{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1896\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=3","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1896\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=2","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1896\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=4","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1896\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=21"},"meta":{"pages":{"current_page":3,"next_page":4,"prev_page":2,"total_pages":21,"limit_value":10,"offset_value":20,"total_count":205,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_rosenzweig_c03_c63","type":"File","attributes":{"title":"Central Park Notes,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_rosenzweig_c03_c63#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_rosenzweig_c03_c63#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_rosenzweig_c03_c63","ref_ssm":["vifgm_rosenzweig_c03_c63"],"id":"vifgm_rosenzweig_c03_c63","ead_ssi":"vifgm_rosenzweig","_root_":"vifgm_rosenzweig","_nest_parent_":"vifgm_rosenzweig_c03","parent_ssi":"vifgm_rosenzweig_c03","parent_ssim":["vifgm_rosenzweig","vifgm_rosenzweig_c03"],"parent_ids_ssim":["vifgm_rosenzweig","vifgm_rosenzweig_c03"],"parent_unittitles_ssm":["Roy Rosenzweig papers","Series 3: The Park and the People,"],"parent_unittitles_tesim":["Roy Rosenzweig papers","Series 3: The Park and the People,"],"text":["Roy Rosenzweig papers","Series 3: The Park and the People,","Central Park Notes,","Box 42","Folder 1",""],"title_filing_ssi":"Central Park Notes,\n","title_ssm":["Central Park Notes,"],"title_tesim":["Central Park Notes,"],"unitdate_other_ssim":["1895-1899\n"],"normalized_date_ssm":["1895/1899"],"normalized_title_ssm":["Central Park Notes,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Roy Rosenzweig papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":382,"date_range_isim":[1895,1896,1897,1898,1899],"containers_ssim":["Box 42","Folder 1"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#2/components#62","timestamp":"2026-05-21T06:18:50.228Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_rosenzweig","ead_ssi":"vifgm_rosenzweig","_root_":"vifgm_rosenzweig","_nest_parent_":"vifgm_rosenzweig","ead_source_url_ssi":"data/gmu/rosenzweig.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/rosenzweig.html","title_ssm":["Roy Rosenzweig papers"],"title_tesim":["Roy Rosenzweig papers"],"unitdate_ssm":["1934-2007\n"],"unitdate_inclusive_ssm":["1934-2007\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0038\n"],"text":["C0038\n","Roy Rosenzweig papers","Digital Humanities Centers.","History--Study and teaching.","Labor--History.","Oral history.","With the exception of Series 9, there are no access restrictions.\n","Organized into eight series.","Series 1: Correspondence, 1969-2007\n Series 2: Labor History, 1960-1990\n Series 3: The Park and the People, 1980s-1990s\n Series 4: The Presence of the Past, 1990-1999\n Series 5: Oral History, 1970-2007\n Series 6: Digital History, 1988-2007\n Series 7: Media, 1980s-2007\n Series 8: Oversize, 1934-1972\n Series 9: Electronic Files, 1995-2007\n","Roy Alan Rosenzweig received his Ph.D. in history from Harvard University in 1978. In 1981, Rosenzweig accepted a position in the George Mason University History Department and became one of the most popular professors at the university until his untimely death in 2007.  He was a prolific writer, not only in print but also in many other forms of media, such as CD-ROMs, documentary film, and the Internet.  In 1994, his strong interest in technology led to his founding of the Center for History and New Media at George Mason University, widely recognized in the history and humanities fields for producing ground-breaking educational and research communication technologies.","Processed by Kate Grauvogel in 2010-2011. EAD markup completed by Kate Grauvogel and Jordan Patty in 2011.  \n","This collection was processed in 2010-2011 using funds from a Research Library Program Grant provided by the Gladys Krieble Delmas Foundation. \n","Special Collections and Archives also holds oral history collections as well as the George Mason University records.","There are several runs of rare history and humanities periodicals from the Rosenzweig collection that can be found through the GMU Libraries online catalog.\n","The collection largely documents his research and writing through articles, notes, and correspondence on New York Central Park, Worcester (Massachusetts), labor, and digital humanities work.  In addition, the collection contains almost complete runs of rare history and humanities periodicals such as Radical History Review Newsletter, Historical Methods Newsletter, History Microcomputer Review, Radical Teacher, Cultural Correspondence, and Radical America.  His interest and work with oral history is reflected in the Northern Virginia Oral History Project files. Although the collection dates from 1934, there are many facsimilies of documents, particularly on Central Park, that contain information prior to 1934.","Series 1 contains Roy Rosenzweig's academic correspondence from 1969-2007. Much of the series consists of correspondence regarding collaboration, panels, papers, letters of recommendation, awards, research permissions and conferences. This series is arranged alphabetically and then by date.","Series 2 contains books, pamphlets, newsclippings, papers, xeroxes, magazines and other research materials on labor history. This series contains the book Eight Hours for What We Will: Workers and Leisure in an Industrial City, 1870-1921. In addition to research about labor and leisure, this series contains research about the 1930s such as unemployment and The New Deal and Works Progress Administration (WPA). Topics such as unions, general worker's rights and radicalism also appear in this series. The series is arranged alphabetically and then by date.","The largest series in the collection, Series 3 contains magazines, pamphlets, government documents, books, newsclippings, papers, xeroxes and note cards about New York City and Central Park. A large portion of this research focuses on entertainment, public works, budgets, planning, landscape architecture, jobs, crime and events in Central Park and surrounding areas. This research culminated in Rosenzweig's acclaimed 1992 book (with co-author Elizabeth Blackmar) The Park and the People: A History of Central Park. This series is arranged alphabetically and then by date.","Series 4 contains research that culminated in Rosenzweig's 1998 book (with co-author David Thelen) The Presence of the Past: Popular Uses of History in American Life. Survey data regarding demographics, papers, reports, variables, public history, and information and research regarding the ways in which Americans interpret and apply the past is found in this series. This series is arranged alphabetically and then by date.","Series 5 contains pamphlets, guides, papers, articles, xeroxes and magazines about oral history such as oral history interviewing guides, recording guides, plans for oral history courses and the Northern Virginia Oral History Project. This series is arranged alphabetically and then by date. ","Series 6 contains information about the Center for History and New Media as well as an array of research which culminated in Rosenzweig's 2006 book (with co-author Daniel Cohen) Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web. In addition to research used for the book, the series contains both guides and ideas for using technology in the classroom and to enhance academic and popular research. This series is arranged alphabetically and then by date.","Series 7 contains CDs, DVDs, cassettes and computer disks used by Rosenzweig both to save writing and for instructional purposes. This series is arranged alphabetically and then by date.","Series 8 contains oversized materials such as photographs, prints, posters and an atlas. Of note in this series is a 1934 photograph of Franklin Roosevelt in leg braces. This series is arranged alphabetically and then by date.","Series 9 consists of three folders of electronic files that date from 1995-2007.  The first folder \"files archived 2003-2006\" contains files on his work at the Center for History and New Media, including digital history projects, grant proposals, and materials for Clio Wired, the digital history course he taught.  There is also a folder of attachments that appears to be documents that were attached to email messages.  The second folder consists of research and drafts for a book project \"The Future of the Past\" that was published posthumously.  The third file contains \"writings,\" and the files mostly consist of research for publications, both digital and hardcopy,  There are also a number of documents on the functioning of the CHNM, including meetings, budgets, and presentations.  These files are restricted.  \n","Academic correspondence arranged alphabetically and then by date.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Labor History research generated mostly in the 1980s.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Research on New York City and Central Park generated in the 1980s and 1990s.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains research related to the book The Presence of the Past.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Series 5 contains pamphlets, research, papers, notes and publications about oral history, specifically interviews and local VA history. This series also contains many how-to guides and information about classes regarding oral history.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","The Digital History Series contains information about new media and how it can both change and enhances classroom, research, and teaching experiences.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Contains CDs, VHS, cassettes and computer disks.\n","Slides of historical images of the New York Central Park area and photographs of park activity in the 1980s.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Oversized Material such as photographs, prints and an atlas.\n","","","","","","","","","","Includes three folders of electronic files that date from 1995-2007. These files are restricted.  \n","There are restrictions on some correspondence.\n","The collection largely documents his research and writing through articles, notes, and correspondence on New York Central Park, Worcester (Massachusetts), labor, and digital humanities work. Although the collection dates from 1934, there are many facsimilies of documents, particularly on Central Park, that contain information prior to 1934.\n","George Mason University.  Special Collections and Archives.\n","George Mason University. Center for History and New Media.","Roy Rosenzweig\n","Rosenzweig, Roy.","English\n"],"unitid_tesim":["C0038\n"],"normalized_title_ssm":["Roy Rosenzweig papers"],"collection_title_tesim":["Roy Rosenzweig papers"],"collection_ssim":["Roy Rosenzweig papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Roy Rosenzweig\n"],"creator_ssim":["Roy Rosenzweig\n"],"creator_persname_ssim":["Roy Rosenzweig\n"],"creators_ssim":["Roy Rosenzweig\n"],"acqinfo_ssim":["Donated by Deborah Kaplan in 2008-2009."],"access_subjects_ssim":["Digital Humanities Centers.","History--Study and teaching.","Labor--History.","Oral history."],"access_subjects_ssm":["Digital Humanities Centers.","History--Study and teaching.","Labor--History.","Oral history."],"has_online_content_ssim":["false"],"extent_ssm":["49.5 linear feet (98 boxes; 9,776 electronic files)"],"extent_tesim":["49.5 linear feet (98 boxes; 9,776 electronic files)"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eWith the exception of Series 9, there are no access restrictions.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["With the exception of Series 9, there are no access restrictions.\n"],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series.\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1969-2007\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Labor History, 1960-1990\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: The Park and the People, 1980s-1990s\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: The Presence of the Past, 1990-1999\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Oral History, 1970-2007\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Digital History, 1988-2007\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Media, 1980s-2007\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: Oversize, 1934-1972\n\u003c/item\u003e\n        \u003citem\u003eSeries 9: Electronic Files, 1995-2007\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into eight series.","Series 1: Correspondence, 1969-2007\n Series 2: Labor History, 1960-1990\n Series 3: The Park and the People, 1980s-1990s\n Series 4: The Presence of the Past, 1990-1999\n Series 5: Oral History, 1970-2007\n Series 6: Digital History, 1988-2007\n Series 7: Media, 1980s-2007\n Series 8: Oversize, 1934-1972\n Series 9: Electronic Files, 1995-2007\n"],"bioghist_html_tesm":["\u003cp\u003eRoy Alan Rosenzweig received his Ph.D. in history from Harvard University in 1978. In 1981, Rosenzweig accepted a position in the George Mason University History Department and became one of the most popular professors at the university until his untimely death in 2007.  He was a prolific writer, not only in print but also in many other forms of media, such as CD-ROMs, documentary film, and the Internet.  In 1994, his strong interest in technology led to his founding of the Center for History and New Media at George Mason University, widely recognized in the history and humanities fields for producing ground-breaking educational and research communication technologies.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Roy Alan Rosenzweig received his Ph.D. in history from Harvard University in 1978. In 1981, Rosenzweig accepted a position in the George Mason University History Department and became one of the most popular professors at the university until his untimely death in 2007.  He was a prolific writer, not only in print but also in many other forms of media, such as CD-ROMs, documentary film, and the Internet.  In 1994, his strong interest in technology led to his founding of the Center for History and New Media at George Mason University, widely recognized in the history and humanities fields for producing ground-breaking educational and research communication technologies."],"prefercite_html_tesm":["\u003cp\u003eRoy Rosenzweig papers, C0038, Special Collections and Archives, George Mason University.\n\u003c/p\u003e"],"prefercite_tesim":["Roy Rosenzweig papers, C0038, Special Collections and Archives, George Mason University.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kate Grauvogel in 2010-2011. EAD markup completed by Kate Grauvogel and Jordan Patty in 2011.  \n\u003c/p\u003e","\u003cp\u003eThis collection was processed in 2010-2011 using funds from a Research Library Program Grant provided by the Gladys Krieble Delmas Foundation. \n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Kate Grauvogel in 2010-2011. EAD markup completed by Kate Grauvogel and Jordan Patty in 2011.  \n","This collection was processed in 2010-2011 using funds from a Research Library Program Grant provided by the Gladys Krieble Delmas Foundation. \n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds oral history collections as well as the George Mason University records.\u003c/p\u003e","\u003cp\u003eThere are several runs of rare history and humanities periodicals from the Rosenzweig collection that can be found through the GMU Libraries online catalog.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives also holds oral history collections as well as the George Mason University records.","There are several runs of rare history and humanities periodicals from the Rosenzweig collection that can be found through the GMU Libraries online catalog.\n"],"scopecontent_html_tesm":["\u003cp\u003eThe collection largely documents his research and writing through articles, notes, and correspondence on New York Central Park, Worcester (Massachusetts), labor, and digital humanities work.  In addition, the collection contains almost complete runs of rare history and humanities periodicals such as Radical History Review Newsletter, Historical Methods Newsletter, History Microcomputer Review, Radical Teacher, Cultural Correspondence, and Radical America.  His interest and work with oral history is reflected in the Northern Virginia Oral History Project files. Although the collection dates from 1934, there are many facsimilies of documents, particularly on Central Park, that contain information prior to 1934.\u003c/p\u003e","\u003cp\u003eSeries 1 contains Roy Rosenzweig's academic correspondence from 1969-2007. Much of the series consists of correspondence regarding collaboration, panels, papers, letters of recommendation, awards, research permissions and conferences. This series is arranged alphabetically and then by date.\u003c/p\u003e","\u003cp\u003eSeries 2 contains books, pamphlets, newsclippings, papers, xeroxes, magazines and other research materials on labor history. This series contains the book Eight Hours for What We Will: Workers and Leisure in an Industrial City, 1870-1921. In addition to research about labor and leisure, this series contains research about the 1930s such as unemployment and The New Deal and Works Progress Administration (WPA). Topics such as unions, general worker's rights and radicalism also appear in this series. The series is arranged alphabetically and then by date.\u003c/p\u003e","\u003cp\u003eThe largest series in the collection, Series 3 contains magazines, pamphlets, government documents, books, newsclippings, papers, xeroxes and note cards about New York City and Central Park. A large portion of this research focuses on entertainment, public works, budgets, planning, landscape architecture, jobs, crime and events in Central Park and surrounding areas. This research culminated in Rosenzweig's acclaimed 1992 book (with co-author Elizabeth Blackmar) The Park and the People: A History of Central Park. This series is arranged alphabetically and then by date.\u003c/p\u003e","\u003cp\u003eSeries 4 contains research that culminated in Rosenzweig's 1998 book (with co-author David Thelen) The Presence of the Past: Popular Uses of History in American Life. Survey data regarding demographics, papers, reports, variables, public history, and information and research regarding the ways in which Americans interpret and apply the past is found in this series. This series is arranged alphabetically and then by date.\u003c/p\u003e","\u003cp\u003eSeries 5 contains pamphlets, guides, papers, articles, xeroxes and magazines about oral history such as oral history interviewing guides, recording guides, plans for oral history courses and the Northern Virginia Oral History Project. This series is arranged alphabetically and then by date. \u003c/p\u003e","\u003cp\u003eSeries 6 contains information about the Center for History and New Media as well as an array of research which culminated in Rosenzweig's 2006 book (with co-author Daniel Cohen) Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web. In addition to research used for the book, the series contains both guides and ideas for using technology in the classroom and to enhance academic and popular research. This series is arranged alphabetically and then by date.\u003c/p\u003e","\u003cp\u003eSeries 7 contains CDs, DVDs, cassettes and computer disks used by Rosenzweig both to save writing and for instructional purposes. This series is arranged alphabetically and then by date.\u003c/p\u003e","\u003cp\u003eSeries 8 contains oversized materials such as photographs, prints, posters and an atlas. Of note in this series is a 1934 photograph of Franklin Roosevelt in leg braces. This series is arranged alphabetically and then by date.\u003c/p\u003e","\u003cp\u003eSeries 9 consists of three folders of electronic files that date from 1995-2007.  The first folder \"files archived 2003-2006\" contains files on his work at the Center for History and New Media, including digital history projects, grant proposals, and materials for Clio Wired, the digital history course he taught.  There is also a folder of attachments that appears to be documents that were attached to email messages.  The second folder consists of research and drafts for a book project \"The Future of the Past\" that was published posthumously.  The third file contains \"writings,\" and the files mostly consist of research for publications, both digital and hardcopy,  There are also a number of documents on the functioning of the CHNM, including meetings, budgets, and presentations.  These files are restricted.  \n\u003c/p\u003e","\u003cp\u003eAcademic correspondence arranged alphabetically and then by date.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eLabor History research generated mostly in the 1980s.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u00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on New York City and Central Park generated in the 1980s and 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series contains research related to the book The Presence of the Past.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eSeries 5 contains pamphlets, research, papers, notes and publications about oral history, specifically interviews and local VA history. This series also contains many how-to guides and information about classes regarding oral 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CDs, VHS, cassettes and computer disks.\n\u003c/p\u003e","\u003cp\u003eSlides of historical images of the New York Central Park area and photographs of park activity in the 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Material such as photographs, prints and an atlas.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eIncludes three folders of electronic files that date from 1995-2007. These files are restricted.  \n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The collection largely documents his research and writing through articles, notes, and correspondence on New York Central Park, Worcester (Massachusetts), labor, and digital humanities work.  In addition, the collection contains almost complete runs of rare history and humanities periodicals such as Radical History Review Newsletter, Historical Methods Newsletter, History Microcomputer Review, Radical Teacher, Cultural Correspondence, and Radical America.  His interest and work with oral history is reflected in the Northern Virginia Oral History Project files. Although the collection dates from 1934, there are many facsimilies of documents, particularly on Central Park, that contain information prior to 1934.","Series 1 contains Roy Rosenzweig's academic correspondence from 1969-2007. Much of the series consists of correspondence regarding collaboration, panels, papers, letters of recommendation, awards, research permissions and conferences. This series is arranged alphabetically and then by date.","Series 2 contains books, pamphlets, newsclippings, papers, xeroxes, magazines and other research materials on labor history. This series contains the book Eight Hours for What We Will: Workers and Leisure in an Industrial City, 1870-1921. In addition to research about labor and leisure, this series contains research about the 1930s such as unemployment and The New Deal and Works Progress Administration (WPA). Topics such as unions, general worker's rights and radicalism also appear in this series. The series is arranged alphabetically and then by date.","The largest series in the collection, Series 3 contains magazines, pamphlets, government documents, books, newsclippings, papers, xeroxes and note cards about New York City and Central Park. A large portion of this research focuses on entertainment, public works, budgets, planning, landscape architecture, jobs, crime and events in Central Park and surrounding areas. This research culminated in Rosenzweig's acclaimed 1992 book (with co-author Elizabeth Blackmar) The Park and the People: A History of Central Park. This series is arranged alphabetically and then by date.","Series 4 contains research that culminated in Rosenzweig's 1998 book (with co-author David Thelen) The Presence of the Past: Popular Uses of History in American Life. Survey data regarding demographics, papers, reports, variables, public history, and information and research regarding the ways in which Americans interpret and apply the past is found in this series. This series is arranged alphabetically and then by date.","Series 5 contains pamphlets, guides, papers, articles, xeroxes and magazines about oral history such as oral history interviewing guides, recording guides, plans for oral history courses and the Northern Virginia Oral History Project. This series is arranged alphabetically and then by date. ","Series 6 contains information about the Center for History and New Media as well as an array of research which culminated in Rosenzweig's 2006 book (with co-author Daniel Cohen) Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web. In addition to research used for the book, the series contains both guides and ideas for using technology in the classroom and to enhance academic and popular research. This series is arranged alphabetically and then by date.","Series 7 contains CDs, DVDs, cassettes and computer disks used by Rosenzweig both to save writing and for instructional purposes. This series is arranged alphabetically and then by date.","Series 8 contains oversized materials such as photographs, prints, posters and an atlas. Of note in this series is a 1934 photograph of Franklin Roosevelt in leg braces. This series is arranged alphabetically and then by date.","Series 9 consists of three folders of electronic files that date from 1995-2007.  The first folder \"files archived 2003-2006\" contains files on his work at the Center for History and New Media, including digital history projects, grant proposals, and materials for Clio Wired, the digital history course he taught.  There is also a folder of attachments that appears to be documents that were attached to email messages.  The second folder consists of research and drafts for a book project \"The Future of the Past\" that was published posthumously.  The third file contains \"writings,\" and the files mostly consist of research for publications, both digital and hardcopy,  There are also a number of documents on the functioning of the CHNM, including meetings, budgets, and presentations.  These files are restricted.  \n","Academic correspondence arranged alphabetically and then by date.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Labor History research generated mostly in the 1980s.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Research on New York City and Central Park generated in the 1980s and 1990s.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains research related to the book The Presence of the Past.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Series 5 contains pamphlets, research, papers, notes and publications about oral history, specifically interviews and local VA history. This series also contains many how-to guides and information about classes regarding oral history.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","The Digital History Series contains information about new media and how it can both change and enhances classroom, research, and teaching experiences.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Contains CDs, VHS, cassettes and computer disks.\n","Slides of historical images of the New York Central Park area and photographs of park activity in the 1980s.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Oversized Material such as photographs, prints and an atlas.\n","","","","","","","","","","Includes three folders of electronic files that date from 1995-2007. These files are restricted.  \n"],"userestrict_html_tesm":["\u003cp\u003eThere are restrictions on some correspondence.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are restrictions on some correspondence.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe collection largely documents his research and writing through articles, notes, and correspondence on New York Central Park, Worcester (Massachusetts), labor, and digital humanities work. Although the collection dates from 1934, there are many facsimilies of documents, particularly on Central Park, that contain information prior to 1934.\n\u003c/abstract\u003e"],"abstract_tesim":["The collection largely documents his research and writing through articles, notes, and correspondence on New York Central Park, Worcester (Massachusetts), labor, and digital humanities work. Although the collection dates from 1934, there are many facsimilies of documents, particularly on Central Park, that contain information prior to 1934.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University. Center for History and New Media.","Roy Rosenzweig\n","Rosenzweig, Roy."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University. Center for History and New Media."],"persname_ssim":["Roy Rosenzweig\n","Rosenzweig, Roy."],"language_ssim":["English\n"],"total_component_count_is":948,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:18:50.228Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_rosenzweig_c03_c63"}},{"id":"vifgm_rosenzweig_c03_c64","type":"File","attributes":{"title":"Central Park Notes,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_rosenzweig_c03_c64#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_rosenzweig_c03_c64#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_rosenzweig_c03_c64","ref_ssm":["vifgm_rosenzweig_c03_c64"],"id":"vifgm_rosenzweig_c03_c64","ead_ssi":"vifgm_rosenzweig","_root_":"vifgm_rosenzweig","_nest_parent_":"vifgm_rosenzweig_c03","parent_ssi":"vifgm_rosenzweig_c03","parent_ssim":["vifgm_rosenzweig","vifgm_rosenzweig_c03"],"parent_ids_ssim":["vifgm_rosenzweig","vifgm_rosenzweig_c03"],"parent_unittitles_ssm":["Roy Rosenzweig papers","Series 3: The Park and the People,"],"parent_unittitles_tesim":["Roy Rosenzweig papers","Series 3: The Park and the People,"],"text":["Roy Rosenzweig papers","Series 3: The Park and the People,","Central Park Notes,","Box 42","Folder 2",""],"title_filing_ssi":"Central Park Notes,\n","title_ssm":["Central Park Notes,"],"title_tesim":["Central Park Notes,"],"unitdate_other_ssim":["1895-1899\n"],"normalized_date_ssm":["1895/1899"],"normalized_title_ssm":["Central Park Notes,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Roy Rosenzweig papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":383,"date_range_isim":[1895,1896,1897,1898,1899],"containers_ssim":["Box 42","Folder 2"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#2/components#63","timestamp":"2026-05-21T06:18:50.228Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_rosenzweig","ead_ssi":"vifgm_rosenzweig","_root_":"vifgm_rosenzweig","_nest_parent_":"vifgm_rosenzweig","ead_source_url_ssi":"data/gmu/rosenzweig.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/rosenzweig.html","title_ssm":["Roy Rosenzweig papers"],"title_tesim":["Roy Rosenzweig papers"],"unitdate_ssm":["1934-2007\n"],"unitdate_inclusive_ssm":["1934-2007\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0038\n"],"text":["C0038\n","Roy Rosenzweig papers","Digital Humanities Centers.","History--Study and teaching.","Labor--History.","Oral history.","With the exception of Series 9, there are no access restrictions.\n","Organized into eight series.","Series 1: Correspondence, 1969-2007\n Series 2: Labor History, 1960-1990\n Series 3: The Park and the People, 1980s-1990s\n Series 4: The Presence of the Past, 1990-1999\n Series 5: Oral History, 1970-2007\n Series 6: Digital History, 1988-2007\n Series 7: Media, 1980s-2007\n Series 8: Oversize, 1934-1972\n Series 9: Electronic Files, 1995-2007\n","Roy Alan Rosenzweig received his Ph.D. in history from Harvard University in 1978. In 1981, Rosenzweig accepted a position in the George Mason University History Department and became one of the most popular professors at the university until his untimely death in 2007.  He was a prolific writer, not only in print but also in many other forms of media, such as CD-ROMs, documentary film, and the Internet.  In 1994, his strong interest in technology led to his founding of the Center for History and New Media at George Mason University, widely recognized in the history and humanities fields for producing ground-breaking educational and research communication technologies.","Processed by Kate Grauvogel in 2010-2011. EAD markup completed by Kate Grauvogel and Jordan Patty in 2011.  \n","This collection was processed in 2010-2011 using funds from a Research Library Program Grant provided by the Gladys Krieble Delmas Foundation. \n","Special Collections and Archives also holds oral history collections as well as the George Mason University records.","There are several runs of rare history and humanities periodicals from the Rosenzweig collection that can be found through the GMU Libraries online catalog.\n","The collection largely documents his research and writing through articles, notes, and correspondence on New York Central Park, Worcester (Massachusetts), labor, and digital humanities work.  In addition, the collection contains almost complete runs of rare history and humanities periodicals such as Radical History Review Newsletter, Historical Methods Newsletter, History Microcomputer Review, Radical Teacher, Cultural Correspondence, and Radical America.  His interest and work with oral history is reflected in the Northern Virginia Oral History Project files. Although the collection dates from 1934, there are many facsimilies of documents, particularly on Central Park, that contain information prior to 1934.","Series 1 contains Roy Rosenzweig's academic correspondence from 1969-2007. Much of the series consists of correspondence regarding collaboration, panels, papers, letters of recommendation, awards, research permissions and conferences. This series is arranged alphabetically and then by date.","Series 2 contains books, pamphlets, newsclippings, papers, xeroxes, magazines and other research materials on labor history. This series contains the book Eight Hours for What We Will: Workers and Leisure in an Industrial City, 1870-1921. In addition to research about labor and leisure, this series contains research about the 1930s such as unemployment and The New Deal and Works Progress Administration (WPA). Topics such as unions, general worker's rights and radicalism also appear in this series. The series is arranged alphabetically and then by date.","The largest series in the collection, Series 3 contains magazines, pamphlets, government documents, books, newsclippings, papers, xeroxes and note cards about New York City and Central Park. A large portion of this research focuses on entertainment, public works, budgets, planning, landscape architecture, jobs, crime and events in Central Park and surrounding areas. This research culminated in Rosenzweig's acclaimed 1992 book (with co-author Elizabeth Blackmar) The Park and the People: A History of Central Park. This series is arranged alphabetically and then by date.","Series 4 contains research that culminated in Rosenzweig's 1998 book (with co-author David Thelen) The Presence of the Past: Popular Uses of History in American Life. Survey data regarding demographics, papers, reports, variables, public history, and information and research regarding the ways in which Americans interpret and apply the past is found in this series. This series is arranged alphabetically and then by date.","Series 5 contains pamphlets, guides, papers, articles, xeroxes and magazines about oral history such as oral history interviewing guides, recording guides, plans for oral history courses and the Northern Virginia Oral History Project. This series is arranged alphabetically and then by date. ","Series 6 contains information about the Center for History and New Media as well as an array of research which culminated in Rosenzweig's 2006 book (with co-author Daniel Cohen) Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web. In addition to research used for the book, the series contains both guides and ideas for using technology in the classroom and to enhance academic and popular research. This series is arranged alphabetically and then by date.","Series 7 contains CDs, DVDs, cassettes and computer disks used by Rosenzweig both to save writing and for instructional purposes. This series is arranged alphabetically and then by date.","Series 8 contains oversized materials such as photographs, prints, posters and an atlas. Of note in this series is a 1934 photograph of Franklin Roosevelt in leg braces. This series is arranged alphabetically and then by date.","Series 9 consists of three folders of electronic files that date from 1995-2007.  The first folder \"files archived 2003-2006\" contains files on his work at the Center for History and New Media, including digital history projects, grant proposals, and materials for Clio Wired, the digital history course he taught.  There is also a folder of attachments that appears to be documents that were attached to email messages.  The second folder consists of research and drafts for a book project \"The Future of the Past\" that was published posthumously.  The third file contains \"writings,\" and the files mostly consist of research for publications, both digital and hardcopy,  There are also a number of documents on the functioning of the CHNM, including meetings, budgets, and presentations.  These files are restricted.  \n","Academic correspondence arranged alphabetically and then by date.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Labor History research generated mostly in the 1980s.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Research on New York City and Central Park generated in the 1980s and 1990s.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains research related to the book The Presence of the Past.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Series 5 contains pamphlets, research, papers, notes and publications about oral history, specifically interviews and local VA history. This series also contains many how-to guides and information about classes regarding oral history.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","The Digital History Series contains information about new media and how it can both change and enhances classroom, research, and teaching experiences.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Contains CDs, VHS, cassettes and computer disks.\n","Slides of historical images of the New York Central Park area and photographs of park activity in the 1980s.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Oversized Material such as photographs, prints and an atlas.\n","","","","","","","","","","Includes three folders of electronic files that date from 1995-2007. These files are restricted.  \n","There are restrictions on some correspondence.\n","The collection largely documents his research and writing through articles, notes, and correspondence on New York Central Park, Worcester (Massachusetts), labor, and digital humanities work. Although the collection dates from 1934, there are many facsimilies of documents, particularly on Central Park, that contain information prior to 1934.\n","George Mason University.  Special Collections and Archives.\n","George Mason University. Center for History and New Media.","Roy Rosenzweig\n","Rosenzweig, Roy.","English\n"],"unitid_tesim":["C0038\n"],"normalized_title_ssm":["Roy Rosenzweig papers"],"collection_title_tesim":["Roy Rosenzweig papers"],"collection_ssim":["Roy Rosenzweig papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Roy Rosenzweig\n"],"creator_ssim":["Roy Rosenzweig\n"],"creator_persname_ssim":["Roy Rosenzweig\n"],"creators_ssim":["Roy Rosenzweig\n"],"acqinfo_ssim":["Donated by Deborah Kaplan in 2008-2009."],"access_subjects_ssim":["Digital Humanities Centers.","History--Study and teaching.","Labor--History.","Oral history."],"access_subjects_ssm":["Digital Humanities Centers.","History--Study and teaching.","Labor--History.","Oral history."],"has_online_content_ssim":["false"],"extent_ssm":["49.5 linear feet (98 boxes; 9,776 electronic files)"],"extent_tesim":["49.5 linear feet (98 boxes; 9,776 electronic files)"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eWith the exception of Series 9, there are no access restrictions.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["With the exception of Series 9, there are no access restrictions.\n"],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series.\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1969-2007\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Labor History, 1960-1990\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: The Park and the People, 1980s-1990s\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: The Presence of the Past, 1990-1999\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Oral History, 1970-2007\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Digital History, 1988-2007\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Media, 1980s-2007\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: Oversize, 1934-1972\n\u003c/item\u003e\n        \u003citem\u003eSeries 9: Electronic Files, 1995-2007\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into eight series.","Series 1: Correspondence, 1969-2007\n Series 2: Labor History, 1960-1990\n Series 3: The Park and the People, 1980s-1990s\n Series 4: The Presence of the Past, 1990-1999\n Series 5: Oral History, 1970-2007\n Series 6: Digital History, 1988-2007\n Series 7: Media, 1980s-2007\n Series 8: Oversize, 1934-1972\n Series 9: Electronic Files, 1995-2007\n"],"bioghist_html_tesm":["\u003cp\u003eRoy Alan Rosenzweig received his Ph.D. in history from Harvard University in 1978. In 1981, Rosenzweig accepted a position in the George Mason University History Department and became one of the most popular professors at the university until his untimely death in 2007.  He was a prolific writer, not only in print but also in many other forms of media, such as CD-ROMs, documentary film, and the Internet.  In 1994, his strong interest in technology led to his founding of the Center for History and New Media at George Mason University, widely recognized in the history and humanities fields for producing ground-breaking educational and research communication technologies.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Roy Alan Rosenzweig received his Ph.D. in history from Harvard University in 1978. In 1981, Rosenzweig accepted a position in the George Mason University History Department and became one of the most popular professors at the university until his untimely death in 2007.  He was a prolific writer, not only in print but also in many other forms of media, such as CD-ROMs, documentary film, and the Internet.  In 1994, his strong interest in technology led to his founding of the Center for History and New Media at George Mason University, widely recognized in the history and humanities fields for producing ground-breaking educational and research communication technologies."],"prefercite_html_tesm":["\u003cp\u003eRoy Rosenzweig papers, C0038, Special Collections and Archives, George Mason University.\n\u003c/p\u003e"],"prefercite_tesim":["Roy Rosenzweig papers, C0038, Special Collections and Archives, George Mason University.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kate Grauvogel in 2010-2011. EAD markup completed by Kate Grauvogel and Jordan Patty in 2011.  \n\u003c/p\u003e","\u003cp\u003eThis collection was processed in 2010-2011 using funds from a Research Library Program Grant provided by the Gladys Krieble Delmas Foundation. \n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Kate Grauvogel in 2010-2011. EAD markup completed by Kate Grauvogel and Jordan Patty in 2011.  \n","This collection was processed in 2010-2011 using funds from a Research Library Program Grant provided by the Gladys Krieble Delmas Foundation. \n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds oral history collections as well as the George Mason University records.\u003c/p\u003e","\u003cp\u003eThere are several runs of rare history and humanities periodicals from the Rosenzweig collection that can be found through the GMU Libraries online catalog.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives also holds oral history collections as well as the George Mason University records.","There are several runs of rare history and humanities periodicals from the Rosenzweig collection that can be found through the GMU Libraries online catalog.\n"],"scopecontent_html_tesm":["\u003cp\u003eThe collection largely documents his research and writing through articles, notes, and correspondence on New York Central Park, Worcester (Massachusetts), labor, and digital humanities work.  In addition, the collection contains almost complete runs of rare history and humanities periodicals such as Radical History Review Newsletter, Historical Methods Newsletter, History Microcomputer Review, Radical Teacher, Cultural Correspondence, and Radical America.  His interest and work with oral history is reflected in the Northern Virginia Oral History Project files. Although the collection dates from 1934, there are many facsimilies of documents, particularly on Central Park, that contain information prior to 1934.\u003c/p\u003e","\u003cp\u003eSeries 1 contains Roy Rosenzweig's academic correspondence from 1969-2007. Much of the series consists of correspondence regarding collaboration, panels, papers, letters of recommendation, awards, research permissions and conferences. This series is arranged alphabetically and then by date.\u003c/p\u003e","\u003cp\u003eSeries 2 contains books, pamphlets, newsclippings, papers, xeroxes, magazines and other research materials on labor history. This series contains the book Eight Hours for What We Will: Workers and Leisure in an Industrial City, 1870-1921. In addition to research about labor and leisure, this series contains research about the 1930s such as unemployment and The New Deal and Works Progress Administration (WPA). Topics such as unions, general worker's rights and radicalism also appear in this series. The series is arranged alphabetically and then by date.\u003c/p\u003e","\u003cp\u003eThe largest series in the collection, Series 3 contains magazines, pamphlets, government documents, books, newsclippings, papers, xeroxes and note cards about New York City and Central Park. A large portion of this research focuses on entertainment, public works, budgets, planning, landscape architecture, jobs, crime and events in Central Park and surrounding areas. This research culminated in Rosenzweig's acclaimed 1992 book (with co-author Elizabeth Blackmar) The Park and the People: A History of Central Park. This series is arranged alphabetically and then by date.\u003c/p\u003e","\u003cp\u003eSeries 4 contains research that culminated in Rosenzweig's 1998 book (with co-author David Thelen) The Presence of the Past: Popular Uses of History in American Life. Survey data regarding demographics, papers, reports, variables, public history, and information and research regarding the ways in which Americans interpret and apply the past is found in this series. This series is arranged alphabetically and then by date.\u003c/p\u003e","\u003cp\u003eSeries 5 contains pamphlets, guides, papers, articles, xeroxes and magazines about oral history such as oral history interviewing guides, recording guides, plans for oral history courses and the Northern Virginia Oral History Project. This series is arranged alphabetically and then by date. \u003c/p\u003e","\u003cp\u003eSeries 6 contains information about the Center for History and New Media as well as an array of research which culminated in Rosenzweig's 2006 book (with co-author Daniel Cohen) Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web. In addition to research used for the book, the series contains both guides and ideas for using technology in the classroom and to enhance academic and popular research. This series is arranged alphabetically and then by date.\u003c/p\u003e","\u003cp\u003eSeries 7 contains CDs, DVDs, cassettes and computer disks used by Rosenzweig both to save writing and for instructional purposes. This series is arranged alphabetically and then by date.\u003c/p\u003e","\u003cp\u003eSeries 8 contains oversized materials such as photographs, prints, posters and an atlas. Of note in this series is a 1934 photograph of Franklin Roosevelt in leg braces. This series is arranged alphabetically and then by date.\u003c/p\u003e","\u003cp\u003eSeries 9 consists of three folders of electronic files that date from 1995-2007.  The first folder \"files archived 2003-2006\" contains files on his work at the Center for History and New Media, including digital history projects, grant proposals, and materials for Clio Wired, the digital history course he taught.  There is also a folder of attachments that appears to be documents that were attached to email messages.  The second folder consists of research and drafts for a book project \"The Future of the Past\" that was published posthumously.  The third file contains \"writings,\" and the files mostly consist of research for publications, both digital and hardcopy,  There are also a number of documents on the functioning of the CHNM, including meetings, budgets, and presentations.  These files are restricted.  \n\u003c/p\u003e","\u003cp\u003eAcademic correspondence arranged alphabetically and then by date.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eLabor History research generated mostly in the 1980s.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u00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on New York City and Central Park generated in the 1980s and 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series contains research related to the book The Presence of the Past.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eSeries 5 contains pamphlets, research, papers, notes and publications about oral history, specifically interviews and local VA history. This series also contains many how-to guides and information about classes regarding oral 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Much of the series consists of correspondence regarding collaboration, panels, papers, letters of recommendation, awards, research permissions and conferences. This series is arranged alphabetically and then by date.","Series 2 contains books, pamphlets, newsclippings, papers, xeroxes, magazines and other research materials on labor history. This series contains the book Eight Hours for What We Will: Workers and Leisure in an Industrial City, 1870-1921. In addition to research about labor and leisure, this series contains research about the 1930s such as unemployment and The New Deal and Works Progress Administration (WPA). Topics such as unions, general worker's rights and radicalism also appear in this series. The series is arranged alphabetically and then by date.","The largest series in the collection, Series 3 contains magazines, pamphlets, government documents, books, newsclippings, papers, xeroxes and note cards about New York City and Central Park. A large portion of this research focuses on entertainment, public works, budgets, planning, landscape architecture, jobs, crime and events in Central Park and surrounding areas. This research culminated in Rosenzweig's acclaimed 1992 book (with co-author Elizabeth Blackmar) The Park and the People: A History of Central Park. This series is arranged alphabetically and then by date.","Series 4 contains research that culminated in Rosenzweig's 1998 book (with co-author David Thelen) The Presence of the Past: Popular Uses of History in American Life. Survey data regarding demographics, papers, reports, variables, public history, and information and research regarding the ways in which Americans interpret and apply the past is found in this series. This series is arranged alphabetically and then by date.","Series 5 contains pamphlets, guides, papers, articles, xeroxes and magazines about oral history such as oral history interviewing guides, recording guides, plans for oral history courses and the Northern Virginia Oral History Project. This series is arranged alphabetically and then by date. ","Series 6 contains information about the Center for History and New Media as well as an array of research which culminated in Rosenzweig's 2006 book (with co-author Daniel Cohen) Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web. In addition to research used for the book, the series contains both guides and ideas for using technology in the classroom and to enhance academic and popular research. This series is arranged alphabetically and then by date.","Series 7 contains CDs, DVDs, cassettes and computer disks used by Rosenzweig both to save writing and for instructional purposes. This series is arranged alphabetically and then by date.","Series 8 contains oversized materials such as photographs, prints, posters and an atlas. Of note in this series is a 1934 photograph of Franklin Roosevelt in leg braces. This series is arranged alphabetically and then by date.","Series 9 consists of three folders of electronic files that date from 1995-2007.  The first folder \"files archived 2003-2006\" contains files on his work at the Center for History and New Media, including digital history projects, grant proposals, and materials for Clio Wired, the digital history course he taught.  There is also a folder of attachments that appears to be documents that were attached to email messages.  The second folder consists of research and drafts for a book project \"The Future of the Past\" that was published posthumously.  The third file contains \"writings,\" and the files mostly consist of research for publications, both digital and hardcopy,  There are also a number of documents on the functioning of the CHNM, including meetings, budgets, and presentations.  These files are restricted.  \n","Academic correspondence arranged alphabetically and then by date.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Labor History research generated mostly in the 1980s.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Research on New York City and Central Park generated in the 1980s and 1990s.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains research related to the book The Presence of the Past.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Series 5 contains pamphlets, research, papers, notes and publications about oral history, specifically interviews and local VA history. This series also contains many how-to guides and information about classes regarding oral history.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","The Digital History Series contains information about new media and how it can both change and enhances classroom, research, and teaching experiences.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Contains CDs, VHS, cassettes and computer disks.\n","Slides of historical images of the New York Central Park area and photographs of park activity in the 1980s.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Oversized Material such as photographs, prints and an atlas.\n","","","","","","","","","","Includes three folders of electronic files that date from 1995-2007. These files are restricted.  \n"],"userestrict_html_tesm":["\u003cp\u003eThere are restrictions on some correspondence.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are restrictions on some correspondence.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe collection largely documents his research and writing through articles, notes, and correspondence on New York Central Park, Worcester (Massachusetts), labor, and digital humanities work. Although the collection dates from 1934, there are many facsimilies of documents, particularly on Central Park, that contain information prior to 1934.\n\u003c/abstract\u003e"],"abstract_tesim":["The collection largely documents his research and writing through articles, notes, and correspondence on New York Central Park, Worcester (Massachusetts), labor, and digital humanities work. Although the collection dates from 1934, there are many facsimilies of documents, particularly on Central Park, that contain information prior to 1934.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University. Center for History and New Media.","Roy Rosenzweig\n","Rosenzweig, Roy."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","George Mason University. Center for History and New Media."],"persname_ssim":["Roy Rosenzweig\n","Rosenzweig, Roy."],"language_ssim":["English\n"],"total_component_count_is":948,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:18:50.228Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_rosenzweig_c03_c64"}},{"id":"vifgm_repositories_2_resources_548_c78","type":"File","attributes":{"title":"C. Fischer's Edition No. 64 Ch. 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De Beriot Op 100 Scene de Ballet Piano and Violin","title_ssm":["C. Fischer's Edition No. 64 Ch. De Beriot Op 100 Scene de Ballet Piano and Violin"],"title_tesim":["C. Fischer's Edition No. 64 Ch. De Beriot Op 100 Scene de Ballet Piano and Violin"],"unitdate_other_ssim":["1896"],"normalized_date_ssm":["1896"],"normalized_title_ssm":["C. Fischer's Edition No. 64 Ch. De Beriot Op 100 Scene de Ballet Piano and Violin"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Edward Vitale violin music collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":78,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["Materials created before 1925 are in the Public Domain. There are no known restrictions on these materials.","The following statement applies to all materials created after 1925: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1896],"containers_ssim":["Box 3","Folder 17"],"_nest_path_":"/components#77","timestamp":"2026-05-21T05:12:15.885Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_548","ead_ssi":"vifgm_repositories_2_resources_548","_root_":"vifgm_repositories_2_resources_548","_nest_parent_":"vifgm_repositories_2_resources_548","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_548.xml","title_filing_ssi":"Edward Vitale violin music collection","title_ssm":["Edward Vitale violin music collection"],"title_tesim":["Edward Vitale violin music collection"],"unitdate_ssm":["1886-1951"],"unitdate_inclusive_ssm":["1886-1951"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0155","/repositories/2/resources/548"],"text":["C0155","/repositories/2/resources/548","Edward Vitale violin music collection","Violin and piano music","Violin and viola music","Violin music -- 19th century","Violin music -- 20th century","Violin music","Sheet music","There are no access restrictions.","This collection is arranged by subject.","\"Chautauqua-1882.\" The Chautauquan: Organ of the Chautauqua Literary and Scientific Circle (1881): 502. Accessed April 13, 2020.","\"Edward Irving Vitale.\" Find A Grave, May 26, 2009. https://www.findagrave.com/memorial/37530968/edward-irving-vitale. Accessed April 13, 2020.","\"Exhibition of Rare Old Violins in New York.\" The Violinist, Volumes 16-17 (1913): 40. Accessed April 13, 2020.","\"Giuseppe Vitale.\" Find A Grave, September 12, 2017. https://www.findagrave.com/memorial/183312981/giuseppe-vitale. Accessed April 13, 2020.","\"Giuseppe Vitale.\" Tarisio Fine Instruments and Bows. https://tarisio.com/cozio-archive/browse-the-archive/makers/maker/?Maker_ID=1906. Accessed April 13, 2020.","\"Giuseppe Vitale, Violin Bow, 1930s, New York.\" Vintage Instruments. https://vintage-instruments.com/shop/violins_viola_cellos_bows/violin-bows-2/violin-bows-1100-2500/giuseppe-vitale-violin-bow-1930s-new-york/. Accessed April 13, 2020.","\"Noted Violinist Left $13,500.\" The New York Clipper. October 2017. https://archive.org/stream/Clipper65-1917-10/Clipper65-1917-10_djvu.txt. Accessed April 13, 2020.","\"Vitale, Giuseppe.\" Brompton's Fine and Rare Instruments. https://www.bromptons.co/reference/makers/details/vitale-giuseppe.html . Accessed April 13, 2020.","Edward Irving Vitale was an Italian American symphony violinist and string instrument bow maker. Born in 1886, he was the son of Giuseppe Vitale, a semi-famous Brooklyn violinist, noted Stradivarius violin collector, and violin and bow maker. Vitale lived in Brooklyn, New York in the early half of the 20th century, and appears most active in bow-making - branded under his father's name - during the 1930s. Vitale passed away in 1984. Vitale violins and bows are still available for purchase today.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman in March 2009. Additional processing and EAD markup completed by Hal Barthold in 2011. Biographical information added and finding aid updated by Amanda Menjivar in April 2020.","Special Collections Research Center holds other music collections including  , the  , as well as other music-focused collections.","This collection contains manuscripts and published arrangements of 19th and 20th century violin music.","Materials created before 1925 are in the Public Domain. There are no known restrictions on these materials.","The following statement applies to all materials created after 1925: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains manuscripts and published arrangements of 19th and 20th century violin music.","George Mason University. Libraries. Special Collections Research Center","Vitale, Edward, 1886-1984","Thaiss, Christopher, 1948-","English Italian German French"],"unitid_tesim":["C0155","/repositories/2/resources/548"],"normalized_title_ssm":["Edward Vitale violin music collection"],"collection_title_tesim":["Edward Vitale violin music collection"],"collection_ssim":["Edward Vitale violin music collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Vitale, Edward, 1886-1984","Thaiss, Christopher, 1948-"],"creator_ssim":["Vitale, Edward, 1886-1984","Thaiss, Christopher, 1948-"],"creator_persname_ssim":["Vitale, Edward, 1886-1984","Thaiss, Christopher, 1948-"],"creators_ssim":["Vitale, Edward, 1886-1984","Thaiss, Christopher, 1948-"],"access_terms_ssm":["Materials created before 1925 are in the Public Domain. There are no known restrictions on these materials.","The following statement applies to all materials created after 1925: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Christopher Thaiss in 1981."],"access_subjects_ssim":["Violin and piano music","Violin and viola music","Violin music -- 19th century","Violin music -- 20th century","Violin music","Sheet music"],"access_subjects_ssm":["Violin and piano music","Violin and viola music","Violin music -- 19th century","Violin music -- 20th century","Violin music","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet 26 boxes"],"extent_tesim":["10 Linear Feet 26 boxes"],"date_range_isim":[1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject."],"bibliography_html_tesm":["\u003cp\u003e\"Chautauqua-1882.\" The Chautauquan: Organ of the Chautauqua Literary and Scientific Circle (1881): 502. Accessed April 13, 2020.\u003c/p\u003e\n","\u003cp\u003e\"Edward Irving Vitale.\" Find A Grave, May 26, 2009. https://www.findagrave.com/memorial/37530968/edward-irving-vitale. Accessed April 13, 2020.\u003c/p\u003e\n","\u003cp\u003e\"Exhibition of Rare Old Violins in New York.\" The Violinist, Volumes 16-17 (1913): 40. Accessed April 13, 2020.\u003c/p\u003e\n","\u003cp\u003e\"Giuseppe Vitale.\" Find A Grave, September 12, 2017. https://www.findagrave.com/memorial/183312981/giuseppe-vitale. Accessed April 13, 2020.\u003c/p\u003e\n","\u003cp\u003e\"Giuseppe Vitale.\" Tarisio Fine Instruments and Bows. https://tarisio.com/cozio-archive/browse-the-archive/makers/maker/?Maker_ID=1906. Accessed April 13, 2020.\u003c/p\u003e\n","\u003cp\u003e\"Giuseppe Vitale, Violin Bow, 1930s, New York.\" Vintage Instruments. https://vintage-instruments.com/shop/violins_viola_cellos_bows/violin-bows-2/violin-bows-1100-2500/giuseppe-vitale-violin-bow-1930s-new-york/. Accessed April 13, 2020.\u003c/p\u003e\n","\u003cp\u003e\"Noted Violinist Left $13,500.\" The New York Clipper. October 2017. https://archive.org/stream/Clipper65-1917-10/Clipper65-1917-10_djvu.txt. Accessed April 13, 2020.\u003c/p\u003e\n","\u003cp\u003e\"Vitale, Giuseppe.\" Brompton's Fine and Rare Instruments. https://www.bromptons.co/reference/makers/details/vitale-giuseppe.html . Accessed April 13, 2020.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Chautauqua-1882.\" The Chautauquan: Organ of the Chautauqua Literary and Scientific Circle (1881): 502. Accessed April 13, 2020.","\"Edward Irving Vitale.\" Find A Grave, May 26, 2009. https://www.findagrave.com/memorial/37530968/edward-irving-vitale. Accessed April 13, 2020.","\"Exhibition of Rare Old Violins in New York.\" The Violinist, Volumes 16-17 (1913): 40. Accessed April 13, 2020.","\"Giuseppe Vitale.\" Find A Grave, September 12, 2017. https://www.findagrave.com/memorial/183312981/giuseppe-vitale. Accessed April 13, 2020.","\"Giuseppe Vitale.\" Tarisio Fine Instruments and Bows. https://tarisio.com/cozio-archive/browse-the-archive/makers/maker/?Maker_ID=1906. Accessed April 13, 2020.","\"Giuseppe Vitale, Violin Bow, 1930s, New York.\" Vintage Instruments. https://vintage-instruments.com/shop/violins_viola_cellos_bows/violin-bows-2/violin-bows-1100-2500/giuseppe-vitale-violin-bow-1930s-new-york/. Accessed April 13, 2020.","\"Noted Violinist Left $13,500.\" The New York Clipper. October 2017. https://archive.org/stream/Clipper65-1917-10/Clipper65-1917-10_djvu.txt. Accessed April 13, 2020.","\"Vitale, Giuseppe.\" Brompton's Fine and Rare Instruments. https://www.bromptons.co/reference/makers/details/vitale-giuseppe.html . Accessed April 13, 2020."],"bioghist_html_tesm":["\u003cp\u003eEdward Irving Vitale was an Italian American symphony violinist and string instrument bow maker. Born in 1886, he was the son of Giuseppe Vitale, a semi-famous Brooklyn violinist, noted Stradivarius violin collector, and violin and bow maker. Vitale lived in Brooklyn, New York in the early half of the 20th century, and appears most active in bow-making - branded under his father's name - during the 1930s. Vitale passed away in 1984. Vitale violins and bows are still available for purchase today.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Edward Irving Vitale was an Italian American symphony violinist and string instrument bow maker. Born in 1886, he was the son of Giuseppe Vitale, a semi-famous Brooklyn violinist, noted Stradivarius violin collector, and violin and bow maker. Vitale lived in Brooklyn, New York in the early half of the 20th century, and appears most active in bow-making - branded under his father's name - during the 1930s. Vitale passed away in 1984. Vitale violins and bows are still available for purchase today."],"prefercite_html_tesm":["\u003cp\u003eEdward Vitale violin music collection, C0155, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Edward Vitale violin music collection, C0155, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman in March 2009. Additional processing and EAD markup completed by Hal Barthold in 2011. Biographical information added and finding aid updated by Amanda Menjivar in April 2020.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman in March 2009. Additional processing and EAD markup completed by Hal Barthold in 2011. Biographical information added and finding aid updated by Amanda Menjivar in April 2020."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds other music collections including \u003cextptr href=\"https://aspace.gmu.edu/repositories/2/resources/26\" title=\"Sam DiBonaventura papers\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/repositories/2/resources/15\" title=\"Sophocles Papas papers\" show=\"new\"\u003e\u003c/extptr\u003e, as well as other music-focused collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds other music collections including  , the  , as well as other music-focused collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains manuscripts and published arrangements of 19th and 20th century violin music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains manuscripts and published arrangements of 19th and 20th century violin music."],"userestrict_html_tesm":["\u003cp\u003eMaterials created before 1925 are in the Public Domain. There are no known restrictions on these materials.\u003c/p\u003e\n","\u003cp\u003eThe following statement applies to all materials created after 1925: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials created before 1925 are in the Public Domain. There are no known restrictions on these materials.","The following statement applies to all materials created after 1925: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_c0413a26d88ee92ffe5d8a07a56de86f\"\u003eThis collection contains manuscripts and published arrangements of 19th and 20th century violin music.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains manuscripts and published arrangements of 19th and 20th century violin music."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Vitale, Edward, 1886-1984","Thaiss, Christopher, 1948-"],"corpname_ssim":["George Mason University. Libraries. 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Permission to publish material from the Edward Vitale violin music collection must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n","This collection contains manuscripts and published arrangements of 18th and 19th century violin music.\n","George Mason University.  Special Collections and Archives.\n","Edward Vitale\n","Thaiss, Christopher J., 1948-","English\n"],"unitid_tesim":["C0155\n"],"normalized_title_ssm":["Edward Vitale violin music collection"],"collection_title_tesim":["Edward Vitale violin music collection"],"collection_ssim":["Edward Vitale violin music collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Edward Vitale\n"],"creator_ssim":["Edward Vitale\n"],"creator_persname_ssim":["Edward Vitale\n"],"creators_ssim":["Edward Vitale\n"],"acqinfo_ssim":["Collection donated by Christopher Thaiss in 1981.\n"],"access_subjects_ssim":["Violin music--19th century.","Violin music--20th century.","Violin and piano music.","Violin and viola music."],"access_subjects_ssm":["Violin music--19th century.","Violin music--20th century.","Violin and piano music.","Violin and viola music."],"has_online_content_ssim":["false"],"extent_ssm":["10 linear feet (26 boxes)"],"extent_tesim":["10 linear feet (26 boxes)"],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["There are no access restrictions.\n"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\n\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["This collection is arranged by subject.\n"],"bioghist_html_tesm":["\u003cp\u003eEdward Vitale was a symphony violinist.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Edward Vitale was a symphony violinist.\n"],"prefercite_html_tesm":["\u003cp\u003eEdward Vitale violin music collection, C0155, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e"],"prefercite_tesim":["Edward Vitale violin music collection, C0155, Special Collections and Archives, George Mason University Libraries.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. 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are no restrictions on personal use. Permission to publish material from the Edward Vitale violin music collection must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Edward Vitale violin music collection must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains manuscripts and published arrangements of 18th and 19th century violin music.\n\u003c/abstract\u003e"],"abstract_tesim":["This collection contains manuscripts and published arrangements of 18th and 19th century violin music.