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This book and these papers are an invaluable resource for researchers."],"odd_html_tesm":["\u003cp\u003ePaxton house\u003c/p\u003e","\u003cp\u003eThe Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,\u003c/p\u003e","\u003cp\u003eThe Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,\u003c/p\u003e","\u003cp\u003eBuilding earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.\u003c/p\u003e","\u003cp\u003eThe building was later the Ruscio Center for Global Learning with additions.\u003c/p\u003e","\u003cp\u003eThe other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.\u003c/p\u003e","\u003cp\u003eThe other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General"],"odd_tesim":["Paxton house","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","Building earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.","The building was later the Ruscio Center for Global Learning with additions.","The other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.","The other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Student Architectural Papers Collection (RG 38), Special Collections and Archives, James G. 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The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia.  Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977.  This book and these papers are an invaluable resource for researchers.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["These student architecture papers were done for Art classes at Washington and Lee, mostly taught by Prof. Pam Simpson. The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia.  Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977.  This book and these papers are an invaluable resource for researchers."],"odd_html_tesm":["\u003cp\u003ePaxton house\u003c/p\u003e","\u003cp\u003eThe Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,\u003c/p\u003e","\u003cp\u003eThe Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,\u003c/p\u003e","\u003cp\u003eBuilding earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.\u003c/p\u003e","\u003cp\u003eThe building was later the Ruscio Center for Global Learning with additions.\u003c/p\u003e","\u003cp\u003eThe other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.\u003c/p\u003e","\u003cp\u003eThe other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General"],"odd_tesim":["Paxton house","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","Building earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.","The building was later the Ruscio Center for Global Learning with additions.","The other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.","The other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Student Architectural Papers Collection (RG 38), Special Collections and Archives, James G. 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George H. Denny, Prof. David C. Humphreys, Theodore Carl Link, William Henry Reid, the W\u0026L Power plant, and W\u0026L Reid Hall.","Earlier this building was the Carnegie Library, then McCormick Library, later Williams School, and then Huntley Hall.","Includes Cedar Hill, Paxton house at Glen Maury, and the Dickinson house named Savernake.","Includes 707 South Main Street, 116 North Main and Jefferson Streets, South Main, and 107 North Main Streets.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road)."],"userestrict_heading_ssm":["Conditions Governing Use"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students","Sheridan, John, 1847 - 1929"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students"],"persname_ssim":["Sheridan, John, 1847 - 1929"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1048,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:14:48.388Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_616_c01_c462"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c09_c06","type":"File","attributes":{"title":"\"W.L. Sheppard\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c09_c06","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c09_c06"],"id":"viw_repositories_2_resources_9853_c01_c01_c09_c06","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c09","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c09","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c09"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c09"],"parent_unittitles_ssm":["Richard Wright collection","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard"],"parent_unittitles_tesim":["Richard Wright collection","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard"],"text":["Richard Wright collection","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard","\"W.L. Sheppard\"","Box 9","folder 14"],"title_filing_ssi":"\"W.L. Sheppard\"","title_ssm":["\"W.L. Sheppard\""],"title_tesim":["\"W.L. Sheppard\""],"unitdate_inclusive_ssm":["1873-2000"],"normalized_date_ssm":["1873/2000"],"normalized_title_ssm":["\"W.L. Sheppard\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":25,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"containers_ssim":["Box 9","folder 14"],"_nest_path_":"/components#0/components#0/components#8/components#5","timestamp":"2026-06-11T12:05:54.001Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright collection","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright collection"],"collection_title_tesim":["Richard Wright collection"],"collection_ssim":["Richard Wright collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-11T12:05:54.001Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09_c06"}},{"id":"wvmturhc_repositories_2_resources_5880_c02_c302","type":"File","attributes":{"title":"Wm. C. Grove vs. Shirley and Mary LaFollett","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5880_c02_c302#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5880_c02_c302","ref_ssm":["wvmturhc_repositories_2_resources_5880_c02_c302"],"id":"wvmturhc_repositories_2_resources_5880_c02_c302","ead_ssi":"wvmturhc_repositories_2_resources_5880","_root_":"wvmturhc_repositories_2_resources_5880","_nest_parent_":"wvmturhc_repositories_2_resources_5880_c02","parent_ssi":"wvmturhc_repositories_2_resources_5880_c02","parent_ssim":["wvmturhc_repositories_2_resources_5880","wvmturhc_repositories_2_resources_5880_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5880","wvmturhc_repositories_2_resources_5880_c02"],"parent_unittitles_ssm":["Siler Family Papers","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89)"],"parent_unittitles_tesim":["Siler Family Papers","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89)"],"text":["Siler Family Papers","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89)","Wm. C. Grove vs. Shirley and Mary LaFollett","Box S2/Box 30","Folder 22"],"title_filing_ssi":"Wm. C. Grove vs. Shirley and Mary LaFollett","title_ssm":["Wm. C. Grove vs. Shirley and Mary LaFollett"],"title_tesim":["Wm. C. Grove vs. Shirley and Mary LaFollett"],"unitdate_inclusive_ssm":["ca. 1848-1968"],"normalized_date_ssm":["1848/1968"],"normalized_title_ssm":["Wm. C. Grove vs. Shirley and Mary LaFollett"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Siler Family Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":482,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"containers_ssim":["Box S2/Box 30","Folder 22"],"_nest_path_":"/components#1/components#301","timestamp":"2026-05-21T00:52:04.570Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5880","ead_ssi":"wvmturhc_repositories_2_resources_5880","_root_":"wvmturhc_repositories_2_resources_5880","_nest_parent_":"wvmturhc_repositories_2_resources_5880","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5880.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198957","title_ssm":["Siler Family Papers"],"title_tesim":["Siler Family Papers"],"unitdate_ssm":["1848-1968"],"unitdate_inclusive_ssm":["1848-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2200","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5880"],"text":["A\u0026M 2200","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5880","Siler Family Papers","Berkeley Springs (W. Va.)","Town of Bath, West Virginia - Berkeley Springs.","United States -- History -- Civil War, 1861-1865","Bank of Berkeley Springs - Banks and Banking.","Banks and Banking - American Institute of Banking.","Banks and Banking - Bank of Berkeley Springs.","Banks and Banking - Federal Reserve Bank of Richmond.","Banks and Banking - Financial Public Relations Association.","Banks and Banking - First Virginia Corporation.","Banks and banking","Berkeley Glass Sand Company -- Glass Sand Industry","Berkeley Springs Water Works and Improvement Co. -- Power Industry","Bibles","Blueprints","Bonds -- Citizens Trust and Guaranty Company of West Virginia","Bowling","Poetry --  Nannie S. Castleman","Church schools -- Episcopal High School (Alexandria, Va.)","Churches  -- Episcopal","Civil War -- Confederate newspapers","Civil War -- Description","Civil War - political factions.","Civil War -- Confederate letters","Confederate States of America - secession crisis.","Diaries and journals.","Episcopal Church - Churches.","Church schools -- Episcopal High School (Alexandria, Va.)","Estates and estate settlements.","Federal Reserve Bank of Richmond - Banks and Banking.","Financial Public Relations Association - Banks and Banking.","First Virginia Corporation - Banks and Banking.","General stores - Hammond and Siler.","Glass Sand Industry - Berkeley Glass Sand Company.","Glass Sand Industry - Pennsylvania Glass Sand Corporation.","Hancock Steel Company - Steel.","Insurance - V. E. Johnson Insurance Agency.","Land - deeds and grants.","Land Plat.","Lawyers - letters and papers.","Ledgers.","Libraries - Morgan County Library.","Magazines.","Freemasons","Morgan County - Circuit Court.","Morgan County Library - Libraries.","Music - Sheet music.","Northern Virginia Power Company - Power Industry.","Pennsylvania Glass Sand Corporation - Glass Sand Industry.","Poetry --  Nannie S. Castleman","Political factions - Civil War.","Politics - Secession of Virginia.","Politics and government.","Railroads - Baltimore and Ohio Railroad.","Railroads - Western Maryland Railroad Company.","Rhodes scholarships","Rock Gap Coal and Mining Company - Stocks.","Scrapbooks","Secession of Virginia - Politics.","Business correspondence","No special access restriction applies.","missing; 2011/04/15; mrr","\nseries 2, box 47, folder 13","\n--","archives and manuscripts; photographs / postcards / prints / etc.","This is a collection of letters and documents tracing the personal and business life of an eastern panhandle West Virginia family. The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).","Series include:","Series 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50 \nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89 \nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2 \nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4 \nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2 \nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1 \nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26 \nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1","This series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. Also included are records of various regional and national banking conferences and assorted printed material.","This series includes the personal and legal correspondence and papers of J. Hammond Siler, Sr. and his career as a lawyer in West Virginia. Also included are assorted deeds, ledgers, and pamphlets on various legal and religious topics.","This series includes the personal correspondence of Jessie Castleman Siler, wife of J. Hammond Siler, Sr. Also included is material regarding the Red Cross.","This series includes the personal correspondence of A.C. Hammond. Also included are material regarding Hammond's finances and assorted legal papers.","This series includes the personal correspondence and financial papers of Ann R. Castleman. Also includes the correspondence of other members of the Castleman family and genealogical material for the Hammond, Castleman, and Siler families.","This series includes assorted photographs of the Siler family.","This series includes ledgers for the Hammond \u0026 Siler and John T. Siler \u0026 Son businesses, assorted account books, and family bibles.","This series consists of assorted oversize material, including blueprints, children's books, and sheet music.