Funny Girl ; Johnny Carson; Liza Minnelli;  Pure Heaven; 'S Wonderful, 's Gershwin ; Steve Martin;  Sweet Hearts ; The Vienna Boys' Choir","Ann Hampton Callaway (ticket);  Call me Madam; Carousel ; The Festival Orchestra opening performance;  Fiorello!; Glad, Too; Godspell; Grow up! A Musical; How to Succeed in Business Without Really Trying; Incongruities; The Madwoman of Chaillot; New Plays 90; New Plays 91; New Plays 92 ; Second annual M.H.S. student film festival;  Studio night chamber music; Tosca; Who's out there that's for me?; Winter birds ; also includes a letter from Helen S. Murray to Charles Rodrigues","Anything Goes; Bye Bye Birdie; Brigadoon; Carnival; Cats; Cinderella '72; Fiddler on the Roof; Footlight Follies; Guys and Dolls; The King and I; Kiss Me, Kate; Li'l Abner; Mame; The Night Thoreau Spent in Jail; Once Upon a Mattress; Paint Your Wagon; Peter Pan; South Pacific; Wonderful Town","The Absence of a Cello ;  Aida  at the Verdi Opera Festival; AFS 1983 variety show; AFS 1984 variety show;  The Boy Friend; Brigadoon; My One and Only; The Old Woman Broods ; Valentine's Day benefit February 14, 1987","A Connecticut Yankee in King Arthur's Court; Fando and Lis","This subseries includes playbills and a concert program from the state of New Jersey. Theatres include the Surflight Theatre, Paper Mill Playhouse, The Whole Theatre Company, and the Broad Street Theatre.","Animal Crackers; Children of Eden ; Fleetwood Mac, concert program;  Follies; Phantom of the Opera; The Trojan Women; Where's Charley?","This subseries includes playbills from the state of Ohio. Theatres include B.F. Keith's Hippodrome, the Cincinnati Music Theatre, and The Cincinnati Playhouse in the park.","This subseries includes playbills from the city of Paris. Theatres include the Cabaret Lido Paris, Theatre De La Renaissance, and the Theatre National de L'Opera.","This subseries includes playbills from the city of Philadelphia. One playbill from Pittsburgh's Nixon Theatre is included at the end of the Philadelphia pre-1934 playbills. Theatres include The Academy of Music, Broad Street Theatre, The Erlanger Theatre, Forrest Theatre, The Goldman Theatre, The Little Theatre, The New Locust Theatre, Playhouse, Shubert Theatre, Society Hill Playhouse, Valley Forge Music Fair, Walnut Theatre, and The University of Pennsylvania.","Pittsburgh","70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; A Call on Kuprin; A Cook for Mr. General; A Man's a Man; A Matter of Position; A Severed Head; A Thurber Carnival; A View from the Bridge; Advise and Consent; All American; Alice; Anyone Can Whistle; Ari; Artur Rubinstein; The Aspern Papers; The Beauty Part; Big Fish, Little Fish; Brain Child; Butterflies Are Free; Bye Bye Birdie; Chicago; Christine; Copper and Brass","Daughter of Silence; Dear Me, the Sky is Falling; Destry Rides Again; The Disenchanted; Do Re Mi; Donnybrook; Elizabeth the Queen; Enrico; The Fantasticks; The Fighting Cock; First impressions; Five finger exercise; Four on a garden; The fun couple; Funny girl; Gideon; The girl who came to supper; Goodbye Charlie; Greenwillow; Gypsy; H.M.S. Pinafore; Here's love; High spirits","The Highest Tree; Hot Spot; How Now, Dow Jones; I Can Get It for You Wholesale; I Remember Mama; In the Counting House; J.B.; Julia, Jake, and Uncle Joe; Little Me; Lolita, My Love; Lord Pengo; Love and Kisses; Lovely Ladies, Kind Gentlemen; Luther; Mame; The Marriage-Go-Round; Mary Stuart; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; The Miracle Worker; My Fair Lady","National Repertory Theatre;  No, No, Nanette; Nowhere to Go But Up; Old World; Period of Adjustment ; The Philadelphia Orchestra (1962-1963 season);  The Pleasure of His Company; The Prince of Grand Street; Ready When You Are C.B.!; Romulus; Say, darling; The school for scandal; She loves me; Spartacus; Something About a Soldier; Stop the World - I Want to Get Off; The Subject Was Roses; Sugar; Sugar Babies; Sweet Bird of Youth; Take Her, She's Mine; Take Me Along; There Was a Little Girl; Threepenny Opera; Tovarich","The Umbrella; The Visit; The Wall; Wildcat; Who's Afraid of Virginia Wolf?; The World of Carl Sandburg; Zorba","Four one-act plays:  Present Day Courtship, The Still Alarm, People in the Wind, In the Zone; The Sandbox, The Lesson, Daughters; Medea; She Stoops to Conquer ; The Stringart Quartet artists-in-residence; The University of Pennsylvania Glee club and Pennsyngers","This subseries includes playbills from the city of Toronto. Playbills are from the Melody Fair and the Royal Alexandra Theatre.","This subseries includes playbills from the city of Washington D.C. Playbills are from the Kennedy Center, National Theatre, Signature Theatre, and the Morris A. Mechanic Theatre in Baltimore.","The Alvin Alley City Center Dance Theatre; Applause; Carnival!","Lost in the Stars; Natural Affection; Over and Over; Rex; Sondheim Celebration; Spotlight; Sugar; The Visit","This series contains playbills and souvenir programs from a variety of theatres and venues including those found on Broadway, off-Broadway, off-off Broadway and in Brooklyn. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Angel Face; Animal Crackers; Apple Blossoms; The Apple Cart","Ballyhoo; Ballyhoo of '32; The Bandwagon","Playbills from the Broadhurst and Shubert theatres","Montauk Theatre in Brooklyn","The Blackbirds of 1928; Blossom Time; Blue Eyes; Broadway; The Broadway Whirl","Cherry Blossoms; China Rose; The Chocolate Dandies","Daddies; The Dancing Girl; Dearest Enemy; Death Takes a Holiday; The Desert Song; Design for Living; Desire Under the Elms","Two incomplete playbills","General Post; Gentlemen Prefer Blondes; George White's Scandals; Getting Married; Getting Together","The Girl Behind the Gun; Girl Crazy; The Girl Friend; The Girl from Home","Good Gracious Annabelle; Girls; Good Boy; Good News; The Grab Bag; Grand Hotel; The Great Adventure; The Great Divide; The Great Gatsby","The Greenwich Village Follies; The Greenwich Village Follies of 1920","Helen of Troy, New York; Hello Daddy; Here's Howe; Hit the Deck; Hitchy-Koo 1920","Lassie; The Lassoo; The Laugh Parade; The Last Waltz; Liliom; The Lie","Little Nelly Kelly; The Little Show; Lollipop; Love Birds","Melody; Men in White; The Merry Widow; Midnight Revue; Miss Springtime","Odds and Ends of 1917; Of Thee I Sing; Oh, Boy!; Oh, Kay!, Oh Look, Oh, please!","Three playbills, two of which are for vaudeville performances at the Orpheum Theatre in Brooklyn","Padlocks of 1927; Paris; The Parisian Model","Pietro; Pitter Patter; Poor Little Ritz Girl; Poppy; Porgy","R.U.R.; Rainbow; The Ramblers; The Red Mill","Redemption; Revels; The Rise of Rosie O'Reilly; Rosalie; Rose Bernd; Rose-Marie; The Royal Family; The Royal Vagabond; Running Wild","Simple Simon; Singin' the Blues; Six Characters in Search of an Author; Smiles; Some Time; The Song and Dance Man; Song of the Flame; Spring is Here; Strange Interlude; Street Scene; Strike Me Pink; Strike Up the Band; The Student Prince in Heidelberg; Sweet; Sweet Little Devil; Swifty","Three Wise Fools; Three's a Crowd; Tickle Me; Tip-Toes","6 Rms Riv Vu; The 25th Annual Putnam County Spelling Bee; 42nd Street; 70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; 1776","Souvenir program","A Bell for Adano; A Bistro Car; A Broadway Musical; A Case of Libel; A Catered Affair; A Celebration of Richard Rodgers; A Chorus Line; A Class Act; A Day in Hollywood / A Night in the Ukraine; A Day in the Life of Just About Everyone; A Delicate Balance; A Doll's Life","A Far Country; A FunnyTthing Happened on the Way to the Forum; A Hand Is on the Gate; A Hatful of Rain; A Kurt Weill Cabaret; A Joyful Noise","A Life; A Little Family Business; A Little Night Music","Souvenir program","A Majority of One; A Meeting by the River; A Moon for the Misbegotten; A Night at the Palace; A Party with Betty Comden and Adolph Green; A Patriot for Me; A Passage to India; A Place Without Doors; A Raisin in the Sun; A Salute to ASCAP; A Shot in the Dark; A Streetcar Named Desire; A Tale of Two Cities; A Taste of Honey; A Thurber Carnival; A Time for Singing; A Tree Grows in Brooklyn","Abelard \u0026 Heloise; Accidental Death of an Anarchist; The Act; The Actors Studio Theatre productions 1963-1964; ACT (American Conservatory Theatre); The Adventures of Tom Sawyer; Advise and Consent; After the Rain; Ah, Wilderness; Ain't Broadway Grand","Alan Gilbert \u0026 The New York Philharmonic; All Over; All the Way home; All's Well That Ends Well; Alfie!; Allegro; Amadeus; Ambassador","America Kicks Up Its Heels; American Ballet Theatre; The American Dance Machine; The American Way; Amour","Souvenir program","And Miss Reardon Drinks a Little; And the World Goes Around; The Andersonville Trial; Angel; Angel Street; Angels in America; Anna Karenina; Annie","Souvenir program","Souvenir program","Souvenir program","As Is; The Astrakhan Coat; Assassins; At the Drop of Another Hat; Auntie Mame; Autumn's Here!","Baby Want a Kiss; Bajour; Baker street; The Ballad of the Sad Cafe; Ballroom; Barbara Back to Broadway; Barefoot in Athens; Barefoot in the Park; Barnum","Souvenir programs for: Barefoot in the Park; Barnum; Beauty and the Beast; Beggar on Horseback; The Beggar's Opera; Belafonte at the Palace; Ben Franklin in Paris","Bayanihan; Beekman Place; Beg, Borrow or Steal; Beggar's Holiday; Bell's are Ringing; Ben Franklin in Paris; Bernadine; Best Foot Forward; The Best Little Whorehouse Goes Public; The Best Little Whorehouse in Texas; The Best Man; Beyond the Fringe","Big Deal; Billion Dollar Baby; Billy; The Birthday Party; Bklyn; Black and Blue; Black Broadway; Black Chiffon; Black Comedy","Black Comedy White Lies; Blast; Blithe Spirit; Blood Brothers; Blood Red Roses; Bloomer Girl; Blue Denim; Blues for Mister Charlie; The Body Beautiful; Born Yesterday","Borstal Boy; The Boy Friend; The Boy from Oz; Boys and Girls Together; The Boys from Syracuse; The Boys in the Band; The Boys of Winter","Boris Aronson (exhibit catalogue); Breakfast at Tiffany's; Breaking Legs; Brief Lives; Brigadoon; Brighton Beach Memoirs; Bring Back Birdie; Broadway Cabaret Festival; Broadway Cares","Broadway on Broadway; Broadway's Stars in the Alley; Bubbling Brown Sugar; The Buddy Holly Story; Butterflies are Free; By George; By Jupiter; Bye Bye Birdie","Souvenir program","Two souvenir programs","Souvenir program","Souvenir program","Can Can; Candida; Candide; Canterbury Tales (playbills and souvenir program)","Cantorial; Carmelina; Carousel (playbill and souvenir program); Carnival!; Carrie; Catch Me If You Can; Cats","Celebration; Century of Change; Charles Aznavour; Checking Out; Chess (playbill and souvenir program); Chicago (playbills and souvenir program)","Childs Play; The Chinese Prime Minister; Chips With Everything; Chita Rivera: The Dancer's Life; Chitty Chitty Bang Bang; City Center Joffrey ballet; City of Angels","Closer Than Ever; Cloud 7; Coco (playbills and souvenir program); The Color Purple (playbill and souvenir program); Come Blow Your Horn; Come on Strong; Come Summer; The Comedie Francaise","Company (playbills and souvenir programs)","Souvenir program","Conduct Unbecoming; The Contrast; Copper and Brass; Counsellor-at-Law; The Country Girl","Crazy For You; The Cradle Will Rock; The Creation of the World and Other Business; Critic's Choice; Cry For Us All","Cuba and His Teddy Bear; Curtains (playbills and souvenir program); Cyrano","The D'oyly Carte Opera Company; Dame Edna; Dames at Sea; Damn Yankees; Dance a Little Closer; Dance of Death; Dance of the Vampires; Dancin'; Daphne in Cottage D","The Dark at the Top of the Stairs; The Day Before Spring; The Day the Money Stopped; Dear Janet Rosenberg Dear Mr. Kooning; Dear Ruth; Dear Me, the Sky is Falling; Dear World (playbills and souvenir program)","Death of a Salesman; The Deputy (playbills and souvenir program); The Desperate Hours; Destry Rides Again; Deuce; The Devils; The Disenchanted","Diamonds; Different Times; Dinner at Eight; Dirty Rotten Scoundrels; Division Street","Do Black Patent Leather Shoes Really Reflect Up?; Do Re Mi; Do I Hear a Waltz?; Doctor Jazz; Does a Tiger Wear a Necktie?; Don Carlo and Les Troyens; Don't Drink the Water; The Doughgirls","Dr. Cook's Garden; Dracula; Drat the Cat; Dreamgirls; Drink to Me Only; The Drowsy Chaperone (playbill and souvenir program); Du Barry Was a Lady; Dude: The Highway Life; Duel of Angels; Dylan","Easter Bonnet Competition; Eating Raoul; El Bravo!; Elba; End of the World","The Effect of Gamma Rays on Man-in-the-Moon Marigolds; Elizabeth 1; Emperor Henry IV; Enter Laughing; Entertaining Mr. Sloane; Equus; The Ethel Merman Show; Everything in the Garden; Evita","Face Value; Fade Out-Fade In; Fair Game; Fallen Angels; The Family Reunion; Fanny (playbills and souvenir programs); Father's Day; Fences; Fiesta in Madrid","Fiddler on the Roof (playbills and souvenir program); Fifth of July; The Fig Leaves are Falling","Three souvenir programs including one for the film version","Finian's Rainbow; Fiorello!; Fire!; The First; The Firstborn (playbill and souvenir program); First Impressions; Fit to be Tied; Five Finger Exercise","Five Guys named Moe; The Flip Side; Flora the Red Menace; Flower Drum Song; Folies Bergere; Fortune and Men's Eyes; Forty Carats; Four on a Garden","Follies (playbills and souvenir program); Follow the Girls; Fosse; Foxy","Frank Merriwell or Honor Challenged; Frankenstein; Fred Ebb; The Frogs (playbills and souvenir program); From A to Z; The Front Page; The Full Monty","Playbills and souvenir programs","The Gang's All Here; Gantry; The Gazebo; Geese; Generation; George M.; Georgy","Gideon; Gigi (playbills and souvenir program); Gilbert \u0026 Sullivan Company; Gilbert Becaud on Broadway; The Gingerbread Lady; The Girl Against the Boys; The Girl Who Came to Supper; The Glass Menagerie; The Glorious Ones","God's Favorite; Golden Bat; Golden Boy; Golden Rainbow; Goldilocks; The Good Times Are Killing Me; The Goodbye Girl; Goodbye My Fancy; Goodtime Charlie; Grand Hotel (playbills and souvenir program); The Grand Tour","Souvenir programs for: Godspell; Golden Boy; Golden Rainbow; The Goodbye Girl","The Grass Harp; The Great God b=Brown; The Great Waltz; The Great White Hope (souvenir program); Greenwillow; Grey Gardens; Guys and Dolls; Gypsy (souvenir program)","Playbills and souvenir program","H.M.S. Pinafore; Hadrian VII; Hail Scrawdyke!; Hair; Hairspray; Half a Sixpence; Halfway