{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1906\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=25","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1906\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=24","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1906\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=26","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1906\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=32"},"meta":{"pages":{"current_page":25,"next_page":26,"prev_page":24,"total_pages":32,"limit_value":10,"offset_value":240,"total_count":312,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_651_c03","type":"Series","attributes":{"title":"Series 3: Personal materials","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_651_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries 3: Personal materials (1891, circa 1909 - 1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_651_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_651_c03","ref_ssm":["vifgm_repositories_2_resources_651_c03"],"id":"vifgm_repositories_2_resources_651_c03","ead_ssi":"vifgm_repositories_2_resources_651","_root_":"vifgm_repositories_2_resources_651","_nest_parent_":"vifgm_repositories_2_resources_651","parent_ssi":"vifgm_repositories_2_resources_651","parent_ssim":["vifgm_repositories_2_resources_651"],"parent_ids_ssim":["vifgm_repositories_2_resources_651"],"parent_unittitles_ssm":["Lavinia Scott papers"],"parent_unittitles_tesim":["Lavinia Scott papers"],"text":["Lavinia Scott papers","Series 3: Personal materials","box Box 23-28, 33-36, 40-41, 43, 56, 59-61, 63, 65-66, 72, map-case 8.3","Series 3: Personal materials (1891, circa 1909 - 1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries.","Sub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","Sub-series 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5.","Sub-series 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years."],"title_filing_ssi":"Series 3: Personal materials","title_ssm":["Series 3: Personal materials"],"title_tesim":["Series 3: Personal materials"],"unitdate_inclusive_ssm":["1891, circa 1909-1998"],"normalized_date_ssm":["1891/1998"],"normalized_title_ssm":["Series 3: Personal materials"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Lavinia Scott papers"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":542,"parent_access_restrict_tesm":["Certain materials in the collection are restricted due to personally identifiable information."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"containers_ssim":["box Box 23-28, 33-36, 40-41, 43, 56, 59-61, 63, 65-66, 72, map-case 8.3"],"scopecontent_html_tesm":["\u003cp\u003eSeries 3: Personal materials (1891, circa 1909 - 1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries.\u003c/p\u003e","\u003cp\u003eSub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.\u003c/p\u003e","\u003cp\u003eSub-series 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5.\u003c/p\u003e","\u003cp\u003eSub-series 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Series 3: Personal materials (1891, circa 1909 - 1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries.","Sub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","Sub-series 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5.","Sub-series 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years."],"_nest_path_":"/components#2","timestamp":"2026-05-21T05:26:10.110Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_651","ead_ssi":"vifgm_repositories_2_resources_651","_root_":"vifgm_repositories_2_resources_651","_nest_parent_":"vifgm_repositories_2_resources_651","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_651.xml","title_filing_ssi":"Lavinia Scott papers","title_ssm":["Lavinia Scott papers"],"title_tesim":["Lavinia Scott papers"],"unitdate_ssm":["circa 1860s-1998"],"unitdate_inclusive_ssm":["circa 1860s-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0506","/repositories/2/resources/651"],"text":["C0506","/repositories/2/resources/651","Lavinia Scott papers","South Africa","KwaZulu-Natal (South Africa)","South Africa -- Politics and government -- 20th century","Education, Higher","Nguni (African people)","Nguni languages","Missions, South African","Education -- South Africa","Women missionaries","Apartheid","Anti-apartheid movements -- South Africa","South African newspapers","Social justice -- Religious aspects -- Christianity","Zulu (African people)","Correspondence","Postcards","Photographs","Newspapers","Slides","Certain materials in the collection are restricted due to personally identifiable information.","The collection is arranged in seven series.","Series Series 1: Correspondence Series 2: Professional activities Series 3: Personal materials Series 4: Newspapers and periodicals Series 5: Photographs and negatives Series 6: Audiovisual materials Series 7: South African artifacts","Lavinia Scott (also known as Clara Lavinia Scott) was born on March 21, 1907 in Yankton, South Dakota to George Harvey and Mary Maud Cole Scott. The youngest of four children, including the future Dr. Franklin Scott, Lavinia spent her life surrounded by education. As a child she attended local public schools, including Jacksonville High School, and in 1923 enrolled in a Bachelor's degree program at Illinois College, where her father served as a Dean for eight years before his sudden death in 1926. Lavinia graduated the following year (1927) with a B.A. in History and it was here that she began to devote her life to education full-time, securing a teaching position with Illinois' Harvard Community High School District Number 153 which she held for approximately two years.","Around the beginning of the 1930s, Lavinia's focus shifted from secular education to international educational missionary work. She enrolled in a Master's program with the Yale Divinity School and upon moving to Connecticut spent two years in training with the United Congregational Church in Bridgeport. In August 1932, less than two months after receiving her Master of Art's degree in June, Lavinia was assigned a teaching position at Adams College (formerly Amanzimtoti Institute) in South Africa under the direction of the Congregational Church affiliated American Board of Commissioners for Foreign Missions (ABCFM). ","Lavinia remained at Adams College until she was transferred to nearby Inanda Seminary in 1936 where she assumed the role of Principal, a title which she held for over 30 years. During this time, she fought back against the South African government's discriminatory Apartheid policies, particularly the Bantu Education Act of 1953, which both significantly lowered the quality of education available to Black South Africans and removed government funding for private missionary schools. She also oversaw the school's Centenary Celebration in 1969, as well as several expansions to the campus, including the beginning of what would become the \"Lavinia Scott Chapel\". In 1969, she left Inanda Seminary, transferring to the newly formed Federal Theological Seminary where she returned to a teaching position until her formal retirement circa 1974.","While her retirement saw a return to the United States, ultimately assuming residence in Claremont, California, it did not mean the end of her mission work. For the next 20 years, Lavinia was an active speaker on behalf of the newly formed United Church of Christ as a South African mission representative for the United Church Board for World Ministries (UCBWM), formerly the ABCFM. She also continued her social justice advocacy, working on behalf of both domestic and international causes, including extensive work throughout the 1980s with the Claremont branch of the Task Force on Central America. Despite her busy schedule, Lavinia still found time to continue her love of traveling, including domestic trips with family and friends, and several returns to South Africa and Inanda Seminary.","While Lavinia never fully stopped her missionary work, she did eventually move to a UCC affiliated retirement community in Claremont known as Pilgrim Place where she lived until her passing on July 10, 1997 at the age of 90. She is buried near her family in Jacksonville's Diamond Grove Cemetery.","Processing completed by Meghan Glasbrenner from September 2022 - August 2023. Finding aid completed by Meghan Glasbrenner in August 2023.","Northwestern University holds the  Lavinia Scott (1907-1997) Papers  which consists mostly of correspondence, largely to Lavinia's mother Mary Maud Scott, as well as the full  Franklin D. Scott (1901-1994) Papers . Harvard University holds several archival collections for the American Board of Commissioners of Foreign Missions divided by location, including the  African missions records , as well as the Finding Aid for the  Inanda Seminary Oral History Project  completed between 2008 – 2010.","The Lavinia Scott papers largely consist of correspondence, reports, newspapers, promotional materials, magazines, speeches, sermons, writings, educational records, travel maps and postcards, photographs, and audiovisual materials created between circa 1860s-1998. The collection contains 7 series.","Series 1: Correspondence (circa 1860s, 1900s-1997) includes sent and received correspondence, both personal and professional. Types of correspondence include postcards, letters on stationary, airmail letters, greeting cards, Christmas and general holiday letters, and carbon copies of sent letters. While the majority of the correspondence is between Lavinia Scott and others, this series also includes correspondence received by others that was then passed on to Lavinia either for review or after their passing. The bulk of the correspondence covers the 1920s – 1970s, with a slight gap in coverage during the 1980s, and a shift to more general cards and holiday letters in the 1990s. This series is arranged alphabetically by correspondent last name, group title, or type of correspondence, such as Family letters sent by Lavinia during her years in South Africa.","Series 2: Professional activities (1885, 1917-1997) includes both direct and indirect materials related to Lavinia's professional life as a Christian missionary speaker and educator. It is further divided into two subseries. Subseries 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.","Series 3: Personal materials (1891, circa 1909-1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries. Subseries 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5. Subseries 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.","Series 4: Newspapers and periodicals (1920s – 1997) includes news and periodical print publications and newsletters, both full text and selections, including many from South Africa in both English and Afrikaans. It is further divided into two subseries. Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3. Subseries 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.","Series 5: Photographs and negatives (circa 1870s – 1990s) includes photographs and negatives related to Lavinia's work and personal life. The contents cover a wide array of sizes and mediums, including gelatin prints, black and white and color snapshots, and color processed prints. Many, but not all, prints include some level of identifying inscription on the back, including stamps from local photographers. It is further divided into two subseries. Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time. Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided. Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided. Sub-series 4: Negatives (circa 1930s – 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.","Series 6: Audiovisual materials (circa 1930s – 1997) includes all audiovisual materials including photographic slides, both labeled and unlabeled cassette and VHS tapes, three professional .45 records, and one unlabeled Magnetophoband BASF reel to reel tape. Cassette and VHS contents reflect Lavinia's mission work in South Africa, including recordings of sermons and ceremonies at Inanda Seminary, sermons and speeches on various religious and social issues, and oral history interviews with mission workers such as Lou Ann Parsons, as well as 6-7 tapes containing an extensive interview with Lavinia herself. The bulk of these materials cover the 1970s – 1980s. Additionally, the photographic slides depict both South African mission work and Inanda Seminary, as well as personal family events and travels, including numerous souvenir professional slides from international locations. The bulk of these materials cover the 1950s – 1970s. All items in this series have been grouped by medium; some photographic slides include identifying information but, further organization by subject has not been completed at this time.","Series 7: South African artifacts (circa 1970s – 1980s) includes carvings, beadwork, and other artifacts likely purchased by or gifted to Lavinia during a return trip to South Africa that reflect Zulu cultural traditions and crafts.","Series 1: Correspondence (circa 1860s, 1900s-1997) consists of sent and received correspondence, both personal and professional. Types of correspondence include postcards, letters on stationary, airmail letters, greeting cards, Christmas and general holiday letters, and carbon copies of sent letters. While the majority of the correspondence is between Lavinia Scott and others, this series also includes correspondence received by others that was then passed on to Lavinia either for review or after their passing. The bulk of the correspondence covers the 1920s – 1970s, with a slight gap in coverage during the 1980s, and a shift to more general cards and holiday letters in the 1990s. This series is arranged alphabetically by correspondent last name, group title, or type of correspondence, such as Family letters sent by Lavinia during her years in South Africa.","Includes newsletter clipping","Includes newspaper clipping","Includes photo Christmas card and newspaper clipping","Includes Inanada Seminary booklet and photographs","Includes newspaper clipping","Includes newspaper clipppings","Includes several newspaper clippings and  1978 matriculation reports for Inanda Seminary","Includes photographs","Includes photographs","Includes photographs","Includes photographs and newspaper clipping","Includes multiple photographs sent with letters","Includes photo card","Includes photo cards","Includes newspaper clipping and photographs","Includes photographs and photo cards","Includes numerous photographs, circa 1990s","Includes newspaper clippings","Includes newspaper clipping","Includes newspaper clipping photocopy","Includes newspaper clipping","Includes 2 photocopied photographs","Includes newspaper clipping","Includes newspaper clipping photocopy","Includes photographs","Includes photograph on front of card","Includes photograph","Includes numerous photographs","Includes photograph","Includes photo Christmas cards","Includes photograph","Includes newspaper clipping","Includes photo cards","Additional correspondence, particularly letters sent from Lavinia, are held by\n Northwestern University","Additional correspondence, particularly letters sent from Lavinia, are held by\n Northwestern University","Includes digitized items due to preservation issues, available upon request","Includes newspaper clipping","Includes newspaper clippings","Includes corrected draft copy of profile","Includes newspaper clipping","Includes photo Christmas card","Includes photograph","Includes photograph","Includes digitized item due to preservation issues, available upon request","Includes photographs","Includes photograph","Includes newspaper clipping","Includes newspaper clippings and photograph","Includes newspaper clipping photocopy","Series 2: Professional activities (1885, 1917-1997) includes both direct and indirect materials related to Lavinia's professional life as a Christian missionary speaker and educator. It is further divided into two subseries.","Sub-series 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","Sub-series 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.","Sub-series 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","2 copies","Includes newspaper clipping","Item digitized due to preservation issues, available upon request","Item is written in Zulu","Includes digitized item due to preservation issues, available upon request","Item digitized due to preservation issues, available upon request","Includes photograph","Includes newspaper clippings","Includes newspaper clippings ; Items removed from leather binder which also contained \"Books to Read\" lists found in Series 3, Box 23 Folder 9","Includes newspaper clippings","Includes photographs and letters","Includes photographs","Zulu language translation, 2 editions","Zulu language translation, 2 editions","Item is written in Zulu with English translation included","Includes newspaper clippings","Includes photograph","2 editions","Includes newspaper clippings","Includes newspaper and periodical clipping photocopies","Includes newspaper clipping photocopies","Includes newspaper clipping photocopies","Includes newspaper clippings","Includes newspaper clipping photocopies","Items restricted for personally identifiable information.","Includes newspaper clipping photocopies","Includes newspaper clipping","Item digitized due to preservation issues, available upon request","Sub-series 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.","Includes photograph","Includes newspaper clippings","Items restricted for personally identifiable information.","Item digitized due to preservation issues, available upon request","Series 3: Personal materials (1891, circa 1909 - 1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries.","Sub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","Sub-series 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5.","Sub-series 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.","Sub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","Items removed from leather binder which also contained \"Books to Read\" lists found in \"Inanda Seminary professional notes, grades, and outlines by Lavinia Scott\" in Series 2.1, Box 16 Folder 3","Items restricted for personally identifiable information.","Contents addressed to Mary Helen Gunn, some items postdate Lavinia's passing in 1997","Contents addressed to Mary Helen Gunn, some items postdate Lavinia's passing in 1997","2 copies","Includes newspaper clippings and photograph","Includes newspaper clippings, photographs, cards (many still in envelopes), programs (for both campus and off-campus events), and general ephemera.","Includes newspaper clipping","Includes newspaper clipping photocopy","Transcription of radio discussion moderated by James H. McBurney and featuring James A. Eldridge, Frank L. Hughes, and Franklin D. Scott","Includes newspaper clippings","Includes newspaper clippings","Includes photograph","Includes newspaper clippings","Sub-series 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5.","Sub-series 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.","Item digitized due to preservation issues, available upon request","Includes loose papers inserted throughout","Includes loose papers inserted","Contents are mostly blank, with minimal and sporadic entries and includes loose papers inserted throughout","Includes numerous loose papers inserted throughout","Includes loose papers inserted in back","Includes loose papers and newsprint clippings inserted throughout","Minimal entries for 1970 and includes loose paper inserted in front","Includes loose pages placed inserted in back","Minimal entries for 1975 and includes loose papers inserted throughout","Includes loose papers inserted throughout","Includes loose papers inserted throughout","Includes loose papers inserted","Includes loose papers inserted throughout","Includes loose papers inserted throughout","Includes loose papers and a newsprint clipping inserted throughout","Includes loose papers and a newsprint clippings inserted throughout","Includes loose papers inserted throughout","Includes loose papers and a newsprint clippings inserted throughout","Includes newsprint clippings inserted","Diary is dated incorrectly inside as 1983; date corrected on cover. Includes loose papers inserted in front.","Includes loose papers and newspaper clippings inserted throughout","Includes loose papers and newspaper clippings inserted throughout","Includes loose papers and newspaper clippings inserted throughout","Series 4: Newspapers and periodicals (1920s – 1997) includes news and periodical print publications and newsletters, both full text and selections, including many from South Africa in both English and Afrikaans. It is further divided into two subseries.","Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3.","Sub-series 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.","Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3.","September 15, 1970: Volume IX, No. 5; July 15, 1974: Volume 13, No. 3; July 1976: Volume 15, No. 2; October 1976: Volume 15, No. 5","January-February 1977: Vol. 15, No. 9-10; April 1977: Vol. 15, No. 12; May 1977 has no Vol., No. information; September 1977: Vol. 15, No. 5","Volume numbering 1-12 corresponds with calendar month numbers; 1970: Volume 32, No. 5; 1972: Volume 34, Nos. 1, 3-4, 9-10, 12; 1973: Volume 35, No. 1; 1974: Volume 36, No. 2","Volume numbering 1-12 corresponds with calendar month numbers; 1976: Volume 38, Nos. 1, 3, 6, 8-11; 1977: Volume 39, Nos. 4-6, 9, 11-12; 1978: Volume 40, Nos. 3, 6, 7, 11; 1979: Volume 41, Nos. 1-2; January 1976 edition reads \"Volume 39, No. 1\" possibly in error","June 15, 1976: Volume III, Issue 10; February 1, 1977: Volume IV, Issue 6; February 6, 1978: Volume V, Issue 3; February 20, 1978: Volume V, Issue 4; March 1, 1978: Volume V, Issue 5; April 3, 1978: Volume V, Issue 7","November 1970: Vol. 100, No. 1194; December 1970: Vol. 100, No. 1195; November 1974: Vol. 104, No. 1242; March-June 1976: Vol. 110, Nos. 1258-1261","November 1977: Vol. 107, No. 1277; July-August 1978: Vol. 108, Nos. 1285-1286; October-December 1978: Vol. 108, Nos. 1288-1290","Spring 1994: Volume 3, Number 1; Spring 1995: Volume 4, Number 1; Fall 1996: Volume 5, Number 2; Spring 1996: Volume 5, Number 1; Spring 1997: Volume 6, Number 1","Sub-series 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.","Series 5: Photographs and negatives (circa 1870s – 1990s) includes photographs and negatives related to Lavinia's work and personal life. The contents cover a wide array of sizes and mediums, including gelatin prints, black and white and color snapshots, and color processed prints. Many, but not all, prints include some level of identifying inscription on the back, including stamps from local photographers. It is further divided into two subseries.","Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time.","Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided.","Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided.","Sub-series 4: Negatives (circa 1930s – 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.","Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time.","This sub-series has items that have been digitized due to preservation issues, available upon request.","Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided.","Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided.","This sub-series has items that have been digitized due to preservation issues, available upon request.","Sub-series 4: Negatives (circa 1930s - 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.","This sub-series has items that have been digitized due to preservation issues, available upon request.","Series 6: Audiovisual materials (circa 1930s – 1997) includes all audiovisual materials including photographic slides, both labeled and unlabeled cassette and VHS tapes, three professional .45 records, and one unlabeled Magnetophoband BASF reel to reel tape. Cassette and VHS contents reflect Lavinia's mission work in South Africa, including recordings of sermons and ceremonies at Inanda Seminary, sermons and speeches on various religious and social issues, and oral history interviews with mission workers such as Lou Ann Parsons, as well as 6-7 tapes containing an extensive interview with Lavinia herself. The bulk of these materials cover the 1970s – 1980s. Additionally, the photographic slides depict both South African mission work and Inanda Seminary, as well as personal family events and travels, including numerous souvenir professional slides from international locations. The bulk of these materials cover the 1950s – 1970s. All items in this series have been grouped by medium; some photographic slides include identifying information but, further organization by subject has not been completed at this time.","Series 7: South African artifacts (circa 1970s – 1980s) includes carvings, beadwork, and other artifacts likely purchased by or gifted to Lavinia during a return trip to South Africa that reflect Zulu cultural traditions and crafts.","Small possibly ivory bust statue, small black bust, heavy wooden elephant, medium wooden elephant","Small wooden elephant, small possibly ivory hippo, plastic bag filled with beadwork, cloth mat with image of Zulu tribe, box labeled \"Zulu beadwork\", and four small carved wooden animals","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Lavinia Scott papers consist of materials created and collected by missionary educator Lavinia Scott (1907 – 1997) covering circa 1860s-1998. This includes materials created by the American Board of Commissioners for Foreign Missions, the United Church Board for World Ministries, the United Church of Christ, and South Africa's Inanda Seminary. The collection covers Lavinia's personal and professional life working and living as a missionary educator in South Africa.","R 71, C 1, S 2 - S 5\n\nR 72, C 3, S 7\n\nR 72, C 4, S 2 - S 7\n\nMap Case 8.3\n\nOS R 2, C 1, S 3","George Mason University. Libraries. Special Collections Research Center","Adams College (Amanzimtoti, South Africa)","Amanzimtoti Institute","American Board of Commissioners for Foreign Missions","General Council of the Congregational Christian Churches of the United States","Illinois College","Inanda Seminary (Inanda, South Africa)","United Church Board for World Ministries","United Church of Christ","Scott, Lavinia, 1907-1997","Stearns, Peter N.","Luthuli, A. J. (Albert John), 1898-1967","Paton, Alan","Scott, Franklin D. (Franklin Daniel), 1901-1994","Wood, Agnes A., 1896-1998","English Zulu Afrikaans"],"unitid_tesim":["C0506","/repositories/2/resources/651"],"normalized_title_ssm":["Lavinia Scott papers"],"collection_title_tesim":["Lavinia Scott papers"],"collection_ssim":["Lavinia Scott papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["South Africa","KwaZulu-Natal (South Africa)","South Africa -- Politics and government -- 20th century"],"geogname_ssim":["South Africa","KwaZulu-Natal (South Africa)","South Africa -- Politics and government -- 20th century"],"creator_ssm":["Scott, Lavinia, 1907-1997","Stearns, Peter N."],"creator_ssim":["Scott, Lavinia, 1907-1997","Stearns, Peter N."],"creator_persname_ssim":["Scott, Lavinia, 1907-1997","Stearns, Peter N."],"creators_ssim":["Scott, Lavinia, 1907-1997","Stearns, Peter N."],"places_ssim":["South Africa","KwaZulu-Natal (South Africa)","South Africa -- Politics and government -- 20th century"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["The papers were brought to George Mason University by former Provost Peter Stearns, Lavinia Scott's nephew, in 2018. Before coming to Special Collections in early 2021, members of the George Mason University history faculty, as well as history graduate students, worked with the material."],"access_subjects_ssim":["Education, Higher","Nguni (African people)","Nguni languages","Missions, South African","Education -- South Africa","Women missionaries","Apartheid","Anti-apartheid movements -- South Africa","South African newspapers","Social justice -- Religious aspects -- Christianity","Zulu (African people)","Correspondence","Postcards","Photographs","Newspapers","Slides"],"access_subjects_ssm":["Education, Higher","Nguni (African people)","Nguni languages","Missions, South African","Education -- South Africa","Women missionaries","Apartheid","Anti-apartheid movements -- South Africa","South African newspapers","Social justice -- Religious aspects -- Christianity","Zulu (African people)","Correspondence","Postcards","Photographs","Newspapers","Slides"],"has_online_content_ssim":["false"],"extent_ssm":["33 Linear Feet 72 boxes, 1 map case"],"extent_tesim":["33 Linear Feet 72 boxes, 1 map case"],"genreform_ssim":["Correspondence","Postcards","Photographs","Newspapers","Slides"],"date_range_isim":[1998],"accessrestrict_html_tesm":["\u003cp\u003eCertain materials in the collection are restricted due to personally identifiable information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Certain materials in the collection are restricted due to personally identifiable information."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in seven series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 2: Professional activities\u003c/item\u003e\n      \u003citem\u003eSeries 3: Personal materials\u003c/item\u003e\n      \u003citem\u003eSeries 4: Newspapers and periodicals\u003c/item\u003e\n      \u003citem\u003eSeries 5: Photographs and negatives\u003c/item\u003e\n      \u003citem\u003eSeries 6: Audiovisual materials\u003c/item\u003e\n      \u003citem\u003eSeries 7: South African artifacts\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in seven series.","Series Series 1: Correspondence Series 2: Professional activities Series 3: Personal materials Series 4: Newspapers and periodicals Series 5: Photographs and negatives Series 6: Audiovisual materials Series 7: South African artifacts"],"bioghist_html_tesm":["\u003cp\u003eLavinia Scott (also known as Clara Lavinia Scott) was born on March 21, 1907 in Yankton, South Dakota to George Harvey and Mary Maud Cole Scott. The youngest of four children, including the future Dr. Franklin Scott, Lavinia spent her life surrounded by education. As a child she attended local public schools, including Jacksonville High School, and in 1923 enrolled in a Bachelor's degree program at Illinois College, where her father served as a Dean for eight years before his sudden death in 1926. Lavinia graduated the following year (1927) with a B.A. in History and it was here that she began to devote her life to education full-time, securing a teaching position with Illinois' Harvard Community High School District Number 153 which she held for approximately two years.\u003c/p\u003e\n","\u003cp\u003eAround the beginning of the 1930s, Lavinia's focus shifted from secular education to international educational missionary work. She enrolled in a Master's program with the Yale Divinity School and upon moving to Connecticut spent two years in training with the United Congregational Church in Bridgeport. In August 1932, less than two months after receiving her Master of Art's degree in June, Lavinia was assigned a teaching position at Adams College (formerly Amanzimtoti Institute) in South Africa under the direction of the Congregational Church affiliated American Board of Commissioners for Foreign Missions (ABCFM). \u003c/p\u003e\n","\u003cp\u003eLavinia remained at Adams College until she was transferred to nearby Inanda Seminary in 1936 where she assumed the role of Principal, a title which she held for over 30 years. During this time, she fought back against the South African government's discriminatory Apartheid policies, particularly the Bantu Education Act of 1953, which both significantly lowered the quality of education available to Black South Africans and removed government funding for private missionary schools. She also oversaw the school's Centenary Celebration in 1969, as well as several expansions to the campus, including the beginning of what would become the \"Lavinia Scott Chapel\". In 1969, she left Inanda Seminary, transferring to the newly formed Federal Theological Seminary where she returned to a teaching position until her formal retirement circa 1974.\u003c/p\u003e\n","\u003cp\u003eWhile her retirement saw a return to the United States, ultimately assuming residence in Claremont, California, it did not mean the end of her mission work. For the next 20 years, Lavinia was an active speaker on behalf of the newly formed United Church of Christ as a South African mission representative for the United Church Board for World Ministries (UCBWM), formerly the ABCFM. She also continued her social justice advocacy, working on behalf of both domestic and international causes, including extensive work throughout the 1980s with the Claremont branch of the Task Force on Central America. Despite her busy schedule, Lavinia still found time to continue her love of traveling, including domestic trips with family and friends, and several returns to South Africa and Inanda Seminary.\u003c/p\u003e\n","\u003cp\u003eWhile Lavinia never fully stopped her missionary work, she did eventually move to a UCC affiliated retirement community in Claremont known as Pilgrim Place where she lived until her passing on July 10, 1997 at the age of 90. She is buried near her family in Jacksonville's Diamond Grove Cemetery.