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Edward Vitale\n","Thaiss, Christopher J., 1948-"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n"],"persname_ssim":["Edward Vitale\n","Thaiss, Christopher J., 1948-"],"language_ssim":["English\n"],"total_component_count_is":532,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:15:48.083Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_vitale_c01_c78"}},{"id":"vifgm_repositories_2_resources_113","type":"collection","attributes":{"title":"Charles Rodrigues playbill collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_113#creator","type":"document_value","attributes":{"value":"Rodrigues, Charles","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_113#abstract_or_scope","type":"document_value","attributes":{"value":"The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_113#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_113","ead_ssi":"vifgm_repositories_2_resources_113","_root_":"vifgm_repositories_2_resources_113","_nest_parent_":"vifgm_repositories_2_resources_113","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_113.xml","title_ssm":["Charles Rodrigues playbill collection"],"title_tesim":["Charles Rodrigues playbill collection"],"unitdate_ssm":["1879-2009"],"unitdate_inclusive_ssm":["1879-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0184","/repositories/2/resources/113"],"text":["C0184","/repositories/2/resources/113","Charles Rodrigues playbill collection","Theater -- New York (State) -- New York","Theater -- United States","There are no access restrictions.","Arranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.","Series Series 1: Outside New York City, 1879-2009 (boxes 1-5, 37) Series 2: New York City, 1885-2009 (boxes 6-34, 37-38) Series 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)","Charles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage.","Processed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Brent in April 2022.","The Special Collections Research Center holds many other collections on theatre and the performing arts.","The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","The collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. ","Includes playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Playbills in this subseries are from the Boston Museum, Carousel Theatre, Charles Playhouse, Colonial Theatre, Copley Theatre, Music Hall, the New Globe Theatre, North Shore Music Theatre, Plymouth Theatre, Saxon Theatre, Shubert Theatre, South Shore Music Circus, Sumner Theatre, and the Wilbur Theatre in Boston. There is also one playbill from the Court Square Theatre in Springfield, MA, one from The Dettors Theatre in Concord, MA, two from the Provincetown Playhouse On-the-wharf in Provincetown, MA, and a review of a play from Tilton, NH.","Springfield, MA","A Majority of One; A Thousand Clowns; A Very Special Baby; Anastasia; Around the World in 80 Days","Indians  review from the Tiltonian publication of the Tilton School in Tilton, NH.","First Love; Follies ; Benefit performance of  Follies  for the American Cancer Society Massachusetts division;  Giants, Sons of Giants; Grand Hotel; Guys and Dolls; Hamlet; Hot September","Mame; Married Alive!; Mid-Summer; Mr. President","The Odd Couple; On a Clear Day You Can See Forever; On the Twentieth Century; Pacific Overtures; Photo Finish; Pretty Belle; The Roar of the Greasepaint-The Smell of the Crowd; Romanoff and Juliet; Sherry!; Toys in the Attic; Wildcat; Woman of the Year","Provincetown, MA","Many of the playbills in this subseries are Performing Arts magazines and from theaters in San Franciso and Los Angeles. Theatres include the Ambassador Cocoanut grove, American Conservatory Theatre, Aquarius Theatre, Curran Theatre, Dorothy Chandler Pavilion, Huntington Hartford Theatre, Las Palmas Theatre, Little Fox Theatre, the Music Center, the Orpheum Theatre, Shubert Theatre, and the War Memorial Opera House.","Camelot; Evita; Gigi; Give 'em Hell, Harry!","Hair; Kismet; Lorelei; The Music Man; Odyssey; Oklahoma!","Pacific Overtures ; San Francisco Opera  L'elisir d'amore; Shine It On","Sunset Boulevard; Tom Jones; The Wiz","This subseries includes playbills from the Blackstone Theatre, Columbia Theatre, the Goodman Theatre, and the Happy Medium Theatre in Chicago.","Includes playbills from the Westport Country Playhouse, Goodspeed Opera House, the Hartman Theatre, The Holmes School in Darien, Stamford Center for the Arts, the Shubert Theatre, the Long Wharf Theatre, the Ivoryton Playhouse, Yale Repertory Theatre, and Westbury Music Fair in Connecticut.","A Song for Cyrano; Ain't Misbehavin'; Annie; Bells are Ringing; The Chalk Garden; Cry for Us All; Daarlin' Juno","Dear Charles; The Devil's Disciple; El Capitan; How Now Dow Jones; Illya Darling; The King and I","Kiss Me, Kate; The Marquise; The Play's the Thing","Spider's Web; Stardust; The Three Musketeers; Two by Two; The Vagabond King; Zorba","Playbill from the Parker Playhouse in Ft. Lauderdale, Florida","This subseries includes playbills from the Abbey Theatre, Adelphi Theatre, Apollo Theatre, Comedy Theatre, Daly's Theatre, Duke of York's Theatre, Her Majesty's A Stoll Moss Theatre, Lyric Theatre, National Theatre, New London Theatre, The New Lyric Opera House, New Theatre, Palace Theatre, Palladium, Phoenix Theatre, Piccadilly Theatre, Prince Edward Theatre, Prince of Wales Theatre, Queen's Hall, The Queen's Theatre, Roundabout Theatre, Royal Court Theatre, Royal Lyceum Theatre, Royal Opera House Covent Garden, Royal Shakespeare Theatre, Savoy Theatre, Shaftesbury Theatre, Strand Theatre, St. James Theatre, Theatre Royal Drury Lane, Theatre Royal Haymarket, Victoria Palace Theatre, Wyndham's Theatre in London, the West Yorkshire Playhouse in Leeds, and the Alexandrian Theatre in Liverpool.","A Madhouse in Goa; Aspects of Love; Bloomsbury; Don Carlos","Playbill and souvenir program","Souvenir programs","Follies  (includes photograph of theatre;  Front \u0026 Center  (magazine of Roundabout Theatre Company);  The Four Musketeers!","Golden Boy; Hadrian VII; Halfway Up the Tree; The Hotel in Amsterdam; Lady Be Good; Madame Tussaud's; The Mousetrap","Gone with the Wind; Hamlet; Here and Now; High Society; Les Miserables; Martin Guerre","Operettas  by Jacques Offenbach; Sadler's Wells opera at the London Coliseum;  Travesties","Miss Saigon; Murder Among Friends; Not Now, Darling; The Odd Couple; Oliver!; Over My Dead Body; Phantom of the Opera; The Quare Fellow; The Secret of Sherlock Holmes; Shirley Valentine; Show Boat; Single Spies","Steel Magnolias; Sunset Boulevard; Sweet Charity","This subseries includes playbills from Long Island theatres, SUNY, and the Tappan Zee theatre in Nyack, as well as playbills from Westchester New York. Playbills from Westchester theatres are separated and included after the Long Island, SUNY, and Nyack playbills. Playbills from High School and community productions are included alphabetically by city at the end of this subseries.","A Song for Cyrano; Anita Baker; Assassins; Chicago; Come Back, Little Sheba; Damn Yankees; Follies","Ain't Misbehavin'; At This Performance; Camelot ; Emelin Theatre 2008-2009; Emelin's Broadway Holiday Cabaret;  Friends In Deed; Funny Girl ; Johnny Carson; Liza Minnelli;  Pure Heaven; 'S Wonderful, 's Gershwin ; Steve Martin;  Sweet Hearts ; The Vienna Boys' Choir","Ann Hampton Callaway (ticket);  Call me Madam; Carousel ; The Festival Orchestra opening performance;  Fiorello!; Glad, Too; Godspell; Grow up! A Musical; How to Succeed in Business Without Really Trying; Incongruities; The Madwoman of Chaillot; New Plays 90; New Plays 91; New Plays 92 ; Second annual M.H.S. student film festival;  Studio night chamber music; Tosca; Who's out there that's for me?; Winter birds ; also includes a letter from Helen S. Murray to Charles Rodrigues","Anything Goes; Bye Bye Birdie; Brigadoon; Carnival; Cats; Cinderella '72; Fiddler on the Roof; Footlight Follies; Guys and Dolls; The King and I; Kiss Me, Kate; Li'l Abner; Mame; The Night Thoreau Spent in Jail; Once Upon a Mattress; Paint Your Wagon; Peter Pan; South Pacific; Wonderful Town","The Absence of a Cello ;  Aida  at the Verdi Opera Festival; AFS 1983 variety show; AFS 1984 variety show;  The Boy Friend; Brigadoon; My One and Only; The Old Woman Broods ; Valentine's Day benefit February 14, 1987","A Connecticut Yankee in King Arthur's Court; Fando and Lis","This subseries includes playbills and a concert program from the state of New Jersey. Theatres include the Surflight Theatre, Paper Mill Playhouse, The Whole Theatre Company, and the Broad Street Theatre.","Animal Crackers; Children of Eden ; Fleetwood Mac, concert program;  Follies; Phantom of the Opera; The Trojan Women; Where's Charley?","This subseries includes playbills from the state of Ohio. Theatres include B.F. Keith's Hippodrome, the Cincinnati Music Theatre, and The Cincinnati Playhouse in the park.","This subseries includes playbills from the city of Paris. Theatres include the Cabaret Lido Paris, Theatre De La Renaissance, and the Theatre National de L'Opera.","This subseries includes playbills from the city of Philadelphia. One playbill from Pittsburgh's Nixon Theatre is included at the end of the Philadelphia pre-1934 playbills. Theatres include The Academy of Music, Broad Street Theatre, The Erlanger Theatre, Forrest Theatre, The Goldman Theatre, The Little Theatre, The New Locust Theatre, Playhouse, Shubert Theatre, Society Hill Playhouse, Valley Forge Music Fair, Walnut Theatre, and The University of Pennsylvania.","Pittsburgh","70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; A Call on Kuprin; A Cook for Mr. General; A Man's a Man; A Matter of Position; A Severed Head; A Thurber Carnival; A View from the Bridge; Advise and Consent; All American; Alice; Anyone Can Whistle; Ari; Artur Rubinstein; The Aspern Papers; The Beauty Part; Big Fish, Little Fish; Brain Child; Butterflies Are Free; Bye Bye Birdie; Chicago; Christine; Copper and Brass","Daughter of Silence; Dear Me, the Sky is Falling; Destry Rides Again; The Disenchanted; Do Re Mi; Donnybrook; Elizabeth the Queen; Enrico; The Fantasticks; The Fighting Cock; First impressions; Five finger exercise; Four on a garden; The fun couple; Funny girl; Gideon; The girl who came to supper; Goodbye Charlie; Greenwillow; Gypsy; H.M.S. Pinafore; Here's love; High spirits","The Highest Tree; Hot Spot; How Now, Dow Jones; I Can Get It for You Wholesale; I Remember Mama; In the Counting House; J.B.; Julia, Jake, and Uncle Joe; Little Me; Lolita, My Love; Lord Pengo; Love and Kisses; Lovely Ladies, Kind Gentlemen; Luther; Mame; The Marriage-Go-Round; Mary Stuart; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; The Miracle Worker; My Fair Lady","National Repertory Theatre;  No, No, Nanette; Nowhere to Go But Up; Old World; Period of Adjustment ; The Philadelphia Orchestra (1962-1963 season);  The Pleasure of His Company; The Prince of Grand Street; Ready When You Are C.B.!; Romulus; Say, darling; The school for scandal; She loves me; Spartacus; Something About a Soldier; Stop the World - I Want to Get Off; The Subject Was Roses; Sugar; Sugar Babies; Sweet Bird of Youth; Take Her, She's Mine; Take Me Along; There Was a Little Girl; Threepenny Opera; Tovarich","The Umbrella; The Visit; The Wall; Wildcat; Who's Afraid of Virginia Wolf?; The World of Carl Sandburg; Zorba","Four one-act plays:  Present Day Courtship, The Still Alarm, People in the Wind, In the Zone; The Sandbox, The Lesson, Daughters; Medea; She Stoops to Conquer ; The Stringart Quartet artists-in-residence; The University of Pennsylvania Glee club and Pennsyngers","This subseries includes playbills from the city of Toronto. Playbills are from the Melody Fair and the Royal Alexandra Theatre.","This subseries includes playbills from the city of Washington D.C. Playbills are from the Kennedy Center, National Theatre, Signature Theatre, and the Morris A. Mechanic Theatre in Baltimore.","The Alvin Alley City Center Dance Theatre; Applause; Carnival!","Lost in the Stars; Natural Affection; Over and Over; Rex; Sondheim Celebration; Spotlight; Sugar; The Visit","This series contains playbills and souvenir programs from a variety of theatres and venues including those found on Broadway, off-Broadway, off-off Broadway and in Brooklyn. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Angel Face; Animal Crackers; Apple Blossoms; The Apple Cart","Ballyhoo; Ballyhoo of '32; The Bandwagon","Playbills from the Broadhurst and Shubert theatres","Montauk Theatre in Brooklyn","The Blackbirds of 1928; Blossom Time; Blue Eyes; Broadway; The Broadway Whirl","Cherry Blossoms; China Rose; The Chocolate Dandies","Daddies; The Dancing Girl; Dearest Enemy; Death Takes a Holiday; The Desert Song; Design for Living; Desire Under the Elms","Two incomplete playbills","General Post; Gentlemen Prefer Blondes; George White's Scandals; Getting Married; Getting Together","The Girl Behind the Gun; Girl Crazy; The Girl Friend; The Girl from Home","Good Gracious Annabelle; Girls; Good Boy; Good News; The Grab Bag; Grand Hotel; The Great Adventure; The Great Divide; The Great Gatsby","The Greenwich Village Follies; The Greenwich Village Follies of 1920","Helen of Troy, New York; Hello Daddy; Here's Howe; Hit the Deck; Hitchy-Koo 1920","Lassie; The Lassoo; The Laugh Parade; The Last Waltz; Liliom; The Lie","Little Nelly Kelly; The Little Show; Lollipop; Love Birds","Melody; Men in White; The Merry Widow; Midnight Revue; Miss Springtime","Odds and Ends of 1917; Of Thee I Sing; Oh, Boy!; Oh, Kay!, Oh Look, Oh, please!","Three playbills, two of which are for vaudeville performances at the Orpheum Theatre in Brooklyn","Padlocks of 1927; Paris; The Parisian Model","Pietro; Pitter Patter; Poor Little Ritz Girl; Poppy; Porgy","R.U.R.; Rainbow; The Ramblers; The Red Mill","Redemption; Revels; The Rise of Rosie O'Reilly; Rosalie; Rose Bernd; Rose-Marie; The Royal Family; The Royal Vagabond; Running Wild","Simple Simon; Singin' the Blues; Six Characters in Search of an Author; Smiles; Some Time; The Song and Dance Man; Song of the Flame; Spring is Here; Strange Interlude; Street Scene; Strike Me Pink; Strike Up the Band; The Student Prince in Heidelberg; Sweet; Sweet Little Devil; Swifty","Three Wise Fools; Three's a Crowd; Tickle Me; Tip-Toes","6 Rms Riv Vu; The 25th Annual Putnam County Spelling Bee; 42nd Street; 70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; 1776","Souvenir program","A Bell for Adano; A Bistro Car; A Broadway Musical; A Case of Libel; A Catered Affair; A Celebration of Richard Rodgers; A Chorus Line; A Class Act; A Day in Hollywood / A Night in the Ukraine; A Day in the Life of Just About Everyone; A Delicate Balance; A Doll's Life","A Far Country; A FunnyTthing Happened on the Way to the Forum; A Hand Is on the Gate; A Hatful of Rain; A Kurt Weill Cabaret; A Joyful Noise","A Life; A Little Family Business; A Little Night Music","Souvenir program","A Majority of One; A Meeting by the River; A Moon for the Misbegotten; A Night at the Palace; A Party with Betty Comden and Adolph Green; A Patriot for Me; A Passage to India; A Place Without Doors; A Raisin in the Sun; A Salute to ASCAP; A Shot in the Dark; A Streetcar Named Desire; A Tale of Two Cities; A Taste of Honey; A Thurber Carnival; A Time for Singing; A Tree Grows in Brooklyn","Abelard \u0026 Heloise; Accidental Death of an Anarchist; The Act; The Actors Studio Theatre productions 1963-1964; ACT (American Conservatory Theatre); The Adventures of Tom Sawyer; Advise and Consent; After the Rain; Ah, Wilderness; Ain't Broadway Grand","Alan Gilbert \u0026 The New York Philharmonic; All Over; All the Way home; All's Well That Ends Well; Alfie!; Allegro; Amadeus; Ambassador","America Kicks Up Its Heels; American Ballet Theatre; The American Dance Machine; The American Way; Amour","Souvenir program","And Miss Reardon Drinks a Little; And the World Goes Around; The Andersonville Trial; Angel; Angel Street; Angels in America; Anna Karenina; Annie","Souvenir program","Souvenir program","Souvenir program","As Is; The Astrakhan Coat; Assassins; At the Drop of Another Hat; Auntie Mame; Autumn's Here!","Baby Want a Kiss; Bajour; Baker street; The Ballad of the Sad Cafe; Ballroom; Barbara Back to Broadway; Barefoot in Athens; Barefoot in the Park; Barnum","Souvenir programs for: Barefoot in the Park; Barnum; Beauty and the Beast; Beggar on Horseback; The Beggar's Opera; Belafonte at the Palace; Ben Franklin in Paris","Bayanihan; Beekman Place; Beg, Borrow or Steal; Beggar's Holiday; Bell's are Ringing; Ben Franklin in Paris; Bernadine; Best Foot Forward; The Best Little Whorehouse Goes Public; The Best Little Whorehouse in Texas; The Best Man; Beyond the Fringe","Big Deal; Billion Dollar Baby; Billy; The Birthday Party; Bklyn; Black and Blue; Black Broadway; Black Chiffon; Black Comedy","Black Comedy White Lies; Blast; Blithe Spirit; Blood Brothers; Blood Red Roses; Bloomer Girl; Blue Denim; Blues for Mister Charlie; The Body Beautiful; Born Yesterday","Borstal Boy; The Boy Friend; The Boy from Oz; Boys and Girls Together; The Boys from Syracuse; The Boys in the Band; The Boys of Winter","Boris Aronson (exhibit catalogue); Breakfast at Tiffany's; Breaking Legs; Brief Lives; Brigadoon; Brighton Beach Memoirs; Bring Back Birdie; Broadway Cabaret Festival; Broadway Cares","Broadway on Broadway; Broadway's Stars in the Alley; Bubbling Brown Sugar; The Buddy Holly Story; Butterflies are Free; By George; By Jupiter; Bye Bye Birdie","Souvenir program","Two souvenir programs","Souvenir program","Souvenir program","Can Can; Candida; Candide; Canterbury Tales (playbills and souvenir program)","Cantorial; Carmelina; Carousel (playbill and souvenir program); Carnival!; Carrie; Catch Me If You Can; Cats","Celebration; Century of Change; Charles Aznavour; Checking Out; Chess (playbill and souvenir program); Chicago (playbills and souvenir program)","Childs Play; The Chinese Prime Minister; Chips With Everything; Chita Rivera: The Dancer's Life; Chitty Chitty Bang Bang; City Center Joffrey ballet; City of Angels","Closer Than Ever; Cloud 7; Coco (playbills and souvenir program); The Color Purple (playbill and souvenir program); Come Blow Your Horn; Come on Strong; Come Summer; The Comedie Francaise","Company (playbills and souvenir programs)","Souvenir program","Conduct Unbecoming; The Contrast; Copper and Brass; Counsellor-at-Law; The Country Girl","Crazy For You; The Cradle Will Rock; The Creation of the World and Other Business; Critic's Choice; Cry For Us All","Cuba and His Teddy Bear; Curtains (playbills and souvenir program); Cyrano","The D'oyly Carte Opera Company; Dame Edna; Dames at Sea; Damn Yankees; Dance a Little Closer; Dance of Death; Dance of the Vampires; Dancin'; Daphne in Cottage D","The Dark at the Top of the Stairs; The Day Before Spring; The Day the Money Stopped; Dear Janet Rosenberg Dear Mr. Kooning; Dear Ruth; Dear Me, the Sky is Falling; Dear World (playbills and souvenir program)","Death of a Salesman; The Deputy (playbills and souvenir program); The Desperate Hours; Destry Rides Again; Deuce; The Devils; The Disenchanted","Diamonds; Different Times; Dinner at Eight; Dirty Rotten Scoundrels; Division Street","Do Black Patent Leather Shoes Really Reflect Up?; Do Re Mi; Do I Hear a Waltz?; Doctor Jazz; Does a Tiger Wear a Necktie?; Don Carlo and Les Troyens; Don't Drink the Water; The Doughgirls","Dr. Cook's Garden; Dracula; Drat the Cat; Dreamgirls; Drink to Me Only; The Drowsy Chaperone (playbill and souvenir program); Du Barry Was a Lady; Dude: The Highway Life; Duel of Angels; Dylan","Easter Bonnet Competition; Eating Raoul; El Bravo!; Elba; End of the World","The Effect of Gamma Rays on Man-in-the-Moon Marigolds; Elizabeth 1; Emperor Henry IV; Enter Laughing; Entertaining Mr. Sloane; Equus; The Ethel Merman Show; Everything in the Garden; Evita","Face Value; Fade Out-Fade In; Fair Game; Fallen Angels; The Family Reunion; Fanny (playbills and souvenir programs); Father's Day; Fences; Fiesta in Madrid","Fiddler on the Roof (playbills and souvenir program); Fifth of July; The Fig Leaves are Falling","Three souvenir programs including one for the film version","Finian's Rainbow; Fiorello!; Fire!; The First; The Firstborn (playbill and souvenir program); First Impressions; Fit to be Tied; Five Finger Exercise","Five Guys named Moe; The Flip Side; Flora the Red Menace; Flower Drum Song; Folies Bergere; Fortune and Men's Eyes; Forty Carats; Four on a Garden","Follies (playbills and souvenir program); Follow the Girls; Fosse; Foxy","Frank Merriwell or Honor Challenged; Frankenstein; Fred Ebb; The Frogs (playbills and souvenir program); From A to Z; The Front Page; The Full Monty","Playbills and souvenir programs","The Gang's All Here; Gantry; The Gazebo; Geese; Generation; George M.; Georgy","Gideon; Gigi (playbills and souvenir program); Gilbert \u0026 Sullivan Company; Gilbert Becaud on Broadway; The Gingerbread Lady; The Girl Against the Boys; The Girl Who Came to Supper; The Glass Menagerie; The Glorious Ones","God's Favorite; Golden Bat; Golden Boy; Golden Rainbow; Goldilocks; The Good Times Are Killing Me; The Goodbye Girl; Goodbye My Fancy; Goodtime Charlie; Grand Hotel (playbills and souvenir program); The Grand Tour","Souvenir programs for: Godspell; Golden Boy; Golden Rainbow; The Goodbye Girl","The Grass Harp; The Great God b=Brown; The Great Waltz; The Great White Hope (souvenir program); Greenwillow; Grey Gardens; Guys and Dolls; Gypsy (souvenir program)","Playbills and souvenir program","H.M.S. Pinafore; Hadrian VII; Hail Scrawdyke!; Hair; Hairspray; Half a Sixpence; Halfway Up the Tree","Half a Sixpence (souvenir program); Halfway Up the Tree; Hallelujah, Baby! (playbill and souvenir programs); Hamlet; Handful of Fire; Happiest Millionaire","Happy Birthday; Happy Birthday, Wanda June; The Happy Time (playbill and souvenir program); Happy Town; Happy Hunting (playbills and souvenir program); Harvey","Hats Off to Ice; Hay Fever; Heathen!; Hello, Dolly!","Playbills and souvenir programs","Hello, Solly!; Henry V; Henry, Sweet Henry (playbills and souvenir program); Here's Love","Hold On to Your Hats; Holiday for Lovers; Hooray for What!","The High Rollers Social \u0026 Pleasure Club; The History Boys; Home; Home Sweet Home; The Homecoming; The Hostage; Hot Spot; The House of Blue Leaves; How Now Dow Jones","How the Other Half Lives; How to Be a Jewish Mother; How to Succeed in Business Without Really Trying; How's the World Treating You; Hughie; Hurry, Harry","I Am a Camera; I Can Get It for You Wholesale; I Do! I Do! (playbills and souvenir program); I Had a Ball; I Hate Hamlet; I Know My Love; I Like It Here; I Never Sang for My Father","I Remember Mama; I'm Not Rappaport; Icetime; Illya Darling (souvenir program)","Illya Darling; The Impossible Years; In Bed We Cry; Inadmissible Evidence; Inbal; The Incomparable Max","Indians; Inherit the Wind; Inquest; International Soiree; Into the Woods (playbills and souvenir program); The Investigation; Invitation to a March","The Irregular Verb to Love; Is He Dead?; It Ain't Nothing but the Blues; It's a Bird, It's a Plane, It's Superman; Ivanov","JB; Jacobowsky and the Colonel; Jacques Brel is Alive and Well and Living in Paris; Jake's Women; Jamaica; James Joyce's The Dead; Jane; Janus; Jelly's Last Jam; Jennie; Jerome Robbins' ballets: U.S.A.; Jerome Robbins' on Broadway (playbills and souvenir program); Jesus Christ Superstar","Jimmy; Joan of Lorraine; The Jocky Club Stakes; Joe Egg; Johnny Johnson; Johnny No-Trump; Joseph and the Amazing Technicolor Dreamcoat; Joy; Journey's End; Jubilee; Judgment at Nuremberg, Judy Garland: At Home at the Palace","Kids Care; The Killing of Sister George; The King and I (playbills and souvenir program); King of Hearts; Kismet; Kiss of the Spiderwoman (playbill and souvenir program); The Knack; Kurt Weill: Making Music Theatre","La Bohème; La Cage aux Folles; La Grosse Valise; La Plume de Ma Tante","La Strada; Lady in the Dark; The Lake; Larry Kert 1930-1991; The Last Analysis; The Last of Mrs. Lincoln","Last of the Red Hot Lovers; The Last Sweet Days of Isaac; Laughs and Other Events; Legally Blonde; Legs Diamond; Les Ballets de Paris; Les Blancs; Lestat (playbill and souvenir program); Let's Face It","The Life; Life with Father; The Light in the Piazza; The Lion in Winter; Little Me (playbills and souvenir program)","Playbills and souvenir program","The Little Mermaid (playbills and souvenir program); Little Murders; Little Women (playbills and souvenir program); Lolita; Look After Lulu; Look Back in Anger; Look Homeward Angel","Playbills and souvenir programs.  Liza with a Z  tour program includes signature from Liza on last page.","Look to the Lillies; Loot; Lord Pergo; Lorelei (playbills and souvenir program); Lost in the Stars; Louisiana Purchase; Love Life; Love! Valour! Compassion!; Lovely Ladies, Kind Gentlemen; LoveMusik; The Loves of Cass McGuire","Alan Jay Lerner; Betty Comden and Adolph Green; Carolyn Leigh; Dorothy Fields; E.Y. 'Yip' Harburg; Fred Ebb and John Kander; Life is a Cabaret: A tribute to Fred Ebb; Hal David; Harold Rome; Jerry Herman; Johnny Mercer; Sammy Cahn; Shelden Harnick; Stephen Schwartz; Stephen Sondheim","Macbeth; Mack \u0026 Mabel (playbill and souvenir program); Madam Butterfly; Maggie Flynn; Make Mine Manhattan; Man of La Mancha","Souvenir programs","Mame (playbills and souvenir programs); The Mambo Kings; Mamma Mia; The Man in the Glass Booth (souvenir program)","The Man Who Came to Dinner; The Man Who Had All the Luck; The Man With a Load of Mischief; Marcel Marceau; Mark Twain Tonight!; Marlene Dietrich; The Marriage-Go-Round","Martin Short: Fame Becomes Me (playbill and souvenir program); Mary, Mary; Mary Poppins (playbills and souvenir program)","Me and My Girl (playbills and souvenir program); Meet Me in St. Louis; The Megilla of Itzik Manger; The Member of the Wedding; Merlin; Merrily We Roll Along; Metro; The Metropolitan Opera: Met in the Parks (June 2007)","Milk \u0026 Honey; Milliken Breakfast Show; Minnelli on Minnelli; Minnie's Boys; Minor Miracle; The Miracle Worker; Miss Liberty; Mister Roberts; Molly; Monty Python's Spamalot; More Stately Mansions; Morning's at Seven","Mister Johnson; Monty Python's Spamalot (souvenir program); More Stately Mansions (souvenir program); Morning, Noon, and Night; The Most Happy Fella; Mourning Become Electra; Movin' Out; Mr. Wonderful; Mr. President; Mrs. Dally","Murder at Minsing Manor: A Nancy Boys Mystery; Music! Music!; Music in My Heart; Music in the Air; The Music Man (playbill and souvenir program); The Musical Theatre of Harold Prince; Musicals in Mufti; My Fair Lady (playbills and souvenir program); My One and Only (playbill and souvenir program)","My Fair Lady; My Favorite Year; My Funny Valentine; My Sister Eileen; My Wife and I","National Ballet; Natural Affection; Nature's Way; The Nerd; The Nervous Set; Never Too Late; The New Musical of Israel; New York City Ballet; New York City Opera","New York City Ballet (playbills and Nutcracker souvenir program); New York City Opera; New York Philharmonic; The New Yorkers; The Next President; Next to Normal","Two souvenir programs","Nick \u0026 Nora; The Night Circus; The Night of the Iguana; Night Watch; Nine (playbills and souvenir program); No, No, Nanette; No Place to Be Somebody; The Ninety Day Mistress","No Strings; Nobody Loves an Albatross; Noises Off","O Mistress Mine; The Odd Couple; Of Thee I Sing; Oh! Calcutta!; Oh, Captain!; Oh, Kay!; Oh What a Lovely War; Oil City Symphony; Oklahoma! (playbills and souvenir program)","Old Times; Old Vic; Oliver! (playbills and souvenir program); On a Clear Day You Can See Forever (playbills and souvenir programs); On Golden Pond; On the Town; On the Twentieth Century","On the Waterfront; On Your Toes; Once More, With Feeling; Once on This Island (playbill and souvenir program); Once Upon a Mattress; One More River; One Night Stand; One Touch of Venus; The Only Game in Town; Orpheus Descending; Over Twenty-One","Our Country's Good; Our Town; Out Cry; Out of This World; The Owl and the Pussycat","P.S. I Love You; Pacific Overtures; The Pajama Game; Pal Joey; Pamela's First Musical; Panama Hattie; Paris Is Out!; Park; Passion; The Passion","Paul Sills' Story Theatre; Paul Taylor Dance Company; The Penny Wars; Perfectly Frank; Period of Adjustment; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade; The Petrified Forest; Phantom of the Opera (playbill and souvenir program); Philadelphia, Here I Come!; The Philanthropist","Photo Finish; Pickwick (playbill and souvenir program); Pippin (playbill and souvenir program); The Pirate Queen (playbill and souvenir program); The Pirates of Penzance; Plain and Fancy","Platinum; Play It Again, Sam; Plaza Suite; The Pleasure of His Company; Ponti; Poor Bitos; Poor Richard; Porgy and Bess; Portofino; Pousse-Café; The Power and the Glory; The Prime of Miss Jean Brodie","The Prisoner of Second Avenue; The Private Ear and the Public Eye; Private Lives; The Producers; Program I; Program II; Program III; Promenade; Promises, Promises (playbill and souvenir program); Pump Boys and Dinettes","Playbills and souvenir program","Radio City Music Hall (playbills and a souvenir program); Radio City Music Hall Christmas Spectacular; Rags; Ragtime","Souvenir program","Red Gloves; The Red Mill; The Red Shoes; Red White and Maddox; Redhead; Rendezvous with Marlene","Rex (playbills and souvenir program); Ring Bells! Sing Songs! (playbills and souvenir programs); The Rink (playbills and souvenir program)","The Rise and Fall of the City of Mahagony (souvenir programs); The Ritz; The Roar of the Greasepaint - The Smell of the Crowd (playbills and souvenir program); The Robber Bridegroom; Rockabye Hamlet; The Rocky Horror Picture Show; Room Service; The Rose Tattoo","Rosencrantz and Guildenstern Are Dead; The Rothschilds (playbills and souvenir program); The Royal Ballet (souvenir programs)","The Royal Family; The Royal Hunt of the Sun; Rugatino; Rumple; Ruthless!","Sabrina Fair; Sadie Thompson; Salvation; Saratoga; Say, Darling; The School for Scandal (playbills and souvenir program); The School for Wives; Scratch; Scrooge (souvenir program); The Secret Affairs of Mildred Wild","The Secret Garden; Seesaw (playbills and souvenir program); The Selling of the President; Send Me No Flowers; Set to Music; Seven Days of Mourning; She Loves Me!; Sheep on the Runway; Shelter","Shenandoah (playbills and souvenir programs); Sherry!; Shinbone Alley; Shogun: The Musical; Show Boat (playbill and souvenir program)","Show Boat; The Show Is On; The Sign in Sidney Brustein's Window; Silent Night, Lonely Night; Silk Stockings; Silverlake; Sing Happy (playbills and souvenir program); Sister Mary Ignatius Explains It All for You; The Actor's Nightmare","Skyscraper (playbill and souvenir program); Sleight of Hand; Sleuth; Slow Dance on the Killing Ground; Smile; Smokey Joe's Cafe: The Songs of Leiber and Stoller; Social Security; Soldiers; Solitaire, Double Solitaire; Something Different; Something for the Boys","Sondheim: A Celebration at Carnegie Hall; Sondheim: A Musical Tribute; Song \u0026 Dance (playbills and souvenir program); Song of Norway (playbill and souvenir programs); Song of the Grasshopper; Soon; The Sound of Music","South Pacific (playbills and souvenir program); Splendora; Spofford; The Star Spangled Girl; Star and Garter; Stardust","Starmites; Stars of the Bolshoi Ballet; Stars of the New York Stage 1870-1970 (exhibit catalogue); State Fair; Steel Pier; Sticks and Bones; Stop the World- I Want to Get Off; Strange Interlude; Street Songs","The Subject Was Roses; Subways Are for Sleeping; Sugar (playbills and souvenir program); Summer of the 17th Doll; Sunday in the Park with George (playbills and souvenir program); Sunset","The Sunshine Boys; The Supporting Cast; The Survival of St. Joan: A Medieval Rock Opera; Sweeney Todd: The Demon Barber of Fleet Street (playbills and souvenir program); Sweet Bird of Youth","Playbills and souvenir programs","Take Me Along; Taking Steps; Tango Argentino; Tchaikovsky at Carnegie Hall; Tchin-Tchin (playbills and souvenir programs); The Teahouse of the August Moon; Ten Little Indians; Tenderloin; The Tenth Man; That Championship Season; That's Entertainment; There Was a Little Girl; They're Playing Our Song; Thoroughly Modern Millie","There's a Girl in My Soup; Three Men on a Horse; The Threepenny Opera; Time Remembered; Tiny Alice; Titanic","Tomorrow, the World; Tonight at 8:30; Tony Award programs; Too True to Be Good; Tovarich; Toys in the Attic; Traveller Without Luggage; The Trial of Lee Harvey Oswald; Tricks; Trixie True: Teen Detective","The Tumbler; The Tunnel of Love; Twelfth Night; Twigs; Two by Two (playbill and souvenir program); Two Gentlemen of Verona (playbills and souvenir program); The Two Mrs. Carrolls","Playbills and souvenir program for The Unsinkable Molly Brown","The Utter Glory of Morrissey Hall; Veronica's Room; Very Dry and on the rocks; Very Good Eddie (playbills and souvenir program); Via Galactica; Victor Victoria","Vienna Boys Choir (souvenir program); Vintage '60; The Visit; Vivat! Vivat Regina!; The Voice of the Turtle; Voices","Wait a Minim!; Wait Until Dark; Walking Happy; Wall to Wall Richard Rodgers; Waltz of the Toreadors; War and Peace; Warp One: My Battlefield, My Body; We Have Always Lived in the Castle; The Wedding Singer (playbills and souvenir program); Welcome to the Club; West Side Story","West Side Story (playbills and souvenir programs); What Did We Do Wrong?; What Makes Sammy Run? (playbill and souvenir program); When Pigs Fly; Where's Charley? (playbill and souvenir program)","The White House; Who Was That Lady I Saw You With?; Who's Afraid of Virginia Woolf?; The Who's Tommy; Whodunnit; Whoop Dee Doo!; Whoop Up; Whores, Wars \u0026 Tin Pan Alley","Wicked (playbills and souvenir program); Wiener Blut (playbill and souvenir program); Wild and Wonderful; The Will Rodgers Follies; Winesburg, Ohio; Wings; Wish You Were Here; Wise Child","Woman of the Year (playbills and souvenir program); The Woman in White; Wonderful Tennessee; Wonderhouse; Working; The World of Suzie Wong; Write Me a Murder","The Yearling; You Can't Take It With You; You Know I Can't Hear You When the Water's Running; Young Frankenstein (playbills and souvenir program)","Ziegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda","This series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs.","Appalachian Autumn; The Day Before Sunday; Dear Friends; Do Not Go Gentle Into That Good Night; The Experiment; My Father and My Mother; The People Next Door; Sadbird; Saturday Adoption; Secrets; Shadow Game","Actors Equity Association \"Equity\" magazine; Blithe Spirit; Camelot; Chinese Theatre Hollywood; Crossed Swords","Far from the Madding Crowd; Goodbye, Mr. Chips; Helen Hayes: Portrait of an American Actress; Indiana Jones and the Temple of Doom; Latin Quarter; The Lion in Winter","Ben Hur; El Cid; How the West Was Won; It's a Mad Mad, Mad, Mad World; Judgment at Nuremburg; Lawrence of Arabia; The Longest Day; Mutiny on the Bounty; The Wonderful World of the Brothers Grimm; West Side Story","Return of the Jedi; Romeo \u0026 Juliet; Ringling Brothers and Barnum \u0026 Bailey Circus; Song of Norway; The Sound of Music","Materials created before 1925 are in the Public Domain. No known restrictions.","The copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","George Mason University. Libraries. Special Collections Research Center","Rodrigues, Charles","English"],"unitid_tesim":["C0184","/repositories/2/resources/113"],"normalized_title_ssm":["Charles Rodrigues playbill collection"],"collection_title_tesim":["Charles Rodrigues playbill collection"],"collection_ssim":["Charles Rodrigues playbill collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Rodrigues, Charles"],"creator_ssim":["Rodrigues, Charles"],"creator_persname_ssim":["Rodrigues, Charles"],"creators_ssim":["Rodrigues, Charles"],"access_terms_ssm":["Materials created before 1925 are in the Public Domain. No known restrictions.","The copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Phil Rodrigues, brother of Charles Rodrigues, October 21, 2010."],"access_subjects_ssim":["Theater -- New York (State) -- New York","Theater -- United States"],"access_subjects_ssm":["Theater -- New York (State) -- New York","Theater -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 38 boxes"],"extent_tesim":["18 Linear Feet 38 boxes"],"date_range_isim":[1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Outside New York City, 1879-2009 (boxes 1-5, 37)\u003c/item\u003e\n      \u003citem\u003eSeries 2: New York City, 1885-2009 (boxes 6-34, 37-38)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.","Series Series 1: Outside New York City, 1879-2009 (boxes 1-5, 37) Series 2: New York City, 1885-2009 (boxes 6-34, 37-38) Series 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)"],"bioghist_html_tesm":["\u003cp\u003eCharles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Charles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage."],"prefercite_html_tesm":["\u003cp\u003eCharles Rodrigues playbill collection, C0184, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Charles Rodrigues playbill collection, C0184, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Brent in April 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Brent in April 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections on theatre and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections on theatre and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.\u003c/p\u003e\n","\u003cp\u003eThe collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. \u003c/p\u003e","\u003cp\u003eIncludes playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.\u003c/p\u003e","\u003cp\u003ePlaybills in this subseries are from the Boston Museum, Carousel Theatre, Charles Playhouse, Colonial Theatre, Copley Theatre, Music Hall, the New Globe Theatre, North Shore Music Theatre, Plymouth Theatre, Saxon Theatre, Shubert Theatre, South Shore Music Circus, Sumner Theatre, and the Wilbur Theatre in Boston. There is also one playbill from the Court Square Theatre in Springfield, MA, one from The Dettors Theatre in Concord, MA, two from the Provincetown Playhouse On-the-wharf in Provincetown, MA, and a review of a play from Tilton, NH.\u003c/p\u003e","\u003cp\u003eSpringfield, MA\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Majority of One; A Thousand Clowns; A Very Special Baby; Anastasia; Around the World in 80 Days\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIndians\u003c/title\u003e review from the Tiltonian publication of the Tilton School in Tilton, NH.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFirst Love; Follies\u003c/title\u003e; Benefit performance of \u003ctitle\u003eFollies\u003c/title\u003e for the American Cancer Society Massachusetts division; \u003ctitle\u003eGiants, Sons of Giants; Grand Hotel; Guys and Dolls; Hamlet; Hot September\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMame; Married Alive!; Mid-Summer; Mr. President\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Odd Couple; On a Clear Day You Can See Forever; On the Twentieth Century; Pacific Overtures; Photo Finish; Pretty Belle; The Roar of the Greasepaint-The Smell of the Crowd; Romanoff and Juliet; Sherry!; Toys in the Attic; Wildcat; Woman of the Year\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eProvincetown, MA\u003c/p\u003e","\u003cp\u003eMany of the playbills in this subseries are Performing Arts magazines and from theaters in San Franciso and Los Angeles. Theatres include the Ambassador Cocoanut grove, American Conservatory Theatre, Aquarius Theatre, Curran Theatre, Dorothy Chandler Pavilion, Huntington Hartford Theatre, Las Palmas Theatre, Little Fox Theatre, the Music Center, the Orpheum Theatre, Shubert Theatre, and the War Memorial Opera House.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eCamelot; Evita; Gigi; Give 'em Hell, Harry!\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHair; Kismet; Lorelei; The Music Man; Odyssey; Oklahoma!\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePacific Overtures\u003c/title\u003e; San Francisco Opera \u003ctitle\u003eL'elisir d'amore; Shine It On\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSunset Boulevard; Tom Jones; The Wiz\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the Blackstone Theatre, Columbia Theatre, the Goodman Theatre, and the Happy Medium Theatre in Chicago.\u003c/p\u003e","\u003cp\u003eIncludes playbills from the Westport Country Playhouse, Goodspeed Opera House, the Hartman Theatre, The Holmes School in Darien, Stamford Center for the Arts, the Shubert Theatre, the Long Wharf Theatre, the Ivoryton Playhouse, Yale Repertory Theatre, and Westbury Music Fair in Connecticut.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Song for Cyrano; Ain't Misbehavin'; Annie; Bells are Ringing; The Chalk Garden; Cry for Us All; Daarlin' Juno\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDear Charles; The Devil's Disciple; El Capitan; How Now Dow Jones; Illya Darling; The King and I\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eKiss Me, Kate; The Marquise; The Play's the Thing\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSpider's Web; Stardust; The Three Musketeers; Two by Two; The Vagabond King; Zorba\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePlaybill from the Parker Playhouse in Ft. Lauderdale, Florida\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the Abbey Theatre, Adelphi Theatre, Apollo Theatre, Comedy Theatre, Daly's Theatre, Duke of York's Theatre, Her Majesty's A Stoll Moss Theatre, Lyric Theatre, National Theatre, New London Theatre, The New Lyric Opera House, New Theatre, Palace Theatre, Palladium, Phoenix Theatre, Piccadilly Theatre, Prince Edward Theatre, Prince of Wales Theatre, Queen's Hall, The Queen's Theatre, Roundabout Theatre, Royal Court Theatre, Royal Lyceum Theatre, Royal Opera House Covent Garden, Royal Shakespeare Theatre, Savoy Theatre, Shaftesbury Theatre, Strand Theatre, St. James Theatre, Theatre Royal Drury Lane, Theatre Royal Haymarket, Victoria Palace Theatre, Wyndham's Theatre in London, the West Yorkshire Playhouse in Leeds, and the Alexandrian Theatre in Liverpool.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Madhouse in Goa; Aspects of Love; Bloomsbury; Don Carlos\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePlaybill and souvenir program\u003c/p\u003e","\u003cp\u003eSouvenir programs\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFollies\u003c/title\u003e (includes photograph of theatre; \u003ctitle\u003eFront \u0026amp; Center\u003c/title\u003e (magazine of Roundabout Theatre Company); \u003ctitle\u003eThe Four Musketeers!\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGolden Boy; Hadrian VII; Halfway Up the Tree; The Hotel in Amsterdam; Lady Be Good; Madame Tussaud's; The Mousetrap\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGone with the Wind; Hamlet; Here and Now; High Society; Les Miserables; Martin Guerre\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOperettas\u003c/title\u003e by Jacques Offenbach; Sadler's Wells opera at the London Coliseum; \u003ctitle\u003eTravesties\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMiss Saigon; Murder Among Friends; Not Now, Darling; The Odd Couple; Oliver!; Over My Dead Body; Phantom of the Opera; The Quare Fellow; The Secret of Sherlock Holmes; Shirley Valentine; Show Boat; Single Spies\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSteel Magnolias; Sunset Boulevard; Sweet Charity\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from Long Island theatres, SUNY, and the Tappan Zee theatre in Nyack, as well as playbills from Westchester New York. Playbills from Westchester theatres are separated and included after the Long Island, SUNY, and Nyack playbills. Playbills from High School and community productions are included alphabetically by city at the end of this subseries.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Song for Cyrano; Anita Baker; Assassins; Chicago; Come Back, Little Sheba; Damn Yankees; Follies\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAin't Misbehavin'; At This Performance; Camelot\u003c/title\u003e; Emelin Theatre 2008-2009; Emelin's Broadway Holiday Cabaret; \u003ctitle\u003eFriends In Deed; Funny Girl\u003c/title\u003e; Johnny Carson; Liza Minnelli; \u003ctitle\u003ePure Heaven; 'S Wonderful, 's Gershwin\u003c/title\u003e; Steve Martin; \u003ctitle\u003eSweet Hearts\u003c/title\u003e; The Vienna Boys' Choir\u003c/p\u003e","\u003cp\u003eAnn Hampton Callaway (ticket); \u003ctitle\u003eCall me Madam; Carousel\u003c/title\u003e; The Festival Orchestra opening performance; \u003ctitle\u003eFiorello!; Glad, Too; Godspell; Grow up! A Musical; How to Succeed in Business Without Really Trying; Incongruities; The Madwoman of Chaillot; New Plays 90; New Plays 91; New Plays 92\u003c/title\u003e; Second annual M.H.S. student film festival; \u003ctitle\u003eStudio night chamber music; Tosca; Who's out there that's for me?; Winter birds\u003c/title\u003e; also includes a letter from Helen S. Murray to Charles Rodrigues\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnything Goes; Bye Bye Birdie; Brigadoon; Carnival; Cats; Cinderella '72; Fiddler on the Roof; Footlight Follies; Guys and Dolls; The King and I; Kiss Me, Kate; Li'l Abner; Mame; The Night Thoreau Spent in Jail; Once Upon a Mattress; Paint Your Wagon; Peter Pan; South Pacific; Wonderful Town\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Absence of a Cello\u003c/title\u003e; \u003ctitle\u003eAida\u003c/title\u003e at the Verdi Opera Festival; AFS 1983 variety show; AFS 1984 variety show; \u003ctitle\u003eThe Boy Friend; Brigadoon; My One and Only; The Old Woman Broods\u003c/title\u003e; Valentine's Day benefit February 14, 1987\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Connecticut Yankee in King Arthur's Court; Fando and Lis\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills and a concert program from the state of New Jersey. Theatres include the Surflight Theatre, Paper Mill Playhouse, The Whole Theatre Company, and the Broad Street Theatre.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnimal Crackers; Children of Eden\u003c/title\u003e; Fleetwood Mac, concert program; \u003ctitle\u003eFollies; Phantom of the Opera; The Trojan Women; Where's Charley?\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the state of Ohio. Theatres include B.F. Keith's Hippodrome, the Cincinnati Music Theatre, and The Cincinnati Playhouse in the park.\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Paris. Theatres include the Cabaret Lido Paris, Theatre De La Renaissance, and the Theatre National de L'Opera.\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Philadelphia. One playbill from Pittsburgh's Nixon Theatre is included at the end of the Philadelphia pre-1934 playbills. Theatres include The Academy of Music, Broad Street Theatre, The Erlanger Theatre, Forrest Theatre, The Goldman Theatre, The Little Theatre, The New Locust Theatre, Playhouse, Shubert Theatre, Society Hill Playhouse, Valley Forge Music Fair, Walnut Theatre, and The University of Pennsylvania.\u003c/p\u003e","\u003cp\u003ePittsburgh\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003e70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; A Call on Kuprin; A Cook for Mr. General; A Man's a Man; A Matter of Position; A Severed Head; A Thurber Carnival; A View from the Bridge; Advise and Consent; All American; Alice; Anyone Can Whistle; Ari; Artur Rubinstein; The Aspern Papers; The Beauty Part; Big Fish, Little Fish; Brain Child; Butterflies Are Free; Bye Bye Birdie; Chicago; Christine; Copper and Brass\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDaughter of Silence; Dear Me, the Sky is Falling; Destry Rides Again; The Disenchanted; Do Re Mi; Donnybrook; Elizabeth the Queen; Enrico; The Fantasticks; The Fighting Cock; First impressions; Five finger exercise; Four on a garden; The fun couple; Funny girl; Gideon; The girl who came to supper; Goodbye Charlie; Greenwillow; Gypsy; H.M.S. Pinafore; Here's love; High spirits\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Highest Tree; Hot Spot; How Now, Dow Jones; I Can Get It for You Wholesale; I Remember Mama; In the Counting House; J.B.; Julia, Jake, and Uncle Joe; Little Me; Lolita, My Love; Lord Pengo; Love and Kisses; Lovely Ladies, Kind Gentlemen; Luther; Mame; The Marriage-Go-Round; Mary Stuart; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; The Miracle Worker; My Fair Lady\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eNational Repertory Theatre; \u003ctitle\u003eNo, No, Nanette; Nowhere to Go But Up; Old World; Period of Adjustment\u003c/title\u003e; The Philadelphia Orchestra (1962-1963 season); \u003ctitle\u003eThe Pleasure of His Company; The Prince of Grand Street; Ready When You Are C.B.!; Romulus; Say, darling; The school for scandal; She loves me; Spartacus; Something About a Soldier; Stop the World - I Want to Get Off; The Subject Was Roses; Sugar; Sugar Babies; Sweet Bird of Youth; Take Her, She's Mine; Take Me Along; There Was a Little Girl; Threepenny Opera; Tovarich\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Umbrella; The Visit; The Wall; Wildcat; Who's Afraid of Virginia Wolf?; The World of Carl Sandburg; Zorba\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFour one-act plays: \u003ctitle\u003ePresent Day Courtship, The Still Alarm, People in the Wind, In the Zone; The Sandbox, The Lesson, Daughters; Medea; She Stoops to Conquer\u003c/title\u003e; The Stringart Quartet artists-in-residence; The University of Pennsylvania Glee club and Pennsyngers\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Toronto. Playbills are from the Melody Fair and the Royal Alexandra Theatre.\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Washington D.C. Playbills are from the Kennedy Center, National Theatre, Signature Theatre, and the Morris A. Mechanic Theatre in Baltimore.\u003c/p\u003e","\u003cp\u003eThe Alvin Alley City Center Dance Theatre; Applause; Carnival!\u003c/p\u003e","\u003cp\u003eLost in the Stars; Natural Affection; Over and Over; Rex; Sondheim Celebration; Spotlight; Sugar; The Visit\u003c/p\u003e","\u003cp\u003eThis series contains playbills and souvenir programs from a variety of theatres and venues including those found on Broadway, off-Broadway, off-off Broadway and in Brooklyn. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.\u003c/p\u003e","\u003cp\u003eAngel Face; Animal Crackers; Apple Blossoms; The Apple Cart\u003c/p\u003e","\u003cp\u003eBallyhoo; Ballyhoo of '32; The Bandwagon\u003c/p\u003e","\u003cp\u003ePlaybills from the Broadhurst and Shubert theatres\u003c/p\u003e","\u003cp\u003eMontauk Theatre in Brooklyn\u003c/p\u003e","\u003cp\u003eThe Blackbirds of 1928; Blossom Time; Blue Eyes; Broadway; The Broadway Whirl\u003c/p\u003e","\u003cp\u003eCherry Blossoms; China Rose; The Chocolate Dandies\u003c/p\u003e","\u003cp\u003eDaddies; The Dancing Girl; Dearest Enemy; Death Takes a Holiday; The Desert Song; Design for Living; Desire Under the Elms\u003c/p\u003e","\u003cp\u003eTwo incomplete playbills\u003c/p\u003e","\u003cp\u003eGeneral Post; Gentlemen Prefer Blondes; George White's Scandals; Getting Married; Getting Together\u003c/p\u003e","\u003cp\u003eThe Girl Behind the Gun; Girl Crazy; The Girl Friend; The Girl from Home\u003c/p\u003e","\u003cp\u003eGood Gracious Annabelle; Girls; Good Boy; Good News; The Grab Bag; Grand Hotel; The Great Adventure; The Great Divide; The Great Gatsby\u003c/p\u003e","\u003cp\u003eThe Greenwich Village Follies; The Greenwich Village Follies of 1920\u003c/p\u003e","\u003cp\u003eHelen of Troy, New York; Hello Daddy; Here's Howe; Hit the Deck; Hitchy-Koo 1920\u003c/p\u003e","\u003cp\u003eLassie; The Lassoo; The Laugh Parade; The Last Waltz; Liliom; The Lie\u003c/p\u003e","\u003cp\u003eLittle Nelly Kelly; The Little Show; Lollipop; Love Birds\u003c/p\u003e","\u003cp\u003eMelody; Men in White; The Merry Widow; Midnight Revue; Miss Springtime\u003c/p\u003e","\u003cp\u003eOdds and Ends of 1917; Of Thee I Sing; Oh, Boy!; Oh, Kay!, Oh Look, Oh, please!\u003c/p\u003e","\u003cp\u003eThree playbills, two of which are for vaudeville performances at the Orpheum Theatre in Brooklyn\u003c/p\u003e","\u003cp\u003ePadlocks of 1927; Paris; The Parisian Model\u003c/p\u003e","\u003cp\u003ePietro; Pitter Patter; Poor Little Ritz Girl; Poppy; Porgy\u003c/p\u003e","\u003cp\u003eR.U.R.; Rainbow; The Ramblers; The Red Mill\u003c/p\u003e","\u003cp\u003eRedemption; Revels; The Rise of Rosie O'Reilly; Rosalie; Rose Bernd; Rose-Marie; The Royal Family; The Royal Vagabond; Running Wild\u003c/p\u003e","\u003cp\u003eSimple Simon; Singin' the Blues; Six Characters in Search of an Author; Smiles; Some Time; The Song and Dance Man; Song of the Flame; Spring is Here; Strange Interlude; Street Scene; Strike Me Pink; Strike Up the Band; The Student Prince in Heidelberg; Sweet; Sweet Little Devil; Swifty\u003c/p\u003e","\u003cp\u003eThree Wise Fools; Three's a Crowd; Tickle Me; Tip-Toes\u003c/p\u003e","\u003cp\u003e6 Rms Riv Vu; The 25th Annual Putnam County Spelling Bee; 42nd Street; 70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; 1776\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eA Bell for Adano; A Bistro Car; A Broadway Musical; A Case of Libel; A Catered Affair; A Celebration of Richard Rodgers; A Chorus Line; A Class Act; A Day in Hollywood / A Night in the Ukraine; A Day in the Life of Just About Everyone; A Delicate Balance; A Doll's Life\u003c/p\u003e","\u003cp\u003eA Far Country; A FunnyTthing Happened on the Way to the Forum; A Hand Is on the Gate; A Hatful of Rain; A Kurt Weill Cabaret; A Joyful Noise\u003c/p\u003e","\u003cp\u003eA Life; A Little Family Business; A Little Night Music\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eA Majority of One; A Meeting by the River; A Moon for the Misbegotten; A Night at the Palace; A Party with Betty Comden and Adolph Green; A Patriot for Me; A Passage to India; A Place Without Doors; A Raisin in the Sun; A Salute to ASCAP; A Shot in the Dark; A Streetcar Named Desire; A Tale of Two Cities; A Taste of Honey; A Thurber Carnival; A Time for Singing; A Tree Grows in Brooklyn\u003c/p\u003e","\u003cp\u003eAbelard \u0026amp; Heloise; Accidental Death of an Anarchist; The Act; The Actors Studio Theatre productions 1963-1964; ACT (American Conservatory Theatre); The Adventures of Tom Sawyer; Advise and Consent; After the Rain; Ah, Wilderness; Ain't Broadway Grand\u003c/p\u003e","\u003cp\u003eAlan Gilbert \u0026amp; The New York Philharmonic; All Over; All the Way home; All's Well That Ends Well; Alfie!; Allegro; Amadeus; Ambassador\u003c/p\u003e","\u003cp\u003eAmerica Kicks Up Its Heels; American Ballet Theatre; The American Dance Machine; The American Way; Amour\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eAnd Miss Reardon Drinks a Little; And the World Goes Around; The Andersonville Trial; Angel; Angel Street; Angels in America; Anna Karenina; Annie\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eAs Is; The Astrakhan Coat; Assassins; At the Drop of Another Hat; Auntie Mame; Autumn's Here!\u003c/p\u003e","\u003cp\u003eBaby Want a Kiss; Bajour; Baker street; The Ballad of the Sad Cafe; Ballroom; Barbara Back to Broadway; Barefoot in Athens; Barefoot in the Park; Barnum\u003c/p\u003e","\u003cp\u003eSouvenir programs for: Barefoot in the Park; Barnum; Beauty and the Beast; Beggar on Horseback; The Beggar's Opera; Belafonte at the Palace; Ben Franklin in Paris\u003c/p\u003e","\u003cp\u003eBayanihan; Beekman Place; Beg, Borrow or Steal; Beggar's Holiday; Bell's are Ringing; Ben Franklin in Paris; Bernadine; Best Foot Forward; The Best Little Whorehouse Goes Public; The Best Little Whorehouse in Texas; The Best Man; Beyond the Fringe\u003c/p\u003e","\u003cp\u003eBig Deal; Billion Dollar Baby; Billy; The Birthday Party; Bklyn; Black and Blue; Black Broadway; Black Chiffon; Black Comedy\u003c/p\u003e","\u003cp\u003eBlack Comedy White Lies; Blast; Blithe Spirit; Blood Brothers; Blood Red Roses; Bloomer Girl; Blue Denim; Blues for Mister Charlie; The Body Beautiful; Born Yesterday\u003c/p\u003e","\u003cp\u003eBorstal Boy; The Boy Friend; The Boy from Oz; Boys and Girls Together; The Boys from Syracuse; The Boys in the Band; The Boys of Winter\u003c/p\u003e","\u003cp\u003eBoris Aronson (exhibit catalogue); Breakfast at Tiffany's; Breaking Legs; Brief Lives; Brigadoon; Brighton Beach Memoirs; Bring Back Birdie; Broadway Cabaret Festival; Broadway Cares\u003c/p\u003e","\u003cp\u003eBroadway on Broadway; Broadway's Stars in the Alley; Bubbling Brown Sugar; The Buddy Holly Story; Butterflies are Free; By George; By Jupiter; Bye Bye Birdie\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eTwo souvenir programs\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eCan Can; Candida; Candide; Canterbury Tales (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eCantorial; Carmelina; Carousel (playbill and souvenir program); Carnival!; Carrie; Catch Me If You Can; Cats\u003c/p\u003e","\u003cp\u003eCelebration; Century of Change; Charles Aznavour; Checking Out; Chess (playbill and souvenir program); Chicago (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eChilds Play; The Chinese Prime Minister; Chips With Everything; Chita Rivera: The Dancer's Life; Chitty Chitty Bang Bang; City Center Joffrey ballet; City of Angels\u003c/p\u003e","\u003cp\u003eCloser Than Ever; Cloud 7; Coco (playbills and souvenir program); The Color Purple (playbill and souvenir program); Come Blow Your Horn; Come on Strong; Come Summer; The Comedie Francaise\u003c/p\u003e","\u003cp\u003eCompany (playbills and souvenir programs)\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eConduct Unbecoming; The Contrast; Copper and Brass; Counsellor-at-Law; The Country Girl\u003c/p\u003e","\u003cp\u003eCrazy For You; The Cradle Will Rock; The Creation of the World and Other Business; Critic's Choice; Cry For Us All\u003c/p\u003e","\u003cp\u003eCuba and His Teddy Bear; Curtains (playbills and souvenir program); Cyrano\u003c/p\u003e","\u003cp\u003eThe D'oyly Carte Opera Company; Dame Edna; Dames at Sea; Damn Yankees; Dance a Little Closer; Dance of Death; Dance of the Vampires; Dancin'; Daphne in Cottage D\u003c/p\u003e","\u003cp\u003eThe Dark at the Top of the Stairs; The Day Before Spring; The Day the Money Stopped; Dear Janet Rosenberg Dear Mr. Kooning; Dear Ruth; Dear Me, the Sky is Falling; Dear World (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eDeath of a Salesman; The Deputy (playbills and souvenir program); The Desperate Hours; Destry Rides Again; Deuce; The Devils; The Disenchanted\u003c/p\u003e","\u003cp\u003eDiamonds; Different Times; Dinner at Eight; Dirty Rotten Scoundrels; Division Street\u003c/p\u003e","\u003cp\u003eDo Black Patent Leather Shoes Really Reflect Up?; Do Re Mi; Do I Hear a Waltz?; Doctor Jazz; Does a Tiger Wear a Necktie?; Don Carlo and Les Troyens; Don't Drink the Water; The Doughgirls\u003c/p\u003e","\u003cp\u003eDr. Cook's Garden; Dracula; Drat the Cat; Dreamgirls; Drink to Me Only; The Drowsy Chaperone (playbill and souvenir program); Du Barry Was a Lady; Dude: The Highway Life; Duel of Angels; Dylan\u003c/p\u003e","\u003cp\u003eEaster Bonnet Competition; Eating Raoul; El Bravo!; Elba; End of the World\u003c/p\u003e","\u003cp\u003eThe Effect of Gamma Rays on Man-in-the-Moon Marigolds; Elizabeth 1; Emperor Henry IV; Enter Laughing; Entertaining Mr. Sloane; Equus; The Ethel Merman Show; Everything in the Garden; Evita\u003c/p\u003e","\u003cp\u003eFace Value; Fade Out-Fade In; Fair Game; Fallen Angels; The Family Reunion; Fanny (playbills and souvenir programs); Father's Day; Fences; Fiesta in Madrid\u003c/p\u003e","\u003cp\u003eFiddler on the Roof (playbills and souvenir program); Fifth of July; The Fig Leaves are Falling\u003c/p\u003e","\u003cp\u003eThree souvenir programs including one for the film version\u003c/p\u003e","\u003cp\u003eFinian's Rainbow; Fiorello!; Fire!; The First; The Firstborn (playbill and souvenir program); First Impressions; Fit to be Tied; Five Finger Exercise\u003c/p\u003e","\u003cp\u003eFive Guys named Moe; The Flip Side; Flora the Red Menace; Flower Drum Song; Folies Bergere; Fortune and Men's Eyes; Forty Carats; Four on a Garden\u003c/p\u003e","\u003cp\u003eFollies (playbills and souvenir program); Follow the Girls; Fosse; Foxy\u003c/p\u003e","\u003cp\u003eFrank Merriwell or Honor Challenged; Frankenstein; Fred Ebb; The Frogs (playbills and souvenir program); From A to Z; The Front Page; The Full Monty\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs\u003c/p\u003e","\u003cp\u003eThe Gang's All Here; Gantry; The Gazebo; Geese; Generation; George M.; Georgy\u003c/p\u003e","\u003cp\u003eGideon; Gigi (playbills and souvenir program); Gilbert \u0026amp; Sullivan Company; Gilbert Becaud on Broadway; The Gingerbread Lady; The Girl Against the Boys; The Girl Who Came to Supper; The Glass Menagerie; The Glorious Ones\u003c/p\u003e","\u003cp\u003eGod's Favorite; Golden Bat; Golden Boy; Golden Rainbow; Goldilocks; The Good Times Are Killing Me; The Goodbye Girl; Goodbye My Fancy; Goodtime Charlie; Grand Hotel (playbills and souvenir program); The Grand Tour\u003c/p\u003e","\u003cp\u003eSouvenir programs for: Godspell; Golden Boy; Golden Rainbow; The Goodbye Girl\u003c/p\u003e","\u003cp\u003eThe Grass Harp; The Great God b=Brown; The Great Waltz; The Great White Hope (souvenir program); Greenwillow; Grey Gardens; Guys and Dolls; Gypsy (souvenir program)\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program\u003c/p\u003e","\u003cp\u003eH.M.S. Pinafore; Hadrian VII; Hail Scrawdyke!; Hair; Hairspray; Half a Sixpence; Halfway Up the Tree\u003c/p\u003e","\u003cp\u003eHalf a Sixpence (souvenir program); Halfway Up the Tree; Hallelujah, Baby! (playbill and souvenir programs); Hamlet; Handful of Fire; Happiest Millionaire\u003c/p\u003e","\u003cp\u003eHappy Birthday; Happy Birthday, Wanda June; The Happy Time (playbill and souvenir program); Happy Town; Happy Hunting (playbills and souvenir program); Harvey\u003c/p\u003e","\u003cp\u003eHats Off to Ice; Hay Fever; Heathen!; Hello, Dolly!\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs\u003c/p\u003e","\u003cp\u003eHello, Solly!; Henry V; Henry, Sweet Henry (playbills and souvenir program); Here's Love\u003c/p\u003e","\u003cp\u003eHold On to Your Hats; Holiday for Lovers; Hooray for What!\u003c/p\u003e","\u003cp\u003eThe High Rollers Social \u0026amp; Pleasure Club; The History Boys; Home; Home Sweet Home; The Homecoming; The Hostage; Hot Spot; The House of Blue Leaves; How Now Dow Jones\u003c/p\u003e","\u003cp\u003eHow the Other Half Lives; How to Be a Jewish Mother; How to Succeed in Business Without Really Trying; How's the World Treating You; Hughie; Hurry, Harry\u003c/p\u003e","\u003cp\u003eI Am a Camera; I Can Get It for You Wholesale; I Do! I Do! (playbills and souvenir program); I Had a Ball; I Hate Hamlet; I Know My Love; I Like It Here; I Never Sang for My Father\u003c/p\u003e","\u003cp\u003eI Remember Mama; I'm Not Rappaport; Icetime; Illya Darling (souvenir program)\u003c/p\u003e","\u003cp\u003eIllya Darling; The Impossible Years; In Bed We Cry; Inadmissible Evidence; Inbal; The Incomparable Max\u003c/p\u003e","\u003cp\u003eIndians; Inherit the Wind; Inquest; International Soiree; Into the Woods (playbills and souvenir program); The Investigation; Invitation to a March\u003c/p\u003e","\u003cp\u003eThe Irregular Verb to Love; Is He Dead?; It Ain't Nothing but the Blues; It's a Bird, It's a Plane, It's Superman; Ivanov\u003c/p\u003e","\u003cp\u003eJB; Jacobowsky and the Colonel; Jacques Brel is Alive and Well and Living in Paris; Jake's Women; Jamaica; James Joyce's The Dead; Jane; Janus; Jelly's Last Jam; Jennie; Jerome Robbins' ballets: U.S.A.; Jerome Robbins' on Broadway (playbills and souvenir program); Jesus Christ Superstar\u003c/p\u003e","\u003cp\u003eJimmy; Joan of Lorraine; The Jocky Club Stakes; Joe Egg; Johnny Johnson; Johnny No-Trump; Joseph and the Amazing Technicolor Dreamcoat; Joy; Journey's End; Jubilee; Judgment at Nuremberg, Judy Garland: At Home at the Palace\u003c/p\u003e","\u003cp\u003eKids Care; The Killing of Sister George; The King and I (playbills and souvenir program); King of Hearts; Kismet; Kiss of the Spiderwoman (playbill and souvenir program); The Knack; Kurt Weill: Making Music Theatre\u003c/p\u003e","\u003cp\u003eLa Bohème; La Cage aux Folles; La Grosse Valise; La Plume de Ma Tante\u003c/p\u003e","\u003cp\u003eLa Strada; Lady in the Dark; The Lake; Larry Kert 1930-1991; The Last Analysis; The Last of Mrs. Lincoln\u003c/p\u003e","\u003cp\u003eLast of the Red Hot Lovers; The Last Sweet Days of Isaac; Laughs and Other Events; Legally Blonde; Legs Diamond; Les Ballets de Paris; Les Blancs; Lestat (playbill and souvenir program); Let's Face It\u003c/p\u003e","\u003cp\u003eThe Life; Life with Father; The Light in the Piazza; The Lion in Winter; Little Me (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program\u003c/p\u003e","\u003cp\u003eThe Little Mermaid (playbills and souvenir program); Little Murders; Little Women (playbills and souvenir program); Lolita; Look After Lulu; Look Back in Anger; Look Homeward Angel\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs. \u003ctitle\u003eLiza with a Z\u003c/title\u003e tour program includes signature from Liza on last page.\u003c/p\u003e","\u003cp\u003eLook to the Lillies; Loot; Lord Pergo; Lorelei (playbills and souvenir program); Lost in the Stars; Louisiana Purchase; Love Life; Love! Valour! Compassion!; Lovely Ladies, Kind Gentlemen; LoveMusik; The Loves of Cass McGuire\u003c/p\u003e","\u003cp\u003eAlan Jay Lerner; Betty Comden and Adolph Green; Carolyn Leigh; Dorothy Fields; E.Y. 'Yip' Harburg; Fred Ebb and John Kander; Life is a Cabaret: A tribute to Fred Ebb; Hal David; Harold Rome; Jerry Herman; Johnny Mercer; Sammy Cahn; Shelden Harnick; Stephen Schwartz; Stephen Sondheim\u003c/p\u003e","\u003cp\u003eMacbeth; Mack \u0026amp; Mabel (playbill and souvenir program); Madam Butterfly; Maggie Flynn; Make Mine Manhattan; Man of La Mancha\u003c/p\u003e","\u003cp\u003eSouvenir programs\u003c/p\u003e","\u003cp\u003eMame (playbills and souvenir programs); The Mambo Kings; Mamma Mia; The Man in the Glass Booth (souvenir program)\u003c/p\u003e","\u003cp\u003eThe Man Who Came to Dinner; The Man Who Had All the Luck; The Man With a Load of Mischief; Marcel Marceau; Mark Twain Tonight!; Marlene Dietrich; The Marriage-Go-Round\u003c/p\u003e","\u003cp\u003eMartin Short: Fame Becomes Me (playbill and souvenir program); Mary, Mary; Mary Poppins (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eMe and My Girl (playbills and souvenir program); Meet Me in St. Louis; The Megilla of Itzik Manger; The Member of the Wedding; Merlin; Merrily We Roll Along; Metro; The Metropolitan Opera: Met in the Parks (June 2007)\u003c/p\u003e","\u003cp\u003eMilk \u0026amp; Honey; Milliken Breakfast Show; Minnelli on Minnelli; Minnie's Boys; Minor Miracle; The Miracle Worker; Miss Liberty; Mister Roberts; Molly; Monty Python's Spamalot; More Stately Mansions; Morning's at Seven\u003c/p\u003e","\u003cp\u003eMister Johnson; Monty Python's Spamalot (souvenir program); More Stately Mansions (souvenir program); Morning, Noon, and Night; The Most Happy Fella; Mourning Become Electra; Movin' Out; Mr. Wonderful; Mr. President; Mrs. Dally\u003c/p\u003e","\u003cp\u003eMurder at Minsing Manor: A Nancy Boys Mystery; Music! Music!; Music in My Heart; Music in the Air; The Music Man (playbill and souvenir program); The Musical Theatre of Harold Prince; Musicals in Mufti; My Fair Lady (playbills and souvenir program); My One and Only (playbill and souvenir program)\u003c/p\u003e","\u003cp\u003eMy Fair Lady; My Favorite Year; My Funny Valentine; My Sister Eileen; My Wife and I\u003c/p\u003e","\u003cp\u003eNational Ballet; Natural Affection; Nature's Way; The Nerd; The Nervous Set; Never Too Late; The New Musical of Israel; New York City Ballet; New York City Opera\u003c/p\u003e","\u003cp\u003eNew York City Ballet (playbills and Nutcracker souvenir program); New York City Opera; New York Philharmonic; The New Yorkers; The Next President; Next to Normal\u003c/p\u003e","\u003cp\u003eTwo souvenir programs\u003c/p\u003e","\u003cp\u003eNick \u0026amp; Nora; The Night Circus; The Night of the Iguana; Night Watch; Nine (playbills and souvenir program); No, No, Nanette; No Place to Be Somebody; The Ninety Day Mistress\u003c/p\u003e","\u003cp\u003eNo Strings; Nobody Loves an Albatross; Noises Off\u003c/p\u003e","\u003cp\u003eO Mistress Mine; The Odd Couple; Of Thee I Sing; Oh! Calcutta!; Oh, Captain!; Oh, Kay!; Oh What a Lovely War; Oil City Symphony; Oklahoma! (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eOld Times; Old Vic; Oliver! (playbills and souvenir program); On a Clear Day You Can See Forever (playbills and souvenir programs); On Golden Pond; On the Town; On the Twentieth Century\u003c/p\u003e","\u003cp\u003eOn the Waterfront; On Your Toes; Once More, With Feeling; Once on This Island (playbill and souvenir program); Once Upon a Mattress; One More River; One Night Stand; One Touch of Venus; The Only Game in Town; Orpheus Descending; Over Twenty-One\u003c/p\u003e","\u003cp\u003eOur Country's Good; Our Town; Out Cry; Out of This World; The Owl and the Pussycat\u003c/p\u003e","\u003cp\u003eP.S. I Love You; Pacific Overtures; The Pajama Game; Pal Joey; Pamela's First Musical; Panama Hattie; Paris Is Out!; Park; Passion; The Passion\u003c/p\u003e","\u003cp\u003ePaul Sills' Story Theatre; Paul Taylor Dance Company; The Penny Wars; Perfectly Frank; Period of Adjustment; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade; The Petrified Forest; Phantom of the Opera (playbill and souvenir program); Philadelphia, Here I Come!; The Philanthropist\u003c/p\u003e","\u003cp\u003ePhoto Finish; Pickwick (playbill and souvenir program); Pippin (playbill and souvenir program); The Pirate Queen (playbill and souvenir program); The Pirates of Penzance; Plain and Fancy\u003c/p\u003e","\u003cp\u003ePlatinum; Play It Again, Sam; Plaza Suite; The Pleasure of His Company; Ponti; Poor Bitos; Poor Richard; Porgy and Bess; Portofino; Pousse-Café; The Power and the Glory; The Prime of Miss Jean Brodie\u003c/p\u003e","\u003cp\u003eThe Prisoner of Second Avenue; The Private Ear and the Public Eye; Private Lives; The Producers; Program I; Program II; Program III; Promenade; Promises, Promises (playbill and souvenir program); Pump Boys and Dinettes\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program\u003c/p\u003e","\u003cp\u003eRadio City Music Hall (playbills and a souvenir program); Radio City Music Hall Christmas Spectacular; Rags; Ragtime\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eRed Gloves; The Red Mill; The Red Shoes; Red White and Maddox; Redhead; Rendezvous with Marlene\u003c/p\u003e","\u003cp\u003eRex (playbills and souvenir program); Ring Bells! Sing Songs! (playbills and souvenir programs); The Rink (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eThe Rise and Fall of the City of Mahagony (souvenir programs); The Ritz; The Roar of the Greasepaint - The Smell of the Crowd (playbills and souvenir program); The Robber Bridegroom; Rockabye Hamlet; The Rocky Horror Picture Show; Room Service; The Rose Tattoo\u003c/p\u003e","\u003cp\u003eRosencrantz and Guildenstern Are Dead; The Rothschilds (playbills and souvenir program); The Royal Ballet (souvenir programs)\u003c/p\u003e","\u003cp\u003eThe Royal Family; The Royal Hunt of the Sun; Rugatino; Rumple; Ruthless!\u003c/p\u003e","\u003cp\u003eSabrina Fair; Sadie Thompson; Salvation; Saratoga; Say, Darling; The School for Scandal (playbills and souvenir program); The School for Wives; Scratch; Scrooge (souvenir program); The Secret Affairs of Mildred Wild\u003c/p\u003e","\u003cp\u003eThe Secret Garden; Seesaw (playbills and souvenir program); The Selling of the President; Send Me No Flowers; Set to Music; Seven Days of Mourning; She Loves Me!; Sheep on the Runway; Shelter\u003c/p\u003e","\u003cp\u003eShenandoah (playbills and souvenir programs); Sherry!; Shinbone Alley; Shogun: The Musical; Show Boat (playbill and souvenir program)\u003c/p\u003e","\u003cp\u003eShow Boat; The Show Is On; The Sign in Sidney Brustein's Window; Silent Night, Lonely Night; Silk Stockings; Silverlake; Sing Happy (playbills and souvenir program); Sister Mary Ignatius Explains It All for You; The Actor's Nightmare\u003c/p\u003e","\u003cp\u003eSkyscraper (playbill and souvenir program); Sleight of Hand; Sleuth; Slow Dance on the Killing Ground; Smile; Smokey Joe's Cafe: The Songs of Leiber and Stoller; Social Security; Soldiers; Solitaire, Double Solitaire; Something Different; Something for the Boys\u003c/p\u003e","\u003cp\u003eSondheim: A Celebration at Carnegie Hall; Sondheim: A Musical Tribute; Song \u0026amp; Dance (playbills and souvenir program); Song of Norway (playbill and souvenir programs); Song of the Grasshopper; Soon; The Sound of Music\u003c/p\u003e","\u003cp\u003eSouth Pacific (playbills and souvenir program); Splendora; Spofford; The Star Spangled Girl; Star and Garter; Stardust\u003c/p\u003e","\u003cp\u003eStarmites; Stars of the Bolshoi Ballet; Stars of the New York Stage 1870-1970 (exhibit catalogue); State Fair; Steel Pier; Sticks and Bones; Stop the World- I Want to Get Off; Strange Interlude; Street Songs\u003c/p\u003e","\u003cp\u003eThe Subject Was Roses; Subways Are for Sleeping; Sugar (playbills and souvenir program); Summer of the 17th Doll; Sunday in the Park with George (playbills and souvenir program); Sunset\u003c/p\u003e","\u003cp\u003eThe Sunshine Boys; The Supporting Cast; The Survival of St. Joan: A Medieval Rock Opera; Sweeney Todd: The Demon Barber of Fleet Street (playbills and souvenir program); Sweet Bird of Youth\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs\u003c/p\u003e","\u003cp\u003eTake Me Along; Taking Steps; Tango Argentino; Tchaikovsky at Carnegie Hall; Tchin-Tchin (playbills and souvenir programs); The Teahouse of the August Moon; Ten Little Indians; Tenderloin; The Tenth Man; That Championship Season; That's Entertainment; There Was a Little Girl; They're Playing Our Song; Thoroughly Modern Millie\u003c/p\u003e","\u003cp\u003eThere's a Girl in My Soup; Three Men on a Horse; The Threepenny Opera; Time Remembered; Tiny Alice; Titanic\u003c/p\u003e","\u003cp\u003eTomorrow, the World; Tonight at 8:30; Tony Award programs; Too True to Be Good; Tovarich; Toys in the Attic; Traveller Without Luggage; The Trial of Lee Harvey Oswald; Tricks; Trixie True: Teen Detective\u003c/p\u003e","\u003cp\u003eThe Tumbler; The Tunnel of Love; Twelfth Night; Twigs; Two by Two (playbill and souvenir program); Two Gentlemen of Verona (playbills and souvenir program); The Two Mrs. Carrolls\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program for The Unsinkable Molly Brown\u003c/p\u003e","\u003cp\u003eThe Utter Glory of Morrissey Hall; Veronica's Room; Very Dry and on the rocks; Very Good Eddie (playbills and souvenir program); Via Galactica; Victor Victoria\u003c/p\u003e","\u003cp\u003eVienna Boys Choir (souvenir program); Vintage '60; The Visit; Vivat! Vivat Regina!; The Voice of the Turtle; Voices\u003c/p\u003e","\u003cp\u003eWait a Minim!; Wait Until Dark; Walking Happy; Wall to Wall Richard Rodgers; Waltz of the Toreadors; War and Peace; Warp One: My Battlefield, My Body; We Have Always Lived in the Castle; The Wedding Singer (playbills and souvenir program); Welcome to the Club; West Side Story\u003c/p\u003e","\u003cp\u003eWest Side Story (playbills and souvenir programs); What Did We Do Wrong?; What Makes Sammy Run? (playbill and souvenir program); When Pigs Fly; Where's Charley? (playbill and souvenir program)\u003c/p\u003e","\u003cp\u003eThe White House; Who Was That Lady I Saw You With?; Who's Afraid of Virginia Woolf?; The Who's Tommy; Whodunnit; Whoop Dee Doo!; Whoop Up; Whores, Wars \u0026amp; Tin Pan Alley\u003c/p\u003e","\u003cp\u003eWicked (playbills and souvenir program); Wiener Blut (playbill and souvenir program); Wild and Wonderful; The Will Rodgers Follies; Winesburg, Ohio; Wings; Wish You Were Here; Wise Child\u003c/p\u003e","\u003cp\u003eWoman of the Year (playbills and souvenir program); The Woman in White; Wonderful Tennessee; Wonderhouse; Working; The World of Suzie Wong; Write Me a Murder\u003c/p\u003e","\u003cp\u003eThe Yearling; You Can't Take It With You; You Know I Can't Hear You When the Water's Running; Young Frankenstein (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eZiegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda\u003c/p\u003e","\u003cp\u003eThis series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs.\u003c/p\u003e","\u003cp\u003eAppalachian Autumn; The Day Before Sunday; Dear Friends; Do Not Go Gentle Into That Good Night; The Experiment; My Father and My Mother; The People Next Door; Sadbird; Saturday Adoption; Secrets; Shadow Game\u003c/p\u003e","\u003cp\u003eActors Equity Association \"Equity\" magazine; Blithe Spirit; Camelot; Chinese Theatre Hollywood; Crossed Swords\u003c/p\u003e","\u003cp\u003eFar from the Madding Crowd; Goodbye, Mr. Chips; Helen Hayes: Portrait of an American Actress; Indiana Jones and the Temple of Doom; Latin Quarter; The Lion in Winter\u003c/p\u003e","\u003cp\u003eBen Hur; El Cid; How the West Was Won; It's a Mad Mad, Mad, Mad World; Judgment at Nuremburg; Lawrence of Arabia; The Longest Day; Mutiny on the Bounty; The Wonderful World of the Brothers Grimm; West Side Story\u003c/p\u003e","\u003cp\u003eReturn of the Jedi; Romeo \u0026amp; Juliet; Ringling Brothers and Barnum \u0026amp; Bailey Circus; Song of Norway; The Sound of Music\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","The collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. ","Includes playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Playbills in this subseries are from the Boston Museum, Carousel Theatre, Charles Playhouse, Colonial Theatre, Copley Theatre, Music Hall, the New Globe Theatre, North Shore Music Theatre, Plymouth Theatre, Saxon Theatre, Shubert Theatre, South Shore Music Circus, Sumner Theatre, and the Wilbur Theatre in Boston. There is also one playbill from the Court Square Theatre in Springfield, MA, one from The Dettors Theatre in Concord, MA, two from the Provincetown Playhouse On-the-wharf in Provincetown, MA, and a review of a play from Tilton, NH.","Springfield, MA","A Majority of One; A Thousand Clowns; A Very Special Baby; Anastasia; Around the World in 80 Days","Indians  review from the Tiltonian publication of the Tilton School in Tilton, NH.","First Love; Follies ; Benefit performance of  Follies  for the American Cancer Society Massachusetts division;  Giants, Sons of Giants; Grand Hotel; Guys and Dolls; Hamlet; Hot September","Mame; Married Alive!; Mid-Summer; Mr. President","The Odd Couple; On a Clear Day You Can See Forever; On the Twentieth Century; Pacific Overtures; Photo Finish; Pretty Belle; The Roar of the Greasepaint-The Smell of the Crowd; Romanoff and Juliet; Sherry!; Toys in the Attic; Wildcat; Woman of the Year","Provincetown, MA","Many of the playbills in this subseries are Performing Arts magazines and from theaters in San Franciso and Los Angeles. Theatres include the Ambassador Cocoanut grove, American Conservatory Theatre, Aquarius Theatre, Curran Theatre, Dorothy Chandler Pavilion, Huntington Hartford Theatre, Las Palmas Theatre, Little Fox Theatre, the Music Center, the Orpheum Theatre, Shubert Theatre, and the War Memorial Opera House.","Camelot; Evita; Gigi; Give 'em Hell, Harry!","Hair; Kismet; Lorelei; The Music Man; Odyssey; Oklahoma!","Pacific Overtures ; San Francisco Opera  L'elisir d'amore; Shine It On","Sunset Boulevard; Tom Jones; The Wiz","This subseries includes playbills from the Blackstone Theatre, Columbia Theatre, the Goodman Theatre, and the Happy Medium Theatre in Chicago.","Includes playbills from the Westport Country Playhouse, Goodspeed Opera House, the Hartman Theatre, The Holmes School in Darien, Stamford Center for the Arts, the Shubert Theatre, the Long Wharf Theatre, the Ivoryton Playhouse, Yale Repertory Theatre, and Westbury Music Fair in Connecticut.","A Song for Cyrano; Ain't Misbehavin'; Annie; Bells are Ringing; The Chalk Garden; Cry for Us All; Daarlin' Juno","Dear Charles; The Devil's Disciple; El Capitan; How Now Dow Jones; Illya Darling; The King and I","Kiss Me, Kate; The Marquise; The Play's the Thing","Spider's Web; Stardust; The Three Musketeers; Two by Two; The Vagabond King; Zorba","Playbill from the Parker Playhouse in Ft. Lauderdale, Florida","This subseries includes playbills from the Abbey Theatre, Adelphi Theatre, Apollo Theatre, Comedy Theatre, Daly's Theatre, Duke of York's Theatre, Her Majesty's A Stoll Moss Theatre, Lyric Theatre, National Theatre, New London Theatre, The New Lyric Opera House, New Theatre, Palace Theatre, Palladium, Phoenix Theatre, Piccadilly Theatre, Prince Edward Theatre, Prince of Wales Theatre, Queen's Hall, The Queen's Theatre, Roundabout Theatre, Royal Court Theatre, Royal Lyceum Theatre, Royal Opera House Covent Garden, Royal Shakespeare Theatre, Savoy Theatre, Shaftesbury Theatre, Strand Theatre, St. James Theatre, Theatre Royal Drury Lane, Theatre Royal Haymarket, Victoria Palace Theatre, Wyndham's Theatre in London, the West Yorkshire Playhouse in Leeds, and the Alexandrian Theatre in Liverpool.","A Madhouse in Goa; Aspects of Love; Bloomsbury; Don Carlos","Playbill and souvenir program","Souvenir programs","Follies  (includes photograph of theatre;  Front \u0026 Center  (magazine of Roundabout Theatre Company);  The Four Musketeers!","Golden Boy; Hadrian VII; Halfway Up the Tree; The Hotel in Amsterdam; Lady Be Good; Madame Tussaud's; The Mousetrap","Gone with the Wind; Hamlet; Here and Now; High Society; Les Miserables; Martin Guerre","Operettas  by Jacques Offenbach; Sadler's Wells opera at the London Coliseum;  Travesties","Miss Saigon; Murder Among Friends; Not Now, Darling; The Odd Couple; Oliver!; Over My Dead Body; Phantom of the Opera; The Quare Fellow; The Secret of Sherlock Holmes; Shirley Valentine; Show Boat; Single Spies","Steel Magnolias; Sunset Boulevard; Sweet Charity","This subseries includes playbills from Long Island theatres, SUNY, and the Tappan Zee theatre in Nyack, as well as playbills from Westchester New York. Playbills from Westchester theatres are separated and included after the Long Island, SUNY, and Nyack playbills. Playbills from High School and community productions are included alphabetically by city at the end of this subseries.","A Song for Cyrano; Anita Baker; Assassins; Chicago; Come Back, Little Sheba; Damn Yankees; Follies","Ain't Misbehavin'; At This Performance; Camelot ; Emelin Theatre 2008-2009; Emelin's Broadway Holiday Cabaret;  Friends In Deed; Funny Girl ; Johnny Carson; Liza Minnelli;  Pure Heaven; 'S Wonderful, 's Gershwin ; Steve Martin;  Sweet Hearts ; The Vienna Boys' Choir","Ann Hampton Callaway (ticket);  Call me Madam; Carousel ; The Festival Orchestra opening performance;  Fiorello!; Glad, Too; Godspell; Grow up! A Musical; How to Succeed in Business Without Really Trying; Incongruities; The Madwoman of Chaillot; New Plays 90; New Plays 91; New Plays 92 ; Second annual M.H.S. student film festival;  Studio night chamber music; Tosca; Who's out there that's for me?; Winter birds ; also includes a letter from Helen S. Murray to Charles Rodrigues","Anything Goes; Bye Bye Birdie; Brigadoon; Carnival; Cats; Cinderella '72; Fiddler on the Roof; Footlight Follies; Guys and Dolls; The King and I; Kiss Me, Kate; Li'l Abner; Mame; The Night Thoreau Spent in Jail; Once Upon a Mattress; Paint Your Wagon; Peter Pan; South Pacific; Wonderful Town","The Absence of a Cello ;  Aida  at the Verdi Opera Festival; AFS 1983 variety show; AFS 1984 variety show;  The Boy Friend; Brigadoon; My One and Only; The Old Woman Broods ; Valentine's Day benefit February 14, 1987","A Connecticut Yankee in King Arthur's Court; Fando and Lis","This subseries includes playbills and a concert program from the state of New Jersey. Theatres include the Surflight Theatre, Paper Mill Playhouse, The Whole Theatre Company, and the Broad Street Theatre.","Animal Crackers; Children of Eden ; Fleetwood Mac, concert program;  Follies; Phantom of the Opera; The Trojan Women; Where's Charley?","This subseries includes playbills from the state of Ohio. Theatres include B.F. Keith's Hippodrome, the Cincinnati Music Theatre, and The Cincinnati Playhouse in the park.","This subseries includes playbills from the city of Paris. Theatres include the Cabaret Lido Paris, Theatre De La Renaissance, and the Theatre National de L'Opera.","This subseries includes playbills from the city of Philadelphia. One playbill from Pittsburgh's Nixon Theatre is included at the end of the Philadelphia pre-1934 playbills. Theatres include The Academy of Music, Broad Street Theatre, The Erlanger Theatre, Forrest Theatre, The Goldman Theatre, The Little Theatre, The New Locust Theatre, Playhouse, Shubert Theatre, Society Hill Playhouse, Valley Forge Music Fair, Walnut Theatre, and The University of Pennsylvania.","Pittsburgh","70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; A Call on Kuprin; A Cook for Mr. General; A Man's a Man; A Matter of Position; A Severed Head; A Thurber Carnival; A View from the Bridge; Advise and Consent; All American; Alice; Anyone Can Whistle; Ari; Artur Rubinstein; The Aspern Papers; The Beauty Part; Big Fish, Little Fish; Brain Child; Butterflies Are Free; Bye Bye Birdie; Chicago; Christine; Copper and Brass","Daughter of Silence; Dear Me, the Sky is Falling; Destry Rides Again; The Disenchanted; Do Re Mi; Donnybrook; Elizabeth the Queen; Enrico; The Fantasticks; The Fighting Cock; First impressions; Five finger exercise; Four on a garden; The fun couple; Funny girl; Gideon; The girl who came to supper; Goodbye Charlie; Greenwillow; Gypsy; H.M.S. Pinafore; Here's love; High spirits","The Highest Tree; Hot Spot; How Now, Dow Jones; I Can Get It for You Wholesale; I Remember Mama; In the Counting House; J.B.; Julia, Jake, and Uncle Joe; Little Me; Lolita, My Love; Lord Pengo; Love and Kisses; Lovely Ladies, Kind Gentlemen; Luther; Mame; The Marriage-Go-Round; Mary Stuart; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; The Miracle Worker; My Fair Lady","National Repertory Theatre;  No, No, Nanette; Nowhere to Go But Up; Old World; Period of Adjustment ; The Philadelphia Orchestra (1962-1963 season);  The Pleasure of His Company; The Prince of Grand Street; Ready When You Are C.B.!; Romulus; Say, darling; The school for scandal; She loves me; Spartacus; Something About a Soldier; Stop the World - I Want to Get Off; The Subject Was Roses; Sugar; Sugar Babies; Sweet Bird of Youth; Take Her, She's Mine; Take Me Along; There Was a Little Girl; Threepenny Opera; Tovarich","The Umbrella; The Visit; The Wall; Wildcat; Who's Afraid of Virginia Wolf?; The World of Carl Sandburg; Zorba","Four one-act plays:  Present Day Courtship, The Still Alarm, People in the Wind, In the Zone; The Sandbox, The Lesson, Daughters; Medea; She Stoops to Conquer ; The Stringart Quartet artists-in-residence; The University of Pennsylvania Glee club and Pennsyngers","This subseries includes playbills from the city of Toronto. Playbills are from the Melody Fair and the Royal Alexandra Theatre.","This subseries includes playbills from the city of Washington D.C. Playbills are from the Kennedy Center, National Theatre, Signature Theatre, and the Morris A. Mechanic Theatre in Baltimore.","The Alvin Alley City Center Dance Theatre; Applause; Carnival!","Lost in the Stars; Natural Affection; Over and Over; Rex; Sondheim Celebration; Spotlight; Sugar; The Visit","This series contains playbills and souvenir programs from a variety of theatres and venues including those found on Broadway, off-Broadway, off-off Broadway and in Brooklyn. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Angel Face; Animal Crackers; Apple Blossoms; The Apple Cart","Ballyhoo; Ballyhoo of '32; The Bandwagon","Playbills from the Broadhurst and Shubert theatres","Montauk Theatre in Brooklyn","The Blackbirds of 1928; Blossom Time; Blue Eyes; Broadway; The Broadway Whirl","Cherry Blossoms; China Rose; The Chocolate Dandies","Daddies; The Dancing Girl; Dearest Enemy; Death Takes a Holiday; The Desert Song; Design for Living; Desire Under the Elms","Two incomplete playbills","General Post; Gentlemen Prefer Blondes; George White's Scandals; Getting Married; Getting Together","The Girl Behind the Gun; Girl Crazy; The Girl Friend; The Girl from Home","Good Gracious Annabelle; Girls; Good Boy; Good News; The Grab Bag; Grand Hotel; The Great Adventure; The Great Divide; The Great Gatsby","The Greenwich Village Follies; The Greenwich Village Follies of 1920","Helen of Troy, New York; Hello Daddy; Here's Howe; Hit the Deck; Hitchy-Koo 1920","Lassie; The Lassoo; The Laugh Parade; The Last Waltz; Liliom; The Lie","Little Nelly Kelly; The Little Show; Lollipop; Love Birds","Melody; Men in White; The Merry Widow; Midnight Revue; Miss Springtime","Odds and Ends of 1917; Of Thee I Sing; Oh, Boy!; Oh, Kay!, Oh Look, Oh, please!","Three playbills, two of which are for vaudeville performances at the Orpheum Theatre in Brooklyn","Padlocks of 1927; Paris; The Parisian Model","Pietro; Pitter Patter; Poor Little Ritz Girl; Poppy; Porgy","R.U.R.; Rainbow; The Ramblers; The Red Mill","Redemption; Revels; The Rise of Rosie O'Reilly; Rosalie; Rose Bernd; Rose-Marie; The Royal Family; The Royal Vagabond; Running Wild","Simple Simon; Singin' the Blues; Six Characters in Search of an Author; Smiles; Some Time; The Song and Dance Man; Song of the Flame; Spring is Here; Strange Interlude; Street Scene; Strike Me Pink; Strike Up the Band; The Student Prince in Heidelberg; Sweet; Sweet Little Devil; Swifty","Three Wise Fools; Three's a Crowd; Tickle Me; Tip-Toes","6 Rms Riv Vu; The 25th Annual Putnam County Spelling Bee; 42nd Street; 70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; 1776","Souvenir program","A Bell for Adano; A Bistro Car; A Broadway Musical; A Case of Libel; A Catered Affair; A Celebration of Richard Rodgers; A Chorus Line; A Class Act; A Day in Hollywood / A Night in the Ukraine; A Day in the Life of Just About Everyone; A Delicate Balance; A Doll's Life","A Far Country; A FunnyTthing Happened on the Way to the Forum; A Hand Is on the Gate; A Hatful of Rain; A Kurt Weill Cabaret; A Joyful Noise","A Life; A Little Family Business; A Little Night Music","Souvenir program","A Majority of One; A Meeting by the River; A Moon for the Misbegotten; A Night at the Palace; A Party with Betty Comden and Adolph Green; A Patriot for Me; A Passage to India; A Place Without Doors; A Raisin in the Sun; A Salute to ASCAP; A Shot in the Dark; A Streetcar Named Desire; A Tale of Two Cities; A Taste of Honey; A Thurber Carnival; A Time for Singing; A Tree Grows in Brooklyn","Abelard \u0026 Heloise; Accidental Death of an Anarchist; The Act; The Actors Studio Theatre productions 1963-1964; ACT (American Conservatory Theatre); The Adventures of Tom Sawyer; Advise and Consent; After the Rain; Ah, Wilderness; Ain't Broadway Grand","Alan Gilbert \u0026 The New York Philharmonic; All Over; All the Way home; All's Well That Ends Well; Alfie!; Allegro; Amadeus; Ambassador","America Kicks Up Its Heels; American Ballet Theatre; The American Dance Machine; The American Way; Amour","Souvenir program","And Miss Reardon Drinks a Little; And the World Goes Around; The Andersonville Trial; Angel; Angel Street; Angels in America; Anna Karenina; Annie","Souvenir program","Souvenir program","Souvenir program","As Is; The Astrakhan Coat; Assassins; At the Drop of Another Hat; Auntie Mame; Autumn's Here!","Baby Want a Kiss; Bajour; Baker street; The Ballad of the Sad Cafe; Ballroom; Barbara Back to Broadway; Barefoot in Athens; Barefoot in the Park; Barnum","Souvenir programs for: Barefoot in the Park; Barnum; Beauty and the Beast; Beggar on Horseback; The Beggar's Opera; Belafonte at the Palace; Ben Franklin in Paris","Bayanihan; Beekman Place; Beg, Borrow or Steal; Beggar's Holiday; Bell's are Ringing; Ben Franklin in Paris; Bernadine; Best Foot Forward; The Best Little Whorehouse Goes Public; The Best Little Whorehouse in Texas; The Best Man; Beyond the Fringe","Big Deal; Billion Dollar Baby; Billy; The Birthday Party; Bklyn; Black and Blue; Black Broadway; Black Chiffon; Black Comedy","Black Comedy White Lies; Blast; Blithe Spirit; Blood Brothers; Blood Red Roses; Bloomer Girl; Blue Denim; Blues for Mister Charlie; The Body Beautiful; Born Yesterday","Borstal Boy; The Boy Friend; The Boy from Oz; Boys and Girls Together; The Boys from Syracuse; The Boys in the Band; The Boys of Winter","Boris Aronson (exhibit catalogue); Breakfast at Tiffany's; Breaking Legs; Brief Lives; Brigadoon; Brighton Beach Memoirs; Bring Back Birdie; Broadway Cabaret Festival; Broadway Cares","Broadway on Broadway; Broadway's Stars in the Alley; Bubbling Brown Sugar; The Buddy Holly Story; Butterflies are Free; By George; By Jupiter; Bye Bye Birdie","Souvenir program","Two souvenir programs","Souvenir program","Souvenir program","Can Can; Candida; Candide; Canterbury Tales (playbills and souvenir program)","Cantorial; Carmelina; Carousel (playbill and souvenir program); Carnival!; Carrie; Catch Me If You Can; Cats","Celebration; Century of Change; Charles Aznavour; Checking Out; Chess (playbill and souvenir program); Chicago (playbills and souvenir program)","Childs Play; The Chinese Prime Minister; Chips With Everything; Chita Rivera: The Dancer's Life; Chitty Chitty Bang Bang; City Center Joffrey ballet; City of Angels","Closer Than Ever; Cloud 7; Coco (playbills and souvenir program); The Color Purple (playbill and souvenir program); Come Blow Your Horn; Come on Strong; Come Summer; The Comedie Francaise","Company (playbills and souvenir programs)","Souvenir program","Conduct Unbecoming; The Contrast; Copper and Brass; Counsellor-at-Law; The Country Girl","Crazy For You; The Cradle Will Rock; The Creation of the World and Other Business; Critic's Choice; Cry For Us All","Cuba and His Teddy Bear; Curtains (playbills and souvenir program); Cyrano","The D'oyly Carte Opera Company; Dame Edna; Dames at Sea; Damn Yankees; Dance a Little Closer; Dance of Death; Dance of the Vampires; Dancin'; Daphne in Cottage D","The Dark at the Top of the Stairs; The Day Before Spring; The Day the Money Stopped; Dear Janet Rosenberg Dear Mr. Kooning; Dear Ruth; Dear Me, the Sky is Falling; Dear World (playbills and souvenir program)","Death of a Salesman; The Deputy (playbills and souvenir program); The Desperate Hours; Destry Rides Again; Deuce; The Devils; The Disenchanted","Diamonds; Different Times; Dinner at Eight; Dirty Rotten Scoundrels; Division Street","Do Black Patent Leather Shoes Really Reflect Up?; Do Re Mi; Do I Hear a Waltz?; Doctor Jazz; Does a Tiger Wear a Necktie?; Don Carlo and Les Troyens; Don't Drink the Water; The Doughgirls","Dr. Cook's Garden; Dracula; Drat the Cat; Dreamgirls; Drink to Me Only; The Drowsy Chaperone (playbill and souvenir program); Du Barry Was a Lady; Dude: The Highway Life; Duel of Angels; Dylan","Easter Bonnet Competition; Eating Raoul; El Bravo!; Elba; End of the World","The Effect of Gamma Rays on Man-in-the-Moon Marigolds; Elizabeth 1; Emperor Henry IV; Enter Laughing; Entertaining Mr. Sloane; Equus; The Ethel Merman Show; Everything in the Garden; Evita","Face Value; Fade Out-Fade In; Fair Game; Fallen Angels; The Family Reunion; Fanny (playbills and souvenir programs); Father's Day; Fences; Fiesta in Madrid","Fiddler on the Roof (playbills and souvenir program); Fifth of July; The Fig Leaves are Falling","Three souvenir programs including one for the film version","Finian's Rainbow; Fiorello!; Fire!; The First; The Firstborn (playbill and souvenir program); First Impressions; Fit to be Tied; Five Finger Exercise","Five Guys named Moe; The Flip Side; Flora the Red Menace; Flower Drum Song; Folies Bergere; Fortune and Men's Eyes; Forty Carats; Four on a Garden","Follies (playbills and souvenir program); Follow the Girls; Fosse; Foxy","Frank Merriwell or Honor Challenged; Frankenstein; Fred Ebb; The Frogs (playbills and souvenir program); From A to Z; The Front Page; The Full Monty","Playbills and souvenir programs","The Gang's All Here; Gantry; The Gazebo; Geese; Generation; George M.; Georgy","Gideon; Gigi (playbills and souvenir program); Gilbert \u0026 Sullivan Company; Gilbert Becaud on Broadway; The Gingerbread Lady; The Girl Against the Boys; The Girl Who Came to Supper; The Glass Menagerie; The Glorious Ones","God's Favorite; Golden Bat; Golden Boy; Golden Rainbow; Goldilocks; The Good Times Are Killing Me; The Goodbye Girl; Goodbye My Fancy; Goodtime Charlie; Grand Hotel (playbills and souvenir program); The Grand Tour","Souvenir programs for: Godspell; Golden Boy; Golden Rainbow; The Goodbye Girl","The Grass Harp; The Great God b=Brown; The Great Waltz; The Great White Hope (souvenir program); Greenwillow; Grey Gardens; Guys and Dolls; Gypsy (souvenir program)","Playbills and souvenir program","H.M.S. Pinafore; Hadrian VII; Hail Scrawdyke!; Hair; Hairspray; Half a Sixpence; Halfway Up the Tree","Half a Sixpence (souvenir program); Halfway Up the Tree; Hallelujah, Baby! (playbill and souvenir programs); Hamlet; Handful of Fire; Happiest Millionaire","Happy Birthday; Happy Birthday, Wanda June; The Happy Time (playbill and souvenir program); Happy Town; Happy Hunting (playbills and souvenir program); Harvey","Hats Off to Ice; Hay Fever; Heathen!; Hello, Dolly!","Playbills and souvenir programs","Hello, Solly!; Henry V; Henry, Sweet Henry (playbills and souvenir program); Here's Love","Hold On to Your Hats; Holiday for Lovers; Hooray for What!","The High Rollers Social \u0026 Pleasure Club; The History Boys; Home; Home Sweet Home; The Homecoming; The Hostage; Hot Spot; The House of Blue Leaves; How Now Dow Jones","How the Other Half Lives; How to Be a Jewish Mother; How to Succeed in Business Without Really Trying; How's the World Treating You; Hughie; Hurry, Harry","I Am a Camera; I Can Get It for You Wholesale; I Do! I Do! (playbills and souvenir program); I Had a Ball; I Hate Hamlet; I Know My Love; I Like It Here; I Never Sang for My Father","I Remember Mama; I'm Not Rappaport; Icetime; Illya Darling (souvenir program)","Illya Darling; The Impossible Years; In Bed We Cry; Inadmissible Evidence; Inbal; The Incomparable Max","Indians; Inherit the Wind; Inquest; International Soiree; Into the Woods (playbills and souvenir program); The Investigation; Invitation to a March","The Irregular Verb to Love; Is He Dead?; It Ain't Nothing but the Blues; It's a Bird, It's a Plane, It's Superman; Ivanov","JB; Jacobowsky and the Colonel; Jacques Brel is Alive and Well and Living in Paris; Jake's Women; Jamaica; James Joyce's The Dead; Jane; Janus; Jelly's Last Jam; Jennie; Jerome Robbins' ballets: U.S.A.; Jerome Robbins' on Broadway (playbills and souvenir program); Jesus Christ Superstar","Jimmy; Joan of Lorraine; The Jocky Club Stakes; Joe Egg; Johnny Johnson; Johnny No-Trump; Joseph and the Amazing Technicolor Dreamcoat; Joy; Journey's End; Jubilee; Judgment at Nuremberg, Judy Garland: At Home at the Palace","Kids Care; The Killing of Sister George; The King and I (playbills and souvenir program); King of Hearts; Kismet; Kiss of the Spiderwoman (playbill and souvenir program); The Knack; Kurt Weill: Making Music Theatre","La Bohème; La Cage aux Folles; La Grosse Valise; La Plume de Ma Tante","La Strada; Lady in the Dark; The Lake; Larry Kert 1930-1991; The Last Analysis; The Last of Mrs. Lincoln","Last of the Red Hot Lovers; The Last Sweet Days of Isaac; Laughs and Other Events; Legally Blonde; Legs Diamond; Les Ballets de Paris; Les Blancs; Lestat (playbill and souvenir program); Let's Face It","The Life; Life with Father; The Light in the Piazza; The Lion in Winter; Little Me (playbills and souvenir program)","Playbills and souvenir program","The Little Mermaid (playbills and souvenir program); Little Murders; Little Women (playbills and souvenir program); Lolita; Look After Lulu; Look Back in Anger; Look Homeward Angel","Playbills and souvenir programs.  Liza with a Z  tour program includes signature from Liza on last page.","Look to the Lillies; Loot; Lord Pergo; Lorelei (playbills and souvenir program); Lost in the Stars; Louisiana Purchase; Love Life; Love! Valour! Compassion!; Lovely Ladies, Kind Gentlemen; LoveMusik; The Loves of Cass McGuire","Alan Jay Lerner; Betty Comden and Adolph Green; Carolyn Leigh; Dorothy Fields; E.Y. 'Yip' Harburg; Fred Ebb and John Kander; Life is a Cabaret: A tribute to Fred Ebb; Hal David; Harold Rome; Jerry Herman; Johnny Mercer; Sammy Cahn; Shelden Harnick; Stephen Schwartz; Stephen Sondheim","Macbeth; Mack \u0026 Mabel (playbill and souvenir program); Madam Butterfly; Maggie Flynn; Make Mine Manhattan; Man of La Mancha","Souvenir programs","Mame (playbills and souvenir programs); The Mambo Kings; Mamma Mia; The Man in the Glass Booth (souvenir program)","The Man Who Came to Dinner; The Man Who Had All the Luck; The Man With a Load of Mischief; Marcel Marceau; Mark Twain Tonight!; Marlene Dietrich; The Marriage-Go-Round","Martin Short: Fame Becomes Me (playbill and souvenir program); Mary, Mary; Mary Poppins (playbills and souvenir program)","Me and My Girl (playbills and souvenir program); Meet Me in St. Louis; The Megilla of Itzik Manger; The Member of the Wedding; Merlin; Merrily We Roll Along; Metro; The Metropolitan Opera: Met in the Parks (June 2007)","Milk \u0026 Honey; Milliken Breakfast Show; Minnelli on Minnelli; Minnie's Boys; Minor Miracle; The Miracle Worker; Miss Liberty; Mister Roberts; Molly; Monty Python's Spamalot; More Stately Mansions; Morning's at Seven","Mister Johnson; Monty Python's Spamalot (souvenir program); More Stately Mansions (souvenir program); Morning, Noon, and Night; The Most Happy Fella; Mourning Become Electra; Movin' Out; Mr. Wonderful; Mr. President; Mrs. Dally","Murder at Minsing Manor: A Nancy Boys Mystery; Music! Music!; Music in My Heart; Music in the Air; The Music Man (playbill and souvenir program); The Musical Theatre of Harold Prince; Musicals in Mufti; My Fair Lady (playbills and souvenir program); My One and Only (playbill and souvenir program)","My Fair Lady; My Favorite Year; My Funny Valentine; My Sister Eileen; My Wife and I","National Ballet; Natural Affection; Nature's Way; The Nerd; The Nervous Set; Never Too Late; The New Musical of Israel; New York City Ballet; New York City Opera","New York City Ballet (playbills and Nutcracker souvenir program); New York City Opera; New York Philharmonic; The New Yorkers; The Next President; Next to Normal","Two souvenir programs","Nick \u0026 Nora; The Night Circus; The Night of the Iguana; Night Watch; Nine (playbills and souvenir program); No, No, Nanette; No Place to Be Somebody; The Ninety Day Mistress","No Strings; Nobody Loves an Albatross; Noises Off","O Mistress Mine; The Odd Couple; Of Thee I Sing; Oh! Calcutta!; Oh, Captain!; Oh, Kay!; Oh What a Lovely War; Oil City Symphony; Oklahoma! (playbills and souvenir program)","Old Times; Old Vic; Oliver! (playbills and souvenir program); On a Clear Day You Can See Forever (playbills and souvenir programs); On Golden Pond; On the Town; On the Twentieth Century","On the Waterfront; On Your Toes; Once More, With Feeling; Once on This Island (playbill and souvenir program); Once Upon a Mattress; One More River; One Night Stand; One Touch of Venus; The Only Game in Town; Orpheus Descending; Over Twenty-One","Our Country's Good; Our Town; Out Cry; Out of This World; The Owl and the Pussycat","P.S. I Love You; Pacific Overtures; The Pajama Game; Pal Joey; Pamela's First Musical; Panama Hattie; Paris Is Out!; Park; Passion; The Passion","Paul Sills' Story Theatre; Paul Taylor Dance Company; The Penny Wars; Perfectly Frank; Period of Adjustment; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade; The Petrified Forest; Phantom of the Opera (playbill and souvenir program); Philadelphia, Here I Come!; The Philanthropist","Photo Finish; Pickwick (playbill and souvenir program); Pippin (playbill and souvenir program); The Pirate Queen (playbill and souvenir program); The Pirates of Penzance; Plain and Fancy","Platinum; Play It Again, Sam; Plaza Suite; The Pleasure of His Company; Ponti; Poor Bitos; Poor Richard; Porgy and Bess; Portofino; Pousse-Café; The Power and the Glory; The Prime of Miss Jean Brodie","The Prisoner of Second Avenue; The Private Ear and the Public Eye; Private Lives; The Producers; Program I; Program II; Program III; Promenade; Promises, Promises (playbill and souvenir program); Pump Boys and Dinettes","Playbills and souvenir program","Radio City Music Hall (playbills and a souvenir program); Radio City Music Hall Christmas Spectacular; Rags; Ragtime","Souvenir program","Red Gloves; The Red Mill; The Red Shoes; Red White and Maddox; Redhead; Rendezvous with Marlene","Rex (playbills and souvenir program); Ring Bells! Sing Songs! (playbills and souvenir programs); The Rink (playbills and souvenir program)","The Rise and Fall of the City of Mahagony (souvenir programs); The Ritz; The Roar of the Greasepaint - The Smell of the Crowd (playbills and souvenir program); The Robber Bridegroom; Rockabye Hamlet; The Rocky Horror Picture Show; Room Service; The Rose Tattoo","Rosencrantz and Guildenstern Are Dead; The Rothschilds (playbills and souvenir program); The Royal Ballet (souvenir programs)","The Royal Family; The Royal Hunt of the Sun; Rugatino; Rumple; Ruthless!","Sabrina Fair; Sadie Thompson; Salvation; Saratoga; Say, Darling; The School for Scandal (playbills and souvenir program); The School for Wives; Scratch; Scrooge (souvenir program); The Secret Affairs of Mildred Wild","The Secret Garden; Seesaw (playbills and souvenir program); The Selling of the President; Send Me No Flowers; Set to Music; Seven Days of Mourning; She Loves Me!; Sheep on the Runway; Shelter","Shenandoah (playbills and souvenir programs); Sherry!; Shinbone Alley; Shogun: The Musical; Show Boat (playbill and souvenir program)","Show Boat; The Show Is On; The Sign in Sidney Brustein's Window; Silent Night, Lonely Night; Silk Stockings; Silverlake; Sing Happy (playbills and souvenir program); Sister Mary Ignatius Explains It All for You; The Actor's Nightmare","Skyscraper (playbill and souvenir program); Sleight of Hand; Sleuth; Slow Dance on the Killing Ground; Smile; Smokey Joe's Cafe: The Songs of Leiber and Stoller; Social Security; Soldiers; Solitaire, Double Solitaire; Something Different; Something for the Boys","Sondheim: A Celebration at Carnegie Hall; Sondheim: A Musical Tribute; Song \u0026 Dance (playbills and souvenir program); Song of Norway (playbill and souvenir programs); Song of the Grasshopper; Soon; The Sound of Music","South Pacific (playbills and souvenir program); Splendora; Spofford; The Star Spangled Girl; Star and Garter; Stardust","Starmites; Stars of the Bolshoi Ballet; Stars of the New York Stage 1870-1970 (exhibit catalogue); State Fair; Steel Pier; Sticks and Bones; Stop the World- I Want to Get Off; Strange Interlude; Street Songs","The Subject Was Roses; Subways Are for Sleeping; Sugar (playbills and souvenir program); Summer of the 17th Doll; Sunday in the Park with George (playbills and souvenir program); Sunset","The Sunshine Boys; The Supporting Cast; The Survival of St. Joan: A Medieval Rock Opera; Sweeney Todd: The Demon Barber of Fleet Street (playbills and souvenir program); Sweet Bird of Youth","Playbills and souvenir programs","Take Me Along; Taking Steps; Tango Argentino; Tchaikovsky at Carnegie Hall; Tchin-Tchin (playbills and souvenir programs); The Teahouse of the August Moon; Ten Little Indians; Tenderloin; The Tenth Man; That Championship Season; That's Entertainment; There Was a Little Girl; They're Playing Our Song; Thoroughly Modern Millie","There's a Girl in My Soup; Three Men on a Horse; The Threepenny Opera; Time Remembered; Tiny Alice; Titanic","Tomorrow, the World; Tonight at 8:30; Tony Award programs; Too True to Be Good; Tovarich; Toys in the Attic; Traveller Without Luggage; The Trial of Lee Harvey Oswald; Tricks; Trixie True: Teen Detective","The Tumbler; The Tunnel of Love; Twelfth Night; Twigs; Two by Two (playbill and souvenir program); Two Gentlemen of Verona (playbills and souvenir program); The Two Mrs. Carrolls","Playbills and souvenir program for The Unsinkable Molly Brown","The Utter Glory of Morrissey Hall; Veronica's Room; Very Dry and on the rocks; Very Good Eddie (playbills and souvenir program); Via Galactica; Victor Victoria","Vienna Boys Choir (souvenir program); Vintage '60; The Visit; Vivat! Vivat Regina!; The Voice of the Turtle; Voices","Wait a Minim!; Wait Until Dark; Walking Happy; Wall to Wall Richard Rodgers; Waltz of the Toreadors; War and Peace; Warp One: My Battlefield, My Body; We Have Always Lived in the Castle; The Wedding Singer (playbills and souvenir program); Welcome to the Club; West Side Story","West Side Story (playbills and souvenir programs); What Did We Do Wrong?; What Makes Sammy Run? (playbill and souvenir program); When Pigs Fly; Where's Charley? (playbill and souvenir program)","The White House; Who Was That Lady I Saw You With?; Who's Afraid of Virginia Woolf?; The Who's Tommy; Whodunnit; Whoop Dee Doo!; Whoop Up; Whores, Wars \u0026 Tin Pan Alley","Wicked (playbills and souvenir program); Wiener Blut (playbill and souvenir program); Wild and Wonderful; The Will Rodgers Follies; Winesburg, Ohio; Wings; Wish You Were Here; Wise Child","Woman of the Year (playbills and souvenir program); The Woman in White; Wonderful Tennessee; Wonderhouse; Working; The World of Suzie Wong; Write Me a Murder","The Yearling; You Can't Take It With You; You Know I Can't Hear You When the Water's Running; Young Frankenstein (playbills and souvenir program)","Ziegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda","This series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs.","Appalachian Autumn; The Day Before Sunday; Dear Friends; Do Not Go Gentle Into That Good Night; The Experiment; My Father and My Mother; The People Next Door; Sadbird; Saturday Adoption; Secrets; Shadow Game","Actors Equity Association \"Equity\" magazine; Blithe Spirit; Camelot; Chinese Theatre Hollywood; Crossed Swords","Far from the Madding Crowd; Goodbye, Mr. Chips; Helen Hayes: Portrait of an American Actress; Indiana Jones and the Temple of Doom; Latin Quarter; The Lion in Winter","Ben Hur; El Cid; How the West Was Won; It's a Mad Mad, Mad, Mad World; Judgment at Nuremburg; Lawrence of Arabia; The Longest Day; Mutiny on the Bounty; The Wonderful World of the Brothers Grimm; West Side Story","Return of the Jedi; Romeo \u0026 Juliet; Ringling Brothers and Barnum \u0026 Bailey Circus; Song of Norway; The Sound of Music"],"userestrict_html_tesm":["\u003cp\u003eMaterials created before 1925 are in the Public Domain. No known restrictions.\u003c/p\u003e\n","\u003cp\u003eThe copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials created before 1925 are in the Public Domain. No known restrictions.","The copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d46ac9a9e4e3a7b9dc6e8e0b7d7a8d53\" label=\"Abstract\"\u003eThe Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.\u003c/abstract\u003e"],"abstract_tesim":["The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Rodrigues, Charles"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Rodrigues, Charles"],"language_ssim":["English"],"total_component_count_is":563,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:14:16.259Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_113","ead_ssi":"vifgm_repositories_2_resources_113","_root_":"vifgm_repositories_2_resources_113","_nest_parent_":"vifgm_repositories_2_resources_113","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_113.xml","title_ssm":["Charles Rodrigues playbill collection"],"title_tesim":["Charles Rodrigues playbill collection"],"unitdate_ssm":["1879-2009"],"unitdate_inclusive_ssm":["1879-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0184","/repositories/2/resources/113"],"text":["C0184","/repositories/2/resources/113","Charles Rodrigues playbill collection","Theater -- New York (State) -- New York","Theater -- United States","There are no access restrictions.","Arranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.","Series Series 1: Outside New York City, 1879-2009 (boxes 1-5, 37) Series 2: New York City, 1885-2009 (boxes 6-34, 37-38) Series 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)","Charles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage.","Processed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Brent in April 2022.","The Special Collections Research Center holds many other collections on theatre and the performing arts.","The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","The collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. ","Includes playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Playbills in this subseries are from the Boston Museum, Carousel Theatre, Charles Playhouse, Colonial Theatre, Copley Theatre, Music Hall, the New Globe Theatre, North Shore Music Theatre, Plymouth Theatre, Saxon Theatre, Shubert Theatre, South Shore Music Circus, Sumner Theatre, and the Wilbur Theatre in Boston. There is also one playbill from the Court Square Theatre in Springfield, MA, one from The Dettors Theatre in Concord, MA, two from the Provincetown Playhouse On-the-wharf in Provincetown, MA, and a review of a play from Tilton, NH.","Springfield, MA","A Majority of One; A Thousand Clowns; A Very Special Baby; Anastasia; Around the World in 80 Days","Indians  review from the Tiltonian publication of the Tilton School in Tilton, NH.","First Love; Follies ; Benefit performance of  Follies  for the American Cancer Society Massachusetts division;  Giants, Sons of Giants; Grand Hotel; Guys and Dolls; Hamlet; Hot September","Mame; Married Alive!; Mid-Summer; Mr. President","The Odd Couple; On a Clear Day You Can See Forever; On the Twentieth Century; Pacific Overtures; Photo Finish; Pretty Belle; The Roar of the Greasepaint-The Smell of the Crowd; Romanoff and Juliet; Sherry!; Toys in the Attic; Wildcat; Woman of the Year","Provincetown, MA","Many of the playbills in this subseries are Performing Arts magazines and from theaters in San Franciso and Los Angeles. Theatres include the Ambassador Cocoanut grove, American Conservatory Theatre, Aquarius Theatre, Curran Theatre, Dorothy Chandler Pavilion, Huntington Hartford Theatre, Las Palmas Theatre, Little Fox Theatre, the Music Center, the Orpheum Theatre, Shubert Theatre, and the War Memorial Opera House.","Camelot; Evita; Gigi; Give 'em Hell, Harry!","Hair; Kismet; Lorelei; The Music Man; Odyssey; Oklahoma!","Pacific Overtures ; San Francisco Opera  L'elisir d'amore; Shine It On","Sunset Boulevard; Tom Jones; The Wiz","This subseries includes playbills from the Blackstone Theatre, Columbia Theatre, the Goodman Theatre, and the Happy Medium Theatre in Chicago.","Includes playbills from the Westport Country Playhouse, Goodspeed Opera House, the Hartman Theatre, The Holmes School in Darien, Stamford Center for the Arts, the Shubert Theatre, the Long Wharf Theatre, the Ivoryton Playhouse, Yale Repertory Theatre, and Westbury Music Fair in Connecticut.","A Song for Cyrano; Ain't Misbehavin'; Annie; Bells are Ringing; The Chalk Garden; Cry for Us All; Daarlin' Juno","Dear Charles; The Devil's Disciple; El Capitan; How Now Dow Jones; Illya Darling; The King and I","Kiss Me, Kate; The Marquise; The Play's the Thing","Spider's Web; Stardust; The Three Musketeers; Two by Two; The Vagabond King; Zorba","Playbill from the Parker Playhouse in Ft. Lauderdale, Florida","This subseries includes playbills from the Abbey Theatre, Adelphi Theatre, Apollo Theatre, Comedy Theatre, Daly's Theatre, Duke of York's Theatre, Her Majesty's A Stoll Moss Theatre, Lyric Theatre, National Theatre, New London Theatre, The New Lyric Opera House, New Theatre, Palace Theatre, Palladium, Phoenix Theatre, Piccadilly Theatre, Prince Edward Theatre, Prince of Wales Theatre, Queen's Hall, The Queen's Theatre, Roundabout Theatre, Royal Court Theatre, Royal Lyceum Theatre, Royal Opera House Covent Garden, Royal Shakespeare Theatre, Savoy Theatre, Shaftesbury Theatre, Strand Theatre, St. James Theatre, Theatre Royal Drury Lane, Theatre Royal Haymarket, Victoria Palace Theatre, Wyndham's Theatre in London, the West Yorkshire Playhouse in Leeds, and the Alexandrian Theatre in Liverpool.","A Madhouse in Goa; Aspects of Love; Bloomsbury; Don Carlos","Playbill and souvenir program","Souvenir programs","Follies  (includes photograph of theatre;  Front \u0026 Center  (magazine of Roundabout Theatre Company);  The Four Musketeers!","Golden Boy; Hadrian VII; Halfway Up the Tree; The Hotel in Amsterdam; Lady Be Good; Madame Tussaud's; The Mousetrap","Gone with the Wind; Hamlet; Here and Now; High Society; Les Miserables; Martin Guerre","Operettas  by Jacques Offenbach; Sadler's Wells opera at the London Coliseum;  Travesties","Miss Saigon; Murder Among Friends; Not Now, Darling; The Odd Couple; Oliver!; Over My Dead Body; Phantom of the Opera; The Quare Fellow; The Secret of Sherlock Holmes; Shirley Valentine; Show Boat; Single Spies","Steel Magnolias; Sunset Boulevard; Sweet Charity","This subseries includes playbills from Long Island theatres, SUNY, and the Tappan Zee theatre in Nyack, as well as playbills from Westchester New York. Playbills from Westchester theatres are separated and included after the Long Island, SUNY, and Nyack playbills. Playbills from High School and community productions are included alphabetically by city at the end of this subseries.","A Song for Cyrano; Anita Baker; Assassins; Chicago; Come Back, Little Sheba; Damn Yankees; Follies","Ain't Misbehavin'; At This Performance; Camelot ; Emelin Theatre 2008-2009; Emelin's Broadway Holiday Cabaret;  Friends In Deed; Funny Girl ; Johnny Carson; Liza Minnelli;  Pure Heaven; 'S Wonderful, 's Gershwin ; Steve Martin;  Sweet Hearts ; The Vienna Boys' Choir","Ann Hampton Callaway (ticket);  Call me Madam; Carousel ; The Festival Orchestra opening performance;  Fiorello!; Glad, Too; Godspell; Grow up! A Musical; How to Succeed in Business Without Really Trying; Incongruities; The Madwoman of Chaillot; New Plays 90; New Plays 91; New Plays 92 ; Second annual M.H.S. student film festival;  Studio night chamber music; Tosca; Who's out there that's for me?; Winter birds ; also includes a letter from Helen S. Murray to Charles Rodrigues","Anything Goes; Bye Bye Birdie; Brigadoon; Carnival; Cats; Cinderella '72; Fiddler on the Roof; Footlight Follies; Guys and Dolls; The King and I; Kiss Me, Kate; Li'l Abner; Mame; The Night Thoreau Spent in Jail; Once Upon a Mattress; Paint Your Wagon; Peter Pan; South Pacific; Wonderful Town","The Absence of a Cello ;  Aida  at the Verdi Opera Festival; AFS 1983 variety show; AFS 1984 variety show;  The Boy Friend; Brigadoon; My One and Only; The Old Woman Broods ; Valentine's Day benefit February 14, 1987","A Connecticut Yankee in King Arthur's Court; Fando and Lis","This subseries includes playbills and a concert program from the state of New Jersey. Theatres include the Surflight Theatre, Paper Mill Playhouse, The Whole Theatre Company, and the Broad Street Theatre.","Animal Crackers; Children of Eden ; Fleetwood Mac, concert program;  Follies; Phantom of the Opera; The Trojan Women; Where's Charley?","This subseries includes playbills from the state of Ohio. Theatres include B.F. Keith's Hippodrome, the Cincinnati Music Theatre, and The Cincinnati Playhouse in the park.","This subseries includes playbills from the city of Paris. Theatres include the Cabaret Lido Paris, Theatre De La Renaissance, and the Theatre National de L'Opera.","This subseries includes playbills from the city of Philadelphia. One playbill from Pittsburgh's Nixon Theatre is included at the end of the Philadelphia pre-1934 playbills. Theatres include The Academy of Music, Broad Street Theatre, The Erlanger Theatre, Forrest Theatre, The Goldman Theatre, The Little Theatre, The New Locust Theatre, Playhouse, Shubert Theatre, Society Hill Playhouse, Valley Forge Music Fair, Walnut Theatre, and The University of Pennsylvania.","Pittsburgh","70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; A Call on Kuprin; A Cook for Mr. General; A Man's a Man; A Matter of Position; A Severed Head; A Thurber Carnival; A View from the Bridge; Advise and Consent; All American; Alice; Anyone Can Whistle; Ari; Artur Rubinstein; The Aspern Papers; The Beauty Part; Big Fish, Little Fish; Brain Child; Butterflies Are Free; Bye Bye Birdie; Chicago; Christine; Copper and Brass","Daughter of Silence; Dear Me, the Sky is Falling; Destry Rides Again; The Disenchanted; Do Re Mi; Donnybrook; Elizabeth the Queen; Enrico; The Fantasticks; The Fighting Cock; First impressions; Five finger exercise; Four on a garden; The fun couple; Funny girl; Gideon; The girl who came to supper; Goodbye Charlie; Greenwillow; Gypsy; H.M.S. Pinafore; Here's love; High spirits","The Highest Tree; Hot Spot; How Now, Dow Jones; I Can Get It for You Wholesale; I Remember Mama; In the Counting House; J.B.; Julia, Jake, and Uncle Joe; Little Me; Lolita, My Love; Lord Pengo; Love and Kisses; Lovely Ladies, Kind Gentlemen; Luther; Mame; The Marriage-Go-Round; Mary Stuart; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; The Miracle Worker; My Fair Lady","National Repertory Theatre;  No, No, Nanette; Nowhere to Go But Up; Old World; Period of Adjustment ; The Philadelphia Orchestra (1962-1963 season);  The Pleasure of His Company; The Prince of Grand Street; Ready When You Are C.B.!; Romulus; Say, darling; The school for scandal; She loves me; Spartacus; Something About a Soldier; Stop the World - I Want to Get Off; The Subject Was Roses; Sugar; Sugar Babies; Sweet Bird of Youth; Take Her, She's Mine; Take Me Along; There Was a Little Girl; Threepenny Opera; Tovarich","The Umbrella; The Visit; The Wall; Wildcat; Who's Afraid of Virginia Wolf?; The World of Carl Sandburg; Zorba","Four one-act plays:  Present Day Courtship, The Still Alarm, People in the Wind, In the Zone; The Sandbox, The Lesson, Daughters; Medea; She Stoops to Conquer ; The Stringart Quartet artists-in-residence; The University of Pennsylvania Glee club and Pennsyngers","This subseries includes playbills from the city of Toronto. Playbills are from the Melody Fair and the Royal Alexandra Theatre.","This subseries includes playbills from the city of Washington D.C. Playbills are from the Kennedy Center, National Theatre, Signature Theatre, and the Morris A. Mechanic Theatre in Baltimore.","The Alvin Alley City Center Dance Theatre; Applause; Carnival!","Lost in the Stars; Natural Affection; Over and Over; Rex; Sondheim Celebration; Spotlight; Sugar; The Visit","This series contains playbills and souvenir programs from a variety of theatres and venues including those found on Broadway, off-Broadway, off-off Broadway and in Brooklyn. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Angel Face; Animal Crackers; Apple Blossoms; The Apple Cart","Ballyhoo; Ballyhoo of '32; The Bandwagon","Playbills from the Broadhurst and Shubert theatres","Montauk Theatre in Brooklyn","The Blackbirds of 1928; Blossom Time; Blue Eyes; Broadway; The Broadway Whirl","Cherry Blossoms; China Rose; The Chocolate Dandies","Daddies; The Dancing Girl; Dearest Enemy; Death Takes a Holiday; The Desert Song; Design for Living; Desire Under the Elms","Two incomplete playbills","General Post; Gentlemen Prefer Blondes; George White's Scandals; Getting Married; Getting Together","The Girl Behind the Gun; Girl Crazy; The Girl Friend; The Girl from Home","Good Gracious Annabelle; Girls; Good Boy; Good News; The Grab Bag; Grand Hotel; The Great Adventure; The Great Divide; The Great Gatsby","The Greenwich Village Follies; The Greenwich Village Follies of 1920","Helen of Troy, New York; Hello Daddy; Here's Howe; Hit the Deck; Hitchy-Koo 1920","Lassie; The Lassoo; The Laugh Parade; The Last Waltz; Liliom; The Lie","Little Nelly Kelly; The Little Show; Lollipop; Love Birds","Melody; Men in White; The Merry Widow; Midnight Revue; Miss Springtime","Odds and Ends of 1917; Of Thee I Sing; Oh, Boy!; Oh, Kay!, Oh Look, Oh, please!","Three playbills, two of which are for vaudeville performances at the Orpheum Theatre in Brooklyn","Padlocks of 1927; Paris; The Parisian Model","Pietro; Pitter Patter; Poor Little Ritz Girl; Poppy; Porgy","R.U.R.; Rainbow; The Ramblers; The Red Mill","Redemption; Revels; The Rise of Rosie O'Reilly; Rosalie; Rose Bernd; Rose-Marie; The Royal Family; The Royal Vagabond; Running Wild","Simple Simon; Singin' the Blues; Six Characters in Search of an Author; Smiles; Some Time; The Song and Dance Man; Song of the Flame; Spring is Here; Strange Interlude; Street Scene; Strike Me Pink; Strike Up the Band; The Student Prince in Heidelberg; Sweet; Sweet Little Devil; Swifty","Three Wise Fools; Three's a Crowd; Tickle Me; Tip-Toes","6 Rms Riv Vu; The 25th Annual Putnam County Spelling Bee; 42nd Street; 70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; 1776","Souvenir program","A Bell for Adano; A Bistro Car; A Broadway Musical; A Case of Libel; A Catered Affair; A Celebration of Richard Rodgers; A Chorus Line; A Class Act; A Day in Hollywood / A Night in the Ukraine; A Day in the Life of Just About Everyone; A Delicate Balance; A Doll's Life","A Far Country; A FunnyTthing Happened on the Way to the Forum; A Hand Is on the Gate; A Hatful of Rain; A Kurt Weill Cabaret; A Joyful Noise","A Life; A Little Family Business; A Little Night Music","Souvenir program","A Majority of One; A Meeting by the River; A Moon for the Misbegotten; A Night at the Palace; A Party with Betty Comden and Adolph Green; A Patriot for Me; A Passage to India; A Place Without Doors; A Raisin in the Sun; A Salute to ASCAP; A Shot in the Dark; A Streetcar Named Desire; A Tale of Two Cities; A Taste of Honey; A Thurber Carnival; A Time for Singing; A Tree Grows in Brooklyn","Abelard \u0026 Heloise; Accidental Death of an Anarchist; The Act; The Actors Studio Theatre productions 1963-1964; ACT (American Conservatory Theatre); The Adventures of Tom Sawyer; Advise and Consent; After the Rain; Ah, Wilderness; Ain't Broadway Grand","Alan Gilbert \u0026 The New York Philharmonic; All Over; All the Way home; All's Well That Ends Well; Alfie!; Allegro; Amadeus; Ambassador","America Kicks Up Its Heels; American Ballet Theatre; The American Dance Machine; The American Way; Amour","Souvenir program","And Miss Reardon Drinks a Little; And the World Goes Around; The Andersonville Trial; Angel; Angel Street; Angels in America; Anna Karenina; Annie","Souvenir program","Souvenir program","Souvenir program","As Is; The Astrakhan Coat; Assassins; At the Drop of Another Hat; Auntie Mame; Autumn's Here!","Baby Want a Kiss; Bajour; Baker street; The Ballad of the Sad Cafe; Ballroom; Barbara Back to Broadway; Barefoot in Athens; Barefoot in the Park; Barnum","Souvenir programs for: Barefoot in the Park; Barnum; Beauty and the Beast; Beggar on Horseback; The Beggar's Opera; Belafonte at the Palace; Ben Franklin in Paris","Bayanihan; Beekman Place; Beg, Borrow or Steal; Beggar's Holiday; Bell's are Ringing; Ben Franklin in Paris; Bernadine; Best Foot Forward; The Best Little Whorehouse Goes Public; The Best Little Whorehouse in Texas; The Best Man; Beyond the Fringe","Big Deal; Billion Dollar Baby; Billy; The Birthday Party; Bklyn; Black and Blue; Black Broadway; Black Chiffon; Black Comedy","Black Comedy White Lies; Blast; Blithe Spirit; Blood Brothers; Blood Red Roses; Bloomer Girl; Blue Denim; Blues for Mister Charlie; The Body Beautiful; Born Yesterday","Borstal Boy; The Boy Friend; The Boy from Oz; Boys and Girls Together; The Boys from Syracuse; The Boys in the Band; The Boys of Winter","Boris Aronson (exhibit catalogue); Breakfast at Tiffany's; Breaking Legs; Brief Lives; Brigadoon; Brighton Beach Memoirs; Bring Back Birdie; Broadway Cabaret Festival; Broadway Cares","Broadway on Broadway; Broadway's Stars in the Alley; Bubbling Brown Sugar; The Buddy Holly Story; Butterflies are Free; By George; By Jupiter; Bye Bye Birdie","Souvenir program","Two souvenir programs","Souvenir program","Souvenir program","Can Can; Candida; Candide; Canterbury Tales (playbills and souvenir program)","Cantorial; Carmelina; Carousel (playbill and souvenir program); Carnival!; Carrie; Catch Me If You Can; Cats","Celebration; Century of Change; Charles Aznavour; Checking Out; Chess (playbill and souvenir program); Chicago (playbills and souvenir program)","Childs Play; The Chinese Prime Minister; Chips With Everything; Chita Rivera: The Dancer's Life; Chitty Chitty Bang Bang; City Center Joffrey ballet; City of Angels","Closer Than Ever; Cloud 7; Coco (playbills and souvenir program); The Color Purple (playbill and souvenir program); Come Blow Your Horn; Come on Strong; Come Summer; The Comedie Francaise","Company (playbills and souvenir programs)","Souvenir program","Conduct Unbecoming; The Contrast; Copper and Brass; Counsellor-at-Law; The Country Girl","Crazy For You; The Cradle Will Rock; The Creation of the World and Other Business; Critic's Choice; Cry For Us All","Cuba and His Teddy Bear; Curtains (playbills and souvenir program); Cyrano","The D'oyly Carte Opera Company; Dame Edna; Dames at Sea; Damn Yankees; Dance a Little Closer; Dance of Death; Dance of the Vampires; Dancin'; Daphne in Cottage D","The Dark at the Top of the Stairs; The Day Before Spring; The Day the Money Stopped; Dear Janet Rosenberg Dear Mr. Kooning; Dear Ruth; Dear Me, the Sky is Falling; Dear World (playbills and souvenir program)","Death of a Salesman; The Deputy (playbills and souvenir program); The Desperate Hours; Destry Rides Again; Deuce; The Devils; The Disenchanted","Diamonds; Different Times; Dinner at Eight; Dirty Rotten Scoundrels; Division Street","Do Black Patent Leather Shoes Really Reflect Up?; Do Re Mi; Do I Hear a Waltz?; Doctor Jazz; Does a Tiger Wear a Necktie?; Don Carlo and Les Troyens; Don't Drink the Water; The Doughgirls","Dr. Cook's Garden; Dracula; Drat the Cat; Dreamgirls; Drink to Me Only; The Drowsy Chaperone (playbill and souvenir program); Du Barry Was a Lady; Dude: The Highway Life; Duel of Angels; Dylan","Easter Bonnet Competition; Eating Raoul; El Bravo!; Elba; End of the World","The Effect of Gamma Rays on Man-in-the-Moon Marigolds; Elizabeth 1; Emperor Henry IV; Enter Laughing; Entertaining Mr. Sloane; Equus; The Ethel Merman Show; Everything in the Garden; Evita","Face Value; Fade Out-Fade In; Fair Game; Fallen Angels; The Family Reunion; Fanny (playbills and souvenir programs); Father's Day; Fences; Fiesta in Madrid","Fiddler on the Roof (playbills and souvenir program); Fifth of July; The Fig Leaves are Falling","Three souvenir programs including one for the film version","Finian's Rainbow; Fiorello!; Fire!; The First; The Firstborn (playbill and souvenir program); First Impressions; Fit to be Tied; Five Finger Exercise","Five Guys named Moe; The Flip Side; Flora the Red Menace; Flower Drum Song; Folies Bergere; Fortune and Men's Eyes; Forty Carats; Four on a Garden","Follies (playbills and souvenir program); Follow the Girls; Fosse; Foxy","Frank Merriwell or Honor Challenged; Frankenstein; Fred Ebb; The Frogs (playbills and souvenir program); From A to Z; The Front Page; The Full Monty","Playbills and souvenir programs","The Gang's All Here; Gantry; The Gazebo; Geese; Generation; George M.; Georgy","Gideon; Gigi (playbills and souvenir program); Gilbert \u0026 Sullivan Company; Gilbert Becaud on Broadway; The Gingerbread Lady; The Girl Against the Boys; The Girl Who Came to Supper; The Glass Menagerie; The Glorious Ones","God's Favorite; Golden Bat; Golden Boy; Golden Rainbow; Goldilocks; The Good Times Are Killing Me; The Goodbye Girl; Goodbye My Fancy; Goodtime Charlie; Grand Hotel (playbills and souvenir program); The Grand Tour","Souvenir programs for: Godspell; Golden Boy; Golden Rainbow; The Goodbye Girl","The Grass Harp; The Great God b=Brown; The Great Waltz; The Great White Hope (souvenir program); Greenwillow; Grey Gardens; Guys and Dolls; Gypsy (souvenir program)","Playbills and souvenir program","H.M.S. Pinafore; Hadrian VII; Hail Scrawdyke!; Hair; Hairspray; Half a Sixpence; Halfway Up the Tree","Half a Sixpence (souvenir program); Halfway Up the Tree; Hallelujah, Baby! (playbill and souvenir programs); Hamlet; Handful of Fire; Happiest Millionaire","Happy Birthday; Happy Birthday, Wanda June; The Happy Time (playbill and souvenir program); Happy Town; Happy Hunting (playbills and souvenir program); Harvey","Hats Off to Ice; Hay Fever; Heathen!; Hello, Dolly!","Playbills and souvenir programs","Hello, Solly!; Henry V; Henry, Sweet Henry (playbills and souvenir program); Here's Love","Hold On to Your Hats; Holiday for Lovers; Hooray for What!","The High Rollers Social \u0026 Pleasure Club; The History Boys; Home; Home Sweet Home; The Homecoming; The Hostage; Hot Spot; The House of Blue Leaves; How Now Dow Jones","How the Other Half Lives; How to Be a Jewish Mother; How to Succeed in Business Without Really Trying; How's the World Treating You; Hughie; Hurry, Harry","I Am a Camera; I Can Get It for You Wholesale; I Do! I Do! (playbills and souvenir program); I Had a Ball; I Hate Hamlet; I Know My Love; I Like It Here; I Never Sang for My Father","I Remember Mama; I'm Not Rappaport; Icetime; Illya Darling (souvenir program)","Illya Darling; The Impossible Years; In Bed We Cry; Inadmissible Evidence; Inbal; The Incomparable Max","Indians; Inherit the Wind; Inquest; International Soiree; Into the Woods (playbills and souvenir program); The Investigation; Invitation to a March","The Irregular Verb to Love; Is He Dead?; It Ain't Nothing but the Blues; It's a Bird, It's a Plane, It's Superman; Ivanov","JB; Jacobowsky and the Colonel; Jacques Brel is Alive and Well and Living in Paris; Jake's Women; Jamaica; James Joyce's The Dead; Jane; Janus; Jelly's Last Jam; Jennie; Jerome Robbins' ballets: U.S.A.; Jerome Robbins' on Broadway (playbills and souvenir program); Jesus Christ Superstar","Jimmy; Joan of Lorraine; The Jocky Club Stakes; Joe Egg; Johnny Johnson; Johnny No-Trump; Joseph and the Amazing Technicolor Dreamcoat; Joy; Journey's End; Jubilee; Judgment at Nuremberg, Judy Garland: At Home at the Palace","Kids Care; The Killing of Sister George; The King and I (playbills and souvenir program); King of Hearts; Kismet; Kiss of the Spiderwoman (playbill and souvenir program); The Knack; Kurt Weill: Making Music Theatre","La Bohème; La Cage aux Folles; La Grosse Valise; La Plume de Ma Tante","La Strada; Lady in the Dark; The Lake; Larry Kert 1930-1991; The Last Analysis; The Last of Mrs. Lincoln","Last of the Red Hot Lovers; The Last Sweet Days of Isaac; Laughs and Other Events; Legally Blonde; Legs Diamond; Les Ballets de Paris; Les Blancs; Lestat (playbill and souvenir program); Let's Face It","The Life; Life with Father; The Light in the Piazza; The Lion in Winter; Little Me (playbills and souvenir program)","Playbills and souvenir program","The Little Mermaid (playbills and souvenir program); Little Murders; Little Women (playbills and souvenir program); Lolita; Look After Lulu; Look Back in Anger; Look Homeward Angel","Playbills and souvenir programs.  Liza with a Z  tour program includes signature from Liza on last page.","Look to the Lillies; Loot; Lord Pergo; Lorelei (playbills and souvenir program); Lost in the Stars; Louisiana Purchase; Love Life; Love! Valour! Compassion!; Lovely Ladies, Kind Gentlemen; LoveMusik; The Loves of Cass McGuire","Alan Jay Lerner; Betty Comden and Adolph Green; Carolyn Leigh; Dorothy Fields; E.Y. 'Yip' Harburg; Fred Ebb and John Kander; Life is a Cabaret: A tribute to Fred Ebb; Hal David; Harold Rome; Jerry Herman; Johnny Mercer; Sammy Cahn; Shelden Harnick; Stephen Schwartz; Stephen Sondheim","Macbeth; Mack \u0026 Mabel (playbill and souvenir program); Madam Butterfly; Maggie Flynn; Make Mine Manhattan; Man of La Mancha","Souvenir programs","Mame (playbills and souvenir programs); The Mambo Kings; Mamma Mia; The Man in the Glass Booth (souvenir program)","The Man Who Came to Dinner; The Man Who Had All the Luck; The Man With a Load of Mischief; Marcel Marceau; Mark Twain Tonight!; Marlene Dietrich; The Marriage-Go-Round","Martin Short: Fame Becomes Me (playbill and souvenir program); Mary, Mary; Mary Poppins (playbills and souvenir program)","Me and My Girl (playbills and souvenir program); Meet Me in St. Louis; The Megilla of Itzik Manger; The Member of the Wedding; Merlin; Merrily We Roll Along; Metro; The Metropolitan Opera: Met in the Parks (June 2007)","Milk \u0026 Honey; Milliken Breakfast Show; Minnelli on Minnelli; Minnie's Boys; Minor Miracle; The Miracle Worker; Miss Liberty; Mister Roberts; Molly; Monty Python's Spamalot; More Stately Mansions; Morning's at Seven","Mister Johnson; Monty Python's Spamalot (souvenir program); More Stately Mansions (souvenir program); Morning, Noon, and Night; The Most Happy Fella; Mourning Become Electra; Movin' Out; Mr. Wonderful; Mr. President; Mrs. Dally","Murder at Minsing Manor: A Nancy Boys Mystery; Music! Music!; Music in My Heart; Music in the Air; The Music Man (playbill and souvenir program); The Musical Theatre of Harold Prince; Musicals in Mufti; My Fair Lady (playbills and souvenir program); My One and Only (playbill and souvenir program)","My Fair Lady; My Favorite Year; My Funny Valentine; My Sister Eileen; My Wife and I","National Ballet; Natural Affection; Nature's Way; The Nerd; The Nervous Set; Never Too Late; The New Musical of Israel; New York City Ballet; New York City Opera","New York City Ballet (playbills and Nutcracker souvenir program); New York City Opera; New York Philharmonic; The New Yorkers; The Next President; Next to Normal","Two souvenir programs","Nick \u0026 Nora; The Night Circus; The Night of the Iguana; Night Watch; Nine (playbills and souvenir program); No, No, Nanette; No Place to Be Somebody; The Ninety Day Mistress","No Strings; Nobody Loves an Albatross; Noises Off","O Mistress Mine; The Odd Couple; Of Thee I Sing; Oh! Calcutta!; Oh, Captain!; Oh, Kay!; Oh What a Lovely War; Oil City Symphony; Oklahoma! (playbills and souvenir program)","Old Times; Old Vic; Oliver! (playbills and souvenir program); On a Clear Day You Can See Forever (playbills and souvenir programs); On Golden Pond; On the Town; On the Twentieth Century","On the Waterfront; On Your Toes; Once More, With Feeling; Once on This Island (playbill and souvenir program); Once Upon a Mattress; One More River; One Night Stand; One Touch of Venus; The Only Game in Town; Orpheus Descending; Over Twenty-One","Our Country's Good; Our Town; Out Cry; Out of This World; The Owl and the Pussycat","P.S. I Love You; Pacific Overtures; The Pajama Game; Pal Joey; Pamela's First Musical; Panama Hattie; Paris Is Out!; Park; Passion; The Passion","Paul Sills' Story Theatre; Paul Taylor Dance Company; The Penny Wars; Perfectly Frank; Period of Adjustment; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade; The Petrified Forest; Phantom of the Opera (playbill and souvenir program); Philadelphia, Here I Come!; The Philanthropist","Photo Finish; Pickwick (playbill and souvenir program); Pippin (playbill and souvenir program); The Pirate Queen (playbill and souvenir program); The Pirates of Penzance; Plain and Fancy","Platinum; Play It Again, Sam; Plaza Suite; The Pleasure of His Company; Ponti; Poor Bitos; Poor Richard; Porgy and Bess; Portofino; Pousse-Café; The Power and the Glory; The Prime of Miss Jean Brodie","The Prisoner of Second Avenue; The Private Ear and the Public Eye; Private Lives; The Producers; Program I; Program II; Program III; Promenade; Promises, Promises (playbill and souvenir program); Pump Boys and Dinettes","Playbills and souvenir program","Radio City Music Hall (playbills and a souvenir program); Radio City Music Hall Christmas Spectacular; Rags; Ragtime","Souvenir program","Red Gloves; The Red Mill; The Red Shoes; Red White and Maddox; Redhead; Rendezvous with Marlene","Rex (playbills and souvenir program); Ring Bells! Sing Songs! (playbills and souvenir programs); The Rink (playbills and souvenir program)","The Rise and Fall of the City of Mahagony (souvenir programs); The Ritz; The Roar of the Greasepaint - The Smell of the Crowd (playbills and souvenir program); The Robber Bridegroom; Rockabye Hamlet; The Rocky Horror Picture Show; Room Service; The Rose Tattoo","Rosencrantz and Guildenstern Are Dead; The Rothschilds (playbills and souvenir program); The Royal Ballet (souvenir programs)","The Royal Family; The Royal Hunt of the Sun; Rugatino; Rumple; Ruthless!","Sabrina Fair; Sadie Thompson; Salvation; Saratoga; Say, Darling; The School for Scandal (playbills and souvenir program); The School for Wives; Scratch; Scrooge (souvenir program); The Secret Affairs of Mildred Wild","The Secret Garden; Seesaw (playbills and souvenir program); The Selling of the President; Send Me No Flowers; Set to Music; Seven Days of Mourning; She Loves Me!; Sheep on the Runway; Shelter","Shenandoah (playbills and souvenir programs); Sherry!; Shinbone Alley; Shogun: The Musical; Show Boat (playbill and souvenir program)","Show Boat; The Show Is On; The Sign in Sidney Brustein's Window; Silent Night, Lonely Night; Silk Stockings; Silverlake; Sing Happy (playbills and souvenir program); Sister Mary Ignatius Explains It All for You; The Actor's Nightmare","Skyscraper (playbill and souvenir program); Sleight of Hand; Sleuth; Slow Dance on the Killing Ground; Smile; Smokey Joe's Cafe: The Songs of Leiber and Stoller; Social Security; Soldiers; Solitaire, Double Solitaire; Something Different; Something for the Boys","Sondheim: A Celebration at Carnegie Hall; Sondheim: A Musical Tribute; Song \u0026 Dance (playbills and souvenir program); Song of Norway (playbill and souvenir programs); Song of the Grasshopper; Soon; The Sound of Music","South Pacific (playbills and souvenir program); Splendora; Spofford; The Star Spangled Girl; Star and Garter; Stardust","Starmites; Stars of the Bolshoi Ballet; Stars of the New York Stage 1870-1970 (exhibit catalogue); State Fair; Steel Pier; Sticks and Bones; Stop the World- I Want to Get Off; Strange Interlude; Street Songs","The Subject Was Roses; Subways Are for Sleeping; Sugar (playbills and souvenir program); Summer of the 17th Doll; Sunday in the Park with George (playbills and souvenir program); Sunset","The Sunshine Boys; The Supporting Cast; The Survival of St. Joan: A Medieval Rock Opera; Sweeney Todd: The Demon Barber of Fleet Street (playbills and souvenir program); Sweet Bird of Youth","Playbills and souvenir programs","Take Me Along; Taking Steps; Tango Argentino; Tchaikovsky at Carnegie Hall; Tchin-Tchin (playbills and souvenir programs); The Teahouse of the August Moon; Ten Little Indians; Tenderloin; The Tenth Man; That Championship Season; That's Entertainment; There Was a Little Girl; They're Playing Our Song; Thoroughly Modern Millie","There's a Girl in My Soup; Three Men on a Horse; The Threepenny Opera; Time Remembered; Tiny Alice; Titanic","Tomorrow, the World; Tonight at 8:30; Tony Award programs; Too True to Be Good; Tovarich; Toys in the Attic; Traveller Without Luggage; The Trial of Lee Harvey Oswald; Tricks; Trixie True: Teen Detective","The Tumbler; The Tunnel of Love; Twelfth Night; Twigs; Two by Two (playbill and souvenir program); Two Gentlemen of Verona (playbills and souvenir program); The Two Mrs. Carrolls","Playbills and souvenir program for The Unsinkable Molly Brown","The Utter Glory of Morrissey Hall; Veronica's Room; Very Dry and on the rocks; Very Good Eddie (playbills and souvenir program); Via Galactica; Victor Victoria","Vienna Boys Choir (souvenir program); Vintage '60; The Visit; Vivat! Vivat Regina!; The Voice of the Turtle; Voices","Wait a Minim!; Wait Until Dark; Walking Happy; Wall to Wall Richard Rodgers; Waltz of the Toreadors; War and Peace; Warp One: My Battlefield, My Body; We Have Always Lived in the Castle; The Wedding Singer (playbills and souvenir program); Welcome to the Club; West Side Story","West Side Story (playbills and souvenir programs); What Did We Do Wrong?; What Makes Sammy Run? (playbill and souvenir program); When Pigs Fly; Where's Charley? (playbill and souvenir program)","The White House; Who Was That Lady I Saw You With?; Who's Afraid of Virginia Woolf?; The Who's Tommy; Whodunnit; Whoop Dee Doo!; Whoop Up; Whores, Wars \u0026 Tin Pan Alley","Wicked (playbills and souvenir program); Wiener Blut (playbill and souvenir program); Wild and Wonderful; The Will Rodgers Follies; Winesburg, Ohio; Wings; Wish You Were Here; Wise Child","Woman of the Year (playbills and souvenir program); The Woman in White; Wonderful Tennessee; Wonderhouse; Working; The World of Suzie Wong; Write Me a Murder","The Yearling; You Can't Take It With You; You Know I Can't Hear You When the Water's Running; Young Frankenstein (playbills and souvenir program)","Ziegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda","This series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs.","Appalachian Autumn; The Day Before Sunday; Dear Friends; Do Not Go Gentle Into That Good Night; The Experiment; My Father and My Mother; The People Next Door; Sadbird; Saturday Adoption; Secrets; Shadow Game","Actors Equity Association \"Equity\" magazine; Blithe Spirit; Camelot; Chinese Theatre Hollywood; Crossed Swords","Far from the Madding Crowd; Goodbye, Mr. Chips; Helen Hayes: Portrait of an American Actress; Indiana Jones and the Temple of Doom; Latin Quarter; The Lion in Winter","Ben Hur; El Cid; How the West Was Won; It's a Mad Mad, Mad, Mad World; Judgment at Nuremburg; Lawrence of Arabia; The Longest Day; Mutiny on the Bounty; The Wonderful World of the Brothers Grimm; West Side Story","Return of the Jedi; Romeo \u0026 Juliet; Ringling Brothers and Barnum \u0026 Bailey Circus; Song of Norway; The Sound of Music","Materials created before 1925 are in the Public Domain. No known restrictions.","The copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","George Mason University. Libraries. Special Collections Research Center","Rodrigues, Charles","English"],"unitid_tesim":["C0184","/repositories/2/resources/113"],"normalized_title_ssm":["Charles Rodrigues playbill collection"],"collection_title_tesim":["Charles Rodrigues playbill collection"],"collection_ssim":["Charles Rodrigues playbill collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Rodrigues, Charles"],"creator_ssim":["Rodrigues, Charles"],"creator_persname_ssim":["Rodrigues, Charles"],"creators_ssim":["Rodrigues, Charles"],"access_terms_ssm":["Materials created before 1925 are in the Public Domain. No known restrictions.","The copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Phil Rodrigues, brother of Charles Rodrigues, October 21, 2010."],"access_subjects_ssim":["Theater -- New York (State) -- New York","Theater -- United States"],"access_subjects_ssm":["Theater -- New York (State) -- New York","Theater -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 38 boxes"],"extent_tesim":["18 Linear Feet 38 boxes"],"date_range_isim":[1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Outside New York City, 1879-2009 (boxes 1-5, 37)\u003c/item\u003e\n      \u003citem\u003eSeries 2: New York City, 1885-2009 (boxes 6-34, 37-38)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.","Series Series 1: Outside New York City, 1879-2009 (boxes 1-5, 37) Series 2: New York City, 1885-2009 (boxes 6-34, 37-38) Series 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)"],"bioghist_html_tesm":["\u003cp\u003eCharles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Charles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage."],"prefercite_html_tesm":["\u003cp\u003eCharles Rodrigues playbill collection, C0184, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Charles Rodrigues playbill collection, C0184, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Brent in April 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Brent in April 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections on theatre and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections on theatre and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.\u003c/p\u003e\n","\u003cp\u003eThe collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. \u003c/p\u003e","\u003cp\u003eIncludes playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.\u003c/p\u003e","\u003cp\u003ePlaybills in this subseries are from the Boston Museum, Carousel Theatre, Charles Playhouse, Colonial Theatre, Copley Theatre, Music Hall, the New Globe Theatre, North Shore Music Theatre, Plymouth Theatre, Saxon Theatre, Shubert Theatre, South Shore Music Circus, Sumner Theatre, and the Wilbur Theatre in Boston. There is also one playbill from the Court Square Theatre in Springfield, MA, one from The Dettors Theatre in Concord, MA, two from the Provincetown Playhouse On-the-wharf in Provincetown, MA, and a review of a play from Tilton, NH.\u003c/p\u003e","\u003cp\u003eSpringfield, MA\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Majority of One; A Thousand Clowns; A Very Special Baby; Anastasia; Around the World in 80 Days\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIndians\u003c/title\u003e review from the Tiltonian publication of the Tilton School in Tilton, NH.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFirst Love; Follies\u003c/title\u003e; Benefit performance of \u003ctitle\u003eFollies\u003c/title\u003e for the American Cancer Society Massachusetts division; \u003ctitle\u003eGiants, Sons of Giants; Grand Hotel; Guys and Dolls; Hamlet; Hot September\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMame; Married Alive!; Mid-Summer; Mr. President\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Odd Couple; On a Clear Day You Can See Forever; On the Twentieth Century; Pacific Overtures; Photo Finish; Pretty Belle; The Roar of the Greasepaint-The Smell of the Crowd; Romanoff and Juliet; Sherry!; Toys in the Attic; Wildcat; Woman of the Year\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eProvincetown, MA\u003c/p\u003e","\u003cp\u003eMany of the playbills in this subseries are Performing Arts magazines and from theaters in San Franciso and Los Angeles. Theatres include the Ambassador Cocoanut grove, American Conservatory Theatre, Aquarius Theatre, Curran Theatre, Dorothy Chandler Pavilion, Huntington Hartford Theatre, Las Palmas Theatre, Little Fox Theatre, the Music Center, the Orpheum Theatre, Shubert Theatre, and the War Memorial Opera House.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eCamelot; Evita; Gigi; Give 'em Hell, Harry!\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHair; Kismet; Lorelei; The Music Man; Odyssey; Oklahoma!\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePacific Overtures\u003c/title\u003e; San Francisco Opera \u003ctitle\u003eL'elisir d'amore; Shine It On\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSunset Boulevard; Tom Jones; The Wiz\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the Blackstone Theatre, Columbia Theatre, the Goodman Theatre, and the Happy Medium Theatre in Chicago.\u003c/p\u003e","\u003cp\u003eIncludes playbills from the Westport Country Playhouse, Goodspeed Opera House, the Hartman Theatre, The Holmes School in Darien, Stamford Center for the Arts, the Shubert Theatre, the Long Wharf Theatre, the Ivoryton Playhouse, Yale Repertory Theatre, and Westbury Music Fair in Connecticut.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Song for Cyrano; Ain't Misbehavin'; Annie; Bells are Ringing; The Chalk Garden; Cry for Us All; Daarlin' Juno\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDear Charles; The Devil's Disciple; El Capitan; How Now Dow Jones; Illya Darling; The King and I\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eKiss Me, Kate; The Marquise; The Play's the Thing\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSpider's Web; Stardust; The Three Musketeers; Two by Two; The Vagabond King; Zorba\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePlaybill from the Parker Playhouse in Ft. Lauderdale, Florida\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the Abbey Theatre, Adelphi Theatre, Apollo Theatre, Comedy Theatre, Daly's Theatre, Duke of York's Theatre, Her Majesty's A Stoll Moss Theatre, Lyric Theatre, National Theatre, New London Theatre, The New Lyric Opera House, New Theatre, Palace Theatre, Palladium, Phoenix Theatre, Piccadilly Theatre, Prince Edward Theatre, Prince of Wales Theatre, Queen's Hall, The Queen's Theatre, Roundabout Theatre, Royal Court Theatre, Royal Lyceum Theatre, Royal Opera House Covent Garden, Royal Shakespeare Theatre, Savoy Theatre, Shaftesbury Theatre, Strand Theatre, St. James Theatre, Theatre Royal Drury Lane, Theatre Royal Haymarket, Victoria Palace Theatre, Wyndham's Theatre in London, the West Yorkshire Playhouse in Leeds, and the Alexandrian Theatre in Liverpool.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Madhouse in Goa; Aspects of Love; Bloomsbury; Don Carlos\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePlaybill and souvenir program\u003c/p\u003e","\u003cp\u003eSouvenir programs\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFollies\u003c/title\u003e (includes photograph of theatre; \u003ctitle\u003eFront \u0026amp; Center\u003c/title\u003e (magazine of Roundabout Theatre Company); \u003ctitle\u003eThe Four Musketeers!\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGolden Boy; Hadrian VII; Halfway Up the Tree; The Hotel in Amsterdam; Lady Be Good; Madame Tussaud's; The Mousetrap\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGone with the Wind; Hamlet; Here and Now; High Society; Les Miserables; Martin Guerre\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOperettas\u003c/title\u003e by Jacques Offenbach; Sadler's Wells opera at the London Coliseum; \u003ctitle\u003eTravesties\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMiss Saigon; Murder Among Friends; Not Now, Darling; The Odd Couple; Oliver!; Over My Dead Body; Phantom of the Opera; The Quare Fellow; The Secret of Sherlock Holmes; Shirley Valentine; Show Boat; Single Spies\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSteel Magnolias; Sunset Boulevard; Sweet Charity\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from Long Island theatres, SUNY, and the Tappan Zee theatre in Nyack, as well as playbills from Westchester New York. Playbills from Westchester theatres are separated and included after the Long Island, SUNY, and Nyack playbills. Playbills from High School and community productions are included alphabetically by city at the end of this subseries.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Song for Cyrano; Anita Baker; Assassins; Chicago; Come Back, Little Sheba; Damn Yankees; Follies\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAin't Misbehavin'; At This Performance; Camelot\u003c/title\u003e; Emelin Theatre 2008-2009; Emelin's Broadway Holiday Cabaret; \u003ctitle\u003eFriends In Deed; Funny Girl\u003c/title\u003e; Johnny Carson; Liza Minnelli; \u003ctitle\u003ePure Heaven; 'S Wonderful, 's Gershwin\u003c/title\u003e; Steve Martin; \u003ctitle\u003eSweet Hearts\u003c/title\u003e; The Vienna Boys' Choir\u003c/p\u003e","\u003cp\u003eAnn Hampton Callaway (ticket); \u003ctitle\u003eCall me Madam; Carousel\u003c/title\u003e; The Festival Orchestra opening performance; \u003ctitle\u003eFiorello!; Glad, Too; Godspell; Grow up! A Musical; How to Succeed in Business Without Really Trying; Incongruities; The Madwoman of Chaillot; New Plays 90; New Plays 91; New Plays 92\u003c/title\u003e; Second annual M.H.S. student film festival; \u003ctitle\u003eStudio night chamber music; Tosca; Who's out there that's for me?; Winter birds\u003c/title\u003e; also includes a letter from Helen S. Murray to Charles Rodrigues\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnything Goes; Bye Bye Birdie; Brigadoon; Carnival; Cats; Cinderella '72; Fiddler on the Roof; Footlight Follies; Guys and Dolls; The King and I; Kiss Me, Kate; Li'l Abner; Mame; The Night Thoreau Spent in Jail; Once Upon a Mattress; Paint Your Wagon; Peter Pan; South Pacific; Wonderful Town\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Absence of a Cello\u003c/title\u003e; \u003ctitle\u003eAida\u003c/title\u003e at the Verdi Opera Festival; AFS 1983 variety show; AFS 1984 variety show; \u003ctitle\u003eThe Boy Friend; Brigadoon; My One and Only; The Old Woman Broods\u003c/title\u003e; Valentine's Day benefit February 14, 1987\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Connecticut Yankee in King Arthur's Court; Fando and Lis\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills and a concert program from the state of New Jersey. Theatres include the Surflight Theatre, Paper Mill Playhouse, The Whole Theatre Company, and the Broad Street Theatre.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnimal Crackers; Children of Eden\u003c/title\u003e; Fleetwood Mac, concert program; \u003ctitle\u003eFollies; Phantom of the Opera; The Trojan Women; Where's Charley?\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the state of Ohio. Theatres include B.F. Keith's Hippodrome, the Cincinnati Music Theatre, and The Cincinnati Playhouse in the park.\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Paris. Theatres include the Cabaret Lido Paris, Theatre De La Renaissance, and the Theatre National de L'Opera.\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Philadelphia. One playbill from Pittsburgh's Nixon Theatre is included at the end of the Philadelphia pre-1934 playbills. Theatres include The Academy of Music, Broad Street Theatre, The Erlanger Theatre, Forrest Theatre, The Goldman Theatre, The Little Theatre, The New Locust Theatre, Playhouse, Shubert Theatre, Society Hill Playhouse, Valley Forge Music Fair, Walnut Theatre, and The University of Pennsylvania.\u003c/p\u003e","\u003cp\u003ePittsburgh\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003e70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; A Call on Kuprin; A Cook for Mr. General; A Man's a Man; A Matter of Position; A Severed Head; A Thurber Carnival; A View from the Bridge; Advise and Consent; All American; Alice; Anyone Can Whistle; Ari; Artur Rubinstein; The Aspern Papers; The Beauty Part; Big Fish, Little Fish; Brain Child; Butterflies Are Free; Bye Bye Birdie; Chicago; Christine; Copper and Brass\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDaughter of Silence; Dear Me, the Sky is Falling; Destry Rides Again; The Disenchanted; Do Re Mi; Donnybrook; Elizabeth the Queen; Enrico; The Fantasticks; The Fighting Cock; First impressions; Five finger exercise; Four on a garden; The fun couple; Funny girl; Gideon; The girl who came to supper; Goodbye Charlie; Greenwillow; Gypsy; H.M.S. Pinafore; Here's love; High spirits\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Highest Tree; Hot Spot; How Now, Dow Jones; I Can Get It for You Wholesale; I Remember Mama; In the Counting House; J.B.; Julia, Jake, and Uncle Joe; Little Me; Lolita, My Love; Lord Pengo; Love and Kisses; Lovely Ladies, Kind Gentlemen; Luther; Mame; The Marriage-Go-Round; Mary Stuart; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; The Miracle Worker; My Fair Lady\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eNational Repertory Theatre; \u003ctitle\u003eNo, No, Nanette; Nowhere to Go But Up; Old World; Period of Adjustment\u003c/title\u003e; The Philadelphia Orchestra (1962-1963 season); \u003ctitle\u003eThe Pleasure of His Company; The Prince of Grand Street; Ready When You Are C.B.!; Romulus; Say, darling; The school for scandal; She loves me; Spartacus; Something About a Soldier; Stop the World - I Want to Get Off; The Subject Was Roses; Sugar; Sugar Babies; Sweet Bird of Youth; Take Her, She's Mine; Take Me Along; There Was a Little Girl; Threepenny Opera; Tovarich\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Umbrella; The Visit; The Wall; Wildcat; Who's Afraid of Virginia Wolf?; The World of Carl Sandburg; Zorba\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFour one-act plays: \u003ctitle\u003ePresent Day Courtship, The Still Alarm, People in the Wind, In the Zone; The Sandbox, The Lesson, Daughters; Medea; She Stoops to Conquer\u003c/title\u003e; The Stringart Quartet artists-in-residence; The University of Pennsylvania Glee club and Pennsyngers\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Toronto. Playbills are from the Melody Fair and the Royal Alexandra Theatre.\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Washington D.C. Playbills are from the Kennedy Center, National Theatre, Signature Theatre, and the Morris A. Mechanic Theatre in Baltimore.\u003c/p\u003e","\u003cp\u003eThe Alvin Alley City Center Dance Theatre; Applause; Carnival!