Up the Tree","Half a Sixpence (souvenir program); Halfway Up the Tree; Hallelujah, Baby! (playbill and souvenir programs); Hamlet; Handful of Fire; Happiest Millionaire","Happy Birthday; Happy Birthday, Wanda June; The Happy Time (playbill and souvenir program); Happy Town; Happy Hunting (playbills and souvenir program); Harvey","Hats Off to Ice; Hay Fever; Heathen!; Hello, Dolly!","Playbills and souvenir programs","Hello, Solly!; Henry V; Henry, Sweet Henry (playbills and souvenir program); Here's Love","Hold On to Your Hats; Holiday for Lovers; Hooray for What!","The High Rollers Social \u0026 Pleasure Club; The History Boys; Home; Home Sweet Home; The Homecoming; The Hostage; Hot Spot; The House of Blue Leaves; How Now Dow Jones","How the Other Half Lives; How to Be a Jewish Mother; How to Succeed in Business Without Really Trying; How's the World Treating You; Hughie; Hurry, Harry","I Am a Camera; I Can Get It for You Wholesale; I Do! I Do! (playbills and souvenir program); I Had a Ball; I Hate Hamlet; I Know My Love; I Like It Here; I Never Sang for My Father","I Remember Mama; I'm Not Rappaport; Icetime; Illya Darling (souvenir program)","Illya Darling; The Impossible Years; In Bed We Cry; Inadmissible Evidence; Inbal; The Incomparable Max","Indians; Inherit the Wind; Inquest; International Soiree; Into the Woods (playbills and souvenir program); The Investigation; Invitation to a March","The Irregular Verb to Love; Is He Dead?; It Ain't Nothing but the Blues; It's a Bird, It's a Plane, It's Superman; Ivanov","JB; Jacobowsky and the Colonel; Jacques Brel is Alive and Well and Living in Paris; Jake's Women; Jamaica; James Joyce's The Dead; Jane; Janus; Jelly's Last Jam; Jennie; Jerome Robbins' ballets: U.S.A.; Jerome Robbins' on Broadway (playbills and souvenir program); Jesus Christ Superstar","Jimmy; Joan of Lorraine; The Jocky Club Stakes; Joe Egg; Johnny Johnson; Johnny No-Trump; Joseph and the Amazing Technicolor Dreamcoat; Joy; Journey's End; Jubilee; Judgment at Nuremberg, Judy Garland: At Home at the Palace","Kids Care; The Killing of Sister George; The King and I (playbills and souvenir program); King of Hearts; Kismet; Kiss of the Spiderwoman (playbill and souvenir program); The Knack; Kurt Weill: Making Music Theatre","La Bohème; La Cage aux Folles; La Grosse Valise; La Plume de Ma Tante","La Strada; Lady in the Dark; The Lake; Larry Kert 1930-1991; The Last Analysis; The Last of Mrs. Lincoln","Last of the Red Hot Lovers; The Last Sweet Days of Isaac; Laughs and Other Events; Legally Blonde; Legs Diamond; Les Ballets de Paris; Les Blancs; Lestat (playbill and souvenir program); Let's Face It","The Life; Life with Father; The Light in the Piazza; The Lion in Winter; Little Me (playbills and souvenir program)","Playbills and souvenir program","The Little Mermaid (playbills and souvenir program); Little Murders; Little Women (playbills and souvenir program); Lolita; Look After Lulu; Look Back in Anger; Look Homeward Angel","Playbills and souvenir programs.  Liza with a Z  tour program includes signature from Liza on last page.","Look to the Lillies; Loot; Lord Pergo; Lorelei (playbills and souvenir program); Lost in the Stars; Louisiana Purchase; Love Life; Love! Valour! Compassion!; Lovely Ladies, Kind Gentlemen; LoveMusik; The Loves of Cass McGuire","Alan Jay Lerner; Betty Comden and Adolph Green; Carolyn Leigh; Dorothy Fields; E.Y. 'Yip' Harburg; Fred Ebb and John Kander; Life is a Cabaret: A tribute to Fred Ebb; Hal David; Harold Rome; Jerry Herman; Johnny Mercer; Sammy Cahn; Shelden Harnick; Stephen Schwartz; Stephen Sondheim","Macbeth; Mack \u0026 Mabel (playbill and souvenir program); Madam Butterfly; Maggie Flynn; Make Mine Manhattan; Man of La Mancha","Souvenir programs","Mame (playbills and souvenir programs); The Mambo Kings; Mamma Mia; The Man in the Glass Booth (souvenir program)","The Man Who Came to Dinner; The Man Who Had All the Luck; The Man With a Load of Mischief; Marcel Marceau; Mark Twain Tonight!; Marlene Dietrich; The Marriage-Go-Round","Martin Short: Fame Becomes Me (playbill and souvenir program); Mary, Mary; Mary Poppins (playbills and souvenir program)","Me and My Girl (playbills and souvenir program); Meet Me in St. Louis; The Megilla of Itzik Manger; The Member of the Wedding; Merlin; Merrily We Roll Along; Metro; The Metropolitan Opera: Met in the Parks (June 2007)","Milk \u0026 Honey; Milliken Breakfast Show; Minnelli on Minnelli; Minnie's Boys; Minor Miracle; The Miracle Worker; Miss Liberty; Mister Roberts; Molly; Monty Python's Spamalot; More Stately Mansions; Morning's at Seven","Mister Johnson; Monty Python's Spamalot (souvenir program); More Stately Mansions (souvenir program); Morning, Noon, and Night; The Most Happy Fella; Mourning Become Electra; Movin' Out; Mr. Wonderful; Mr. President; Mrs. Dally","Murder at Minsing Manor: A Nancy Boys Mystery; Music! Music!; Music in My Heart; Music in the Air; The Music Man (playbill and souvenir program); The Musical Theatre of Harold Prince; Musicals in Mufti; My Fair Lady (playbills and souvenir program); My One and Only (playbill and souvenir program)","My Fair Lady; My Favorite Year; My Funny Valentine; My Sister Eileen; My Wife and I","National Ballet; Natural Affection; Nature's Way; The Nerd; The Nervous Set; Never Too Late; The New Musical of Israel; New York City Ballet; New York City Opera","New York City Ballet (playbills and Nutcracker souvenir program); New York City Opera; New York Philharmonic; The New Yorkers; The Next President; Next to Normal","Two souvenir programs","Nick \u0026 Nora; The Night Circus; The Night of the Iguana; Night Watch; Nine (playbills and souvenir program); No, No, Nanette; No Place to Be Somebody; The Ninety Day Mistress","No Strings; Nobody Loves an Albatross; Noises Off","O Mistress Mine; The Odd Couple; Of Thee I Sing; Oh! Calcutta!; Oh, Captain!; Oh, Kay!; Oh What a Lovely War; Oil City Symphony; Oklahoma! (playbills and souvenir program)","Old Times; Old Vic; Oliver! (playbills and souvenir program); On a Clear Day You Can See Forever (playbills and souvenir programs); On Golden Pond; On the Town; On the Twentieth Century","On the Waterfront; On Your Toes; Once More, With Feeling; Once on This Island (playbill and souvenir program); Once Upon a Mattress; One More River; One Night Stand; One Touch of Venus; The Only Game in Town; Orpheus Descending; Over Twenty-One","Our Country's Good; Our Town; Out Cry; Out of This World; The Owl and the Pussycat","P.S. I Love You; Pacific Overtures; The Pajama Game; Pal Joey; Pamela's First Musical; Panama Hattie; Paris Is Out!; Park; Passion; The Passion","Paul Sills' Story Theatre; Paul Taylor Dance Company; The Penny Wars; Perfectly Frank; Period of Adjustment; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade; The Petrified Forest; Phantom of the Opera (playbill and souvenir program); Philadelphia, Here I Come!; The Philanthropist","Photo Finish; Pickwick (playbill and souvenir program); Pippin (playbill and souvenir program); The Pirate Queen (playbill and souvenir program); The Pirates of Penzance; Plain and Fancy","Platinum; Play It Again, Sam; Plaza Suite; The Pleasure of His Company; Ponti; Poor Bitos; Poor Richard; Porgy and Bess; Portofino; Pousse-Café; The Power and the Glory; The Prime of Miss Jean Brodie","The Prisoner of Second Avenue; The Private Ear and the Public Eye; Private Lives; The Producers; Program I; Program II; Program III; Promenade; Promises, Promises (playbill and souvenir program); Pump Boys and Dinettes","Playbills and souvenir program","Radio City Music Hall (playbills and a souvenir program); Radio City Music Hall Christmas Spectacular; Rags; Ragtime","Souvenir program","Red Gloves; The Red Mill; The Red Shoes; Red White and Maddox; Redhead; Rendezvous with Marlene","Rex (playbills and souvenir program); Ring Bells! Sing Songs! (playbills and souvenir programs); The Rink (playbills and souvenir program)","The Rise and Fall of the City of Mahagony (souvenir programs); The Ritz; The Roar of the Greasepaint - The Smell of the Crowd (playbills and souvenir program); The Robber Bridegroom; Rockabye Hamlet; The Rocky Horror Picture Show; Room Service; The Rose Tattoo","Rosencrantz and Guildenstern Are Dead; The Rothschilds (playbills and souvenir program); The Royal Ballet (souvenir programs)","The Royal Family; The Royal Hunt of the Sun; Rugatino; Rumple; Ruthless!","Sabrina Fair; Sadie Thompson; Salvation; Saratoga; Say, Darling; The School for Scandal (playbills and souvenir program); The School for Wives; Scratch; Scrooge (souvenir program); The Secret Affairs of Mildred Wild","The Secret Garden; Seesaw (playbills and souvenir program); The Selling of the President; Send Me No Flowers; Set to Music; Seven Days of Mourning; She Loves Me!; Sheep on the Runway; Shelter","Shenandoah (playbills and souvenir programs); Sherry!; Shinbone Alley; Shogun: The Musical; Show Boat (playbill and souvenir program)","Show Boat; The Show Is On; The Sign in Sidney Brustein's Window; Silent Night, Lonely Night; Silk Stockings; Silverlake; Sing Happy (playbills and souvenir program); Sister Mary Ignatius Explains It All for You; The Actor's Nightmare","Skyscraper (playbill and souvenir program); Sleight of Hand; Sleuth; Slow Dance on the Killing Ground; Smile; Smokey Joe's Cafe: The Songs of Leiber and Stoller; Social Security; Soldiers; Solitaire, Double Solitaire; Something Different; Something for the Boys","Sondheim: A Celebration at Carnegie Hall; Sondheim: A Musical Tribute; Song \u0026 Dance (playbills and souvenir program); Song of Norway (playbill and souvenir programs); Song of the Grasshopper; Soon; The Sound of Music","South Pacific (playbills and souvenir program); Splendora; Spofford; The Star Spangled Girl; Star and Garter; Stardust","Starmites; Stars of the Bolshoi Ballet; Stars of the New York Stage 1870-1970 (exhibit catalogue); State Fair; Steel Pier; Sticks and Bones; Stop the World- I Want to Get Off; Strange Interlude; Street Songs","The Subject Was Roses; Subways Are for Sleeping; Sugar (playbills and souvenir program); Summer of the 17th Doll; Sunday in the Park with George (playbills and souvenir program); Sunset","The Sunshine Boys; The Supporting Cast; The Survival of St. Joan: A Medieval Rock Opera; Sweeney Todd: The Demon Barber of Fleet Street (playbills and souvenir program); Sweet Bird of Youth","Playbills and souvenir programs","Take Me Along; Taking Steps; Tango Argentino; Tchaikovsky at Carnegie Hall; Tchin-Tchin (playbills and souvenir programs); The Teahouse of the August Moon; Ten Little Indians; Tenderloin; The Tenth Man; That Championship Season; That's Entertainment; There Was a Little Girl; They're Playing Our Song; Thoroughly Modern Millie","There's a Girl in My Soup; Three Men on a Horse; The Threepenny Opera; Time Remembered; Tiny Alice; Titanic","Tomorrow, the World; Tonight at 8:30; Tony Award programs; Too True to Be Good; Tovarich; Toys in the Attic; Traveller Without Luggage; The Trial of Lee Harvey Oswald; Tricks; Trixie True: Teen Detective","The Tumbler; The Tunnel of Love; Twelfth Night; Twigs; Two by Two (playbill and souvenir program); Two Gentlemen of Verona (playbills and souvenir program); The Two Mrs. Carrolls","Playbills and souvenir program for The Unsinkable Molly Brown","The Utter Glory of Morrissey Hall; Veronica's Room; Very Dry and on the rocks; Very Good Eddie (playbills and souvenir program); Via Galactica; Victor Victoria","Vienna Boys Choir (souvenir program); Vintage '60; The Visit; Vivat! Vivat Regina!; The Voice of the Turtle; Voices","Wait a Minim!; Wait Until Dark; Walking Happy; Wall to Wall Richard Rodgers; Waltz of the Toreadors; War and Peace; Warp One: My Battlefield, My Body; We Have Always Lived in the Castle; The Wedding Singer (playbills and souvenir program); Welcome to the Club; West Side Story","West Side Story (playbills and souvenir programs); What Did We Do Wrong?; What Makes Sammy Run? (playbill and souvenir program); When Pigs Fly; Where's Charley? (playbill and souvenir program)","The White House; Who Was That Lady I Saw You With?; Who's Afraid of Virginia Woolf?; The Who's Tommy; Whodunnit; Whoop Dee Doo!; Whoop Up; Whores, Wars \u0026 Tin Pan Alley","Wicked (playbills and souvenir program); Wiener Blut (playbill and souvenir program); Wild and Wonderful; The Will Rodgers Follies; Winesburg, Ohio; Wings; Wish You Were Here; Wise Child","Woman of the Year (playbills and souvenir program); The Woman in White; Wonderful Tennessee; Wonderhouse; Working; The World of Suzie Wong; Write Me a Murder","The Yearling; You Can't Take It With You; You Know I Can't Hear You When the Water's Running; Young Frankenstein (playbills and souvenir program)","Ziegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda","This series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs.","Appalachian Autumn; The Day Before Sunday; Dear Friends; Do Not Go Gentle Into That Good Night; The Experiment; My Father and My Mother; The People Next Door; Sadbird; Saturday Adoption; Secrets; Shadow Game","Actors Equity Association \"Equity\" magazine; Blithe Spirit; Camelot; Chinese Theatre Hollywood; Crossed Swords","Far from the Madding Crowd; Goodbye, Mr. Chips; Helen Hayes: Portrait of an American Actress; Indiana Jones and the Temple of Doom; Latin Quarter; The Lion in Winter","Ben Hur; El Cid; How the West Was Won; It's a Mad Mad, Mad, Mad World; Judgment at Nuremburg; Lawrence of Arabia; The Longest Day; Mutiny on the Bounty; The Wonderful World of the Brothers Grimm; West Side Story","Return of the Jedi; Romeo \u0026 Juliet; Ringling Brothers and Barnum \u0026 Bailey Circus; Song of Norway; The Sound of Music","Materials created before 1925 are in the Public Domain. No known restrictions.","The copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","George Mason University. Libraries. Special Collections Research Center","Rodrigues, Charles","English"],"unitid_tesim":["C0184","/repositories/2/resources/113"],"normalized_title_ssm":["Charles Rodrigues playbill collection"],"collection_title_tesim":["Charles Rodrigues playbill collection"],"collection_ssim":["Charles Rodrigues playbill collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Rodrigues, Charles"],"creator_ssim":["Rodrigues, Charles"],"creator_persname_ssim":["Rodrigues, Charles"],"creators_ssim":["Rodrigues, Charles"],"access_terms_ssm":["Materials created before 1925 are in the Public Domain. No known restrictions.","The copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Phil Rodrigues, brother of Charles Rodrigues, October 21, 2010."],"access_subjects_ssim":["Theater -- New York (State) -- New York","Theater -- United States"],"access_subjects_ssm":["Theater -- New York (State) -- New York","Theater -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 38 boxes"],"extent_tesim":["18 Linear Feet 38 boxes"],"date_range_isim":[1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Outside New York City, 1879-2009 (boxes 1-5, 37)\u003c/item\u003e\n      \u003citem\u003eSeries 2: New York City, 1885-2009 (boxes 6-34, 37-38)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.","Series Series 1: Outside New York City, 1879-2009 (boxes 1-5, 37) Series 2: New York City, 1885-2009 (boxes 6-34, 37-38) Series 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)"],"bioghist_html_tesm":["\u003cp\u003eCharles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Charles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage."],"prefercite_html_tesm":["\u003cp\u003eCharles Rodrigues playbill collection, C0184, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Charles Rodrigues playbill collection, C0184, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Brent in April 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Brent in April 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections on theatre and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections on theatre and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.