{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1896\u0026f%5Blevel%5D%5B%5D=Subseries\u0026page=7","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1896\u0026f%5Blevel%5D%5B%5D=Subseries\u0026page=6","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1896\u0026f%5Blevel%5D%5B%5D=Subseries\u0026page=8","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1896\u0026f%5Blevel%5D%5B%5D=Subseries\u0026page=49"},"meta":{"pages":{"current_page":7,"next_page":8,"prev_page":6,"total_pages":49,"limit_value":10,"offset_value":60,"total_count":485,"first_page?":false,"last_page?":false}},"data":[{"id":"vaallhs_repositories_2_resources_27_c02_c01_c05","type":"Subseries","attributes":{"title":"Business","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_27_c02_c01_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vaallhs_repositories_2_resources_27_c02_c01_c05","ref_ssm":["vaallhs_repositories_2_resources_27_c02_c01_c05"],"id":"vaallhs_repositories_2_resources_27_c02_c01_c05","ead_ssi":"vaallhs_repositories_2_resources_27","_root_":"vaallhs_repositories_2_resources_27","_nest_parent_":"vaallhs_repositories_2_resources_27_c02_c01","parent_ssi":"vaallhs_repositories_2_resources_27_c02_c01","parent_ssim":["vaallhs_repositories_2_resources_27","vaallhs_repositories_2_resources_27_c02","vaallhs_repositories_2_resources_27_c02_c01"],"parent_ids_ssim":["vaallhs_repositories_2_resources_27","vaallhs_repositories_2_resources_27_c02","vaallhs_repositories_2_resources_27_c02_c01"],"parent_unittitles_ssm":["Cazenove Family Papers (MS212)","Louis A. Cazenove","Correspondence"],"parent_unittitles_tesim":["Cazenove Family Papers (MS212)","Louis A. Cazenove","Correspondence"],"text":["Cazenove Family Papers (MS212)","Louis A. Cazenove","Correspondence","Business","English"],"title_filing_ssi":"Business","title_ssm":["Business"],"title_tesim":["Business"],"unitdate_inclusive_ssm":["1809-1931"],"normalized_date_ssm":["1809/1931"],"normalized_title_ssm":["Business"],"component_level_isim":[3],"repository_ssim":["Alexandria Library"],"collection_ssim":["Cazenove Family Papers (MS212)"],"has_online_content_ssim":["false"],"child_component_count_isi":11,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":150,"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931],"language_ssim":["English"],"_nest_path_":"/components#1/components#0/components#4","timestamp":"2026-05-21T03:59:04.928Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_27","ead_ssi":"vaallhs_repositories_2_resources_27","_root_":"vaallhs_repositories_2_resources_27","_nest_parent_":"vaallhs_repositories_2_resources_27","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_27.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/27","title_ssm":["Cazenove Family Papers (MS212)"],"title_tesim":["Cazenove Family Papers (MS212)"],"unitdate_ssm":["1786-1970"],"unitdate_inclusive_ssm":["1786-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS212","/repositories/2/resources/27"],"text":["MS212","/repositories/2/resources/27","Cazenove Family Papers (MS212)","Business -- Alexandria (Va.)","Business records","Families -- Alexandria (Va.)","Farquhar family.","Inventions","Passports","Correspondence","The collection is divided into two sub-fonds, the first consisting of records from James O'Hara Cazenove and his son and the second apparently collected by his father covering himself and the older part of the family.","\nThe correspondence and business records in both are divided into different subseries, reflecting an effort to keep business affairs separate from family correspondence. Much of the correspondence in the O'Hara part of the collection is arranged by correspondent or alphabetically and then chronologically. In the second sub-fonds most of the correspondence is chronological apart from the Stanard and Craig family correspondence having been separated from other family correspondence at some point in time.","\nCertain records deemed fragile or valuable were separated from the older material at some point and have been listed at the end of series but not necessarily in chronological order as that would have placed the items within separately listed folders.","\nSubfonds 1: James O'Hara Cazenove, 1873-1970","\nSeries 1: Correspondence, 1902-1970","    Subseries:\n    ","Family Correspondence\n    ","Personal Correspondence\n    ","Business Correspondence\n    ","Legal Correspondence\n    \nSeries 2: Financial Documents","Series 3: Legal Documents","Series 4: Inventions","Series 5: Personal Records","Series 6: Printed Material","Series 7: Miscellaneous","Series 8: Louis A. DeCazenove","\nSubfonds 2: Louis A. Cazenove, 1786-1946","\nSeries 1: Correspondence","Series 2: Business","  Subseries:\n    ","Business Records\n    ","Records Books","\nDeeds","\nEstates and Guardianships","Series 3: Legal Documents, 1786-1926","Series 4: Printed","Series 5: News Clippings","Series 6: Miscellaneous","Series 7: Photos","Anthony Charles Cazenove (1775-1852) was born in Geneva, Switzerland. Imprisoned during the revolution, he immigrated to the United States in 1794 and went into business with Treasury Secretary Albert Gallatin in Fayette County, Pennsylvania. He married Ann Hogan of Philadelphia (1776-1843), and moved to Alexandria, Virginia where he established Cazenove and Co. The couple had 10 children.","\nPaul Charles Cazenove (1799-1801) died in childhood. Charles John Cazenove (1801-1834) married Sarah Greenleaf of Boston to whom a letter from A. C. Cazenove survives.  Paulina Cazenove (1806-1891) married John Fowle. Charlotte Cazenove (1812-1836) married North Carolina Congressman William B. Shepard. Octavius Anthony Cazenove (1813-1841). Harriet Cazenove (1817-1861) who married Gazaway Lamar of Georgia (1798-1874). ","\nAnn Maria Cazenove (1803-1859) married General Archibald Henderson. Their daughter Charlotte married into the DuPont family.","\nEliza Frances Cazenove (1798-1857) married William C. Gardner (1791-1844) their children included Constance T. Gardner  (1820-1849) who married Maryland Congressman Henry Winter Davis (1817-1865) and Anne Eliza Gardner (1819-1885), who married Cassius F. Lee (1808-1890). ","\nWilliam Gardner Cazenove (1819-1877) married Mary Elizabeth Stanard (1822-1892) and had a son named Anthony Charles Cazenove (1849-1897). William took over management of Cazenove and Co. in partnership with Lee and was later the guardian for one of the Gardner children.","\nLouis Albert Cazenove (1807-1852) married Frances Ansley (1820-1847) in 1837 and had Frances E. Cazenove (1838-1884) and Charlotte Louise Cazenove (1840-1914). He later remarried to Harriett Stuart Turberville (1823-1896) of the Lee family and had a son named Louis A. Cazenove (1851-1925). Cassius F. Lee became the guardian of these children after 1852.","\nLouis A. Cazenove (b 1851) married Mary O'Hara and had two sons. Louis A. DeCazenove (1878-1852) who changed his last name to an older Swiss version worked as a chemical Engineer at Dupont and married Edith Patton Cazenove. James O'Hara Cazenove (1880-1971) was an inventor, engineer, and investor, and was considered the last of the family.","MS293 contains a ledger from Cazenove and Co. dated 1857-1861 when it was managed by William Gardner Lee, the son of A. C. Cazenove, and Cassius F. Lee. Duke University holds records of Cazenove and Co for 1860-1868 including a list of debtors.","\nMS240 contains a number of Cazenove related documents including:","\nTwo letters of A.C. Cazenove, one undated detailing the surrender of Alexandria in August 1814 and the other to Sarah E. Greenleaf in 1826. (MS240, box 10).","\nAn 1874 certificate of Louis A. Cazenove (b. 1851) from the University of Virginia (MS240, oversize 2)","\n3 stock certificates of A.C. Cazenove for the Middle Turnpike Company (1831), Alexandria Steam Ferry Company (1839), and Alexandria Marine Railway Company (1849-1851) (MS240, box 6)","\nThere are also receipts for Mrs. Harriot E. Cazenove (1823-1896), the widow of Louis A. Cazenove (d. 1852), from Wise and Co Insurance Agents (1889) (MS240, box 5) and Smoot and Co (1894-1896) (MS240 box 4).","\nThe Winterthur Museum of Winterthur Delaware also holds the \"Cazenove-Lee Family Papers\" (Col. 83) which contains extensive records of A. C. Cazenove and the early history of the family. This primarily covers the 18th century including in Switzerland.","\nThe Library of Congress also holds a number of manuscript letters from A.C. Cazenove to President James Madison.","This collection covers the history of the Cazenove Family of Alexandria from the 1790s to the 1970s.\nThe first part of the collection features records from James O'Hara Cazenove (1880-1971), consisting primarily of correspondence and records relating to his business interests and investments, as well as legal documents and business related litigation. Some of the correspondence and notebooks relate to his role as an inventor including a patent for an improved eggbeater from the 1920s. It also includes records from his brother, Louis A. deCazenove (1851-1925), primarily related to his education at Cornell University.","\nThe Second part of the collection concerns the earlier generations of the family focusing on James O'Hara's father and grandfather, both named Louis A. Cazenove (1807-1852 and 1851-1925), and his great grandfather Anthony Charles Cazenove (1775-1852). Researchers should be cautious about the reuse of family names, as there are two Anthony Charles' and three Louis A.s.","\nThe second part consists primarily of correspondence and early business records from Alexandria, including early ledgers and receipts as well as legal documents such as deeds. There are also early passports relating to international travel and documents about the consular positions held by A.C. Cazenove in the early 19th century. There is also a family history in French from 1872.","\nBoth parts of the collection include the records of estates, trusts, and guardianships, as wealth passed from one generation to the next.","Local History and Special Collections Branch, Alexandria Library","Cazenove Family","Lee Family","Farquhar Family","Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885","English"],"unitid_tesim":["MS212","/repositories/2/resources/27"],"normalized_title_ssm":["Cazenove Family Papers (MS212)"],"collection_title_tesim":["Cazenove Family Papers (MS212)"],"collection_ssim":["Cazenove Family Papers (MS212)"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"creator_ssm":["Cazenove Family","Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885","Lee Family","Farquhar Family"],"creator_ssim":["Cazenove Family","Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885","Lee Family","Farquhar Family"],"creator_persname_ssim":["Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885"],"creator_famname_ssim":["Cazenove Family","Lee Family","Farquhar Family"],"creators_ssim":["Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885","Cazenove Family","Lee Family","Farquhar Family"],"access_subjects_ssim":["Business -- Alexandria (Va.)","Business records","Families -- Alexandria (Va.)","Farquhar family.","Inventions","Passports","Correspondence"],"access_subjects_ssm":["Business -- Alexandria (Va.)","Business records","Families -- Alexandria (Va.)","Farquhar family.","Inventions","Passports","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["8.06  Linear Feet 15 boxes"],"extent_tesim":["8.06  Linear Feet 15 boxes"],"genreform_ssim":["Inventions","Passports","Correspondence"],"date_range_isim":[1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two sub-fonds, the first consisting of records from James O'Hara Cazenove and his son and the second apparently collected by his father covering himself and the older part of the family.\u003c/p\u003e\n","\u003cp\u003e\nThe correspondence and business records in both are divided into different subseries, reflecting an effort to keep business affairs separate from family correspondence. Much of the correspondence in the O'Hara part of the collection is arranged by correspondent or alphabetically and then chronologically. In the second sub-fonds most of the correspondence is chronological apart from the Stanard and Craig family correspondence having been separated from other family correspondence at some point in time.\u003c/p\u003e\n","\u003cp\u003e\nCertain records deemed fragile or valuable were separated from the older material at some point and have been listed at the end of series but not necessarily in chronological order as that would have placed the items within separately listed folders.\u003c/p\u003e\n","\u003cp\u003e\nSubfonds 1: James O'Hara Cazenove, 1873-1970\u003c/p\u003e\n","\u003cp\u003e\nSeries 1: Correspondence, 1902-1970\u003c/p\u003e\n","\u003cp\u003e    Subseries:\n    \u003c/p\u003e\n","\u003cp\u003eFamily Correspondence\n    \u003c/p\u003e\n","\u003cp\u003ePersonal Correspondence\n    \u003c/p\u003e\n","\u003cp\u003eBusiness Correspondence\n    \u003c/p\u003e\n","\u003cp\u003eLegal Correspondence\n    \nSeries 2: Financial Documents\u003c/p\u003e\n","\u003cp\u003eSeries 3: Legal Documents\u003c/p\u003e\n","\u003cp\u003eSeries 4: Inventions\u003c/p\u003e\n","\u003cp\u003eSeries 5: Personal Records\u003c/p\u003e\n","\u003cp\u003eSeries 6: Printed Material\u003c/p\u003e\n","\u003cp\u003eSeries 7: Miscellaneous\u003c/p\u003e\n","\u003cp\u003eSeries 8: Louis A. DeCazenove\u003c/p\u003e\n","\u003cp\u003e\nSubfonds 2: Louis A. Cazenove, 1786-1946\u003c/p\u003e\n","\u003cp\u003e\nSeries 1: Correspondence\u003c/p\u003e\n","\u003cp\u003eSeries 2: Business\u003c/p\u003e\n","\u003cp\u003e  Subseries:\n    \u003c/p\u003e\n","\u003cp\u003eBusiness Records\n    \u003c/p\u003e\n","\u003cp\u003eRecords Books\u003c/p\u003e\n","\u003cp\u003e\nDeeds\u003c/p\u003e\n","\u003cp\u003e\nEstates and Guardianships\u003c/p\u003e\n","\u003cp\u003eSeries 3: Legal Documents, 1786-1926\u003c/p\u003e\n","\u003cp\u003eSeries 4: Printed\u003c/p\u003e\n","\u003cp\u003eSeries 5: News Clippings\u003c/p\u003e\n","\u003cp\u003eSeries 6: Miscellaneous\u003c/p\u003e\n","\u003cp\u003eSeries 7: Photos\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two sub-fonds, the first consisting of records from James O'Hara Cazenove and his son and the second apparently collected by his father covering himself and the older part of the family.","\nThe correspondence and business records in both are divided into different subseries, reflecting an effort to keep business affairs separate from family correspondence. Much of the correspondence in the O'Hara part of the collection is arranged by correspondent or alphabetically and then chronologically. In the second sub-fonds most of the correspondence is chronological apart from the Stanard and Craig family correspondence having been separated from other family correspondence at some point in time.","\nCertain records deemed fragile or valuable were separated from the older material at some point and have been listed at the end of series but not necessarily in chronological order as that would have placed the items within separately listed folders.","\nSubfonds 1: James O'Hara Cazenove, 1873-1970","\nSeries 1: Correspondence, 1902-1970","    Subseries:\n    ","Family Correspondence\n    ","Personal Correspondence\n    ","Business Correspondence\n    ","Legal Correspondence\n    \nSeries 2: Financial Documents","Series 3: Legal Documents","Series 4: Inventions","Series 5: Personal Records","Series 6: Printed Material","Series 7: Miscellaneous","Series 8: Louis A. DeCazenove","\nSubfonds 2: Louis A. Cazenove, 1786-1946","\nSeries 1: Correspondence","Series 2: Business","  Subseries:\n    ","Business Records\n    ","Records Books","\nDeeds","\nEstates and Guardianships","Series 3: Legal Documents, 1786-1926","Series 4: Printed","Series 5: News Clippings","Series 6: Miscellaneous","Series 7: Photos"],"bioghist_html_tesm":["\u003cp\u003eAnthony Charles Cazenove (1775-1852) was born in Geneva, Switzerland. Imprisoned during the revolution, he immigrated to the United States in 1794 and went into business with Treasury Secretary Albert Gallatin in Fayette County, Pennsylvania. He married Ann Hogan of Philadelphia (1776-1843), and moved to Alexandria, Virginia where he established Cazenove and Co. The couple had 10 children.\u003c/p\u003e\n","\u003cp\u003e\nPaul Charles Cazenove (1799-1801) died in childhood. Charles John Cazenove (1801-1834) married Sarah Greenleaf of Boston to whom a letter from A. C. Cazenove survives.  Paulina Cazenove (1806-1891) married John Fowle. Charlotte Cazenove (1812-1836) married North Carolina Congressman William B. Shepard. Octavius Anthony Cazenove (1813-1841). Harriet Cazenove (1817-1861) who married Gazaway Lamar of Georgia (1798-1874). \u003c/p\u003e\n","\u003cp\u003e\nAnn Maria Cazenove (1803-1859) married General Archibald Henderson. Their daughter Charlotte married into the DuPont family.\u003c/p\u003e\n","\u003cp\u003e\nEliza Frances Cazenove (1798-1857) married William C. Gardner (1791-1844) their children included Constance T. Gardner  (1820-1849) who married Maryland Congressman Henry Winter Davis (1817-1865) and Anne Eliza Gardner (1819-1885), who married Cassius F. Lee (1808-1890). \u003c/p\u003e\n","\u003cp\u003e\nWilliam Gardner Cazenove (1819-1877) married Mary Elizabeth Stanard (1822-1892) and had a son named Anthony Charles Cazenove (1849-1897). William took over management of Cazenove and Co. in partnership with Lee and was later the guardian for one of the Gardner children.\u003c/p\u003e\n","\u003cp\u003e\nLouis Albert Cazenove (1807-1852) married Frances Ansley (1820-1847) in 1837 and had Frances E. Cazenove (1838-1884) and Charlotte Louise Cazenove (1840-1914). He later remarried to Harriett Stuart Turberville (1823-1896) of the Lee family and had a son named Louis A. Cazenove (1851-1925). Cassius F. Lee became the guardian of these children after 1852.\u003c/p\u003e\n","\u003cp\u003e\nLouis A. Cazenove (b 1851) married Mary O'Hara and had two sons. Louis A. DeCazenove (1878-1852) who changed his last name to an older Swiss version worked as a chemical Engineer at Dupont and married Edith Patton Cazenove. James O'Hara Cazenove (1880-1971) was an inventor, engineer, and investor, and was considered the last of the family.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Anthony Charles Cazenove (1775-1852) was born in Geneva, Switzerland. Imprisoned during the revolution, he immigrated to the United States in 1794 and went into business with Treasury Secretary Albert Gallatin in Fayette County, Pennsylvania. He married Ann Hogan of Philadelphia (1776-1843), and moved to Alexandria, Virginia where he established Cazenove and Co. The couple had 10 children.","\nPaul Charles Cazenove (1799-1801) died in childhood. Charles John Cazenove (1801-1834) married Sarah Greenleaf of Boston to whom a letter from A. C. Cazenove survives.  Paulina Cazenove (1806-1891) married John Fowle. Charlotte Cazenove (1812-1836) married North Carolina Congressman William B. Shepard. Octavius Anthony Cazenove (1813-1841). Harriet Cazenove (1817-1861) who married Gazaway Lamar of Georgia (1798-1874). ","\nAnn Maria Cazenove (1803-1859) married General Archibald Henderson. Their daughter Charlotte married into the DuPont family.","\nEliza Frances Cazenove (1798-1857) married William C. Gardner (1791-1844) their children included Constance T. Gardner  (1820-1849) who married Maryland Congressman Henry Winter Davis (1817-1865) and Anne Eliza Gardner (1819-1885), who married Cassius F. Lee (1808-1890). ","\nWilliam Gardner Cazenove (1819-1877) married Mary Elizabeth Stanard (1822-1892) and had a son named Anthony Charles Cazenove (1849-1897). William took over management of Cazenove and Co. in partnership with Lee and was later the guardian for one of the Gardner children.","\nLouis Albert Cazenove (1807-1852) married Frances Ansley (1820-1847) in 1837 and had Frances E. Cazenove (1838-1884) and Charlotte Louise Cazenove (1840-1914). He later remarried to Harriett Stuart Turberville (1823-1896) of the Lee family and had a son named Louis A. Cazenove (1851-1925). Cassius F. Lee became the guardian of these children after 1852.","\nLouis A. Cazenove (b 1851) married Mary O'Hara and had two sons. Louis A. DeCazenove (1878-1852) who changed his last name to an older Swiss version worked as a chemical Engineer at Dupont and married Edith Patton Cazenove. James O'Hara Cazenove (1880-1971) was an inventor, engineer, and investor, and was considered the last of the family."],"prefercite_html_tesm":["\u003cp\u003e[Item idenfitication], Cazenove Family Papers, MS212, Alexandria Library, Local History/Special Collections, Alexandria, Va.\u003c/p\u003e"],"prefercite_tesim":["[Item idenfitication], Cazenove Family Papers, MS212, Alexandria Library, Local History/Special Collections, Alexandria, Va."],"relatedmaterial_html_tesm":["\u003cp\u003eMS293 contains a ledger from Cazenove and Co. dated 1857-1861 when it was managed by William Gardner Lee, the son of A. C. Cazenove, and Cassius F. Lee. Duke University holds records of Cazenove and Co for 1860-1868 including a list of debtors.\u003c/p\u003e\n","\u003cp\u003e\nMS240 contains a number of Cazenove related documents including:\u003c/p\u003e\n","\u003cp\u003e\nTwo letters of A.C. Cazenove, one undated detailing the surrender of Alexandria in August 1814 and the other to Sarah E. Greenleaf in 1826. (MS240, box 10).\u003c/p\u003e\n","\u003cp\u003e\nAn 1874 certificate of Louis A. Cazenove (b. 1851) from the University of Virginia (MS240, oversize 2)\u003c/p\u003e\n","\u003cp\u003e\n3 stock certificates of A.C. Cazenove for the Middle Turnpike Company (1831), Alexandria Steam Ferry Company (1839), and Alexandria Marine Railway Company (1849-1851) (MS240, box 6)\u003c/p\u003e\n","\u003cp\u003e\nThere are also receipts for Mrs. Harriot E. Cazenove (1823-1896), the widow of Louis A. Cazenove (d. 1852), from Wise and Co Insurance Agents (1889) (MS240, box 5) and Smoot and Co (1894-1896) (MS240 box 4).\u003c/p\u003e\n","\u003cp\u003e\nThe Winterthur Museum of Winterthur Delaware also holds the \"Cazenove-Lee Family Papers\" (Col. 83) which contains extensive records of A. C. Cazenove and the early history of the family. This primarily covers the 18th century including in Switzerland.\u003c/p\u003e\n","\u003cp\u003e\nThe Library of Congress also holds a number of manuscript letters from A.C. Cazenove to President James Madison.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MS293 contains a ledger from Cazenove and Co. dated 1857-1861 when it was managed by William Gardner Lee, the son of A. C. Cazenove, and Cassius F. Lee. Duke University holds records of Cazenove and Co for 1860-1868 including a list of debtors.","\nMS240 contains a number of Cazenove related documents including:","\nTwo letters of A.C. Cazenove, one undated detailing the surrender of Alexandria in August 1814 and the other to Sarah E. Greenleaf in 1826. (MS240, box 10).","\nAn 1874 certificate of Louis A. Cazenove (b. 1851) from the University of Virginia (MS240, oversize 2)","\n3 stock certificates of A.C. Cazenove for the Middle Turnpike Company (1831), Alexandria Steam Ferry Company (1839), and Alexandria Marine Railway Company (1849-1851) (MS240, box 6)","\nThere are also receipts for Mrs. Harriot E. Cazenove (1823-1896), the widow of Louis A. Cazenove (d. 1852), from Wise and Co Insurance Agents (1889) (MS240, box 5) and Smoot and Co (1894-1896) (MS240 box 4).","\nThe Winterthur Museum of Winterthur Delaware also holds the \"Cazenove-Lee Family Papers\" (Col. 83) which contains extensive records of A. C. Cazenove and the early history of the family. This primarily covers the 18th century including in Switzerland.","\nThe Library of Congress also holds a number of manuscript letters from A.C. Cazenove to President James Madison."],"scopecontent_html_tesm":["\u003cp\u003eThis collection covers the history of the Cazenove Family of Alexandria from the 1790s to the 1970s.\nThe first part of the collection features records from James O'Hara Cazenove (1880-1971), consisting primarily of correspondence and records relating to his business interests and investments, as well as legal documents and business related litigation. Some of the correspondence and notebooks relate to his role as an inventor including a patent for an improved eggbeater from the 1920s. It also includes records from his brother, Louis A. deCazenove (1851-1925), primarily related to his education at Cornell University.\u003c/p\u003e\n","\u003cp\u003e\nThe Second part of the collection concerns the earlier generations of the family focusing on James O'Hara's father and grandfather, both named Louis A. Cazenove (1807-1852 and 1851-1925), and his great grandfather Anthony Charles Cazenove (1775-1852). Researchers should be cautious about the reuse of family names, as there are two Anthony Charles' and three Louis A.s.\u003c/p\u003e\n","\u003cp\u003e\nThe second part consists primarily of correspondence and early business records from Alexandria, including early ledgers and receipts as well as legal documents such as deeds. There are also early passports relating to international travel and documents about the consular positions held by A.C. Cazenove in the early 19th century. There is also a family history in French from 1872.\u003c/p\u003e\n","\u003cp\u003e\nBoth parts of the collection include the records of estates, trusts, and guardianships, as wealth passed from one generation to the next.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection covers the history of the Cazenove Family of Alexandria from the 1790s to the 1970s.\nThe first part of the collection features records from James O'Hara Cazenove (1880-1971), consisting primarily of correspondence and records relating to his business interests and investments, as well as legal documents and business related litigation. Some of the correspondence and notebooks relate to his role as an inventor including a patent for an improved eggbeater from the 1920s. It also includes records from his brother, Louis A. deCazenove (1851-1925), primarily related to his education at Cornell University.","\nThe Second part of the collection concerns the earlier generations of the family focusing on James O'Hara's father and grandfather, both named Louis A. Cazenove (1807-1852 and 1851-1925), and his great grandfather Anthony Charles Cazenove (1775-1852). Researchers should be cautious about the reuse of family names, as there are two Anthony Charles' and three Louis A.s.","\nThe second part consists primarily of correspondence and early business records from Alexandria, including early ledgers and receipts as well as legal documents such as deeds. There are also early passports relating to international travel and documents about the consular positions held by A.C. Cazenove in the early 19th century. There is also a family history in French from 1872.","\nBoth parts of the collection include the records of estates, trusts, and guardianships, as wealth passed from one generation to the next."],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Cazenove Family","Lee Family","Farquhar Family","Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885"],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library"],"famname_ssim":["Cazenove Family","Lee Family","Farquhar Family"],"persname_ssim":["Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":249,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:59:04.928Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_27_c02_c01_c05"}},{"id":"vaallhs_repositories_2_resources_27_c02_c02_c01","type":"Subseries","attributes":{"title":"Business Records","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_27_c02_c02_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vaallhs_repositories_2_resources_27_c02_c02_c01","ref_ssm":["vaallhs_repositories_2_resources_27_c02_c02_c01"],"id":"vaallhs_repositories_2_resources_27_c02_c02_c01","ead_ssi":"vaallhs_repositories_2_resources_27","_root_":"vaallhs_repositories_2_resources_27","_nest_parent_":"vaallhs_repositories_2_resources_27_c02_c02","parent_ssi":"vaallhs_repositories_2_resources_27_c02_c02","parent_ssim":["vaallhs_repositories_2_resources_27","vaallhs_repositories_2_resources_27_c02","vaallhs_repositories_2_resources_27_c02_c02"],"parent_ids_ssim":["vaallhs_repositories_2_resources_27","vaallhs_repositories_2_resources_27_c02","vaallhs_repositories_2_resources_27_c02_c02"],"parent_unittitles_ssm":["Cazenove Family Papers (MS212)","Louis A. Cazenove","Business"],"parent_unittitles_tesim":["Cazenove Family Papers (MS212)","Louis A. Cazenove","Business"],"text":["Cazenove Family Papers (MS212)","Louis A. Cazenove","Business","Business Records","English"],"title_filing_ssi":"Business Records","title_ssm":["Business Records"],"title_tesim":["Business Records"],"unitdate_inclusive_ssm":["1795-1932"],"normalized_date_ssm":["1795/1932"],"normalized_title_ssm":["Business Records"],"component_level_isim":[3],"repository_ssim":["Alexandria Library"],"collection_ssim":["Cazenove Family Papers (MS212)"],"has_online_content_ssim":["false"],"child_component_count_isi":20,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":163,"date_range_isim":[1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932],"language_ssim":["English"],"_nest_path_":"/components#1/components#1/components#0","timestamp":"2026-05-21T03:59:04.928Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_27","ead_ssi":"vaallhs_repositories_2_resources_27","_root_":"vaallhs_repositories_2_resources_27","_nest_parent_":"vaallhs_repositories_2_resources_27","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_27.