\u003c/p\u003e","\u003cp\u003eLost in the Stars; Natural Affection; Over and Over; Rex; Sondheim Celebration; Spotlight; Sugar; The Visit\u003c/p\u003e","\u003cp\u003eThis series contains playbills and souvenir programs from a variety of theatres and venues including those found on Broadway, off-Broadway, off-off Broadway and in Brooklyn. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.\u003c/p\u003e","\u003cp\u003eAngel Face; Animal Crackers; Apple Blossoms; The Apple Cart\u003c/p\u003e","\u003cp\u003eBallyhoo; Ballyhoo of '32; The Bandwagon\u003c/p\u003e","\u003cp\u003ePlaybills from the Broadhurst and Shubert theatres\u003c/p\u003e","\u003cp\u003eMontauk Theatre in Brooklyn\u003c/p\u003e","\u003cp\u003eThe Blackbirds of 1928; Blossom Time; Blue Eyes; Broadway; The Broadway Whirl\u003c/p\u003e","\u003cp\u003eCherry Blossoms; China Rose; The Chocolate Dandies\u003c/p\u003e","\u003cp\u003eDaddies; The Dancing Girl; Dearest Enemy; Death Takes a Holiday; The Desert Song; Design for Living; Desire Under the Elms\u003c/p\u003e","\u003cp\u003eTwo incomplete playbills\u003c/p\u003e","\u003cp\u003eGeneral Post; Gentlemen Prefer Blondes; George White's Scandals; Getting Married; Getting Together\u003c/p\u003e","\u003cp\u003eThe Girl Behind the Gun; Girl Crazy; The Girl Friend; The Girl from Home\u003c/p\u003e","\u003cp\u003eGood Gracious Annabelle; Girls; Good Boy; Good News; The Grab Bag; Grand Hotel; The Great Adventure; The Great Divide; The Great Gatsby\u003c/p\u003e","\u003cp\u003eThe Greenwich Village Follies; The Greenwich Village Follies of 1920\u003c/p\u003e","\u003cp\u003eHelen of Troy, New York; Hello Daddy; Here's Howe; Hit the Deck; Hitchy-Koo 1920\u003c/p\u003e","\u003cp\u003eLassie; The Lassoo; The Laugh Parade; The Last Waltz; Liliom; The Lie\u003c/p\u003e","\u003cp\u003eLittle Nelly Kelly; The Little Show; Lollipop; Love Birds\u003c/p\u003e","\u003cp\u003eMelody; Men in White; The Merry Widow; Midnight Revue; Miss Springtime\u003c/p\u003e","\u003cp\u003eOdds and Ends of 1917; Of Thee I Sing; Oh, Boy!; Oh, Kay!, Oh Look, Oh, please!\u003c/p\u003e","\u003cp\u003eThree playbills, two of which are for vaudeville performances at the Orpheum Theatre in Brooklyn\u003c/p\u003e","\u003cp\u003ePadlocks of 1927; Paris; The Parisian Model\u003c/p\u003e","\u003cp\u003ePietro; Pitter Patter; Poor Little Ritz Girl; Poppy; Porgy\u003c/p\u003e","\u003cp\u003eR.U.R.; Rainbow; The Ramblers; The Red Mill\u003c/p\u003e","\u003cp\u003eRedemption; Revels; The Rise of Rosie O'Reilly; Rosalie; Rose Bernd; Rose-Marie; The Royal Family; The Royal Vagabond; Running Wild\u003c/p\u003e","\u003cp\u003eSimple Simon; Singin' the Blues; Six Characters in Search of an Author; Smiles; Some Time; The Song and Dance Man; Song of the Flame; Spring is Here; Strange Interlude; Street Scene; Strike Me Pink; Strike Up the Band; The Student Prince in Heidelberg; Sweet; Sweet Little Devil; Swifty\u003c/p\u003e","\u003cp\u003eThree Wise Fools; Three's a Crowd; Tickle Me; Tip-Toes\u003c/p\u003e","\u003cp\u003e6 Rms Riv Vu; The 25th Annual Putnam County Spelling Bee; 42nd Street; 70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; 1776\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eA Bell for Adano; A Bistro Car; A Broadway Musical; A Case of Libel; A Catered Affair; A Celebration of Richard Rodgers; A Chorus Line; A Class Act; A Day in Hollywood / A Night in the Ukraine; A Day in the Life of Just About Everyone; A Delicate Balance; A Doll's Life\u003c/p\u003e","\u003cp\u003eA Far Country; A FunnyTthing Happened on the Way to the Forum; A Hand Is on the Gate; A Hatful of Rain; A Kurt Weill Cabaret; A Joyful Noise\u003c/p\u003e","\u003cp\u003eA Life; A Little Family Business; A Little Night Music\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eA Majority of One; A Meeting by the River; A Moon for the Misbegotten; A Night at the Palace; A Party with Betty Comden and Adolph Green; A Patriot for Me; A Passage to India; A Place Without Doors; A Raisin in the Sun; A Salute to ASCAP; A Shot in the Dark; A Streetcar Named Desire; A Tale of Two Cities; A Taste of Honey; A Thurber Carnival; A Time for Singing; A Tree Grows in Brooklyn\u003c/p\u003e","\u003cp\u003eAbelard \u0026amp; Heloise; Accidental Death of an Anarchist; The Act; The Actors Studio Theatre productions 1963-1964; ACT (American Conservatory Theatre); The Adventures of Tom Sawyer; Advise and Consent; After the Rain; Ah, Wilderness; Ain't Broadway Grand\u003c/p\u003e","\u003cp\u003eAlan Gilbert \u0026amp; The New York Philharmonic; All Over; All the Way home; All's Well That Ends Well; Alfie!; Allegro; Amadeus; Ambassador\u003c/p\u003e","\u003cp\u003eAmerica Kicks Up Its Heels; American Ballet Theatre; The American Dance Machine; The American Way; Amour\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eAnd Miss Reardon Drinks a Little; And the World Goes Around; The Andersonville Trial; Angel; Angel Street; Angels in America; Anna Karenina; Annie\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eAs Is; The Astrakhan Coat; Assassins; At the Drop of Another Hat; Auntie Mame; Autumn's Here!\u003c/p\u003e","\u003cp\u003eBaby Want a Kiss; Bajour; Baker street; The Ballad of the Sad Cafe; Ballroom; Barbara Back to Broadway; Barefoot in Athens; Barefoot in the Park; Barnum\u003c/p\u003e","\u003cp\u003eSouvenir programs for: Barefoot in the Park; Barnum; Beauty and the Beast; Beggar on Horseback; The Beggar's Opera; Belafonte at the Palace; Ben Franklin in Paris\u003c/p\u003e","\u003cp\u003eBayanihan; Beekman Place; Beg, Borrow or Steal; Beggar's Holiday; Bell's are Ringing; Ben Franklin in Paris; Bernadine; Best Foot Forward; The Best Little Whorehouse Goes Public; The Best Little Whorehouse in Texas; The Best Man; Beyond the Fringe\u003c/p\u003e","\u003cp\u003eBig Deal; Billion Dollar Baby; Billy; The Birthday Party; Bklyn; Black and Blue; Black Broadway; Black Chiffon; Black Comedy\u003c/p\u003e","\u003cp\u003eBlack Comedy White Lies; Blast; Blithe Spirit; Blood Brothers; Blood Red Roses; Bloomer Girl; Blue Denim; Blues for Mister Charlie; The Body Beautiful; Born Yesterday\u003c/p\u003e","\u003cp\u003eBorstal Boy; The Boy Friend; The Boy from Oz; Boys and Girls Together; The Boys from Syracuse; The Boys in the Band; The Boys of Winter\u003c/p\u003e","\u003cp\u003eBoris Aronson (exhibit catalogue); Breakfast at Tiffany's; Breaking Legs; Brief Lives; Brigadoon; Brighton Beach Memoirs; Bring Back Birdie; Broadway Cabaret Festival; Broadway Cares\u003c/p\u003e","\u003cp\u003eBroadway on Broadway; Broadway's Stars in the Alley; Bubbling Brown Sugar; The Buddy Holly Story; Butterflies are Free; By George; By Jupiter; Bye Bye Birdie\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eTwo souvenir programs\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eCan Can; Candida; Candide; Canterbury Tales (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eCantorial; Carmelina; Carousel (playbill and souvenir program); Carnival!; Carrie; Catch Me If You Can; Cats\u003c/p\u003e","\u003cp\u003eCelebration; Century of Change; Charles Aznavour; Checking Out; Chess (playbill and souvenir program); Chicago (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eChilds Play; The Chinese Prime Minister; Chips With Everything; Chita Rivera: The Dancer's Life; Chitty Chitty Bang Bang; City Center Joffrey ballet; City of Angels\u003c/p\u003e","\u003cp\u003eCloser Than Ever; Cloud 7; Coco (playbills and souvenir program); The Color Purple (playbill and souvenir program); Come Blow Your Horn; Come on Strong; Come Summer; The Comedie Francaise\u003c/p\u003e","\u003cp\u003eCompany (playbills and souvenir programs)\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eConduct Unbecoming; The Contrast; Copper and Brass; Counsellor-at-Law; The Country Girl\u003c/p\u003e","\u003cp\u003eCrazy For You; The Cradle Will Rock; The Creation of the World and Other Business; Critic's Choice; Cry For Us All\u003c/p\u003e","\u003cp\u003eCuba and His Teddy Bear; Curtains (playbills and souvenir program); Cyrano\u003c/p\u003e","\u003cp\u003eThe D'oyly Carte Opera Company; Dame Edna; Dames at Sea; Damn Yankees; Dance a Little Closer; Dance of Death; Dance of the Vampires; Dancin'; Daphne in Cottage D\u003c/p\u003e","\u003cp\u003eThe Dark at the Top of the Stairs; The Day Before Spring; The Day the Money Stopped; Dear Janet Rosenberg Dear Mr. Kooning; Dear Ruth; Dear Me, the Sky is Falling; Dear World (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eDeath of a Salesman; The Deputy (playbills and souvenir program); The Desperate Hours; Destry Rides Again; Deuce; The Devils; The Disenchanted\u003c/p\u003e","\u003cp\u003eDiamonds; Different Times; Dinner at Eight; Dirty Rotten Scoundrels; Division Street\u003c/p\u003e","\u003cp\u003eDo Black Patent Leather Shoes Really Reflect Up?; Do Re Mi; Do I Hear a Waltz?; Doctor Jazz; Does a Tiger Wear a Necktie?; Don Carlo and Les Troyens; Don't Drink the Water; The Doughgirls\u003c/p\u003e","\u003cp\u003eDr. Cook's Garden; Dracula; Drat the Cat; Dreamgirls; Drink to Me Only; The Drowsy Chaperone (playbill and souvenir program); Du Barry Was a Lady; Dude: The Highway Life; Duel of Angels; Dylan\u003c/p\u003e","\u003cp\u003eEaster Bonnet Competition; Eating Raoul; El Bravo!; Elba; End of the World\u003c/p\u003e","\u003cp\u003eThe Effect of Gamma Rays on Man-in-the-Moon Marigolds; Elizabeth 1; Emperor Henry IV; Enter Laughing; Entertaining Mr. Sloane; Equus; The Ethel Merman Show; Everything in the Garden; Evita\u003c/p\u003e","\u003cp\u003eFace Value; Fade Out-Fade In; Fair Game; Fallen Angels; The Family Reunion; Fanny (playbills and souvenir programs); Father's Day; Fences; Fiesta in Madrid\u003c/p\u003e","\u003cp\u003eFiddler on the Roof (playbills and souvenir program); Fifth of July; The Fig Leaves are Falling\u003c/p\u003e","\u003cp\u003eThree souvenir programs including one for the film version\u003c/p\u003e","\u003cp\u003eFinian's Rainbow; Fiorello!; Fire!; The First; The Firstborn (playbill and souvenir program); First Impressions; Fit to be Tied; Five Finger Exercise\u003c/p\u003e","\u003cp\u003eFive Guys named Moe; The Flip Side; Flora the Red Menace; Flower Drum Song; Folies Bergere; Fortune and Men's Eyes; Forty Carats; Four on a Garden\u003c/p\u003e","\u003cp\u003eFollies (playbills and souvenir program); Follow the Girls; Fosse; Foxy\u003c/p\u003e","\u003cp\u003eFrank Merriwell or Honor Challenged; Frankenstein; Fred Ebb; The Frogs (playbills and souvenir program); From A to Z; The Front Page; The Full Monty\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs\u003c/p\u003e","\u003cp\u003eThe Gang's All Here; Gantry; The Gazebo; Geese; Generation; George M.; Georgy\u003c/p\u003e","\u003cp\u003eGideon; Gigi (playbills and souvenir program); Gilbert \u0026amp; Sullivan Company; Gilbert Becaud on Broadway; The Gingerbread Lady; The Girl Against the Boys; The Girl Who Came to Supper; The Glass Menagerie; The Glorious Ones\u003c/p\u003e","\u003cp\u003eGod's Favorite; Golden Bat; Golden Boy; Golden Rainbow; Goldilocks; The Good Times Are Killing Me; The Goodbye Girl; Goodbye My Fancy; Goodtime Charlie; Grand Hotel (playbills and souvenir program); The Grand Tour\u003c/p\u003e","\u003cp\u003eSouvenir programs for: Godspell; Golden Boy; Golden Rainbow; The Goodbye Girl\u003c/p\u003e","\u003cp\u003eThe Grass Harp; The Great God b=Brown; The Great Waltz; The Great White Hope (souvenir program); Greenwillow; Grey Gardens; Guys and Dolls; Gypsy (souvenir program)\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program\u003c/p\u003e","\u003cp\u003eH.M.S. Pinafore; Hadrian VII; Hail Scrawdyke!; Hair; Hairspray; Half a Sixpence; Halfway Up the Tree\u003c/p\u003e","\u003cp\u003eHalf a Sixpence (souvenir program); Halfway Up the Tree; Hallelujah, Baby! (playbill and souvenir programs); Hamlet; Handful of Fire; Happiest Millionaire\u003c/p\u003e","\u003cp\u003eHappy Birthday; Happy Birthday, Wanda June; The Happy Time (playbill and souvenir program); Happy Town; Happy Hunting (playbills and souvenir program); Harvey\u003c/p\u003e","\u003cp\u003eHats Off to Ice; Hay Fever; Heathen!; Hello, Dolly!\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs\u003c/p\u003e","\u003cp\u003eHello, Solly!; Henry V; Henry, Sweet Henry (playbills and souvenir program); Here's Love\u003c/p\u003e","\u003cp\u003eHold On to Your Hats; Holiday for Lovers; Hooray for What!\u003c/p\u003e","\u003cp\u003eThe High Rollers Social \u0026amp; Pleasure Club; The History Boys; Home; Home Sweet Home; The Homecoming; The Hostage; Hot Spot; The House of Blue Leaves; How Now Dow Jones\u003c/p\u003e","\u003cp\u003eHow the Other Half Lives; How to Be a Jewish Mother; How to Succeed in Business Without Really Trying; How's the World Treating You; Hughie; Hurry, Harry\u003c/p\u003e","\u003cp\u003eI Am a Camera; I Can Get It for You Wholesale; I Do! I Do! (playbills and souvenir program); I Had a Ball; I Hate Hamlet; I Know My Love; I Like It Here; I Never Sang for My Father\u003c/p\u003e","\u003cp\u003eI Remember Mama; I'm Not Rappaport; Icetime; Illya Darling (souvenir program)\u003c/p\u003e","\u003cp\u003eIllya Darling; The Impossible Years; In Bed We Cry; Inadmissible Evidence; Inbal; The Incomparable Max\u003c/p\u003e","\u003cp\u003eIndians; Inherit the Wind; Inquest; International Soiree; Into the Woods (playbills and souvenir program); The Investigation; Invitation to a March\u003c/p\u003e","\u003cp\u003eThe Irregular Verb to Love; Is He Dead?; It Ain't Nothing but the Blues; It's a Bird, It's a Plane, It's Superman; Ivanov\u003c/p\u003e","\u003cp\u003eJB; Jacobowsky and the Colonel; Jacques Brel is Alive and Well and Living in Paris; Jake's Women; Jamaica; James Joyce's The Dead; Jane; Janus; Jelly's Last Jam; Jennie; Jerome Robbins' ballets: U.S.A.; Jerome Robbins' on Broadway (playbills and souvenir program); Jesus Christ Superstar\u003c/p\u003e","\u003cp\u003eJimmy; Joan of Lorraine; The Jocky Club Stakes; Joe Egg; Johnny Johnson; Johnny No-Trump; Joseph and the Amazing Technicolor Dreamcoat; Joy; Journey's End; Jubilee; Judgment at Nuremberg, Judy Garland: At Home at the Palace\u003c/p\u003e","\u003cp\u003eKids Care; The Killing of Sister George; The King and I (playbills and souvenir program); King of Hearts; Kismet; Kiss of the Spiderwoman (playbill and souvenir program); The Knack; Kurt Weill: Making Music Theatre\u003c/p\u003e","\u003cp\u003eLa Bohème; La Cage aux Folles; La Grosse Valise; La Plume de Ma Tante\u003c/p\u003e","\u003cp\u003eLa Strada; Lady in the Dark; The Lake; Larry Kert 1930-1991; The Last Analysis; The Last of Mrs. Lincoln\u003c/p\u003e","\u003cp\u003eLast of the Red Hot Lovers; The Last Sweet Days of Isaac; Laughs and Other Events; Legally Blonde; Legs Diamond; Les Ballets de Paris; Les Blancs; Lestat (playbill and souvenir program); Let's Face It\u003c/p\u003e","\u003cp\u003eThe Life; Life with Father; The Light in the Piazza; The Lion in Winter; Little Me (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program\u003c/p\u003e","\u003cp\u003eThe Little Mermaid (playbills and souvenir program); Little Murders; Little Women (playbills and souvenir program); Lolita; Look After Lulu; Look Back in Anger; Look Homeward Angel\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs. \u003ctitle\u003eLiza with a Z\u003c/title\u003e tour program includes signature from Liza on last page.\u003c/p\u003e","\u003cp\u003eLook to the Lillies; Loot; Lord Pergo; Lorelei (playbills and souvenir program); Lost in the Stars; Louisiana Purchase; Love Life; Love! Valour! Compassion!; Lovely Ladies, Kind Gentlemen; LoveMusik; The Loves of Cass McGuire\u003c/p\u003e","\u003cp\u003eAlan Jay Lerner; Betty Comden and Adolph Green; Carolyn Leigh; Dorothy Fields; E.Y. 'Yip' Harburg; Fred Ebb and John Kander; Life is a Cabaret: A tribute to Fred Ebb; Hal David; Harold Rome; Jerry Herman; Johnny Mercer; Sammy Cahn; Shelden Harnick; Stephen Schwartz; Stephen Sondheim\u003c/p\u003e","\u003cp\u003eMacbeth; Mack \u0026amp; Mabel (playbill and souvenir program); Madam Butterfly; Maggie Flynn; Make Mine Manhattan; Man of La Mancha\u003c/p\u003e","\u003cp\u003eSouvenir programs\u003c/p\u003e","\u003cp\u003eMame (playbills and souvenir programs); The Mambo Kings; Mamma Mia; The Man in the Glass Booth (souvenir program)\u003c/p\u003e","\u003cp\u003eThe Man Who Came to Dinner; The Man Who Had All the Luck; The Man With a Load of Mischief; Marcel Marceau; Mark Twain Tonight!; Marlene Dietrich; The Marriage-Go-Round\u003c/p\u003e","\u003cp\u003eMartin Short: Fame Becomes Me (playbill and souvenir program); Mary, Mary; Mary Poppins (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eMe and My Girl (playbills and souvenir program); Meet Me in St. Louis; The Megilla of Itzik Manger; The Member of the Wedding; Merlin; Merrily We Roll Along; Metro; The Metropolitan Opera: Met in the Parks (June 2007)\u003c/p\u003e","\u003cp\u003eMilk \u0026amp; Honey; Milliken Breakfast Show; Minnelli on Minnelli; Minnie's Boys; Minor Miracle; The Miracle Worker; Miss Liberty; Mister Roberts; Molly; Monty Python's Spamalot; More Stately Mansions; Morning's at Seven\u003c/p\u003e","\u003cp\u003eMister Johnson; Monty Python's Spamalot (souvenir program); More Stately Mansions (souvenir program); Morning, Noon, and Night; The Most Happy Fella; Mourning Become Electra; Movin' Out; Mr. Wonderful; Mr. President; Mrs. Dally\u003c/p\u003e","\u003cp\u003eMurder at Minsing Manor: A Nancy Boys Mystery; Music! Music!; Music in My Heart; Music in the Air; The Music Man (playbill and souvenir program); The Musical Theatre of Harold Prince; Musicals in Mufti; My Fair Lady (playbills and souvenir program); My One and Only (playbill and souvenir program)\u003c/p\u003e","\u003cp\u003eMy Fair Lady; My Favorite Year; My Funny Valentine; My Sister Eileen; My Wife and I\u003c/p\u003e","\u003cp\u003eNational Ballet; Natural Affection; Nature's Way; The Nerd; The Nervous Set; Never Too Late; The New Musical of Israel; New York City Ballet; New York City Opera\u003c/p\u003e","\u003cp\u003eNew York City Ballet (playbills and Nutcracker souvenir program); New York City Opera; New York Philharmonic; The New Yorkers; The Next President; Next to Normal\u003c/p\u003e","\u003cp\u003eTwo souvenir programs\u003c/p\u003e","\u003cp\u003eNick \u0026amp; Nora; The Night Circus; The Night of the Iguana; Night Watch; Nine (playbills and souvenir program); No, No, Nanette; No Place to Be Somebody; The Ninety Day Mistress\u003c/p\u003e","\u003cp\u003eNo Strings; Nobody Loves an Albatross; Noises Off\u003c/p\u003e","\u003cp\u003eO Mistress Mine; The Odd Couple; Of Thee I Sing; Oh! Calcutta!; Oh, Captain!; Oh, Kay!; Oh What a Lovely War; Oil City Symphony; Oklahoma! (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eOld Times; Old Vic; Oliver! (playbills and souvenir program); On a Clear Day You Can See Forever (playbills and souvenir programs); On Golden Pond; On the Town; On the Twentieth Century\u003c/p\u003e","\u003cp\u003eOn the Waterfront; On Your Toes; Once More, With Feeling; Once on This Island (playbill and souvenir program); Once Upon a Mattress; One More River; One Night Stand; One Touch of Venus; The Only Game in Town; Orpheus Descending; Over Twenty-One\u003c/p\u003e","\u003cp\u003eOur Country's Good; Our Town; Out Cry; Out of This World; The Owl and the Pussycat\u003c/p\u003e","\u003cp\u003eP.S. I Love You; Pacific Overtures; The Pajama Game; Pal Joey; Pamela's First Musical; Panama Hattie; Paris Is Out!; Park; Passion; The Passion\u003c/p\u003e","\u003cp\u003ePaul Sills' Story Theatre; Paul Taylor Dance Company; The Penny Wars; Perfectly Frank; Period of Adjustment; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade; The Petrified Forest; Phantom of the Opera (playbill and souvenir program); Philadelphia, Here I Come!; The Philanthropist\u003c/p\u003e","\u003cp\u003ePhoto Finish; Pickwick (playbill and souvenir program); Pippin (playbill and souvenir program); The Pirate Queen (playbill and souvenir program); The Pirates of Penzance; Plain and Fancy\u003c/p\u003e","\u003cp\u003ePlatinum; Play It Again, Sam; Plaza Suite; The Pleasure of His Company; Ponti; Poor Bitos; Poor Richard; Porgy and Bess; Portofino; Pousse-Café; The Power and the Glory; The Prime of Miss Jean Brodie\u003c/p\u003e","\u003cp\u003eThe Prisoner of Second Avenue; The Private Ear and the Public Eye; Private Lives; The Producers; Program I; Program II; Program III; Promenade; Promises, Promises (playbill and souvenir program); Pump Boys and Dinettes\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program\u003c/p\u003e","\u003cp\u003eRadio City Music Hall (playbills and a souvenir program); Radio City Music Hall Christmas Spectacular; Rags; Ragtime\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eRed Gloves; The Red Mill; The Red Shoes; Red White and Maddox; Redhead; Rendezvous with Marlene\u003c/p\u003e","\u003cp\u003eRex (playbills and souvenir program); Ring Bells! Sing Songs! (playbills and souvenir programs); The Rink (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eThe Rise and Fall of the City of Mahagony (souvenir programs); The Ritz; The Roar of the Greasepaint - The Smell of the Crowd (playbills and souvenir program); The Robber Bridegroom; Rockabye Hamlet; The Rocky Horror Picture Show; Room Service; The Rose Tattoo\u003c/p\u003e","\u003cp\u003eRosencrantz and Guildenstern Are Dead; The Rothschilds (playbills and souvenir program); The Royal Ballet (souvenir programs)\u003c/p\u003e","\u003cp\u003eThe Royal Family; The Royal Hunt of the Sun; Rugatino; Rumple; Ruthless!\u003c/p\u003e","\u003cp\u003eSabrina Fair; Sadie Thompson; Salvation; Saratoga; Say, Darling; The School for Scandal (playbills and souvenir program); The School for Wives; Scratch; Scrooge (souvenir program); The Secret Affairs of Mildred Wild\u003c/p\u003e","\u003cp\u003eThe Secret Garden; Seesaw (playbills and souvenir program); The Selling of the President; Send Me No Flowers; Set to Music; Seven Days of Mourning; She Loves Me!; Sheep on the Runway; Shelter\u003c/p\u003e","\u003cp\u003eShenandoah (playbills and souvenir programs); Sherry!; Shinbone Alley; Shogun: The Musical; Show Boat (playbill and souvenir program)\u003c/p\u003e","\u003cp\u003eShow Boat; The Show Is On; The Sign in Sidney Brustein's Window; Silent Night, Lonely Night; Silk Stockings; Silverlake; Sing Happy (playbills and souvenir program); Sister Mary Ignatius Explains It All for You; The Actor's Nightmare\u003c/p\u003e","\u003cp\u003eSkyscraper (playbill and souvenir program); Sleight of Hand; Sleuth; Slow Dance on the Killing Ground; Smile; Smokey Joe's Cafe: The Songs of Leiber and Stoller; Social Security; Soldiers; Solitaire, Double Solitaire; Something Different; Something for the Boys\u003c/p\u003e","\u003cp\u003eSondheim: A Celebration at Carnegie Hall; Sondheim: A Musical Tribute; Song \u0026amp; Dance (playbills and souvenir program); Song of Norway (playbill and souvenir programs); Song of the Grasshopper; Soon; The Sound of Music\u003c/p\u003e","\u003cp\u003eSouth Pacific (playbills and souvenir program); Splendora; Spofford; The Star Spangled Girl; Star and Garter; Stardust\u003c/p\u003e","\u003cp\u003eStarmites; Stars of the Bolshoi Ballet; Stars of the New York Stage 1870-1970 (exhibit catalogue); State Fair; Steel Pier; Sticks and Bones; Stop the World- I Want to Get Off; Strange Interlude; Street Songs\u003c/p\u003e","\u003cp\u003eThe Subject Was Roses; Subways Are for Sleeping; Sugar (playbills and souvenir program); Summer of the 17th Doll; Sunday in the Park with George (playbills and souvenir program); Sunset\u003c/p\u003e","\u003cp\u003eThe Sunshine Boys; The Supporting Cast; The Survival of St. Joan: A Medieval Rock Opera; Sweeney Todd: The Demon Barber of Fleet Street (playbills and souvenir program); Sweet Bird of Youth\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs\u003c/p\u003e","\u003cp\u003eTake Me Along; Taking Steps; Tango Argentino; Tchaikovsky at Carnegie Hall; Tchin-Tchin (playbills and souvenir programs); The Teahouse of the August Moon; Ten Little Indians; Tenderloin; The Tenth Man; That Championship Season; That's Entertainment; There Was a Little Girl; They're Playing Our Song; Thoroughly Modern Millie\u003c/p\u003e","\u003cp\u003eThere's a Girl in My Soup; Three Men on a Horse; The Threepenny Opera; Time Remembered; Tiny Alice; Titanic\u003c/p\u003e","\u003cp\u003eTomorrow, the World; Tonight at 8:30; Tony Award programs; Too True to Be Good; Tovarich; Toys in the Attic; Traveller Without Luggage; The Trial of Lee Harvey Oswald; Tricks; Trixie True: Teen Detective\u003c/p\u003e","\u003cp\u003eThe Tumbler; The Tunnel of Love; Twelfth Night; Twigs; Two by Two (playbill and souvenir program); Two Gentlemen of Verona (playbills and souvenir program); The Two Mrs. Carrolls\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program for The Unsinkable Molly Brown\u003c/p\u003e","\u003cp\u003eThe Utter Glory of Morrissey Hall; Veronica's Room; Very Dry and on the rocks; Very Good Eddie (playbills and souvenir program); Via Galactica; Victor Victoria\u003c/p\u003e","\u003cp\u003eVienna Boys Choir (souvenir program); Vintage '60; The Visit; Vivat! Vivat Regina!; The Voice of the Turtle; Voices\u003c/p\u003e","\u003cp\u003eWait a Minim!; Wait Until Dark; Walking Happy; Wall to Wall Richard Rodgers; Waltz of the Toreadors; War and Peace; Warp One: My Battlefield, My Body; We Have Always Lived in the Castle; The Wedding Singer (playbills and souvenir program); Welcome to the Club; West Side Story\u003c/p\u003e","\u003cp\u003eWest Side Story (playbills and souvenir programs); What Did We Do Wrong?; What Makes Sammy Run? (playbill and souvenir program); When Pigs Fly; Where's Charley? (playbill and souvenir program)\u003c/p\u003e","\u003cp\u003eThe White House; Who Was That Lady I Saw You With?; Who's Afraid of Virginia Woolf?; The Who's Tommy; Whodunnit; Whoop Dee Doo!; Whoop Up; Whores, Wars \u0026amp; Tin Pan Alley\u003c/p\u003e","\u003cp\u003eWicked (playbills and souvenir program); Wiener Blut (playbill and souvenir program); Wild and Wonderful; The Will Rodgers Follies; Winesburg, Ohio; Wings; Wish You Were Here; Wise Child\u003c/p\u003e","\u003cp\u003eWoman of the Year (playbills and souvenir program); The Woman in White; Wonderful Tennessee; Wonderhouse; Working; The World of Suzie Wong; Write Me a Murder\u003c/p\u003e","\u003cp\u003eThe Yearling; You Can't Take It With You; You Know I Can't Hear You When the Water's Running; Young Frankenstein (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eZiegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda\u003c/p\u003e","\u003cp\u003eThis series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs.\u003c/p\u003e","\u003cp\u003eAppalachian Autumn; The Day Before Sunday; Dear Friends; Do Not Go Gentle Into That Good Night; The Experiment; My Father and My Mother; The People Next Door; Sadbird; Saturday Adoption; Secrets; Shadow Game\u003c/p\u003e","\u003cp\u003eActors Equity Association \"Equity\" magazine; Blithe Spirit; Camelot; Chinese Theatre Hollywood; Crossed Swords\u003c/p\u003e","\u003cp\u003eFar from the Madding Crowd; Goodbye, Mr. Chips; Helen Hayes: Portrait of an American Actress; Indiana Jones and the Temple of Doom; Latin Quarter; The Lion in Winter\u003c/p\u003e","\u003cp\u003eBen Hur; El Cid; How the West Was Won; It's a Mad Mad, Mad, Mad World; Judgment at Nuremburg; Lawrence of Arabia; The Longest Day; Mutiny on the Bounty; The Wonderful World of the Brothers Grimm; West Side Story\u003c/p\u003e","\u003cp\u003eReturn of the Jedi; Romeo \u0026amp; Juliet; Ringling Brothers and Barnum \u0026amp; Bailey Circus; Song of Norway; The Sound of Music\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","The collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. ","Includes playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Playbills in this subseries are from the Boston Museum, Carousel Theatre, Charles Playhouse, Colonial Theatre, Copley Theatre, Music Hall, the New Globe Theatre, North Shore Music Theatre, Plymouth Theatre, Saxon Theatre, Shubert Theatre, South Shore Music Circus, Sumner Theatre, and the Wilbur Theatre in Boston. There is also one playbill from the Court Square Theatre in Springfield, MA, one from The Dettors Theatre in Concord, MA, two from the Provincetown Playhouse On-the-wharf in Provincetown, MA, and a review of a play from Tilton, NH.","Springfield, MA","A Majority of One; A Thousand Clowns; A Very Special Baby; Anastasia; Around the World in 80 Days","Indians  review from the Tiltonian publication of the Tilton School in Tilton, NH.","First Love; Follies ; Benefit performance of  Follies  for the American Cancer Society Massachusetts division;  Giants, Sons of Giants; Grand Hotel; Guys and Dolls; Hamlet; Hot September","Mame; Married Alive!; Mid-Summer; Mr. President","The Odd Couple; On a Clear Day You Can See Forever; On the Twentieth Century; Pacific Overtures; Photo Finish; Pretty Belle; The Roar of the Greasepaint-The Smell of the Crowd; Romanoff and Juliet; Sherry!; Toys in the Attic; Wildcat; Woman of the Year","Provincetown, MA","Many of the playbills in this subseries are Performing Arts magazines and from theaters in San Franciso and Los Angeles. Theatres include the Ambassador Cocoanut grove, American Conservatory Theatre, Aquarius Theatre, Curran Theatre, Dorothy Chandler Pavilion, Huntington Hartford Theatre, Las Palmas Theatre, Little Fox Theatre, the Music Center, the Orpheum Theatre, Shubert Theatre, and the War Memorial Opera House.","Camelot; Evita; Gigi; Give 'em Hell, Harry!","Hair; Kismet; Lorelei; The Music Man; Odyssey; Oklahoma!","Pacific Overtures ; San Francisco Opera  L'elisir d'amore; Shine It On","Sunset Boulevard; Tom Jones; The Wiz","This subseries includes playbills from the Blackstone Theatre, Columbia Theatre, the Goodman Theatre, and the Happy Medium Theatre in Chicago.","Includes playbills from the Westport Country Playhouse, Goodspeed Opera House, the Hartman Theatre, The Holmes School in Darien, Stamford Center for the Arts, the Shubert Theatre, the Long Wharf Theatre, the Ivoryton Playhouse, Yale Repertory Theatre, and Westbury Music Fair in Connecticut.","A Song for Cyrano; Ain't Misbehavin'; Annie; Bells are Ringing; The Chalk Garden; Cry for Us All; Daarlin' Juno","Dear Charles; The Devil's Disciple; El Capitan; How Now Dow Jones; Illya Darling; The King and I","Kiss Me, Kate; The Marquise; The Play's the Thing","Spider's Web; Stardust; The Three Musketeers; Two by Two; The Vagabond King; Zorba","Playbill from the Parker Playhouse in Ft. Lauderdale, Florida","This subseries includes playbills from the Abbey Theatre, Adelphi Theatre, Apollo Theatre, Comedy Theatre, Daly's Theatre, Duke of York's Theatre, Her Majesty's A Stoll Moss Theatre, Lyric Theatre, National Theatre, New London Theatre, The New Lyric Opera House, New Theatre, Palace Theatre, Palladium, Phoenix Theatre, Piccadilly Theatre, Prince Edward Theatre, Prince of Wales Theatre, Queen's Hall, The Queen's Theatre, Roundabout Theatre, Royal Court Theatre, Royal Lyceum Theatre, Royal Opera House Covent Garden, Royal Shakespeare Theatre, Savoy Theatre, Shaftesbury Theatre, Strand Theatre, St. James Theatre, Theatre Royal Drury Lane, Theatre Royal Haymarket, Victoria Palace Theatre, Wyndham's Theatre in London, the West Yorkshire Playhouse in Leeds, and the Alexandrian Theatre in Liverpool.","A Madhouse in Goa; Aspects of Love; Bloomsbury; Don Carlos","Playbill and souvenir program","Souvenir programs","Follies  (includes photograph of theatre;  Front \u0026 Center  (magazine of Roundabout Theatre Company);  The Four Musketeers!","Golden Boy; Hadrian VII; Halfway Up the Tree; The Hotel in Amsterdam; Lady Be Good; Madame Tussaud's; The Mousetrap","Gone with the Wind; Hamlet; Here and Now; High Society; Les Miserables; Martin Guerre","Operettas  by Jacques Offenbach; Sadler's Wells opera at the London Coliseum;  Travesties","Miss Saigon; Murder Among Friends; Not Now, Darling; The Odd Couple; Oliver!; Over My Dead Body; Phantom of the Opera; The Quare Fellow; The Secret of Sherlock Holmes; Shirley Valentine; Show Boat; Single Spies","Steel Magnolias; Sunset Boulevard; Sweet Charity","This subseries includes playbills from Long Island theatres, SUNY, and the Tappan Zee theatre in Nyack, as well as playbills from Westchester New York. Playbills from Westchester theatres are separated and included after the Long Island, SUNY, and Nyack playbills. Playbills from High School and community productions are included alphabetically by city at the end of this subseries.","A Song for Cyrano; Anita Baker; Assassins; Chicago; Come Back, Little Sheba; Damn Yankees; Follies","Ain't Misbehavin'; At This Performance; Camelot ; Emelin Theatre 2008-2009; Emelin's Broadway Holiday Cabaret;  Friends In Deed; Funny Girl ; Johnny Carson; Liza Minnelli;  Pure Heaven; 'S Wonderful, 's Gershwin ; Steve Martin;  Sweet Hearts ; The Vienna Boys' Choir","Ann Hampton Callaway (ticket);  Call me Madam; Carousel ; The Festival Orchestra opening performance;  Fiorello!; Glad, Too; Godspell; Grow up! A Musical; How to Succeed in Business Without Really Trying; Incongruities; The Madwoman of Chaillot; New Plays 90; New Plays 91; New Plays 92 ; Second annual M.H.S. student film festival;  Studio night chamber music; Tosca; Who's out there that's for me?; Winter birds ; also includes a letter from Helen S. Murray to Charles Rodrigues","Anything Goes; Bye Bye Birdie; Brigadoon; Carnival; Cats; Cinderella '72; Fiddler on the Roof; Footlight Follies; Guys and Dolls; The King and I; Kiss Me, Kate; Li'l Abner; Mame; The Night Thoreau Spent in Jail; Once Upon a Mattress; Paint Your Wagon; Peter Pan; South Pacific; Wonderful Town","The Absence of a Cello ;  Aida  at the Verdi Opera Festival; AFS 1983 variety show; AFS 1984 variety show;  The Boy Friend; Brigadoon; My One and Only; The Old Woman Broods ; Valentine's Day benefit February 14, 1987","A Connecticut Yankee in King Arthur's Court; Fando and Lis","This subseries includes playbills and a concert program from the state of New Jersey. Theatres include the Surflight Theatre, Paper Mill Playhouse, The Whole Theatre Company, and the Broad Street Theatre.","Animal Crackers; Children of Eden ; Fleetwood Mac, concert program;  Follies; Phantom of the Opera; The Trojan Women; Where's Charley?","This subseries includes playbills from the state of Ohio. Theatres include B.F. Keith's Hippodrome, the Cincinnati Music Theatre, and The Cincinnati Playhouse in the park.","This subseries includes playbills from the city of Paris. Theatres include the Cabaret Lido Paris, Theatre De La Renaissance, and the Theatre National de L'Opera.","This subseries includes playbills from the city of Philadelphia. One playbill from Pittsburgh's Nixon Theatre is included at the end of the Philadelphia pre-1934 playbills. Theatres include The Academy of Music, Broad Street Theatre, The Erlanger Theatre, Forrest Theatre, The Goldman Theatre, The Little Theatre, The New Locust Theatre, Playhouse, Shubert Theatre, Society Hill Playhouse, Valley Forge Music Fair, Walnut Theatre, and The University of Pennsylvania.","Pittsburgh","70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; A Call on Kuprin; A Cook for Mr. General; A Man's a Man; A Matter of Position; A Severed Head; A Thurber Carnival; A View from the Bridge; Advise and Consent; All American; Alice; Anyone Can Whistle; Ari; Artur Rubinstein; The Aspern Papers; The Beauty Part; Big Fish, Little Fish; Brain Child; Butterflies Are Free; Bye Bye Birdie; Chicago; Christine; Copper and Brass","Daughter of Silence; Dear Me, the Sky is Falling; Destry Rides Again; The Disenchanted; Do Re Mi; Donnybrook; Elizabeth the Queen; Enrico; The Fantasticks; The Fighting Cock; First impressions; Five finger exercise; Four on a garden; The fun couple; Funny girl; Gideon; The girl who came to supper; Goodbye Charlie; Greenwillow; Gypsy; H.M.S. Pinafore; Here's love; High spirits","The Highest Tree; Hot Spot; How Now, Dow Jones; I Can Get It for You Wholesale; I Remember Mama; In the Counting House; J.B.; Julia, Jake, and Uncle Joe; Little Me; Lolita, My Love; Lord Pengo; Love and Kisses; Lovely Ladies, Kind Gentlemen; Luther; Mame; The Marriage-Go-Round; Mary Stuart; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; The Miracle Worker; My Fair Lady","National Repertory Theatre;  No, No, Nanette; Nowhere to Go But Up; Old World; Period of Adjustment ; The Philadelphia Orchestra (1962-1963 season);  The Pleasure of His Company; The Prince of Grand Street; Ready When You Are C.B.!; Romulus; Say, darling; The school for scandal; She loves me; Spartacus; Something About a Soldier; Stop the World - I Want to Get Off; The Subject Was Roses; Sugar; Sugar Babies; Sweet Bird of Youth; Take Her, She's Mine; Take Me Along; There Was a Little Girl; Threepenny Opera; Tovarich","The Umbrella; The Visit; The Wall; Wildcat; Who's Afraid of Virginia Wolf?; The World of Carl Sandburg; Zorba","Four one-act plays:  Present Day Courtship, The Still Alarm, People in the Wind, In the Zone; The Sandbox, The Lesson, Daughters; Medea; She Stoops to Conquer ; The Stringart Quartet artists-in-residence; The University of Pennsylvania Glee club and Pennsyngers","This subseries includes playbills from the city of Toronto. Playbills are from the Melody Fair and the Royal Alexandra Theatre.","This subseries includes playbills from the city of Washington D.C. Playbills are from the Kennedy Center, National Theatre, Signature Theatre, and the Morris A. Mechanic Theatre in Baltimore.","The Alvin Alley City Center Dance Theatre; Applause; Carnival!","Lost in the Stars; Natural Affection; Over and Over; Rex; Sondheim Celebration; Spotlight; Sugar; The Visit","This series contains playbills and souvenir programs from a variety of theatres and venues including those found on Broadway, off-Broadway, off-off Broadway and in Brooklyn. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Angel Face; Animal Crackers; Apple Blossoms; The Apple Cart","Ballyhoo; Ballyhoo of '32; The Bandwagon","Playbills from the Broadhurst and Shubert theatres","Montauk Theatre in Brooklyn","The Blackbirds of 1928; Blossom Time; Blue Eyes; Broadway; The Broadway Whirl","Cherry Blossoms; China Rose; The Chocolate Dandies","Daddies; The Dancing Girl; Dearest Enemy; Death Takes a Holiday; The Desert Song; Design for Living; Desire Under the Elms","Two incomplete playbills","General Post; Gentlemen Prefer Blondes; George White's Scandals; Getting Married; Getting Together","The Girl Behind the Gun; Girl Crazy; The Girl Friend; The Girl from Home","Good Gracious Annabelle; Girls; Good Boy; Good News; The Grab Bag; Grand Hotel; The Great Adventure; The Great Divide; The Great Gatsby","The Greenwich Village Follies; The Greenwich Village Follies of 1920","Helen of Troy, New York; Hello Daddy; Here's Howe; Hit the Deck; Hitchy-Koo 1920","Lassie; The Lassoo; The Laugh Parade; The Last Waltz; Liliom; The Lie","Little Nelly Kelly; The Little Show; Lollipop; Love Birds","Melody; Men in White; The Merry Widow; Midnight Revue; Miss Springtime","Odds and Ends of 1917; Of Thee I Sing; Oh, Boy!; Oh, Kay!, Oh Look, Oh, please!","Three playbills, two of which are for vaudeville performances at the Orpheum Theatre in Brooklyn","Padlocks of 1927; Paris; The Parisian Model","Pietro; Pitter Patter; Poor Little Ritz Girl; Poppy; Porgy","R.U.R.; Rainbow; The Ramblers; The Red Mill","Redemption; Revels; The Rise of Rosie O'Reilly; Rosalie; Rose Bernd; Rose-Marie; The Royal Family; The Royal Vagabond; Running Wild","Simple Simon; Singin' the Blues; Six Characters in Search of an Author; Smiles; Some Time; The Song and Dance Man; Song of the Flame; Spring is Here; Strange Interlude; Street Scene; Strike Me Pink; Strike Up the Band; The Student Prince in Heidelberg; Sweet; Sweet Little Devil; Swifty","Three Wise Fools; Three's a Crowd; Tickle Me; Tip-Toes","6 Rms Riv Vu; The 25th Annual Putnam County Spelling Bee; 42nd Street; 70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; 1776","Souvenir program","A Bell for Adano; A Bistro Car; A Broadway Musical; A Case of Libel; A Catered Affair; A Celebration of Richard Rodgers; A Chorus Line; A Class Act; A Day in Hollywood / A Night in the Ukraine; A Day in the Life of Just About Everyone; A Delicate Balance; A Doll's Life","A Far Country; A FunnyTthing Happened on the Way to the Forum; A Hand Is on the Gate; A Hatful of Rain; A Kurt Weill Cabaret; A Joyful Noise","A Life; A Little Family Business; A Little Night Music","Souvenir program","A Majority of One; A Meeting by the River; A Moon for the Misbegotten; A Night at the Palace; A Party with Betty Comden and Adolph Green; A Patriot for Me; A Passage to India; A Place Without Doors; A Raisin in the Sun; A Salute to ASCAP; A Shot in the Dark; A Streetcar Named Desire; A Tale of Two Cities; A Taste of Honey; A Thurber Carnival; A Time for Singing; A Tree Grows in Brooklyn","Abelard \u0026 Heloise; Accidental Death of an Anarchist; The Act; The Actors Studio Theatre productions 1963-1964; ACT (American Conservatory Theatre); The Adventures of Tom Sawyer; Advise and Consent; After the Rain; Ah, Wilderness; Ain't Broadway Grand","Alan Gilbert \u0026 The New York Philharmonic; All Over; All the Way home; All's Well That Ends Well; Alfie!; Allegro; Amadeus; Ambassador","America Kicks Up Its Heels; American Ballet Theatre; The American Dance Machine; The American Way; Amour","Souvenir program","And Miss Reardon Drinks a Little; And the World Goes Around; The Andersonville Trial; Angel; Angel Street; Angels in America; Anna Karenina; Annie","Souvenir program","Souvenir program","Souvenir program","As Is; The Astrakhan Coat; Assassins; At the Drop of Another Hat; Auntie Mame; Autumn's Here!","Baby Want a Kiss; Bajour; Baker street; The Ballad of the Sad Cafe; Ballroom; Barbara Back to Broadway; Barefoot in Athens; Barefoot in the Park; Barnum","Souvenir programs for: Barefoot in the Park; Barnum; Beauty and the Beast; Beggar on Horseback; The Beggar's Opera; Belafonte at the Palace; Ben Franklin in Paris","Bayanihan; Beekman Place; Beg, Borrow or Steal; Beggar's Holiday; Bell's are Ringing; Ben Franklin in Paris; Bernadine; Best Foot Forward; The Best Little Whorehouse Goes Public; The Best Little Whorehouse in Texas; The Best Man; Beyond the Fringe","Big Deal; Billion Dollar Baby; Billy; The Birthday Party; Bklyn; Black and Blue; Black Broadway; Black Chiffon; Black Comedy","Black Comedy White Lies; Blast; Blithe Spirit; Blood Brothers; Blood Red Roses; Bloomer Girl; Blue Denim; Blues for Mister Charlie; The Body Beautiful; Born Yesterday","Borstal Boy; The Boy Friend; The Boy from Oz; Boys and Girls Together; The Boys from Syracuse; The Boys in the Band; The Boys of Winter","Boris Aronson (exhibit catalogue); Breakfast at Tiffany's; Breaking Legs; Brief Lives; Brigadoon; Brighton Beach Memoirs; Bring Back Birdie; Broadway Cabaret Festival; Broadway Cares","Broadway on Broadway; Broadway's Stars in the Alley; Bubbling Brown Sugar; The Buddy Holly Story; Butterflies are Free; By George; By Jupiter; Bye Bye Birdie","Souvenir program","Two souvenir programs","Souvenir program","Souvenir program","Can Can; Candida; Candide; Canterbury Tales (playbills and souvenir program)","Cantorial; Carmelina; Carousel (playbill and souvenir program); Carnival!; Carrie; Catch Me If You Can; Cats","Celebration; Century of Change; Charles Aznavour; Checking Out; Chess (playbill and souvenir program); Chicago (playbills and souvenir program)","Childs Play; The Chinese Prime Minister; Chips With Everything; Chita Rivera: The Dancer's Life; Chitty Chitty Bang Bang; City Center Joffrey ballet; City of Angels","Closer Than Ever; Cloud 7; Coco (playbills and souvenir program); The Color Purple (playbill and souvenir program); Come Blow Your Horn; Come on Strong; Come Summer; The Comedie Francaise","Company (playbills and souvenir programs)","Souvenir program","Conduct Unbecoming; The Contrast; Copper and Brass; Counsellor-at-Law; The Country Girl","Crazy For You; The Cradle Will Rock; The Creation of the World and Other Business; Critic's Choice; Cry For Us All","Cuba and His Teddy Bear; Curtains (playbills and souvenir program); Cyrano","The D'oyly Carte Opera Company; Dame Edna; Dames at Sea; Damn Yankees; Dance a Little Closer; Dance of Death; Dance of the Vampires; Dancin'; Daphne in Cottage D","The Dark at the Top of the Stairs; The Day Before Spring; The Day the Money Stopped; Dear Janet Rosenberg Dear Mr. Kooning; Dear Ruth; Dear Me, the Sky is Falling; Dear World (playbills and souvenir program)","Death of a Salesman; The Deputy (playbills and souvenir program); The Desperate Hours; Destry Rides Again; Deuce; The Devils; The Disenchanted","Diamonds; Different Times; Dinner at Eight; Dirty Rotten Scoundrels; Division Street","Do Black Patent Leather Shoes Really Reflect Up?; Do Re Mi; Do I Hear a Waltz?; Doctor Jazz; Does a Tiger Wear a Necktie?; Don Carlo and Les Troyens; Don't Drink the Water; The Doughgirls","Dr. Cook's Garden; Dracula; Drat the Cat; Dreamgirls; Drink to Me Only; The Drowsy Chaperone (playbill and souvenir program); Du Barry Was a Lady; Dude: The Highway Life; Duel of Angels; Dylan","Easter Bonnet Competition; Eating Raoul; El Bravo!; Elba; End of the World","The Effect of Gamma Rays on Man-in-the-Moon Marigolds; Elizabeth 1; Emperor Henry IV; Enter Laughing; Entertaining Mr. Sloane; Equus; The Ethel Merman Show; Everything in the Garden; Evita","Face Value; Fade Out-Fade In; Fair Game; Fallen Angels; The Family Reunion; Fanny (playbills and souvenir programs); Father's Day; Fences; Fiesta in Madrid","Fiddler on the Roof (playbills and souvenir program); Fifth of July; The Fig Leaves are Falling","Three souvenir programs including one for the film version","Finian's Rainbow; Fiorello!; Fire!; The First; The Firstborn (playbill and souvenir program); First Impressions; Fit to be Tied; Five Finger Exercise","Five Guys named Moe; The Flip Side; Flora the Red Menace; Flower Drum Song; Folies Bergere; Fortune and Men's Eyes; Forty Carats; Four on a Garden","Follies (playbills and souvenir program); Follow the Girls; Fosse; Foxy","Frank Merriwell or Honor Challenged; Frankenstein; Fred Ebb; The Frogs (playbills and souvenir program); From A to Z; The Front Page; The Full Monty","Playbills and souvenir programs","The Gang's All Here; Gantry; The Gazebo; Geese; Generation; George M.; Georgy","Gideon; Gigi (playbills and souvenir program); Gilbert \u0026 Sullivan Company; Gilbert Becaud on Broadway; The Gingerbread Lady; The Girl Against the Boys; The Girl Who Came to Supper; The Glass Menagerie; The Glorious Ones","God's Favorite; Golden Bat; Golden Boy; Golden Rainbow; Goldilocks; The Good Times Are Killing Me; The Goodbye Girl; Goodbye My Fancy; Goodtime Charlie; Grand Hotel (playbills and souvenir program); The Grand Tour","Souvenir programs for: Godspell; Golden Boy; Golden Rainbow; The Goodbye Girl","The Grass Harp; The Great God b=Brown; The Great Waltz; The Great White Hope (souvenir program); Greenwillow; Grey Gardens; Guys and Dolls; Gypsy (souvenir program)","Playbills and souvenir program","H.M.S. Pinafore; Hadrian VII; Hail Scrawdyke!; Hair; Hairspray; Half a Sixpence; Halfway Up the Tree","Half a Sixpence (souvenir program); Halfway Up the Tree; Hallelujah, Baby! (playbill and souvenir programs); Hamlet; Handful of Fire; Happiest Millionaire","Happy Birthday; Happy Birthday, Wanda June; The Happy Time (playbill and souvenir program); Happy Town; Happy Hunting (playbills and souvenir program); Harvey","Hats Off to Ice; Hay Fever; Heathen!; Hello, Dolly!","Playbills and souvenir programs","Hello, Solly!; Henry V; Henry, Sweet Henry (playbills and souvenir program); Here's Love","Hold On to Your Hats; Holiday for Lovers; Hooray for What!","The High Rollers Social \u0026 Pleasure Club; The History Boys; Home; Home Sweet Home; The Homecoming; The Hostage; Hot Spot; The House of Blue Leaves; How Now Dow Jones","How the Other Half Lives; How to Be a Jewish Mother; How to Succeed in Business Without Really Trying; How's the World Treating You; Hughie; Hurry, Harry","I Am a Camera; I Can Get It for You Wholesale; I Do! I Do! (playbills and souvenir program); I Had a Ball; I Hate Hamlet; I Know My Love; I Like It Here; I Never Sang for My Father","I Remember Mama; I'm Not Rappaport; Icetime; Illya Darling (souvenir program)","Illya Darling; The Impossible Years; In Bed We Cry; Inadmissible Evidence; Inbal; The Incomparable Max","Indians; Inherit the Wind; Inquest; International Soiree; Into the Woods (playbills and souvenir program); The Investigation; Invitation to a March","The Irregular Verb to Love; Is He Dead?; It Ain't Nothing but the Blues; It's a Bird, It's a Plane, It's Superman; Ivanov","JB; Jacobowsky and the Colonel; Jacques Brel is Alive and Well and Living in Paris; Jake's Women; Jamaica; James Joyce's The Dead; Jane; Janus; Jelly's Last Jam; Jennie; Jerome Robbins' ballets: U.S.A.; Jerome Robbins' on Broadway (playbills and souvenir program); Jesus Christ Superstar","Jimmy; Joan of Lorraine; The Jocky Club Stakes; Joe Egg; Johnny Johnson; Johnny No-Trump; Joseph and the Amazing Technicolor Dreamcoat; Joy; Journey's End; Jubilee; Judgment at Nuremberg, Judy Garland: At Home at the Palace","Kids Care; The Killing of Sister George; The King and I (playbills and souvenir program); King of Hearts; Kismet; Kiss of the Spiderwoman (playbill and souvenir program); The Knack; Kurt Weill: Making Music Theatre","La Bohème; La Cage aux Folles; La Grosse Valise; La Plume de Ma Tante","La Strada; Lady in the Dark; The Lake; Larry Kert 1930-1991; The Last Analysis; The Last of Mrs. Lincoln","Last of the Red Hot Lovers; The Last Sweet Days of Isaac; Laughs and Other Events; Legally Blonde; Legs Diamond; Les Ballets de Paris; Les Blancs; Lestat (playbill and souvenir program); Let's Face It","The Life; Life with Father; The Light in the Piazza; The Lion in Winter; Little Me (playbills and souvenir program)","Playbills and souvenir program","The Little Mermaid (playbills and souvenir program); Little Murders; Little Women (playbills and souvenir program); Lolita; Look After Lulu; Look Back in Anger; Look Homeward Angel","Playbills and souvenir programs.  Liza with a Z  tour program includes signature from Liza on last page.","Look to the Lillies; Loot; Lord Pergo; Lorelei (playbills and souvenir program); Lost in the Stars; Louisiana Purchase; Love Life; Love! Valour! Compassion!; Lovely Ladies, Kind Gentlemen; LoveMusik; The Loves of Cass McGuire","Alan Jay Lerner; Betty Comden and Adolph Green; Carolyn Leigh; Dorothy Fields; E.Y. 'Yip' Harburg; Fred Ebb and John Kander; Life is a Cabaret: A tribute to Fred Ebb; Hal David; Harold Rome; Jerry Herman; Johnny Mercer; Sammy Cahn; Shelden Harnick; Stephen Schwartz; Stephen Sondheim","Macbeth; Mack \u0026 Mabel (playbill and souvenir program); Madam Butterfly; Maggie Flynn; Make Mine Manhattan; Man of La Mancha","Souvenir programs","Mame (playbills and souvenir programs); The Mambo Kings; Mamma Mia; The Man in the Glass Booth (souvenir program)","The Man Who Came to Dinner; The Man Who Had All the Luck; The Man With a Load of Mischief; Marcel Marceau; Mark Twain Tonight!; Marlene Dietrich; The Marriage-Go-Round","Martin Short: Fame Becomes Me (playbill and souvenir program); Mary, Mary; Mary Poppins (playbills and souvenir program)","Me and My Girl (playbills and souvenir program); Meet Me in St. Louis; The Megilla of Itzik Manger; The Member of the Wedding; Merlin; Merrily We Roll Along; Metro; The Metropolitan Opera: Met in the Parks (June 2007)","Milk \u0026 Honey; Milliken Breakfast Show; Minnelli on Minnelli; Minnie's Boys; Minor Miracle; The Miracle Worker; Miss Liberty; Mister Roberts; Molly; Monty Python's Spamalot; More Stately Mansions; Morning's at Seven","Mister Johnson; Monty Python's Spamalot (souvenir program); More Stately Mansions (souvenir program); Morning, Noon, and Night; The Most Happy Fella; Mourning Become Electra; Movin' Out; Mr. Wonderful; Mr. President; Mrs. Dally","Murder at Minsing Manor: A Nancy Boys Mystery; Music! Music!; Music in My Heart; Music in the Air; The Music Man (playbill and souvenir program); The Musical Theatre of Harold Prince; Musicals in Mufti; My Fair Lady (playbills and souvenir program); My One and Only (playbill and souvenir program)","My Fair Lady; My Favorite Year; My Funny Valentine; My Sister Eileen; My Wife and I","National Ballet; Natural Affection; Nature's Way; The Nerd; The Nervous Set; Never Too Late; The New Musical of Israel; New York City Ballet; New York City Opera","New York City Ballet (playbills and Nutcracker souvenir program); New York City Opera; New York Philharmonic; The New Yorkers; The Next President; Next to Normal","Two souvenir programs","Nick \u0026 Nora; The Night Circus; The Night of the Iguana; Night Watch; Nine (playbills and souvenir program); No, No, Nanette; No Place to Be Somebody; The Ninety Day Mistress","No Strings; Nobody Loves an Albatross; Noises Off","O Mistress Mine; The Odd Couple; Of Thee I Sing; Oh! Calcutta!; Oh, Captain!; Oh, Kay!; Oh What a Lovely War; Oil City Symphony; Oklahoma! (playbills and souvenir program)","Old Times; Old Vic; Oliver! (playbills and souvenir program); On a Clear Day You Can See Forever (playbills and souvenir programs); On Golden Pond; On the Town; On the Twentieth Century","On the Waterfront; On Your Toes; Once More, With Feeling; Once on This Island (playbill and souvenir program); Once Upon a Mattress; One More River; One Night Stand; One Touch of Venus; The Only Game in Town; Orpheus Descending; Over Twenty-One","Our Country's Good; Our Town; Out Cry; Out of This World; The Owl and the Pussycat","P.S. I Love You; Pacific Overtures; The Pajama Game; Pal Joey; Pamela's First Musical; Panama Hattie; Paris Is Out!; Park; Passion; The Passion","Paul Sills' Story Theatre; Paul Taylor Dance Company; The Penny Wars; Perfectly Frank; Period of Adjustment; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade; The Petrified Forest; Phantom of the Opera (playbill and souvenir program); Philadelphia, Here I Come!; The Philanthropist","Photo Finish; Pickwick (playbill and souvenir program); Pippin (playbill and souvenir program); The Pirate Queen (playbill and souvenir program); The Pirates of Penzance; Plain and Fancy","Platinum; Play It Again, Sam; Plaza Suite; The Pleasure of His Company; Ponti; Poor Bitos; Poor Richard; Porgy and Bess; Portofino; Pousse-Café; The Power and the Glory; The Prime of Miss Jean Brodie","The Prisoner of Second Avenue; The Private Ear and the Public Eye; Private Lives; The Producers; Program I; Program II; Program III; Promenade; Promises, Promises (playbill and souvenir program); Pump Boys and Dinettes","Playbills and souvenir program","Radio City Music Hall (playbills and a souvenir program); Radio City Music Hall Christmas Spectacular; Rags; Ragtime","Souvenir program","Red Gloves; The Red Mill; The Red Shoes; Red White and Maddox; Redhead; Rendezvous with Marlene","Rex (playbills and souvenir program); Ring Bells! Sing Songs! (playbills and souvenir programs); The Rink (playbills and souvenir program)","The Rise and Fall of the City of Mahagony (souvenir programs); The Ritz; The Roar of the Greasepaint - The Smell of the Crowd (playbills and souvenir program); The Robber Bridegroom; Rockabye Hamlet; The Rocky Horror Picture Show; Room Service; The Rose Tattoo","Rosencrantz and Guildenstern Are Dead; The Rothschilds (playbills and souvenir program); The Royal Ballet (souvenir programs)","The Royal Family; The Royal Hunt of the Sun; Rugatino; Rumple; Ruthless!","Sabrina Fair; Sadie Thompson; Salvation; Saratoga; Say, Darling; The School for Scandal (playbills and souvenir program); The School for Wives; Scratch; Scrooge (souvenir program); The Secret Affairs of Mildred Wild","The Secret Garden; Seesaw (playbills and souvenir program); The Selling of the President; Send Me No Flowers; Set to Music; Seven Days of Mourning; She Loves Me!; Sheep on the Runway; Shelter","Shenandoah (playbills and souvenir programs); Sherry!; Shinbone Alley; Shogun: The Musical; Show Boat (playbill and souvenir program)","Show Boat; The Show Is On; The Sign in Sidney Brustein's Window; Silent Night, Lonely Night; Silk Stockings; Silverlake; Sing Happy (playbills and souvenir program); Sister Mary Ignatius Explains It All for You; The Actor's Nightmare","Skyscraper (playbill and souvenir program); Sleight of Hand; Sleuth; Slow Dance on the Killing Ground; Smile; Smokey Joe's Cafe: The Songs of Leiber and Stoller; Social Security; Soldiers; Solitaire, Double Solitaire; Something Different; Something for the Boys","Sondheim: A Celebration at Carnegie Hall; Sondheim: A Musical Tribute; Song \u0026 Dance (playbills and souvenir program); Song of Norway (playbill and souvenir programs); Song of the Grasshopper; Soon; The Sound of Music","South Pacific (playbills and souvenir program); Splendora; Spofford; The Star Spangled Girl; Star and Garter; Stardust","Starmites; Stars of the Bolshoi Ballet; Stars of the New York Stage 1870-1970 (exhibit catalogue); State Fair; Steel Pier; Sticks and Bones; Stop the World- I Want to Get Off; Strange Interlude; Street Songs","The Subject Was Roses; Subways Are for Sleeping; Sugar (playbills and souvenir program); Summer of the 17th Doll; Sunday in the Park with George (playbills and souvenir program); Sunset","The Sunshine Boys; The Supporting Cast; The Survival of St. Joan: A Medieval Rock Opera; Sweeney Todd: The Demon Barber of Fleet Street (playbills and souvenir program); Sweet Bird of Youth","Playbills and souvenir programs","Take Me Along; Taking Steps; Tango Argentino; Tchaikovsky at Carnegie Hall; Tchin-Tchin (playbills and souvenir programs); The Teahouse of the August Moon; Ten Little Indians; Tenderloin; The Tenth Man; That Championship Season; That's Entertainment; There Was a Little Girl; They're Playing Our Song; Thoroughly Modern Millie","There's a Girl in My Soup; Three Men on a Horse; The Threepenny Opera; Time Remembered; Tiny Alice; Titanic","Tomorrow, the World; Tonight at 8:30; Tony Award programs; Too True to Be Good; Tovarich; Toys in the Attic; Traveller Without Luggage; The Trial of Lee Harvey Oswald; Tricks; Trixie True: Teen Detective","The Tumbler; The Tunnel of Love; Twelfth Night; Twigs; Two by Two (playbill and souvenir program); Two Gentlemen of Verona (playbills and souvenir program); The Two Mrs. Carrolls","Playbills and souvenir program for The Unsinkable Molly Brown","The Utter Glory of Morrissey Hall; Veronica's Room; Very Dry and on the rocks; Very Good Eddie (playbills and souvenir program); Via Galactica; Victor Victoria","Vienna Boys Choir (souvenir program); Vintage '60; The Visit; Vivat! Vivat Regina!; The Voice of the Turtle; Voices","Wait a Minim!; Wait Until Dark; Walking Happy; Wall to Wall Richard Rodgers; Waltz of the Toreadors; War and Peace; Warp One: My Battlefield, My Body; We Have Always Lived in the Castle; The Wedding Singer (playbills and souvenir program); Welcome to the Club; West Side Story","West Side Story (playbills and souvenir programs); What Did We Do Wrong?; What Makes Sammy Run? (playbill and souvenir program); When Pigs Fly; Where's Charley? (playbill and souvenir program)","The White House; Who Was That Lady I Saw You With?; Who's Afraid of Virginia Woolf?; The Who's Tommy; Whodunnit; Whoop Dee Doo!; Whoop Up; Whores, Wars \u0026 Tin Pan Alley","Wicked (playbills and souvenir program); Wiener Blut (playbill and souvenir program); Wild and Wonderful; The Will Rodgers Follies; Winesburg, Ohio; Wings; Wish You Were Here; Wise Child","Woman of the Year (playbills and souvenir program); The Woman in White; Wonderful Tennessee; Wonderhouse; Working; The World of Suzie Wong; Write Me a Murder","The Yearling; You Can't Take It With You; You Know I Can't Hear You When the Water's Running; Young Frankenstein (playbills and souvenir program)","Ziegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda","This series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs.","Appalachian Autumn; The Day Before Sunday; Dear Friends; Do Not Go Gentle Into That Good Night; The Experiment; My Father and My Mother; The People Next Door; Sadbird; Saturday Adoption; Secrets; Shadow Game","Actors Equity Association \"Equity\" magazine; Blithe Spirit; Camelot; Chinese Theatre Hollywood; Crossed Swords","Far from the Madding Crowd; Goodbye, Mr. Chips; Helen Hayes: Portrait of an American Actress; Indiana Jones and the Temple of Doom; Latin Quarter; The Lion in Winter","Ben Hur; El Cid; How the West Was Won; It's a Mad Mad, Mad, Mad World; Judgment at Nuremburg; Lawrence of Arabia; The Longest Day; Mutiny on the Bounty; The Wonderful World of the Brothers Grimm; West Side Story","Return of the Jedi; Romeo \u0026 Juliet; Ringling Brothers and Barnum \u0026 Bailey Circus; Song of Norway; The Sound of Music"],"userestrict_html_tesm":["\u003cp\u003eMaterials created before 1925 are in the Public Domain. No known restrictions.\u003c/p\u003e\n","\u003cp\u003eThe copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials created before 1925 are in the Public Domain. No known restrictions.","The copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d46ac9a9e4e3a7b9dc6e8e0b7d7a8d53\" label=\"Abstract\"\u003eThe Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.\u003c/abstract\u003e"],"abstract_tesim":["The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Rodrigues, Charles"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Rodrigues, Charles"],"language_ssim":["English"],"total_component_count_is":563,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:14:16.259Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_113"}},{"id":"vifgm_mannmaps","type":"collection","attributes":{"title":"C. Harrison Mann, Jr. Map Collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_mannmaps#creator","type":"document_value","attributes":{"value":"Mann, Charles Harrison, Jr., 1908-1977 \n\t\t","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_mannmaps#abstract_or_scope","type":"document_value","attributes":{"value":"Donated to George Mason University Libraries in September 1978 by the Mann family, the C. Harrison Mann Jr, Map Collection comprises ninety-six maps ranging from the sixteenth to nineteenth centuries and is housed in the Special Collections \u0026amp; Archives department. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and the world in the collection.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_mannmaps#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_mannmaps","ead_ssi":"vifgm_mannmaps","_root_":"vifgm_mannmaps","_nest_parent_":"vifgm_mannmaps","ead_source_url_ssi":"data/gmu/mannmaps.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/mannmaps.html","title_ssm":["C. Harrison Mann, Jr. Map Collection"],"title_tesim":["C. Harrison Mann, Jr. Map Collection"],"unitdate_ssm":["1579-1961"],"unitdate_inclusive_ssm":["1579-1961"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0213"],"text":["C0213","C. Harrison Mann, Jr. Map Collection","Maps.","There are no access restrictions.","Selections from the C. Harrison Mann, Jr. Map Collection are also available in the \n                 .","This collection is arranged by size of map.","Charles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.","In 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.","Mann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.","He also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977.","Processed by Special Collections and Archives staff. EAD markup completed in July 2012 by Greta Kuriger.","Special Collections and Archives also holds   and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the GMU Libraries catalog.","New Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.","Map of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.","New Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.","New Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.","Map of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.","Peter Goos. 17x21.","Homann. 20x23.","Map of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.","Map of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.","State of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.","Unidentified. 10x15.","Map of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.","New Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.","Map of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.","Ortelius. 19x23.","Copper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.","America or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.","Map of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.","Map of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.","Map of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.","Map of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.","Map of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.","Map of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.","Map of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.","Map of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.","New Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.","World map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.","Blaeu. 17x21.","Map of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.","Map of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.","Bleau. 20x24.","Blaeu. 20x24.","John Rocque. 40x50. London. Two sheets.","Map of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.","Bellin. 23x36. Paris.","I. Harrison. 21x32. Two sheet map.","Map of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.","Unidentified. 19x24.","Unidentified. 21x24. Paris.","LaRouge. 21x29. Paris.","From Pinkerton's Atlas. 24x40. London.","Map of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.","Map of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.","2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.","Map of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.","Unidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.","Wilkinson. 11x13. London.","Cadell and Davies. 23x30. London.","Unidentified. 9x11.","A. J. Johnson. 18x26. New York.","A. J. Johnson. 18x26. Same as item 52, but a different edition.","Cowperthwait. 14x17. Philadelphia.","Cotton. 16x18. New York.","Johnson. 14x18. New York. Same as item 55.","Colton. 16x18. New York.","Seers \u0026 Co. 11x16.","Unidentified. 17x21.","Cary. 21x24. London.","Unidentified. 18x22.","Unidentified. 18x22.","Unidentified. 18x27. New York.","Begin. 15x17.","Seutter. 221x25. Pictorial map with scene of burning of Lisbon.","Unidentified. 16x32.","Herman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.","Major J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.","Blackford. 20x24. Baltimore. Folded map with hard cover.","Young. 13x16. Philadelphia.","Mitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.","By Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.","Wytfliet. 9x12. Louvon.","Ortelius. 17x21. Map from early atlas.","Hondius. 19x23. Hondius edition of John Smith map of 1608.","12x19. Amsterdam.","Leide. 15x19.","27x29. Washington D.C.","There are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries.","Donated to George Mason University Libraries in September 1978 by the Mann family, the C. Harrison Mann Jr, Map Collection comprises ninety-six maps ranging from the sixteenth to nineteenth centuries and is housed in the Special Collections \u0026 Archives department. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and the world in the collection.","George Mason University. Libraries. Special Collections \u0026 Archives","Mann, Charles Harrison, Jr., 1908-1977 \n\t\t","English\n\t\t"],"unitid_tesim":["C0213"],"normalized_title_ssm":["C. Harrison Mann, Jr. Map Collection"],"collection_title_tesim":["C. Harrison Mann, Jr. Map Collection"],"collection_ssim":["C. Harrison Mann, Jr. Map Collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"creator_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"creator_persname_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"creators_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection donated by Betty Hart Mann in 1979."],"access_subjects_ssim":["Maps."],"access_subjects_ssm":["Maps."],"has_online_content_ssim":["true"],"extent_ssm":["5 linear feet (90 folders)"],"extent_tesim":["5 linear feet (90 folders)"],"date_range_isim":[1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eSelections from the C. Harrison Mann, Jr. Map Collection are also available in the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"C. Harrison Mann, Jr. Digitized Map Collection\" href=\"http://digilib.gmu.edu:8080/dspace/handle/1920/1935\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the C. Harrison Mann, Jr. Map Collection are also available in the \n                 ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by size of map.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by size of map."],"bioghist_html_tesm":["\u003cp\u003eCharles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.\u003c/p\u003e","\u003cp\u003eIn 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.\u003c/p\u003e","\u003cp\u003eMann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.\u003c/p\u003e","\u003cp\u003eHe also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Charles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.","In 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.","Mann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.","He also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977."],"prefercite_html_tesm":["\u003cp\u003eC. Harrison Mann, Jr. Map Collection, C0213, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["C. Harrison Mann, Jr. Map Collection, C0213, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed in July 2012 by Greta Kuriger.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed in July 2012 by Greta Kuriger."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds \u003cextptr type=\"simple\" show=\"new\" title=\"C. Harrison Mann, Jr.'s personal papers\" href=\"http://sca.gmu.edu/finding_aids/mann.html\"\u003e\u003c/extptr\u003e and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the GMU Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds   and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the GMU Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eNew Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.\u003c/p\u003e","\u003cp\u003eBy Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.\u003c/p\u003e","\u003cp\u003eNew Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.\u003c/p\u003e","\u003cp\u003eBy Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.\u003c/p\u003e","\u003cp\u003eNew Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.\u003c/p\u003e","\u003cp\u003eMap of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.\u003c/p\u003e","\u003cp\u003ePeter Goos. 17x21.\u003c/p\u003e","\u003cp\u003eHomann. 20x23.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.\u003c/p\u003e","\u003cp\u003eState of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.\u003c/p\u003e","\u003cp\u003eUnidentified. 10x15.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.\u003c/p\u003e","\u003cp\u003eNew Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.\u003c/p\u003e","\u003cp\u003eMap of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.\u003c/p\u003e","\u003cp\u003eOrtelius. 19x23.\u003c/p\u003e","\u003cp\u003eCopper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.\u003c/p\u003e","\u003cp\u003eAmerica or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.\u003c/p\u003e","\u003cp\u003eMap of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.\u003c/p\u003e","\u003cp\u003eMap of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.\u003c/p\u003e","\u003cp\u003eMap of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.\u003c/p\u003e","\u003cp\u003eMap of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.\u003c/p\u003e","\u003cp\u003eMap of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.\u003c/p\u003e","\u003cp\u003eMap of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.\u003c/p\u003e","\u003cp\u003eMap of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.\u003c/p\u003e","\u003cp\u003eMap of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.\u003c/p\u003e","\u003cp\u003eNew Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.\u003c/p\u003e","\u003cp\u003eWorld map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.\u003c/p\u003e","\u003cp\u003eBlaeu. 17x21.\u003c/p\u003e","\u003cp\u003eMap of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.\u003c/p\u003e","\u003cp\u003eMap of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.\u003c/p\u003e","\u003cp\u003eBleau. 20x24.\u003c/p\u003e","\u003cp\u003eBlaeu. 20x24.\u003c/p\u003e","\u003cp\u003eJohn Rocque. 40x50. London. Two sheets.\u003c/p\u003e","\u003cp\u003eMap of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.\u003c/p\u003e","\u003cp\u003eBellin. 23x36. Paris.\u003c/p\u003e","\u003cp\u003eI. Harrison. 21x32. Two sheet map.\u003c/p\u003e","\u003cp\u003eMap of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.\u003c/p\u003e","\u003cp\u003eUnidentified. 19x24.\u003c/p\u003e","\u003cp\u003eUnidentified. 21x24. Paris.\u003c/p\u003e","\u003cp\u003eLaRouge. 21x29. Paris.\u003c/p\u003e","\u003cp\u003eFrom Pinkerton's Atlas. 24x40. London.\u003c/p\u003e","\u003cp\u003eMap of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.\u003c/p\u003e","\u003cp\u003eMap of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.\u003c/p\u003e","\u003cp\u003e2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.\u003c/p\u003e","\u003cp\u003eMap of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.\u003c/p\u003e","\u003cp\u003eUnidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.\u003c/p\u003e","\u003cp\u003eWilkinson. 11x13. London.\u003c/p\u003e","\u003cp\u003eCadell and Davies. 23x30. London.\u003c/p\u003e","\u003cp\u003eUnidentified. 9x11.\u003c/p\u003e","\u003cp\u003eA. J. Johnson. 18x26. New York.\u003c/p\u003e","\u003cp\u003eA. J. Johnson. 18x26. Same as item 52, but a different edition.\u003c/p\u003e","\u003cp\u003eCowperthwait. 14x17. Philadelphia.\u003c/p\u003e","\u003cp\u003eCotton. 16x18. New York.\u003c/p\u003e","\u003cp\u003eJohnson. 14x18. New York. Same as item 55.\u003c/p\u003e","\u003cp\u003eColton. 16x18. New York.\u003c/p\u003e","\u003cp\u003eSeers \u0026amp; Co. 11x16.\u003c/p\u003e","\u003cp\u003eUnidentified. 17x21.\u003c/p\u003e","\u003cp\u003eCary. 21x24. London.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x22.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x22.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x27. New York.\u003c/p\u003e","\u003cp\u003eBegin. 15x17.\u003c/p\u003e","\u003cp\u003eSeutter. 221x25. Pictorial map with scene of burning of Lisbon.\u003c/p\u003e","\u003cp\u003eUnidentified. 16x32.\u003c/p\u003e","\u003cp\u003eHerman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.\u003c/p\u003e","\u003cp\u003eMajor J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.\u003c/p\u003e","\u003cp\u003eBlackford. 20x24. Baltimore. Folded map with hard cover.\u003c/p\u003e","\u003cp\u003eYoung. 13x16. Philadelphia.\u003c/p\u003e","\u003cp\u003eMitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.\u003c/p\u003e","\u003cp\u003eBy Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.\u003c/p\u003e","\u003cp\u003eWytfliet. 9x12. Louvon.\u003c/p\u003e","\u003cp\u003eOrtelius. 17x21. Map from early atlas.\u003c/p\u003e","\u003cp\u003eHondius. 19x23. Hondius edition of John Smith map of 1608.\u003c/p\u003e","\u003cp\u003e12x19. Amsterdam.\u003c/p\u003e","\u003cp\u003eLeide. 15x19.\u003c/p\u003e","\u003cp\u003e27x29. Washington D.C.\u003c/p\u003e"],"scopecontent_tesim":["New Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.","Map of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.","New Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.","New Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.","Map of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.","Peter Goos. 17x21.","Homann. 20x23.","Map of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.","Map of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.","State of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.","Unidentified. 10x15.","Map of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.","New Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.","Map of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.","Ortelius. 19x23.","Copper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.","America or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.","Map of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.","Map of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.","Map of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.","Map of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.","Map of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.","Map of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.","Map of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.","Map of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.","New Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.","World map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.","Blaeu. 17x21.","Map of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.","Map of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.","Bleau. 20x24.","Blaeu. 20x24.","John Rocque. 40x50. London. Two sheets.","Map of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.","Bellin. 23x36. Paris.","I. Harrison. 21x32. Two sheet map.","Map of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.","Unidentified. 19x24.","Unidentified. 21x24. Paris.","LaRouge. 21x29. Paris.","From Pinkerton's Atlas. 