\u003c/p\u003e\n","\u003cp\u003eThe collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. \u003c/p\u003e","\u003cp\u003eIncludes playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.\u003c/p\u003e","\u003cp\u003ePlaybills in this subseries are from the Boston Museum, Carousel Theatre, Charles Playhouse, Colonial Theatre, Copley Theatre, Music Hall, the New Globe Theatre, North Shore Music Theatre, Plymouth Theatre, Saxon Theatre, Shubert Theatre, South Shore Music Circus, Sumner Theatre, and the Wilbur Theatre in Boston. There is also one playbill from the Court Square Theatre in Springfield, MA, one from The Dettors Theatre in Concord, MA, two from the Provincetown Playhouse On-the-wharf in Provincetown, MA, and a review of a play from Tilton, NH.\u003c/p\u003e","\u003cp\u003eSpringfield, MA\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Majority of One; A Thousand Clowns; A Very Special Baby; Anastasia; Around the World in 80 Days\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIndians\u003c/title\u003e review from the Tiltonian publication of the Tilton School in Tilton, NH.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFirst Love; Follies\u003c/title\u003e; Benefit performance of \u003ctitle\u003eFollies\u003c/title\u003e for the American Cancer Society Massachusetts division; \u003ctitle\u003eGiants, Sons of Giants; Grand Hotel; Guys and Dolls; Hamlet; Hot September\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMame; Married Alive!; Mid-Summer; Mr. President\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Odd Couple; On a Clear Day You Can See Forever; On the Twentieth Century; Pacific Overtures; Photo Finish; Pretty Belle; The Roar of the Greasepaint-The Smell of the Crowd; Romanoff and Juliet; Sherry!; Toys in the Attic; Wildcat; Woman of the Year\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eProvincetown, MA\u003c/p\u003e","\u003cp\u003eMany of the playbills in this subseries are Performing Arts magazines and from theaters in San Franciso and Los Angeles. Theatres include the Ambassador Cocoanut grove, American Conservatory Theatre, Aquarius Theatre, Curran Theatre, Dorothy Chandler Pavilion, Huntington Hartford Theatre, Las Palmas Theatre, Little Fox Theatre, the Music Center, the Orpheum Theatre, Shubert Theatre, and the War Memorial Opera House.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eCamelot; Evita; Gigi; Give 'em Hell, Harry!\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHair; Kismet; Lorelei; The Music Man; Odyssey; Oklahoma!\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePacific Overtures\u003c/title\u003e; San Francisco Opera \u003ctitle\u003eL'elisir d'amore; Shine It On\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSunset Boulevard; Tom Jones; The Wiz\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the Blackstone Theatre, Columbia Theatre, the Goodman Theatre, and the Happy Medium Theatre in Chicago.\u003c/p\u003e","\u003cp\u003eIncludes playbills from the Westport Country Playhouse, Goodspeed Opera House, the Hartman Theatre, The Holmes School in Darien, Stamford Center for the Arts, the Shubert Theatre, the Long Wharf Theatre, the Ivoryton Playhouse, Yale Repertory Theatre, and Westbury Music Fair in Connecticut.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Song for Cyrano; Ain't Misbehavin'; Annie; Bells are Ringing; The Chalk Garden; Cry for Us All; Daarlin' Juno\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDear Charles; The Devil's Disciple; El Capitan; How Now Dow Jones; Illya Darling; The King and I\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eKiss Me, Kate; The Marquise; The Play's the Thing\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSpider's Web; Stardust; The Three Musketeers; Two by Two; The Vagabond King; Zorba\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePlaybill from the Parker Playhouse in Ft. Lauderdale, Florida\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the Abbey Theatre, Adelphi Theatre, Apollo Theatre, Comedy Theatre, Daly's Theatre, Duke of York's Theatre, Her Majesty's A Stoll Moss Theatre, Lyric Theatre, National Theatre, New London Theatre, The New Lyric Opera House, New Theatre, Palace Theatre, Palladium, Phoenix Theatre, Piccadilly Theatre, Prince Edward Theatre, Prince of Wales Theatre, Queen's Hall, The Queen's Theatre, Roundabout Theatre, Royal Court Theatre, Royal Lyceum Theatre, Royal Opera House Covent Garden, Royal Shakespeare Theatre, Savoy Theatre, Shaftesbury Theatre, Strand Theatre, St. James Theatre, Theatre Royal Drury Lane, Theatre Royal Haymarket, Victoria Palace Theatre, Wyndham's Theatre in London, the West Yorkshire Playhouse in Leeds, and the Alexandrian Theatre in Liverpool.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Madhouse in Goa; Aspects of Love; Bloomsbury; Don Carlos\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePlaybill and souvenir program\u003c/p\u003e","\u003cp\u003eSouvenir programs\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFollies\u003c/title\u003e (includes photograph of theatre; \u003ctitle\u003eFront \u0026amp; Center\u003c/title\u003e (magazine of Roundabout Theatre Company); \u003ctitle\u003eThe Four Musketeers!\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGolden Boy; Hadrian VII; Halfway Up the Tree; The Hotel in Amsterdam; Lady Be Good; Madame Tussaud's; The Mousetrap\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGone with the Wind; Hamlet; Here and Now; High Society; Les Miserables; Martin Guerre\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOperettas\u003c/title\u003e by Jacques Offenbach; Sadler's Wells opera at the London Coliseum; \u003ctitle\u003eTravesties\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMiss Saigon; Murder Among Friends; Not Now, Darling; The Odd Couple; Oliver!; Over My Dead Body; Phantom of the Opera; The Quare Fellow; The Secret of Sherlock Holmes; Shirley Valentine; Show Boat; Single Spies\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSteel Magnolias; Sunset Boulevard; Sweet Charity\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from Long Island theatres, SUNY, and the Tappan Zee theatre in Nyack, as well as playbills from Westchester New York. Playbills from Westchester theatres are separated and included after the Long Island, SUNY, and Nyack playbills. Playbills from High School and community productions are included alphabetically by city at the end of this subseries.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Song for Cyrano; Anita Baker; Assassins; Chicago; Come Back, Little Sheba; Damn Yankees; Follies\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAin't Misbehavin'; At This Performance; Camelot\u003c/title\u003e; Emelin Theatre 2008-2009; Emelin's Broadway Holiday Cabaret; \u003ctitle\u003eFriends In Deed; Funny Girl\u003c/title\u003e; Johnny Carson; Liza Minnelli; \u003ctitle\u003ePure Heaven; 'S Wonderful, 's Gershwin\u003c/title\u003e; Steve Martin; \u003ctitle\u003eSweet Hearts\u003c/title\u003e; The Vienna Boys' Choir\u003c/p\u003e","\u003cp\u003eAnn Hampton Callaway (ticket); \u003ctitle\u003eCall me Madam; Carousel\u003c/title\u003e; The Festival Orchestra opening performance; \u003ctitle\u003eFiorello!; Glad, Too; Godspell; Grow up! A Musical; How to Succeed in Business Without Really Trying; Incongruities; The Madwoman of Chaillot; New Plays 90; New Plays 91; New Plays 92\u003c/title\u003e; Second annual M.H.S. student film festival; \u003ctitle\u003eStudio night chamber music; Tosca; Who's out there that's for me?; Winter birds\u003c/title\u003e; also includes a letter from Helen S. Murray to Charles Rodrigues\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnything Goes; Bye Bye Birdie; Brigadoon; Carnival; Cats; Cinderella '72; Fiddler on the Roof; Footlight Follies; Guys and Dolls; The King and I; Kiss Me, Kate; Li'l Abner; Mame; The Night Thoreau Spent in Jail; Once Upon a Mattress; Paint Your Wagon; Peter Pan; South Pacific; Wonderful Town\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Absence of a Cello\u003c/title\u003e; \u003ctitle\u003eAida\u003c/title\u003e at the Verdi Opera Festival; AFS 1983 variety show; AFS 1984 variety show; \u003ctitle\u003eThe Boy Friend; Brigadoon; My One and Only; The Old Woman Broods\u003c/title\u003e; Valentine's Day benefit February 14, 1987\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Connecticut Yankee in King Arthur's Court; Fando and Lis\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills and a concert program from the state of New Jersey. Theatres include the Surflight Theatre, Paper Mill Playhouse, The Whole Theatre Company, and the Broad Street Theatre.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnimal Crackers; Children of Eden\u003c/title\u003e; Fleetwood Mac, concert program; \u003ctitle\u003eFollies; Phantom of the Opera; The Trojan Women; Where's Charley?\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the state of Ohio. Theatres include B.F. Keith's Hippodrome, the Cincinnati Music Theatre, and The Cincinnati Playhouse in the park.\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Paris. Theatres include the Cabaret Lido Paris, Theatre De La Renaissance, and the Theatre National de L'Opera.\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Philadelphia. One playbill from Pittsburgh's Nixon Theatre is included at the end of the Philadelphia pre-1934 playbills. Theatres include The Academy of Music, Broad Street Theatre, The Erlanger Theatre, Forrest Theatre, The Goldman Theatre, The Little Theatre, The New Locust Theatre, Playhouse, Shubert Theatre, Society Hill Playhouse, Valley Forge Music Fair, Walnut Theatre, and The University of Pennsylvania.\u003c/p\u003e","\u003cp\u003ePittsburgh\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003e70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; A Call on Kuprin; A Cook for Mr. General; A Man's a Man; A Matter of Position; A Severed Head; A Thurber Carnival; A View from the Bridge; Advise and Consent; All American; Alice; Anyone Can Whistle; Ari; Artur Rubinstein; The Aspern Papers; The Beauty Part; Big Fish, Little Fish; Brain Child; Butterflies Are Free; Bye Bye Birdie; Chicago; Christine; Copper and Brass\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDaughter of Silence; Dear Me, the Sky is Falling; Destry Rides Again; The Disenchanted; Do Re Mi; Donnybrook; Elizabeth the Queen; Enrico; The Fantasticks; The Fighting Cock; First impressions; Five finger exercise; Four on a garden; The fun couple; Funny girl; Gideon; The girl who came to supper; Goodbye Charlie; Greenwillow; Gypsy; H.M.S. Pinafore; Here's love; High spirits\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Highest Tree; Hot Spot; How Now, Dow Jones; I Can Get It for You Wholesale; I Remember Mama; In the Counting House; J.B.; Julia, Jake, and Uncle Joe; Little Me; Lolita, My Love; Lord Pengo; Love and Kisses; Lovely Ladies, Kind Gentlemen; Luther; Mame; The Marriage-Go-Round; Mary Stuart; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; The Miracle Worker; My Fair Lady\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eNational Repertory Theatre; \u003ctitle\u003eNo, No, Nanette; Nowhere to Go But Up; Old World; Period of Adjustment\u003c/title\u003e; The Philadelphia Orchestra (1962-1963 season); \u003ctitle\u003eThe Pleasure of His Company; The Prince of Grand Street; Ready When You Are C.B.!; Romulus; Say, darling; The school for scandal; She loves me; Spartacus; Something About a Soldier; Stop the World - I Want to Get Off; The Subject Was Roses; Sugar; Sugar Babies; Sweet Bird of Youth; Take Her, She's Mine; Take Me Along; There Was a Little Girl; Threepenny Opera; Tovarich\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Umbrella; The Visit; The Wall; Wildcat; Who's Afraid of Virginia Wolf?; The World of Carl Sandburg; Zorba\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFour one-act plays: \u003ctitle\u003ePresent Day Courtship, The Still Alarm, People in the Wind, In the Zone; The Sandbox, The Lesson, Daughters; Medea; She Stoops to Conquer\u003c/title\u003e; The Stringart Quartet artists-in-residence; The University of Pennsylvania Glee club and Pennsyngers\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Toronto. Playbills are from the Melody Fair and the Royal Alexandra Theatre.\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Washington D.C. Playbills are from the Kennedy Center, National Theatre, Signature Theatre, and the Morris A. Mechanic Theatre in Baltimore.\u003c/p\u003e","\u003cp\u003eThe Alvin Alley City Center Dance Theatre; Applause; Carnival!\u003c/p\u003e","\u003cp\u003eLost in the Stars; Natural Affection; Over and Over; Rex; Sondheim Celebration; Spotlight; Sugar; The Visit\u003c/p\u003e","\u003cp\u003eThis series contains playbills and souvenir programs from a variety of theatres and venues including those found on Broadway, off-Broadway, off-off Broadway and in Brooklyn. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.\u003c/p\u003e","\u003cp\u003eAngel Face; Animal Crackers; Apple Blossoms; The Apple Cart\u003c/p\u003e","\u003cp\u003eBallyhoo; Ballyhoo of '32; The Bandwagon\u003c/p\u003e","\u003cp\u003ePlaybills from the Broadhurst and Shubert theatres\u003c/p\u003e","\u003cp\u003eMontauk Theatre in Brooklyn\u003c/p\u003e","\u003cp\u003eThe Blackbirds of 1928; Blossom Time; Blue Eyes; Broadway; The Broadway Whirl\u003c/p\u003e","\u003cp\u003eCherry Blossoms; China Rose; The Chocolate Dandies\u003c/p\u003e","\u003cp\u003eDaddies; The Dancing Girl; Dearest Enemy; Death Takes a Holiday; The Desert Song; Design for Living; Desire Under the Elms\u003c/p\u003e","\u003cp\u003eTwo incomplete playbills\u003c/p\u003e","\u003cp\u003eGeneral Post; Gentlemen Prefer Blondes; George White's Scandals; Getting Married; Getting Together\u003c/p\u003e","\u003cp\u003eThe Girl Behind the Gun; Girl Crazy; The Girl Friend; The Girl from Home\u003c/p\u003e","\u003cp\u003eGood Gracious Annabelle; Girls; Good Boy; Good News; The Grab Bag; Grand Hotel; The Great Adventure; The Great Divide; The Great Gatsby\u003c/p\u003e","\u003cp\u003eThe Greenwich Village Follies; The Greenwich Village Follies of 1920\u003c/p\u003e","\u003cp\u003eHelen of Troy, New York; Hello Daddy; Here's Howe; Hit the Deck; Hitchy-Koo 1920\u003c/p\u003e","\u003cp\u003eLassie; The Lassoo; The Laugh Parade; The Last Waltz; Liliom; The Lie\u003c/p\u003e","\u003cp\u003eLittle Nelly Kelly; The Little Show; Lollipop; Love Birds\u003c/p\u003e","\u003cp\u003eMelody; Men in White; The Merry Widow; Midnight Revue; Miss Springtime\u003c/p\u003e","\u003cp\u003eOdds and Ends of 1917; Of Thee I Sing; Oh, Boy!; Oh, Kay!, Oh Look, Oh, please!\u003c/p\u003e","\u003cp\u003eThree playbills, two of which are for vaudeville performances at the Orpheum Theatre in Brooklyn\u003c/p\u003e","\u003cp\u003ePadlocks of 1927; Paris; The Parisian Model\u003c/p\u003e","\u003cp\u003ePietro; Pitter Patter; Poor Little Ritz Girl; Poppy; Porgy\u003c/p\u003e","\u003cp\u003eR.U.R.; Rainbow; The Ramblers; The Red Mill\u003c/p\u003e","\u003cp\u003eRedemption; Revels; The Rise of Rosie O'Reilly; Rosalie; Rose Bernd; Rose-Marie; The Royal Family; The Royal Vagabond; Running Wild\u003c/p\u003e","\u003cp\u003eSimple Simon; Singin' the Blues; Six Characters in Search of an Author; Smiles; Some Time; The Song and Dance Man; Song of the Flame; Spring is Here; Strange Interlude; Street Scene; Strike Me Pink; Strike Up the Band; The Student Prince in Heidelberg; Sweet; Sweet Little Devil; Swifty\u003c/p\u003e","\u003cp\u003eThree Wise Fools; Three's a Crowd; Tickle Me; Tip-Toes\u003c/p\u003e","\u003cp\u003e6 Rms Riv Vu; The 25th Annual Putnam County Spelling Bee; 42nd Street; 70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; 1776\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eA Bell for Adano; A Bistro Car; A Broadway Musical; A Case of Libel; A Catered Affair; A Celebration of Richard Rodgers; A Chorus Line; A Class Act; A Day in Hollywood / A Night in the Ukraine; A Day in the Life of Just About Everyone; A Delicate Balance; A Doll's Life\u003c/p\u003e","\u003cp\u003eA Far Country; A FunnyTthing Happened on the Way to the Forum; A Hand Is on the Gate; A Hatful of Rain; A Kurt Weill Cabaret; A Joyful Noise\u003c/p\u003e","\u003cp\u003eA Life; A Little Family Business; A Little Night Music\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eA Majority of One; A Meeting by the River; A Moon for the Misbegotten; A Night at the Palace; A Party with Betty Comden and Adolph Green; A Patriot for Me; A Passage to India; A Place Without Doors; A Raisin in the Sun; A Salute to ASCAP; A Shot in the Dark; A Streetcar Named Desire; A Tale of Two Cities; A Taste of Honey; A Thurber Carnival; A Time for Singing; A Tree Grows in Brooklyn\u003c/p\u003e","\u003cp\u003eAbelard \u0026amp; Heloise; Accidental Death of an Anarchist; The Act; The Actors Studio Theatre productions 1963-1964; ACT (American Conservatory Theatre); The Adventures of Tom Sawyer; Advise and Consent; After the Rain; Ah, Wilderness; Ain't Broadway Grand\u003c/p\u003e","\u003cp\u003eAlan Gilbert \u0026amp; The New York Philharmonic; All Over; All the Way home; All's Well That Ends Well; Alfie!; Allegro; Amadeus; Ambassador\u003c/p\u003e","\u003cp\u003eAmerica Kicks Up Its Heels; American Ballet Theatre; The American Dance Machine; The American Way; Amour\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eAnd Miss Reardon Drinks a Little; And the World Goes Around; The Andersonville Trial; Angel; Angel Street; Angels in America; Anna Karenina; Annie\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eAs Is; The Astrakhan Coat; Assassins; At the Drop of Another Hat; Auntie Mame; Autumn's Here!\u003c/p\u003e","\u003cp\u003eBaby Want a Kiss; Bajour; Baker street; The Ballad of the Sad Cafe; Ballroom; Barbara Back to Broadway; Barefoot in Athens; Barefoot in the Park; Barnum\u003c/p\u003e","\u003cp\u003eSouvenir programs for: Barefoot in the Park; Barnum; Beauty and the Beast; Beggar on Horseback; The Beggar's Opera; Belafonte at the Palace; Ben Franklin in Paris\u003c/p\u003e","\u003cp\u003eBayanihan; Beekman Place; Beg, Borrow or Steal; Beggar's Holiday; Bell's are Ringing; Ben Franklin in Paris; Bernadine; Best Foot Forward; The Best Little Whorehouse Goes Public; The Best Little Whorehouse in Texas; The Best Man; Beyond the Fringe\u003c/p\u003e","\u003cp\u003eBig Deal; Billion Dollar Baby; Billy; The Birthday Party; Bklyn; Black and Blue; Black Broadway; Black Chiffon; Black Comedy\u003c/p\u003e","\u003cp\u003eBlack Comedy White Lies; Blast; Blithe Spirit; Blood Brothers; Blood Red Roses; Bloomer Girl; Blue Denim; Blues for Mister Charlie; The Body Beautiful; Born Yesterday\u003c/p\u003e","\u003cp\u003eBorstal Boy; The Boy Friend; The Boy from Oz; Boys and Girls Together; The Boys from Syracuse; The Boys in the Band; The Boys of Winter\u003c/p\u003e","\u003cp\u003eBoris Aronson (exhibit catalogue); Breakfast at Tiffany's; Breaking Legs; Brief Lives; Brigadoon; Brighton Beach Memoirs; Bring Back Birdie; Broadway Cabaret Festival; Broadway Cares\u003c/p\u003e","\u003cp\u003eBroadway on Broadway; Broadway's Stars in the Alley; Bubbling Brown Sugar; The Buddy Holly Story; Butterflies are Free; By George; By Jupiter; Bye Bye Birdie\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eTwo souvenir programs\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eCan Can; Candida; Candide; Canterbury Tales (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eCantorial; Carmelina; Carousel (playbill and souvenir program); Carnival!; Carrie; Catch Me If You Can; Cats\u003c/p\u003e","\u003cp\u003eCelebration; Century of Change; Charles Aznavour; Checking Out; Chess (playbill and souvenir program); Chicago (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eChilds Play; The Chinese Prime Minister; Chips With Everything; Chita Rivera: The Dancer's Life; Chitty Chitty Bang Bang; City Center Joffrey ballet; City of Angels\u003c/p\u003e","\u003cp\u003eCloser Than Ever; Cloud 7; Coco (playbills and souvenir program); The Color Purple (playbill and souvenir program); Come Blow Your Horn; Come on Strong; Come Summer; The Comedie Francaise\u003c/p\u003e","\u003cp\u003eCompany (playbills and souvenir programs)\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eConduct Unbecoming; The Contrast; Copper and Brass; Counsellor-at-Law; The Country Girl\u003c/p\u003e","\u003cp\u003eCrazy For You; The Cradle Will Rock; The Creation of the World and Other Business; Critic's Choice; Cry For Us All\u003c/p\u003e","\u003cp\u003eCuba and His Teddy Bear; Curtains (playbills and souvenir program); Cyrano\u003c/p\u003e","\u003cp\u003eThe D'oyly Carte Opera Company; Dame Edna; Dames at Sea; Damn Yankees; Dance a Little Closer; Dance of Death; Dance of the Vampires; Dancin'; Daphne in Cottage D\u003c/p\u003e","\u003cp\u003eThe Dark at the Top of the Stairs; The Day Before Spring; The Day the Money Stopped; Dear Janet Rosenberg Dear Mr. Kooning; Dear Ruth; Dear Me, the Sky is Falling; Dear World (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eDeath of a Salesman; The Deputy (playbills and souvenir program); The Desperate Hours; Destry Rides Again; Deuce; The Devils; The Disenchanted\u003c/p\u003e","\u003cp\u003eDiamonds; Different Times; Dinner at Eight; Dirty Rotten Scoundrels; Division Street\u003c/p\u003e","\u003cp\u003eDo Black Patent Leather Shoes Really Reflect Up?; Do Re Mi; Do I Hear a Waltz?; Doctor Jazz; Does a Tiger Wear a Necktie?; Don Carlo and Les Troyens; Don't Drink the Water; The Doughgirls\u003c/p\u003e","\u003cp\u003eDr. Cook's Garden; Dracula; Drat the Cat; Dreamgirls; Drink to Me Only; The Drowsy Chaperone (playbill and souvenir program); Du Barry Was a Lady; Dude: The Highway Life; Duel of Angels; Dylan\u003c/p\u003e","\u003cp\u003eEaster Bonnet Competition; Eating Raoul; El Bravo!; Elba; End of the World\u003c/p\u003e","\u003cp\u003eThe Effect of Gamma Rays on Man-in-the-Moon Marigolds; Elizabeth 1; Emperor Henry IV; Enter Laughing; Entertaining Mr. Sloane; Equus; The Ethel Merman Show; Everything in the Garden; Evita\u003c/p\u003e","\u003cp\u003eFace Value; Fade Out-Fade In; Fair Game; Fallen Angels; The Family Reunion; Fanny (playbills and souvenir programs); Father's Day; Fences; Fiesta in Madrid\u003c/p\u003e","\u003cp\u003eFiddler on the Roof (playbills and souvenir program); Fifth of July; The Fig Leaves are Falling\u003c/p\u003e","\u003cp\u003eThree souvenir programs including one for the film version\u003c/p\u003e","\u003cp\u003eFinian's Rainbow; Fiorello!; Fire!; The First; The Firstborn (playbill and souvenir program); First Impressions; Fit to be Tied; Five Finger Exercise\u003c/p\u003e","\u003cp\u003eFive Guys named Moe; The Flip Side; Flora the Red Menace; Flower Drum Song; Folies Bergere; Fortune and Men's Eyes; Forty Carats; Four on a Garden\u003c/p\u003e","\u003cp\u003eFollies (playbills and souvenir program); Follow the Girls; Fosse; Foxy\u003c/p\u003e","\u003cp\u003eFrank Merriwell or Honor Challenged; Frankenstein; Fred Ebb; The Frogs (playbills and souvenir program); From A to Z; The Front Page; The Full Monty\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs\u003c/p\u003e","\u003cp\u003eThe Gang's All Here; Gantry; The Gazebo; Geese; Generation; George M.; Georgy\u003c/p\u003e","\u003cp\u003eGideon; Gigi (playbills and souvenir program); Gilbert \u0026amp; Sullivan Company; Gilbert Becaud on Broadway; The Gingerbread Lady; The Girl Against the Boys; The Girl Who Came to Supper; The Glass Menagerie; The Glorious Ones\u003c/p\u003e","\u003cp\u003eGod's Favorite; Golden Bat; Golden Boy; Golden Rainbow; Goldilocks; The Good Times Are Killing Me; The Goodbye Girl; Goodbye My Fancy; Goodtime Charlie; Grand Hotel (playbills and souvenir program); The Grand Tour\u003c/p\u003e","\u003cp\u003eSouvenir programs for: Godspell; Golden Boy; Golden Rainbow; The Goodbye Girl\u003c/p\u003e","\u003cp\u003eThe Grass Harp; The Great God b=Brown; The Great Waltz; The Great White Hope (souvenir program); Greenwillow; Grey Gardens; Guys and Dolls; Gypsy (souvenir program)\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program\u003c/p\u003e","\u003cp\u003eH.M.S. Pinafore; Hadrian VII; Hail Scrawdyke!; Hair; Hairspray; Half a Sixpence; Halfway Up the Tree\u003c/p\u003e","\u003cp\u003eHalf a Sixpence (souvenir program); Halfway Up the Tree; Hallelujah, Baby! (playbill and souvenir programs); Hamlet; Handful of Fire; Happiest Millionaire\u003c/p\u003e","\u003cp\u003eHappy Birthday; Happy Birthday, Wanda June; The Happy Time (playbill and souvenir program); Happy Town; Happy Hunting (playbills and souvenir program); Harvey\u003c/p\u003e","\u003cp\u003eHats Off to Ice; Hay Fever; Heathen!; Hello, Dolly!\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs\u003c/p\u003e","\u003cp\u003eHello, Solly!; Henry V; Henry, Sweet Henry (playbills and souvenir program); Here's Love\u003c/p\u003e","\u003cp\u003eHold On to Your Hats; Holiday for Lovers; Hooray for What!\u003c/p\u003e","\u003cp\u003eThe High Rollers Social \u0026amp; Pleasure Club; The History Boys; Home; Home Sweet Home; The Homecoming; The Hostage; Hot Spot; The House of Blue Leaves; How Now Dow Jones\u003c/p\u003e","\u003cp\u003eHow the Other Half Lives; How to Be a Jewish Mother; How to Succeed in Business Without Really Trying; How's the World Treating You; Hughie; Hurry, Harry\u003c/p\u003e","\u003cp\u003eI Am a Camera; I Can Get It for You Wholesale; I Do! I Do! (playbills and souvenir program); I Had a Ball; I Hate Hamlet; I Know My Love; I Like It Here; I Never Sang for My Father\u003c/p\u003e","\u003cp\u003eI Remember Mama; I'm Not Rappaport; Icetime; Illya Darling (souvenir program)\u003c/p\u003e","\u003cp\u003eIllya Darling; The Impossible Years; In Bed We Cry; Inadmissible Evidence; Inbal; The Incomparable Max\u003c/p\u003e","\u003cp\u003eIndians; Inherit the Wind; Inquest; International Soiree; Into the Woods (playbills and souvenir program); The Investigation; Invitation to a March\u003c/p\u003e","\u003cp\u003eThe Irregular Verb to Love; Is He Dead?; It Ain't Nothing but the Blues; It's a Bird, It's a Plane, It's Superman; Ivanov\u003c/p\u003e","\u003cp\u003eJB; Jacobowsky and the Colonel; Jacques Brel is Alive and Well and Living in Paris; Jake's Women; Jamaica; James Joyce's The Dead; Jane; Janus; Jelly's Last Jam; Jennie; Jerome Robbins' ballets: U.S.A.; Jerome Robbins' on Broadway (playbills and souvenir program); Jesus Christ Superstar\u003c/p\u003e","\u003cp\u003eJimmy; Joan of Lorraine; The Jocky Club Stakes; Joe Egg; Johnny Johnson; Johnny No-Trump; Joseph and the Amazing Technicolor Dreamcoat; Joy; Journey's End; Jubilee; Judgment at Nuremberg, Judy Garland: At Home at the Palace\u003c/p\u003e","\u003cp\u003eKids Care; The Killing of Sister George; The King and I (playbills and souvenir program); King of Hearts; Kismet; Kiss of the Spiderwoman (playbill and souvenir program); The Knack; Kurt Weill: Making Music Theatre\u003c/p\u003e","\u003cp\u003eLa Bohème; La Cage aux Folles; La Grosse Valise; La Plume de Ma Tante\u003c/p\u003e","\u003cp\u003eLa Strada; Lady in the Dark; The Lake; Larry Kert 1930-1991; The Last Analysis; The Last of Mrs. Lincoln\u003c/p\u003e","\u003cp\u003eLast of the Red Hot Lovers; The Last Sweet Days of Isaac; Laughs and Other Events; Legally Blonde; Legs Diamond; Les Ballets de Paris; Les Blancs; Lestat (playbill and souvenir program); Let's Face It\u003c/p\u003e","\u003cp\u003eThe Life; Life with Father; The Light in the Piazza; The Lion in Winter; Little Me (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program\u003c/p\u003e","\u003cp\u003eThe Little Mermaid (playbills and souvenir program); Little Murders; Little Women (playbills and souvenir program); Lolita; Look After Lulu; Look Back in Anger; Look Homeward Angel\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs. \u003ctitle\u003eLiza with a Z\u003c/title\u003e tour program includes signature from Liza on last page.