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/27","title_ssm":["Cazenove Family Papers (MS212)"],"title_tesim":["Cazenove Family Papers (MS212)"],"unitdate_ssm":["1786-1970"],"unitdate_inclusive_ssm":["1786-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS212","/repositories/2/resources/27"],"text":["MS212","/repositories/2/resources/27","Cazenove Family Papers (MS212)","Business -- Alexandria (Va.)","Business records","Families -- Alexandria (Va.)","Farquhar family.","Inventions","Passports","Correspondence","The collection is divided into two sub-fonds, the first consisting of records from James O'Hara Cazenove and his son and the second apparently collected by his father covering himself and the older part of the family.","\nThe correspondence and business records in both are divided into different subseries, reflecting an effort to keep business affairs separate from family correspondence. Much of the correspondence in the O'Hara part of the collection is arranged by correspondent or alphabetically and then chronologically. In the second sub-fonds most of the correspondence is chronological apart from the Stanard and Craig family correspondence having been separated from other family correspondence at some point in time.","\nCertain records deemed fragile or valuable were separated from the older material at some point and have been listed at the end of series but not necessarily in chronological order as that would have placed the items within separately listed folders.","\nSubfonds 1: James O'Hara Cazenove, 1873-1970","\nSeries 1: Correspondence, 1902-1970","    Subseries:\n    ","Family Correspondence\n    ","Personal Correspondence\n    ","Business Correspondence\n    ","Legal Correspondence\n    \nSeries 2: Financial Documents","Series 3: Legal Documents","Series 4: Inventions","Series 5: Personal Records","Series 6: Printed Material","Series 7: Miscellaneous","Series 8: Louis A. DeCazenove","\nSubfonds 2: Louis A. Cazenove, 1786-1946","\nSeries 1: Correspondence","Series 2: Business","  Subseries:\n    ","Business Records\n    ","Records Books","\nDeeds","\nEstates and Guardianships","Series 3: Legal Documents, 1786-1926","Series 4: Printed","Series 5: News Clippings","Series 6: Miscellaneous","Series 7: Photos","Anthony Charles Cazenove (1775-1852) was born in Geneva, Switzerland. Imprisoned during the revolution, he immigrated to the United States in 1794 and went into business with Treasury Secretary Albert Gallatin in Fayette County, Pennsylvania. He married Ann Hogan of Philadelphia (1776-1843), and moved to Alexandria, Virginia where he established Cazenove and Co. The couple had 10 children.","\nPaul Charles Cazenove (1799-1801) died in childhood. Charles John Cazenove (1801-1834) married Sarah Greenleaf of Boston to whom a letter from A. C. Cazenove survives.  Paulina Cazenove (1806-1891) married John Fowle. Charlotte Cazenove (1812-1836) married North Carolina Congressman William B. Shepard. Octavius Anthony Cazenove (1813-1841). Harriet Cazenove (1817-1861) who married Gazaway Lamar of Georgia (1798-1874). ","\nAnn Maria Cazenove (1803-1859) married General Archibald Henderson. Their daughter Charlotte married into the DuPont family.","\nEliza Frances Cazenove (1798-1857) married William C. Gardner (1791-1844) their children included Constance T. Gardner  (1820-1849) who married Maryland Congressman Henry Winter Davis (1817-1865) and Anne Eliza Gardner (1819-1885), who married Cassius F. Lee (1808-1890). ","\nWilliam Gardner Cazenove (1819-1877) married Mary Elizabeth Stanard (1822-1892) and had a son named Anthony Charles Cazenove (1849-1897). William took over management of Cazenove and Co. in partnership with Lee and was later the guardian for one of the Gardner children.","\nLouis Albert Cazenove (1807-1852) married Frances Ansley (1820-1847) in 1837 and had Frances E. Cazenove (1838-1884) and Charlotte Louise Cazenove (1840-1914). He later remarried to Harriett Stuart Turberville (1823-1896) of the Lee family and had a son named Louis A. Cazenove (1851-1925). Cassius F. Lee became the guardian of these children after 1852.","\nLouis A. Cazenove (b 1851) married Mary O'Hara and had two sons. Louis A. DeCazenove (1878-1852) who changed his last name to an older Swiss version worked as a chemical Engineer at Dupont and married Edith Patton Cazenove. James O'Hara Cazenove (1880-1971) was an inventor, engineer, and investor, and was considered the last of the family.","MS293 contains a ledger from Cazenove and Co. dated 1857-1861 when it was managed by William Gardner Lee, the son of A. C. Cazenove, and Cassius F. Lee. Duke University holds records of Cazenove and Co for 1860-1868 including a list of debtors.","\nMS240 contains a number of Cazenove related documents including:","\nTwo letters of A.C. Cazenove, one undated detailing the surrender of Alexandria in August 1814 and the other to Sarah E. Greenleaf in 1826. (MS240, box 10).","\nAn 1874 certificate of Louis A. Cazenove (b. 1851) from the University of Virginia (MS240, oversize 2)","\n3 stock certificates of A.C. Cazenove for the Middle Turnpike Company (1831), Alexandria Steam Ferry Company (1839), and Alexandria Marine Railway Company (1849-1851) (MS240, box 6)","\nThere are also receipts for Mrs. Harriot E. Cazenove (1823-1896), the widow of Louis A. Cazenove (d. 1852), from Wise and Co Insurance Agents (1889) (MS240, box 5) and Smoot and Co (1894-1896) (MS240 box 4).","\nThe Winterthur Museum of Winterthur Delaware also holds the \"Cazenove-Lee Family Papers\" (Col. 83) which contains extensive records of A. C. Cazenove and the early history of the family. This primarily covers the 18th century including in Switzerland.","\nThe Library of Congress also holds a number of manuscript letters from A.C. Cazenove to President James Madison.","This collection covers the history of the Cazenove Family of Alexandria from the 1790s to the 1970s.\nThe first part of the collection features records from James O'Hara Cazenove (1880-1971), consisting primarily of correspondence and records relating to his business interests and investments, as well as legal documents and business related litigation. Some of the correspondence and notebooks relate to his role as an inventor including a patent for an improved eggbeater from the 1920s. It also includes records from his brother, Louis A. deCazenove (1851-1925), primarily related to his education at Cornell University.","\nThe Second part of the collection concerns the earlier generations of the family focusing on James O'Hara's father and grandfather, both named Louis A. Cazenove (1807-1852 and 1851-1925), and his great grandfather Anthony Charles Cazenove (1775-1852). Researchers should be cautious about the reuse of family names, as there are two Anthony Charles' and three Louis A.s.","\nThe second part consists primarily of correspondence and early business records from Alexandria, including early ledgers and receipts as well as legal documents such as deeds. There are also early passports relating to international travel and documents about the consular positions held by A.C. Cazenove in the early 19th century. There is also a family history in French from 1872.","\nBoth parts of the collection include the records of estates, trusts, and guardianships, as wealth passed from one generation to the next.","Local History and Special Collections Branch, Alexandria Library","Cazenove Family","Lee Family","Farquhar Family","Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885","English"],"unitid_tesim":["MS212","/repositories/2/resources/27"],"normalized_title_ssm":["Cazenove Family Papers (MS212)"],"collection_title_tesim":["Cazenove Family Papers (MS212)"],"collection_ssim":["Cazenove Family Papers (MS212)"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"creator_ssm":["Cazenove Family","Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885","Lee Family","Farquhar Family"],"creator_ssim":["Cazenove Family","Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885","Lee Family","Farquhar Family"],"creator_persname_ssim":["Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885"],"creator_famname_ssim":["Cazenove Family","Lee Family","Farquhar Family"],"creators_ssim":["Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885","Cazenove Family","Lee Family","Farquhar Family"],"access_subjects_ssim":["Business -- Alexandria (Va.)","Business records","Families -- Alexandria (Va.)","Farquhar family.","Inventions","Passports","Correspondence"],"access_subjects_ssm":["Business -- Alexandria (Va.)","Business records","Families -- Alexandria (Va.)","Farquhar family.","Inventions","Passports","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["8.06  Linear Feet 15 boxes"],"extent_tesim":["8.06  Linear Feet 15 boxes"],"genreform_ssim":["Inventions","Passports","Correspondence"],"date_range_isim":[1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two sub-fonds, the first consisting of records from James O'Hara Cazenove and his son and the second apparently collected by his father covering himself and the older part of the family.\u003c/p\u003e\n","\u003cp\u003e\nThe correspondence and business records in both are divided into different subseries, reflecting an effort to keep business affairs separate from family correspondence. Much of the correspondence in the O'Hara part of the collection is arranged by correspondent or alphabetically and then chronologically. In the second sub-fonds most of the correspondence is chronological apart from the Stanard and Craig family correspondence having been separated from other family correspondence at some point in time.\u003c/p\u003e\n","\u003cp\u003e\nCertain records deemed fragile or valuable were separated from the older material at some point and have been listed at the end of series but not necessarily in chronological order as that would have placed the items within separately listed folders.\u003c/p\u003e\n","\u003cp\u003e\nSubfonds 1: James O'Hara Cazenove, 1873-1970\u003c/p\u003e\n","\u003cp\u003e\nSeries 1: Correspondence, 1902-1970\u003c/p\u003e\n","\u003cp\u003e    Subseries:\n    \u003c/p\u003e\n","\u003cp\u003eFamily Correspondence\n    \u003c/p\u003e\n","\u003cp\u003ePersonal Correspondence\n    \u003c/p\u003e\n","\u003cp\u003eBusiness Correspondence\n    \u003c/p\u003e\n","\u003cp\u003eLegal Correspondence\n    \nSeries 2: Financial Documents\u003c/p\u003e\n","\u003cp\u003eSeries 3: Legal Documents\u003c/p\u003e\n","\u003cp\u003eSeries 4: Inventions\u003c/p\u003e\n","\u003cp\u003eSeries 5: Personal Records\u003c/p\u003e\n","\u003cp\u003eSeries 6: Printed Material\u003c/p\u003e\n","\u003cp\u003eSeries 7: Miscellaneous\u003c/p\u003e\n","\u003cp\u003eSeries 8: Louis A. DeCazenove\u003c/p\u003e\n","\u003cp\u003e\nSubfonds 2: Louis A. Cazenove, 1786-1946\u003c/p\u003e\n","\u003cp\u003e\nSeries 1: Correspondence\u003c/p\u003e\n","\u003cp\u003eSeries 2: Business\u003c/p\u003e\n","\u003cp\u003e  Subseries:\n    \u003c/p\u003e\n","\u003cp\u003eBusiness Records\n    \u003c/p\u003e\n","\u003cp\u003eRecords Books\u003c/p\u003e\n","\u003cp\u003e\nDeeds\u003c/p\u003e\n","\u003cp\u003e\nEstates and Guardianships\u003c/p\u003e\n","\u003cp\u003eSeries 3: Legal Documents, 1786-1926\u003c/p\u003e\n","\u003cp\u003eSeries 4: Printed\u003c/p\u003e\n","\u003cp\u003eSeries 5: News Clippings\u003c/p\u003e\n","\u003cp\u003eSeries 6: Miscellaneous\u003c/p\u003e\n","\u003cp\u003eSeries 7: Photos\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two sub-fonds, the first consisting of records from James O'Hara Cazenove and his son and the second apparently collected by his father covering himself and the older part of the family.","\nThe correspondence and business records in both are divided into different subseries, reflecting an effort to keep business affairs separate from family correspondence. Much of the correspondence in the O'Hara part of the collection is arranged by correspondent or alphabetically and then chronologically. In the second sub-fonds most of the correspondence is chronological apart from the Stanard and Craig family correspondence having been separated from other family correspondence at some point in time.","\nCertain records deemed fragile or valuable were separated from the older material at some point and have been listed at the end of series but not necessarily in chronological order as that would have placed the items within separately listed folders.","\nSubfonds 1: James O'Hara Cazenove, 1873-1970","\nSeries 1: Correspondence, 1902-1970","    Subseries:\n    ","Family Correspondence\n    ","Personal Correspondence\n    ","Business Correspondence\n    ","Legal Correspondence\n    \nSeries 2: Financial Documents","Series 3: Legal Documents","Series 4: Inventions","Series 5: Personal Records","Series 6: Printed Material","Series 7: Miscellaneous","Series 8: Louis A. DeCazenove","\nSubfonds 2: Louis A. Cazenove, 1786-1946","\nSeries 1: Correspondence","Series 2: Business","  Subseries:\n    ","Business Records\n    ","Records Books","\nDeeds","\nEstates and Guardianships","Series 3: Legal Documents, 1786-1926","Series 4: Printed","Series 5: News Clippings","Series 6: Miscellaneous","Series 7: Photos"],"bioghist_html_tesm":["\u003cp\u003eAnthony Charles Cazenove (1775-1852) was born in Geneva, Switzerland. Imprisoned during the revolution, he immigrated to the United States in 1794 and went into business with Treasury Secretary Albert Gallatin in Fayette County, Pennsylvania. He married Ann Hogan of Philadelphia (1776-1843), and moved to Alexandria, Virginia where he established Cazenove and Co. The couple had 10 children.\u003c/p\u003e\n","\u003cp\u003e\nPaul Charles Cazenove (1799-1801) died in childhood. Charles John Cazenove (1801-1834) married Sarah Greenleaf of Boston to whom a letter from A. C. Cazenove survives.  Paulina Cazenove (1806-1891) married John Fowle. Charlotte Cazenove (1812-1836) married North Carolina Congressman William B. Shepard. Octavius Anthony Cazenove (1813-1841). Harriet Cazenove (1817-1861) who married Gazaway Lamar of Georgia (1798-1874). \u003c/p\u003e\n","\u003cp\u003e\nAnn Maria Cazenove (1803-1859) married General Archibald Henderson. Their daughter Charlotte married into the DuPont family.\u003c/p\u003e\n","\u003cp\u003e\nEliza Frances Cazenove (1798-1857) married William C. Gardner (1791-1844) their children included Constance T. Gardner  (1820-1849) who married Maryland Congressman Henry Winter Davis (1817-1865) and Anne Eliza Gardner (1819-1885), who married Cassius F. Lee (1808-1890). \u003c/p\u003e\n","\u003cp\u003e\nWilliam Gardner Cazenove (1819-1877) married Mary Elizabeth Stanard (1822-1892) and had a son named Anthony Charles Cazenove (1849-1897). William took over management of Cazenove and Co. in partnership with Lee and was later the guardian for one of the Gardner children.\u003c/p\u003e\n","\u003cp\u003e\nLouis Albert Cazenove (1807-1852) married Frances Ansley (1820-1847) in 1837 and had Frances E. Cazenove (1838-1884) and Charlotte Louise Cazenove (1840-1914). He later remarried to Harriett Stuart Turberville (1823-1896) of the Lee family and had a son named Louis A. Cazenove (1851-1925). Cassius F. Lee became the guardian of these children after 1852.\u003c/p\u003e\n","\u003cp\u003e\nLouis A. Cazenove (b 1851) married Mary O'Hara and had two sons. Louis A. DeCazenove (1878-1852) who changed his last name to an older Swiss version worked as a chemical Engineer at Dupont and married Edith Patton Cazenove. James O'Hara Cazenove (1880-1971) was an inventor, engineer, and investor, and was considered the last of the family.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Anthony Charles Cazenove (1775-1852) was born in Geneva, Switzerland. Imprisoned during the revolution, he immigrated to the United States in 1794 and went into business with Treasury Secretary Albert Gallatin in Fayette County, Pennsylvania. He married Ann Hogan of Philadelphia (1776-1843), and moved to Alexandria, Virginia where he established Cazenove and Co. The couple had 10 children.","\nPaul Charles Cazenove (1799-1801) died in childhood. Charles John Cazenove (1801-1834) married Sarah Greenleaf of Boston to whom a letter from A. C. Cazenove survives.  Paulina Cazenove (1806-1891) married John Fowle. Charlotte Cazenove (1812-1836) married North Carolina Congressman William B. Shepard. Octavius Anthony Cazenove (1813-1841). Harriet Cazenove (1817-1861) who married Gazaway Lamar of Georgia (1798-1874). ","\nAnn Maria Cazenove (1803-1859) married General Archibald Henderson. Their daughter Charlotte married into the DuPont family.","\nEliza Frances Cazenove (1798-1857) married William C. Gardner (1791-1844) their children included Constance T. Gardner  (1820-1849) who married Maryland Congressman Henry Winter Davis (1817-1865) and Anne Eliza Gardner (1819-1885), who married Cassius F. Lee (1808-1890). ","\nWilliam Gardner Cazenove (1819-1877) married Mary Elizabeth Stanard (1822-1892) and had a son named Anthony Charles Cazenove (1849-1897). William took over management of Cazenove and Co. in partnership with Lee and was later the guardian for one of the Gardner children.","\nLouis Albert Cazenove (1807-1852) married Frances Ansley (1820-1847) in 1837 and had Frances E. Cazenove (1838-1884) and Charlotte Louise Cazenove (1840-1914). He later remarried to Harriett Stuart Turberville (1823-1896) of the Lee family and had a son named Louis A. Cazenove (1851-1925). Cassius F. Lee became the guardian of these children after 1852.","\nLouis A. Cazenove (b 1851) married Mary O'Hara and had two sons. Louis A. DeCazenove (1878-1852) who changed his last name to an older Swiss version worked as a chemical Engineer at Dupont and married Edith Patton Cazenove. James O'Hara Cazenove (1880-1971) was an inventor, engineer, and investor, and was considered the last of the family."],"prefercite_html_tesm":["\u003cp\u003e[Item idenfitication], Cazenove Family Papers, MS212, Alexandria Library, Local History/Special Collections, Alexandria, Va.\u003c/p\u003e"],"prefercite_tesim":["[Item idenfitication], Cazenove Family Papers, MS212, Alexandria Library, Local History/Special Collections, Alexandria, Va."],"relatedmaterial_html_tesm":["\u003cp\u003eMS293 contains a ledger from Cazenove and Co. dated 1857-1861 when it was managed by William Gardner Lee, the son of A. C. Cazenove, and Cassius F. Lee. Duke University holds records of Cazenove and Co for 1860-1868 including a list of debtors.\u003c/p\u003e\n","\u003cp\u003e\nMS240 contains a number of Cazenove related documents including:\u003c/p\u003e\n","\u003cp\u003e\nTwo letters of A.C. Cazenove, one undated detailing the surrender of Alexandria in August 1814 and the other to Sarah E. Greenleaf in 1826. (MS240, box 10).\u003c/p\u003e\n","\u003cp\u003e\nAn 1874 certificate of Louis A. Cazenove (b. 1851) from the University of Virginia (MS240, oversize 2)\u003c/p\u003e\n","\u003cp\u003e\n3 stock certificates of A.C. Cazenove for the Middle Turnpike Company (1831), Alexandria Steam Ferry Company (1839), and Alexandria Marine Railway Company (1849-1851) (MS240, box 6)\u003c/p\u003e\n","\u003cp\u003e\nThere are also receipts for Mrs. Harriot E. Cazenove (1823-1896), the widow of Louis A. Cazenove (d. 1852), from Wise and Co Insurance Agents (1889) (MS240, box 5) and Smoot and Co (1894-1896) (MS240 box 4).\u003c/p\u003e\n","\u003cp\u003e\nThe Winterthur Museum of Winterthur Delaware also holds the \"Cazenove-Lee Family Papers\" (Col. 83) which contains extensive records of A. C. Cazenove and the early history of the family. This primarily covers the 18th century including in Switzerland.\u003c/p\u003e\n","\u003cp\u003e\nThe Library of Congress also holds a number of manuscript letters from A.C. Cazenove to President James Madison.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MS293 contains a ledger from Cazenove and Co. dated 1857-1861 when it was managed by William Gardner Lee, the son of A. C. Cazenove, and Cassius F. Lee. Duke University holds records of Cazenove and Co for 1860-1868 including a list of debtors.","\nMS240 contains a number of Cazenove related documents including:","\nTwo letters of A.C. Cazenove, one undated detailing the surrender of Alexandria in August 1814 and the other to Sarah E. Greenleaf in 1826. (MS240, box 10).","\nAn 1874 certificate of Louis A. Cazenove (b. 1851) from the University of Virginia (MS240, oversize 2)","\n3 stock certificates of A.C. Cazenove for the Middle Turnpike Company (1831), Alexandria Steam Ferry Company (1839), and Alexandria Marine Railway Company (1849-1851) (MS240, box 6)","\nThere are also receipts for Mrs. Harriot E. Cazenove (1823-1896), the widow of Louis A. Cazenove (d. 1852), from Wise and Co Insurance Agents (1889) (MS240, box 5) and Smoot and Co (1894-1896) (MS240 box 4).","\nThe Winterthur Museum of Winterthur Delaware also holds the \"Cazenove-Lee Family Papers\" (Col. 83) which contains extensive records of A. C. Cazenove and the early history of the family. This primarily covers the 18th century including in Switzerland.","\nThe Library of Congress also holds a number of manuscript letters from A.C. Cazenove to President James Madison."],"scopecontent_html_tesm":["\u003cp\u003eThis collection covers the history of the Cazenove Family of Alexandria from the 1790s to the 1970s.\nThe first part of the collection features records from James O'Hara Cazenove (1880-1971), consisting primarily of correspondence and records relating to his business interests and investments, as well as legal documents and business related litigation. Some of the correspondence and notebooks relate to his role as an inventor including a patent for an improved eggbeater from the 1920s. It also includes records from his brother, Louis A. deCazenove (1851-1925), primarily related to his education at Cornell University.\u003c/p\u003e\n","\u003cp\u003e\nThe Second part of the collection concerns the earlier generations of the family focusing on James O'Hara's father and grandfather, both named Louis A. Cazenove (1807-1852 and 1851-1925), and his great grandfather Anthony Charles Cazenove (1775-1852). Researchers should be cautious about the reuse of family names, as there are two Anthony Charles' and three Louis A.s.\u003c/p\u003e\n","\u003cp\u003e\nThe second part consists primarily of correspondence and early business records from Alexandria, including early ledgers and receipts as well as legal documents such as deeds. There are also early passports relating to international travel and documents about the consular positions held by A.C. Cazenove in the early 19th century. There is also a family history in French from 1872.\u003c/p\u003e\n","\u003cp\u003e\nBoth parts of the collection include the records of estates, trusts, and guardianships, as wealth passed from one generation to the next.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection covers the history of the Cazenove Family of Alexandria from the 1790s to the 1970s.\nThe first part of the collection features records from James O'Hara Cazenove (1880-1971), consisting primarily of correspondence and records relating to his business interests and investments, as well as legal documents and business related litigation. Some of the correspondence and notebooks relate to his role as an inventor including a patent for an improved eggbeater from the 1920s. It also includes records from his brother, Louis A. deCazenove (1851-1925), primarily related to his education at Cornell University.","\nThe Second part of the collection concerns the earlier generations of the family focusing on James O'Hara's father and grandfather, both named Louis A. Cazenove (1807-1852 and 1851-1925), and his great grandfather Anthony Charles Cazenove (1775-1852). Researchers should be cautious about the reuse of family names, as there are two Anthony Charles' and three Louis A.s.","\nThe second part consists primarily of correspondence and early business records from Alexandria, including early ledgers and receipts as well as legal documents such as deeds. There are also early passports relating to international travel and documents about the consular positions held by A.C. Cazenove in the early 19th century. There is also a family history in French from 1872.","\nBoth parts of the collection include the records of estates, trusts, and guardianships, as wealth passed from one generation to the next."],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Cazenove Family","Lee Family","Farquhar Family","Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885"],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library"],"famname_ssim":["Cazenove Family","Lee Family","Farquhar Family"],"persname_ssim":["Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":249,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:59:04.928Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_27_c02_c02_c01"}},{"id":"viblbv_repositories_2_resources_1290_c05_c05","type":"Subseries","attributes":{"title":"Business Records","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1290_c05_c05#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis subseries comprises miscellaneous receipts, 1862; Business Correspondence, 1900-1910; and a catalog for the Marion Foundry and Machine Works, 1915.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1290_c05_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1290_c05_c05","ref_ssm":["viblbv_repositories_2_resources_1290_c05_c05"],"id":"viblbv_repositories_2_resources_1290_c05_c05","ead_ssi":"viblbv_repositories_2_resources_1290","_root_":"viblbv_repositories_2_resources_1290","_nest_parent_":"viblbv_repositories_2_resources_1290_c05","parent_ssi":"viblbv_repositories_2_resources_1290_c05","parent_ssim":["viblbv_repositories_2_resources_1290","viblbv_repositories_2_resources_1290_c05"],"parent_ids_ssim":["viblbv_repositories_2_resources_1290","viblbv_repositories_2_resources_1290_c05"],"parent_unittitles_ssm":["Black, Kent, and Apperson Family Papers","Series V. John S. Apperson Papers"],"parent_unittitles_tesim":["Black, Kent, and Apperson Family Papers","Series V. John S. Apperson Papers"],"text":["Black, Kent, and Apperson Family Papers","Series V. John S. Apperson Papers","Business Records","box 9","folder 24-27","This subseries comprises miscellaneous receipts, 1862; Business Correspondence, 1900-1910; and a catalog for the Marion Foundry and Machine Works, 1915."],"title_filing_ssi":"Business Records","title_ssm":["Business Records"],"title_tesim":["Business Records"],"unitdate_inclusive_ssm":["1862-1915"],"normalized_date_ssm":["1862/1915"],"normalized_title_ssm":["Business Records"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Black, Kent, and Apperson Family Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":90,"parent_access_restrict_tesm":["The collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915],"containers_ssim":["box 9","folder 24-27"],"scopecontent_html_tesm":["\u003cp\u003eThis subseries comprises miscellaneous receipts, 1862; Business Correspondence, 1900-1910; and a catalog for the Marion Foundry and Machine Works, 1915.