24x40. London.","Map of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.","Map of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.","2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.","Map of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.","Unidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.","Wilkinson. 11x13. London.","Cadell and Davies. 23x30. London.","Unidentified. 9x11.","A. J. Johnson. 18x26. New York.","A. J. Johnson. 18x26. Same as item 52, but a different edition.","Cowperthwait. 14x17. Philadelphia.","Cotton. 16x18. New York.","Johnson. 14x18. New York. Same as item 55.","Colton. 16x18. New York.","Seers \u0026 Co. 11x16.","Unidentified. 17x21.","Cary. 21x24. London.","Unidentified. 18x22.","Unidentified. 18x22.","Unidentified. 18x27. New York.","Begin. 15x17.","Seutter. 221x25. Pictorial map with scene of burning of Lisbon.","Unidentified. 16x32.","Herman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.","Major J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.","Blackford. 20x24. Baltimore. Folded map with hard cover.","Young. 13x16. Philadelphia.","Mitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.","By Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.","Wytfliet. 9x12. Louvon.","Ortelius. 17x21. Map from early atlas.","Hondius. 19x23. Hondius edition of John Smith map of 1608.","12x19. Amsterdam.","Leide. 15x19.","27x29. Washington D.C."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref175\" label=\"Abstract\"\u003eDonated to George Mason University Libraries in September 1978 by the Mann family, the C. Harrison Mann Jr, Map Collection comprises ninety-six maps ranging from the sixteenth to nineteenth centuries and is housed in the Special Collections \u0026amp; Archives department. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and the world in the collection.\u003c/abstract\u003e"],"abstract_tesim":["Donated to George Mason University Libraries in September 1978 by the Mann family, the C. Harrison Mann Jr, Map Collection comprises ninety-six maps ranging from the sixteenth to nineteenth centuries and is housed in the Special Collections \u0026 Archives department. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and the world in the collection."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"persname_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"language_ssim":["English\n\t\t"],"total_component_count_is":92,"online_item_count_is":33,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:20:58.362Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_mannmaps","ead_ssi":"vifgm_mannmaps","_root_":"vifgm_mannmaps","_nest_parent_":"vifgm_mannmaps","ead_source_url_ssi":"data/gmu/mannmaps.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/mannmaps.html","title_ssm":["C. Harrison Mann, Jr. Map Collection"],"title_tesim":["C. Harrison Mann, Jr. Map Collection"],"unitdate_ssm":["1579-1961"],"unitdate_inclusive_ssm":["1579-1961"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0213"],"text":["C0213","C. Harrison Mann, Jr. Map Collection","Maps.","There are no access restrictions.","Selections from the C. Harrison Mann, Jr. Map Collection are also available in the \n                 .","This collection is arranged by size of map.","Charles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.","In 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.","Mann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.","He also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977.","Processed by Special Collections and Archives staff. EAD markup completed in July 2012 by Greta Kuriger.","Special Collections and Archives also holds   and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the GMU Libraries catalog.","New Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.","Map of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.","New Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.","New Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.","Map of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.","Peter Goos. 17x21.","Homann. 20x23.","Map of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.","Map of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.","State of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.","Unidentified. 10x15.","Map of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.","New Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.","Map of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.","Ortelius. 19x23.","Copper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.","America or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.","Map of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.","Map of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.","Map of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.","Map of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.","Map of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.","Map of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.","Map of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.","Map of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.","New Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.","World map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.","Blaeu. 17x21.","Map of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.","Map of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.","Bleau. 20x24.","Blaeu. 20x24.","John Rocque. 40x50. London. Two sheets.","Map of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.","Bellin. 23x36. Paris.","I. Harrison. 21x32. Two sheet map.","Map of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.","Unidentified. 19x24.","Unidentified. 21x24. Paris.","LaRouge. 21x29. Paris.","From Pinkerton's Atlas. 24x40. London.","Map of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.","Map of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.","2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.","Map of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.","Unidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.","Wilkinson. 11x13. London.","Cadell and Davies. 23x30. London.","Unidentified. 9x11.","A. J. Johnson. 18x26. New York.","A. J. Johnson. 18x26. Same as item 52, but a different edition.","Cowperthwait. 14x17. Philadelphia.","Cotton. 16x18. New York.","Johnson. 14x18. New York. Same as item 55.","Colton. 16x18. New York.","Seers \u0026 Co. 11x16.","Unidentified. 17x21.","Cary. 21x24. London.","Unidentified. 18x22.","Unidentified. 18x22.","Unidentified. 18x27. New York.","Begin. 15x17.","Seutter. 221x25. Pictorial map with scene of burning of Lisbon.","Unidentified. 16x32.","Herman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.","Major J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.","Blackford. 20x24. Baltimore. Folded map with hard cover.","Young. 13x16. Philadelphia.","Mitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.","By Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.","Wytfliet. 9x12. Louvon.","Ortelius. 17x21. Map from early atlas.","Hondius. 19x23. Hondius edition of John Smith map of 1608.","12x19. Amsterdam.","Leide. 15x19.","27x29. Washington D.C.","There are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries.","Donated to George Mason University Libraries in September 1978 by the Mann family, the C. Harrison Mann Jr, Map Collection comprises ninety-six maps ranging from the sixteenth to nineteenth centuries and is housed in the Special Collections \u0026 Archives department. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and the world in the collection.","George Mason University. Libraries. Special Collections \u0026 Archives","Mann, Charles Harrison, Jr., 1908-1977 \n\t\t","English\n\t\t"],"unitid_tesim":["C0213"],"normalized_title_ssm":["C. Harrison Mann, Jr. Map Collection"],"collection_title_tesim":["C. Harrison Mann, Jr. Map Collection"],"collection_ssim":["C. Harrison Mann, Jr. Map Collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"creator_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"creator_persname_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"creators_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection donated by Betty Hart Mann in 1979."],"access_subjects_ssim":["Maps."],"access_subjects_ssm":["Maps."],"has_online_content_ssim":["true"],"extent_ssm":["5 linear feet (90 folders)"],"extent_tesim":["5 linear feet (90 folders)"],"date_range_isim":[1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eSelections from the C. Harrison Mann, Jr. Map Collection are also available in the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"C. Harrison Mann, Jr. Digitized Map Collection\" href=\"http://digilib.gmu.edu:8080/dspace/handle/1920/1935\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the C. Harrison Mann, Jr. Map Collection are also available in the \n                 ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by size of map.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by size of map."],"bioghist_html_tesm":["\u003cp\u003eCharles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.\u003c/p\u003e","\u003cp\u003eIn 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.\u003c/p\u003e","\u003cp\u003eMann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.\u003c/p\u003e","\u003cp\u003eHe also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Charles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.","In 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.","Mann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.","He also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977."],"prefercite_html_tesm":["\u003cp\u003eC. Harrison Mann, Jr. Map Collection, C0213, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["C. Harrison Mann, Jr. Map Collection, C0213, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed in July 2012 by Greta Kuriger.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed in July 2012 by Greta Kuriger."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds \u003cextptr type=\"simple\" show=\"new\" title=\"C. Harrison Mann, Jr.'s personal papers\" href=\"http://sca.gmu.edu/finding_aids/mann.html\"\u003e\u003c/extptr\u003e and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the GMU Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds   and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the GMU Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eNew Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.\u003c/p\u003e","\u003cp\u003eBy Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.\u003c/p\u003e","\u003cp\u003eNew Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.\u003c/p\u003e","\u003cp\u003eBy Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.\u003c/p\u003e","\u003cp\u003eNew Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.\u003c/p\u003e","\u003cp\u003eMap of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.\u003c/p\u003e","\u003cp\u003ePeter Goos. 17x21.\u003c/p\u003e","\u003cp\u003eHomann. 20x23.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.\u003c/p\u003e","\u003cp\u003eState of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.\u003c/p\u003e","\u003cp\u003eUnidentified. 10x15.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.\u003c/p\u003e","\u003cp\u003eNew Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.\u003c/p\u003e","\u003cp\u003eMap of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.\u003c/p\u003e","\u003cp\u003eOrtelius. 19x23.\u003c/p\u003e","\u003cp\u003eCopper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.\u003c/p\u003e","\u003cp\u003eAmerica or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.\u003c/p\u003e","\u003cp\u003eMap of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.\u003c/p\u003e","\u003cp\u003eMap of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.\u003c/p\u003e","\u003cp\u003eMap of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.\u003c/p\u003e","\u003cp\u003eMap of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.\u003c/p\u003e","\u003cp\u003eMap of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.\u003c/p\u003e","\u003cp\u003eMap of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.\u003c/p\u003e","\u003cp\u003eMap of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.\u003c/p\u003e","\u003cp\u003eMap of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.\u003c/p\u003e","\u003cp\u003eNew Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.\u003c/p\u003e","\u003cp\u003eWorld map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.\u003c/p\u003e","\u003cp\u003eBlaeu. 17x21.\u003c/p\u003e","\u003cp\u003eMap of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.\u003c/p\u003e","\u003cp\u003eMap of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.\u003c/p\u003e","\u003cp\u003eBleau. 20x24.\u003c/p\u003e","\u003cp\u003eBlaeu. 20x24.\u003c/p\u003e","\u003cp\u003eJohn Rocque. 40x50. London. Two sheets.\u003c/p\u003e","\u003cp\u003eMap of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.\u003c/p\u003e","\u003cp\u003eBellin. 23x36. Paris.\u003c/p\u003e","\u003cp\u003eI. Harrison. 21x32. Two sheet map.\u003c/p\u003e","\u003cp\u003eMap of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.\u003c/p\u003e","\u003cp\u003eUnidentified. 19x24.\u003c/p\u003e","\u003cp\u003eUnidentified. 21x24. Paris.\u003c/p\u003e","\u003cp\u003eLaRouge. 21x29. Paris.\u003c/p\u003e","\u003cp\u003eFrom Pinkerton's Atlas. 24x40. London.\u003c/p\u003e","\u003cp\u003eMap of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.\u003c/p\u003e","\u003cp\u003eMap of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.\u003c/p\u003e","\u003cp\u003e2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.\u003c/p\u003e","\u003cp\u003eMap of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.\u003c/p\u003e","\u003cp\u003eUnidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.\u003c/p\u003e","\u003cp\u003eWilkinson. 11x13. London.\u003c/p\u003e","\u003cp\u003eCadell and Davies. 23x30. London.\u003c/p\u003e","\u003cp\u003eUnidentified. 9x11.\u003c/p\u003e","\u003cp\u003eA. J. Johnson. 18x26. New York.\u003c/p\u003e","\u003cp\u003eA. J. Johnson. 18x26. Same as item 52, but a different edition.\u003c/p\u003e","\u003cp\u003eCowperthwait. 14x17. Philadelphia.\u003c/p\u003e","\u003cp\u003eCotton. 16x18. New York.\u003c/p\u003e","\u003cp\u003eJohnson. 14x18. New York. Same as item 55.\u003c/p\u003e","\u003cp\u003eColton. 16x18. New York.\u003c/p\u003e","\u003cp\u003eSeers \u0026amp; Co. 11x16.\u003c/p\u003e","\u003cp\u003eUnidentified. 17x21.\u003c/p\u003e","\u003cp\u003eCary. 21x24. London.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x22.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x22.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x27. New York.\u003c/p\u003e","\u003cp\u003eBegin. 15x17.\u003c/p\u003e","\u003cp\u003eSeutter. 221x25. Pictorial map with scene of burning of Lisbon.\u003c/p\u003e","\u003cp\u003eUnidentified. 16x32.\u003c/p\u003e","\u003cp\u003eHerman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.\u003c/p\u003e","\u003cp\u003eMajor J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.\u003c/p\u003e","\u003cp\u003eBlackford. 20x24. Baltimore. Folded map with hard cover.\u003c/p\u003e","\u003cp\u003eYoung. 13x16. Philadelphia.\u003c/p\u003e","\u003cp\u003eMitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.\u003c/p\u003e","\u003cp\u003eBy Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.\u003c/p\u003e","\u003cp\u003eWytfliet. 9x12. Louvon.\u003c/p\u003e","\u003cp\u003eOrtelius. 17x21. Map from early atlas.\u003c/p\u003e","\u003cp\u003eHondius. 19x23. Hondius edition of John Smith map of 1608.\u003c/p\u003e","\u003cp\u003e12x19. Amsterdam.\u003c/p\u003e","\u003cp\u003eLeide. 15x19.\u003c/p\u003e","\u003cp\u003e27x29. Washington D.C.\u003c/p\u003e"],"scopecontent_tesim":["New Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.","Map of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.","New Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.","New Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.","Map of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.","Peter Goos. 17x21.","Homann. 20x23.","Map of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.","Map of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.","State of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.","Unidentified. 10x15.","Map of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.","New Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.","Map of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.","Ortelius. 19x23.","Copper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.","America or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.","Map of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.","Map of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.","Map of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.","Map of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.","Map of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.","Map of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.","Map of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.","Map of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.","New Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.","World map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.","Blaeu. 17x21.","Map of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.","Map of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.","Bleau. 20x24.","Blaeu. 20x24.","John Rocque. 40x50. London. Two sheets.","Map of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.","Bellin. 23x36. Paris.","I. Harrison. 21x32. Two sheet map.","Map of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.","Unidentified. 19x24.","Unidentified. 21x24. Paris.","LaRouge. 21x29. Paris.","From Pinkerton's Atlas. 24x40. London.","Map of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.","Map of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.","2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.","Map of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.","Unidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.","Wilkinson. 11x13. London.","Cadell and Davies. 23x30. London.","Unidentified. 9x11.","A. J. Johnson. 18x26. New York.","A. J. Johnson. 18x26. Same as item 52, but a different edition.","Cowperthwait. 14x17. Philadelphia.","Cotton. 16x18. New York.","Johnson. 14x18. New York. Same as item 55.","Colton. 16x18. New York.","Seers \u0026 Co. 11x16.","Unidentified. 17x21.","Cary. 21x24. London.","Unidentified. 18x22.","Unidentified. 18x22.","Unidentified. 18x27. New York.","Begin. 15x17.","Seutter. 221x25. Pictorial map with scene of burning of Lisbon.","Unidentified. 16x32.","Herman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.","Major J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.","Blackford. 20x24. Baltimore. Folded map with hard cover.","Young. 13x16. Philadelphia.","Mitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.","By Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.","Wytfliet. 9x12. Louvon.","Ortelius. 17x21. Map from early atlas.","Hondius. 19x23. Hondius edition of John Smith map of 1608.","12x19. Amsterdam.","Leide. 15x19.","27x29. Washington D.C."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref175\" label=\"Abstract\"\u003eDonated to George Mason University Libraries in September 1978 by the Mann family, the C. Harrison Mann Jr, Map Collection comprises ninety-six maps ranging from the sixteenth to nineteenth centuries and is housed in the Special Collections \u0026amp; Archives department. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and the world in the collection.\u003c/abstract\u003e"],"abstract_tesim":["Donated to George Mason University Libraries in September 1978 by the Mann family, the C. Harrison Mann Jr, Map Collection comprises ninety-six maps ranging from the sixteenth to nineteenth centuries and is housed in the Special Collections \u0026 Archives department. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and the world in the collection."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"persname_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"language_ssim":["English\n\t\t"],"total_component_count_is":92,"online_item_count_is":33,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:20:58.362Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_mannmaps"}},{"id":"vifgm_repositories_2_resources_329","type":"collection","attributes":{"title":"C. Harrison Mann, Jr. map collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_329#creator","type":"document_value","attributes":{"value":"Mann, Charles Harrison, Jr., 1908-1977","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_329#abstract_or_scope","type":"document_value","attributes":{"value":"This collection comprises ninety-six maps and eighteen atlases ranging from the sixteenth to nineteenth centuries. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and other areas of the world.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_329#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_329","ead_ssi":"vifgm_repositories_2_resources_329","_root_":"vifgm_repositories_2_resources_329","_nest_parent_":"vifgm_repositories_2_resources_329","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_329.xml","title_ssm":["C. Harrison Mann, Jr. map collection"],"title_tesim":["C. Harrison Mann, Jr. map collection"],"unitdate_ssm":["1579 - 1961"],"unitdate_inclusive_ssm":["1579 - 1961"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0213","/repositories/2/resources/329"],"text":["C0213","/repositories/2/resources/329","C. Harrison Mann, Jr. map collection","United States -- Discovery and exploration","Virginia","Maps","Atlases","There are no access restrictions.","Selections from the C. Harrison Mann, Jr. Map Collection are also available in the  .","This collection is arranged by size of map.","Charles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.","In 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.","Mann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.","He also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977. ","Processed by Special Collections Research Center staff. EAD markup completed in July 2012 by Greta Kuriger. Finding aid updated by Amanda Menjivar in October 2022.","The Special Collections Research Center also holds the ","This collection comprises ninety-six maps and eighteen atlases ranging from the sixteenth to nineteenth centuries. The majority of the maps depict the commonwealth of Virginia in the United States,  but there are many pertaining to other parts of the United States and areas of the world.","New Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.","Map of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.","New Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.","New Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.","Map of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.","Peter Goos. 17x21.","Homann. 20x23.","Map of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.","Map of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.","State of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.","Unidentified. 10x15.","Map of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.","New Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.","Map of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.","Ortelius. 19x23.","Copper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.","America or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.","Map of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.","Map of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.","Map of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.","Map of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.","Map of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.","Map of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.","Map of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.","Map of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.","New Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.","World map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.","Blaeu. 17x21.","Map of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.","Map of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.","Bleau. 20x24.","Blaeu. 20x24.","John Rocque. 40x50. London. Two sheets.","Map of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.","Bellin. 23x36. Paris.","I. Harrison. 21x32. Two sheet map.","Map of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.","Unidentified. 19x24.","Unidentified. 21x24. Paris.","LaRouge. 21x29. Paris.","From Pinkerton's Atlas. 24x40. London.","Map of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.","Map of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.","2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.","Map of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.","Unidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.","Wilkinson. 11x13. London.","Cadell and Davies. 23x30. London.","Unidentified. 9x11.","A. J. Johnson. 18x26. New York.","A. J. Johnson. 18x26. Same as item 52, but a different edition.","Cowperthwait. 14x17. Philadelphia.","Cotton. 16x18. New York.","Johnson. 14x18. New York. Same as item 55.","Colton. 16x18. New York.","Seers \u0026 Co. 11x16.","Unidentified. 17x21.","Cary. 21x24. London.","Unidentified. 18x22.","Unidentified. 18x22.","Unidentified. 18x27. New York.","Begin. 15x17.","Seutter. 221x25. Pictorial map with scene of burning of Lisbon.","Unidentified. 16x32.","Herman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.","Major J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.","Blackford. 20x24. Baltimore. Folded map with hard cover.","Young. 13x16. Philadelphia.","Mitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.","By Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.","Wytfliet. 9x12. Louvon.","Ortelius. 17x21. Map from early atlas.","Hondius. 19x23. Hondius edition of John Smith map of 1608.","12x19. Amsterdam.","Leide. 15x19.","27x29. Washington D.C.","All maps created prior to 1925 are in the Public Domain with no known restrictions. The copyright and related rights status of maps created post-1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection comprises ninety-six maps and eighteen atlases ranging from the sixteenth to nineteenth centuries. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and other areas of the world.","Map Case 8.5, 26.1-26.5","George Mason University. Libraries. Special Collections Research Center","Mann, Charles Harrison, Jr., 1908-1977","English Latin French"],"unitid_tesim":["C0213","/repositories/2/resources/329"],"normalized_title_ssm":["C. Harrison Mann, Jr. map collection"],"collection_title_tesim":["C. Harrison Mann, Jr. map collection"],"collection_ssim":["C. Harrison Mann, Jr. map collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- Discovery and exploration","Virginia"],"geogname_ssim":["United States -- Discovery and exploration","Virginia"],"creator_ssm":["Mann, Charles Harrison, Jr., 1908-1977","Mann, Charles Harrison, Jr., 1908-1977"],"creator_ssim":["Mann, Charles Harrison, Jr., 1908-1977","Mann, Charles Harrison, Jr., 1908-1977"],"creator_persname_ssim":["Mann, Charles Harrison, Jr., 1908-1977","Mann, Charles Harrison, Jr., 1908-1977"],"creators_ssim":["Mann, Charles Harrison, Jr., 1908-1977","Mann, Charles Harrison, Jr., 1908-1977"],"places_ssim":["United States -- Discovery and exploration","Virginia"],"access_terms_ssm":["All maps created prior to 1925 are in the Public Domain with no known restrictions. The copyright and related rights status of maps created post-1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Betty Hart Mann in 1979."],"access_subjects_ssim":["Maps","Atlases"],"access_subjects_ssm":["Maps","Atlases"],"has_online_content_ssim":["false"],"extent_ssm":["5 Linear Feet 90 folders"],"extent_tesim":["5 Linear Feet 90 folders"],"genreform_ssim":["Atlases"],"date_range_isim":[1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eSelections from the C. Harrison Mann, Jr. Map Collection are also available in the \u003cextptr show=\"new\" title=\"C. Harrison Mann, Jr. Digitized Map Collection\" href=\"https://mars.gmu.edu/handle/1920/1935\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the C. Harrison Mann, Jr. Map Collection are also available in the  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by size of map.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by size of map."],"bioghist_html_tesm":["\u003cp\u003eCharles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.\u003c/p\u003e\n","\u003cp\u003eIn 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.\u003c/p\u003e\n","\u003cp\u003eMann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.\u003c/p\u003e\n","\u003cp\u003eHe also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.","In 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.","Mann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.","He also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977. "],"prefercite_html_tesm":["\u003cp\u003eC. Harrison Mann, Jr. map collection, C0213, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["C. Harrison Mann, Jr. map collection, C0213, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed in July 2012 by Greta Kuriger. Finding aid updated by Amanda Menjivar in October 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed in July 2012 by Greta Kuriger. Finding aid updated by Amanda Menjivar in October 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"C. Harrison Mann, Jr. papers.\" href=\"https://aspace.gmu.edu/resources/c0094\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the "],"scopecontent_html_tesm":["\u003cp\u003eThis collection comprises ninety-six maps and eighteen atlases ranging from the sixteenth to nineteenth centuries. The majority of the maps depict the commonwealth of Virginia in the United States,  but there are many pertaining to other parts of the United States and areas of the world.\u003c/p\u003e","\u003cp\u003eNew Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.\u003c/p\u003e","\u003cp\u003eBy Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.\u003c/p\u003e","\u003cp\u003eNew Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.\u003c/p\u003e","\u003cp\u003eBy Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.\u003c/p\u003e","\u003cp\u003eNew Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.\u003c/p\u003e","\u003cp\u003eMap of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.\u003c/p\u003e","\u003cp\u003ePeter Goos. 17x21.\u003c/p\u003e","\u003cp\u003eHomann. 20x23.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.\u003c/p\u003e","\u003cp\u003eState of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.\u003c/p\u003e","\u003cp\u003eUnidentified. 10x15.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.\u003c/p\u003e","\u003cp\u003eNew Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.\u003c/p\u003e","\u003cp\u003eMap of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.\u003c/p\u003e","\u003cp\u003eOrtelius. 19x23.\u003c/p\u003e","\u003cp\u003eCopper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.\u003c/p\u003e","\u003cp\u003eAmerica or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.\u003c/p\u003e","\u003cp\u003eMap of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.\u003c/p\u003e","\u003cp\u003eMap of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.\u003c/p\u003e","\u003cp\u003eMap of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.\u003c/p\u003e","\u003cp\u003eMap of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.\u003c/p\u003e","\u003cp\u003eMap of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.\u003c/p\u003e","\u003cp\u003eMap of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.\u003c/p\u003e","\u003cp\u003eMap of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.\u003c/p\u003e","\u003cp\u003eMap of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.\u003c/p\u003e","\u003cp\u003eNew Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.\u003c/p\u003e","\u003cp\u003eWorld map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.\u003c/p\u003e","\u003cp\u003eBlaeu. 17x21.\u003c/p\u003e","\u003cp\u003eMap of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.\u003c/p\u003e","\u003cp\u003eMap of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.\u003c/p\u003e","\u003cp\u003eBleau. 20x24.\u003c/p\u003e","\u003cp\u003eBlaeu. 20x24.\u003c/p\u003e","\u003cp\u003eJohn Rocque. 40x50. London. Two sheets.\u003c/p\u003e","\u003cp\u003eMap of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.\u003c/p\u003e","\u003cp\u003eBellin. 23x36. Paris.\u003c/p\u003e","\u003cp\u003eI. Harrison. 21x32. Two sheet map.\u003c/p\u003e","\u003cp\u003eMap of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.\u003c/p\u003e","\u003cp\u003eUnidentified. 19x24.\u003c/p\u003e","\u003cp\u003eUnidentified. 21x24. Paris.\u003c/p\u003e","\u003cp\u003eLaRouge. 21x29. Paris.\u003c/p\u003e","\u003cp\u003eFrom Pinkerton's Atlas. 24x40. London.\u003c/p\u003e","\u003cp\u003eMap of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.\u003c/p\u003e","\u003cp\u003eMap of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.\u003c/p\u003e","\u003cp\u003e2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.\u003c/p\u003e","\u003cp\u003eMap of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.\u003c/p\u003e","\u003cp\u003eUnidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.\u003c/p\u003e","\u003cp\u003eWilkinson. 11x13. London.\u003c/p\u003e","\u003cp\u003eCadell and Davies. 23x30. London.\u003c/p\u003e","\u003cp\u003eUnidentified. 9x11.\u003c/p\u003e","\u003cp\u003eA. J. Johnson. 18x26. New York.\u003c/p\u003e","\u003cp\u003eA. J. Johnson. 18x26. Same as item 52, but a different edition.\u003c/p\u003e","\u003cp\u003eCowperthwait. 14x17. Philadelphia.\u003c/p\u003e","\u003cp\u003eCotton. 16x18. New York.\u003c/p\u003e","\u003cp\u003eJohnson. 14x18. New York. Same as item 55.\u003c/p\u003e","\u003cp\u003eColton. 16x18. New York.\u003c/p\u003e","\u003cp\u003eSeers \u0026amp; Co. 11x16.\u003c/p\u003e","\u003cp\u003eUnidentified. 17x21.\u003c/p\u003e","\u003cp\u003eCary. 21x24. London.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x22.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x22.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x27. New York.\u003c/p\u003e","\u003cp\u003eBegin. 15x17.\u003c/p\u003e","\u003cp\u003eSeutter. 221x25. Pictorial map with scene of burning of Lisbon.\u003c/p\u003e","\u003cp\u003eUnidentified. 16x32.\u003c/p\u003e","\u003cp\u003eHerman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.\u003c/p\u003e","\u003cp\u003eMajor J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.\u003c/p\u003e","\u003cp\u003eBlackford. 20x24. Baltimore. Folded map with hard cover.\u003c/p\u003e","\u003cp\u003eYoung. 13x16. Philadelphia.\u003c/p\u003e","\u003cp\u003eMitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.\u003c/p\u003e","\u003cp\u003eBy Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.\u003c/p\u003e","\u003cp\u003eWytfliet. 9x12. Louvon.\u003c/p\u003e","\u003cp\u003eOrtelius. 17x21. Map from early atlas.\u003c/p\u003e","\u003cp\u003eHondius. 19x23. Hondius edition of John Smith map of 1608.\u003c/p\u003e","\u003cp\u003e12x19. Amsterdam.\u003c/p\u003e","\u003cp\u003eLeide. 15x19.\u003c/p\u003e","\u003cp\u003e27x29. Washington D.C.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection comprises ninety-six maps and eighteen atlases ranging from the sixteenth to nineteenth centuries. The majority of the maps depict the commonwealth of Virginia in the United States,  but there are many pertaining to other parts of the United States and areas of the world.","New Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.","Map of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.","New Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.","New Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.","Map of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.","Peter Goos. 17x21.","Homann. 20x23.","Map of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.","Map of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.","State of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.","Unidentified. 10x15.","Map of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.","New Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.","Map of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.","Ortelius. 19x23.","Copper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.","America or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.","Map of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.","Map of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.","Map of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.","Map of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.","Map of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.","Map of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.","Map of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.","Map of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.","New Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.","World map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.","Blaeu. 17x21.","Map of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.","Map of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.","Bleau. 20x24.","Blaeu. 20x24.","John Rocque. 40x50. London. Two sheets.","Map of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.","Bellin. 23x36. Paris.","I. Harrison. 21x32. Two sheet map.","Map of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.","Unidentified. 19x24.","Unidentified. 21x24. Paris.","LaRouge. 21x29. Paris.","From Pinkerton's Atlas. 24x40. London.","Map of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.","Map of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.","2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.","Map of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.","Unidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.","Wilkinson. 11x13. London.","Cadell and Davies. 23x30. London.","Unidentified. 9x11.","A. J. Johnson. 18x26. New York.","A. J. Johnson. 18x26. Same as item 52, but a different edition.","Cowperthwait. 14x17. Philadelphia.","Cotton. 16x18. New York.","Johnson. 14x18. New York. Same as item 55.","Colton. 16x18. New York.","Seers \u0026 Co. 11x16.","Unidentified. 17x21.","Cary. 21x24. London.","Unidentified. 18x22.","Unidentified. 18x22.","Unidentified. 18x27. New York.","Begin. 15x17.","Seutter. 221x25. Pictorial map with scene of burning of Lisbon.","Unidentified. 16x32.","Herman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.","Major J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.","Blackford. 20x24. Baltimore. Folded map with hard cover.","Young. 13x16. Philadelphia.","Mitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.","By Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.","Wytfliet. 9x12. Louvon.","Ortelius. 17x21. Map from early atlas.","Hondius. 19x23. Hondius edition of John Smith map of 1608.","12x19. Amsterdam.","Leide. 15x19.","27x29. Washington D.C."],"userestrict_html_tesm":["\u003cp\u003eAll maps created prior to 1925 are in the Public Domain with no known restrictions. The copyright and related rights status of maps created post-1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["All maps created prior to 1925 are in the Public Domain with no known restrictions. The copyright and related rights status of maps created post-1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_7b80701cb03185e8f753590d1b781eb3\"\u003eThis collection comprises ninety-six maps and eighteen atlases ranging from the sixteenth to nineteenth centuries. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and other areas of the world.\u003c/abstract\u003e"],"abstract_tesim":["This collection comprises ninety-six maps and eighteen atlases ranging from the sixteenth to nineteenth centuries. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and other areas of the world."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3d3416a0bcecb21fd71fd4ddef7cc13b\"\u003eMap Case 8.5, 26.1-26.5\u003c/physloc\u003e"],"physloc_tesim":["Map Case 8.5, 26.1-26.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Mann, Charles Harrison, Jr., 1908-1977"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Mann, Charles Harrison, Jr., 1908-1977"],"persname_ssim":["Mann, Charles Harrison, Jr., 1908-1977"],"language_ssim":["English Latin French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":91,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:34:54.074Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_329","ead_ssi":"vifgm_repositories_2_resources_329","_root_":"vifgm_repositories_2_resources_329","_nest_parent_":"vifgm_repositories_2_resources_329","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_329.xml","title_ssm":["C. Harrison Mann, Jr. map collection"],"title_tesim":["C. Harrison Mann, Jr. map collection"],"unitdate_ssm":["1579 - 1961"],"unitdate_inclusive_ssm":["1579 - 1961"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0213","/repositories/2/resources/329"],"text":["C0213","/repositories/2/resources/329","C. Harrison Mann, Jr. map collection","United States -- Discovery and exploration","Virginia","Maps","Atlases","There are no access restrictions.","Selections from the C. Harrison Mann, Jr. Map Collection are also available in the  .","This collection is arranged by size of map.","Charles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.","In 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.","Mann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.","He also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977. ","Processed by Special Collections Research Center staff. EAD markup completed in July 2012 by Greta Kuriger. Finding aid updated by Amanda Menjivar in October 2022.","The Special Collections Research Center also holds the ","This collection comprises ninety-six maps and eighteen atlases ranging from the sixteenth to nineteenth centuries. The majority of the maps depict the commonwealth of Virginia in the United States,  but there are many pertaining to other parts of the United States and areas of the world.","New Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.","Map of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.","New Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.","New Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.","Map of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.","Peter Goos. 17x21.","Homann. 20x23.","Map of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.","Map of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.","State of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.","Unidentified. 10x15.","Map of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.","New Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.","Map of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.","Ortelius. 19x23.","Copper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.","America or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.","Map of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.","Map of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.","Map of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.","Map of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.","Map of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.","Map of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.","Map of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.","Map of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.","New Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.","World map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.","Blaeu. 17x21.","Map of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.","Map of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.","Bleau. 20x24.","Blaeu. 20x24.","John Rocque. 40x50. London. Two sheets.","Map of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.","Bellin. 23x36. Paris.","I. Harrison. 21x32. Two sheet map.","Map of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.","Unidentified. 19x24.","Unidentified. 21x24. Paris.","LaRouge. 21x29. Paris.","From Pinkerton's Atlas. 24x40. London.","Map of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.","Map of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.","2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.","Map of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.","Unidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.","Wilkinson. 11x13. London.","Cadell and Davies. 23x30. London.","Unidentified. 9x11.","A. J. Johnson. 18x26. New York.","A. J. Johnson. 18x26. Same as item 52, but a different edition.","Cowperthwait. 14x17. Philadelphia.","Cotton. 16x18. New York.","Johnson. 14x18. New York. Same as item 55.","Colton. 16x18. New York.","Seers \u0026 Co. 11x16.","Unidentified. 17x21.","Cary. 21x24. London.","Unidentified. 18x22.","Unidentified. 18x22.","Unidentified. 18x27. New York.","Begin. 15x17.","Seutter. 221x25. Pictorial map with scene of burning of Lisbon.","Unidentified. 16x32.","Herman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.","Major J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.","Blackford. 20x24. Baltimore. Folded map with hard cover.","Young. 13x16. Philadelphia.","Mitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.","By Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.","Wytfliet. 9x12. Louvon.","Ortelius. 17x21. Map from early atlas.","Hondius. 19x23. Hondius edition of John Smith map of 1608.","12x19. Amsterdam.","Leide. 15x19.","27x29. Washington D.C.","All maps created prior to 1925 are in the Public Domain with no known restrictions. The copyright and related rights status of maps created post-1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection comprises ninety-six maps and eighteen atlases ranging from the sixteenth to nineteenth centuries. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and other areas of the world.","Map Case 8.5, 26.1-26.5","George Mason University. Libraries. Special Collections Research Center","Mann, Charles Harrison, Jr., 1908-1977","English Latin French"],"unitid_tesim":["C0213","/repositories/2/resources/329"],"normalized_title_ssm":["C. Harrison Mann, Jr. map collection"],"collection_title_tesim":["C. Harrison Mann, Jr. map collection"],"collection_ssim":["C. Harrison Mann, Jr. map collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- Discovery and exploration","Virginia"],"geogname_ssim":["United States -- Discovery and exploration","Virginia"],"creator_ssm":["Mann, Charles Harrison, Jr., 1908-1977","Mann, Charles Harrison, Jr., 1908-1977"],"creator_ssim":["Mann, Charles Harrison, Jr., 1908-1977","Mann, Charles Harrison, Jr., 1908-1977"],"creator_persname_ssim":["Mann, Charles Harrison, Jr., 1908-1977","Mann, Charles Harrison, Jr., 1908-1977"],"creators_ssim":["Mann, Charles Harrison, Jr., 1908-1977","Mann, Charles Harrison, Jr., 1908-1977"],"places_ssim":["United States -- Discovery and exploration","Virginia"],"access_terms_ssm":["All maps created prior to 1925 are in the Public Domain with no known restrictions. The copyright and related rights status of maps created post-1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Betty Hart Mann in 1979."],"access_subjects_ssim":["Maps","Atlases"],"access_subjects_ssm":["Maps","Atlases"],"has_online_content_ssim":["false"],"extent_ssm":["5 Linear Feet 90 folders"],"extent_tesim":["5 Linear Feet 90 folders"],"genreform_ssim":["Atlases"],"date_range_isim":[1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eSelections from the C. Harrison Mann, Jr. Map Collection are also available in the \u003cextptr show=\"new\" title=\"C. Harrison Mann, Jr. Digitized Map Collection\" href=\"https://mars.gmu.edu/handle/1920/1935\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the C. Harrison Mann, Jr. Map Collection are also available in the  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by size of map.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by size of map."],"bioghist_html_tesm":["\u003cp\u003eCharles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.\u003c/p\u003e\n","\u003cp\u003eIn 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.\u003c/p\u003e\n","\u003cp\u003eMann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.\u003c/p\u003e\n","\u003cp\u003eHe also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.","In 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.","Mann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.","He also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977. "],"prefercite_html_tesm":["\u003cp\u003eC. Harrison Mann, Jr. map collection, C0213, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["C. Harrison Mann, Jr. map collection, C0213, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed in July 2012 by Greta Kuriger. Finding aid updated by Amanda Menjivar in October 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed in July 2012 by Greta Kuriger. Finding aid updated by Amanda Menjivar in October 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"C. Harrison Mann, Jr. papers.\" href=\"https://aspace.gmu.edu/resources/c0094\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the "],"scopecontent_html_tesm":["\u003cp\u003eThis collection comprises ninety-six maps and eighteen atlases ranging from the sixteenth to nineteenth centuries. The majority of the maps depict the commonwealth of Virginia in the United States,  but there are many pertaining to other parts of the United States and areas of the world.\u003c/p\u003e","\u003cp\u003eNew Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.\u003c/p\u003e","\u003cp\u003eBy Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.\u003c/p\u003e","\u003cp\u003eNew Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.\u003c/p\u003e","\u003cp\u003eBy Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.\u003c/p\u003e","\u003cp\u003eNew Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.\u003c/p\u003e","\u003cp\u003eMap of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.\u003c/p\u003e","\u003cp\u003ePeter Goos. 17x21.\u003c/p\u003e","\u003cp\u003eHomann. 20x23.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.\u003c/p\u003e","\u003cp\u003eState of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.\u003c/p\u003e","\u003cp\u003eUnidentified. 10x15.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.\u003c/p\u003e","\u003cp\u003eNew Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.\u003c/p\u003e","\u003cp\u003eMap of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.\u003c/p\u003e","\u003cp\u003eOrtelius. 19x23.\u003c/p\u003e","\u003cp\u003eCopper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.\u003c/p\u003e","\u003cp\u003eAmerica or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.\u003c/p\u003e","\u003cp\u003eMap of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.\u003c/p\u003e","\u003cp\u003eMap of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.\u003c/p\u003e","\u003cp\u003eMap of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.\u003c/p\u003e","\u003cp\u003eMap of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.\u003c/p\u003e","\u003cp\u003eMap of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.\u003c/p\u003e","\u003cp\u003eMap of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.\u003c/p\u003e","\u003cp\u003eMap of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.\u003c/p\u003e","\u003cp\u003eMap of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.\u003c/p\u003e","\u003cp\u003eNew Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.\u003c/p\u003e","\u003cp\u003eWorld map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.\u003c/p\u003e","\u003cp\u003eBlaeu. 17x21.\u003c/p\u003e","\u003cp\u003eMap of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.\u003c/p\u003e","\u003cp\u003eMap of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.\u003c/p\u003e","\u003cp\u003eBleau. 20x24.\u003c/p\u003e","\u003cp\u003eBlaeu. 20x24.\u003c/p\u003e","\u003cp\u003eJohn Rocque. 40x50. London. Two sheets.\u003c/p\u003e","\u003cp\u003eMap of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.\u003c/p\u003e","\u003cp\u003eBellin. 23x36. Paris.\u003c/p\u003e","\u003cp\u003eI. Harrison. 21x32. Two sheet map.\u003c/p\u003e","\u003cp\u003eMap of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.\u003c/p\u003e","\u003cp\u003eUnidentified. 19x24.\u003c/p\u003e","\u003cp\u003eUnidentified. 21x24. Paris.\u003c/p\u003e","\u003cp\u003eLaRouge. 21x29. Paris.\u003c/p\u003e","\u003cp\u003eFrom Pinkerton's Atlas. 24x40. London.\u003c/p\u003e","\u003cp\u003eMap of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.\u003c/p\u003e","\u003cp\u003eMap of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.\u003c/p\u003e","\u003cp\u003e2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.\u003c/p\u003e","\u003cp\u003eMap of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.\u003c/p\u003e","\u003cp\u003eUnidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.\u003c/p\u003e","\u003cp\u003eWilkinson. 11x13. London.\u003c/p\u003e","\u003cp\u003eCadell and Davies. 23x30. London.\u003c/p\u003e","\u003cp\u003eUnidentified. 9x11.\u003c/p\u003e","\u003cp\u003eA. J. Johnson. 18x26. New York.\u003c/p\u003e","\u003cp\u003eA. J. Johnson. 18x26. Same as item 52, but a different edition.\u003c/p\u003e","\u003cp\u003eCowperthwait. 14x17. Philadelphia.\u003c/p\u003e","\u003cp\u003eCotton. 16x18. New York.\u003c/p\u003e","\u003cp\u003eJohnson. 14x18. New York. Same as item 55.\u003c/p\u003e","\u003cp\u003eColton. 16x18. New York.\u003c/p\u003e","\u003cp\u003eSeers \u0026amp; Co. 11x16.\u003c/p\u003e","\u003cp\u003eUnidentified. 17x21.\u003c/p\u003e","\u003cp\u003eCary. 21x24. London.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x22.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x22.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x27. New York.\u003c/p\u003e","\u003cp\u003eBegin. 15x17.\u003c/p\u003e","\u003cp\u003eSeutter. 221x25. Pictorial map with scene of burning of Lisbon.\u003c/p\u003e","\u003cp\u003eUnidentified. 16x32.\u003c/p\u003e","\u003cp\u003eHerman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.\u003c/p\u003e","\u003cp\u003eMajor J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.\u003c/p\u003e","\u003cp\u003eBlackford. 20x24. Baltimore. Folded map with hard cover.\u003c/p\u003e","\u003cp\u003eYoung. 13x16. Philadelphia.\u003c/p\u003e","\u003cp\u003eMitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.\u003c/p\u003e","\u003cp\u003eBy Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.\u003c/p\u003e","\u003cp\u003eWytfliet. 9x12. Louvon.\u003c/p\u003e","\u003cp\u003eOrtelius. 17x21. Map from early atlas.\u003c/p\u003e","\u003cp\u003eHondius. 19x23. Hondius edition of John Smith map of 1608.\u003c/p\u003e","\u003cp\u003e12x19. Amsterdam.\u003c/p\u003e","\u003cp\u003eLeide. 15x19.\u003c/p\u003e","\u003cp\u003e27x29. Washington D.C.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection comprises ninety-six maps and eighteen atlases ranging from the sixteenth to nineteenth centuries. The majority of the maps depict the commonwealth of Virginia in the United States,  but there are many pertaining to other parts of the United States and areas of the world.","New Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.","Map of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.","New Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.","New Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.","Map of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.","Peter Goos. 17x21.","Homann. 20x23.","Map of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.","Map of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.","State of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.","Unidentified. 10x15.","Map of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.","New Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.","Map of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.","Ortelius. 19x23.","Copper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.","America or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.","Map of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.","Map of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.","Map of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.","Map of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.","Map of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.","Map of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.","Map of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.","Map of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.","New Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.","World map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.","Blaeu. 17x21.","Map of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.","Map of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.","Bleau. 20x24.","Blaeu. 20x24.","John Rocque. 40x50. London. Two sheets.","Map of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.","Bellin. 23x36. Paris.","I. Harrison. 21x32. Two sheet map.","Map of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.","Unidentified. 19x24.","Unidentified. 21x24. Paris.","LaRouge. 21x29. Paris.","From Pinkerton's Atlas. 24x40. London.","Map of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.","Map of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.","2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.","Map of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.","Unidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.","Wilkinson. 11x13. London.","Cadell and Davies. 23x30. London.","Unidentified. 9x11.","A. J. Johnson. 18x26. New York.","A. J. Johnson. 18x26. Same as item 52, but a different edition.","Cowperthwait. 14x17. Philadelphia.","Cotton. 16x18. New York.","Johnson. 14x18. New York. Same as item 55.","Colton. 16x18. New York.","Seers \u0026 Co. 11x16.","Unidentified. 17x21.","Cary. 21x24. London.","Unidentified. 18x22.","Unidentified. 18x22.","Unidentified. 18x27. New York.","Begin. 15x17.","Seutter. 221x25. Pictorial map with scene of burning of Lisbon.","Unidentified. 16x32.","Herman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.","Major J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.","Blackford. 20x24. Baltimore. Folded map with hard cover.","Young. 13x16. Philadelphia.","Mitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.","By Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.","Wytfliet. 9x12. Louvon.","Ortelius. 17x21. Map from early atlas.","Hondius. 19x23. Hondius edition of John Smith map of 1608.","12x19. Amsterdam.","Leide. 15x19.","27x29. Washington D.C."],"userestrict_html_tesm":["\u003cp\u003eAll maps created prior to 1925 are in the Public Domain with no known restrictions. The copyright and related rights status of maps created post-1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["All maps created prior to 1925 are in the Public Domain with no known restrictions. The copyright and related rights status of maps created post-1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_7b80701cb03185e8f753590d1b781eb3\"\u003eThis collection comprises ninety-six maps and eighteen atlases ranging from the sixteenth to nineteenth centuries. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and other areas of the world.\u003c/abstract\u003e"],"abstract_tesim":["This collection comprises ninety-six maps and eighteen atlases ranging from the sixteenth to nineteenth centuries. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and other areas of the world."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3d3416a0bcecb21fd71fd4ddef7cc13b\"\u003eMap Case 8.5, 26.1-26.5\u003c/physloc\u003e"],"physloc_tesim":["Map Case 8.5, 26.1-26.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Mann, Charles Harrison, Jr., 1908-1977"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Mann, Charles Harrison, Jr., 1908-1977"],"persname_ssim":["Mann, Charles Harrison, Jr., 1908-1977"],"language_ssim":["English Latin French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":91,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:34:54.074Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_329"}},{"id":"vifgm_repositories_2_resources_596","type":"collection","attributes":{"title":"C. Harrison Mann, Jr. papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_596#creator","type":"document_value","attributes":{"value":"Mann, Charles Harrison, Jr., 1908-1977","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_596#abstract_or_scope","type":"document_value","attributes":{"value":"Comprises C. Harrison Mann, Jr.'s personal papers and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_596#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_596","ead_ssi":"vifgm_repositories_2_resources_596","_root_":"vifgm_repositories_2_resources_596","_nest_parent_":"vifgm_repositories_2_resources_596","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_596.xml","title_filing_ssi":"C. Harrison Mann, Jr. papers","title_ssm":["C. Harrison Mann, Jr. papers"],"title_tesim":["C. Harrison Mann, Jr. papers"],"unitdate_ssm":["1832-1979"],"unitdate_inclusive_ssm":["1832-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0094","/repositories/2/resources/596"],"text":["C0094","/repositories/2/resources/596","C. Harrison Mann, Jr. papers","Virginia -- Politics and government -- 20th century","United States -- Politics and government","Education -- Political aspects -- Virginia","Legislators -- United States","Bills, Legislative -- United States","Transportation","Correspondence","Newspapers","This collection is housed at the WRLC Shared Collections Facility. Advance notice will be required to access any materials.","There are no access restrictions.","Selections from the C. Harrison Mann papers are also available in the  .","Charles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949."," In 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia."," Mann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use."," He also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate program. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977.","Processed by Special Collections Research Center staff. EAD markup completed in March 2009 by Eron Ackerman and Jordan Patty, revised by Amanda Menjivar in 2016. Reprocessed by Amanda Menjivar in 2016.","The Special Collections Research Center also holds other personal papers and organizational records on the politics of Northern Virginia as well as the George Mason University archives. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the  . as well as the  .","Comprises C. Harrison Mann, Jr.'s personal papers and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings, maps, and other related materials."," Series 1: Correspondence (1935 - 1971) documents Mann's typed and handwritten correspondence with multiple parties over most of the twentieth century. Notable correspondents include Senator Harry F. Byrd, Judge William Moncure, and Virginia Governor James Lindsay Almond, Jr."," Series 2: General Assembly (1950 - 1970) documents Mann's time in the Virginia General Assembly, and is divided into two subseries. Series 2.1: General Assembly Correspondence. Series 2.2: General Assembly Subject Files, with subjects including the Civil War Commission, Clippings, Education, Insurance, and Schools Data."," Series 3: Career (1945 - 1970) documents Mann's political career, local and national politics, and legislation, and is divided into three subseries. Series 3.1: Speeches, Public Engagements and Press Releases. Series 3.2: Legislation, Congressional Resolutions and Documents, includes documents on bills passed and killed, the Gray Commission and the Perrow Commission (both as a result of Brown v. Board of Education), and Senate and House Bills and Joint Resolutions. Series 3.3: Politics and Platforms, includes documents on various local and national political campaigns, the Democratic Executive Committee, primaries, elections, and special sessions."," Series 4: George Mason University (1958 - 1978) documents Mann's involvement with the founding of George Mason University (G.M.U.) and is divided into three subseries. Series 4.1: Correspondence, includes correspondence concerning G.M.U. during the years 1964 - 1971. Series 4.2: Newspaper Clippings, includes newspaper articles on student housing, new buildings, student protests, and college plans. Series 4.3: Subject Files, includes documents on the G.M.U. Advisory Board, the G.M.U. Broadside Newspaper, the G.M.U. Law School, and pamphlets."," Series 5: Subject and Miscellaneous Files (1832 - 1979) documents numerous subjects and is divided into two subseries. 5.1: Subject Files, includes documents with subjects ranging from civil defense, Communism, mental health, to historical newspapers, newspaper clippings, copies of historical maps, education, and Mann's personal documents. It also includes a large portion on transportation, with documents pertaining to billboards, trucks, highways, traffic safety, and other transportation-related subjects. 5.2: Miscellaneous Files, includes Mann's personal slides collection and political endorsements notecards.","This series documents Mann's typed and handwritten correspondence with multiple parties over most of the twentieth century.","This series documents Mann's time in the Virginia General Assembly.","This series documents Mann's career in politics.","This series documents Mann's involvement with George Mason University.","This series contains files on a variety of subjects pertaining to Mann's career and life.","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","Comprises C. Harrison Mann, Jr.'s personal papers and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials.","This collection is housed at the WRLC Shared Collections Facility.","George Mason University. Libraries. Special Collections Research Center","George Mason University","Virginia. General Assembly","Mann, Charles Harrison, Jr., 1908-1977","Byrd, Harry F. (Harry Flood), 1887-1966","English"],"unitid_tesim":["C0094","/repositories/2/resources/596"],"normalized_title_ssm":["C. Harrison Mann, Jr. papers"],"collection_title_tesim":["C. Harrison Mann, Jr. papers"],"collection_ssim":["C. Harrison Mann, Jr. papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Virginia -- Politics and government -- 20th century","United States -- Politics and government"],"geogname_ssim":["Virginia -- Politics and government -- 20th century","United States -- Politics and government"],"creator_ssm":["Mann, Charles Harrison, Jr., 1908-1977"],"creator_ssim":["Mann, Charles Harrison, Jr., 1908-1977"],"creator_persname_ssim":["Mann, Charles Harrison, Jr., 1908-1977"],"creators_ssim":["Mann, Charles Harrison, Jr., 1908-1977"],"places_ssim":["Virginia -- Politics and government -- 20th century","United States -- Politics and government"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Betty Hart Mann in 1979."],"access_subjects_ssim":["Education -- Political aspects -- Virginia","Legislators -- United States","Bills, Legislative -- United States","Transportation","Correspondence","Newspapers"],"access_subjects_ssm":["Education -- Political aspects -- Virginia","Legislators -- United States","Bills, Legislative -- United States","Transportation","Correspondence","Newspapers"],"has_online_content_ssim":["false"],"extent_ssm":["85.5 Linear Feet 142 boxes"],"extent_tesim":["85.5 Linear Feet 142 boxes"],"genreform_ssim":["Correspondence","Newspapers"],"date_range_isim":[1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is housed at the WRLC Shared Collections Facility. Advance notice will be required to access any materials.\u003c/p\u003e\n","\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["This collection is housed at the WRLC Shared Collections Facility. Advance notice will be required to access any materials.","There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eSelections from the C. Harrison Mann papers are also available in the \u003cextptr href=\"http://digilib.gmu.edu:8080/dspace/handle/1920/7544\" title=\"C. Harrison Mann, Jr. Digital Collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the C. Harrison Mann papers are also available in the  ."],"bioghist_html_tesm":["\u003cp\u003eCharles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.\u003c/p\u003e\n","\u003cp\u003e In 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.\u003c/p\u003e\n","\u003cp\u003e Mann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.\u003c/p\u003e\n","\u003cp\u003e He also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate program. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949."," In 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia."," Mann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use."," He also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate program. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977."],"prefercite_html_tesm":["\u003cp\u003eC. Harrison Mann, Jr. papers, C0094, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["C. Harrison Mann, Jr. papers, C0094, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed in March 2009 by Eron Ackerman and Jordan Patty, revised by Amanda Menjivar in 2016. Reprocessed by Amanda Menjivar in 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed in March 2009 by Eron Ackerman and Jordan Patty, revised by Amanda Menjivar in 2016. Reprocessed by Amanda Menjivar in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds other personal papers and organizational records on the politics of Northern Virginia as well as the George Mason University archives. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the \u003cextptr href=\"http://library.gmu.edu/\" title=\"GMU Libraries catalog\" show=\"new\"\u003e\u003c/extptr\u003e. as well as the \u003cextptr href=\"https://images.gmu.edu/luna/servlet/GMUDPSdps~5~5\" title=\"C. Harrison Mann, Jr. Digitized Map Collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other personal papers and organizational records on the politics of Northern Virginia as well as the George Mason University archives. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the  . as well as the  ."],"scopecontent_html_tesm":["\u003cp\u003eComprises C. Harrison Mann, Jr.'s personal papers and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings, maps, and other related materials.\u003c/p\u003e\n","\u003cp\u003e Series 1: Correspondence (1935 - 1971) documents Mann's typed and handwritten correspondence with multiple parties over most of the twentieth century. Notable correspondents include Senator Harry F. Byrd, Judge William Moncure, and Virginia Governor James Lindsay Almond, Jr.\u003c/p\u003e\n","\u003cp\u003e Series 2: General Assembly (1950 - 1970) documents Mann's time in the Virginia General Assembly, and is divided into two subseries. Series 2.1: General Assembly Correspondence. Series 2.2: General Assembly Subject Files, with subjects including the Civil War Commission, Clippings, Education, Insurance, and Schools Data.\u003c/p\u003e\n","\u003cp\u003e Series 3: Career (1945 - 1970) documents Mann's political career, local and national politics, and legislation, and is divided into three subseries. Series 3.1: Speeches, Public Engagements and Press Releases. Series 3.2: Legislation, Congressional Resolutions and Documents, includes documents on bills passed and killed, the Gray Commission and the Perrow Commission (both as a result of Brown v. Board of Education), and Senate and House Bills and Joint Resolutions. Series 3.3: Politics and Platforms, includes documents on various local and national political campaigns, the Democratic Executive Committee, primaries, elections, and special sessions.\u003c/p\u003e\n","\u003cp\u003e Series 4: George Mason University (1958 - 1978) documents Mann's involvement with the founding of George Mason University (G.M.U.) and is divided into three subseries. Series 4.1: Correspondence, includes correspondence concerning G.M.U. during the years 1964 - 1971. Series 4.2: Newspaper Clippings, includes newspaper articles on student housing, new buildings, student protests, and college plans. Series 4.3: Subject Files, includes documents on the G.M.U. Advisory Board, the G.M.U. Broadside Newspaper, the G.M.U. Law School, and pamphlets.\u003c/p\u003e\n","\u003cp\u003e Series 5: Subject and Miscellaneous Files (1832 - 1979) documents numerous subjects and is divided into two subseries. 5.1: Subject Files, includes documents with subjects ranging from civil defense, Communism, mental health, to historical newspapers, newspaper clippings, copies of historical maps, education, and Mann's personal documents. It also includes a large portion on transportation, with documents pertaining to billboards, trucks, highways, traffic safety, and other transportation-related subjects. 5.2: Miscellaneous Files, includes Mann's personal slides collection and political endorsements notecards.\u003c/p\u003e","\u003cp\u003eThis series documents Mann's typed and handwritten correspondence with multiple parties over most of the twentieth century.\u003c/p\u003e","\u003cp\u003eThis series documents Mann's time in the Virginia General Assembly.\u003c/p\u003e","\u003cp\u003eThis series documents Mann's career in politics.\u003c/p\u003e","\u003cp\u003eThis series documents Mann's involvement with George Mason University.\u003c/p\u003e","\u003cp\u003eThis series contains files on a variety of subjects pertaining to Mann's career and life.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Comprises C. Harrison Mann, Jr.'s personal papers and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings, maps, and other related materials."," Series 1: Correspondence (1935 - 1971) documents Mann's typed and handwritten correspondence with multiple parties over most of the twentieth century. Notable correspondents include Senator Harry F. Byrd, Judge William Moncure, and Virginia Governor James Lindsay Almond, Jr."," Series 2: General Assembly (1950 - 1970) documents Mann's time in the Virginia General Assembly, and is divided into two subseries. Series 2.1: General Assembly Correspondence. Series 2.2: General Assembly Subject Files, with subjects including the Civil War Commission, Clippings, Education, Insurance, and Schools Data."," Series 3: Career (1945 - 1970) documents Mann's political career, local and national politics, and legislation, and is divided into three subseries. Series 3.1: Speeches, Public Engagements and Press Releases. Series 3.2: Legislation, Congressional Resolutions and Documents, includes documents on bills passed and killed, the Gray Commission and the Perrow Commission (both as a result of Brown v. Board of Education), and Senate and House Bills and Joint Resolutions. Series 3.3: Politics and Platforms, includes documents on various local and national political campaigns, the Democratic Executive Committee, primaries, elections, and special sessions."," Series 4: George Mason University (1958 - 1978) documents Mann's involvement with the founding of George Mason University (G.M.U.) and is divided into three subseries. Series 4.1: Correspondence, includes correspondence concerning G.M.U. during the years 1964 - 1971. Series 4.2: Newspaper Clippings, includes newspaper articles on student housing, new buildings, student protests, and college plans. Series 4.3: Subject Files, includes documents on the G.M.U. Advisory Board, the G.M.U. Broadside Newspaper, the G.M.U. Law School, and pamphlets."," Series 5: Subject and Miscellaneous Files (1832 - 1979) documents numerous subjects and is divided into two subseries. 5.1: Subject Files, includes documents with subjects ranging from civil defense, Communism, mental health, to historical newspapers, newspaper clippings, copies of historical maps, education, and Mann's personal documents. It also includes a large portion on transportation, with documents pertaining to billboards, trucks, highways, traffic safety, and other transportation-related subjects. 5.2: Miscellaneous Files, includes Mann's personal slides collection and political endorsements notecards.","This series documents Mann's typed and handwritten correspondence with multiple parties over most of the twentieth century.","This series documents Mann's time in the Virginia General Assembly.","This series documents Mann's career in politics.","This series documents Mann's involvement with George Mason University.","This series contains files on a variety of subjects pertaining to Mann's career and life."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref3\"\u003eComprises C. Harrison Mann, Jr.'s personal papers and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials.\u003c/abstract\u003e"],"abstract_tesim":["Comprises C. Harrison Mann, Jr.'s personal papers and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8c7d8628278bfcd85b59dcb97e9270fd\"\u003eThis collection is housed at the WRLC Shared Collections Facility.