\u003c/p\u003e","\u003cp\u003eLook to the Lillies; Loot; Lord Pergo; Lorelei (playbills and souvenir program); Lost in the Stars; Louisiana Purchase; Love Life; Love! Valour! Compassion!; Lovely Ladies, Kind Gentlemen; LoveMusik; The Loves of Cass McGuire\u003c/p\u003e","\u003cp\u003eAlan Jay Lerner; Betty Comden and Adolph Green; Carolyn Leigh; Dorothy Fields; E.Y. 'Yip' Harburg; Fred Ebb and John Kander; Life is a Cabaret: A tribute to Fred Ebb; Hal David; Harold Rome; Jerry Herman; Johnny Mercer; Sammy Cahn; Shelden Harnick; Stephen Schwartz; Stephen Sondheim\u003c/p\u003e","\u003cp\u003eMacbeth; Mack \u0026amp; Mabel (playbill and souvenir program); Madam Butterfly; Maggie Flynn; Make Mine Manhattan; Man of La Mancha\u003c/p\u003e","\u003cp\u003eSouvenir programs\u003c/p\u003e","\u003cp\u003eMame (playbills and souvenir programs); The Mambo Kings; Mamma Mia; The Man in the Glass Booth (souvenir program)\u003c/p\u003e","\u003cp\u003eThe Man Who Came to Dinner; The Man Who Had All the Luck; The Man With a Load of Mischief; Marcel Marceau; Mark Twain Tonight!; Marlene Dietrich; The Marriage-Go-Round\u003c/p\u003e","\u003cp\u003eMartin Short: Fame Becomes Me (playbill and souvenir program); Mary, Mary; Mary Poppins (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eMe and My Girl (playbills and souvenir program); Meet Me in St. Louis; The Megilla of Itzik Manger; The Member of the Wedding; Merlin; Merrily We Roll Along; Metro; The Metropolitan Opera: Met in the Parks (June 2007)\u003c/p\u003e","\u003cp\u003eMilk \u0026amp; Honey; Milliken Breakfast Show; Minnelli on Minnelli; Minnie's Boys; Minor Miracle; The Miracle Worker; Miss Liberty; Mister Roberts; Molly; Monty Python's Spamalot; More Stately Mansions; Morning's at Seven\u003c/p\u003e","\u003cp\u003eMister Johnson; Monty Python's Spamalot (souvenir program); More Stately Mansions (souvenir program); Morning, Noon, and Night; The Most Happy Fella; Mourning Become Electra; Movin' Out; Mr. Wonderful; Mr. President; Mrs. Dally\u003c/p\u003e","\u003cp\u003eMurder at Minsing Manor: A Nancy Boys Mystery; Music! Music!; Music in My Heart; Music in the Air; The Music Man (playbill and souvenir program); The Musical Theatre of Harold Prince; Musicals in Mufti; My Fair Lady (playbills and souvenir program); My One and Only (playbill and souvenir program)\u003c/p\u003e","\u003cp\u003eMy Fair Lady; My Favorite Year; My Funny Valentine; My Sister Eileen; My Wife and I\u003c/p\u003e","\u003cp\u003eNational Ballet; Natural Affection; Nature's Way; The Nerd; The Nervous Set; Never Too Late; The New Musical of Israel; New York City Ballet; New York City Opera\u003c/p\u003e","\u003cp\u003eNew York City Ballet (playbills and Nutcracker souvenir program); New York City Opera; New York Philharmonic; The New Yorkers; The Next President; Next to Normal\u003c/p\u003e","\u003cp\u003eTwo souvenir programs\u003c/p\u003e","\u003cp\u003eNick \u0026amp; Nora; The Night Circus; The Night of the Iguana; Night Watch; Nine (playbills and souvenir program); No, No, Nanette; No Place to Be Somebody; The Ninety Day Mistress\u003c/p\u003e","\u003cp\u003eNo Strings; Nobody Loves an Albatross; Noises Off\u003c/p\u003e","\u003cp\u003eO Mistress Mine; The Odd Couple; Of Thee I Sing; Oh! Calcutta!; Oh, Captain!; Oh, Kay!; Oh What a Lovely War; Oil City Symphony; Oklahoma! (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eOld Times; Old Vic; Oliver! (playbills and souvenir program); On a Clear Day You Can See Forever (playbills and souvenir programs); On Golden Pond; On the Town; On the Twentieth Century\u003c/p\u003e","\u003cp\u003eOn the Waterfront; On Your Toes; Once More, With Feeling; Once on This Island (playbill and souvenir program); Once Upon a Mattress; One More River; One Night Stand; One Touch of Venus; The Only Game in Town; Orpheus Descending; Over Twenty-One\u003c/p\u003e","\u003cp\u003eOur Country's Good; Our Town; Out Cry; Out of This World; The Owl and the Pussycat\u003c/p\u003e","\u003cp\u003eP.S. I Love You; Pacific Overtures; The Pajama Game; Pal Joey; Pamela's First Musical; Panama Hattie; Paris Is Out!; Park; Passion; The Passion\u003c/p\u003e","\u003cp\u003ePaul Sills' Story Theatre; Paul Taylor Dance Company; The Penny Wars; Perfectly Frank; Period of Adjustment; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade; The Petrified Forest; Phantom of the Opera (playbill and souvenir program); Philadelphia, Here I Come!; The Philanthropist\u003c/p\u003e","\u003cp\u003ePhoto Finish; Pickwick (playbill and souvenir program); Pippin (playbill and souvenir program); The Pirate Queen (playbill and souvenir program); The Pirates of Penzance; Plain and Fancy\u003c/p\u003e","\u003cp\u003ePlatinum; Play It Again, Sam; Plaza Suite; The Pleasure of His Company; Ponti; Poor Bitos; Poor Richard; Porgy and Bess; Portofino; Pousse-Café; The Power and the Glory; The Prime of Miss Jean Brodie\u003c/p\u003e","\u003cp\u003eThe Prisoner of Second Avenue; The Private Ear and the Public Eye; Private Lives; The Producers; Program I; Program II; Program III; Promenade; Promises, Promises (playbill and souvenir program); Pump Boys and Dinettes\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program\u003c/p\u003e","\u003cp\u003eRadio City Music Hall (playbills and a souvenir program); Radio City Music Hall Christmas Spectacular; Rags; Ragtime\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eRed Gloves; The Red Mill; The Red Shoes; Red White and Maddox; Redhead; Rendezvous with Marlene\u003c/p\u003e","\u003cp\u003eRex (playbills and souvenir program); Ring Bells! Sing Songs! (playbills and souvenir programs); The Rink (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eThe Rise and Fall of the City of Mahagony (souvenir programs); The Ritz; The Roar of the Greasepaint - The Smell of the Crowd (playbills and souvenir program); The Robber Bridegroom; Rockabye Hamlet; The Rocky Horror Picture Show; Room Service; The Rose Tattoo\u003c/p\u003e","\u003cp\u003eRosencrantz and Guildenstern Are Dead; The Rothschilds (playbills and souvenir program); The Royal Ballet (souvenir programs)\u003c/p\u003e","\u003cp\u003eThe Royal Family; The Royal Hunt of the Sun; Rugatino; Rumple; Ruthless!\u003c/p\u003e","\u003cp\u003eSabrina Fair; Sadie Thompson; Salvation; Saratoga; Say, Darling; The School for Scandal (playbills and souvenir program); The School for Wives; Scratch; Scrooge (souvenir program); The Secret Affairs of Mildred Wild\u003c/p\u003e","\u003cp\u003eThe Secret Garden; Seesaw (playbills and souvenir program); The Selling of the President; Send Me No Flowers; Set to Music; Seven Days of Mourning; She Loves Me!; Sheep on the Runway; Shelter\u003c/p\u003e","\u003cp\u003eShenandoah (playbills and souvenir programs); Sherry!; Shinbone Alley; Shogun: The Musical; Show Boat (playbill and souvenir program)\u003c/p\u003e","\u003cp\u003eShow Boat; The Show Is On; The Sign in Sidney Brustein's Window; Silent Night, Lonely Night; Silk Stockings; Silverlake; Sing Happy (playbills and souvenir program); Sister Mary Ignatius Explains It All for You; The Actor's Nightmare\u003c/p\u003e","\u003cp\u003eSkyscraper (playbill and souvenir program); Sleight of Hand; Sleuth; Slow Dance on the Killing Ground; Smile; Smokey Joe's Cafe: The Songs of Leiber and Stoller; Social Security; Soldiers; Solitaire, Double Solitaire; Something Different; Something for the Boys\u003c/p\u003e","\u003cp\u003eSondheim: A Celebration at Carnegie Hall; Sondheim: A Musical Tribute; Song \u0026amp; Dance (playbills and souvenir program); Song of Norway (playbill and souvenir programs); Song of the Grasshopper; Soon; The Sound of Music\u003c/p\u003e","\u003cp\u003eSouth Pacific (playbills and souvenir program); Splendora; Spofford; The Star Spangled Girl; Star and Garter; Stardust\u003c/p\u003e","\u003cp\u003eStarmites; Stars of the Bolshoi Ballet; Stars of the New York Stage 1870-1970 (exhibit catalogue); State Fair; Steel Pier; Sticks and Bones; Stop the World- I Want to Get Off; Strange Interlude; Street Songs\u003c/p\u003e","\u003cp\u003eThe Subject Was Roses; Subways Are for Sleeping; Sugar (playbills and souvenir program); Summer of the 17th Doll; Sunday in the Park with George (playbills and souvenir program); Sunset\u003c/p\u003e","\u003cp\u003eThe Sunshine Boys; The Supporting Cast; The Survival of St. Joan: A Medieval Rock Opera; Sweeney Todd: The Demon Barber of Fleet Street (playbills and souvenir program); Sweet Bird of Youth\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs\u003c/p\u003e","\u003cp\u003eTake Me Along; Taking Steps; Tango Argentino; Tchaikovsky at Carnegie Hall; Tchin-Tchin (playbills and souvenir programs); The Teahouse of the August Moon; Ten Little Indians; Tenderloin; The Tenth Man; That Championship Season; That's Entertainment; There Was a Little Girl; They're Playing Our Song; Thoroughly Modern Millie\u003c/p\u003e","\u003cp\u003eThere's a Girl in My Soup; Three Men on a Horse; The Threepenny Opera; Time Remembered; Tiny Alice; Titanic\u003c/p\u003e","\u003cp\u003eTomorrow, the World; Tonight at 8:30; Tony Award programs; Too True to Be Good; Tovarich; Toys in the Attic; Traveller Without Luggage; The Trial of Lee Harvey Oswald; Tricks; Trixie True: Teen Detective\u003c/p\u003e","\u003cp\u003eThe Tumbler; The Tunnel of Love; Twelfth Night; Twigs; Two by Two (playbill and souvenir program); Two Gentlemen of Verona (playbills and souvenir program); The Two Mrs. Carrolls\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program for The Unsinkable Molly Brown\u003c/p\u003e","\u003cp\u003eThe Utter Glory of Morrissey Hall; Veronica's Room; Very Dry and on the rocks; Very Good Eddie (playbills and souvenir program); Via Galactica; Victor Victoria\u003c/p\u003e","\u003cp\u003eVienna Boys Choir (souvenir program); Vintage '60; The Visit; Vivat! Vivat Regina!; The Voice of the Turtle; Voices\u003c/p\u003e","\u003cp\u003eWait a Minim!; Wait Until Dark; Walking Happy; Wall to Wall Richard Rodgers; Waltz of the Toreadors; War and Peace; Warp One: My Battlefield, My Body; We Have Always Lived in the Castle; The Wedding Singer (playbills and souvenir program); Welcome to the Club; West Side Story\u003c/p\u003e","\u003cp\u003eWest Side Story (playbills and souvenir programs); What Did We Do Wrong?; What Makes Sammy Run? (playbill and souvenir program); When Pigs Fly; Where's Charley? (playbill and souvenir program)\u003c/p\u003e","\u003cp\u003eThe White House; Who Was That Lady I Saw You With?; Who's Afraid of Virginia Woolf?; The Who's Tommy; Whodunnit; Whoop Dee Doo!; Whoop Up; Whores, Wars \u0026amp; Tin Pan Alley\u003c/p\u003e","\u003cp\u003eWicked (playbills and souvenir program); Wiener Blut (playbill and souvenir program); Wild and Wonderful; The Will Rodgers Follies; Winesburg, Ohio; Wings; Wish You Were Here; Wise Child\u003c/p\u003e","\u003cp\u003eWoman of the Year (playbills and souvenir program); The Woman in White; Wonderful Tennessee; Wonderhouse; Working; The World of Suzie Wong; Write Me a Murder\u003c/p\u003e","\u003cp\u003eThe Yearling; You Can't Take It With You; You Know I Can't Hear You When the Water's Running; Young Frankenstein (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eZiegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda\u003c/p\u003e","\u003cp\u003eThis series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs.\u003c/p\u003e","\u003cp\u003eAppalachian Autumn; The Day Before Sunday; Dear Friends; Do Not Go Gentle Into That Good Night; The Experiment; My Father and My Mother; The People Next Door; Sadbird; Saturday Adoption; Secrets; Shadow Game\u003c/p\u003e","\u003cp\u003eActors Equity Association \"Equity\" magazine; Blithe Spirit; Camelot; Chinese Theatre Hollywood; Crossed Swords\u003c/p\u003e","\u003cp\u003eFar from the Madding Crowd; Goodbye, Mr. Chips; Helen Hayes: Portrait of an American Actress; Indiana Jones and the Temple of Doom; Latin Quarter; The Lion in Winter\u003c/p\u003e","\u003cp\u003eBen Hur; El Cid; How the West Was Won; It's a Mad Mad, Mad, Mad World; Judgment at Nuremburg; Lawrence of Arabia; The Longest Day; Mutiny on the Bounty; The Wonderful World of the Brothers Grimm; West Side Story\u003c/p\u003e","\u003cp\u003eReturn of the Jedi; Romeo \u0026amp; Juliet; Ringling Brothers and Barnum \u0026amp; Bailey Circus; Song of Norway; The Sound of Music\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","The collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. ","Includes playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Playbills in this subseries are from the Boston Museum, Carousel Theatre, Charles Playhouse, Colonial Theatre, Copley Theatre, Music Hall, the New Globe Theatre, North Shore Music Theatre, Plymouth Theatre, Saxon Theatre, Shubert Theatre, South Shore Music Circus, Sumner Theatre, and the Wilbur Theatre in Boston. There is also one playbill from the Court Square Theatre in Springfield, MA, one from The Dettors Theatre in Concord, MA, two from the Provincetown Playhouse On-the-wharf in Provincetown, MA, and a review of a play from Tilton, NH.","Springfield, MA","A Majority of One; A Thousand Clowns; A Very Special Baby; Anastasia; Around the World in 80 Days","Indians  review from the Tiltonian publication of the Tilton School in Tilton, NH.","First Love; Follies ; Benefit performance of  Follies  for the American Cancer Society Massachusetts division;  Giants, Sons of Giants; Grand Hotel; Guys and Dolls; Hamlet; Hot September","Mame; Married Alive!; Mid-Summer; Mr. President","The Odd Couple; On a Clear Day You Can See Forever; On the Twentieth Century; Pacific Overtures; Photo Finish; Pretty Belle; The Roar of the Greasepaint-The Smell of the Crowd; Romanoff and Juliet; Sherry!; Toys in the