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This subseries comprises miscellaneous receipts, 1862; Business Correspondence, 1900-1910; and a catalog for the Marion Foundry and Machine Works, 1915."],"_nest_path_":"/components#4/components#4","timestamp":"2026-05-21T02:25:26.069Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1290","ead_ssi":"viblbv_repositories_2_resources_1290","_root_":"viblbv_repositories_2_resources_1290","_nest_parent_":"viblbv_repositories_2_resources_1290","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1290.xml","title_filing_ssi":"Black, Kent, and Apperson Family Papers","title_ssm":["Black, Kent, and Apperson Family Papers"],"title_tesim":["Black, Kent, and Apperson Family Papers"],"unitdate_ssm":["1779-1984"],"unitdate_inclusive_ssm":["1779-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1974.003"],"text":["Ms.1974.003","Black, Kent, and Apperson Family Papers","Blacksburg (Va.)","Huntsville (Ala.)","Marion (Va.)","Civil War","Folk, historical, and patent medicine","Genealogy","Local/Regional History and Appalachian South","Medicine","Medicine, Military -- History","Montgomery County (Va.)","United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Diaries","Women -- History","The collection is open to research.","Some of this collection has been digitized and is available online.","A microfilm edition of the diary, 1847-1850, of Harvey Black and the American Civil War diaries of John S. Apperson was made by the Library of Virginia in January 1976 and is available at the Library of Virginia in Richmond. The Civil War letters of Harvey Black were published in 1995 in a volume edited by Glenn L. McMullen, which is available in the Rare Book Collection and in Newman Library.","The papers are arranged into series corresponding to the creators of the material and subseries by type of material.","Series include the following:","Series I. Harvey Black Papers Series II. Black Family Papers Series III. Germanicus Kent Papers Series IV. Black Family Business Records Series V. John S. Apperson Papers Series VI. Mary E. Apperson Papers Series VII. Alexander Apperson Papers Series VIII. Harvey B. Apperson Political Scrapbooks Series IX. Blacksburg Mining and Manufacturing Company Series X. Assorted Papers","This series is arranged by format.","This series is arranged by format.","Arranged alphabetically by name of family being researched.","In 1889, Elizabeth Black of Blacksburg, Virginia, married John Apperson of Marion, joining the Black and Kent families of Blacksburg with the Apperson family. Elizabeth Black's father Harvey Black and John S. Apperson served together in the 4th Virginia, 1st Brigade during the American Civil War. Black was a regimental surgeon and Apperson was a hospital steward under his command.","Harvey Black (1827-1888) was a native of Blacksburg and a grandson of town founder John Black. (Harvey Black did not use the e in his given name, but as an adult he regularly signed his name as H. Black and he was almost always identified publicly as Harvey Black.) After attending local schools, he began studying medicine under two local doctors. In 1847, he volunteered to serve in the Mexican War in the 1st Regiment Virginia Volunteers; three months later, he was made a hospital steward. He entered medical school at the University of Virginia in 1848 and graduated in June 1849. That fall, he took a four-month journey, on horseback, from western Virginia through the upper Mid-West as far west as Iowa. He decided to settle in Blacksburg and opened a medical practice there in 1852. The same year, he married Mary Kent of Blacksburg.","On August 2, 1861, Harvey Black was appointed regimental surgeon in the 4th Virginia, 1st Brigade, known as the Stonewall Brigade. John Apperson, who had enlisted with the Smyth Blues of Smyth County, Virginia, in April 1861, was appointed hospital steward under the command of Harvey Black in March 1862. Black and Apperson served together with the 4th regiment until late 1862. They provided medical care to the wounded at first Manassas, second Manassas, and the Battle of Fredericksburg. In late 1862, Black was appointed surgeon of the field hospital of the Second Corps, Army of Northern Virginia, and brought Apperson with him. Both served in this hospital until the end of the war, taking care of recuperating soldiers who were wounded of the Second Corps' major engagements, including the Battle of Chancellorsville in 1863 and the Spotsylvania Campaign in 1864. Black assisted Hunter Holmes McGuire with the amputation of Stonewall Jackson's arm on May 3, 1863.","After the Civil War, Harvey Black resumed his medical practice in Blacksburg. He was elected president of the Medical Society of Virginia in 1872. He played an instrumental role in the founding of the Virginia Agricultural and Mechanical College in Blacksburg in 1872. He was the first rector of the Board of Visitors.","From 1786 to 1882, Harvey Black was Superintendent of the Eastern Lunatic Asylum in Williamsburg. In 1884, he was appointed to the board of a proposed state mental hospital for southwestern Virginia. In 1885, he was elected to represent Montgomery County in the House of Delegates and served two sessions. In the House, he influenced the decision to locate the new hospital in Marion. In 1887, Black became the first superintendent of the new Southwestern State Lunatic Asylum in Marion. He appointed John S. Apperson assistant physician there. Harvey Black died in Richmond in October 1888 and was buried in Westview Cemetery in Blacksburg.","John S. Apperson (1837-1908) was born in Locust Grove, Virginia, and moved to Smyth County in 1859. He took a job splitting rails and began to study medicine under local physician William Faris. In 1861, Apperson enlisted in the Smyth Blues, organized as Company D, 4th Virginia. After the Civil War, he studied medicine at the University of Virginia, earning a degree in 1867. He returned to Smyth County and married Victoria Hull in 1868. They lived in Chilhowie, and Apperson practiced medicine and farmed. They had seven children.","John Apperson's first wife died in 1887. The same year, he took a job as assistant physician under Harvey Black at the Southwestern Lunatic Asylum of Virginia in Marion. When Harvey Black died in 1888, Apperson resigned his position at the Southwestern Lunatic Asylum and established a medical practice in Marion. In 1889, he married Elizabeth, daughter of his friend and mentor Harvey Black. They had four children: Harvey, Alexander, Kent, and Mary.","After his second marriage, John Apperson pursued a career in business. He was one of eight founders of Staley's Creek Manganese and Iron Company. In 1906, he expanded the operations of the Marion Foundry and Milling Company into the Marion Foundry and Machine Works. He also promoted the building of the Marion and Rye Valley Railroad.","In 1892, the Virginia Board of World's Fair Managers employed Apperson to collect items and transport Virginia exhibits to the 1893 World's Columbian Exposition in Chicago. John Apperson died in Marion in 1908. His wife Elizabeth died in Blacksburg in 1942.","Harvey Black Apperson (1890-1948), the oldest child of John Apperson and Elizabeth Black, lived in Salem, Virginia, and practiced law in Roanoke for thirty years. He became active in Democratic Party politics in the 1920s. In a special election in 1933, he was elected to represent Floyd, Franklin, Montgomery, and Roanoke counties and the cities of Radford and Roanoke in the State Senate. He served on the State Corporation Commission from 1944 to 1947 and was Chairman of the Commission from June 1944 to 1947. Governor William Tuck appointed him Attorney General in August 1947, and he took office October 7, 1947. He died suddenly of a heart attack at his home in Richmond on February 2, 1948. Alexander Apperson worked at the Marion Foundry and Machine Works for a period and later moved to Birmingham, Alabama.","Germanicus Kent (1791-1861) and Arabella Amiss Kent (1809-1951), parents of Harvey Black's wife Mary, are also documented in this collection. Germanicus Kent was born in Suffield, Connecticut, and attended Yale College. Circa 1822, he moved to Huntsville, Alabama, and worked as a cotton merchant. In 1827, he married Arabella Amiss of Blacksburg. According to a family account, Germanicus Kent left Huntsville in 1834 at the insistence of his brother Aratus Kent, a missionary in Illinois who opposed slavery. Aratus Kent was a founder of Beloit and Rockford colleges in Illinois. The family moved to Illinois in 1834. Lewis Kent (also known as Lewis Lemon), who was enslaved by Germanicus Kent in North Carolina when he was a boy, moved with the family and later purchased his freedom and settled in Iowa. Germanicus Kent is considered a founder of the town of Rockford, Illinois, and served in the Illinois state legislature. Mary Kent, born in 1836, was the first child of European ancestry born in Rockford. The family returned to Arabella's hometown of Blacksburg in 1843.","Sources Glenn L. McMullen, \"Tending the Wounded: Two Virginians in the Confederate Medical Corps,\" Virginia Cavalcade, Vol. 40, No. 4 (Spring 1991), 172-183 A Surgeon with Stonewall Jackson: The Civil War Letters of Dr. Harvey Black, edited by Glenn L. McMullen (Baltimore: Butternut and Blue, 1995) Biographical sketches of John S. Apperson by Glenn McMullen and of Harvey Black Apperson, by Crandall Shiflett in John T. Kneebone, J. Jefferson Looney, Brent Tartar, and Sandra Gioia Treadway, eds., Dictionary of Virginia Biography, Vol. 1 (The Library of Virginia, 1998), 181-183 \"Germanicus A. Kent: Founder of Rockford, Illinois,\" published by the Rockford Historical Society, n.d.","The guide to the Black, Kent, and Apperson Family Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The papers were previously organized into three collections: the Black Family Papers, Ms1974-003; the Apperson Family Papers, Ms1974-017; and the Kent Family Papers, Ms1974-018. They were further processed and merged into one collection in 2002. Additional description was completed in 2021.","Three boxes are unprocessed. Contact Special Collections and University Archives for more information.","This item was previously listed on the finding aid as \"General Store, Blacksburg, 1857-1862.\"","See the following materials related to these families, which are also at Virginia Tech Special Collections and University Archives:","James Randal Kent Papers, Ms1987-031","Elizabeth Kent Adams Papers, Ms1990-045","Medical Bill Signed by Dr. Harvey Black, Ms2009-084","Bell, Kent, Cloyd, Withrow Family Collection, Ms2008-040","The Black, Kent, and Apperson Family Papers, 1779-1984 (bulk 1821-1948) documents the families of Blacksburg and Marion, Virginia. The collection comprises American Civil War letters of Dr. Harvey Black, Civil War diaries of John Apperson, records and correspondence pertaining to nineteenth-century Blacksburg residents Edwin Amiss, his sister Arabella Amiss Kent, and her husband Germanicus Kent, cotton trader and Rockford, Illinois pioneer; and account books, correspondence, and photographs of several members of the Black, Kent, and Apperson families of Blacksburg and Marion, Virginia. The collection is divided into the following major series: Harvey Black Papers, Black Family Papers, Germanicus Kent Papers, Black Family Business Records, John S. Apperson Papers, Mary E. Apperson Papers, Alexander Apperson Papers, and Harvey B. Apperson Political Scrapbooks.","Series I. Harvey Black Papers, 1847-1888, contains the following subseries: Diaries, Civil War Letters, General Correspondence, Medical Career Records, and Virginia Agricultural and Mechanical College. It also includes one photograph, ca. 1865, of Harvey Black.","Dating 1861 to 1864, the Civil War Letters document Black's experiences as a regimental surgeon in the Stonewall Brigade and as surgeon in charge of the Second Corps field hospital. The series comprises letters Black wrote to his wife Mary (Molly) in Blacksburg. Black usually wrote to his wife two to three days after a major battle and reported who, from Blacksburg, had been killed or wounded. He describes the effects of disease on the troops, looking for his brother-in-law Lewis Kent among the Union wounded at the Battle of Fredericksburg, the delirium of Stonewall Jackson as he lay dying at Guinea Station, and the difficulties of keeping his family clothed and fed during the war.","The Diaries consist of a short diary Black kept of his journey from Christiansburg to Mexico to fight in the Mexican War and a diary of a four-month journey, on horseback, from western Virginia through West Virginia, Ohio, Wisconsin, Michigan, Illinois, Iowa, Missouri, and Tennessee in the fall of 1849. The Mexican War diary details Black's trip from Christiansburg to Norfolk and eventually Buena Vista, but provides little information about serving in the war. Both diaries contain mainly Black's observations about the towns and cities he passes through. The diary of the trip west compares culture and society in Virginia and the West and references encounters with Virginians who had moved west.","General Correspondence, 1847-1871, comprises two letters Black wrote while he was studying medicine at the University of Virginia, his proposal of marriage to Mary (Molly) Kent, and a folder of letters Black received from family members between 1848 and 1871. One letter describes pioneering in Island County, Washington Territory, in 1853; and two letters from Virginia State Senator John Penn regard the establishment of the Virginia Agricultural and Mechanical College, forerunner of Virginia Tech, in Blacksburg.","The Medical Career Records, dating 1848 to 1888, documents Harvey Black's medical career before and after the Civil War and letters of recommendation for the position of Superintendent of the Eastern Lunatic Asylum of Virginia and the Southwestern Lunatic Asylum of Virginia. This series also contains an 1887 annual report for the Southwestern Lunatic Asylum of Virginia.","The Virginia Agricultural and Mechanical College Records span the years 1870 to 1873. This small series consists of a subscription list for the Preston and Olin Institute, an early history of the founding of the Virginia Agricultural and Mechanical College, and certificates of appointment to the college's Board of Visitors.","Series II. Black Family Papers, 1779-1911 (bulk 1845-1911): Materials include an 1845 bill of sale for an enslaved girl named Adaline; an 1856 letter from Charles to Alexander Black; photographs of Alexander Black, Kent Black, and Kent's wife Mary Bell Black; a 1911 letter from Mary Kent to her children; and a quilt given to Kent Black by his medical patients, ca. 1890. Additionally, the series has the wedding register of Mary and Kent Black and an invitation to the 1885 Blacksburg Grand Annual Ball.","Series III. Germanicus Kent Papers, 1818-1899: The series comprises Germanicus Kent's cotton books and correspondence with his sons Lewis and John, his brother Aratus Kent, and his brother-in- law Edwin Amiss. The cotton books document Kent's experience as a cotton merchant based in Huntsville, Alabama, 1821 to 1823. They provide lists of cotton prices and copies of correspondence to clients in Nashville and New Orleans. The correspondence describes life in Blacksburg in the 1830s, the Kent family's decision to settle in Virginia after living in Illinois, and Kent's business investments in the west and in Blacksburg. Letters from Edwin Amiss to Arabella and Germanicus Kent pertain to Arabella Kent continuing to enslave people by inheriting her mother's estate. An 1860 letter from Germanicus Kent to Aratus Kent discusses Germanicus Kent's desire to establish contact with the man he formerly enslaved Lewis Lemon Kent, then living in Iowa.","Series IV. Black Family Business Records, 1832-1924: Account books for mercantile establishments in Blacksburg make up the bulk of this series.. It also contains an account book for A.W. Luster; a 1908 inventory for W. Stone \u0026 Son; and a copy of an undated newspaper advertisement for A. Black and Company.","Series V. John S. Apperson Papers, 1858-1915: John Apperson's Civil War Diary is the centerpiece. The diary consist of Apperson's account of his journey, in 1859, from his home in Locust Grove, Virginia to Smyth County in Southwest Virginia. In the Civil War diaries, he describes medical care of soldiers and lists monthly figures of wounded and dead for the Second Corps field hospital. He discusses going onto the battlefield after the fighting stopped at First Manassas, the scene on the morning of the Battle of Fredericksburg, December 13, 1862; performing his first amputation; and his efforts to continue his medical education during the Civil War. Additionally, this series contains correspondence about Apperson's business career, 1900 and 1910, a catalog for the Marion Foundry and Machine Works, and photographs of John Apperson, Elizabeth Black, and their children.","Series VI. Mary E. Apperson Papers, 1889-1977, and Series VII. Alexander Apperson Papers, 1827-1984: Research files on the Black, Kent, and Apperson families of Blacksburg and Marion compose the bulk of these two series. Materials also include publications pertaining to family history; correspondence with the Rockford, Illinois Historical Society regarding research on Germanicus Kent; correspondence related to other genealogy research; the recollections of Elizabeth Black Apperson about Blacksburg history and buildings; family photographs and a photograph, ca. 1900, of the Alexander Black house in Blacksburg; and family artifacts.","Series VIII. Harvey B. Apperson Political Scrapbooks, 1933-1950: The scrapbooks largely consist of newspaper clippings detailing Harvey B. Apperson's political career and Democratic Party politics in the Roanoke area in the 1930s and in Richmond in the 1940s. Additionally, there are letters and telegrams of congratulation Apperson received when he was appointed Attorney General of Virginia in 1947, telegrams and letters of condolence his wife received upon his death four months later, photographs, and political ephemera.","Series IX. Blacksburg Mining and Manufacturing Company, 1826-1965: Legal documents and correspondence pertain to the division of proceeds of mining investments among the Apperson descendants of Harvey Black. The series also contains maps of Black and Apperson property in Blacksburg, ca. 1949.","Series X. Assorted Papers, 1872, 1912: The last series includes two items, the Louise Caton Travel Diary, 1912, and  The Christian Union  publication, 1872. The diary of Louise Caton's four-month tour of Europe in 1912 describes her voyage from New York to Genoa on the Laxmia and from Liverpool back to New York on the Celtic. The relationship of Louise Caton to the Black, Kent, and Apperson families is unknown.","This small series includes a letter Harvey Black received from family who had settled in Wisconsin; a letter from a member of the Crockett family pioneering in Washington Territory, and two letters from Virginia State Senator John Penn regarding the establishment of Virginia Agricultural and Mechanical College in Blacksburg.","In this subseries of five letters from Germanicus Kent to his sons and his brother Aratus, Kent discusses investments, family, and Lewis Lemon (Kent), who bought his freedom from Kent ca. 1835.","This folder contains four family letters presumed to pertain to the extended Kent Amiss family. The correspondents are Edith Boggs, David and E. Cook, Mary Sloutermires, William G., and his son Nelson.","Accounts and correspondence in these two bound cotton books detail Germanicus Kent's business as a cotton merchant in Huntsville, Alabama.","Materials corncern the Kent family's move from Alabama to Illinois.","This file contains a contract outlining the terms of a proposed business partnership between Edwin Amiss and Germanicus Kent and a contract to build a home in Blacksburg.","This series is composed primarily of five ledgers containing alphabetically indexed customer account histories for various mercantile establishments, probably in Blacksburg. Also included are documents and correspondence pertaining to Black family investments in oil drilling operations in Texas, 1912-1924.","This ledger includes an inventory, July 1908, for W. Stone \u0026 Son.","This subseries comprises documents pertaining to investments in the Radford Land Improvement Company, 1889; the Radford West End Land Company, 1909; and oil drilling operations in Texas, 1912-1924.","This subseries comprises miscellaneous receipts, 1862; Business Correspondence, 1900-1910; and a catalog for the Marion Foundry and Machine Works, 1915.","These letters discuss the illness of the daughter of Mrs. Cyprus McCormick and John S. Apperson.","This file contains newspaper clippings on Blacksburg history and members of the Black, Kent, and Apperson families.","The Directory's cover illustration is a photograph of a sculpture commemorating the role played by Germanicus Kent and Lewis Lemon, Kent's former slave, in the founding of Rockford, Illinois.","This series is primarily composed of research files on the genealogy of the Black, Kent, Apperson and related families. It also contains family photographs, including a picture of the Alexander Black House, later burned, ca. 1900; a folder of correspondence pertaining to Alexander Black's service on the vestry of Mountainbrook Methodist Church in Birmingham, Alabama, 1944-1954; a 1914 edition of \"The X-Ray,\" the yearbook of Marion High School; and a program from the 1962 annual convention of the Virginia Division of the United Daughters of the Confederacy.","This subseries contains one folder of correspondence pertaining to a proposed memorial to Harvey Black at Virginia Tech from 1953; one folder of correspondence concerning Mountainbrook Methodist Church in Birmingham, Alabama, 1944-1954, and one letter, 1934, from A.J. Oliver to Harvey Black Apperson, discussing Oliver's father, who worked for Virginia Agricultural and Mechanical College in the 1870s and helped plant the first trees on the campus.","This subseries includes the Marion High School yearbook, 1914; and a program from the Sixty-seventh Annual Convention of the Virginia Division of the United Daughters of the Confederacy, 1962.","This subseries comprises correspondence, applications to family heritage organizations, and copies of documents regarding genealogy research on the Black, Kent, Apperson, and related families.","File contains three items in French.","Documents in this subseries pertain to applications, by members of the Black family, for membership in the Daughters of the American Revolution, Huguenot Society, Magna Carta Barons, National Society of Colonial Wars, and the Society of Colonial Dames.","Scrapbooks contain newspaper clippings, incoming correspondence and telegrams, photographs, and ephemera documenting Harvey Apperson's political career from 1933, when he ran for the State Senate, to his death in 1948, four months after Governor William Tuck appointed him Attorney General.","Five scrapbooks and one box of items removed from the scrapbooks and copied for preservation. Photographs and ephemera removed from the scrapbooks are stored in Box 15.","This series is comprised of deeds, reports, correspondence, lease agreements, and receipts pertaining to Apperson family investments in mining operations at Poverty Hollow, Tom's Creek Road, the Blacksburg Manufacturing and Mining Company, and M.C. Slusser and Company. It also contains maps of Blacksburg Manufacturing and Mining Company coal land sold to the Hoge heirs in 1928 and maps showing property owned by the Alexander and Lizzie O. Black estate and Apperson Properties in 1937 and 1948.","The diary is an account of Louise Caton's voyage from New York to Genoa, Italy, her travels through Italy, Switzerland, Germany, Holland, France, and England, and her return from Liverpool to New York in the summer of 1912.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains the papers and artifacts of an interrelated family prominent in Blacksburg's history. It includes the American Civil War letters of Confederate surgeon Dr. Harvey Black, the Civil War diary of hospital steward John S. Apperson, cotton books and correspondence of Germanicus Kent, nineteenth-century account books of a Blacksburg general store, 1912 European travel diary, and the political scrapbooks of State Senator and Attorney General Harvey B. Apperson.","Special Collections and University Archives, Virginia Tech","A. W. Luster","Confederate States of America. Army. Stonewall Brigade","Eastern Lunatic Asylum of Virginia","Marion Foundry and Machine Works (Marion, Va.)","Preston and Olin Institute (Blacksburg, Va.)","Southwestern Lunatic Asylum of Virginia (1887-1935)","Virginia Agricultural and Mechanical College (1872-1896)","W. Stone \u0026 Son","Apperson family","Black family","Kent family","Amiss, Edwin","Apperson, Alex","Apperson, Elizabeth Black","Apperson, Harvey Black, 1890-1948","Apperson, John Samuel, 1837-1904","Apperson, Mary","Black, Harvey, 1827-1888","Black, Kent, active 1876-1890","Black, Mary Kent, b.1836","Caton, Louise","Kent, Germanicus, 1791-1862","Lemon, Lewis","Kent, Lewis (enslaved person)","The materials in the collection are in English."],"unitid_tesim":["Ms.1974.003"],"normalized_title_ssm":["Black, Kent, and Apperson Family Papers"],"collection_title_tesim":["Black, Kent, and Apperson Family Papers"],"collection_ssim":["Black, Kent, and Apperson Family Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)","Huntsville (Ala.)","Marion (Va.)"],"geogname_ssim":["Blacksburg (Va.)","Huntsville (Ala.)","Marion (Va.)"],"places_ssim":["Blacksburg (Va.)","Huntsville (Ala.)","Marion (Va.)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Black, Kent, and Apperson Family Papers were donated to Virginia Tech from 1955 to 1990. The American Civil War letters of Harvey Black and the Civil War diaries of John Apperson were donated in 1974."],"access_subjects_ssim":["Civil War","Folk, historical, and patent medicine","Genealogy","Local/Regional History and Appalachian South","Medicine","Medicine, Military -- History","Montgomery County (Va.)","United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Diaries","Women -- History"],"access_subjects_ssm":["Civil War","Folk, historical, and patent medicine","Genealogy","Local/Regional History and Appalachian South","Medicine","Medicine, Military -- History","Montgomery County (Va.)","United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Diaries","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["ca. 7 Cubic Feet 21 boxes and 1 oversize folder"],"extent_tesim":["ca. 7 Cubic Feet 21 boxes and 1 oversize folder"],"date_range_isim":[1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca show=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/38\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003eA microfilm edition of the diary, 1847-1850, of Harvey Black and the American Civil War diaries of John S. Apperson was made by the Library of Virginia in January 1976 and is available at the Library of Virginia in Richmond. The Civil War letters of Harvey Black were published in 1995 in a volume edited by Glenn L. McMullen, which is available in the Rare Book Collection and in Newman Library.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online.","A microfilm edition of the diary, 1847-1850, of Harvey Black and the American Civil War diaries of John S. Apperson was made by the Library of Virginia in January 1976 and is available at the Library of Virginia in Richmond. The Civil War letters of Harvey Black were published in 1995 in a volume edited by Glenn L. McMullen, which is available in the Rare Book Collection and in Newman Library."