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Lavinia Scott (also known as Clara Lavinia Scott) was born on March 21, 1907 in Yankton, South Dakota to George Harvey and Mary Maud Cole Scott. The youngest of four children, including the future Dr. Franklin Scott, Lavinia spent her life surrounded by education. As a child she attended local public schools, including Jacksonville High School, and in 1923 enrolled in a Bachelor's degree program at Illinois College, where her father served as a Dean for eight years before his sudden death in 1926. Lavinia graduated the following year (1927) with a B.A. in History and it was here that she began to devote her life to education full-time, securing a teaching position with Illinois' Harvard Community High School District Number 153 which she held for approximately two years.","Around the beginning of the 1930s, Lavinia's focus shifted from secular education to international educational missionary work. She enrolled in a Master's program with the Yale Divinity School and upon moving to Connecticut spent two years in training with the United Congregational Church in Bridgeport. In August 1932, less than two months after receiving her Master of Art's degree in June, Lavinia was assigned a teaching position at Adams College (formerly Amanzimtoti Institute) in South Africa under the direction of the Congregational Church affiliated American Board of Commissioners for Foreign Missions (ABCFM). ","Lavinia remained at Adams College until she was transferred to nearby Inanda Seminary in 1936 where she assumed the role of Principal, a title which she held for over 30 years. During this time, she fought back against the South African government's discriminatory Apartheid policies, particularly the Bantu Education Act of 1953, which both significantly lowered the quality of education available to Black South Africans and removed government funding for private missionary schools. She also oversaw the school's Centenary Celebration in 1969, as well as several expansions to the campus, including the beginning of what would become the \"Lavinia Scott Chapel\". In 1969, she left Inanda Seminary, transferring to the newly formed Federal Theological Seminary where she returned to a teaching position until her formal retirement circa 1974.","While her retirement saw a return to the United States, ultimately assuming residence in Claremont, California, it did not mean the end of her mission work. For the next 20 years, Lavinia was an active speaker on behalf of the newly formed United Church of Christ as a South African mission representative for the United Church Board for World Ministries (UCBWM), formerly the ABCFM. She also continued her social justice advocacy, working on behalf of both domestic and international causes, including extensive work throughout the 1980s with the Claremont branch of the Task Force on Central America. Despite her busy schedule, Lavinia still found time to continue her love of traveling, including domestic trips with family and friends, and several returns to South Africa and Inanda Seminary.","While Lavinia never fully stopped her missionary work, she did eventually move to a UCC affiliated retirement community in Claremont known as Pilgrim Place where she lived until her passing on July 10, 1997 at the age of 90. She is buried near her family in Jacksonville's Diamond Grove Cemetery."],"prefercite_html_tesm":["\u003cp\u003eLavinia Scott papers, C0506, Special Collections Research Center, George Mason \nUniversity Libraries.\u003c/p\u003e"],"prefercite_tesim":["Lavinia Scott papers, C0506, Special Collections Research Center, George Mason \nUniversity Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner from September 2022 - August 2023. Finding aid completed by Meghan Glasbrenner in August 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner from September 2022 - August 2023. Finding aid completed by Meghan Glasbrenner in August 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eNorthwestern University holds the \u003ca href=\"https://findingaids.library.northwestern.edu/repositories/4/resources/829\"\u003eLavinia Scott (1907-1997) Papers\u003c/a\u003e which consists mostly of correspondence, largely to Lavinia's mother Mary Maud Scott, as well as the full \u003ca href=\"https://findingaids.library.northwestern.edu/repositories/6/resources/463\"\u003eFranklin D. Scott (1901-1994) Papers\u003c/a\u003e. Harvard University holds several archival collections for the American Board of Commissioners of Foreign Missions divided by location, including the \u003ca href=\"https://hollisarchives.lib.harvard.edu/repositories/24/resources/3023\"\u003eAfrican missions records\u003c/a\u003e, as well as the Finding Aid for the \u003ca href=\"https://scholar.harvard.edu/mehealy/presentations\"\u003eInanda Seminary Oral History Project\u003c/a\u003e completed between 2008 – 2010.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Northwestern University holds the  Lavinia Scott (1907-1997) Papers  which consists mostly of correspondence, largely to Lavinia's mother Mary Maud Scott, as well as the full  Franklin D. Scott (1901-1994) Papers . Harvard University holds several archival collections for the American Board of Commissioners of Foreign Missions divided by location, including the  African missions records , as well as the Finding Aid for the  Inanda Seminary Oral History Project  completed between 2008 – 2010."],"scopecontent_html_tesm":["\u003cp\u003eThe Lavinia Scott papers largely consist of correspondence, reports, newspapers, promotional materials, magazines, speeches, sermons, writings, educational records, travel maps and postcards, photographs, and audiovisual materials created between circa 1860s-1998. The collection contains 7 series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence (circa 1860s, 1900s-1997) includes sent and received correspondence, both personal and professional. Types of correspondence include postcards, letters on stationary, airmail letters, greeting cards, Christmas and general holiday letters, and carbon copies of sent letters. While the majority of the correspondence is between Lavinia Scott and others, this series also includes correspondence received by others that was then passed on to Lavinia either for review or after their passing. The bulk of the correspondence covers the 1920s – 1970s, with a slight gap in coverage during the 1980s, and a shift to more general cards and holiday letters in the 1990s. This series is arranged alphabetically by correspondent last name, group title, or type of correspondence, such as Family letters sent by Lavinia during her years in South Africa.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Professional activities (1885, 1917-1997) includes both direct and indirect materials related to Lavinia's professional life as a Christian missionary speaker and educator. It is further divided into two subseries. Subseries 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Personal materials (1891, circa 1909-1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries. Subseries 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5. Subseries 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Newspapers and periodicals (1920s – 1997) includes news and periodical print publications and newsletters, both full text and selections, including many from South Africa in both English and Afrikaans. It is further divided into two subseries. Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3. Subseries 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Photographs and negatives (circa 1870s – 1990s) includes photographs and negatives related to Lavinia's work and personal life. The contents cover a wide array of sizes and mediums, including gelatin prints, black and white and color snapshots, and color processed prints. Many, but not all, prints include some level of identifying inscription on the back, including stamps from local photographers. It is further divided into two subseries. Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time. Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided. Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided. Sub-series 4: Negatives (circa 1930s – 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.\u003c/p\u003e\n","\u003cp\u003eSeries 6: Audiovisual materials (circa 1930s – 1997) includes all audiovisual materials including photographic slides, both labeled and unlabeled cassette and VHS tapes, three professional .45 records, and one unlabeled Magnetophoband BASF reel to reel tape. Cassette and VHS contents reflect Lavinia's mission work in South Africa, including recordings of sermons and ceremonies at Inanda Seminary, sermons and speeches on various religious and social issues, and oral history interviews with mission workers such as Lou Ann Parsons, as well as 6-7 tapes containing an extensive interview with Lavinia herself. The bulk of these materials cover the 1970s – 1980s. Additionally, the photographic slides depict both South African mission work and Inanda Seminary, as well as personal family events and travels, including numerous souvenir professional slides from international locations. The bulk of these materials cover the 1950s – 1970s. All items in this series have been grouped by medium; some photographic slides include identifying information but, further organization by subject has not been completed at this time.\u003c/p\u003e\n","\u003cp\u003eSeries 7: South African artifacts (circa 1970s – 1980s) includes carvings, beadwork, and other artifacts likely purchased by or gifted to Lavinia during a return trip to South Africa that reflect Zulu cultural traditions and crafts.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence (circa 1860s, 1900s-1997) consists of sent and received correspondence, both personal and professional. Types of correspondence include postcards, letters on stationary, airmail letters, greeting cards, Christmas and general holiday letters, and carbon copies of sent letters. While the majority of the correspondence is between Lavinia Scott and others, this series also includes correspondence received by others that was then passed on to Lavinia either for review or after their passing. The bulk of the correspondence covers the 1920s – 1970s, with a slight gap in coverage during the 1980s, and a shift to more general cards and holiday letters in the 1990s. This series is arranged alphabetically by correspondent last name, group title, or type of correspondence, such as Family letters sent by Lavinia during her years in South Africa.\u003c/p\u003e","\u003cp\u003eIncludes newsletter clipping\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes photo Christmas card and newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes Inanada Seminary booklet and photographs\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipppings\u003c/p\u003e","\u003cp\u003eIncludes several newspaper clippings and  1978 matriculation reports for Inanda Seminary\u003c/p\u003e","\u003cp\u003eIncludes photographs\u003c/p\u003e","\u003cp\u003eIncludes photographs\u003c/p\u003e","\u003cp\u003eIncludes photographs\u003c/p\u003e","\u003cp\u003eIncludes photographs and newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes multiple photographs sent with letters\u003c/p\u003e","\u003cp\u003eIncludes photo card\u003c/p\u003e","\u003cp\u003eIncludes photo cards\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping and photographs\u003c/p\u003e","\u003cp\u003eIncludes photographs and photo cards\u003c/p\u003e","\u003cp\u003eIncludes numerous photographs, circa 1990s\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopy\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes 2 photocopied photographs\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopy\u003c/p\u003e","\u003cp\u003eIncludes photographs\u003c/p\u003e","\u003cp\u003eIncludes photograph on front of card\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes numerous photographs\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes photo Christmas cards\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes photo cards\u003c/p\u003e","\u003cp\u003eAdditional correspondence, particularly letters sent from Lavinia, are held by\n\u003ca href=\"https://findingaids.library.northwestern.edu/repositories/4/resources/829\"\u003eNorthwestern University\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eAdditional correspondence, particularly letters sent from Lavinia, are held by\n\u003ca href=\"https://findingaids.library.northwestern.edu/repositories/4/resources/829\"\u003eNorthwestern University\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eIncludes digitized items due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes corrected draft copy of profile\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes photo Christmas card\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes digitized item due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eIncludes photographs\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings and photograph\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopy\u003c/p\u003e","\u003cp\u003eSeries 2: Professional activities (1885, 1917-1997) includes both direct and indirect materials related to Lavinia's professional life as a Christian missionary speaker and educator. It is further divided into two subseries.\u003c/p\u003e\n","\u003cp\u003eSub-series 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.\u003c/p\u003e\n","\u003cp\u003eSub-series 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.\u003c/p\u003e","\u003cp\u003eSub-series 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eItem digitized due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eItem is written in Zulu\u003c/p\u003e","\u003cp\u003eIncludes digitized item due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eItem digitized due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings ; Items removed from leather binder which also contained \"Books to Read\" lists found in Series 3, Box 23 Folder 9\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes photographs and letters\u003c/p\u003e","\u003cp\u003eIncludes photographs\u003c/p\u003e","\u003cp\u003eZulu language translation, 2 editions\u003c/p\u003e","\u003cp\u003eZulu language translation, 2 editions\u003c/p\u003e","\u003cp\u003eItem is written in Zulu with English translation included\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003e2 editions\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes newspaper and periodical clipping photocopies\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopies\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopies\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopies\u003c/p\u003e","\u003cp\u003eItems restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopies\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eItem digitized due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eSub-series 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eItems restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eItem digitized due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eSeries 3: Personal materials (1891, circa 1909 - 1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries.\u003c/p\u003e\n","\u003cp\u003eSub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.\u003c/p\u003e\n","\u003cp\u003eSub-series 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5.\u003c/p\u003e\n","\u003cp\u003eSub-series 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.\u003c/p\u003e","\u003cp\u003eSub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.\u003c/p\u003e","\u003cp\u003eItems removed from leather binder which also contained \"Books to Read\" lists found in \"Inanda Seminary professional notes, grades, and outlines by Lavinia Scott\" in Series 2.1, Box 16 Folder 3\u003c/p\u003e","\u003cp\u003eItems restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eContents addressed to Mary Helen Gunn, some items postdate Lavinia's passing in 1997\u003c/p\u003e","\u003cp\u003eContents addressed to Mary Helen Gunn, some items postdate Lavinia's passing in 1997\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings and photograph\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings, photographs, cards (many still in envelopes), programs (for both campus and off-campus events), and general ephemera.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping photocopy\u003c/p\u003e","\u003cp\u003eTranscription of radio discussion moderated by James H. McBurney and featuring James A. Eldridge, Frank L. Hughes, and Franklin D. Scott\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes photograph\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eSub-series 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5.\u003c/p\u003e","\u003cp\u003eSub-series 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.\u003c/p\u003e","\u003cp\u003eItem digitized due to preservation issues, available upon request\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted\u003c/p\u003e","\u003cp\u003eContents are mostly blank, with minimal and sporadic entries and includes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes numerous loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted in back\u003c/p\u003e","\u003cp\u003eIncludes loose papers and newsprint clippings inserted throughout\u003c/p\u003e","\u003cp\u003eMinimal entries for 1970 and includes loose paper inserted in front\u003c/p\u003e","\u003cp\u003eIncludes loose pages placed inserted in back\u003c/p\u003e","\u003cp\u003eMinimal entries for 1975 and includes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers and a newsprint clipping inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers and a newsprint clippings inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers and a newsprint clippings inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes newsprint clippings inserted\u003c/p\u003e","\u003cp\u003eDiary is dated incorrectly inside as 1983; date corrected on cover. Includes loose papers inserted in front.\u003c/p\u003e","\u003cp\u003eIncludes loose papers and newspaper clippings inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers and newspaper clippings inserted throughout\u003c/p\u003e","\u003cp\u003eIncludes loose papers and newspaper clippings inserted throughout\u003c/p\u003e","\u003cp\u003eSeries 4: Newspapers and periodicals (1920s – 1997) includes news and periodical print publications and newsletters, both full text and selections, including many from South Africa in both English and Afrikaans. It is further divided into two subseries.\u003c/p\u003e\n","\u003cp\u003eSub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3.\u003c/p\u003e\n","\u003cp\u003eSub-series 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.\u003c/p\u003e","\u003cp\u003eSub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3.\u003c/p\u003e","\u003cp\u003eSeptember 15, 1970: Volume IX, No. 5; July 15, 1974: Volume 13, No. 3; July 1976: Volume 15, No. 2; October 1976: Volume 15, No. 5\u003c/p\u003e","\u003cp\u003eJanuary-February 1977: Vol. 15, No. 9-10; April 1977: Vol. 15, No. 12; May 1977 has no Vol., No. information; September 1977: Vol. 15, No. 5\u003c/p\u003e","\u003cp\u003eVolume numbering 1-12 corresponds with calendar month numbers; 1970: Volume 32, No. 5; 1972: Volume 34, Nos. 1, 3-4, 9-10, 12; 1973: Volume 35, No. 1; 1974: Volume 36, No. 2\u003c/p\u003e","\u003cp\u003eVolume numbering 1-12 corresponds with calendar month numbers; 1976: Volume 38, Nos. 1, 3, 6, 8-11; 1977: Volume 39, Nos. 4-6, 9, 11-12; 1978: Volume 40, Nos. 3, 6, 7, 11; 1979: Volume 41, Nos. 1-2; January 1976 edition reads \"Volume 39, No. 1\" possibly in error\u003c/p\u003e","\u003cp\u003eJune 15, 1976: Volume III, Issue 10; February 1, 1977: Volume IV, Issue 6; February 6, 1978: Volume V, Issue 3; February 20, 1978: Volume V, Issue 4; March 1, 1978: Volume V, Issue 5; April 3, 1978: Volume V, Issue 7\u003c/p\u003e","\u003cp\u003eNovember 1970: Vol. 100, No. 1194; December 1970: Vol. 100, No. 1195; November 1974: Vol. 104, No. 1242; March-June 1976: Vol. 110, Nos. 1258-1261\u003c/p\u003e","\u003cp\u003eNovember 1977: Vol. 107, No. 1277; July-August 1978: Vol. 108, Nos. 1285-1286; October-December 1978: Vol. 108, Nos. 1288-1290\u003c/p\u003e","\u003cp\u003eSpring 1994: Volume 3, Number 1; Spring 1995: Volume 4, Number 1; Fall 1996: Volume 5, Number 2; Spring 1996: Volume 5, Number 1; Spring 1997: Volume 6, Number 1\u003c/p\u003e","\u003cp\u003eSub-series 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.\u003c/p\u003e","\u003cp\u003eSeries 5: Photographs and negatives (circa 1870s – 1990s) includes photographs and negatives related to Lavinia's work and personal life. The contents cover a wide array of sizes and mediums, including gelatin prints, black and white and color snapshots, and color processed prints. Many, but not all, prints include some level of identifying inscription on the back, including stamps from local photographers. It is further divided into two subseries.\u003c/p\u003e\n","\u003cp\u003eSub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time.\u003c/p\u003e\n","\u003cp\u003eSub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided.\u003c/p\u003e\n","\u003cp\u003eSub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided.\u003c/p\u003e\n","\u003cp\u003eSub-series 4: Negatives (circa 1930s – 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.\u003c/p\u003e","\u003cp\u003eSub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time.\u003c/p\u003e\n","\u003cp\u003eThis sub-series has items that have been digitized due to preservation issues, available upon request.\u003c/p\u003e","\u003cp\u003eSub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided.\u003c/p\u003e","\u003cp\u003eSub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided.\u003c/p\u003e\n","\u003cp\u003eThis sub-series has items that have been digitized due to preservation issues, available upon request.\u003c/p\u003e","\u003cp\u003eSub-series 4: Negatives (circa 1930s - 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.\u003c/p\u003e\n","\u003cp\u003eThis sub-series has items that have been digitized due to preservation issues, available upon request.\u003c/p\u003e","\u003cp\u003eSeries 6: Audiovisual materials (circa 1930s – 1997) includes all audiovisual materials including photographic slides, both labeled and unlabeled cassette and VHS tapes, three professional .45 records, and one unlabeled Magnetophoband BASF reel to reel tape. Cassette and VHS contents reflect Lavinia's mission work in South Africa, including recordings of sermons and ceremonies at Inanda Seminary, sermons and speeches on various religious and social issues, and oral history interviews with mission workers such as Lou Ann Parsons, as well as 6-7 tapes containing an extensive interview with Lavinia herself. The bulk of these materials cover the 1970s – 1980s. Additionally, the photographic slides depict both South African mission work and Inanda Seminary, as well as personal family events and travels, including numerous souvenir professional slides from international locations. The bulk of these materials cover the 1950s – 1970s. All items in this series have been grouped by medium; some photographic slides include identifying information but, further organization by subject has not been completed at this time.\u003c/p\u003e","\u003cp\u003eSeries 7: South African artifacts (circa 1970s – 1980s) includes carvings, beadwork, and other artifacts likely purchased by or gifted to Lavinia during a return trip to South Africa that reflect Zulu cultural traditions and crafts.\u003c/p\u003e","\u003cp\u003eSmall possibly ivory bust statue, small black bust, heavy wooden elephant, medium wooden elephant\u003c/p\u003e","\u003cp\u003eSmall wooden elephant, small possibly ivory hippo, plastic bag filled with beadwork, cloth mat with image of Zulu tribe, box labeled \"Zulu beadwork\", and four small carved wooden animals\u003c/p\u003e"],"scopecontent_heading_ssm":[" Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Lavinia Scott papers largely consist of correspondence, reports, newspapers, promotional materials, magazines, speeches, sermons, writings, educational records, travel maps and postcards, photographs, and audiovisual materials created between circa 1860s-1998. The collection contains 7 series.","Series 1: Correspondence (circa 1860s, 1900s-1997) includes sent and received correspondence, both personal and professional. Types of correspondence include postcards, letters on stationary, airmail letters, greeting cards, Christmas and general holiday letters, and carbon copies of sent letters. While the majority of the correspondence is between Lavinia Scott and others, this series also includes correspondence received by others that was then passed on to Lavinia either for review or after their passing. The bulk of the correspondence covers the 1920s – 1970s, with a slight gap in coverage during the 1980s, and a shift to more general cards and holiday letters in the 1990s. This series is arranged alphabetically by correspondent last name, group title, or type of correspondence, such as Family letters sent by Lavinia during her years in South Africa.","Series 2: Professional activities (1885, 1917-1997) includes both direct and indirect materials related to Lavinia's professional life as a Christian missionary speaker and educator. It is further divided into two subseries. Subseries 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.","Series 3: Personal materials (1891, circa 1909-1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries. Subseries 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5. Subseries 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.","Series 4: Newspapers and periodicals (1920s – 1997) includes news and periodical print publications and newsletters, both full text and selections, including many from South Africa in both English and Afrikaans. It is further divided into two subseries. Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3. Subseries 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.","Series 5: Photographs and negatives (circa 1870s – 1990s) includes photographs and negatives related to Lavinia's work and personal life. The contents cover a wide array of sizes and mediums, including gelatin prints, black and white and color snapshots, and color processed prints. Many, but not all, prints include some level of identifying inscription on the back, including stamps from local photographers. It is further divided into two subseries. Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time. Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided. Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided. Sub-series 4: Negatives (circa 1930s – 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.","Series 6: Audiovisual materials (circa 1930s – 1997) includes all audiovisual materials including photographic slides, both labeled and unlabeled cassette and VHS tapes, three professional .45 records, and one unlabeled Magnetophoband BASF reel to reel tape. Cassette and VHS contents reflect Lavinia's mission work in South Africa, including recordings of sermons and ceremonies at Inanda Seminary, sermons and speeches on various religious and social issues, and oral history interviews with mission workers such as Lou Ann Parsons, as well as 6-7 tapes containing an extensive interview with Lavinia herself. The bulk of these materials cover the 1970s – 1980s. Additionally, the photographic slides depict both South African mission work and Inanda Seminary, as well as personal family events and travels, including numerous souvenir professional slides from international locations. The bulk of these materials cover the 1950s – 1970s. All items in this series have been grouped by medium; some photographic slides include identifying information but, further organization by subject has not been completed at this time.","Series 7: South African artifacts (circa 1970s – 1980s) includes carvings, beadwork, and other artifacts likely purchased by or gifted to Lavinia during a return trip to South Africa that reflect Zulu cultural traditions and crafts.","Series 1: Correspondence (circa 1860s, 1900s-1997) consists of sent and received correspondence, both personal and professional. Types of correspondence include postcards, letters on stationary, airmail letters, greeting cards, Christmas and general holiday letters, and carbon copies of sent letters. While the majority of the correspondence is between Lavinia Scott and others, this series also includes correspondence received by others that was then passed on to Lavinia either for review or after their passing. The bulk of the correspondence covers the 1920s – 1970s, with a slight gap in coverage during the 1980s, and a shift to more general cards and holiday letters in the 1990s. This series is arranged alphabetically by correspondent last name, group title, or type of correspondence, such as Family letters sent by Lavinia during her years in South Africa.","Includes newsletter clipping","Includes newspaper clipping","Includes photo Christmas card and newspaper clipping","Includes Inanada Seminary booklet and photographs","Includes newspaper clipping","Includes newspaper clipppings","Includes several newspaper clippings and  1978 matriculation reports for Inanda Seminary","Includes photographs","Includes photographs","Includes photographs","Includes photographs and newspaper clipping","Includes multiple photographs sent with letters","Includes photo card","Includes photo cards","Includes newspaper clipping and photographs","Includes photographs and photo cards","Includes numerous photographs, circa 1990s","Includes newspaper clippings","Includes newspaper clipping","Includes newspaper clipping photocopy","Includes newspaper clipping","Includes 2 photocopied photographs","Includes newspaper clipping","Includes newspaper clipping photocopy","Includes photographs","Includes photograph on front of card","Includes photograph","Includes numerous photographs","Includes photograph","Includes photo Christmas cards","Includes photograph","Includes newspaper clipping","Includes photo cards","Additional correspondence, particularly letters sent from Lavinia, are held by\n Northwestern University","Additional correspondence, particularly letters sent from Lavinia, are held by\n Northwestern University","Includes digitized items due to preservation issues, available upon request","Includes newspaper clipping","Includes newspaper clippings","Includes corrected draft copy of profile","Includes newspaper clipping","Includes photo Christmas card","Includes photograph","Includes photograph","Includes digitized item due to preservation issues, available upon request","Includes photographs","Includes photograph","Includes newspaper clipping","Includes newspaper clippings and photograph","Includes newspaper clipping photocopy","Series 2: Professional activities (1885, 1917-1997) includes both direct and indirect materials related to Lavinia's professional life as a Christian missionary speaker and educator. It is further divided into two subseries.","Sub-series 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","Sub-series 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.","Sub-series 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","2 copies","Includes newspaper clipping","Item digitized due to preservation issues, available upon request","Item is written in Zulu","Includes digitized item due to preservation issues, available upon request","Item digitized due to preservation issues, available upon request","Includes photograph","Includes newspaper clippings","Includes newspaper clippings ; Items removed from leather binder which also contained \"Books to Read\" lists found in Series 3, Box 23 Folder 9","Includes newspaper clippings","Includes photographs and letters","Includes photographs","Zulu language translation, 2 editions","Zulu language translation, 2 editions","Item is written in Zulu with English translation included","Includes newspaper clippings","Includes photograph","2 editions","Includes newspaper clippings","Includes newspaper and periodical clipping photocopies","Includes newspaper clipping photocopies","Includes newspaper clipping photocopies","Includes newspaper clippings","Includes newspaper clipping photocopies","Items restricted for personally identifiable information.","Includes newspaper clipping photocopies","Includes newspaper clipping","Item digitized due to preservation issues, available upon request","Sub-series 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.","Includes photograph","Includes newspaper clippings","Items restricted for personally identifiable information.","Item digitized due to preservation issues, available upon request","Series 3: Personal materials (1891, circa 1909 - 1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries.","Sub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","Sub-series 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5.","Sub-series 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.","Sub-series 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible.","Items removed from leather binder which also contained \"Books to Read\" lists found in \"Inanda Seminary professional notes, grades, and outlines by Lavinia Scott\" in Series 2.1, Box 16 Folder 3","Items restricted for personally identifiable information.","Contents addressed to Mary Helen Gunn, some items postdate Lavinia's passing in 1997","Contents addressed to Mary Helen Gunn, some items postdate Lavinia's passing in 1997","2 copies","Includes newspaper clippings and photograph","Includes newspaper clippings, photographs, cards (many still in envelopes), programs (for both campus and off-campus events), and general ephemera.","Includes