Attic; Wildcat; Woman of the Year","Provincetown, MA","Many of the playbills in this subseries are Performing Arts magazines and from theaters in San Franciso and Los Angeles. Theatres include the Ambassador Cocoanut grove, American Conservatory Theatre, Aquarius Theatre, Curran Theatre, Dorothy Chandler Pavilion, Huntington Hartford Theatre, Las Palmas Theatre, Little Fox Theatre, the Music Center, the Orpheum Theatre, Shubert Theatre, and the War Memorial Opera House.","Camelot; Evita; Gigi; Give 'em Hell, Harry!","Hair; Kismet; Lorelei; The Music Man; Odyssey; Oklahoma!","Pacific Overtures ; San Francisco Opera  L'elisir d'amore; Shine It On","Sunset Boulevard; Tom Jones; The Wiz","This subseries includes playbills from the Blackstone Theatre, Columbia Theatre, the Goodman Theatre, and the Happy Medium Theatre in Chicago.","Includes playbills from the Westport Country Playhouse, Goodspeed Opera House, the Hartman Theatre, The Holmes School in Darien, Stamford Center for the Arts, the Shubert Theatre, the Long Wharf Theatre, the Ivoryton Playhouse, Yale Repertory Theatre, and Westbury Music Fair in Connecticut.","A Song for Cyrano; Ain't Misbehavin'; Annie; Bells are Ringing; The Chalk Garden; Cry for Us All; Daarlin' Juno","Dear Charles; The Devil's Disciple; El Capitan; How Now Dow Jones; Illya Darling; The King and I","Kiss Me, Kate; The Marquise; The Play's the Thing","Spider's Web; Stardust; The Three Musketeers; Two by Two; The Vagabond King; Zorba","Playbill from the Parker Playhouse in Ft. Lauderdale, Florida","This subseries includes playbills from the Abbey Theatre, Adelphi Theatre, Apollo Theatre, Comedy Theatre, Daly's Theatre, Duke of York's Theatre, Her Majesty's A Stoll Moss Theatre, Lyric Theatre, National Theatre, New London Theatre, The New Lyric Opera House, New Theatre, Palace Theatre, Palladium, Phoenix Theatre, Piccadilly Theatre, Prince Edward Theatre, Prince of Wales Theatre, Queen's Hall, The Queen's Theatre, Roundabout Theatre, Royal Court Theatre, Royal Lyceum Theatre, Royal Opera House Covent Garden, Royal Shakespeare Theatre, Savoy Theatre, Shaftesbury Theatre, Strand Theatre, St. James Theatre, Theatre Royal Drury Lane, Theatre Royal Haymarket, Victoria Palace Theatre, Wyndham's Theatre in London, the West Yorkshire Playhouse in Leeds, and the Alexandrian Theatre in Liverpool.","A Madhouse in Goa; Aspects of Love; Bloomsbury; Don Carlos","Playbill and souvenir program","Souvenir programs","Follies  (includes photograph of theatre;  Front \u0026 Center  (magazine of Roundabout Theatre Company);  The Four Musketeers!","Golden Boy; Hadrian VII; Halfway Up the Tree; The Hotel in Amsterdam; Lady Be Good; Madame Tussaud's; The Mousetrap","Gone with the Wind; Hamlet; Here and Now; High Society; Les Miserables; Martin Guerre","Operettas  by Jacques Offenbach; Sadler's Wells opera at the London Coliseum;  Travesties","Miss Saigon; Murder Among Friends; Not Now, Darling; The Odd Couple; Oliver!; Over My Dead Body; Phantom of the Opera; The Quare Fellow; The Secret of Sherlock Holmes; Shirley Valentine; Show Boat; Single Spies","Steel Magnolias; Sunset Boulevard; Sweet Charity","This subseries includes playbills from Long Island theatres, SUNY, and the Tappan Zee theatre in Nyack, as well as playbills from Westchester New York. Playbills from Westchester theatres are separated and included after the Long Island, SUNY, and Nyack playbills. Playbills from High School and community productions are included alphabetically by city at the end of this subseries.","A Song for Cyrano; Anita Baker; Assassins; Chicago; Come Back, Little Sheba; Damn Yankees; Follies","Ain't Misbehavin'; At This Performance; Camelot ; Emelin Theatre 2008-2009; Emelin's Broadway Holiday Cabaret;  Friends In Deed; Funny Girl ; Johnny Carson; Liza Minnelli;  Pure Heaven; 'S Wonderful, 's Gershwin ; Steve Martin;  Sweet Hearts ; The Vienna Boys' Choir","Ann Hampton Callaway (ticket);  Call me Madam; Carousel ; The Festival Orchestra opening performance;  Fiorello!; Glad, Too; Godspell; Grow up! A Musical; How to Succeed in Business Without Really Trying; Incongruities; The Madwoman of Chaillot; New Plays 90; New Plays 91; New Plays 92 ; Second annual M.H.S. student film festival;  Studio night chamber music; Tosca; Who's out there that's for me?; Winter birds ; also includes a letter from Helen S. Murray to Charles Rodrigues","Anything Goes; Bye Bye Birdie; Brigadoon; Carnival; Cats; Cinderella '72; Fiddler on the Roof; Footlight Follies; Guys and Dolls; The King and I; Kiss Me, Kate; Li'l Abner; Mame; The Night Thoreau Spent in Jail; Once Upon a Mattress; Paint Your Wagon; Peter Pan; South Pacific; Wonderful Town","The Absence of a Cello ;  Aida  at the Verdi Opera Festival; AFS 1983 variety show; AFS 1984 variety show;  The Boy Friend; Brigadoon; My One and Only; The Old Woman Broods ; Valentine's Day benefit February 14, 1987","A Connecticut Yankee in King Arthur's Court; Fando and Lis","This subseries includes playbills and a concert program from the state of New Jersey. Theatres include the Surflight Theatre, Paper Mill Playhouse, The Whole Theatre Company, and the Broad Street Theatre.","Animal Crackers; Children of Eden ; Fleetwood Mac, concert program;  Follies; Phantom of the Opera; The Trojan Women; Where's Charley?","This subseries includes playbills from the state of Ohio. Theatres include B.F. Keith's Hippodrome, the Cincinnati Music Theatre, and The Cincinnati Playhouse in the park.","This subseries includes playbills from the city of Paris. Theatres include the Cabaret Lido Paris, Theatre De La Renaissance, and the Theatre National de L'Opera.","This subseries includes playbills from the city of Philadelphia. One playbill from Pittsburgh's Nixon Theatre is included at the end of the Philadelphia pre-1934 playbills. Theatres include The Academy of Music, Broad Street Theatre, The Erlanger Theatre, Forrest Theatre, The Goldman Theatre, The Little Theatre, The New Locust Theatre, Playhouse, Shubert Theatre, Society Hill Playhouse, Valley Forge Music Fair, Walnut Theatre, and The University of Pennsylvania.","Pittsburgh","70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; A Call on Kuprin; A Cook for Mr. General; A Man's a Man; A Matter of Position; A Severed Head; A Thurber Carnival; A View from the Bridge; Advise and Consent; All American; Alice; Anyone Can Whistle; Ari; Artur Rubinstein; The Aspern Papers; The Beauty Part; Big Fish, Little Fish; Brain Child; Butterflies Are Free; Bye Bye Birdie; Chicago; Christine; Copper and Brass","Daughter of Silence; Dear Me, the Sky is Falling; Destry Rides Again; The Disenchanted; Do Re Mi; Donnybrook; Elizabeth the Queen; Enrico; The Fantasticks; The Fighting Cock; First impressions; Five finger exercise; Four on a garden; The fun couple; Funny girl; Gideon; The girl who came to supper; Goodbye Charlie; Greenwillow; Gypsy; H.M.S. Pinafore; Here's love; High spirits","The Highest Tree; Hot Spot; How Now, Dow Jones; I Can Get It for You Wholesale; I Remember Mama; In the Counting House; J.B.; Julia, Jake, and Uncle Joe; Little Me; Lolita, My Love; Lord Pengo; Love and Kisses; Lovely Ladies, Kind Gentlemen; Luther; Mame; The Marriage-Go-Round; Mary Stuart; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; The Miracle Worker; My Fair Lady","National Repertory Theatre;  No, No, Nanette; Nowhere to Go But Up; Old World; Period of Adjustment ; The Philadelphia Orchestra (1962-1963 season);  The Pleasure of His Company; The Prince of Grand Street; Ready When You Are C.B.!; Romulus; Say, darling; The school for scandal; She loves me; Spartacus; Something About a Soldier; Stop the World - I Want to Get Off; The Subject Was Roses; Sugar; Sugar Babies; Sweet Bird of Youth; Take Her, She's Mine; Take Me Along; There Was a Little Girl; Threepenny Opera; Tovarich","The Umbrella; The Visit; The Wall; Wildcat; Who's Afraid of Virginia Wolf?; The World of Carl Sandburg; Zorba","Four one-act plays:  Present Day Courtship, The Still Alarm, People in the Wind, In the Zone; The Sandbox, The Lesson, Daughters; Medea; She Stoops to Conquer ; The Stringart Quartet artists-in-residence; The University of Pennsylvania Glee club and Pennsyngers","This subseries includes playbills from the city of Toronto. Playbills are from the Melody Fair and the Royal Alexandra Theatre.","This subseries includes playbills from the city of Washington D.C. Playbills are from the Kennedy Center, National Theatre, Signature Theatre, and the Morris A. Mechanic Theatre in Baltimore.","The Alvin Alley City Center Dance Theatre; Applause; Carnival!","Lost in the Stars; Natural Affection; Over and Over; Rex; Sondheim Celebration; Spotlight; Sugar; The Visit","This series contains playbills and souvenir programs from a variety of theatres and venues including those found on Broadway, off-Broadway, off-off Broadway and in Brooklyn. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Angel Face; Animal Crackers; Apple Blossoms; The Apple Cart","Ballyhoo; Ballyhoo of '32; The Bandwagon","Playbills from the Broadhurst and Shubert theatres","Montauk Theatre in Brooklyn","The Blackbirds of 1928; Blossom Time; Blue Eyes; Broadway; The Broadway Whirl","Cherry Blossoms; China Rose; The Chocolate Dandies","Daddies; The Dancing Girl; Dearest Enemy; Death Takes a Holiday; The Desert Song; Design for Living; Desire Under the Elms","Two incomplete playbills","General Post; Gentlemen Prefer Blondes; George White's Scandals; Getting Married; Getting Together","The Girl Behind the Gun; Girl Crazy; The Girl Friend; The Girl from Home","Good Gracious Annabelle; Girls; Good Boy; Good News; The Grab Bag; Grand Hotel; The Great Adventure; The Great Divide; The Great Gatsby","The Greenwich Village Follies; The Greenwich Village Follies of 1920","Helen of Troy, New York; Hello Daddy; Here's Howe; Hit the Deck; Hitchy-Koo 1920","Lassie; The Lassoo; The Laugh Parade; The Last Waltz; Liliom; The Lie","Little Nelly Kelly; The Little Show; Lollipop; Love Birds","Melody; Men in White; The Merry Widow; Midnight Revue; Miss Springtime","Odds and Ends of 1917; Of Thee I Sing; Oh, Boy!; Oh, Kay!, Oh Look, Oh, please!","Three playbills, two of which are for vaudeville performances at the Orpheum Theatre in Brooklyn","Padlocks of 1927; Paris; The Parisian Model","Pietro; Pitter Patter; Poor Little Ritz Girl; Poppy; Porgy","R.U.R.; Rainbow; The Ramblers; The Red Mill","Redemption; Revels; The Rise of Rosie O'Reilly; Rosalie; Rose Bernd; Rose-Marie; The Royal Family; The Royal Vagabond; Running Wild","Simple Simon; Singin' the Blues; Six Characters in Search of an Author; Smiles; Some Time; The Song and Dance Man; Song of the Flame; Spring is Here; Strange Interlude; Street Scene; Strike Me Pink; Strike Up the Band; The Student Prince in Heidelberg; Sweet; Sweet Little Devil; Swifty","Three Wise Fools; Three's a Crowd; Tickle Me; Tip-Toes","6 Rms Riv Vu; The 25th Annual Putnam County Spelling Bee; 42nd Street; 70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; 1776","Souvenir program","A Bell for Adano; A Bistro Car; A Broadway Musical; A Case of Libel; A Catered Affair; A Celebration of Richard Rodgers; A Chorus Line; A Class Act; A Day in Hollywood / A Night in the Ukraine; A Day in the Life of Just About Everyone; A Delicate Balance; A Doll's Life","A Far Country; A FunnyTthing Happened on the Way to the Forum; A Hand Is on the Gate; A Hatful of Rain; A Kurt Weill Cabaret; A Joyful Noise","A Life; A Little Family Business; A Little Night Music","Souvenir program","A Majority of One; A Meeting by the River; A Moon for the Misbegotten; A Night at the Palace; A Party with Betty Comden and Adolph Green; A Patriot for Me; A Passage to India; A Place Without Doors; A Raisin in the Sun; A Salute to ASCAP; A Shot in the Dark; A Streetcar Named Desire; A Tale of Two Cities; A Taste of Honey; A Thurber Carnival; A Time for Singing; A Tree Grows in Brooklyn","Abelard \u0026 Heloise; Accidental Death of an Anarchist; The Act; The Actors Studio Theatre productions 1963-1964; ACT (American Conservatory Theatre); The Adventures of Tom Sawyer; Advise and Consent; After the Rain; Ah, Wilderness; Ain't Broadway Grand","Alan Gilbert \u0026 The New York Philharmonic; All Over; All the Way home; All's Well That Ends Well; Alfie!; Allegro; Amadeus; Ambassador","America Kicks Up Its Heels; American Ballet Theatre; The American Dance Machine; The American Way; Amour","Souvenir program","And Miss Reardon Drinks a Little; And the World Goes Around; The Andersonville Trial; Angel; Angel Street; Angels in America; Anna Karenina; Annie","Souvenir program","Souvenir program","Souvenir program","As Is; The Astrakhan Coat; Assassins; At the Drop of Another Hat; Auntie Mame; Autumn's Here!","Baby Want a Kiss; Bajour; Baker street; The Ballad of the Sad Cafe; Ballroom; Barbara Back to Broadway; Barefoot in Athens; Barefoot in the Park; Barnum","Souvenir programs for: Barefoot in the Park; Barnum; Beauty and the Beast; Beggar on Horseback; The Beggar's Opera; Belafonte at the Palace; Ben Franklin in Paris","Bayanihan; Beekman Place; Beg, Borrow or Steal; Beggar's Holiday; Bell's are Ringing; Ben Franklin in Paris; Bernadine; Best Foot Forward; The Best Little Whorehouse Goes Public; The Best Little Whorehouse in Texas; The Best Man; Beyond the Fringe","Big Deal; Billion Dollar Baby; Billy; The Birthday Party; Bklyn; Black and Blue; Black Broadway; Black Chiffon; Black Comedy","Black Comedy White Lies; Blast; Blithe Spirit; Blood Brothers; Blood Red Roses; Bloomer Girl; Blue Denim; Blues for Mister Charlie; The Body Beautiful; Born Yesterday","Borstal Boy; The Boy Friend; The Boy from Oz; Boys and Girls Together; The Boys from Syracuse; The Boys in the Band; The Boys of Winter","Boris Aronson (exhibit catalogue); Breakfast at Tiffany's; Breaking Legs; Brief Lives; Brigadoon; Brighton Beach Memoirs; Bring Back Birdie; Broadway Cabaret Festival; Broadway Cares","Broadway on Broadway; Broadway's Stars in the Alley; Bubbling Brown Sugar; The Buddy Holly Story; Butterflies are Free; By George; By Jupiter; Bye Bye Birdie","Souvenir program","Two souvenir programs","Souvenir program","Souvenir program","Can Can; Candida; Candide; Canterbury Tales (playbills and souvenir program)","Cantorial; Carmelina; Carousel (playbill and souvenir program); Carnival!; Carrie; Catch Me If You Can; Cats","Celebration; Century of Change; Charles Aznavour; Checking Out; Chess (playbill and souvenir