\u003c/physloc\u003e"],"physloc_tesim":["This collection is housed at the WRLC Shared Collections Facility."],"names_coll_ssim":["George Mason University","Virginia. General Assembly","Byrd, Harry F. (Harry Flood), 1887-1966"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","Virginia. General Assembly","Mann, Charles Harrison, Jr., 1908-1977","Byrd, Harry F. (Harry Flood), 1887-1966"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","Virginia. General Assembly"],"persname_ssim":["Mann, Charles Harrison, Jr., 1908-1977","Byrd, Harry F. (Harry Flood), 1887-1966"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1193,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:26:10.110Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_596","ead_ssi":"vifgm_repositories_2_resources_596","_root_":"vifgm_repositories_2_resources_596","_nest_parent_":"vifgm_repositories_2_resources_596","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_596.xml","title_filing_ssi":"C. Harrison Mann, Jr. papers","title_ssm":["C. Harrison Mann, Jr. papers"],"title_tesim":["C. Harrison Mann, Jr. papers"],"unitdate_ssm":["1832-1979"],"unitdate_inclusive_ssm":["1832-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0094","/repositories/2/resources/596"],"text":["C0094","/repositories/2/resources/596","C. Harrison Mann, Jr. papers","Virginia -- Politics and government -- 20th century","United States -- Politics and government","Education -- Political aspects -- Virginia","Legislators -- United States","Bills, Legislative -- United States","Transportation","Correspondence","Newspapers","This collection is housed at the WRLC Shared Collections Facility. Advance notice will be required to access any materials.","There are no access restrictions.","Selections from the C. Harrison Mann papers are also available in the  .","Charles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949."," In 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia."," Mann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use."," He also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate program. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977.","Processed by Special Collections Research Center staff. EAD markup completed in March 2009 by Eron Ackerman and Jordan Patty, revised by Amanda Menjivar in 2016. Reprocessed by Amanda Menjivar in 2016.","The Special Collections Research Center also holds other personal papers and organizational records on the politics of Northern Virginia as well as the George Mason University archives. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the  . as well as the  .","Comprises C. Harrison Mann, Jr.'s personal papers and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings, maps, and other related materials."," Series 1: Correspondence (1935 - 1971) documents Mann's typed and handwritten correspondence with multiple parties over most of the twentieth century. Notable correspondents include Senator Harry F. Byrd, Judge William Moncure, and Virginia Governor James Lindsay Almond, Jr."," Series 2: General Assembly (1950 - 1970) documents Mann's time in the Virginia General Assembly, and is divided into two subseries. Series 2.1: General Assembly Correspondence. Series 2.2: General Assembly Subject Files, with subjects including the Civil War Commission, Clippings, Education, Insurance, and Schools Data."," Series 3: Career (1945 - 1970) documents Mann's political career, local and national politics, and legislation, and is divided into three subseries. Series 3.1: Speeches, Public Engagements and Press Releases. Series 3.2: Legislation, Congressional Resolutions and Documents, includes documents on bills passed and killed, the Gray Commission and the Perrow Commission (both as a result of Brown v. Board of Education), and Senate and House Bills and Joint Resolutions. Series 3.3: Politics and Platforms, includes documents on various local and national political campaigns, the Democratic Executive Committee, primaries, elections, and special sessions."," Series 4: George Mason University (1958 - 1978) documents Mann's involvement with the founding of George Mason University (G.M.U.) and is divided into three subseries. Series 4.1: Correspondence, includes correspondence concerning G.M.U. during the years 1964 - 1971. Series 4.2: Newspaper Clippings, includes newspaper articles on student housing, new buildings, student protests, and college plans. Series 4.3: Subject Files, includes documents on the G.M.U. Advisory Board, the G.M.U. Broadside Newspaper, the G.M.U. Law School, and pamphlets."," Series 5: Subject and Miscellaneous Files (1832 - 1979) documents numerous subjects and is divided into two subseries. 5.1: Subject Files, includes documents with subjects ranging from civil defense, Communism, mental health, to historical newspapers, newspaper clippings, copies of historical maps, education, and Mann's personal documents. It also includes a large portion on transportation, with documents pertaining to billboards, trucks, highways, traffic safety, and other transportation-related subjects. 5.2: Miscellaneous Files, includes Mann's personal slides collection and political endorsements notecards.","This series documents Mann's typed and handwritten correspondence with multiple parties over most of the twentieth century.","This series documents Mann's time in the Virginia General Assembly.","This series documents Mann's career in politics.","This series documents Mann's involvement with George Mason University.","This series contains files on a variety of subjects pertaining to Mann's career and life.","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","Comprises C. Harrison Mann, Jr.'s personal papers and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials.","This collection is housed at the WRLC Shared Collections Facility.","George Mason University. Libraries. Special Collections Research Center","George Mason University","Virginia. General Assembly","Mann, Charles Harrison, Jr., 1908-1977","Byrd, Harry F. (Harry Flood), 1887-1966","English"],"unitid_tesim":["C0094","/repositories/2/resources/596"],"normalized_title_ssm":["C. Harrison Mann, Jr. papers"],"collection_title_tesim":["C. Harrison Mann, Jr. papers"],"collection_ssim":["C. Harrison Mann, Jr. papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Virginia -- Politics and government -- 20th century","United States -- Politics and government"],"geogname_ssim":["Virginia -- Politics and government -- 20th century","United States -- Politics and government"],"creator_ssm":["Mann, Charles Harrison, Jr., 1908-1977"],"creator_ssim":["Mann, Charles Harrison, Jr., 1908-1977"],"creator_persname_ssim":["Mann, Charles Harrison, Jr., 1908-1977"],"creators_ssim":["Mann, Charles Harrison, Jr., 1908-1977"],"places_ssim":["Virginia -- Politics and government -- 20th century","United States -- Politics and government"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Betty Hart Mann in 1979."],"access_subjects_ssim":["Education -- Political aspects -- Virginia","Legislators -- United States","Bills, Legislative -- United States","Transportation","Correspondence","Newspapers"],"access_subjects_ssm":["Education -- Political aspects -- Virginia","Legislators -- United States","Bills, Legislative -- United States","Transportation","Correspondence","Newspapers"],"has_online_content_ssim":["false"],"extent_ssm":["85.5 Linear Feet 142 boxes"],"extent_tesim":["85.5 Linear Feet 142 boxes"],"genreform_ssim":["Correspondence","Newspapers"],"date_range_isim":[1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is housed at the WRLC Shared Collections Facility. Advance notice will be required to access any materials.\u003c/p\u003e\n","\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["This collection is housed at the WRLC Shared Collections Facility. Advance notice will be required to access any materials.","There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eSelections from the C. Harrison Mann papers are also available in the \u003cextptr href=\"http://digilib.gmu.edu:8080/dspace/handle/1920/7544\" title=\"C. Harrison Mann, Jr. Digital Collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the C. Harrison Mann papers are also available in the  ."],"bioghist_html_tesm":["\u003cp\u003eCharles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.\u003c/p\u003e\n","\u003cp\u003e In 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.\u003c/p\u003e\n","\u003cp\u003e Mann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.\u003c/p\u003e\n","\u003cp\u003e He also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate program. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949."," In 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia."," Mann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use."," He also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate program. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977."],"prefercite_html_tesm":["\u003cp\u003eC. Harrison Mann, Jr. papers, C0094, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["C. Harrison Mann, Jr. papers, C0094, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed in March 2009 by Eron Ackerman and Jordan Patty, revised by Amanda Menjivar in 2016. Reprocessed by Amanda Menjivar in 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed in March 2009 by Eron Ackerman and Jordan Patty, revised by Amanda Menjivar in 2016. Reprocessed by Amanda Menjivar in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds other personal papers and organizational records on the politics of Northern Virginia as well as the George Mason University archives. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the \u003cextptr href=\"http://library.gmu.edu/\" title=\"GMU Libraries catalog\" show=\"new\"\u003e\u003c/extptr\u003e. as well as the \u003cextptr href=\"https://images.gmu.edu/luna/servlet/GMUDPSdps~5~5\" title=\"C. Harrison Mann, Jr. Digitized Map Collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other personal papers and organizational records on the politics of Northern Virginia as well as the George Mason University archives. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the  . as well as the  ."],"scopecontent_html_tesm":["\u003cp\u003eComprises C. Harrison Mann, Jr.'s personal papers and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings, maps, and other related materials.\u003c/p\u003e\n","\u003cp\u003e Series 1: Correspondence (1935 - 1971) documents Mann's typed and handwritten correspondence with multiple parties over most of the twentieth century. Notable correspondents include Senator Harry F. Byrd, Judge William Moncure, and Virginia Governor James Lindsay Almond, Jr.\u003c/p\u003e\n","\u003cp\u003e Series 2: General Assembly (1950 - 1970) documents Mann's time in the Virginia General Assembly, and is divided into two subseries. Series 2.1: General Assembly Correspondence. Series 2.2: General Assembly Subject Files, with subjects including the Civil War Commission, Clippings, Education, Insurance, and Schools Data.\u003c/p\u003e\n","\u003cp\u003e Series 3: Career (1945 - 1970) documents Mann's political career, local and national politics, and legislation, and is divided into three subseries. Series 3.1: Speeches, Public Engagements and Press Releases. Series 3.2: Legislation, Congressional Resolutions and Documents, includes documents on bills passed and killed, the Gray Commission and the Perrow Commission (both as a result of Brown v. Board of Education), and Senate and House Bills and Joint Resolutions. Series 3.3: Politics and Platforms, includes documents on various local and national political campaigns, the Democratic Executive Committee, primaries, elections, and special sessions.\u003c/p\u003e\n","\u003cp\u003e Series 4: George Mason University (1958 - 1978) documents Mann's involvement with the founding of George Mason University (G.M.U.) and is divided into three subseries. Series 4.1: Correspondence, includes correspondence concerning G.M.U. during the years 1964 - 1971. Series 4.2: Newspaper Clippings, includes newspaper articles on student housing, new buildings, student protests, and college plans. Series 4.3: Subject Files, includes documents on the G.M.U. Advisory Board, the G.M.U. Broadside Newspaper, the G.M.U. Law School, and pamphlets.\u003c/p\u003e\n","\u003cp\u003e Series 5: Subject and Miscellaneous Files (1832 - 1979) documents numerous subjects and is divided into two subseries. 5.1: Subject Files, includes documents with subjects ranging from civil defense, Communism, mental health, to historical newspapers, newspaper clippings, copies of historical maps, education, and Mann's personal documents. It also includes a large portion on transportation, with documents pertaining to billboards, trucks, highways, traffic safety, and other transportation-related subjects. 5.2: Miscellaneous Files, includes Mann's personal slides collection and political endorsements notecards.\u003c/p\u003e","\u003cp\u003eThis series documents Mann's typed and handwritten correspondence with multiple parties over most of the twentieth century.\u003c/p\u003e","\u003cp\u003eThis series documents Mann's time in the Virginia General Assembly.\u003c/p\u003e","\u003cp\u003eThis series documents Mann's career in politics.\u003c/p\u003e","\u003cp\u003eThis series documents Mann's involvement with George Mason University.\u003c/p\u003e","\u003cp\u003eThis series contains files on a variety of subjects pertaining to Mann's career and life.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Comprises C. Harrison Mann, Jr.'s personal papers and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings, maps, and other related materials."," Series 1: Correspondence (1935 - 1971) documents Mann's typed and handwritten correspondence with multiple parties over most of the twentieth century. Notable correspondents include Senator Harry F. Byrd, Judge William Moncure, and Virginia Governor James Lindsay Almond, Jr."," Series 2: General Assembly (1950 - 1970) documents Mann's time in the Virginia General Assembly, and is divided into two subseries. Series 2.1: General Assembly Correspondence. Series 2.2: General Assembly Subject Files, with subjects including the Civil War Commission, Clippings, Education, Insurance, and Schools Data."," Series 3: Career (1945 - 1970) documents Mann's political career, local and national politics, and legislation, and is divided into three subseries. Series 3.1: Speeches, Public Engagements and Press Releases. Series 3.2: Legislation, Congressional Resolutions and Documents, includes documents on bills passed and killed, the Gray Commission and the Perrow Commission (both as a result of Brown v. Board of Education), and Senate and House Bills and Joint Resolutions. Series 3.3: Politics and Platforms, includes documents on various local and national political campaigns, the Democratic Executive Committee, primaries, elections, and special sessions."," Series 4: George Mason University (1958 - 1978) documents Mann's involvement with the founding of George Mason University (G.M.U.) and is divided into three subseries. Series 4.1: Correspondence, includes correspondence concerning G.M.U. during the years 1964 - 1971. Series 4.2: Newspaper Clippings, includes newspaper articles on student housing, new buildings, student protests, and college plans. Series 4.3: Subject Files, includes documents on the G.M.U. Advisory Board, the G.M.U. Broadside Newspaper, the G.M.U. Law School, and pamphlets."," Series 5: Subject and Miscellaneous Files (1832 - 1979) documents numerous subjects and is divided into two subseries. 5.1: Subject Files, includes documents with subjects ranging from civil defense, Communism, mental health, to historical newspapers, newspaper clippings, copies of historical maps, education, and Mann's personal documents. It also includes a large portion on transportation, with documents pertaining to billboards, trucks, highways, traffic safety, and other transportation-related subjects. 5.2: Miscellaneous Files, includes Mann's personal slides collection and political endorsements notecards.","This series documents Mann's typed and handwritten correspondence with multiple parties over most of the twentieth century.","This series documents Mann's time in the Virginia General Assembly.","This series documents Mann's career in politics.","This series documents Mann's involvement with George Mason University.","This series contains files on a variety of subjects pertaining to Mann's career and life."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref3\"\u003eComprises C. Harrison Mann, Jr.'s personal papers and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials.\u003c/abstract\u003e"],"abstract_tesim":["Comprises C. Harrison Mann, Jr.'s personal papers and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8c7d8628278bfcd85b59dcb97e9270fd\"\u003eThis collection is housed at the WRLC Shared Collections Facility.\u003c/physloc\u003e"],"physloc_tesim":["This collection is housed at the WRLC Shared Collections Facility."],"names_coll_ssim":["George Mason University","Virginia. General Assembly","Byrd, Harry F. (Harry Flood), 1887-1966"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","Virginia. General Assembly","Mann, Charles Harrison, Jr., 1908-1977","Byrd, Harry F. (Harry Flood), 1887-1966"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","Virginia. General Assembly"],"persname_ssim":["Mann, Charles Harrison, Jr., 1908-1977","Byrd, Harry F. (Harry Flood), 1887-1966"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1193,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:26:10.110Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_596"}},{"id":"vifgm_repositories_2_resources_178_c01_c1518","type":"File","attributes":{"title":"Check list of financial instock by states","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_178_c01_c1518#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_178_c01_c1518","ref_ssm":["vifgm_repositories_2_resources_178_c01_c1518"],"id":"vifgm_repositories_2_resources_178_c01_c1518","ead_ssi":"vifgm_repositories_2_resources_178","_root_":"vifgm_repositories_2_resources_178","_nest_parent_":"vifgm_repositories_2_resources_178_c01","parent_ssi":"vifgm_repositories_2_resources_178_c01","parent_ssim":["vifgm_repositories_2_resources_178","vifgm_repositories_2_resources_178_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_178","vifgm_repositories_2_resources_178_c01"],"parent_unittitles_ssm":["Clark E. Warburton papers","Clark Warburton Papers"],"parent_unittitles_tesim":["Clark E. Warburton papers","Clark Warburton Papers"],"text":["Clark E. Warburton papers","Clark Warburton Papers","Check list of financial instock by states","folder 12","box 19"],"title_filing_ssi":"Check list of financial instock by states ","title_ssm":["Check list of financial instock by states"],"title_tesim":["Check list of financial instock by states"],"unitdate_other_ssim":["1896-1934"],"normalized_date_ssm":["1896/1934"],"normalized_title_ssm":["Check list of financial instock by states"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Clark E. Warburton papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1519,"parent_access_restrict_tesm":["This collection is housed at the WRLC Shared Collections Facility. Advance notice will be required to access any materials.","There are no access restrictions."],"parent_access_terms_tesm":["Materials created prior to 1931 are in the Public Domain. These materials have no known restrictions. The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934],"containers_ssim":["folder 12","box 19"],"_nest_path_":"/components#0/components#1517","timestamp":"2026-05-21T05:20:47.416Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_178","ead_ssi":"vifgm_repositories_2_resources_178","_root_":"vifgm_repositories_2_resources_178","_nest_parent_":"vifgm_repositories_2_resources_178","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_178.xml","title_ssm":["Clark E. Warburton papers"],"title_tesim":["Clark E. Warburton papers"],"unitdate_ssm":["1920-1979"],"unitdate_inclusive_ssm":["1920-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0110","/repositories/2/resources/178"],"text":["C0110","/repositories/2/resources/178","Clark E. Warburton papers","Banks and banking, American","Finance -- United States","Economics","This collection is housed at the WRLC Shared Collections Facility. Advance notice will be required to access any materials.","There are no access restrictions.","This collection is arranged alphabetically and chronologically by subject.","Born in Shady Grove, New York on January 27, 1896, Clark E. Warburton taught at several colleges and universities in the United States and India before joining the Federal Deposit Insurance Corporation (FDIC) in 1934. He eventually became Chief of the Banking and Business Section of the Division of Research and Statistics. He retained that post until his retirement in 1965. Throughout his career, Warburton was well known for his support of the theory that monetary forces are the key cause of economic disturbances. He made numerous contributions to economics scholarship and practices during his long career.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009.","The Special Collections Research Center created a digital collection about the   hosted by GMU Libraries in 2008. "," holds additional Clark Warburton papers in Record Group 34: Records of the Federal Deposit Insurance Corporation, 1920-1993. ","The collection consists of correspondence, published and unpublished Warburton manuscripts (such as Warburton's unpublished history of monetary disequilibrium), printed matter, and subject files.","Also includes correspondence from Jan Tinbergen.","1-27-33, 5-1-33, 6-30-33, 10-31-33, 1-26-34, 7-7-34, 4-18-34, 6-28-34, 11-15-34, 12-22-34, 3-15-34, 5-11-34, 5-10-35, 7-1-35, 11-15-35, 6-15-36, 11-9-36, 12-7-36, 12-21-36, 9-15-37, 11-29-37, 12-27-37, 9-25-38, 11-27-38, 2-5-39, 6-25-39, 9-17-39, 10-15-39, 4-28-40.","Also includes correspondence between National Bureau of Economic Research and Leo Crowley.","Materials created prior to 1931 are in the Public Domain. These materials have no known restrictions. The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection consists of correspondence, published and unpublished Warburton manuscripts (such as Warburton's unpublished history of monetary disequilibrium), printed matter, and subject files.","This collection is housed at the WRLC Shared Collections Facility.","George Mason University. Libraries. Special Collections Research Center","Federal Deposit Insurance Corporation","Warburton, Clark, 1896-","English"],"unitid_tesim":["C0110","/repositories/2/resources/178"],"normalized_title_ssm":["Clark E. Warburton papers"],"collection_title_tesim":["Clark E. Warburton papers"],"collection_ssim":["Clark E. Warburton papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Warburton, Clark, 1896-"],"creator_ssim":["Warburton, Clark, 1896-"],"creator_persname_ssim":["Warburton, Clark, 1896-"],"creators_ssim":["Warburton, Clark, 1896-"],"access_terms_ssm":["Materials created prior to 1931 are in the Public Domain. These materials have no known restrictions. The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Clark E. Warburton in 1979."],"access_subjects_ssim":["Banks and banking, American","Finance -- United States","Economics"],"access_subjects_ssm":["Banks and banking, American","Finance -- United States","Economics"],"has_online_content_ssim":["false"],"extent_ssm":["161.25 Linear Feet 119 boxes"],"extent_tesim":["161.25 Linear Feet 119 boxes"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is housed at the WRLC Shared Collections Facility. Advance notice will be required to access any materials.\u003c/p\u003e\n","\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["This collection is housed at the WRLC Shared Collections Facility. Advance notice will be required to access any materials.","There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically and chronologically by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically and chronologically by subject."],"bioghist_html_tesm":["\u003cp\u003eBorn in Shady Grove, New York on January 27, 1896, Clark E. Warburton taught at several colleges and universities in the United States and India before joining the Federal Deposit Insurance Corporation (FDIC) in 1934. He eventually became Chief of the Banking and Business Section of the Division of Research and Statistics. He retained that post until his retirement in 1965. Throughout his career, Warburton was well known for his support of the theory that monetary forces are the key cause of economic disturbances. He made numerous contributions to economics scholarship and practices during his long career.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in Shady Grove, New York on January 27, 1896, Clark E. Warburton taught at several colleges and universities in the United States and India before joining the Federal Deposit Insurance Corporation (FDIC) in 1934. He eventually became Chief of the Banking and Business Section of the Division of Research and Statistics. He retained that post until his retirement in 1965. Throughout his career, Warburton was well known for his support of the theory that monetary forces are the key cause of economic disturbances. He made numerous contributions to economics scholarship and practices during his long career."],"prefercite_html_tesm":["\u003cp\u003eClark E. Warburton papers, C0110, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Clark E. Warburton papers, C0110, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center created a digital collection about the \u003cextptr show=\"new\" title=\"James M. Buchanan Lecture\" href=\"http://mars.gmu.edu/handle/1920/4497\"\u003e\u003c/extptr\u003e hosted by GMU Libraries in 2008. \u003c/p\u003e\n","\u003cp\u003e\u003cextptr show=\"new\" title=\"The National Archives and Records Administration\" href=\"https://catalog.archives.gov/search?q=Clark+Warburton\u0026amp;rows=20\"\u003e\u003c/extptr\u003e holds additional Clark Warburton papers in Record Group 34: Records of the Federal Deposit Insurance Corporation, 1920-1993. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center created a digital collection about the   hosted by GMU Libraries in 2008. "," holds additional Clark Warburton papers in Record Group 34: Records of the Federal Deposit Insurance Corporation, 1920-1993. "],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of correspondence, published and unpublished Warburton manuscripts (such as Warburton's unpublished history of monetary disequilibrium), printed matter, and subject files.\u003c/p\u003e","\u003cp\u003eAlso includes correspondence from Jan Tinbergen.\u003c/p\u003e","\u003cp\u003e1-27-33, 5-1-33, 6-30-33, 10-31-33, 1-26-34, 7-7-34, 4-18-34, 6-28-34, 11-15-34, 12-22-34, 3-15-34, 5-11-34, 5-10-35, 7-1-35, 11-15-35, 6-15-36, 11-9-36, 12-7-36, 12-21-36, 9-15-37, 11-29-37, 12-27-37, 9-25-38, 11-27-38, 2-5-39, 6-25-39, 9-17-39, 10-15-39, 4-28-40.\u003c/p\u003e","\u003cp\u003eAlso includes correspondence between National Bureau of Economic Research and Leo Crowley.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The collection consists of correspondence, published and unpublished Warburton manuscripts (such as Warburton's unpublished history of monetary disequilibrium), printed matter, and subject files.","Also includes correspondence from Jan Tinbergen.","1-27-33, 5-1-33, 6-30-33, 10-31-33, 1-26-34, 7-7-34, 4-18-34, 6-28-34, 11-15-34, 12-22-34, 3-15-34, 5-11-34, 5-10-35, 7-1-35, 11-15-35, 6-15-36, 11-9-36, 12-7-36, 12-21-36, 9-15-37, 11-29-37, 12-27-37, 9-25-38, 11-27-38, 2-5-39, 6-25-39, 9-17-39, 10-15-39, 4-28-40.","Also includes correspondence between National Bureau of Economic Research and Leo Crowley."],"userestrict_html_tesm":["\u003cp\u003eMaterials created prior to 1931 are in the Public Domain. These materials have no known restrictions. The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials created prior to 1931 are in the Public Domain. These materials have no known restrictions. The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_410ea6559af51c2c614e8d2c2a6fea1e\" label=\"Abstract\"\u003eThe collection consists of correspondence, published and unpublished Warburton manuscripts (such as Warburton's unpublished history of monetary disequilibrium), printed matter, and subject files.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of correspondence, published and unpublished Warburton manuscripts (such as Warburton's unpublished history of monetary disequilibrium), printed matter, and subject files."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_64aee605f2331e78e2ed49ba9915a914\"\u003eThis collection is housed at the WRLC Shared Collections Facility.\u003c/physloc\u003e"],"physloc_tesim":["This collection is housed at the WRLC Shared Collections Facility."],"names_coll_ssim":["Federal Deposit Insurance Corporation","Warburton, Clark, 1896-"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Deposit Insurance Corporation","Warburton, Clark, 1896-"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Deposit Insurance Corporation"],"persname_ssim":["Warburton, Clark, 1896-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3042,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:20:47.416Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_178_c01_c1518"}},{"id":"vifgm_repositories_2_resources_377_c128","type":"Item","attributes":{"title":"Commemorative medals","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_377_c128#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e375th Anniversary of the German Reformation commemorative medal, featuring image of German Kaiser Wilhelm II, circa 1892.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_377_c128#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_377_c128","ref_ssm":["vifgm_repositories_2_resources_377_c128"],"id":"vifgm_repositories_2_resources_377_c128","ead_ssi":"vifgm_repositories_2_resources_377","_root_":"vifgm_repositories_2_resources_377","_nest_parent_":"vifgm_repositories_2_resources_377","parent_ssi":"vifgm_repositories_2_resources_377","parent_ssim":["vifgm_repositories_2_resources_377"],"parent_ids_ssim":["vifgm_repositories_2_resources_377"],"parent_unittitles_ssm":["Gustav Klemp World War I collection"],"parent_unittitles_tesim":["Gustav Klemp World War I collection"],"text":["Gustav Klemp World War I collection","Commemorative medals","box 1","375th Anniversary of the German Reformation commemorative medal, featuring image of German Kaiser Wilhelm II, circa 1892.","Commemorative medal for the alliance of Germany with Austria-Hungary, featuring image of Austrian Kaiser Franz-Joseph and German Kaiser Wilhlem II, 1915.","Commemorative medal for Battle of Coronel, featuring image of German Admiral Maximilian von Spee, 1914.","Commemorative medal for German field marshal August von Mackensen, circa 1914."],"title_filing_ssi":"Commemorative medals","title_ssm":["Commemorative medals"],"title_tesim":["Commemorative medals"],"unitdate_inclusive_ssm":["circa 1892-1915"],"normalized_date_ssm":["1892/1915"],"normalized_title_ssm":["Commemorative medals"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Gustav Klemp World War I collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":128,"parent_access_restrict_tesm":["The handwritten narrative is restricted due to preservation concerns. It was digitized and is available to view  There are no other restrictions."],"parent_access_terms_tesm":["Public Domain. There are no known restrictions."],"date_range_isim":[1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915],"containers_ssim":["box 1"],"scopecontent_html_tesm":["\u003cp\u003e375th Anniversary of the German Reformation commemorative medal, featuring image of German Kaiser Wilhelm II, circa 1892.\u003c/p\u003e","\u003cp\u003eCommemorative medal for the alliance of Germany with Austria-Hungary, featuring image of Austrian Kaiser Franz-Joseph and German Kaiser Wilhlem II, 1915.\u003c/p\u003e","\u003cp\u003eCommemorative medal for Battle of Coronel, featuring image of German Admiral Maximilian von Spee, 1914.\u003c/p\u003e","\u003cp\u003eCommemorative medal for German field marshal August von Mackensen, circa 1914.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["375th Anniversary of the German Reformation commemorative medal, featuring image of German Kaiser Wilhelm II, circa 1892.","Commemorative medal for the alliance of Germany with Austria-Hungary, featuring image of Austrian Kaiser Franz-Joseph and German Kaiser Wilhlem II, 1915.","Commemorative medal for Battle of Coronel, featuring image of German Admiral Maximilian von Spee, 1914.","Commemorative medal for German field marshal August von Mackensen, circa 1914."],"_nest_path_":"/components#127","timestamp":"2026-05-21T05:12:15.885Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_377","ead_ssi":"vifgm_repositories_2_resources_377","_root_":"vifgm_repositories_2_resources_377","_nest_parent_":"vifgm_repositories_2_resources_377","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_377.xml","title_ssm":["Gustav Klemp World War I collection"],"title_tesim":["Gustav Klemp World War I collection"],"unitdate_ssm":["circa 1892-1920s","1914-1918"],"unitdate_bulk_ssim":["1914-1918"],"unitdate_inclusive_ssm":["circa 1892-1920s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0250","/repositories/2/resources/377"],"text":["C0250","/repositories/2/resources/377","Gustav Klemp World War I collection","World War, 1914-1918","Photographs","Military camps","Art","Postcards","The handwritten narrative is restricted due to preservation concerns. It was digitized and is available to view   There are no other restrictions.","The majority of this collection was digitized and is available to view ","This collection is arranged by item format: certificates, postcards and photographs, artworks, commemorative medallions, and the handwritten narrative.","Gustav Klemp (May 16, 1882-April 1, 1941) was a house painter, photographer, and artist who resided in West Prussia during the late 19th and early 20th centuries. Klemp was a member of the Deutschen Maler-Bundes (German Painters' Association) and owned a house painting business, as well as a side photography business, in Podgórz, then West Prussia. Podgórz, which still exists, is a district of the city of Toruń in now Poland. Klemp was 32 at the outbreak of World War I in 1914, and he reluctantly served as a medic with the German Army. He sent dozens of postcards from the Eastern Front to his wife, Martha Klemp, and other friends and family. Many of these postcards were photographic, and were shot and developed by Klemp during his military service.","Klemp also created watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. Klemp survived the war, and after the creation of an independent Poland, he and his family were given the decision to become Polish citizens or emigrate. The Klemp family then immigrated to the United States and settled in the upper midwest, first in Iowa and then Wisconsin. Klemp made his living in the United States primarily by painting murals for churches. He died in May 1941 at the age of 59, six months before the United States entered World War II.","\nProcessing completed by Elizabeth Beckman in November 2014. EAD markup completed by Elizabeth Beckman in November 2014. Finding aid updated by Amanda Menjivar in March 2022.","\nCollection reprocessed by Amanda Menjivar from January-February 2024. Finding aid updated by Amanda Menjivar in February 2024. Inventory assistance provided by Meghan Glasbrenner.","\nGerman transcription and translation provided by Dorothee Schubel, Metadata and Cataloging Librarian at George Mason University Libraries. Transkribus by READ-COOP was used for the Kurrent Script transcription.","The Special Collections Research Center holds other collections on World War I, including the   and the ","\nThe Gustav Klemp World War I collection consists of postcards (both photographic and printed), photographs, artworks, commemorative medals, and a handwritten narrative that document the military service experience of Gustav Klemp, a Prussian medic with the German army who served on the Eastern Front during World War I. The materials were created from circa 1892-1920s, with the bulk of materials created from 1914-1918. Many of the photographic postcards are group portraits of German soldiers, as well as images of military camp life, many of which feature Klemp. Several of the postcards have messages written in Kurrent and Latin script from Klemp to his wife, Martha Klemp, and other friends and family. Klemp sent postcards from across the Eastern Front, including Hungary, Poland, Romania, Russia, and Ukraine.\n","\nAlso included in the collection are artworks created by Klemp during his time on the Eastern Front. These include watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. A couple of the pieces of art in this collection were likely painted by one of his fellow soldiers and acquired by Klemp during his service.\n","\nTranscription and translation of text is provided where applicable in the inventory scope notes.\n","Text in German: Front: Die Maler | des | 7. Armeecorps in der Senn[e] | 1905-06 || 646. Back: [print:] Postkarte | An | [ms.:] Herrn | Gustav Kl[emp] | [print: ] in [ms.:] Thorn W/Pr. | [print:] Wohnung. [ms.:] Janitzenstr 4 [stamp:] SENNELAGER | [?] 10 [?] || THORN | 10. 6. 06. 2-3 V | 1 a || [print:] A. Ophoven Photograph, Paderborn, Filiale Sennelager. || [ms.:] Liebe Eltern! | Das Soldbuch erhalten besten Dank | werde nächstens Antwort schreiben | auf dieser Karte sind alle Maler | die sind am [?] [Jun]i abgelöst worden | und ich m[uß] noch [?] bleiben | hier und [?] versch[?] [?]ich bis Schluß | wenn es gut geht [?] grüßt allen | herzlichst Euer dankbarer | Sohn Gustav {[print:]","Text in English: Front: {The Painters of the 7th Army Corps in the Senne. 1905-06 - 646}. Back: Postcard - To [ms.:] Mr.  Gustav Klemp [print: ] in [ms.:] Toruń West Prussia [print:] address [ms.:] Janitzen street 4 [stamp:] SENNELAGER 10 -  THORN June 10, 1906 2-3 am 1 a [print:] A. Ophoven Photographer, Paderborn, branch Sennelager. [ms.:] Dear parents! I received the military passbook, thank you very much. I will write an answer soon. There are all painters on the back of this card, they were relieved on June, [?] and I have to stay here and [?] different [?] until the end if it goes well. [?] greets everyone. Sincerely, your grateful son Gustav}.","Klemp is marked in the image by an \"x\" on his chest.","License plate reads \"IA-3783.\" \"IA\" was the licence plate code for Berlin, Germany from 1906-1945.","Text in German: Drogerie | Bäckerei | Restaurant | Niederlag[?] Molkerei | Gustav Klemp Malermeister | Militär-Effecien Portemonaies Hosenträger Regensch[irme] Glacé-H[andschuhe] | Wäs[che]","Text in English: {Drugstore, Bakery, Restaurant, Niederlag[?] Dairy Shop, Gustav Klemp Master Painter, Military effeciens Wallets Suspenders Umbrellas Glacé-Gloves Drapery}","Klemp's storefront is visible in the background on the right.","Klemp is reclined in the right foreground and is marked by an \"x\" below him.","Text in German: Front: Zerstörte Strasse in Brest Litowsk. | Im Hintergrund die weisse Kirche. Back: Herausgegeben von der Feldbuchhandlung der Bug-Armee","Text in English: Front: {Destroyed street in Brest Litovsk. In the background the white church [St Nicholas Church].} Back: {Published by the field bookstore of the Army of the Bug}","Likely a religious procession or celebration based on clothing and canopy being carried, possibly Easter.","Text in German: Front: Lautenburg | Neuer Markt | [?]en Hensel | Destillation Johann K[?] Restaurant| Louis Bukofzer Back: [print:] Fr. Krykant jr. Lautenburg | Tx || [stamp:] G. P. K. THORN | GEPRÜFT UND ZU BEFÖRDERN || LAUTENBURG 14. 8. 14 3-4 N. | (WESTPR.) || [ms.:] Feldpost | Frau Malermstr Klemp | Podgorz Thorn | Marktstr 11. || Lautenburg 14. 8. 14. | [M]eine Liebe Marte! | Teile Dir nun mit | daß Du Sonntag kommen | kannst es ist so zwar ein | bischen weit aber die | anderen 2 Frauen | werden wahrscheinlich | auch fahren. Du mußt | schon früh fahren | sonst ge[?]st Du | nicht Also hoffe Dich | wieder zu sehen. | Gruß Dein Gustav.","Text in English: Front: {Lidzbark New Market - [inscription on houses:] Hensel, Distillery Johann K[?] Restaurant, Louis Bukofzer} Back: {[print:] Fr. Krykant jr. Lidzbark Tx [stamp:] G. P. K. TORUŃ | CHECKED, SAFE FOR DELIVERY - LIDZBARK August 14, 1914 3-4 pm (WEST PRUSSIA) [ms.:] Military service post Mrs. Master Painter Klemp, Podgórz Toruń, Market street 11. -  Lidzbark, August 14, 1914.  My dear Marte! I am telling you that you can come on Sunday. Although it is a bit far but the other two women will probably also come. You must leave early otherwise you will not [?]. So I hope to see you again. Greetings, yours Gustav.}","Text in German: Front: [Rot:] Fest steht u treu | Michel wach auf! | Einigkeit macht stark! | Nur immer ran bei uns ist geladen. || Helgoland Kiel Lübeck Stettin Danzig Berlin Leipzig Dresden Breslau Metz Strassb. München WIEN Buda Pest Pola [Grün, England:] mir wird ganz mies! || ENGLAND Hull Yarmouth London Dover [Grün, Belgien, Frankreich:] Oh weh - zwei Jahre zu früh! | Wo bleiben meine Siege? | Albert wo bist Du? || BELGIEN FRANKREICH Calais Lille Namur Lüttich Brest Havre Paris Nancy Nantes Epinal Marseille Nizza Toulon Corsica [Grün, Russland:] Ich erspare Euch die Arbeit und zerstöre meine Hafen selbst. | Da habe ich meine Nase schön hinein gesteckt. | Kaukasusrevolution! || RUSSLAND Moskau Warschau. Odessa [Grün, Serbien:] Das gibt eine schöne Schweinerei! || SERBIEN MONTENEGRO Belgrad [Weiß, Nord:] NORD-SEE HOLLAND DÄNEMARK SCHWEDEN Göteborg [Weiß, Südwest:] neutral. || SPANIEN Barcelona MITTELLÄNDISCHES MEER. || Wir bleiben neutral!  || SCHWEIZ Basel Luzern Bern ITALIEN Mailand Turin Venedig Rom. ADRIATISCHES MEER [Weiß, Südost:] Unser neuer Bund. || ALBANIEN RUMÄNIEN BULGARIEN TÜRKEI SCHWARZES MEER Skutari Back: [stamp:] Reserve-Lazarett | des 3. Armee-Korps [postmark:] Berlin-Oberschöneweide | 4. 12. 14. 5-6 N. [print:] Humoristische Völker-Kriegskarte Nr. 5 | Verlag Hermann Becker, München [ms:] Feldpost | Landwehrmann | Gustav Klemp | 11 Komp Landwehr Regt. No. 5 | Landwehr Div. von Einem || Berlin-Oberschöneweide, d. 4. 12. 14 | Lieber Bruder! Da ich jetzt | Deine Adresse von Teuse er- | halten habe, teile ich Dir | mit daß ich an einer Ver- | wundung am l. Arm u l. Ober- | schenkel hier im Königin-Elisabeth- | Hospital liege. Ist aber schon am | Heilen und gehe schon am Stocke | herum. Sonst ist es [?] auszuhalten. | Mit Gruß Richard","Text in English: Front: {[Red:] Stay firm and loyal - Deutscher Michel, wake up! - Together we are stronger! - Come, our weapons are loaded. - Helgoland Kiel Lübeck Stettin Gdansk Berlin Leipzig Dresden Wroclaw Metz Strassbourg Munich VIENNA Budapest Pola [Green, England:] I feel really bad! - ENGLAND Hull Yarmouth London Dover [Green, Belgium, France:] Oh dear - two years too early! - Where are my victories? - Albert, where are you? - BELGIUM FRANCE Calais Lille Namur Liège Brest Le Havre Paris Nancy Nantes Epinal Marseille Nice Toulon Corsica [Green, Russia:] I save you the work and destroy my harbors myself. - I stuck my nose into this mess. - Caucasus Revolution! - RUSSIA Moscow Warsaw. Odessa [Green, Serbia:] That's a pretty mess! - SERBIA MONTENEGRO Belgrade [White, North:] NORTH SEA HOLLAND DENMARK SWEDEN Gothenburg [White, Southwest:] neutral. - SPAIN Barcelona MEDITERRANEAN SEA. - We remain neutral! - SWITZERLAND Basel Lucerne Bern ITALY Milan Turin Venice Rome. THE ADRIAN SEA [White, Southeast:] Our new covenant. - ALBANIA ROMANIA BULGARIA TURKEY BLACK SEA Scutari} Back: {[stamp:] Reserves Hospital of the 3rd Army Corps [postmark:] Berlin-Oberschöneweide December 4, 1914 5-6 pm [print:] Humorous Nations War Map No. 5 - Publisher Hermann Becker, Munich [ms:]  Military service postcard - Landwehr man Gustav Klemp,  11th Company Landwehr Regiment No. 5, Landwehr Division \"von Einem\" - Berlin-Oberschöneweide, December 4, 1914 Dear brother! I now got your address from Teuse, so I can share with you that I am in the Queen Elisabeth Hospital with wounds on the left arm and left upper thigh. But it is already healing and walk around with a stick. Otherwise it is [?] bearable. With regards, Richard}","Text in German: Back: [print:] Fritz Krauskopf, Königsberg i. Pr. und Ostseebad Cranz.  || [stamp:] [?] | 28. 12. 14 10-11 [?] | Landw. Div. v. Einem || [ms.:] An | Frau Malermstr. | Klemp | Podgorz b. Thorn | Marktstr 11. || Lötzen 27. 12. 14. | Liebe Marta! | Diese Karte erhielten | wir alle als Geschenk. | Der Herr mit dem 1 | Kreuz unser Rgts- | Kommandeur | mit den 2 Kreuzen | Battaillons Kom- | mandeur ist aber | schon gefallen. | Sonst nichts neues | Es grüßt Dich | herzl. D. Gustav.","Text in English: Back: {[print:] Fritz Krauskopf, Königsberg in Prussia and Baltic Sea resort of Zelenogradsk. [stamp:] [?] | December 28, 1914 10-11 Landwehr Division v. Einem [ms.:] To Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11. - Giżycko, December 27. 1914 Dear Martha! We all got this card as a gift. The person with one cross our Regiment-Commander, with two crosses, the Battalion Commander, but he is already killed in action. Otherwise, nothing new. Kindest greetings, Yours, Gustav.}","Text in German: Front: Infanterie im Schützengraben Back: Serie: Das Deutsche Heer. | Nr. 1854 | Nachdruck strengstens verboten.","Text in English: Front:  {Infantry in the trenches} Back: {Series: The German Army. - No. 1854 - Reproduction strictly prohibited.}","A small tree and wine on the table suggests the soldiers are celebrating the Christmas holiday.","Text in German: Back: Skat-Gesellschaft | [?] in Unterstand | auf Höhe 120 Nord | nr Ossowiec","Text in English: Back: {Game of Skat in shelter, 120 north, near Osowiec}","Klemp is marked by an X.","Text in German: Front: Thorn Russische Grenzwache Back: DEPOSÉ BERLIN | Ch. L. i. B. Nr. 843","Text in English: Front: {Toruń Russian border guard}","Text in Polish: Front: Lwów. Plac Maryacki z pomnikiem Mickiewicza. | Lemberg. Maryacki-Platz u. Mickiewicz-Denkmal Back: POCZTÓWKA. || Wydawnictwo kart artystycznych D. G. Lwów. | Násladownictwo zastrzeżone | Nr 16","Text in English: Front: {Lviv. St. Mary's Square and Mickiewicz monument} Back: {Post card. Publisher for artistic cards D. G. Lviv. Reproduction reserved No. 16}","Text in Polish: Front: Lwów. Plac Fredy. | Lemberg. Fredro-Platz. Back: POCZTÓWKA. || Wydawnictwo kart artystycznych D. G. Lwów. | Násladownictwo zastrzeżone | Nr 24","Text in English: Front: {Lviv. Fredro Square} Back: {Post card. Publisher for artistic cards D. G. Lviv. Reproduction reserved No. 24}","Text in Hungarian: Front: Budapest. Bazilika. - Basilik. Back: LEVELEZŐ-LAP | SHHN | No. 9","Text in English: Front: {Budapest Basilica} Back: {Correspondence card SHHN No. 9}","Text in German: Front: [print:] Russisches Gymnasium, Brest-Litowsk. | 212 [ms:] Russia Back: Herausgegeben von der Feldbuchhandlung der Bug-Armee","Text in English: Front: {[print:] Russian High school, Brest - 212 - [ms:] Russia} Back: {Published by the field bookstore of the Army of the Bug}","Brest-Litovsk was considered part of Poland from the end of WWI until the annexation by Russia following the end of WWII. Brest-Litovsk is known today as Brest, Belarus, following the breakup of the U.S.S.R. in 1991.","Text in Polish: Front: Lwów. Dworzec. | Lemberg. Bahnhof. Back: POCZTÓWKA. || Wydawnictwo kart artystycznych D. G. Lwów. | Násladownictwo zastrzeżone | Nr. 3","Text in English: Front: {Lviv. Railroad Station} Back: {Post card. Publisher for artistic cards D. G. Lviv. | Reproduction reserved No. 3}","Klemp is reclining on the left.","Text in German: Back: Fritz Krauskopf, Königsberg i. Pr. und Ostseebad Cranz. ","Text in English: Back: {Fritz Krauskopf, Königsberg in Prussia and Baltic Sea resort of Zelenogradsk.}","Text in German: Front: Landsturmwache vor ihrem Unterstand | in Ruzige","Text in English: Front: { Landsturm guards in front of shelter in Ruzige}","Text in German: Front: Freispruch in | den russ. Bergen.","Text in English: Front: {Acquittal in the Russian mountains.}","Klemp is reclining on the ground in the front right of the group.","Text in German: Front: Wie lange dauerts noch?","Text in English: Front: {How long will it take?}","Text in German: Back: 1 Tnrn 11,5 x 2,13 √ | 1 \" 215 x 1,20 √ | 1 \" 2,00 x 095 x 2 √ | Schetterf. 1,25 x 1,10 | Fenster 2,00 x 1,20","Text in English: Back: {1 Tnrn 11.5 x 2.13 √ | 1\" 215 x 1.20 √ | 1 \" 2.00 x 095 x 2 √ | Schetterf. 1.25 x 1.10 | Window 2.00 x 1.20}","Text in German: Front: Vorgehende Dragoner Back: Serie: Das Deutsche Heer. | Nr. 1684 | Nachdruck strengstens verboten.","Text in English: Front: {Advancing Dragoons} Back: {Series: The German Army. - No. 1684 - Reproduction strictly prohibited.}","Text in German and Hungarian: Front: C. Delitz | Klassenbrüdersch[aft] Back: Feldpostkarte | Tabóri postai levelezőlap | [Absen]der: | [?]dó:","Text in English: Front: {C. Delitz Class brotherhood} Back: {Military postal service postcard - Sender:}","Text in German: Front: [print:] Wladimir Wolynsky. Russische Kirche. Orosz templom. [ms.:] Russia Back: H. Löw, Wladimir Wolynsky. | Druck Photobrom, Wien VII.","Text in English: Front: {[print:] Volodymyr, Russian Church [ms.:] Russia} Back: {H. Löw, Volodymyr - Printed by Photobrom, Vienna, 7th district}","Text in German: Back: [stamp:] K. D. Feldpost[?] | 23. 1. 15. 2-3 N | Landw. Div. v. Einem | [ms.:] Feldpost | Frau Malermstr | Klemp | Podgorz b. Thorn | Marktstr 11 || Kleszewen 22. 1. 15. | Liebe Martha! | Habe vom Feldw. | den Apparat und | damit diese Karte | gemacht bis mein | Apparat kommt | werde dann mehr | Bilder machen. | Warum schreibst | Du nicht? Habe schon | lange nichts gehört | Mit herzl. Gruß | Dein Gustav","Text in English: Back: {[stamp:] K. D. Military postal services [?] January 23, 1915. 2-3 pm Landwehr Division von Einem | [ms.:] Military services mail - Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11 - Kleszczewo, January 22, 1915. Dear Martha! I got the camera from the sergeant and took this photo, until I have my camera, I will then take more pictures. Why do you not write? I have not heard from you for a long time. With best regards, Yours, Gustav}","Klemp is seated on the left in his army medic uniform.","Text in German: Front: Brauche noch den Gummi- | ball sonst habe ich alles | Reise Taschentücher fehlen | Auf Wiedersehn! Back: [stamp:] K. D. F[eldpost?] | 29. 1. 15. 2-3 N | Landw. Div. v. Einem | [ms.:] Feldpost | Frau | Malermstr | Klemp | Podgorz W/Pr. b. Thorn | Marktstr || Kleszewen, 29. 1. 15. | Liebe Marta! | Wir erhalten voraussichtlich | am 3. Febr. paar Tage Ruhe | und wäre vielleicht | nun gelegenheit mir | meine Wäsche zu bringen | Sonsten genug. Frau Sceg- | manski fü[?] | Herzli[] [G]ustav","Text in English: Front: {I still need the rubber ball, otherwise I have everything. Travel Handkerchiefs are missing | Goodbye!} Back: {[stamp:] K. D. [military postal service] January 29, 1915  2-3 pm  Landwehr Division v. Einem | [ms.:] Military poatal services - Mrs. Master Painter Klemp, Podgórz West Prussia near Toruń, Market street - Kleszczewo, January 29, 1915. Dear Marta! We expect to get a few days off on February 3rd. This might be an opportunity to bring me my laundry. Otherwise enough [?] Mrs. Scegmanski for[?] Best regards, Gustav}","Klemp is seated on the left in his army medic uniform, marked by an X.","Text in German: Front: Auch eine Aufnahme die | ich hier schon machte. | später mehr. Back: [stamp:] K. D. Feldpostexped. | 9. 2. 15. 4-5 N | Landw. Div. v. Einem | [ms.:] Feldpost. | Frau Malermstr | Klemp | Podgorz b. Thorn || Kleszewen. 7. 2. 15. | Liebe Marta! | Muß Dir noch mitteilen | daß Du niemanden meine | Werkstatt öffnest. Erhielt | von Justizrat Schlee die Sache | wegen Lellner aber tut nichts | Kann auch nur etwas tun | wenn ich dort bin. Den geht | die ganze Sache doch nichts an | also Du weißt Bescheid | Gruß Dein Gustav","Text in English: Front: {Another photograph I took here. Soon more.} Back: {[stamp:] K. D. Military postal services delivery. February 9, 1915. 4-5 pm Landwehr Division von Einem [ms.:] Military services mail - Mrs. Master Painter Klemp, Podgórz near Toruń - Kleszczewo, February 7, 1915. Dear Marta! I have to let you know that you should not let anybody into my workshop. I got a note from Judicial Councilor Schlee because of Lellner but does nothing. I can only do something when I am there. That is none of his business. Now you know. Best regards, Yours, Gustav}","Text in German: Front: Von Julek schon b[?] [?] | er wird doch wohl zurückkommen Back: Feldpostkarte | Frau Malerm[eister] | Klemp | Podgorz b.. Thorn | Marktstr 11 || Rußland den 12. 5. 15. | Liebe Martha! | Sende Dir hier eine Karte | von unserer letzten Auf- | nahme, diese Karte ist ja | etwas bl[?]er Du wirst | mich scho[n] [?] [er]kennen | Habe ja [?] [?]keit | erhalten [?] Fixier- | salz fehlt [?] schick | es mir [?] Du | noch nicht [?] alles | gut. Schick [?] [?]chstens | noch einig[?] [A]ufnahmen | Nun seid recht herzlichst | gegrüßt Dein Gustav","Text in English: Front: {From Julek now  [?] I hope he will come back} Back: {Military services postcard - Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11 - Russia, May 12, 1915 Dear Martha! I am sending you this card with our last photograph. The card is somewhat [?] but you will recognize me. I have received [?] sodium thiosulfate is missing [?] please send it to me [?] everything else is fine. Send [?] Now, I am sending my best regards, Yours, Gustav}","The man seated on the right in a medic uniform is likely Klemp.","Text in German: Front: Unser Dorfquartier. || Du schreibst ja garnicht mal ob er dort ist | seine Urlaubszeit hat er ja nun bald | hinter sich. Die übrigen Karten behalt | mal dort werde erst noch sehen was | mit diesen wird. Nun seid alle | recht herzlichst gegrüßt von Deinem | Gustav Back: Feldpostkarte | Frau Malermstr Klemp | Podgorz b. Thorn. | Marktstr 11. || Rußland, den 14. Mai 1915. | Liebe Marta! | Deine Pakete habe ich gestern erhalten | sage Dir herzl. Dank Das Paket | mit den Zigarren ist aber | noch nicht hier hoffentlich | bleibt es nirgends stecken. | Diese Karte ist nichts besonderes | aber damit sie wegkommt schreib | ich sie. Die Karten sind nicht beson- | ders die Du mir schicktest. Ich wer- | de wohl die Platten zum Photo- | graphen schicken und Karten | machen lassen. Jeder will eine | haben und so viele gerate ich | garnicht. Ich warte jeden Tag | daß ich fahren kann aber es kommt | immer noch nicht. Sonst alles gut | Die Torte schmeckte gut nur ist | der Speck zu trocken und kann | ich ihn nur zum braten der Kar- | toffel brauchen. Wie ist es mit Julek.","Text in English: Front: {Our village quarter. You did not write whether he is there, soon his leave will be over. Keep the remaining cards, first I will see what to do with these. Now, best regards to all, from your Gustav} Back: {Military services postcard - Mrs. Master Painter Klemp Podgórz near Toruń, Market street 11. Russia, May 14, 1915. Dear Marta! I received your packages yesterday and I thank you very much. The package with the cigars has not yet arrived, I hope it has not gotten stuck somewhere. These cards are nothing special, but in order to get mailed I am using it now. The cards you sent me are nothing special. I may send the plates to the photographer and order cards. Everyone wants one and so many I cannot produce. I wait every day that I can get leave but the permit has not arrived. Otherwise, everything is fine.  The cake tasted good, only the bacon is too dry and can only be used it for frying potatoes. How about Julek.}","The seated man with the medic armband is likely Klemp.","Text in German: Back: [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5 || [?]STATION | [?| [ms.] Feldpostkarte | Frau Malermstr | Klemp | Podgorz b. Thorn | Marktstr 11 || Rußland, d. 8. 7. 15. | Liebe Martha! | Deine letzten Pakete erhielt | ich es waren die Karten, Wurst | und Butter aber leider noch | keine Antwort auf meinen | Brief von 29. 6. Sonst alles | wohl hoffe daß Du Dich noch | besinnst und schreibst mir | den Bescheid. | Es grüßt herzl | Herzliche Grüße sendet Gu[stav] | [?] Sellzmanski | [?] möchten gerne wieder zu N[?]n!","Text in English: Back: {[stamp:] Delivery permitted. 11th Company Landwehr Infantry Regiment No. 5 [?]STATION [?| [ms.] Military services postcard | Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11 - Russia, July 8, 1915 - Dear Martha! I have received your last packages with the cards, sausage and butter. But unfortunately still no reply to my letter of June 29. Everything else is okay. I hope that you still think about it and write to me. Heartfelt Greetings.  Kind regards sends Gustav [?] Sellzmanski - [?] would like to go back to N[?]n!}","Text in German: Front: soeben von Alfred ein Paketchen mit | Cigarren erhalten. Back: Feldpostkarte | Frau Malermstr | Klemp | Podgorz b. Thorn | Marktstr 11. || Russland d. 11. 7. 15. | Liebe Martha! | Noch eine Ansicht von einem | Drittel unserer Komp. wirst | mich doch wohl herausfinden | ebenfalls den Juleck. Diese | Karten ließen wir uns von | einem Photogr. machen mit | einem größeren Apparat. | Es grüßt alle herzlichst. | D. Gustav. || [stamp:] Beförderung [?] | 11. Komp. Landw. [?] Reg [?]","Text in English: Front: {Just received a little package from Afred with cigars.} Back: {Military postcard - Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11. - Russia , July 11, 1915 - Dear Martha! Another view of a third of our company, you will find me, also Juleck. A photographer took these pthotos with a larger apparatus. Warm regards to all. Yours, Gustav. - [stamp:] Delivery [?] 11th Company Landwehr [?] Regiment [?]}","Klemp is on the far left of the first standing row.","Text in German: Front: Sonst noch [?] [?] | Brief erhältst Du später | wenn ich Deinen habe Back: [stamp:] Beförderung zugela[ssen]. | 11. Komp. Landw. Inf. Regt. Nr. 5 || [ms.] Feldpostkarte | An Frau Malermstr | Klemp | Podgorz b. Thorn | Marktstr 11 || Liebe Martha! | Erha[lte] Deinen Brief und | die Zeitungen Du hast | anscheinend den letzten | Brief von mir nicht | erhalten, ich erwarte | aber die Antwort auf | den letzt geschickten | Anbei eine Aufnahme | von unserem Schützen- | graben. | Es grüßt auch | [?] alle Dein Gustav | Ruß[land] 17. 7. 15.","Text in English: Front: {Anything else [?] [?] You will receive a letter later after I have yours} Back: {[stamp:] Delivery permitted. 11th Company Landwehr Infantry Regiment No. 5 - [ms.] Military services postcard - To Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11 - Dear Martha!  I have received your letter and the newspapers. Apparently you have not received my last letter, but I expect the answer to the former letter. On the back a photograph of our trench. Greeting also  [?] all yours, Gustav - Russia, July 17, 1915.}","Text in German: Front: Erhielt heute von der Lieder- | tafel 50 Cigarren und Schoko- | lade sonst alles hier noch in | bester Ordnung und noch gesund | sonst nichts neues, die Zeitungen || habe ich bis jetzt noch immer | alle erhalten. Back: [stamp:] Beförderung zugelas[sen.] | 11. Komp. Landw. Inf. Regt. Nr. 5 || [ms.:] Feldpostkarte. | Frau Malermstr | Klemp | Podgorz b. Thorn | Marktstr. 11. || Russland d. 21. 7. 15. | Liebe Martha! | Könntest Du mir nicht den | Gummiball der sich bei | Schlösser befinden soll mal | mitschicken ich möchte ihn | gern haben Du weißt doch den | zum photographieren. Auch | wieder 50 Stck Celloidin Post- | karten (matt) Es grüßt [?] herzlichst Dein Gustav","Text in English: Front: {Today I received 50 cigars and chocolate from the choral society. Everything else here is in the best order and still healthy. Otherwise nothing new, I have received all the newspapers.} Back: {[stamp:] Delivery permitted. 11th Company Landwehr Infantry Regiment No. 5 - K. D. Military postal services delivery May, 14, 1916. 9-10 am of 11th Landwehr Division [ms.:] Military services postcard Mrs. Martha Klemp, Podgórz near Toruń, Market street 11. - Russia, July 21, 1915 Dear Martha! Could you please send me the rubber ball, likely located at Schlösser's. You know, the one I need for photographs. Also, again, 50 pieces Celloidin printing-out postcards (matt) Greetings [?] from your Gustav}","Text in German: Front: Habe von Julek auch eine solche | Aufnahme gemacht habe [?] | eins nicht so viel Kart[en] | er will noch einige Bilder | schickt auch ein ander [?] || Bild an die Liedertafel welche mir | Zigarren und Schokolade schickte. || Karl schrieb schon lange nicht mehr | werde gelegentlich ihm eine Karte schicken Back: [ms:] Feldpostkarte | Frau | Malermstr. K[lemp] | Podgorz - Thorn | Marktstr 11. || Rußland 27. 7. 15. | Liebe Martha! | Erhielt heute Deine Karte und | möchte fragen ob Du die Karten | schon abgeschickt hast möchte sie | gern bald haben da ich noch paar | Bilder zu machen habe. Deinen | Brief erhielt ich [?] hatte grade | an Dich ein [?]lt. Sonst | [?]t noch a[?] [?]rden | [w]ohl bald [?] grüßt | Euch alle herz[?] Gustav || [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5","Text in English: Front: {I also took a similar picture of Julek [?] one not so many cards, he wants some more pictures. I also sent another picture to the choral society which sent me cigars and chocolate. Karl hasn't written for a long time, I will occasionally send him a card.} Back: {Military service postcard Mrs. Master Painter Klemp, Podgórz - Toruń, Market street 11. - Russia July 27, 1915 Dear Martha! I received your card today and would like to ask if you have already sent the cards. I would like to have them soon because I will have to print a few pictures. I got your letter I received [?] I just sent you a [?]. Otherwise, [?] soon [?] greetings to all of you. Kind [regards] Gustav || [stamp:] Carriage permitted. | 11th Company Landwehr Infantry Regiment. No. 5}","Text in German: Front: Diese photogr. Karten heb man | alle auf es ist immer für später eine | Erinnerung || Denkst der Julek hat sich nicht | stolz hingestellt bald so [wie] ein | Schlachtenführer. Sonst geht es | hier noch so weiter. Back: [ms.] Feldpostkarte | Frau | Malermstr. Klemp | Podgorz b. Thorn | Marktstr. 11. || Rußland den 9. 8. 15. | Liebe Martha! | Heute am 9. erhielt ich das Paket mit | den Eiern aber konnte keines mehr | brauchen denn sie waren alle schlecht. | Schickt mir nicht mehr welche. Aber eine | Bitte hätte ich noch, Du möchtest mir doch | einen \"Aquarellkasten\" aber nicht | mit Tuben sondern den 4 eckigen Wür- | feln höchsten für 5 Mark kaufen | oder von jemand aus Thorn bringen | lassen wenn Du nicht Zeit hast. | Du bekommst ihn bei Buchhändler | Schulz Elisabethstr. Also weißt Bescheid. | Herzl. Gruß Dein Gustav || [stamp:] Brief-Stempel | Landwehr-Infanterie-Regiment Nr. 5 | III. Bataillon","Text in English: Front: {Please keep all these photographic cards - they are a memento for later. Don't you think that Julek presents himself as proudly as a battle leader. Otherwise, everything is still the same.} Back: {Military service postcard. Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11 - Russia August, 9 1915 - Dear Martha! Today on the 9th I received the package with the eggs, but I could not eat them because they were all rotten. Please don't send any more eggs. But I still have a wish, could you buy me a \"watercolor box\" but not with tubes but with four-cornered cubes, at most for 5 marks, or ask somebody to buy it in Thorn if you don't have time. You can get it at Bookseller Schulz, Elisabeth street. So, now you know. Best regards, yours Gustav [stamp:] letter stamp | Landwehr Infantry Regiment No. 5, III. battalion}","Text in German: Front: ... Kunstverlagsanstalt ... | G. Stalling, Oldenburg i/Gr. [Großherzogtum] || Nicola Perscheid | ... Hofphot. Berlin ... | Immer weiter vorwärts für | Kaiser und Reich! | von Hindenburg | General-Feldmarschall. Back: [print:] [Her]ausgegeben | zum Besten | des Deutschen | Vereins für | Sanitätshunde [recte: Sanitätskunde] | Oldenburg i/O. || Wohlfahrts- | [ms:] Feld- [print:] Postkarte || [ms:] An | Frau Malermstr. | Klemp | Podgorz b Thorn | Marktstr. 11. || Rußl. den 18. 8. 15 | Liebe Martha! | Sei doch so gut und schick | mir nun wieder nach | Empfang dieser Karte | Hemd und Unterhose es | ist nun mit diesen Sachen | nicht mehr viel anzufan- | gen es kőnnen aber schon | etwas wärmere sein. Sonst | geht es noch so leidlich Hoffentl. | bei Euch auch Es grüßt Dich und | die Kinder Herzl. Dein Gustav || [stamp:] Brief-Stempel | Landwehr-Infanterie-Regiment Nr. 5 | III. Bataillon","Text in English: Front: {Art publishing house G. Stalling, Oldenburg (in the Grand Duchy of Oldenburg) - Nicola Perscheid, photographer of the Emperial court, Berlin - Always forward for Emperor and Reich! von Hindenburg, General Field Marshall} Back: {Issued for the benefit of the German Association for Medical Science, Oldenburg in Oldenburg - Welfare military service postcard - To Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11 - Russia, August 18, 1915 - Dear Martha! Be so good and send me again, after you receive this card, shirt and underpants. The ones I have here are not of much use anymore. It could already be the warmer ones. Otherwise is it still tolerable. Hopefully with you too. Greetings to you and the children. Kind regards, Yours Gustav [stamp:] Letter stamp, Landwehr Infantry Regiment No. 5, III. Bataillon}","Text in German: Back: Rußland, 27. 8. 15. | Lieber Bruder! | [?] D[?] ich [?]sen | [?] vorangenblen | []ert's von Brestletowsk | sind. | Mit Gruß | Bruno.","Text in English: Back: {Russia, August, 27, 1915 Dear brother! [?] ahead from Brest are. With regards, Bruno.}","Klemp is seated in the front left of the image marked by an \"x\" on his chest","Text in German: Front: v. HINDENBURG | ERBAUT von der 9. KOMP. LDE. INF. RGT. 5 | 1914-15 | IMMER WEITER VORWÄRTS FÜR KAISER UND REICH!","Text in English: Front: {v. Hindenburg - built by the 9th Company Landwehr Infantry Regiment 5, 1914-15 - Always forward for Emperor and Empire!}","Text in German: Bei der Entlausung 25. I. 16.","Text in English: {Delousing January 25, 1916}","Text in German: Front: Schreiben Sie bald mal wieder | an mich. | I. Batl. Ldw. Fs. Art Batl 28 | 8 Armee 109 I. D. Osten Back: [stamp:] K. D. Feldpostexped | 15. 4. 16. 9-10 V | d. 109. Infanterie-Div. || [ms.:] Feldpost | Gefreiter | Gustav Klemp | 11 Comp. III Batl. | Ldw. Inft. Regt No 5 | I Armeekorps | 8. Armee | 11. Ldw. Division | 70. Ldw. Inft Brigade || [stamp:] Batterie Landw.-Fussartl.-Batl. No. 28 | Brief-Stempel || [ms.:] 14/4. 16. | Lieber Klemp, | Anbei eine Aufnahme | mit meinem Heini. | Meine Frau schreibt, Sie | wollen auf Urlaub | fahren. Im Mai werde | ich wahrscheinlich Urlaub | bekommen. Vielleicht | trifft unser beider Urlaub | zusammen. Sonst | gehts gut, wenn die | Grütze auch manchmal | nicht schmeckt. Es | grüßt bestens Schlösser","Text in English: Front: {Please write me again soon. Ist Battalion Landwehr Fuss Artillery Battalion 28 8th Army 109 Infantry Division East} Back: {[stamp:] K. D. Military postal services delivery April 15, 1916. 9-10 am 109 Infantry Division [ms.:] Military services mail - Private Gustav Klemp, 11th Company IIIrd Battalion Landwehr Infantery Regiment No. 5, Ist Army Corps 8th Army 11th Landwehr Division 70th Landwehr Infantry Brigade [stamp:] Battery Landwehr-Fuss Artillery-Battalion No. 28, letter stamp [ms.:] April 14, 1916. Dear Klemp, on the back you see me with my Heini. My wife wrote that you want to go on leave. In May I will probably get leave. Maybe we can meet during of our leave. Otherwise, I am fine, even if the groat sometimes does not agree with me. Best wishes, Schlösser}","Text in German: Front: [print:] LIDA | Wilnaer Strasse | [ms.:] Gefr. Klemp 11 Komp. L I. R 5. 11 Ldw. Div. Back: [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5 || K. D. Feldpostexped | 14. 5. 16. 9-10 V | der 11. Landw-Div. | [ms.:] Feldpostkarte | Frau | Martha Klemp | Podgorz b. Thorn | Marktstr 11. || [print:] Georg Stillke, Berlin NW. 7 || [ms.:] Lida den 12 5. 16. | Liebe Martha! | Bin 2 Tage in Lida gewesen | um Besorgungen zu machen | Es geht in der Stadt auch | alles seinen Alten Gang | und ist kein Krieg zu hören | wie zu sehen. Sonst alles | gesund |Es grüßt herzlichst | Dein Gustav","Text in English: Front: {Lida, Vilnius street - Private Klemp 11 Company Landwehr Infantry Regiment 5. 11 Landwehr Division} Back: {[stamp:] Delivery permitted. 11th Company Landwehr Infantry Regiment No. 5 - K. D. Military postal services delivery May, 14, 1916. 9-10 am of 11th Landwehr Division | [ms.:] Military services postcard Mrs. Martha Klemp, Podgórz near Toruń, Market street 11. - [print:] Georg Stillke, Berlin North West 7 - [ms.:] Lida, May 12, 1916. Dear Martha! I have been in Lida for 2 days to run errands. Everything as usual in the city, and there is no war to be heard and seen. Everybody else is healthy. Best regards, Yours, Gustav}","Text in German: Back: [stamp:] Beförderung [zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5] || K. D. Feldpostexped | 22. 7. 16. 9-10 V | der 11. Landw-Div. | [ms.:] Feldpostkarte | An | Frau Marlermstr Klemp | Podgorz b. Thorn | Marktstr 11. || [ms.:] Abs. Gefr Klemp | 11. Komp. L. I. R. 5. | 11. L-D. | im Osten. || Rußl. den 19. 7. 16. | Liebe Martha! | Das letzte Paket erhielt ich auch | Diese Wurst war aber schön die vorige | nicht (wie Gummi.) Deinen Brief hab | ich Dir wohl schon beantwortet. Kannst | Du mir nicht gelegentl. 1/2 mtr Gase [Gaze] her- | schicken. Denn es sind hier so viele Mücken | hauptsächlich nachts daß man nicht | schlafen kann. Wie geht es Euch alles | gesund? Habe mir wieder paar Bilder | machen lassen, sonst ist noch alles beim | Alten. Richard ist ja nun auch noch in | Thorn oder nicht mehr war es schon bei | Euch? Es grüßt Dich herzlichst Dein | Gustav | Gruß Elschen u Willi.","Text in English: Back: {[stamp:] Delivery [permitted. 11th Company Landwehr Infantry Regiment No. 5] - K. D. Military postal services delivery July, 22, 1916. 9-10 am of 11th Landwehr Division | [ms.:] Military services postcard To Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11. - Sender Private Klemp 11th Company Landwehr Infantry Regiment 5. 11th Landwehr-Division in the East. - Russia, July 19, 1916 Dear Martha! I also received the last package. This sausage was good, the previous one not (like rubber.) I have received your letter and I have already answered it. Could you please send me 1/2 Meter gauze. There are so many mosquitoes here, mainly at night so that I cannot sleep. How are you all, are you healthy? I have printed a few more pictures, otherwise everything is still the same. Richard is now also in Toruń, or not any more -  did he visit you? I am sending my sincerest regards, yours, Gustav - Greetings to little Else and Willi.}","Klemp is marked by an \"x\" on his chest.","Text in German: Back: [ms:] Feldpostkarte! | Frau | Malermstr Klemp | Podgorz - Thorn | Marktstr 11. || Reg. Gefr Klemp 11. Kanz L. I. R 5. 11. L-D | im Osten || Rußl. 22. J. 16. | Liebe Martha! | Daß Paket erhalten besten | Dank. schreibe Dir bald im | Brief näheres. Umstehend | eine Ansicht von unserem | Waldlager mit den Hütten, | darin wir wohnen. | Herzlichsten Gruß | Gustav. || [postmark:] K. O. Feldpostexp.| 24. 7. 16. 9-10 V | der 11. Landw. Div. [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5","Text in English: Back: {Military service postcard! Mrs. Master Painter Klemp, Podgórz - Toruń, Market street 11. - Reg. Private Klemp 11. Kanz. Landwehr Infantry Regiment 5. 11th Landwehr-Division, in the east - Russia. July 22, 1916. Dear Martha! I have recieved the package, many thanks. I will write more soon in a letter to you. On the back side you see our camp in the forest with the huts, in which we live. Kindest regards, Gustav. [postmark:] K. O. Military posatal service expedition July 24, 1916. 9-10 am, of the 11th Landwehr Division. [stamp:] Carriage permitted. 11th Company Landwehr Infantry Regiment. No. 5}","Text in German: Front: Geschäftszimmer | III. Batl. | Landw. Inf. Regt. 21 Back: [ms:] Abs. Tdef. Bergau, L.-I.-R. 21. 85 L.-D. | Stab III. B. || An Gefr. [?] [Kle]mp | L.-I.[?] | 11. Komp. [?] || 25. 7. 16. | Mein liebes Junggchen! Für Deine Aufnahme sage ich Dir | besten Dank. Du bist bestens getroffen. Augenblick- | lich liegen wir bei L.-I.-R. 6. Vielleicht ist es möglich, | daß wir mal telef. sprechen [?] umgehend, | wo ich Dich erreichen [?] ich Dir ebenfalls | eine Aufnahme von [?] rausfinden | wirst, das ist eine an [?] uche mal Br. Schl. | soll, wie er mir schrieb, [?], liegt aber augen- | blicklich im Thorner Lazarett. Sonst alles beim alten. | Mit frdl. Gruß Dein alter Kinder Gust. | [?] August nach Rußland. Gruß. || [postmark:] K[?] | 25. 7. 16. 4-5 N | d. 3. Land[?] [stamp:] Brief-Stempel | Kgl. 11. Komp. Landw. Inf.- Regt Nr. 21","Text in English: Front: {Office, 3rd Bataillon, Landwehr Infantry Regiment 21} Back: {Sender: Tdef. Bergau, Landwehr-Infantry-Regiment 21. 85 L.-D. Staff III. Bataillon - To Private Klemp. Landwehr-Infantry [?] | 11th comp. [?] - July 25, 1916 - My dear little boy! Many thanks for your picture. You are depicted accurately. Right now, we are at Landwehr-Infantry-Regiment 6. Perhaps it is possible that we can talk on the phone. [Let me know] immediately, where I can reach you. [I will] also find a picture of [you] will, that's an[other ?] meet Br. Schl., who is, as he wrote to me, [?] but is currently in the Thorn military hospital. Otherwise everything is the same. Kind regards, your old kid Gust. [?] August to Russia. Greetings. [postmark:] K[?] July 25 1916. 4-5 pm Landwehr [?] [stamp:] Letter stamp, Royal 11th Company Landwehr Infantry Regiment No. 21}","Text in German: Back: [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5 || K. D. Feldpostexped | 27. 7. 16. 9-10 V | der 11. Landw-Div. | [ms.:] Feldpostkarte! | Frau | Marlermstr Klemp | Podgorz - Thorn | Marktstr 11. || [ms.:] Gefr. Klemp 11. Komp. L. I. R. 5. 11. L.-D. im Osten || Rußl 25. J. 16. | Liebe Martha! | Erhielt Deine Karte und muß | Dir mitteilen daß ich Dir längst | wieder mal schrieb und Du doch die | Post inzwischen erhalten haben | wirst. Mutter schrieb mir auch | gestern, ebenfalls Max. Sonst | noch alles beim Alten. Es grüßt | Dich herzlichst Gustav | Gruß Elsken u[nd] Willy","Text in English: Back: {[stamp:] Delivery permitted. 11th Company Landwehr Infantry Regiment No. 5 - K. D. Military postal services delivery July, 27, 1916. 9-10 am of 11th Landwehr Division | [ms.:] Military services postcard! Mrs. Master Painter Klemp, Podgórz-Toruń, Market street 11. - Private Klemp 11th Company Landwehr Infantry Regiment 5. 11th Landwehr-Division in the East - Russia J[uly] 25, 1916. Dear Martha! I have received your card and I let you know that I have written again some time ago, you should have gotten the mail meanwhile. Mother also wrote to me yesterday, also Max. Otherwise, everything is still the same. Best regards, Gustav - Greetings to little Else and Willy}","Text in German: Front: [print:] Russische Kirche, Brest Litowsk | [ms:] Russia | Gefr. Klemp 11. Prinz. L. I. R. 5. Osten Back: [print:] Herausgegeben von der Feldbuchhandlung der Bug-Armee || [ms:] Feldpostkarte! | Frau Martha Klemp | Podgorz. Thorn | Marktstr. 11. || Osten 26. 9. 16. | Liebe Martha! | Einen herzl. Gruß | und die Mitteilung | daß ich [noch] gesund und | m[unter bi]n. | H[?] allen | Dein Gustav || [postmark:] K. II. Feldpoststation | 27. 9. 16 5-6 N | [?] 191 [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5","Text in English: Front: {Russian Church, Brest Litovsk, Russia - Private Klemp 11th Prince Landwehr Infantry Regiment 5. East} Back: {Published by the field bookstore of the Army of the Bug - Military service postcard! - Ms. Martha Klemp, Podgórz, Toruń, Market street 11. - East, September 26, 1916. Dear Martha! Kind regards to you, with the message that I am healthy and fit. Yours Gustav [postmark:] K. II. Feldpoststation, September 27. 1916 5-6 pm [?] 191 [stamp:] Carriage permitted. 11th Company Landwehr Infantry Regiment No. 5}","The city of Brest-Livosk was considered part of Poland from the end of WWI until the annexation by Russia following the end of WWII. Brest Litovsk is known today as Brest, Belarus, following the breakup of the USSR in 1991.","Text in German: Front: [print] Baranowitschi Russische Kirche | [ms] Russia | Abs. Gust. Klemp | 11, L.-I.-R 5. | Feldpost: Sation 219 | Osten Back: [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5 || K. D. Feldpoststation | 22. 9. 16. 6-7 N | Nr 219 || [ms.] Feldpostkarte! || Frau | Martha Kl[emp] | Podgorz - Thorn | Marktstr. 11 || Rußl. 22. Sept. 16. | Liebe Martha! | Habe Deinen letzten Brief | und auch die Karte erhalten | besten Dank. Dir geht es nach | Deinem Schreiben dann noch so | einigermaßen. Wir sind schon | wieder weiter und änderte | sich unsere Adresse schon wieder. | Sonst noch all[es] [?]. Wenn sie zu | Hause so [?] [?]lten könnten | sie Dir [?] [?]ut ein Teil ab- | geben. D[?] sch[?]n sie Du an Rich. | oder Bruno. Herzl. Gruß Dein Gustav","Text in English: Front: {Baranavichy, Russian church. Russia, Sender: Gustav Klemp, 11, Landwehr-Infantry-Regiment 5, Military postal service 219, East} Back: {[stamp:] Delivery permitted. 11th Company Landwehr Infantry Regiment No. 5. K. D. Military services postal station, September 22, 1916, 6-7 pm, No. 219 [ms.] Military service postcard! - Mrs. Martha Klemp Podgórz - Toruń Market street 11 - Russia, September 22, 1916 - Dear Martha! Got your last letter and also the card, thank you very much. You are still okay, according to your letter. We have already moved on and our address has changed again. Everything else [?]. If they at home so [?] they [?] share a part of it with you. [?] you to Richard or Bruno. Best regards, yours Gustav}","Text in German and Hungarian: Front: Debreczen Pályaudvar Back: [print:] LEVELEZŐ-LAP || 54 sz. - 1916 Vasuti levelezőlapárusitás, Budapest, V., Kádár-utcza 4. || 206233 [ms:] Feldpostkarte! | Frau | Martha Klemp | Podgorz - Thorn | Marktstr 11 || 11. 