newspaper clipping","Includes newspaper clipping photocopy","Transcription of radio discussion moderated by James H. McBurney and featuring James A. Eldridge, Frank L. Hughes, and Franklin D. Scott","Includes newspaper clippings","Includes newspaper clippings","Includes photograph","Includes newspaper clippings","Sub-series 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5.","Sub-series 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.","Item digitized due to preservation issues, available upon request","Includes loose papers inserted throughout","Includes loose papers inserted","Contents are mostly blank, with minimal and sporadic entries and includes loose papers inserted throughout","Includes numerous loose papers inserted throughout","Includes loose papers inserted in back","Includes loose papers and newsprint clippings inserted throughout","Minimal entries for 1970 and includes loose paper inserted in front","Includes loose pages placed inserted in back","Minimal entries for 1975 and includes loose papers inserted throughout","Includes loose papers inserted throughout","Includes loose papers inserted throughout","Includes loose papers inserted","Includes loose papers inserted throughout","Includes loose papers inserted throughout","Includes loose papers and a newsprint clipping inserted throughout","Includes loose papers and a newsprint clippings inserted throughout","Includes loose papers inserted throughout","Includes loose papers and a newsprint clippings inserted throughout","Includes newsprint clippings inserted","Diary is dated incorrectly inside as 1983; date corrected on cover. Includes loose papers inserted in front.","Includes loose papers and newspaper clippings inserted throughout","Includes loose papers and newspaper clippings inserted throughout","Includes loose papers and newspaper clippings inserted throughout","Series 4: Newspapers and periodicals (1920s – 1997) includes news and periodical print publications and newsletters, both full text and selections, including many from South Africa in both English and Afrikaans. It is further divided into two subseries.","Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3.","Sub-series 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.","Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3.","September 15, 1970: Volume IX, No. 5; July 15, 1974: Volume 13, No. 3; July 1976: Volume 15, No. 2; October 1976: Volume 15, No. 5","January-February 1977: Vol. 15, No. 9-10; April 1977: Vol. 15, No. 12; May 1977 has no Vol., No. information; September 1977: Vol. 15, No. 5","Volume numbering 1-12 corresponds with calendar month numbers; 1970: Volume 32, No. 5; 1972: Volume 34, Nos. 1, 3-4, 9-10, 12; 1973: Volume 35, No. 1; 1974: Volume 36, No. 2","Volume numbering 1-12 corresponds with calendar month numbers; 1976: Volume 38, Nos. 1, 3, 6, 8-11; 1977: Volume 39, Nos. 4-6, 9, 11-12; 1978: Volume 40, Nos. 3, 6, 7, 11; 1979: Volume 41, Nos. 1-2; January 1976 edition reads \"Volume 39, No. 1\" possibly in error","June 15, 1976: Volume III, Issue 10; February 1, 1977: Volume IV, Issue 6; February 6, 1978: Volume V, Issue 3; February 20, 1978: Volume V, Issue 4; March 1, 1978: Volume V, Issue 5; April 3, 1978: Volume V, Issue 7","November 1970: Vol. 100, No. 1194; December 1970: Vol. 100, No. 1195; November 1974: Vol. 104, No. 1242; March-June 1976: Vol. 110, Nos. 1258-1261","November 1977: Vol. 107, No. 1277; July-August 1978: Vol. 108, Nos. 1285-1286; October-December 1978: Vol. 108, Nos. 1288-1290","Spring 1994: Volume 3, Number 1; Spring 1995: Volume 4, Number 1; Fall 1996: Volume 5, Number 2; Spring 1996: Volume 5, Number 1; Spring 1997: Volume 6, Number 1","Sub-series 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.","Series 5: Photographs and negatives (circa 1870s – 1990s) includes photographs and negatives related to Lavinia's work and personal life. The contents cover a wide array of sizes and mediums, including gelatin prints, black and white and color snapshots, and color processed prints. Many, but not all, prints include some level of identifying inscription on the back, including stamps from local photographers. It is further divided into two subseries.","Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time.","Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided.","Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided.","Sub-series 4: Negatives (circa 1930s – 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.","Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time.","This sub-series has items that have been digitized due to preservation issues, available upon request.","Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided.","Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided.","This sub-series has items that have been digitized due to preservation issues, available upon request.","Sub-series 4: Negatives (circa 1930s - 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.","This sub-series has items that have been digitized due to preservation issues, available upon request.","Series 6: Audiovisual materials (circa 1930s – 1997) includes all audiovisual materials including photographic slides, both labeled and unlabeled cassette and VHS tapes, three professional .45 records, and one unlabeled Magnetophoband BASF reel to reel tape. Cassette and VHS contents reflect Lavinia's mission work in South Africa, including recordings of sermons and ceremonies at Inanda Seminary, sermons and speeches on various religious and social issues, and oral history interviews with mission workers such as Lou Ann Parsons, as well as 6-7 tapes containing an extensive interview with Lavinia herself. The bulk of these materials cover the 1970s – 1980s. Additionally, the photographic slides depict both South African mission work and Inanda Seminary, as well as personal family events and travels, including numerous souvenir professional slides from international locations. The bulk of these materials cover the 1950s – 1970s. All items in this series have been grouped by medium; some photographic slides include identifying information but, further organization by subject has not been completed at this time.","Series 7: South African artifacts (circa 1970s – 1980s) includes carvings, beadwork, and other artifacts likely purchased by or gifted to Lavinia during a return trip to South Africa that reflect Zulu cultural traditions and crafts.","Small possibly ivory bust statue, small black bust, heavy wooden elephant, medium wooden elephant","Small wooden elephant, small possibly ivory hippo, plastic bag filled with beadwork, cloth mat with image of Zulu tribe, box labeled \"Zulu beadwork\", and four small carved wooden animals"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_80cc4e1315ef5dc6c32b4320325dcd33\"\u003eThe Lavinia Scott papers consist of materials created and collected by missionary educator Lavinia Scott (1907 – 1997) covering circa 1860s-1998. This includes materials created by the American Board of Commissioners for Foreign Missions, the United Church Board for World Ministries, the United Church of Christ, and South Africa's Inanda Seminary. The collection covers Lavinia's personal and professional life working and living as a missionary educator in South Africa.\u003c/abstract\u003e"],"abstract_tesim":["The Lavinia Scott papers consist of materials created and collected by missionary educator Lavinia Scott (1907 – 1997) covering circa 1860s-1998. This includes materials created by the American Board of Commissioners for Foreign Missions, the United Church Board for World Ministries, the United Church of Christ, and South Africa's Inanda Seminary. The collection covers Lavinia's personal and professional life working and living as a missionary educator in South Africa."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_81acf2a66423a9d0915a1666348eb948\"\u003eR 71, C 1, S 2 - S 5\n\nR 72, C 3, S 7\n\nR 72, C 4, S 2 - S 7\n\nMap Case 8.3\n\nOS R 2, C 1, S 3\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 2 - S 5\n\nR 72, C 3, S 7\n\nR 72, C 4, S 2 - S 7\n\nMap Case 8.3\n\nOS R 2, C 1, S 3"],"names_coll_ssim":["Adams College (Amanzimtoti, South Africa)","Amanzimtoti Institute","American Board of Commissioners for Foreign Missions","General Council of the Congregational Christian Churches of the United States","Illinois College","Inanda Seminary (Inanda, South Africa)","United Church Board for World Ministries","United Church of Christ","Stearns, Peter N.","Luthuli, A. J. (Albert John), 1898-1967","Paton, Alan","Scott, Franklin D. (Franklin Daniel), 1901-1994","Scott, Lavinia, 1907-1997","Wood, Agnes A., 1896-1998"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Adams College (Amanzimtoti, South Africa)","Amanzimtoti Institute","American Board of Commissioners for Foreign Missions","General Council of the Congregational Christian Churches of the United States","Illinois College","Inanda Seminary (Inanda, South Africa)","United Church Board for World Ministries","United Church of Christ","Scott, Lavinia, 1907-1997","Stearns, Peter N.","Luthuli, A. J. (Albert John), 1898-1967","Paton, Alan","Scott, Franklin D. (Franklin Daniel), 1901-1994","Wood, Agnes A., 1896-1998"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Adams College (Amanzimtoti, South Africa)","Amanzimtoti Institute","American Board of Commissioners for Foreign Missions","General Council of the Congregational Christian Churches of the United States","Illinois College","Inanda Seminary (Inanda, South Africa)","United Church Board for World Ministries","United Church of Christ"],"persname_ssim":["Scott, Lavinia, 1907-1997","Stearns, Peter N.","Luthuli, A. J. (Albert John), 1898-1967","Paton, Alan","Scott, Franklin D. (Franklin Daniel), 1901-1994","Wood, Agnes A., 1896-1998"],"language_ssim":["English Zulu Afrikaans"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":973,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:26:10.110Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_651_c03"}},{"id":"vifgm_haight_c03","type":"Series","attributes":{"title":"Series 3: Photographs","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_haight_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_haight_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_haight_c03","ref_ssm":["vifgm_haight_c03"],"id":"vifgm_haight_c03","ead_ssi":"vifgm_haight","_root_":"vifgm_haight","_nest_parent_":"vifgm_haight","parent_ssi":"vifgm_haight","parent_ssim":["vifgm_haight"],"parent_ids_ssim":["vifgm_haight"],"parent_unittitles_ssm":["Alexander Haight family collection"],"parent_unittitles_tesim":["Alexander Haight family collection"],"text":["Alexander Haight family collection","Series 3: Photographs","(1 box)","This series contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n"],"title_filing_ssi":"Series 3: Photographs\n","title_ssm":["Series 3: Photographs"],"title_tesim":["Series 3: Photographs"],"unitdate_other_ssim":["ca. 1863-1920\n"],"normalized_date_ssm":["1863/1920"],"normalized_title_ssm":["Series 3: Photographs"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Alexander Haight family collection"],"physdesc_tesim":["(1 box)"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":334,"date_range_isim":[1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920],"scopecontent_html_tesm":["\u003cp\u003eThis series contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n\u003c/p\u003e"],"scopecontent_tesim":["This series contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n"],"_nest_path_":"/components#2","timestamp":"2026-05-21T06:18:50.228Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_haight","ead_ssi":"vifgm_haight","_root_":"vifgm_haight","_nest_parent_":"vifgm_haight","ead_source_url_ssi":"data/gmu/haight.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/haight.html","title_ssm":["Alexander Haight family collection"],"title_tesim":["Alexander Haight family collection"],"unitdate_ssm":["1764-1977\n"],"unitdate_inclusive_ssm":["1764-1977\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0159\n"],"text":["C0159\n","Alexander Haight family collection","Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes.","There are no access restrictions.\n","Organized into eight series by subject with each series organized alphabetically by title.\n","Series 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n Series 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n Series 3: Photographs, circa 1863-1920 (Box 3)\n Series 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n Series 5: Printed Material, 1884-1900 (Box 5)\n Series 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n Series 7: Oversize, 1863-1966 (Box 9)\n Series 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n","Alexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.","The effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.","Many of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n","Alexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period.","Processed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.\n","Special Collections and Archives holds other collections pertaining to local history and the Civil War, including the  .\n","This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n","Series 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n","Series 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n","Series 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n","Series 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n","Series 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n","Series 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n","Series 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n","Series 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n","This series contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush as Alexander Haight's brother-in-law, George Sweet (1821-1898), was a \"49er\". Other letters refer to the Civil War, in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n","","","sender unknown","","","from Syndhurst, New Jersey","sender unknown","sender and recipient unknown","sender and recipient unknown","","","recipient unknown","sender unknown","sender and recipient unknown","recipient unknown, but sender wrote \"lots of love to yourself and boys, also to Maggie [Margaret Haight]\"","postcard","","","","","","","includes envelope","","","","","","","","includes envelope, \"missent\"","","includes envelope postmarked October 4, 1888","includes envelope postmarked November 21, 1888","includes envelope postmarked January 1, 1889","","includes envelope postmarked March 12, 1889","","partial letter; includes envelope postmarked April 2, 1889","","","includes envelope postmarked April 30, 1889","","","includes envelope postmarked May 13, 1890","","","includes envelope postmarked September 19","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","postcard","","","","","","","postcard","","postcard","","postcard","","","newsclipping","","","","","","","","","","","envelope only","postcard","","","","","newsclippings","","postcard","Easter postcard","Easter postcard","","","","","","","","","","","","","","","","","","","","","","","","contains reference to the California Gold Rush","contains reference to the California Gold Rush","","","near Blakely Alabama; reference to Union Army","contains reference to Andrew Johnson's impeachment","","","","","","","","","","","includes envelope from Philadelphia postmarked March 4, 1884","includes envelope from Alexandria, Virginia postmarked March 14","includes envelope from Canon City, Colorado postmarked June 25, 1886","from Syndhurst, New Jersey","","","","","","sender's signature illegible; includes envelope","postcard addressed to A. L. Harnesberger","2 typewritten letters; includes 1 envelope","includes envelope","","includes envelope postmarked November 9, 1893\n\t","","George Sweet had two sisters, Phebe, who married Alexander Haight in 1824, and Elizabeth.","on interest \"received of George Sweet\" from gold dug in the California Gold Rush.","Greeley's signature matches that of the renowned journalist and founder of the New York Tribune.","","from Syndhurst, New Jersey","","","partial letter; contains references to the California Gold Rush","","","The letters in this folder contain references to John Young's service with the Union Army during the Civil War.","","","at camp near Fredericksburg, Virginia; includes envelope and transcription","includes envelope","This folder contains 37 pages of transcriptions of letters written from John M. Young to his wife, Rosetta, during his service with the Union Army.\n\t","This series contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n","Alexandria, Virginia; regarding property-confiscation trial of Alexander Haight\n\t","2 court orders appointing Alexander Haight as \"surveyor of the county road\"\n\t","","receipt","receipt","receipt","note to pay","","receipt","","contains around 100 bank receipts and a list of credits\n\t","","","","","","","","","","","","","","","","","","","","","","","","","","","","","check for 1 cent and envelope","","","","","","","","","","","2 pages\n\t","","promise to pay","","","","","","","","two letters on one paper","","two letters on one paper","two letters on one paper","recipient unknown","","","","","","","","","","monthly statement","","","","bill","","","","includes envelope","","","","","","","","","","","","","","","","","two receipts","","","two receipts","","","","Two calling cards; one unpostmarked envelope addressed to George A. Clark and Brother","","","receipt and letter; includes envelope","three receipts","three receipts","three receipts; includes envelope","","includes envelope","","","includes a letter on the back, signed \"Mother\"","","contains records of sales and profits on produce (possibly grown on Sulley Plantation)","contains records of sales and profits on produce (possibly grown on Sulley Plantation)","One-page record of mortgage and interest on 215 acres of farmland owed by Margaret Sweet and her children, including Phebe Sweet\n\t","","contains 6 official tax receipts and 1 hand-written note on delinquent taxes","contains 23 official tax receipts and 3 hand-written notes on tax payments","contains 10 official tax receipts and 2 hand-written notes on tax payments","contains 2 tax receipts","This series contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n","No. 427 of Brady's album gallery, titled \"Prof. Lowe reconnoitering at Battle of Fair Oaks\"\n\t","tintype of Clio, a slave girl kept by Phebe Haight from 1852 to 1862\n\t","Two deguerrotype portraits in cases, both of the same man; in the second he is wearing a Union uniform\n\t","2 photographic reproductions; photographs taken by Timothy O'Sullivan\n\t","Photographic reproduction\n\t","","reproduced from original daguerrotype","reproduced from original daguerrotype","","","","","","photograph mounted to cardboard backing","photograph mounted to cardboard backing","photograph mounted on cardboard backing","photographic reproduction","photograph mounted on cardboard backing; Little Sully, Alexander and Phebe Haight's house on Sully Plantation, was built around 1851","thin booklet, mostly empty, with produce sales recorded on two pages","","","mounted to inside of booklet","subject unknown; measures 2.5\" x 4.5\"","subject unknown; appears to be a photographic reproduction; measures 8\" x 10\"","mounted on cardboard backing; subjects thought to be Phebe Haight, her sister Elizabeth, and Elizabeth's husband George","pictured outside house with horse; measures 4.5\" x 2.5\"","photographic reproduction of above listed photograph; measures 10\" x 8\"","2 photographic reproductions and three negatives of the same photo; pictured left to right are Fountain Beattie, Lycurgus Hutcheson, John S. Mosby, and George Turbeville IV\n\t","This series contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n","printed statement memorializing Charles L. Atkins, a fallen Confederate soldier\n\t","signed by a Confederate officer under the command of General Beauregard\n\t","","","","","","","","features illustrations of Lady Justice, a frontier scene and a domestic scene","features an illustration of a shepherd and his sheep","front features a portrait of William Harris Crawford","addressed to Father from J. L. \n\t","pamphlet from ceremony memorializing fallen Union generals\n\t","Passes issued by various Provost Marshals' Offices granting Alexander Haight safe passage to and from various points in Northern Virginia\n\t","","","","","","","","","","","","","","","claim assembled by neighbors of Alexander Haight for damages incurred when the Confederate army passed through on September 1, 1862 \n\t","","","","","","","","order of General Jackson prohibiting theft of private property, signed by Jackson's officers\n\t","","","letter regarding publication of maps of the Battle of Manassas","edited and transcribed from the diaries of Charles and Phebe Sutton by their daughter, Alice Coates\n\t","This series contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n","","","","","","","","","","","This series contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (ca. 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n","","","","pamphlet","pamphlet","Pioneer America Society publication","article on Little Sully; publication of the Pioneer America Society","advertisement for Time-Life encyclopedia on the Old West","","pamphlet","brochure with photographic illustrations","","","","string sleeve with two strings inside","leather bound pocket size book\n\t","","","","from the Globes Northern Virginia Bicentennial Review; discusses the history of the Haight and Millan families","","sender and recipient both unknown","","","","4 pages","","","","fragment of poem written on looseleaf paper","","","","2 postcards","postcard","postcard","postcard","postcard","postcard","birthday card","","","picture of the cape","","10 calling cards: Mr. Harry L. Cather, Mrs. Frank Page, Gamett Ford, W. W. Millan, Jr., Carrie Ballinger, Mrs. Leda Terwilliger, Ella J. Worley, Miss Frankie M. Vosburgh, May Childs Furbrow, Mrs. Alice Hamill","business card","business card/tag","","Young Folk's Library of Choice Literature, Vol. III, No. 66","old guide book with illustrations","concert program for the UOGC, a Christian voluntary association","postcard","advertisement circular boasting \"The only Eye-Glasses for which was awarded Medal and Diploma at the Centennial Exhibition of 1876.\"","advertisement circular boasting product as winner of \"the Prize Medal at Philadelphia, 1876 and three gold medals at Paris, 1878.\"","advertisement circular","bears United States seal and photograph of Franklin D. Roosevelt","issued by the United States Department of the Interior National Park Service","envelope","ledger consists of only a few pages; scrapbook contains newsclippings pertaining to the Civil War\n\t","full leather-bound account book from a trading post on Lake George\n\t","This series includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n","","signed bond notes on a 14\" x 16\" sheet of paper","unsigned bond notes on a 14\" x 16\" sheet of paper","unsigned bond notes on a 14\" x 16\" sheet of paper","","","includes an obituary for Colonel John Mosby in the Mount Kisko News\n\t","","","","","This series contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n","16 bullets; all of the bullets in this series were found on Haight property after the Civil War\n\t","7 bullets\n\t","1 bullet\n\t","4 bullets\n\t","7 miniballs\n\t","picket stakes like this were used to tie horses\n\t","","","","","","","","used to hold gunpowder\n\t","13 envelopes containing stone arrowheads and knives, probably excavated from Haight property, which include labels claiming origins from 8,000 BCE - 3,500 BCE\n\t","6 envelopes containing stone arrowheads and knives, probably excavated from Haight property\n\t","21 rocks, 1 seashell, and 1 envelope with large iron nails\n\t","","","","","","","","","","","","","","","","2 heavy artillery shells\n\t","","","","","","","","2.5 to 3 feet long\n\t","There are no restrictions on personal use. Permission to publish material from the Alexander Haight family collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\n","This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n","George Mason University.  Special Collections and Archives.\n","Alexander Haight\n","English\n"],"unitid_tesim":["C0159\n"],"normalized_title_ssm":["Alexander Haight family collection"],"collection_title_tesim":["Alexander Haight family collection"],"collection_ssim":["Alexander Haight family collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Alexander Haight\n"],"creator_ssim":["Alexander Haight\n"],"creator_persname_ssim":["Alexander Haight\n"],"creators_ssim":["Alexander Haight\n"],"acqinfo_ssim":["Collection donated by Alexander Levi Haight in 1978.\n"],"access_subjects_ssim":["Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes."],"access_subjects_ssm":["Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes."],"has_online_content_ssim":["false"],"extent_ssm":["13 linear feet (19 boxes and 12 unboxed objects)"],"extent_tesim":["13 linear feet (19 boxes and 12 unboxed objects)"],"date_range_isim":[1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["There are no access restrictions.\n"],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series by subject with each series organized alphabetically by title.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, circa 1863-1920 (Box 3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Printed Material, 1884-1900 (Box 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Oversize, 1863-1966 (Box 9)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into eight series by subject with each series organized alphabetically by title.\n","Series 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n Series 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n Series 3: Photographs, circa 1863-1920 (Box 3)\n Series 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n Series 5: Printed Material, 1884-1900 (Box 5)\n Series 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n Series 7: Oversize, 1863-1966 (Box 9)\n Series 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n"],"bioghist_html_tesm":["\u003cp\u003eAlexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.\u003c/p\u003e","\u003cp\u003eThe effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.\u003c/p\u003e","\u003cp\u003eMany of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n\u003c/p\u003e","\u003cp\u003eAlexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Alexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.","The effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.","Many of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n","Alexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period."],"prefercite_html_tesm":["\u003cp\u003eAlexander Haight family collection, C0159, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e"],"prefercite_tesim":["Alexander Haight family collection, C0159, Special Collections and Archives, George Mason University Libraries.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.\n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.\n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds other collections pertaining to local history and the Civil War, including the \u003cextptr type=\"simple\" title=\"Milton Barnes papers\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/barnes.html\"\u003e\u003c/extptr\u003e.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives holds other collections pertaining to local history and the Civil War, including the  .\n"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n\u003c/p\u003e","\u003cp\u003eSeries 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n\u003c/p\u003e","\u003cp\u003eSeries 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n\u003c/p\u003e","\u003cp\u003eSeries 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n\u003c/p\u003e","\u003cp\u003eSeries 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n\u003c/p\u003e","\u003cp\u003eSeries 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n\u003c/p\u003e","\u003cp\u003eSeries 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n\u003c/p\u003e","\u003cp\u003eSeries 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n\u003c/p\u003e","\u003cp\u003eSeries 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n\u003c/p\u003e","\u003cp\u003eThis series contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush as Alexander Haight's brother-in-law, George Sweet (1821-1898), was a \"49er\". Other letters refer to the Civil War, in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003esender unknown\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003efrom Syndhurst, New Jersey\u003c/p\u003e","\u003cp\u003esender unknown\u003c/p\u003e","\u003cp\u003esender and recipient unknown\u003c/p\u003e","\u003cp\u003esender and recipient unknown\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003erecipient unknown\u003c/p\u003e","\u003cp\u003esender unknown\u003c/p\u003e","\u003cp\u003esender and recipient unknown\u003c/p\u003e","\u003cp\u003erecipient unknown, but sender wrote \"lots of love to yourself and boys, also to Maggie [Margaret Haight]\"\u003c/p\u003e","\u003cp\u003epostcard\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eincludes envelope\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eincludes envelope, \"missent\"\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eincludes envelope postmarked October 4, 1888\u003c/p\u003e","\u003cp\u003eincludes envelope postmarked November 21, 1888\u003c/p\u003e","\u003cp\u003eincludes envelope postmarked January 1, 1889\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eincludes envelope postmarked March 12, 1889\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003epartial letter; 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reference to Union Army\u003c/p\u003e","\u003cp\u003econtains reference to Andrew Johnson's impeachment\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eincludes envelope from Philadelphia postmarked March 4, 1884\u003c/p\u003e","\u003cp\u003eincludes envelope from Alexandria, Virginia postmarked March 14\u003c/p\u003e","\u003cp\u003eincludes envelope from Canon City, Colorado postmarked June 25, 1886\u003c/p\u003e","\u003cp\u003efrom Syndhurst, New Jersey\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003esender's signature illegible; includes envelope\u003c/p\u003e","\u003cp\u003epostcard addressed to A. L. Harnesberger\u003c/p\u003e","\u003cp\u003e2 typewritten letters; includes 1 envelope\u003c/p\u003e","\u003cp\u003eincludes envelope\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eincludes envelope postmarked November 9, 1893\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eGeorge Sweet had two sisters, Phebe, who married Alexander Haight in 1824, and Elizabeth.\u003c/p\u003e","\u003cp\u003eon interest \"received of George Sweet\" from gold dug in the California Gold Rush.\u003c/p\u003e","\u003cp\u003eGreeley's signature matches that of the renowned journalist and founder of the New York Tribune.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003efrom Syndhurst, New Jersey\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003epartial letter; contains references to the California Gold Rush\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThe letters in this folder contain references to John Young's service with the Union Army during the Civil War.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eat camp near Fredericksburg, Virginia; includes envelope and transcription\u003c/p\u003e","\u003cp\u003eincludes envelope\u003c/p\u003e","\u003cp\u003eThis folder contains 37 pages of transcriptions of letters written from John M. Young to his wife, Rosetta, during his service with the Union Army.