program); Chicago (playbills and souvenir program)","Childs Play; The Chinese Prime Minister; Chips With Everything; Chita Rivera: The Dancer's Life; Chitty Chitty Bang Bang; City Center Joffrey ballet; City of Angels","Closer Than Ever; Cloud 7; Coco (playbills and souvenir program); The Color Purple (playbill and souvenir program); Come Blow Your Horn; Come on Strong; Come Summer; The Comedie Francaise","Company (playbills and souvenir programs)","Souvenir program","Conduct Unbecoming; The Contrast; Copper and Brass; Counsellor-at-Law; The Country Girl","Crazy For You; The Cradle Will Rock; The Creation of the World and Other Business; Critic's Choice; Cry For Us All","Cuba and His Teddy Bear; Curtains (playbills and souvenir program); Cyrano","The D'oyly Carte Opera Company; Dame Edna; Dames at Sea; Damn Yankees; Dance a Little Closer; Dance of Death; Dance of the Vampires; Dancin'; Daphne in Cottage D","The Dark at the Top of the Stairs; The Day Before Spring; The Day the Money Stopped; Dear Janet Rosenberg Dear Mr. Kooning; Dear Ruth; Dear Me, the Sky is Falling; Dear World (playbills and souvenir program)","Death of a Salesman; The Deputy (playbills and souvenir program); The Desperate Hours; Destry Rides Again; Deuce; The Devils; The Disenchanted","Diamonds; Different Times; Dinner at Eight; Dirty Rotten Scoundrels; Division Street","Do Black Patent Leather Shoes Really Reflect Up?; Do Re Mi; Do I Hear a Waltz?; Doctor Jazz; Does a Tiger Wear a Necktie?; Don Carlo and Les Troyens; Don't Drink the Water; The Doughgirls","Dr. Cook's Garden; Dracula; Drat the Cat; Dreamgirls; Drink to Me Only; The Drowsy Chaperone (playbill and souvenir program); Du Barry Was a Lady; Dude: The Highway Life; Duel of Angels; Dylan","Easter Bonnet Competition; Eating Raoul; El Bravo!; Elba; End of the World","The Effect of Gamma Rays on Man-in-the-Moon Marigolds; Elizabeth 1; Emperor Henry IV; Enter Laughing; Entertaining Mr. Sloane; Equus; The Ethel Merman Show; Everything in the Garden; Evita","Face Value; Fade Out-Fade In; Fair Game; Fallen Angels; The Family Reunion; Fanny (playbills and souvenir programs); Father's Day; Fences; Fiesta in Madrid","Fiddler on the Roof (playbills and souvenir program); Fifth of July; The Fig Leaves are Falling","Three souvenir programs including one for the film version","Finian's Rainbow; Fiorello!; Fire!; The First; The Firstborn (playbill and souvenir program); First Impressions; Fit to be Tied; Five Finger Exercise","Five Guys named Moe; The Flip Side; Flora the Red Menace; Flower Drum Song; Folies Bergere; Fortune and Men's Eyes; Forty Carats; Four on a Garden","Follies (playbills and souvenir program); Follow the Girls; Fosse; Foxy","Frank Merriwell or Honor Challenged; Frankenstein; Fred Ebb; The Frogs (playbills and souvenir program); From A to Z; The Front Page; The Full Monty","Playbills and souvenir programs","The Gang's All Here; Gantry; The Gazebo; Geese; Generation; George M.; Georgy","Gideon; Gigi (playbills and souvenir program); Gilbert \u0026 Sullivan Company; Gilbert Becaud on Broadway; The Gingerbread Lady; The Girl Against the Boys; The Girl Who Came to Supper; The Glass Menagerie; The Glorious Ones","God's Favorite; Golden Bat; Golden Boy; Golden Rainbow; Goldilocks; The Good Times Are Killing Me; The Goodbye Girl; Goodbye My Fancy; Goodtime Charlie; Grand Hotel (playbills and souvenir program); The Grand Tour","Souvenir programs for: Godspell; Golden Boy; Golden Rainbow; The Goodbye Girl","The Grass Harp; The Great God b=Brown; The Great Waltz; The Great White Hope (souvenir program); Greenwillow; Grey Gardens; Guys and Dolls; Gypsy (souvenir program)","Playbills and souvenir program","H.M.S. Pinafore; Hadrian VII; Hail Scrawdyke!; Hair; Hairspray; Half a Sixpence; Halfway Up the Tree","Half a Sixpence (souvenir program); Halfway Up the Tree; Hallelujah, Baby! (playbill and souvenir programs); Hamlet; Handful of Fire; Happiest Millionaire","Happy Birthday; Happy Birthday, Wanda June; The Happy Time (playbill and souvenir program); Happy Town; Happy Hunting (playbills and souvenir program); Harvey","Hats Off to Ice; Hay Fever; Heathen!; Hello, Dolly!","Playbills and souvenir programs","Hello, Solly!; Henry V; Henry, Sweet Henry (playbills and souvenir program); Here's Love","Hold On to Your Hats; Holiday for Lovers; Hooray for What!","The High Rollers Social \u0026 Pleasure Club; The History Boys; Home; Home Sweet Home; The Homecoming; The Hostage; Hot Spot; The House of Blue Leaves; How Now Dow Jones","How the Other Half Lives; How to Be a Jewish Mother; How to Succeed in Business Without Really Trying; How's the World Treating You; Hughie; Hurry, Harry","I Am a Camera; I Can Get It for You Wholesale; I Do! I Do! (playbills and souvenir program); I Had a Ball; I Hate Hamlet; I Know My Love; I Like It Here; I Never Sang for My Father","I Remember Mama; I'm Not Rappaport; Icetime; Illya Darling (souvenir program)","Illya Darling; The Impossible Years; In Bed We Cry; Inadmissible Evidence; Inbal; The Incomparable Max","Indians; Inherit the Wind; Inquest; International Soiree; Into the Woods (playbills and souvenir program); The Investigation; Invitation to a March","The Irregular Verb to Love; Is He Dead?; It Ain't Nothing but the Blues; It's a Bird, It's a Plane, It's Superman; Ivanov","JB; Jacobowsky and the Colonel; Jacques Brel is Alive and Well and Living in Paris; Jake's Women; Jamaica; James Joyce's The Dead; Jane; Janus; Jelly's Last Jam; Jennie; Jerome Robbins' ballets: U.S.A.; Jerome Robbins' on Broadway (playbills and souvenir program); Jesus Christ Superstar","Jimmy; Joan of Lorraine; The Jocky Club Stakes; Joe Egg; Johnny Johnson; Johnny No-Trump; Joseph and the Amazing Technicolor Dreamcoat; Joy; Journey's End; Jubilee; Judgment at Nuremberg, Judy Garland: At Home at the Palace","Kids Care; The Killing of Sister George; The King and I (playbills and souvenir program); King of Hearts; Kismet; Kiss of the Spiderwoman (playbill and souvenir program); The Knack; Kurt Weill: Making Music Theatre","La Bohème; La Cage aux Folles; La Grosse Valise; La Plume de Ma Tante","La Strada; Lady in the Dark; The Lake; Larry Kert 1930-1991; The Last Analysis; The Last of Mrs. Lincoln","Last of the Red Hot Lovers; The Last Sweet Days of Isaac; Laughs and Other Events; Legally Blonde; Legs Diamond; Les Ballets de Paris; Les Blancs; Lestat (playbill and souvenir program); Let's Face It","The Life; Life with Father; The Light in the Piazza; The Lion in Winter; Little Me (playbills and souvenir program)","Playbills and souvenir program","The Little Mermaid (playbills and souvenir program); Little Murders; Little Women (playbills and souvenir program); Lolita; Look After Lulu; Look Back in Anger; Look Homeward Angel","Playbills and souvenir programs.  Liza with a Z  tour program includes signature from Liza on last page.","Look to the Lillies; Loot; Lord Pergo; Lorelei (playbills and souvenir program); Lost in the Stars; Louisiana Purchase; Love Life; Love! Valour! Compassion!; Lovely Ladies, Kind Gentlemen; LoveMusik; The Loves of Cass McGuire","Alan Jay Lerner; Betty Comden and Adolph Green; Carolyn Leigh; Dorothy Fields; E.Y. 'Yip' Harburg; Fred Ebb and John Kander; Life is a Cabaret: A tribute to Fred Ebb; Hal David; Harold Rome; Jerry Herman; Johnny Mercer; Sammy Cahn; Shelden Harnick; Stephen Schwartz; Stephen Sondheim","Macbeth; Mack \u0026 Mabel (playbill and souvenir program); Madam Butterfly; Maggie Flynn; Make Mine Manhattan; Man of La Mancha","Souvenir programs","Mame (playbills and souvenir programs); The Mambo Kings; Mamma Mia; The Man in the Glass Booth (souvenir program)","The Man Who Came to Dinner; The Man Who Had All the Luck; The Man With a Load of Mischief; Marcel Marceau; Mark Twain Tonight!; Marlene Dietrich; The Marriage-Go-Round","Martin Short: Fame Becomes Me (playbill and souvenir program); Mary, Mary; Mary Poppins (playbills and souvenir program)","Me and My Girl (playbills and souvenir program); Meet Me in St. Louis; The Megilla of Itzik Manger; The Member of the Wedding; Merlin; Merrily We Roll Along; Metro; The Metropolitan Opera: Met in the Parks (June 2007)","Milk \u0026 Honey; Milliken Breakfast Show; Minnelli on Minnelli; Minnie's Boys; Minor Miracle; The Miracle Worker; Miss Liberty; Mister Roberts; Molly; Monty Python's Spamalot; More Stately Mansions; Morning's at Seven","Mister Johnson; Monty Python's Spamalot (souvenir program); More Stately Mansions (souvenir program); Morning, Noon, and Night; The Most Happy Fella; Mourning Become Electra; Movin' Out; Mr. Wonderful; Mr. President; Mrs. Dally","Murder at Minsing Manor: A Nancy Boys Mystery; Music! Music!; Music in My Heart; Music in the Air; The Music Man (playbill and souvenir program); The Musical Theatre of Harold Prince; Musicals in Mufti; My Fair Lady (playbills and souvenir program); My One and Only (playbill and souvenir program)","My Fair Lady; My Favorite Year; My Funny Valentine; My Sister Eileen; My Wife and I","National Ballet; Natural Affection; Nature's Way; The Nerd; The Nervous Set; Never Too Late; The New Musical of Israel; New York City Ballet; New York City Opera","New York City Ballet (playbills and Nutcracker souvenir program); New York City Opera; New York Philharmonic; The New Yorkers; The Next President; Next to Normal","Two souvenir programs","Nick \u0026 Nora; The Night Circus; The Night of the Iguana; Night Watch; Nine (playbills and souvenir program); No, No, Nanette; No Place to Be Somebody; The Ninety Day Mistress","No Strings; Nobody Loves an Albatross; Noises Off","O Mistress Mine; The Odd Couple; Of Thee I Sing; Oh! Calcutta!; Oh, Captain!; Oh, Kay!; Oh What a Lovely War; Oil City Symphony; Oklahoma! (playbills and souvenir program)","Old Times; Old Vic; Oliver! (playbills and souvenir program); On a Clear Day You Can See Forever (playbills and souvenir programs); On Golden Pond; On the Town; On the Twentieth Century","On the Waterfront; On Your Toes; Once More, With Feeling; Once on This Island (playbill and souvenir program); Once Upon a Mattress; One More River; One Night Stand; One Touch of Venus; The Only Game in Town; Orpheus Descending; Over Twenty-One","Our Country's Good; Our Town; Out Cry; Out of This World; The Owl and the Pussycat","P.S. I Love You; Pacific Overtures; The Pajama Game; Pal Joey; Pamela's First Musical; Panama Hattie; Paris Is Out!; Park; Passion; The Passion","Paul Sills' Story Theatre; Paul Taylor Dance Company; The Penny Wars; Perfectly Frank; Period of Adjustment; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade; The Petrified Forest; Phantom of the Opera (playbill and souvenir program); Philadelphia, Here I Come!; The Philanthropist","Photo Finish; Pickwick (playbill and souvenir program); Pippin (playbill and souvenir program); The Pirate Queen (playbill and souvenir program); The Pirates of Penzance; Plain and Fancy","Platinum; Play It Again, Sam; Plaza Suite; The Pleasure of His Company; Ponti; Poor Bitos; Poor Richard; Porgy and Bess; Portofino; Pousse-Café; The Power and the Glory; The Prime of Miss Jean Brodie","The Prisoner of Second Avenue; The Private Ear and the Public Eye; Private Lives; The Producers; Program I; Program II; Program III; Promenade; Promises, Promises (playbill and souvenir program); Pump Boys and Dinettes","Playbills and souvenir program","Radio City Music Hall (playbills and a souvenir program); Radio City Music Hall Christmas Spectacular; Rags; Ragtime","Souvenir program","Red Gloves; The Red Mill; The Red Shoes; Red White and Maddox; Redhead; Rendezvous with Marlene","Rex (playbills and souvenir program); Ring Bells! Sing Songs! (playbills and souvenir programs); The Rink (playbills and souvenir program)","The Rise and Fall of the City of Mahagony (souvenir programs); The Ritz; The Roar of the Greasepaint - The Smell of the Crowd (playbills and souvenir program); The Robber Bridegroom; Rockabye Hamlet; The Rocky Horror Picture Show; Room Service; The Rose Tattoo","Rosencrantz and Guildenstern Are Dead; The Rothschilds (playbills and souvenir program); The Royal Ballet (souvenir programs)","The Royal Family; The Royal Hunt of the Sun; Rugatino; Rumple; Ruthless!","Sabrina Fair; Sadie Thompson; Salvation; Saratoga; Say, Darling; The School for Scandal (playbills and souvenir program); The School for Wives; Scratch; Scrooge (souvenir program); The Secret Affairs of Mildred Wild","The Secret Garden; Seesaw (playbills and souvenir program); The Selling of the President; Send Me No Flowers; Set to Music; Seven Days of Mourning; She Loves Me!; Sheep on the Runway; Shelter","Shenandoah (playbills and souvenir programs); Sherry!; Shinbone Alley; Shogun: The Musical; Show Boat (playbill and souvenir program)","Show Boat; The Show Is On; The Sign in Sidney Brustein's Window; Silent Night, Lonely Night; Silk Stockings; Silverlake; Sing Happy (playbills and souvenir program); Sister Mary Ignatius Explains It All for You; The Actor's Nightmare","Skyscraper (playbill and souvenir program); Sleight of Hand; Sleuth; Slow Dance on the Killing Ground; Smile; Smokey Joe's Cafe: The Songs of Leiber and Stoller; Social Security; Soldiers; Solitaire, Double Solitaire; Something Different; Something for the Boys","Sondheim: A Celebration at Carnegie Hall; Sondheim: A Musical Tribute; Song \u0026 Dance (playbills and souvenir program); Song of Norway (playbill and souvenir programs); Song of the Grasshopper; Soon; The Sound of Music","South Pacific (playbills and souvenir program); Splendora; Spofford; The Star Spangled Girl; Star and Garter; Stardust","Starmites; Stars of the Bolshoi Ballet; Stars of the New York Stage 1870-1970 (exhibit catalogue); State Fair; Steel Pier; Sticks and Bones; Stop the World- I Want to Get Off; Strange Interlude; Street Songs","The Subject Was Roses; Subways Are for Sleeping; Sugar (playbills and souvenir program); Summer of the 17th Doll; Sunday in the Park with George (playbills and souvenir program); Sunset","The Sunshine Boys; The Supporting Cast; The Survival of St. Joan: A Medieval Rock Opera; Sweeney Todd: The Demon Barber of Fleet Street (playbills and souvenir program); Sweet Bird of Youth","Playbills and souvenir programs","Take Me Along; Taking Steps; Tango Argentino; Tchaikovsky at Carnegie Hall; Tchin-Tchin (playbills and souvenir programs); The Teahouse of the August Moon; Ten Little Indians; Tenderloin; The Tenth Man; That Championship Season; That's Entertainment; There Was a