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. 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The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50\u003clb\u003e\u003c/lb\u003e\nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89\u003clb\u003e\u003c/lb\u003e\nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4\u003clb\u003e\u003c/lb\u003e\nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1\u003clb\u003e\u003c/lb\u003e\nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26\u003clb\u003e\u003c/lb\u003e\nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1\u003c/p\u003e","\u003cp\u003eThis series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. 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Johnson Insurance Agency.","Land - deeds and grants.","Land Plat.","Lawyers - letters and papers.","Ledgers.","Libraries - Morgan County Library.","Magazines.","Freemasons","Morgan County - Circuit Court.","Morgan County Library - Libraries.","Music - Sheet music.","Northern Virginia Power Company - Power Industry.","Pennsylvania Glass Sand Corporation - Glass Sand Industry.","Poetry --  Nannie S. 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(149 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 small flat storage box, 3 1/2 in.); (2 oversize folders, 2 in.); (25 wrapped packages, 3 ft. 8 in.)"],"extent_tesim":["66.6 Linear Feet Summary: 66 ft. 7 in. 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The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50\u003clb\u003e\u003c/lb\u003e\nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89\u003clb\u003e\u003c/lb\u003e\nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4\u003clb\u003e\u003c/lb\u003e\nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1\u003clb\u003e\u003c/lb\u003e\nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26\u003clb\u003e\u003c/lb\u003e\nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1\u003c/p\u003e","\u003cp\u003eThis series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. 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The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).","Series include:","Series 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50 \nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89 \nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2 \nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4 \nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2 \nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1 \nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26 \nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1","This series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. Also included are records of various regional and national banking conferences and assorted printed material.","This series includes the personal and legal correspondence and papers of J. Hammond Siler, Sr. and his career as a lawyer in West Virginia. Also included are assorted deeds, ledgers, and pamphlets on various legal and religious topics.","This series includes the personal correspondence of Jessie Castleman Siler, wife of J. Hammond Siler, Sr. Also included is material regarding the Red Cross.","This series includes the personal correspondence of A.C. Hammond. Also included are material regarding Hammond's finances and assorted legal papers.","This series includes the personal correspondence and financial papers of Ann R. Castleman. Also includes the correspondence of other members of the Castleman family and genealogical material for the Hammond, Castleman, and Siler families.","This series includes assorted photographs of the Siler family.","This series includes ledgers for the Hammond \u0026 Siler and John T. Siler \u0026 Son businesses, assorted account books, and family bibles.","This series consists of assorted oversize material, including blueprints, children's books, and sheet music."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_172a403f6611d4a5931c460b0b7692df\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. 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Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses"],"corpname_ssim":["West Virginia and Regional History Center","American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. 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Smyth, Jr. Papers,","Series I: Correspondence","Correspondence P-Z"],"parent_unittitles_tesim":["Ellison A. Smyth, Jr. Papers,","Series I: Correspondence","Correspondence P-Z"],"text":["Ellison A. Smyth, Jr. Papers,","Series I: Correspondence","Correspondence P-Z","W (Miscellaneous)","box 2","folder 62"],"title_filing_ssi":"W (Miscellaneous)","title_ssm":["W (Miscellaneous)"],"title_tesim":["W (Miscellaneous)"],"unitdate_inclusive_ssm":["1889-1923, n.d."],"normalized_date_ssm":["1889/1923"],"normalized_title_ssm":["W (Miscellaneous)"],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Ellison A. Smyth, Jr. Papers,"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":153,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. 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Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923],"containers_ssim":["box 2","folder 62"],"_nest_path_":"/components#0/components#1/components#64","timestamp":"2026-05-21T02:40:13.736Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1355","ead_ssi":"viblbv_repositories_2_resources_1355","_root_":"viblbv_repositories_2_resources_1355","_nest_parent_":"viblbv_repositories_2_resources_1355","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1355.xml","title_filing_ssi":"Smyth, Ellison A., Jr. Papers","title_ssm":["Ellison A. Smyth, Jr. Papers,"],"title_tesim":["Ellison A. Smyth, Jr. Papers,"],"unitdate_ssm":["1859-1927"],"unitdate_inclusive_ssm":["1859-1927"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1981.098"],"text":["Ms.1981.098","Ellison A. Smyth, Jr. Papers,","Faculty and staff","Local/Regional History and Appalachian South","Montgomery County (Va.)","Science and Technology","University History","Collection is open for research.","Some of this collection has been digitized and is available online.","The collection is arranged in seven series, organized by material type. ","Series I: Correspondence, includes personal and professional correspondence to and from Smyth. Loose letters are arranged alphabetically by correspondent. Correspondence in letterbooks is in its original order. ","Series II: Elliot Society Ephemera includes information on the natural history organization, as well as publications from it. ","Series III: Publications and Research Notes contains copies of publications by Smyth and notes from his research in and around Montgomery County, Virginia. ","Series IV: Newspaper Clippings consists of a single scrapbook created by Smyth. ","Series V: Field Journals includes Smyth field research on a variety of biology and botany topics. ","Series VI: Teaching Materials consists of handwritten notes by Smyth during his tenure at Virginia Agriculture and Mechanical College. The majority of the notes relate to biology, botany, and evolution lectures, although there are also exam questions. ","Series VII: Photographic Negatives contains three collections of negatives--a set of images from Bedford County, Virginia; a set of images from Bermuda, taken in 1904; and a set of images taken in Jamaica in 1906. ","The son of a prominent cotton merchant and mayor, Ellison Adger Smyth, Jr. was born in Summerton, South Carolina on October 26, 1863 and died in Salem, Virginia on August 19, 1941. Smyth received a Master's degree from Princeton in 1887 and an honorary degree of LL.D in 1906 from the University of Alabama. He studied law at Columbia University in 1885, practicing in Charleston, South Carolina until accepting the position of Adjunct-Professor of Biology at the University of South Carolina in 1889. ","In 1891, Smyth moved to Blacksburg, Virginia in order to found the Biology Department at VPI with John McLaren McBryde. At VPI, Smyth was a Professor of Biology from 1891 until 1925, the first dean of the faculty from 1903-1906, the dean of the Department of Applied Science from 1916-1920, and faculty advisor to students in biology and pre-medical from 1920-1925. Ellison Adger Smyth, Jr. married Grace Allan in 1896, with whom he had five children. ","Ellison Adger Smyth, Jr. is not to be confused with his son, also named Ellison Adger Smyth, Jr., who was born in 1903 and died in 1998.","External sources: ","https://web.archive.org/web/20130225032425/http://herbarium.unc.edu/Collectors/Smyth_Ellison_A_Jr.htm\nhttps://timesmachine.nytimes.com/timesmachine/1941/08/20/87659472.html?pageNumber=19","The guide to the Ellison A. Smyth, Jr. Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Contains pressed flowers, which are fragile and should be handled with care.","The processing, arrangement, and description of the Ellison A. Smyth, Jr. Papers was completed in April 2013.","The Ellison A. Smyth, Jr. collection contains papers including correspondence with professional and amateur scientists, collectors, dealers and suppliers around the world, including H.H. Bailey, Carl Braun, Jonathan Dwight, E.K. Harvey, and James R. Randolph. The collection also includes correspondence with the U.S. Department of Agriculture, the American Entomological Society, Boston Society of Natural History, Linnean Society of New York, and the University of Notre Dame Botany Department; reprints of articles written by Smyth; literature on topics in biology and science; and his notes, written in 1912, on birds in Montgomery County, Virginia. Additionally, the collection contains a series of field journals and film negatives from Smyth's trips abroad. Other items in the collection include lecture notes (biology, botany, and evolution) and exam questions from the 1900s-1920s. ","Please note: This collection does include Ellison A. Smyth, Jr.'s glass plate negatives. The glass plate negatives are boxes and included in the description. We have a working spreadsheet inventory that is linked to the finding aid. ","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Ellison A. Smyth, Jr. collection contains papers including his correspondence with professional and amateur scientists, collectors, dealers and suppliers around the world concerning entomology and zoology, his publications, and field journals from his entomological work.","Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College (1872-1896)","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Smyth, Ellison A. (Ellison Adger), 1863-1941","The materials in the collection are in English."],"unitid_tesim":["Ms.1981.098"],"normalized_title_ssm":["Ellison