\n\t\u003c/p\u003e","\u003cp\u003eThis series contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n\u003c/p\u003e","\u003cp\u003eAlexandria, Virginia; regarding property-confiscation trial of Alexander Haight\n\t\u003c/p\u003e","\u003cp\u003e2 court orders appointing Alexander Haight as \"surveyor of the county road\"\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003ereceipt\u003c/p\u003e","\u003cp\u003ereceipt\u003c/p\u003e","\u003cp\u003ereceipt\u003c/p\u003e","\u003cp\u003enote to pay\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003ereceipt\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003econtains around 100 bank receipts and a list of credits\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003echeck for 1 cent and envelope\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e2 pages\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003epromise to pay\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003etwo letters on one paper\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003etwo letters on one paper\u003c/p\u003e","\u003cp\u003etwo letters on one paper\u003c/p\u003e","\u003cp\u003erecipient unknown\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003emonthly statement\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003ebill\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eincludes envelope\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003etwo receipts\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003etwo receipts\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eTwo calling cards; one unpostmarked envelope addressed to George A. Clark and Brother\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003ereceipt and letter; includes envelope\u003c/p\u003e","\u003cp\u003ethree receipts\u003c/p\u003e","\u003cp\u003ethree receipts\u003c/p\u003e","\u003cp\u003ethree receipts; includes envelope\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eincludes envelope\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eincludes a letter on the back, signed \"Mother\"\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003econtains records of sales and profits on produce (possibly grown on Sulley Plantation)\u003c/p\u003e","\u003cp\u003econtains records of sales and profits on produce (possibly grown on Sulley Plantation)\u003c/p\u003e","\u003cp\u003eOne-page record of mortgage and interest on 215 acres of farmland owed by Margaret Sweet and her children, including Phebe Sweet\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003econtains 6 official tax receipts and 1 hand-written note on delinquent taxes\u003c/p\u003e","\u003cp\u003econtains 23 official tax receipts and 3 hand-written notes on tax payments\u003c/p\u003e","\u003cp\u003econtains 10 official tax receipts and 2 hand-written notes on tax payments\u003c/p\u003e","\u003cp\u003econtains 2 tax receipts\u003c/p\u003e","\u003cp\u003eThis series contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n\u003c/p\u003e","\u003cp\u003eNo. 427 of Brady's album gallery, titled \"Prof. Lowe reconnoitering at Battle of Fair Oaks\"\n\t\u003c/p\u003e","\u003cp\u003etintype of Clio, a slave girl kept by Phebe Haight from 1852 to 1862\n\t\u003c/p\u003e","\u003cp\u003eTwo deguerrotype portraits in cases, both of the same man; in the second he is wearing a Union uniform\n\t\u003c/p\u003e","\u003cp\u003e2 photographic reproductions; photographs taken by Timothy O'Sullivan\n\t\u003c/p\u003e","\u003cp\u003ePhotographic reproduction\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003ereproduced from original daguerrotype\u003c/p\u003e","\u003cp\u003ereproduced from original daguerrotype\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003ephotograph mounted to cardboard backing\u003c/p\u003e","\u003cp\u003ephotograph mounted to cardboard backing\u003c/p\u003e","\u003cp\u003ephotograph mounted on cardboard backing\u003c/p\u003e","\u003cp\u003ephotographic reproduction\u003c/p\u003e","\u003cp\u003ephotograph mounted on cardboard backing; Little Sully, Alexander and Phebe Haight's house on Sully Plantation, was built around 1851\u003c/p\u003e","\u003cp\u003ethin booklet, mostly empty, with produce sales recorded on two pages\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003emounted to inside of booklet\u003c/p\u003e","\u003cp\u003esubject unknown; measures 2.5\" x 4.5\"\u003c/p\u003e","\u003cp\u003esubject unknown; appears to be a photographic reproduction; measures 8\" x 10\"\u003c/p\u003e","\u003cp\u003emounted on cardboard backing; subjects thought to be Phebe Haight, her sister Elizabeth, and Elizabeth's husband George\u003c/p\u003e","\u003cp\u003epictured outside house with horse; measures 4.5\" x 2.5\"\u003c/p\u003e","\u003cp\u003ephotographic reproduction of above listed photograph; measures 10\" x 8\"\u003c/p\u003e","\u003cp\u003e2 photographic reproductions and three negatives of the same photo; pictured left to right are Fountain Beattie, Lycurgus Hutcheson, John S. Mosby, and George Turbeville IV\n\t\u003c/p\u003e","\u003cp\u003eThis series contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n\u003c/p\u003e","\u003cp\u003eprinted statement memorializing Charles L. Atkins, a fallen Confederate soldier\n\t\u003c/p\u003e","\u003cp\u003esigned by a Confederate officer under the command of General Beauregard\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003efeatures illustrations of Lady Justice, a frontier scene and a domestic scene\u003c/p\u003e","\u003cp\u003efeatures an illustration of a shepherd and his sheep\u003c/p\u003e","\u003cp\u003efront features a portrait of William Harris Crawford\u003c/p\u003e","\u003cp\u003eaddressed to Father from J. L. \n\t\u003c/p\u003e","\u003cp\u003epamphlet from ceremony memorializing fallen Union generals\n\t\u003c/p\u003e","\u003cp\u003ePasses issued by various Provost Marshals' Offices granting Alexander Haight safe passage to and from various points in Northern Virginia\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eclaim assembled by neighbors of Alexander Haight for damages incurred when the Confederate army passed through on September 1, 1862 \n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eorder of General Jackson prohibiting theft of private property, signed by Jackson's officers\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eletter regarding publication of maps of the Battle of Manassas\u003c/p\u003e","\u003cp\u003eedited and transcribed from the diaries of Charles and Phebe Sutton by their daughter, Alice Coates\n\t\u003c/p\u003e","\u003cp\u003eThis series contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (ca. 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003epamphlet\u003c/p\u003e","\u003cp\u003epamphlet\u003c/p\u003e","\u003cp\u003ePioneer America Society publication\u003c/p\u003e","\u003cp\u003earticle on Little Sully; publication of the Pioneer America Society\u003c/p\u003e","\u003cp\u003eadvertisement for Time-Life encyclopedia on the Old West\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003epamphlet\u003c/p\u003e","\u003cp\u003ebrochure with photographic illustrations\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003estring sleeve with two strings inside\u003c/p\u003e","\u003cp\u003eleather bound pocket size book\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003efrom the Globes Northern Virginia Bicentennial Review; discusses the history of the Haight and Millan families\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003esender and recipient both unknown\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e4 pages\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003efragment of poem written on looseleaf paper\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e2 postcards\u003c/p\u003e","\u003cp\u003epostcard\u003c/p\u003e","\u003cp\u003epostcard\u003c/p\u003e","\u003cp\u003epostcard\u003c/p\u003e","\u003cp\u003epostcard\u003c/p\u003e","\u003cp\u003epostcard\u003c/p\u003e","\u003cp\u003ebirthday card\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003epicture of the cape\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e10 calling cards: Mr. Harry L. Cather, Mrs. Frank Page, Gamett Ford, W. W. Millan, Jr., Carrie Ballinger, Mrs. Leda Terwilliger, Ella J. Worley, Miss Frankie M. Vosburgh, May Childs Furbrow, Mrs. Alice Hamill\u003c/p\u003e","\u003cp\u003ebusiness card\u003c/p\u003e","\u003cp\u003ebusiness card/tag\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eYoung Folk's Library of Choice Literature, Vol. III, No. 66\u003c/p\u003e","\u003cp\u003eold guide book with illustrations\u003c/p\u003e","\u003cp\u003econcert program for the UOGC, a Christian voluntary association\u003c/p\u003e","\u003cp\u003epostcard\u003c/p\u003e","\u003cp\u003eadvertisement circular boasting \"The only Eye-Glasses for which was awarded Medal and Diploma at the Centennial Exhibition of 1876.\"\u003c/p\u003e","\u003cp\u003eadvertisement circular boasting product as winner of \"the Prize Medal at Philadelphia, 1876 and three gold medals at Paris, 1878.\"\u003c/p\u003e","\u003cp\u003eadvertisement circular\u003c/p\u003e","\u003cp\u003ebears United States seal and photograph of Franklin D. Roosevelt\u003c/p\u003e","\u003cp\u003eissued by the United States Department of the Interior National Park Service\u003c/p\u003e","\u003cp\u003eenvelope\u003c/p\u003e","\u003cp\u003eledger consists of only a few pages; scrapbook contains newsclippings pertaining to the Civil War\n\t\u003c/p\u003e","\u003cp\u003efull leather-bound account book from a trading post on Lake George\n\t\u003c/p\u003e","\u003cp\u003eThis series includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003esigned bond notes on a 14\" x 16\" sheet of paper\u003c/p\u003e","\u003cp\u003eunsigned bond notes on a 14\" x 16\" sheet of paper\u003c/p\u003e","\u003cp\u003eunsigned bond notes on a 14\" x 16\" sheet of paper\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eincludes an obituary for Colonel John Mosby in the Mount Kisko News\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n\u003c/p\u003e","\u003cp\u003e16 bullets; all of the bullets in this series were found on Haight property after the Civil War\n\t\u003c/p\u003e","\u003cp\u003e7 bullets\n\t\u003c/p\u003e","\u003cp\u003e1 bullet\n\t\u003c/p\u003e","\u003cp\u003e4 bullets\n\t\u003c/p\u003e","\u003cp\u003e7 miniballs\n\t\u003c/p\u003e","\u003cp\u003epicket stakes like this were used to tie horses\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eused to hold gunpowder\n\t\u003c/p\u003e","\u003cp\u003e13 envelopes containing stone arrowheads and knives, probably excavated from Haight property, which include labels claiming origins from 8,000 BCE - 3,500 BCE\n\t\u003c/p\u003e","\u003cp\u003e6 envelopes containing stone arrowheads and knives, probably excavated from Haight property\n\t\u003c/p\u003e","\u003cp\u003e21 rocks, 1 seashell, and 1 envelope with large iron nails\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e2 heavy artillery shells\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e2.5 to 3 feet long\n\t\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n","Series 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n","Series 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n","Series 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n","Series 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n","Series 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n","Series 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n","Series 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n","Series 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n","This series contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush as Alexander Haight's brother-in-law, George Sweet (1821-1898), was a \"49er\". Other letters refer to the Civil War, in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n","","","sender unknown","","","from Syndhurst, New Jersey","sender unknown","sender and recipient unknown","sender and recipient unknown","","","recipient unknown","sender unknown","sender and recipient unknown","recipient unknown, but sender wrote \"lots of love to yourself and boys, also to Maggie [Margaret Haight]\"","postcard","","","","","","","includes envelope","","","","","","","","includes envelope, \"missent\"","","includes envelope postmarked October 4, 1888","includes envelope postmarked November 21, 1888","includes envelope postmarked January 1, 1889","","includes envelope postmarked March 12, 1889","","partial letter; includes envelope postmarked April 2, 1889","","","includes envelope postmarked April 30, 1889","","","includes envelope postmarked May 13, 1890","","","includes envelope postmarked September 19","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","postcard","","","","","","","postcard","","postcard","","postcard","","","newsclipping","","","","","","","","","","","envelope only","postcard","","","","","newsclippings","","postcard","Easter postcard","Easter postcard","","","","","","","","","","","","","","","","","","","","","","","","contains reference to the California Gold Rush","contains reference to the California Gold Rush","","","near Blakely Alabama; reference to Union Army","contains reference to Andrew Johnson's impeachment","","","","","","","","","","","includes envelope from Philadelphia postmarked March 4, 1884","includes envelope from Alexandria, Virginia postmarked March 14","includes envelope from Canon City, Colorado postmarked June 25, 1886","from Syndhurst, New Jersey","","","","","","sender's signature illegible; includes envelope","postcard addressed to A. L. Harnesberger","2 typewritten letters; includes 1 envelope","includes envelope","","includes envelope postmarked November 9, 1893\n\t","","George Sweet had two sisters, Phebe, who married Alexander Haight in 1824, and Elizabeth.","on interest \"received of George Sweet\" from gold dug in the California Gold Rush.","Greeley's signature matches that of the renowned journalist and founder of the New York Tribune.","","from Syndhurst, New Jersey","","","partial letter; contains references to the California Gold Rush","","","The letters in this folder contain references to John Young's service with the Union Army during the Civil War.","","","at camp near Fredericksburg, Virginia; includes envelope and transcription","includes envelope","This folder contains 37 pages of transcriptions of letters written from John M. Young to his wife, Rosetta, during his service with the Union Army.\n\t","This series contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n","Alexandria, Virginia; regarding property-confiscation trial of Alexander Haight\n\t","2 court orders appointing Alexander Haight as \"surveyor of the county road\"\n\t","","receipt","receipt","receipt","note to pay","","receipt","","contains around 100 bank receipts and a list of credits\n\t","","","","","","","","","","","","","","","","","","","","","","","","","","","","","check for 1 cent and envelope","","","","","","","","","","","2 pages\n\t","","promise to pay","","","","","","","","two letters on one paper","","two letters on one paper","two letters on one paper","recipient unknown","","","","","","","","","","monthly statement","","","","bill","","","","includes envelope","","","","","","","","","","","","","","","","","two receipts","","","two receipts","","","","Two calling cards; one unpostmarked envelope addressed to George A. Clark and Brother","","","receipt and letter; includes envelope","three receipts","three receipts","three receipts; includes envelope","","includes envelope","","","includes a letter on the back, signed \"Mother\"","","contains records of sales and profits on produce (possibly grown on Sulley Plantation)","contains records of sales and profits on produce (possibly grown on Sulley Plantation)","One-page record of mortgage and interest on 215 acres of farmland owed by Margaret Sweet and her children, including Phebe Sweet\n\t","","contains 6 official tax receipts and 1 hand-written note on delinquent taxes","contains 23 official tax receipts and 3 hand-written notes on tax payments","contains 10 official tax receipts and 2 hand-written notes on tax payments","contains 2 tax receipts","This series contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n","No. 427 of Brady's album gallery, titled \"Prof. Lowe reconnoitering at Battle of Fair Oaks\"\n\t","tintype of Clio, a slave girl kept by Phebe Haight from 1852 to 1862\n\t","Two deguerrotype portraits in cases, both of the same man; in the second he is wearing a Union uniform\n\t","2 photographic reproductions; photographs taken by Timothy O'Sullivan\n\t","Photographic reproduction\n\t","","reproduced from original daguerrotype","reproduced from original daguerrotype","","","","","","photograph mounted to cardboard backing","photograph mounted to cardboard backing","photograph mounted on cardboard backing","photographic reproduction","photograph mounted on cardboard backing; Little Sully, Alexander and Phebe Haight's house on Sully Plantation, was built around 1851","thin booklet, mostly empty, with produce sales recorded on two pages","","","mounted to inside of booklet","subject unknown; measures 2.5\" x 4.5\"","subject unknown; appears to be a photographic reproduction; measures 8\" x 10\"","mounted on cardboard backing; subjects thought to be Phebe Haight, her sister Elizabeth, and Elizabeth's husband George","pictured outside house with horse; measures 4.5\" x 2.5\"","photographic reproduction of above listed photograph; measures 10\" x 8\"","2 photographic reproductions and three negatives of the same photo; pictured left to right are Fountain Beattie, Lycurgus Hutcheson, John S. Mosby, and George Turbeville IV\n\t","This series contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n","printed statement memorializing Charles L. Atkins, a fallen Confederate soldier\n\t","signed by a Confederate officer under the command of General Beauregard\n\t","","","","","","","","features illustrations of Lady Justice, a frontier scene and a domestic scene","features an illustration of a shepherd and his sheep","front features a portrait of William Harris Crawford","addressed to Father from J. L. \n\t","pamphlet from ceremony memorializing fallen Union generals\n\t","Passes issued by various Provost Marshals' Offices granting Alexander Haight safe passage to and from various points in Northern Virginia\n\t","","","","","","","","","","","","","","","claim assembled by neighbors of Alexander Haight for damages incurred when the Confederate army passed through on September 1, 1862 \n\t","","","","","","","","order of General Jackson prohibiting theft of private property, signed by Jackson's officers\n\t","","","letter regarding publication of maps of the Battle of Manassas","edited and transcribed from the diaries of Charles and Phebe Sutton by their daughter, Alice Coates\n\t","This series contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n","","","","","","","","","","","This series contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (ca. 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n","","","","pamphlet","pamphlet","Pioneer America Society publication","article on Little Sully; publication of the Pioneer America Society","advertisement for Time-Life encyclopedia on the Old West","","pamphlet","brochure with photographic illustrations","","","","string sleeve with two strings inside","leather bound pocket size book\n\t","","","","from the Globes Northern Virginia Bicentennial Review; discusses the history of the Haight and Millan families","","sender and recipient both unknown","","","","4 pages","","","","fragment of poem written on looseleaf paper","","","","2 postcards","postcard","postcard","postcard","postcard","postcard","birthday card","","","picture of the cape","","10 calling cards: Mr. Harry L. Cather, Mrs. Frank Page, Gamett Ford, W. W. Millan, Jr., Carrie Ballinger, Mrs. Leda Terwilliger, Ella J. Worley, Miss Frankie M. Vosburgh, May Childs Furbrow, Mrs. Alice Hamill","business card","business card/tag","","Young Folk's Library of Choice Literature, Vol. III, No. 66","old guide book with illustrations","concert program for the UOGC, a Christian voluntary association","postcard","advertisement circular boasting \"The only Eye-Glasses for which was awarded Medal and Diploma at the Centennial Exhibition of 1876.\"","advertisement circular boasting product as winner of \"the Prize Medal at Philadelphia, 1876 and three gold medals at Paris, 1878.\"","advertisement circular","bears United States seal and photograph of Franklin D. Roosevelt","issued by the United States Department of the Interior National Park Service","envelope","ledger consists of only a few pages; scrapbook contains newsclippings pertaining to the Civil War\n\t","full leather-bound account book from a trading post on Lake George\n\t","This series includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n","","signed bond notes on a 14\" x 16\" sheet of paper","unsigned bond notes on a 14\" x 16\" sheet of paper","unsigned bond notes on a 14\" x 16\" sheet of paper","","","includes an obituary for Colonel John Mosby in the Mount Kisko News\n\t","","","","","This series contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n","16 bullets; all of the bullets in this series were found on Haight property after the Civil War\n\t","7 bullets\n\t","1 bullet\n\t","4 bullets\n\t","7 miniballs\n\t","picket stakes like this were used to tie horses\n\t","","","","","","","","used to hold gunpowder\n\t","13 envelopes containing stone arrowheads and knives, probably excavated from Haight property, which include labels claiming origins from 8,000 BCE - 3,500 BCE\n\t","6 envelopes containing stone arrowheads and knives, probably excavated from Haight property\n\t","21 rocks, 1 seashell, and 1 envelope with large iron nails\n\t","","","","","","","","","","","","","","","","2 heavy artillery shells\n\t","","","","","","","","2.5 to 3 feet long\n\t"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Alexander Haight family collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Alexander Haight family collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Alexander Haight\n"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n"],"persname_ssim":["Alexander Haight\n"],"language_ssim":["English\n"],"total_component_count_is":531,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:18:50.228Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_haight_c03"}},{"id":"vifgm_performingartsmanuscripts_c03","type":"Series","attributes":{"title":"Series 3: Photographs,","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_performingartsmanuscripts_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_performingartsmanuscripts_c03","ref_ssm":["vifgm_performingartsmanuscripts_c03"],"id":"vifgm_performingartsmanuscripts_c03","ead_ssi":"vifgm_performingartsmanuscripts","_root_":"vifgm_performingartsmanuscripts","_nest_parent_":"vifgm_performingartsmanuscripts","parent_ssi":"vifgm_performingartsmanuscripts","parent_ssim":["vifgm_performingartsmanuscripts"],"parent_ids_ssim":["vifgm_performingartsmanuscripts"],"parent_unittitles_ssm":["Performing arts manuscripts collection"],"parent_unittitles_tesim":["Performing arts manuscripts collection"],"text":["Performing arts manuscripts collection","Series 3: Photographs,"],"title_filing_ssi":"Series 3: Photographs,","title_ssm":["Series 3: Photographs,"],"title_tesim":["Series 3: Photographs,"],"unitdate_other_ssim":["1900-1984 (Boxes 1-3)"],"normalized_date_ssm":["1900/1984"],"normalized_title_ssm":["Series 3: Photographs,"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Performing arts manuscripts collection"],"has_online_content_ssim":["false"],"child_component_count_isi":22,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":34,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"_nest_path_":"/components#2","timestamp":"2026-05-21T06:45:26.642Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_performingartsmanuscripts","ead_ssi":"vifgm_performingartsmanuscripts","_root_":"vifgm_performingartsmanuscripts","_nest_parent_":"vifgm_performingartsmanuscripts","ead_source_url_ssi":"data/gmu/performingartsmanuscripts.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/performingartsmanuscripts.html","title_ssm":["Performing arts manuscripts collection"],"title_tesim":["Performing arts manuscripts collection"],"unitdate_ssm":["circa 1475-1984"],"unitdate_inclusive_ssm":["circa 1475-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0215"],"text":["C0215","Performing arts manuscripts collection","Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints.","There are no access restrictions.","The collection is arranged in three series. Each series is arranged chronologically by order of acquisition.","Series 1: Graphic Materials, 1610-1940 (Boxes 1-4)","Series 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)","Series 3: Photographs, 1900-1984 (Boxes 1-3)","The Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students.","Processed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019.","Special Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other ","This collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.","Acquisition date - October 2009\n","Acquisition date - December 2009\n","Acquisition date - February 2010\n","Acquisition date - September 2010\n","Acquisition date - October 2011\n","Acquisition date - October 2011\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Call number NE671.16.V58 1610; Acquisition date - September 2013\n","Acquisition date - October 2016\n","Acquisition date - February 2017\n","Acquisition date - February 2017\n","Acquisition date - February 2017\n","Acquisition date - December 2017\n","Acquisition date - October 2011\n","Acquisition date - January 2016\n","Acquisition date - May 2016\n","Acquisition date - May 2016\n","Acquisition date - June 2012\n","Acquisition date - September 2016\n","Acquisition date - September 2016\n","Acquisition date - September 2017\n","Acquisition date - March 2018\n","Call number PN2924.5.N6 H36 1880z; Acquisition date - March 2018\n","Acquisition date - February 2017\n","Call number Oversize M2147 XV .M3; Acquisition date - February 2017\n","Call number Oversize M2147 XVI .M4; Acquisition date - February 2017\n","Call number M2013.5 .M58 1700z; Acquisition date - September 2017\n","Call number M2019.5.B38 J88 1800z; Acquisition date - September 2016\n","Call number Folio M1503.R75 M9 1929; Acquisition date - July 2017\n","Call number Folio M1503.R75 M9 1929 score; Acquisition date - July 2017\n","Acquisition date - March 2012\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - March 2012\n","Acquisition date - March 2015\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - February 2010\n","Acquisition date - February 2010\n","Acquisition date - February 2010\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Acquisition date - July 2012\n","Acquisition date - September 2017\n","Acquisition date - July 2018\n","Acquisition date - July 2018\n","There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries.","Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.","George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes.","Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910","Primarily English. Some materials are in Latin, French, or Italian.\n            \t"],"unitid_tesim":["C0215"],"normalized_title_ssm":["Performing arts manuscripts collection"],"collection_title_tesim":["Performing arts manuscripts collection"],"collection_ssim":["Performing arts manuscripts collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Gerber, Steven K."],"creator_ssim":["Gerber, Steven K."],"creator_persname_ssim":["Gerber, Steven K."],"creators_ssim":["Gerber, Steven K."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection materials were purchased from a variety of rare book and manuscript dealers from 2009 through the present."],"access_subjects_ssim":["Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints."],"access_subjects_ssm":["Ballet--Pictorial works.","Costume design.","Dance","Hitler Youth--Photographs.","Minstrel shows","Music.","No","Opera.","Performing arts.","Sheet music.","Stage guides","Theater.","Tom and Jerry (Television program)","Lithographs.","Etchings. ","Photographic prints."],"has_online_content_ssim":["false"],"extent_ssm":["4.0 linear feet (4 boxes)"],"extent_tesim":["4.0 linear feet (4 boxes)"],"date_range_isim":[1475,1476,1477,1478,1479,1480,1481,1482,1483,1484,1485,1486,1487,1488,1489,1490,1491,1492,1493,1494,1495,1496,1497,1498,1499,1500,1501,1502,1503,1504,1505,1506,1507,1508,1509,1510,1511,1512,1513,1514,1515,1516,1517,1518,1519,1520,1521,1522,1523,1524,1525,1526,1527,1528,1529,1530,1531,1532,1533,1534,1535,1536,1537,1538,1539,1540,1541,1542,1543,1544,1545,1546,1547,1548,1549,1550,1551,1552,1553,1554,1555,1556,1557,1558,1559,1560,1561,1562,1563,1564,1565,1566,1567,1568,1569,1570,1571,1572,1573,1574,1575,1576,1577,1578,1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in three series. Each series is arranged chronologically by order of acquisition.\u003c/p\u003e","\u003cp\u003eSeries 1: Graphic Materials, 1610-1940 (Boxes 1-4)\u003c/p\u003e","\u003cp\u003eSeries 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs, 1900-1984 (Boxes 1-3)\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in three series. Each series is arranged chronologically by order of acquisition.","Series 1: Graphic Materials, 1610-1940 (Boxes 1-4)","Series 2: Manuscripts, circa 1475-1929 (Boxes 1, 3)","Series 3: Photographs, 1900-1984 (Boxes 1-3)"],"bioghist_html_tesm":["\u003cp\u003eThe Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Performing arts manuscripts collection consists of items selected by Steven Gerber, the Music, Theater, and Philosophy Librarian at George Mason University (GMU). In addition to his librarian duties, Gerber teaches courses on music research and bibliography at GMU. He developed this collection to serve as a resource for his courses and to provide research access for GMU performing arts faculty and students."],"prefercite_html_tesm":["\u003cp\u003ePerforming arts manuscripts collection, C0215, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Performing arts manuscripts collection, C0215, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Jordan Patty in 2012. EAD markup completed by Jordan Patty in 2013. Collection reprocessed and finding aid revised by Lana Mason in January 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other \u003cextptr type=\"simple\" title=\"performing arts collections.\" show=\"new\" href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds published materials related to music and the performing arts which can be found through the George Mason University library catalog. Special Collections Research Center also holds many other "],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - December 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2010\n\u003c/p\u003e","\u003cp\u003eAcquisition date - September 2010\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2011\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2011\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eCall number NE671.16.V58 1610; Acquisition date - September 2013\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2016\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2017\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2017\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2017\n\u003c/p\u003e","\u003cp\u003eAcquisition date - December 2017\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2011\n\u003c/p\u003e","\u003cp\u003eAcquisition date - January 2016\n\u003c/p\u003e","\u003cp\u003eAcquisition date - May 2016\n\u003c/p\u003e","\u003cp\u003eAcquisition date - May 2016\n\u003c/p\u003e","\u003cp\u003eAcquisition date - June 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - September 2016\n\u003c/p\u003e","\u003cp\u003eAcquisition date - September 2016\n\u003c/p\u003e","\u003cp\u003eAcquisition date - September 2017\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2018\n\u003c/p\u003e","\u003cp\u003eCall number PN2924.5.N6 H36 1880z; Acquisition date - March 2018\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2017\n\u003c/p\u003e","\u003cp\u003eCall number Oversize M2147 XV .M3; Acquisition date - February 2017\n\u003c/p\u003e","\u003cp\u003eCall number Oversize M2147 XVI .M4; Acquisition date - February 2017\n\u003c/p\u003e","\u003cp\u003eCall number M2013.5 .M58 1700z; Acquisition date - September 2017\n\u003c/p\u003e","\u003cp\u003eCall number M2019.5.B38 J88 1800z; Acquisition date - September 2016\n\u003c/p\u003e","\u003cp\u003eCall number Folio M1503.R75 M9 1929; Acquisition date - July 2017\n\u003c/p\u003e","\u003cp\u003eCall number Folio M1503.R75 M9 1929 score; Acquisition date - July 2017\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2015\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - October 2009\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2010\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2010\n\u003c/p\u003e","\u003cp\u003eAcquisition date - February 2010\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - March 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - July 2012\n\u003c/p\u003e","\u003cp\u003eAcquisition date - September 2017\n\u003c/p\u003e","\u003cp\u003eAcquisition date - July 2018\n\u003c/p\u003e","\u003cp\u003eAcquisition date - July 2018\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of photographic prints, lithographs, and drawings of significant musicians, composers, and dancers. The photographs depict portraits and images of professional performing artists at work. The drawings and lithographs are primarily portraits of notable performing arts professionals, or feature subject matter related to the performing arts, including costume design and scenes from various stage sets and performances. The collection also contains several manuscripts, including a folio of musical instruments, a stage guide and score for the musical \"My Maryland,\" and hand-written sheet music.","Acquisition date - October 2009\n","Acquisition date - December 2009\n","Acquisition date - February 2010\n","Acquisition date - September 2010\n","Acquisition date - October 2011\n","Acquisition date - October 2011\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Call number NE671.16.V58 1610; Acquisition date - September 2013\n","Acquisition date - October 2016\n","Acquisition date - February 2017\n","Acquisition date - February 2017\n","Acquisition date - February 2017\n","Acquisition date - December 2017\n","Acquisition date - October 2011\n","Acquisition date - January 2016\n","Acquisition date - May 2016\n","Acquisition date - May 2016\n","Acquisition date - June 2012\n","Acquisition date - September 2016\n","Acquisition date - September 2016\n","Acquisition date - September 2017\n","Acquisition date - March 2018\n","Call number PN2924.5.N6 H36 1880z; Acquisition date - March 2018\n","Acquisition date - February 2017\n","Call number Oversize M2147 XV .M3; Acquisition date - February 2017\n","Call number Oversize M2147 XVI .M4; Acquisition date - February 2017\n","Call number M2013.5 .M58 1700z; Acquisition date - September 2017\n","Call number M2019.5.B38 J88 1800z; Acquisition date - September 2016\n","Call number Folio M1503.R75 M9 1929; Acquisition date - July 2017\n","Call number Folio M1503.R75 M9 1929 score; Acquisition date - July 2017\n","Acquisition date - March 2012\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - March 2012\n","Acquisition date - March 2015\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - October 2009\n","Acquisition date - February 2010\n","Acquisition date - February 2010\n","Acquisition date - February 2010\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Acquisition date - March 2012\n","Acquisition date - July 2012\n","Acquisition date - September 2017\n","Acquisition date - July 2018\n","Acquisition date - July 2018\n"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from Performing arts manuscripts collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref45\" label=\"Abstract\"\u003eCollection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.