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged into series corresponding to the creators of the material and subseries by type of material.\u003c/p\u003e\n","\u003cp\u003eSeries include the following:\u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003eSeries I. Harvey Black Papers\u003c/item\u003e\n\u003citem\u003eSeries II. Black Family Papers\u003c/item\u003e\n\u003citem\u003eSeries III. Germanicus Kent Papers\u003c/item\u003e\n\u003citem\u003eSeries IV. Black Family Business Records\u003c/item\u003e\n\u003citem\u003eSeries V. John S. Apperson Papers\u003c/item\u003e\n\u003citem\u003eSeries VI. Mary E. Apperson Papers\u003c/item\u003e\n\u003citem\u003eSeries VII. Alexander Apperson Papers\u003c/item\u003e\n\u003citem\u003eSeries VIII. Harvey B. Apperson Political Scrapbooks\u003c/item\u003e\n\u003citem\u003eSeries IX. Blacksburg Mining and Manufacturing Company\u003c/item\u003e\n\u003citem\u003eSeries X. Assorted Papers\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e","\u003cp\u003eThis series is arranged by format.\u003c/p\u003e","\u003cp\u003eThis series is arranged by format.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by name of family being researched.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement note"],"arrangement_tesim":["The papers are arranged into series corresponding to the creators of the material and subseries by type of material.","Series include the following:","Series I. Harvey Black Papers Series II. Black Family Papers Series III. Germanicus Kent Papers Series IV. Black Family Business Records Series V. John S. Apperson Papers Series VI. Mary E. Apperson Papers Series VII. Alexander Apperson Papers Series VIII. Harvey B. Apperson Political Scrapbooks Series IX. Blacksburg Mining and Manufacturing Company Series X. Assorted Papers","This series is arranged by format.","This series is arranged by format.","Arranged alphabetically by name of family being researched."],"bioghist_html_tesm":["\u003cp\u003eIn 1889, Elizabeth Black of Blacksburg, Virginia, married John Apperson of Marion, joining the Black and Kent families of Blacksburg with the Apperson family. Elizabeth Black's father Harvey Black and John S. Apperson served together in the 4th Virginia, 1st Brigade during the American Civil War. Black was a regimental surgeon and Apperson was a hospital steward under his command.\u003c/p\u003e\n","\u003cp\u003eHarvey Black (1827-1888) was a native of Blacksburg and a grandson of town founder John Black. (Harvey Black did not use the e in his given name, but as an adult he regularly signed his name as H. Black and he was almost always identified publicly as Harvey Black.) After attending local schools, he began studying medicine under two local doctors. In 1847, he volunteered to serve in the Mexican War in the 1st Regiment Virginia Volunteers; three months later, he was made a hospital steward. He entered medical school at the University of Virginia in 1848 and graduated in June 1849. That fall, he took a four-month journey, on horseback, from western Virginia through the upper Mid-West as far west as Iowa. He decided to settle in Blacksburg and opened a medical practice there in 1852. The same year, he married Mary Kent of Blacksburg.\u003c/p\u003e\n","\u003cp\u003eOn August 2, 1861, Harvey Black was appointed regimental surgeon in the 4th Virginia, 1st Brigade, known as the Stonewall Brigade. John Apperson, who had enlisted with the Smyth Blues of Smyth County, Virginia, in April 1861, was appointed hospital steward under the command of Harvey Black in March 1862. Black and Apperson served together with the 4th regiment until late 1862. They provided medical care to the wounded at first Manassas, second Manassas, and the Battle of Fredericksburg. In late 1862, Black was appointed surgeon of the field hospital of the Second Corps, Army of Northern Virginia, and brought Apperson with him. Both served in this hospital until the end of the war, taking care of recuperating soldiers who were wounded of the Second Corps' major engagements, including the Battle of Chancellorsville in 1863 and the Spotsylvania Campaign in 1864. Black assisted Hunter Holmes McGuire with the amputation of Stonewall Jackson's arm on May 3, 1863.\u003c/p\u003e\n","\u003cp\u003eAfter the Civil War, Harvey Black resumed his medical practice in Blacksburg. He was elected president of the Medical Society of Virginia in 1872. He played an instrumental role in the founding of the Virginia Agricultural and Mechanical College in Blacksburg in 1872. He was the first rector of the Board of Visitors.\u003c/p\u003e\n","\u003cp\u003eFrom 1786 to 1882, Harvey Black was Superintendent of the Eastern Lunatic Asylum in Williamsburg. In 1884, he was appointed to the board of a proposed state mental hospital for southwestern Virginia. In 1885, he was elected to represent Montgomery County in the House of Delegates and served two sessions. In the House, he influenced the decision to locate the new hospital in Marion. In 1887, Black became the first superintendent of the new Southwestern State Lunatic Asylum in Marion. He appointed John S. Apperson assistant physician there. Harvey Black died in Richmond in October 1888 and was buried in Westview Cemetery in Blacksburg.\u003c/p\u003e\n","\u003cp\u003eJohn S. Apperson (1837-1908) was born in Locust Grove, Virginia, and moved to Smyth County in 1859. He took a job splitting rails and began to study medicine under local physician William Faris. In 1861, Apperson enlisted in the Smyth Blues, organized as Company D, 4th Virginia. After the Civil War, he studied medicine at the University of Virginia, earning a degree in 1867. He returned to Smyth County and married Victoria Hull in 1868. They lived in Chilhowie, and Apperson practiced medicine and farmed. They had seven children.\u003c/p\u003e\n","\u003cp\u003eJohn Apperson's first wife died in 1887. The same year, he took a job as assistant physician under Harvey Black at the Southwestern Lunatic Asylum of Virginia in Marion. When Harvey Black died in 1888, Apperson resigned his position at the Southwestern Lunatic Asylum and established a medical practice in Marion. In 1889, he married Elizabeth, daughter of his friend and mentor Harvey Black. They had four children: Harvey, Alexander, Kent, and Mary.\u003c/p\u003e\n","\u003cp\u003eAfter his second marriage, John Apperson pursued a career in business. He was one of eight founders of Staley's Creek Manganese and Iron Company. In 1906, he expanded the operations of the Marion Foundry and Milling Company into the Marion Foundry and Machine Works. He also promoted the building of the Marion and Rye Valley Railroad.\u003c/p\u003e\n","\u003cp\u003eIn 1892, the Virginia Board of World's Fair Managers employed Apperson to collect items and transport Virginia exhibits to the 1893 World's Columbian Exposition in Chicago. John Apperson died in Marion in 1908. His wife Elizabeth died in Blacksburg in 1942.\u003c/p\u003e\n","\u003cp\u003eHarvey Black Apperson (1890-1948), the oldest child of John Apperson and Elizabeth Black, lived in Salem, Virginia, and practiced law in Roanoke for thirty years. He became active in Democratic Party politics in the 1920s. In a special election in 1933, he was elected to represent Floyd, Franklin, Montgomery, and Roanoke counties and the cities of Radford and Roanoke in the State Senate. He served on the State Corporation Commission from 1944 to 1947 and was Chairman of the Commission from June 1944 to 1947. Governor William Tuck appointed him Attorney General in August 1947, and he took office October 7, 1947. He died suddenly of a heart attack at his home in Richmond on February 2, 1948. Alexander Apperson worked at the Marion Foundry and Machine Works for a period and later moved to Birmingham, Alabama.\u003c/p\u003e\n","\u003cp\u003eGermanicus Kent (1791-1861) and Arabella Amiss Kent (1809-1951), parents of Harvey Black's wife Mary, are also documented in this collection. Germanicus Kent was born in Suffield, Connecticut, and attended Yale College. Circa 1822, he moved to Huntsville, Alabama, and worked as a cotton merchant. In 1827, he married Arabella Amiss of Blacksburg. According to a family account, Germanicus Kent left Huntsville in 1834 at the insistence of his brother Aratus Kent, a missionary in Illinois who opposed slavery. Aratus Kent was a founder of Beloit and Rockford colleges in Illinois. The family moved to Illinois in 1834. Lewis Kent (also known as Lewis Lemon), who was enslaved by Germanicus Kent in North Carolina when he was a boy, moved with the family and later purchased his freedom and settled in Iowa. Germanicus Kent is considered a founder of the town of Rockford, Illinois, and served in the Illinois state legislature. Mary Kent, born in 1836, was the first child of European ancestry born in Rockford. The family returned to Arabella's hometown of Blacksburg in 1843.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSources\u003c/head\u003e\n      \u003citem\u003eGlenn L. McMullen, \"Tending the Wounded: Two Virginians in the Confederate Medical Corps,\" Virginia Cavalcade, Vol. 40, No. 4 (Spring 1991), 172-183\u003c/item\u003e\n      \u003citem\u003eA Surgeon with Stonewall Jackson: The Civil War Letters of Dr. Harvey Black, edited by Glenn L. McMullen (Baltimore: Butternut and Blue, 1995)\u003c/item\u003e\n      \u003citem\u003eBiographical sketches of John S. Apperson by Glenn McMullen and of Harvey Black Apperson, by Crandall Shiflett in John T. Kneebone, J. Jefferson Looney, Brent Tartar, and Sandra Gioia Treadway, eds., Dictionary of Virginia Biography, Vol. 1 (The Library of Virginia, 1998), 181-183\u003c/item\u003e\n      \u003citem\u003e\"Germanicus A. Kent: Founder of Rockford, Illinois,\" published by the Rockford Historical Society, n.d.\u003c/item\u003e\n    \u003c/list\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["In 1889, Elizabeth Black of Blacksburg, Virginia, married John Apperson of Marion, joining the Black and Kent families of Blacksburg with the Apperson family. Elizabeth Black's father Harvey Black and John S. Apperson served together in the 4th Virginia, 1st Brigade during the American Civil War. Black was a regimental surgeon and Apperson was a hospital steward under his command.","Harvey Black (1827-1888) was a native of Blacksburg and a grandson of town founder John Black. (Harvey Black did not use the e in his given name, but as an adult he regularly signed his name as H. Black and he was almost always identified publicly as Harvey Black.) After attending local schools, he began studying medicine under two local doctors. In 1847, he volunteered to serve in the Mexican War in the 1st Regiment Virginia Volunteers; three months later, he was made a hospital steward. He entered medical school at the University of Virginia in 1848 and graduated in June 1849. That fall, he took a four-month journey, on horseback, from western Virginia through the upper Mid-West as far west as Iowa. He decided to settle in Blacksburg and opened a medical practice there in 1852. The same year, he married Mary Kent of Blacksburg.","On August 2, 1861, Harvey Black was appointed regimental surgeon in the 4th Virginia, 1st Brigade, known as the Stonewall Brigade. John Apperson, who had enlisted with the Smyth Blues of Smyth County, Virginia, in April 1861, was appointed hospital steward under the command of Harvey Black in March 1862. Black and Apperson served together with the 4th regiment until late 1862. They provided medical care to the wounded at first Manassas, second Manassas, and the Battle of Fredericksburg. In late 1862, Black was appointed surgeon of the field hospital of the Second Corps, Army of Northern Virginia, and brought Apperson with him. Both served in this hospital until the end of the war, taking care of recuperating soldiers who were wounded of the Second Corps' major engagements, including the Battle of Chancellorsville in 1863 and the Spotsylvania Campaign in 1864. Black assisted Hunter Holmes McGuire with the amputation of Stonewall Jackson's arm on May 3, 1863.","After the Civil War, Harvey Black resumed his medical practice in Blacksburg. He was elected president of the Medical Society of Virginia in 1872. He played an instrumental role in the founding of the Virginia Agricultural and Mechanical College in Blacksburg in 1872. He was the first rector of the Board of Visitors.","From 1786 to 1882, Harvey Black was Superintendent of the Eastern Lunatic Asylum in Williamsburg. In 1884, he was appointed to the board of a proposed state mental hospital for southwestern Virginia. In 1885, he was elected to represent Montgomery County in the House of Delegates and served two sessions. In the House, he influenced the decision to locate the new hospital in Marion. In 1887, Black became the first superintendent of the new Southwestern State Lunatic Asylum in Marion. He appointed John S. Apperson assistant physician there. Harvey Black died in Richmond in October 1888 and was buried in Westview Cemetery in Blacksburg.","John S. Apperson (1837-1908) was born in Locust Grove, Virginia, and moved to Smyth County in 1859. He took a job splitting rails and began to study medicine under local physician William Faris. In 1861, Apperson enlisted in the Smyth Blues, organized as Company D, 4th Virginia. After the Civil War, he studied medicine at the University of Virginia, earning a degree in 1867. He returned to Smyth County and married Victoria Hull in 1868. They lived in Chilhowie, and Apperson practiced medicine and farmed. They had seven children.","John Apperson's first wife died in 1887. The same year, he took a job as assistant physician under Harvey Black at the Southwestern Lunatic Asylum of Virginia in Marion. When Harvey Black died in 1888, Apperson resigned his position at the Southwestern Lunatic Asylum and established a medical practice in Marion. In 1889, he married Elizabeth, daughter of his friend and mentor Harvey Black. They had four children: Harvey, Alexander, Kent, and Mary.","After his second marriage, John Apperson pursued a career in business. He was one of eight founders of Staley's Creek Manganese and Iron Company. In 1906, he expanded the operations of the Marion Foundry and Milling Company into the Marion Foundry and Machine Works. He also promoted the building of the Marion and Rye Valley Railroad.","In 1892, the Virginia Board of World's Fair Managers employed Apperson to collect items and transport Virginia exhibits to the 1893 World's Columbian Exposition in Chicago. John Apperson died in Marion in 1908. His wife Elizabeth died in Blacksburg in 1942.","Harvey Black Apperson (1890-1948), the oldest child of John Apperson and Elizabeth Black, lived in Salem, Virginia, and practiced law in Roanoke for thirty years. He became active in Democratic Party politics in the 1920s. In a special election in 1933, he was elected to represent Floyd, Franklin, Montgomery, and Roanoke counties and the cities of Radford and Roanoke in the State Senate. He served on the State Corporation Commission from 1944 to 1947 and was Chairman of the Commission from June 1944 to 1947. Governor William Tuck appointed him Attorney General in August 1947, and he took office October 7, 1947. He died suddenly of a heart attack at his home in Richmond on February 2, 1948. Alexander Apperson worked at the Marion Foundry and Machine Works for a period and later moved to Birmingham, Alabama.","Germanicus Kent (1791-1861) and Arabella Amiss Kent (1809-1951), parents of Harvey Black's wife Mary, are also documented in this collection. Germanicus Kent was born in Suffield, Connecticut, and attended Yale College. Circa 1822, he moved to Huntsville, Alabama, and worked as a cotton merchant. In 1827, he married Arabella Amiss of Blacksburg. According to a family account, Germanicus Kent left Huntsville in 1834 at the insistence of his brother Aratus Kent, a missionary in Illinois who opposed slavery. Aratus Kent was a founder of Beloit and Rockford colleges in Illinois. The family moved to Illinois in 1834. Lewis Kent (also known as Lewis Lemon), who was enslaved by Germanicus Kent in North Carolina when he was a boy, moved with the family and later purchased his freedom and settled in Iowa. Germanicus Kent is considered a founder of the town of Rockford, Illinois, and served in the Illinois state legislature. Mary Kent, born in 1836, was the first child of European ancestry born in Rockford. The family returned to Arabella's hometown of Blacksburg in 1843.","Sources Glenn L. McMullen, \"Tending the Wounded: Two Virginians in the Confederate Medical Corps,\" Virginia Cavalcade, Vol. 40, No. 4 (Spring 1991), 172-183 A Surgeon with Stonewall Jackson: The Civil War Letters of Dr. Harvey Black, edited by Glenn L. McMullen (Baltimore: Butternut and Blue, 1995) Biographical sketches of John S. Apperson by Glenn McMullen and of Harvey Black Apperson, by Crandall Shiflett in John T. Kneebone, J. Jefferson Looney, Brent Tartar, and Sandra Gioia Treadway, eds., Dictionary of Virginia Biography, Vol. 1 (The Library of Virginia, 1998), 181-183 \"Germanicus A. Kent: Founder of Rockford, Illinois,\" published by the Rockford Historical Society, n.d."],"odd_html_tesm":["\u003cp\u003eThe guide to the Black, Kent, and Apperson Family Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Black, Kent, and Apperson Family Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Black, Kent, and Apperson Family Papers, Ms1974-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Black, Kent, and Apperson Family Papers, Ms1974-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe papers were previously organized into three collections: the Black Family Papers, Ms1974-003; the Apperson Family Papers, Ms1974-017; and the Kent Family Papers, Ms1974-018. They were further processed and merged into one collection in 2002. Additional description was completed in 2021.\u003c/p\u003e","\u003cp\u003eThree boxes are unprocessed. Contact Special Collections and University Archives for more information.\u003c/p\u003e","\u003cp\u003eThis item was previously listed on the finding aid as \"General Store, Blacksburg, 1857-1862.\"\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["The papers were previously organized into three collections: the Black Family Papers, Ms1974-003; the Apperson Family Papers, Ms1974-017; and the Kent Family Papers, Ms1974-018. They were further processed and merged into one collection in 2002. Additional description was completed in 2021.","Three boxes are unprocessed. Contact Special Collections and University Archives for more information.","This item was previously listed on the finding aid as \"General Store, Blacksburg, 1857-1862.\""],"relatedmaterial_html_tesm":["\u003cp\u003eSee the following materials related to these families, which are also at Virginia Tech Special Collections and University Archives:\u003c/p\u003e\n","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_1474.xml\"\u003eJames Randal Kent Papers, Ms1987-031\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_1779.xml\"\u003eElizabeth Kent Adams Papers, Ms1990-045\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_2503.xml\"\u003eMedical Bill Signed by Dr. Harvey Black, Ms2009-084\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_2361.xml\"\u003eBell, Kent, Cloyd, Withrow Family Collection, Ms2008-040\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See the following materials related to these families, which are also at Virginia Tech Special Collections and University Archives:","James Randal Kent Papers, Ms1987-031","Elizabeth Kent Adams Papers, Ms1990-045","Medical Bill Signed by Dr. Harvey Black, Ms2009-084","Bell, Kent, Cloyd, Withrow Family Collection, Ms2008-040"],"scopecontent_html_tesm":["\u003cp\u003eThe Black, Kent, and Apperson Family Papers, 1779-1984 (bulk 1821-1948) documents the families of Blacksburg and Marion, Virginia. The collection comprises American Civil War letters of Dr. Harvey Black, Civil War diaries of John Apperson, records and correspondence pertaining to nineteenth-century Blacksburg residents Edwin Amiss, his sister Arabella Amiss Kent, and her husband Germanicus Kent, cotton trader and Rockford, Illinois pioneer; and account books, correspondence, and photographs of several members of the Black, Kent, and Apperson families of Blacksburg and Marion, Virginia. The collection is divided into the following major series: Harvey Black Papers, Black Family Papers, Germanicus Kent Papers, Black Family Business Records, John S. Apperson Papers, Mary E. Apperson Papers, Alexander Apperson Papers, and Harvey B. Apperson Political Scrapbooks.\u003c/p\u003e\n","\u003cp\u003eSeries I. Harvey Black Papers, 1847-1888, contains the following subseries: Diaries, Civil War Letters, General Correspondence, Medical Career Records, and Virginia Agricultural and Mechanical College. It also includes one photograph, ca. 1865, of Harvey Black.\u003c/p\u003e\n","\u003cp\u003eDating 1861 to 1864, the Civil War Letters document Black's experiences as a regimental surgeon in the Stonewall Brigade and as surgeon in charge of the Second Corps field hospital. The series comprises letters Black wrote to his wife Mary (Molly) in Blacksburg. Black usually wrote to his wife two to three days after a major battle and reported who, from Blacksburg, had been killed or wounded. He describes the effects of disease on the troops, looking for his brother-in-law Lewis Kent among the Union wounded at the Battle of Fredericksburg, the delirium of Stonewall Jackson as he lay dying at Guinea Station, and the difficulties of keeping his family clothed and fed during the war.\u003c/p\u003e\n","\u003cp\u003eThe Diaries consist of a short diary Black kept of his journey from Christiansburg to Mexico to fight in the Mexican War and a diary of a four-month journey, on horseback, from western Virginia through West Virginia, Ohio, Wisconsin, Michigan, Illinois, Iowa, Missouri, and Tennessee in the fall of 1849. The Mexican War diary details Black's trip from Christiansburg to Norfolk and eventually Buena Vista, but provides little information about serving in the war. Both diaries contain mainly Black's observations about the towns and cities he passes through. The diary of the trip west compares culture and society in Virginia and the West and references encounters with Virginians who had moved west.\u003c/p\u003e\n","\u003cp\u003eGeneral Correspondence, 1847-1871, comprises two letters Black wrote while he was studying medicine at the University of Virginia, his proposal of marriage to Mary (Molly) Kent, and a folder of letters Black received from family members between 1848 and 1871. One letter describes pioneering in Island County, Washington Territory, in 1853; and two letters from Virginia State Senator John Penn regard the establishment of the Virginia Agricultural and Mechanical College, forerunner of Virginia Tech, in Blacksburg.\u003c/p\u003e\n","\u003cp\u003eThe Medical Career Records, dating 1848 to 1888, documents Harvey Black's medical career before and after the Civil War and letters of recommendation for the position of Superintendent of the Eastern Lunatic Asylum of Virginia and the Southwestern Lunatic Asylum of Virginia. This series also contains an 1887 annual report for the Southwestern Lunatic Asylum of Virginia.\u003c/p\u003e\n","\u003cp\u003eThe Virginia Agricultural and Mechanical College Records span the years 1870 to 1873. This small series consists of a subscription list for the Preston and Olin Institute, an early history of the founding of the Virginia Agricultural and Mechanical College, and certificates of appointment to the college's Board of Visitors.\u003c/p\u003e\n","\u003cp\u003eSeries II. Black Family Papers, 1779-1911 (bulk 1845-1911): Materials include an 1845 bill of sale for an enslaved girl named Adaline; an 1856 letter from Charles to Alexander Black; photographs of Alexander Black, Kent Black, and Kent's wife Mary Bell Black; a 1911 letter from Mary Kent to her children; and a quilt given to Kent Black by his medical patients, ca. 1890. Additionally, the series has the wedding register of Mary and Kent Black and an invitation to the 1885 Blacksburg Grand Annual Ball.\u003c/p\u003e\n","\u003cp\u003eSeries III. Germanicus Kent Papers, 1818-1899: The series comprises Germanicus Kent's cotton books and correspondence with his sons Lewis and John, his brother Aratus Kent, and his brother-in- law Edwin Amiss. The cotton books document Kent's experience as a cotton merchant based in Huntsville, Alabama, 1821 to 1823. They provide lists of cotton prices and copies of correspondence to clients in Nashville and New Orleans. The correspondence describes life in Blacksburg in the 1830s, the Kent family's decision to settle in Virginia after living in Illinois, and Kent's business investments in the west and in Blacksburg. Letters from Edwin Amiss to Arabella and Germanicus Kent pertain to Arabella Kent continuing to enslave people by inheriting her mother's estate. An 1860 letter from Germanicus Kent to Aratus Kent discusses Germanicus Kent's desire to establish contact with the man he formerly enslaved Lewis Lemon Kent, then living in Iowa.\u003c/p\u003e\n","\u003cp\u003eSeries IV. Black Family Business Records, 1832-1924: Account books for mercantile establishments in Blacksburg make up the bulk of this series.. It also contains an account book for A.W. Luster; a 1908 inventory for W. Stone \u0026amp; Son; and a copy of an undated newspaper advertisement for A. Black and Company.\u003c/p\u003e\n","\u003cp\u003eSeries V. John S. Apperson Papers, 1858-1915: John Apperson's Civil War Diary is the centerpiece. The diary consist of Apperson's account of his journey, in 1859, from his home in Locust Grove, Virginia to Smyth County in Southwest Virginia. In the Civil War diaries, he describes medical care of soldiers and lists monthly figures of wounded and dead for the Second Corps field hospital. He discusses going onto the battlefield after the fighting stopped at First Manassas, the scene on the morning of the Battle of Fredericksburg, December 13, 1862; performing his first amputation; and his efforts to continue his medical education during the Civil War. Additionally, this series contains correspondence about Apperson's business career, 1900 and 1910, a catalog for the Marion Foundry and Machine Works, and photographs of John Apperson, Elizabeth Black, and their children.\u003c/p\u003e\n","\u003cp\u003eSeries VI. Mary E. Apperson Papers, 1889-1977, and Series VII. Alexander Apperson Papers, 1827-1984: Research files on the Black, Kent, and Apperson families of Blacksburg and Marion compose the bulk of these two series. Materials also include publications pertaining to family history; correspondence with the Rockford, Illinois Historical Society regarding research on Germanicus Kent; correspondence related to other genealogy research; the recollections of Elizabeth Black Apperson about Blacksburg history and buildings; family photographs and a photograph, ca. 1900, of the Alexander Black house in Blacksburg; and family artifacts.\u003c/p\u003e\n","\u003cp\u003eSeries VIII. Harvey B. Apperson Political Scrapbooks, 1933-1950: The scrapbooks largely consist of newspaper clippings detailing Harvey B. Apperson's political career and Democratic Party politics in the Roanoke area in the 1930s and in Richmond in the 1940s. Additionally, there are letters and telegrams of congratulation Apperson received when he was appointed Attorney General of Virginia in 1947, telegrams and letters of condolence his wife received upon his death four months later, photographs, and political ephemera.\u003c/p\u003e\n","\u003cp\u003eSeries IX. Blacksburg Mining and Manufacturing Company, 1826-1965: Legal documents and correspondence pertain to the division of proceeds of mining investments among the Apperson descendants of Harvey Black. The series also contains maps of Black and Apperson property in Blacksburg, ca. 1949.