{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1901\u0026f%5Bplaces%5D%5B%5D=New+York+%28N.Y.%29\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1901\u0026f%5Bplaces%5D%5B%5D=New+York+%28N.Y.%29\u0026page=1\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":4,"first_page?":true,"last_page?":true}},"data":[{"id":"viur_repositories_4_resources_9","type":"collection","attributes":{"title":"Edward H. 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Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, The Broken Rosary, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write The Prince Chap, 1904, which was met with rave reviews. A Broken Rosary was rewritten as a book, also in 1904.","His best known works are A Pair of Sixes and The Littlest Rebel. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was The Littlest Rebel, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.","By the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond.","Processed by Elizabeth Dickie.","This collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.","Series I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.","Series II, Contracts-Plays, Movies, Stories \u0026 Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.","Series III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.","Series IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.","Series V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section.","Eight books authored by Edward Peple are located in the Rare Book Collection.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound.","University of Richmond","Peple, Edward, 1869-1924","English"],"collection_title_tesim":["Edward H. Peple Collection, 1891/1953"],"collection_ssim":["Edward H. 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Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The collection was donated by members of the Peple family."],"access_subjects_ssim":["Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs"],"access_subjects_ssm":["Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet 8 boxes"],"extent_tesim":["7 Linear Feet 8 boxes"],"genreform_ssim":["Audio-visual materials","Manuscripts","Photographs"],"date_range_isim":[1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 5 series:\u003c/p\u003e","\u003cp\u003eSeries I: Title Plays, Stories, Novels, Poetry \u003cbr\u003e\nSeries II: Contracts-Plays, Movies, Stories \u0026amp; Books \u003cbr\u003e\nSeries III: Estate \u003cbr\u003e\nSeries IV: Florence Peple and Charles Peple \u003cbr\u003e\nSeries V: Photographs and Ephemera\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in 5 series:","Series I: Title Plays, Stories, Novels, Poetry \nSeries II: Contracts-Plays, Movies, Stories \u0026 Books \nSeries III: Estate \nSeries IV: Florence Peple and Charles Peple \nSeries V: Photographs and Ephemera"],"bioghist_html_tesm":["\u003cp\u003eEdward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. 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Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, The Broken Rosary, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write The Prince Chap, 1904, which was met with rave reviews. A Broken Rosary was rewritten as a book, also in 1904.","His best known works are A Pair of Sixes and The Littlest Rebel. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was The Littlest Rebel, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. 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Peple Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Elizabeth Dickie.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Elizabeth Dickie."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.\u003c/p\u003e","\u003cp\u003eSeries I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.\u003c/p\u003e","\u003cp\u003eSeries II, Contracts-Plays, Movies, Stories \u0026amp; Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.\u003c/p\u003e","\u003cp\u003eSeries III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.\u003c/p\u003e","\u003cp\u003eSeries IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.\u003c/p\u003e","\u003cp\u003eSeries V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.","Series I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.","Series II, Contracts-Plays, Movies, Stories \u0026 Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.","Series III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.","Series IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.","Series V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section."],"separatedmaterial_html_tesm":["\u003cp\u003eEight books authored by Edward Peple are located in the Rare Book Collection.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Eight books authored by Edward Peple are located in the Rare Book Collection."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1d0f735232c0582e71e0a7eb2c8741d3\"\u003eEdward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound.\u003c/abstract\u003e\n    "],"abstract_tesim":["Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. 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He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, The Broken Rosary, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write The Prince Chap, 1904, which was met with rave reviews. A Broken Rosary was rewritten as a book, also in 1904.","His best known works are A Pair of Sixes and The Littlest Rebel. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was The Littlest Rebel, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.","By the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond.","Processed by Elizabeth Dickie.","This collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. 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Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write \u003cemph render=\"italics\"\u003eThe Prince Chap\u003c/emph\u003e, 1904, which was met with rave reviews. \u003cemph render=\"italics\"\u003eA Broken Rosary\u003c/emph\u003e was rewritten as a book, also in 1904.\u003c/p\u003e","\u003cp\u003eHis best known works are \u003cemph render=\"italics\"\u003eA Pair of Sixes\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eThe Littlest Rebel\u003c/emph\u003e. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was \u003cemph render=\"italics\"\u003eThe Littlest Rebel\u003c/emph\u003e, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. 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Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, The Broken Rosary, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write The Prince Chap, 1904, which was met with rave reviews. A Broken Rosary was rewritten as a book, also in 1904.","His best known works are A Pair of Sixes and The Littlest Rebel. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was The Littlest Rebel, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.","By the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-3, Edward H. Peple Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-3, Edward H. Peple Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Elizabeth Dickie.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Elizabeth Dickie."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.\u003c/p\u003e","\u003cp\u003eSeries I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.\u003c/p\u003e","\u003cp\u003eSeries II, Contracts-Plays, Movies, Stories \u0026amp; Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.\u003c/p\u003e","\u003cp\u003eSeries III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.\u003c/p\u003e","\u003cp\u003eSeries IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.\u003c/p\u003e","\u003cp\u003eSeries V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.","Series I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.","Series II, Contracts-Plays, Movies, Stories \u0026 Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.","Series III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.","Series IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.","Series V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section."],"separatedmaterial_html_tesm":["\u003cp\u003eEight books authored by Edward Peple are located in the Rare Book Collection.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Eight books authored by Edward Peple are located in the Rare Book Collection."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1d0f735232c0582e71e0a7eb2c8741d3\"\u003eEdward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound.\u003c/abstract\u003e\n    "],"abstract_tesim":["Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Peple, Edward, 1869-1924"],"names_coll_ssim":["Peple, Edward, 1869-1924"],"names_ssim":["University of Richmond","Peple, Edward, 1869-1924"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":352,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:47:27.798Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_9"}},{"id":"viw_repositories_2_resources_8381_c03","type":"Series","attributes":{"title":"Ephemera, 1880/1925","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8381_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eContains pamphlets, calling cards, a map of the area surrounding Napanoch, New York, and miscellaneous documents including some of Thomas Putnam Chapman, Jr.'s schoolwork. Documents that may be letters but are incomplete or have no known recipient or creator are included.