12. 16. | Liebe Martha! | Sende Dir die herzl. | Grüße, habe noch | keine Nachricht von | Dir. Hast Du schon mit | Vater gesprochen? | Gruß Dein Gustav || [postmark:] K. D. Feldpostexped. | 11. 12. 16 4-5 N | a | d. 218 Infanterie-Div. [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5","Text in English: Front: {Debrecen Railway Station} Back: {Corresponce card no. 54 - 1916 Railway postcard sales, Budapest V., Kádár street 4. 206233 - Military service postcard! - Mrs. Martha Klemp, Podgórz - Toruń, Market street 11 - December 11, 1916 Dear Martha! I am sending you kindest regards, I still have don't have a message from you. Have you already talked with father? Regards, yours Gustav [postmark:] K.D. Military postal services delivery December 11, 1916 4-5 pm, a, 218th Infantry Division [stamp:] Carriage permitted, 11th Company Landwehr Infantry Regiment No. 5}","Text in German: Back: D. 31/5. 17. | L[iebe] Schwester | muß doch wieder mall | ein Lebenszeichen von | mit geben, und zugleich | ein Bild mit schicken | es ist eins aus meiner | Reihestellung. Sonst | geht es mir so leidlich | was ich auch von Dir hoffe | Lebes das essen selt setzt | Ich bin jetzt Waffenmeister | aber es muß auch so gehen | Was macht Gustav schreibe | mir doch sei[?] [?]rt. Was | macht der [?] es | Schreibe an [?]all | Sei Herzlich Gegrüßt Dein Bruder | Max","Text in English: Back: {May 31, 1917. Dear sister, I have to send you a sign of life, and also send a picture. It's one from my [?]. Otherwise,  I feel not too bad, and I hope you too. [?]. I am now a weapon master,  but it has to work out. What is Gustav doing? Please give me his [?] Write to [?] Best regards, your brother Max}","Text in German: Front: Ltn. Back | gef. 24. 7. 17.","Text in English: Front: {Lieutenant Back, killed in action July 24, 1917}","Text in German and Hungarian: Front: Kronstadt Back: [print:] BRASSÓ - KRONSTADT - BRAŞOV | Kapu Boglárszeg felt || Vasuti levelezőlapárusitás, Budapest, V. Kádár-utca 4 || 20221 || [ms:] Feldpostkarte | Frau | Martha K[lemp] | Podgorz - Thorn | Marktstr 11. || 3. 12. 17. | Liebe Martha! | gestern Montag 10 Uhr | kamen wir in Kronstadt | an, hatten guten Anschluß | Um 1 Uhr gehts weiter. | Alles [?]ter brieflich | Herz[?] Dein Gustav || Sanit.-Untffz Klem[p] | 10. Re[?] 5 III Btl || [postmark:] Deutsche Feldpost | 4. 12. 17 11-12 V | [?] [stamp:] Kronstadt | Brief- | stempel","Text in English: Front: {Brașov} Back: {BRASSÓ - KRONSTADT - BRAŞOV, Gate towards Boglárszeg, Railway postcard sales, Budapest V., Kádár street 4 - 20221 - Military service postcard - Mrs. Martha K[lemp], Podgórz - Toruń, Market street 11 - December 3, 1917. Dear Martha! We arrived in Braşov yesterday, Monday, at 10 o'clock, had good a train connection. At 1 o'clock we will continue. More by letter. Kind [regards,] Yours Gustav - Medical services corporal Klemp. 10th Regiment [?] 5 III bataillon [postmark:] German military service, December 4, 1917 11-12 am [stamp:] Braşov, letter-stamp}","Text in German: Front: Weihnacht 1917. Back: Diese Aufnahme machten wir [?] | Weihnachten als Probe sie ist gut | geworden, dagegen die Weihnachtsauf- | nahme wurde nichts das war ja schade | so hab ich wenigsten[s] dies | Gruß Gustav","Text in English: Front: {Christmas 1917} Back: {We took this picture Christmas as a test. It turned out well, on the other hand, [other?] Christmas photos were not good, that was a pity, so I have at least this. Greetings Gustav}","Klemp is seated furthest on the right and marked by an \"x\" to the right of his head.","Text in German: Back: Altes rumänisches | Wohnhaus am Berg- | abhange in China Tal | nördl. Soveja. | 15. I. 18.","Text in English: Back: {Old Romanian house on the mountain slopes in China Valley, north of Soveja. January 15, 1918}","Text in German: Front: Unterstand hinter der Stellung | am Berge Ravetasi 800 m. | 18. II 18.","Text in English: Front: {Shelter behind the lines at mount Ravetasi (800 m), February 18, 1918}","Klemp is standing on the right.","Text in German: Front: Rumania | Die besten Grüße aus | Rumänien | Gustav | 26. II. 18","Text in English: Front: {Romania - Best regards from Romania, Gustav February, 26, 1918}","Text in German: Front: Vom Untffz Klemp | 10. Komp. L..- I. R. 5. Back: [ms.] Feldpostkarte! | Frau | Martha Klemp | [Pod]gorz - Thorn | Marktstr. 11. || Rumaiv. den 4. [3. 1]8. | Liebe Martha! | Teile mit daß noch alles | wohl und ich wohl bald | Deinen Brief hier haben | werde warte schon sehr. | herzl. Gruß | Gustav || [postmark:] [?] Feldpost | 5. 3. 18 9-10 N","Text in English: Front: {From Corporal Klemp, 10th Company Landwehr Infantry Regiment 5} Back: {[ms.] Military service postcard! - Mrs. Martha Klemp, Podgórz - Toruń, Market street 11. - Rumaiv, March 4, 1918. Dear Martha! let you know that everything is fine well and that I will soon have your letter here. I am very much waiting for it. Best regards, Gustav [postmark:] [?] military postal service March 5. 1918 9-10 pm}","Text in German: Front: In Stellung auf dem Ravetasi am | 5. März 18. | Lt. Revosetewitz | 10. L. 5.","Text in English: Front: {In position on Mount Ravetasi on March 5, 1918 Lieutenant Revosetewitz 10. Landwehr 5.}","Text in German: Back: [ms:] Feldpost | San. Untffz. | Gustav Klemp | Landw Inf. Regt No 5. | III Bataillon | 10 Comp. || 11. 3. 18 | Lieber Freund! | Umstehend eine | Ansicht unserer Schreib- | stube. Klein aber fein | was? | Nun wird hier auch | so langsam Frühling. | Wie gehts u. wo steckt | Ihr | Schönen Gruß an | Treuer Freund Bruno || Abs. O. Gefr. Schlösser | s. 15 cm Kan. Bttr. No. 16 | Dtsche Feldpost 240 [postmark:] Deutsche Feldpost | 12. 3. 18 [stamp:] S. B. | s. 15 cm K. Battr. 16","Text in English: Back: {Military postal service - Medical services, Corporal Gustav Klemp Landwehr, Infantry Regiment no. 5, Third bataillon, 10th company - March 11, 1918 Dear friend! On the back you'll see our office. Small but mighty, isnt it? Now, finally spring starts. How are you and where are you. Greetings, your loyal friend Bruno - Sender: Private first class Schlösser, s. 15 cm Kan. Bttr. No. 16, German military postal service 240 [postmark:] German military postal service, March 12, 1918 [stamp:] S.B.|s. 15 cm K. Battr. 16}","Text in German: Front: Soldatenheim II Bukarest | Sanit. Untffz Klemp | 10. R. L. I. R. 5:  Back: [ms:] Feld- [print:] POSTKARTE | Soldatenheim II Cöln | Bukarest || M. Helbing || [ms:] Frau | Martha Klemp | Podgorz - Thorn | W. Pr. [Westpreußen]| Marktstr. 11. || Bukarest, den 11. 5. 18. | Liebe Martha! | Bin 2 Tage in Bukarest | und seh mir auch hier | mal die Stadt an, es | ist ja Ende was noch sehr | viel zu kriegen nur sehr | teuer am 13. fahr ich wieder | zurück nach Giurgiu werde Dir | später näheres mitteilen. | [ge]ht alles gut. Herzl. Gruß | Dein Gustav || [postmark:] Deutsche Feldpost | 11. 5. 18 4-5 [stamp:] Deutsches Soldaten[he]i[m]. | Feldp. | 808.","Text in English: Front: {Soldiers' quarter II Bucharest, Medical officer Klemp, } Back: {Military postcard - Soldiers' Quarter II Cöln, Bucharest - M. Helbing - Mrs. Martha Klemp, Podgórz - Toruń, West Prussia, Market street 11. - Bucharest, May, 11, 1918 - Dear Martha! For 2 days I am in Bucharest and do some sightseeing. There are still some goods available, but very expensive. On the 13th I'll go back to Giurgiu. I will write you more later. Everything goes well. Best regards, Yours Gustav [postmark:] German Military Service, May 11, 1918 4-5 [stamp:] German Soldiers' Quarter. Field Post Office 808}","Text in German: Front: Immer feste | auf die Weste. Back: [postmark:] Kais. Deutsche Feld[post] | 14. 5. | [stamp:] S. B. | s. 15 cm K. Battr. 16 | [ms.:] Feldpost | San. Untffz. Gus[tav Klem]p | 10. Komp Ld[w] [?] No 5 || Abs. O. Gefr. Schlösser | s. 15 cm Kan. Bttr. No. 16 || 14. 5. 18 | Lieber Gustav! | Schönen Dank für Deine | Karte vom 3. III. 18 | Auch [?] alles ruhig, | ab[er] [?] komms | D[?] Sitz | Ihr [?] dort? | En[?] des | Pfi[?] [?]ünscht | Dir Dein Freund | Bruno. | Wann gedenkst Du wieder | Urlaub zu bekommen?","Text in English: Front: {Always hard on the vest = Hit them as hard as you can} Back: {[postmark:] Imperial German military postal servive, May 14 [stamp:] S. B. s. 15 cm K. Battr. 16 [ms.:] Military postal service - Medical services, Corporal Gustav Klemp, 10th company Landwehr [Infantry Regiment] no. 5 - Sender: Private first class Schlösser, s. 15 cm Kan. Bttr. No. 16 - May 14, 1918 Dear Gustav! Thank you very for your card of March 3, 1918. Also [?] everything quiet, but  [?] it comes D[?] place your [?] there? [?] of the [?] wishes you, your friend, Bruno. When do you think you get leave again?}","Front: {Always hard on the vest = Hit them as hard as you can} Back: {[postmark:] Imperial German military postal servive, May 14 [stamp:] S. B. s. 15 cm K. Battr. 16 [ms.:] Military postal service - Medical services, Corporal Gustav Klemp, 10th company Landwehr [Infantry Regiment] no. 5 - Sender: Private first class Schlösser, s. 15 cm Kan. Bttr. No. 16 - May 14, 1918 Dear Gustav! Thank you very for your card of March 3, 1918. Also [?] everything quiet, but  [?] it comes D[?] place your [?] there? [?] of the [?] wishes you, your friend, Bruno. When do you think you get leave again?}","Text in German: Back: [print:] Cellofix - Postkarte | D. R. P. Nr. 176323 || [ms:] Feldpost | Herrn | San. Uffz. | Gustav Klemp | Ldw. Inf. Regt No 5. | 10. Komp || Abs. O. Gef. Schlösser | s. 15 cm Kan. Bttr. No 16 | D. F. P. 189 | Lieber Gustav. Schönen Dank für | Deine Karte vom 22. 6, auf der Du | sehr gut getroffen bist. Wie kommt | es, daß Du noch nicht Sergeant bist. | 5 1/2 Jahre mußt Du doch schon | herumhaben. Vieleicht treffen | wir uns diesmal im Podgorz. Wann | fährst Du. Schönen Gruß Bruno || [postmark:] Deutsche Feldpost | 11. 7. 18 8-9 V [stamp:] S. B. | s. 15 cm K. Battr. 16","Text in English: Back: {Cellofix Postcard D. R. P. [German Reich Patent] No 176323 - Military postal service, Mr. Medical Officer Gustav Klemp, Landwehr Infantry Regiment No 5, 10th Company - Sender: Private first class Schlösser, s. 15 cm can. Bttr. No 16, German military postal service 189 - Dear Gustav. Many thanks for your card from June 22, you are depicted very well. How come that you are not a sergeant yet. You must have been served 5 1/2 years already. Maybe we will meet in Podgorz this time. When are you going. Best regards, Bruno [postmark:] German military service, July 11, 1918 8-9 am [stamp:] S. B. | s. 15 cm K. Battr. 16}","Cellofix was a paper used for printing photographs - advertisement in newspapers starting 1907.","Text in German: Front: Balesti 23. 11. 18 Back: Erinnerung an Balesti | 23. 11. 18.","Text in English: Front: {Băleşti, November 23, 1918} Back: {In memory of Băleşti, November 23, 1918}","Text in German: am 6. 6. 18 | erhalten.","Text in English: received June 6, 1918[.]","Text in German: Front: Unteroffizier-Corps 12/176 | Gruppe 1910 | 1033.100 Back: [print:] Nachbestellung dieser Karte jederzeit unter | Angabe der Nummer auf der Bildseite. || Photogr. Atelier Bruno Simon, Graudenz, Lindenstr. 30 | neben der kgl. Kommandantur. - Telefon Nr. 244 | Filiale: Truppen-Uebungspl. Gruppe. || [ms:] Familie | G. Klemp | in Podgorz | bei Thorn || Gruppe den 25. 8. IV. | Hier gehts uns gut | wünsche ein gleiches | von Euch. Wir reisen heute nach Danzig | Viele herzl. Grüße | Kerl || [postmark:] DANZIG | 26. 8. 19 5-6 N [stamp:] 5 [Pfennig] Deutsches Reich","Text in English: Front: {Corporal corps 12/176, Grupa, 1910 - 1033.100} Back: {[print:] Reorder this card at any time referring to the number on the picture side. - Photographic Studio Bruno Simon, Graudenz [Grudziądz], Linden Street 30, next to the royal commander's office. - Telephone No. 244 - Branch: military training area, Gruppe [Grupa].  [ms:] To family G. Klemp in Podgórz near Toruń - Gruppe, 25. 8. IV.  We are well here, wish a same of you. Today we will travel to Danzig [Gdansk]. Best regards, Kerl - [postmark:] GDANSK August 26, 1919, 5-6 pm [stamp:] 5 [Pfennig] German Reich}","Text in German: Front: 2. Komp. Inf. Rgts. 5 Stellin 1. Mai 1922 Back: [stamp:] Foto-Atelier Gebr. Herzberg Stettin, Schulzenstr. 30-3 [cut off]","Text in English: Front: {2nd company infantry corps 5 - May 1, 1922} Back: {Photo studio Bros. Herzberg, Stettin [Szczecin] Schulzen street 30-3}","Text in German: Front: M v Buddenbrock. 1911 9. Back: Solche alte Bauernhäuser giebt [es] wohl | nicht bei Euch. Kennst Du es noch | lieber Erwin? Es ist das Delfsike | Haus an der Chausse nach Kosdorf.","Text in English: Front: M. von Buddenbrock 1911 September Back: Such old farmhouses probably do not exist near you. Do you still remember it dear Erwin? It is the Delfsike house on the road to Kosdorf.","Text in German: Front: Wer weiss ob wir | uns wiederseh'n. | G. Klemp | 6.06.","Text in English: Front: Who knows if we would see us again . G. Klemp, June 6","Text in German: Front: Klemp u. Bunn.","Text in English: Front: Klemp and Bunn","Text in German: Back: [print:] Feldpostkarte | Aufgabestempel | Meine Adresse ist: || [ms.:] Frau Malermstr. Klemp | Podgorz b Thorn | Marktstr. 11. | Gruß aus dem | Unterstand. Gustav ","Text in English: Back: [print:] Postcard, militatry postal service - postmark - My address is: - [ms.:] Mrs. Master painter Klemp | Podgórz near Thorn - Market street 11. - Greetings from the shelter. Gustav","Text in German: Front: Dorfstrasse in Kapice. | vor Ossowiec. | 21. VI. 15.","Text in English: Front: Village road in Kapice,  near Ossowiec [Osówiec], June 21, 1915","Text in German: Front: Weg zum Batl. Stab III L. 5  5 klm nördl. Girucu | und Sanit. Unterstand 30 m. rechts vom Wege ","Text in English: Front: Path to Bataillon staff III L. 5, 5 km north of Girucu, and medical corps shelter, 30 m on the right of the path","Text in German: Back: [print:] Postkarte [ms:] Frau Martha Klemp | Podgorz b. Thorn | Marktstr 11 || Przydwoly [?] Rußl. 9. 3. 15. | Liebe Martha! | Habe Dir hier auf einer kleinen | Zeichnung unsere Wohnung | im Walde [gezeichnet] wir sind hier | immer 3 Tage und Nächte auf | Wache und rücken dann | wieder zurück auf 2 Tage ins | Dorf. Bis jetzt gehts ja noch | so leidlich nur ist es jetzt sehr | kalt es sind heute 18 Grad. | Es grüßt Dich herzl. D. Gustav","Text in English: Back: [print:] Postcard [ms:] Mrs. Martha Klemp Podgórz near Thorn, Market street 11 - Przydwoly [?] Russia. March 9, 1915. Dear Martha! This little drawing shows our dwelling in the forest. We are here on guard for 3 days and nights and then move back to the village for 2 days. So far it is still passable but it is cold today, [minus] 18 degrees [Celsius] My best regards to you. Yours, Gustav","Text in German: Front: Der Feldbarbier. 12. VII. 15","Text in English: Front: The barber at the front, July 12, 1915","Text in German: Front: Russia | Alte u. neue kath. Kirche in Lipsk. Russl. 30. 8. 15. | G. K.","Text in English: Front: Russia - Old and new catholic church in Lipsk, Russia August 30, 1915, G[ustav] K[lemp]","Text in German: Front: Waldlager in Galizien | 25. 9. 15","Text in English: Front: Forest camp in Galicia, September 25, 1915","Text in German: Front: 3. II 16 | Judenmädchen | russ. Polen. | A. Lehmann","Text in English: Front: February 3, 1916 - Jewish girl,  Russian Poland [Congress Poland],  A. Lehmann","This portrait was likely created by a soldier that served with Klemp named A. Lehmann.","Text in German: Front: 5. II. 16 | A. Lehmann","Text in English: Front: February 5, 1916,  A. Lehmann","This portrait was likely created by a soldier that served with Klemp named A. Lehmann.","Text in German: Front: Unterstand des Batl. führers L. I. R. 5. | 15. II. 16 | GK.","Text in English: Front: Shelter for the chief of bataillon  L. I. R. 5. [infantry corps] February 15, 1916, G[ustav] K[lemp]","Text in German: Front: Kranken-Revier III Batl. L. I. R. 5. | 15. III. 16 | GK.","Text in English: Front: Infirmary, Third bataillon L. I. R. 5. [infantry corps]  March 15, 1916, G[ustav] K[lemp]","Text in German: Front: GK 30. III. 16. | Einschlag einer 15 cm. Granate vorm Graben.","Text in English: Front: G[ustav] K[lemp] March 30 1916 - Impact of a 15 cm grenade in front of the trenches","Text in German: Front: Meine Wohnung Juli 1916 | G. Klemp","Text in English: Front: My home July 1916, G. Klemp","Text in German: Front: Gorodischtsche 18. 9. 16.","Text in English: Front: Gorodischtsche [Horodyszcze?] September 18, 1916","Text in German: Front: Stellung | am | Stochod | 15. Nov. 16.","Text in English: Front: Camp near river Stokhid, November 15, 1916","Text in German: Front: Antonowka Wolynien 27. XI. 16. | Fertigmachen! GK.","Text in English: Front: Antonowka [Antonivka] Volhynia, November 27, 1916 - Arise! G[ustav] K[lemp]","Text in German: Front: Kapelle u. Kloster bei Soveja i Rumänien. m. Heldenfriedhof 12. 9. 17.","Text in English: Front: Chapel and monastery near Soveja in Romania, with war cemetery September 12, 1917","Text in German: Front: Giurgiu. i. Rum. Centrum. GK. 7. 6. 18","Text in English: Front: Giurgiu in Romania, center G[ustav] K[lemp] June 7, 1918","Text in German: Front: zerstörte Strasse in Guirgiu Str Indepentei 17. 5. 18. Kl.","Text in English: Front: Destroyed street in Guirgiu, Independence Street May 17, 1918 Kl[emp]","Text in German: Front: Bukaresterstr. | in Giurgiu. | GK. 20. 5. 18.","Text in English: Front: Bukarest street in Giurgiu, G[ustav] K[lemp] May 20, 1918","Text in German: Front: Giurgiu. i. Rum. Centrum. GK. 7. 6. 18","Text in English: Front: Giurgiu in Romania, center G[ustav] K[lemp] June 7, 1918","375th Anniversary of the German Reformation commemorative medal, featuring image of German Kaiser Wilhelm II, circa 1892.","Commemorative medal for the alliance of Germany with Austria-Hungary, featuring image of Austrian Kaiser Franz-Joseph and German Kaiser Wilhlem II, 1915.","Commemorative medal for Battle of Coronel, featuring image of German Admiral Maximilian von Spee, 1914.","Commemorative medal for German field marshal August von Mackensen, circa 1914.","Restriction: Restricted due to preservation concerns. A digitized version of this narrative can be found ","Originally housed in handwritten narrative, removed and rehoused due to preservation concerns.","Public Domain. There are no known restrictions.","The Gustav Klemp World War I collection contains certificates, postcards, artwork, commemorative medals, and a handwritten narrative by Gustav Klemp, a Prussian artist and German army medic during the First World War, from circa 1892-1922.","R 50, C 2, S 7","George Mason University. Libraries. Special Collections Research Center","Klemp, Gustav, 1882-1941","German \n,        Hungarian \n,        Polish \n,        Romanian; Moldavian; Moldovan \n.    "],"unitid_tesim":["C0250","/repositories/2/resources/377"],"normalized_title_ssm":["Gustav Klemp World War I collection"],"collection_title_tesim":["Gustav Klemp World War I collection"],"collection_ssim":["Gustav Klemp World War I collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Klemp, Gustav, 1882-1941"],"creator_ssim":["Klemp, Gustav, 1882-1941"],"creator_persname_ssim":["Klemp, Gustav, 1882-1941"],"creators_ssim":["Klemp, Gustav, 1882-1941"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Donated by Klemp's grandson, Richard Passig, in September 2014, and February-March 2015."],"access_subjects_ssim":["World War, 1914-1918","Photographs","Military camps","Art","Postcards"],"access_subjects_ssm":["World War, 1914-1918","Photographs","Military camps","Art","Postcards"],"has_online_content_ssim":["false"],"extent_ssm":["0.75 Linear Feet 2 boxes"],"extent_tesim":["0.75 Linear Feet 2 boxes"],"genreform_ssim":["Postcards"],"date_range_isim":[1892,1914,1915,1916,1917,1918],"accessrestrict_html_tesm":["\u003cp\u003eThe handwritten narrative is restricted due to preservation concerns. It was digitized and is available to view \u003cextptr show=\"new\" title=\"here.\" href=\"http://images.gmu.edu/luna/servlet/detail/GMU~11~11~1098~188409:Narrative-of-World-War-I-journal?sort=title%2Cdate%2Ccreator%2Csubject\u0026amp;qvq=sort:title%2Cdate%2Ccreator%2Csubject;lc:GMU~11~11\u0026amp;mi=29\u0026amp;trs=129\"\u003e\u003c/extptr\u003e There are no other restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The handwritten narrative is restricted due to preservation concerns. It was digitized and is available to view   There are no other restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe majority of this collection was digitized and is available to view \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMU~11~11\" title=\"here.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The majority of this collection was digitized and is available to view "],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by item format: certificates, postcards and photographs, artworks, commemorative medallions, and the handwritten narrative.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by item format: certificates, postcards and photographs, artworks, commemorative medallions, and the handwritten narrative."],"bioghist_html_tesm":["\u003cp\u003eGustav Klemp (May 16, 1882-April 1, 1941) was a house painter, photographer, and artist who resided in West Prussia during the late 19th and early 20th centuries. Klemp was a member of the Deutschen Maler-Bundes (German Painters' Association) and owned a house painting business, as well as a side photography business, in Podgórz, then West Prussia. Podgórz, which still exists, is a district of the city of Toruń in now Poland. Klemp was 32 at the outbreak of World War I in 1914, and he reluctantly served as a medic with the German Army. He sent dozens of postcards from the Eastern Front to his wife, Martha Klemp, and other friends and family. Many of these postcards were photographic, and were shot and developed by Klemp during his military service.\u003c/p\u003e\n","\u003cp\u003eKlemp also created watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. Klemp survived the war, and after the creation of an independent Poland, he and his family were given the decision to become Polish citizens or emigrate. The Klemp family then immigrated to the United States and settled in the upper midwest, first in Iowa and then Wisconsin. Klemp made his living in the United States primarily by painting murals for churches. He died in May 1941 at the age of 59, six months before the United States entered World War II.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Gustav Klemp (May 16, 1882-April 1, 1941) was a house painter, photographer, and artist who resided in West Prussia during the late 19th and early 20th centuries. Klemp was a member of the Deutschen Maler-Bundes (German Painters' Association) and owned a house painting business, as well as a side photography business, in Podgórz, then West Prussia. Podgórz, which still exists, is a district of the city of Toruń in now Poland. Klemp was 32 at the outbreak of World War I in 1914, and he reluctantly served as a medic with the German Army. He sent dozens of postcards from the Eastern Front to his wife, Martha Klemp, and other friends and family. Many of these postcards were photographic, and were shot and developed by Klemp during his military service.","Klemp also created watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. Klemp survived the war, and after the creation of an independent Poland, he and his family were given the decision to become Polish citizens or emigrate. The Klemp family then immigrated to the United States and settled in the upper midwest, first in Iowa and then Wisconsin. Klemp made his living in the United States primarily by painting murals for churches. He died in May 1941 at the age of 59, six months before the United States entered World War II."],"prefercite_html_tesm":["\u003cp\u003eGustav Klemp World War I collection, C0250, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Gustav Klemp World War I collection, C0250, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003e\nProcessing completed by Elizabeth Beckman in November 2014. EAD markup completed by Elizabeth Beckman in November 2014. Finding aid updated by Amanda Menjivar in March 2022.\u003c/p\u003e","\u003cp\u003e\nCollection reprocessed by Amanda Menjivar from January-February 2024. Finding aid updated by Amanda Menjivar in February 2024. Inventory assistance provided by Meghan Glasbrenner.\u003c/p\u003e","\u003cp\u003e\nGerman transcription and translation provided by Dorothee Schubel, Metadata and Cataloging Librarian at George Mason University Libraries. Transkribus by READ-COOP was used for the Kurrent Script transcription.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["\nProcessing completed by Elizabeth Beckman in November 2014. EAD markup completed by Elizabeth Beckman in November 2014. Finding aid updated by Amanda Menjivar in March 2022.","\nCollection reprocessed by Amanda Menjivar from January-February 2024. Finding aid updated by Amanda Menjivar in February 2024. Inventory assistance provided by Meghan Glasbrenner.","\nGerman transcription and translation provided by Dorothee Schubel, Metadata and Cataloging Librarian at George Mason University Libraries. Transkribus by READ-COOP was used for the Kurrent Script transcription."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections on World War I, including the \u003cextptr show=\"new\" title=\"Underwood and Underwood World War I press photographs\" href=\"https://aspace.gmu.edu/resources/c0502\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Diary of World War I Red Cross Canteen worker Florence Bishop.\" href=\"https://aspace.gmu.edu/resources/c0393\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections on World War I, including the   and the "],"scopecontent_html_tesm":["\u003cp\u003e\nThe Gustav Klemp World War I collection consists of postcards (both photographic and printed), photographs, artworks, commemorative medals, and a handwritten narrative that document the military service experience of Gustav Klemp, a Prussian medic with the German army who served on the Eastern Front during World War I. The materials were created from circa 1892-1920s, with the bulk of materials created from 1914-1918. Many of the photographic postcards are group portraits of German soldiers, as well as images of military camp life, many of which feature Klemp. Several of the postcards have messages written in Kurrent and Latin script from Klemp to his wife, Martha Klemp, and other friends and family. Klemp sent postcards from across the Eastern Front, including Hungary, Poland, Romania, Russia, and Ukraine.\n\u003c/p\u003e","\u003cp\u003e\nAlso included in the collection are artworks created by Klemp during his time on the Eastern Front. These include watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. A couple of the pieces of art in this collection were likely painted by one of his fellow soldiers and acquired by Klemp during his service.\n\u003c/p\u003e","\u003cp\u003e\nTranscription and translation of text is provided where applicable in the inventory scope notes.\n\u003c/p\u003e","\u003cp\u003eText in German: Front: Die Maler | des | 7. Armeecorps in der Senn[e] | 1905-06 || 646. Back: [print:] Postkarte | An | [ms.:] Herrn | Gustav Kl[emp] | [print: ] in [ms.:] Thorn W/Pr. | [print:] Wohnung. [ms.:] Janitzenstr 4 [stamp:] SENNELAGER | [?] 10 [?] || THORN | 10. 6. 06. 2-3 V | 1 a || [print:] A. Ophoven Photograph, Paderborn, Filiale Sennelager. || [ms.:] Liebe Eltern! | Das Soldbuch erhalten besten Dank | werde nächstens Antwort schreiben | auf dieser Karte sind alle Maler | die sind am [?] [Jun]i abgelöst worden | und ich m[uß] noch [?] bleiben | hier und [?] versch[?] [?]ich bis Schluß | wenn es gut geht [?] grüßt allen | herzlichst Euer dankbarer | Sohn Gustav {[print:]\u003c/p\u003e","\u003cp\u003eText in English: Front: {The Painters of the 7th Army Corps in the Senne. 1905-06 - 646}. Back: Postcard - To [ms.:] Mr.  Gustav Klemp [print: ] in [ms.:] Toruń West Prussia [print:] address [ms.:] Janitzen street 4 [stamp:] SENNELAGER 10 -  THORN June 10, 1906 2-3 am 1 a [print:] A. Ophoven Photographer, Paderborn, branch Sennelager. [ms.:] Dear parents! I received the military passbook, thank you very much. I will write an answer soon. There are all painters on the back of this card, they were relieved on June, [?] and I have to stay here and [?] different [?] until the end if it goes well. [?] greets everyone. Sincerely, your grateful son Gustav}.\u003c/p\u003e","\u003cp\u003eKlemp is marked in the image by an \"x\" on his chest.\u003c/p\u003e","\u003cp\u003eLicense plate reads \"IA-3783.\" \"IA\" was the licence plate code for Berlin, Germany from 1906-1945.\u003c/p\u003e","\u003cp\u003eText in German: Drogerie | Bäckerei | Restaurant | Niederlag[?] Molkerei | Gustav Klemp Malermeister | Militär-Effecien Portemonaies Hosenträger Regensch[irme] Glacé-H[andschuhe] | Wäs[che]\u003c/p\u003e","\u003cp\u003eText in English: {Drugstore, Bakery, Restaurant, Niederlag[?] Dairy Shop, Gustav Klemp Master Painter, Military effeciens Wallets Suspenders Umbrellas Glacé-Gloves Drapery}\u003c/p\u003e","\u003cp\u003eKlemp's storefront is visible in the background on the right.\u003c/p\u003e","\u003cp\u003eKlemp is reclined in the right foreground and is marked by an \"x\" below him.\u003c/p\u003e","\u003cp\u003eText in German: Front: Zerstörte Strasse in Brest Litowsk. | Im Hintergrund die weisse Kirche. Back: Herausgegeben von der Feldbuchhandlung der Bug-Armee\u003c/p\u003e","\u003cp\u003eText in English: Front: {Destroyed street in Brest Litovsk. In the background the white church [St Nicholas Church].} Back: {Published by the field bookstore of the Army of the Bug}\u003c/p\u003e","\u003cp\u003eLikely a religious procession or celebration based on clothing and canopy being carried, possibly Easter.\u003c/p\u003e","\u003cp\u003eText in German: Front: Lautenburg | Neuer Markt | [?]en Hensel | Destillation Johann K[?] Restaurant| Louis Bukofzer Back: [print:] Fr. Krykant jr. Lautenburg | Tx || [stamp:] G. P. K. THORN | GEPRÜFT UND ZU BEFÖRDERN || LAUTENBURG 14. 8. 14 3-4 N. | (WESTPR.) || [ms.:] Feldpost | Frau Malermstr Klemp | Podgorz Thorn | Marktstr 11. || Lautenburg 14. 8. 14. | [M]eine Liebe Marte! | Teile Dir nun mit | daß Du Sonntag kommen | kannst es ist so zwar ein | bischen weit aber die | anderen 2 Frauen | werden wahrscheinlich | auch fahren. Du mußt | schon früh fahren | sonst ge[?]st Du | nicht Also hoffe Dich | wieder zu sehen. | Gruß Dein Gustav.\u003c/p\u003e","\u003cp\u003eText in English: Front: {Lidzbark New Market - [inscription on houses:] Hensel, Distillery Johann K[?] Restaurant, Louis Bukofzer} Back: {[print:] Fr. Krykant jr. Lidzbark Tx [stamp:] G. P. K. TORUŃ | CHECKED, SAFE FOR DELIVERY - LIDZBARK August 14, 1914 3-4 pm (WEST PRUSSIA) [ms.:] Military service post Mrs. Master Painter Klemp, Podgórz Toruń, Market street 11. -  Lidzbark, August 14, 1914.  My dear Marte! I am telling you that you can come on Sunday. Although it is a bit far but the other two women will probably also come. You must leave early otherwise you will not [?]. So I hope to see you again. Greetings, yours Gustav.}\u003c/p\u003e","\u003cp\u003eText in German: Front: [Rot:] Fest steht u treu | Michel wach auf! | Einigkeit macht stark! | Nur immer ran bei uns ist geladen. || Helgoland Kiel Lübeck Stettin Danzig Berlin Leipzig Dresden Breslau Metz Strassb. München WIEN Buda Pest Pola [Grün, England:] mir wird ganz mies! || ENGLAND Hull Yarmouth London Dover [Grün, Belgien, Frankreich:] Oh weh - zwei Jahre zu früh! | Wo bleiben meine Siege? | Albert wo bist Du? || BELGIEN FRANKREICH Calais Lille Namur Lüttich Brest Havre Paris Nancy Nantes Epinal Marseille Nizza Toulon Corsica [Grün, Russland:] Ich erspare Euch die Arbeit und zerstöre meine Hafen selbst. | Da habe ich meine Nase schön hinein gesteckt. | Kaukasusrevolution! || RUSSLAND Moskau Warschau. Odessa [Grün, Serbien:] Das gibt eine schöne Schweinerei! || SERBIEN MONTENEGRO Belgrad [Weiß, Nord:] NORD-SEE HOLLAND DÄNEMARK SCHWEDEN Göteborg [Weiß, Südwest:] neutral. || SPANIEN Barcelona MITTELLÄNDISCHES MEER. || Wir bleiben neutral!  || SCHWEIZ Basel Luzern Bern ITALIEN Mailand Turin Venedig Rom. ADRIATISCHES MEER [Weiß, Südost:] Unser neuer Bund. || ALBANIEN RUMÄNIEN BULGARIEN TÜRKEI SCHWARZES MEER Skutari Back: [stamp:] Reserve-Lazarett | des 3. Armee-Korps [postmark:] Berlin-Oberschöneweide | 4. 12. 14. 5-6 N. [print:] Humoristische Völker-Kriegskarte Nr. 5 | Verlag Hermann Becker, München [ms:] Feldpost | Landwehrmann | Gustav Klemp | 11 Komp Landwehr Regt. No. 5 | Landwehr Div. von Einem || Berlin-Oberschöneweide, d. 4. 12. 14 | Lieber Bruder! Da ich jetzt | Deine Adresse von Teuse er- | halten habe, teile ich Dir | mit daß ich an einer Ver- | wundung am l. Arm u l. Ober- | schenkel hier im Königin-Elisabeth- | Hospital liege. Ist aber schon am | Heilen und gehe schon am Stocke | herum. Sonst ist es [?] auszuhalten. | Mit Gruß Richard\u003c/p\u003e","\u003cp\u003eText in English: Front: {[Red:] Stay firm and loyal - Deutscher Michel, wake up! - Together we are stronger! - Come, our weapons are loaded. - Helgoland Kiel Lübeck Stettin Gdansk Berlin Leipzig Dresden Wroclaw Metz Strassbourg Munich VIENNA Budapest Pola [Green, England:] I feel really bad! - ENGLAND Hull Yarmouth London Dover [Green, Belgium, France:] Oh dear - two years too early! - Where are my victories? - Albert, where are you? - BELGIUM FRANCE Calais Lille Namur Liège Brest Le Havre Paris Nancy Nantes Epinal Marseille Nice Toulon Corsica [Green, Russia:] I save you the work and destroy my harbors myself. - I stuck my nose into this mess. - Caucasus Revolution! - RUSSIA Moscow Warsaw. Odessa [Green, Serbia:] That's a pretty mess! - SERBIA MONTENEGRO Belgrade [White, North:] NORTH SEA HOLLAND DENMARK SWEDEN Gothenburg [White, Southwest:] neutral. - SPAIN Barcelona MEDITERRANEAN SEA. - We remain neutral! - SWITZERLAND Basel Lucerne Bern ITALY Milan Turin Venice Rome. THE ADRIAN SEA [White, Southeast:] Our new covenant. - ALBANIA ROMANIA BULGARIA TURKEY BLACK SEA Scutari} Back: {[stamp:] Reserves Hospital of the 3rd Army Corps [postmark:] Berlin-Oberschöneweide December 4, 1914 5-6 pm [print:] Humorous Nations War Map No. 5 - Publisher Hermann Becker, Munich [ms:]  Military service postcard - Landwehr man Gustav Klemp,  11th Company Landwehr Regiment No. 5, Landwehr Division \"von Einem\" - Berlin-Oberschöneweide, December 4, 1914 Dear brother! I now got your address from Teuse, so I can share with you that I am in the Queen Elisabeth Hospital with wounds on the left arm and left upper thigh. But it is already healing and walk around with a stick. Otherwise it is [?] bearable. With regards, Richard}\u003c/p\u003e","\u003cp\u003eText in German: Back: [print:] Fritz Krauskopf, Königsberg i. Pr. und Ostseebad Cranz.  || [stamp:] [?] | 28. 12. 14 10-11 [?] | Landw. Div. v. Einem || [ms.:] An | Frau Malermstr. | Klemp | Podgorz b. Thorn | Marktstr 11. || Lötzen 27. 12. 14. | Liebe Marta! | Diese Karte erhielten | wir alle als Geschenk. | Der Herr mit dem 1 | Kreuz unser Rgts- | Kommandeur | mit den 2 Kreuzen | Battaillons Kom- | mandeur ist aber | schon gefallen. | Sonst nichts neues | Es grüßt Dich | herzl. D. Gustav.\u003c/p\u003e","\u003cp\u003eText in English: Back: {[print:] Fritz Krauskopf, Königsberg in Prussia and Baltic Sea resort of Zelenogradsk. [stamp:] [?] | December 28, 1914 10-11 Landwehr Division v. Einem [ms.:] To Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11. - Giżycko, December 27. 1914 Dear Martha! We all got this card as a gift. The person with one cross our Regiment-Commander, with two crosses, the Battalion Commander, but he is already killed in action. Otherwise, nothing new. Kindest greetings, Yours, Gustav.}\u003c/p\u003e","\u003cp\u003eText in German: Front: Infanterie im Schützengraben Back: Serie: Das Deutsche Heer. | Nr. 1854 | Nachdruck strengstens verboten.\u003c/p\u003e","\u003cp\u003eText in English: Front:  {Infantry in the trenches} Back: {Series: The German Army. - No. 1854 - Reproduction strictly prohibited.}\u003c/p\u003e","\u003cp\u003eA small tree and wine on the table suggests the soldiers are celebrating the Christmas holiday.\u003c/p\u003e","\u003cp\u003eText in German: Back: Skat-Gesellschaft | [?] in Unterstand | auf Höhe 120 Nord | nr Ossowiec\u003c/p\u003e","\u003cp\u003eText in English: Back: {Game of Skat in shelter, 120 north, near Osowiec}\u003c/p\u003e","\u003cp\u003eKlemp is marked by an X.\u003c/p\u003e","\u003cp\u003eText in German: Front: Thorn Russische Grenzwache Back: DEPOSÉ BERLIN | Ch. L. i. B. Nr. 843\u003c/p\u003e","\u003cp\u003eText in English: Front: {Toruń Russian border guard}\u003c/p\u003e","\u003cp\u003eText in Polish: Front: Lwów. Plac Maryacki z pomnikiem Mickiewicza. | Lemberg. Maryacki-Platz u. Mickiewicz-Denkmal Back: POCZTÓWKA. || Wydawnictwo kart artystycznych D. G. Lwów. | Násladownictwo zastrzeżone | Nr 16\u003c/p\u003e","\u003cp\u003eText in English: Front: {Lviv. St. Mary's Square and Mickiewicz monument} Back: {Post card. Publisher for artistic cards D. G. Lviv. Reproduction reserved No. 16}\u003c/p\u003e","\u003cp\u003eText in Polish: Front: Lwów. Plac Fredy. | Lemberg. Fredro-Platz. Back: POCZTÓWKA. || Wydawnictwo kart artystycznych D. G. Lwów. | Násladownictwo zastrzeżone | Nr 24\u003c/p\u003e","\u003cp\u003eText in English: Front: {Lviv. Fredro Square} Back: {Post card. Publisher for artistic cards D. G. Lviv. Reproduction reserved No. 24}\u003c/p\u003e","\u003cp\u003eText in Hungarian: Front: Budapest. Bazilika. - Basilik. Back: LEVELEZŐ-LAP | SHHN | No. 9\u003c/p\u003e","\u003cp\u003eText in English: Front: {Budapest Basilica} Back: {Correspondence card SHHN No. 9}\u003c/p\u003e","\u003cp\u003eText in German: Front: [print:] Russisches Gymnasium, Brest-Litowsk. | 212 [ms:] Russia Back: Herausgegeben von der Feldbuchhandlung der Bug-Armee\u003c/p\u003e","\u003cp\u003eText in English: Front: {[print:] Russian High school, Brest - 212 - [ms:] Russia} Back: {Published by the field bookstore of the Army of the Bug}\u003c/p\u003e","\u003cp\u003eBrest-Litovsk was considered part of Poland from the end of WWI until the annexation by Russia following the end of WWII. Brest-Litovsk is known today as Brest, Belarus, following the breakup of the U.S.S.R. in 1991.\u003c/p\u003e","\u003cp\u003eText in Polish: Front: Lwów. Dworzec. | Lemberg. Bahnhof. Back: POCZTÓWKA. || Wydawnictwo kart artystycznych D. G. Lwów. | Násladownictwo zastrzeżone | Nr. 3\u003c/p\u003e","\u003cp\u003eText in English: Front: {Lviv. Railroad Station} Back: {Post card. Publisher for artistic cards D. G. Lviv. | Reproduction reserved No. 3}\u003c/p\u003e","\u003cp\u003eKlemp is reclining on the left.\u003c/p\u003e","\u003cp\u003eText in German: Back: Fritz Krauskopf, Königsberg i. Pr. und Ostseebad Cranz. \u003c/p\u003e","\u003cp\u003eText in English: Back: {Fritz Krauskopf, Königsberg in Prussia and Baltic Sea resort of Zelenogradsk.}\u003c/p\u003e","\u003cp\u003eText in German: Front: Landsturmwache vor ihrem Unterstand | in Ruzige\u003c/p\u003e","\u003cp\u003eText in English: Front: { Landsturm guards in front of shelter in Ruzige}\u003c/p\u003e","\u003cp\u003eText in German: Front: Freispruch in | den russ. Bergen.\u003c/p\u003e","\u003cp\u003eText in English: Front: {Acquittal in the Russian mountains.}\u003c/p\u003e","\u003cp\u003eKlemp is reclining on the ground in the front right of the group.\u003c/p\u003e","\u003cp\u003eText in German: Front: Wie lange dauerts noch?\u003c/p\u003e","\u003cp\u003eText in English: Front: {How long will it take?}\u003c/p\u003e","\u003cp\u003eText in German: Back: 1 Tnrn 11,5 x 2,13 √ | 1 \" 215 x 1,20 √ | 1 \" 2,00 x 095 x 2 √ | Schetterf. 1,25 x 1,10 | Fenster 2,00 x 1,20\u003c/p\u003e","\u003cp\u003eText in English: Back: {1 Tnrn 11.5 x 2.13 √ | 1\" 215 x 1.20 √ | 1 \" 2.00 x 095 x 2 √ | Schetterf. 1.25 x 1.10 | Window 2.00 x 1.20}\u003c/p\u003e","\u003cp\u003eText in German: Front: Vorgehende Dragoner Back: Serie: Das Deutsche Heer. | Nr. 1684 | Nachdruck strengstens verboten.\u003c/p\u003e","\u003cp\u003eText in English: Front: {Advancing Dragoons} Back: {Series: The German Army. - No. 1684 - Reproduction strictly prohibited.}\u003c/p\u003e","\u003cp\u003eText in German and Hungarian: Front: C. Delitz | Klassenbrüdersch[aft] Back: Feldpostkarte | Tabóri postai levelezőlap | [Absen]der: | [?]dó:\u003c/p\u003e","\u003cp\u003eText in English: Front: {C. Delitz Class brotherhood} Back: {Military postal service postcard - Sender:}\u003c/p\u003e","\u003cp\u003eText in German: Front: [print:] Wladimir Wolynsky. Russische Kirche. Orosz templom. [ms.:] Russia Back: H. Löw, Wladimir Wolynsky. | Druck Photobrom, Wien VII.\u003c/p\u003e","\u003cp\u003eText in English: Front: {[print:] Volodymyr, Russian Church [ms.:] Russia} Back: {H. Löw, Volodymyr - Printed by Photobrom, Vienna, 7th district}\u003c/p\u003e","\u003cp\u003eText in German: Back: [stamp:] K. D. Feldpost[?] | 23. 1. 15. 2-3 N | Landw. Div. v. Einem | [ms.:] Feldpost | Frau Malermstr | Klemp | Podgorz b. Thorn | Marktstr 11 || Kleszewen 22. 1. 15. | Liebe Martha! | Habe vom Feldw. | den Apparat und | damit diese Karte | gemacht bis mein | Apparat kommt | werde dann mehr | Bilder machen. | Warum schreibst | Du nicht? Habe schon | lange nichts gehört | Mit herzl. Gruß | Dein Gustav\u003c/p\u003e","\u003cp\u003eText in English: Back: {[stamp:] K. D. Military postal services [?] January 23, 1915. 2-3 pm Landwehr Division von Einem | [ms.:] Military services mail - Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11 - Kleszczewo, January 22, 1915. Dear Martha! I got the camera from the sergeant and took this photo, until I have my camera, I will then take more pictures. Why do you not write? I have not heard from you for a long time. With best regards, Yours, Gustav}\u003c/p\u003e","\u003cp\u003eKlemp is seated on the left in his army medic uniform.\u003c/p\u003e","\u003cp\u003eText in German: Front: Brauche noch den Gummi- | ball sonst habe ich alles | Reise Taschentücher fehlen | Auf Wiedersehn! Back: [stamp:] K. D. F[eldpost?] | 29. 1. 15. 2-3 N | Landw. Div. v. Einem | [ms.:] Feldpost | Frau | Malermstr | Klemp | Podgorz W/Pr. b. Thorn | Marktstr || Kleszewen, 29. 1. 15. | Liebe Marta! | Wir erhalten voraussichtlich | am 3. Febr. paar Tage Ruhe | und wäre vielleicht | nun gelegenheit mir | meine Wäsche zu bringen | Sonsten genug. Frau Sceg- | manski fü[?] | Herzli[] [G]ustav\u003c/p\u003e","\u003cp\u003eText in English: Front: {I still need the rubber ball, otherwise I have everything. Travel Handkerchiefs are missing | Goodbye!} Back: {[stamp:] K. D. [military postal service] January 29, 1915  2-3 pm  Landwehr Division v. Einem | [ms.:] Military poatal services - Mrs. Master Painter Klemp, Podgórz West Prussia near Toruń, Market street - Kleszczewo, January 29, 1915. Dear Marta! We expect to get a few days off on February 3rd. This might be an opportunity to bring me my laundry. Otherwise enough [?] Mrs. Scegmanski for[?] Best regards, Gustav}\u003c/p\u003e","\u003cp\u003eKlemp is seated on the left in his army medic uniform, marked by an X.\u003c/p\u003e","\u003cp\u003eText in German: Front: Auch eine Aufnahme die | ich hier schon machte. | später mehr. Back: [stamp:] K. D. Feldpostexped. | 9. 2. 15. 4-5 N | Landw. Div. v. Einem | [ms.:] Feldpost. | Frau Malermstr | Klemp | Podgorz b. Thorn || Kleszewen. 7. 2. 15. | Liebe Marta! | Muß Dir noch mitteilen | daß Du niemanden meine | Werkstatt öffnest. Erhielt | von Justizrat Schlee die Sache | wegen Lellner aber tut nichts | Kann auch nur etwas tun | wenn ich dort bin. Den geht | die ganze Sache doch nichts an | also Du weißt Bescheid | Gruß Dein Gustav\u003c/p\u003e","\u003cp\u003eText in English: Front: {Another photograph I took here. Soon more.} Back: {[stamp:] K. D. Military postal services delivery. February 9, 1915. 4-5 pm Landwehr Division von Einem [ms.:] Military services mail - Mrs. Master Painter Klemp, Podgórz near Toruń - Kleszczewo, February 7, 1915. Dear Marta! I have to let you know that you should not let anybody into my workshop. I got a note from Judicial Councilor Schlee because of Lellner but does nothing. I can only do something when I am there. That is none of his business. Now you know. Best regards, Yours, Gustav}\u003c/p\u003e","\u003cp\u003eText in German: Front: Von Julek schon b[?] [?] | er wird doch wohl zurückkommen Back: Feldpostkarte | Frau Malerm[eister] | Klemp | Podgorz b.. Thorn | Marktstr 11 || Rußland den 12. 5. 15. | Liebe Martha! | Sende Dir hier eine Karte | von unserer letzten Auf- | nahme, diese Karte ist ja | etwas bl[?]er Du wirst | mich scho[n] [?] [er]kennen | Habe ja [?] [?]keit | erhalten [?] Fixier- | salz fehlt [?] schick | es mir [?] Du | noch nicht [?] alles | gut. Schick [?] [?]chstens | noch einig[?] [A]ufnahmen | Nun seid recht herzlichst | gegrüßt Dein Gustav\u003c/p\u003e","\u003cp\u003eText in English: Front: {From Julek now  [?] I hope he will come back} Back: {Military services postcard - Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11 - Russia, May 12, 1915 Dear Martha! I am sending you this card with our last photograph. The card is somewhat [?] but you will recognize me. I have received [?] sodium thiosulfate is missing [?] please send it to me [?] everything else is fine. Send [?] Now, I am sending my best regards, Yours, Gustav}\u003c/p\u003e","\u003cp\u003eThe man seated on the right in a medic uniform is likely Klemp.\u003c/p\u003e","\u003cp\u003eText in German: Front: Unser Dorfquartier. || Du schreibst ja garnicht mal ob er dort ist | seine Urlaubszeit hat er ja nun bald | hinter sich. Die übrigen Karten behalt | mal dort werde erst noch sehen was | mit diesen wird. Nun seid alle | recht herzlichst gegrüßt von Deinem | Gustav Back: Feldpostkarte | Frau Malermstr Klemp | Podgorz b. Thorn. | Marktstr 11. || Rußland, den 14. Mai 1915. | Liebe Marta! | Deine Pakete habe ich gestern erhalten | sage Dir herzl. Dank Das Paket | mit den Zigarren ist aber | noch nicht hier hoffentlich | bleibt es nirgends stecken. | Diese Karte ist nichts besonderes | aber damit sie wegkommt schreib | ich sie. Die Karten sind nicht beson- | ders die Du mir schicktest. Ich wer- | de wohl die Platten zum Photo- | graphen schicken und Karten | machen lassen. Jeder will eine | haben und so viele gerate ich | garnicht. Ich warte jeden Tag | daß ich fahren kann aber es kommt | immer noch nicht. Sonst alles gut | Die Torte schmeckte gut nur ist | der Speck zu trocken und kann | ich ihn nur zum braten der Kar- | toffel brauchen. Wie ist es mit Julek.\u003c/p\u003e","\u003cp\u003eText in English: Front: {Our village quarter. You did not write whether he is there, soon his leave will be over. Keep the remaining cards, first I will see what to do with these. Now, best regards to all, from your Gustav} Back: {Military services postcard - Mrs. Master Painter Klemp Podgórz near Toruń, Market street 11. Russia, May 14, 1915. Dear Marta! I received your packages yesterday and I thank you very much. The package with the cigars has not yet arrived, I hope it has not gotten stuck somewhere. These cards are nothing special, but in order to get mailed I am using it now. The cards you sent me are nothing special. I may send the plates to the photographer and order cards. Everyone wants one and so many I cannot produce. I wait every day that I can get leave but the permit has not arrived. Otherwise, everything is fine.  The cake tasted good, only the bacon is too dry and can only be used it for frying potatoes. How about Julek.}\u003c/p\u003e","\u003cp\u003eThe seated man with the medic armband is likely Klemp.\u003c/p\u003e","\u003cp\u003eText in German: Back: [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5 || [?]STATION | [?| [ms.] Feldpostkarte | Frau Malermstr | Klemp | Podgorz b. Thorn | Marktstr 11 || Rußland, d. 8. 7. 15. | Liebe Martha! | Deine letzten Pakete erhielt | ich es waren die Karten, Wurst | und Butter aber leider noch | keine Antwort auf meinen | Brief von 29. 6. Sonst alles | wohl hoffe daß Du Dich noch | besinnst und schreibst mir | den Bescheid. | Es grüßt herzl | Herzliche Grüße sendet Gu[stav] | [?] Sellzmanski | [?] möchten gerne wieder zu N[?]n!\u003c/p\u003e","\u003cp\u003eText in English: Back: {[stamp:] Delivery permitted. 11th Company Landwehr Infantry Regiment No. 5 [?]STATION [?| [ms.] Military services postcard | Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11 - Russia, July 8, 1915 - Dear Martha! I have received your last packages with the cards, sausage and butter. But unfortunately still no reply to my letter of June 29. Everything else is okay. I hope that you still think about it and write to me. Heartfelt Greetings.  Kind regards sends Gustav [?] Sellzmanski - [?] would like to go back to N[?]n!}\u003c/p\u003e","\u003cp\u003eText in German: Front: soeben von Alfred ein Paketchen mit | Cigarren erhalten. Back: Feldpostkarte | Frau Malermstr | Klemp | Podgorz b. Thorn | Marktstr 11. || Russland d. 11. 7. 15. | Liebe Martha! | Noch eine Ansicht von einem | Drittel unserer Komp. wirst | mich doch wohl herausfinden | ebenfalls den Juleck. Diese | Karten ließen wir uns von | einem Photogr. machen mit | einem größeren Apparat. | Es grüßt alle herzlichst. | D. Gustav. || [stamp:] Beförderung [?] | 11. Komp. Landw. [?] Reg [?]\u003c/p\u003e","\u003cp\u003eText in English: Front: {Just received a little package from Afred with cigars.} Back: {Military postcard - Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11. - Russia , July 11, 1915 - Dear Martha! Another view of a third of our company, you will find me, also Juleck. A photographer took these pthotos with a larger apparatus. Warm regards to all. Yours, Gustav. - [stamp:] Delivery [?] 11th Company Landwehr [?] Regiment [?]}\u003c/p\u003e","\u003cp\u003eKlemp is on the far left of the first standing row.\u003c/p\u003e","\u003cp\u003eText in German: Front: Sonst noch [?] [?] | Brief erhältst Du später | wenn ich Deinen habe Back: [stamp:] Beförderung zugela[ssen]. | 11. Komp. Landw. Inf. Regt. Nr. 5 || [ms.] Feldpostkarte | An Frau Malermstr | Klemp | Podgorz b. Thorn | Marktstr 11 || Liebe Martha! | Erha[lte] Deinen Brief und | die Zeitungen Du hast | anscheinend den letzten | Brief von mir nicht | erhalten, ich erwarte | aber die Antwort auf | den letzt geschickten | Anbei eine Aufnahme | von unserem Schützen- | graben. | Es grüßt auch | [?] alle Dein Gustav | Ruß[land] 17. 7. 15.\u003c/p\u003e","\u003cp\u003eText in English: Front: {Anything else [?] [?] You will receive a letter later after I have yours} Back: {[stamp:] Delivery permitted. 11th Company Landwehr Infantry Regiment No. 5 - [ms.] Military services postcard - To Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11 - Dear Martha!  I have received your letter and the newspapers. Apparently you have not received my last letter, but I expect the answer to the former letter. On the back a photograph of our trench. Greeting also  [?] all yours, Gustav - Russia, July 17, 1915.}\u003c/p\u003e","\u003cp\u003eText in German: Front: Erhielt heute von der Lieder- | tafel 50 Cigarren und Schoko- | lade sonst alles hier noch in | bester Ordnung und noch gesund | sonst nichts neues, die Zeitungen || habe ich bis jetzt noch immer | alle erhalten. Back: [stamp:] Beförderung zugelas[sen.] | 11. Komp. Landw. Inf. Regt. Nr. 5 || [ms.:] Feldpostkarte. | Frau Malermstr | Klemp | Podgorz b. Thorn | Marktstr. 11. || Russland d. 21. 7. 15. | Liebe Martha! | Könntest Du mir nicht den | Gummiball der sich bei | Schlösser befinden soll mal | mitschicken ich möchte ihn | gern haben Du weißt doch den | zum photographieren. Auch | wieder 50 Stck Celloidin Post- | karten (matt) Es grüßt [?] herzlichst Dein Gustav\u003c/p\u003e","\u003cp\u003eText in English: Front: {Today I received 50 cigars and chocolate from the choral society. Everything else here is in the best order and still healthy. Otherwise nothing new, I have received all the newspapers.} Back: {[stamp:] Delivery permitted. 11th Company Landwehr Infantry Regiment No. 5 - K. D. Military postal services delivery May, 14, 1916. 9-10 am of 11th Landwehr Division [ms.:] Military services postcard Mrs. Martha Klemp, Podgórz near Toruń, Market street 11. - Russia, July 21, 1915 Dear Martha! Could you please send me the rubber ball, likely located at Schlösser's. You know, the one I need for photographs. Also, again, 50 pieces Celloidin printing-out postcards (matt) Greetings [?] from your Gustav}\u003c/p\u003e","\u003cp\u003eText in German: Front: Habe von Julek auch eine solche | Aufnahme gemacht habe [?] | eins nicht so viel Kart[en] | er will noch einige Bilder | schickt auch ein ander [?] || Bild an die Liedertafel welche mir | Zigarren und Schokolade schickte. || Karl schrieb schon lange nicht mehr | werde gelegentlich ihm eine Karte schicken Back: [ms:] Feldpostkarte | Frau | Malermstr. K[lemp] | Podgorz - Thorn | Marktstr 11. || Rußland 27. 7. 15. | Liebe Martha! | Erhielt heute Deine Karte und | möchte fragen ob Du die Karten | schon abgeschickt hast möchte sie | gern bald haben da ich noch paar | Bilder zu machen habe. Deinen | Brief erhielt ich [?] hatte grade | an Dich ein [?]lt. Sonst | [?]t noch a[?] [?]rden | [w]ohl bald [?] grüßt | Euch alle herz[?] Gustav || [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5\u003c/p\u003e","\u003cp\u003eText in English: Front: {I also took a similar picture of Julek [?] one not so many cards, he wants some more pictures. I also sent another picture to the choral society which sent me cigars and chocolate. Karl hasn't written for a long time, I will occasionally send him a card.} Back: {Military service postcard Mrs. Master Painter Klemp, Podgórz - Toruń, Market street 11. - Russia July 27, 1915 Dear Martha! I received your card today and would like to ask if you have already sent the cards. I would like to have them soon because I will have to print a few pictures. I got your letter I received [?] I just sent you a [?]. Otherwise, [?] soon [?] greetings to all of you. Kind [regards] Gustav || [stamp:] Carriage permitted. | 11th Company Landwehr Infantry Regiment. No. 5}\u003c/p\u003e","\u003cp\u003eText in German: Front: Diese photogr. Karten heb man | alle auf es ist immer für später eine | Erinnerung || Denkst der Julek hat sich nicht | stolz hingestellt bald so [wie] ein | Schlachtenführer. Sonst geht es | hier noch so weiter. Back: [ms.] Feldpostkarte | Frau | Malermstr. Klemp | Podgorz b. Thorn | Marktstr. 11. || Rußland den 9. 8. 15. | Liebe Martha! | Heute am 9. erhielt ich das Paket mit | den Eiern aber konnte keines mehr | brauchen denn sie waren alle schlecht. | Schickt mir nicht mehr welche. Aber eine | Bitte hätte ich noch, Du möchtest mir doch | einen \"Aquarellkasten\" aber nicht | mit Tuben sondern den 4 eckigen Wür- | feln höchsten für 5 Mark kaufen | oder von jemand aus Thorn bringen | lassen wenn Du nicht Zeit hast. | Du bekommst ihn bei Buchhändler | Schulz Elisabethstr. Also weißt Bescheid. | Herzl. Gruß Dein Gustav || [stamp:] Brief-Stempel | Landwehr-Infanterie-Regiment Nr. 5 | III. Bataillon\u003c/p\u003e","\u003cp\u003eText in English: Front: {Please keep all these photographic cards - they are a memento for later. Don't you think that Julek presents himself as proudly as a battle leader. Otherwise, everything is still the same.} Back: {Military service postcard. Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11 - Russia August, 9 1915 - Dear Martha! Today on the 9th I received the package with the eggs, but I could not eat them because they were all rotten. Please don't send any more eggs. But I still have a wish, could you buy me a \"watercolor box\" but not with tubes but with four-cornered cubes, at most for 5 marks, or ask somebody to buy it in Thorn if you don't have time. You can get it at Bookseller Schulz, Elisabeth street. So, now you know. Best regards, yours Gustav [stamp:] letter stamp | Landwehr Infantry Regiment No. 5, III. battalion}\u003c/p\u003e","\u003cp\u003eText in German: Front: ... Kunstverlagsanstalt ... | G. Stalling, Oldenburg i/Gr. [Großherzogtum] || Nicola Perscheid | ... Hofphot. Berlin ... | Immer weiter vorwärts für | Kaiser und Reich! | von Hindenburg | General-Feldmarschall. Back: [print:] [Her]ausgegeben | zum Besten | des Deutschen | Vereins für | Sanitätshunde [recte: Sanitätskunde] | Oldenburg i/O. || Wohlfahrts- | [ms:] Feld- [print:] Postkarte || [ms:] An | Frau Malermstr. | Klemp | Podgorz b Thorn | Marktstr. 11. || Rußl. den 18. 8. 15 | Liebe Martha! | Sei doch so gut und schick | mir nun wieder nach | Empfang dieser Karte | Hemd und Unterhose es | ist nun mit diesen Sachen | nicht mehr viel anzufan- | gen es kőnnen aber schon | etwas wärmere sein. Sonst | geht es noch so leidlich Hoffentl. | bei Euch auch Es grüßt Dich und | die Kinder Herzl. Dein Gustav || [stamp:] Brief-Stempel | Landwehr-Infanterie-Regiment Nr. 5 | III. Bataillon\u003c/p\u003e","\u003cp\u003eText in English: Front: {Art publishing house G. Stalling, Oldenburg (in the Grand Duchy of Oldenburg) - Nicola Perscheid, photographer of the Emperial court, Berlin - Always forward for Emperor and Reich! von Hindenburg, General Field Marshall} Back: {Issued for the benefit of the German Association for Medical Science, Oldenburg in Oldenburg - Welfare military service postcard - To Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11 - Russia, August 18, 1915 - Dear Martha! Be so good and send me again, after you receive this card, shirt and underpants. The ones I have here are not of much use anymore. It could already be the warmer ones. Otherwise is it still tolerable. Hopefully with you too. Greetings to you and the children. Kind regards, Yours Gustav [stamp:] Letter stamp, Landwehr Infantry Regiment No. 5, III. Bataillon}\u003c/p\u003e","\u003cp\u003eText in German: Back: Rußland, 27. 8. 15. | Lieber Bruder! | [?] D[?] ich [?]sen | [?] vorangenblen | []ert's von Brestletowsk | sind. | Mit Gruß | Bruno.\u003c/p\u003e","\u003cp\u003eText in English: Back: {Russia, August, 27, 1915 Dear brother! [?] ahead from Brest are. With regards, Bruno.}\u003c/p\u003e","\u003cp\u003eKlemp is seated in the front left of the image marked by an \"x\" on his chest\u003c/p\u003e","\u003cp\u003eText in German: Front: v. HINDENBURG | ERBAUT von der 9. KOMP. LDE. INF. RGT. 5 | 1914-15 | IMMER WEITER VORWÄRTS FÜR KAISER UND REICH!\u003c/p\u003e","\u003cp\u003eText in English: Front: {v. Hindenburg - built by the 9th Company Landwehr Infantry Regiment 5, 1914-15 - Always forward for Emperor and Empire!}\u003c/p\u003e","\u003cp\u003eText in German: Bei der Entlausung 25. I. 16.\u003c/p\u003e","\u003cp\u003eText in English: {Delousing January 25, 1916}\u003c/p\u003e","\u003cp\u003eText in German: Front: Schreiben Sie bald mal wieder | an mich. | I. Batl. Ldw. Fs. Art Batl 28 | 8 Armee 109 I. D. Osten Back: [stamp:] K. D. Feldpostexped | 15. 4. 16. 9-10 V | d. 109. Infanterie-Div. || [ms.:] Feldpost | Gefreiter | Gustav Klemp | 11 Comp. III Batl. | Ldw. Inft. Regt No 5 | I Armeekorps | 8. Armee | 11. Ldw. Division | 70. Ldw. Inft Brigade || [stamp:] Batterie Landw.-Fussartl.-Batl. No. 28 | Brief-Stempel || [ms.:] 14/4. 16. | Lieber Klemp, | Anbei eine Aufnahme | mit meinem Heini. | Meine Frau schreibt, Sie | wollen auf Urlaub | fahren. Im Mai werde | ich wahrscheinlich Urlaub | bekommen. Vielleicht | trifft unser beider Urlaub | zusammen. Sonst | gehts gut, wenn die | Grütze auch manchmal | nicht schmeckt. Es | grüßt bestens Schlösser\u003c/p\u003e","\u003cp\u003eText in English: Front: {Please write me again soon. Ist Battalion Landwehr Fuss Artillery Battalion 28 8th Army 109 Infantry Division East} Back: {[stamp:] K. D. Military postal services delivery April 15, 1916. 9-10 am 109 Infantry Division [ms.:] Military services mail - Private Gustav Klemp, 11th Company IIIrd Battalion Landwehr Infantery Regiment No. 5, Ist Army Corps 8th Army 11th Landwehr Division 70th Landwehr Infantry Brigade [stamp:] Battery Landwehr-Fuss Artillery-Battalion No. 28, letter stamp [ms.:] April 14, 1916. Dear Klemp, on the back you see me with my Heini. My wife wrote that you want to go on leave. In May I will probably get leave. Maybe we can meet during of our leave. Otherwise, I am fine, even if the groat sometimes does not agree with me. Best wishes, Schlösser}\u003c/p\u003e","\u003cp\u003eText in German: Front: [print:] LIDA | Wilnaer Strasse | [ms.:] Gefr. Klemp 11 Komp. L I. R 5. 11 Ldw. Div. Back: [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5 || K. D. Feldpostexped | 14. 5. 16. 9-10 V | der 11. Landw-Div. | [ms.:] Feldpostkarte | Frau | Martha Klemp | Podgorz b. Thorn | Marktstr 11. || [print:] Georg Stillke, Berlin NW. 7 || [ms.:] Lida den 12 5. 16. | Liebe Martha! | Bin 2 Tage in Lida gewesen | um Besorgungen zu machen | Es geht in der Stadt auch | alles seinen Alten Gang | und ist kein Krieg zu hören | wie zu sehen. Sonst alles | gesund |Es grüßt herzlichst | Dein Gustav\u003c/p\u003e","\u003cp\u003eText in English: Front: {Lida, Vilnius street - Private Klemp 11 Company Landwehr Infantry Regiment 5. 11 Landwehr Division} Back: {[stamp:] Delivery permitted. 11th Company Landwehr Infantry Regiment No. 5 - K. D. Military postal services delivery May, 14, 1916. 9-10 am of 11th Landwehr Division | [ms.:] Military services postcard Mrs. Martha Klemp, Podgórz near Toruń, Market street 11. - [print:] Georg Stillke, Berlin North West 7 - [ms.:] Lida, May 12, 1916. Dear Martha! I have been in Lida for 2 days to run errands. Everything as usual in the city, and there is no war to be heard and seen. Everybody else is healthy. Best regards, Yours, Gustav}\u003c/p\u003e","\u003cp\u003eText in German: Back: [stamp:] Beförderung [zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5] || K. D. Feldpostexped | 22. 7. 16. 9-10 V | der 11. Landw-Div. | [ms.:] Feldpostkarte | An | Frau Marlermstr Klemp | Podgorz b. Thorn | Marktstr 11. || [ms.:] Abs. Gefr Klemp | 11. Komp. L. I. R. 5. | 11. L-D. | im Osten. || Rußl. den 19. 7. 16. | Liebe Martha! | Das letzte Paket erhielt ich auch | Diese Wurst war aber schön die vorige | nicht (wie Gummi.) Deinen Brief hab | ich Dir wohl schon beantwortet. Kannst | Du mir nicht gelegentl. 1/2 mtr Gase [Gaze] her- | schicken. Denn es sind hier so viele Mücken | hauptsächlich nachts daß man nicht | schlafen kann. Wie geht es Euch alles | gesund? Habe mir wieder paar Bilder | machen lassen, sonst ist noch alles beim | Alten. Richard ist ja nun auch noch in | Thorn oder nicht mehr war es schon bei | Euch? Es grüßt Dich herzlichst Dein | Gustav | Gruß Elschen u Willi.\u003c/p\u003e","\u003cp\u003eText in English: Back: {[stamp:] Delivery [permitted. 11th Company Landwehr Infantry Regiment No. 5] - K. D. Military postal services delivery July, 22, 1916. 9-10 am of 11th Landwehr Division | [ms.:] Military services postcard To Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11. - Sender Private Klemp 11th Company Landwehr Infantry Regiment 5. 11th Landwehr-Division in the East. - Russia, July 19, 1916 Dear Martha! I also received the last package. This sausage was good, the previous one not (like rubber.) I have received your letter and I have already answered it. Could you please send me 1/2 Meter gauze. There are so many mosquitoes here, mainly at night so that I cannot sleep. How are you all, are you healthy? I have printed a few more pictures, otherwise everything is still the same. Richard is now also in Toruń, or not any more -  did he visit you? I am sending my sincerest regards, yours, Gustav - Greetings to little Else and Willi.}\u003c/p\u003e","\u003cp\u003eKlemp is marked by an \"x\" on his chest.\u003c/p\u003e","\u003cp\u003eText in German: Back: [ms:] Feldpostkarte! | Frau | Malermstr Klemp | Podgorz - Thorn | Marktstr 11. || Reg. Gefr Klemp 11. Kanz L. I. R 5. 11. L-D | im Osten || Rußl. 22. J. 16. | Liebe Martha! | Daß Paket erhalten besten | Dank. schreibe Dir bald im | Brief näheres. Umstehend | eine Ansicht von unserem | Waldlager mit den Hütten, | darin wir wohnen. | Herzlichsten Gruß | Gustav. || [postmark:] K. O. Feldpostexp.| 24. 7. 16. 9-10 V | der 11. Landw. Div. [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5\u003c/p\u003e","\u003cp\u003eText in English: Back: {Military service postcard! Mrs. Master Painter Klemp, Podgórz - Toruń, Market street 11. - Reg. Private Klemp 11. Kanz. Landwehr Infantry Regiment 5. 11th Landwehr-Division, in the east - Russia. July 22, 1916. Dear Martha! I have recieved the package, many thanks. I will write more soon in a letter to you. On the back side you see our camp in the forest with the huts, in which we live. Kindest regards, Gustav. [postmark:] K. O. Military posatal service expedition July 24, 1916. 9-10 am, of the 11th Landwehr Division. [stamp:] Carriage permitted. 11th Company Landwehr Infantry Regiment. No. 5}\u003c/p\u003e","\u003cp\u003eText in German: Front: Geschäftszimmer | III. Batl. | Landw. Inf. Regt. 21 Back: [ms:] Abs. Tdef. Bergau, L.-I.-R. 21. 85 L.-D. | Stab III. B. || An Gefr. [?] [Kle]mp | L.-I.[?] | 11. Komp. [?] || 25. 7. 16. | Mein liebes Junggchen! Für Deine Aufnahme sage ich Dir | besten Dank. Du bist bestens getroffen. Augenblick- | lich liegen wir bei L.-I.-R. 6. Vielleicht ist es möglich, | daß wir mal telef. sprechen [?] umgehend, | wo ich Dich erreichen [?] ich Dir ebenfalls | eine Aufnahme von [?] rausfinden | wirst, das ist eine an [?] uche mal Br. Schl. | soll, wie er mir schrieb, [?], liegt aber augen- | blicklich im Thorner Lazarett. Sonst alles beim alten. | Mit frdl. Gruß Dein alter Kinder Gust. | [?] August nach Rußland. Gruß. || [postmark:] K[?] | 25. 7. 16. 4-5 N | d. 3. Land[?] [stamp:] Brief-Stempel | Kgl. 11. Komp. Landw. Inf.- Regt Nr. 21\u003c/p\u003e","\u003cp\u003eText in English: Front: {Office, 3rd Bataillon, Landwehr Infantry Regiment 21} Back: {Sender: Tdef. Bergau, Landwehr-Infantry-Regiment 21. 85 L.-D. Staff III. Bataillon - To Private Klemp. Landwehr-Infantry [?] | 11th comp. [?] - July 25, 1916 - My dear little boy! Many thanks for your picture. You are depicted accurately. Right now, we are at Landwehr-Infantry-Regiment 6. Perhaps it is possible that we can talk on the phone. [Let me know] immediately, where I can reach you. [I will] also find a picture of [you] will, that's an[other ?] meet Br. Schl., who is, as he wrote to me, [?] but is currently in the Thorn military hospital. Otherwise everything is the same. Kind regards, your old kid Gust. [?] August to Russia. Greetings. [postmark:] K[?] July 25 1916. 4-5 pm Landwehr [?] [stamp:] Letter stamp, Royal 11th Company Landwehr Infantry Regiment No. 21}\u003c/p\u003e","\u003cp\u003eText in German: Back: [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5 || K. D. Feldpostexped | 27. 7. 16. 9-10 V | der 11. Landw-Div. | [ms.:] Feldpostkarte! | Frau | Marlermstr Klemp | Podgorz - Thorn | Marktstr 11. || [ms.:] Gefr. Klemp 11. Komp. L. I. R. 5. 11. L.-D. im Osten || Rußl 25. J. 16. | Liebe Martha! | Erhielt Deine Karte und muß | Dir mitteilen daß ich Dir längst | wieder mal schrieb und Du doch die | Post inzwischen erhalten haben | wirst. Mutter schrieb mir auch | gestern, ebenfalls Max. Sonst | noch alles beim Alten. Es grüßt | Dich herzlichst Gustav | Gruß Elsken u[nd] Willy\u003c/p\u003e","\u003cp\u003eText in English: Back: {[stamp:] Delivery permitted. 11th Company Landwehr Infantry Regiment No. 5 - K. D. Military postal services delivery July, 27, 1916. 9-10 am of 11th Landwehr Division | [ms.:] Military services postcard! Mrs. Master Painter Klemp, Podgórz-Toruń, Market street 11. - Private Klemp 11th Company Landwehr Infantry Regiment 5. 11th Landwehr-Division in the East - Russia J[uly] 25, 1916. Dear Martha! I have received your card and I let you know that I have written again some time ago, you should have gotten the mail meanwhile. Mother also wrote to me yesterday, also Max. Otherwise, everything is still the same. Best regards, Gustav - Greetings to little Else and Willy}\u003c/p\u003e","\u003cp\u003eText in German: Front: [print:] Russische Kirche, Brest Litowsk | [ms:] Russia | Gefr. Klemp 11. Prinz. L. I. R. 5. Osten Back: [print:] Herausgegeben von der Feldbuchhandlung der Bug-Armee || [ms:] Feldpostkarte! | Frau Martha Klemp | Podgorz. Thorn | Marktstr. 11. || Osten 26. 9. 16. | Liebe Martha! | Einen herzl. Gruß | und die Mitteilung | daß ich [noch] gesund und | m[unter bi]n. | H[?] allen | Dein Gustav || [postmark:] K. II. Feldpoststation | 27. 9. 16 5-6 N | [?] 191 [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5\u003c/p\u003e","\u003cp\u003eText in English: Front: {Russian Church, Brest Litovsk, Russia - Private Klemp 11th Prince Landwehr Infantry Regiment 5. East} Back: {Published by the field bookstore of the Army of the Bug - Military service postcard! - Ms. Martha Klemp, Podgórz, Toruń, Market street 11. - East, September 26, 1916. Dear Martha! Kind regards to you, with the message that I am healthy and fit. Yours Gustav [postmark:] K. II. Feldpoststation, September 27. 1916 5-6 pm [?] 191 [stamp:] Carriage permitted. 11th Company Landwehr Infantry Regiment No. 5}\u003c/p\u003e","\u003cp\u003eThe city of Brest-Livosk was considered part of Poland from the end of WWI until the annexation by Russia following the end of WWII. Brest Litovsk is known today as Brest, Belarus, following the breakup of the USSR in 1991.\u003c/p\u003e","\u003cp\u003eText in German: Front: [print] Baranowitschi Russische Kirche | [ms] Russia | Abs. Gust. Klemp | 11, L.-I.-R 5. | Feldpost: Sation 219 | Osten Back: [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5 || K. D. Feldpoststation | 22. 9. 16. 6-7 N | Nr 219 || [ms.] Feldpostkarte! || Frau | Martha Kl[emp] | Podgorz - Thorn | Marktstr. 11 || Rußl. 22. Sept. 16. | Liebe Martha! | Habe Deinen letzten Brief | und auch die Karte erhalten | besten Dank. Dir geht es nach | Deinem Schreiben dann noch so | einigermaßen. Wir sind schon | wieder weiter und änderte | sich unsere Adresse schon wieder. | Sonst noch all[es] [?]. Wenn sie zu | Hause so [?] [?]lten könnten | sie Dir [?] [?]ut ein Teil ab- | geben. D[?] sch[?]n sie Du an Rich. | oder Bruno. Herzl. Gruß Dein Gustav\u003c/p\u003e","\u003cp\u003eText in English: Front: {Baranavichy, Russian church. Russia, Sender: Gustav Klemp, 11, Landwehr-Infantry-Regiment 5, Military postal service 219, East} Back: {[stamp:] Delivery permitted. 11th Company Landwehr Infantry Regiment No. 5. K. D. Military services postal station, September 22, 1916, 6-7 pm, No. 219 [ms.] Military service postcard! - Mrs. Martha Klemp Podgórz - Toruń Market street 11 - Russia, September 22, 1916 - Dear Martha! Got your last letter and also the card, thank you very much. You are still okay, according to your letter. We have already moved on and our address has changed again. Everything else [?]. If they at home so [?] they [?] share a part of it with you. [?] you to Richard or Bruno. Best regards, yours Gustav}\u003c/p\u003e","\u003cp\u003eText in German and Hungarian: Front: Debreczen Pályaudvar Back: [print:] LEVELEZŐ-LAP || 54 sz. - 1916 Vasuti levelezőlapárusitás, Budapest, V., Kádár-utcza 4. || 206233 [ms:] Feldpostkarte! | Frau | Martha Klemp | Podgorz - Thorn | Marktstr 11 || 11. 12. 16. | Liebe Martha! | Sende Dir die herzl. | Grüße, habe noch | keine Nachricht von | Dir. Hast Du schon mit | Vater gesprochen? | Gruß Dein Gustav || [postmark:] K. D. Feldpostexped. | 11. 12. 16 4-5 N | a | d. 218 Infanterie-Div. [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5\u003c/p\u003e","\u003cp\u003eText in English: Front: {Debrecen Railway Station} Back: {Corresponce card no. 54 - 1916 Railway postcard sales, Budapest V., Kádár street 4. 206233 - Military service postcard! - Mrs. Martha Klemp, Podgórz - Toruń, Market street 11 - December 11, 1916 Dear Martha! I am sending you kindest regards, I still have don't have a message from you. Have you already talked with father? Regards, yours Gustav [postmark:] K.D. Military postal services delivery December 11, 1916 4-5 pm, a, 218th Infantry Division [stamp:] Carriage permitted, 11th Company Landwehr Infantry Regiment No. 5}\u003c/p\u003e","\u003cp\u003eText in German: Back: D. 31/5. 17. | L[iebe] Schwester | muß doch wieder mall | ein Lebenszeichen von | mit geben, und zugleich | ein Bild mit schicken | es ist eins aus meiner | Reihestellung. Sonst | geht es mir so leidlich | was ich auch von Dir hoffe | Lebes das essen selt setzt | Ich bin jetzt Waffenmeister | aber es muß auch so gehen | Was macht Gustav schreibe | mir doch sei[?] [?]rt. Was | macht der [?] es | Schreibe an [?]all | Sei Herzlich Gegrüßt Dein Bruder | Max\u003c/p\u003e","\u003cp\u003eText in English: Back: {May 31, 1917. Dear sister, I have to send you a sign of life, and also send a picture. It's one from my [?]. Otherwise,  I feel not too bad, and I hope you too. [?]. I am now a weapon master,  but it has to work out. What is Gustav doing? Please give me his [?] Write to [?] Best regards, your brother Max}\u003c/p\u003e","\u003cp\u003eText in German: Front: Ltn. Back | gef. 24. 7. 17.\u003c/p\u003e","\u003cp\u003eText in English: Front: {Lieutenant Back, killed in action July 24, 1917}\u003c/p\u003e","\u003cp\u003eText in German and Hungarian: Front: Kronstadt Back: [print:] BRASSÓ - KRONSTADT - BRAŞOV | Kapu Boglárszeg felt || Vasuti levelezőlapárusitás, Budapest, V. Kádár-utca 4 || 20221 || [ms:] Feldpostkarte | Frau | Martha K[lemp] | Podgorz - Thorn | Marktstr 11. || 3. 12. 17. | Liebe Martha! | gestern Montag 10 Uhr | kamen wir in Kronstadt | an, hatten guten Anschluß | Um 1 Uhr gehts weiter. | Alles [?]ter brieflich | Herz[?] Dein Gustav || Sanit.-Untffz Klem[p] | 10. Re[?] 5 III Btl || [postmark:] Deutsche Feldpost | 4. 12. 17 11-12 V | [?] [stamp:] Kronstadt | Brief- | stempel\u003c/p\u003e","\u003cp\u003eText in English: Front: {Brașov} Back: {BRASSÓ - KRONSTADT - BRAŞOV, Gate towards Boglárszeg, Railway postcard sales, Budapest V., Kádár street 4 - 20221 - Military service postcard - Mrs. Martha K[lemp], Podgórz - Toruń, Market street 11 - December 3, 1917. Dear Martha! We arrived in Braşov yesterday, Monday, at 10 o'clock, had good a train connection. At 1 o'clock we will continue. More by letter. Kind [regards,] Yours Gustav - Medical services corporal Klemp. 10th Regiment [?] 5 III bataillon [postmark:] German military service, December 4, 1917 11-12 am [stamp:] Braşov, letter-stamp}\u003c/p\u003e","\u003cp\u003eText in German: Front: Weihnacht 1917. Back: Diese Aufnahme machten wir [?] | Weihnachten als Probe sie ist gut | geworden, dagegen die Weihnachtsauf- | nahme wurde nichts das war ja schade | so hab ich wenigsten[s] dies | Gruß Gustav\u003c/p\u003e","\u003cp\u003eText in English: Front: {Christmas 1917} Back: {We took this picture Christmas as a test. It turned out well, on the other hand, [other?] Christmas photos were not good, that was a pity, so I have at least this. Greetings Gustav}\u003c/p\u003e","\u003cp\u003eKlemp is seated furthest on the right and marked by an \"x\" to the right of his head.\u003c/p\u003e","\u003cp\u003eText in German: Back: Altes rumänisches | Wohnhaus am Berg- | abhange in China Tal | nördl. Soveja. | 15. I. 18.\u003c/p\u003e","\u003cp\u003eText in English: Back: {Old Romanian house on the mountain slopes in China Valley, north of Soveja. January 15, 1918}\u003c/p\u003e","\u003cp\u003eText in German: Front: Unterstand hinter der Stellung | am Berge Ravetasi 800 m. | 18. II 18.\u003c/p\u003e","\u003cp\u003eText in English: Front: {Shelter behind the lines at mount Ravetasi (800 m), February 18, 1918}\u003c/p\u003e","\u003cp\u003eKlemp is standing on the right.\u003c/p\u003e","\u003cp\u003eText in German: Front: Rumania | Die besten Grüße aus | Rumänien | Gustav | 26. II. 18\u003c/p\u003e","\u003cp\u003eText in English: Front: {Romania - Best regards from Romania, Gustav February, 26, 1918}\u003c/p\u003e","\u003cp\u003eText in German: Front: Vom Untffz Klemp | 10. Komp. L..- I. R. 5. Back: [ms.] Feldpostkarte! | Frau | Martha Klemp | [Pod]gorz - Thorn | Marktstr. 11. || Rumaiv. den 4. [3. 1]8. | Liebe Martha! | Teile mit daß noch alles | wohl und ich wohl bald | Deinen Brief hier haben | werde warte schon sehr. | herzl. Gruß | Gustav || [postmark:] [?] Feldpost | 5. 3. 18 9-10 N\u003c/p\u003e","\u003cp\u003eText in English: Front: {From Corporal Klemp, 10th Company Landwehr Infantry Regiment 5} Back: {[ms.] Military service postcard! - Mrs. Martha Klemp, Podgórz - Toruń, Market street 11. - Rumaiv, March 4, 1918. Dear Martha! let you know that everything is fine well and that I will soon have your letter here. I am very much waiting for it. Best regards, Gustav [postmark:] [?] military postal service March 5. 1918 9-10 pm}\u003c/p\u003e","\u003cp\u003eText in German: Front: In Stellung auf dem Ravetasi am | 5. März 18. | Lt. Revosetewitz | 10. L. 5.\u003c/p\u003e","\u003cp\u003eText in English: Front: {In position on Mount Ravetasi on March 5, 1918 Lieutenant Revosetewitz 10. Landwehr 5.}\u003c/p\u003e","\u003cp\u003eText in German: Back: [ms:] Feldpost | San. Untffz. | Gustav Klemp | Landw Inf. Regt No 5. | III Bataillon | 10 Comp. || 11. 3. 18 | Lieber Freund! | Umstehend eine | Ansicht unserer Schreib- | stube. Klein aber fein | was? | Nun wird hier auch | so langsam Frühling. | Wie gehts u. wo steckt | Ihr | Schönen Gruß an | Treuer Freund Bruno || Abs. O. Gefr. Schlösser | s. 15 cm Kan. Bttr. No. 16 | Dtsche Feldpost 240 [postmark:] Deutsche Feldpost | 12. 3. 18 [stamp:] S. B. | s. 15 cm K. Battr. 16\u003c/p\u003e","\u003cp\u003eText in English: Back: {Military postal service - Medical services, Corporal Gustav Klemp Landwehr, Infantry Regiment no. 5, Third bataillon, 10th company - March 11, 1918 Dear friend! On the back you'll see our office. Small but mighty, isnt it? Now, finally spring starts. How are you and where are you. Greetings, your loyal friend Bruno - Sender: Private first class Schlösser, s. 15 cm Kan. Bttr. No. 16, German military postal service 240 [postmark:] German military postal service, March 12, 1918 [stamp:] S.B.