A. Smyth, Jr. Papers,"],"collection_title_tesim":["Ellison A. Smyth, Jr. Papers,"],"collection_ssim":["Ellison A. Smyth, Jr. Papers,"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Smyth, Ellison A. (Ellison Adger), 1863-1941"],"creator_ssim":["Smyth, Ellison A. (Ellison Adger), 1863-1941"],"creator_persname_ssim":["Smyth, Ellison A. (Ellison Adger), 1863-1941"],"creators_ssim":["Smyth, Ellison A. (Ellison Adger), 1863-1941"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Virginia Tech in multiple accessions from 1981 to 2011."],"access_subjects_ssim":["Faculty and staff","Local/Regional History and Appalachian South","Montgomery County (Va.)","Science and Technology","University History"],"access_subjects_ssm":["Faculty and staff","Local/Regional History and Appalachian South","Montgomery County (Va.)","Science and Technology","University History"],"has_online_content_ssim":["false"],"extent_ssm":["7.8 Cubic Feet 15 boxes"],"extent_tesim":["7.8 Cubic Feet 15 boxes"],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/376\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in seven series, organized by material type. \u003c/p\u003e\n","\u003cp\u003eSeries I: Correspondence, includes personal and professional correspondence to and from Smyth. Loose letters are arranged alphabetically by correspondent. Correspondence in letterbooks is in its original order. \u003c/p\u003e\n","\u003cp\u003eSeries II: Elliot Society Ephemera includes information on the natural history organization, as well as publications from it. \u003c/p\u003e\n","\u003cp\u003eSeries III: Publications and Research Notes contains copies of publications by Smyth and notes from his research in and around Montgomery County, Virginia. \u003c/p\u003e\n","\u003cp\u003eSeries IV: Newspaper Clippings consists of a single scrapbook created by Smyth. \u003c/p\u003e\n","\u003cp\u003eSeries V: Field Journals includes Smyth field research on a variety of biology and botany topics. \u003c/p\u003e\n","\u003cp\u003eSeries VI: Teaching Materials consists of handwritten notes by Smyth during his tenure at Virginia Agriculture and Mechanical College. The majority of the notes relate to biology, botany, and evolution lectures, although there are also exam questions. \u003c/p\u003e\n","\u003cp\u003eSeries VII: Photographic Negatives contains three collections of negatives--a set of images from Bedford County, Virginia; a set of images from Bermuda, taken in 1904; and a set of images taken in Jamaica in 1906. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in seven series, organized by material type. ","Series I: Correspondence, includes personal and professional correspondence to and from Smyth. Loose letters are arranged alphabetically by correspondent. Correspondence in letterbooks is in its original order. ","Series II: Elliot Society Ephemera includes information on the natural history organization, as well as publications from it. ","Series III: Publications and Research Notes contains copies of publications by Smyth and notes from his research in and around Montgomery County, Virginia. ","Series IV: Newspaper Clippings consists of a single scrapbook created by Smyth. ","Series V: Field Journals includes Smyth field research on a variety of biology and botany topics. ","Series VI: Teaching Materials consists of handwritten notes by Smyth during his tenure at Virginia Agriculture and Mechanical College. The majority of the notes relate to biology, botany, and evolution lectures, although there are also exam questions. ","Series VII: Photographic Negatives contains three collections of negatives--a set of images from Bedford County, Virginia; a set of images from Bermuda, taken in 1904; and a set of images taken in Jamaica in 1906. "],"bioghist_html_tesm":["\u003cp\u003eThe son of a prominent cotton merchant and mayor, Ellison Adger Smyth, Jr. was born in Summerton, South Carolina on October 26, 1863 and died in Salem, Virginia on August 19, 1941. Smyth received a Master's degree from Princeton in 1887 and an honorary degree of LL.D in 1906 from the University of Alabama. He studied law at Columbia University in 1885, practicing in Charleston, South Carolina until accepting the position of Adjunct-Professor of Biology at the University of South Carolina in 1889. \u003c/p\u003e\n","\u003cp\u003eIn 1891, Smyth moved to Blacksburg, Virginia in order to found the Biology Department at VPI with John McLaren McBryde. At VPI, Smyth was a Professor of Biology from 1891 until 1925, the first dean of the faculty from 1903-1906, the dean of the Department of Applied Science from 1916-1920, and faculty advisor to students in biology and pre-medical from 1920-1925. Ellison Adger Smyth, Jr. married Grace Allan in 1896, with whom he had five children. \u003c/p\u003e\n","\u003cp\u003eEllison Adger Smyth, Jr. is not to be confused with his son, also named Ellison Adger Smyth, Jr., who was born in 1903 and died in 1998.\u003c/p\u003e\n","\u003cp\u003eExternal sources: \u003c/p\u003e\n","\u003cp\u003ehttps://web.archive.org/web/20130225032425/http://herbarium.unc.edu/Collectors/Smyth_Ellison_A_Jr.htm\nhttps://timesmachine.nytimes.com/timesmachine/1941/08/20/87659472.html?pageNumber=19\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["The son of a prominent cotton merchant and mayor, Ellison Adger Smyth, Jr. was born in Summerton, South Carolina on October 26, 1863 and died in Salem, Virginia on August 19, 1941. Smyth received a Master's degree from Princeton in 1887 and an honorary degree of LL.D in 1906 from the University of Alabama. He studied law at Columbia University in 1885, practicing in Charleston, South Carolina until accepting the position of Adjunct-Professor of Biology at the University of South Carolina in 1889. ","In 1891, Smyth moved to Blacksburg, Virginia in order to found the Biology Department at VPI with John McLaren McBryde. At VPI, Smyth was a Professor of Biology from 1891 until 1925, the first dean of the faculty from 1903-1906, the dean of the Department of Applied Science from 1916-1920, and faculty advisor to students in biology and pre-medical from 1920-1925. Ellison Adger Smyth, Jr. married Grace Allan in 1896, with whom he had five children. ","Ellison Adger Smyth, Jr. is not to be confused with his son, also named Ellison Adger Smyth, Jr., who was born in 1903 and died in 1998.","External sources: ","https://web.archive.org/web/20130225032425/http://herbarium.unc.edu/Collectors/Smyth_Ellison_A_Jr.htm\nhttps://timesmachine.nytimes.com/timesmachine/1941/08/20/87659472.html?pageNumber=19"],"odd_html_tesm":["\u003cp\u003eThe guide to the Ellison A. Smyth, Jr. Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e","\u003cp\u003eContains pressed flowers, which are fragile and should be handled with care.\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description","General"],"odd_tesim":["The guide to the Ellison A. Smyth, Jr. Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Contains pressed flowers, which are fragile and should be handled with care."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Ellison A. Smyth, Jr. Papers, Ms1981-098, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Ellison A. Smyth, Jr. Papers, Ms1981-098, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Ellison A. Smyth, Jr. Papers was completed in April 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Ellison A. Smyth, Jr. Papers was completed in April 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Ellison A. Smyth, Jr. collection contains papers including correspondence with professional and amateur scientists, collectors, dealers and suppliers around the world, including H.H. Bailey, Carl Braun, Jonathan Dwight, E.K. Harvey, and James R. Randolph. The collection also includes correspondence with the U.S. Department of Agriculture, the American Entomological Society, Boston Society of Natural History, Linnean Society of New York, and the University of Notre Dame Botany Department; reprints of articles written by Smyth; literature on topics in biology and science; and his notes, written in 1912, on birds in Montgomery County, Virginia. Additionally, the collection contains a series of field journals and film negatives from Smyth's trips abroad. Other items in the collection include lecture notes (biology, botany, and evolution) and exam questions from the 1900s-1920s. \u003c/p\u003e\n","\u003cp\u003ePlease note: This collection does include Ellison A. Smyth, Jr.'s glass plate negatives. The glass plate negatives are boxes and included in the description. We have a working spreadsheet inventory that is linked to the finding aid. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ellison A. Smyth, Jr. collection contains papers including correspondence with professional and amateur scientists, collectors, dealers and suppliers around the world, including H.H. Bailey, Carl Braun, Jonathan Dwight, E.K. Harvey, and James R. Randolph. The collection also includes correspondence with the U.S. Department of Agriculture, the American Entomological Society, Boston Society of Natural History, Linnean Society of New York, and the University of Notre Dame Botany Department; reprints of articles written by Smyth; literature on topics in biology and science; and his notes, written in 1912, on birds in Montgomery County, Virginia. Additionally, the collection contains a series of field journals and film negatives from Smyth's trips abroad. Other items in the collection include lecture notes (biology, botany, and evolution) and exam questions from the 1900s-1920s. ","Please note: This collection does include Ellison A. Smyth, Jr.'s glass plate negatives. The glass plate negatives are boxes and included in the description. We have a working spreadsheet inventory that is linked to the finding aid. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c06e44ca2080cd48aa609a8b0bfa592d\" label=\"Abstract\"\u003eThe Ellison A. Smyth, Jr. collection contains papers including his correspondence with professional and amateur scientists, collectors, dealers and suppliers around the world concerning entomology and zoology, his publications, and field journals from his entomological work.\u003c/abstract\u003e"],"abstract_tesim":["The Ellison A. Smyth, Jr. collection contains papers including his correspondence with professional and amateur scientists, collectors, dealers and suppliers around the world concerning entomology and zoology, his publications, and field journals from his entomological work."],"names_coll_ssim":["Virginia Agricultural and Mechanical College (1872-1896)","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Smyth, Ellison A. (Ellison Adger), 1863-1941"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College (1872-1896)","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Smyth, Ellison A. (Ellison Adger), 1863-1941"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College (1872-1896)","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"persname_ssim":["Smyth, Ellison A. (Ellison Adger), 1863-1941"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":200,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:40:13.736Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1355_c01_c02_c65"}},{"id":"wvmturhc_repositories_2_resources_1578_c02_c116","type":"File","attributes":{"title":"Women's Centenary Show - Cast and Scripts","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1578_c02_c116#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1578_c02_c116","ref_ssm":["wvmturhc_repositories_2_resources_1578_c02_c116"],"id":"wvmturhc_repositories_2_resources_1578_c02_c116","ead_ssi":"wvmturhc_repositories_2_resources_1578","_root_":"wvmturhc_repositories_2_resources_1578","_nest_parent_":"wvmturhc_repositories_2_resources_1578_c02","parent_ssi":"wvmturhc_repositories_2_resources_1578_c02","parent_ssim":["wvmturhc_repositories_2_resources_1578","wvmturhc_repositories_2_resources_1578_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1578","wvmturhc_repositories_2_resources_1578_c02"],"parent_unittitles_ssm":["West Virginia University, Women's Studies Center, Women's Centenary, Records","Series 2. 