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8381_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8381_c03","ref_ssm":["viw_repositories_2_resources_8381_c03"],"id":"viw_repositories_2_resources_8381_c03","ead_ssi":"viw_repositories_2_resources_8381","_root_":"viw_repositories_2_resources_8381","_nest_parent_":"viw_repositories_2_resources_8381","parent_ssi":"viw_repositories_2_resources_8381","parent_ssim":["Thomas Putnam Chapman, Jr. Papers, 1875/1935"],"parent_ids_ssim":["viw_repositories_2_resources_8381"],"title_filing_ssi":"Ephemera","title_ssm":["Ephemera"],"title_tesim":["Ephemera"],"normalized_title_ssm":["Ephemera, 1880/1925"],"text":["Ephemera, 1880/1925","Thomas Putnam Chapman, Jr. Papers, 1875/1935","New York (N.Y.)","YMCA of the USA--History","Tuberculosis--United States","Fairfax County (Va.)--History","Printed ephemera","Genealogies","English","Contains pamphlets, calling cards, a map of the area surrounding Napanoch, New York, and miscellaneous documents including some of Thomas Putnam Chapman, Jr.'s schoolwork. Documents that may be letters but are incomplete or have no known recipient or creator are included."],"parent_unittitles_ssm":["Thomas Putnam Chapman, Jr. Papers, 1875/1935"],"parent_unittitles_tesim":["Thomas Putnam Chapman, Jr. Papers, 1875/1935"],"normalized_date_ssm":["1880/1925"],"unitdate_inclusive_ssm":["1880-1925"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":104,"repository_ssim":["College of William and Mary"],"collection_ssim":["Thomas Putnam Chapman, Jr. Papers, 1875/1935"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"geogname_ssim":["New York (N.Y.)"],"geogname_ssm":["New York (N.Y.)"],"places_ssim":["New York (N.Y.)"],"access_subjects_ssim":["YMCA of the USA--History","Tuberculosis--United States","Fairfax County (Va.)--History","Printed ephemera","Genealogies"],"access_subjects_ssm":["YMCA of the USA--History","Tuberculosis--United States","Fairfax County (Va.)--History","Printed ephemera","Genealogies"],"language_ssim":["English"],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925],"scopecontent_html_tesm":["\u003cp\u003eContains pamphlets, calling cards, a map of the area surrounding Napanoch, New York, and miscellaneous documents including some of Thomas Putnam Chapman, Jr.'s schoolwork. Documents that may be letters but are incomplete or have no known recipient or creator are included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Contains pamphlets, calling cards, a map of the area surrounding Napanoch, New York, and miscellaneous documents including some of Thomas Putnam Chapman, Jr.'s schoolwork. Documents that may be letters but are incomplete or have no known recipient or creator are included."],"_nest_path_":"/components#2","timestamp":"2026-07-23T21:51:17.531Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8381","ead_ssi":"viw_repositories_2_resources_8381","_root_":"viw_repositories_2_resources_8381","_nest_parent_":"viw_repositories_2_resources_8381","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8381.xml","title_filing_ssi":"Chapman Jr., Thomas Putnam Family Letters","title_ssm":["Thomas Putnam Chapman, Jr. Papers"],"title_tesim":["Thomas Putnam Chapman, Jr. Papers"],"unitdate_ssm":["1875-1935"],"unitdate_inclusive_ssm":["1875-1935"],"normalized_date_ssm":["1875/1935"],"normalized_title_ssm":["Thomas Putnam Chapman, Jr. Papers, 1875/1935"],"text":["Thomas Putnam Chapman, Jr. Papers, 1875/1935","MS 00279","/repositories/2/resources/8381","Male college students","YMCA of the USA--History","Letters (correspondence)","Postcards","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Collection of letters, cards, ephemera, and personal items belonging to Thomas Putnam Chapman, Jr.  A large portion of the letters are written to his family from his time spent as a student at the College of William and Mary.  Included with Thomas' letters are letters from his father and other family members. \nThis collections is currently in processing and is not fully available to researchers.  The collection guide will be updated once processing of the collection is complete.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary","Chapman, Thomas Putnam, Jr.","English"],"collection_title_tesim":["Thomas Putnam Chapman, Jr. Papers, 1875/1935"],"collection_ssim":["Thomas Putnam Chapman, Jr. Papers, 1875/1935"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00279","/repositories/2/resources/8381"],"unitid_tesim":["MS 00279","/repositories/2/resources/8381"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Chapman, Thomas Putnam, Jr."],"creator_ssim":["Chapman, Thomas Putnam, Jr."],"creator_persname_ssim":["Chapman, Thomas Putnam, Jr."],"creator_corpname_ssim":["Special Collections Research Center","College of William and Mary"],"creators_ssim":["Chapman, Thomas Putnam, Jr.","Special Collections Research Center","College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift from the family of Thomas Putnam Chapman, Jr., 2019."],"access_subjects_ssim":["Male college students","YMCA of the USA--History","Letters (correspondence)","Postcards"],"access_subjects_ssm":["Male college students","YMCA of the USA--History","Letters (correspondence)","Postcards"],"has_online_content_ssim":["false"],"extent_ssm":["4.0 Linear Feet"],"extent_tesim":["4.0 Linear Feet"],"genreform_ssim":["Letters (correspondence)","Postcards"],"date_range_isim":[1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"prefercite_html_tesm":["\u003cp\u003eThomas Putnam Chapman, Jr. Letters, 1875-1935, Special Collections Research Center, William and Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Thomas Putnam Chapman, Jr. Letters, 1875-1935, Special Collections Research Center, William and Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eCollection of letters, cards, ephemera, and personal items belonging to Thomas Putnam Chapman, Jr.  A large portion of the letters are written to his family from his time spent as a student at the College of William and Mary.  Included with Thomas' letters are letters from his father and other family members. \nThis collections is currently in processing and is not fully available to researchers.  The collection guide will be updated once processing of the collection is complete.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection of letters, cards, ephemera, and personal items belonging to Thomas Putnam Chapman, Jr.  A large portion of the letters are written to his family from his time spent as a student at the College of William and Mary.  Included with Thomas' letters are letters from his father and other family members. \nThis collections is currently in processing and is not fully available to researchers.  The collection guide will be updated once processing of the collection is complete."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","College of William and Mary"],"names_coll_ssim":["College of William and Mary"],"persname_ssim":["Chapman, Thomas Putnam, Jr."],"names_ssim":["Special Collections Research Center","College of William and Mary","Chapman, Thomas Putnam, Jr."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":116,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:51:17.531Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8381_c03"}},{"id":"virmu_repositories_2_resources_198","type":"collection","attributes":{"title":"John Barton Payne Personal Papers (SC-31), 1881/1938","creator":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_198#creator","type":"document_value","attributes":{"value":"Payne, John Barton, 1855-1935‏","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_198#abstract_or_scope","type":"document_value","attributes":{"value":"The collection documents parts of John Barton Payne's varied professional career. It contains correspondence, including letters from President Woodrow Wilson and federal agencies including the White House, Senate, House of Representatives, and Postmaster General, as well letters from Payne's former employer, invitations, letters of thanks, and requests from private entities. The collection also contains photographs from trips that Payne took during his tenure as Secretary of the Interior, most of which were taken at Mt. Washburn in Yellowstone National Park, but also a photo album from a trip to Alaska as part of the Alaskan Engineering Commission (AEC).","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_198#breadcrumbs","type":"document_value","attributes":{"value":{"id":"virmu_repositories_2_resources_198","ead_ssi":"virmu_repositories_2_resources_198","_root_":"virmu_repositories_2_resources_198","_nest_parent_":"virmu_repositories_2_resources_198","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_198.