\u003c/abstract\u003e"],"abstract_tesim":["Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes.","Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Germania Musical Society. -- Pictorial works","Ballet Russe de Monte-Carlo.","Ballets russes."],"persname_ssim":["Gerber, Steven K.","Ailey, Alvin -- Photographs","Arne, Thomas Augustine, 1710-1778  -- Pictorial works","Balanchine, George -- Photographs","Basili, Francesco, 1767-1850","Bernstein, Leonard, 1918-1990  -- Photographs","Bolm, Adolf , 1884-1951  -- Photographs","Cage, John -- Photographs","Cherubini, Luigi, 1760-1842  -- Pictorial works","Danilova, Alexandra, 1907-1997","Dello Joio, Norman, 1913-2008 -- Photographs","Didelot, Rose Colinette -- Pictorial works","Duncan, Isadora, 1877-1927 -- Photographs","Eglevsky, Andre -- Photographs","Fuller, Loie, 1862-1928  -- Photographs","Graham, Martha -- Photographs","Griffith, Robert E. -- Photographs","Kabalevsky, Dmitry Borisovich, 1904-1987  -- Photographs","Kodaly, Zoltan, 1882-1967 -- Photographs","Laurents, Arthur -- Photographs","Lifar, Serge, 1905-1986 -- Photographs","Mascagni, Pietro, 1863-1945","Massenet, Jules, 1842-1912","Mitchell, Arthur, 1934-  -- Photographs","Mumma, Gordon, 1935-  -- Photographs","Novikoff, Laurent -- Photographs","Partch, Harry, 1901-1974  -- Photographs","Pavlova, Anna, 1881-1931 -- Pictorial works","Prince, Harold, 1928-  -- Photographs","Ram Gopal, 1917- -- Photographs","Robbins, Jerome -- Photographs","Romberg, Sigmund, 1887-1951","Rossini, Gioachino, 1792-1868","Sandburg, Carl, 1878-1967  -- Photographs","Sondheim, Stephen -- Photographs","Tudor, David, 1926-1996  -- Photographs","Viardot-Garcia, Pauline, 1821-1910"],"language_ssim":["Primarily English. Some materials are in Latin, French, or Italian.\n            \t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":56,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:45:26.642Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_performingartsmanuscripts_c03"}},{"id":"vifgm_repositories_2_resources_550_c04","type":"Series","attributes":{"title":"Series 4: Epstein Family Items","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_550_c04#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eIncludes many items belonging to the Epstein family including financial documents, date books, newspapers clippings, Western Iron and Steel documents, and school documents.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_550_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_550_c04","ref_ssm":["vifgm_repositories_2_resources_550_c04"],"id":"vifgm_repositories_2_resources_550_c04","ead_ssi":"vifgm_repositories_2_resources_550","_root_":"vifgm_repositories_2_resources_550","_nest_parent_":"vifgm_repositories_2_resources_550","parent_ssi":"vifgm_repositories_2_resources_550","parent_ssim":["vifgm_repositories_2_resources_550"],"parent_ids_ssim":["vifgm_repositories_2_resources_550"],"parent_unittitles_ssm":["Jerome Epstein papers"],"parent_unittitles_tesim":["Jerome Epstein papers"],"text":["Jerome Epstein papers","Series 4: Epstein Family Items","Includes many items belonging to the Epstein family including financial documents, date books, newspapers clippings, Western Iron and Steel documents, and school documents."],"title_filing_ssi":"Series 4: Epstein Family Items","title_ssm":["Series 4: Epstein Family Items"],"title_tesim":["Series 4: Epstein Family Items"],"unitdate_other_ssim":["1877-1895, 1915-2002 (Boxes 17-23)"],"normalized_date_ssm":["1877/2002"],"normalized_title_ssm":["Series 4: Epstein Family Items"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Jerome Epstein papers"],"has_online_content_ssim":["false"],"child_component_count_isi":94,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":75,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"scopecontent_html_tesm":["\u003cp\u003eIncludes many items belonging to the Epstein family including financial documents, date books, newspapers clippings, Western Iron and Steel documents, and school documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes many items belonging to the Epstein family including financial documents, date books, newspapers clippings, Western Iron and Steel documents, and school documents."],"_nest_path_":"/components#3","timestamp":"2026-05-21T05:31:11.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_550","ead_ssi":"vifgm_repositories_2_resources_550","_root_":"vifgm_repositories_2_resources_550","_nest_parent_":"vifgm_repositories_2_resources_550","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_550.xml","title_ssm":["Jerome Epstein papers"],"title_tesim":["Jerome Epstein papers"],"unitdate_ssm":["1877-1895, 1915-2002"],"unitdate_inclusive_ssm":["1877-1895, 1915-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0262","/repositories/2/resources/550"],"text":["C0262","/repositories/2/resources/550","Jerome Epstein papers","Letters","Photographs","Slides (Photography)","World War, 1939-1945","Correspondence","Scrapbooks","There are no access restrictions.","One of the scrapbooks in this collection was digitized and is available to view ","Benjamin Brands was the 2018 L. Claire Kincannon Intern at the Special Collections Research Center. His work culminated in the digital humanities project:   which includes digitized and transcribed letters from this collection.","This collection is arranged into four series.","Series 1: World War II Era Items, 1942-1946 (Boxes 1-2) Series 2: Photographs, 1914-1998 (Boxes 3-10) Series 3: Scrapbooks and Slides, 1940-1954 (Boxes 11-16) Series 4: Epstein Family Items, 1877-1895, 1915-2002 (Boxes 17-23)","Born August 25, 1925 to Jerome and Rosella Epstein, Jerome Zachariah Epstein, Jr. attended Jefferson Public Schools until being accepted into Miami University in Oxford, Ohio in 1942. After attending Miami University in Oxford for one year, Epstein enlisted in the U.S. Army, August 10, 1943, and went into active service January 3, 1944. He was sent to Italy and served for seven months as a radio operator with the 110th Mountain Signal Company 10th Mountain Division located in the Northern Appennines and the Po Valley. Epstein was honorably discharged April 19, 1946 and was awarded two bronze service stars. After returning to civilian life, Epstein finished a 4-year program at University of Dayton. After college, he would go on to work at Western Iron and Steel, a family business. Jerome Epstein, Jr. died August 14, 2002.","Processed by Bill Keeler in October 2017. EAD markup completed by Bill Keeler in October 2017. Finding aid edited by Amanda Menjivar in August 2022.","Special Collections Research Center holds other collections that document World War II and postwar United States history, including the   and the  .","The collection includes photographs, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. The collection is arranged into four series: "," Series 1: World War II Era Items (1942-1946) includes photographs, maps, identification papers, travel books, and numerous letters. "," Series 2: Photographs (1914-1998) includes photographs of Jerome Epstein, Jr., the Epstein family, negatives, photo albums, and photography equipment. "," Series 3: Scrapbooks and Slides (1940-1954) includes color slides of the Epstein family, vacations, and spring flowers. It also includes many scrapbooks which contain post cards, newspaper clippings, and many World War II items. "," Series 4: Epstein Family Items (1877-1895, 1915-2002) includes many items belonging to the Epstein family including financial documents, date books, newspapers clippings, Western Iron and Steel documents, and school documents.","This series includes photographs, maps, identification papers, travel books, and numerous letters.","This series includes photographs of Jerome Epstein, Jr., the Epstein family, negatives, photo albums, and photography equipment.","This series includes color slides of the Epstein family, vacations, and spring flowers. It also includes many scrapbooks which contain post cards, newspaper clippings, and many World War II items.","Includes many items belonging to the Epstein family including financial documents, date books, newspapers clippings, Western Iron and Steel documents, and school documents.","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection includes World War II military letters, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. The collection contains material from 1877-1895 and 1915-2002.","R 50, C 5, S 2-5\n\nR 50, C 6, S 1","George Mason University. Libraries. Special Collections Research Center","Epstein, Jerome, 1925-2002","English"],"unitid_tesim":["C0262","/repositories/2/resources/550"],"normalized_title_ssm":["Jerome Epstein papers"],"collection_title_tesim":["Jerome Epstein papers"],"collection_ssim":["Jerome Epstein papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Epstein, Jerome, 1925-2002"],"creator_ssim":["Epstein, Jerome, 1925-2002"],"creator_persname_ssim":["Epstein, Jerome, 1925-2002"],"creators_ssim":["Epstein, Jerome, 1925-2002"],"access_terms_ssm":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by L. Claire Kincannon in 2015."],"access_subjects_ssim":["Letters","Photographs","Slides (Photography)","World War, 1939-1945","Correspondence","Scrapbooks"],"access_subjects_ssm":["Letters","Photographs","Slides (Photography)","World War, 1939-1945","Correspondence","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["8.0 linear ft."],"extent_tesim":["8.0 linear ft."],"genreform_ssim":["Correspondence","Scrapbooks"],"date_range_isim":[1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eOne of the scrapbooks in this collection was digitized and is available to view \u003cextptr show=\"new\" title=\"here.\" href=\"http://images.gmu.edu/luna/servlet/GMU~13~13\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eBenjamin Brands was the 2018 L. Claire Kincannon Intern at the Special Collections Research Center. His work culminated in the digital humanities project: \u003cextptr show=\"new\" title=\"Please Send Food: A G.I.'s War in Italy,\" href=\"http://silverbox.gmu.edu/omeka-s/s/epstein/page/home\"\u003e\u003c/extptr\u003e which includes digitized and transcribed letters from this collection.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["One of the scrapbooks in this collection was digitized and is available to view ","Benjamin Brands was the 2018 L. Claire Kincannon Intern at the Special Collections Research Center. His work culminated in the digital humanities project:   which includes digitized and transcribed letters from this collection."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into four series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: World War II Era Items, 1942-1946 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Photographs, 1914-1998 (Boxes 3-10)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Scrapbooks and Slides, 1940-1954 (Boxes 11-16)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Epstein Family Items, 1877-1895, 1915-2002 (Boxes 17-23)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into four series.","Series 1: World War II Era Items, 1942-1946 (Boxes 1-2) Series 2: Photographs, 1914-1998 (Boxes 3-10) Series 3: Scrapbooks and Slides, 1940-1954 (Boxes 11-16) Series 4: Epstein Family Items, 1877-1895, 1915-2002 (Boxes 17-23)"],"bioghist_html_tesm":["\u003cp\u003eBorn August 25, 1925 to Jerome and Rosella Epstein, Jerome Zachariah Epstein, Jr. attended Jefferson Public Schools until being accepted into Miami University in Oxford, Ohio in 1942. After attending Miami University in Oxford for one year, Epstein enlisted in the U.S. Army, August 10, 1943, and went into active service January 3, 1944. He was sent to Italy and served for seven months as a radio operator with the 110th Mountain Signal Company 10th Mountain Division located in the Northern Appennines and the Po Valley. Epstein was honorably discharged April 19, 1946 and was awarded two bronze service stars. After returning to civilian life, Epstein finished a 4-year program at University of Dayton. After college, he would go on to work at Western Iron and Steel, a family business. Jerome Epstein, Jr. died August 14, 2002.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born August 25, 1925 to Jerome and Rosella Epstein, Jerome Zachariah Epstein, Jr. attended Jefferson Public Schools until being accepted into Miami University in Oxford, Ohio in 1942. After attending Miami University in Oxford for one year, Epstein enlisted in the U.S. Army, August 10, 1943, and went into active service January 3, 1944. He was sent to Italy and served for seven months as a radio operator with the 110th Mountain Signal Company 10th Mountain Division located in the Northern Appennines and the Po Valley. Epstein was honorably discharged April 19, 1946 and was awarded two bronze service stars. After returning to civilian life, Epstein finished a 4-year program at University of Dayton. After college, he would go on to work at Western Iron and Steel, a family business. Jerome Epstein, Jr. died August 14, 2002."],"prefercite_html_tesm":["\u003cp\u003eJerome Epstein papers, C0262, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Jerome Epstein papers, C0262, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Bill Keeler in October 2017. EAD markup completed by Bill Keeler in October 2017. Finding aid edited by Amanda Menjivar in August 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Bill Keeler in October 2017. EAD markup completed by Bill Keeler in October 2017. Finding aid edited by Amanda Menjivar in August 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds other collections that document World War II and postwar United States history, including the \u003cextptr show=\"new\" title=\"Leonard H. Clark military history collection\" href=\"https://aspace.gmu.edu/resources/c0060\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Mary Elsie Fox photograph collection\" href=\"https://aspace.gmu.edu/resources/c0067\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds other collections that document World War II and postwar United States history, including the   and the  ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes photographs, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. The collection is arranged into four series: \u003c/p\u003e\n","\u003cp\u003e Series 1: World War II Era Items (1942-1946) includes photographs, maps, identification papers, travel books, and numerous letters. \u003c/p\u003e\n","\u003cp\u003e Series 2: Photographs (1914-1998) includes photographs of Jerome Epstein, Jr., the Epstein family, negatives, photo albums, and photography equipment. \u003c/p\u003e\n","\u003cp\u003e Series 3: Scrapbooks and Slides (1940-1954) includes color slides of the Epstein family, vacations, and spring flowers. It also includes many scrapbooks which contain post cards, newspaper clippings, and many World War II items. \u003c/p\u003e\n","\u003cp\u003e Series 4: Epstein Family Items (1877-1895, 1915-2002) includes many items belonging to the Epstein family including financial documents, date books, newspapers clippings, Western Iron and Steel documents, and school documents.\u003c/p\u003e","\u003cp\u003eThis series includes photographs, maps, identification papers, travel books, and numerous letters.\u003c/p\u003e","\u003cp\u003eThis series includes photographs of Jerome Epstein, Jr., the Epstein family, negatives, photo albums, and photography equipment.\u003c/p\u003e","\u003cp\u003eThis series includes color slides of the Epstein family, vacations, and spring flowers. It also includes many scrapbooks which contain post cards, newspaper clippings, and many World War II items.\u003c/p\u003e","\u003cp\u003eIncludes many items belonging to the Epstein family including financial documents, date books, newspapers clippings, Western Iron and Steel documents, and school documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection includes photographs, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. The collection is arranged into four series: "," Series 1: World War II Era Items (1942-1946) includes photographs, maps, identification papers, travel books, and numerous letters. "," Series 2: Photographs (1914-1998) includes photographs of Jerome Epstein, Jr., the Epstein family, negatives, photo albums, and photography equipment. "," Series 3: Scrapbooks and Slides (1940-1954) includes color slides of the Epstein family, vacations, and spring flowers. It also includes many scrapbooks which contain post cards, newspaper clippings, and many World War II items. "," Series 4: Epstein Family Items (1877-1895, 1915-2002) includes many items belonging to the Epstein family including financial documents, date books, newspapers clippings, Western Iron and Steel documents, and school documents.","This series includes photographs, maps, identification papers, travel books, and numerous letters.","This series includes photographs of Jerome Epstein, Jr., the Epstein family, negatives, photo albums, and photography equipment.","This series includes color slides of the Epstein family, vacations, and spring flowers. It also includes many scrapbooks which contain post cards, newspaper clippings, and many World War II items.","Includes many items belonging to the Epstein family including financial documents, date books, newspapers clippings, Western Iron and Steel documents, and school documents."],"userestrict_html_tesm":["\u003cp\u003eMaterials created prior to 1925 are in the Public Domain. These materials have no known restrictions.\u003c/p\u003e\n","\u003cp\u003eThe copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref3\"\u003eThe collection includes World War II military letters, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. The collection contains material from 1877-1895 and 1915-2002.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes World War II military letters, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. The collection contains material from 1877-1895 and 1915-2002."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5c30978c5ec70379699711e63534678c\"\u003eR 50, C 5, S 2-5\n\nR 50, C 6, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 50, C 5, S 2-5\n\nR 50, C 6, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Epstein, Jerome, 1925-2002"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Epstein, Jerome, 1925-2002"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":173,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_550_c04"}},{"id":"vifgm_epstein_c04","type":"Series","attributes":{"title":"Series 4: Epstein Family Items,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_epstein_c04#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eIncludes many items belonging to the Epstein family including financial documents, date books, newspapers clippings, Western Iron and Steel documents, and school documents. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_epstein_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_epstein_c04","ref_ssm":["vifgm_epstein_c04"],"id":"vifgm_epstein_c04","ead_ssi":"vifgm_epstein","_root_":"vifgm_epstein","_nest_parent_":"vifgm_epstein","parent_ssi":"vifgm_epstein","parent_ssim":["vifgm_epstein"],"parent_ids_ssim":["vifgm_epstein"],"parent_unittitles_ssm":["Jerome Epstein papers"],"parent_unittitles_tesim":["Jerome Epstein papers"],"text":["Jerome Epstein papers","Series 4: Epstein Family Items,","Includes many items belonging to the Epstein family including financial documents, date books, newspapers clippings, Western Iron and Steel documents, and school documents.\n"],"title_filing_ssi":"Series 4: Epstein Family Items,","title_ssm":["Series 4: Epstein Family Items,"],"title_tesim":["Series 4: Epstein Family Items,"],"unitdate_other_ssim":["1877-1895, 1915-2002 (Boxes 17-22)"],"normalized_date_ssm":["1877/2002"],"normalized_title_ssm":["Series 4: Epstein Family Items,"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Jerome Epstein papers"],"has_online_content_ssim":["false"],"child_component_count_isi":31,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":75,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Jerome Epstein papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"scopecontent_html_tesm":["\u003cp\u003eIncludes many items belonging to the Epstein family including financial documents, date books, newspapers clippings, Western Iron and Steel documents, and school documents.\n\u003c/p\u003e"],"scopecontent_tesim":["Includes many items belonging to the Epstein family including financial documents, date books, newspapers clippings, Western Iron and Steel documents, and school documents.\n"],"_nest_path_":"/components#3","timestamp":"2026-05-21T06:50:10.899Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_epstein","ead_ssi":"vifgm_epstein","_root_":"vifgm_epstein","_nest_parent_":"vifgm_epstein","ead_source_url_ssi":"data/gmu/epstein.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/epstein.html","title_ssm":["Jerome Epstein papers"],"title_tesim":["Jerome Epstein papers"],"unitdate_ssm":["1877-1895, 1915-2002"],"unitdate_inclusive_ssm":["1877-1895, 1915-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0262"],"text":["C0262","Jerome Epstein papers","Letters.","Photographs.","Scrapbooks.","World War, 1939-1945.","Correspondence.","Negatives.","Newspapers.","Photographs.","Slides.","There are no access restrictions.","This collection is arranged into four series.","Series 1: World War II Era Items, 1942-1946 (Boxes 1-2)\n Series 2: Photographs, 1914-1998 (Boxes 3-10)\n Series 3: Scrapbooks and Slides, 1940-1954 (Boxes 11-16)\n Series 4: Epstein Family Items, 1877-1895, 1915-2002 (Boxes 17-22)\n","Born August 25, 1925 to Jerome and Rosella Epstein, Jerome Zachariah Epstein, Jr. attended Jefferson Public Schools until being accepted into Miami University in Oxford, Ohio in 1942.\n\nAfter attending Miami University in Oxford for one year, Epstein enlisted in the U.S. Army, August 10, 1943, and went into active service January 3, 1944. He was sent to Italy and served for seven months as a radio operator with the 110th Mountain Signal Company 10th Mountain Division located in the Northern Appennines and the Po Valley. Epstein was honorably discharged April 19, 1946 and was awarded two bronze service stars.\n\nAfter returning to civilian life, Epstein finished a 4-year program at University of Dayton. After college, he would go on to work at Western Iron and Steel, a family business. Jerome Epstein, Jr. died August 14, 2002.\n","Processed by Bill Keeler in October 2017. EAD markup completed by Bill Keeler in October 2017.","Special Collections Research Center holds other collections that document World War II and postwar United States history, including the   and the  .","The collection includes photographs, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. The collection is arranged into four series:\n","Series 1: World War II Era Items (1942-1946) includes photographs, maps, identification papers, travel books, and numerous letters.\n","Series 2: Photographs (1914-1998) includes photographs of Jerome Epstein, Jr., the Epstein family, negatives, photo albums, and photography equipment.\n","Series 3: Scrapbooks and Slides (1940-1954) includes color slides of the Epstein family, vacations, and spring flowers. 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Special Collections Research Center.","Epstein, Jerome, 1925-2002","English\n\t\t"],"unitid_tesim":["C0262"],"normalized_title_ssm":["Jerome Epstein papers"],"collection_title_tesim":["Jerome Epstein papers"],"collection_ssim":["Jerome Epstein papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Epstein, Jerome, 1925-2002"],"creator_ssim":["Epstein, Jerome, 1925-2002"],"creator_persname_ssim":["Epstein, Jerome, 1925-2002"],"creators_ssim":["Epstein, Jerome, 1925-2002"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Jerome Epstein papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by L. 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He was sent to Italy and served for seven months as a radio operator with the 110th Mountain Signal Company 10th Mountain Division located in the Northern Appennines and the Po Valley. Epstein was honorably discharged April 19, 1946 and was awarded two bronze service stars.\n\nAfter returning to civilian life, Epstein finished a 4-year program at University of Dayton. After college, he would go on to work at Western Iron and Steel, a family business. Jerome Epstein, Jr. died August 14, 2002.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born August 25, 1925 to Jerome and Rosella Epstein, Jerome Zachariah Epstein, Jr. attended Jefferson Public Schools until being accepted into Miami University in Oxford, Ohio in 1942.\n\nAfter attending Miami University in Oxford for one year, Epstein enlisted in the U.S. Army, August 10, 1943, and went into active service January 3, 1944. He was sent to Italy and served for seven months as a radio operator with the 110th Mountain Signal Company 10th Mountain Division located in the Northern Appennines and the Po Valley. Epstein was honorably discharged April 19, 1946 and was awarded two bronze service stars.\n\nAfter returning to civilian life, Epstein finished a 4-year program at University of Dayton. After college, he would go on to work at Western Iron and Steel, a family business. Jerome Epstein, Jr. died August 14, 2002.\n"],"prefercite_html_tesm":["\u003cp\u003eJerome Epstein papers, C0262, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Jerome Epstein papers, C0262, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Bill Keeler in October 2017. EAD markup completed by Bill Keeler in October 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Bill Keeler in October 2017. EAD markup completed by Bill Keeler in October 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds other collections that document World War II and postwar United States history, including the \u003cextptr type=\"simple\" show=\"new\" title=\"Leonard H. Clark military history collection\" href=\"http://sca.gmu.edu/finding_aids/clark.html\"\u003e\u003c/extptr\u003e and the \u003cextptr type=\"simple\" show=\"new\" title=\"Mary Elsie Fox photograph collection\" href=\"http://sca.gmu.edu/finding_aids/fox.html\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds other collections that document World War II and postwar United States history, including the   and the  ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes photographs, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. 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The collection is arranged into four series:\n","Series 1: World War II Era Items (1942-1946) includes photographs, maps, identification papers, travel books, and numerous letters.\n","Series 2: Photographs (1914-1998) includes photographs of Jerome Epstein, Jr., the Epstein family, negatives, photo albums, and photography equipment.\n","Series 3: Scrapbooks and Slides (1940-1954) includes color slides of the Epstein family, vacations, and spring flowers. 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Permission to publish material from the Jerome Epstein papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref3\" label=\"Abstract\"\u003eThe collection includes World War II military letters, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. The collection contains material from 1877-1895 and 1915-2002.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes World War II military letters, photography equipment, newspapers, correspondence, scrapbooks, notebooks, audiotapes, 8mm film reels, and military badges. The collection contains material from 1877-1895 and 1915-2002."],"names_ssim":["George Mason University.  Libraries.   Special Collections Research Center.","Epstein, Jerome, 1925-2002"],"corpname_ssim":["George Mason University.  Libraries.   Special Collections Research Center."],"persname_ssim":["Epstein, Jerome, 1925-2002"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:50:10.899Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_epstein_c04"}},{"id":"vifgm_repositories_2_resources_460_c04","type":"Series","attributes":{"title":"Series 4: Fairfax Family","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_460_c04#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series includes artwork, correspondence, indentures photographs, postcards, and stamps all related to the Fairfax family.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_460_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_460_c04","ref_ssm":["vifgm_repositories_2_resources_460_c04"],"id":"vifgm_repositories_2_resources_460_c04","ead_ssi":"vifgm_repositories_2_resources_460","_root_":"vifgm_repositories_2_resources_460","_nest_parent_":"vifgm_repositories_2_resources_460","parent_ssi":"vifgm_repositories_2_resources_460","parent_ssim":["vifgm_repositories_2_resources_460"],"parent_ids_ssim":["vifgm_repositories_2_resources_460"],"parent_unittitles_ssm":["Randolph H. 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Lytton historical Virginia collection","United States -- History -- Civil War, 1861-1865","Virginia -- History -- Civil War, 1861-1865","Virginia, Northern -- History","Letters","Maps","Newspapers","Photography","Presidents -- United States","Slides (Photography)","Correspondence","Photographs","Photographic prints","Reproductions","Tintypes","There are no access restrictions.","A portion of this collection was digitized and is available to view   and ","This collection is arranged by subject.","Series Series 1: Postcards, 1903-1982 (Boxes 1-2) Series 2: Civil War Era Materials, 1861-1914 (Boxes 2-5) Series 3: George Washington, circa 1700-1960 (Box 5) Series 4: Fairfax Family, 1670-1975 (Box 6) Series 5: Mixed Media, 1712-2004 (Boxes 7-11)","Fairfax County Economic Development Authority. https://www.fairfaxcountyeda.org/history-fairfax-county-virginia (Accessed September 6, 2018)","City of Fairfax Virginia. https://www.fairfaxva.gov/government/historic-resources/city-history (Accessed September 6, 2018)","Fairfax County was originally granted to Thomas Fairfax, Sixth Lord Fairfax of Cameron by Charles II in 1719. It was not until 1742 that the Virginia Assembly officially established Fairfax as a county. Throughout the 18th century, Fairfax modernized in the form of industry and trade. With modernization, Fairfax County was fractured into Alexandria, Arlington, Falls Church, and Loudon. It was also during the time period that the Fairfax Courthouse was constructed with the financial aid of Richard Ratcliffe.","The 19th century brought conflict and subsequent growth to Fairfax County. Many Civil War battles took place within the county as well as the first land engagement of the American Civil War, which took place on June 1, 1861. During the war, Fairfax Courthouse changed hands many times between the Union and Confederacy. After the war, Fairfax experienced economic growth but also remained an agrarian-driven area. By the mid-20th century, Fairfax had experienced a massive population boom, largely as a result of President Roosevelt's increase in government programs, which produced large numbers of new citizens within Fairfax itself. The growth within Fairfax continues today. ","Processed by Bill Keeler in August 2018. EAD markup completed by Bill Keeler in September 2018.","The collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications on Virginia, particularly Fairfax County. The items in the collection were collected by George Mason University Emeritus Faculty member Randolph H. Lytton. The collection is arranged into five series: ","Series 1: Postcards (1903-1982). This series includes postcards from Virginia. ","Series 2: Civil War Era Materials (1861-1914). This series includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs. ","Series 3: George Washington (circa 1700-1960). This series includes artwork, envelopes, maps, photographs and postcards. ","Series 4: Fairfax Family (1670-1975). This series includes artwork, correspondence, indentures, photographs, postcards, and stamps. ","Series 5: Mixed Media (1712-2004). This series includes advertisements, campaign materials, maps, money orders, photographs, and publications. ","This series includes postcards from Virginia.","This series includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs related to the American Civil War.","This series includes artwork, envelopes, maps, photographs and postcards all related to George Washington","This series includes artwork, correspondence, indentures photographs, postcards, and stamps all related to the Fairfax family.","This series includes advertisements, campaign materials, maps, money orders, photographs, and publications.","All materials created before 1926 are in the Public Domain with no known restrictions. The copyright and related rights status of the rest of the collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications on Virginia, particularly Fairfax County.","R54, C2, S7-C3, S2\nMap Case 13.4, 13.5, 15.1","George Mason University. Libraries. Special Collections Research Center","Lytton, Randolph Hoopes, 1944-","English \n.    "],"unitid_tesim":["C0311","/repositories/2/resources/460"],"normalized_title_ssm":["Randolph H. Lytton historical Virginia collection"],"collection_title_tesim":["Randolph H. Lytton historical Virginia collection"],"collection_ssim":["Randolph H. 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It was not until 1742 that the Virginia Assembly officially established Fairfax as a county. Throughout the 18th century, Fairfax modernized in the form of industry and trade. With modernization, Fairfax County was fractured into Alexandria, Arlington, Falls Church, and Loudon. It was also during the time period that the Fairfax Courthouse was constructed with the financial aid of Richard Ratcliffe.\u003c/p\u003e\n","\u003cp\u003eThe 19th century brought conflict and subsequent growth to Fairfax County. Many Civil War battles took place within the county as well as the first land engagement of the American Civil War, which took place on June 1, 1861. During the war, Fairfax Courthouse changed hands many times between the Union and Confederacy. After the war, Fairfax experienced economic growth but also remained an agrarian-driven area. By the mid-20th century, Fairfax had experienced a massive population boom, largely as a result of President Roosevelt's increase in government programs, which produced large numbers of new citizens within Fairfax itself. The growth within Fairfax continues today. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Fairfax County was originally granted to Thomas Fairfax, Sixth Lord Fairfax of Cameron by Charles II in 1719. It was not until 1742 that the Virginia Assembly officially established Fairfax as a county. Throughout the 18th century, Fairfax modernized in the form of industry and trade. With modernization, Fairfax County was fractured into Alexandria, Arlington, Falls Church, and Loudon. It was also during the time period that the Fairfax Courthouse was constructed with the financial aid of Richard Ratcliffe.","The 19th century brought conflict and subsequent growth to Fairfax County. Many Civil War battles took place within the county as well as the first land engagement of the American Civil War, which took place on June 1, 1861. During the war, Fairfax Courthouse changed hands many times between the Union and Confederacy. After the war, Fairfax experienced economic growth but also remained an agrarian-driven area. By the mid-20th century, Fairfax had experienced a massive population boom, largely as a result of President Roosevelt's increase in government programs, which produced large numbers of new citizens within Fairfax itself. The growth within Fairfax continues today. "],"prefercite_html_tesm":["\u003cp\u003eRandolph H. Lytton historical Virginia collection, C0311, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Randolph H. Lytton historical Virginia collection, C0311, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Bill Keeler in August 2018. EAD markup completed by Bill Keeler in September 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Bill Keeler in August 2018. EAD markup completed by Bill Keeler in September 2018."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications on Virginia, particularly Fairfax County. The items in the collection were collected by George Mason University Emeritus Faculty member Randolph H. Lytton. The collection is arranged into five series: \u003c/p\u003e\n","\u003cp\u003eSeries 1: Postcards (1903-1982). 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This series includes advertisements, campaign materials, maps, money orders, photographs, and publications. \u003c/p\u003e","\u003cp\u003eThis series includes postcards from Virginia.\u003c/p\u003e","\u003cp\u003eThis series includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs related to the American Civil War.\u003c/p\u003e","\u003cp\u003eThis series includes artwork, envelopes, maps, photographs and postcards all related to George Washington\u003c/p\u003e","\u003cp\u003eThis series includes artwork, correspondence, indentures photographs, postcards, and stamps all related to the Fairfax family.\u003c/p\u003e","\u003cp\u003eThis series includes advertisements, campaign materials, maps, money orders, photographs, and publications.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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The items in the collection were collected by George Mason University Emeritus Faculty member Randolph H. Lytton. The collection is arranged into five series: ","Series 1: Postcards (1903-1982). This series includes postcards from Virginia. ","Series 2: Civil War Era Materials (1861-1914). This series includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs. ","Series 3: George Washington (circa 1700-1960). This series includes artwork, envelopes, maps, photographs and postcards. ","Series 4: Fairfax Family (1670-1975). This series includes artwork, correspondence, indentures, photographs, postcards, and stamps. ","Series 5: Mixed Media (1712-2004). This series includes advertisements, campaign materials, maps, money orders, photographs, and publications. ","This series includes postcards from Virginia.","This series includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs related to the American Civil War.","This series includes artwork, envelopes, maps, photographs and postcards all related to George Washington","This series includes artwork, correspondence, indentures photographs, postcards, and stamps all related to the Fairfax family.","This series includes advertisements, campaign materials, maps, money orders, photographs, and publications."],"userestrict_html_tesm":["\u003cp\u003eAll materials created before 1926 are in the Public Domain with no known restrictions. The copyright and related rights status of the rest of the collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["All materials created before 1926 are in the Public Domain with no known restrictions. The copyright and related rights status of the rest of the collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_dbce34e7d3c1b76f0548428cd9e54373\" label=\"Abstract\"\u003eThe collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications on Virginia, particularly Fairfax County.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications on Virginia, particularly Fairfax County."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_565b698cd913a18e3d78aafff8fb538f\"\u003eR54, C2, S7-C3, S2\nMap Case 13.4, 13.5, 15.1\u003c/physloc\u003e"],"physloc_tesim":["R54, C2, S7-C3, S2\nMap Case 13.4, 13.5, 15.1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Lytton, Randolph Hoopes, 1944-"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Lytton, Randolph Hoopes, 1944-"],"persname_ssim":["Lytton, Randolph Hoopes, 1944-"],"language_ssim":["English \n.    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"],"_nest_path_":"/components#3","timestamp":"2026-05-21T06:35:19.913Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_lytton","ead_ssi":"vifgm_lytton","_root_":"vifgm_lytton","_nest_parent_":"vifgm_lytton","ead_source_url_ssi":"data/gmu/lytton.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/lytton.html","title_ssm":["Randolph H. Lytton Historical Virginia collection"],"title_tesim":["Randolph H. Lytton Historical Virginia collection"],"unitdate_ssm":["1670-2004"],"unitdate_other_ssim":["1670-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0311"],"text":["C0311","Randolph H. Lytton Historical Virginia collection","Letters.","Maps.","Photography.","Presidents--United States.","Slides.","United States--History--Civil War, 1861-1865","Virginia--History--Civil War, 1861-1865--Maps.","Virginia, Northern--History, Local.","Correspondence.","Maps.","Newspapers.","Photographs.","Photographic prints.","Reproductions.","Slides.","Tintypes.","There are no access restrictions.","This collection is arranged by subject.","Series 1: Postcards, 1903-1982 (Boxes 1-2)\n Series 2: Civil War Era Materials, 1861-1914  (Boxes 2-5)\n Series 3: George Washington, circa 1700-1960 (Box 5)\n Series 4: Fairfax Family, 1670-1975 (Box 6)\n Series 5: Mixed Media, 1712-2004 (Boxes 7-11)\n","",""," \nFairfax County was originally granted to Thomas Fairfax, Sixth Lord Fairfax of Cameron by Charles II in 1719. It was not until 1742 that the Virginia Assembly officially established Fairfax as a county. Throughout the 18th century, Fairfax modernized in the form of industry and trade. With modernization, Fairfax County was fractured into Alexandria, Arlington, Falls Church, and Loudon. It was also during the time period that the Fairfax Courthouse was constructed with the financial aid of Richard Ratcliffe.","The 19th century brought conflict and subsequent growth to Fairfax County. Many Civil War battles took place within the county as well as the first land engagement of the American Civil War, which took place on June 1, 1861. During the war, Fairfax Courthouse changed hands many times between the Union and Confederacy. After the war, Fairfax experienced economic growth but also remained an agrarian-driven area. By the mid-20th century, Fairfax had experienced a massive population boom, largely as a result of President Roosevelt's increase in government programs, which produced large numbers of new citizens within Fairfax itself. The growth within Fairfax continues today.\n","Processed by Bill Keeler in August 2018. EAD markup completed by Bill Keeler in September 2018.","The collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications. The items in the collection were collected by George Mason University Emeritus Faculty member Randolph H. Lytton. The collection is arranged into five series:\n","Series 1: Postcards (1903-1982) includes postcards from Virginia. \n","Series 2: Civil War Era Materials (1861-1914) includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs. \t\t \n","Series 3: George Washington (circa 1700-1960) includes artwork, envelopes, maps, photographs and postcards. \n","Series 4: Fairfax Family (1670-1975) includes artwork, correspondence, indentures, photographs, postcards, and stamps. \n","Series 5: Mixed Media (1712-2004) includes advertisements, campaign materials, maps, money orders, photographs, and publications. \n","This series includes postcards from Virginia. ","","","","","","","","","","","","","","","","","","","","","","","This series includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs related to the American Civil War.  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Permission to publish material from the Randolph H. Lytton Historical Virginia collection must be obtained from the Special Collections Research Center, George Mason University Libraries.","This collection includes artwork, correspondence, indentures, maps, newspapers, photographs, postcards, and publications from 1670-2004.","George Mason University.  Libraries.   Special Collections Research Center.","Lytton, Randolph H. ","Lytton, Randolph H.","English\n\t\t"],"unitid_tesim":["C0311"],"normalized_title_ssm":["Randolph H. Lytton Historical Virginia collection"],"collection_title_tesim":["Randolph H. Lytton Historical Virginia collection"],"collection_ssim":["Randolph H. Lytton Historical Virginia collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lytton, Randolph H. "],"creator_ssim":["Lytton, Randolph H. "],"creator_persname_ssim":["Lytton, Randolph H. "],"creators_ssim":["Lytton, Randolph H. 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Lytton from 2004 to 2015."],"access_subjects_ssim":["Letters.","Maps.","Photography.","Presidents--United States.","Slides.","United States--History--Civil War, 1861-1865","Virginia--History--Civil War, 1861-1865--Maps.","Virginia, Northern--History, Local.","Correspondence.","Maps.","Newspapers.","Photographs.","Photographic prints.","Reproductions.","Slides.","Tintypes."],"access_subjects_ssm":["Letters.","Maps.","Photography.","Presidents--United States.","Slides.","United States--History--Civil War, 1861-1865","Virginia--History--Civil War, 1861-1865--Maps.","Virginia, Northern--History, Local.","Correspondence.","Maps.","Newspapers.","Photographs.","Photographic prints.","Reproductions.","Slides.","Tintypes."],"has_online_content_ssim":["false"],"extent_ssm":["15 linear ft. (11 boxes)"],"extent_tesim":["15 linear ft. 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It was not until 1742 that the Virginia Assembly officially established Fairfax as a county. Throughout the 18th century, Fairfax modernized in the form of industry and trade. With modernization, Fairfax County was fractured into Alexandria, Arlington, Falls Church, and Loudon. It was also during the time period that the Fairfax Courthouse was constructed with the financial aid of Richard Ratcliffe.\u003c/p\u003e","\u003cp\u003eThe 19th century brought conflict and subsequent growth to Fairfax County. Many Civil War battles took place within the county as well as the first land engagement of the American Civil War, which took place on June 1, 1861. During the war, Fairfax Courthouse changed hands many times between the Union and Confederacy. After the war, Fairfax experienced economic growth but also remained an agrarian-driven area. By the mid-20th century, Fairfax had experienced a massive population boom, largely as a result of President Roosevelt's increase in government programs, which produced large numbers of new citizens within Fairfax itself. The growth within Fairfax continues today.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":[" \nFairfax County was originally granted to Thomas Fairfax, Sixth Lord Fairfax of Cameron by Charles II in 1719. It was not until 1742 that the Virginia Assembly officially established Fairfax as a county. Throughout the 18th century, Fairfax modernized in the form of industry and trade. With modernization, Fairfax County was fractured into Alexandria, Arlington, Falls Church, and Loudon. It was also during the time period that the Fairfax Courthouse was constructed with the financial aid of Richard Ratcliffe.","The 19th century brought conflict and subsequent growth to Fairfax County. Many Civil War battles took place within the county as well as the first land engagement of the American Civil War, which took place on June 1, 1861. During the war, Fairfax Courthouse changed hands many times between the Union and Confederacy. After the war, Fairfax experienced economic growth but also remained an agrarian-driven area. By the mid-20th century, Fairfax had experienced a massive population boom, largely as a result of President Roosevelt's increase in government programs, which produced large numbers of new citizens within Fairfax itself. The growth within Fairfax continues today.\n"],"prefercite_html_tesm":["\u003cp\u003eRandolph H. Lytton Historical Virginia collection, C0311, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Randolph H. Lytton Historical Virginia collection, C0311, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Bill Keeler in August 2018. EAD markup completed by Bill Keeler in September 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Bill Keeler in August 2018. EAD markup completed by Bill Keeler in September 2018."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications. The items in the collection were collected by George Mason University Emeritus Faculty member Randolph H. Lytton. 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series includes artwork, envelopes, maps, photographs and postcards all related to George Washington \u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series includes artwork, correspondence, indentures photographs, postcards, and stamps all related to the Fairfax family. 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series includes advertisements, campaign materials, maps, money orders, photographs, and publications. \u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications. The items in the collection were collected by George Mason University Emeritus Faculty member Randolph H. Lytton. The collection is arranged into five series:\n","Series 1: Postcards (1903-1982) includes postcards from Virginia. \n","Series 2: Civil War Era Materials (1861-1914) includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs. \t\t \n","Series 3: George Washington (circa 1700-1960) includes artwork, envelopes, maps, photographs and postcards. \n","Series 4: Fairfax Family (1670-1975) includes artwork, correspondence, indentures, photographs, postcards, and stamps. \n","Series 5: Mixed Media (1712-2004) includes advertisements, campaign materials, maps, money orders, photographs, and publications. \n","This series includes postcards from Virginia. ","","","","","","","","","","","","","","","","","","","","","","","This series includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs related to the American Civil War.  ","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series includes artwork, envelopes, maps, photographs and postcards all related to George Washington ","","","","","","","","","","","","","","","","This series includes artwork, correspondence, indentures photographs, postcards, and stamps all related to the Fairfax family. ","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series includes advertisements, campaign materials, maps, money orders, photographs, and publications. ","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","",""],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Randolph H. Lytton Historical Virginia collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Randolph H. Lytton Historical Virginia collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003eThis collection includes artwork, correspondence, indentures, maps, newspapers, photographs, postcards, and publications from 1670-2004.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes artwork, correspondence, indentures, maps, newspapers, photographs, postcards, and publications from 1670-2004."],"names_ssim":["George Mason University.  Libraries.   Special Collections Research Center.","Lytton, Randolph H. ","Lytton, Randolph H."],"corpname_ssim":["George Mason University.  Libraries.   Special Collections Research Center."],"persname_ssim":["Lytton, Randolph H. ","Lytton, Randolph H."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":225,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:35:19.913Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_lytton_c04"}},{"id":"vifgm_repositories_2_resources_331_c04","type":"Series","attributes":{"title":"Series 4: Production Records","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c04#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_331_c04","ref_ssm":["vifgm_repositories_2_resources_331_c04"],"id":"vifgm_repositories_2_resources_331_c04","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331","parent_ssi":"vifgm_repositories_2_resources_331","parent_ssim":["vifgm_repositories_2_resources_331"],"parent_ids_ssim":["vifgm_repositories_2_resources_331"],"parent_unittitles_ssm":["Federal Theatre Project collection"],"parent_unittitles_tesim":["Federal Theatre Project collection"],"text":["Federal Theatre Project collection","Series 4: Production Records","(boxes 307-362, 366-367)","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates."],"title_filing_ssi":"Series 4: Production Records","title_ssm":["Series 4: Production Records"],"title_tesim":["Series 4: Production Records"],"unitdate_inclusive_ssm":["1892-1939"],"normalized_date_ssm":["1892/1939"],"normalized_title_ssm":["Series 4: Production Records"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Federal Theatre Project collection"],"physdesc_tesim":["(boxes 307-362, 366-367)"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":2555,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"date_range_isim":[1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"scopecontent_html_tesm":["\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates."],"_nest_path_":"/components#3","timestamp":"2026-05-21T05:00:26.619Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_331","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_331.xml","title_filing_ssi":"Federal Theatre Project collection","title_ssm":["Federal Theatre Project collection"],"title_tesim":["Federal Theatre Project collection"],"unitdate_ssm":["circa 1885-1986","1935-1939"],"unitdate_bulk_ssim":["1935-1939"],"unitdate_inclusive_ssm":["circa 1885-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0002","/repositories/2/resources/331"],"text":["C0002","/repositories/2/resources/331","Federal Theatre Project collection","Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript","There are no access restrictions.","The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   .","Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.","The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . ","Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title:  Prancing Nigger . By E. England suggested from the novel by Ronald Firbank of the same name ","Content warning: racist language/slur.","Full title:  Prancing Nigger .","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue  (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show  (vaudeville)","It Can't Happen Here","Programs:  Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs:  Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer -  Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language  (9 copies);  The Bat  (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival;  The Cradle Will Rock; The Emperor's New Clothes  (3 copies);  Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe  (4 copies);  It Can't Happen Here  (14 copies);  Life and Death of an American; Moving Along  (2 copies);  Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal  (10 copies) ","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills:  Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh . 8.5x14\" flyers and playbills:  Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for  One-Third of a Nation . Volume V number 3 to number 14","Newspaper format program for  One-Third of a Nation . Volume V number 15-17, 19-23","Newspaper format program for  Power . Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol ; Federal Theatre for Youth (overview);  The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation ; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper ( One-Third of a Nation );  Prelude to Spring ; Puppet Pageant at the Philadelphia Museum of Art;  Stepping Stars ; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them -  Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps . Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for  Alison's House  and five for  The Warrior's Husband . Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for  Bill of Divorcement , two for  Blind Alley , two for  Gods of the Lightning , and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play  Pursuit of Happiness  performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night ; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus,  The World's Greatest Circus; Class of '29 ; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939;  Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal ; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills:  Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish;  The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"unitid_tesim":["C0002","/repositories/2/resources/331"],"normalized_title_ssm":["Federal Theatre Project collection"],"collection_title_tesim":["Federal Theatre Project collection"],"collection_ssim":["Federal Theatre Project collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["Donated by the Library of Congress."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"has_online_content_ssim":["false"],"extent_ssm":["185 Linear Feet 371 boxes"],"extent_tesim":["185 Linear Feet 371 boxes"],"genreform_ssim":["Playscript"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe scripts are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"Federal Theatre Project Materials Collection\" show=\"new\"\u003e\u003c/extptr\u003e in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections  \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"available here\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   ."],"arrangement_html_tesm":["\u003cp\u003eArranged into five series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Play Service and Research Records, 1935-1939 (Boxes 5-105)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Library Records, 1885-1986 (Boxes 106-306)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Production Records, 193-193 (Boxes 307-363, 366-367)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Costumes, circa 1935-1939 (Boxes 369-371)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)"],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.\u003c/p\u003e\n","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e\n","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e\n","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e\n","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Federal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.\u003c/p\u003e\n","\u003cp\u003eThe scripts are also available as a series in the \u003cextptr show=\"new\" title=\"FTP digital collection\" href=\"https://mars.gmu.edu/handle/1920/3478\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . "],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Some materials contain racist language and slurs, including play titles.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e\n","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e\n","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e\n","\u003cp\u003eSeries 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThe House Committee on Un-American Activities (HUAC)\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eIncludes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"\u003c/p\u003e","\u003cp\u003eIssues of New Theatre (1934-1936).\u003c/p\u003e","\u003cp\u003eOversize color reprint of article from Fortune\u003c/p\u003e","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e","\u003cp\u003eSubseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eContains blueprints and photographs of portable theatres\u003c/p\u003e","\u003cp\u003eSubseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.\u003c/p\u003e","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSubseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eby John Wiley; based on an Edgar Allen Poe story (photocopy)\u003c/p\u003e","\u003cp\u003eby Beth Brown\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Francis Bosworth\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eDirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eby Virginia Yetes (photocopy)\u003c/p\u003e","\u003cp\u003eby Ruth Morris\u003c/p\u003e","\u003cp\u003eby Gladys Unger and Walter Armitage\u003c/p\u003e","\u003cp\u003eby David Arnold Balch\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003edirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eadapted by S.S. Weiss\u003c/p\u003e","\u003cp\u003eadapted by Ralph Chesse\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Eugene O'Neil\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, photocopy from February 20, 1991\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003epublished in The Catholic School Journal\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Talbot Jennings\u003c/p\u003e","\u003cp\u003eby Mrs. Alexander Mathis\u003c/p\u003e","\u003cp\u003eby Vera Smirnova\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Louis Weitzenkorn\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Langston Hughes; A One-Act Play of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby St. John Ervine\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rudolph Wittenberg\u003c/p\u003e","\u003cp\u003eby Laurance Moore\u003c/p\u003e","\u003cp\u003eby Margaret Brooks and Constance Wyckoff\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Yale Dramatic Association\u003c/p\u003e","\u003cp\u003eby Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy\u003c/p\u003e","\u003cp\u003eby W. H. Auden and Christopher Isherwood\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Lockhart North\u003c/p\u003e","\u003cp\u003eby T. R. Arkell\u003c/p\u003e","\u003cp\u003eby Owen Davis\u003c/p\u003e","\u003cp\u003eby C. L. Anthony\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Remo Bufano\u003c/p\u003e","\u003cp\u003eby Lester Fuller, 2 copies, 1 of which is a photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Mayo\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Herb Meadow, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Walter Hackett\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold, photocopy\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Frederick Stowers\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eTranscribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Albert Powels\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Aodh de Blacam\u003c/p\u003e","\u003cp\u003eby Belmont Ashton\u003c/p\u003e","\u003cp\u003eby Lawrence Houseman\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Anonymous\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Theodore Pratt, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy\u003c/p\u003e","\u003cp\u003eSynopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre\u003c/p\u003e","\u003cp\u003eby Charles M. Barras\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Seymour G. Link\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Maurice Maeterlinck\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Robin Taylor\u003c/p\u003e","\u003cp\u003eRevision by Florence Elberta Barns\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Miss Mabel Osborne\u003c/p\u003e","\u003cp\u003eby Emma Ehrlich Levinger\u003c/p\u003e","\u003cp\u003eby Irwin Shaw\u003c/p\u003e","\u003cp\u003eby Beth Brown and Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eOriginal by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Arnold Zweig\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Robt. A. Bromley (revised edition)\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Estelle L. Silverman\u003c/p\u003e","\u003cp\u003eby Jules Renard\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby George McEnlee, photocopy\u003c/p\u003e","\u003cp\u003eby George McEnlee\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg (revised)\u003c/p\u003e","\u003cp\u003eby German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby James Parish\u003c/p\u003e","\u003cp\u003eby Y. L. Peretz\u003c/p\u003e","\u003cp\u003eby John Woodworth, photocopy\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby John W. Dunn, photocopy\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Stanislaus Stange\u003c/p\u003e","\u003cp\u003eby sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw\u003c/p\u003e","\u003cp\u003eHedley Gordon Graham\u003c/p\u003e","\u003cp\u003eby Essex Dane\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby H. Jack Bates; A Negro Folk Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Welty and Gene Renouf\u003c/p\u003e","\u003cp\u003eby Rose Carlyn, photocopy\u003c/p\u003e","\u003cp\u003eThree by Rose Carlyn; Three by Fannie Engle\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Gilbert Lennox\u003c/p\u003e","\u003cp\u003eby Paul Vincent Carroll\u003c/p\u003e","\u003cp\u003eby Noel Harris Houston\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries\u003c/p\u003e","\u003cp\u003eby Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby A. Callen, M. Worthington, and I. Reuben, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt\u003c/p\u003e","\u003cp\u003eby Royall Tyler\u003c/p\u003e","\u003cp\u003eby M. Manisoff\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein\u003c/p\u003e","\u003cp\u003eby John H. Floyd\u003c/p\u003e","\u003cp\u003eby members of the Play Bureau of the Southwest\u003c/p\u003e","\u003cp\u003eby Betty Lessler Lyman\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Gilmor Brown\u003c/p\u003e","\u003cp\u003eMarionette Division, Buffalo, N.Y.