Little Girl; They're Playing Our Song; Thoroughly Modern Millie","There's a Girl in My Soup; Three Men on a Horse; The Threepenny Opera; Time Remembered; Tiny Alice; Titanic","Tomorrow, the World; Tonight at 8:30; Tony Award programs; Too True to Be Good; Tovarich; Toys in the Attic; Traveller Without Luggage; The Trial of Lee Harvey Oswald; Tricks; Trixie True: Teen Detective","The Tumbler; The Tunnel of Love; Twelfth Night; Twigs; Two by Two (playbill and souvenir program); Two Gentlemen of Verona (playbills and souvenir program); The Two Mrs. Carrolls","Playbills and souvenir program for The Unsinkable Molly Brown","The Utter Glory of Morrissey Hall; Veronica's Room; Very Dry and on the rocks; Very Good Eddie (playbills and souvenir program); Via Galactica; Victor Victoria","Vienna Boys Choir (souvenir program); Vintage '60; The Visit; Vivat! Vivat Regina!; The Voice of the Turtle; Voices","Wait a Minim!; Wait Until Dark; Walking Happy; Wall to Wall Richard Rodgers; Waltz of the Toreadors; War and Peace; Warp One: My Battlefield, My Body; We Have Always Lived in the Castle; The Wedding Singer (playbills and souvenir program); Welcome to the Club; West Side Story","West Side Story (playbills and souvenir programs); What Did We Do Wrong?; What Makes Sammy Run? (playbill and souvenir program); When Pigs Fly; Where's Charley? (playbill and souvenir program)","The White House; Who Was That Lady I Saw You With?; Who's Afraid of Virginia Woolf?; The Who's Tommy; Whodunnit; Whoop Dee Doo!; Whoop Up; Whores, Wars \u0026 Tin Pan Alley","Wicked (playbills and souvenir program); Wiener Blut (playbill and souvenir program); Wild and Wonderful; The Will Rodgers Follies; Winesburg, Ohio; Wings; Wish You Were Here; Wise Child","Woman of the Year (playbills and souvenir program); The Woman in White; Wonderful Tennessee; Wonderhouse; Working; The World of Suzie Wong; Write Me a Murder","The Yearling; You Can't Take It With You; You Know I Can't Hear You When the Water's Running; Young Frankenstein (playbills and souvenir program)","Ziegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda","This series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs.","Appalachian Autumn; The Day Before Sunday; Dear Friends; Do Not Go Gentle Into That Good Night; The Experiment; My Father and My Mother; The People Next Door; Sadbird; Saturday Adoption; Secrets; Shadow Game","Actors Equity Association \"Equity\" magazine; Blithe Spirit; Camelot; Chinese Theatre Hollywood; Crossed Swords","Far from the Madding Crowd; Goodbye, Mr. Chips; Helen Hayes: Portrait of an American Actress; Indiana Jones and the Temple of Doom; Latin Quarter; The Lion in Winter","Ben Hur; El Cid; How the West Was Won; It's a Mad Mad, Mad, Mad World; Judgment at Nuremburg; Lawrence of Arabia; The Longest Day; Mutiny on the Bounty; The Wonderful World of the Brothers Grimm; West Side Story","Return of the Jedi; Romeo \u0026 Juliet; Ringling Brothers and Barnum \u0026 Bailey Circus; Song of Norway; The Sound of Music"],"userestrict_html_tesm":["\u003cp\u003eMaterials created before 1925 are in the Public Domain. No known restrictions.\u003c/p\u003e\n","\u003cp\u003eThe copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials created before 1925 are in the Public Domain. No known restrictions.","The copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d46ac9a9e4e3a7b9dc6e8e0b7d7a8d53\" label=\"Abstract\"\u003eThe Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.\u003c/abstract\u003e"],"abstract_tesim":["The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Rodrigues, Charles"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Rodrigues, Charles"],"language_ssim":["English"],"total_component_count_is":563,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:14:16.259Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_113_c02_c122"}},{"id":"vifgm_repositories_2_resources_440_c01_c02","type":"File","attributes":{"title":"The Manassas Journal","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_440_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_440_c01_c02","ref_ssm":["vifgm_repositories_2_resources_440_c01_c02"],"id":"vifgm_repositories_2_resources_440_c01_c02","ead_ssi":"vifgm_repositories_2_resources_440","_root_":"vifgm_repositories_2_resources_440","_nest_parent_":"vifgm_repositories_2_resources_440_c01","parent_ssi":"vifgm_repositories_2_resources_440_c01","parent_ssim":["vifgm_repositories_2_resources_440","vifgm_repositories_2_resources_440_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_440","vifgm_repositories_2_resources_440_c01"],"parent_unittitles_ssm":["Prince William County historic newspapers collection","Series 1: The Manassas Journal"],"parent_unittitles_tesim":["Prince William County historic newspapers collection","Series 1: The Manassas Journal"],"text":["Prince William County historic newspapers collection","Series 1: The Manassas Journal","The Manassas Journal","box 1","folder"],"title_filing_ssi":"The Manassas Journal","title_ssm":["The Manassas Journal"],"title_tesim":["The Manassas Journal"],"unitdate_other_ssim":["January 26, 1906"],"normalized_date_ssm":["1906"],"normalized_title_ssm":["The Manassas Journal"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Prince William County historic newspapers collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1906],"containers_ssim":["box 1","folder"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#0/components#1","timestamp":"2026-05-21T05:25:00.697Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_440","ead_ssi":"vifgm_repositories_2_resources_440","_root_":"vifgm_repositories_2_resources_440","_nest_parent_":"vifgm_repositories_2_resources_440","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_440.xml","title_filing_ssi":"Prince William County historic newspapers collection","title_ssm":["Prince William County historic newspapers collection"],"title_tesim":["Prince William County historic newspapers collection"],"unitdate_ssm":["1851-1992"],"unitdate_inclusive_ssm":["1851-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0301","/repositories/2/resources/440"],"text":["C0301","/repositories/2/resources/440","Prince William County historic newspapers collection","Alexandria County (Va.) -- Newspapers","Manassas (Va.)","Prince William County (Va.)","Newspapers","There are no access restrictions.","Series Series 1: The Manassas Journal, 1904-1951 (Oversize Box 1) Series 2: The Prince William News, 1921-1923 (Oversize Box 2) Series 3: The Manassas Messenger, 1945-1951 (Oversize Box 3) Series 4: The Journal Messenger, 1951-1986 (Oversize Boxes 4-7) Series 5: Potomac News, 1972-1988 (Oversize Box 8) Series 6: Miscellaneous, 1851-1992 (Oversize Box 9)","The  Manassas Journal  began under W.H.W. Moran \u0026 Co. in 1895. In 1945, the  Manassas Messenger  was created, and on November 22, 1951, the two publications merged into the  Journal Messenger . The  Journal Messenger  existed until 1997 and leaned Democratic. The  Prince William News , published under Clarence W. Wagener, was a weekly paper from 1921 to 1923.  Potomac News  began in 1959 in Dumfries, VA and in 1979 moved to Woodbridge, VA until it ended in 2008. ","The miscellaneous series contains issues from other Virginia newspapers, such as the  Richmond News Leader  (circa 1896-1992),  Richmond Times-Dispatch  (circa 1903-1992), the  Fauquier Democrat  (1905-1989), and the  Alexandria Gazette , (1834-1974) among others.","Processing completed by Brittney Falter in February 2017. EAD markup completed by Brittney Falter in February 2017. Finding aid updated by Amanda Menjivar in January 2023.","The Special Collections Research Center holds other collections related to Prince William County and other newspaper collections such as the   and  .","Several newspapers from Prince William County, VA and other Virginia areas such as the  Manassas Journal ,  Manassas Messenger ,  Potomac News , the  Prince William News , and the  Journal Messenger . Also included are issues from the  Alexandria Gazette , the  Richmond News Leader ,  Richmond Times-Dispatch , and other news clippings. The papers in this collection date roughly from 1861 to 1992.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Prince William County newspapers dating from 1851 to 1992.","OS R 2, C 2, S 6\nOS R 2, C 5, S 7\nOS R 3, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Prince William County Library","English"],"unitid_tesim":["C0301","/repositories/2/resources/440"],"normalized_title_ssm":["Prince William County historic newspapers collection"],"collection_title_tesim":["Prince William County historic newspapers collection"],"collection_ssim":["Prince William County historic newspapers collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Alexandria County (Va.) -- Newspapers","Manassas (Va.)","Prince William County (Va.)"],"geogname_ssim":["Alexandria County (Va.) -- Newspapers","Manassas (Va.)","Prince William County (Va.)"],"creator_ssm":["Prince William County Library"],"creator_ssim":["Prince William County Library"],"creator_corpname_ssim":["Prince William County Library"],"creators_ssim":["Prince William County Library"],"places_ssim":["Alexandria County (Va.) -- Newspapers","Manassas (Va.)","Prince William County (Va.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Prince William Public Libraries in November 2016."],"access_subjects_ssim":["Newspapers"],"access_subjects_ssm":["Newspapers"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 9 boxes"],"extent_tesim":["3 Linear Feet 9 boxes"],"date_range_isim":[1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: The Manassas Journal, 1904-1951 (Oversize Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: The Prince William News, 1921-1923 (Oversize Box 2)\u003c/item\u003e\n      \u003citem\u003eSeries 3: The Manassas Messenger, 1945-1951 (Oversize Box 3)\u003c/item\u003e\n      \u003citem\u003eSeries 4: The Journal Messenger, 1951-1986 (Oversize Boxes 4-7)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Potomac News, 1972-1988 (Oversize Box 8)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Miscellaneous, 1851-1992 (Oversize Box 9)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series Series 1: The Manassas Journal, 1904-1951 (Oversize Box 1) Series 2: The Prince William News, 1921-1923 (Oversize Box 2) Series 3: The Manassas Messenger, 1945-1951 (Oversize Box 3) Series 4: The Journal Messenger, 1951-1986 (Oversize Boxes 4-7) Series 5: Potomac News, 1972-1988 (Oversize Box 8) Series 6: Miscellaneous, 1851-1992 (Oversize Box 9)"],"bioghist_html_tesm":["\u003cp\u003eThe \u003ctitle\u003eManassas Journal\u003c/title\u003e began under W.H.W. Moran \u0026amp; Co. in 1895. In 1945, the \u003ctitle\u003eManassas Messenger\u003c/title\u003e was created, and on November 22, 1951, the two publications merged into the \u003ctitle\u003eJournal Messenger\u003c/title\u003e. The \u003ctitle\u003eJournal Messenger\u003c/title\u003e existed until 1997 and leaned Democratic. The \u003ctitle\u003ePrince William News\u003c/title\u003e, published under Clarence W. Wagener, was a weekly paper from 1921 to 1923. \u003ctitle\u003ePotomac News\u003c/title\u003e began in 1959 in Dumfries, VA and in 1979 moved to Woodbridge, VA until it ended in 2008. \u003c/p\u003e\n","\u003cp\u003eThe miscellaneous series contains issues from other Virginia newspapers, such as the \u003ctitle\u003eRichmond News Leader\u003c/title\u003e (circa 1896-1992), \u003ctitle\u003eRichmond Times-Dispatch\u003c/title\u003e (circa 1903-1992), the \u003ctitle\u003eFauquier Democrat\u003c/title\u003e (1905-1989), and the \u003ctitle\u003eAlexandria Gazette\u003c/title\u003e, (1834-1974) among others.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The  Manassas Journal  began under W.H.W. Moran \u0026 Co. in 1895. In 1945, the  Manassas Messenger  was created, and on November 22, 1951, the two publications merged into the  Journal Messenger . The  Journal Messenger  existed until 1997 and leaned Democratic. The  Prince William News , published under Clarence W. Wagener, was a weekly paper from 1921 to 1923.  Potomac News  began in 1959 in Dumfries, VA and in 1979 moved to Woodbridge, VA until it ended in 2008. ","The miscellaneous series contains issues from other Virginia newspapers, such as the  Richmond News Leader  (circa 1896-1992),  Richmond Times-Dispatch  (circa 1903-1992), the  Fauquier Democrat  (1905-1989), and the  Alexandria Gazette , (1834-1974) among others."],"prefercite_html_tesm":["\u003cp\u003ePrince William County historic newspapers collection, C0301, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Prince William County historic newspapers collection, C0301, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Brittney Falter in February 2017. EAD markup completed by Brittney Falter in February 2017. Finding aid updated by Amanda Menjivar in January 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Brittney Falter in February 2017. EAD markup completed by Brittney Falter in February 2017. Finding aid updated by Amanda Menjivar in January 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to Prince William County and other newspaper collections such as the \u003cextptr show=\"new\" title=\"Prince William Cultural Arts Federation papers\" href=\"https://aspace.gmu.edu/resources/c0297\"\u003e\u003c/extptr\u003e and \u003cextptr show=\"new\" title=\" Edward M. Peach historical newspaper collection\" href=\"https://aspace.gmu.edu/resources/c0103\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to Prince William County and other newspaper collections such as the   and  ."],"scopecontent_html_tesm":["\u003cp\u003eSeveral newspapers from Prince William County, VA and other Virginia areas such as the \u003ctitle\u003eManassas Journal\u003c/title\u003e, \u003ctitle\u003eManassas Messenger\u003c/title\u003e, \u003ctitle\u003ePotomac News\u003c/title\u003e, the \u003ctitle\u003ePrince William News\u003c/title\u003e, and the \u003ctitle\u003eJournal Messenger\u003c/title\u003e. Also included are issues from the \u003ctitle\u003eAlexandria Gazette\u003c/title\u003e, the \u003ctitle\u003eRichmond News Leader\u003c/title\u003e, \u003ctitle\u003eRichmond Times-Dispatch\u003c/title\u003e, and other news clippings. The papers in this collection date roughly from 1861 to 1992.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and 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