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/198","title_filing_ssi":"Payne, John Barton (SC-31)","title_ssm":["John Barton Payne Personal Papers (SC-31)"],"title_tesim":["John Barton Payne Personal Papers (SC-31)"],"unitdate_ssm":["1881-1938, undated"],"unitdate_inclusive_ssm":["1881-1938, undated"],"normalized_date_ssm":["1881/1938"],"normalized_title_ssm":["John Barton Payne Personal Papers (SC-31), 1881/1938"],"text":["John Barton Payne Personal Papers (SC-31), 1881/1938","SC-31","/repositories/2/resources/198","Yellowstone National Park (Agency : U.S.)","Washburn, Mount (Wyo.)","Seattle (Wash.)","Washington (D.C.)","St. Louis (Mo.)","Chicago (Ill.)","Richmond (Va.)","New York (N.Y.)","Charlottesville (Va.)","York Harbor (Me.)","Alaskan Engineering Commission","The collection is open for research. The digital collection can be accessed through the VMFA Collections Search website.","The collection is organized into five series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1\n        Correspondence, 1904-1938, undated\n      \n      \n        Series 2\n        Published Materials, 1881-1926, undated\n      \n      \n        Series 3\n        Travel Documents, 1919\n      \n      \n        Series 4\n        Photographic Materials, 1920, undated\n      \n      \n        Series 5\n        Financial Documents, 1934-1935","John Barton Payne : Patron of the Arts, 1994","Catalogue of the Judge John Barton Payne Sale: Rare and Valuable Household Adornments, Important Paintings, Diamond and Other Jewelry, Antique Silver, etc. at Public Auction, 1935","Memorial Number to John Barton Payne, 1935","An Address at the Unveiling of the Bust of Woodrow Wilson: Hall of the House of Delegates, State Capitol, Richmond, Virginia, 1931","The John Barton Payne Collection of Paintings, 1926","Catalogue of the Paintings in the John Barton Payne Collection: Given in Memory of his Wife and Mother to the Commonwealth of Virginia, 1921","Exhibition file : John Barton Payne Collection of Paintings and Prints, Mar. 6-Apr. 25, 1936","Donors: Payne, John Barton","History: Early History of Museum: John Barton Payne and John Garland Pollard Correspondence about Planning the Museum (2 folders)","History: Early History of Museum: John Barton Payne","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Accession 33863)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Accession 31633)","Virginia. Governor (1930-1934 : Pollard), Executive Papers, 1930-1934 (Accession 23344a)","Virginia. Governor (1934-1938 : Peery), Executive Papers, 1934-1938 (Accession 23344b)","John Barton Payne Papers, Special Collections Research Center, Swem Library, College of William and Mary (01/Mss. 39.1 P29)","Records of the American National Red Cross, 1881-2008, National Archives and Records Administration (5896716)","On January 16, 1936, the Virginia Museum of Fine Arts opened its doors for the first time. The occasion marked the culmination of more than sixteen years of effort that began in December 1919 with a gift of 51 artworks from Judge John Barton Payne. In spite of the Great Depression, Virginia Governor John Garland Pollard secured the support to meet Payne's $100,000 challenge grant, and the two men established the first state-run art museum in the United States.","Payne was born in Pruntytown, Virginia, in 1855, where his father, Dr. Amos Payne, had taken his family to establish a medical practice. In 1860, the family returned to the Payne homestead – a farm in Fauquier County, Virginia – and it was here that Payne spent his formative years. Payne taught himself law by reading each volume, one by one, of Blackstone's Commentaries and began his career as a lawyer in 1876, at age 21, when he was admitted to the Bar. In 1883, having completed his mayoral tenure in Kingwood, West Virginia, he moved to Chicago and attained considerable influence as a lawyer, judge, and philanthropist. He also started collecting art. Payne was engaged with the preeminent Art Institute of Chicago on a number of different levels, and it likely framed his idea of what an art museum should be – an educational and collecting institution for the benefit of the public.","By 1914, with the outbreak of World War I, Payne was appointed to the U.S. Treasury Board of Appeals, serving as general counsel for both the Shipping Board Emergency Fleet Corporation and the United States Railroad Administration. His principal role was as an arbitrator – a peace-keeper – during Wilson's and subsequent administrations. When World War I ended in 1918, Payne spent the next year helping to negotiate the nuances and politics of peace as the recently appointed Secretary of the Interior. He resigned his position in 1921 so that he could serve as chairman of the American Red Cross. Payne served at the helm of the Red Cross under four administrations, and until the end of his life.","In December of 1919, following the death of his second wife, Jennie Byrd Bryan Payne – who was an artist in her own right – and in honor of his mother, Elizabeth Barton Smith, Payne wrote to Virginia Governor Westmoreland Davis offering his collection of paintings to \"his mother,\" the Commonwealth of Virginia. The offer was passed by the Virginia legislature on February 20, 1920. To realize his vision, in 1932, Payne offered the Commonwealth a matching grant of $100,000 to construct an art museum. Incredibly, despite the Depression, Governor Pollard was able to match the grant. Construction took place between 1934 and 1936, and Payne and Pollard served consecutively as the institution's first and second presidents. But it was Payne's vision that established the museum's mission and set the course for the next century: a public-private partnership—the first state-run art museum in the United States; a collection based entirely of private philanthropy; and a community of people from every walk of life.","Payne died in 1935, a year before the museum opened from pneumonia contracted following an appendicitis attack and he was buried at Oak Hill Cemetery in Washington, D.C.","Text by Dr. Susan J. Rawles, Associate Curator of American Painting and Decorative Art","The collection was transferred from the Collections Department in 2018. The archives received a donation from John Payne, a descendant of John Barton Payne, on September 30, 2022. The donation was added to the collection in 2023.","The collection's inclusive dates are 1881-1938, with the bulk of the material dating from 1904-1932. The digital collection is comprised of correspondence, lyrics, newspaper clippings, photographs, and travel documents.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents parts of John Barton Payne's varied professional career. It contains correspondence, including letters from President Woodrow Wilson and federal agencies including the White House, Senate, House of Representatives, and Postmaster General, as well letters from Payne's former employer, invitations, letters of thanks, and requests from private entities. The collection also contains photographs from trips that Payne took during his tenure as Secretary of the Interior, most of which were taken at Mt. Washburn in Yellowstone National Park, but also a photo album from a trip to Alaska as part of the Alaskan Engineering Commission (AEC).","Virginia Museum of Fine Arts Archives","St. Louis star","Washington post (Washington, D.C. : 1974)","United States. Federal Railroad Administration","Payne, John Barton, 1855-1935‏","Wilson, Woodrow, 1856-1924","Wilson, Edith Bolling Galt, 1872-1961","Daniels, Josephus, 1862-1948","McAdoo, W. G. (William Gibbs), 1863-1941","Alderman, Edwin Anderson, 1861-1931","Pollard, John Garland, 1871-1937","Baker, Newton Diehl, 1871-1937","Fall, Albert B. (Albert Bacon), 1861-1944","Crane, Frank, 1861-1928","English\n."],"collection_title_tesim":["John Barton Payne Personal Papers (SC-31), 1881/1938"],"collection_ssim":["John Barton Payne Personal Papers (SC-31), 1881/1938"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-31","/repositories/2/resources/198"],"unitid_tesim":["SC-31","/repositories/2/resources/198"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"geogname_ssm":["Yellowstone National Park (Agency : U.S.)","Washburn, Mount (Wyo.)","Seattle (Wash.)","Washington (D.C.)","St. Louis (Mo.)","Chicago (Ill.)","Richmond (Va.)","New York (N.Y.)","Charlottesville (Va.)","York Harbor (Me.)"],"geogname_ssim":["Yellowstone National Park (Agency : U.S.)","Washburn, Mount (Wyo.)","Seattle (Wash.)","Washington (D.C.)","St. Louis (Mo.)","Chicago (Ill.)","Richmond (Va.)","New York (N.Y.)","Charlottesville (Va.)","York Harbor (Me.)"],"places_ssim":["Yellowstone National Park (Agency : U.S.)","Washburn, Mount (Wyo.)","Seattle (Wash.)","Washington (D.C.)","St. Louis (Mo.)","Chicago (Ill.)","Richmond (Va.)","New York (N.Y.)","Charlottesville (Va.)","York Harbor (Me.)"],"creator_ssm":["Payne, John Barton, 1855-1935‏","Wilson, Woodrow, 1856-1924","Wilson, Edith Bolling Galt, 1872-1961","Daniels, Josephus, 1862-1948","McAdoo, W. G. (William Gibbs), 1863-1941","Alderman, Edwin Anderson, 1861-1931"],"creator_ssim":["Payne, John Barton, 1855-1935‏","Wilson, Woodrow, 1856-1924","Wilson, Edith Bolling Galt, 1872-1961","Daniels, Josephus, 1862-1948","McAdoo, W. G. (William Gibbs), 1863-1941","Alderman, Edwin Anderson, 1861-1931"],"creator_persname_ssim":["Payne, John Barton, 1855-1935‏","Wilson, Woodrow, 1856-1924","Wilson, Edith Bolling Galt, 1872-1961","Daniels, Josephus, 1862-1948","McAdoo, W. G. (William Gibbs), 1863-1941","Alderman, Edwin Anderson, 1861-1931","Pollard, John Garland, 1871-1937","Baker, Newton Diehl, 1871-1937","Fall, Albert B. (Albert Bacon), 1861-1944","Crane, Frank, 1861-1928"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","St. Louis star","Washington post (Washington, D.C. : 1974)","United States. Federal Railroad Administration"],"creators_ssim":["Payne, John Barton, 1855-1935‏","Wilson, Woodrow, 1856-1924","Wilson, Edith Bolling Galt, 1872-1961","Daniels, Josephus, 1862-1948","McAdoo, W. G. (William Gibbs), 1863-1941","Alderman, Edwin Anderson, 1861-1931","Pollard, John Garland, 1871-1937","Baker, Newton Diehl, 1871-1937","Fall, Albert B. (Albert Bacon), 1861-1944","Crane, Frank, 1861-1928","Virginia Museum of Fine Arts Archives","St. Louis star","Washington post (Washington, D.C. : 1974)","United States. Federal Railroad Administration"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Alaskan