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Planning","Women's Centenary Show - Cast and Scripts","Box 9","Folder 16","Oversize material moved to A\u0026M 3376, Box 12, Folder 23"],"title_filing_ssi":"Women's Centenary Show - Cast and Scripts","title_ssm":["Women's Centenary Show - Cast and Scripts"],"title_tesim":["Women's Centenary Show - Cast and Scripts"],"unitdate_inclusive_ssm":["1858-1989 and undated"],"normalized_date_ssm":["1858/1989"],"normalized_title_ssm":["Women's Centenary Show - Cast and Scripts"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["West Virginia University, Women's Studies Center, Women's Centenary, Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":634,"parent_access_restrict_tesm":["Materials in box 21 are restricted due to the presence of student works and resumes. Materials in box 21 may be accessed 75 years after the latest date of creation, starting in 2061.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"containers_ssim":["Box 9","Folder 16"],"separatedmaterial_html_tesm":["\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 23\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Oversize material moved to A\u0026M 3376, Box 12, Folder 23"],"_nest_path_":"/components#1/components#115","timestamp":"2026-06-04T15:06:42.135Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1578","ead_ssi":"wvmturhc_repositories_2_resources_1578","_root_":"wvmturhc_repositories_2_resources_1578","_nest_parent_":"wvmturhc_repositories_2_resources_1578","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1578.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195854","title_ssm":["West Virginia University, Women's Studies Center, Women's Centenary, Records"],"title_tesim":["West Virginia University, Women's Studies Center, Women's Centenary, Records"],"unitdate_ssm":["1849-2000 and undated","1890-1992"],"unitdate_bulk_ssim":["1890-1992"],"unitdate_inclusive_ssm":["1849-2000 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3376","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1578"],"text":["A\u0026M 3376","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1578","West Virginia University, Women's Studies Center, Women's Centenary, Records","West Virginia Feminist Activist and Women's History Collection","West Virginia University  --  Women's Centenary (1891-1991)","Women --  Education","Women in higher education","Adult education of women","Special events - West Virginia University.","Materials in box 21 are restricted due to the presence of student works and resumes. Materials in box 21 may be accessed 75 years after the latest date of creation, starting in 2061.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. ","The Center for Women's and Gender Studies (CWGS) is an academic unit within West Virginia University's Eberly College of Arts and Sciences that offers a central location for discourse relative to the field of women's and gender studies. CWGS finds its origins in an informal Caucus for Women's Concerns formed in 1972 within West Viginia University (WVU) to \"achieve equitable treatment of women.\" In 1977, the Caucus submitted recommendations to then-WVU President Gene Budig regarding the establishment of a women's studies program and an advisory council on women's concerns. In response to these recommendations, the Caucus was officially accepted by the university as the Council for Women's Concerns (CWC), which included a Women's Studies Subcommittee formed to research and help facilitate a formal women's studies program.","The first proposal for a women's studies program was submitted to the CWC by Renata Pore in 1978, upon which a search committee headed by Dr. Enid Portnoy of the English Department was established. In 1980, the Women's Studies Program (WSP) was officially established as an interdisciplinary program in the College of Arts and Sciences. Judith Stitzel, a founding member of the CWC, was selected to serve as the first part-time coordinator of the WSP.","Under Stitzel's direction, the WSP developed an undergraduate Certificate Program in Women's Studies to be first offered in 1984. Simultaneously, the Center for Women's Studies (CWS) was established in the Office of the Vice President for Academic Affairs and Research to provide a collective space for students to gather. Judith Stitzel was made the founding director of the center, a position she would hold until 1992, making her the longest consecutive director of the center. The CWS would become affiliated with the Eberly College of Arts and Sciences in 1993.","The first undergraduate Certificates in Women's Studies at WVU were awarded to six students in 1986, the same year the first Master of Arts in Liberal Studies (MALS) graduated in Women's Studies. The Carrie Koeteurius Scholarship, which is still offered as of 2024, was first awarded to Deborah Gregory Eck and Lilo Ast in 1987.","One of the early major projects of the CWC, the Women's Centenary, \"Excellence Through Equity\" began planning in 1987 with Dr. Lillian Waugh being chosen as the research coordinator. After several years of planning and research, the Women's Centenary commenced in September 1989 on the 100-year anniversary of the first group of women to be admitted to WVU as degree candidates. Events were held over a two-year period, including lecture series, galas, building rededications, historical tours, exhibits, time capsule creations, and county-wide engagements. The Women's Centenary culminated with a convocation in 1991 on the 100-year anniversary of the first woman to graduate from WVU, Harriet Lyon.","In 1992, Judith Stitzel stepped down as director of the CWC, and the position was taken up by Helen Bannan from 1994 to 1998. Under Barbara Howe's directorship from 1998 to 2007, a BA and undergraduate minor in women's studies was established to coexist with the Certificate in Women's Studies. The first WVU women's studies major, Jamie Lynn Baxter, graduated in December 2003.","Janice Spleth served as interim director between 2008 and 2009, before Ann Oberhauser took directorship in 2009. Under her leadership in 2012, the CWC was renamed the Center for Women's and Gender Studies to incorporate a larger scale of classes and topics. After Oberhauser stepped down in 2013, Jennifer Orlikoff took directorship until 2016. Between 2016 and 2019, Cari Carpenter and Kasi Jackson served as interim directors, during which the LGBTQ+ Center was opened. In 2019, Sharon Bird became director, a position she still holds as of October 2024. In 2021, the Center for Women's and Gender Studies moved into its home in the Hodges Hall, Suite 505.","This collection contains materials collected or created by the Center for Women's Studies (CWS) while researching and preparing for the West Virginia University (WVU) Women's Centenary between 1989 and 1991. While research and planning materials are the most prevalent materials in the collection, there are also administrive and ephemeral materials. The majority of materials relate to women at WVU, particularly during the late nineteenth and early twentieth centuries. Included are bigoraphies, notes, photographs, correspondence, newspaper clippings, essays, programs, rosters, and exhibit panels.","The colleciton is divided into four series, with additional sub-series as indicated below.","Series 1: Research, 1849-2000 and undated","- Sub-Series 1: Exhibit Panels, circa 1875-1990 and undated\n- Sub-Series 2: Families and Individuals, 1870-2000 and undated\n- Sub-Series 3: West Virginia University (WVU), 1849-2000 and undated","Series 2: Planning, 1858-1996 and undated","Series 3: Administration, 1875-1997 and undated","Series 4: Ephemera, undated","An addendum of 2012 August 14 can be found in series 4 as item 1.\nAn addendum of 2019 March 28 can be found in boxes 19 and 20. ","This series contains materials collected or created by the Center for Women's Studies (CWS) while researching for the West Virginia University (WVU) Women's Centenary. It prominently contains research relating to early women who attended WVU such as Harriet Lyon-Jewett and Sallie Lowther Norris. Also included are martials created by using the completed research, such as exhibit panels and newspaper articles. Other materials include notes, correspondence, photographs, rosters, and biographies.","This sub-series contains exhibit panels created by the Center for Women's Studies (CWS) while researching for the West Virginia University (WVU) Women's Centenary.","This sub-series contains materials collected and created by the Center for Women's Studies (CWS) while researching for the West Virginia University (WVU) Women's Centenary and relating to early individuals and families affiliated with the university, primarily women.","Contains floppy disk (digitized)","VHS Tape","This sub-series contains materials collected or created by the Center for Women's Studies (CWS) during research for the West Virginia University (WVU) Women's Centenary. It primarily consists of research on general aspects of WVU during the introduction of coeducation.","This series contains materials collected and created by the Center for Women's Studies (CWS) while planning for the West Virginia University (WVU) Women's Centenary.","Contains floppy disc","Contains floppy disc","This series contains materials collected or created by the Center for Women's Studies (CWS) while facilitating operations and management during the West Virginia University (WVU) Women's Centenary.","This series contains ephemeral material created by the Center for Women's Studies (CWS) for the West Virginia University (WVU) Women's Centenary.","Oversize material moved to A\u0026M 3376, Box 16, Folder 6","Oversize material moved to A\u0026M 3376, Box 16, Folder 7","Oversize material moved to A\u0026M 3376, Box 16, Folder 8","Oversize material moved to A\u0026M 3376, Box 16, Folder 9","Oversize material moved to A\u0026M 3376, Box 12, Folder 4","Oversize material moved to A\u0026M 3376, Box 12, Folder 5","Oversize material moved to A\u0026M 3376, Box 12, Folder 6","Oversize material moved to A\u0026M 3376, Box 12, Folder 7","Oversize material moved to A\u0026M 3376, Box 12, Folder 8","Oversize material moved to A\u0026M 3376, Box 12, Folder 9","Oversize material moved to A\u0026M 3376, Box 18, Folder 1","Oversize material moved to A\u0026M 3376, Box 12, Folder 10","Oversize material moved to A\u0026M 3376, Box 12, Folder 11","Oversize material moved to A\u0026M 3376, Box 16, Folder 19","Oversize material moved to A\u0026M 3376, Box 12, Folder 19","Oversize material moved to A\u0026M 3376, Box 12, Folder 20","Removed from A\u0026M 3376, Box 4, Folder 56","Removed from A\u0026M 3376, Box 4, Folder 59","Removed from A\u0026M 3376, Box 5, Folder 1","Removed from A\u0026M 3376, Box 5, Folder 8","Removed from A\u0026M 3376, Box 5, Folder 10","Removed from A\u0026M 3376, Box 5, Folder 16","Removed from A\u0026M 3376, Box 5, Folder 28","Removed from A\u0026M 3376, Box 5, Folder 31","Removed from A\u0026M 3376, Box 7, Folder 40","Removed from