\u003c/p\u003e","\u003cp\u003eby Edgar Wallace\u003c/p\u003e","\u003cp\u003eby James Stephens\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Laurette MacDuffie\u003c/p\u003e","\u003cp\u003eby Anna Best Joder\u003c/p\u003e","\u003cp\u003eby Elizabeth Leigh Vaughan\u003c/p\u003e","\u003cp\u003eby W. H. Auden\u003c/p\u003e","\u003cp\u003eby Joaquin Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Joaquin Miller\u003c/p\u003e","\u003cp\u003eby Ruby Lorraine Radford\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby L. W. Barrus\u003c/p\u003e","\u003cp\u003eby George Foss, photocopy\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby George W. Cronyn\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby J. C. Furnes\u003c/p\u003e","\u003cp\u003eby Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Merrill Denison\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe, arranged for marionettes by Robert Larson\u003c/p\u003e","\u003cp\u003eby Twort (?) Gilbert and Edward Rosen\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby Jules Romans, English version by Harley Granville-Barker\u003c/p\u003e","\u003cp\u003eby Minnie H. Niemier\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eby Elizabeth McFadden\u003c/p\u003e","\u003cp\u003eby Charlotte Kohler, photocopy\u003c/p\u003e","\u003cp\u003eby Joan and Michale A. Slane\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Rosa Carlyn\u003c/p\u003e","\u003cp\u003epublished by the National Tuberculosis Association\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby W. H. Smith\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eby Emily Percy Denison\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Elise Jerard\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby C. C. Parsons\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Sean O'Casey\u003c/p\u003e","\u003cp\u003eby Demetre Bohris\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy received June 11, 1991\u003c/p\u003e","\u003cp\u003eby Kjeld Abell\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar (adaptation)\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby Will T. Goodwin; Working Script\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Cervantes\u003c/p\u003e","\u003cp\u003eby Doris Troutman\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby H. A. Archibald\u003c/p\u003e","\u003cp\u003eby Munro Leaf\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Rachel Lyman Field\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Frank Craven\u003c/p\u003e","\u003cp\u003eby George H. Corey, photocopy\u003c/p\u003e","\u003cp\u003eby George H. Corey\u003c/p\u003e","\u003cp\u003eby E. and P. Green\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eA play for boys and girls with radio participation, experiment number 1 by Berthold Brecht\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Rosenblum\u003c/p\u003e","\u003cp\u003eby Phile Higley\u003c/p\u003e","\u003cp\u003eby Myrtle L. Barger\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Eleanor Garland\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson\u003c/p\u003e","\u003cp\u003eby Harriet Wedgwood, a health play for children, reprinted from Hygeia\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Beverly Hamer in the Carolina Play Book volume X, number 3\u003c/p\u003e","\u003cp\u003eby William Stevenson\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby Felix Doherty\u003c/p\u003e","\u003cp\u003eby Nando Vitali\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Philo Higley\u003c/p\u003e","\u003cp\u003eby Arnold Ridley\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Aldous Huxley\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy\u003c/p\u003e","\u003cp\u003eadapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Jacob Gordon\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Leon Crozier\u003c/p\u003e","\u003cp\u003eby Paul Armstrong and Rex Beach\u003c/p\u003e","\u003cp\u003eby Paul Smith\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Kermit Love\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ridgely Torrence; A Play for the Negro Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch; A Comedy of Recent Times, photocopy\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Warwick F. 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O'Donnell\u003c/p\u003e","\u003cp\u003eby Marc Connelly\u003c/p\u003e","\u003cp\u003eadapted by Stephen Weiss\u003c/p\u003e","\u003cp\u003eby William J. Langman, S. J.\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Grace Dorcas Ruthenberg\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Wilfrido Ma Guerrero\u003c/p\u003e","\u003cp\u003eby Donald Davis and Samuel Ornitz\u003c/p\u003e","\u003cp\u003eby Joseph Lehmann\u003c/p\u003e","\u003cp\u003eby Charles Prentiss\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Elizabeth Jane Astley\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby David Belasco\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Helen Clare Nelson\u003c/p\u003e","\u003cp\u003eby Barry Conners\u003c/p\u003e","\u003cp\u003eby Abram Hill, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eadapted and translated by Donald Fay Robinson\u003c/p\u003e","\u003cp\u003eadapted by Kent Pease Hamdent High School, Hamdent, Connecticut\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Mary B. Stafford\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby John Wiley\u003c/p\u003e","\u003cp\u003eby Harold Courlander\u003c/p\u003e","\u003cp\u003eby Sally Coulter\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Michael Swift\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby John Alan Haughton\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Sara E. Bower\u003c/p\u003e","\u003cp\u003eby Bertram M. Gross\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eby Edith Kunz\u003c/p\u003e","\u003cp\u003eby The Historical Project, Federal Writers Project of Minnesota\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Perez Hirschbaum\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe, photocopy\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Norman Roston\u003c/p\u003e","\u003cp\u003eby Noah Elstein, photocopy\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby Raymond Reeves, photocopy\u003c/p\u003e","\u003cp\u003eby Raymond Reeves\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby John McGee\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project Los Angeles, California\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby Martha Hodgson Ellis\u003c/p\u003e","\u003cp\u003eby David Schrieber\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Luidmilla Vepritskaya\u003c/p\u003e","\u003cp\u003eby Alma Shaw\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby Warren Coleman; A Negro Comedy, 2 photocopies\u003c/p\u003e","\u003cp\u003eElmer Rice\u003c/p\u003e","\u003cp\u003eby Shakespeare\u003c/p\u003e","\u003cp\u003eby Thomas A. Langan\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby Edgar Slaughter\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Catherine Reighard\u003c/p\u003e","\u003cp\u003eby Max M. Dill\u003c/p\u003e","\u003cp\u003eby Don Mullally\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby Lawrence J. 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Beldon?\u003c/p\u003e","\u003cp\u003eby Harry King Tootle\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Charlotte Chorpenning\u003c/p\u003e","\u003cp\u003eby Bertram Robinson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Edward Hopter\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Marion Flexner and Dorothy Park Clark\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Alma Shaw\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning, photocopy\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby Molka Reich of Miami Florida Project\u003c/p\u003e","\u003cp\u003etranslated from Flemish by Jacob Borut and Lola Sachs\u003c/p\u003e","\u003cp\u003etranslated from Flemish by Jacob Borut and Lola Sachs\u003c/p\u003e","\u003cp\u003eby Marc Connelly\u003c/p\u003e","\u003cp\u003eby Alexei Tolstoi\u003c/p\u003e","\u003cp\u003eby Eleanor Glendower Griffith\u003c/p\u003e","\u003cp\u003eby Lawrence and Sylvia Martin, photocopy\u003c/p\u003e","\u003cp\u003eby Lawrence and Sylvia Martin, photocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Charles George\u003c/p\u003e","\u003cp\u003eby T. C. Upham\u003c/p\u003e","\u003cp\u003eby T. C. Upham\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park, photocopy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park revised by Robert Finch\u003c/p\u003e","\u003cp\u003eby Theodore Browne; An \"African Version\", photocopy\u003c/p\u003e","\u003cp\u003eby Clarence H. Talbot\u003c/p\u003e","\u003cp\u003ereprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays\u003c/p\u003e","\u003cp\u003eby William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936\u003c/p\u003e","\u003cp\u003eby William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Blake\u003c/p\u003e","\u003cp\u003eby Victoria Heindel\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003eby Louis Golding and A. R. Rawlinson\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Alfred Sutro\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby Mr. Beete\u003c/p\u003e","\u003cp\u003eby Mr. Beete\u003c/p\u003e","\u003cp\u003eby Hollister Noble and Edward R. Sammis\u003c/p\u003e","\u003cp\u003eby Hollister Noble and Edward R. Sammis\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Anatole France\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman and Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman and Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Earnest Andai and Lajos Balint\u003c/p\u003e","\u003cp\u003eby Federal Theatres, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Anton Chekhov\u003c/p\u003e","\u003cp\u003eby Rena B. Johnson\u003c/p\u003e","\u003cp\u003eby Tom Taylor and Charles Reade\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003erevised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul\u003c/p\u003e","\u003cp\u003erevised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul\u003c/p\u003e","\u003cp\u003eby John Le Touche\u003c/p\u003e","\u003cp\u003eby Brandon Tynan\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby H. Richard Oliver and John McCain Rimassa\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby Rose Dubin\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eBy W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu, photocopy\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu\u003c/p\u003e","\u003cp\u003eby Plautus; translated by Clarence P. Bill, photocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Lynn Root and Harry Clork\u003c/p\u003e","\u003cp\u003eby Wallace L. Waite\u003c/p\u003e","\u003cp\u003eby Wallace L. Waite\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003eby Dee Burque\u003c/p\u003e","\u003cp\u003eby Hans Chlumberg, photocopy\u003c/p\u003e","\u003cp\u003eby Nahum Brind\u003c/p\u003e","\u003cp\u003eby John Crosby\u003c/p\u003e","\u003cp\u003eby John Crosby\u003c/p\u003e","\u003cp\u003ePage has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.\u003c/p\u003e","\u003cp\u003eby John Charles Brownell\u003c/p\u003e","\u003cp\u003eby E. B. Ginty\u003c/p\u003e","\u003cp\u003eby E. B. Ginty\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Rose Franken and Jane Lewin\u003c/p\u003e","\u003cp\u003eby Rose Franken and Jane Lewin\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Michael Gold\u003c/p\u003e","\u003cp\u003eby J. R. Perkins\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Denis Johnston\u003c/p\u003e","\u003cp\u003eby Denis Johnston\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Samuel French\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Ramon Romero, photocopy\u003c/p\u003e","\u003cp\u003eby Ramon Romero, photocopy\u003c/p\u003e","\u003cp\u003eby Ramon Romero\u003c/p\u003e","\u003cp\u003eby Ramon Romero\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy\u003c/p\u003e","\u003cp\u003eby Cecil E. Reynolds\u003c/p\u003e","\u003cp\u003eby Cecil E. Reynolds\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003efrom volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry\u003c/p\u003e","\u003cp\u003eby Nathalie Satz and Sergei Rosaanov\u003c/p\u003e","\u003cp\u003eby Anemone Pemberton\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby students of Commonwealth College; Commonwealth College Fortnightly, photocopy\u003c/p\u003e","\u003cp\u003eby Eleanor Flexner\u003c/p\u003e","\u003cp\u003eby Eleanor Flexner\u003c/p\u003e","\u003cp\u003eby Arthur Strawn and Henry Rosendahl\u003c/p\u003e","\u003cp\u003eby Talbot Jennings\u003c/p\u003e","\u003cp\u003eby Ernest Toller\u003c/p\u003e","\u003cp\u003eby Ernest Toller\u003c/p\u003e","\u003cp\u003eby Lilian Gill\u003c/p\u003e","\u003cp\u003eby Jerome Geneson\u003c/p\u003e","\u003cp\u003eby George Smedley Smith and Bernard Szold\u003c/p\u003e","\u003cp\u003eby George Smedley Smith and Bernard Szold\u003c/p\u003e","\u003cp\u003eby Ethel Watts Mumford and Lily Strickland\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Nathan Spiegel\u003c/p\u003e","\u003cp\u003eby Joseph Hergesheimer\u003c/p\u003e","\u003cp\u003eby Joseph Hergesheimer\u003c/p\u003e","\u003cp\u003eby Sid Kuller and Ray Golden\u003c/p\u003e","\u003cp\u003eby Sid Kuller and Ray Golden\u003c/p\u003e","\u003cp\u003eby Harold Igo, photocopy\u003c/p\u003e","\u003cp\u003eby Harold Igo\u003c/p\u003e","\u003cp\u003eby Harold Igo\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby James Knox Millen\u003c/p\u003e","\u003cp\u003eby James Knox Millen\u003c/p\u003e","\u003cp\u003eby Denman Thompson\u003c/p\u003e","\u003cp\u003eadapted for marionettes by Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eadapted for marionettes by Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Benjamin M. Kaye\u003c/p\u003e","\u003cp\u003eby Benjamin M. Kaye\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Marian Katherine Brown\u003c/p\u003e","\u003cp\u003eby Seyril Schochen\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003eby Kenneth Webb\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003edramatized from L. Feuchtwanger's novel by Clayton Fritchi\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby John Mason Brown\u003c/p\u003e","\u003cp\u003eby Grace H. Swift, photocopy\u003c/p\u003e","\u003cp\u003eby Catherine F. Reighard\u003c/p\u003e","\u003cp\u003eby Gladys E. Murray\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Faye L. Tornquist\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003etranslation by Joan Vanderpool\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Martha B. King\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eafter the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eby Sarah Neuman\u003c/p\u003e","\u003cp\u003ea Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank, photocopy\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eby Frank Kintrea\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Phil Cook and McElbert Moore\u003c/p\u003e","\u003cp\u003eby Ben Bengal\u003c/p\u003e","\u003cp\u003eby A. Korneichuk\u003c/p\u003e","\u003cp\u003eby J. Liss\u003c/p\u003e","\u003cp\u003eby Margaret Naumberg\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Robert Russell, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Dorothy Heyward and DuBose Heyward\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e\n","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e. By E. England suggested from the novel by Ronald Firbank of the same name \u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e\n","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eby Robert Whitehand, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Albert Maltz; Anti-Fascist Play, photocopy\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Garrett Underhill\u003c/p\u003e","\u003cp\u003eby Freidrich Wolf, photocopy\u003c/p\u003e","\u003cp\u003eby Friedrich Wolf\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Claudia Hatch, photocopy\u003c/p\u003e","\u003cp\u003eby Eldridge Lindsay\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Lawrence Langner and Armina Marshall Langner\u003c/p\u003e","\u003cp\u003eby Leonora Kaghan and Anita Phillips\u003c/p\u003e","\u003cp\u003eby Tonia Bakina\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Blanding Sloan\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby L. Resnick\u003c/p\u003e","\u003cp\u003eby Robert Sturgis, photocopy\u003c/p\u003e","\u003cp\u003eby Fritz Karinthy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Frances Montgomery\u003c/p\u003e","\u003cp\u003eby Jan Klokog\u003c/p\u003e","\u003cp\u003eas produced by the Federal Theater Project at Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eadapted for Buffalo Historical Marionette Theatre\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Richard Oliver; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eDramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa\u003c/p\u003e","\u003cp\u003eby Hassard Short and Maurice Henniquin\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Francisco Rodrigo\u003c/p\u003e","\u003cp\u003eby Leonide Andreyeff\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps, photocopy\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Micha Hawkins\u003c/p\u003e","\u003cp\u003eThe Adventures of a Bunny\u003c/p\u003e","\u003cp\u003eby Frances Lester Warner\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Christobel Morley Cordell, photocopy\u003c/p\u003e","\u003cp\u003eby Richard Brinsley Sheridan\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Phyllis Clare Flannery; A Farce Satire, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht, translated by Keene Wallis\u003c/p\u003e","\u003cp\u003eby Leonard J. Tyle\u003c/p\u003e","\u003cp\u003eby William Evans\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby Florence Clothier; A Play of the Labrador Coast, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Goldsmith; The Mistakes of a Night, photocopy\u003c/p\u003e","\u003cp\u003ecompiled from Old English nativity plays by Robert Larson\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Andrews and Anne Wilson Peabody\u003c/p\u003e","\u003cp\u003eby George Kelly, version used by Negro Theatre Unit, New York City\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Robert K. Ryland\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Sholem Ash\u003c/p\u003e","\u003cp\u003eby Isabel Anderson (Mrs. Larz Anderson)\u003c/p\u003e","\u003cp\u003eby Fall River, photocopy\u003c/p\u003e","\u003cp\u003eby F. S. Hill\u003c/p\u003e","\u003cp\u003eby Miles Malleson\u003c/p\u003e","\u003cp\u003eby Janet Hartman and Hallie Flanagan, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller and Stephen Weiss\u003c/p\u003e","\u003cp\u003eby Sedarmee Club Madison House\u003c/p\u003e","\u003cp\u003eby Jo Basshe, photocopy\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence, photocopy\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003ean ancient Japanese farce translated by Michio Itow and Louis V. Ledoux\u003c/p\u003e","\u003cp\u003eby Grace Welsh Lutgen, photocopy\u003c/p\u003e","\u003cp\u003eby J. S. Coppard\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003ethree copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby James P. Judge\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Otis Chatfield-Taylor, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Harold Robbins\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Peters and George Sklar\u003c/p\u003e","\u003cp\u003eby Robert T. Colwell and Robert A. Simon\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Tripp\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, photocopy\u003c/p\u003e","\u003cp\u003eby Lula Vollmer\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Georgie Douglass Johnson\u003c/p\u003e","\u003cp\u003eby George Cram Cook and Susan Glaspell\u003c/p\u003e","\u003cp\u003eby C. Liberman\u003c/p\u003e","\u003cp\u003eby August Strindberg\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eFederal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby David Pinski, photocopy\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinsky\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby David Lano\u003c/p\u003e","\u003cp\u003eVagabond Puppeteers for the Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Shotwell Callvert, photocopy\u003c/p\u003e","\u003cp\u003eby William dorsey Blake; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Anthony Armstrong\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Florine Schwartz; A Play for Children, photocopy\u003c/p\u003e","\u003cp\u003eby Anna M. Lutkenhaus, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur A. Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby William Kozlenko\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Knox Herold\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Gertrude Tonkonogy, photocopy\u003c/p\u003e","\u003cp\u003eby Marita Rosler\u003c/p\u003e","\u003cp\u003eby Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith; photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Robert Wallsten\u003c/p\u003e","\u003cp\u003eby Isabel Barber; A dramatist guild contest play #552\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby John Broome, photocopy\u003c/p\u003e","\u003cp\u003eby John Broome\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form, photocopy\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form\u003c/p\u003e","\u003cp\u003eby George Murray and David Pelts; A Living Newspaper on Pensions; photocopy\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman, photocopy\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Stephen Spender\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003eBased on Homer and Euripides, includes photocopied program, photocopy\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eby Philip H. Davis\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003eby Eleanor Phelps, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eContent Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.\u003c/p\u003e","\u003cp\u003eby J. M. Barrie\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby H. R. Lenormand\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Whitfield Cook, photocopy\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Robert Larson\u003c/p\u003e","\u003cp\u003eJacksonville, Florida script 1939, photocopy\u003c/p\u003e","\u003cp\u003eby Anton Chekhov\u003c/p\u003e","\u003cp\u003eby Augustin Daly\u003c/p\u003e","\u003cp\u003eby Bernice McQuilken\u003c/p\u003e","\u003cp\u003eby Gene Buck\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Mrs. William Hyman\u003c/p\u003e","\u003cp\u003eby Charles Allen Smart\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Karl Gutzkov\u003c/p\u003e","\u003cp\u003eby Eden White; A Rollicking Comedy\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby I. L. Peretz\u003c/p\u003e","\u003cp\u003eby John F. Burns\u003c/p\u003e","\u003cp\u003eby Stefan Zweig\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Caroline C. Lovell\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby Percy Mackaye\u003c/p\u003e","\u003cp\u003eby William L. Price\u003c/p\u003e","\u003cp\u003eby Frances Gordon Strunsky\u003c/p\u003e","\u003cp\u003eby Helen Gholson Kittredge\u003c/p\u003e","\u003cp\u003eby Irving R. Kapner\u003c/p\u003e","\u003cp\u003etranslated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Gerhart Hauptmann\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003etranslated from the Russian by Aaron Chorover\u003c/p\u003e","\u003cp\u003eby W. Alan Coutts\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby George H. Broadhurst\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Zerner and Ben S. Gross\u003c/p\u003e","\u003cp\u003eby Albert Hackett\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby Katherine Peabody Gurling\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby John Bowaldeth\u003c/p\u003e","\u003cp\u003eby Lelia May Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Lucien Chantel\u003c/p\u003e","\u003cp\u003eby John Emerson and Anita Loos\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Clemence Dane, photocopy\u003c/p\u003e","\u003cp\u003eby David Pay Robinson\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach (revised Chicago version)\u003c/p\u003e","\u003cp\u003eby Kenneth White\u003c/p\u003e","\u003cp\u003eby Rae Abraham\u003c/p\u003e","\u003cp\u003eby Allan Davis\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Samuel Jesse Warshawsky, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Virgil L. Baker\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Josef and Karel Capek\u003c/p\u003e","\u003cp\u003eby Molly Day Thacher, photocopy\u003c/p\u003e","\u003cp\u003eby Tom Jewett\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Jakob Loewenberg\u003c/p\u003e","\u003cp\u003eby Peter Arnow\u003c/p\u003e","\u003cp\u003eby Mark Reed\u003c/p\u003e","\u003cp\u003eby Ulysses S. Elam\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Margaret Knox and Anna M. Lufkenhaus\u003c/p\u003e","\u003cp\u003eby Dorothy L. Sayers\u003c/p\u003e","\u003cp\u003eby M. Daniel\u003c/p\u003e","\u003cp\u003eSubseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.\u003c/p\u003e","\u003cp\u003eby Howard Warwick\u003c/p\u003e","\u003cp\u003eby Gene Stafford\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery\u003c/p\u003e","\u003cp\u003eby Charles Brownell\u003c/p\u003e","\u003cp\u003eby Friedrich Wolfe\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003etwo versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams, photocopy and original\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Harold Hartogensis\u003c/p\u003e","\u003cp\u003eby Boyd\u003c/p\u003e","\u003cp\u003eby Philip Massinger, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Ben Jonson, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Sergei Prokofiev, 5 front pages and 2 full copies\u003c/p\u003e","\u003cp\u003eby Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Richard Wright\u003c/p\u003e","\u003cp\u003eby Pauline Simmons\u003c/p\u003e","\u003cp\u003eby Marshall Davidson\u003c/p\u003e","\u003cp\u003eby Martha Foley\u003c/p\u003e","\u003cp\u003eby Dr. Charles Russell\u003c/p\u003e","\u003cp\u003eby A. Hyatt Mayor\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby Morris Watson\u003c/p\u003e","\u003cp\u003einterview with Martha Graham and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Pietro di Donato and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Estelle Liebling and Leah Plotkin\u003c/p\u003e","\u003cp\u003eby Howard Koch adapted by Lawrence Levey (photocopy and original)\u003c/p\u003e","\u003cp\u003eby Barrie and Leona Stavis, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Carl Glick, adapted by Philip Ansel Roll\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Karl Barron\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eadapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eadapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Matty Cohen and B. F. Kamsler\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Joseph W. Miller\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett, first 25 pages\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby unknown; by Harry Goldsmith\u003c/p\u003e","\u003cp\u003eby John T. Mole\u003c/p\u003e","\u003cp\u003eby Gertrude Onnen and Phyllis Frederic; by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Charles Crumpton, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Lewis Meyer\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Georgia Fawcett, photocopy\u003c/p\u003e","\u003cp\u003eby Clifford Odets, adapted by Maurice Kurtz\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by George Thorp\u003c/p\u003e","\u003cp\u003eby Harold Parke Godwin; by Frederick Prokosch\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery, incomplete copy - first 13 pages\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Paul de Kruif\u003c/p\u003e","\u003cp\u003eby Lawrence Bearson; by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby T. O. Day\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Jack Barefield, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Backus, photocopy\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby Ben Hawthorne, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arendt\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby William N. Robson\u003c/p\u003e","\u003cp\u003edramatization by Robert Lewis Shayon\u003c/p\u003e","\u003cp\u003eby Edward Solomon\u003c/p\u003e","\u003cp\u003eby Bucalossi\u003c/p\u003e","\u003cp\u003eby Michael William Balfe\u003c/p\u003e","\u003cp\u003eby Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Karl W. Schulz\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Lajos Serly\u003c/p\u003e","\u003cp\u003eby Sir William S. Gilbert and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Lews W. Moyer, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby Sylvia Altman\u003c/p\u003e","\u003cp\u003eby Sylvia Altman and Jeanette Gussin\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Maxwell Wolodin; by Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by John I. Mole\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by Michael Davidson\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lee Fontainbleu; by Laurence U. Shloss\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman\u003c/p\u003e","\u003cp\u003eBy Herbert Lewis; by Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer\u003c/p\u003e","\u003cp\u003eby Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Jerome Beatty, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Manuel Komroff, adapted by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby Barrie Williams; by Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Frank Burrill\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Herb Meadow; adaptation by Joel Hammil and Leo Fontaine\u003c/p\u003e","\u003cp\u003eby A. L. Tyler\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hugh Lester\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Harold Hartogensis; by Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Benet Costa, photocopy\u003c/p\u003e","\u003cp\u003eby Jane Ashman; also includes Women as Homemakers first page\u003c/p\u003e","\u003cp\u003eby Leo Fontaine, photocopy\u003c/p\u003e","\u003cp\u003eSubseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eProposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley\u003c/p\u003e","\u003cp\u003eSubseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAmerican Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAccent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFestival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eClass of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms from \"Folk plays of the Carolina playmakers\"\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAbu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIn Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTen Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBlind Alley; Brothers; It Can't Happen Here; Rachel's Man\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOne-Third of a Nation; Roll Sweet Chariot; Room Service\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBig Vaudeville Musical Revue\u003c/title\u003e (79 copies from different performances around Maine)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnnouncing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here; Liliom; The Road to Rome\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLadies of the Jury\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eVodvil Show\u003c/title\u003e (vaudeville)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eAdalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional\u003c/title\u003e\u003c/p\u003e\n","\u003cp\u003eBuffalo Historical Marionettes available in digital format.\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eProfessor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFlyers and playbills: Current productions flyer - \u003ctitle\u003eBig Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language\u003c/title\u003e (9 copies); \u003ctitle\u003eThe Bat\u003c/title\u003e (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival; \u003ctitle\u003eThe Cradle Will Rock; The Emperor's New Clothes\u003c/title\u003e (3 copies); \u003ctitle\u003eFair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe\u003c/title\u003e (4 copies); \u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e (14 copies); \u003ctitle\u003eLife and Death of an American; Moving Along\u003c/title\u003e (2 copies); \u003ctitle\u003eOliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal\u003c/title\u003e (10 copies) \u003c/p\u003e\n","\u003cp\u003eBuffalo Historical Marionettes Benefit Performance is available in digital format.