Engineering Commission"],"access_subjects_ssm":["Alaskan Engineering Commission"],"has_online_content_ssim":["false"],"extent_ssm":["0.4 Linear Feet 1 box; 10 folders; 73 items"],"extent_tesim":["0.4 Linear Feet 1 box; 10 folders; 73 items"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/john-barton-payne-personal-papers-sc-31/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. The digital collection can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eCorrespondence, 1904-1938, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003ePublished Materials, 1881-1926, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eTravel Documents, 1919\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotographic Materials, 1920, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eFinancial Documents, 1934-1935\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into five series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1\n        Correspondence, 1904-1938, undated\n      \n      \n        Series 2\n        Published Materials, 1881-1926, undated\n      \n      \n        Series 3\n        Travel Documents, 1919\n      \n      \n        Series 4\n        Photographic Materials, 1920, undated\n      \n      \n        Series 5\n        Financial Documents, 1934-1935"],"bibliography_html_tesm":["\u003cbibref\u003eJohn Barton Payne : Patron of the Arts, 1994\u003c/bibref\u003e\n    ","\u003cbibref\u003eCatalogue of the Judge John Barton Payne Sale: Rare and Valuable Household Adornments, Important Paintings, Diamond and Other Jewelry, Antique Silver, etc. at Public Auction, 1935\u003c/bibref\u003e\n    ","\u003cbibref\u003eMemorial Number to John Barton Payne, 1935\u003c/bibref\u003e\n    ","\u003cbibref\u003eAn Address at the Unveiling of the Bust of Woodrow Wilson: Hall of the House of Delegates, State Capitol, Richmond, Virginia, 1931\u003c/bibref\u003e\n    ","\u003cbibref\u003eThe John Barton Payne Collection of Paintings, 1926\u003c/bibref\u003e\n    ","\u003cbibref\u003eCatalogue of the Paintings in the John Barton Payne Collection: Given in Memory of his Wife and Mother to the Commonwealth of Virginia, 1921\u003c/bibref\u003e\n  ","\u003cbibref\u003eExhibition file : John Barton Payne Collection of Paintings and Prints, Mar. 6-Apr. 25, 1936\u003c/bibref\u003e\n  ","\u003cbibref\u003eDonors: Payne, John Barton\u003c/bibref\u003e\n    ","\u003cbibref\u003eHistory: Early History of Museum: John Barton Payne and John Garland Pollard Correspondence about Planning the Museum (2 folders)\u003c/bibref\u003e\n    ","\u003cbibref\u003eHistory: Early History of Museum: John Barton Payne\u003c/bibref\u003e\n  ","\u003cbibref\u003eVirginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Accession 33863)\u003c/bibref\u003e\n    ","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1936-1992 (Accession 31633)\u003c/bibref\u003e\n    ","\u003cbibref\u003eVirginia. Governor (1930-1934 : Pollard), Executive Papers, 1930-1934 (Accession 23344a)\u003c/bibref\u003e\n    ","\u003cbibref\u003e Virginia. Governor (1934-1938 : Peery), Executive Papers, 1934-1938 (Accession 23344b)\u003c/bibref\u003e\n  ","\u003cbibref\u003eJohn Barton Payne Papers, Special Collections Research Center, Swem Library, College of William and Mary (01/Mss. 39.1 P29)\u003c/bibref\u003e\n    ","\u003cbibref\u003eRecords of the American National Red Cross, 1881-2008, National Archives and Records Administration (5896716)\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Related Materials - VMFA Library: Books","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Subject Files","Related Materials - Library of Virginia","Related Materials - Other Institutions"],"bibliography_tesim":["John Barton Payne : Patron of the Arts, 1994","Catalogue of the Judge John Barton Payne Sale: Rare and Valuable Household Adornments, Important Paintings, Diamond and Other Jewelry, Antique Silver, etc. at Public Auction, 1935","Memorial Number to John Barton Payne, 1935","An Address at the Unveiling of the Bust of Woodrow Wilson: Hall of the House of Delegates, State Capitol, Richmond, Virginia, 1931","The John Barton Payne Collection of Paintings, 1926","Catalogue of the Paintings in the John Barton Payne Collection: Given in Memory of his Wife and Mother to the Commonwealth of Virginia, 1921","Exhibition file : John Barton Payne Collection of Paintings and Prints, Mar. 6-Apr. 25, 1936","Donors: Payne, John Barton","History: Early History of Museum: John Barton Payne and John Garland Pollard Correspondence about Planning the Museum (2 folders)","History: Early History of Museum: John Barton Payne","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Accession 33863)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Accession 31633)","Virginia. Governor (1930-1934 : Pollard), Executive Papers, 1930-1934 (Accession 23344a)","Virginia. Governor (1934-1938 : Peery), Executive Papers, 1934-1938 (Accession 23344b)","John Barton Payne Papers, Special Collections Research Center, Swem Library, College of William and Mary (01/Mss. 39.1 P29)","Records of the American National Red Cross, 1881-2008, National Archives and Records Administration (5896716)"],"bioghist_html_tesm":["\u003cp\u003eOn January 16, 1936, the Virginia Museum of Fine Arts opened its doors for the first time. The occasion marked the culmination of more than sixteen years of effort that began in December 1919 with a gift of 51 artworks from Judge John Barton Payne. In spite of the Great Depression, Virginia Governor John Garland Pollard secured the support to meet Payne's $100,000 challenge grant, and the two men established the first state-run art museum in the United States.\u003c/p\u003e","\u003cp\u003ePayne was born in Pruntytown, Virginia, in 1855, where his father, Dr. Amos Payne, had taken his family to establish a medical practice. In 1860, the family returned to the Payne homestead – a farm in Fauquier County, Virginia – and it was here that Payne spent his formative years. Payne taught himself law by reading each volume, one by one, of Blackstone's Commentaries and began his career as a lawyer in 1876, at age 21, when he was admitted to the Bar. In 1883, having completed his mayoral tenure in Kingwood, West Virginia, he moved to Chicago and attained considerable influence as a lawyer, judge, and philanthropist. He also started collecting art. Payne was engaged with the preeminent Art Institute of Chicago on a number of different levels, and it likely framed his idea of what an art museum should be – an educational and collecting institution for the benefit of the public.\u003c/p\u003e","\u003cp\u003eBy 1914, with the outbreak of World War I, Payne was appointed to the U.S. Treasury Board of Appeals, serving as general counsel for both the Shipping Board Emergency Fleet Corporation and the United States Railroad Administration. His principal role was as an arbitrator – a peace-keeper – during Wilson's and subsequent administrations. When World War I ended in 1918, Payne spent the next year helping to negotiate the nuances and politics of peace as the recently appointed Secretary of the Interior. He resigned his position in 1921 so that he could serve as chairman of the American Red Cross. Payne served at the helm of the Red Cross under four administrations, and until the end of his life.\u003c/p\u003e","\u003cp\u003eIn December of 1919, following the death of his second wife, Jennie Byrd Bryan Payne – who was an artist in her own right – and in honor of his mother, Elizabeth Barton Smith, Payne wrote to Virginia Governor Westmoreland Davis offering his collection of paintings to \"his mother,\" the Commonwealth of Virginia. The offer was passed by the Virginia legislature on February 20, 1920. To realize his vision, in 1932, Payne offered the Commonwealth a matching grant of $100,000 to construct an art museum. Incredibly, despite the Depression, Governor Pollard was able to match the grant. Construction took place between 1934 and 1936, and Payne and Pollard served consecutively as the institution's first and second presidents. But it was Payne's vision that established the museum's mission and set the course for the next century: a public-private partnership—the first state-run art museum in the United States; a collection based entirely of private philanthropy; and a community of people from every walk of life.\u003c/p\u003e","\u003cp\u003ePayne died in 1935, a year before the museum opened from pneumonia contracted following an appendicitis attack and he was buried at Oak Hill Cemetery in Washington, D.C.