A\u0026M 3376, Box 4, Folder 8","Removed from A\u0026M 3376, Box 4, Folder 28","Removed from A\u0026M 3376, Box 4, Folder 36","Removed from A\u0026M 3376, Box 4, Folder 46","Removed from A\u0026M 3376, Box 4, Folder 50","Removed from A\u0026M 3376, Box 7, Folder 15","Removed from A\u0026M 3376, Box 3, Folder 34","Oversize material moved to A\u0026M 3376, Box 16, Folder 1","Oversize material moved to A\u0026M 3376, Box 13, Folder 1","Oversize material moved to A\u0026M 3376, Box 16, Folder 2","Oversize material moved to A\u0026M 3376, Box 12, Folder 1","Oversize material moved to A\u0026M 3376, Box 18, Folder 2","Oversize material moved to A\u0026M 3376, Box 16, Folder 3","Oversize material moved to A\u0026M 3376, Box 12, Folder 2","Oversize material moved to A\u0026M 3367, Box 16, Folder 4","Oversize material moved to A\u0026M 3376, Box 16, Folder 5","Oversize material moved to A\u0026M 3376, Box 13, Folder 2","Oversize material moved to A\u0026M 3376, Box 18, Folder 3","Oversize material moved to A\u0026M 3376, Box 16, Folder 10","Oversize material moved to A\u0026M 3376, Box 13, Folder 3","Oversize material moved to A\u0026M 3376, Box 12, Folder 12","Oversize material moved to A\u0026M 3376, Box 16, Folder 11","Oversize material moved to A\u0026M 3376, Box 12, Folder 13","Oversize material moved to A\u0026M 3376, Box 16, Folder 12","Oversize material moved to A\u0026M 3376, Box 16, Folder 13","Oversize material moved to A\u0026M 3376, Box 12, Folder 17","Oversize material moved to A\u0026M 3376, Box 13, Folder 7","Oversize material moved to A\u0026M 3376, Box 12, Folder 18","Oversize material moved to A\u0026M 3376, Box 16, Folder 21","Oversize material moved to A\u0026M 3376, Box 16, Folder 26","Removed from A\u0026M 3376, Box 3, Folder 32","Removed from A\u0026M 3376, Box 4, Folder 7","Removed from A\u0026M 3376, Box 5, Folder 62","Removed from A\u0026M 3376, Box 5, Folder 66","Removed from A\u0026M 3376, Box 8, Folder 7","Removed from A\u0026M 3376, Box 8, Folder 25","Removed from A\u0026M 3376, Box 8, Folder 26","Removed from A\u0026M 3376, Box 3, Folder 23","Removed from A\u0026M 3376, Box 4, Folder 13","Removed from A\u0026M 3376, Box 5, Folder 59","Removed from A\u0026M 3376, Box 7, Folder 45","Removed from A\u0026M 3376, Box 3, Folder 18","Removed from A\u0026M 3376, Box 3, Folder 27","Removed from A\u0026M 3376, Box 4, Folder 5","Removed from A\u0026M 3376, Box 4, Folder 11","Removed from A\u0026M 3376, Box 5, Folder 36","Removed from A\u0026M 3376, Box 5, Folder 63","Removed from A\u0026M 3376, Box 6, Folder 4","Removed from A\u0026M 3376, Box 6, Folder 26","Removed from A\u0026M 3376, Box 8, Folder 10","Removed from A\u0026M 3376, Box 11, Folder 8","Removed from A\u0026M 3376, Box 3, Folder 41","Removed from A\u0026M 3376, Box 5, Folder 35","Oversize materials moved to A\u0026M 3376, Box 12, Folder 3","Oversize material moved to A\u0026M 3376, Box 18, Folder 5","Oversize material moved to A\u0026M 3376, Box 16, Folder 14","Oversize material moved to A\u0026M 3376, Box 13, Folder 4","Oversize material moved to A\u0026M 3376, Box 16, Folder 15","Oversize material moved to A\u0026M 3376, Box 12, Folder 15","Oversize material moved to A\u0026M 3376, Box 18, Folder 6","Oversize material moved to A\u0026M 3376, Box 16, Folder 16","Oversize material moved to A\u0026M 3376, Box 18, Folder 7","Oversize material moved to A\u0026M 3376, Box 16, Folder 17","Oversize material moved to A\u0026M 3376, Box 16, Folder 18","Oversize material moved to A\u0026M 3376, Box 12, Folder 16","Oversize material moved to A\u0026M 3376, Box 13, Folder 5","Oversize material moved to A\u0026M 3376, Box 13, Folder 6","Oversize material moved to A\u0026M 3376, Box 18, Folder 8","Oversize material moved to A\u0026M 3376, Box 13, Folder 8","Oversize material moved to A\u0026M 3376, Box 13, Folder 9","Oversize material moved to A\u0026M 3376, Box 16, Folder 22","Oversize material moved to A\u0026M 3376, Box 16, Folder 23","Oversize material moved to A\u0026M 3376, Box 12, Folder 21","Oversize material moved to A\u0026M 3376, Box 18, Folder 9","Oversize material moved to A\u0026M 3376, Box 16, Folder 24","Oversize material moved to A\u0026M 3376, Box 12, Folder 22","Oversize material moved to A\u0026M 3376, Box 12, Folder 23","Oversize material moved to A\u0026M 3376, Box 12, Folder 24","Oversize material moved to A\u0026M 3376, Box 12, Folder 25","Oversize material moved to A\u0026M 3376, Box 12, Folder 26","Oversize material moved to A\u0026M 3376, Box 13, Folder 10","Oversize material moved to A\u0026M 3376, Box 12, Folder 27","Oversize material moved to A\u0026M 3376, Box 18, Folder 10","Oversize material moved to A\u0026M 3376, Box 16, Folder 25","Oversize material moved to A\u0026M 3376, Box 18, Folder 11","Removed from A\u0026M 3376, Box 4, Folder 17","Removed from A\u0026M 3376, Box 6, Folder 46","Removed from A\u0026M 3376, Box 7, Folder 31","Removed from A\u0026M 3376, Box 8, Folder 33","Removed from A\u0026M 3367, Box 8, Folder 42","Removed from A\u0026M 3376, Box 9, Folder 16","Removed from A\u0026M 3376, Box 9, Folder 34","Removed from A\u0026M 3376, Box 9, Folder 35","Removed from A\u0026M 3376, Box 9, Folder 36","Removed from A\u0026M 3376, Box 10, Folder 2","Removed from A\u0026M 3376, Box 6, Folder 38","Removed from A\u0026M 3376, Box 7, Folder 33","Removed from A\u0026M 3376, Box 7, Folder 37","Removed from A\u0026M 3376, Box 7, Folder 63","Removed from A\u0026M 3376, Box 7, Folder 71","Removed from A\u0026M 3376, Box 10, Folder 1","Removed from A\u0026M 3376, Box 6, Folder 36","Removed from A\u0026M 3376, Box 6, Folder 45","Removed from A\u0026M 3376, Box 6, Folder 49","Removed from A\u0026M 3376, Box 7, Folder 2","Removed from A\u0026M 3376, Box 7, Folder 3","Removed from A\u0026M 3376, Box 8, Folder 14","Removed from A\u0026M 3376, Box 8, Folder 28","Removed from A\u0026M 3376, Box 8, Folder 41","Removed from A\u0026M 3376, Box 10, Folder 8","Removed from A\u0026M 3376, Box 6, Folder 34","Removed from A\u0026M 3376, Box 6, Folder 47","Removed from A\u0026M 3376, Box 7, Folder 1","Removed from A\u0026M 3376, Box 7, Folder 61","Removed from A\u0026M 3376, Box 8, Folder 40","Removed from A\u0026M 3376, Box 10, Folder 3","Removed from A\u0026M 3376, Box 10, Folder 9","Oversize material moved to A\u0026M 3376, Box 12, Folder 14","Oversize material moved to A\u0026M 3376, Box 18, Folder 4","Oversize material moved to A\u0026M 3376, Box 16, Folder 20","Removed from A\u0026M 3376, Box 6, Folder 29","Removed from A\u0026M 3376, Box 7, Folder 53","Removed from A\u0026M 3376, Box 6, Folder 32","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","This collection contains materials collected or created by the WVU Center for Women's Studies (CWS) in preparation for the Women's Centenary between 1989 and 1991. It mostly consists of research on early women students at WVU as well as planning materials for events to commemorate the Women's Centenary.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Howe, Barbara J.","English \n.    "],"unitid_tesim":["A\u0026M 3376","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1578"],"normalized_title_ssm":["West Virginia University, Women's Studies Center, Women's Centenary, Records"],"collection_title_tesim":["West Virginia University, Women's Studies Center, Women's Centenary, Records"],"collection_ssim":["West Virginia University, Women's Studies Center, Women's Centenary, Records"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"creator_ssim":["West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"creator_persname_ssim":["Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"creator_corpname_ssim":["West Virginia University. Center for Women's Studies"],"creators_ssim":["Waugh, Lillian J., 1941-2018","Howe, Barbara J.","West Virginia University. Center for Women's Studies"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Transfer from WVU, Women's Studies Center, Waugh, Lillian, 2001 February 16","Gift from Waugh, Lillian J., 2012 August 14","Gift from Howe, Barbara J., 2019 March 28"],"access_subjects_ssim":["West Virginia Feminist Activist and Women's History Collection","West Virginia University  --  Women's Centenary (1891-1991)","Women --  Education","Women in higher education","Adult education of women","Special events - West Virginia University."],"access_subjects_ssm":["West Virginia Feminist Activist and Women's History Collection","West Virginia University  --  Women's Centenary (1891-1991)","Women --  Education","Women in higher education","Adult education of women","Special events - West Virginia University."],"has_online_content_ssim":["false"],"extent_ssm":["16.33 Linear Feet 11 record cartons, 15 in. each; 1 document case, 5 in.; 1 document case, 2.5 in.; 3 flat storage boxes, 4 in. each; 2 flat storage boxes, 3 in. each; 3 flat storage boxes, 1.5 in. each; 1 framed portrait, 1 in.","0.004 Gigabytes 110 files, formats include .wsp, .rtf, .dig, and .noc"],"extent_tesim":["16.33 Linear Feet 11 record cartons, 15 in. each; 1 document case, 5 in.; 1 document case, 2.5 in.; 3 flat storage boxes, 4 in. each; 2 flat storage boxes, 3 in. each; 3 flat storage boxes, 1.5 in. each; 1 framed portrait, 1 in.","0.004 Gigabytes 110 files, formats include .wsp, .rtf, .dig, and .noc"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eMaterials in box 21 are restricted due to the presence of student works and resumes. Materials in box 21 may be accessed 75 years after the latest date of creation, starting in 2061.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Materials in box 21 are restricted due to the presence of student works and resumes. Materials in box 21 may be accessed 75 years after the latest date of creation, starting in 2061.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"bioghist_html_tesm":["\u003cp\u003eThe Center for Women's and Gender Studies (CWGS) is an academic unit within West Virginia University's Eberly College of Arts and Sciences that offers a central location for discourse relative to the field of women's and gender studies. CWGS finds its origins in an informal Caucus for Women's Concerns formed in 1972 within West Viginia University (WVU) to \"achieve equitable treatment of women.\" In 1977, the Caucus submitted recommendations to then-WVU President Gene Budig regarding the establishment of a women's studies program and an advisory council on women's concerns. In response to these recommendations, the Caucus was officially accepted by the university as the Council for Women's Concerns (CWC), which included a Women's Studies Subcommittee formed to research and help facilitate a formal women's studies program.\u003c/p\u003e\n","\u003cp\u003eThe first proposal for a women's studies program was submitted to the CWC by Renata Pore in 1978, upon which a search committee headed by Dr. Enid Portnoy of the English Department was established. In 1980, the Women's Studies Program (WSP) was officially established as an interdisciplinary program in the College of Arts and Sciences. Judith Stitzel, a founding member of the CWC, was selected to serve as the first part-time coordinator of the WSP.\u003c/p\u003e\n","\u003cp\u003eUnder Stitzel's direction, the WSP developed an undergraduate Certificate Program in Women's Studies to be first offered in 1984. Simultaneously, the Center for Women's Studies (CWS) was established in the Office of the Vice President for Academic Affairs and Research to provide a collective space for students to gather. Judith Stitzel was made the founding director of the center, a position she would hold until 1992, making her the longest consecutive director of the center. The CWS would become affiliated with the Eberly College of Arts and Sciences in 1993.