\u003c/p\u003e\n","\u003cp\u003eSeries X. Assorted Papers, 1872, 1912: The last series includes two items, the Louise Caton Travel Diary, 1912, and \u003cemph render=\"italic\"\u003eThe Christian Union\u003c/emph\u003e publication, 1872. The diary of Louise Caton's four-month tour of Europe in 1912 describes her voyage from New York to Genoa on the Laxmia and from Liverpool back to New York on the Celtic. The relationship of Louise Caton to the Black, Kent, and Apperson families is unknown.\u003c/p\u003e","\u003cp\u003eThis small series includes a letter Harvey Black received from family who had settled in Wisconsin; a letter from a member of the Crockett family pioneering in Washington Territory, and two letters from Virginia State Senator John Penn regarding the establishment of Virginia Agricultural and Mechanical College in Blacksburg.\u003c/p\u003e","\u003cp\u003eIn this subseries of five letters from Germanicus Kent to his sons and his brother Aratus, Kent discusses investments, family, and Lewis Lemon (Kent), who bought his freedom from Kent ca. 1835.\u003c/p\u003e","\u003cp\u003eThis folder contains four family letters presumed to pertain to the extended Kent Amiss family. The correspondents are Edith Boggs, David and E. Cook, Mary Sloutermires, William G., and his son Nelson.\u003c/p\u003e","\u003cp\u003eAccounts and correspondence in these two bound cotton books detail Germanicus Kent's business as a cotton merchant in Huntsville, Alabama.\u003c/p\u003e","\u003cp\u003eMaterials corncern the Kent family's move from Alabama to Illinois.\u003c/p\u003e","\u003cp\u003eThis file contains a contract outlining the terms of a proposed business partnership between Edwin Amiss and Germanicus Kent and a contract to build a home in Blacksburg.\u003c/p\u003e","\u003cp\u003eThis series is composed primarily of five ledgers containing alphabetically indexed customer account histories for various mercantile establishments, probably in Blacksburg. Also included are documents and correspondence pertaining to Black family investments in oil drilling operations in Texas, 1912-1924.\u003c/p\u003e","\u003cp\u003eThis ledger includes an inventory, July 1908, for W. Stone \u0026amp; Son.\u003c/p\u003e","\u003cp\u003eThis subseries comprises documents pertaining to investments in the Radford Land Improvement Company, 1889; the Radford West End Land Company, 1909; and oil drilling operations in Texas, 1912-1924.\u003c/p\u003e","\u003cp\u003eThis subseries comprises miscellaneous receipts, 1862; Business Correspondence, 1900-1910; and a catalog for the Marion Foundry and Machine Works, 1915.\u003c/p\u003e","\u003cp\u003eThese letters discuss the illness of the daughter of Mrs. Cyprus McCormick and John S. Apperson.\u003c/p\u003e","\u003cp\u003eThis file contains newspaper clippings on Blacksburg history and members of the Black, Kent, and Apperson families.\u003c/p\u003e","\u003cp\u003eThe Directory's cover illustration is a photograph of a sculpture commemorating the role played by Germanicus Kent and Lewis Lemon, Kent's former slave, in the founding of Rockford, Illinois.\u003c/p\u003e","\u003cp\u003eThis series is primarily composed of research files on the genealogy of the Black, Kent, Apperson and related families. It also contains family photographs, including a picture of the Alexander Black House, later burned, ca. 1900; a folder of correspondence pertaining to Alexander Black's service on the vestry of Mountainbrook Methodist Church in Birmingham, Alabama, 1944-1954; a 1914 edition of \"The X-Ray,\" the yearbook of Marion High School; and a program from the 1962 annual convention of the Virginia Division of the United Daughters of the Confederacy.\u003c/p\u003e","\u003cp\u003eThis subseries contains one folder of correspondence pertaining to a proposed memorial to Harvey Black at Virginia Tech from 1953; one folder of correspondence concerning Mountainbrook Methodist Church in Birmingham, Alabama, 1944-1954, and one letter, 1934, from A.J. Oliver to Harvey Black Apperson, discussing Oliver's father, who worked for Virginia Agricultural and Mechanical College in the 1870s and helped plant the first trees on the campus.\u003c/p\u003e","\u003cp\u003eThis subseries includes the Marion High School yearbook, 1914; and a program from the Sixty-seventh Annual Convention of the Virginia Division of the United Daughters of the Confederacy, 1962.\u003c/p\u003e","\u003cp\u003eThis subseries comprises correspondence, applications to family heritage organizations, and copies of documents regarding genealogy research on the Black, Kent, Apperson, and related families.\u003c/p\u003e","\u003cp\u003eFile contains three items in French.\u003c/p\u003e","\u003cp\u003eDocuments in this subseries pertain to applications, by members of the Black family, for membership in the Daughters of the American Revolution, Huguenot Society, Magna Carta Barons, National Society of Colonial Wars, and the Society of Colonial Dames.\u003c/p\u003e","\u003cp\u003eScrapbooks contain newspaper clippings, incoming correspondence and telegrams, photographs, and ephemera documenting Harvey Apperson's political career from 1933, when he ran for the State Senate, to his death in 1948, four months after Governor William Tuck appointed him Attorney General.\u003c/p\u003e\n","\u003cp\u003eFive scrapbooks and one box of items removed from the scrapbooks and copied for preservation. Photographs and ephemera removed from the scrapbooks are stored in Box 15.\u003c/p\u003e","\u003cp\u003eThis series is comprised of deeds, reports, correspondence, lease agreements, and receipts pertaining to Apperson family investments in mining operations at Poverty Hollow, Tom's Creek Road, the Blacksburg Manufacturing and Mining Company, and M.C. Slusser and Company. It also contains maps of Blacksburg Manufacturing and Mining Company coal land sold to the Hoge heirs in 1928 and maps showing property owned by the Alexander and Lizzie O. Black estate and Apperson Properties in 1937 and 1948.\u003c/p\u003e","\u003cp\u003eThe diary is an account of Louise Caton's voyage from New York to Genoa, Italy, her travels through Italy, Switzerland, Germany, Holland, France, and England, and her return from Liverpool to New York in the summer of 1912.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents note","Scope and Content","Scope and Content","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Black, Kent, and Apperson Family Papers, 1779-1984 (bulk 1821-1948) documents the families of Blacksburg and Marion, Virginia. The collection comprises American Civil War letters of Dr. Harvey Black, Civil War diaries of John Apperson, records and correspondence pertaining to nineteenth-century Blacksburg residents Edwin Amiss, his sister Arabella Amiss Kent, and her husband Germanicus Kent, cotton trader and Rockford, Illinois pioneer; and account books, correspondence, and photographs of several members of the Black, Kent, and Apperson families of Blacksburg and Marion, Virginia. The collection is divided into the following major series: Harvey Black Papers, Black Family Papers, Germanicus Kent Papers, Black Family Business Records, John S. Apperson Papers, Mary E. Apperson Papers, Alexander Apperson Papers, and Harvey B. Apperson Political Scrapbooks.","Series I. Harvey Black Papers, 1847-1888, contains the following subseries: Diaries, Civil War Letters, General Correspondence, Medical Career Records, and Virginia Agricultural and Mechanical College. It also includes one photograph, ca. 1865, of Harvey Black.","Dating 1861 to 1864, the Civil War Letters document Black's experiences as a regimental surgeon in the Stonewall Brigade and as surgeon in charge of the Second Corps field hospital. The series comprises letters Black wrote to his wife Mary (Molly) in Blacksburg. Black usually wrote to his wife two to three days after a major battle and reported who, from Blacksburg, had been killed or wounded. He describes the effects of disease on the troops, looking for his brother-in-law Lewis Kent among the Union wounded at the Battle of Fredericksburg, the delirium of Stonewall Jackson as he lay dying at Guinea Station, and the difficulties of keeping his family clothed and fed during the war.","The Diaries consist of a short diary Black kept of his journey from Christiansburg to Mexico to fight in the Mexican War and a diary of a four-month journey, on horseback, from western Virginia through West Virginia, Ohio, Wisconsin, Michigan, Illinois, Iowa, Missouri, and Tennessee in the fall of 1849. The Mexican War diary details Black's trip from Christiansburg to Norfolk and eventually Buena Vista, but provides little information about serving in the war. Both diaries contain mainly Black's observations about the towns and cities he passes through. The diary of the trip west compares culture and society in Virginia and the West and references encounters with Virginians who had moved west.","General Correspondence, 1847-1871, comprises two letters Black wrote while he was studying medicine at the University of Virginia, his proposal of marriage to Mary (Molly) Kent, and a folder of letters Black received from family members between 1848 and 1871. One letter describes pioneering in Island County, Washington Territory, in 1853; and two letters from Virginia State Senator John Penn regard the establishment of the Virginia Agricultural and Mechanical College, forerunner of Virginia Tech, in Blacksburg.","The Medical Career Records, dating 1848 to 1888, documents Harvey Black's medical career before and after the Civil War and letters of recommendation for the position of Superintendent of the Eastern Lunatic Asylum of Virginia and the Southwestern Lunatic Asylum of Virginia. This series also contains an 1887 annual report for the Southwestern Lunatic Asylum of Virginia.","The Virginia Agricultural and Mechanical College Records span the years 1870 to 1873. This small series consists of a subscription list for the Preston and Olin Institute, an early history of the founding of the Virginia Agricultural and Mechanical College, and certificates of appointment to the college's Board of Visitors.","Series II. Black Family Papers, 1779-1911 (bulk 1845-1911): Materials include an 1845 bill of sale for an enslaved girl named Adaline; an 1856 letter from Charles to Alexander Black; photographs of Alexander Black, Kent Black, and Kent's wife Mary Bell Black; a 1911 letter from Mary Kent to her children; and a quilt given to Kent Black by his medical patients, ca. 1890. Additionally, the series has the wedding register of Mary and Kent Black and an invitation to the 1885 Blacksburg Grand Annual Ball.","Series III. Germanicus Kent Papers, 1818-1899: The series comprises Germanicus Kent's cotton books and correspondence with his sons Lewis and John, his brother Aratus Kent, and his brother-in- law Edwin Amiss. The cotton books document Kent's experience as a cotton merchant based in Huntsville, Alabama, 1821 to 1823. They provide lists of cotton prices and copies of correspondence to clients in Nashville and New Orleans. The correspondence describes life in Blacksburg in the 1830s, the Kent family's decision to settle in Virginia after living in Illinois, and Kent's business investments in the west and in Blacksburg. Letters from Edwin Amiss to Arabella and Germanicus Kent pertain to Arabella Kent continuing to enslave people by inheriting her mother's estate. An 1860 letter from Germanicus Kent to Aratus Kent discusses Germanicus Kent's desire to establish contact with the man he formerly enslaved Lewis Lemon Kent, then living in Iowa.","Series IV. Black Family Business Records, 1832-1924: Account books for mercantile establishments in Blacksburg make up the bulk of this series.. It also contains an account book for A.W. Luster; a 1908 inventory for W. Stone \u0026 Son; and a copy of an undated newspaper advertisement for A. Black and Company.","Series V. John S. Apperson Papers, 1858-1915: John Apperson's Civil War Diary is the centerpiece. The diary consist of Apperson's account of his journey, in 1859, from his home in Locust Grove, Virginia to Smyth County in Southwest Virginia. In the Civil War diaries, he describes medical care of soldiers and lists monthly figures of wounded and dead for the Second Corps field hospital. He discusses going onto the battlefield after the fighting stopped at First Manassas, the scene on the morning of the Battle of Fredericksburg, December 13, 1862; performing his first amputation; and his efforts to continue his medical education during the Civil War. Additionally, this series contains correspondence about Apperson's business career, 1900 and 1910, a catalog for the Marion Foundry and Machine Works, and photographs of John Apperson, Elizabeth Black, and their children.","Series VI. Mary E. Apperson Papers, 1889-1977, and Series VII. Alexander Apperson Papers, 1827-1984: Research files on the Black, Kent, and Apperson families of Blacksburg and Marion compose the bulk of these two series. Materials also include publications pertaining to family history; correspondence with the Rockford, Illinois Historical Society regarding research on Germanicus Kent; correspondence related to other genealogy research; the recollections of Elizabeth Black Apperson about Blacksburg history and buildings; family photographs and a photograph, ca. 1900, of the Alexander Black house in Blacksburg; and family artifacts.","Series VIII. Harvey B. Apperson Political Scrapbooks, 1933-1950: The scrapbooks largely consist of newspaper clippings detailing Harvey B. Apperson's political career and Democratic Party politics in the Roanoke area in the 1930s and in Richmond in the 1940s. Additionally, there are letters and telegrams of congratulation Apperson received when he was appointed Attorney General of Virginia in 1947, telegrams and letters of condolence his wife received upon his death four months later, photographs, and political ephemera.","Series IX. Blacksburg Mining and Manufacturing Company, 1826-1965: Legal documents and correspondence pertain to the division of proceeds of mining investments among the Apperson descendants of Harvey Black. The series also contains maps of Black and Apperson property in Blacksburg, ca. 1949.","Series X. Assorted Papers, 1872, 1912: The last series includes two items, the Louise Caton Travel Diary, 1912, and  The Christian Union  publication, 1872. The diary of Louise Caton's four-month tour of Europe in 1912 describes her voyage from New York to Genoa on the Laxmia and from Liverpool back to New York on the Celtic. The relationship of Louise Caton to the Black, Kent, and Apperson families is unknown.","This small series includes a letter Harvey Black received from family who had settled in Wisconsin; a letter from a member of the Crockett family pioneering in Washington Territory, and two letters from Virginia State Senator John Penn regarding the establishment of Virginia Agricultural and Mechanical College in Blacksburg.","In this subseries of five letters from Germanicus Kent to his sons and his brother Aratus, Kent discusses investments, family, and Lewis Lemon (Kent), who bought his freedom from Kent ca. 1835.","This folder contains four family letters presumed to pertain to the extended Kent Amiss family. The correspondents are Edith Boggs, David and E. Cook, Mary Sloutermires, William G., and his son Nelson.","Accounts and correspondence in these two bound cotton books detail Germanicus Kent's business as a cotton merchant in Huntsville, Alabama.","Materials corncern the Kent family's move from Alabama to Illinois.","This file contains a contract outlining the terms of a proposed business partnership between Edwin Amiss and Germanicus Kent and a contract to build a home in Blacksburg.","This series is composed primarily of five ledgers containing alphabetically indexed customer account histories for various mercantile establishments, probably in Blacksburg. Also included are documents and correspondence pertaining to Black family investments in oil drilling operations in Texas, 1912-1924.","This ledger includes an inventory, July 1908, for W. Stone \u0026 Son.","This subseries comprises documents pertaining to investments in the Radford Land Improvement Company, 1889; the Radford West End Land Company, 1909; and oil drilling operations in Texas, 1912-1924.","This subseries comprises miscellaneous receipts, 1862; Business Correspondence, 1900-1910; and a catalog for the Marion Foundry and Machine Works, 1915.","These letters discuss the illness of the daughter of Mrs. Cyprus McCormick and John S. Apperson.","This file contains newspaper clippings on Blacksburg history and members of the Black, Kent, and Apperson families.","The Directory's cover illustration is a photograph of a sculpture commemorating the role played by Germanicus Kent and Lewis Lemon, Kent's former slave, in the founding of Rockford, Illinois.","This series is primarily composed of research files on the genealogy of the Black, Kent, Apperson and related families. It also contains family photographs, including a picture of the Alexander Black House, later burned, ca. 1900; a folder of correspondence pertaining to Alexander Black's service on the vestry of Mountainbrook Methodist Church in Birmingham, Alabama, 1944-1954; a 1914 edition of \"The X-Ray,\" the yearbook of Marion High School; and a program from the 1962 annual convention of the Virginia Division of the United Daughters of the Confederacy.","This subseries contains one folder of correspondence pertaining to a proposed memorial to Harvey Black at Virginia Tech from 1953; one folder of correspondence concerning Mountainbrook Methodist Church in Birmingham, Alabama, 1944-1954, and one letter, 1934, from A.J. Oliver to Harvey Black Apperson, discussing Oliver's father, who worked for Virginia Agricultural and Mechanical College in the 1870s and helped plant the first trees on the campus.","This subseries includes the Marion High School yearbook, 1914; and a program from the Sixty-seventh Annual Convention of the Virginia Division of the United Daughters of the Confederacy, 1962.","This subseries comprises correspondence, applications to family heritage organizations, and copies of documents regarding genealogy research on the Black, Kent, Apperson, and related families.","File contains three items in French.","Documents in this subseries pertain to applications, by members of the Black family, for membership in the Daughters of the American Revolution, Huguenot Society, Magna Carta Barons, National Society of Colonial Wars, and the Society of Colonial Dames.","Scrapbooks contain newspaper clippings, incoming correspondence and telegrams, photographs, and ephemera documenting Harvey Apperson's political career from 1933, when he ran for the State Senate, to his death in 1948, four months after Governor William Tuck appointed him Attorney General.","Five scrapbooks and one box of items removed from the scrapbooks and copied for preservation. Photographs and ephemera removed from the scrapbooks are stored in Box 15.","This series is comprised of deeds, reports, correspondence, lease agreements, and receipts pertaining to Apperson family investments in mining operations at Poverty Hollow, Tom's Creek Road, the Blacksburg Manufacturing and Mining Company, and M.C. Slusser and Company. It also contains maps of Blacksburg Manufacturing and Mining Company coal land sold to the Hoge heirs in 1928 and maps showing property owned by the Alexander and Lizzie O. Black estate and Apperson Properties in 1937 and 1948.","The diary is an account of Louise Caton's voyage from New York to Genoa, Italy, her travels through Italy, Switzerland, Germany, Holland, France, and England, and her return from Liverpool to New York in the summer of 1912."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_36b4a62ab56ab232aa259e6ea40349e2\" label=\"Abstract\"\u003eThis collection contains the papers and artifacts of an interrelated family prominent in Blacksburg's history. It includes the American Civil War letters of Confederate surgeon Dr. Harvey Black, the Civil War diary of hospital steward John S. Apperson, cotton books and correspondence of Germanicus Kent, nineteenth-century account books of a Blacksburg general store, 1912 European travel diary, and the political scrapbooks of State Senator and Attorney General Harvey B. Apperson.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the papers and artifacts of an interrelated family prominent in Blacksburg's history. It includes the American Civil War letters of Confederate surgeon Dr. Harvey Black, the Civil War diary of hospital steward John S. Apperson, cotton books and correspondence of Germanicus Kent, nineteenth-century account books of a Blacksburg general store, 1912 European travel diary, and the political scrapbooks of State Senator and Attorney General Harvey B. Apperson."],"names_coll_ssim":["A. W. Luster","Confederate States of America. Army. Stonewall Brigade","Eastern Lunatic Asylum of Virginia","Marion Foundry and Machine Works (Marion, Va.)","Preston and Olin Institute (Blacksburg, Va.)","Southwestern Lunatic Asylum of Virginia (1887-1935)","Virginia Agricultural and Mechanical College (1872-1896)","W. Stone \u0026 Son","Apperson family","Black family","Kent family","Amiss, Edwin","Apperson, Alex","Apperson, Elizabeth Black","Apperson, Harvey Black, 1890-1948","Apperson, John Samuel, 1837-1904","Apperson, Mary","Black, Harvey, 1827-1888","Black, Kent, active 1876-1890","Black, Mary Kent, b.1836","Caton, Louise","Kent, Germanicus, 1791-1862","Lemon, Lewis","Kent, Lewis (enslaved person)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","A. W. Luster","Confederate States of America. Army. Stonewall Brigade","Eastern Lunatic Asylum of Virginia","Marion Foundry and Machine Works (Marion, Va.)","Preston and Olin Institute (Blacksburg, Va.)","Southwestern Lunatic Asylum of Virginia (1887-1935)","Virginia Agricultural and Mechanical College (1872-1896)","W. Stone \u0026 Son","Apperson family","Black family","Kent family","Amiss, Edwin","Apperson, Alex","Apperson, Elizabeth Black","Apperson, Harvey Black, 1890-1948","Apperson, John Samuel, 1837-1904","Apperson, Mary","Black, Harvey, 1827-1888","Black, Kent, active 1876-1890","Black, Mary Kent, b.1836","Caton, Louise","Kent, Germanicus, 1791-1862","Lemon, Lewis","Kent, Lewis (enslaved person)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","A. W. Luster","Confederate States of America. Army. Stonewall Brigade","Eastern Lunatic Asylum of Virginia","Marion Foundry and Machine Works (Marion, Va.)","Preston and Olin Institute (Blacksburg, Va.)","Southwestern Lunatic Asylum of Virginia (1887-1935)","Virginia Agricultural and Mechanical College (1872-1896)","W. Stone \u0026 Son"],"famname_ssim":["Apperson family","Black family","Kent family"],"persname_ssim":["Amiss, Edwin","Apperson, Alex","Apperson, Elizabeth Black","Apperson, Harvey Black, 1890-1948","Apperson, John Samuel, 1837-1904","Apperson, Mary","Black, Harvey, 1827-1888","Black, Kent, active 1876-1890","Black, Mary Kent, b.1836","Caton, Louise","Kent, Germanicus, 1791-1862","Lemon, Lewis","Kent, Lewis (enslaved person)"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":172,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:25:26.069Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1290_c05_c05"}},{"id":"vifarl_repositories_3_resources_179_c03_c08","type":"Subseries","attributes":{"title":"Cancelled checks, Paulett, Son, \u0026 Co.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifarl_repositories_3_resources_179_c03_c08#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifarl_repositories_3_resources_179_c03_c08","ref_ssm":["vifarl_repositories_3_resources_179_c03_c08"],"id":"vifarl_repositories_3_resources_179_c03_c08","ead_ssi":"vifarl_repositories_3_resources_179","_root_":"vifarl_repositories_3_resources_179","_nest_parent_":"vifarl_repositories_3_resources_179_c03","parent_ssi":"vifarl_repositories_3_resources_179_c03","parent_ssim":["vifarl_repositories_3_resources_179","vifarl_repositories_3_resources_179_c03"],"parent_ids_ssim":["vifarl_repositories_3_resources_179","vifarl_repositories_3_resources_179_c03"],"parent_unittitles_ssm":["Paulett Family Business Records","Paulett, Son, \u0026 Co. records"],"parent_unittitles_tesim":["Paulett Family Business Records","Paulett, Son, \u0026 Co. records"],"text":["Paulett Family Business Records","Paulett, Son, \u0026 Co. records","Cancelled checks, Paulett, Son, \u0026 Co.","box 01 of 01"],"title_filing_ssi":"Cancelled checks, Paulett, Son, \u0026 Co.","title_ssm":["Cancelled checks, Paulett, Son, \u0026 Co."],"title_tesim":["Cancelled checks, Paulett, Son, \u0026 Co."],"unitdate_inclusive_ssm":["1893-1904"],"normalized_date_ssm":["1893/1904"],"normalized_title_ssm":["Cancelled checks, Paulett, Son, \u0026 Co."],"component_level_isim":[2],"repository_ssim":["Longwood University"],"collection_ssim":["Paulett Family Business Records"],"extent_ssm":["1 Folder"],"extent_tesim":["1 Folder"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":62,"parent_access_restrict_tesm":["There are no restrictions to access or use for research purposes."],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904],"containers_ssim":["box 01 of 01"],"_nest_path_":"/components#2/components#7","timestamp":"2026-05-20T19:32:51.981Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifarl_repositories_3_resources_179","ead_ssi":"vifarl_repositories_3_resources_179","_root_":"vifarl_repositories_3_resources_179","_nest_parent_":"vifarl_repositories_3_resources_179","ead_source_url_ssi":"data/oai/LONG/repositories_3_resources_179.xml","title_ssm":["Paulett Family Business Records"],"title_tesim":["Paulett Family Business Records"],"unitdate_ssm":["1877-1929"],"unitdate_inclusive_ssm":["1877-1929"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HS.023"],"text":["HS.023","Paulett Family Business Records","Farmville (Va.) -- Commerce.","Prince Edward County (Va.) -- History.","Deeds -- Virginia -- Prince Edward County.","Sharecropping -- United States -- Virginia.","There are no restrictions to access or use for research purposes.","The Paulett Family has a long history associated with business in Farmville, Virginia. Richard Singleton Paulett, born in Charlotte County in 1820, came to Farmville in 1842. He was a commission merchant, establishing a partnership with John Thackston and W.P. Elam, which later operated as R.S. Paulett and Company, Paulett and Carroll, Hilliard, Hill and Company, Warren, Paulett, and Company, and then as Paulett, Son, and Company (which he operated with his son, Richard H. Paulett, who later formed a hardware firm with Charles F. Bugg). Richard S. Paulett was also involved in the tobacco business. His tobacco company, R.S. Paulett \u0026 Son (which he operated with his son Samuel Whitfield Paulett) was one of the largest exporters of tobacco in the state, shipping primarily to England and Norway. After the death of H.E. Warren, the first President of Planters Bank, R.S. Paulett was named his successor, and remained in that position until his death in 1902. Samuel W. Paulett, who later opened Paulett Crockery Company, was a veteran of the Confederate Army, having enlisted when he was 15 years old. S.W. Paulett was also a member of the Farmville District School Board from 1886 to 1920, and was Farmville's mayor from 1916 to 1920.","This collection was donated to the Farmville-Prince Edward County Historical Society by Thelma Mottley in the early 2000s.","This collection is part of the Farmville-Prince Edward Historical Society Archives which are housed at the Greenwood Library Archives and Special Collections","This collection, which dates from 1877 to 1929, represents the business records of Richard Singleton Paulett, Paulett, Son\u0026 Company, S.W. Paulett, R.H. Paulett, H.A. Paulett, H.C. Paulett, E.L. Paulett, and Paulett and Bugg. These records include property deeds, deeds of trust, stock certificates, contracts, and correspondence.","Farmville-Prince Edward Historical Society Archives","Paulett and Bugg","Paulett, Son and Co","R.S. Paulett and Co","R.S. Paulett and Son","Paulett Family.","Paulett, Henry C.","Paulett, Richard Henry.","Paulett, R.S. (Richard Singleton)","Paulett, S.W. (Samuel W.)","Paulett, Richard H.","Bugg, Charles F.","English \n.    "],"unitid_tesim":["HS.023"],"normalized_title_ssm":["Paulett Family Business Records"],"collection_title_tesim":["Paulett Family Business Records"],"collection_ssim":["Paulett Family Business Records"],"repository_ssm":["Longwood University"],"repository_ssim":["Longwood University"],"geogname_ssm":["Farmville (Va.) -- Commerce.","Prince Edward County (Va.) -- History."],"geogname_ssim":["Farmville (Va.) -- Commerce.","Prince Edward County (Va.) -- History."],"creator_ssm":["Paulett, Henry C.","Paulett, Richard Henry.","Paulett, R.S. (Richard Singleton)","Paulett, S.W. (Samuel W.)","Paulett Family.","Paulett and Bugg","Paulett, Son and Co","R.S. Paulett and Co","R.S. Paulett and Son"],"creator_ssim":["Paulett, Henry C.","Paulett, Richard Henry.","Paulett, R.S. (Richard Singleton)","Paulett, S.W. (Samuel W.)","Paulett Family.","Paulett and Bugg","Paulett, Son and Co","R.S. Paulett and Co","R.S. Paulett and Son"],"creator_persname_ssim":["Paulett, Henry C.","Paulett, Richard Henry.","Paulett, R.S. (Richard Singleton)","Paulett, S.W. (Samuel W.)"],"creator_corpname_ssim":["Paulett and Bugg","Paulett, Son and Co","R.S. Paulett and Co","R.S. Paulett and Son"],"creator_famname_ssim":["Paulett Family."],"creators_ssim":["Paulett, Henry C.","Paulett, Richard Henry.","Paulett, R.S. (Richard Singleton)","Paulett, S.W. (Samuel W.)","Paulett and Bugg","Paulett, Son and Co","R.S. Paulett and Co","R.S. Paulett and Son","Paulett Family."],"places_ssim":["Farmville (Va.) -- Commerce.","Prince Edward County (Va.) -- History."],"access_subjects_ssim":["Deeds -- Virginia -- Prince Edward County.","Sharecropping -- United States -- Virginia."],"access_subjects_ssm":["Deeds -- Virginia -- Prince Edward County.","Sharecropping -- United States -- Virginia."],"has_online_content_ssim":["false"],"extent_ssm":[".65 Linear Feet 1 legal-sized archival box"],"extent_tesim":[".65 Linear Feet 1 legal-sized archival box"],"date_range_isim":[1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions to access or use for research purposes.\u003c/p\u003e"],"accessrestrict_heading_ssm":[" Restrictions on Access"],"accessrestrict_tesim":["There are no restrictions to access or use for research purposes."],"bioghist_html_tesm":["\u003cp\u003eThe Paulett Family has a long history associated with business in Farmville, Virginia. Richard Singleton Paulett, born in Charlotte County in 1820, came to Farmville in 1842. He was a commission merchant, establishing a partnership with John Thackston and W.P. Elam, which later operated as R.S. Paulett and Company, Paulett and Carroll, Hilliard, Hill and Company, Warren, Paulett, and Company, and then as Paulett, Son, and Company (which he operated with his son, Richard H. Paulett, who later formed a hardware firm with Charles F. Bugg). Richard S. Paulett was also involved in the tobacco business. His tobacco company, R.S. Paulett \u0026amp; Son (which he operated with his son Samuel Whitfield Paulett) was one of the largest exporters of tobacco in the state, shipping primarily to England and Norway. After the death of H.E. Warren, the first President of Planters Bank, R.S. Paulett was named his successor, and remained in that position until his death in 1902. Samuel W. Paulett, who later opened Paulett Crockery Company, was a veteran of the Confederate Army, having enlisted when he was 15 years old. S.W. Paulett was also a member of the Farmville District School Board from 1886 to 1920, and was Farmville's mayor from 1916 to 1920.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical sketch"],"bioghist_tesim":["The Paulett Family has a long history associated with business in Farmville, Virginia. Richard Singleton Paulett, born in Charlotte County in 1820, came to Farmville in 1842. He was a commission merchant, establishing a partnership with John Thackston and W.P. Elam, which later operated as R.S. Paulett and Company, Paulett and Carroll, Hilliard, Hill and Company, Warren, Paulett, and Company, and then as Paulett, Son, and Company (which he operated with his son, Richard H. Paulett, who later formed a hardware firm with Charles F. Bugg). Richard S. Paulett was also involved in the tobacco business. His tobacco company, R.S. Paulett \u0026 Son (which he operated with his son Samuel Whitfield Paulett) was one of the largest exporters of tobacco in the state, shipping primarily to England and Norway. After the death of H.E. Warren, the first President of Planters Bank, R.S. Paulett was named his successor, and remained in that position until his death in 1902. Samuel W. Paulett, who later opened Paulett Crockery Company, was a veteran of the Confederate Army, having enlisted when he was 15 years old. S.W. Paulett was also a member of the Farmville District School Board from 1886 to 1920, and was Farmville's mayor from 1916 to 1920."],"custodhist_html_tesm":["\u003cp\u003eThis collection was donated to the Farmville-Prince Edward County Historical Society by Thelma Mottley in the early 2000s.\u003c/p\u003e"],"custodhist_heading_ssm":["Ownership and Custodial History"],"custodhist_tesim":["This collection was donated to the Farmville-Prince Edward County Historical Society by Thelma Mottley in the early 2000s."],"odd_html_tesm":["\u003cp\u003eThis collection is part of the Farmville-Prince Edward Historical Society Archives which are housed at the Greenwood Library Archives and Special Collections\u003c/p\u003e"],"odd_heading_ssm":["General Note"],"odd_tesim":["This collection is part of the Farmville-Prince Edward Historical Society Archives which are housed at the Greenwood Library Archives and Special Collections"],"scopecontent_html_tesm":["\u003cp\u003eThis collection, which dates from 1877 to 1929, represents the business records of Richard Singleton Paulett, Paulett, Son\u0026amp; Company, S.W. Paulett, R.H. Paulett, H.A. Paulett, H.C. Paulett, E.L. Paulett, and Paulett and Bugg. These records include property deeds, deeds of trust, stock certificates, contracts, and correspondence.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection, which dates from 1877 to 1929, represents the business records of Richard Singleton Paulett, Paulett, Son\u0026 Company, S.W. Paulett, R.H. Paulett, H.A. Paulett, H.C. Paulett, E.L. Paulett, and Paulett and Bugg. These records include property deeds, deeds of trust, stock certificates, contracts, and correspondence."],"names_ssim":["Farmville-Prince Edward Historical Society Archives","Paulett and Bugg","Paulett, Son and Co","R.S. Paulett and Co","R.S. Paulett and Son","Paulett Family.","Paulett, Henry C.","Paulett, Richard Henry.","Paulett, R.S. (Richard Singleton)","Paulett, S.W. (Samuel W.)","Paulett, Richard H.","Bugg, Charles F."],"corpname_ssim":["Farmville-Prince Edward Historical Society Archives","Paulett and Bugg","Paulett, Son and Co","R.S. Paulett and Co","R.S. Paulett and Son"],"famname_ssim":["Paulett Family."],"names_coll_ssim":["Paulett, R.S. (Richard Singleton)","Paulett, Richard H.","Paulett, S.W. (Samuel W.)","Paulett, Henry C.","Bugg, Charles F."],"persname_ssim":["Paulett, Henry C.","Paulett, Richard Henry.","Paulett, R.S. (Richard Singleton)","Paulett, S.W. (Samuel W.)","Paulett, Richard H.","Bugg, Charles F."],"language_ssim":["English \n.    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Paulett","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifarl_repositories_3_resources_179_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifarl_repositories_3_resources_179_c01_c02","ref_ssm":["vifarl_repositories_3_resources_179_c01_c02"],"id":"vifarl_repositories_3_resources_179_c01_c02","ead_ssi":"vifarl_repositories_3_resources_179","_root_":"vifarl_repositories_3_resources_179","_nest_parent_":"vifarl_repositories_3_resources_179_c01","parent_ssi":"vifarl_repositories_3_resources_179_c01","parent_ssim":["vifarl_repositories_3_resources_179","vifarl_repositories_3_resources_179_c01"],"parent_ids_ssim":["vifarl_repositories_3_resources_179","vifarl_repositories_3_resources_179_c01"],"parent_unittitles_ssm":["Paulett Family Business Records","Richard S. Paulett records"],"parent_unittitles_tesim":["Paulett Family Business Records","Richard S. Paulett records"],"text":["Paulett Family Business Records","Richard S. Paulett records","Cancelled checks, R.S. Paulett","box 01 of 01"],"title_filing_ssi":"Cancelled checks, R.S. Paulett","title_ssm":["Cancelled checks, R.S. Paulett"],"title_tesim":["Cancelled checks, R.S. Paulett"],"unitdate_inclusive_ssm":["1890-1897"],"normalized_date_ssm":["1890/1897"],"normalized_title_ssm":["Cancelled checks, R.S. Paulett"],"component_level_isim":[2],"repository_ssim":["Longwood University"],"collection_ssim":["Paulett Family Business Records"],"extent_ssm":["1 Folder"],"extent_tesim":["1 Folder"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":3,"parent_access_restrict_tesm":["There are no restrictions to access or use for research purposes."],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897],"containers_ssim":["box 01 of 01"],"_nest_path_":"/components#0/components#1","timestamp":"2026-05-20T19:32:51.981Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifarl_repositories_3_resources_179","ead_ssi":"vifarl_repositories_3_resources_179","_root_":"vifarl_repositories_3_resources_179","_nest_parent_":"vifarl_repositories_3_resources_179","ead_source_url_ssi":"data/oai/LONG/repositories_3_resources_179.xml","title_ssm":["Paulett Family Business Records"],"title_tesim":["Paulett Family Business Records"],"unitdate_ssm":["1877-1929"],"unitdate_inclusive_ssm":["1877-1929"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HS.023"],"text":["HS.023","Paulett Family Business Records","Farmville (Va.) -- Commerce.","Prince Edward County (Va.) -- History.","Deeds -- Virginia -- Prince Edward County.","Sharecropping -- United States -- Virginia.","There are no restrictions to access or use for research purposes.","The Paulett Family has a long history associated with business in Farmville, Virginia. Richard Singleton Paulett, born in Charlotte County in 1820, came to Farmville in 1842. He was a commission merchant, establishing a partnership with John Thackston and W.P. Elam, which later operated as R.S. Paulett and Company, Paulett and Carroll, Hilliard, Hill and Company, Warren, Paulett, and Company, and then as Paulett, Son, and Company (which he operated with his son, Richard H. Paulett, who later formed a hardware firm with Charles F. Bugg). Richard S. Paulett was also involved in the tobacco business. His tobacco company, R.S. Paulett \u0026 Son (which he operated with his son Samuel Whitfield Paulett) was one of the largest exporters of tobacco in the state, shipping primarily to England and Norway. After the death of H.E. Warren, the first President of Planters Bank, R.S. Paulett was named his successor, and remained in that position until his death in 1902. Samuel W. Paulett, who later opened Paulett Crockery Company, was a veteran of the Confederate Army, having enlisted when he was 15 years old. S.W. Paulett was also a member of the Farmville District School Board from 1886 to 1920, and was Farmville's mayor from 1916 to 1920.","This collection was donated to the Farmville-Prince Edward County Historical Society by Thelma Mottley in the early 2000s.","This collection is part of the Farmville-Prince Edward Historical Society Archives which are housed at the Greenwood Library Archives and Special Collections","This collection, which dates from 1877 to 1929, represents the business records of Richard Singleton Paulett, Paulett, Son\u0026 Company, S.W. Paulett, R.H. Paulett, H.A. Paulett, H.C. Paulett, E.L. Paulett, and Paulett and Bugg. These records include property deeds, deeds of trust, stock certificates, contracts, and correspondence.","Farmville-Prince Edward Historical Society Archives","Paulett and Bugg","Paulett, Son and Co","R.S. Paulett and Co","R.S. Paulett and Son","Paulett Family.","Paulett, Henry C.","Paulett, Richard Henry.","Paulett, R.S. (Richard Singleton)","Paulett, S.W. (Samuel W.)","Paulett, Richard H.","Bugg, Charles F.","English \n.    "],"unitid_tesim":["HS.023"],"normalized_title_ssm":["Paulett Family Business Records"],"collection_title_tesim":["Paulett Family Business Records"],"collection_ssim":["Paulett Family Business Records"],"repository_ssm":["Longwood University"],"repository_ssim":["Longwood University"],"geogname_ssm":["Farmville (Va.) -- Commerce.","Prince Edward County (Va.) -- History."],"geogname_ssim":["Farmville (Va.) -- Commerce.","Prince Edward County (Va.) -- History."],"creator_ssm":["Paulett, Henry C.","Paulett, Richard Henry.","Paulett, R.S. (Richard Singleton)","Paulett, S.W. (Samuel W.)","Paulett Family.","Paulett and Bugg","Paulett, Son and Co","R.S. Paulett and Co","R.S. Paulett and Son"],"creator_ssim":["Paulett, Henry C.","Paulett, Richard Henry.","Paulett, R.S. (Richard Singleton)","Paulett, S.W. (Samuel W.)","Paulett Family.","Paulett and Bugg","Paulett, Son and Co","R.S. Paulett and Co","R.S. Paulett and Son"],"creator_persname_ssim":["Paulett, Henry C.","Paulett, Richard Henry.","Paulett, R.S. (Richard Singleton)","Paulett, S.W. (Samuel W.)"],"creator_corpname_ssim":["Paulett and Bugg","Paulett, Son and Co","R.S. Paulett and Co","R.S. Paulett and Son"],"creator_famname_ssim":["Paulett Family."],"creators_ssim":["Paulett, Henry C.","Paulett, Richard Henry.","Paulett, R.S. (Richard Singleton)","Paulett, S.W. (Samuel W.)","Paulett and Bugg","Paulett, Son and Co","R.S. Paulett and Co","R.S. Paulett and Son","Paulett Family."],"places_ssim":["Farmville (Va.) -- Commerce.","Prince Edward County (Va.) -- History."],"access_subjects_ssim":["Deeds -- Virginia -- Prince Edward County.","Sharecropping -- United States -- Virginia."],"access_subjects_ssm":["Deeds -- Virginia -- Prince Edward County.","Sharecropping -- United States -- Virginia."],"has_online_content_ssim":["false"],"extent_ssm":[".65 Linear Feet 1 legal-sized archival box"],"extent_tesim":[".65 Linear Feet 1 legal-sized archival box"],"date_range_isim":[1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions to access or use for research purposes.\u003c/p\u003e"],"accessrestrict_heading_ssm":[" Restrictions on Access"],"accessrestrict_tesim":["There are no restrictions to access or use for research purposes."],"bioghist_html_tesm":["\u003cp\u003eThe Paulett Family has a long history associated with business in Farmville, Virginia. Richard Singleton Paulett, born in Charlotte County in 1820, came to Farmville in 1842. He was a commission merchant, establishing a partnership with John Thackston and W.P. Elam, which later operated as R.S. Paulett and Company, Paulett and Carroll, Hilliard, Hill and Company, Warren, Paulett, and Company, and then as Paulett, Son, and Company (which he operated with his son, Richard H. Paulett, who later formed a hardware firm with Charles F. Bugg). Richard S. Paulett was also involved in the tobacco business. His tobacco company, R.S. Paulett \u0026amp; Son (which he operated with his son Samuel Whitfield Paulett) was one of the largest exporters of tobacco in the state, shipping primarily to England and Norway. After the death of H.E. Warren, the first President of Planters Bank, R.S. Paulett was named his successor, and remained in that position until his death in 1902. Samuel W. Paulett, who later opened Paulett Crockery Company, was a veteran of the Confederate Army, having enlisted when he was 15 years old. S.W. Paulett was also a member of the Farmville District School Board from 1886 to 1920, and was Farmville's mayor from 1916 to 1920.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical sketch"],"bioghist_tesim":["The Paulett Family has a long history associated with business in Farmville, Virginia. Richard Singleton Paulett, born in Charlotte County in 1820, came to Farmville in 1842. He was a commission merchant, establishing a partnership with John Thackston and W.P. Elam, which later operated as R.S. Paulett and Company, Paulett and Carroll, Hilliard, Hill and Company, Warren, Paulett, and Company, and then as Paulett, Son, and Company (which he operated with his son, Richard H. Paulett, who later formed a hardware firm with Charles F. Bugg). Richard S. Paulett was also involved in the tobacco business. His tobacco company, R.S. Paulett \u0026 Son (which he operated with his son Samuel Whitfield Paulett) was one of the largest exporters of tobacco in the state, shipping primarily to England and Norway. After the death of H.E. Warren, the first President of Planters Bank, R.S. Paulett was named his successor, and remained in that position until his death in 1902. Samuel W. Paulett, who later opened Paulett Crockery Company, was a veteran of the Confederate Army, having enlisted when he was 15 years old. S.W. Paulett was also a member of the Farmville District School Board from 1886 to 1920, and was Farmville's mayor from 1916 to 1920."],"custodhist_html_tesm":["\u003cp\u003eThis collection was donated to the Farmville-Prince Edward County Historical Society by Thelma Mottley in the early 2000s.\u003c/p\u003e"],"custodhist_heading_ssm":["Ownership and Custodial History"],"custodhist_tesim":["This collection was donated to the Farmville-Prince Edward County Historical Society by Thelma Mottley in the early 2000s."],"odd_html_tesm":["\u003cp\u003eThis collection is part of the Farmville-Prince Edward Historical Society Archives which are housed at the Greenwood Library Archives and Special Collections\u003c/p\u003e"],"odd_heading_ssm":["General Note"],"odd_tesim":["This collection is part of the Farmville-Prince Edward Historical Society Archives which are housed at the Greenwood Library Archives and Special Collections"],"scopecontent_html_tesm":["\u003cp\u003eThis collection, which dates from 1877 to 1929, represents the business records of Richard Singleton Paulett, Paulett, Son\u0026amp; Company, S.W. Paulett, R.H. Paulett, H.A. Paulett, H.C. Paulett, E.L. Paulett, and Paulett and Bugg. These records include property deeds, deeds of trust, stock certificates, contracts, and correspondence.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection, which dates from 1877 to 1929, represents the business records of Richard Singleton Paulett, Paulett, Son\u0026 Company, S.W. Paulett, R.H. Paulett, H.A. Paulett, H.C. Paulett, E.L. Paulett, and Paulett and Bugg. These records include property deeds, deeds of trust, stock certificates, contracts, and correspondence."],"names_ssim":["Farmville-Prince Edward Historical Society Archives","Paulett and Bugg","Paulett, Son and Co","R.S. Paulett and Co","R.S. Paulett and Son","Paulett Family.","Paulett, Henry C.","Paulett, Richard Henry.","Paulett, R.S. (Richard Singleton)","Paulett, S.W. (Samuel W.)","Paulett, Richard H.","Bugg, Charles F."],"corpname_ssim":["Farmville-Prince Edward Historical Society Archives","Paulett and Bugg","Paulett, Son and Co","R.S. Paulett and Co","R.S. Paulett and Son"],"famname_ssim":["Paulett Family."],"names_coll_ssim":["Paulett, R.S. (Richard Singleton)","Paulett, Richard H.","Paulett, S.W. (Samuel W.)","Paulett, Henry C.","Bugg, Charles F."],"persname_ssim":["Paulett, Henry C.","Paulett, Richard Henry.","Paulett, R.S. (Richard Singleton)","Paulett, S.W. (Samuel W.)","Paulett, Richard H.","Bugg, Charles F."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T19:32:51.981Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifarl_repositories_3_resources_179_c01_c02"}},{"id":"viur_repositories_4_resources_36_c04_c01","type":"Subseries","attributes":{"title":"Carl Van Vechten, Personal","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c04_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSubseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c04_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_36_c04_c01","ref_ssm":["viur_repositories_4_resources_36_c04_c01"],"id":"viur_repositories_4_resources_36_c04_c01","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36_c04","parent_ssi":"viur_repositories_4_resources_36_c04","parent_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c04"],"parent_ids_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c04"],"parent_unittitles_ssm":["Carl Van Vechten - Mark Lutz Collection","Photographs"],"parent_unittitles_tesim":["Carl Van Vechten - Mark Lutz Collection","Photographs"],"text":["Carl Van Vechten - Mark Lutz Collection","Photographs","Carl Van Vechten, Personal","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms."],"title_filing_ssi":"Carl Van Vechten, Personal","title_ssm":["Carl Van Vechten, Personal"],"title_tesim":["Carl Van Vechten, Personal"],"unitdate_inclusive_ssm":["1881-1958"],"normalized_date_ssm":["1881/1958"],"normalized_title_ssm":["Carl Van Vechten, Personal"],"component_level_isim":[2],"repository_ssim":["University of Richmond"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":15,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":301,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958],"scopecontent_html_tesm":["\u003cp\u003eSubseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms."],"_nest_path_":"/components#3/components#0","timestamp":"2026-05-21T04:07:59.594Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1","/repositories/4/resources/36"],"text":["MS-1","/repositories/4/resources/36","Carl Van Vechten - Mark Lutz Collection","Catalogs","Personal correspondence","Photographs","Clippings","Signed copy of the book is cataloged in Rare Book Room collection.","","Subseries 2.1: Personal  Professional Materials Subseries 2.2: Correspondence Subseries 2.3: Programs Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal Subseries 3.2: Writing Subseries 3.3: Articles about Gertrude Stein Subseries 3.4: Exhibits Subseries 3.5: Newspaper Clippings Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal Subseries 4.2: New York Apartment Subseries 4.3: Photographs by Carl Van Vechten Subseries 4.4: Other Photographs Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas Subseries 4.6: Photographs of Mark Lutz Subseries 4.7: Oversize Photographs Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the  Richmond News Leader . Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the  Richmond News Leader  and the  Times-Dispatch  as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the  Philco News  and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed  Portrait of Mabel Dodge at the Villa Curonia , which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.","This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","University of Richmond ","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","English French Catalan; Valencian Spanish; Castilian"],"unitid_tesim":["MS-1","/repositories/4/resources/36"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"collection_title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creators_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"access_subjects_ssim":["Catalogs","Personal correspondence","Photographs","Clippings"],"access_subjects_ssm":["Catalogs","Personal correspondence","Photographs","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"extent_tesim":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"physfacet_tesim":["Primarily photographs and manuscript material."],"genreform_ssim":["Personal correspondence","Photographs","Clippings"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"altformavail_html_tesm":["\u003cp\u003eSigned copy of the book is cataloged in Rare Book Room collection.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Signed copy of the book is cataloged in Rare Book Room collection."],"arrangement_html_tesm":["\u003cbr\u003e","\u003cul\u003e\n\n\u003cli\u003eSubseries 2.1: Personal  Professional Materials\u003c/li\u003e\n    \u003cli\u003eSubseries 2.2: Correspondence\u003c/li\u003e\n    \u003cli\u003eSubseries 2.3: Programs\u003c/li\u003e\n    \u003cli\u003eSubseries 2.4: Francis Earle Lutz\u003c/li\u003e\n\u003c/ul\u003e","\u003cul\u003e\n\n\u003cli\u003eSubseries 3.1: Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 3.2: Writing\u003c/li\u003e\n    \u003cli\u003eSubseries 3.3: Articles about Gertrude Stein\u003c/li\u003e\n    \u003cli\u003eSubseries 3.4: Exhibits\u003c/li\u003e\n    \u003cli\u003eSubseries 3.5: Newspaper Clippings\u003c/li\u003e\n    \u003cli\u003eSubseries 3.6: Playbills\u003c/li\u003e\n\u003c/ul\u003e","\u003cul\u003e\n\n\u003cli\u003eSubseries 4.1: Carl Van Vechten, Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 4.2: New York Apartment\u003c/li\u003e\n    \u003cli\u003eSubseries 4.3: Photographs by Carl Van Vechten\u003c/li\u003e\n    \u003cli\u003eSubseries 4.4: Other Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\u003c/li\u003e\n    \u003cli\u003eSubseries 4.6: Photographs of Mark Lutz\u003c/li\u003e\n    \u003cli\u003eSubseries 4.7: Oversize Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.8: Photographs of art depicting St. Christopher  St. Barbara\u003c/li\u003e\n\u003c/ul\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["","Subseries 2.1: Personal  Professional Materials Subseries 2.2: Correspondence Subseries 2.3: Programs Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal Subseries 3.2: Writing Subseries 3.3: Articles about Gertrude Stein Subseries 3.4: Exhibits Subseries 3.5: Newspaper Clippings Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal Subseries 4.2: New York Apartment Subseries 4.3: Photographs by Carl Van Vechten Subseries 4.4: Other Photographs Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas Subseries 4.6: Photographs of Mark Lutz Subseries 4.7: Oversize Photographs Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e\n","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the  Richmond News Leader . Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the  Richmond News Leader  and the  Times-Dispatch  as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the  Philco News  and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e","\u003cp\u003eSeveral of Earle Lutz's published words are available in the Rare Book Room Collection.\u003c/p\u003e","\u003cp\u003eStein's published books from the collection have been added into the Rare Book Room collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e","\u003cp\u003eSeries 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.\u003c/p\u003e","\u003cp\u003eSeries 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.\u003c/p\u003e","\u003cp\u003eSubseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.\u003c/p\u003e","\u003cp\u003eSubseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.\u003c/p\u003e","\u003cp\u003eSubseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.\u003c/p\u003e","\u003cp\u003eSubseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.\u003c/p\u003e","\u003cp\u003eSeries 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.\u003c/p\u003e","\u003cp\u003eSubseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.\u003c/p\u003e","\u003cp\u003eSubseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed \u003ctitle\u003ePortrait of Mabel Dodge at the Villa Curonia\u003c/title\u003e, which was bound with wallpaper and published in Italy, inscribed to Lutz.\u003c/p\u003e","\u003cp\u003eSubseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.\u003c/p\u003e","\u003cp\u003eSubseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.\u003c/p\u003e","\u003cp\u003eSubseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.\u003c/p\u003e","\u003cp\u003eSubseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.\u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, contains the visual and photographic materials of the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.\u003c/p\u003e","\u003cp\u003eSubseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.\u003c/p\u003e","\u003cp\u003eSubseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.\u003c/p\u003e","\u003cp\u003eSubseries 4.4 contains a few photographs that were for promotion or of art pieces.