\u003c/p\u003e","\u003cp\u003e\u003ci\u003eText by Dr. Susan J. Rawles, Associate Curator of American Painting and Decorative Art\u003c/i\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["On January 16, 1936, the Virginia Museum of Fine Arts opened its doors for the first time. The occasion marked the culmination of more than sixteen years of effort that began in December 1919 with a gift of 51 artworks from Judge John Barton Payne. In spite of the Great Depression, Virginia Governor John Garland Pollard secured the support to meet Payne's $100,000 challenge grant, and the two men established the first state-run art museum in the United States.","Payne was born in Pruntytown, Virginia, in 1855, where his father, Dr. Amos Payne, had taken his family to establish a medical practice. In 1860, the family returned to the Payne homestead – a farm in Fauquier County, Virginia – and it was here that Payne spent his formative years. Payne taught himself law by reading each volume, one by one, of Blackstone's Commentaries and began his career as a lawyer in 1876, at age 21, when he was admitted to the Bar. In 1883, having completed his mayoral tenure in Kingwood, West Virginia, he moved to Chicago and attained considerable influence as a lawyer, judge, and philanthropist. He also started collecting art. Payne was engaged with the preeminent Art Institute of Chicago on a number of different levels, and it likely framed his idea of what an art museum should be – an educational and collecting institution for the benefit of the public.","By 1914, with the outbreak of World War I, Payne was appointed to the U.S. Treasury Board of Appeals, serving as general counsel for both the Shipping Board Emergency Fleet Corporation and the United States Railroad Administration. His principal role was as an arbitrator – a peace-keeper – during Wilson's and subsequent administrations. When World War I ended in 1918, Payne spent the next year helping to negotiate the nuances and politics of peace as the recently appointed Secretary of the Interior. He resigned his position in 1921 so that he could serve as chairman of the American Red Cross. Payne served at the helm of the Red Cross under four administrations, and until the end of his life.","In December of 1919, following the death of his second wife, Jennie Byrd Bryan Payne – who was an artist in her own right – and in honor of his mother, Elizabeth Barton Smith, Payne wrote to Virginia Governor Westmoreland Davis offering his collection of paintings to \"his mother,\" the Commonwealth of Virginia. The offer was passed by the Virginia legislature on February 20, 1920. To realize his vision, in 1932, Payne offered the Commonwealth a matching grant of $100,000 to construct an art museum. Incredibly, despite the Depression, Governor Pollard was able to match the grant. Construction took place between 1934 and 1936, and Payne and Pollard served consecutively as the institution's first and second presidents. But it was Payne's vision that established the museum's mission and set the course for the next century: a public-private partnership—the first state-run art museum in the United States; a collection based entirely of private philanthropy; and a community of people from every walk of life.","Payne died in 1935, a year before the museum opened from pneumonia contracted following an appendicitis attack and he was buried at Oak Hill Cemetery in Washington, D.C.","Text by Dr. Susan J. Rawles, Associate Curator of American Painting and Decorative Art"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Collections Department in 2018. The archives received a donation from John Payne, a descendant of John Barton Payne, on September 30, 2022. The donation was added to the collection in 2023.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred from the Collections Department in 2018. The archives received a donation from John Payne, a descendant of John Barton Payne, on September 30, 2022. The donation was added to the collection in 2023."],"prefercite_html_tesm":["\u003cp\u003eJohn Barton Payne Personal Papers (SC-31). VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["John Barton Payne Personal Papers (SC-31). VMFA Archives, Richmond, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1881-1938, with the bulk of the material dating from 1904-1932. The digital collection is comprised of correspondence, lyrics, newspaper clippings, photographs, and travel documents.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1881-1938, with the bulk of the material dating from 1904-1932. The digital collection is comprised of correspondence, lyrics, newspaper clippings, photographs, and travel documents."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_67f65ca4a64a065147655bbf84e53a71\"\u003eThe collection documents parts of John Barton Payne's varied professional career. It contains correspondence, including letters from President Woodrow Wilson and federal agencies including the White House, Senate, House of Representatives, and Postmaster General, as well letters from Payne's former employer, invitations, letters of thanks, and requests from private entities. The collection also contains photographs from trips that Payne took during his tenure as Secretary of the Interior, most of which were taken at Mt. Washburn in Yellowstone National Park, but also a photo album from a trip to Alaska as part of the Alaskan Engineering Commission (AEC).\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents parts of John Barton Payne's varied professional career. It contains correspondence, including letters from President Woodrow Wilson and federal agencies including the White House, Senate, House of Representatives, and Postmaster General, as well letters from Payne's former employer, invitations, letters of thanks, and requests from private entities. The collection also contains photographs from trips that Payne took during his tenure as Secretary of the Interior, most of which were taken at Mt. Washburn in Yellowstone National Park, but also a photo album from a trip to Alaska as part of the Alaskan Engineering Commission (AEC)."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","St. Louis star","Washington post (Washington, D.C. : 1974)","United States. Federal Railroad Administration"],"persname_ssim":["Payne, John Barton, 1855-1935‏","Wilson, Woodrow, 1856-1924","Wilson, Edith Bolling Galt, 1872-1961","Daniels, Josephus, 1862-1948","McAdoo, W. G. (William Gibbs), 1863-1941","Alderman, Edwin Anderson, 1861-1931","Pollard, John Garland, 1871-1937","Baker, Newton Diehl, 1871-1937","Fall, Albert B. (Albert Bacon), 1861-1944","Crane, Frank, 1861-1928"],"names_coll_ssim":["Payne, John Barton, 1855-1935‏"],"names_ssim":["Virginia Museum of Fine Arts Archives","St. Louis star","Washington post (Washington, D.C. : 1974)","United States. Federal Railroad Administration","Payne, John Barton, 1855-1935‏","Wilson, Woodrow, 1856-1924","Wilson, Edith Bolling Galt, 1872-1961","Daniels, Josephus, 1862-1948","McAdoo, W. G. (William Gibbs), 1863-1941","Alderman, Edwin Anderson, 1861-1931","Pollard, John Garland, 1871-1937","Baker, Newton Diehl, 1871-1937","Fall, Albert B. (Albert Bacon), 1861-1944","Crane, Frank, 1861-1928"],"language_ssim":["English\n."],"total_component_count_is":88,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:26:42.306Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_198","ead_ssi":"virmu_repositories_2_resources_198","_root_":"virmu_repositories_2_resources_198","_nest_parent_":"virmu_repositories_2_resources_198","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_198.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/198","title_filing_ssi":"Payne, John Barton (SC-31)","title_ssm":["John Barton Payne Personal Papers (SC-31)"],"title_tesim":["John Barton Payne Personal Papers (SC-31)"],"unitdate_ssm":["1881-1938, undated"],"unitdate_inclusive_ssm":["1881-1938, undated"],"normalized_date_ssm":["1881/1938"],"normalized_title_ssm":["John Barton Payne Personal Papers (SC-31), 1881/1938"],"text":["John Barton Payne Personal Papers (SC-31), 1881/1938","SC-31","/repositories/2/resources/198","Yellowstone National Park (Agency : U.S.)","Washburn, Mount (Wyo.)","Seattle (Wash.)","Washington (D.C.)","St. Louis (Mo.)","Chicago (Ill.)","Richmond (Va.)","New York (N.Y.)","Charlottesville (Va.)","York Harbor (Me.)","Alaskan Engineering Commission","The collection is open for research. The digital collection can be accessed through the VMFA Collections Search website.","The collection is organized into five series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1\n        Correspondence, 1904-1938, undated\n      \n      \n        Series 2\n        Published Materials, 1881-1926, undated\n      \n      \n        Series 3\n        Travel Documents, 1919\n      \n      \n        Series 4\n        Photographic Materials, 1920, undated\n      \n      \n        Series 5\n        Financial Documents, 1934-1935","John Barton Payne : Patron of the Arts, 1994","Catalogue of the Judge John Barton Payne Sale: Rare and Valuable Household Adornments, Important Paintings, Diamond and Other Jewelry, Antique Silver, etc. at Public Auction, 1935","Memorial Number to John Barton Payne, 1935","An Address at the Unveiling of the Bust of Woodrow Wilson: Hall of the House of Delegates, State Capitol, Richmond, Virginia, 1931","The John Barton Payne Collection of Paintings, 1926","Catalogue of the Paintings in the John Barton Payne Collection: Given in Memory of his Wife and Mother to the Commonwealth of Virginia, 1921","Exhibition file : John Barton Payne Collection of Paintings and Prints, Mar. 6-Apr. 25, 1936","Donors: Payne, John Barton","History: Early History of Museum: John Barton Payne and John Garland Pollard Correspondence about Planning the Museum (2 folders)","History: Early History of Museum: John Barton Payne","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Accession 33863)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Accession 31633)","Virginia. Governor (1930-1934 : Pollard), Executive Papers, 1930-1934 (Accession 23344a)","Virginia. Governor (1934-1938 : Peery), Executive Papers, 1934-1938 (Accession 23344b)","John Barton Payne Papers, Special Collections Research Center, Swem Library, College of William and Mary (01/Mss. 39.1 P29)","Records of the American National Red Cross, 1881-2008, National Archives and Records Administration (5896716)","On January 16, 1936, the Virginia Museum of