\u003c/p\u003e\n","\u003cp\u003eThe first undergraduate Certificates in Women's Studies at WVU were awarded to six students in 1986, the same year the first Master of Arts in Liberal Studies (MALS) graduated in Women's Studies. The Carrie Koeteurius Scholarship, which is still offered as of 2024, was first awarded to Deborah Gregory Eck and Lilo Ast in 1987.\u003c/p\u003e\n","\u003cp\u003eOne of the early major projects of the CWC, the Women's Centenary, \"Excellence Through Equity\" began planning in 1987 with Dr. Lillian Waugh being chosen as the research coordinator. After several years of planning and research, the Women's Centenary commenced in September 1989 on the 100-year anniversary of the first group of women to be admitted to WVU as degree candidates. Events were held over a two-year period, including lecture series, galas, building rededications, historical tours, exhibits, time capsule creations, and county-wide engagements. The Women's Centenary culminated with a convocation in 1991 on the 100-year anniversary of the first woman to graduate from WVU, Harriet Lyon.\u003c/p\u003e\n","\u003cp\u003eIn 1992, Judith Stitzel stepped down as director of the CWC, and the position was taken up by Helen Bannan from 1994 to 1998. Under Barbara Howe's directorship from 1998 to 2007, a BA and undergraduate minor in women's studies was established to coexist with the Certificate in Women's Studies. The first WVU women's studies major, Jamie Lynn Baxter, graduated in December 2003.\u003c/p\u003e\n","\u003cp\u003eJanice Spleth served as interim director between 2008 and 2009, before Ann Oberhauser took directorship in 2009. Under her leadership in 2012, the CWC was renamed the Center for Women's and Gender Studies to incorporate a larger scale of classes and topics. After Oberhauser stepped down in 2013, Jennifer Orlikoff took directorship until 2016. Between 2016 and 2019, Cari Carpenter and Kasi Jackson served as interim directors, during which the LGBTQ+ Center was opened. In 2019, Sharon Bird became director, a position she still holds as of October 2024. In 2021, the Center for Women's and Gender Studies moved into its home in the Hodges Hall, Suite 505.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Center for Women's and Gender Studies (CWGS) is an academic unit within West Virginia University's Eberly College of Arts and Sciences that offers a central location for discourse relative to the field of women's and gender studies. CWGS finds its origins in an informal Caucus for Women's Concerns formed in 1972 within West Viginia University (WVU) to \"achieve equitable treatment of women.\" In 1977, the Caucus submitted recommendations to then-WVU President Gene Budig regarding the establishment of a women's studies program and an advisory council on women's concerns. In response to these recommendations, the Caucus was officially accepted by the university as the Council for Women's Concerns (CWC), which included a Women's Studies Subcommittee formed to research and help facilitate a formal women's studies program.","The first proposal for a women's studies program was submitted to the CWC by Renata Pore in 1978, upon which a search committee headed by Dr. Enid Portnoy of the English Department was established. In 1980, the Women's Studies Program (WSP) was officially established as an interdisciplinary program in the College of Arts and Sciences. Judith Stitzel, a founding member of the CWC, was selected to serve as the first part-time coordinator of the WSP.","Under Stitzel's direction, the WSP developed an undergraduate Certificate Program in Women's Studies to be first offered in 1984. Simultaneously, the Center for Women's Studies (CWS) was established in the Office of the Vice President for Academic Affairs and Research to provide a collective space for students to gather. Judith Stitzel was made the founding director of the center, a position she would hold until 1992, making her the longest consecutive director of the center. The CWS would become affiliated with the Eberly College of Arts and Sciences in 1993.","The first undergraduate Certificates in Women's Studies at WVU were awarded to six students in 1986, the same year the first Master of Arts in Liberal Studies (MALS) graduated in Women's Studies. The Carrie Koeteurius Scholarship, which is still offered as of 2024, was first awarded to Deborah Gregory Eck and Lilo Ast in 1987.","One of the early major projects of the CWC, the Women's Centenary, \"Excellence Through Equity\" began planning in 1987 with Dr. Lillian Waugh being chosen as the research coordinator. After several years of planning and research, the Women's Centenary commenced in September 1989 on the 100-year anniversary of the first group of women to be admitted to WVU as degree candidates. Events were held over a two-year period, including lecture series, galas, building rededications, historical tours, exhibits, time capsule creations, and county-wide engagements. The Women's Centenary culminated with a convocation in 1991 on the 100-year anniversary of the first woman to graduate from WVU, Harriet Lyon.","In 1992, Judith Stitzel stepped down as director of the CWC, and the position was taken up by Helen Bannan from 1994 to 1998. Under Barbara Howe's directorship from 1998 to 2007, a BA and undergraduate minor in women's studies was established to coexist with the Certificate in Women's Studies. The first WVU women's studies major, Jamie Lynn Baxter, graduated in December 2003.","Janice Spleth served as interim director between 2008 and 2009, before Ann Oberhauser took directorship in 2009. Under her leadership in 2012, the CWC was renamed the Center for Women's and Gender Studies to incorporate a larger scale of classes and topics. After Oberhauser stepped down in 2013, Jennifer Orlikoff took directorship until 2016. Between 2016 and 2019, Cari Carpenter and Kasi Jackson served as interim directors, during which the LGBTQ+ Center was opened. In 2019, Sharon Bird became director, a position she still holds as of October 2024. In 2021, the Center for Women's and Gender Studies moved into its home in the Hodges Hall, Suite 505."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], West Virginia University, Women's Studies Center, Women's Centenary, Records, A\u0026amp;M 3376, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], West Virginia University, Women's Studies Center, Women's Centenary, Records, A\u0026M 3376, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials collected or created by the Center for Women's Studies (CWS) while researching and preparing for the West Virginia University (WVU) Women's Centenary between 1989 and 1991. While research and planning materials are the most prevalent materials in the collection, there are also administrive and ephemeral materials. The majority of materials relate to women at WVU, particularly during the late nineteenth and early twentieth centuries. Included are bigoraphies, notes, photographs, correspondence, newspaper clippings, essays, programs, rosters, and exhibit panels.\u003c/p\u003e\n","\u003cp\u003eThe colleciton is divided into four series, with additional sub-series as indicated below.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Research, 1849-2000 and undated\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 1: Exhibit Panels, circa 1875-1990 and undated\n- Sub-Series 2: Families and Individuals, 1870-2000 and undated\n- Sub-Series 3: West Virginia University (WVU), 1849-2000 and undated\u003c/p\u003e\n","\u003cp\u003eSeries 2: Planning, 1858-1996 and undated\u003c/p\u003e\n","\u003cp\u003eSeries 3: Administration, 1875-1997 and undated\u003c/p\u003e\n","\u003cp\u003eSeries 4: Ephemera, undated\u003c/p\u003e\n","\u003cp\u003eAn addendum of 2012 August 14 can be found in series 4 as item 1.\nAn addendum of 2019 March 28 can be found in boxes 19 and 20. \u003c/p\u003e","\u003cp\u003eThis series contains materials collected or created by the Center for Women's Studies (CWS) while researching for the West Virginia University (WVU) Women's Centenary. It prominently contains research relating to early women who attended WVU such as Harriet Lyon-Jewett and Sallie Lowther Norris. Also included are martials created by using the completed research, such as exhibit panels and newspaper articles. Other materials include notes, correspondence, photographs, rosters, and biographies.\u003c/p\u003e","\u003cp\u003eThis sub-series contains exhibit panels created by the Center for Women's Studies (CWS) while researching for the West Virginia University (WVU) Women's Centenary.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected and created by the Center for Women's Studies (CWS) while researching for the West Virginia University (WVU) Women's Centenary and relating to early individuals and families affiliated with the university, primarily women.\u003c/p\u003e","\u003cp\u003eContains floppy disk (digitized)\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected or created by the Center for Women's Studies (CWS) during research for the West Virginia University (WVU) Women's Centenary. It primarily consists of research on general aspects of WVU during the introduction of coeducation.\u003c/p\u003e","\u003cp\u003eThis series contains materials collected and created by the Center for Women's Studies (CWS) while planning for the West Virginia University (WVU) Women's Centenary.\u003c/p\u003e","\u003cp\u003eContains floppy disc\u003c/p\u003e","\u003cp\u003eContains floppy disc\u003c/p\u003e","\u003cp\u003eThis series contains materials collected or created by the Center for Women's Studies (CWS) while facilitating operations and management during the West Virginia University (WVU) Women's Centenary.\u003c/p\u003e","\u003cp\u003eThis series contains ephemeral material created by the Center for Women's Studies (CWS) for the West Virginia University (WVU) Women's Centenary.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains materials collected or created by the Center for Women's Studies (CWS) while researching and preparing for the West Virginia University (WVU) Women's Centenary between 1989 and 1991. While research and planning materials are the most prevalent materials in the collection, there are also administrive and ephemeral materials. The majority of materials relate to women at WVU, particularly during the late nineteenth and early twentieth centuries. Included are bigoraphies, notes, photographs, correspondence, newspaper clippings, essays, programs, rosters, and exhibit panels.","The colleciton is divided into four series, with additional sub-series as indicated below.","Series 1: Research, 1849-2000 and undated","- Sub-Series 1: Exhibit Panels, circa 1875-1990 and undated\n- Sub-Series 2: Families and Individuals, 1870-2000 and undated\n- Sub-Series 3: West Virginia University (WVU), 1849-2000 and undated","Series 2: Planning, 1858-1996 and undated","Series 3: Administration, 1875-1997 and undated","Series 4: Ephemera, undated","An addendum of 2012 August 14 can be found in series 4 as item 1.