\u003c/p\u003e","\u003cp\u003eSubseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.\u003c/p\u003e","\u003cp\u003eSubseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.\u003c/p\u003e","\u003cp\u003eSubseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed  Portrait of Mabel Dodge at the Villa Curonia , which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e","\u003cp\u003eContains blurb by Carl Van Vechten.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e\n","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"names_ssim":["University of Richmond ","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"corpname_ssim":["University of Richmond "],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English French Catalan; Valencian Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:07:59.594Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c04_c01"}},{"id":"vaallhs_repositories_2_resources_27_c02_c01_c01","type":"Subseries","attributes":{"title":"Cazenove","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_27_c02_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vaallhs_repositories_2_resources_27_c02_c01_c01","ref_ssm":["vaallhs_repositories_2_resources_27_c02_c01_c01"],"id":"vaallhs_repositories_2_resources_27_c02_c01_c01","ead_ssi":"vaallhs_repositories_2_resources_27","_root_":"vaallhs_repositories_2_resources_27","_nest_parent_":"vaallhs_repositories_2_resources_27_c02_c01","parent_ssi":"vaallhs_repositories_2_resources_27_c02_c01","parent_ssim":["vaallhs_repositories_2_resources_27","vaallhs_repositories_2_resources_27_c02","vaallhs_repositories_2_resources_27_c02_c01"],"parent_ids_ssim":["vaallhs_repositories_2_resources_27","vaallhs_repositories_2_resources_27_c02","vaallhs_repositories_2_resources_27_c02_c01"],"parent_unittitles_ssm":["Cazenove Family Papers (MS212)","Louis A. Cazenove","Correspondence"],"parent_unittitles_tesim":["Cazenove Family Papers (MS212)","Louis A. Cazenove","Correspondence"],"text":["Cazenove Family Papers (MS212)","Louis A. Cazenove","Correspondence","Cazenove","English"],"title_filing_ssi":"Cazenove","title_ssm":["Cazenove"],"title_tesim":["Cazenove"],"unitdate_inclusive_ssm":["1795-1925"],"normalized_date_ssm":["1795/1925"],"normalized_title_ssm":["Cazenove"],"component_level_isim":[3],"repository_ssim":["Alexandria Library"],"collection_ssim":["Cazenove Family Papers (MS212)"],"has_online_content_ssim":["false"],"child_component_count_isi":35,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":95,"date_range_isim":[1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925],"language_ssim":["English"],"_nest_path_":"/components#1/components#0/components#0","timestamp":"2026-05-21T03:59:04.928Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_27","ead_ssi":"vaallhs_repositories_2_resources_27","_root_":"vaallhs_repositories_2_resources_27","_nest_parent_":"vaallhs_repositories_2_resources_27","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_27.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/27","title_ssm":["Cazenove Family Papers (MS212)"],"title_tesim":["Cazenove Family Papers (MS212)"],"unitdate_ssm":["1786-1970"],"unitdate_inclusive_ssm":["1786-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS212","/repositories/2/resources/27"],"text":["MS212","/repositories/2/resources/27","Cazenove Family Papers (MS212)","Business -- Alexandria (Va.)","Business records","Families -- Alexandria (Va.)","Farquhar family.","Inventions","Passports","Correspondence","The collection is divided into two sub-fonds, the first consisting of records from James O'Hara Cazenove and his son and the second apparently collected by his father covering himself and the older part of the family.","\nThe correspondence and business records in both are divided into different subseries, reflecting an effort to keep business affairs separate from family correspondence. Much of the correspondence in the O'Hara part of the collection is arranged by correspondent or alphabetically and then chronologically. In the second sub-fonds most of the correspondence is chronological apart from the Stanard and Craig family correspondence having been separated from other family correspondence at some point in time.","\nCertain records deemed fragile or valuable were separated from the older material at some point and have been listed at the end of series but not necessarily in chronological order as that would have placed the items within separately listed folders.","\nSubfonds 1: James O'Hara Cazenove, 1873-1970","\nSeries 1: Correspondence, 1902-1970","    Subseries:\n    ","Family Correspondence\n    ","Personal Correspondence\n    ","Business Correspondence\n    ","Legal Correspondence\n    \nSeries 2: Financial Documents","Series 3: Legal Documents","Series 4: Inventions","Series 5: Personal Records","Series 6: Printed Material","Series 7: Miscellaneous","Series 8: Louis A. DeCazenove","\nSubfonds 2: Louis A. Cazenove, 1786-1946","\nSeries 1: Correspondence","Series 2: Business","  Subseries:\n    ","Business Records\n    ","Records Books","\nDeeds","\nEstates and Guardianships","Series 3: Legal Documents, 1786-1926","Series 4: Printed","Series 5: News Clippings","Series 6: Miscellaneous","Series 7: Photos","Anthony Charles Cazenove (1775-1852) was born in Geneva, Switzerland. Imprisoned during the revolution, he immigrated to the United States in 1794 and went into business with Treasury Secretary Albert Gallatin in Fayette County, Pennsylvania. He married Ann Hogan of Philadelphia (1776-1843), and moved to Alexandria, Virginia where he established Cazenove and Co. The couple had 10 children.","\nPaul Charles Cazenove (1799-1801) died in childhood. Charles John Cazenove (1801-1834) married Sarah Greenleaf of Boston to whom a letter from A. C. Cazenove survives.  Paulina Cazenove (1806-1891) married John Fowle. Charlotte Cazenove (1812-1836) married North Carolina Congressman William B. Shepard. Octavius Anthony Cazenove (1813-1841). Harriet Cazenove (1817-1861) who married Gazaway Lamar of Georgia (1798-1874). ","\nAnn Maria Cazenove (1803-1859) married General Archibald Henderson. Their daughter Charlotte married into the DuPont family.","\nEliza Frances Cazenove (1798-1857) married William C. Gardner (1791-1844) their children included Constance T. Gardner  (1820-1849) who married Maryland Congressman Henry Winter Davis (1817-1865) and Anne Eliza Gardner (1819-1885), who married Cassius F. Lee (1808-1890). ","\nWilliam Gardner Cazenove (1819-1877) married Mary Elizabeth Stanard (1822-1892) and had a son named Anthony Charles Cazenove (1849-1897). William took over management of Cazenove and Co. in partnership with Lee and was later the guardian for one of the Gardner children.","\nLouis Albert Cazenove (1807-1852) married Frances Ansley (1820-1847) in 1837 and had Frances E. Cazenove (1838-1884) and Charlotte Louise Cazenove (1840-1914). He later remarried to Harriett Stuart Turberville (1823-1896) of the Lee family and had a son named Louis A. Cazenove (1851-1925). Cassius F. Lee became the guardian of these children after 1852.","\nLouis A. Cazenove (b 1851) married Mary O'Hara and had two sons. Louis A. DeCazenove (1878-1852) who changed his last name to an older Swiss version worked as a chemical Engineer at Dupont and married Edith Patton Cazenove. James O'Hara Cazenove (1880-1971) was an inventor, engineer, and investor, and was considered the last of the family.","MS293 contains a ledger from Cazenove and Co. dated 1857-1861 when it was managed by William Gardner Lee, the son of A. C. Cazenove, and Cassius F. Lee. Duke University holds records of Cazenove and Co for 1860-1868 including a list of debtors.","\nMS240 contains a number of Cazenove related documents including:","\nTwo letters of A.C. Cazenove, one undated detailing the surrender of Alexandria in August 1814 and the other to Sarah E. Greenleaf in 1826. (MS240, box 10).","\nAn 1874 certificate of Louis A. Cazenove (b. 1851) from the University of Virginia (MS240, oversize 2)","\n3 stock certificates of A.C. Cazenove for the Middle Turnpike Company (1831), Alexandria Steam Ferry Company (1839), and Alexandria Marine Railway Company (1849-1851) (MS240, box 6)","\nThere are also receipts for Mrs. Harriot E. Cazenove (1823-1896), the widow of Louis A. Cazenove (d. 1852), from Wise and Co Insurance Agents (1889) (MS240, box 5) and Smoot and Co (1894-1896) (MS240 box 4).","\nThe Winterthur Museum of Winterthur Delaware also holds the \"Cazenove-Lee Family Papers\" (Col. 83) which contains extensive records of A. C. Cazenove and the early history of the family. This primarily covers the 18th century including in Switzerland.","\nThe Library of Congress also holds a number of manuscript letters from A.C. Cazenove to President James Madison.","This collection covers the history of the Cazenove Family of Alexandria from the 1790s to the 1970s.\nThe first part of the collection features records from James O'Hara Cazenove (1880-1971), consisting primarily of correspondence and records relating to his business interests and investments, as well as legal documents and business related litigation. Some of the correspondence and notebooks relate to his role as an inventor including a patent for an improved eggbeater from the 1920s. It also includes records from his brother, Louis A. deCazenove (1851-1925), primarily related to his education at Cornell University.","\nThe Second part of the collection concerns the earlier generations of the family focusing on James O'Hara's father and grandfather, both named Louis A. Cazenove (1807-1852 and 1851-1925), and his great grandfather Anthony Charles Cazenove (1775-1852). Researchers should be cautious about the reuse of family names, as there are two Anthony Charles' and three Louis A.s.","\nThe second part consists primarily of correspondence and early business records from Alexandria, including early ledgers and receipts as well as legal documents such as deeds. There are also early passports relating to international travel and documents about the consular positions held by A.C. Cazenove in the early 19th century. There is also a family history in French from 1872.","\nBoth parts of the collection include the records of estates, trusts, and guardianships, as wealth passed from one generation to the next.","Local History and Special Collections Branch, Alexandria Library","Cazenove Family","Lee Family","Farquhar Family","Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885","English"],"unitid_tesim":["MS212","/repositories/2/resources/27"],"normalized_title_ssm":["Cazenove Family Papers (MS212)"],"collection_title_tesim":["Cazenove Family Papers (MS212)"],"collection_ssim":["Cazenove Family Papers (MS212)"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"creator_ssm":["Cazenove Family","Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885","Lee Family","Farquhar Family"],"creator_ssim":["Cazenove Family","Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885","Lee Family","Farquhar Family"],"creator_persname_ssim":["Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885"],"creator_famname_ssim":["Cazenove Family","Lee Family","Farquhar Family"],"creators_ssim":["Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885","Cazenove Family","Lee Family","Farquhar Family"],"access_subjects_ssim":["Business -- Alexandria (Va.)","Business records","Families -- Alexandria (Va.)","Farquhar family.","Inventions","Passports","Correspondence"],"access_subjects_ssm":["Business -- Alexandria (Va.)","Business records","Families -- Alexandria (Va.)","Farquhar family.","Inventions","Passports","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["8.06  Linear Feet 15 boxes"],"extent_tesim":["8.06  Linear Feet 15 boxes"],"genreform_ssim":["Inventions","Passports","Correspondence"],"date_range_isim":[1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two sub-fonds, the first consisting of records from James O'Hara Cazenove and his son and the second apparently collected by his father covering himself and the older part of the family.\u003c/p\u003e\n","\u003cp\u003e\nThe correspondence and business records in both are divided into different subseries, reflecting an effort to keep business affairs separate from family correspondence. Much of the correspondence in the O'Hara part of the collection is arranged by correspondent or alphabetically and then chronologically. In the second sub-fonds most of the correspondence is chronological apart from the Stanard and Craig family correspondence having been separated from other family correspondence at some point in time.\u003c/p\u003e\n","\u003cp\u003e\nCertain records deemed fragile or valuable were separated from the older material at some point and have been listed at the end of series but not necessarily in chronological order as that would have placed the items within separately listed folders.\u003c/p\u003e\n","\u003cp\u003e\nSubfonds 1: James O'Hara Cazenove, 1873-1970\u003c/p\u003e\n","\u003cp\u003e\nSeries 1: Correspondence, 1902-1970\u003c/p\u003e\n","\u003cp\u003e    Subseries:\n    \u003c/p\u003e\n","\u003cp\u003eFamily Correspondence\n    \u003c/p\u003e\n","\u003cp\u003ePersonal Correspondence\n    \u003c/p\u003e\n","\u003cp\u003eBusiness Correspondence\n    \u003c/p\u003e\n","\u003cp\u003eLegal Correspondence\n    \nSeries 2: Financial Documents\u003c/p\u003e\n","\u003cp\u003eSeries 3: Legal Documents\u003c/p\u003e\n","\u003cp\u003eSeries 4: Inventions\u003c/p\u003e\n","\u003cp\u003eSeries 5: Personal Records\u003c/p\u003e\n","\u003cp\u003eSeries 6: Printed Material\u003c/p\u003e\n","\u003cp\u003eSeries 7: Miscellaneous\u003c/p\u003e\n","\u003cp\u003eSeries 8: Louis A. DeCazenove\u003c/p\u003e\n","\u003cp\u003e\nSubfonds 2: Louis A. Cazenove, 1786-1946\u003c/p\u003e\n","\u003cp\u003e\nSeries 1: Correspondence\u003c/p\u003e\n","\u003cp\u003eSeries 2: Business\u003c/p\u003e\n","\u003cp\u003e  Subseries:\n    \u003c/p\u003e\n","\u003cp\u003eBusiness Records\n    \u003c/p\u003e\n","\u003cp\u003eRecords Books\u003c/p\u003e\n","\u003cp\u003e\nDeeds\u003c/p\u003e\n","\u003cp\u003e\nEstates and Guardianships\u003c/p\u003e\n","\u003cp\u003eSeries 3: Legal Documents, 1786-1926\u003c/p\u003e\n","\u003cp\u003eSeries 4: Printed\u003c/p\u003e\n","\u003cp\u003eSeries 5: News Clippings\u003c/p\u003e\n","\u003cp\u003eSeries 6: Miscellaneous\u003c/p\u003e\n","\u003cp\u003eSeries 7: Photos\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two sub-fonds, the first consisting of records from James O'Hara Cazenove and his son and the second apparently collected by his father covering himself and the older part of the family.","\nThe correspondence and business records in both are divided into different subseries, reflecting an effort to keep business affairs separate from family correspondence. Much of the correspondence in the O'Hara part of the collection is arranged by correspondent or alphabetically and then chronologically. In the second sub-fonds most of the correspondence is chronological apart from the Stanard and Craig family correspondence having been separated from other family correspondence at some point in time.","\nCertain records deemed fragile or valuable were separated from the older material at some point and have been listed at the end of series but not necessarily in chronological order as that would have placed the items within separately listed folders.","\nSubfonds 1: James O'Hara Cazenove, 1873-1970","\nSeries 1: Correspondence, 1902-1970","    Subseries:\n    ","Family Correspondence\n    ","Personal Correspondence\n    ","Business Correspondence\n    ","Legal Correspondence\n    \nSeries 2: Financial Documents","Series 3: Legal Documents","Series 4: Inventions","Series 5: Personal Records","Series 6: Printed Material","Series 7: Miscellaneous","Series 8: Louis A. DeCazenove","\nSubfonds 2: Louis A. Cazenove, 1786-1946","\nSeries 1: Correspondence","Series 2: Business","  Subseries:\n    ","Business Records\n    ","Records Books","\nDeeds","\nEstates and Guardianships","Series 3: Legal Documents, 1786-1926","Series 4: Printed","Series 5: News Clippings","Series 6: Miscellaneous","Series 7: Photos"],"bioghist_html_tesm":["\u003cp\u003eAnthony Charles Cazenove (1775-1852) was born in Geneva, Switzerland. Imprisoned during the revolution, he immigrated to the United States in 1794 and went into business with Treasury Secretary Albert Gallatin in Fayette County, Pennsylvania. He married Ann Hogan of Philadelphia (1776-1843), and moved to Alexandria, Virginia where he established Cazenove and Co. The couple had 10 children.\u003c/p\u003e\n","\u003cp\u003e\nPaul Charles Cazenove (1799-1801) died in childhood. Charles John Cazenove (1801-1834) married Sarah Greenleaf of Boston to whom a letter from A. C. Cazenove survives.  Paulina Cazenove (1806-1891) married John Fowle. Charlotte Cazenove (1812-1836) married North Carolina Congressman William B. Shepard. Octavius Anthony Cazenove (1813-1841). Harriet Cazenove (1817-1861) who married Gazaway Lamar of Georgia (1798-1874). \u003c/p\u003e\n","\u003cp\u003e\nAnn Maria Cazenove (1803-1859) married General Archibald Henderson. Their daughter Charlotte married into the DuPont family.\u003c/p\u003e\n","\u003cp\u003e\nEliza Frances Cazenove (1798-1857) married William C. Gardner (1791-1844) their children included Constance T. Gardner  (1820-1849) who married Maryland Congressman Henry Winter Davis (1817-1865) and Anne Eliza Gardner (1819-1885), who married Cassius F. Lee (1808-1890). \u003c/p\u003e\n","\u003cp\u003e\nWilliam Gardner Cazenove (1819-1877) married Mary Elizabeth Stanard (1822-1892) and had a son named Anthony Charles Cazenove (1849-1897). William took over management of Cazenove and Co. in partnership with Lee and was later the guardian for one of the Gardner children.\u003c/p\u003e\n","\u003cp\u003e\nLouis Albert Cazenove (1807-1852) married Frances Ansley (1820-1847) in 1837 and had Frances E. Cazenove (1838-1884) and Charlotte Louise Cazenove (1840-1914). He later remarried to Harriett Stuart Turberville (1823-1896) of the Lee family and had a son named Louis A. Cazenove (1851-1925). Cassius F. Lee became the guardian of these children after 1852.\u003c/p\u003e\n","\u003cp\u003e\nLouis A. Cazenove (b 1851) married Mary O'Hara and had two sons. Louis A. DeCazenove (1878-1852) who changed his last name to an older Swiss version worked as a chemical Engineer at Dupont and married Edith Patton Cazenove. James O'Hara Cazenove (1880-1971) was an inventor, engineer, and investor, and was considered the last of the family.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Anthony Charles Cazenove (1775-1852) was born in Geneva, Switzerland. Imprisoned during the revolution, he immigrated to the United States in 1794 and went into business with Treasury Secretary Albert Gallatin in Fayette County, Pennsylvania. He married Ann Hogan of Philadelphia (1776-1843), and moved to Alexandria, Virginia where he established Cazenove and Co. The couple had 10 children.","\nPaul Charles Cazenove (1799-1801) died in childhood. Charles John Cazenove (1801-1834) married Sarah Greenleaf of Boston to whom a letter from A. C. Cazenove survives.  Paulina Cazenove (1806-1891) married John Fowle. Charlotte Cazenove (1812-1836) married North Carolina Congressman William B. Shepard. Octavius Anthony Cazenove (1813-1841). Harriet Cazenove (1817-1861) who married Gazaway Lamar of Georgia (1798-1874). ","\nAnn Maria Cazenove (1803-1859) married General Archibald Henderson. Their daughter Charlotte married into the DuPont family.","\nEliza Frances Cazenove (1798-1857) married William C. Gardner (1791-1844) their children included Constance T. Gardner  (1820-1849) who married Maryland Congressman Henry Winter Davis (1817-1865) and Anne Eliza Gardner (1819-1885), who married Cassius F. Lee (1808-1890). ","\nWilliam Gardner Cazenove (1819-1877) married Mary Elizabeth Stanard (1822-1892) and had a son named Anthony Charles Cazenove (1849-1897). William took over management of Cazenove and Co. in partnership with Lee and was later the guardian for one of the Gardner children.","\nLouis Albert Cazenove (1807-1852) married Frances Ansley (1820-1847) in 1837 and had Frances E. Cazenove (1838-1884) and Charlotte Louise Cazenove (1840-1914). He later remarried to Harriett Stuart Turberville (1823-1896) of the Lee family and had a son named Louis A. Cazenove (1851-1925). Cassius F. Lee became the guardian of these children after 1852.","\nLouis A. Cazenove (b 1851) married Mary O'Hara and had two sons. Louis A. DeCazenove (1878-1852) who changed his last name to an older Swiss version worked as a chemical Engineer at Dupont and married Edith Patton Cazenove. James O'Hara Cazenove (1880-1971) was an inventor, engineer, and investor, and was considered the last of the family."],"prefercite_html_tesm":["\u003cp\u003e[Item idenfitication], Cazenove Family Papers, MS212, Alexandria Library, Local History/Special Collections, Alexandria, Va.\u003c/p\u003e"],"prefercite_tesim":["[Item idenfitication], Cazenove Family Papers, MS212, Alexandria Library, Local History/Special Collections, Alexandria, Va."],"relatedmaterial_html_tesm":["\u003cp\u003eMS293 contains a ledger from Cazenove and Co. dated 1857-1861 when it was managed by William Gardner Lee, the son of A. C. Cazenove, and Cassius F. Lee. Duke University holds records of Cazenove and Co for 1860-1868 including a list of debtors.\u003c/p\u003e\n","\u003cp\u003e\nMS240 contains a number of Cazenove related documents including:\u003c/p\u003e\n","\u003cp\u003e\nTwo letters of A.C. Cazenove, one undated detailing the surrender of Alexandria in August 1814 and the other to Sarah E. Greenleaf in 1826. (MS240, box 10).\u003c/p\u003e\n","\u003cp\u003e\nAn 1874 certificate of Louis A. Cazenove (b. 1851) from the University of Virginia (MS240, oversize 2)\u003c/p\u003e\n","\u003cp\u003e\n3 stock certificates of A.C. Cazenove for the Middle Turnpike Company (1831), Alexandria Steam Ferry Company (1839), and Alexandria Marine Railway Company (1849-1851) (MS240, box 6)\u003c/p\u003e\n","\u003cp\u003e\nThere are also receipts for Mrs. Harriot E. Cazenove (1823-1896), the widow of Louis A. Cazenove (d. 1852), from Wise and Co Insurance Agents (1889) (MS240, box 5) and Smoot and Co (1894-1896) (MS240 box 4).\u003c/p\u003e\n","\u003cp\u003e\nThe Winterthur Museum of Winterthur Delaware also holds the \"Cazenove-Lee Family Papers\" (Col. 83) which contains extensive records of A. C. Cazenove and the early history of the family. This primarily covers the 18th century including in Switzerland.\u003c/p\u003e\n","\u003cp\u003e\nThe Library of Congress also holds a number of manuscript letters from A.C. Cazenove to President James Madison.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MS293 contains a ledger from Cazenove and Co. dated 1857-1861 when it was managed by William Gardner Lee, the son of A. C. Cazenove, and Cassius F. Lee. Duke University holds records of Cazenove and Co for 1860-1868 including a list of debtors.","\nMS240 contains a number of Cazenove related documents including:","\nTwo letters of A.C. Cazenove, one undated detailing the surrender of Alexandria in August 1814 and the other to Sarah E. Greenleaf in 1826. (MS240, box 10).","\nAn 1874 certificate of Louis A. Cazenove (b. 1851) from the University of Virginia (MS240, oversize 2)","\n3 stock certificates of A.C. Cazenove for the Middle Turnpike Company (1831), Alexandria Steam Ferry Company (1839), and Alexandria Marine Railway Company (1849-1851) (MS240, box 6)","\nThere are also receipts for Mrs. Harriot E. Cazenove (1823-1896), the widow of Louis A. Cazenove (d. 1852), from Wise and Co Insurance Agents (1889) (MS240, box 5) and Smoot and Co (1894-1896) (MS240 box 4).","\nThe Winterthur Museum of Winterthur Delaware also holds the \"Cazenove-Lee Family Papers\" (Col. 83) which contains extensive records of A. C. Cazenove and the early history of the family. This primarily covers the 18th century including in Switzerland.","\nThe Library of Congress also holds a number of manuscript letters from A.C. Cazenove to President James Madison."],"scopecontent_html_tesm":["\u003cp\u003eThis collection covers the history of the Cazenove Family of Alexandria from the 1790s to the 1970s.\nThe first part of the collection features records from James O'Hara Cazenove (1880-1971), consisting primarily of correspondence and records relating to his business interests and investments, as well as legal documents and business related litigation. Some of the correspondence and notebooks relate to his role as an inventor including a patent for an improved eggbeater from the 1920s. It also includes records from his brother, Louis A. deCazenove (1851-1925), primarily related to his education at Cornell University.\u003c/p\u003e\n","\u003cp\u003e\nThe Second part of the collection concerns the earlier generations of the family focusing on James O'Hara's father and grandfather, both named Louis A. Cazenove (1807-1852 and 1851-1925), and his great grandfather Anthony Charles Cazenove (1775-1852). Researchers should be cautious about the reuse of family names, as there are two Anthony Charles' and three Louis A.s.\u003c/p\u003e\n","\u003cp\u003e\nThe second part consists primarily of correspondence and early business records from Alexandria, including early ledgers and receipts as well as legal documents such as deeds. There are also early passports relating to international travel and documents about the consular positions held by A.C. Cazenove in the early 19th century. There is also a family history in French from 1872.\u003c/p\u003e\n","\u003cp\u003e\nBoth parts of the collection include the records of estates, trusts, and guardianships, as wealth passed from one generation to the next.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection covers the history of the Cazenove Family of Alexandria from the 1790s to the 1970s.