|s. 15 cm K. Battr. 16}\u003c/p\u003e","\u003cp\u003eText in German: Front: Soldatenheim II Bukarest | Sanit. Untffz Klemp | 10. R. L. I. R. 5:  Back: [ms:] Feld- [print:] POSTKARTE | Soldatenheim II Cöln | Bukarest || M. Helbing || [ms:] Frau | Martha Klemp | Podgorz - Thorn | W. Pr. [Westpreußen]| Marktstr. 11. || Bukarest, den 11. 5. 18. | Liebe Martha! | Bin 2 Tage in Bukarest | und seh mir auch hier | mal die Stadt an, es | ist ja Ende was noch sehr | viel zu kriegen nur sehr | teuer am 13. fahr ich wieder | zurück nach Giurgiu werde Dir | später näheres mitteilen. | [ge]ht alles gut. Herzl. Gruß | Dein Gustav || [postmark:] Deutsche Feldpost | 11. 5. 18 4-5 [stamp:] Deutsches Soldaten[he]i[m]. | Feldp. | 808.\u003c/p\u003e","\u003cp\u003eText in English: Front: {Soldiers' quarter II Bucharest, Medical officer Klemp, } Back: {Military postcard - Soldiers' Quarter II Cöln, Bucharest - M. Helbing - Mrs. Martha Klemp, Podgórz - Toruń, West Prussia, Market street 11. - Bucharest, May, 11, 1918 - Dear Martha! For 2 days I am in Bucharest and do some sightseeing. There are still some goods available, but very expensive. On the 13th I'll go back to Giurgiu. I will write you more later. Everything goes well. Best regards, Yours Gustav [postmark:] German Military Service, May 11, 1918 4-5 [stamp:] German Soldiers' Quarter. Field Post Office 808}\u003c/p\u003e","\u003cp\u003eText in German: Front: Immer feste | auf die Weste. Back: [postmark:] Kais. Deutsche Feld[post] | 14. 5. | [stamp:] S. B. | s. 15 cm K. Battr. 16 | [ms.:] Feldpost | San. Untffz. Gus[tav Klem]p | 10. Komp Ld[w] [?] No 5 || Abs. O. Gefr. Schlösser | s. 15 cm Kan. Bttr. No. 16 || 14. 5. 18 | Lieber Gustav! | Schönen Dank für Deine | Karte vom 3. III. 18 | Auch [?] alles ruhig, | ab[er] [?] komms | D[?] Sitz | Ihr [?] dort? | En[?] des | Pfi[?] [?]ünscht | Dir Dein Freund | Bruno. | Wann gedenkst Du wieder | Urlaub zu bekommen?\u003c/p\u003e","\u003cp\u003eText in English: Front: {Always hard on the vest = Hit them as hard as you can} Back: {[postmark:] Imperial German military postal servive, May 14 [stamp:] S. B. s. 15 cm K. Battr. 16 [ms.:] Military postal service - Medical services, Corporal Gustav Klemp, 10th company Landwehr [Infantry Regiment] no. 5 - Sender: Private first class Schlösser, s. 15 cm Kan. Bttr. No. 16 - May 14, 1918 Dear Gustav! Thank you very for your card of March 3, 1918. Also [?] everything quiet, but  [?] it comes D[?] place your [?] there? [?] of the [?] wishes you, your friend, Bruno. When do you think you get leave again?}\u003c/p\u003e","\u003cp\u003eFront: {Always hard on the vest = Hit them as hard as you can} Back: {[postmark:] Imperial German military postal servive, May 14 [stamp:] S. B. s. 15 cm K. Battr. 16 [ms.:] Military postal service - Medical services, Corporal Gustav Klemp, 10th company Landwehr [Infantry Regiment] no. 5 - Sender: Private first class Schlösser, s. 15 cm Kan. Bttr. No. 16 - May 14, 1918 Dear Gustav! Thank you very for your card of March 3, 1918. Also [?] everything quiet, but  [?] it comes D[?] place your [?] there? [?] of the [?] wishes you, your friend, Bruno. When do you think you get leave again?}\u003c/p\u003e","\u003cp\u003eText in German: Back: [print:] Cellofix - Postkarte | D. R. P. Nr. 176323 || [ms:] Feldpost | Herrn | San. Uffz. | Gustav Klemp | Ldw. Inf. Regt No 5. | 10. Komp || Abs. O. Gef. Schlösser | s. 15 cm Kan. Bttr. No 16 | D. F. P. 189 | Lieber Gustav. Schönen Dank für | Deine Karte vom 22. 6, auf der Du | sehr gut getroffen bist. Wie kommt | es, daß Du noch nicht Sergeant bist. | 5 1/2 Jahre mußt Du doch schon | herumhaben. Vieleicht treffen | wir uns diesmal im Podgorz. Wann | fährst Du. Schönen Gruß Bruno || [postmark:] Deutsche Feldpost | 11. 7. 18 8-9 V [stamp:] S. B. | s. 15 cm K. Battr. 16\u003c/p\u003e","\u003cp\u003eText in English: Back: {Cellofix Postcard D. R. P. [German Reich Patent] No 176323 - Military postal service, Mr. Medical Officer Gustav Klemp, Landwehr Infantry Regiment No 5, 10th Company - Sender: Private first class Schlösser, s. 15 cm can. Bttr. No 16, German military postal service 189 - Dear Gustav. Many thanks for your card from June 22, you are depicted very well. How come that you are not a sergeant yet. You must have been served 5 1/2 years already. Maybe we will meet in Podgorz this time. When are you going. Best regards, Bruno [postmark:] German military service, July 11, 1918 8-9 am [stamp:] S. B. | s. 15 cm K. Battr. 16}\u003c/p\u003e","\u003cp\u003eCellofix was a paper used for printing photographs - advertisement in newspapers starting 1907.\u003c/p\u003e","\u003cp\u003eText in German: Front: Balesti 23. 11. 18 Back: Erinnerung an Balesti | 23. 11. 18.\u003c/p\u003e","\u003cp\u003eText in English: Front: {Băleşti, November 23, 1918} Back: {In memory of Băleşti, November 23, 1918}\u003c/p\u003e","\u003cp\u003eText in German: am 6. 6. 18 | erhalten.\u003c/p\u003e","\u003cp\u003eText in English: received June 6, 1918[.]\u003c/p\u003e","\u003cp\u003eText in German: Front: Unteroffizier-Corps 12/176 | Gruppe 1910 | 1033.100 Back: [print:] Nachbestellung dieser Karte jederzeit unter | Angabe der Nummer auf der Bildseite. || Photogr. Atelier Bruno Simon, Graudenz, Lindenstr. 30 | neben der kgl. Kommandantur. - Telefon Nr. 244 | Filiale: Truppen-Uebungspl. Gruppe. || [ms:] Familie | G. Klemp | in Podgorz | bei Thorn || Gruppe den 25. 8. IV. | Hier gehts uns gut | wünsche ein gleiches | von Euch. Wir reisen heute nach Danzig | Viele herzl. Grüße | Kerl || [postmark:] DANZIG | 26. 8. 19 5-6 N [stamp:] 5 [Pfennig] Deutsches Reich\u003c/p\u003e","\u003cp\u003eText in English: Front: {Corporal corps 12/176, Grupa, 1910 - 1033.100} Back: {[print:] Reorder this card at any time referring to the number on the picture side. - Photographic Studio Bruno Simon, Graudenz [Grudziądz], Linden Street 30, next to the royal commander's office. - Telephone No. 244 - Branch: military training area, Gruppe [Grupa].  [ms:] To family G. Klemp in Podgórz near Toruń - Gruppe, 25. 8. IV.  We are well here, wish a same of you. Today we will travel to Danzig [Gdansk]. Best regards, Kerl - [postmark:] GDANSK August 26, 1919, 5-6 pm [stamp:] 5 [Pfennig] German Reich}\u003c/p\u003e","\u003cp\u003eText in German: Front: 2. Komp. Inf. Rgts. 5 Stellin 1. Mai 1922 Back: [stamp:] Foto-Atelier Gebr. Herzberg Stettin, Schulzenstr. 30-3 [cut off]\u003c/p\u003e","\u003cp\u003eText in English: Front: {2nd company infantry corps 5 - May 1, 1922} Back: {Photo studio Bros. Herzberg, Stettin [Szczecin] Schulzen street 30-3}\u003c/p\u003e","\u003cp\u003eText in German: Front: M v Buddenbrock. 1911 9. Back: Solche alte Bauernhäuser giebt [es] wohl | nicht bei Euch. Kennst Du es noch | lieber Erwin? Es ist das Delfsike | Haus an der Chausse nach Kosdorf.\u003c/p\u003e","\u003cp\u003eText in English: Front: M. von Buddenbrock 1911 September Back: Such old farmhouses probably do not exist near you. Do you still remember it dear Erwin? It is the Delfsike house on the road to Kosdorf.\u003c/p\u003e","\u003cp\u003eText in German: Front: Wer weiss ob wir | uns wiederseh'n. | G. Klemp | 6.06.\u003c/p\u003e","\u003cp\u003eText in English: Front: Who knows if we would see us again . G. Klemp, June 6\u003c/p\u003e","\u003cp\u003eText in German: Front: Klemp u. Bunn.\u003c/p\u003e","\u003cp\u003eText in English: Front: Klemp and Bunn\u003c/p\u003e","\u003cp\u003eText in German: Back: [print:] Feldpostkarte | Aufgabestempel | Meine Adresse ist: || [ms.:] Frau Malermstr. Klemp | Podgorz b Thorn | Marktstr. 11. | Gruß aus dem | Unterstand. Gustav \u003c/p\u003e","\u003cp\u003eText in English: Back: [print:] Postcard, militatry postal service - postmark - My address is: - [ms.:] Mrs. Master painter Klemp | Podgórz near Thorn - Market street 11. - Greetings from the shelter. Gustav\u003c/p\u003e","\u003cp\u003eText in German: Front: Dorfstrasse in Kapice. | vor Ossowiec. | 21. VI. 15.\u003c/p\u003e","\u003cp\u003eText in English: Front: Village road in Kapice,  near Ossowiec [Osówiec], June 21, 1915\u003c/p\u003e","\u003cp\u003eText in German: Front: Weg zum Batl. Stab III L. 5  5 klm nördl. Girucu | und Sanit. Unterstand 30 m. rechts vom Wege \u003c/p\u003e","\u003cp\u003eText in English: Front: Path to Bataillon staff III L. 5, 5 km north of Girucu, and medical corps shelter, 30 m on the right of the path\u003c/p\u003e","\u003cp\u003eText in German: Back: [print:] Postkarte [ms:] Frau Martha Klemp | Podgorz b. Thorn | Marktstr 11 || Przydwoly [?] Rußl. 9. 3. 15. | Liebe Martha! | Habe Dir hier auf einer kleinen | Zeichnung unsere Wohnung | im Walde [gezeichnet] wir sind hier | immer 3 Tage und Nächte auf | Wache und rücken dann | wieder zurück auf 2 Tage ins | Dorf. Bis jetzt gehts ja noch | so leidlich nur ist es jetzt sehr | kalt es sind heute 18 Grad. | Es grüßt Dich herzl. D. Gustav\u003c/p\u003e","\u003cp\u003eText in English: Back: [print:] Postcard [ms:] Mrs. Martha Klemp Podgórz near Thorn, Market street 11 - Przydwoly [?] Russia. March 9, 1915. Dear Martha! This little drawing shows our dwelling in the forest. We are here on guard for 3 days and nights and then move back to the village for 2 days. So far it is still passable but it is cold today, [minus] 18 degrees [Celsius] My best regards to you. Yours, Gustav\u003c/p\u003e","\u003cp\u003eText in German: Front: Der Feldbarbier. 12. VII. 15\u003c/p\u003e","\u003cp\u003eText in English: Front: The barber at the front, July 12, 1915\u003c/p\u003e","\u003cp\u003eText in German: Front: Russia | Alte u. neue kath. Kirche in Lipsk. Russl. 30. 8. 15. | G. K.\u003c/p\u003e","\u003cp\u003eText in English: Front: Russia - Old and new catholic church in Lipsk, Russia August 30, 1915, G[ustav] K[lemp]\u003c/p\u003e","\u003cp\u003eText in German: Front: Waldlager in Galizien | 25. 9. 15\u003c/p\u003e","\u003cp\u003eText in English: Front: Forest camp in Galicia, September 25, 1915\u003c/p\u003e","\u003cp\u003eText in German: Front: 3. II 16 | Judenmädchen | russ. Polen. | A. Lehmann\u003c/p\u003e","\u003cp\u003eText in English: Front: February 3, 1916 - Jewish girl,  Russian Poland [Congress Poland],  A. Lehmann\u003c/p\u003e","\u003cp\u003eThis portrait was likely created by a soldier that served with Klemp named A. Lehmann.\u003c/p\u003e","\u003cp\u003eText in German: Front: 5. II. 16 | A. Lehmann\u003c/p\u003e","\u003cp\u003eText in English: Front: February 5, 1916,  A. Lehmann\u003c/p\u003e","\u003cp\u003eThis portrait was likely created by a soldier that served with Klemp named A. Lehmann.\u003c/p\u003e","\u003cp\u003eText in German: Front: Unterstand des Batl. führers L. I. R. 5. | 15. II. 16 | GK.\u003c/p\u003e","\u003cp\u003eText in English: Front: Shelter for the chief of bataillon  L. I. R. 5. [infantry corps] February 15, 1916, G[ustav] K[lemp]\u003c/p\u003e","\u003cp\u003eText in German: Front: Kranken-Revier III Batl. L. I. R. 5. | 15. III. 16 | GK.\u003c/p\u003e","\u003cp\u003eText in English: Front: Infirmary, Third bataillon L. I. R. 5. [infantry corps]  March 15, 1916, G[ustav] K[lemp]\u003c/p\u003e","\u003cp\u003eText in German: Front: GK 30. III. 16. | Einschlag einer 15 cm. Granate vorm Graben.\u003c/p\u003e","\u003cp\u003eText in English: Front: G[ustav] K[lemp] March 30 1916 - Impact of a 15 cm grenade in front of the trenches\u003c/p\u003e","\u003cp\u003eText in German: Front: Meine Wohnung Juli 1916 | G. Klemp\u003c/p\u003e","\u003cp\u003eText in English: Front: My home July 1916, G. Klemp\u003c/p\u003e","\u003cp\u003eText in German: Front: Gorodischtsche 18. 9. 16.\u003c/p\u003e","\u003cp\u003eText in English: Front: Gorodischtsche [Horodyszcze?] September 18, 1916\u003c/p\u003e","\u003cp\u003eText in German: Front: Stellung | am | Stochod | 15. Nov. 16.\u003c/p\u003e","\u003cp\u003eText in English: Front: Camp near river Stokhid, November 15, 1916\u003c/p\u003e","\u003cp\u003eText in German: Front: Antonowka Wolynien 27. XI. 16. | Fertigmachen! GK.\u003c/p\u003e","\u003cp\u003eText in English: Front: Antonowka [Antonivka] Volhynia, November 27, 1916 - Arise! G[ustav] K[lemp]\u003c/p\u003e","\u003cp\u003eText in German: Front: Kapelle u. Kloster bei Soveja i Rumänien. m. Heldenfriedhof 12. 9. 17.\u003c/p\u003e","\u003cp\u003eText in English: Front: Chapel and monastery near Soveja in Romania, with war cemetery September 12, 1917\u003c/p\u003e","\u003cp\u003eText in German: Front: Giurgiu. i. Rum. Centrum. GK. 7. 6. 18\u003c/p\u003e","\u003cp\u003eText in English: Front: Giurgiu in Romania, center G[ustav] K[lemp] June 7, 1918\u003c/p\u003e","\u003cp\u003eText in German: Front: zerstörte Strasse in Guirgiu Str Indepentei 17. 5. 18. Kl.\u003c/p\u003e","\u003cp\u003eText in English: Front: Destroyed street in Guirgiu, Independence Street May 17, 1918 Kl[emp]\u003c/p\u003e","\u003cp\u003eText in German: Front: Bukaresterstr. | in Giurgiu. | GK. 20. 5. 18.\u003c/p\u003e","\u003cp\u003eText in English: Front: Bukarest street in Giurgiu, G[ustav] K[lemp] May 20, 1918\u003c/p\u003e","\u003cp\u003eText in German: Front: Giurgiu. i. Rum. Centrum. GK. 7. 6. 18\u003c/p\u003e","\u003cp\u003eText in English: Front: Giurgiu in Romania, center G[ustav] K[lemp] June 7, 1918\u003c/p\u003e","\u003cp\u003e375th Anniversary of the German Reformation commemorative medal, featuring image of German Kaiser Wilhelm II, circa 1892.\u003c/p\u003e","\u003cp\u003eCommemorative medal for the alliance of Germany with Austria-Hungary, featuring image of Austrian Kaiser Franz-Joseph and German Kaiser Wilhlem II, 1915.\u003c/p\u003e","\u003cp\u003eCommemorative medal for Battle of Coronel, featuring image of German Admiral Maximilian von Spee, 1914.\u003c/p\u003e","\u003cp\u003eCommemorative medal for German field marshal August von Mackensen, circa 1914.\u003c/p\u003e","\u003cp\u003eRestriction: Restricted due to preservation concerns. A digitized version of this narrative can be found \u003cextptr show=\"new\" title=\"here.\" href=\"http://images.gmu.edu/luna/servlet/detail/GMU~11~11~1098~188409:Narrative-of-World-War-I-journal?sort=title%2Cdate%2Ccreator%2Csubject\u0026amp;qvq=sort:title%2Cdate%2Ccreator%2Csubject;lc:GMU~11~11\u0026amp;mi=29\u0026amp;trs=129\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003eOriginally housed in handwritten narrative, removed and rehoused due to preservation concerns.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["\nThe Gustav Klemp World War I collection consists of postcards (both photographic and printed), photographs, artworks, commemorative medals, and a handwritten narrative that document the military service experience of Gustav Klemp, a Prussian medic with the German army who served on the Eastern Front during World War I. The materials were created from circa 1892-1920s, with the bulk of materials created from 1914-1918. Many of the photographic postcards are group portraits of German soldiers, as well as images of military camp life, many of which feature Klemp. Several of the postcards have messages written in Kurrent and Latin script from Klemp to his wife, Martha Klemp, and other friends and family. Klemp sent postcards from across the Eastern Front, including Hungary, Poland, Romania, Russia, and Ukraine.\n","\nAlso included in the collection are artworks created by Klemp during his time on the Eastern Front. These include watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. A couple of the pieces of art in this collection were likely painted by one of his fellow soldiers and acquired by Klemp during his service.\n","\nTranscription and translation of text is provided where applicable in the inventory scope notes.\n","Text in German: Front: Die Maler | des | 7. Armeecorps in der Senn[e] | 1905-06 || 646. Back: [print:] Postkarte | An | [ms.:] Herrn | Gustav Kl[emp] | [print: ] in [ms.:] Thorn W/Pr. | [print:] Wohnung. [ms.:] Janitzenstr 4 [stamp:] SENNELAGER | [?] 10 [?] || THORN | 10. 6. 06. 2-3 V | 1 a || [print:] A. Ophoven Photograph, Paderborn, Filiale Sennelager. || [ms.:] Liebe Eltern! | Das Soldbuch erhalten besten Dank | werde nächstens Antwort schreiben | auf dieser Karte sind alle Maler | die sind am [?] [Jun]i abgelöst worden | und ich m[uß] noch [?] bleiben | hier und [?] versch[?] [?]ich bis Schluß | wenn es gut geht [?] grüßt allen | herzlichst Euer dankbarer | Sohn Gustav {[print:]","Text in English: Front: {The Painters of the 7th Army Corps in the Senne. 1905-06 - 646}. Back: Postcard - To [ms.:] Mr.  Gustav Klemp [print: ] in [ms.:] Toruń West Prussia [print:] address [ms.:] Janitzen street 4 [stamp:] SENNELAGER 10 -  THORN June 10, 1906 2-3 am 1 a [print:] A. Ophoven Photographer, Paderborn, branch Sennelager. [ms.:] Dear parents! I received the military passbook, thank you very much. I will write an answer soon. There are all painters on the back of this card, they were relieved on June, [?] and I have to stay here and [?] different [?] until the end if it goes well. [?] greets everyone. Sincerely, your grateful son Gustav}.","Klemp is marked in the image by an \"x\" on his chest.","License plate reads \"IA-3783.\" \"IA\" was the licence plate code for Berlin, Germany from 1906-1945.","Text in German: Drogerie | Bäckerei | Restaurant | Niederlag[?] Molkerei | Gustav Klemp Malermeister | Militär-Effecien Portemonaies Hosenträger Regensch[irme] Glacé-H[andschuhe] | Wäs[che]","Text in English: {Drugstore, Bakery, Restaurant, Niederlag[?] Dairy Shop, Gustav Klemp Master Painter, Military effeciens Wallets Suspenders Umbrellas Glacé-Gloves Drapery}","Klemp's storefront is visible in the background on the right.","Klemp is reclined in the right foreground and is marked by an \"x\" below him.","Text in German: Front: Zerstörte Strasse in Brest Litowsk. | Im Hintergrund die weisse Kirche. Back: Herausgegeben von der Feldbuchhandlung der Bug-Armee","Text in English: Front: {Destroyed street in Brest Litovsk. In the background the white church [St Nicholas Church].} Back: {Published by the field bookstore of the Army of the Bug}","Likely a religious procession or celebration based on clothing and canopy being carried, possibly Easter.","Text in German: Front: Lautenburg | Neuer Markt | [?]en Hensel | Destillation Johann K[?] Restaurant| Louis Bukofzer Back: [print:] Fr. Krykant jr. Lautenburg | Tx || [stamp:] G. P. K. THORN | GEPRÜFT UND ZU BEFÖRDERN || LAUTENBURG 14. 8. 14 3-4 N. | (WESTPR.) || [ms.:] Feldpost | Frau Malermstr Klemp | Podgorz Thorn | Marktstr 11. || Lautenburg 14. 8. 14. | [M]eine Liebe Marte! | Teile Dir nun mit | daß Du Sonntag kommen | kannst es ist so zwar ein | bischen weit aber die | anderen 2 Frauen | werden wahrscheinlich | auch fahren. Du mußt | schon früh fahren | sonst ge[?]st Du | nicht Also hoffe Dich | wieder zu sehen. | Gruß Dein Gustav.","Text in English: Front: {Lidzbark New Market - [inscription on houses:] Hensel, Distillery Johann K[?] Restaurant, Louis Bukofzer} Back: {[print:] Fr. Krykant jr. Lidzbark Tx [stamp:] G. P. K. TORUŃ | CHECKED, SAFE FOR DELIVERY - LIDZBARK August 14, 1914 3-4 pm (WEST PRUSSIA) [ms.:] Military service post Mrs. Master Painter Klemp, Podgórz Toruń, Market street 11. -  Lidzbark, August 14, 1914.  My dear Marte! I am telling you that you can come on Sunday. Although it is a bit far but the other two women will probably also come. You must leave early otherwise you will not [?]. So I hope to see you again. Greetings, yours Gustav.}","Text in German: Front: [Rot:] Fest steht u treu | Michel wach auf! | Einigkeit macht stark! | Nur immer ran bei uns ist geladen. || Helgoland Kiel Lübeck Stettin Danzig Berlin Leipzig Dresden Breslau Metz Strassb. München WIEN Buda Pest Pola [Grün, England:] mir wird ganz mies! || ENGLAND Hull Yarmouth London Dover [Grün, Belgien, Frankreich:] Oh weh - zwei Jahre zu früh! | Wo bleiben meine Siege? | Albert wo bist Du? || BELGIEN FRANKREICH Calais Lille Namur Lüttich Brest Havre Paris Nancy Nantes Epinal Marseille Nizza Toulon Corsica [Grün, Russland:] Ich erspare Euch die Arbeit und zerstöre meine Hafen selbst. | Da habe ich meine Nase schön hinein gesteckt. | Kaukasusrevolution! || RUSSLAND Moskau Warschau. Odessa [Grün, Serbien:] Das gibt eine schöne Schweinerei! || SERBIEN MONTENEGRO Belgrad [Weiß, Nord:] NORD-SEE HOLLAND DÄNEMARK SCHWEDEN Göteborg [Weiß, Südwest:] neutral. || SPANIEN Barcelona MITTELLÄNDISCHES MEER. || Wir bleiben neutral!  || SCHWEIZ Basel Luzern Bern ITALIEN Mailand Turin Venedig Rom. ADRIATISCHES MEER [Weiß, Südost:] Unser neuer Bund. || ALBANIEN RUMÄNIEN BULGARIEN TÜRKEI SCHWARZES MEER Skutari Back: [stamp:] Reserve-Lazarett | des 3. Armee-Korps [postmark:] Berlin-Oberschöneweide | 4. 12. 14. 5-6 N. [print:] Humoristische Völker-Kriegskarte Nr. 5 | Verlag Hermann Becker, München [ms:] Feldpost | Landwehrmann | Gustav Klemp | 11 Komp Landwehr Regt. No. 5 | Landwehr Div. von Einem || Berlin-Oberschöneweide, d. 4. 12. 14 | Lieber Bruder! Da ich jetzt | Deine Adresse von Teuse er- | halten habe, teile ich Dir | mit daß ich an einer Ver- | wundung am l. Arm u l. Ober- | schenkel hier im Königin-Elisabeth- | Hospital liege. Ist aber schon am | Heilen und gehe schon am Stocke | herum. Sonst ist es [?] auszuhalten. | Mit Gruß Richard","Text in English: Front: {[Red:] Stay firm and loyal - Deutscher Michel, wake up! - Together we are stronger! - Come, our weapons are loaded. - Helgoland Kiel Lübeck Stettin Gdansk Berlin Leipzig Dresden Wroclaw Metz Strassbourg Munich VIENNA Budapest Pola [Green, England:] I feel really bad! - ENGLAND Hull Yarmouth London Dover [Green, Belgium, France:] Oh dear - two years too early! - Where are my victories? - Albert, where are you? - BELGIUM FRANCE Calais Lille Namur Liège Brest Le Havre Paris Nancy Nantes Epinal Marseille Nice Toulon Corsica [Green, Russia:] I save you the work and destroy my harbors myself. - I stuck my nose into this mess. - Caucasus Revolution! - RUSSIA Moscow Warsaw. Odessa [Green, Serbia:] That's a pretty mess! - SERBIA MONTENEGRO Belgrade [White, North:] NORTH SEA HOLLAND DENMARK SWEDEN Gothenburg [White, Southwest:] neutral. - SPAIN Barcelona MEDITERRANEAN SEA. - We remain neutral! - SWITZERLAND Basel Lucerne Bern ITALY Milan Turin Venice Rome. THE ADRIAN SEA [White, Southeast:] Our new covenant. - ALBANIA ROMANIA BULGARIA TURKEY BLACK SEA Scutari} Back: {[stamp:] Reserves Hospital of the 3rd Army Corps [postmark:] Berlin-Oberschöneweide December 4, 1914 5-6 pm [print:] Humorous Nations War Map No. 5 - Publisher Hermann Becker, Munich [ms:]  Military service postcard - Landwehr man Gustav Klemp,  11th Company Landwehr Regiment No. 5, Landwehr Division \"von Einem\" - Berlin-Oberschöneweide, December 4, 1914 Dear brother! I now got your address from Teuse, so I can share with you that I am in the Queen Elisabeth Hospital with wounds on the left arm and left upper thigh. But it is already healing and walk around with a stick. Otherwise it is [?] bearable. With regards, Richard}","Text in German: Back: [print:] Fritz Krauskopf, Königsberg i. Pr. und Ostseebad Cranz.  || [stamp:] [?] | 28. 12. 14 10-11 [?] | Landw. Div. v. Einem || [ms.:] An | Frau Malermstr. | Klemp | Podgorz b. Thorn | Marktstr 11. || Lötzen 27. 12. 14. | Liebe Marta! | Diese Karte erhielten | wir alle als Geschenk. | Der Herr mit dem 1 | Kreuz unser Rgts- | Kommandeur | mit den 2 Kreuzen | Battaillons Kom- | mandeur ist aber | schon gefallen. | Sonst nichts neues | Es grüßt Dich | herzl. D. Gustav.","Text in English: Back: {[print:] Fritz Krauskopf, Königsberg in Prussia and Baltic Sea resort of Zelenogradsk. [stamp:] [?] | December 28, 1914 10-11 Landwehr Division v. Einem [ms.:] To Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11. - Giżycko, December 27. 1914 Dear Martha! We all got this card as a gift. The person with one cross our Regiment-Commander, with two crosses, the Battalion Commander, but he is already killed in action. Otherwise, nothing new. Kindest greetings, Yours, Gustav.}","Text in German: Front: Infanterie im Schützengraben Back: Serie: Das Deutsche Heer. | Nr. 1854 | Nachdruck strengstens verboten.","Text in English: Front:  {Infantry in the trenches} Back: {Series: The German Army. - No. 1854 - Reproduction strictly prohibited.}","A small tree and wine on the table suggests the soldiers are celebrating the Christmas holiday.","Text in German: Back: Skat-Gesellschaft | [?] in Unterstand | auf Höhe 120 Nord | nr Ossowiec","Text in English: Back: {Game of Skat in shelter, 120 north, near Osowiec}","Klemp is marked by an X.","Text in German: Front: Thorn Russische Grenzwache Back: DEPOSÉ BERLIN | Ch. L. i. B. Nr. 843","Text in English: Front: {Toruń Russian border guard}","Text in Polish: Front: Lwów. Plac Maryacki z pomnikiem Mickiewicza. | Lemberg. Maryacki-Platz u. Mickiewicz-Denkmal Back: POCZTÓWKA. || Wydawnictwo kart artystycznych D. G. Lwów. | Násladownictwo zastrzeżone | Nr 16","Text in English: Front: {Lviv. St. Mary's Square and Mickiewicz monument} Back: {Post card. Publisher for artistic cards D. G. Lviv. Reproduction reserved No. 16}","Text in Polish: Front: Lwów. Plac Fredy. | Lemberg. Fredro-Platz. Back: POCZTÓWKA. || Wydawnictwo kart artystycznych D. G. Lwów. | Násladownictwo zastrzeżone | Nr 24","Text in English: Front: {Lviv. Fredro Square} Back: {Post card. Publisher for artistic cards D. G. Lviv. Reproduction reserved No. 24}","Text in Hungarian: Front: Budapest. Bazilika. - Basilik. Back: LEVELEZŐ-LAP | SHHN | No. 9","Text in English: Front: {Budapest Basilica} Back: {Correspondence card SHHN No. 9}","Text in German: Front: [print:] Russisches Gymnasium, Brest-Litowsk. | 212 [ms:] Russia Back: Herausgegeben von der Feldbuchhandlung der Bug-Armee","Text in English: Front: {[print:] Russian High school, Brest - 212 - [ms:] Russia} Back: {Published by the field bookstore of the Army of the Bug}","Brest-Litovsk was considered part of Poland from the end of WWI until the annexation by Russia following the end of WWII. Brest-Litovsk is known today as Brest, Belarus, following the breakup of the U.S.S.R. in 1991.","Text in Polish: Front: Lwów. Dworzec. | Lemberg. Bahnhof. Back: POCZTÓWKA. || Wydawnictwo kart artystycznych D. G. Lwów. | Násladownictwo zastrzeżone | Nr. 3","Text in English: Front: {Lviv. Railroad Station} Back: {Post card. Publisher for artistic cards D. G. Lviv. | Reproduction reserved No. 3}","Klemp is reclining on the left.","Text in German: Back: Fritz Krauskopf, Königsberg i. Pr. und Ostseebad Cranz. ","Text in English: Back: {Fritz Krauskopf, Königsberg in Prussia and Baltic Sea resort of Zelenogradsk.}","Text in German: Front: Landsturmwache vor ihrem Unterstand | in Ruzige","Text in English: Front: { Landsturm guards in front of shelter in Ruzige}","Text in German: Front: Freispruch in | den russ. Bergen.","Text in English: Front: {Acquittal in the Russian mountains.}","Klemp is reclining on the ground in the front right of the group.","Text in German: Front: Wie lange dauerts noch?","Text in English: Front: {How long will it take?}","Text in German: Back: 1 Tnrn 11,5 x 2,13 √ | 1 \" 215 x 1,20 √ | 1 \" 2,00 x 095 x 2 √ | Schetterf. 1,25 x 1,10 | Fenster 2,00 x 1,20","Text in English: Back: {1 Tnrn 11.5 x 2.13 √ | 1\" 215 x 1.20 √ | 1 \" 2.00 x 095 x 2 √ | Schetterf. 1.25 x 1.10 | Window 2.00 x 1.20}","Text in German: Front: Vorgehende Dragoner Back: Serie: Das Deutsche Heer. | Nr. 1684 | Nachdruck strengstens verboten.","Text in English: Front: {Advancing Dragoons} Back: {Series: The German Army. - No. 1684 - Reproduction strictly prohibited.}","Text in German and Hungarian: Front: C. Delitz | Klassenbrüdersch[aft] Back: Feldpostkarte | Tabóri postai levelezőlap | [Absen]der: | [?]dó:","Text in English: Front: {C. Delitz Class brotherhood} Back: {Military postal service postcard - Sender:}","Text in German: Front: [print:] Wladimir Wolynsky. Russische Kirche. Orosz templom. [ms.:] Russia Back: H. Löw, Wladimir Wolynsky. | Druck Photobrom, Wien VII.","Text in English: Front: {[print:] Volodymyr, Russian Church [ms.:] Russia} Back: {H. Löw, Volodymyr - Printed by Photobrom, Vienna, 7th district}","Text in German: Back: [stamp:] K. D. Feldpost[?] | 23. 1. 15. 2-3 N | Landw. Div. v. Einem | [ms.:] Feldpost | Frau Malermstr | Klemp | Podgorz b. Thorn | Marktstr 11 || Kleszewen 22. 1. 15. | Liebe Martha! | Habe vom Feldw. | den Apparat und | damit diese Karte | gemacht bis mein | Apparat kommt | werde dann mehr | Bilder machen. | Warum schreibst | Du nicht? Habe schon | lange nichts gehört | Mit herzl. Gruß | Dein Gustav","Text in English: Back: {[stamp:] K. D. Military postal services [?] January 23, 1915. 2-3 pm Landwehr Division von Einem | [ms.:] Military services mail - Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11 - Kleszczewo, January 22, 1915. Dear Martha! I got the camera from the sergeant and took this photo, until I have my camera, I will then take more pictures. Why do you not write? I have not heard from you for a long time. With best regards, Yours, Gustav}","Klemp is seated on the left in his army medic uniform.","Text in German: Front: Brauche noch den Gummi- | ball sonst habe ich alles | Reise Taschentücher fehlen | Auf Wiedersehn! Back: [stamp:] K. D. F[eldpost?] | 29. 1. 15. 2-3 N | Landw. Div. v. Einem | [ms.:] Feldpost | Frau | Malermstr | Klemp | Podgorz W/Pr. b. Thorn | Marktstr || Kleszewen, 29. 1. 15. | Liebe Marta! | Wir erhalten voraussichtlich | am 3. Febr. paar Tage Ruhe | und wäre vielleicht | nun gelegenheit mir | meine Wäsche zu bringen | Sonsten genug. Frau Sceg- | manski fü[?] | Herzli[] [G]ustav","Text in English: Front: {I still need the rubber ball, otherwise I have everything. Travel Handkerchiefs are missing | Goodbye!} Back: {[stamp:] K. D. [military postal service] January 29, 1915  2-3 pm  Landwehr Division v. Einem | [ms.:] Military poatal services - Mrs. Master Painter Klemp, Podgórz West Prussia near Toruń, Market street - Kleszczewo, January 29, 1915. Dear Marta! We expect to get a few days off on February 3rd. This might be an opportunity to bring me my laundry. Otherwise enough [?] Mrs. Scegmanski for[?] Best regards, Gustav}","Klemp is seated on the left in his army medic uniform, marked by an X.","Text in German: Front: Auch eine Aufnahme die | ich hier schon machte. | später mehr. Back: [stamp:] K. D. Feldpostexped. | 9. 2. 15. 4-5 N | Landw. Div. v. Einem | [ms.:] Feldpost. | Frau Malermstr | Klemp | Podgorz b. Thorn || Kleszewen. 7. 2. 15. | Liebe Marta! | Muß Dir noch mitteilen | daß Du niemanden meine | Werkstatt öffnest. Erhielt | von Justizrat Schlee die Sache | wegen Lellner aber tut nichts | Kann auch nur etwas tun | wenn ich dort bin. Den geht | die ganze Sache doch nichts an | also Du weißt Bescheid | Gruß Dein Gustav","Text in English: Front: {Another photograph I took here. Soon more.} Back: {[stamp:] K. D. Military postal services delivery. February 9, 1915. 4-5 pm Landwehr Division von Einem [ms.:] Military services mail - Mrs. Master Painter Klemp, Podgórz near Toruń - Kleszczewo, February 7, 1915. Dear Marta! I have to let you know that you should not let anybody into my workshop. I got a note from Judicial Councilor Schlee because of Lellner but does nothing. I can only do something when I am there. That is none of his business. Now you know. Best regards, Yours, Gustav}","Text in German: Front: Von Julek schon b[?] [?] | er wird doch wohl zurückkommen Back: Feldpostkarte | Frau Malerm[eister] | Klemp | Podgorz b.. Thorn | Marktstr 11 || Rußland den 12. 5. 15. | Liebe Martha! | Sende Dir hier eine Karte | von unserer letzten Auf- | nahme, diese Karte ist ja | etwas bl[?]er Du wirst | mich scho[n] [?] [er]kennen | Habe ja [?] [?]keit | erhalten [?] Fixier- | salz fehlt [?] schick | es mir [?] Du | noch nicht [?] alles | gut. Schick [?] [?]chstens | noch einig[?] [A]ufnahmen | Nun seid recht herzlichst | gegrüßt Dein Gustav","Text in English: Front: {From Julek now  [?] I hope he will come back} Back: {Military services postcard - Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11 - Russia, May 12, 1915 Dear Martha! I am sending you this card with our last photograph. The card is somewhat [?] but you will recognize me. I have received [?] sodium thiosulfate is missing [?] please send it to me [?] everything else is fine. Send [?] Now, I am sending my best regards, Yours, Gustav}","The man seated on the right in a medic uniform is likely Klemp.","Text in German: Front: Unser Dorfquartier. || Du schreibst ja garnicht mal ob er dort ist | seine Urlaubszeit hat er ja nun bald | hinter sich. Die übrigen Karten behalt | mal dort werde erst noch sehen was | mit diesen wird. Nun seid alle | recht herzlichst gegrüßt von Deinem | Gustav Back: Feldpostkarte | Frau Malermstr Klemp | Podgorz b. Thorn. | Marktstr 11. || Rußland, den 14. Mai 1915. | Liebe Marta! | Deine Pakete habe ich gestern erhalten | sage Dir herzl. Dank Das Paket | mit den Zigarren ist aber | noch nicht hier hoffentlich | bleibt es nirgends stecken. | Diese Karte ist nichts besonderes | aber damit sie wegkommt schreib | ich sie. Die Karten sind nicht beson- | ders die Du mir schicktest. Ich wer- | de wohl die Platten zum Photo- | graphen schicken und Karten | machen lassen. Jeder will eine | haben und so viele gerate ich | garnicht. Ich warte jeden Tag | daß ich fahren kann aber es kommt | immer noch nicht. Sonst alles gut | Die Torte schmeckte gut nur ist | der Speck zu trocken und kann | ich ihn nur zum braten der Kar- | toffel brauchen. Wie ist es mit Julek.","Text in English: Front: {Our village quarter. You did not write whether he is there, soon his leave will be over. Keep the remaining cards, first I will see what to do with these. Now, best regards to all, from your Gustav} Back: {Military services postcard - Mrs. Master Painter Klemp Podgórz near Toruń, Market street 11. Russia, May 14, 1915. Dear Marta! I received your packages yesterday and I thank you very much. The package with the cigars has not yet arrived, I hope it has not gotten stuck somewhere. These cards are nothing special, but in order to get mailed I am using it now. The cards you sent me are nothing special. I may send the plates to the photographer and order cards. Everyone wants one and so many I cannot produce. I wait every day that I can get leave but the permit has not arrived. Otherwise, everything is fine.  The cake tasted good, only the bacon is too dry and can only be used it for frying potatoes. How about Julek.}","The seated man with the medic armband is likely Klemp.","Text in German: Back: [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5 || [?]STATION | [?| [ms.] Feldpostkarte | Frau Malermstr | Klemp | Podgorz b. Thorn | Marktstr 11 || Rußland, d. 8. 7. 15. | Liebe Martha! | Deine letzten Pakete erhielt | ich es waren die Karten, Wurst | und Butter aber leider noch | keine Antwort auf meinen | Brief von 29. 6. Sonst alles | wohl hoffe daß Du Dich noch | besinnst und schreibst mir | den Bescheid. | Es grüßt herzl | Herzliche Grüße sendet Gu[stav] | [?] Sellzmanski | [?] möchten gerne wieder zu N[?]n!","Text in English: Back: {[stamp:] Delivery permitted. 11th Company Landwehr Infantry Regiment No. 5 [?]STATION [?| [ms.] Military services postcard | Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11 - Russia, July 8, 1915 - Dear Martha! I have received your last packages with the cards, sausage and butter. But unfortunately still no reply to my letter of June 29. Everything else is okay. I hope that you still think about it and write to me. Heartfelt Greetings.  Kind regards sends Gustav [?] Sellzmanski - [?] would like to go back to N[?]n!}","Text in German: Front: soeben von Alfred ein Paketchen mit | Cigarren erhalten. Back: Feldpostkarte | Frau Malermstr | Klemp | Podgorz b. Thorn | Marktstr 11. || Russland d. 11. 7. 15. | Liebe Martha! | Noch eine Ansicht von einem | Drittel unserer Komp. wirst | mich doch wohl herausfinden | ebenfalls den Juleck. Diese | Karten ließen wir uns von | einem Photogr. machen mit | einem größeren Apparat. | Es grüßt alle herzlichst. | D. Gustav. || [stamp:] Beförderung [?] | 11. Komp. Landw. [?] Reg [?]","Text in English: Front: {Just received a little package from Afred with cigars.} Back: {Military postcard - Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11. - Russia , July 11, 1915 - Dear Martha! Another view of a third of our company, you will find me, also Juleck. A photographer took these pthotos with a larger apparatus. Warm regards to all. Yours, Gustav. - [stamp:] Delivery [?] 11th Company Landwehr [?] Regiment [?]}","Klemp is on the far left of the first standing row.","Text in German: Front: Sonst noch [?] [?] | Brief erhältst Du später | wenn ich Deinen habe Back: [stamp:] Beförderung zugela[ssen]. | 11. Komp. Landw. Inf. Regt. Nr. 5 || [ms.] Feldpostkarte | An Frau Malermstr | Klemp | Podgorz b. Thorn | Marktstr 11 || Liebe Martha! | Erha[lte] Deinen Brief und | die Zeitungen Du hast | anscheinend den letzten | Brief von mir nicht | erhalten, ich erwarte | aber die Antwort auf | den letzt geschickten | Anbei eine Aufnahme | von unserem Schützen- | graben. | Es grüßt auch | [?] alle Dein Gustav | Ruß[land] 17. 7. 15.","Text in English: Front: {Anything else [?] [?] You will receive a letter later after I have yours} Back: {[stamp:] Delivery permitted. 11th Company Landwehr Infantry Regiment No. 5 - [ms.] Military services postcard - To Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11 - Dear Martha!  I have received your letter and the newspapers. Apparently you have not received my last letter, but I expect the answer to the former letter. On the back a photograph of our trench. Greeting also  [?] all yours, Gustav - Russia, July 17, 1915.}","Text in German: Front: Erhielt heute von der Lieder- | tafel 50 Cigarren und Schoko- | lade sonst alles hier noch in | bester Ordnung und noch gesund | sonst nichts neues, die Zeitungen || habe ich bis jetzt noch immer | alle erhalten. Back: [stamp:] Beförderung zugelas[sen.] | 11. Komp. Landw. Inf. Regt. Nr. 5 || [ms.:] Feldpostkarte. | Frau Malermstr | Klemp | Podgorz b. Thorn | Marktstr. 11. || Russland d. 21. 7. 15. | Liebe Martha! | Könntest Du mir nicht den | Gummiball der sich bei | Schlösser befinden soll mal | mitschicken ich möchte ihn | gern haben Du weißt doch den | zum photographieren. Auch | wieder 50 Stck Celloidin Post- | karten (matt) Es grüßt [?] herzlichst Dein Gustav","Text in English: Front: {Today I received 50 cigars and chocolate from the choral society. Everything else here is in the best order and still healthy. Otherwise nothing new, I have received all the newspapers.} Back: {[stamp:] Delivery permitted. 11th Company Landwehr Infantry Regiment No. 5 - K. D. Military postal services delivery May, 14, 1916. 9-10 am of 11th Landwehr Division [ms.:] Military services postcard Mrs. Martha Klemp, Podgórz near Toruń, Market street 11. - Russia, July 21, 1915 Dear Martha! Could you please send me the rubber ball, likely located at Schlösser's. You know, the one I need for photographs. Also, again, 50 pieces Celloidin printing-out postcards (matt) Greetings [?] from your Gustav}","Text in German: Front: Habe von Julek auch eine solche | Aufnahme gemacht habe [?] | eins nicht so viel Kart[en] | er will noch einige Bilder | schickt auch ein ander [?] || Bild an die Liedertafel welche mir | Zigarren und Schokolade schickte. || Karl schrieb schon lange nicht mehr | werde gelegentlich ihm eine Karte schicken Back: [ms:] Feldpostkarte | Frau | Malermstr. K[lemp] | Podgorz - Thorn | Marktstr 11. || Rußland 27. 7. 15. | Liebe Martha! | Erhielt heute Deine Karte und | möchte fragen ob Du die Karten | schon abgeschickt hast möchte sie | gern bald haben da ich noch paar | Bilder zu machen habe. Deinen | Brief erhielt ich [?] hatte grade | an Dich ein [?]lt. Sonst | [?]t noch a[?] [?]rden | [w]ohl bald [?] grüßt | Euch alle herz[?] Gustav || [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5","Text in English: Front: {I also took a similar picture of Julek [?] one not so many cards, he wants some more pictures. I also sent another picture to the choral society which sent me cigars and chocolate. Karl hasn't written for a long time, I will occasionally send him a card.} Back: {Military service postcard Mrs. Master Painter Klemp, Podgórz - Toruń, Market street 11. - Russia July 27, 1915 Dear Martha! I received your card today and would like to ask if you have already sent the cards. I would like to have them soon because I will have to print a few pictures. I got your letter I received [?] I just sent you a [?]. Otherwise, [?] soon [?] greetings to all of you. Kind [regards] Gustav || [stamp:] Carriage permitted. | 11th Company Landwehr Infantry Regiment. No. 5}","Text in German: Front: Diese photogr. Karten heb man | alle auf es ist immer für später eine | Erinnerung || Denkst der Julek hat sich nicht | stolz hingestellt bald so [wie] ein | Schlachtenführer. Sonst geht es | hier noch so weiter. Back: [ms.] Feldpostkarte | Frau | Malermstr. Klemp | Podgorz b. Thorn | Marktstr. 11. || Rußland den 9. 8. 15. | Liebe Martha! | Heute am 9. erhielt ich das Paket mit | den Eiern aber konnte keines mehr | brauchen denn sie waren alle schlecht. | Schickt mir nicht mehr welche. Aber eine | Bitte hätte ich noch, Du möchtest mir doch | einen \"Aquarellkasten\" aber nicht | mit Tuben sondern den 4 eckigen Wür- | feln höchsten für 5 Mark kaufen | oder von jemand aus Thorn bringen | lassen wenn Du nicht Zeit hast. | Du bekommst ihn bei Buchhändler | Schulz Elisabethstr. Also weißt Bescheid. | Herzl. Gruß Dein Gustav || [stamp:] Brief-Stempel | Landwehr-Infanterie-Regiment Nr. 5 | III. Bataillon","Text in English: Front: {Please keep all these photographic cards - they are a memento for later. Don't you think that Julek presents himself as proudly as a battle leader. Otherwise, everything is still the same.} Back: {Military service postcard. Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11 - Russia August, 9 1915 - Dear Martha! Today on the 9th I received the package with the eggs, but I could not eat them because they were all rotten. Please don't send any more eggs. But I still have a wish, could you buy me a \"watercolor box\" but not with tubes but with four-cornered cubes, at most for 5 marks, or ask somebody to buy it in Thorn if you don't have time. You can get it at Bookseller Schulz, Elisabeth street. So, now you know. Best regards, yours Gustav [stamp:] letter stamp | Landwehr Infantry Regiment No. 5, III. battalion}","Text in German: Front: ... Kunstverlagsanstalt ... | G. Stalling, Oldenburg i/Gr. [Großherzogtum] || Nicola Perscheid | ... Hofphot. Berlin ... | Immer weiter vorwärts für | Kaiser und Reich! | von Hindenburg | General-Feldmarschall. Back: [print:] [Her]ausgegeben | zum Besten | des Deutschen | Vereins für | Sanitätshunde [recte: Sanitätskunde] | Oldenburg i/O. || Wohlfahrts- | [ms:] Feld- [print:] Postkarte || [ms:] An | Frau Malermstr. | Klemp | Podgorz b Thorn | Marktstr. 11. || Rußl. den 18. 8. 15 | Liebe Martha! | Sei doch so gut und schick | mir nun wieder nach | Empfang dieser Karte | Hemd und Unterhose es | ist nun mit diesen Sachen | nicht mehr viel anzufan- | gen es kőnnen aber schon | etwas wärmere sein. Sonst | geht es noch so leidlich Hoffentl. | bei Euch auch Es grüßt Dich und | die Kinder Herzl. Dein Gustav || [stamp:] Brief-Stempel | Landwehr-Infanterie-Regiment Nr. 5 | III. Bataillon","Text in English: Front: {Art publishing house G. Stalling, Oldenburg (in the Grand Duchy of Oldenburg) - Nicola Perscheid, photographer of the Emperial court, Berlin - Always forward for Emperor and Reich! von Hindenburg, General Field Marshall} Back: {Issued for the benefit of the German Association for Medical Science, Oldenburg in Oldenburg - Welfare military service postcard - To Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11 - Russia, August 18, 1915 - Dear Martha! Be so good and send me again, after you receive this card, shirt and underpants. The ones I have here are not of much use anymore. It could already be the warmer ones. Otherwise is it still tolerable. Hopefully with you too. Greetings to you and the children. Kind regards, Yours Gustav [stamp:] Letter stamp, Landwehr Infantry Regiment No. 5, III. Bataillon}","Text in German: Back: Rußland, 27. 8. 15. | Lieber Bruder! | [?] D[?] ich [?]sen | [?] vorangenblen | []ert's von Brestletowsk | sind. | Mit Gruß | Bruno.","Text in English: Back: {Russia, August, 27, 1915 Dear brother! [?] ahead from Brest are. With regards, Bruno.}","Klemp is seated in the front left of the image marked by an \"x\" on his chest","Text in German: Front: v. HINDENBURG | ERBAUT von der 9. KOMP. LDE. INF. RGT. 5 | 1914-15 | IMMER WEITER VORWÄRTS FÜR KAISER UND REICH!","Text in English: Front: {v. Hindenburg - built by the 9th Company Landwehr Infantry Regiment 5, 1914-15 - Always forward for Emperor and Empire!}","Text in German: Bei der Entlausung 25. I. 16.","Text in English: {Delousing January 25, 1916}","Text in German: Front: Schreiben Sie bald mal wieder | an mich. | I. Batl. Ldw. Fs. Art Batl 28 | 8 Armee 109 I. D. Osten Back: [stamp:] K. D. Feldpostexped | 15. 4. 16. 9-10 V | d. 109. Infanterie-Div. || [ms.:] Feldpost | Gefreiter | Gustav Klemp | 11 Comp. III Batl. | Ldw. Inft. Regt No 5 | I Armeekorps | 8. Armee | 11. Ldw. Division | 70. Ldw. Inft Brigade || [stamp:] Batterie Landw.-Fussartl.-Batl. No. 28 | Brief-Stempel || [ms.:] 14/4. 16. | Lieber Klemp, | Anbei eine Aufnahme | mit meinem Heini. | Meine Frau schreibt, Sie | wollen auf Urlaub | fahren. Im Mai werde | ich wahrscheinlich Urlaub | bekommen. Vielleicht | trifft unser beider Urlaub | zusammen. Sonst | gehts gut, wenn die | Grütze auch manchmal | nicht schmeckt. Es | grüßt bestens Schlösser","Text in English: Front: {Please write me again soon. Ist Battalion Landwehr Fuss Artillery Battalion 28 8th Army 109 Infantry Division East} Back: {[stamp:] K. D. Military postal services delivery April 15, 1916. 9-10 am 109 Infantry Division [ms.:] Military services mail - Private Gustav Klemp, 11th Company IIIrd Battalion Landwehr Infantery Regiment No. 5, Ist Army Corps 8th Army 11th Landwehr Division 70th Landwehr Infantry Brigade [stamp:] Battery Landwehr-Fuss Artillery-Battalion No. 28, letter stamp [ms.:] April 14, 1916. Dear Klemp, on the back you see me with my Heini. My wife wrote that you want to go on leave. In May I will probably get leave. Maybe we can meet during of our leave. Otherwise, I am fine, even if the groat sometimes does not agree with me. Best wishes, Schlösser}","Text in German: Front: [print:] LIDA | Wilnaer Strasse | [ms.:] Gefr. Klemp 11 Komp. L I. R 5. 11 Ldw. Div. Back: [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5 || K. D. Feldpostexped | 14. 5. 16. 9-10 V | der 11. Landw-Div. | [ms.:] Feldpostkarte | Frau | Martha Klemp | Podgorz b. Thorn | Marktstr 11. || [print:] Georg Stillke, Berlin NW. 7 || [ms.:] Lida den 12 5. 16. | Liebe Martha! | Bin 2 Tage in Lida gewesen | um Besorgungen zu machen | Es geht in der Stadt auch | alles seinen Alten Gang | und ist kein Krieg zu hören | wie zu sehen. Sonst alles | gesund |Es grüßt herzlichst | Dein Gustav","Text in English: Front: {Lida, Vilnius street - Private Klemp 11 Company Landwehr Infantry Regiment 5. 11 Landwehr Division} Back: {[stamp:] Delivery permitted. 11th Company Landwehr Infantry Regiment No. 5 - K. D. Military postal services delivery May, 14, 1916. 9-10 am of 11th Landwehr Division | [ms.:] Military services postcard Mrs. Martha Klemp, Podgórz near Toruń, Market street 11. - [print:] Georg Stillke, Berlin North West 7 - [ms.:] Lida, May 12, 1916. Dear Martha! I have been in Lida for 2 days to run errands. Everything as usual in the city, and there is no war to be heard and seen. Everybody else is healthy. Best regards, Yours, Gustav}","Text in German: Back: [stamp:] Beförderung [zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5] || K. D. Feldpostexped | 22. 7. 16. 9-10 V | der 11. Landw-Div. | [ms.:] Feldpostkarte | An | Frau Marlermstr Klemp | Podgorz b. Thorn | Marktstr 11. || [ms.:] Abs. Gefr Klemp | 11. Komp. L. I. R. 5. | 11. L-D. | im Osten. || Rußl. den 19. 7. 16. | Liebe Martha! | Das letzte Paket erhielt ich auch | Diese Wurst war aber schön die vorige | nicht (wie Gummi.) Deinen Brief hab | ich Dir wohl schon beantwortet. Kannst | Du mir nicht gelegentl. 1/2 mtr Gase [Gaze] her- | schicken. Denn es sind hier so viele Mücken | hauptsächlich nachts daß man nicht | schlafen kann. Wie geht es Euch alles | gesund? Habe mir wieder paar Bilder | machen lassen, sonst ist noch alles beim | Alten. Richard ist ja nun auch noch in | Thorn oder nicht mehr war es schon bei | Euch? Es grüßt Dich herzlichst Dein | Gustav | Gruß Elschen u Willi.","Text in English: Back: {[stamp:] Delivery [permitted. 11th Company Landwehr Infantry Regiment No. 5] - K. D. Military postal services delivery July, 22, 1916. 9-10 am of 11th Landwehr Division | [ms.:] Military services postcard To Mrs. Master Painter Klemp, Podgórz near Toruń, Market street 11. - Sender Private Klemp 11th Company Landwehr Infantry Regiment 5. 11th Landwehr-Division in the East. - Russia, July 19, 1916 Dear Martha! I also received the last package. This sausage was good, the previous one not (like rubber.) I have received your letter and I have already answered it. Could you please send me 1/2 Meter gauze. There are so many mosquitoes here, mainly at night so that I cannot sleep. How are you all, are you healthy? I have printed a few more pictures, otherwise everything is still the same. Richard is now also in Toruń, or not any more -  did he visit you? I am sending my sincerest regards, yours, Gustav - Greetings to little Else and Willi.}","Klemp is marked by an \"x\" on his chest.","Text in German: Back: [ms:] Feldpostkarte! | Frau | Malermstr Klemp | Podgorz - Thorn | Marktstr 11. || Reg. Gefr Klemp 11. Kanz L. I. R 5. 11. L-D | im Osten || Rußl. 22. J. 16. | Liebe Martha! | Daß Paket erhalten besten | Dank. schreibe Dir bald im | Brief näheres. Umstehend | eine Ansicht von unserem | Waldlager mit den Hütten, | darin wir wohnen. | Herzlichsten Gruß | Gustav. || [postmark:] K. O. Feldpostexp.| 24. 7. 16. 9-10 V | der 11. Landw. Div. [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5","Text in English: Back: {Military service postcard! Mrs. Master Painter Klemp, Podgórz - Toruń, Market street 11. - Reg. Private Klemp 11. Kanz. Landwehr Infantry Regiment 5. 11th Landwehr-Division, in the east - Russia. July 22, 1916. Dear Martha! I have recieved the package, many thanks. I will write more soon in a letter to you. On the back side you see our camp in the forest with the huts, in which we live. Kindest regards, Gustav. [postmark:] K. O. Military posatal service expedition July 24, 1916. 9-10 am, of the 11th Landwehr Division. [stamp:] Carriage permitted. 11th Company Landwehr Infantry Regiment. No. 5}","Text in German: Front: Geschäftszimmer | III. Batl. | Landw. Inf. Regt. 21 Back: [ms:] Abs. Tdef. Bergau, L.-I.-R. 21. 85 L.-D. | Stab III. B. || An Gefr. [?] [Kle]mp | L.-I.[?] | 11. Komp. [?] || 25. 7. 16. | Mein liebes Junggchen! Für Deine Aufnahme sage ich Dir | besten Dank. Du bist bestens getroffen. Augenblick- | lich liegen wir bei L.-I.-R. 6. Vielleicht ist es möglich, | daß wir mal telef. sprechen [?] umgehend, | wo ich Dich erreichen [?] ich Dir ebenfalls | eine Aufnahme von [?] rausfinden | wirst, das ist eine an [?] uche mal Br. Schl. | soll, wie er mir schrieb, [?], liegt aber augen- | blicklich im Thorner Lazarett. Sonst alles beim alten. | Mit frdl. Gruß Dein alter Kinder Gust. | [?] August nach Rußland. Gruß. || [postmark:] K[?] | 25. 7. 16. 4-5 N | d. 3. Land[?] [stamp:] Brief-Stempel | Kgl. 11. Komp. Landw. Inf.- Regt Nr. 21","Text in English: Front: {Office, 3rd Bataillon, Landwehr Infantry Regiment 21} Back: {Sender: Tdef. Bergau, Landwehr-Infantry-Regiment 21. 85 L.-D. Staff III. Bataillon - To Private Klemp. Landwehr-Infantry [?] | 11th comp. [?] - July 25, 1916 - My dear little boy! Many thanks for your picture. You are depicted accurately. Right now, we are at Landwehr-Infantry-Regiment 6. Perhaps it is possible that we can talk on the phone. [Let me know] immediately, where I can reach you. [I will] also find a picture of [you] will, that's an[other ?] meet Br. Schl., who is, as he wrote to me, [?] but is currently in the Thorn military hospital. Otherwise everything is the same. Kind regards, your old kid Gust. [?] August to Russia. Greetings. [postmark:] K[?] July 25 1916. 4-5 pm Landwehr [?] [stamp:] Letter stamp, Royal 11th Company Landwehr Infantry Regiment No. 21}","Text in German: Back: [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5 || K. D. Feldpostexped | 27. 7. 16. 9-10 V | der 11. Landw-Div. | [ms.:] Feldpostkarte! | Frau | Marlermstr Klemp | Podgorz - Thorn | Marktstr 11. || [ms.:] Gefr. Klemp 11. Komp. L. I. R. 5. 11. L.-D. im Osten || Rußl 25. J. 16. | Liebe Martha! | Erhielt Deine Karte und muß | Dir mitteilen daß ich Dir längst | wieder mal schrieb und Du doch die | Post inzwischen erhalten haben | wirst. Mutter schrieb mir auch | gestern, ebenfalls Max. Sonst | noch alles beim Alten. Es grüßt | Dich herzlichst Gustav | Gruß Elsken u[nd] Willy","Text in English: Back: {[stamp:] Delivery permitted. 11th Company Landwehr Infantry Regiment No. 5 - K. D. Military postal services delivery July, 27, 1916. 9-10 am of 11th Landwehr Division | [ms.:] Military services postcard! Mrs. Master Painter Klemp, Podgórz-Toruń, Market street 11. - Private Klemp 11th Company Landwehr Infantry Regiment 5. 11th Landwehr-Division in the East - Russia J[uly] 25, 1916. Dear Martha! I have received your card and I let you know that I have written again some time ago, you should have gotten the mail meanwhile. Mother also wrote to me yesterday, also Max. Otherwise, everything is still the same. Best regards, Gustav - Greetings to little Else and Willy}","Text in German: Front: [print:] Russische Kirche, Brest Litowsk | [ms:] Russia | Gefr. Klemp 11. Prinz. L. I. R. 5. Osten Back: [print:] Herausgegeben von der Feldbuchhandlung der Bug-Armee || [ms:] Feldpostkarte! | Frau Martha Klemp | Podgorz. Thorn | Marktstr. 11. || Osten 26. 9. 16. | Liebe Martha! | Einen herzl. Gruß | und die Mitteilung | daß ich [noch] gesund und | m[unter bi]n. | H[?] allen | Dein Gustav || [postmark:] K. II. Feldpoststation | 27. 9. 16 5-6 N | [?] 191 [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5","Text in English: Front: {Russian Church, Brest Litovsk, Russia - Private Klemp 11th Prince Landwehr Infantry Regiment 5. East} Back: {Published by the field bookstore of the Army of the Bug - Military service postcard! - Ms. Martha Klemp, Podgórz, Toruń, Market street 11. - East, September 26, 1916. Dear Martha! Kind regards to you, with the message that I am healthy and fit. Yours Gustav [postmark:] K. II. Feldpoststation, September 27. 1916 5-6 pm [?] 191 [stamp:] Carriage permitted. 11th Company Landwehr Infantry Regiment No. 5}","The city of Brest-Livosk was considered part of Poland from the end of WWI until the annexation by Russia following the end of WWII. Brest Litovsk is known today as Brest, Belarus, following the breakup of the USSR in 1991.","Text in German: Front: [print] Baranowitschi Russische Kirche | [ms] Russia | Abs. Gust. Klemp | 11, L.-I.-R 5. | Feldpost: Sation 219 | Osten Back: [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5 || K. D. Feldpoststation | 22. 9. 16. 6-7 N | Nr 219 || [ms.] Feldpostkarte! || Frau | Martha Kl[emp] | Podgorz - Thorn | Marktstr. 11 || Rußl. 22. Sept. 16. | Liebe Martha! | Habe Deinen letzten Brief | und auch die Karte erhalten | besten Dank. Dir geht es nach | Deinem Schreiben dann noch so | einigermaßen. Wir sind schon | wieder weiter und änderte | sich unsere Adresse schon wieder. | Sonst noch all[es] [?]. Wenn sie zu | Hause so [?] [?]lten könnten | sie Dir [?] [?]ut ein Teil ab- | geben. D[?] sch[?]n sie Du an Rich. | oder Bruno. Herzl. Gruß Dein Gustav","Text in English: Front: {Baranavichy, Russian church. Russia, Sender: Gustav Klemp, 11, Landwehr-Infantry-Regiment 5, Military postal service 219, East} Back: {[stamp:] Delivery permitted. 11th Company Landwehr Infantry Regiment No. 5. K. D. Military services postal station, September 22, 1916, 6-7 pm, No. 219 [ms.] Military service postcard! - Mrs. Martha Klemp Podgórz - Toruń Market street 11 - Russia, September 22, 1916 - Dear Martha! Got your last letter and also the card, thank you very much. You are still okay, according to your letter. We have already moved on and our address has changed again. Everything else [?]. If they at home so [?] they [?] share a part of it with you. [?] you to Richard or Bruno. Best regards, yours Gustav}","Text in German and Hungarian: Front: Debreczen Pályaudvar Back: [print:] LEVELEZŐ-LAP || 54 sz. - 1916 Vasuti levelezőlapárusitás, Budapest, V., Kádár-utcza 4. || 206233 [ms:] Feldpostkarte! | Frau | Martha Klemp | Podgorz - Thorn | Marktstr 11 || 11. 12. 16. | Liebe Martha! | Sende Dir die herzl. | Grüße, habe noch | keine Nachricht von | Dir. Hast Du schon mit | Vater gesprochen? | Gruß Dein Gustav || [postmark:] K. D. Feldpostexped. | 11. 12. 16 4-5 N | a | d. 218 Infanterie-Div. [stamp:] Beförderung zugelassen. | 11. Komp. Landw. Inf. Regt. Nr. 5","Text in English: Front: {Debrecen Railway Station} Back: {Corresponce card no. 54 - 1916 Railway postcard sales, Budapest V., Kádár street 4. 206233 - Military service postcard! - Mrs. Martha Klemp, Podgórz - Toruń, Market street 11 - December 11, 1916 Dear Martha! I am sending you kindest regards, I still have don't have a message from you. Have you already talked with father? Regards, yours Gustav [postmark:] K.D. Military postal services delivery December 11, 1916 4-5 pm, a, 218th Infantry Division [stamp:] Carriage permitted, 11th Company Landwehr Infantry Regiment No. 5}","Text in German: Back: D. 31/5. 17. | L[iebe] Schwester | muß doch wieder mall | ein Lebenszeichen von | mit geben, und zugleich | ein Bild mit schicken | es ist eins aus meiner | Reihestellung. Sonst | geht es mir so leidlich | was ich auch von Dir hoffe | Lebes das essen selt setzt | Ich bin jetzt Waffenmeister | aber es muß auch so gehen | Was macht Gustav schreibe | mir doch sei[?] [?]rt. Was | macht der [?] es | Schreibe an [?]all | Sei Herzlich Gegrüßt Dein Bruder | Max","Text in English: Back: {May 31, 1917. Dear sister, I have to send you a sign of life, and also send a picture. It's one from my [?]. Otherwise,  I feel not too bad, and I hope you too. [?]. I am now a weapon master,  but it has to work out. What is Gustav doing? Please give me his [?] Write to [?] Best regards, your brother Max}","Text in German: Front: Ltn. Back | gef. 24. 7. 17.","Text in English: Front: {Lieutenant Back, killed in action July 24, 1917}","Text in German and Hungarian: Front: Kronstadt Back: [print:] BRASSÓ - KRONSTADT - BRAŞOV | Kapu Boglárszeg felt || Vasuti levelezőlapárusitás, Budapest, V. Kádár-utca 4 || 20221 || [ms:] Feldpostkarte | Frau | Martha K[lemp] | Podgorz - Thorn | Marktstr 11. || 3. 12. 17. | Liebe Martha! | gestern Montag 10 Uhr | kamen wir in Kronstadt | an, hatten guten Anschluß | Um 1 Uhr gehts weiter. | Alles [?]ter brieflich | Herz[?] Dein Gustav || Sanit.-Untffz Klem[p] | 10. Re[?] 5 III Btl || [postmark:] Deutsche Feldpost | 4. 12. 17 11-12 V | [?] [stamp:] Kronstadt | Brief- | stempel","Text in English: Front: {Brașov} Back: {BRASSÓ - KRONSTADT - BRAŞOV, Gate towards Boglárszeg, Railway postcard sales, Budapest V., Kádár street 4 - 20221 - Military service postcard - Mrs. Martha K[lemp], Podgórz - Toruń, Market street 11 - December 3, 1917. Dear Martha! We arrived in Braşov yesterday, Monday, at 10 o'clock, had good a train connection. At 1 o'clock we will continue. More by letter. Kind [regards,] Yours Gustav - Medical services corporal Klemp. 10th Regiment [?] 5 III bataillon [postmark:] German military service, December 4, 1917 11-12 am [stamp:] Braşov, letter-stamp}","Text in German: Front: Weihnacht 1917. Back: Diese Aufnahme machten wir [?] | Weihnachten als Probe sie ist gut | geworden, dagegen die Weihnachtsauf- | nahme wurde nichts das war ja schade | so hab ich wenigsten[s] dies | Gruß Gustav","Text in English: Front: {Christmas 1917} Back: {We took this picture Christmas as a test. It turned out well, on the other hand, [other?] Christmas photos were not good, that was a pity, so I have at least this. Greetings Gustav}","Klemp is seated furthest on the right and marked by an \"x\" to the right of his head.","Text in German: Back: Altes rumänisches | Wohnhaus am Berg- | abhange in China Tal | nördl. Soveja. | 15. I. 18.","Text in English: Back: {Old Romanian house on the mountain slopes in China Valley, north of Soveja. January 15, 1918}","Text in German: Front: Unterstand hinter der Stellung | am Berge Ravetasi 800 m. | 18. II 18.","Text in English: Front: {Shelter behind the lines at mount Ravetasi (800 m), February 18, 1918}","Klemp is standing on the right.","Text in German: Front: Rumania | Die besten Grüße aus | Rumänien | Gustav | 26. II. 18","Text in English: Front: {Romania - Best regards from Romania, Gustav February, 26, 1918}","Text in German: Front: Vom Untffz Klemp | 10. Komp. L..- I. R. 5. Back: [ms.] Feldpostkarte! | Frau | Martha Klemp | [Pod]gorz - Thorn | Marktstr. 11. || Rumaiv. den 4. [3. 1]8. | Liebe Martha! | Teile mit daß noch alles | wohl und ich wohl bald | Deinen Brief hier haben | werde warte schon sehr. | herzl. Gruß | Gustav || [postmark:] [?] Feldpost | 5. 3. 18 9-10 N","Text in English: Front: {From Corporal Klemp, 10th Company Landwehr Infantry Regiment 5} Back: {[ms.] Military service postcard! - Mrs. Martha Klemp, Podgórz - Toruń, Market street 11. - Rumaiv, March 4, 1918. Dear Martha! let you know that everything is fine well and that I will soon have your letter here. I am very much waiting for it. Best regards, Gustav [postmark:] [?] military postal service March 5. 1918 9-10 pm}","Text in German: Front: In Stellung auf dem Ravetasi am | 5. März 18. | Lt. Revosetewitz | 10. L. 5.","Text in English: Front: {In position on Mount Ravetasi on March 5, 1918 Lieutenant Revosetewitz 10. Landwehr 5.}","Text in German: Back: [ms:] Feldpost | San. Untffz. | Gustav Klemp | Landw Inf. Regt No 5. | III Bataillon | 10 Comp. || 11. 3. 18 | Lieber Freund! | Umstehend eine | Ansicht unserer Schreib- | stube. Klein aber fein | was? | Nun wird hier auch | so langsam Frühling. | Wie gehts u. wo steckt | Ihr | Schönen Gruß an | Treuer Freund Bruno || Abs. O. Gefr. Schlösser | s. 15 cm Kan. Bttr. No. 16 | Dtsche Feldpost 240 [postmark:] Deutsche Feldpost | 12. 3. 18 [stamp:] S. B. | s. 15 cm K. Battr. 16","Text in English: Back: {Military postal service - Medical services, Corporal Gustav Klemp Landwehr, Infantry Regiment no. 5, Third bataillon, 10th company - March 11, 1918 Dear friend! On the back you'll see our office. Small but mighty, isnt it? Now, finally spring starts. How are you and where are you. Greetings, your loyal friend Bruno - Sender: Private first class Schlösser, s. 15 cm Kan. Bttr. No. 16, German military postal service 240 [postmark:] German military postal service, March 12, 1918 [stamp:] S.B.|s. 15 cm K. Battr. 16}","Text in German: Front: Soldatenheim II Bukarest | Sanit. Untffz Klemp | 10. R. L. I. R. 5:  Back: [ms:] Feld- [print:] POSTKARTE | Soldatenheim II Cöln | Bukarest || M. Helbing || [ms:] Frau | Martha Klemp | Podgorz - Thorn | W. Pr. [Westpreußen]| Marktstr. 11. || Bukarest, den 11. 5. 18. | Liebe Martha! | Bin 2 Tage in Bukarest | und seh mir auch hier | mal die Stadt an, es | ist ja Ende was noch sehr | viel zu kriegen nur sehr | teuer am 13. fahr ich wieder | zurück nach Giurgiu werde Dir | später näheres mitteilen. | [ge]ht alles gut. Herzl. Gruß | Dein Gustav || [postmark:] Deutsche Feldpost | 11. 5. 18 4-5 [stamp:] Deutsches Soldaten[he]i[m]. | Feldp. | 808.","Text in English: Front: {Soldiers' quarter II Bucharest, Medical officer Klemp, } Back: {Military postcard - Soldiers' Quarter II Cöln, Bucharest - M. Helbing - Mrs. Martha Klemp, Podgórz - Toruń, West Prussia, Market street 11. - Bucharest, May, 11, 1918 - Dear Martha! For 2 days I am in Bucharest and do some sightseeing. There are still some goods available, but very expensive. On the 13th I'll go back to Giurgiu. I will write you more later. Everything goes well. Best regards, Yours Gustav [postmark:] German Military Service, May 11, 1918 4-5 [stamp:] German Soldiers' Quarter. Field Post Office 808}","Text in German: Front: Immer feste | auf die Weste. Back: [postmark:] Kais. Deutsche Feld[post] | 14. 5. | [stamp:] S. B. | s. 15 cm K. Battr. 16 | [ms.:] Feldpost | San. Untffz. Gus[tav Klem]p | 10. Komp Ld[w] [?] No 5 || Abs. O. Gefr. Schlösser | s. 15 cm Kan. Bttr. No. 16 || 14. 5. 18 | Lieber Gustav! | Schönen Dank für Deine | Karte vom 3. III. 18 | Auch [?] alles ruhig, | ab[er] [?] komms | D[?] Sitz | Ihr [?] dort? | En[?] des | Pfi[?] [?]ünscht | Dir Dein Freund | Bruno. | Wann gedenkst Du wieder | Urlaub zu bekommen?","Text in English: Front: {Always hard on the vest = Hit them as hard as you can} Back: {[postmark:] Imperial German military postal servive, May 14 [stamp:] S. B. s. 15 cm K. Battr. 16 [ms.:] Military postal service - Medical services, Corporal Gustav Klemp, 10th company Landwehr [Infantry Regiment] no. 5 - Sender: Private first class Schlösser, s. 15 cm Kan. Bttr. No. 16 - May 14, 1918 Dear Gustav! Thank you very for your card of March 3, 1918. Also [?] everything quiet, but  [?] it comes D[?] place your [?] there? [?] of the [?] wishes you, your friend, Bruno. When do you think you get leave again?}","Front: {Always hard on the vest = Hit them as hard as you can} Back: {[postmark:] Imperial German military postal servive, May 14 [stamp:] S. B. s. 15 cm K. Battr. 16 [ms.:] Military postal service - Medical services, Corporal Gustav Klemp, 10th company Landwehr [Infantry Regiment] no. 5 - Sender: Private first class Schlösser, s. 15 cm Kan. Bttr. No. 16 - May 14, 1918 Dear Gustav! Thank you very for your card of March 3, 1918. Also [?] everything quiet, but  [?] it comes D[?] place your [?] there? [?] of the [?] wishes you, your friend, Bruno. When do you think you get leave again?}","Text in German: Back: [print:] Cellofix - Postkarte | D. R. P. Nr. 176323 || [ms:] Feldpost | Herrn | San. Uffz. | Gustav Klemp | Ldw. Inf. Regt No 5. | 10. Komp || Abs. O. Gef. Schlösser | s. 15 cm Kan. Bttr. No 16 | D. F. P. 189 | Lieber Gustav. Schönen Dank für | Deine Karte vom 22. 6, auf der Du | sehr gut getroffen bist. Wie kommt | es, daß Du noch nicht Sergeant bist. | 5 1/2 Jahre mußt Du doch schon | herumhaben. Vieleicht treffen | wir uns diesmal im Podgorz. Wann | fährst Du. Schönen Gruß Bruno || [postmark:] Deutsche Feldpost | 11. 7. 18 8-9 V [stamp:] S. B. | s. 15 cm K. Battr. 16","Text in English: Back: {Cellofix Postcard D. R. P. [German Reich Patent] No 176323 - Military postal service, Mr. Medical Officer Gustav Klemp, Landwehr Infantry Regiment No 5, 10th Company - Sender: Private first class Schlösser, s. 15 cm can. Bttr. No 16, German military postal service 189 - Dear Gustav. Many thanks for your card from June 22, you are depicted very well. How come that you are not a sergeant yet. You must have been served 5 1/2 years already. Maybe we will meet in Podgorz this time. When are you going. Best regards, Bruno [postmark:] German military service, July 11, 1918 8-9 am [stamp:] S. B. | s. 15 cm K. Battr. 16}","Cellofix was a paper used for printing photographs - advertisement in newspapers starting 1907.","Text in German: Front: Balesti 23. 11. 18 Back: Erinnerung an Balesti | 23. 11. 18.","Text in English: Front: {Băleşti, November 23, 1918} Back: {In memory of Băleşti, November 23, 1918}","Text in German: am 6. 6. 18 | erhalten.","Text in English: received June 6, 1918[.]","Text in German: Front: Unteroffizier-Corps 12/176 | Gruppe 1910 | 1033.100 Back: [print:] Nachbestellung dieser Karte jederzeit unter | Angabe der Nummer auf der Bildseite. || Photogr. Atelier Bruno Simon, Graudenz, Lindenstr. 30 | neben der kgl. Kommandantur. - Telefon Nr. 244 | Filiale: Truppen-Uebungspl. Gruppe. || [ms:] Familie | G. Klemp | in Podgorz | bei Thorn || Gruppe den 25. 8. IV. | Hier gehts uns gut | wünsche ein gleiches | von Euch. Wir reisen heute nach Danzig | Viele herzl. Grüße | Kerl || [postmark:] DANZIG | 26. 8. 19 5-6 N [stamp:] 5 [Pfennig] Deutsches Reich","Text in English: Front: {Corporal corps 12/176, Grupa, 1910 - 1033.100} Back: {[print:] Reorder this card at any time referring to the number on the picture side. - Photographic Studio Bruno Simon, Graudenz [Grudziądz], Linden Street 30, next to the royal commander's office. - Telephone No. 244 - Branch: military training area, Gruppe [Grupa].  [ms:] To family G. Klemp in Podgórz near Toruń - Gruppe, 25. 8. IV.  We are well here, wish a same of you. Today we will travel to Danzig [Gdansk]. Best regards, Kerl - [postmark:] GDANSK August 26, 1919, 5-6 pm [stamp:] 5 [Pfennig] German Reich}","Text in German: Front: 2. Komp. Inf. Rgts. 5 Stellin 1. Mai 1922 Back: [stamp:] Foto-Atelier Gebr. Herzberg Stettin, Schulzenstr. 30-3 [cut off]","Text in English: Front: {2nd company infantry corps 5 - May 1, 1922} Back: {Photo studio Bros. Herzberg, Stettin [Szczecin] Schulzen street 30-3}","Text in German: Front: M v Buddenbrock. 1911 9. Back: Solche alte Bauernhäuser giebt [es] wohl | nicht bei Euch. Kennst Du es noch | lieber Erwin? Es ist das Delfsike | Haus an der Chausse nach Kosdorf.","Text in English: Front: M. von Buddenbrock 1911 September Back: Such old farmhouses probably do not exist near you. Do you still remember it dear Erwin? It is the Delfsike house on the road to Kosdorf.","Text in German: Front: Wer weiss ob wir | uns wiederseh'n. | G. Klemp | 6.06.","Text in English: Front: Who knows if we would see us again . G. Klemp, June 6","Text in German: Front: Klemp u. Bunn.","Text in English: Front: Klemp and Bunn","Text in German: Back: [print:] Feldpostkarte | Aufgabestempel | Meine Adresse ist: || [ms.:] Frau Malermstr. Klemp | Podgorz b Thorn | Marktstr. 11. | Gruß aus dem | Unterstand. Gustav ","Text in English: Back: [print:] Postcard, militatry postal service - postmark - My address is: - [ms.:] Mrs. Master painter Klemp | Podgórz near Thorn - Market street 11. - Greetings from the shelter. Gustav","Text in German: Front: Dorfstrasse in Kapice. | vor Ossowiec. | 21. VI. 15.","Text in English: Front: Village road in Kapice,  near Ossowiec [Osówiec], June 21, 1915","Text in German: Front: Weg zum Batl. Stab III L. 5  5 klm nördl. Girucu | und Sanit. Unterstand 30 m. rechts vom Wege ","Text in English: Front: Path to Bataillon staff III L. 5, 5 km north of Girucu, and medical corps shelter, 30 m on the right of the path","Text in German: Back: [print:] Postkarte [ms:] Frau Martha Klemp | Podgorz b. Thorn | Marktstr 11 || Przydwoly [?] Rußl. 9. 3. 15. | Liebe Martha! | Habe Dir hier auf einer kleinen | Zeichnung unsere Wohnung | im Walde [gezeichnet] wir sind hier | immer 3 Tage und Nächte auf | Wache und rücken dann | wieder zurück auf 2 Tage ins | Dorf. Bis jetzt gehts ja noch | so leidlich nur ist es jetzt sehr | kalt es sind heute 18 Grad. | Es grüßt Dich herzl. D. Gustav","Text in English: Back: [print:] Postcard [ms:] Mrs. Martha Klemp Podgórz near Thorn, Market street 11 - Przydwoly [?] Russia. March 9, 1915. Dear Martha! This little drawing shows our dwelling in the forest. We are here on guard for 3 days and nights and then move back to the village for 2 days. So far it is still passable but it is cold today, [minus] 18 degrees [Celsius] My best regards to you. Yours, Gustav","Text in German: Front: Der Feldbarbier. 12. VII. 15","Text in English: Front: The barber at the front, July 12, 1915","Text in German: Front: Russia | Alte u. neue kath. Kirche in Lipsk. Russl. 30. 8. 15. | G. K.","Text in English: Front: Russia - Old and new catholic church in Lipsk, Russia August 30, 1915, G[ustav] K[lemp]","Text in German: Front: Waldlager in Galizien | 25. 9. 15","Text in English: Front: Forest camp in Galicia, September 25, 1915","Text in German: Front: 3. II 16 | Judenmädchen | russ. Polen. | A. Lehmann","Text in English: Front: February 3, 1916 - Jewish girl,  Russian Poland [Congress Poland],  A. Lehmann","This portrait was likely created by a soldier that served with Klemp named A. Lehmann.","Text in German: Front: 5. II. 16 | A. Lehmann","Text in English: Front: February 5, 1916,  A. Lehmann","This portrait was likely created by a soldier that served with Klemp named A. Lehmann.","Text in German: Front: Unterstand des Batl. führers L. I. R. 5. | 15. II. 16 | GK.","Text in English: Front: Shelter for the chief of bataillon  L. I. R. 5. [infantry corps] February 15, 1916, G[ustav] K[lemp]","Text in German: Front: Kranken-Revier III Batl. L. I. R. 5. | 15. III. 16 | GK.","Text in English: Front: Infirmary, Third bataillon L. I. R. 5. [infantry corps]  March 15, 1916, G[ustav] K[lemp]","Text in German: Front: GK 30. III. 16. | Einschlag einer 15 cm. Granate vorm Graben.","Text in English: Front: G[ustav] K[lemp] March 30 1916 - Impact of a 15 cm grenade in front of the trenches","Text in German: Front: Meine Wohnung Juli 1916 | G. Klemp","Text in English: Front: My home July 1916, G. Klemp","Text in German: Front: Gorodischtsche 18. 9. 16.","Text in English: Front: Gorodischtsche [Horodyszcze?] September 18, 1916","Text in German: Front: Stellung | am | Stochod | 15. Nov. 16.","Text in English: Front: Camp near river Stokhid, November 15, 1916","Text in German: Front: Antonowka Wolynien 27. XI. 16. | Fertigmachen! GK.","Text in English: Front: Antonowka [Antonivka] Volhynia, November 27, 1916 - Arise! G[ustav] K[lemp]","Text in German: Front: Kapelle u. Kloster bei Soveja i Rumänien. m. Heldenfriedhof 12. 9. 17.","Text in English: Front: Chapel and monastery near Soveja in Romania, with war cemetery September 12, 1917","Text in German: Front: Giurgiu. i. Rum. Centrum. GK. 7. 6. 18","Text in English: Front: Giurgiu in Romania, center G[ustav] K[lemp] June 7, 1918","Text in German: Front: zerstörte Strasse in Guirgiu Str Indepentei 17. 5. 18. Kl.","Text in English: Front: Destroyed street in Guirgiu, Independence Street May 17, 1918 Kl[emp]","Text in German: Front: Bukaresterstr. | in Giurgiu. | GK. 20. 5. 18.","Text in English: Front: Bukarest street in Giurgiu, G[ustav] K[lemp] May 20, 1918","Text in German: Front: Giurgiu. i. Rum. Centrum. GK. 7. 6. 18","Text in English: Front: Giurgiu in Romania, center G[ustav] K[lemp] June 7, 1918","375th Anniversary of the German Reformation commemorative medal, featuring image of German Kaiser Wilhelm II, circa 1892.","Commemorative medal for the alliance of Germany with Austria-Hungary, featuring image of Austrian Kaiser Franz-Joseph and German Kaiser Wilhlem II, 1915.","Commemorative medal for Battle of Coronel, featuring image of German Admiral Maximilian von Spee, 1914.","Commemorative medal for German field marshal August von Mackensen, circa 1914.","Restriction: Restricted due to preservation concerns. A digitized version of this narrative can be found ","Originally housed in handwritten narrative, removed and rehoused due to preservation concerns."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ab8d973788edc0af114bd2dede8e8cc5\"\u003eThe Gustav Klemp World War I collection contains certificates, postcards, artwork, commemorative medals, and a handwritten narrative by Gustav Klemp, a Prussian artist and German army medic during the First World War, from circa 1892-1922.\u003c/abstract\u003e"],"abstract_tesim":["The Gustav Klemp World War I collection contains certificates, postcards, artwork, commemorative medals, and a handwritten narrative by Gustav Klemp, a Prussian artist and German army medic during the First World War, from circa 1892-1922."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a5b7b886b0c743560c24b9c1235a62dd\"\u003eR 50, C 2, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 50, C 2, S 7"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Klemp, Gustav, 1882-1941"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Klemp, Gustav, 1882-1941"],"language_ssim":["German \n,        Hungarian \n,        Polish \n,        Romanian; Moldavian; Moldovan \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":130,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:12:15.885Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_377_c128"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":205},"links":{"remove":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1896\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1896\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"An Opiate\" and \"Pain - Its Importance and Therapeusis\" promotional pamphlets for Papine, an opiate-based medicine","value":"\"An Opiate\" and \"Pain - Its Importance and Therapeusis\" promotional pamphlets for Papine, an opiate-based medicine","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22An+Opiate%22+and+%22Pain+-+Its+Importance+and+Therapeusis%22+promotional+pamphlets+for+Papine%2C+an+opiate-based+medicine\u0026f%5Bdate_range%5D%5B%5D=1896\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Alexander Haight family collection","value":"Alexander Haight family collection","hits":32},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Alexander+Haight+family+collection\u0026f%5Bdate_range%5D%5B%5D=1896\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"American Political Items Collectors collection","value":"American Political Items Collectors collection","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=American+Political+Items+Collectors+collection\u0026f%5Bdate_range%5D%5B%5D=1896\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"C-SPAN records","value":"C-SPAN records","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=C-SPAN+records\u0026f%5Bdate_range%5D%5B%5D=1896\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"C. 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