\nAn addendum of 2019 March 28 can be found in boxes 19 and 20. ","This series contains materials collected or created by the Center for Women's Studies (CWS) while researching for the West Virginia University (WVU) Women's Centenary. It prominently contains research relating to early women who attended WVU such as Harriet Lyon-Jewett and Sallie Lowther Norris. Also included are martials created by using the completed research, such as exhibit panels and newspaper articles. Other materials include notes, correspondence, photographs, rosters, and biographies.","This sub-series contains exhibit panels created by the Center for Women's Studies (CWS) while researching for the West Virginia University (WVU) Women's Centenary.","This sub-series contains materials collected and created by the Center for Women's Studies (CWS) while researching for the West Virginia University (WVU) Women's Centenary and relating to early individuals and families affiliated with the university, primarily women.","Contains floppy disk (digitized)","VHS Tape","This sub-series contains materials collected or created by the Center for Women's Studies (CWS) during research for the West Virginia University (WVU) Women's Centenary. It primarily consists of research on general aspects of WVU during the introduction of coeducation.","This series contains materials collected and created by the Center for Women's Studies (CWS) while planning for the West Virginia University (WVU) Women's Centenary.","Contains floppy disc","Contains floppy disc","This series contains materials collected or created by the Center for Women's Studies (CWS) while facilitating operations and management during the West Virginia University (WVU) Women's Centenary.","This series contains ephemeral material created by the Center for Women's Studies (CWS) for the West Virginia University (WVU) Women's Centenary."],"separatedmaterial_html_tesm":["\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 6\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 7\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 8\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 9\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 4\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 5\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 6\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 7\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 8\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 9\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 18, Folder 1\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 10\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 11\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 19\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 19\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 20\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 56\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 59\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 1\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 10\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 16\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 28\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 31\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 40\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 28\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 36\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 46\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 50\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 15\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 3, Folder 34\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 1\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 13, Folder 1\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 2\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 1\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 18, Folder 2\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 3\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 2\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3367, Box 16, Folder 4\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 5\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 13, Folder 2\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 18, Folder 3\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 10\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 13, Folder 3\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 12\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 11\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 13\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 12\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 13\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 17\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 13, Folder 7\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 18\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 21\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 26\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 3, Folder 32\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 7\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 62\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 66\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 8, Folder 7\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 8, Folder 25\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 8, Folder 26\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 3, Folder 23\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 13\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 59\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 45\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 3, Folder 18\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 3, Folder 27\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 5\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 11\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 36\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 63\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 6, Folder 4\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 6, Folder 26\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 8, Folder 10\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 11, Folder 8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 3, Folder 41\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 5, Folder 35\u003c/p\u003e","\u003cp\u003eOversize materials moved to A\u0026amp;M 3376, Box 12, Folder 3\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 18, Folder 5\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 14\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 13, Folder 4\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 15\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 15\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 18, Folder 6\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 16\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 18, Folder 7\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 17\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 18\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 16\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 13, Folder 5\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 13, Folder 6\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 18, Folder 8\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 13, Folder 8\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 13, Folder 9\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 22\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 23\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 21\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 18, Folder 9\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 24\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 22\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 23\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 24\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 25\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 26\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 13, Folder 10\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 27\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 18, Folder 10\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 25\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 18, Folder 11\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 4, Folder 17\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 6, Folder 46\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 31\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 8, Folder 33\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3367, Box 8, Folder 42\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 9, Folder 16\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 9, Folder 34\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 9, Folder 35\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 9, Folder 36\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 10, Folder 2\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 6, Folder 38\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 33\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 37\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 63\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 71\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 10, Folder 1\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 6, Folder 36\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 6, Folder 45\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 6, Folder 49\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 2\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 3\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 8, Folder 14\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 8, Folder 28\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 8, Folder 41\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 10, Folder 8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 6, Folder 34\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 6, Folder 47\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 1\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 61\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 8, Folder 40\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 10, Folder 3\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 10, Folder 9\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 12, Folder 14\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 18, Folder 4\u003c/p\u003e","\u003cp\u003eOversize material moved to A\u0026amp;M 3376, Box 16, Folder 20\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 6, Folder 29\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 7, Folder 53\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3376, Box 6, Folder 32\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Oversize material moved to A\u0026M 3376, Box 16, Folder 6","Oversize material moved to A\u0026M 3376, Box 16, Folder 7","Oversize material moved to A\u0026M 3376, Box 16, Folder 8","Oversize material moved to A\u0026M 3376, Box 16, Folder 9","Oversize material moved to A\u0026M 3376, Box 12, Folder 4","Oversize material moved to A\u0026M 3376, Box 12, Folder 5","Oversize material moved to A\u0026M 3376, Box 12, Folder 6","Oversize material moved to A\u0026M 3376, Box 12, Folder 7","Oversize material moved to A\u0026M 3376, Box 12, Folder 8","Oversize material moved to A\u0026M 3376, Box 12, Folder 9","Oversize material moved to A\u0026M 3376, Box 18, Folder 1","Oversize material moved to A\u0026M 3376, Box 12, Folder 10","Oversize material moved to A\u0026M 3376, Box 12, Folder 11","Oversize material moved to A\u0026M 3376, Box 16, Folder 19","Oversize material moved to A\u0026M 3376, Box 12, Folder 19","Oversize material moved to A\u0026M 3376, Box 12, Folder 20","Removed from A\u0026M 3376, Box 4, Folder 56","Removed from A\u0026M 3376, Box 