\nThe first part of the collection features records from James O'Hara Cazenove (1880-1971), consisting primarily of correspondence and records relating to his business interests and investments, as well as legal documents and business related litigation. Some of the correspondence and notebooks relate to his role as an inventor including a patent for an improved eggbeater from the 1920s. It also includes records from his brother, Louis A. deCazenove (1851-1925), primarily related to his education at Cornell University.","\nThe Second part of the collection concerns the earlier generations of the family focusing on James O'Hara's father and grandfather, both named Louis A. Cazenove (1807-1852 and 1851-1925), and his great grandfather Anthony Charles Cazenove (1775-1852). Researchers should be cautious about the reuse of family names, as there are two Anthony Charles' and three Louis A.s.","\nThe second part consists primarily of correspondence and early business records from Alexandria, including early ledgers and receipts as well as legal documents such as deeds. There are also early passports relating to international travel and documents about the consular positions held by A.C. Cazenove in the early 19th century. There is also a family history in French from 1872.","\nBoth parts of the collection include the records of estates, trusts, and guardianships, as wealth passed from one generation to the next."],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Cazenove Family","Lee Family","Farquhar Family","Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885"],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library"],"famname_ssim":["Cazenove Family","Lee Family","Farquhar Family"],"persname_ssim":["Cazenove, Anthony Charles, 1775-1852","Cazenove, Louis A. (Louis Albert), 1807-1852","Cazenove, Louis A., 1851-1925","Cazenove, James O'Hara, 1880-1971","deCazenove, Louis A., 1878-1952","Cazenove, Anne H., 1776-1843","Cazenove, William Gardner, 1819-1877","Cazenove, Mary Elizabeth Stanard, 1822-1892","Cazenove, Antony, 1849-1897","Lee, Cassius F., 1808-1890","Cazenove, Eliza Frances, 1798-1857","Gardner, Anne Eliza, 1819-1885"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":249,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:59:04.928Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_27_c02_c01_c01"}},{"id":"viblbv_repositories_2_resources_4207_c05_c13","type":"Subseries","attributes":{"title":"Checks","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4207_c05_c13#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_4207_c05_c13","ref_ssm":["viblbv_repositories_2_resources_4207_c05_c13"],"id":"viblbv_repositories_2_resources_4207_c05_c13","ead_ssi":"viblbv_repositories_2_resources_4207","_root_":"viblbv_repositories_2_resources_4207","_nest_parent_":"viblbv_repositories_2_resources_4207_c05","parent_ssi":"viblbv_repositories_2_resources_4207_c05","parent_ssim":["viblbv_repositories_2_resources_4207","viblbv_repositories_2_resources_4207_c05"],"parent_ids_ssim":["viblbv_repositories_2_resources_4207","viblbv_repositories_2_resources_4207_c05"],"parent_unittitles_ssm":["Blacksburg Baptist Church Records","Series V: Financials"],"parent_unittitles_tesim":["Blacksburg Baptist Church Records","Series V: Financials"],"text":["Blacksburg Baptist Church Records","Series V: Financials","Checks","box 2","folder 6"],"title_filing_ssi":"Checks","title_ssm":["Checks"],"title_tesim":["Checks"],"unitdate_other_ssim":["1896"],"normalized_date_ssm":["1896"],"normalized_title_ssm":["Checks"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Blacksburg Baptist Church Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":71,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials. ","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\nhttp://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1896],"containers_ssim":["box 2","folder 6"],"_nest_path_":"/components#4/components#12","timestamp":"2026-05-21T02:17:00.632Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4207","ead_ssi":"viblbv_repositories_2_resources_4207","_root_":"viblbv_repositories_2_resources_4207","_nest_parent_":"viblbv_repositories_2_resources_4207","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4207.xml","title_filing_ssi":"Blacksburg Baptist Church Records","title_ssm":["Blacksburg Baptist Church Records"],"title_tesim":["Blacksburg Baptist Church Records"],"unitdate_ssm":["1894-2007"],"unitdate_inclusive_ssm":["1894-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2024.001"],"text":["Ms.2024.001","Blacksburg Baptist Church Records","Blacksburg (Va.)","Montgomery County (Va.)","Local/Regional History and Appalachian South","Architectural drawing -- 20th century","Religion","Scrapbooks","Correspondence","Photographs","The collection is open for research.","The collection is arranged based on the types of materials and organizations. All materials are organized chronologically within the sub-series.","The guide to the Blacksburg Baptist Church Records Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Blacksburg Baptist Church Records Collection was completed in May 2024.","The collection consists of records from the Blacksburg Baptist Church, currently known as Church on Main in Blacksburg. The boxes contain materials related to financial records, minutes, church history, scrapbooks, photographs, ledger books, cassette tapes, correspondence, and more. The collection is organized based on organizations and types of records. This includes the Baptist Young People's Union, Church Building Committee, Church Bulletins, Correspondences, Financials, Leadership, Manuscripts, Membership, Photographs, Women's Missionary Society, and Women's Missionary Union. There are also printed out copies of microfilm pages which have been sorted into the \"microfilm copies\" and \"permanent file copies.\" Many of the documents in these two series are duplicates of the original materials found in the other series. Some of the materials in the microfilm and permanent file copies are not found in the originals. ","\nSeries I: Baptist Young People's Union contains the records of the organization. Materials consists of items in the 1930s. ","Series II: Church Building Committee contains records related to the construction of the church and rooms. Materials are organized by the type of material. There are architectural documents with designs for a new church building. There are building codes, contracts, plans and studies. The correspondences consist of letters regarding the church construction, including the architect. Film strips, micro slide films, and photographs include architectural designs and photographs of completed construction. The notes and reports explain plans for the construction. ","Series III: Church Bulletins contains the church service bulletins. The bulletins contain the church service dates and order of worship. This includes information on the order of events, music, prayers, scripture readings, communion, and more. Bulletins also list upcoming events during the week and other announcements. They also list the church's leadership members. ","Series IV: Correspondences contains correspondences related to church activities. Some correspondences have been separated into other series, including Series II: Church Building Committee. The series is organized based on the author of the letter. Some authors only wrote one or two letters, and they have been organized into the bulk \"Multiple Authors\" sub-series. There are also copied duplicates of letters.","Series V: Financials consists of all documents related to financial information. This includes annual reports, bank deposit books, checkbooks, ledger books, memorials record books, and treasurer's book. There are also multiple years of reports documents that discuss quarterly and yearly finances at the church and the church's organizations. The series also contain bills, checks, coal tickets, and freight bills. Finally, there are finance committee minutes books that provide information on the committee's discussions. ","Series VI: Leadership contains documents about and from the church's leaders. This includes Constitutions and By-Laws for the church. The deacons minutes books provide details on deacons meetings. There are also sermon outlines and reverend papers. Finally, reports include documents on pastor searches and current leadership. There are some financial reports directly related to the leadership. ","Series VII: Manuscripts consists of drafst of short stories and the history of Blacksburg Baptist Church. The History of Blacksburg Baptist Church is the primary work in the series, and includes documents related to revisions.","Series VIII: Membership consists of multiple documents related to the members of the church. This includes attendance and registration records. There are church directories of the membership and leadership. The Church Dismissal Letters contain letters for people joining the church or leaving to attend a different church. The newsletters contain documents related to the church news and events. A scrapbook and wedding newspaper clippings are also found in this series. ","Series IX: Photographs contains film strips, micro slide films, negatives, and photographs. The photographs were separated into buildings and people sections. Some photographs were placed in Series II: Church Building Committee because they were directly related to construction of the church. ","Series X: Women's Missionary Society contains documents related to the women's organization. These include meeting minutes, membership records, pamphlets, record book, and reports for the organization. ","Series XI: Women's Missionary Union consists of documents for the women's organization. There are certificates, memorial documents, a ledger book, reports, and yearbooks. There are multiple notebooks for the organization. The scrapbook in box 10 includes magazine and newspaper clippings that discuss the War on Terror and missionary work in the Middle East and South Asia. The clippings provide a fascinating glimpse into the Baptist Church and War on Terror. ","Series XII: Microfilm Copies contains printed microfilm documents. These contain documents that are located in the other series along with copies of documents not in the other series. ","Series XIII: Permanent File Copies contains printed document copies. These contain documents that are located in the other series along with copies of documents not in the other series. These documents are the same as the ones in Series XII, but includes two additional years worth of documents. ","The copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials. ","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\n http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection consists of records from the Blacksburg Baptist Church, currently known as Church on Main in Blacksburg. The boxes contain materials related to financial records, minutes, church history, scrapbooks, photographs, ledger books, cassette tapes, correspondence, and more. The collection is organized based on organizations and types of records. This includes the Baptist Young People's Union, Church Building Committee, Church Bulletins, Correspondences, Financials, Leadership, Manuscripts, Membership, Photographs, Women's Missionary Society, and Women's Missionary Union. There are also printed out copies of microfilm pages which have been sorted into the \"microfilm copies\" and \"permanent file copies.\" Many of the documents in these two series are duplicates of the original materials found in the other series. Some of the materials in the microfilm and permanent file copies are not found in the originals.","Special Collections and University Archives, Virginia Tech","Blacksburg Baptist Church (Blacksburg, Va)","Materials in this collection are in English."],"unitid_tesim":["Ms.2024.001"],"normalized_title_ssm":["Blacksburg Baptist Church Records"],"collection_title_tesim":["Blacksburg Baptist Church Records"],"collection_ssim":["Blacksburg Baptist Church Records"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"places_ssim":["Blacksburg (Va.)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials. ","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\n http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections in May 2015."],"access_subjects_ssim":["Montgomery County (Va.)","Local/Regional History and Appalachian South","Architectural drawing -- 20th century","Religion","Scrapbooks","Correspondence","Photographs"],"access_subjects_ssm":["Montgomery County (Va.)","Local/Regional History and Appalachian South","Architectural drawing -- 20th century","Religion","Scrapbooks","Correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["18 Cubic Feet 11 boxes and 1 oversize folder"],"extent_tesim":["18 Cubic Feet 11 boxes and 1 oversize folder"],"genreform_ssim":["Scrapbooks","Correspondence","Photographs"],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged based on the types of materials and organizations. All materials are organized chronologically within the sub-series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged based on the types of materials and organizations. All materials are organized chronologically within the sub-series."],"odd_html_tesm":["\u003cp\u003eThe guide to the Blacksburg Baptist Church Records Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Blacksburg Baptist Church Records Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Blacksburg Baptist Church Records Collection, 1894 - 2007, Ms2014-001, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Blacksburg Baptist Church Records Collection, 1894 - 2007, Ms2014-001, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Blacksburg Baptist Church Records Collection was completed in May 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Blacksburg Baptist Church Records Collection was completed in May 2024."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of records from the Blacksburg Baptist Church, currently known as Church on Main in Blacksburg. The boxes contain materials related to financial records, minutes, church history, scrapbooks, photographs, ledger books, cassette tapes, correspondence, and more. The collection is organized based on organizations and types of records. This includes the Baptist Young People's Union, Church Building Committee, Church Bulletins, Correspondences, Financials, Leadership, Manuscripts, Membership, Photographs, Women's Missionary Society, and Women's Missionary Union. There are also printed out copies of microfilm pages which have been sorted into the \"microfilm copies\" and \"permanent file copies.\" Many of the documents in these two series are duplicates of the original materials found in the other series. Some of the materials in the microfilm and permanent file copies are not found in the originals. \u003c/p\u003e\n","\u003cp\u003e\nSeries I: Baptist Young People's Union contains the records of the organization. Materials consists of items in the 1930s. \u003c/p\u003e\n","\u003cp\u003eSeries II: Church Building Committee contains records related to the construction of the church and rooms. Materials are organized by the type of material. There are architectural documents with designs for a new church building. There are building codes, contracts, plans and studies. The correspondences consist of letters regarding the church construction, including the architect. Film strips, micro slide films, and photographs include architectural designs and photographs of completed construction. The notes and reports explain plans for the construction. \u003c/p\u003e\n","\u003cp\u003eSeries III: Church Bulletins contains the church service bulletins. The bulletins contain the church service dates and order of worship. This includes information on the order of events, music, prayers, scripture readings, communion, and more. Bulletins also list upcoming events during the week and other announcements. They also list the church's leadership members. \u003c/p\u003e\n","\u003cp\u003eSeries IV: Correspondences contains correspondences related to church activities. Some correspondences have been separated into other series, including Series II: Church Building Committee. The series is organized based on the author of the letter. Some authors only wrote one or two letters, and they have been organized into the bulk \"Multiple Authors\" sub-series. There are also copied duplicates of letters.\u003c/p\u003e\n","\u003cp\u003eSeries V: Financials consists of all documents related to financial information. This includes annual reports, bank deposit books, checkbooks, ledger books, memorials record books, and treasurer's book. There are also multiple years of reports documents that discuss quarterly and yearly finances at the church and the church's organizations. The series also contain bills, checks, coal tickets, and freight bills. Finally, there are finance committee minutes books that provide information on the committee's discussions. \u003c/p\u003e\n","\u003cp\u003eSeries VI: Leadership contains documents about and from the church's leaders. This includes Constitutions and By-Laws for the church. The deacons minutes books provide details on deacons meetings. There are also sermon outlines and reverend papers. Finally, reports include documents on pastor searches and current leadership. There are some financial reports directly related to the leadership. \u003c/p\u003e\n","\u003cp\u003eSeries VII: Manuscripts consists of drafst of short stories and the history of Blacksburg Baptist Church. The History of Blacksburg Baptist Church is the primary work in the series, and includes documents related to revisions.\u003c/p\u003e\n","\u003cp\u003eSeries VIII: Membership consists of multiple documents related to the members of the church. This includes attendance and registration records. There are church directories of the membership and leadership. The Church Dismissal Letters contain letters for people joining the church or leaving to attend a different church. The newsletters contain documents related to the church news and events. A scrapbook and wedding newspaper clippings are also found in this series. \u003c/p\u003e\n","\u003cp\u003eSeries IX: Photographs contains film strips, micro slide films, negatives, and photographs. The photographs were separated into buildings and people sections. Some photographs were placed in Series II: Church Building Committee because they were directly related to construction of the church. \u003c/p\u003e\n","\u003cp\u003eSeries X: Women's Missionary Society contains documents related to the women's organization. These include meeting minutes, membership records, pamphlets, record book, and reports for the organization. \u003c/p\u003e\n","\u003cp\u003eSeries XI: Women's Missionary Union consists of documents for the women's organization. There are certificates, memorial documents, a ledger book, reports, and yearbooks. There are multiple notebooks for the organization. The scrapbook in box 10 includes magazine and newspaper clippings that discuss the War on Terror and missionary work in the Middle East and South Asia. The clippings provide a fascinating glimpse into the Baptist Church and War on Terror. \u003c/p\u003e\n","\u003cp\u003eSeries XII: Microfilm Copies contains printed microfilm documents. These contain documents that are located in the other series along with copies of documents not in the other series. \u003c/p\u003e\n","\u003cp\u003eSeries XIII: Permanent File Copies contains printed document copies. These contain documents that are located in the other series along with copies of documents not in the other series. These documents are the same as the ones in Series XII, but includes two additional years worth of documents. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of records from the Blacksburg Baptist Church, currently known as Church on Main in Blacksburg. The boxes contain materials related to financial records, minutes, church history, scrapbooks, photographs, ledger books, cassette tapes, correspondence, and more. The collection is organized based on organizations and types of records. This includes the Baptist Young People's Union, Church Building Committee, Church Bulletins, Correspondences, Financials, Leadership, Manuscripts, Membership, Photographs, Women's Missionary Society, and Women's Missionary Union. There are also printed out copies of microfilm pages which have been sorted into the \"microfilm copies\" and \"permanent file copies.\" Many of the documents in these two series are duplicates of the original materials found in the other series. Some of the materials in the microfilm and permanent file copies are not found in the originals. ","\nSeries I: Baptist Young People's Union contains the records of the organization. Materials consists of items in the 1930s. ","Series II: Church Building Committee contains records related to the construction of the church and rooms. Materials are organized by the type of material. There are architectural documents with designs for a new church building. There are building codes, contracts, plans and studies. The correspondences consist of letters regarding the church construction, including the architect. Film strips, micro slide films, and photographs include architectural designs and photographs of completed construction. The notes and reports explain plans for the construction. ","Series III: Church Bulletins contains the church service bulletins. The bulletins contain the church service dates and order of worship. This includes information on the order of events, music, prayers, scripture readings, communion, and more. Bulletins also list upcoming events during the week and other announcements. They also list the church's leadership members. ","Series IV: Correspondences contains correspondences related to church activities. Some correspondences have been separated into other series, including Series II: Church Building Committee. The series is organized based on the author of the letter. Some authors only wrote one or two letters, and they have been organized into the bulk \"Multiple Authors\" sub-series. There are also copied duplicates of letters.","Series V: Financials consists of all documents related to financial information. This includes annual reports, bank deposit books, checkbooks, ledger books, memorials record books, and treasurer's book. There are also multiple years of reports documents that discuss quarterly and yearly finances at the church and the church's organizations. The series also contain bills, checks, coal tickets, and freight bills. Finally, there are finance committee minutes books that provide information on the committee's discussions. ","Series VI: Leadership contains documents about and from the church's leaders. This includes Constitutions and By-Laws for the church. The deacons minutes books provide details on deacons meetings. There are also sermon outlines and reverend papers. Finally, reports include documents on pastor searches and current leadership. There are some financial reports directly related to the leadership. ","Series VII: Manuscripts consists of drafst of short stories and the history of Blacksburg Baptist Church. The History of Blacksburg Baptist Church is the primary work in the series, and includes documents related to revisions.","Series VIII: Membership consists of multiple documents related to the members of the church. This includes attendance and registration records. There are church directories of the membership and leadership. The Church Dismissal Letters contain letters for people joining the church or leaving to attend a different church. The newsletters contain documents related to the church news and events. A scrapbook and wedding newspaper clippings are also found in this series. ","Series IX: Photographs contains film strips, micro slide films, negatives, and photographs. The photographs were separated into buildings and people sections. Some photographs were placed in Series II: Church Building Committee because they were directly related to construction of the church. ","Series X: Women's Missionary Society contains documents related to the women's organization. These include meeting minutes, membership records, pamphlets, record book, and reports for the organization. ","Series XI: Women's Missionary Union consists of documents for the women's organization. There are certificates, memorial documents, a ledger book, reports, and yearbooks. There are multiple notebooks for the organization. The scrapbook in box 10 includes magazine and newspaper clippings that discuss the War on Terror and missionary work in the Middle East and South Asia. The clippings provide a fascinating glimpse into the Baptist Church and War on Terror. ","Series XII: Microfilm Copies contains printed microfilm documents. These contain documents that are located in the other series along with copies of documents not in the other series. ","Series XIII: Permanent File Copies contains printed document copies. These contain documents that are located in the other series along with copies of documents not in the other series. These documents are the same as the ones in Series XII, but includes two additional years worth of documents. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\n\u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials. ","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\n http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bfe562b57409aeba3b3010873097f771\" label=\"Abstract\"\u003eThe collection consists of records from the Blacksburg Baptist Church, currently known as Church on Main in Blacksburg. The boxes contain materials related to financial records, minutes, church history, scrapbooks, photographs, ledger books, cassette tapes, correspondence, and more. The collection is organized based on organizations and types of records. This includes the Baptist Young People's Union, Church Building Committee, Church Bulletins, Correspondences, Financials, Leadership, Manuscripts, Membership, Photographs, Women's Missionary Society, and Women's Missionary Union. There are also printed out copies of microfilm pages which have been sorted into the \"microfilm copies\" and \"permanent file copies.\" Many of the documents in these two series are duplicates of the original materials found in the other series. Some of the materials in the microfilm and permanent file copies are not found in the originals.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of records from the Blacksburg Baptist Church, currently known as Church on Main in Blacksburg. The boxes contain materials related to financial records, minutes, church history, scrapbooks, photographs, ledger books, cassette tapes, correspondence, and more. The collection is organized based on organizations and types of records. This includes the Baptist Young People's Union, Church Building Committee, Church Bulletins, Correspondences, Financials, Leadership, Manuscripts, Membership, Photographs, Women's Missionary Society, and Women's Missionary Union. There are also printed out copies of microfilm pages which have been sorted into the \"microfilm copies\" and \"permanent file copies.\" Many of the documents in these two series are duplicates of the original materials found in the other series. Some of the materials in the microfilm and permanent file copies are not found in the originals."],"names_coll_ssim":["Blacksburg Baptist Church (Blacksburg, Va)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Blacksburg Baptist Church (Blacksburg, Va)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Blacksburg Baptist Church (Blacksburg, Va)"],"language_ssim":["Materials in this collection are in English."],"total_component_count_is":308,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:17:00.632Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4207_c05_c13"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c09","type":"Subseries","attributes":{"title":"\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c09","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c09"],"id":"viw_repositories_2_resources_9853_c01_c01_c09","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01","parent_ssi":"viw_repositories_2_resources_9853_c01_c01","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\""],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\""],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard"],"title_filing_ssi":"\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard","title_ssm":["\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard"],"title_tesim":["\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard"],"unitdate_inclusive_ssm":["1859-2012"],"normalized_date_ssm":["1859/2012"],"normalized_title_ssm":["\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard"],"component_level_isim":[3],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":19,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"_nest_path_":"/components#0/components#0/components#8","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c11","type":"Subseries","attributes":{"title":"\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c11","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c11"],"id":"viw_repositories_2_resources_9853_c01_c01_c11","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01","parent_ssi":"viw_repositories_2_resources_9853_c01_c01","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\""],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\""],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"title_filing_ssi":"\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas","title_ssm":["\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"title_tesim":["\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"unitdate_inclusive_ssm":["1896-2013"],"normalized_date_ssm":["1896/2013"],"normalized_title_ssm":["\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"component_level_isim":[3],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":38,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"_nest_path_":"/components#0/components#0/components#10","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria 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