Fine Arts opened its doors for the first time. The occasion marked the culmination of more than sixteen years of effort that began in December 1919 with a gift of 51 artworks from Judge John Barton Payne. In spite of the Great Depression, Virginia Governor John Garland Pollard secured the support to meet Payne's $100,000 challenge grant, and the two men established the first state-run art museum in the United States.","Payne was born in Pruntytown, Virginia, in 1855, where his father, Dr. Amos Payne, had taken his family to establish a medical practice. In 1860, the family returned to the Payne homestead – a farm in Fauquier County, Virginia – and it was here that Payne spent his formative years. Payne taught himself law by reading each volume, one by one, of Blackstone's Commentaries and began his career as a lawyer in 1876, at age 21, when he was admitted to the Bar. In 1883, having completed his mayoral tenure in Kingwood, West Virginia, he moved to Chicago and attained considerable influence as a lawyer, judge, and philanthropist. He also started collecting art. Payne was engaged with the preeminent Art Institute of Chicago on a number of different levels, and it likely framed his idea of what an art museum should be – an educational and collecting institution for the benefit of the public.","By 1914, with the outbreak of World War I, Payne was appointed to the U.S. Treasury Board of Appeals, serving as general counsel for both the Shipping Board Emergency Fleet Corporation and the United States Railroad Administration. His principal role was as an arbitrator – a peace-keeper – during Wilson's and subsequent administrations. When World War I ended in 1918, Payne spent the next year helping to negotiate the nuances and politics of peace as the recently appointed Secretary of the Interior. He resigned his position in 1921 so that he could serve as chairman of the American Red Cross. Payne served at the helm of the Red Cross under four administrations, and until the end of his life.","In December of 1919, following the death of his second wife, Jennie Byrd Bryan Payne – who was an artist in her own right – and in honor of his mother, Elizabeth Barton Smith, Payne wrote to Virginia Governor Westmoreland Davis offering his collection of paintings to \"his mother,\" the Commonwealth of Virginia. The offer was passed by the Virginia legislature on February 20, 1920. To realize his vision, in 1932, Payne offered the Commonwealth a matching grant of $100,000 to construct an art museum. Incredibly, despite the Depression, Governor Pollard was able to match the grant. Construction took place between 1934 and 1936, and Payne and Pollard served consecutively as the institution's first and second presidents. But it was Payne's vision that established the museum's mission and set the course for the next century: a public-private partnership—the first state-run art museum in the United States; a collection based entirely of private philanthropy; and a community of people from every walk of life.","Payne died in 1935, a year before the museum opened from pneumonia contracted following an appendicitis attack and he was buried at Oak Hill Cemetery in Washington, D.C.","Text by Dr. Susan J. Rawles, Associate Curator of American Painting and Decorative Art","The collection was transferred from the Collections Department in 2018. The archives received a donation from John Payne, a descendant of John Barton Payne, on September 30, 2022. The donation was added to the collection in 2023.","The collection's inclusive dates are 1881-1938, with the bulk of the material dating from 1904-1932. The digital collection is comprised of correspondence, lyrics, newspaper clippings, photographs, and travel documents.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents parts of John Barton Payne's varied professional career. It contains correspondence, including letters from President Woodrow Wilson and federal agencies including the White House, Senate, House of Representatives, and Postmaster General, as well letters from Payne's former employer, invitations, letters of thanks, and requests from private entities. The collection also contains photographs from trips that Payne took during his tenure as Secretary of the Interior, most of which were taken at Mt. Washburn in Yellowstone National Park, but also a photo album from a trip to Alaska as part of the Alaskan Engineering Commission (AEC).","Virginia Museum of Fine Arts Archives","St. Louis star","Washington post (Washington, D.C. : 1974)","United States. Federal Railroad Administration","Payne, John Barton, 1855-1935‏","Wilson, Woodrow, 1856-1924","Wilson, Edith Bolling Galt, 1872-1961","Daniels, Josephus, 1862-1948","McAdoo, W. G. (William Gibbs), 1863-1941","Alderman, Edwin Anderson, 1861-1931","Pollard, John Garland, 1871-1937","Baker, Newton Diehl, 1871-1937","Fall, Albert B. (Albert Bacon), 1861-1944","Crane, Frank, 1861-1928","English\n."],"collection_title_tesim":["John Barton Payne Personal Papers (SC-31), 1881/1938"],"collection_ssim":["John Barton Payne Personal Papers (SC-31), 1881/1938"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-31","/repositories/2/resources/198"],"unitid_tesim":["SC-31","/repositories/2/resources/198"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"geogname_ssm":["Yellowstone National Park (Agency : U.S.)","Washburn, Mount (Wyo.)","Seattle (Wash.)","Washington (D.C.)","St. Louis (Mo.)","Chicago (Ill.)","Richmond (Va.)","New York (N.Y.)","Charlottesville (Va.)","York Harbor (Me.)"],"geogname_ssim":["Yellowstone National Park (Agency : U.S.)","Washburn, Mount (Wyo.)","Seattle (Wash.)","Washington (D.C.)","St. Louis (Mo.)","Chicago (Ill.)","Richmond (Va.)","New York (N.Y.)","Charlottesville (Va.)","York Harbor (Me.)"],"places_ssim":["Yellowstone National Park (Agency : U.S.)","Washburn, Mount (Wyo.)","Seattle (Wash.)","Washington (D.C.)","St. Louis (Mo.)","Chicago (Ill.)","Richmond (Va.)","New York (N.Y.)","Charlottesville (Va.)","York Harbor (Me.)"],"creator_ssm":["Payne, John Barton, 1855-1935‏","Wilson, Woodrow, 1856-1924","Wilson, Edith Bolling Galt, 1872-1961","Daniels, Josephus, 1862-1948","McAdoo, W. G. (William Gibbs), 1863-1941","Alderman, Edwin Anderson, 1861-1931"],"creator_ssim":["Payne, John Barton, 1855-1935‏","Wilson, Woodrow, 1856-1924","Wilson, Edith Bolling Galt, 1872-1961","Daniels, Josephus, 1862-1948","McAdoo, W. G. (William Gibbs), 1863-1941","Alderman, Edwin Anderson, 1861-1931"],"creator_persname_ssim":["Payne, John Barton, 1855-1935‏","Wilson, Woodrow, 1856-1924","Wilson, Edith Bolling Galt, 1872-1961","Daniels, Josephus, 1862-1948","McAdoo, W. G. (William Gibbs), 1863-1941","Alderman, Edwin Anderson, 1861-1931","Pollard, John Garland, 1871-1937","Baker, Newton Diehl, 1871-1937","Fall, Albert B. (Albert Bacon), 1861-1944","Crane, Frank, 1861-1928"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","St. Louis star","Washington post (Washington, D.C. : 1974)","United States. Federal Railroad Administration"],"creators_ssim":["Payne, John Barton, 1855-1935‏","Wilson, Woodrow, 1856-1924","Wilson, Edith Bolling Galt, 1872-1961","Daniels, Josephus, 1862-1948","McAdoo, W. G. (William Gibbs), 1863-1941","Alderman, Edwin Anderson, 1861-1931","Pollard, John Garland, 1871-1937","Baker, Newton Diehl, 1871-1937","Fall, Albert B. (Albert Bacon), 1861-1944","Crane, Frank, 1861-1928","Virginia Museum of Fine Arts Archives","St. Louis star","Washington post (Washington, D.C. : 1974)","United States. Federal Railroad Administration"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Alaskan Engineering Commission"],"access_subjects_ssm":["Alaskan Engineering Commission"],"has_online_content_ssim":["false"],"extent_ssm":["0.4 Linear Feet 1 box; 10 folders; 73 items"],"extent_tesim":["0.4 Linear Feet 1 box; 10 folders; 73 items"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/john-barton-payne-personal-papers-sc-31/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. The digital collection can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eCorrespondence, 1904-1938, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003ePublished Materials, 1881-1926, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eTravel Documents, 1919\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotographic Materials, 1920, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eFinancial Documents, 1934-1935\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into five series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1\n        Correspondence, 1904-1938, undated\n      \n      \n        Series 2\n        Published Materials, 1881-1926, undated\n      \n      \n        Series 3\n        Travel Documents, 1919\n      \n      \n        Series 4\n        Photographic Materials, 1920, undated\n      \n      \n        Series 5\n        Financial Documents, 1934-1935"],"bibliography_html_tesm":["\u003cbibref\u003eJohn Barton Payne : Patron of the Arts, 1994\u003c/bibref\u003e\n    ","\u003cbibref\u003eCatalogue of the Judge John Barton Payne Sale: Rare and Valuable Household Adornments, Important Paintings, Diamond and Other Jewelry, Antique Silver, etc. at Public Auction, 1935\u003c/bibref\u003e\n    ","\u003cbibref\u003eMemorial Number to John Barton Payne, 1935\u003c/bibref\u003e\n    ","\u003cbibref\u003eAn Address at the Unveiling of the Bust of Woodrow Wilson: Hall of the House of Delegates, State Capitol, Richmond, Virginia, 1931\u003c/bibref\u003e\n    ","\u003cbibref\u003eThe John Barton Payne Collection of Paintings, 