\u003c/p\u003e","\u003cp\u003eFlyers and playbills: \u003ctitle\u003eSing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh\u003c/title\u003e. 8.5x14\" flyers and playbills: \u003ctitle\u003eAdam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 3 to number 14\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 15-17, 19-23\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003ePower\u003c/title\u003e. Volume II number 1, Volume III number 1\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eCriminal at Large\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHer Majesty the Widow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePersonal Appearance\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePost Road\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eRemember the Day\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSaturday's Children\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTamed and How\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnother Language; The Barker; The Old Maid; There's Always Juliet\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAs Husbands Go; I Want a Policeman\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe First Mrs. Fraser\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Good Fairy\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt's a Wise Child\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Late Christopher Bean\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNed McCobbs Daughter\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePossession\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSun Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTea for Three\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThey Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThree Cornered Moon\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFresh Fields\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFirst Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Boy Meets Girl; The Christmas Carol\u003c/title\u003e; Federal Theatre for Youth (overview); \u003ctitle\u003eThe First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Counsellor-At-Law; One-Third of a Nation\u003c/title\u003e; Third Annual Central Oklahoma Folk Festival;\u003c/p\u003e","\u003cp\u003eThe Living Newspaper (\u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e); \u003ctitle\u003ePrelude to Spring\u003c/title\u003e; Puppet Pageant at the Philadelphia Museum of Art; \u003ctitle\u003eStepping Stars\u003c/title\u003e; Vaudeville\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eChristmas with Dickens\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGreen Grow the Lilacs; Old Heidelberg\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ephotocopies, many with original performance dates handwritten on them - \u003ctitle\u003eAdelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps\u003c/title\u003e. Photocopies.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAdam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are seven pieces for \u003ctitle\u003eAlison's House\u003c/title\u003e and five for \u003ctitle\u003eThe Warrior's Husband\u003c/title\u003e. Roughly each piece measures 42 inches high and 28 inches wide.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are three pieces for \u003ctitle\u003eBill of Divorcement\u003c/title\u003e, two for \u003ctitle\u003eBlind Alley\u003c/title\u003e, two for \u003ctitle\u003eGods of the Lightning\u003c/title\u003e, and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play \u003ctitle\u003ePursuit of Happiness\u003c/title\u003e performed at the Mayan Theatre in Los Angeles in August of 1937.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Case of Philip Lawrence; Chalk Dust; The Cherokee Night\u003c/title\u003e; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus, \u003ctitle\u003eThe World's Greatest Circus; Class of '29\u003c/title\u003e; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939; \u003ctitle\u003eConjure Man Dies; Coriolanus; The Cradle Will Rock\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eEinmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal\u003c/title\u003e; Eugene O'Neill's One-Act Plays of the Sea\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFair and Warmer; Fantasy 1939; Flight\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eH.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLife and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMacbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNative Ground; No More Peace; Noah\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOn the Rocks; On Top; One-Third of a Nation; Outside Looking In\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDas Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThe Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: \u003ctitle\u003eWalk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: Various plays in Yiddish; \u003ctitle\u003eThe Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eSubseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Willy B. Stahl and Walter C. Schad, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass\u003c/p\u003e","\u003cp\u003eviolin music, arranged by M. L. Lake\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Alex North\u003c/p\u003e","\u003cp\u003eby Fred Miller Jr. and L. Leslie Loth\u003c/p\u003e","\u003cp\u003eby Herbert Kingsley, New York, New York\u003c/p\u003e","\u003cp\u003eincludes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California\u003c/p\u003e","\u003cp\u003emusic for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager\u003c/p\u003e","\u003cp\u003emusic for vocal lead on \"Sweet by and by\"\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, 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von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer, New York, New York\u003c/p\u003e","\u003cp\u003eviolin music \"If She Says No\"\u003c/p\u003e","\u003cp\u003emusic for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"\u003c/p\u003e","\u003cp\u003eChicago, Illinois\u003c/p\u003e","\u003cp\u003eviolin music \"Flow Gently, Sweet Afton\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Charles J. Levy\u003c/p\u003e","\u003cp\u003eincludes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"\u003c/p\u003e","\u003cp\u003eby Charles Wakefield Cadman\u003c/p\u003e","\u003cp\u003eby R. E. Austin\u003c/p\u003e","\u003cp\u003eby Irvin Cooper\u003c/p\u003e","\u003cp\u003e[Eddison von Ottenfeld] Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Meyer Rappaport and Emile Cote\u003c/p\u003e","\u003cp\u003eFrom the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof\u003c/p\u003e","\u003cp\u003eby Marshall Bartholomew\u003c/p\u003e","\u003cp\u003emusic by Genevieve Pitot, New York\u003c/p\u003e","\u003cp\u003eby F. Melius Christiansen\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Ralph Story\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Mozart-Shelley\u003c/p\u003e","\u003cp\u003eby Daniel Wood and Sumner Salter\u003c/p\u003e","\u003cp\u003eErnestine Valencia, arranged by Dan J. Michaud\u003c/p\u003e","\u003cp\u003eby Edward Elgar and Arthur Fagge\u003c/p\u003e","\u003cp\u003eby J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eparaphrase for mixed voices by William Schaeffer\u003c/p\u003e","\u003cp\u003eby Ivor Tchervanow and Ralph L. Baldwin\u003c/p\u003e","\u003cp\u003eby Rimsky-Korsikoff, arranged by Jacob Schwartzdorf\u003c/p\u003e","\u003cp\u003eby May H. Brahe\u003c/p\u003e","\u003cp\u003eviolin music, by Edna R. Heard\u003c/p\u003e","\u003cp\u003ePiano music \"Party Entre Act 1-2\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Max Hirschfeld, New York, New York\u003c/p\u003e","\u003cp\u003eby Jean Stor, New York, New York\u003c/p\u003e","\u003cp\u003eby David Sheinfeld\u003c/p\u003e","\u003cp\u003eby John Ansell\u003c/p\u003e","\u003cp\u003eThis series includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLong red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"\u003c/p\u003e","\u003cp\u003eA long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"\u003c/p\u003e","\u003cp\u003eTwo pairs of men's pants, one yellow, one red. Both pants stop below the knee. 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title:  Prancing Nigger . By E. England suggested from the novel by Ronald Firbank of the same name ","Content warning: racist language/slur.","Full title:  Prancing Nigger .","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue  (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show  (vaudeville)","It Can't Happen Here","Programs:  Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs:  Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer -  Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language  (9 copies);  The Bat  (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival;  The Cradle Will Rock; The Emperor's New Clothes  (3 copies);  Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe  (4 copies);  It Can't Happen Here  (14 copies);  Life and Death of an American; Moving Along  (2 copies);  Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal  (10 copies) ","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills:  Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh . 8.5x14\" flyers and playbills:  Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for  One-Third of a Nation . Volume V number 3 to number 14","Newspaper format program for  One-Third of a Nation . Volume V number 15-17, 19-23","Newspaper format program for  Power . Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol ; Federal Theatre for Youth (overview);  The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation ; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper ( One-Third of a Nation );  Prelude to Spring ; Puppet Pageant at the Philadelphia Museum of Art;  Stepping Stars ; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them -  Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps . Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for  Alison's House  and five for  The Warrior's Husband . Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for  Bill of Divorcement , two for  Blind Alley , two for  Gods of the Lightning , and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play  Pursuit of Happiness  performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night ; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus,  The World's Greatest Circus; Class of '29 ; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939;  Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal ; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills:  Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish;  The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0f4707cda45d410e12f09ae2a350510a\" label=\"Abstract\"\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/abstract\u003e"],"abstract_tesim":["The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d65479dc2ffe44debbb5af464a6479da\"\u003e\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2\u003c/physloc\u003e"],"physloc_tesim":["\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3180,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:00:26.619Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c04"}},{"id":"vifgm_repositories_2_resources_460_c05","type":"Series","attributes":{"title":"Series 5: Mixed Media","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_460_c05#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series includes advertisements, campaign materials, maps, money orders, photographs, and publications.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_460_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_460_c05","ref_ssm":["vifgm_repositories_2_resources_460_c05"],"id":"vifgm_repositories_2_resources_460_c05","ead_ssi":"vifgm_repositories_2_resources_460","_root_":"vifgm_repositories_2_resources_460","_nest_parent_":"vifgm_repositories_2_resources_460","parent_ssi":"vifgm_repositories_2_resources_460","parent_ssim":["vifgm_repositories_2_resources_460"],"parent_ids_ssim":["vifgm_repositories_2_resources_460"],"parent_unittitles_ssm":["Randolph H. Lytton historical Virginia collection"],"parent_unittitles_tesim":["Randolph H. Lytton historical Virginia collection"],"text":["Randolph H. Lytton historical Virginia collection","Series 5: Mixed Media","This series includes advertisements, campaign materials, maps, money orders, photographs, and publications."],"title_filing_ssi":"Series 5: Mixed Media","title_ssm":["Series 5: Mixed Media"],"title_tesim":["Series 5: Mixed Media"],"unitdate_other_ssim":["1712-2004 (Boxes 7-11)"],"normalized_date_ssm":["1712/2004"],"normalized_title_ssm":["Series 5: Mixed Media"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Randolph H. Lytton historical Virginia collection"],"has_online_content_ssim":["false"],"child_component_count_isi":51,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":173,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["All materials created before 1926 are in the Public Domain with no known restrictions. The copyright and related rights status of the rest of the collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"scopecontent_html_tesm":["\u003cp\u003eThis series includes advertisements, campaign materials, maps, money orders, photographs, and publications.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["This series includes advertisements, campaign materials, maps, money orders, photographs, and publications."],"_nest_path_":"/components#4","timestamp":"2026-05-21T05:31:11.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_460","ead_ssi":"vifgm_repositories_2_resources_460","_root_":"vifgm_repositories_2_resources_460","_nest_parent_":"vifgm_repositories_2_resources_460","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_460.xml","title_ssm":["Randolph H. Lytton historical Virginia collection"],"title_tesim":["Randolph H. Lytton historical Virginia collection"],"unitdate_ssm":["1670 - 2004"],"unitdate_inclusive_ssm":["1670 - 2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0311","/repositories/2/resources/460"],"text":["C0311","/repositories/2/resources/460","Randolph H. Lytton historical Virginia collection","United States -- History -- Civil War, 1861-1865","Virginia -- History -- Civil War, 1861-1865","Virginia, Northern -- History","Letters","Maps","Newspapers","Photography","Presidents -- United States","Slides (Photography)","Correspondence","Photographs","Photographic prints","Reproductions","Tintypes","There are no access restrictions.","A portion of this collection was digitized and is available to view   and ","This collection is arranged by subject.","Series Series 1: Postcards, 1903-1982 (Boxes 1-2) Series 2: Civil War Era Materials, 1861-1914 (Boxes 2-5) Series 3: George Washington, circa 1700-1960 (Box 5) Series 4: Fairfax Family, 1670-1975 (Box 6) Series 5: Mixed Media, 1712-2004 (Boxes 7-11)","Fairfax County Economic Development Authority. https://www.fairfaxcountyeda.org/history-fairfax-county-virginia (Accessed September 6, 2018)","City of Fairfax Virginia. https://www.fairfaxva.gov/government/historic-resources/city-history (Accessed September 6, 2018)","Fairfax County was originally granted to Thomas Fairfax, Sixth Lord Fairfax of Cameron by Charles II in 1719. It was not until 1742 that the Virginia Assembly officially established Fairfax as a county. Throughout the 18th century, Fairfax modernized in the form of industry and trade. With modernization, Fairfax County was fractured into Alexandria, Arlington, Falls Church, and Loudon. It was also during the time period that the Fairfax Courthouse was constructed with the financial aid of Richard Ratcliffe.","The 19th century brought conflict and subsequent growth to Fairfax County. Many Civil War battles took place within the county as well as the first land engagement of the American Civil War, which took place on June 1, 1861. During the war, Fairfax Courthouse changed hands many times between the Union and Confederacy. After the war, Fairfax experienced economic growth but also remained an agrarian-driven area. By the mid-20th century, Fairfax had experienced a massive population boom, largely as a result of President Roosevelt's increase in government programs, which produced large numbers of new citizens within Fairfax itself. The growth within Fairfax continues today. ","Processed by Bill Keeler in August 2018. EAD markup completed by Bill Keeler in September 2018.","The collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications on Virginia, particularly Fairfax County. The items in the collection were collected by George Mason University Emeritus Faculty member Randolph H. Lytton. The collection is arranged into five series: ","Series 1: Postcards (1903-1982). This series includes postcards from Virginia. ","Series 2: Civil War Era Materials (1861-1914). This series includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs. ","Series 3: George Washington (circa 1700-1960). This series includes artwork, envelopes, maps, photographs and postcards. ","Series 4: Fairfax Family (1670-1975). This series includes artwork, correspondence, indentures, photographs, postcards, and stamps. ","Series 5: Mixed Media (1712-2004). This series includes advertisements, campaign materials, maps, money orders, photographs, and publications. ","This series includes postcards from Virginia.","This series includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs related to the American Civil War.","This series includes artwork, envelopes, maps, photographs and postcards all related to George Washington","This series includes artwork, correspondence, indentures photographs, postcards, and stamps all related to the Fairfax family.","This series includes advertisements, campaign materials, maps, money orders, photographs, and publications.","All materials created before 1926 are in the Public Domain with no known restrictions. The copyright and related rights status of the rest of the collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications on Virginia, particularly Fairfax County.","R54, C2, S7-C3, S2\nMap Case 13.4, 13.5, 15.1","George Mason University. Libraries. Special Collections Research Center","Lytton, Randolph Hoopes, 1944-","English \n.    "],"unitid_tesim":["C0311","/repositories/2/resources/460"],"normalized_title_ssm":["Randolph H. Lytton historical Virginia collection"],"collection_title_tesim":["Randolph H. Lytton historical Virginia collection"],"collection_ssim":["Randolph H. Lytton historical Virginia collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- History -- Civil War, 1861-1865","Virginia -- History -- Civil War, 1861-1865","Virginia, Northern -- History"],"geogname_ssim":["United States -- History -- Civil War, 1861-1865","Virginia -- History -- Civil War, 1861-1865","Virginia, Northern -- History"],"creator_ssm":["Lytton, Randolph Hoopes, 1944-"],"creator_ssim":["Lytton, Randolph Hoopes, 1944-"],"creator_persname_ssim":["Lytton, Randolph Hoopes, 1944-"],"creators_ssim":["Lytton, Randolph Hoopes, 1944-"],"places_ssim":["United States -- History -- Civil War, 1861-1865","Virginia -- History -- Civil War, 1861-1865","Virginia, Northern -- History"],"access_terms_ssm":["All materials created before 1926 are in the Public Domain with no known restrictions. The copyright and related rights status of the rest of the collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by George Mason University Emeritus Faculty member Randolph H. Lytton from 2004 to 2015."],"access_subjects_ssim":["Letters","Maps","Newspapers","Photography","Presidents -- United States","Slides (Photography)","Correspondence","Photographs","Photographic prints","Reproductions","Tintypes"],"access_subjects_ssm":["Letters","Maps","Newspapers","Photography","Presidents -- United States","Slides (Photography)","Correspondence","Photographs","Photographic prints","Reproductions","Tintypes"],"has_online_content_ssim":["false"],"extent_ssm":["15 Linear Feet 11 boxes"],"extent_tesim":["15 Linear Feet 11 boxes"],"genreform_ssim":["Correspondence","Photographs","Photographic prints","Reproductions","Tintypes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eA portion of this collection was digitized and is available to view \u003cextptr show=\"new\" title=\"here\" href=\"https://images.gmu.edu/luna/servlet/GMU~15~15\"\u003e\u003c/extptr\u003e and \u003cextptr show=\"new\" title=\"here.\" href=\"https://mars.gmu.edu/handle/1920/5111\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["A portion of this collection was digitized and is available to view   and "],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Postcards, 1903-1982 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Civil War Era Materials, 1861-1914 (Boxes 2-5)\u003c/item\u003e\n      \u003citem\u003eSeries 3: George Washington, circa 1700-1960 (Box 5)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Fairfax Family, 1670-1975 (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Mixed Media, 1712-2004 (Boxes 7-11)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject.","Series Series 1: Postcards, 1903-1982 (Boxes 1-2) Series 2: Civil War Era Materials, 1861-1914 (Boxes 2-5) Series 3: George Washington, circa 1700-1960 (Box 5) Series 4: Fairfax Family, 1670-1975 (Box 6) Series 5: Mixed Media, 1712-2004 (Boxes 7-11)"],"bibliography_html_tesm":["\u003cp\u003eFairfax County Economic Development Authority. https://www.fairfaxcountyeda.org/history-fairfax-county-virginia (Accessed September 6, 2018)\u003c/p\u003e\n","\u003cp\u003eCity of Fairfax Virginia. https://www.fairfaxva.gov/government/historic-resources/city-history (Accessed September 6, 2018)\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Fairfax County Economic Development Authority. https://www.fairfaxcountyeda.org/history-fairfax-county-virginia (Accessed September 6, 2018)","City of Fairfax Virginia. https://www.fairfaxva.gov/government/historic-resources/city-history (Accessed September 6, 2018)"],"bioghist_html_tesm":["\u003cp\u003eFairfax County was originally granted to Thomas Fairfax, Sixth Lord Fairfax of Cameron by Charles II in 1719. It was not until 1742 that the Virginia Assembly officially established Fairfax as a county. Throughout the 18th century, Fairfax modernized in the form of industry and trade. With modernization, Fairfax County was fractured into Alexandria, Arlington, Falls Church, and Loudon. It was also during the time period that the Fairfax Courthouse was constructed with the financial aid of Richard Ratcliffe.\u003c/p\u003e\n","\u003cp\u003eThe 19th century brought conflict and subsequent growth to Fairfax County. Many Civil War battles took place within the county as well as the first land engagement of the American Civil War, which took place on June 1, 1861. During the war, Fairfax Courthouse changed hands many times between the Union and Confederacy. After the war, Fairfax experienced economic growth but also remained an agrarian-driven area. By the mid-20th century, Fairfax had experienced a massive population boom, largely as a result of President Roosevelt's increase in government programs, which produced large numbers of new citizens within Fairfax itself. The growth within Fairfax continues today. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Fairfax County was originally granted to Thomas Fairfax, Sixth Lord Fairfax of Cameron by Charles II in 1719. It was not until 1742 that the Virginia Assembly officially established Fairfax as a county. Throughout the 18th century, Fairfax modernized in the form of industry and trade. With modernization, Fairfax County was fractured into Alexandria, Arlington, Falls Church, and Loudon. It was also during the time period that the Fairfax Courthouse was constructed with the financial aid of Richard Ratcliffe.","The 19th century brought conflict and subsequent growth to Fairfax County. Many Civil War battles took place within the county as well as the first land engagement of the American Civil War, which took place on June 1, 1861. During the war, Fairfax Courthouse changed hands many times between the Union and Confederacy. After the war, Fairfax experienced economic growth but also remained an agrarian-driven area. By the mid-20th century, Fairfax had experienced a massive population boom, largely as a result of President Roosevelt's increase in government programs, which produced large numbers of new citizens within Fairfax itself. The growth within Fairfax continues today. "],"prefercite_html_tesm":["\u003cp\u003eRandolph H. Lytton historical Virginia collection, C0311, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Randolph H. Lytton historical Virginia collection, C0311, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Bill Keeler in August 2018. EAD markup completed by Bill Keeler in September 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Bill Keeler in August 2018. EAD markup completed by Bill Keeler in September 2018."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications on Virginia, particularly Fairfax County. The items in the collection were collected by George Mason University Emeritus Faculty member Randolph H. Lytton. The collection is arranged into five series: \u003c/p\u003e\n","\u003cp\u003eSeries 1: Postcards (1903-1982). 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This series includes advertisements, campaign materials, maps, money orders, photographs, and publications. \u003c/p\u003e","\u003cp\u003eThis series includes postcards from Virginia.\u003c/p\u003e","\u003cp\u003eThis series includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs related to the American Civil War.\u003c/p\u003e","\u003cp\u003eThis series includes artwork, envelopes, maps, photographs and postcards all related to George Washington\u003c/p\u003e","\u003cp\u003eThis series includes artwork, correspondence, indentures photographs, postcards, and stamps all related to the Fairfax family.\u003c/p\u003e","\u003cp\u003eThis series includes advertisements, campaign materials, maps, money orders, photographs, and publications.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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The items in the collection were collected by George Mason University Emeritus Faculty member Randolph H. Lytton. The collection is arranged into five series: ","Series 1: Postcards (1903-1982). This series includes postcards from Virginia. ","Series 2: Civil War Era Materials (1861-1914). This series includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs. ","Series 3: George Washington (circa 1700-1960). This series includes artwork, envelopes, maps, photographs and postcards. ","Series 4: Fairfax Family (1670-1975). This series includes artwork, correspondence, indentures, photographs, postcards, and stamps. ","Series 5: Mixed Media (1712-2004). This series includes advertisements, campaign materials, maps, money orders, photographs, and publications. ","This series includes postcards from Virginia.","This series includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs related to the American Civil War.","This series includes artwork, envelopes, maps, photographs and postcards all related to George Washington","This series includes artwork, correspondence, indentures photographs, postcards, and stamps all related to the Fairfax family.","This series includes advertisements, campaign materials, maps, money orders, photographs, and publications."],"userestrict_html_tesm":["\u003cp\u003eAll materials created before 1926 are in the Public Domain with no known restrictions. The copyright and related rights status of the rest of the collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["All materials created before 1926 are in the Public Domain with no known restrictions. The copyright and related rights status of the rest of the collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_dbce34e7d3c1b76f0548428cd9e54373\" label=\"Abstract\"\u003eThe collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications on Virginia, particularly Fairfax County.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications on Virginia, particularly Fairfax County."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_565b698cd913a18e3d78aafff8fb538f\"\u003eR54, C2, S7-C3, S2\nMap Case 13.4, 13.5, 15.1\u003c/physloc\u003e"],"physloc_tesim":["R54, C2, S7-C3, S2\nMap Case 13.4, 13.5, 15.1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Lytton, Randolph Hoopes, 1944-"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Lytton, Randolph Hoopes, 1944-"],"persname_ssim":["Lytton, Randolph Hoopes, 1944-"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":224,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_460_c05"}},{"id":"vifgm_lytton_c05","type":"Series","attributes":{"title":"Series 5: Mixed Media,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_lytton_c05#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series includes advertisements, campaign materials, maps, money orders, photographs, and publications. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_lytton_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_lytton_c05","ref_ssm":["vifgm_lytton_c05"],"id":"vifgm_lytton_c05","ead_ssi":"vifgm_lytton","_root_":"vifgm_lytton","_nest_parent_":"vifgm_lytton","parent_ssi":"vifgm_lytton","parent_ssim":["vifgm_lytton"],"parent_ids_ssim":["vifgm_lytton"],"parent_unittitles_ssm":["Randolph H. 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"],"_nest_path_":"/components#4","timestamp":"2026-05-21T06:35:19.913Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_lytton","ead_ssi":"vifgm_lytton","_root_":"vifgm_lytton","_nest_parent_":"vifgm_lytton","ead_source_url_ssi":"data/gmu/lytton.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/lytton.html","title_ssm":["Randolph H. Lytton Historical Virginia collection"],"title_tesim":["Randolph H. Lytton Historical Virginia collection"],"unitdate_ssm":["1670-2004"],"unitdate_other_ssim":["1670-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0311"],"text":["C0311","Randolph H. Lytton Historical Virginia collection","Letters.","Maps.","Photography.","Presidents--United States.","Slides.","United States--History--Civil War, 1861-1865","Virginia--History--Civil War, 1861-1865--Maps.","Virginia, Northern--History, Local.","Correspondence.","Maps.","Newspapers.","Photographs.","Photographic prints.","Reproductions.","Slides.","Tintypes.","There are no access restrictions.","This collection is arranged by subject.","Series 1: Postcards, 1903-1982 (Boxes 1-2)\n Series 2: Civil War Era Materials, 1861-1914  (Boxes 2-5)\n Series 3: George Washington, circa 1700-1960 (Box 5)\n Series 4: Fairfax Family, 1670-1975 (Box 6)\n Series 5: Mixed Media, 1712-2004 (Boxes 7-11)\n","",""," \nFairfax County was originally granted to Thomas Fairfax, Sixth Lord Fairfax of Cameron by Charles II in 1719. It was not until 1742 that the Virginia Assembly officially established Fairfax as a county. Throughout the 18th century, Fairfax modernized in the form of industry and trade. With modernization, Fairfax County was fractured into Alexandria, Arlington, Falls Church, and Loudon. It was also during the time period that the Fairfax Courthouse was constructed with the financial aid of Richard Ratcliffe.","The 19th century brought conflict and subsequent growth to Fairfax County. Many Civil War battles took place within the county as well as the first land engagement of the American Civil War, which took place on June 1, 1861. During the war, Fairfax Courthouse changed hands many times between the Union and Confederacy. After the war, Fairfax experienced economic growth but also remained an agrarian-driven area. By the mid-20th century, Fairfax had experienced a massive population boom, largely as a result of President Roosevelt's increase in government programs, which produced large numbers of new citizens within Fairfax itself. The growth within Fairfax continues today.\n","Processed by Bill Keeler in August 2018. EAD markup completed by Bill Keeler in September 2018.","The collection includes artwork, campaign materials, correspondence, envelopes, indentures, maps, military paperwork, newspapers, paper currency, photographs, postcards, and publications. The items in the collection were collected by George Mason University Emeritus Faculty member Randolph H. Lytton. The collection is arranged into five series:\n","Series 1: Postcards (1903-1982) includes postcards from Virginia. \n","Series 2: Civil War Era Materials (1861-1914) includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs. \t\t \n","Series 3: George Washington (circa 1700-1960) includes artwork, envelopes, maps, photographs and postcards. \n","Series 4: Fairfax Family (1670-1975) includes artwork, correspondence, indentures, photographs, postcards, and stamps. \n","Series 5: Mixed Media (1712-2004) includes advertisements, campaign materials, maps, money orders, photographs, and publications. \n","This series includes postcards from Virginia. ","","","","","","","","","","","","","","","","","","","","","","","This series includes artwork, letters, maps, military paperwork, newspapers, paper currency, and photographs related to the American Civil War.  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It was not until 1742 that the Virginia Assembly officially established Fairfax as a county. Throughout the 18th century, Fairfax modernized in the form of industry and trade. With modernization, Fairfax County was fractured into Alexandria, Arlington, Falls Church, and Loudon. It was also during the time period that the Fairfax Courthouse was constructed with the financial aid of Richard Ratcliffe.\u003c/p\u003e","\u003cp\u003eThe 19th century brought conflict and subsequent growth to Fairfax County. Many Civil War battles took place within the county as well as the first land engagement of the American Civil War, which took place on June 1, 1861. During the war, Fairfax Courthouse changed hands many times between the Union and Confederacy. After the war, Fairfax experienced economic growth but also remained an agrarian-driven area. 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Many Civil War battles took place within the county as well as the first land engagement of the American Civil War, which took place on June 1, 1861. During the war, Fairfax Courthouse changed hands many times between the Union and Confederacy. After the war, Fairfax experienced economic growth but also remained an agrarian-driven area. By the mid-20th century, Fairfax had experienced a massive population boom, largely as a result of President Roosevelt's increase in government programs, which produced large numbers of new citizens within Fairfax itself. The growth within Fairfax continues today.\n"],"prefercite_html_tesm":["\u003cp\u003eRandolph H. Lytton Historical Virginia collection, C0311, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Randolph H. 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