4, Folder 59","Removed from A\u0026M 3376, Box 5, Folder 1","Removed from A\u0026M 3376, Box 5, Folder 8","Removed from A\u0026M 3376, Box 5, Folder 10","Removed from A\u0026M 3376, Box 5, Folder 16","Removed from A\u0026M 3376, Box 5, Folder 28","Removed from A\u0026M 3376, Box 5, Folder 31","Removed from A\u0026M 3376, Box 7, Folder 40","Removed from A\u0026M 3376, Box 4, Folder 8","Removed from A\u0026M 3376, Box 4, Folder 28","Removed from A\u0026M 3376, Box 4, Folder 36","Removed from A\u0026M 3376, Box 4, Folder 46","Removed from A\u0026M 3376, Box 4, Folder 50","Removed from A\u0026M 3376, Box 7, Folder 15","Removed from A\u0026M 3376, Box 3, Folder 34","Oversize material moved to A\u0026M 3376, Box 16, Folder 1","Oversize material moved to A\u0026M 3376, Box 13, Folder 1","Oversize material moved to A\u0026M 3376, Box 16, Folder 2","Oversize material moved to A\u0026M 3376, Box 12, Folder 1","Oversize material moved to A\u0026M 3376, Box 18, Folder 2","Oversize material moved to A\u0026M 3376, Box 16, Folder 3","Oversize material moved to A\u0026M 3376, Box 12, Folder 2","Oversize material moved to A\u0026M 3367, Box 16, Folder 4","Oversize material moved to A\u0026M 3376, Box 16, Folder 5","Oversize material moved to A\u0026M 3376, Box 13, Folder 2","Oversize material moved to A\u0026M 3376, Box 18, Folder 3","Oversize material moved to A\u0026M 3376, Box 16, Folder 10","Oversize material moved to A\u0026M 3376, Box 13, Folder 3","Oversize material moved to A\u0026M 3376, Box 12, Folder 12","Oversize material moved to A\u0026M 3376, Box 16, Folder 11","Oversize material moved to A\u0026M 3376, Box 12, Folder 13","Oversize material moved to A\u0026M 3376, Box 16, Folder 12","Oversize material moved to A\u0026M 3376, Box 16, Folder 13","Oversize material moved to A\u0026M 3376, Box 12, Folder 17","Oversize material moved to A\u0026M 3376, Box 13, Folder 7","Oversize material moved to A\u0026M 3376, Box 12, Folder 18","Oversize material moved to A\u0026M 3376, Box 16, Folder 21","Oversize material moved to A\u0026M 3376, Box 16, Folder 26","Removed from A\u0026M 3376, Box 3, Folder 32","Removed from A\u0026M 3376, Box 4, Folder 7","Removed from A\u0026M 3376, Box 5, Folder 62","Removed from A\u0026M 3376, Box 5, Folder 66","Removed from A\u0026M 3376, Box 8, Folder 7","Removed from A\u0026M 3376, Box 8, Folder 25","Removed from A\u0026M 3376, Box 8, Folder 26","Removed from A\u0026M 3376, Box 3, Folder 23","Removed from A\u0026M 3376, Box 4, Folder 13","Removed from A\u0026M 3376, Box 5, Folder 59","Removed from A\u0026M 3376, Box 7, Folder 45","Removed from A\u0026M 3376, Box 3, Folder 18","Removed from A\u0026M 3376, Box 3, Folder 27","Removed from A\u0026M 3376, Box 4, Folder 5","Removed from A\u0026M 3376, Box 4, Folder 11","Removed from A\u0026M 3376, Box 5, Folder 36","Removed from A\u0026M 3376, Box 5, Folder 63","Removed from A\u0026M 3376, Box 6, Folder 4","Removed from A\u0026M 3376, Box 6, Folder 26","Removed from A\u0026M 3376, Box 8, Folder 10","Removed from A\u0026M 3376, Box 11, Folder 8","Removed from A\u0026M 3376, Box 3, Folder 41","Removed from A\u0026M 3376, Box 5, Folder 35","Oversize materials moved to A\u0026M 3376, Box 12, Folder 3","Oversize material moved to A\u0026M 3376, Box 18, Folder 5","Oversize material moved to A\u0026M 3376, Box 16, Folder 14","Oversize material moved to A\u0026M 3376, Box 13, Folder 4","Oversize material moved to A\u0026M 3376, Box 16, Folder 15","Oversize material moved to A\u0026M 3376, Box 12, Folder 15","Oversize material moved to A\u0026M 3376, Box 18, Folder 6","Oversize material moved to A\u0026M 3376, Box 16, Folder 16","Oversize material moved to A\u0026M 3376, Box 18, Folder 7","Oversize material moved to A\u0026M 3376, Box 16, Folder 17","Oversize material moved to A\u0026M 3376, Box 16, Folder 18","Oversize material moved to A\u0026M 3376, Box 12, Folder 16","Oversize material moved to A\u0026M 3376, Box 13, Folder 5","Oversize material moved to A\u0026M 3376, Box 13, Folder 6","Oversize material moved to A\u0026M 3376, Box 18, Folder 8","Oversize material moved to A\u0026M 3376, Box 13, Folder 8","Oversize material moved to A\u0026M 3376, Box 13, Folder 9","Oversize material moved to A\u0026M 3376, Box 16, Folder 22","Oversize material moved to A\u0026M 3376, Box 16, Folder 23","Oversize material moved to A\u0026M 3376, Box 12, Folder 21","Oversize material moved to A\u0026M 3376, Box 18, Folder 9","Oversize material moved to A\u0026M 3376, Box 16, Folder 24","Oversize material moved to A\u0026M 3376, Box 12, Folder 22","Oversize material moved to A\u0026M 3376, Box 12, Folder 23","Oversize material moved to A\u0026M 3376, Box 12, Folder 24","Oversize material moved to A\u0026M 3376, Box 12, Folder 25","Oversize material moved to A\u0026M 3376, Box 12, Folder 26","Oversize material moved to A\u0026M 3376, Box 13, Folder 10","Oversize material moved to A\u0026M 3376, Box 12, Folder 27","Oversize material moved to A\u0026M 3376, Box 18, Folder 10","Oversize material moved to A\u0026M 3376, Box 16, Folder 25","Oversize material moved to A\u0026M 3376, Box 18, Folder 11","Removed from A\u0026M 3376, Box 4, Folder 17","Removed from A\u0026M 3376, Box 6, Folder 46","Removed from A\u0026M 3376, Box 7, Folder 31","Removed from A\u0026M 3376, Box 8, Folder 33","Removed from A\u0026M 3367, Box 8, Folder 42","Removed from A\u0026M 3376, Box 9, Folder 16","Removed from A\u0026M 3376, Box 9, Folder 34","Removed from A\u0026M 3376, Box 9, Folder 35","Removed from A\u0026M 3376, Box 9, Folder 36","Removed from A\u0026M 3376, Box 10, Folder 2","Removed from A\u0026M 3376, Box 6, Folder 38","Removed from A\u0026M 3376, Box 7, Folder 33","Removed from A\u0026M 3376, Box 7, Folder 37","Removed from A\u0026M 3376, Box 7, Folder 63","Removed from A\u0026M 3376, Box 7, Folder 71","Removed from A\u0026M 3376, Box 10, Folder 1","Removed from A\u0026M 3376, Box 6, Folder 36","Removed from A\u0026M 3376, Box 6, Folder 45","Removed from A\u0026M 3376, Box 6, Folder 49","Removed from A\u0026M 3376, Box 7, Folder 2","Removed from A\u0026M 3376, Box 7, Folder 3","Removed from A\u0026M 3376, Box 8, Folder 14","Removed from A\u0026M 3376, Box 8, Folder 28","Removed from A\u0026M 3376, Box 8, Folder 41","Removed from A\u0026M 3376, Box 10, Folder 8","Removed from A\u0026M 3376, Box 6, Folder 34","Removed from A\u0026M 3376, Box 6, Folder 47","Removed from A\u0026M 3376, Box 7, Folder 1","Removed from A\u0026M 3376, Box 7, Folder 61","Removed from A\u0026M 3376, Box 8, Folder 40","Removed from A\u0026M 3376, Box 10, Folder 3","Removed from A\u0026M 3376, Box 10, Folder 9","Oversize material moved to A\u0026M 3376, Box 12, Folder 14","Oversize material moved to A\u0026M 3376, Box 18, Folder 4","Oversize material moved to A\u0026M 3376, Box 16, Folder 20","Removed from A\u0026M 3376, Box 6, Folder 29","Removed from A\u0026M 3376, Box 7, Folder 53","Removed from A\u0026M 3376, Box 6, Folder 32"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1fe76a994c6e56435a8cddd682eee94b\"\u003eThis collection contains materials collected or created by the WVU Center for Women's Studies (CWS) in preparation for the Women's Centenary between 1989 and 1991. It mostly consists of research on early women students at WVU as well as planning materials for events to commemorate the Women's Centenary.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials collected or created by the WVU Center for Women's Studies (CWS) in preparation for the Women's Centenary between 1989 and 1991. It mostly consists of research on early women students at WVU as well as planning materials for events to commemorate the Women's Centenary."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_feba19d90bf0868b155eb1cec3aad97f\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"names_ssim":["West Virginia and Regional History Center","West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Center for Women's Studies"],"persname_ssim":["Waugh, Lillian J., 1941-2018","Howe, Barbara J."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":711,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-04T15:06:42.135Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1578_c02_c116"}},{"id":"vino_repositories_5_resources_267_c01","type":"File","attributes":{"title":"Women's Edition of the Recorder Newspaper","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_267_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_267_c01","ref_ssm":["vino_repositories_5_resources_267_c01"],"id":"vino_repositories_5_resources_267_c01","ead_ssi":"vino_repositories_5_resources_267","_root_":"vino_repositories_5_resources_267","_nest_parent_":"vino_repositories_5_resources_267","parent_ssi":"vino_repositories_5_resources_267","parent_ssim":["vino_repositories_5_resources_267"],"parent_ids_ssim":["vino_repositories_5_resources_267"],"parent_unittitles_ssm":["Women's Edition of the Recorder Newspaper"],"parent_unittitles_tesim":["Women's Edition of the Recorder Newspaper"],"text":["Women's Edition of the Recorder Newspaper","Women's Edition of the Recorder Newspaper","Oversize Folder 1"],"title_filing_ssi":"Women's Edition of the Recorder Newspaper","title_ssm":["Women's Edition of the Recorder Newspaper"],"title_tesim":["Women's Edition of the Recorder Newspaper"],"unitdate_other_ssim":["1895 August 31"],"normalized_date_ssm":["1895"],"normalized_title_ssm":["Women's Edition of the Recorder Newspaper"],"component_level_isim":[1],"repository_ssim":["Old Dominion University"],"collection_ssim":["Women's Edition of the Recorder Newspaper"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1,"parent_access_restrict_tesm":["The collection is open to researchers without restrictions."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"date_range_isim":[1895],"containers_ssim":["Oversize Folder 1"],"prefercite_html_tesm":["\u003cp\u003eWomen's Edition of the Recorder Newspaper, 1895 August 31, Oversize Folder 1, Women's Edition of the Recorder Newspaper, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Women's Edition of the Recorder Newspaper, 1895 August 31, Oversize Folder 1, Women's Edition of the Recorder Newspaper, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#0","timestamp":"2026-05-20T20:19:25.205Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_267","ead_ssi":"vino_repositories_5_resources_267","_root_":"vino_repositories_5_resources_267","_nest_parent_":"vino_repositories_5_resources_267","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_267.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/267","title_filing_ssi":"Women's Edition of the Recorder","title_ssm":["Women's Edition of the Recorder Newspaper"],"title_tesim":["Women's Edition of the Recorder Newspaper"],"unitdate_ssm":["1895 August 31","Date acquired: 09/26/2017"],"unitdate_other_ssim":["1895 August 31","Date acquired: 09/26/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 129","/repositories/5/resources/267"],"text":["MG 129","/repositories/5/resources/267","Women's Edition of the Recorder Newspaper","The collection is open to researchers without restrictions.","The Women's Edition of the Recorder Newspaper was an African American newspaper founded in Norfolk, Virginia. The Old Dominion University collection features a volume of the paper from August 1895.","The collection was minimally processed by Steven Bookman, University Archivist, in August 2017.","The collection consists of Volume 1, Issue 36 (August 31, 1895) of the Women's Edition of the Recorder, an African American newspaper in Norfolk, Virginia. 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