1926\u003c/bibref\u003e\n    ","\u003cbibref\u003eCatalogue of the Paintings in the John Barton Payne Collection: Given in Memory of his Wife and Mother to the Commonwealth of Virginia, 1921\u003c/bibref\u003e\n  ","\u003cbibref\u003eExhibition file : John Barton Payne Collection of Paintings and Prints, Mar. 6-Apr. 25, 1936\u003c/bibref\u003e\n  ","\u003cbibref\u003eDonors: Payne, John Barton\u003c/bibref\u003e\n    ","\u003cbibref\u003eHistory: Early History of Museum: John Barton Payne and John Garland Pollard Correspondence about Planning the Museum (2 folders)\u003c/bibref\u003e\n    ","\u003cbibref\u003eHistory: Early History of Museum: John Barton Payne\u003c/bibref\u003e\n  ","\u003cbibref\u003eVirginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Accession 33863)\u003c/bibref\u003e\n    ","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1936-1992 (Accession 31633)\u003c/bibref\u003e\n    ","\u003cbibref\u003eVirginia. Governor (1930-1934 : Pollard), Executive Papers, 1930-1934 (Accession 23344a)\u003c/bibref\u003e\n    ","\u003cbibref\u003e Virginia. Governor (1934-1938 : Peery), Executive Papers, 1934-1938 (Accession 23344b)\u003c/bibref\u003e\n  ","\u003cbibref\u003eJohn Barton Payne Papers, Special Collections Research Center, Swem Library, College of William and Mary (01/Mss. 39.1 P29)\u003c/bibref\u003e\n    ","\u003cbibref\u003eRecords of the American National Red Cross, 1881-2008, National Archives and Records Administration (5896716)\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Related Materials - VMFA Library: Books","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Subject Files","Related Materials - Library of Virginia","Related Materials - Other Institutions"],"bibliography_tesim":["John Barton Payne : Patron of the Arts, 1994","Catalogue of the Judge John Barton Payne Sale: Rare and Valuable Household Adornments, Important Paintings, Diamond and Other Jewelry, Antique Silver, etc. at Public Auction, 1935","Memorial Number to John Barton Payne, 1935","An Address at the Unveiling of the Bust of Woodrow Wilson: Hall of the House of Delegates, State Capitol, Richmond, Virginia, 1931","The John Barton Payne Collection of Paintings, 1926","Catalogue of the Paintings in the John Barton Payne Collection: Given in Memory of his Wife and Mother to the Commonwealth of Virginia, 1921","Exhibition file : John Barton Payne Collection of Paintings and Prints, Mar. 6-Apr. 25, 1936","Donors: Payne, John Barton","History: Early History of Museum: John Barton Payne and John Garland Pollard Correspondence about Planning the Museum (2 folders)","History: Early History of Museum: John Barton Payne","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Accession 33863)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Accession 31633)","Virginia. Governor (1930-1934 : Pollard), Executive Papers, 1930-1934 (Accession 23344a)","Virginia. Governor (1934-1938 : Peery), Executive Papers, 1934-1938 (Accession 23344b)","John Barton Payne Papers, Special Collections Research Center, Swem Library, College of William and Mary (01/Mss. 39.1 P29)","Records of the American National Red Cross, 1881-2008, National Archives and Records Administration (5896716)"],"bioghist_html_tesm":["\u003cp\u003eOn January 16, 1936, the Virginia Museum of Fine Arts opened its doors for the first time. The occasion marked the culmination of more than sixteen years of effort that began in December 1919 with a gift of 51 artworks from Judge John Barton Payne. In spite of the Great Depression, Virginia Governor John Garland Pollard secured the support to meet Payne's $100,000 challenge grant, and the two men established the first state-run art museum in the United States.\u003c/p\u003e","\u003cp\u003ePayne was born in Pruntytown, Virginia, in 1855, where his father, Dr. Amos Payne, had taken his family to establish a medical practice. In 1860, the family returned to the Payne homestead – a farm in Fauquier County, Virginia – and it was here that Payne spent his formative years. Payne taught himself law by reading each volume, one by one, of Blackstone's Commentaries and began his career as a lawyer in 1876, at age 21, when he was admitted to the Bar. In 1883, having completed his mayoral tenure in Kingwood, West Virginia, he moved to Chicago and attained considerable influence as a lawyer, judge, and philanthropist. He also started collecting art. Payne was engaged with the preeminent Art Institute of Chicago on a number of different levels, and it likely framed his idea of what an art museum should be – an educational and collecting institution for the benefit of the public.\u003c/p\u003e","\u003cp\u003eBy 1914, with the outbreak of World War I, Payne was appointed to the U.S. Treasury Board of Appeals, serving as general counsel for both the Shipping Board Emergency Fleet Corporation and the United States Railroad Administration. His principal role was as an arbitrator – a peace-keeper – during Wilson's and subsequent administrations. When World War I ended in 1918, Payne spent the next year helping to negotiate the nuances and politics of peace as the recently appointed Secretary of the Interior. He resigned his position in 1921 so that he could serve as chairman of the American Red Cross. Payne served at the helm of the Red Cross under four administrations, and until the end of his life.\u003c/p\u003e","\u003cp\u003eIn December of 1919, following the death of his second wife, Jennie Byrd Bryan Payne – who was an artist in her own right – and in honor of his mother, Elizabeth Barton Smith, Payne wrote to Virginia Governor Westmoreland Davis offering his collection of paintings to \"his mother,\" the Commonwealth of Virginia. The offer was passed by the Virginia legislature on February 20, 1920. To realize his vision, in 1932, Payne offered the Commonwealth a matching grant of $100,000 to construct an art museum. Incredibly, despite the Depression, Governor Pollard was able to match the grant. Construction took place between 1934 and 1936, and Payne and Pollard served consecutively as the institution's first and second presidents. But it was Payne's vision that established the museum's mission and set the course for the next century: a public-private partnership—the first state-run art museum in the United States; a collection based entirely of private philanthropy; and a community of people from every walk of life.\u003c/p\u003e","\u003cp\u003ePayne died in 1935, a year before the museum opened from pneumonia contracted following an appendicitis attack and he was buried at Oak Hill Cemetery in Washington, D.C.\u003c/p\u003e","\u003cp\u003e\u003ci\u003eText by Dr. Susan J. Rawles, Associate Curator of American Painting and Decorative Art\u003c/i\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["On January 16, 1936, the Virginia Museum of Fine Arts opened its doors for the first time. The occasion marked the culmination of more than sixteen years of effort that began in December 1919 with a gift of 51 artworks from Judge John Barton Payne. In spite of the Great Depression, Virginia Governor John Garland Pollard secured the support to meet Payne's $100,000 challenge grant, and the two men established the first state-run art museum in the United States.","Payne was born in Pruntytown, Virginia, in 1855, where his father, Dr. Amos Payne, had taken his family to establish a medical practice. In 1860, the family returned to the Payne homestead – a farm in Fauquier County, Virginia – and it was here that Payne spent his formative years. Payne taught himself law by reading each volume, one by one, of Blackstone's Commentaries and began his career as a lawyer in 1876, at age 21, when he was admitted to the Bar. In 1883, having completed his mayoral tenure in Kingwood, West Virginia, he moved to Chicago and attained considerable influence as a lawyer, judge, and philanthropist. He also started collecting art. Payne was engaged with the preeminent Art Institute of Chicago on a number of different levels, and it likely framed his idea of what an art museum should be – an educational and collecting institution for the benefit of the public.","By 1914, with the outbreak of World War I, Payne was appointed to the U.S. Treasury Board of Appeals, serving as general counsel for both the Shipping Board Emergency Fleet Corporation and the United States Railroad Administration. His principal role was as an arbitrator – a peace-keeper – during Wilson's and subsequent administrations. When World War I ended in 1918, Payne spent the next year helping to negotiate the nuances and politics of peace as the recently appointed Secretary of the Interior. He resigned his position in 1921 so that he could serve as chairman of the American Red Cross. Payne served at the helm of the Red Cross under four administrations, and until the end of his life.","In December of 1919, following the death of his second wife, Jennie Byrd Bryan Payne – who was an artist in her own right – and in honor of his mother, Elizabeth Barton Smith, Payne wrote to Virginia Governor Westmoreland Davis offering his collection of paintings to \"his mother,\" the Commonwealth of Virginia. The offer was passed by the Virginia legislature on February 20, 1920. To realize his vision, in 1932, Payne offered the Commonwealth a matching grant of $100,000 to construct an art museum. Incredibly, despite the Depression, Governor Pollard was able to match the grant. Construction took place between 1934 and 1936, and Payne and Pollard served consecutively as the institution's first and second presidents. But it was Payne's vision that established the museum's mission and set the course for the next century: a public-private partnership—the first state-run art museum in the United States; a collection based entirely of private philanthropy; and a community of people from every walk of life.","Payne died in 1935, a year before the museum opened from pneumonia contracted following an appendicitis attack and he was buried at Oak Hill Cemetery in Washington, D.C.","Text by Dr. Susan J. Rawles, Associate Curator of American Painting and Decorative Art"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Collections Department in 2018. The archives received a donation from John Payne, a descendant of John Barton Payne, on September 30, 2022. The donation was added to the collection in 2023.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred from the Collections Department in 2018. The archives received a donation from John Payne, a descendant of John Barton Payne, on September 30, 2022. The donation was added to the collection in 2023."],"prefercite_html_tesm":["\u003cp\u003eJohn Barton Payne Personal Papers (SC-31). VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["John Barton Payne Personal Papers (SC-31). VMFA Archives, Richmond, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1881-1938, with the bulk of the material dating from 1904-1932. The digital collection is comprised of correspondence, lyrics, newspaper clippings, photographs, and travel documents.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1881-1938, with the bulk of the material dating from 1904-1932. The digital collection is comprised of correspondence, lyrics, newspaper clippings, photographs, and travel documents."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_67f65ca4a64a065147655bbf84e53a71\"\u003eThe collection documents parts of John Barton Payne's varied professional career. It contains correspondence, including letters from President Woodrow Wilson and federal agencies including the White House, Senate, House of Representatives, and Postmaster General, as well letters from Payne's former employer, invitations, letters of thanks, and requests from private entities. The collection also contains photographs from trips that Payne took during his tenure as Secretary of the Interior, most of which were taken at Mt. Washburn in Yellowstone National Park, but also a photo album from a trip to Alaska as part of the Alaskan Engineering Commission (AEC).\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents parts of John Barton Payne's varied professional career. It contains correspondence, including letters from President Woodrow Wilson and federal agencies including the White House, Senate, House of Representatives, and Postmaster General, as well letters from Payne's former employer, invitations, letters of thanks, and requests from private entities. The collection also contains photographs from trips that Payne took during his tenure as Secretary of the Interior, most of which were taken at Mt. Washburn in Yellowstone National Park, but also a photo album from a trip to Alaska as part of the Alaskan Engineering Commission (AEC)."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","St. Louis star","Washington post (Washington, D.C. : 1974)","United States. Federal Railroad Administration"],"persname_ssim":["Payne, John Barton, 1855-1935‏","Wilson, Woodrow, 1856-1924","Wilson, Edith Bolling Galt, 1872-1961","Daniels, Josephus, 1862-1948","McAdoo, W. G. (William Gibbs), 1863-1941","Alderman, Edwin Anderson, 1861-1931","Pollard, John Garland, 1871-1937","Baker, Newton Diehl, 1871-1937","Fall, Albert B. (Albert Bacon), 1861-1944","Crane, Frank, 1861-1928"],"names_coll_ssim":["Payne, John Barton, 1855-1935‏"],"names_ssim":["Virginia Museum of Fine Arts Archives","St. Louis star","Washington post (Washington, D.C. : 1974)","United States. Federal Railroad Administration","Payne, John Barton, 1855-1935‏","Wilson, Woodrow, 1856-1924","Wilson, Edith Bolling Galt, 1872-1961","Daniels, Josephus, 1862-1948","McAdoo, W. G. (William Gibbs), 1863-1941","Alderman, Edwin Anderson, 1861-1931","Pollard, John Garland, 1871-1937","Baker, Newton Diehl, 1871-1937","Fall, Albert B. (Albert Bacon), 1861-1944","Crane, Frank, 1861-1928"],"language_ssim":["English\n."],"total_component_count_is":88,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:26:42.306Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_198"}},{"id":"vaallhs_repositories_2_resources_178","type":"collection","attributes":{"title":"William Gregory Family Papers (MS417), 1771/1993","creator":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_178#creator","type":"document_value","attributes":{"value":"Gregory, William, III, 1789-1875","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_178#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection predominantly contains the personal papers of William Gregory, including: journals, notebooks, property records, deeds, and family records. Approximately two-thirds of the collection comprise original correspondence, and late 20th century transcriptions of such.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_178#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vaallhs_repositories_2_resources_178","ead_ssi":"vaallhs_repositories_2_resources_178","_root_":"vaallhs_repositories_2_resources_178","_nest_parent_":"vaallhs_repositories_2_resources_178","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_178.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/178","title_ssm":["William Gregory Family Papers (MS417)"],"title_tesim":["William Gregory Family Papers (MS417)"],"unitdate_ssm":["1771-1993"],"unitdate_inclusive_ssm":["1771-1993"],"normalized_date_ssm":["1771/1993"],"normalized_title_ssm":["William Gregory Family Papers (MS417), 1771/1993"],"text":["William Gregory Family Papers (MS417), 1771/1993","MS417","/repositories/2/resources/178","Kilmarnock (Scotland)","Alexandria (Va.)","New York (N.Y.)","Alexandria (Va.) -- Genealogy.","Alexandria (Va.) -- Social life and customs -- 19th century.","Alexandria (Va.) -- Maps","Families -- Alexandria (Va.)","Deeds -- Virginia -- Alexandria.","William Gregory was a Scottish immigrant, businessman, landowner, and enslaver.","He was born in Kilmarnock, Scotland in 1789, and emigrated to New York, and then Alexandria, Virginia in 1807. Gregory worked for Alexandria businessman Robert McCrea as a clerk until 1812, and then as a partner until 1827. He owned property in Alexandria as well as several enslaved persons (\"Old Mary Morse\", Charlotte Blue, Eugenia, Sarah, Roxie, Frank Stewart, and Lucy the daughter of Caroline Branham, as well as other unidentified individuals). Gregory served in the War of 1812. He was also a member of the Presbyterian Church and of St. Andrew's Society. In 1822 Gregory married Margaret Douglass Bartleman, who bore four children (Douglas Smith, Elisabeth Smith, William Bartleman, and Margaret Douglas) and died in 1833. In 1838, William Gregory married Mary Donaldson Long and had five more children (Isobel Anne, Julia Harper, Boyd, Mary Crawford, and Janet Boyd).","William Gregory passed in 1875 at the age of 87.","This collection predominantly contains the personal papers of William Gregory, including: journals, notebooks, property records, deeds, and family records. Approximately two-thirds of the collection comprise original correspondence, and late 20th century transcriptions of such.","Local History and Special Collections Branch, Alexandria Library","Gregory, William, III, 1789-1875","Powell, Mary Crawford (Gregory), 1847-1928","Lee, Robert E. (Robert Edward), 1807-1870","Gregory, Peter Mallard","McCrea, Robert (c.1765-c.1840)","Bartleman, Margaret Douglas (-1833)","Long, Mary Donaldson  (-1896)","Branham, Caroline, 1764?-1843","Harrison, Lucy Branham (1806-)","English"],"collection_title_tesim":["William Gregory Family Papers (MS417), 1771/1993"],"collection_ssim":["William Gregory Family Papers (MS417), 1771/1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS417","/repositories/2/resources/178"],"unitid_tesim":["MS417","/repositories/2/resources/178"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"geogname_ssm":["Kilmarnock (Scotland)","Alexandria (Va.)","New York (N.Y.)","Alexandria (Va.) -- Genealogy.","Alexandria (Va.) -- Social life and customs -- 19th century.","Alexandria (Va.) -- Maps"],"geogname_ssim":["Kilmarnock (Scotland)","Alexandria (Va.)","New York (N.Y.)","Alexandria (Va.) -- Genealogy.","Alexandria (Va.) -- Social life and customs -- 19th century.","Alexandria (Va.) -- Maps"],"places_ssim":["Kilmarnock (Scotland)","Alexandria (Va.)","New York (N.Y.)","Alexandria (Va.) -- Genealogy.","Alexandria (Va.) -- Social life and customs -- 19th century.","Alexandria (Va.) -- Maps"],"creator_ssm":["Gregory, William, III, 1789-1875"],"creator_ssim":["Gregory, William, III, 1789-1875"],"creator_persname_ssim":["Gregory, William, III, 1789-1875","Powell, Mary Crawford (Gregory), 1847-1928","Lee, Robert E. (Robert Edward), 1807-1870","Gregory, Peter Mallard","McCrea, Robert (c.1765-c.1840)","Bartleman, Margaret Douglas (-1833)","Long, Mary Donaldson  (-1896)","Branham, Caroline, 1764?-1843","Harrison, Lucy Branham (1806-)"],"creator_corpname_ssim":["Local History and Special Collections Branch, Alexandria Library"],"creators_ssim":["Gregory, William, III, 1789-1875","Powell, Mary Crawford (Gregory), 1847-1928","Lee, Robert E. 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